Making Music With a Long Tube
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What happens when a woman sings into a metal shaft that is covered with electronic switches and resistors, and hooked up to an Apple laptop? Some very strange, surprising things. Alexander Gelfand reports from New York.
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If you build itÂyou can release your own music on it.
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Fans of the burgeoning technology, which lets users broadcast and download audio content feeds to MP3 players, say it represents audio broadcasting's future. But podcasting still has a long way to go. By Daniel Terdiman.
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Recently I've been working with the transport synchronization capabilities of the JACK audio server. This article is a report on those capabilities as tested with a variety of Linux audio applications under the JAD and 64 Studio distributions. JACK: The 1-minute Profile read more
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New P2P software lets musicians collaborate in real-time on the web without the familiar digital hiccups of the past. By Mike Kobrin.
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Researchers have made analog electronics out of carbon nanotubes.
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This entry is a little off my regular beat, but its substance is of great importance to all users of Linux audio software. To get straight to the point, it's about money and two projects in real need of significant financial support, the Ardour hard disk recorder/digital audio workstation and the Hydrogen rhythm programmer/drum machine. Both projects are well along in their development cycles, both have achieved great status not only in the Linux audio software world but on OSX as well, and both need financing for their planned evolution. Ardour and Hydrogen are two of Linux's finest programs for musicians, rivalling their commercial counterparts and providing libre alternatives to the intense vendor lock-in typical of the Win/Mac sound and music software worlds. These are truly important projects that deserve your support and financial backing.
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In this new post from the splitbrain.org website (creators of the Dokuwiki application), there's an example of how to join wav files together with PHP with a quick and easy script.   I'm currently working on a CAPTCHA plugin for DokuWiki and thought about providing audio output for users not able to see the image. This is pretty simple for CAPTCHAs - there is no need for complicated speech synthesis because you only need recordings of the 26 possible letters. But you need a way of joining those recordings on the fly...   There was an example he found previously, but it seemed like overkill, so he rolled together his own solution - a 24 line script that takes in the filenames of the wav files and spits back out the joined resource. This functionality has already been added to the CAPTCHA plugin if you'd like to check it out.
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An open-source application for Mac OS X encodes music using just about any audio file format imaginable. In Monkey Bites.
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It's a bit disorienting: slip on a set of headphones, turn up the volume and, while you move about the room, the music stays put &#151; as if coming out of five speakers stuck on a wall.
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Judging by the number of hits tallied for Troubleshooting Linux Audio Part 1 it seems the topic is of interest to many readers. Alas, I must apologize to everyone waiting for the next parts of the series. Various events have kept me from completing it in short order, but you may rest assured that it will return in my next installment. Meanwhile, this week we'll look at two excellent applications that are coming into greater use here at Studio Dave, the LiVES video editor for Linux, and Reaper (yes, again), a native Windows audio/MIDI sequencer running under Wine.
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As more and more tech toys evolve to include music-playing capabilities, gadget lovers face an increasingly common problem: How can you amplify them all without buying five different speaker docks?
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Want a fancy new iPod Touch but worried by its skimpy 16 GB of storage space? A new software application called ShrinkMyTunes claims it can squeeze MP3s to about half their original size with only the slightest loss in sound quality. Does it work? Listen for yourself.
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Scientists develop a device thousands of times smaller than a human hair that can turn radio waves into sound.
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Calling GarageBand â08 âpretty impressive,â Asher Fulero (Remix) confesses that multitake recording is âone of my favorite new featuresâ and calls the new VIsual EQ a âpro-level nugget.â  âWith spectral analysis overlaid atop the EQ curve, you can drag the four curve points and see the results on the signal in real time. Support for 24-bit recording, playback and output (24-bit-capable audio interface required) lends even more of a professional edge, as do the new mastering options that offer a host of preset master-track effect chains.â
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The player lets the listener choose MP3 or WMA music, ripped from CDs or downloaded from online music sites. The Zen Micro provides intuitive vertical scrolling to allow users to move through easy-to-use menus
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Rui Capela's software has appeared in this column many times. I've written about it directly (see At the Sounding Edge: Using QSynth and QJackCtl and HDRs and DAWs For Linux: The New Breed) and it shows up in almost every article I write. I'm not exaggerating when I state that Rui's programs have become indispensable components here at Studio Dave, so naturally I'm interested in the mind behind it all. In this entry I'll recap the nature and state of Rui's software, after which we'll meet the man himself in another lively interview here at the sounding edge.