How did Montano from the play Othello change throught the play? what are the characteristics of Montano?
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Montano    Othello’s predecessor as the governor of Cyprus. He is Othello’s friend and loyal supporter.\n\nMontano, Governor of Cyprus: Pronounces judgment on Iago at the end of the play, comments on the situation, and helps to wrap the play up. He is the main law and order figure of Cyprus, and serves as damage control after Othello dies, and Iago is proven unfit.\n\nThe second site has a lot on Montano that could help as well.
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learn how to google\nhttp://www.google.co.uk/search?hl=en&sa=X&oi=spell&resnum=0&ct=result&cd=1&q=change+Ovid+Metamorphosis&spell=1
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King Lear is one of Shakespeare's greatest tragedies.   The whole play is about lack of compromise.  \n\nGoneril poisoned her sister Regan and then killed herself.  These sites should be quite helpful to you.  Best of luck with your work.
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DUKE OF VENICE \n\nBRABANTIO, a Senator Other Senators \n\nGRATIANO, Brother to Brabantio \n\nLODOVICO, Kinsman to Brabantio \n\nOTHELLO, a noble Moor; in the service of the Venetian State \n\nCASSIO, his Lieutenant \n\nIAGO, his Ancient \n\nEMILIA, Wife to Iago \n\nDESDEMONA, Daughter to Brabantio, and Wife to Othello \n\nRODERIGO, a Venetian Gentleman \n\nBIANCA, Mistress to Cassio \n\nMONTANO, Othello's predecessor in the Government of Cyprus \n\nClown, Servant to Othello \n\nSailor, Officers, Gentlemen, Messengers, Musicians, Heralds, Attendants \n\nhttp://www.nosweatshakespeare.com/othello_characters.htm\nhttp://www.sparknotes.com/shakespeare/othello/characters.html\nhttp://www.sparknotes.com/shakespeare/othello/canalysis.html\nhttp://www.sparknotes.com/shakespeare/othello/index.html
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Othello by William Shakespeare\n\nhttp://www.elook.org/literature/shakespeare/othello/\n\nI have found 12 summaries for you to look at, click the link below. I have included a short extract to give you a taste of what the reviews have to offer and they’re FREE..!!!\n\nhttp://www.freebooknotes.com/book.php3?id=319\n\nhttp://www.antistudy.com/search.php?title=Othello\n\nhttp://www.cummingsstudyguides.net/xOthello.html#Othello\n\nhttp://www.clicknotes.com/\n\nAn analysis of the play by Shakespeare\n\nhttp://www.theatrehistory.com/british/othello001.html\n\nTHE ROMANTIC IAGO\n\nhttp://www.theatrehistory.com/british/iago001.html\n\nAntagonist \n\nIago, Othello�s ensign, is the antagonist of the play. He exploits Othello�s weakness, bringing out his fatal flaw of jealousy and making him believe that Desdemona and Cassio are having an affair. During the course of the play, Iago kills Roderigo and Emilia, his wife; and he stabs Cassio, wounding his leg. His evil scheming leads to the deaths of Desdemona and Othello. \n\nhttp://www.pinkmonkey.com/booknotes/monkeynotes/pmOthello04.asp\n\nGood luck.\n\nKevin, Liverpool, England.
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Benvolio\n\nMontague's nephew, Romeo's cousin and thoughtful friend, he makes a genuine effort to defuse violent scenes in public places, though Mercutio accuses him of having a nasty temper in private. He spends most of the play trying to help Romeo get his mind off Rosaline, even after Romeo has fallen in love with Juliet. Good friend in my opinion.
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If this is for homework you really should do the work yourself.  Everyone thinks Shakespeare is confusing because of the complicated language, but there really are some fun stuff in his plays, and some of it isn't that different then todays movies.  Shakespere used a lot of sex, violence, and paranormal.  The trick is don't read it.  It was never meant to be read directly. It wasn't even written down originally, just memorized by actors. Go rent Romeo and Julitte, and see it performed. If they are good actors they will convey it in a way that's easier to understand. Another good resource is: http://absoluteshakespeare.com\n\nAny, Act II starts out with the famous "balcony scene" where Juliet wishes Romeo wasn't Montague.  He overhears it and says he loves her so much he'll swear off the name. They complain for a while about dealing with the problem of being from feuding families, then fter some shameless flirting Romeo proposes.  Juliet says she'll think about it and send her nurse to answer tomorrow.  Romeo goes and tells Friar Laurence what he's done and the Friar accuses Romeo of just trying to get into Juliet's pants, expecially since yesterday he was telling the Friar he was in love with Rosalind.  Be he agrees to wed them because he thinks it will solve the feud between the families.  In the mean time Rome's friends give him a hard time, Juliet's Nurse agrees to help, and ends with them secretly getting married.\n\nFor an even funnier version rent The Complete Works of Wllm Shkspr (abbridged) by the Reduced Shakespere company.  Also rend the recent Romeo and Juliet movie by Baz Luhrmann (the guy that did Moulin Rouge)
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Shakespeare...he was a partier.
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You need to narrow this down. What age/grade are you? What have you been reading for class?\nShakespeare?\n20th Century Plays?\nAmerican authors?\n\nNarrow it down some and you'll get better answers.
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One great example would be William Shakespear. He's written Romeo and Juliet and A Midsummer Night's Dream. Also, there's that guy who wrote Huckle Berry Fin and Huck Everlasting.... What's his name again? Is it Tom Huck?
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Well, at first, Hamlet feels love towards Ophelia. He expresses this during Act One where he talks to her. Polonius and Laertes, then, advises Ophelia to stay away from Hamlet because they do not trust him.\n\nThe King and Polonius, then, suddenly devises a plot where they would find evidence of Hamlet's madness for love for Ophelia by having her talk to him while they eavesdrop on their conversation. From this point on, Hamlet realizes that everyone should be not trusted. He tells Ophelia to go to a nunery instead because men are evil. I think this is how Hamlet's feeling change - from love to concern.
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Othello was a play written by Shakespeare (Elizabethan England) but I believe he set the play in one of his exotic undefined times/places.\n\nIf you're interested in clothing, an interesting way to approach this paper might be to contrast costuming - I'm guessing the film version titled Othello probably uses traditional Shakespearean costuming while the "O" probably uses modern clothing?
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You may want to mention that Banquo highlights the change in Macbeth's personality.  They were friends and then Macbeth had him murdered.  Macbeth became power-hungry. Banquo was also curious--remember the witches predictions about Banquo being the father of leaders.  Banquo's ghost is symbolic of Macbeth's conscience.  You may also want to note the name play that Shakespeare used:  Banquo was killed when he was to be present at a banquet.  Get it?  Banquo Banquet.  Same as his son; he tells his son Fleance to Flee. Fleance-Flee.  Shakespeare does that a lot.
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Changing the language of Shakespeare changes the experience and defeats the play's impact.  Additionally, part of the reason for studying his plays is to gain skill at understanding and using language.\n\nOn the one hand, it is valid to want to deal with language that is easy to understand so as to follow a plot.  On the other hand, the way Shakespeare wrote is in itself a work of art, something to be appreciated for itself, aside from the plot.\n\nI remember that the movie version of Romeo and Juliet that starred Leonardo DiCaprio and Claire Danes was hugely popular even though every word in it was just as Shakespeare wrote it.\n\nSo a large part of the problem here is that reading the plays in school, as opposed to hearing and seeing it performed, makes it hard to understand, not the language per se.
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There are a lot of ways.  One of the major ones I think of involve the "Deus Ex Machina."  Literally "the god in the machine," the ancient Greek playwrights were good at painting themselves into a corner and suddenly they would send down a god, often in a machine of some kind, to "save the day."\n\nSome Medieval and Elizabethan writers took this concept and modified it and when THEY got painted into a corner, they would use the "god" of their time: the king, usually, or some other royal figure.\n\nNowadays, to use a "Deus ex Machina" is considered almost pathetic because if you write a good play, you should never have to "save the day" using a God or a King (or any randomly-inserted character at the end of the story) to bail you out.\n\nThat's one way drama has changed.  Another is the "elitism" that has accompanied drama late in the last century and in this one.  In the Greek and Roman times, as well as Shakespeare's day, just anyone went to the theatre.  Now, people go to plays if their parents also went to plays and schools feel obligated to drag kids because otherwise they will not go at all.\n\nAnother way is the split between the "mega musical" experience (think Andrew Lloyd Webber) and the traditional drama.  The latter nowadays usually have as few sets, characters, and costumes as possible because, quite frankly, it's expensive to put on a show and we aren't patient with reusing the same set, actors, and costumes over and over again the way they would have been in, say, Shakespeare's day.  The only time we can financially support such a "big" effort now is to mount a big musical (where tickets are pricey).\n\nI'm not sure exactly what you're looking for, but those are a few I can think of off the top of my head.
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Yea, you can use my old othello code. Download it here.\n\nwww.doyourownworkyoulazyass.com
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Othello, a "noble Moor" who has just eloped with the fair Desdemona when the play opens, leaves Venice to command the Venetian armies against the Turks on the island of Cyprus, accompanied by his new wife and his lieutenant, Cassio. When they arrive, they find that the weather has destroyed the Turkish fleet. Iago, a standard bearer, repeatedly tries to undo Othello, finally succeeding when he plants Desdemona's handkerchief on Cassio, managing to convince Othello that his wife has been unfaithful with the lieutenant. Othello smothers Desdemona out of jealousy, before Iago's wife, Emilia, eventually reveals that Desdemona's affair was but an invention of Iago's. Iago immediately kills his wife also, and Othello then commits suicide in grief. At the end, it can be assumed, Iago is taken off to be tortured and possibly executed.