Respect in a Box: Giving John Ford the Major American Artist Treatment
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âFord at Foxâ is a gargantuan boxed set that assembles 24 of the 50-some films John Ford made for the studio that was his most consistent home.
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What began as a grass-roots experiment to beautify unsightly traffic-signal boxes around Stamford, Conn., has become an unexpectedly impressive public art collection.
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Filmmaker Ric Burns digs beyond the surface of Andy Warhol to bare the derisive artistÂs underside in a four-hour film airing Wednesday and Thursday on the PBS program ÂAmerican Masters.Â
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Arts & entertainment: What's behind our sudden craving for big, bold works of public art?
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A 16-billion-pixel image of the famous painting goes online after a challenging digitization process.
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Buckle your wallet: A visit to the temptation that is Roger Vivier.
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It is instructive to imagine the D C Moore Galleryâs 10-year survey of Mark Greenwoldâs small, fraught Realist paintings in one of New Yorkâs major museums.
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There is art, and there is money. The twain seldom meet. Or, to steal a line from David Thomson, author of the eminently useful reference work "The New Biographical Dictionary of Film" (Knopf, 1,008 pages, &#36;22.95), just out in paperback, there is "Chinatown," and then there are "umpteen possible future 'Mission: Impossibles."'
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TOF 111: "Closer" and Hollywood's fear of erotic intimacy
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Mark Stevens and Annalyn Swan's "de Kooning: An American Master" traces the painter's history and plumbs the mysteries of his cryptic work in a remarkably lucid narrative.
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Foreign collectors want them. Newly minted local millionaires want them. The rise and rise of the country's modern artists
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Andy Warholâs films, in retrospective at the Museum of the Moving Image, are records of a world in which an artist worked, played and built his identity.
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Jack Telnack stood proudly in front of the car that would return Ford Motor Co. to relevance. The year was 1985. The place was the styling studio at Ford's headquarters in Dearborn, Mich.
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As director of photography at the Museum of Modern Art, John Szarkowski made America's most famous lensmen. Then he became one.
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At the beginning of the 20th century, Henry Ford envisioned two cars in every garage in America. I wonder, as the 21st century starts, if we shouldnât also make room in our garages for a scooter.
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Reviews of the Alexander Wang, Alice Roi, Bruce, Duckie Brown, John Bartlett and Karen Walker fall 2007 collections.
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Life & style: In pictures: Iconic images feature in a new retrospective photographic exhibition.