Movie Review | 'Checking Out': Family Drama at a Father's Final Curtain Call
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Based on a 1976 play by Allen Swift, ÂChecking OutÂ is stagy, stiff and marinated in egg cream.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.
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When Alison Eastwood decided to follow  in the footsteps of her famous father Clint and direct a movie,  she got some odd advice from dad.
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Oh yes. There was a very wide canvas. There're several smaller characters who have been very nicely   portrayed. I specially love Mohanlal. I love his craft. He's an exceptional artiste. With such simplicity he's able   to display emotions that are so complex. Unfortunately, I didn't have much to do with Sushmita or not too   many scenes with Ajay Devgan either.
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Here is a chance to check out where your favourite movies stand in the box-office.
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When Alison Eastwood decided to follow in the footsteps of her famous father Clint and direct a movie, she got some odd advice from dad.
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A TIME critic's take on the cantankerous director of MASH and other sprawling social comedies
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It&#39;s so rare to find a  film that offers juicy roles for veteran (i.e. old) actors that  one goes in rooting for &quot;Raising Flagg.&quot;
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Written and directed by Andrew Bujalski, this wonderful independent film wonÂt save or change your life, but it may make your heart swell. Its aim is modest and true.
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This story of a father trying to help his son is supposed to be heartwarming, but feels a bit cold-blooded.
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&quot;Mother of Tears,&quot; the final part in a  horror trilogy from Italian director Dario Argento, is very  much a family affair.
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One film has an oblique ending that's left some viewers dissatisfied and others floored by its profundity. The other features a slowly developing plot and a brutal, operatically violent finale.
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If you're already groaning at the prospect of spending time with your own lovable but annoying family over the holidays, think twice about seeing "Dan in Real Life." Do you really want to donate time and money to hang with someone else's annoying relations?
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Okay, a few days ago I wrote a review of the Diving Bell and the Butterfly saying it could be the best picture of 2007, but even so you might want to skip it because the truth it reveals might be something you don't want to look at. It's a fine picture, but a tough one. Another wonderful but tough picture is No Country for Old Men. It's one of those movies that leaves so much unresolved that you walk out of the theater not sure which foot goes in front of the other. On a second viewing it makes much more sense. The world isn't necessarily as crazy as it at first seemed. But there's a movie that is also incredibly well crafted, and gets better every time you think about it -- Juno. I didn't realize how much I liked it until I heard someone compare it to Little Miss Sunshine, a movie that I did not enjoy, unlike everyone else it seems. I loved Juno because it organizes its sweetness into love for one person, the star of the movie, Juno. But everyone, no matter how dorky or clueless (and some of the adults are truly dorky and clueless) shares the love. The movie has a wholeness, an unqualified goodness, you not only walk out of the theater in love with Juno and everyone else in the movie, but your heart is warmed for everyone, including yourself. It's that good.  All three remind how good movies can be. And there were some not-too-bad movies at the end of 2007, for example, Atonement, which some didn't like, but I did. 3:10 to Yuma is a well-crafted genre picture. Michael Clayton was a perfect showcase for the talents of George Clooney. Great acting and a simple story in The Savages.  Which one was the best? I'd hate to have to choose!
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Puneet's characterisation and his appeal make Bindaas a compulsory double viewing for his fans. Good fights and music are the major attractions in this film which offers an age old story and haphazard script. Hansika's beauty rocks in the film.
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LOS ANGELES  - The family audience is  in high demand on the final weekend before Thanksgiving as two  new films and two holdovers clamor for its attention.
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In Hollywoodâs upper reaches this week, few are bothering to count past two. As in Adam Sandler has already booked his two âpre-strikeâ pictures, so letâs try Vince Vaughn.