Movie Review: 'The Sea Inside'
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Alejandro Amenabar's "The Sea Inside," based on the true story of a Spanish quadriplegic who fought for 30 years for the right to end his life, isn't as much of a downer as its subject matter would suggest, thanks to some sly humor and a strong performance from Javier Bardem.
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'Ocean's Twelve' is the rare sequel that improves upon its predecessor.
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Network TV premiere of one of the most gripping and original thrillers of the past few years - with sharks.   Open Water tells the story of a couple in their thirties who get left behind on a scuba diving trip to the Caribbean.
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Fashion Wire Daily - Fashion Wire Daily December 9,2004 - NEW YORK- "Beyond the Sea," a new film by Lions Gate Films, starring Kevin Spacey, John Goodman, Kate Bosworth, Caroline Aaron, Bob Hoskins, Brenda Blethyn and William Ullrich, premiered Wednesday night in New York at the Ziegfield.
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It's a thoroughly Hollywood version of a "true story," but this film's got heart -- and a worthwhile message
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The documentary âDeep Waterâ begins like a Boyâs Own adventure tale but ends up more akin to tragedy.
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&quot;Surf&#39;s Up&quot; brings  audiences into the competitive world of surfing -- surfing  penguins, that is -- by using a documentary style.
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Ghost in the Shell 2: Innocence is dense, but better than the original in many ways: fewer clichÃ©s, more sophisticated animation, deeper insight into human nature and technology. Jason Silverman reviews the film.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.
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While âRolling Like a Stoneâ has poignant and funny moments, itâs a serious film about mortality, success and the ephemeral nature of experience and memory.
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âA Walk Into the Seaâ is Esther B. Robinsonâs documentary about Danny Williams, a former Harvard student who was a part of Andy Warholâs Factory scene.
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Rolling the dice for a third  time in &quot;Ocean&#39;s Thirteen,&quot; Steven Soderbergh and his team beat  the odds. Final chapters of trilogies invariably suffer from  lameness. This, of course, already transpired in &quot;Ocean&#39;s  Twelve,&quot; where subplots misfired and the script resorted to all  sorts of sleight-of-hand trickery.
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Floating on the success of offbeat domestic comedy "The Royal Tenenbaums," director Wes Anderson set out to make an epic about adventure on the high seas. But some critics are already predicting a shipwreck.
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A review of Michael Moore's latest film, "Sicko."
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In Chris Rock's new film, he plays a mustachioed, bespectacled banker. He's often funny, but just as often serious and self-examining. It's a realistic film adapted from the 1972 French classic "Chloe in the Afternoon."
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"Inside Deep Throat," a documentary that premiered this weekend at the Sundance Film Festival, examines the legacy of the 1972 flick, a forerunner of today's hardcore adult-entertainment industry and a touchstone for obscenity laws.
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Okay, a few days ago I wrote a review of the Diving Bell and the Butterfly saying it could be the best picture of 2007, but even so you might want to skip it because the truth it reveals might be something you don't want to look at. It's a fine picture, but a tough one. Another wonderful but tough picture is No Country for Old Men. It's one of those movies that leaves so much unresolved that you walk out of the theater not sure which foot goes in front of the other. On a second viewing it makes much more sense. The world isn't necessarily as crazy as it at first seemed. But there's a movie that is also incredibly well crafted, and gets better every time you think about it -- Juno. I didn't realize how much I liked it until I heard someone compare it to Little Miss Sunshine, a movie that I did not enjoy, unlike everyone else it seems. I loved Juno because it organizes its sweetness into love for one person, the star of the movie, Juno. But everyone, no matter how dorky or clueless (and some of the adults are truly dorky and clueless) shares the love. The movie has a wholeness, an unqualified goodness, you not only walk out of the theater in love with Juno and everyone else in the movie, but your heart is warmed for everyone, including yourself. It's that good.  All three remind how good movies can be. And there were some not-too-bad movies at the end of 2007, for example, Atonement, which some didn't like, but I did. 3:10 to Yuma is a well-crafted genre picture. Michael Clayton was a perfect showcase for the talents of George Clooney. Great acting and a simple story in The Savages.  Which one was the best? I'd hate to have to choose!