Who was Susana Dickinson?
156197
She was the only Anglo adult to survive the Battle of the Alamo and was named "The Lady of the Alamo".
61316
Jennie Finch?\n\nhttp://www.jenniefinch.net/
257046
Go to www.findarticles.com.\nEnter: Eva Peron.\nLimit search to "free articles only."\nWhen I tried this search I came up with 300 articles.  Some of these should be useful for your project.
395312
shakespeare, edgar allen poe, emily dickinson, robert frost...
535928
http://en.wikipedia.org/wiki/Selena
561958
http://www.switchboard.com/bin/cgiqa.dll?SR=&MEM=1&VL=&QV=50B17C3B253243DB89F070627EEC7750l02843BB8BF6C5344D8303203O018438B8BF6C5344DA303203O03072C3DCA6C5344C9303203&NM=Medina%2C+Maria&LO=Dallas%2C+TX+&search.x=38&search.y=10\n\nhave no idea if any of these are who you are looking for
638312
Ok this time I'm being honest with you when I say that Madeline Saber was the professional name of Rita San Benito.\nRita was born (actual date unknown) 1943 in a province of Venezuela to the area governor.\nShe grew up watching the abuse of the local peasants and vowed to help them some day.\nTo make a long story short, she ended up helping them by opening a brothel in Tijuana and bringing in help from her homeland to run the business.\nShe got her name "Saber" because she was known to hold a knife to customers genitalia who wouldn't pay their bills.\nShe sold her business in 1999 and is now running a soup kitchen back in her home town.\nIt is said that she still carries her knife in a garter at all times.\nhe he he
18466
I believe she was a poet, but she is most known for this quotation: "Handle them carefully, for words have more power than atom bombs."  \nThe only book of hers I know of is called "All in Black Flower and Other Poems", published in 1946.
414318
Wow, I love searching for answers on questions like this- this is a tough one!\n\nThis was the ONLY thing I could find, a comment someone wrote...\n\nIt could be a man controlling her life--her father, Wadsworth, Higginson?--but it makes more sense to identify the "He" and "Whom" with god. The belt is some kind of sign of office, the one who puts the belt on the speaker is a "Duke" with "imperial" stature. Once belted, the speaker becomes a member of the elite and ethereal "Cloud." (If you wanted to you could read this a some kind of kinky bondage thing--The Story of E--but that would be inappropriate and less than tactful.)\n\nWith the second eight lines in place, I see the poem as a wry and witty, even slightly rueful, comment on ED's famous reclusivity. There might not have been a train she wouldn't take as it lapped up its miles, but in fact she did take very few, and she did care where they were going!\n\nAnd of course, like most of ED's other poems, you can sing it to the tune of "The Yellow Rose of Texas" or "Amazing Grace," or any other song in psalm meter.\n\nCiarog from United States \n\n\nAlternatively, I guess maybe background on Dickinson's usual themes might help?\n\nEmily Dickinson is such a unique poet that it is very difficult to place her in any single tradition—she seems to come from everywhere and nowhere at once. Her poetic form, with her customary four-line stanzas, ABCB rhyme schemes, and alternations in iambic meter between tetrameter and trimeter, is derived from Psalms and Protestant hymns, but Dickinson so thoroughly appropriates the forms—interposing her own long, rhythmic dashes designed to interrupt the meter and indicate short pauses—that the resemblance seems quite faint. Her subjects are often parts of the topography of her own psyche; she explores her own feelings with painstaking and often painful honesty but never loses sight of their universal poetic application; one of her greatest techniques is to write about the particulars of her own emotions in a kind of universal homiletic or adage-like tone (“After great pain, a formal feeling comes”) that seems to describe the reader’s mind as well as it does the poet’s. Dickinson is not a “philosophical poet”; unlike Wordsworth or Yeats, she makes no effort to organize her thoughts and feelings into a coherent, unified worldview. Rather, her poems simply record thoughts and feelings experienced naturally over the course of a lifetime devoted to reflection and creativity: the powerful mind represented in these records is by turns astonishing, compelling, moving, and thought-provoking, and emerges much more vividly than if Dickinson had orchestrated her work according to a preconceived philosophical system.\nOf course, Dickinson’s greatest achievement as a poet of inwardness is her brilliant, diamond-hard language. Dickinson often writes aphoristically, meaning that she compresses a great deal of meaning into a very small number of words. This can make her poems hard to understand on a first reading, but when their meaning does unveil itself, it often explodes in the mind all at once, and lines that seemed baffling can become intensely and unforgettably clear. Other poems—many of her most famous, in fact—are much less difficult to understand, and they exhibit her extraordinary powers of observation and description. Dickinson’s imagination can lead her into very peculiar territory—some of her most famous poems are bizarre death-fantasies and astonishing metaphorical conceits—but she is equally deft in her navigation of the domestic, writing beautiful nature-lyrics alongside her wild flights of imagination and often combining the two with great facility.\n\nTo be perfectly honest, I think your best bet is to borrow a book from the library with criticism...\nAll the best, hope that helps somehow!
322950
Maria Raquenel Portillo (born 5th January 1970) is an infamous Mexican woman, who is much better known for her nickname of Mary Boquitas.\n\nIn 1985, she auditioned for a music group. This group, managed by powerful Mexican producer Sergio Andrade. Portillo was chosen for the group; the girls picked the name "Boquitas Pintadas" because it sounded very different from the names of other typical teenaged bands of the era, many of which tried to copy Menudo with their name. Because of the band's name, Mary Raquenel Portillo would later become known as "Mary Boquitas".\n\nGloria Trevi was another member of the band. "Boquitas Pintadas" had five members in total; however, it was Trevi and Portillo who were able to forge a friendship that went beyond their days at "Boquitas Pintadas".\n\nAs Trevi became a top selling singer during the early 1990s, Mary Boquitas went on to sing as Trevi's back-up while on tour. She would continue singing as one of Trevi's back-up singers until a big scandal began to unravel during the middle 1990s.\n\nIn 1995, Andrade's former wife published a book in which she alleged that Andrade sexually abused teenaged girls, sometimes submitting them to torture and even into having lesbian sex with some of Andrade's singers. The book specifically pointed at Trevi and Portillo being involved in these acts, among other people. It also mentioned Karina Yapor.\n\nAndrade, Trevi, Portillo, Yapor and, it is believed, a number of young girls fled Mexico soon after the book was published, and, according to police investigations, they lived at various countries for periods of time, including Spain, Chile, Argentina and Brazil. In 1997, they were declared fugitives by the Mexican police.\n\nNews about this case reached the United States, being widespread on a daily basis by such television shows as "El Gordo y la Flaca" with Lily Estefan and Raul De Molina, "Cotorreando" with Mauricio Zeilic and Sábado Gigante, with Don Francisco, among others.\n\nSoon after the Mexican police declared them fugitives, Brazilian police arrested them. Among the charges was the alleged killing of an infant girl that Trevi had supposedly borne. Trevi herself has admitted, through a comics series she draws for a Spanish magazine and which is based on her experiences in Brazil, that she indeed had a baby girl, but that she does not know what happened to her daughter. Brazilian police pointed at Portillo and Andrade as top suspects in the murder of the baby, but the baby's corpse was never found, and the murder charges were later dropped.\n\nBrazilian police also accused the group of kidnapping minors and of sexual conduct with them.\n\nThe Brazilians faced one technical problem: Mexico's law also wanted the group, based on the fact that the crimes in which the group was allegedly involved (not counting the baby's case, of course) happened in Mexico. A long, legal battle between lawyers and lawmen from both countries ensued. Meanwhile, the Andrade-Trevi-Boquitas-Yapor case was so widespread that, in 1998, when female inmates had to be transported from Trevi and Portillo's jail due to overcrowding, a special Boeing 737 of Varig had to be chartered for the accused in the famous case, so that they would travel under better protection measures.\n\nIn 1999, the women were extradited to Mexico. Yapor had voluntarily returned before, and she was spared from jail time.\n\nAfter four years and a half in a Mexican jail, the women were acquitted of all charges in 2004.
671058
It is Jada pinket smith.
224033
Born Paul Dickinson on August 7, 1958, in \nWorksop, Nottinghamshire, he adopted the first name Bruce as a youngster for reasons unknown. Shortly after relocating to Sheffield as a teenager, Dickinson became enamored of such '70s heavy metal bands as Deep Purple, and after an attempt at becoming a drummer didn't work out, he began singing in local bands -- Styx (not the renowned American band of the same name), Speed, and Shots. But none of these bands broke out of regional status, something that would change when Dickinson fronted his next band, Samson. \n\n\nThe group, named after guitarist Paul Samson, specialized in heavy metal despite punk being all the rage at the time in their native England (during his tenure with Samson, Dickinson went by the name Bruce Bruce). The band issued a pair of albums with Dickinson, including 1980's Head On and 1981's Shock Tactics, and while the bandmembers were part of the aforementioned NWOBHM movement, they failed to gain the popularity obtained by such fellow acts as Def Leppard, Judas Priest, and Iron Maiden (in fact, their greatest bit of publicity was non-musical -- their drummer, Thunderstick, would wear a black cloth mask that caused some criticism when a British rapist wore a similar-styled disguise). Citing "musical differences," Dickinson left the band in the summer of 1981 shortly after Samson appeared at the summer's Reading Festival. \n\n\nAlmost immediately after his exit from Samson, Iron Maiden's singer Paul Di'Anno left the band despite being in the midst of a meteoritic rise to stardom. A tryout was arranged with Dickinson, who was named Iron Maiden's new vocalist in late 1981. Several months after joining the group, Maiden released The Number of the Beast -- not only one of the best albums of their career, but an undisputed all-time heavy metal classic. With his powerful operatic vocals, the new Dickinson-led Maiden stormed the charts and arenas worldwide for the remainder of the decade -- solidifying their standing with such further acclaimed releases as 1983's Piece of Mind, 1984's Powerslave, 1985's Live After Death, 1986's Somewhere in Time, and 1988's Seventh Son of a Seventh Son. \n\n\nDespite Maiden's massive success, rumors always circulated about Dickinson often butting heads with Maiden founder/bassist Steve Harris, and the release of Dickinson's first ever solo album in 1990, Tattooed Millionaire, only intensified the speculation. But Dickinson returned to Maiden shortly thereafter, lending his vocal talents to 1990's No Prayer for the Dying and 1992's Fear of the Dark. While the band remained extremely popular in just about every area of the world, Maiden began losing its footing stateside, and sensing that the band's best days were behind them, Dickinson left the group in 1993 after a farewell tour (several Dickinson-era live albums were issued by Iron Maiden around the same time -- A Real Live One, A Real Dead One, and Live at Donnington 1992). \n\n\nMaiden would soldier on with replacement vocalist Blaze Bayley (formerly of Wolfsbane), while Dickinson resumed his solo career, resulting in 1994's Balls to Picasso, 1995's Alive in Studio A, 1997's Accident of Birth, 1998's The Chemical Wedding, and 1999's Scream for Me Brazil. But like Bayley era Maiden, Dickinson's solo career failed to reach as wide of an audience as '80s Maiden had. Dickinson and Maiden patched up their differences by the late '90s, as he rejoined the group for a successful reunion tour in 1999, and a year later, for the album Brave New World and supporting tour. \n\nWhile Maiden is once again his top priority, Dickinson has also formed a side project, named Trinity, with two of heavy metal's other top vocalists -- Geoff Tate (Queensrےche) and Rob Halford (ex-Judas Priest). In addition to music, Dickinson is an avid fencer, has authored a pair of comedic books (Lord Iffy
794196
The answer is Emma Wray\n\nCheck the link provided.
708222
You made me work hard for 2 points, ENJOY..!!!!!!\n\nFree Essays Listing\n\nCheck out our papers listed in alphabetic order and feel free to use our writing samples and free essays for your research projects. You will also find chapter by chapter summaries, plot analysis, character information and descriptions, historical context, quotes, study quiz, themes, and author biography.\n\nhttp://www.freeessays.cc/free-essays-listing.shtml\n\nWild Swans Study Guide consists of approx. 32 pages of summaries and analysis on Wild Swans by Edna St. Vincent Millay. Browse the literature study guide below:\n\nhttp://www.bookrags.com/studyguide-wildswans/\n\n\nEmily Dickinson (1830-1886)\n\nhttp://www.wsu.edu/~campbelld/amlit/dickinson.htm\n\nEmily Dickinson   Comprising 597 poems of the Belle of Amherst, whose life of the Imagination formed the transcendental bridge to modern American poetry.\n\nhttp://www.bartleby.com/113/\n\nhttp://www.sparknotes.com/poetry/dickinson/\n\nExtra Resources.\n\nhttp://www.poets.org/poet.php/prmPID/155\n\nBecause I could not stop for Death (712) by Emily Dickinson\n\nhttp://www.poets.org/viewmedia.php/prmMID/15395\n\nAbout Our Emily Dickinson Collection\n\nOn the left you'll find 3 poetry books published by Emily's family after her death. Many in the academic community feel these books were poorly edited and are not true to Emily Dickinson's vision. Regardless, these are the most familiar versions for the public at large, the versions most often taught in school. We've also listed some more popular poems individually as well. In total our Emily Dickinson collection is over 400 poems.\n\nhttp://www.online-literature.com/dickinson/\n\nEmily Dickinson's Death Poems  ( Free Essay )\n\nEmily Dickinson's world was her father's home and garden in a small New England town. She lived most of her life within this private world. Her romantic visions and emotional intensity kept her from making all but a few friends.\n\nhttp://www.freeessays.cc/db/37/pya173.shtml\n\nEmily Dickinson's Views On Mortality\n\nhttp://www.echeat.com/essay.php?t=27223\n\nTerm paper on Emily dickinson's because i could not stop for death\n\nhttp://www.termpapergenie.com/EMILYDICKINSON.html\n\nGood luck.\n\nKevin, Liverpool, England.
889481
Deborah, from Judges.\n\nshe was strong, smart, led a country (which shows God doens't mind women being in charge) still submitted to authority and was well respected.\n\nI have this vision of her being a redhead.
145307
Try the poet Emily Dickenson. She wrote a ton of material, and there is a ton of material about her!
95925
Sandy Froman \n\nhttp://abcnews.go.com/WNT/PersonOfWeek/story?id=695111&page=1