Museum Review | 'Here Is New York': Remembering Lower Manhattanâs Day of Horror, Without Pomp or Circumstance
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The new exhibition at the New-York Historical Society will jump-start the memories of any New Yorker who witnessed Sept. 11, 2001.
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âNankingâ is a swift, incisive documentary about one of the lesser-known horrors of the 20th century.
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âOut of the Blue,â by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it.
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Because of population changes in the city since Sept. 11, 2001, a great many New Yorkers lack firsthand knowledge of the cityÂs critical modern moment.
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âThere Will Be Blood,â Paul Thomas Andersonâs epic American nightmare, arrives belching fire and brimstone and damnation to Hell.
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The Metropolitan MuseumÂs exhibition creates an indelible, psychologically charged picture of Weimar Germany as it teetered between World Wars I and II.
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LONDON, Dec 7 (IPS) - âPeople cannot live without their memory. Memory is   about culture, and culture is identity,â said Argentine  filmmaker Fernando  'Pino' Solanas, presenting his  latest documentary 'A Social Genocide', in  London.
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As loved ones recited the names of the dead at ground zero, a wounded but resilient America paused to remember a calamitous day.
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The closer New Yorkers were to the World Trade Center on Sept. 11, 2001, the more vivid their memories are of the disaster that brought down the buildings.
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A new HBO documentary transports us back to a time when Brooklyn and baseball were the apotheosis of the American dream.
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Aesthetics versus storytelling: as much as anything, that is the issue that defines the 45th New York Film Festival.
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In honor of Halloween 2007, Kate Davey, an expert on haunted New York, is taking questions from readers during the next week.
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This documentary chronicle of the hardcore punk movement in first half of the 1980Âs imagines an underground culture that was more than a new generationÂs style of hormonal eruption.
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On its 100th birthday, the story of the subway on an average day - in all its mundane monstrosity.
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The notorious show from London uncovers something grand within the small, squalid lives it portrays.
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HBOâs incisive documentary uses clear-eyed history, shot through with archival film, to reveal the origins of the murderous street gangs of Los Angeles.
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It is instructive to imagine the D C Moore Galleryâs 10-year survey of Mark Greenwoldâs small, fraught Realist paintings in one of New Yorkâs major museums.