Movie Review | 'Avenue Montaigne': A Collision of Role Players on the Busy Avenue of Life
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A film about love and art, about passing time and time passing, âAvenue Montaigneâ is a humble pleasure.
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The most expensive film in French history is released to scathing reviews but is proof that there remains a market for its hero
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âStep Up 2 the Streetsâ posits a universe where racial and class differences are minor obstacles to fun and pretends its clichÃ©s arenât clichÃ©s.
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Mike Leighâs play âTwo Thousands Yearsâ is enjoyable, but oddly conceived and structured.
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Pop culture, society's meeting ground, has the privilege of playing a starring role in its conflicts.
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A film about former French President Francois Mitterrand and another about a German resistance fighter executed by the Nazis highlight a trend for filmmakers to use biographies to tell larger stories.
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âWimbledonâ is a well-behaved movie about nice people who have good things happen to them. Thatâs kind of startling in a world where movie characters, especially in
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The film has many an interesting nugget about it.
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Kenneth MacMillanâs âRomeo and Julietâ has proved itself a fluent mixture of dance and acting, absorbing in its response to both Shakespeareâs story and Prokofievâs score.
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In a season flooded with film biographies, there are fascinating books offering fresh and sometimes alternative views of people we've come to know onscreen.
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Well-acted, beautifully shot and broad and personal, âThe Motorcycle Diariesâ is nonetheless undermined in the end by a clunky search for meaning and depth that seems
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Even charming, chiseled-faced actors can have it tough.
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Todd FieldÂs superb film adaptation of the novel by Tom Perrotta result is challenging, accessible and hard to stop thinking about.
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This tough, satisfying French film is an austere crime drama of the sort that rarely makes it to American screens except on cable television.
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Lifetimeâs two-hour movie is an uneasy combination of crime thriller, romantic melodrama and snuff film that doesnât ask us to suspend our disbelief so much as overcome our gag reflex.
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HBO's film of segregation in New York is at its best when it captures the fleeting joys of lost days.
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For Raul Esparza, a star of ÂCompany,Â the drama is all too real.