what are 3 characteristics of Orientalism?
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See the answers here:\n\nhttp://answers.yahoo.com/question/;_ylt=AkVQLfqHrzouWX_csYxsr6YjzKIX?qid=1005122703010\nhttp://answers.yahoo.com/question/;_ylt=AorbbSejEEjEhP_zuz4JG.0jzKIX?qid=1006031616768
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THE SIX ..? Sounds like the 6 properties were discussed in your study text - here are a few off the top of my head\n\nA foreign laguage is not a secret code of your mother tongue. It has it's own rules and personality. (German is technical. Korean is more spiritual and repectful of older generations)\n\nYou will find languages all have vowel sounds made from the throat and constant sounds made by the tongue, lips and teeth. (arguements for languages for animals look at the sounds)\n\nThe sentence structure is different in each language. Nouns,  Verbs, Adjectives and Adverbs are common in all languages, but have greater or lesser importance in each. (long verbs cam be formed in German using nouns as their basis. English may have nouns based on verb origins -eg: "dining room")\n\nIrregular words (verbs or nouns with plurals) give an idea of things that were important to the host culture before language rules were applied (eg - from wheat to bread, we have many words that discribe the different phases of that food in the West. In the East, rice has many variations to the words used depending on being the plant or gathered or cooking or served).\nVerbs used for hunting (shoot, run, hit, eat) are irregular in English to give an idea what is important to our cultural background. In Greek, there are 5 to 8 translation to our one word "Love" - shows what is important there.\n\nmany cultures have "Peace" as an important part of their greeting or departing wish.
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integrity\nlegality\nequality\nconfidentiality\nconflict of interest
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Cultural and physical.
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Honesty and innocence.\n\nOptimism.\n\nUnconditional love and forgiveness.\n\nTrust.
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personality\nappearance\nloving\nhonest\ntrustin
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You should read "orientalism" by Edward Said.
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Do your own homework...\n\nbut direct characterization is where the author comes out right and says characteristics.  So look for descriptions and introductions of characters in the book.
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1. uniquely impressive life expectancy gains (40 to 65) via widespread equitable social welfare policies   2. institutions necessary for a green revolution in agriculture that spread throughout China from 1965-1983  3. a basic industrialization foundation (albeit grossly imbalanced towards heavy industry and military) for reformers to build on  4. unintentionally stimulating later democracy debates and movements by invoking the Paris Commune ideals in the early Cultural Revolution (ideals he soon betrayed).  \n\nThese achivements have to be balanced against the 1959-61 famine, imprisonment of real and supposed dissenters, two major episodes of state violence, and the elimination of most non-propagandistic art, literature, film, etc.
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think of yourself in western europe where the term originated. You got the far, middle and near east's. Far is the asian pacific (china mostly), middle east is persia and arabia and n. africa, near is eastern europe(ottoman empire). North and south america not involved yet.
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North, East, West, South
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Intelligence, Sex appeal, Respect, Culture, Honesty, Grace, Class, Loyalty, Compassion, Compatibility and above all Mutual Love.
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the Middle East, which is part of the Asian continent
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business culture, religious cultures, popular culture, high culture, ethnic cultures, etc...
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1.  a buffer zone for the core state - Tibet provides the buffer with India; Mongolia provides the buffer with much of Russia - relatively weak neighbors (Laos, for example) provide part of the buffer\n\n2.  all Chinese under one rule (includes Taiwan) - and international respect for the One China policy\n\n3.  trade surplus\n\n4.  leadership of the third world - friendship with African nations is part of this\n\n5.  respect from other nations and cultures (US, Japan) - includes Japanese admission of guilt for WWII actions
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An archetype crosses cultural, historical, and medium boundaries - it is a universal form recognized by the human consciousness.\n\nIt has a set of characteristics that allow it to be identified no matter where it shows up.  These are usually general attributes, symbolic associations, relationships to other elements, or function within plot or narrative.
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insouciance and anomalistic