wHAT LITERARY MAGAIZNE BOASTS A WORD COURT COLUMN BY WORLD POLICE COMMISSIONER BARBARA WALLRAFF?
155312
http://www.theatlantic.com/about/people/bwbio.htm
727521
a law statue for crimes and criminal procedure in fraud and false statements
226180
try www.booksrule.com
605411
Book by Erwin Kreyzig.
533517
this book:\nPoetry and Politics in Adrienne Rich (1951-1999)\nby Rodrigo Espinosa Cabral \n  \n \nThis thesis was defended and approved on 21st February 2001 \nin Florianópolis - SC - Brasil, \nat Federal University of Florianópolis UFSC \nin partial fulfillment of the requirements for the degree \nMaster in English and its respectives Literatures. \nCopyright © 02/21/2001 by Rodrigo Espinosa Cabral. Reprinting of this thesis in its complete, unmodified form for strictly non-profit purposes is both authorized and encouraged provided that this copyright is included. \n\n \n\nChapter 3\n\n \n\nPossibilities of a Feminist Poetry\n\nAntiwar Activism, Androgyny, Social Lyricism and Lesbianism (1969-1986)\n\n \n\nLeaflets (1969) is the first book Adrienne Rich wrote after having moved to New York City in 1966 and the last book she published as a heterosexual wife. In the seventies, after her husband’s death, she would increase the amplitude of her feminist poetry, widening it up to lesbianism-related themes. This collection stabilizes the increasing feminist awareness Rich had being experiencing since Snapshots of a Daughter-in-Law, expanding its themes to questions related to her Jewish identity, to the Vietnam War, and to the so-called Cold War. The very act of "leafleting" suggested by the title can be associated to Rich's significant participation as activist in anti-war and women liberation movements in New York.\n\n"Nightbreak" is a poem that synthesizes this thematic expansion in her poetry. In his essay "Adrienne Rich, North America East," Terrence Des Pres affirms that "the poet's openness to the world makes her vulnerable to the world's horror, especially the violence her own nation visits upon helpless children elsewhere [...]" (364). "Nightbreak" presents a political way of demonstrating how the public sphere interferes in the personal as the speaker tries to sleep but is impeded by the horrors of the world:\n\nIn the bed the pieces fly together \n\nand the rifts fill or else\n\nmy body is a list of wounds\n\nsymmetrically placed\n\na village\n\nblown open by planes\n\nthat did not finish the job\n\nThe enemy has withdrawn\n\nbetween raids become invisible\n\nthere are\n\nno agencies\n\nof relief\n\nthe darkness becomes utter\n\nSleep cracked and flaking\n\nsifts over the shaken target (24-37)\n\nIf in the fifties, Adrienne Rich showed a tranquil speaker, able to sleep and even dream with ordinary issues as demonstrated in the poem "Bears," in the late sixties she is disturbed by "pieces" and "rifts" of the Vietnam War (1954-1975). These disturbing fragments are related to facts and news about the conflict, which in the poem act as splinters broken off from the bombings to provoke "wounds" in her "body." Rich's speaker acts as a receiver of the atrocities of the war. To a certain extent, the speaker's wounds are reflected in her insomnia and preoccupation. \n\nRich behaves as she were a real participant in the war, as if a distant fact like the bombarded village had caused actual wounds in her body, and not only on her psychological level—in her discernment or feelings about that military event as the news commonly cause. The wounds pervade the poem and can be associated with the empty spaces rifting its form and metaphorically enlarging the personae’s excoriations. In addition, these gaps widen the meter and break the rhythm of the poem. Read aloud, as pauses, they suggest moments of reflection for the reader. On its turn, the lack of punctuation can be seen as a strategy to increase the bleeding in the "wounds," and to disturb the reading, emphasizing the speaker's mental turmoil in relation to the war.\n\nTowards its end, the poem indicates pessimism:\n\nWhat breaks is the night\n\nnot day The white\n\nscar splitting\n\nover the east (38-41)\n\nIn the passage, the night, an all
763789
Human rights laywer from Zimbabwe, if I am not mistaken. \n\nOpponent of Apartheid, etc.
442843
"Once in an ancient city, whose name I no longer remember,\nRaised aloft on a column, a brazen statute of Justice\nStood in the public square, upholding the scales in its left hand,\nAnd in its right a sword, as an emblem that justice presided\nOver the laws of the land, and the hearts and homes of the people.      310\nEven the birds had built their nests in the scales of the balance,\nHaving no fear of the sword that flashed in the sunshine above them.\nBut in the course of time the laws of the land were corrupted;\nMight took the place of right, and the weak were oppressed, and the mighty\nRuled with an iron rod. Then it chanced in a nobleman's palace          315\nThat a necklace of pearls was lost, and ere long a suspicion\nFell on an orphan girl who lived as maid in the household.\nShe, after form of trial condemned to die on the scaffold,\nPatiently met her doom at the foot of the statue of Justice.\nAs to her Father in heaven her innocent spirit ascended,                320\nLo! o'er the city a tempest rose; and the bolts of the thunder\nSmote the statue of bronze, and hurled in wrath from its left hand\nDown on the pavement below the clattering scales of the balance,\nAnd in the hollow thereof was found the nest of a magpie,\nInto whose clay-built walls the necklace of pearls was inwoven."
279377
This numeral represents the phrase "14 words," the number of words in an expression that has become the battle cry and rallying slogan for the white supremacist movement: "We must secure the existence of our people and a future for white children." This expression was coined by the now imprisoned David Lane, a long-time racist and member of The Order, a far-right revolutionary group based in the Northwest, that was responsible for a number of bank robberies, the bombing of a synagogue and the murder of Denver radio talk-show host Alan Berg in the 1980s.
261737
w tinqzia nomve kj gqmx ommdy ne eri tkoqnqu.\n\n\n\n\n\n(Translation: I learned about it from books at the library)
1014587
Fithos Lusec Wecos Vinosec \n\nits an anagram it cant be translated.\n\nsuccession of witches   +  love  \n\n(the letters are jumbled to give the other phrase)
346873
COSMOPOLITAN...u'll like it for surE
1134139
Glenda Overstreet is an opinion columnist for the Topeka Capital Journal; on 2/17/06 she wrote a piece linked below that caused quite a stir. Two Topeka Police officers responded to her column, and now Ms. Overstreet is claiming the two officers are racist and should be fired. They have both (Detectives Ken Eaton and George Campbell) been placed on administrative leave pending an investigation.\n\nYou can find out more info here:\nhttp://www.raubinandmegan.com/race.shtml
288528
The real transcripts are available but only in German.... go here for a synopsis and for a link to those transcripts..\nhttp://en.wikipedia.org/wiki/Anneliese_Michel#Trial_and_courtroom_charges
705265
Ms.Nutter: I'd write גברת נאטר.\nJulie: ג'ולי\nLizze: ליזי
471318
Barbara Boxer\nand\nDianne Feinstein
484893
BEGUM KHALIDA ZIA \n\nWIFE OF ZIAUR RAHMAN....
583033
Article in a Newspaper\nGlaberson W. 1999 June 7. The courts vs. scientific certainty. New York Times; Sect 4; 5 (col 3).