What dance do australian aboriginals do?
358863
Its called a coorobori (whether thats how u spell it or not tho I dont know) lol
818169
The terms ethnic and traditional are used when it is required to emphasize the cultural roots of the dance. It this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries (and even cross the boundary between Folk and Ballroom dance), ethnic differences are often considerable enough to speak of, e.g., "Czech Polka" vs. "German Polka".\nHowever, not all ethnic dances are folk ones. The simplest example of these are ritual dances or dances of ritual origin.\n\n\nFolk dance is a term used to describe a large number of dances, mostly of European origin, that tend to share the following attributes:\n\nThey were originally danced in about the 19th century or earlier (or are, in any case, not currently copyrighted); \nTheir performance is dominated by an inherited tradition rather than by innovation; \nThey were danced by common people and not exclusively by aristocracy; \nThey have been developed spontaneously and there is no governing body that has final say over what "the dance" is or who is authorized to teach it. This also means that no one has the final say over the definition of folk dance or the minimum age for such dances. \nFolk dances are traditionally performed during social events by people with little or no professional training. New dancers often learn informally by observing others and/or receiving help from others. Folk dancing is viewed as more of a social activity rather than competitive, although there are professional and semi-professional folk dance groups, and occasional folk dance competitions.
430461
Try this:\nCharing, Kent, England : Traditional 'Hooden Horse Display' and 'Morris Dancing' See Mystical WWW Arts
242665
Aboriginal past can be told by living Aboriginals.
242784
Numa Numa Dance.\n\nLast time I checked, <www.youtube.com> had it.\n\nLove ya, Gary :-))
304964
Do an interpretive dance to show people how it makes you feel.
185893
the only way is to try an search engine and search for 'dance moves instructions'...pretty simple :)
172034
The square dance is an American institution. It began in New England when the first settlers and the immigrant groups that followed, brought with them their various national dances, which we now call folk dances, but which were the popular dances of the day in the countries of their origin - the schottische, the quadrille, the jigs and reels and the minuet, to name a few. After a week of toil in building new homes and carving homes out of virgin forest, the settlers would gather in the community center on Saturday evening and enjoy dancing their old-world favorites. As the communities grew and people of different backgrounds intermingled, so did their dances. As the repertoire increased, it became increasingly difficult for the average person to remember the various movements. \n\nIn almost any group, however, there would be at least one extrovert, the hail-fellow-well-met, the life-of-the-party type, with a knack for remembering the dance figures. With typical Yankee ingenuity, the settlers let this person cue or prompt them in case they happened to forget what came next. In due course, the prompter (or figure caller, as he became known) acquired a repertoire of various colorful sayings or patter that he could intersperse with the cues. Quite often he would learn the dances of other communities and he would teach them to the group. Some of these men were quite ingenious and developed dances and routines of their own, including dances for groups of four couples. This is the manner in which square dancing and its director (or caller) developed. \n\nAs the population spread southward and westward, so did the dances. Lacking the organized recreation of today, the hardworking pioneers felt a need for an activity that would provide recreation as well as social contact with neighbors. Square dancing filled this need. The only requirements were a wooden floor, music and a caller. A barn, somebody's living room, the town hall or, in later years, the grange hall provided the place. A caller was not always a basic requirement. If one was around, fine; if not, they did dances that they remembered or that someone in the group could prompt. As far as music was concerned, there was always someone on hand who could play a guitar, a fiddle or an accordion. \n\nHowever, as the population became more urban it also became more cosmopolitan. Booming trade brought to our shores new fashions, new music, and new dances from other continents. The new dances became fashionable, and square dancing was displaced in our mushrooming cities. It survived only in isolated areas, in each of which an individual style peculiar to that region developed. In time, differences among these regional dances became so pronounced that a square dancer from one area often would not be able to dance in another. Square dancing seemed slated for oblivion. \n\nIn the early 1930's, Henry Ford became interested in the revival of square dancing as a part of his early New England restoration project. His efforts captured the interest of other individuals who then modernized the activity so that it would appeal to contemporary America while retaining its basic flavor. Square dancing groups began to form hither and yon. By 1948, square dancing had reached the level of a fad and there was some concern that interest would be short-lived. Such fears proved baseless. The people who had rediscovered this activity were determined to retain it, to perpetuate it and to share it with others. In the process of revival, the hillbilly band with its whiny fiddle was replaced by modern combos, which provided uniform performance through the medium, of high-fidelity recordings; the nasal-voiced, almost unintelligible caller was replaced with an articulate professional assisted by a public address system. The barn, the pitchfork, the bale of hay and the little brown jug disappeared from the scene and square dancing moved into the urban centers. Name tags, worn by all dancers, put everyone o
123939
In Australia, they dance in the streets and stop people and start preaching. People respect them here howevever they can be forceful with preaching
779976
I noticed that you did'nt mention a specific tribe.\nDifferent tribes have different dances.\nDifferent tribes have different beliefs.\n\nYou got to be more specific.\n\nAs to the person that answered previously:\nAnybody with common sense would know this.
1130784
what about an australian kiss? its like a french kiss but down under!!!
713625
Your question doesnt really make sense.\nDo you mean Australian aboriginal children?\nThey get taught the same as everyone else in their class, maybe you should be asking "What's in the syllabus about European History?"
553585
he/she dances this cumbia
812953
hello! Line dancing is still alive on cmt! Isn't that square dancing a little bit?
735185
i believe they are types of dances but who knows
509814
Illinois Official Dance: The Square Dance\n\nIn 1990, Governor Thompson signed into law a bill designating the Square Dance as the American folk dance of the State. Square Dance is a term used to describe many individual dances done in a style that traces its origins back to Morris dancing in England and French dancing with influences of Irish, Spanish, and Scottish dancing thrown in. It was revived in the 1950s and remains a popular pastime.\n\nYee haw!!
1046705
Here is a video with the Girls from the group of Cherish showing you the different  snap, ATL dances. Then dancer Jamica Craft will break down the dance for you.\n\nhttp://youtube.com/watch?v=wK0cKYRfVtg&search=cherish%20snap