Music: Bold Performances, Bolder Audiences
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At the end of 2007 I salute audiences in New York and elsewhere who turned out not just for safe bets but also for challenging fare.
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Another reason classical music is not reaching more young people: not because of how it sounds, but because of how it looks.
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Theater that invites the audience to get in on the act may be poised to become a more prominent component of the theatrical scene.
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ItÂs not often that the background score of a film makes a lasting impact on music listeners of this country.
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It tries to turn its live music show into a TV star.
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Bruce Springsteen is a hard act to follow, and Senator John Kerry was not born to perform. But the huge, high-voltage crowds who gathered this week to cheer on the
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ÂHide The Truth, Entice The AudienceÂ seems to be a new method of getting sizeable audiences to flock to theatres.
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To judge by the accented conversation and hearty glad-handing among audience members, there were a lot of Texans in attendance on Saturday night for the Carnegie Hall debut of the Fort Worth Symphony Orchestra.
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The region's music is fresher than ever. If you haven't checked out these artists yet, you'll be doing so soon
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Interesting music does not tell us to be good or bad. It asks only to be admired. Getting great music and simple faith together happens, but with difficulty.
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As the lead guitarist of Rage Against the Machine and Audioslave, Tom Morello played loud arena rock &#151; and loved it. Once back home, going through his record collection, he realized there was more to music than volume.
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The vitality, quality and variety of classical music performances during 2004 are encouraging.
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Thanks to the booming popularity of digital music players, its stock soars.
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From Coldplay to Outkast, the music industry is anticipating a year of major releases.
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Talent isn't required, but screams, cheers  and lots of gyrations are.
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'Tis the season for multi-act, radio-sponsored concert extravaganzas.
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Developing bands must be in control  of their own destiny when it comes to playing live. Yet before  booking agents come onboard, they will want to know a band has  a budding fan base. An act, therefore, needs to be proactive in  its quest to become a professional touring unit.