Movie Review | 'Definitely, Maybe': How I Met Your Mother: A History Lesson in Love
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âDefinitely, Maybe,â written and directed by Adam Brooks, is a nimble and winning little romance.
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It may be a bit, um, premature to say so, but Judd Apatowâs âKnocked Upâ strikes me as an instant classic, a comedy that captures the sexual confusion and moral ambivalence of our moment.
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The political satire Man of the Year is watchable, but it might have been so much more
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It isnÂt often that you see a film about Israelis and Palestinians that can be called hopeful, but Ronit AvniÂs assured, thoughtful and clear-eyed documentary certainly qualifies.
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&quot;Meet the Fockers,&quot; said the title, and that&#39;s exactly what American movie fans went out and did this weekend. A slapstick sequel to the slapstick hit &quot;Meet the Parents,&quot; the &quot;Fockers&quot; yukked
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Familial angst rises to new heights in &quot;Meet the Fockers,&quot; Jay Roach&#39;s sequel to his 2000 hit, &quot;Meet the Parents.
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Thereâsa magic in the Broadway musical that seems to transcend cultural styles and circumstances and generations. Whether breaking new ground or reviving a classic
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Todd FieldÂs superb film adaptation of the novel by Tom Perrotta result is challenging, accessible and hard to stop thinking about.
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Which film do you want to watch first, dear reader?
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This film may have worked if it were made in the early 1960s.
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Previews begin Friday on  the Roundabout&#39;s revival of John Van Druten&#39;s &quot;Old  Acquaintance,&quot; best known today for the 1943 movie version that  famously pitted Bette Davis against her archrival Miriam  Hopkins.
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âSky Captain and the World of Tomorrowâ is even more fun than it sounds like. In its heedless energy and joy, it reminded me of how I felt the first time I saw âRaiders of the Lost Ark
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If you like breezy love stories, you may enjoy this one.
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Gary Winickâs film may not be perfect, but it honors its source and captures the key elements that have made E. B. Whiteâs book a classic.
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The film has its genuinely hilarious moments.
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This Hollywood film is a time-pass fun flick.
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Okay, a few days ago I wrote a review of the Diving Bell and the Butterfly saying it could be the best picture of 2007, but even so you might want to skip it because the truth it reveals might be something you don't want to look at. It's a fine picture, but a tough one. Another wonderful but tough picture is No Country for Old Men. It's one of those movies that leaves so much unresolved that you walk out of the theater not sure which foot goes in front of the other. On a second viewing it makes much more sense. The world isn't necessarily as crazy as it at first seemed. But there's a movie that is also incredibly well crafted, and gets better every time you think about it -- Juno. I didn't realize how much I liked it until I heard someone compare it to Little Miss Sunshine, a movie that I did not enjoy, unlike everyone else it seems. I loved Juno because it organizes its sweetness into love for one person, the star of the movie, Juno. But everyone, no matter how dorky or clueless (and some of the adults are truly dorky and clueless) shares the love. The movie has a wholeness, an unqualified goodness, you not only walk out of the theater in love with Juno and everyone else in the movie, but your heart is warmed for everyone, including yourself. It's that good.  All three remind how good movies can be. And there were some not-too-bad movies at the end of 2007, for example, Atonement, which some didn't like, but I did. 3:10 to Yuma is a well-crafted genre picture. Michael Clayton was a perfect showcase for the talents of George Clooney. Great acting and a simple story in The Savages.  Which one was the best? I'd hate to have to choose!