Who wrote Shakes Sphere's Romeo and Juliet ?
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um. . . William Shakesphere??!!!
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refer to sparks notes.com. It will have notes on every play Shakespeare ever wrote, although he stole most of his ideas from me, Christopher Marlowe.
310964
hmm to be or not to be is not from romeo and juliet. anyways, my favorite qoute is "parting is such sweet sorrow". I like it because of the oxymoron "sweet sorrow", how can sorrow ever be sweet? But it best describes the experience of two lovers parting in few words.
179000
Shakespeare really  came up with his plays, however   Nicholas Rowe and Alexander Pope, were responsible for publishing/editing the plays, so it is hard to say what Shakespeare's original words really were. There is also speculation that Shakespeare was not "smart" enough to come up with the plays that he did. Some believe it could be different Earl's and auhtority figures, but I hardly believe it.
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The Forcefulness of Love \n\nRomeo and Juliet is the most famous love story in the English literary tradition. Love is naturally the play’s dominant and most important theme. The play focuses on romantic love, specifically the intense passion that springs up at first sight between Romeo and Juliet. In Romeo and Juliet, love is a violent, ecstatic, overpowering force that supersedes all other values, loyalties, and emotions. In the course of the play, the young lovers are driven to defy their entire social world: families (“Deny thy father and refuse thy name,” Juliet asks, “Or if thou wilt not, be but sworn my love, / And I’ll no longer be a Capulet”); friends (Romeo abandons Mercutio and Benvolio after the feast in order to go to Juliet’s garden); and ruler (Romeo returns to Verona for Juliet’s sake after being exiled by the Prince on pain of death in II.i.76–78). Love is the overriding theme of the play, but a reader should always remember that Shakespeare is uninterested in portraying a prettied-up, dainty version of the emotion, the kind that bad poets write about, and whose bad poetry Romeo reads while pining for Rosaline. Love in Romeo and Juliet is a brutal, powerful emotion that captures individuals and catapults them against their world, and, at times, against themselves.\nThe powerful nature of love can be seen in the way it is described, or, more accurately, the way descriptions of it so consistently fail to capture its entirety. At times love is described in the terms of religion, as in the fourteen lines when Romeo and Juliet first meet. At others it is described as a sort of magic: “Alike bewitchèd by the charm of looks” (II.Prologue.6). Juliet, perhaps, most perfectly describes her love for Romeo by refusing to describe it: “But my true love is grown to such excess / I cannot sum up some of half my wealth” (III.i.33–34). Love, in other words, resists any single metaphor because it is too powerful to be so easily contained or understood.\nRomeo and Juliet does not make a specific moral statement about the relationships between love and society, religion, and family; rather, it portrays the chaos and passion of being in love, combining images of love, violence, death, religion, and family in an impressionistic rush leading to the play’s tragic conclusion.\n\n\n\n\nLove as a Cause of Violence\n \nThe themes of death and violence permeate Romeo and Juliet, and they are always connected to passion, whether that passion is love or hate. The connection between hate, violence, and death seems obvious. But the connection between love and violence requires further investigation.\nLove, in Romeo and Juliet, is a grand passion, and as such it is blinding; it can overwhelm a person as powerfully and completely as hate can. The passionate love between Romeo and Juliet is linked from the moment of its inception with death: Tybalt notices that Romeo has crashed the feast and determines to kill him just as Romeo catches sight of Juliet and falls instantly in love with her. From that point on, love seems to push the lovers closer to love and violence, not farther from it. Romeo and Juliet are plagued with thoughts of suicide, and a willingness to experience it: in Act III, scene iii, Romeo brandishes a knife in Friar Lawrence’s cell and threatens to kill himself after he has been banished from Verona and his love. Juliet also pulls a knife in order to take her own life in Friar Lawrence’s presence just three scenes later. After Capulet decides that Juliet will marry Paris, Juliet says, “If all else fail, myself have power to die” (III.v.242). Finally, each imagines that the other looks dead the morning after their first, and only, sexual experience (“Methinks I see thee,” Juliet says, “. . . as one dead in the bottom of a tomb” (III.v.242; III.v.55–56). This theme continues until its inevitable conclusion: double suicide. This tragic choice is the highest, most potent expression of
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i would say Heer Ranjha\n\nbut other great lovers might include -\nVenus and Mars (greek mythology)\nhttp://www.venusandherlover.com/Mythology.html\nRomeo and Juliet\nLaila Majnu\n\nBut all these are facts or fiction? R&J is fiction. wat abt others?
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Well since Shakespere has a play out there called Henry V how about:\n\nTo Manipulate or Not to Manipulate, That is the question...
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Romeo And Juliet by William Shakespeare\nhttp://www.elook.org/literature/shakespeare/romeo-and-juliet/\n\nI have found 12 summaries for you to look at, click the link below. I have included a short extract to give you a taste of what the reviews have to offer and they’re FREE..!!!\n\nConflict \n\nRomeo and Juliet is based on external conflict and portrays the long-standing quarrel between the two established families in Verona, the Capulets and the Montagues.\n\nhttp://www.pinkmonkey.com/booknotes/monkeynotes/romeo1.asp#conflict\n\n\nhttp://summarycentral.tripod.com/romeoandjuliet.htm\n\nhttp://www.freebooknotes.com/book.php3?id=363\n\nhttp://www.antistudy.com/search.php?title=Romeo+And+Juliet+\n\nhttp://www.antistudy.com/search.php?title=Romeo+And+Juliet+\n\nhttp://www.cummingsstudyguides.net/xRomeoJul.html#Romeo\n\nhttp://drb.lifestreamcenter.net/Lessons/RomJul/index.htm\n\nhttp://www.clicknotes.com/romeo/index.html\n\nAn analysis of the play by Shakespeare\n\nhttp://www.theatrehistory.com/british/romeoandjuliet001.html\n\nhttp://www.cummingsstudyguides.net/xRomeoJul.html#Characters\n\nhttp://www.pinkmonkey.com/booknotes/barrons/romeojl11.asp\n\n\nGood luck.\n\nKevin, Liverpool, England.
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Is that like a Hispanic version of Romeo & Juliet?\nhttp://www.enotes.com/romeo/
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Hamlet!! we just finished reading that in my ap senior english class last friday!  try sparknotes.com, it really helps, and there's even a section, no-fear-shakespeare, that has the original text next to everyday english, so that it is easier to understand what it being said in our modern lingo...\nhope this helps!!!
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You can obtain the script at http://www.william-shakespeare.info/script-text-pericles.htm
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BOTH ARE ABOUT LOVE BUT ORTHELLO IS MATRIARCH LOVE AND ROMEO AND JULIET IS LOVE BETWEEN A GIRL AND A BOY WITH NO BLOOD TIES
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They were always the same age, ever since Shakespear wrote the play. If you mean actors who played them, then check http://www.imdb.com
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William Shakespeare (Known as The Bard of Avon)\n\nSonnet 29\n\nWhen, in disgrace with fortune and men's eyes,\nI all alone beweep my outcast state\nAnd trouble deaf heaven with my bootless cries\nAnd look upon myself and curse my fate,\nWishing me like to one more rich in hope,\nFeatured like him, like him with friends possess'd,\nDesiring this man's art and that man's scope,\nWith what I most enjoy contented least;\nYet in these thoughts myself almost despising,\nHaply I think on thee, and then my state,\nLike to the lark at break of day arising\nFrom sullen earth, sings hymns at heaven's gate;\nFor thy sweet love remember'd such wealth brings\nThat then I scorn to change my state with kings.
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Dear girl, first of all you need to be specific - is it Shakeapeare you are talking about?\n\nSecondly, it's Mark Antony in Shakespeare (not Antonio).\n\nBrutus gives a logical, unemotional speech winning the crowd over to the suggestion of making Brutus the new Caesar. Antony halts the crowd's support for the conspirators with a masterful speech that plays on the crowd's emotions.\n\nBrutus' speech was full of authoritative words while Antony appealed to the mob's emotions. While Brutus tried to show Caesar in anegative light, Antony tried to show Brutus is a very postive light. The use of rhetoric is also potrayed beautifully.
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The merry wives of Windsor by Shakespeare.\n\nBut it was originally said by Publius Syrus in 42 b.c.
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He is British and was involved with the Shakespearian theater; did make up there.  He later discovered new wave music.