Theater Review | 'Applause': An Indomitable Diva Played by, Well, an ...
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Is this a show that is more than a period piece, a work destined to outlast the era of its birth? I say, regretfully but emphatically, no.
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If any actress of her generation seemed fated to play the juggernaut of a stage mother in the musical âGypsy,â it was Patti LuPone, the juggernaut of a Broadway star.
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The director, his muse, her fake bottom and one triumphant role
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âNovemberâ is a David Mamet play for people who donât like David Mamet. I cannot say I see this as a cause for rejoicing.
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Good, bad or indifferent, one-act plays have been flooding the city's stages.
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Kenneth MacMillanâs âRomeo and Julietâ has proved itself a fluent mixture of dance and acting, absorbing in its response to both Shakespeareâs story and Prokofievâs score.
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Part of the fun at Nellie McKay's show in the Delacorte Theater in Central Park was hearing her bump up against the limitations of her own act.
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Actress and comedian Whoopi Goldberg returns to Broadway in the show that made her name.
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Despite a zesty cast and a first-class production from Lincoln Center Theater, "The Rivals" is one of those classics that require reserves of patience and fortitude.
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Though all involved do good work, Phantom isn&#39;t really a great filmâWeber&#39;s show is all spectacle, no substance, a pop opera for the massesâbut it&#39;s great entertainment.
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Ms. Sullivan turns her journey from the sticks to the Broadway stage into a thrill ride in her new cabaret show.
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Kathleen Turner makes a confident debut as a theater director with this touching revival of Beth Henleyâs comedy.
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Hail and farewell: This is,  regretfully, the final week playgoers can catch the year's best  play with the year's best ensemble cast.
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Actress Judi Dench, a darling of the British stage and screen for almost a half century, was recognized for her contribution to theater Monday.
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In a season plump with notable revivals of landmark plays, including Ibsenâs âGhostsâ and Beckettâs âHappy Days,â a rapturous interpretation of Anton Chekhovâs âSeagullâ flies higher than any of them.
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The Broadway productions of âSpring Awakeningâ and âCompanyâ engage with sexual politics in a way rarely seen on the mainstream stage.
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Emotional sincerity is the hallmark of this deeply felt revival, which stars S. Epatha Merkerson in a performance that stops the heart.