what is the traditional tiquila music?
478207
That was "The Champs" in the '50s. PeeWee Herman's dance number in PeeWee's Big Adventure!
39581
Era un aire suave de pausados giros;\nel hada Harmonía, ritmaba sus vuelos,\ne iban frases vagas y tenues suspiros\nentre los sollozos y los violoncelos.\n\nSobre la terraza, junto a los ramajes,\ndiríase un trémolo de liras eolias,\ncuando acariciaban los sedosos trajes\nsobre el talle erguidas, las blancas magnolias.\n\nLa marquesa Eulalia, risas y desvíos\ndaba a un tiempo mismo para dos rivales:\nel vizconde rubio de los desafíos\ny el abate joven de los madrigales.\n\nCerca, coronado por hojas de viña,\nreía en su máscara Término barbudo,\ny como un efebo que fuese una niña\nmostraba una Diana su mármol desnudo.\n\nY bajo un boscaje del amor palestra,\nsobre un rico zócalo al modo de Jonia,\ncon un candelabro prendido en la diestra\nvolaba el Mercurio de Juan de Bolonia.\n\nLa orquesta perlaba sus mágicas notas;\nun coro de sones alados se oía;\ngalantes pavanas, fugaces gavotas,\ncantaban los dulces violines de Hungría.\n\nAl oír las quejas de sus caballeros,\nríe, ríe, ríe la divina Eulalia,\npues son su tesoro las flechas de Eros,\nel cinto de Cipria, la rueca de Onfalia.\n\n¡Ay de quien sus mieles y frases recoja!\n¡Ay de quien del canto de su amor se fíe!\nCon sus ojos lindos y su boca roja,\nla divina Eulalia, ríe, ríe, ríe.\n\nTiene azules ojos, es maligna y bella;\ncuando mira, vierte viva luz extraña;\nse asoma a sus húmedas pupilas de estrella\nel alma del rubio cristal de Champaña.\n\nEs noche de fiesta y el baile de trajes\nostenta su gloria de triunfos mundanos.\nLa divina Eulalia, vestida de encaje,\nuna flor destroza con sus blancas manos.\n\nEl teclado armónico de su risa fina\na la alegre música de un pájaro iguala.\nCon los staccati de una bailarina\nv las locas fugas de una colegiala.\n\n¡Amoroso pájaro que trinos exhala\nbajo el ala a veces ocultando el pico.\nque desdenes rudos lanza bajo el ala,\nbajo el ala aleve del leve abanico!\n\nCuando a media noche sus notas arranque\ny en arpegios áureos gima Filomela,\ny el ebúrneo cisne, sobre el quieto estanque,\ncomo blanca góndola imprima su estela,\n\nla marquesa alegre llegará al boscaje,\nboscaje que cubre la amable glorieta\ndonde han de estrecharla los brazos de un paje\nque siendo su paje será su poeta.\n\nAl compás de un canto de artista de Italia\nque en la brisa errante la orquesta deslíe,\njunto a los rivales, la divina Eulalia,\nla divina Eulalia, ríe, ríe, ríe.\n\n¿ Fue acaso en el tiempo del rey Luis de Francia,\nsol con corte de astros en campos de azur,\ncuando los alcázares llenó de fragancia\nla regia y pomposa rosa Pompadour?\n\n¿Fue cuando la bella su falda cogía,\ncon dedos de ninfa, bailando el minué,\ny de los compases el ritmo seguía,\nsobre el tacón rojo lindo y leve el pie?\n\n¿O cuando pastoras de floridos valles\nornaban con cintas sus albos corderos\ny oían, divinas Tirsis de Versalles,\nlas declaraciones de sus caballeros?\n\n¿Fue en ese buen tiempo de duques pastores,\nde amantes princesas y tiernos galanes,\ncuando entre sonrisas y perlas y flores\niban las casacas de los chambelanes?\n\n¿Fué acaso en el norte o en el mediodía?\nYo el tiempo y el día y el país ignoro;\npero sé que Eulalia ríe todavía\n¡y es cruel y eterna su risa de oro!\n\nRubén Darío
512513
traditional!!!\n\n:-)
951865
Hi.  i have a cd of Iranian traditional music. ( I brought it at Borders).  I liked it very much.  I imagine your popular music must be also very good.  By the way I love iranian filmaker Majid Majidi's movies: Bacheha-Ye aseman (Children of Heaven), Baran, etc.\nI am glad you are happy.
93987
I love mexican songs :\nFrom the songs that Pedro Infante sang to the rock en español, and pop. You should specify what kind of music you like if you do.\n\nLook what i found..\n\nMexican Music\n \n \n \nThe music of Mexico is extraordinarily diverse and features a wide range of different musical styles. The most well-known Mexican genre by far is mariachi, a style of traditional Mexican son which is considered old-fashioned but respected traditional music and is usually listened to as modern music. Mexican ranchera (country music) styles, including norteño and banda, are not only popular within Mexico itself, but they are also frequently enjoyed by Mexican immigrants in both rural and urban American communities. Norteño, similar to Tejano music and Tex-Mex, arose in the 1930s and 40s in the Rio Grande border region of southern Texas. Influenced by Bohemian immigrant miners, its rhythm was derived from the European polka dance popular during the 1800s. Banda, similar to norteño in musical form, originated from the Mexico state of Sinaloa during the 1960s. Other new styles such as cumbia, pop, and rock have seen increased popularity as the music of Mexico faces a new generation of young people.\nSouthern Mexican folk music is centered around the marimba, which remains popular in Chiapas and Oaxaca. In Yucatán the traditional Jarana music and dance is popular.\n\nModern Mexican musical styles are also changing Mexican music. Cumbia, pop, hip-hop, and rock, which are heavily influenced by music from the Caribbean islands and the United States, are increasingly becoming popular among Mexican youths on both sides of the border.\n\nAlso see:\n\nMariachi\n\nJarochos\n\nArpa Grande\n\nAbajenos and Istmenos\n\nSon Huasteco\n\nMexican Ranchera\n\nNorteño\n\nBanda\n\nDuranguense\n\nCumbia and pop\n\nIn the 1940s, Mexican music began its rise to international fame, just as Cuban music was topping charts across the globe. Since then, Mexico has absorbed influences from across Latin America, most especially include Colombian cumbia, which is now as much or more known as a Mexican trend than a Colombian one.\n\nMexican pop music derives from a mixture of Spanish, African and Aztec or other indigenous sources. Related to Cuban son montuno and Venezuelan joropo, Mexican son arose in the 18th century. It is similar to, but historically and characteristically distinct from, Cuban son montuno, despite the similarity in nomenclature. Nine or ten styles of Mexican son have been popular, including mariachi. Mexican son has been rural for most of its history, and requires audience participation for zapateado, or foot-stamping done in a counter-rhythm. Most bands use string instruments and improvised lyrics.
740773
One of these:\n\n"Sands Theme"\nWritten and Produced by Johnny Depp, Bill Carter, Bruce Witkin and Ruth Ellsworth\nPerformed by Tonto's Giant Nuts\n\n\n\n"Cuka Rocka"\nArranged and Performed by Chingón\n\n\n\n"Malagueña"\nWritten by Ernesto Lecuona\nPerformed by Brian Setzer\nCourtesy of Surfdog Records\n\n\n\n"Malagueña salerosa"\nWritten by Pedro Galindo & Elpidio Ramírez\n\n\n\n"Traeme paz"\nWritten by Patricia Vonne and Israel Rodriguez\nPerformed by Patricia Vonne\nUnder license from Bandolera Records\n\n\n\n"La Culebra"\nTraditional\nPerformed by Mariachi Silvestre Vargas\nUnder license from Disco Orfeón Videovox S.A./PHAM\n\n\n\n"Flor de mal"\nWritten by Tito Larriva and Steven Hufsteter\nProduced by Robert Rodriguez and Carl Thiel\nPerformed by Enrique Iglesias\nCourtesy of Interscope Records\n\n\n\n"Yo te quiero"\nWritten and Performed by Marcos Loya\nCourtesy of Spindletop Records\n\n\n\n"La Chongeada"\nWritten and Performed by Banda San José\nUnder license from Cabaret Records\n\n\n\n"Dias de Los Angeles"\nWritten by Mark Del Castillo and Alex Ruiz\nPerformed by Del Castillo\nCourtesy of Smilin' Castle Productions\n\n\n\n"Y me dejastes tirado en la calle"\nWritten and Performed by Antonio Banderas\n\n\n\n"Pistolero"\nWritten by Ben Watkins and Steve Stevens\nPerformed by Juno Reactor\nCourtesy of Melt 2000/Sound Reproductions Limited\n\n\n\n"Me gustas tu"\nWritten and Performed by Manu Chao\nCourtesy of Virgin Records America, Inc.\nUnder license from EMI Film & Television Music\n\n\n\n"Bolero Ranchero"\nWritten and Performed by Omar Ortiz\nUnder license from Cabaret Records\n\n\n\n"El pájaro cú"\nTraditional\nPerformed by Mariachi Cobre\nUnder license from Celestial Harmonies\n\n\n\n"Siente mi amor"\nWritten by Robert Rodriguez and José Tamez\nProduced by Robert Rodriguez and Carl Thiel\nPerformed by Salma Hayek\nSoundtrack on Milan Records
341162
I found this on the web - the Original song lyrics, followed by the translation:\n\nViento Del Arena\n\nDimelo partir y ir al\ndimelo dilalo\nlatira malacali\nlatira malacali\nmasimela la malacali\nva tirando de la malacali\nva tirando de la malacali\ndimelo hay un martir y ir al\ndimelo hay un martir y ir al\nmiralo miralo\ndimelo partir y ir al\nlatira malacali\nlatira malacali\n\n\n\n--------------------------------------------------------------------------------\n\n\nViento Del Arena (Sand In The Wind)\nGod, I sing your splendor\nYou, who are the earth and the fire\nThe water and the wind.\nAll the sons of the wind are your sons\nAll the sons of the wind are brothers\nThis is why I sing my brothers of the desert\nThe sons of the sand of the desert.\n\n- Translated by Lauren Pace. - \n\n--------------------------------------------------------------------------------\nBack to "Bamboleo"
1077832
Check out Luis Miguels Cd Romances, and all his other cd's he has great wedding songs. There is a song that goes like this "Y es que no sabes lo que tu me haces sentir"... its nice. "El dia que me quieras" is a great song.
920580
I don't know Agalloch well, but I listened to some previews on Itunes. Similar to them are Nightwish and Visions of Atlantis, from what I've heard.\n\nFor very exotic, pretty music you might try finding something by Anggun. 'Snow on the Sahara' was one of her biggest hits and it's got an exotic feel.\n\nShakira's songs are slightly exotic, but they're more mainstream.
130971
i could recommend some good cumbia songs!\nWould that do it?
57493
http://en.wikipedia.org/wiki/Cumbia\n\nIs this what you're looking for?
12826
In the area where I live there are dances that play latin music.  A lot of Spanish speakers come to these dances because they enjoy dancing.  That might be a good place to start.
771945
Traditional, classic.
852057
LA JAULA DE LOS LEONES\nLA GUARIDA DEL LEON
542359
sorry, dont know that music....\n\nviedo
437567
well 5 de mayo is a Mexican holiday so I would say it is Mexican music mainly mariachi or something alike
326143
The Joropo is a musical style resembling the waltz, having African and European influences in its origins, and the accompanying dance. It is a fundamental genre belonging to Venezuelan folklore, especifically of its typical music or música criolla (creole music). It is also the most popular "folk rhythm" and the well known song "Alma Llanera" is considered an unofficial national anthem (Dydynski 2004, p.34).\n\nThe Joropo is played with the arpa llanera (harp), bandola, cuatro, and maracas (ibid), making use of polyrhythmic patterns, especially of hemiola, and alternation of 3/4 and 6/8 tempos. It was originally played, most often also sung, by the llaneros, the inhabitants of the Venezuelan Llanos (plains), and thus also called música llanera (ibid). The singer and the harp or bandola may perform the main melody while a cuatro performs the accompaniment, adding its characteristic rhythmic, sharp percussive effect. The cuatro and the bandola are four-stringed instruments which are descendants of the Spanish guitar. The only real percussion instruments used are the maracas. Besides the genre and dance, the name joropo also means the performance, the event or occasion of performance.\n\nIn modern times, several other instruments have been adding themselves to playing various parts in Joropo performances, for instance, guitar, flute, clarinet, piano, and so on, up to having a complete symphony orchestra playing Joropo arrangements. Since the 1950's the Venezuelan composer Aldemaro Romero has pioneered his praiseworthy orchestrations of numerous Joropos, among other native venezuelan genres, allowing international audiences to enjoy the beautiful venezuelan music, albeit in a more conventional presentation. Curiously enough, it often happens that when a Symphoy Orchestra plays Joropo, the cuatro is still included.