Dance Review | CityDance Ensemble: Stories of Life, With Passion in Common
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CityDance Ensemble presented an impressively varied program of work by nine choreographers.
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From downtown to Brooklyn and beyond, dance is evolving into a myriad of hybrids, as seen in recent performances.
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Dance fans can look forward to exotic cross-genre experiments, timely revivals, and tours by international troupes.
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Two City Ballet dancers are part of the new terrain that has opened before me since I moved from London to New York in April.
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At the Ivy Leagues, dance is not often taken seriously as an academic discipline. Two professors are working to change that.
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Merce Cunningham and colleagues have presented a retrospective series of evenings about his choreography called âHistory Matters.â
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Wednesdayâs performance of âWhat if Saori Had a Party?,â about dreams versus reality, is surprisingly intricate but more artful than engrossing.
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Distinguished alumni share their memories as the Fresh Tracks series at Dance Theater Workshop passes a milestone.
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The New York City Balletâs spring season includes works that rank among New York Cityâs greatest treasures, and glowing performances that showcase the wide range of Balanchineâs genius.
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The musical is based on the stories of dancers who question whether they have been fairly compensated.
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Ken Urbanâs new play is mystifying and frustrating. But there are satisfying elements in the production, which are rendered with wit and feeling by the versatile cast.
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A close look at American Ballet Theaterâs flashy production of âSwan Lakeâ tells you a lot about its spring season.
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Sundayâs program at Battery Park offered a spectrum of tap style from all ages, with enthralling solo and ensemble performances.
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In âBreakthrough?â you see the bones of a dance based on inscrutable gestures and tasks, with the lone man, set against a society of playful, seductive women.
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Full Circleâs âInnaviews,â performed on Thursday at Dance Theater Workshop, is more of a Valentineâs Day show than a Christmastime event.
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On Sunday at City Center, two of the seasonâs revivals offered richly nuanced performances by both established and rising stars.
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Kenneth MacMillanâs âRomeo and Julietâ has proved itself a fluent mixture of dance and acting, absorbing in its response to both Shakespeareâs story and Prokofievâs score.