Movie Review | 'Wristcutters: A Love Story': Lifeâs a Little Bit Worse Now That Theyâre Dead
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âWristcutters: A Love Storyâ has an offbeat, absurdist charm that turns a potentially creepy conceit into an odd, touching adventure.
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Local filmmakers have to tread around a scissor-wielding government censor whose logic is sometimes hard to follow
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Everyone has revenge fantasies now and then. Writer-director Jacob Aaron Estes' "Mean Creek" offers a decent lesson about the dangers of acting on those impulses.
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A film far deeper and ruthlessly cynical than most Julia starrers
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In spite of its third-act collapse into obviousness and sentimentality, âI Am Legendâ is among Will Smithâs better movies.
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FOR decades, science fiction has promised a future in which lifeâs most mundane chores are carried out by robots. Sadly, the clunky, wobbling automatons that have been wheeled out as examples of this brave
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Elliot Greenebaum's hardheaded comedy has the guardedly facetious tone of a fake documentary.
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The tears and the blame mix uneasily in âReservation Road,â a grim, mechanistic thriller about death and suffering, life and healing among the civilized.
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Jia Zhang-ke's film of life in an amusement park is a quietly despairing vision of contemporary China with an almost ethnographic attention to detail.
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As the opening credits display in John Curran&#39;s drama &quot;We Don&#39;t Live Here Anymore,&quot; two couples mingle in a silent dance. It&#39;s an appropriate beginning for a movie that&#39;s, essentially, a melancholy change-partners dance, and a reflection on two marriages ...
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It appears that the news that we are killing ourselves with our garbage hasnât sunk in. Thatâs one reason âThe 11th Hourâ is such essential viewing.
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The biopic shows admirably how liberating, and threatening, the work of some scientists can be. It's a timely film, a reminder that scientists sometimes suffer in their efforts to reveal truths others would prefer remain hidden. Jason Silverman reviews Kinsey.
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Jordan Harrisonâs brash play turns fragments from the life of Leni Riefenstahl, the filmmaker who made movies for Hitler, into a story that is funny and thought provoking.
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Gianni Amelio's quietly unassuming tear-jerker works its way into your heart despite the occasional cries of protest emanating from your head.
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Spy cams capture the seedy side of life. Now a guerrilla filmmaking effort peeks at the kind of gritty and disturbing stories caught by always-on surveillance cameras. Wired News interviews Look director Adam Rifkin.
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The real-life of a murdered aspiring actress has fascinated the public for decades. Sadly, the new movie version is not nearly as compelling
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They were orphans. Some of them killed. Now the entertainment industry is all over them