A director's 'Vanity' project
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An Indian director's life prepared her for a fresh adaptation of Thackeray's 'Vanity Fair.'
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Shree Ashtavinayak Cine Vision P. Ltd., the concern that had earlier produced FUN2SHH and AGNI PANKH, is all geared up to start a string of new projects.
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Plus: Mashups for the masses and HD Video in a Digital Camera.
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Pakistani actor-turned-director Javed Sheikh seems to have big plans on his agenda of filmmaking.
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The trio will make an interesting combination on screen.
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Staged photographs produce some class acts
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Gossip from the South Indian film industry.
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It has happened so many times before. Avant-garde directors who start off with committed actors suddenly start bothering about commercial considerations and change loyalties.
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A campaign for sunglasses carries a theme â âNever hideâ â that seems counterintuitive when you consider the product.
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Director Selvaraghavan talks about his new film.
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Martin McDonaghâs plays have won wide acclaim, but he had filmmaking in mind all along.
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Most directors strive  for control. Werner Herzog thrives on chaos.
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Sept. 6, 2004 -- Mira Nair -- whose films Mississippi Masala, Monsoon Wedding and Salaam Bombay! explored class conflicts -- takes on Victorian-era England in her latest movie, Vanity Fair.
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A fantastically grotesque retrospective of an influential-yet-overlooked filmmaker. By Jason Silverman.
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Andy Warholâs films, in retrospective at the Museum of the Moving Image, are records of a world in which an artist worked, played and built his identity.
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Sometimes, it pays to be a looky-loo.
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Director Sharan makes up for his last two films with some fresh treatment this time around.