which is the dramaturgy of music?
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i think you might be referring to the libretto or the story/text that music is based on?
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What do you want to know, send me an email and I may be able to help. Your question is very vague. Do you want websites about the intruments, famous works, differnt types of ensembles ect. I'm a music ed major but you need more detai lto this question in order for me to help you. You can reach me at skier2719@aol.com
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Music, religion, languages and politics..
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Drama is drama. You simply have to go somewhere else in your mind.Meditate. Like any play it will be over soon.
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-The melody is emphasized, the melody and accompaniment are each heard distinctly. \n-Themes are more irregular \n-Emphasis on emotional qualities \n-Minor keys and dissonance are used frequently to express different emotions \n-Expression markings, such as dynamics, are numerous and detailed \n-Common genres: Character Pieces and Program Music\n\n...
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Beethovens' 9th symphony.."choral"\n\nAnd I like his "moonlight Sonata.
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Alexander's Ragtime Band.\n\nCOmeonandhear
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The term Classical music can be confusing. Classical music as we know today, is music written in the baroque, classical, romantic, impressionistic, neo-classic, atonal, and other modern composing techniques. The genre of classical music spreads from composers like Johann Sebastian Bach (1685 to 1750) to living composers today, like Pierre Boulez. Basically, the evolution of classical music is parallel to the movement of art paintings. \n\nHowever, classical musicians would call a piece "classical" if it was written in the time period of W.A. Mozart, L.v. Beethoven, F. Schubert, and J.Haydn. This periods spans from early eighteenth century to mid nineteenth century.\n\nBut going back to your question, in the WWI era, classical music as we know today is still referred as it is, because even though a lot of "classical music" was still being written at that time, there were already few hundreds years of music written before.
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music. music. music. :0)\n\n(isn't that music to your ears?)
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I love classical music I also love the "noise" you refer to. There is also a lot of "noise" that is filled with peace and inspiration or other equally noble messages. There is also classical music which is anything but peaceful.
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For the two points, I agree. Musicology literally translates to "the study of music".
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Le Fantôme de l’Opéra \nLe Gaulois \n\nOther versions listed at the site linked below.
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Shakespeare\n\nHamlet
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this music was Modal in terms of key. chants and cannons were popular in church music. a major composer was Palistrina.
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if u refer to the music sheet from piano's, guitar etc.. its called "partitura"
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music IS the world!!!\n\ni would die without music, it is the ultimate form of expression to me.........and, yes, my music describes my world\n\n\n=)
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Music is conceptual time expressed in the structures of tones and silence. It is the exploration of time in complex generative forms through rigorous construction of patterns and combinations of natural stimuli like sound. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. Definitions vary in different cultures and social milieus.\n\nThe definition of music as sound with particular characteristics is taken as a given by psychoacoustics, and is a common one in musicology and performance. There are observable patterns to what is broadly labeled music, and while there are understandable cultural variations, the properties of music are the properties of sound as perceived and processed by humans.\n\nGreek philosophers and medieval theorists defined music as tones ordered horizontally (as melodies) and vertically (as harmonies). Music theory, within this realm, is studied with the presupposition that music is orderly and often pleasant to hear. However, in the 20th century, composers challenged the notion that music had to be pleasant by creating music that explored harsher, darker timbres.\n\n20th century composer John Cage disagreed with the notion that music was pleasant melodies. Instead, he argued that any sounds we can hear can be music, saying, for example, "There is no noise, only sound,". According to musicologist Jean-Jacques Nattiez (1990 p.47-8,55): "The border between music and noise is always culturally defined--which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus.... By all accounts there is no single and intercultural universal concept defining what music might be."\n\nThe composer Anton Webern expressed in his legendary statement With me, things never turn out as I wish, but only as is ordained for me-as I must stating the underlying generative process of music. The German philosopher Johann Wolfgang Von Goethe stated the nature of patterns and forms as the basis of music by stating that "architecture is frozen music". By this he meant that any natural stimuli that has underlying structural-patterns is musical in form.\n\nOther definitions of music list the aspects or elements that make up music. Molino (1975: 43) argues that, in addition to a lack of consensus, "any element belonging to the total musical fact can be isolated, or taken as a strategic variable of musical production." Nattiez gives as examples Mauricio Kagel's Con Voce [with voice], where a masked trio silently mimes playing instruments. In this example, sound, a common element, is excluded, while physical gesture, a less common element in definitions of music, is given primacy.