Theater: A Dramatic Comeback for the Play
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This was the year that the play stood up for itself, reminding us that it can go places inaccessible to other art forms.
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In this deeply funny play, Horton Footeâs authorial gaze is focused with satiric sharpness while retaining its elegiac sense of lifeâs transience.
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The forthcoming theater calendar seems distinguished by its fixation on invention.
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Performa seeks to rekindle connections between the arts through discussions, screenings and new work.
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The National Theater of Greece has broken a tragic habit. World-renowned for its harrowing presentations of classic Greek tragedies, the century-old Athens company returned to New York this week with a comedy, ...
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The revival of this solo show, written by and starring Chazz Palminteri, is a rejuvenating act of faith in the complementary powers of acting and storytelling.
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While âThe Maddening Truthâ is fascinating as a character study, its weakness as a play is the paucity of dramatic conflict.
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Three new plays explore disparate lives pushed together by music, strife, time, and friendship.
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Between January and June there will be 12 plays opening on Broadway. For those who like their words unsung, itâs a beautiful thing.
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Caryl Churchill's stunning new play is a gripping dramatic consideration of what happens in a world where people can be cloned.
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Oren Safdieâs new play about playwriting and generational conflict is sweetly amusing, if dramatically limp.
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A new initiative revives one of the great literary controversies: that the Bard was not who we think he was
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It seems fitting that this  revival of Harold Pinter's classic play should arrive on the  40th anniversary of both its original Broadway production and  the first (and ridiculously, only) Broadway appearance by its  star, Ian McShane.
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In several new plays, TV shows, and movies, overweight actors reclaim their bodies - and their dignity.
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Arriving on Broadway  years after its triumphant West End production, this revival of  the little-seen (at least in America) "Journey's End"  demonstrates that this 1929 World War I play by R.C. Sherriff,  rather than being a museum piece, has lost none of its power or  immediacy.
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The chief theater critic for The Times shares his favorite moments in theater in 2004.
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Playbill - Theatre historians take note. A Macbeth not cursed by fate or the critics arrived in town this week.