Does anyone know how I could become a music artist manager?
471699
start booking shows in your area, record a demo for them and try to get it out to record labels, contact record labels about A&R reps coming out to see them perform, get some CDs made for them and sell them at shows, contact underground touring hip hop or rap artist and try to get them hooked up on a tour or at least a few shows with them. Essentially you do the dirty work so he/she can work on their music. It's not easy. Good luck. This link may help.
631328
Well, you can't just jump into being a rock star.  You must earn that status.  Start now.  Start a company, band, organization, etc. based on what you are passionate about.
618413
Think of all your interests & ask yourself if any of those could be expanded into a business. Just keep in mind...what's your expertise? What are your interests? What could you imagine yourself doing?\n\nWhat types of management appeal to you? Business? Artist? Project? It could be easier to narrow your search once you focus in on a particular type of management.\n\nBy researching the prospect of starting your own business -- what it entails, what you need to know, helpful hints, etc -- you'll feel better prepared to take that plunge.\n\nI found some book titles that are relevant to your specific question:\n\n* 101 Internet Businesses You Can Start from Home by Susan Sweeney\n* The Best Home Businesses for the 21st Century by Paul Edwards\n* Selling Online: How to Become a Successful E-Commerce Merchant by Jim Carroll\n* I Could Do Anything If I Only Knew What It Was: How to Discover What You Really Want and How to Get It by Barbara Sher\n* I Don't Know What I Want, But I Know It's Not This: A Step-by-Step Guide to Finding Gratifying Work by Julie Jansen\n\nMANAGEMENT SPECIFIC:\n* This Business Of Artist Management by Jr. Xavier M. Frascogna, H. Lee Hetherington \n* The Complete Guide to Special Event Management : Business Insights, Financial Advice, and Successful Strategies from Ernst & Young...by Dwight W. Catherwood, Richard L. Van Kirk \n* Careers in Management Consulting: The WetFeet Insider Guide (2005 Edition) by Wetfeet\n* The Harvard Business School Guide to Careers in Management Consulting, 2002 by Maggie Lu\n \nI also posted some article links in the source box.\n\nHope that helps! I wish you much success & happiness in all your ventures!
1163972
Establish a company (incorporate) and put together a business plan for investors.  It will take a few weeks, but it is very, very legit and if you are serious (and talented), you may find investors.  If you already have demo's, go to music industry executives for critical reviews before trying to find investors.
97854
Generally, you'll attend a university or college where you'll get a bachelor's degree in Music or Music Education and a teaching certificate.  Just contact the schools you are looking at and talk to the advisors from the Music department and the Education department.
868939
Ok this can be a tough one. Being in a band myself, and currently looking to be signed, I may have a few good ways to break into the scene. First off you should cut a demo. Now a days there are allot of places to this. I would start by googleing recording studios in your area, or look in the phonebook. Most places will charge about 25-40 an hour, so be mindful about where you go to. Second get your name out there. The best way to do this is to play shows where ever you can. There is no place to small to put on a show and get yourself out there. Understand that most record companies get so many demos a month from so many bands that have been around allot longer then you. And Record Reps don't look for acts that are not established. So it may be years before a big record company comes knocking on your door. The one thing you have to have is drive, any record company small or large will not take any intrest in an artist if they don't have drive. They are more willing to help an artist who helps themselves. I can tell you that my band has had to play allot of dive bars and underground shows before that one really big show came along, or people started to take notice. Also you want to generate buzz about yourself. Bring something to the table that no one else is. Their are allot of artists out there who want the same thing, its tough but you have to have the edge, or you will be passed over. Keep contacts with people. The more you keep in touch with people who work in the music business, the better they will remember you when it comes to name dropping on there part. And finally be as friendly and nice to people you meet as you can. More often then not people get an ego about who they think they are, and a mark is put on them. And word spreads very fast about people who are rude or have a huge ego. It is really up to you how you want to act, but people will be more friendly and willing to help you out if you are nice. I hope this helps. True its not everything you need to know, but its a good start.
455905
you need to produce a demo disc of no more than 3 songs,then along with a CV,a photo and a covering letter send it out to every company you can.Also send out the same package to local and national radio-stations.If you don't hear back don't worry send out another, then another and another etc.............................................\nCOPYRIGHT:Once you have put pen to paper the work you produce is covered by copyright but make sure that everything you do is signed,dated and accompanied by the c in a circle.Also keep a diary of when you completed work and dates you send work out and who too.
461374
I have a couple of friends that play gigs throughout town.  You need a following of people.  I would have a mail list set up at your gigs and inform them of when you are playing next.  When you have a big enough following, you can get into places like the Viper Room (in LA) or other places  (depending on your type of music).  These types of places have A&R scouts, managers etc.. \n\nDo everything you can to get the word out.  Go to myspace and start a band following there.  It also is a fast and easy way to let people know where you are gonna be playing..\n\nSending unsolicited tapes are the long shot way of getting a contract simply because there are so many submissions.. most of the time they end up in the trash (unless you are unique sounding or spectacular)..\n\nGood luck..
872159
There are many ways to achieve your goals. However there is only one true way to copyright your work. Many people copyright their work the "poor mans" way, by mailing a copy of the music to themselves and leaving the package unopened. There has been cases where the  post-mark has held up in court. BUT if you ever find yourself in a position when you have to defend your work in court, I would suggest a little more backing then that. Visit the US copyright website (you can google it) get their mailing address, print and complete needed application, get a money order for $45 (double-check the current fee), and in-close the above along with copy(s) of your work on a CD and send it away. About 3 months later you'll received a certificate reflecting your work being added to the copyright office's records..and there you have it...\n\nAs for selling your music? (this the non-detailed version)\nIf your songs are indeed up to par, next thing you want to do is put together a press-kit, next you want to research a record label, or publisher who best represents your genre of music. Find out the submission procedures of that label or publisher, and follow them.\nNow that's the "standard theory" on how to get where you want to be, doesn't happen that way much these days. There are sooooo many ways to make it in this business and nothing is guaranteed...
165206
Write music and practice.  Have a vision for yourself first... then you can bring people into it.  Post ads or check flyers at music stores.  It's going to be trial and error for awhile to find the right musicians.  You'll know when you find the right ones.
266317
You should consult an entertainment lawyer that specializes in music industry.\n\nAlso as a side note.. Do you really want to compete with iTunes?
669613
i can't really say that its going to work but shall help u as me too got interest in musics...i like giving chorus,do sing rap song...i got a group of frens who too got interest in singing but coz of financial problem  we were weak...\n\n nways to start a music...the most important is its music...the way drums n guitars are played n the way it is taken i mean steps...and then vocal should be matching the musics....and come to the lyrics.\n\n previously people go for slow n senti songs....but if i say for future the worlds going to be rocking n thats the time where u can also be a part of role model...\n\n Rite now theres lots of singer n lots of songs,so its gonna be bit competetive...so why not u be prepare for future...i mean something rocking....screaming...fast musics...n lot....if u happens to find it interesting n want to share thoughts n views my email id is alystassy@gmail.com
149926
Work your way up. Try to be a personal assistant or intern at a record label. Or you can constantly enter contests.
468992
you need a very good manager to support your trips on advertising for your albums and lots of cash to put you on billboards . it is not easy but if you got the talent and the looks you will find so many agents who believes in fresh talents.
1131883
Find out what your local venues are, and talk to the managers. Always treat them with respect, because they make the decisions. Also, consider non-traditional venues, like the local community college or city parks.\n\nAnd once you have a venue, call the radio stations in the town and see if their program managers are interested in teaming up with you. Offer them exclusive coverage and backstage passes, etc. for the event - they are more likely to team up with you if there is something in it for their listeners.
727248
First off, find out who is head of A & R at the company. Check the Billboard directory. Then send it to them personally and package it distinctively. Use your imagination. Some companies will get hundreds of CDs to audition on a monthly basis and quite frankly they won't have time to listen to half of them. Same in sending your stuff to radio stations and reviewers.\n\nTry to make a name for yourself performing. Get some reviews. Participate in things like South by Southwest.\n\nThe best way to get anywhere is to audition for management and being able to demonstrate to them that you can make money for them. Most importantly...it is the personal contacts you make that will help you. Even if you think your local music reviewer is an idiot, don't let anyone know you think that way. Join organizations like NARAS, attend the receptions, mix with other members. Some will be extremely helpful to up and coming musicians, but they have to know you are there. \n\nAudition for gigs...sometimes you will have to play for free, but that is how it goes sometimes.\n\nAlways keep in mind that however much you see yourself as a musician and artist, a record company must, at some point, consider your earning potential. Also remember, that the larger the record label, the greater their expectation for earnings will be. Smaller labels are more likely to be interested in what you are trying to do. If you are only in it for the money, look for a bigger label.\n\nAlways consider what you might have to offer that is unique...what will make you marketable. An agent can help you develop an image, but until you reach that point, you need to think like you are your own agent and work on your marketing...and I am not taking T-shirts or posters...it is getting your name before the public in reviews...in the newspaper...on local radio...branding, etc.\n\nOf course you can start your own label...but then you probably won't get anyone to distribute your stuff!\n\nThe music business is really a relatively small world. Most of the survivors remember what it was like getting started and as they age, they are often interested in helping younger musicians along, assuming they aren't burnt out on things. Remember you can learn from them, and my guess is that many of them will tell you that these days it is more about business than it is about music.\n\nGood luck.
918071
Depends on the producer. First, heres some advice. Dont expect a label or a top name artist or a studio to just pick you up straight away. You gotta work for it. You gotta prove yourself in some way before anyone will give you a shot. If you have your own recording gear then thats first step on the ladder. Find yourself some fresh talent from the underground and work with them to make a CD. Dont ask for payment or anything though. Do it purely for the experience and the mark on your CV. Work like this. Before very long, if youre good at it, youll have a list of people youve worked with and the CDs youve produced to back it up. Im doing the same thing as a community music project. Kinda like pop idol without the scams, slagging matches and rip ofs. Use your head. Force dont work in this field. You gotta go around the obstacles and not charge into them hoping to go through them. Build yourself a portfolio and start approaching ever more successful artists. Then when the time comes you can demo yourself to a higher up company or artist. Peace.