physical description of claude in emile zola's l'oeuvre...?
818318
the egg? I've never heard of the book, must be a higher level of French.
411944
Not his original, but the image in the middle of the first link I'm listing is pretty close to Descartes' from De Meteorologica.  The second source has several modern takes on the image as well as a nice physical explanation of what is going on.
1158672
Après un début difficile dut essentiellement à une saison ou il n'a pas été épargné par les blessures, le grand Patrick monte en régime et revients à son meilleurs niveau......la preuve contre le Togo. C'est un joueur hors du commun avec des qualités physiques exceptionnelles et une technique peu commune pour ce genre de joueurs. Je pense que les adversaires de l'équipe de France ne font pas assez attention à lui mais tant mieux. La lumière pourrai venir de Viera pour la France dans cette coupe du Monde..... :D
866319
An examination of the main character, Meursault, in "The Stranger" by Albert Camus would be excellent.  The book is a quick read, only about 120 pages or so.   One theme of the book deals with people's perceptions and the idea that just because people think something to be true does not make it true.  \n\nMany people judge the guilt of the main character based on certain observations of his behaviour, but none that should factor into his culpability regarding a certain act he commits.    \n\n(If you choose this topic, buy the Cliff Notes to read after you have read the book.  Quite fascinating.)
960584
il y a un magasin boulevard de sebastopol a chatelet.\nIl y a les cycles Laurent pas loin du Bataclan a oberkpamf.\n\nA levallois 3 minutes de la gare de clichy levallois il y a un magasin de cycles en occase. Et un autre a levallois aussi.\n\nRue jean Jaures et Victor hugo
367208
Haven't read it, but tip:\n\nLook for when he gives human qualities to objects\nExample: the wind slapped me across the face
683533
Go on google and type the seach terms - catcher in the rye laurence olivier -   \nYou'll find the exact quote in one of the results.
925724
here is the picture\nhttp://www.chiots-france.com/Trouver-votre-chiot/Cao%20Fila%20de%20Sao%20Miguel-1.jpg
676790
http://en.wikipedia.org/wiki/Auguste_Defauconpret
747618
The fundamental conception that underlay all Berthelot's chemical work was that all chemical phenomena depend on the action of physical forces which can be determined and measured. When he began his active career it was generally believed that, although some instances of the synthetical production of organic substances had been observed, on the whole organic chemistry must remain an analytical science and could not become a constructive one, because the formation of the substances with which it deals required the intervention of vital activity in some shape. To this attitude he offered uncompromising opposition, and by the synthetical production of numerous hydrocarbons, natural fats, sugars and other bodies he proved that organic compounds can be formed by ordinary methods of chemical manipulation and obey the same laws as inorganic substances, thus exhibiting the "creative character in virtue of which chemistry actually realizes the abstract conceptions of its theories and classifications--a prerogative so far possessed neither by the natural nor by the historical sciences."
1079590
The Discreet Charm of the Bourgeoisie \n\nA classic film from Luis Bunuel!!
154642
http://www.artsmia.org/modernism/sort/sort_frame_time.cfm?oid=75&r=180
929062
The image makes me immediately think of Baron Samedi, who was, I believe, a death figure from a Voudoun mythology. Unfortunately, I'm not very well-read on that particular branch, but that's what comes to mind.
140187
Already answered on Yahoo before here: http://ask.yahoo.com/20000713.html\n\nAnd if I remember correctly love was a corruption of "l'oeuf" or egg (as in goose-egg).
803050
like this :\nhttp://www.chiots-france.com/Trouver-votre-chiot/Cao%20Fila%20de%20Sao%20Miguel-1.jpg
482857
The story opens with a description of North Richmond Street, a"blind," "cold ... .. silent" street where the houses "gazed at one an-other with brown imperturbable faces." It is a street of fixed, decaying conformity and false piety. The boy's house contains the samesense of a dead present and a lost past. The former tenant, a priest,died in the back room of the house, and his legacy-several old yel-lowed books, which the boy enjoys leafing through because they areold, and a bicycle pump rusting in the back yard-become symbolsof the intellectual and religious vitality of the past. The boy, in themidst of such decay and spiritual paralysis, experiences the confusedidealism and dreams of first love and his awakening becomes incom-patible with and in ironic contrast to the staid world about him.\n\nEvery morning before school the boy lies on the floor in thefront parlor peeking out through a crack in the blind of the door,watching and waiting for the girl next door to emerge from her houseand walk to school. He is shy and still boyish. He follows her, walkssilently past, not daring to speak, overcome with a confused sense ofsensual desire and religious adoration. In his mind she is both a saintto be worshipped and a woman to be desired. His eyes are "often fullof tears," and one evening he goes to the back room where the priesthad died. Clasping the palms of his hands together, he murmurs, "0love! 0 love!" in a prayer not to God, but to the concept of love andperhaps even to the girl, his love. Walking with his aunt to shop onSaturday evenings he imagines that the girl's image accompanies him,and that he protects her in "places the most hostile to romance." Inthe mixed symbolism of the Christian and the Romantic or Orientalmyths Joyce reveals the epiphany in the story: "These noises con-verged in a single sensation of life for me: I imagined that I bore mychalice safely through a throng of foes." He is unable to talk to thegirl. Drifting away from his schoolmates' boyish games, the boy hasfantasies in his isolation, in the ecstasy and pain of first love.\n\nFinally the girl speaks to the boy. She asks him if he is going toAraby. He replies that if he does he will bring her a gift, and fromthat moment, his thoughts upon the mixed imagery of the saintly lightupon her hair and the potential sensuality of "the white border of apetticoat," the boy cannot sleep or study. The word Araby "cast anEastern enchantment" over him, and then on the night he is to go tothe bazaar his uncle neglects to return home. Neither the aunt noruncle understands the boy's need and anguish, and thus his isolationis deepened. We begin to see that the story is not so much a story oflove as it is a rendition of the world in which the boy lives.\n\nThe second part of the story depicts the boy's inevitable disap-pointment and realization. In such an atmosphere of "blindness"-the aunt and uncle unaware of the boy's anguish, the girl not con-scious of the boy's love, and the boy himself blind to the true natureof his love-the words "hostile to romance" take on ironic overtones.These overtones deepen when the boy arrives too late at the bazaar.It is closing and the hall is "in darkness." He recognizes "a silencelike that which prevades a church after a service" but the bazaar isdirty and disappointing. Two men are "counting money on a salver"and he listens "to the fall of the coins." A young lady, bored withhim and interested in two men who are flirting with her, cheapensand destroys the boy's sense of an "Eastern enchantment." His love,like his quest for a gift to draw the girl to him in an unfriendly world,ends with his realizing that his love existed only in his mind. Thus\n\nthe theme of the story-the discrepancy between the real and theideal-is made final in the bazaar, a
1051849
"It is only with the heart that one can see rightly; what is essential is invisible to the eye."\nPg. 73 of my hardback version.\nBeautiful book - you should read all of it!\nSorry, I don't have a copy in French & my knowledge of the language is not good enough.