IN  side a pocket of a clown. what does this song mean?
157118
dont know this song\n\ni like rock is it rock?\n\nshail_slim@yahoo.com
437895
That sound more like TAXI by Harry Chapin to me.  I could be wrong but this is my best guess.
1169129
The video for the song takes place in a strange, circus-themed wedding. The video starts as the bride and groom are getting ready for the wedding. The woman, who is just about to get married, runs out after arguing with her boyfriend, most likely asking him why he invited these circus freaks to the wedding. One of the clowns runs after her. The leader of the circus freaks, and lead singer of the band, Brendon Urie leads the man outside, where his girlfriend and the clown who pursued her out of the church are kissing. The clowns put on sad faces, yet their face painted faces still look like they are smiling. Urie and the man bow to the camera. And the man becomes the new leader of the circus freaks. Although it is unknown what happened to Urie.\n&#92;
24023
This is one version of the rhyme:\nHalf a pound of tuppenny rice,\nHalf a pound of treacle.\nThat’s the way the money goes,\nPop goes the weasel.\n\nUp and down the City road,\nIn and out the Eagle,\nThat’s the way the money goes,\nPop goes the weasel.\n\nEvery night when I go out\nthe monkey’s on the table.\nTake a stick and knock it off\nPop goes the weasel.\n\nA penny for a ball of thread\nAnother for a needle,\nThat’s the way the money goes,\npop goes the weasel.\n\nAll around the cobblers bench\nthe monkey chased the people;\nThe donkey thought ’twas all in fun,\npop goes the weasel. Before anybody rushes to put fingers to keyboard, let me say that this is by no means the only version of the lyric. There are several others, especially from the United States. But this is the usual British version, a famous catchy rhyme (or at least, as you say, the first two verses are).\nThe earliest reference I can find to music with this name actually comes from the United States, from sheet music entitled “Pop goes the Weasel for Fun and Frolic”, published in 1850 by Messrs Miller and Beacham of Baltimore. Another from three years later refers to “the latest English dance” and also “an old English Dance lately revived”, so it seems to have been imported from Britain. None of these early versions had any lyrics apart from a repeated “Pop goes the weasel”, the catch line of the dance, which was sung or shouted by the dancers as one pair of them darted under the arms of the others. Several references in books and magazines suggest that the tune soon became extremely well known, and that pop goes the weasel became a catchphrase, as it later did in Britain. There have been suggestions that the phrase was intended to be ribald or erotic, though the explanations I’ve seen are somewhat fanciful.\nFollowing first publication of this article, David Joyce wrote that: “The tune is a version of that used for the country dance, The Haymakers, which has the same form as Strip the Willow, and Bab at the Bowster (a couple hold hands, forming a bridge, which the other couples have to pass under). The tune was published in Gow’s Repository, issued in four volumes between 1799 and 1820. Thus the tune was around at least half a century before the American publication of Pop Goes The Weasel, but is certainly very much older. (It is similar to the tune used for Humpty Dumpty, and not far removed from Lilliebulero and Rock A-bye Baby, all jigs traceable back to the seventeenth century.)”\nThe first British mention of the phrase pop goes the weasel dates from an advertisement by Boosey and Sons of 1854 which described “the new country dance ‘Pop goes the weasel’, introduced by her Majesty Queen Victoria” (a puff to be taken with a large pinch of salt, we may assume). It would seem from the dates that the title was taken from the American publication of 1850.\nTalking of Queen Victoria, I found these words attached to the tune in the March 1860 issue of the Southern Literary Messenger of Richmond, Virginia:\nQueen Victoria’s very sick,\nPrince Albert’s got the measles.\nThe children have the whooping cough,\nAnd pop! Goes the weasel. Her Majesty would not have been amused.\nYour version was a British music-hall song of the latter part of the Victorian period (quite when I haven’t been able to discover); it is highly probable that the words were composed to the tune of the earlier dance because everyone on both sides of the Atlantic seems to have the same one, even if the words are different.\nSome of the references are now quite opaque, but we can take a fair shot at a few. In the second verse, the City Road was—still is—a well-known street in London, more than a mile long. The Eagle was a famous public house and music hall, which lay near the east end of the road on the corner of Shepherdess Walk; this had started its life as a tea-garden, but was turned into a music hall in 1825 (one of the very first); it e
1033328
Hello,\nI never listened to the song but according to the lyrics I found on the internet it goes something like this: (sorry for the quick messy translation)\n\nis he in a rush \na little kiss would be so nice\ndear God, what happened to me this time\nhe goes on with his tricks\n\nmy intimate places, my perfume\nhave you forgotten your actions\nhow much mind do you have left anyway\ngimme that, how nice it is to make love\n\nstamped him, he's gonna realize\ngonna call gonna count\ngonna turn gonna fall to my hands\ncan hurt you, you gonna see\ndidn't put red pepper on your mouth that's so sweet\nwill crush it this time\n\nwho was I, you lost me\nwhat have you got out of this misery\nI'm suffering 'cause of ..(?)\nhow it's killing me he doesn't know
616995
Here is one possible interpretation of this "camp-fire song."  The auto-formatting feature of this forum will not allow me to reprint your request in "fake book" style for all to see and so I, regrettably, must direct you to the web-source at:\n\nhttp://xenia.media.mit.edu/~kristin/songbook/OnAndOn/HoleAtTheBottomAtTheSea.html\n\nAll my best to you!
405225
It is an early Billy Joel song, where he is telling a girl to "come out Virginia don't make me wait". In other words he wants her to have some "fun" with him. To hep with his message he tells her that "He'd rather laugh eith the sinners, than cry with the Saints" and that only the good die young. \n\nIf you can't read between those lines - he is trying to loosen up a girl that has apparently strict parents for some fun and action.\n\nIt is a light fun song with no deep meaning
13794
It's from a song called "Farmer Chords" by and band called "Death Cab For Cutie".  Lyrics can be found at the link below.
1171679
In the old days, the orchestra was in a pit at the front of the stage.  Reluctant actors were told to, "walk to center stage, turn and face the music"  because the music would be coming from the orchestra pit.\n\nIt has now become an idiom to mean you should meet your problems or fears head on...face them in other words.
953155
It's from an old Nursery Rhyme\n\nLittle Jack Horner\nSat in a corner\nEating his Christmas pie\nHe put in his thumb\nAnd pulled out a plum\nAnd said" What a good boy am I!"\n\nNow, having said that I couldn't begin to tell you if it has any underlying meaning!\n\nHere's a link to a theory on the "back story"\nhttp://www.rooneydesign.com/JackHorner.html\n\nAnd here's yet another link:\n\nhttp://www.rhymes.org.uk/little_jack_horner.htm\n\nAnd finally dear old wikipedia has a bunch of alternative rhymes that are quite amusing:\n\nhttp://en.wikipedia.org/wiki/Little_Jack_Horner
421811
That's absoulutely hilarious. Unfortunately, a great deal of meaning can be lost in writing, particularly when one is being factitious or sarcastic. Am I wrong to assume that this was meant to be be a joke? (It seems that no one else is interpreting it that way.) Neither of the words that you listed are diminuitive at all.\n\nThese are the lyrics from a song by Nelly - a famous rapper. It's just a joke people.
39181
It's a song called Someone by Brian Culbertson.. and the lyrics are a bit different... see the link :)
96611
yeah, it's by beyonce.  near the beginning does a guy say, "u needa stop playin' 'round with all the clowns and the wansksta; good girls needa get down w/ the gangstas"?  n it's CHECK up on it, not jack up on it. lol.if you watch mtvj (jams) or mtvh (hits), all they basically play is music videos, n they play that song a lot.
1083277
Where: Clown hell.\n\nWhy: To lurk in the nightmares of our children.
374725
Looks like a suicide pact.\n\nhttp://www.azlyrics.com/lyrics/him/dontfearthereaper.html
46754
the lyrics are making an attempt to explain that the person they speak of has taken something of great value and rendered it worthless. \nLike the gift of love.\nhe's trying to make clear that their love is doomed.
1088915
It's an awesome song, but I'm not quite sure what it means.\n\nIt might mean that the writer of the song wasn't writing about heartbreaks and how much love sucks and stuff(tragedies), but instead, he wrote about sins and stuff.\n\nI dunno.