title: Russell E. Train

abstract: Russell Errol Train was the second administrator of the Environmental Protection Agency (EPA), from September 1973 to January 1977 and the founder chairman emeritus of World Wildlife Fund (WWF). As the second head of the EPA under Presidents Richard Nixon and Gerald Ford, Train helped place the issue of the environment on the presidential and national agenda in the late 1960s and early 1970s, a key period in the environmental movement. He was a conservative who reached out to the business community and Republicans. He promulgated the idea that as the economy of the nation was growing quickly, public as well as private projects should consider and evaluate the environmental impacts of their actions.

text:
# Russell E. Train

**Russell Errol Train** (June 4, 1920  September 17, 2012) was the second administrator of the Environmental Protection Agency (EPA), from September 1973 to January 1977 and the founder chairman emeritus of World Wildlife Fund (WWF). As the second head of the EPA under Presidents Richard Nixon and Gerald Ford, Train helped place the issue of the environment on the presidential and national agenda in the late 1960s and early 1970s, a key period in the environmental movement. He was a conservative who reached out to the business community and Republicans. He promulgated the idea that as the economy of the nation was growing quickly, public as well as private projects should consider and evaluate the environmental impacts of their actions.

## Early life, education, and military service

Train was born on June 4, 1920, in Jamestown, Rhode Island, but grew up in Washington, D.C. His father was an officer in the United States Navy who was frequently away on assignment. The youngest of the three sons of Rear Admiral Charles Russell Train and the former Errol Cuthbert. His paternal grandfather was Rear Admiral Charles J. Train, and his great-grandfather Charles R. Train had been a U.S. Congressman and Massachusetts Attorney General. An ancestor, John Trayne, had emigrated from Scotland to the Massachusetts Bay Colony in 1635.

He was trained in the ways of Washington from an early age. His father had an office at the White House, where he served as President Herbert Hoover's Naval aide. In 1932, Mrs. Hoover invited Mr. Train and his older brothers, Cuthbert and Middleton, to spend the night at the White House, where they slept in the Andrew Jackson bedroom and breakfasted with the president and Mrs. Hoover on the portico overlooking the Ellipse and the Washington Monument.

"I think what made the greatest impression on me," he wrote years later, "were the tall glasses of fresh California orange juice. I had never seen anything like those large glassfuls before."

Young Russell attended the Potomac School and then the St. Albans School and graduated in 1937. Train then studied at Princeton University, from where he graduated with an A.B. in politics in 1941 after completing a 112-page long senior thesis titled "The United States versus Japan: A Study of Sea Power in the Atlantic." While at Princeton, he was in the United States Army ROTC program and upon graduation entered the Army as an officer. Train remained in the Army for four years during World War II, stationed both home and overseas and ending up on Okinawa. He attained the rank of major, before being discharged in 1946.

Over the following two years Train attended Columbia University Law School, where he took an accelerated schedule and graduated with an LLB in 1948.

## Early career

Early in his career, Train served from 1949 to 1956 as Attorney, Chief Counsel, and Minority Advisor on various Congressional committees and from 1956 to 1957 as Assistant to the Secretary and Head of the Legal Advisory Staff for the U.S. Treasury Department.

In 1954, Train married the former Aileen Bowdoin Travers; they became the parents to four children – Nancy, Emily, Bowdoin and Errol.

He was a judge for the U.S. Tax Court from 1957 to 1965, one of several appointments which went against a previously observed Senate Resolution prohibiting the appointment to that body of persons recently employed by the Treasury Department.

## World Wildlife Fund

In 1959, Train founded the Wildlife Leadership Foundation in hopes of establishing effective wildlife parks and reserves. In 1961, he founded the African Wildlife Foundation (AWF) to aid Africans in developing capacity to manage their own wildlife resources. He was chairman of the AWF from 1961 to 1969. He also helped establish the College of African Wildlife Management at Mweka (near Moshi), Tanzania.

When the World Wildlife Fund (U.S.) was formed in Washington, D.C., on December 1, 1961, Russell Train became its first ever Vice-President; in later years he was named Chair Emeritus of the WWF. He was President of The Conservation Foundation from 1965 to 1969. In this role, Train helped to bring the environment to the American public's consciousness and lobbied for a high-level policy group at the highest levels of government.

In 1966, Train became a member of the National Water Commission, charged by Congress with reviewing national water policies.

In 1968, Train was selected to serve as Chairman, Task Force on Environment for U.S. President-elect Richard M. Nixon. His selection, and the creation of the task force, signals the growing acceptance by the incoming administration of the "environment" as a public policy concept.

Train served as Under Secretary of the Department of the Interior from 1969 to 1970. Between 1970 and 1973 he was Chairman of the newly formed Council on Environmental Quality (CEQ).

## EPA Administrator

During his time as Administrator of the Environmental Protection Agency, Train led during the approval of the catalytic converter to achieve Clean Air Act automobile emission reductions; and the implementation of the Toxic Substances Control Act (TSCA) and the National Pollutant Discharge Elimination System (NPDES).

As head of the EPA under Presidents Nixon and Ford, Train is generally credited with helping to place the issue of the environment on the presidential and national agenda in the late 1960s and early 1970s, a key period in the environmental movement.

Train opened a dialog on global environmental issues with Soviet Ambassador Anatoly Dobrynin, marking the birth of modern American environmental diplomacy Nixon pursued environmental diplomacy to garner domestic political support.

## Return to World Wildlife Fund

After leaving EPA he served as president of the World Wildlife Fund-U.S. from 1978 to 1985 and as its chairman from 1985 to 1994. Under his guidance, World Wildlife Fund-US expanded its focus not only on species-related conservation projects, but also on protecting habitat by establishing national parks and nature reserves. It also developed innovative financial mechanisms, including the concept of using Third World debt reduction to protect the global environment. Through these debt-for-nature swaps, WWF started to convert portions of national debts into funding for conservation, beginning in the mid-eighties.

Through Train's efforts, in 1983 the WWF-administered J. Paul Getty Wildlife Conservation Prize was presented to awardees in the White House Rose Garden by President Ronald Reagan. President Reagan called the Getty Prize "the Nobel Prize for Conservation." Begun in 1974, the Getty Prize originally honored outstanding contributions to wildlife conservation and now focuses on the education of future conservationists.

In 1985, Train became chairman of the board of directors of World Wildlife Fund and The Conservation Foundation and served as chairman until 1994. In this same year, the Conservation Foundation formally affiliated with WWF. Though the organizations shared the same board of directors as well as some staff, they remained separate legal entities until their merger in 1990.

During 1988 he also worked as co-chairman of Conservationists for Bush, making reference to George H. W. Bush, and from 1990 to 1992 as chairman of the National Commission on the Environment.

In September 1994, Train was elected WWF chairman emeritus. That same year, WWF launched the Russell E. Train Education for Nature (EFN) Program to help build capacity for conservation in Africa, Asia, and Latin America by supporting academic and mid-career training. To date, EFN has awarded over 1,200 scholarships and training grants totaling 11.3 million since its establishment.

Train was named chairman of WWF's National Council from 1994 to 2001.

In 2003, *Politics, Pollution and Panda: An Environmental Memoir by Russell E. Train* was published. A chronicle of his career, the book is also a history of the birth and growth of U.S. national interest in environmental issues.

## Death

Train died at his farm in Bozman, Maryland, on September 17, 2012, aged 92.

## Awards and honors

In 1981, Train was awarded the Public Welfare Medal from the National Academy of Sciences.

In 1991, Train received the Presidential Medal of Freedom in recognition of his work in conservation.

In 2001, Train received the 7th Annual Heinz Award Chairman's Medal, 2001, a prestigious prize honoring individuals who have made extraordinary achievements on issues of importance. Train was recognized as "a tireless advocate for the cause of the environment since 1961… the architect of an environmental agenda without parallel in history in its scope…and as a "truly outstanding example of how a single life can make a difference in the world."

In 2009, a species of gecko, *Gekko russelltraini*, was named in his honor.

## Collector of books, manuscripts, and artwork

Train collected printed books, manuscripts, photographs, maps, artifacts, and artwork on African exploration, big-game hunting, natural history, and wildlife conservation, dating primarily from the nineteenth and twentieth centuries. In 2004, the Russell E. Train Africana Collection was acquired by the Smithsonian Institution Libraries, where it is housed in the Joseph F. Cullman 3rd Library of Natural History in Washington, D.C. The collection includes correspondence, drafts of publications, diaries, account books, ephemera, posters, news-clippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa. The Train Collection is particularly strong in archival materials on the following topics: the search for the source of the Nile and the progress of other exploring expeditions in Africa; the collecting of specimens of African animals, plants, and ethnological materials for zoos and museums (including a significant body of correspondence and photographs from the Smithsonian African Expedition in 1909-1910, led by President Theodore Roosevelt); and the growth of the African wildlife conservation movement. Besides Roosevelt, the major persons represented in the Train Africana Collection include the journalist and explorer Henry Morton Stanley and members of his Emin Pasha Relief Expedition (Thomas Heazle Parke, Robert H. Nelson, James S. Jameson, John Rose Troup, William Bonny, William Grant Stairs, Edmund Musgrave Barttelot, and Arthur J. M. Jephson); the medical missionary Dr. David Livingstone and his father-in-law Robert Moffat; taxidermist Carl Akeley; zoologist Edmund Heller; hunter Frederick Selous; artist and adventure writer A. Radclyffe Dugmore; explorers Samuel Baker, Thomas Baines, Richard Francis Burton and E.J. Glave; anthropologist Paul du Chaillu; and royal traveler Edward VIII (later the Duke of Windsor).

## Further reading

* Flippen, J. Brooks. *Conservative Conservationist: Russell E. Train and the Emergence of American Environmentalism* (LSU Press, 2006).
* Flippen, Brooks. "Richard Nixon, Russell Train, and the birth of modern American environmental diplomacy." *Diplomatic History* 32.4 (2008): 613638. online
* Gilmore, Nicholas. "The Republican Who Brought Environmentalism to the White House: As a Republican EPA administrator, Russell Train centered the environment in American politics in an era when talk of conservation and regulation was bipartisan." *Saturday Evening Post* June 4, 2020
* Greenberg, Michael R. "Russell E. Train: a leading environmental figure of the 1970s." *American journal of public health* 100.4 (2010): 606. online
* Houck, Oliver A. "In Memoriam: Russell E. Train." *Tulane Environmental Law Journal* (2012): i-iii. online
* Macekura, Stephen. "The limits of the global community: the Nixon administration and global environmental politics." *Cold War History* 11.4 (2011): 489-518.

### Primary sources

* Nicoll, Don. "Train, Russell oral history interview." (1999). online

* Train, Russell E. "The environmental record of the Nixon administration." *Presidential Studies Quarterly* 26.1 (1996): 185-196. online

## InfoBox

| Russell Train | |
| --- | --- |
|  | |
|  | |
| 2nd Administrator of the Environmental Protection Agency | |
| **In office**
September 12, 1973  January 20, 1977 | |
| President | Richard Nixon
Gerald Ford |
| Deputy | John R. Quarles Jr. |
| Preceded by | William Ruckelshaus |
| Succeeded by | Douglas M. Costle |
| Chair of the Council on Environmental Quality | |
| **In office**
January 1, 1970  September 12, 1973 | |
| President | Richard Nixon |
| Preceded by | Position established |
| Succeeded by | Russell W. Peterson |
|  | |
| Personal details | |
| Born | Russell Errol Train
(1920-06-04)June 4, 1920
Jamestown, Rhode Island, U.S. |
| Died | September 17, 2012(2012-09-17) (aged 92)
Bozman, Maryland, U.S. |
| Political party | Republican |
| Spouse | Aileen Bowdoin Travers |
| Parent |  |
| Relatives | Charles J. Train (grandfather)
Charles R. Train (great-grandfather) |
| Education | Princeton University (AB)
Columbia University (LLB) |
|  | |


title: Russell Earnshaw

abstract: Russell Dean Earnshaw is a rugby union coach currently working in sport and business with the Magic Academy.

text:
# Russell Earnshaw

**Russell Dean Earnshaw** (born 8 April 1975) is a rugby union coach currently working in sport and business with the Magic Academy.

## Club rugby

Earnshaw has played Premiership rugby with West Hartlepool, Bath Rugby and Rotherham Titans, winning the European Cup whilst at Bath. He then joined Worcester in Division 1 and helped them to win promotion to the Premiership before signing for Doncaster with whom he achieved Promotion to the Championship. While at University at Cambridge he played for the Blues side in two winning Varsity matches. In 2000 he was selected to play for the Barbarians in their match against Germany.

## International rugby

Earnshaw has played for England on the IRB Sevens circuit, at the 1998 Commonwealth Games in Kuala Lumpur, and was part of the squad that played in the IRB World Series tournaments from 1999 to 2003. He was assistant coach to the England 7's team from 2006-2013, finishing after the 2013 World Cup final defeat to New Zealand.

## Coaching

While at Doncaster Earnshaw helped to coach the side and joined Pertemps Bees for the 07/08 season as player/forwards coach. Whilst there, he was head coach of Birmingham and Solihull Rugby Club and assistant coach of the England 7's team.

In 2010, Earnshaw completed the 'Great Escape' for Birmingham & Solihull Rugby Club, leading them to an unexpected resurgence in the relegation playoffs, despite not having won a game for the entire season. Although Earnshaw dislocated his shoulder in the penultimate game; a defeat at home at the hands of relegation-rivals Coventry, Earnshaw lined up on the pitch at Billesley Common two weeks later to help the Bees in their 34-38 defeat of Moseley.

Between 2007 and 2013, England won several tournaments on the World Series including back-to-back Dubai titles in 2011 and 2012, the Twickenham Sevens in 2009, plus England's first ever victory in Wellington in 2009 and more recently again in 2013. In 2013, England won the silver medal at the 7's Rugby World Cup in Moscow.

Earnshaw also coached the GB Students side to World University Champions in 2012 and England U18's Women's team to the European title in 2014.

Earnshaw also took a sabbatical from sport to teach Economics and coach rugby at Eastbourne College, he is a Level 4 RFU coach, Coach Developer, Coach Educator and Level 4 mentor.

Having coached both England U18's and U20's, Earnshaw now works across sports and business including NZ7's, Oyonnax Rugby, Google, Tyler-Grange, GB Hockey and the FA and Premier League.

## InfoBox

Russell Earnshaw
| Birth name | Russell Dean Earnshaw |
| --- | --- |
| Date of birth | (1975-04-08) 8 April 1975 |
| Place of birth | Stockton-on-Tees, England |
| Height | 6 ft 4 in (1.93 m) |
| Rugby union career | |
| **Position(s)**  Lock, Back row  Senior career  **Years** **Team** **Apps** **(Points)**  1997-1999
2000
2000
2000-2003 Bath Rugby
Bedford Blues
Barbarian F.C.
Rotherham Titans
Pertemps Bees  52
1
1
62  ()  International career  **Years** **Team** **Apps** **(Points)**  England Sevens    Coaching career  **Years** **Team**  England Sevens (assistant) | |


title: Réka Tóth-Vásárhelyi

abstract: Réka Tóth-Vásárhelyi is a Hungarian wood and textile artist, Kokeshi artist and art teacher, a maker of kokeshi dolls, the first foreign prize winner of the 2015 National Kokeshi Doll Competition in Shiroishi, Japan and its first foreign grand prize winner in 2016. She is a representative of the modern branch of Kokeshi Art.

text:
# Réka Tóth-Vásárhelyi

**Réka Tóth-Vásárhelyi** (artist name: *Renka*) (Budapest, 27 July 1975 – ) is a Hungarian wood and textile artist, Kokeshi artist and art teacher, a maker of kokeshi dolls, the first foreign prize winner of the 2015 National Kokeshi Doll Competition in Shiroishi, Japan and its first foreign grand prize winner in 2016. She is a representative of the modern branch of Kokeshi Art.

## Family

Her father, József Tóth-Vásárhelyi, is an architect, and her mother, Éva Tóth-Vásárhelyi, is a history teacher. Her brother, Máté, is an archaeologist who works in the film industry. Her maternal grandfather, József Tóth-Vásárhelyi, was a harmonica artist who played music for the first Hungarian sound films.

## Education

She graduated from Széchenyi István Secondary Grammar School in 1993 and obtained her degree in Primary and Pre-School Education from Eötvös Loránd University in 2000. In 2001, she completed her studies at Eszterházy Károly Teacher Training College in Eger, Hungary, specializing in Visual Education with a research focus on Japanese art methodology. She also pursued various art forms such as ikebana, calligraphy, and ink painting. She ventured into sculpting and discovered woodworking through sculptor Jun Tsukawaki. In 2004, she enrolled at Atelier Interior Design School in Budapest, followed by a postgraduate course at Moholy-Nagy University of Art and Design (MOME) where she earned her MA in Art and Textile Design Education. She continued her academic journey as a PhD student in Alternative Art Education at the University of Art and Design Linz (Kunstuniversität Linz) from 2008 onwards.

## Artistic practice

She fell in love with Eastern culture as a child. Her family had Japanese neighbours for many years, and the two families lived side by side almost as a community. She was captivated by Japanese culture ever since. Her ambition was to go to Japan after graduation, but at the time of the regime change, she was unable to do so. She was awarded a Japanese art scholarship 2002-2004.

She was on maternity leave with her first child in 2009 when a sudden idea gave birth to her book “A Csodálatos Fababa Meséje” (The Story of the Miraculous Wooden Doll). In this book, written in both Japanese and Hungarian, she tells the story of Sakura, the Kokeshi doll and the adventures leading her to the imperial family. Her great interest in this fairy tale and its main character, the Kokeshi doll, led her to start making Kokeshi dolls. In 2011, she made eight dolls for an exhibition in Szombathely, and soon she had 190, making 1,500 in a year. She started looking for her style in the creative kokeshi category, developing her own technique. She uses a high gloss lacquer, so her dolls are much shinier than usual kokeshis. She paints meticulous, and unique finely detailed patterns and the dolls' faces.

From the functional features, she has kept and shaped the kokeshi doll's usability as a souvenir (a children's toy that reflects the beliefs of Japanese culture and which is also a souvenir), and from the formal features (traditional and free forms), she has retained creativity and shaped it according to her own taste and possibilities.

Her dolls are smaller in size than the usual ones in Japan, where they are up to one meter high, since in Hungary there is no suitable wood material to make them. The dolls are made from different types of wood and the colour and surface of the chosen mizuki, maple or non-splintering Japanese cherry wood determines the final result. Japanese wood is easier to use for making kokeshis. These have high oil content and therefore dry out more slowly and do not crack. In the last few years, she has been buying raw material from Japan. She paints the dolls herself, but someone else does the wood turning and varnishing. Her dolls are all unique, with meticulously, finely carved faces and ornate kimonos.

The dolls, turned and carved from wood, embody the Japanese ideal of feminine beauty with their clean shapes: neat black hair, a charming, gentle white face and a body dressed in closed, decorated kimonos. Their decoration and painted patterns are often linked to the seasons. There is hardly a Japanese household without at least one kokeshi. In terms of shape, there are smaller and larger figures of girls, cylindrical and spherical, samurai, monks and many others with features specific to the region from where the kokeshi originates.

Besides being an aesthetic ornament, in Japanese culture the kokeshi has a much deeper meaning and function: it has also been used as a children's toy, a souvenir, a talisman with healing powers. Since the Middle Ages, every family in northern Japan has had at least one kokeshi as a full member of the family, giving protection from famine, fire and disease. It is therefore an integral part of the traditions and beliefs of the Japanese people and, with these in mind, the symbols permeate their entire artistic activity. Its aim is to open people's hearts to the love and respect of the natural, simple, volatile and imperfect gifts of life. Symbols, inner messages and inspirational thoughts are important to her. When making a doll, she first looks at the "soul" of the wood, because the piece of wood also brings its soul with it. Furthermore, the use of symbols is an integral part of Japanese culture, as the seasons change, everything is covered with the current natural symbols, from gastronomy to clothing, in all aspects of life. The decorations on her dolls are also designed accordingly, so they carry a lot of extra meaning, like a kind of cipher. While painting her dolls, she tries to chant mantras as much as possible to make them radiate peace and love in their new home. She often gives them Japanese names with positive messages.

One of her two outstanding themes is the presentation of Hungarian folk costumes through these wooden dolls. So far, she has painted the costumes of 54 regions, but there are still a lot more to come, and she would like to illustrate them for a book later. Her aim is to integrate tradition into today's modern environment and living space. The other theme is the fate of women, in connection with which her intention is to portray charm and also to show the true face of the soul, with all the pain it has brought and collected.

She wishes to bring the cultures of the two countries even closer together through Kokeshi dolls, and "to open people's hearts through her creations to the love and respect for the natural, simple, fleeting and imperfect gifts of life."

## International career

In 2015, she became the first foreigner to compete in the 57th Japanese National Kokeshi Competition, and was awarded the Governor of Miyagi Prefecture Award for her doll Kaguja hime. In 2016, she was the first foreigner to compete in the 58th Japanese National Kokeshi Competition. She was the only foreigner to compete for the second time in the 58th Japanese National Kokeshi Competition, winning the grand prize in the creative category, the Japanese Minister of Economy, Trade and Industry's award for her work entitled "Dress-up Kokeshi - with a Wardrobe." In addition to the perfect execution of the winning work, her creativity also attracted the attention of the jury. In addition to the kokeshi doll, the piece, made of hornbeam, beech and ashwood, includes a wardrobe with 17 meticulously crafted accessories such as kimonos, hats, umbrellas, lanterns and fans. The idea that a kokeshi doll can be dressed in different outfits and accessories to suit the season and the occasion is quite unique. She was the first foreigner to get near to the closed cultural circle of Japanese Kokeshi making masters. She was welcomed and allowed closer to their professional knowledge and workshops techniques, which, according to Jennifer McDowell, an American kokeshi sociologist, as a woman, as a foreigner in a massively constructed masculine system, "can be seen as breaking through an anthropological wall."

In the spring of 2016, she received the blessing of Master Kokeshi-Makers in a Shinto ceremony. In the same year, she attended the Dalai Lama's Kalachakra empowerment in Leh, India.

At the 59th Japanese National Kokeshi Competition her kokeshi-rattle won the Ebina City Mayor's Award. Later that year, in Tokyo, her Taiko drum was awarded the Outstanding Artwork Award at the Creative Kokeshi Competition, and in the summer of 2018, her work titled “Crane and Turtle” won the Jury's Special Prize at the same competition.

Japanese masters began to trust her, and after the award, she was invited to Shibukawa for the Creative Kokeshi Exhibition, where she met Aoki Ryoka (青木蓼華), the first Japanese female creative master kokeshi maker to be awarded the Imperial Medal of Merit, who took her on and invited her to her workshop. In 2017, in addition to the National Kokeshi Competition, she was invited to the Creative Kokeshi Competition in Tokyo, where her work has been awarded annually since then. In 2019, she was commissioned by the Hungarian Embassy in Tokyo to create a pair of dolls to commemorate the 150th anniversary of the establishment of diplomatic relations between the two countries, showing both cultural differences and similarities, which were then given as a souvenir by the Embassy to several prominent people, among others to the Imperial Court of Japan. In 2020, on the occasion of the 90th birthday of her master, Aoki Ryoka, and on her 45th birthday, a joint exhibition was held at the exhibition hall of the Sugamoi Buddhist Shrine in Tokyo, organized by the Hungarian Embassy.

Aoki Ryoka inspired the artist name Renka. According to Japanese customs, the student receives a kanji from her master's name so the syllable -ka at the end of the name Ryoka was given to the artist. Renka means lotus-blossom-glow. Aoki later asked her to finish her half-finished creations, dolls weighing about 100 kilograms.

In March 2016, a product quality assessment by the MANK, Petőfi Cultural Agency Ltd. (MANK is the abbreviation of “Hungarian Nonprofit Association for Arts and Crafts” in Hungarian) classified and certified all of her creations as being of the highest quality in the category of applied arts.

The name of the Kokeshi brand is Katagami Kokeshi, from which the brand name for non-Japanese dolls became KAKO... By 2022, the number of Kokeshi dolls made is well over 10,000.

She has exhibited her work and given lectures on the tradition and history of kokeshi at numerous exhibitions in Japan, Europe, the US and at home.

## Other activities

She participated in the decorative painting of the Milarepa Meditation Centre in Zalaszántó. In Zangla Palace in India, in the Kőrösi Csoma Room, she made a memorial statue of the enlightened, meditating Sándor Kőrösi Csoma. The pilgrim made the statue of Sándor Kőrösi Csoma and the statue of Lama Dorji Lopön Ngawang rinpoche in the Buddha Park - Sándor Kőrösi Csoma Memorial Park. In 2019, as a commemorative gift for the 150th anniversary of Hungarian-Japanese diplomatic relations, the Hungarian Embassy in Tokyo commissioned the production of 30 pairs of wooden dolls to symbolize the relationship between the two countries. The diplomatic dolls were given to a number of prominent personalities, including several members of the imperial court. She received a personal letter of thanks from Suzuki Osamu, President of Suzuki Motor Corporation.

For a while, she made Kokeshi pendants, but thought they could be more playful if they appeared on clothes. In 2018, they collaborated with Beatrix White to release a joint collection of charming Kokeshi dolls on cool urban suits. The kokeshi dolls are used as decorative elements on dresses, skirts, jackets and bags.

She has been a member of the Hungary-Japan Friendship Society since 2000. She was also a member of the National Association of Art Teachers and InSEA.

## Awards and honors

* 2022 Yamagata City Mayor's Award, 64th Japan National Kokeshi Exhibition and Competition, Shiroishi Zao, Japan
* 2019 Special Award, Creative Kokeshi Competition, Tokyo, Japan
* 2019 Gunma Province Governor Award, 60th Japan National Kokeshi Exhibition and Competition, Shiroishi Zao, Japan
* 2018 The Jury's Special Prize, Creative Kokeshi Competition, Tokyo, Japan
* 2017 Award for Outstanding Work, Creative Kokeshi Competition, Tokyo-Ginza, Japan
* 2017 Ebina City Mayor's Award, 59th Japan National Kokeshi Exhibition and Competition, Shiroishi Zao, Japan
* 2016 Japan Minister of Economy, Trade and Industry Award (first in category, second overall), 58th Japan National Kokeshi Exhibition and Competition, Shiroishi Zao, Japan
* 2016-03 Product quality assessment of MANK, Petőfi Cultural Agency Ltd. (Hungarian Nonprofit Association for Arts and Crafts) on the classification in the highest quality applied arts category
* 2015 Mijagi Province Governor's Award (first foreign winner) 57th Japan National Kokesh Exhibition and Competition, Shiroishi Zao

## Published books

* Réka Tóth-Vásárhelyi - Ibolya Rácz: Kokesi – A japán fababák világa (Kokeshi - The World of Japanese Fables), Napkút Kiadó, 2019, ISBN 9789632638805
* Réka Tóth-Vásárhelyi : Rizómák, melyek a fény felé törnek (Rhizomes that break towards the light), Napkút Kiadó, 2012, ISBN 9789632632704
* Réka Tóth-Vásárhelyi : A csodálatos fababa meséje (The Story of the Wonderful Wooden Doll), Napkút Kiadó, 2009, ISBN 9789632631011
* Réka Tóth-Vásárhelyi - Kata Tasi : Mesél a világ (The World tells a Story), Magyar Napló Kiadó, 2006, ISBN 9639603376
* Tandori Dezső Dezső Tandori - Réka Tóth-Vásárhelyi, Kavicsok (Pebbles), Print-X, Budapest, 2004, ISBN 9638654562 Haiku translations by Dezső Tandori with pictures by Réka Tóth-Vásárhelyi

## Sources

## Further information

## InfoBox

| Réka Tóth-Vásárhelyi | |
| --- | --- |
|  | |
| Born | (1975-07-27)27 July 1975<br>Budapest, Hungary |
| Nationality | Hungarian |
| Other names | Renka |
| Occupation(s) | Wood and Textile Artist, Kokeshi Artist, Art teacher |


title: Hermann Kemper

abstract: Hermann Kemper was a German engineer and pioneer in magnetic levitation sometimes known as the father of maglev. Herman Kemper began his research on magnetic levitation in 1922. In 1933, Kemper constructed a working circuit for hovering on the principle of electromagnetic levitation, using electromagnetic attraction. He was awarded the Reichs Patent number 643316, "Schwebebahn mit räderlosen Fahrzeugen, die an eisernen Fahrschienen mittels magnetischer Felder schwebend entlang geführt wird". This invention eventually led to the development of Transrapid. In 1972, he received recognition for his research achievements, the Great Cross of Merit of the Federal Republic of Germany.

text:
# Hermann Kemper

**Hermann Kemper** (5 April 1892 in Nortrup  13 July 1977) was a German engineer and pioneer in magnetic levitation sometimes known as the father of maglev.

Herman Kemper began his research on magnetic levitation in 1922. In 1933, Kemper constructed a working circuit for hovering on the principle of electromagnetic levitation, using electromagnetic attraction. He was awarded the Reichs Patent number 643316, "Schwebebahn mit räderlosen Fahrzeugen, die an eisernen Fahrschienen mittels magnetischer Felder schwebend entlang geführt wird" (the invention of a hovertrack with wheelless vehicles which hover along iron rails using magnetic fields). This invention eventually led to the development of Transrapid.

In 1972, he received recognition for his research achievements, the Great Cross of Merit of the Federal Republic of Germany.

## InfoBox

| Hermann Kemper | |
| --- | --- |
| Born | (1892-04-05)5 April 1892 |
| Died | 13 July 1977(1977-07-13) (aged 85) |
| Nationality | German |
| Occupation | Engineer |


title: Herrerita (footballer, born 1914)

abstract: Eduardo Herrera Bueno, known as Herrerita, was a Spanish footballer who played as a forward. He was Real Oviedo's all-time top scorer in La Liga, with 117 goals in 213 games.

text:
# Herrerita (footballer, born 1914)

**Eduardo Herrera Bueno** (5 July 1914 – 15 August 1991), known as **Herrerita**, was a Spanish footballer who played as a forward.

He was Real Oviedo's all-time top scorer in La Liga, with 117 goals in 213 games.

## Club career

Born in Gijón, Asturias as the youngest of eight siblings, Herrerita played youth football with local Sporting de Gijón. In 1933 he moved to the professionals, joining neighbouring Real Oviedo for a then-record 30.000 pesetas and finishing his first season in La Liga with 11 goals in only 18 games.

During the better part of the following 15 years, Herrerita would be part of an attacking line that would be dubbed *Delanteras Eléctricas* (Electric Forwards), also including the likes of Casuco, Emilín, Ricardo Gallart and Isidro Lángara. The players combined for an astonishing 174 goals in 62 matches in their first three seasons together.

The competition was resumed in 1939–40 following the Spanish Civil War, but Oviedo could not take part in the tournament due to the state in which the city was left after the conflict. Thus, Herrera and Emilín signed for FC Barcelona for that campaign, with the Catalans only ranking in ninth place.

Returned to Oviedo, Herrerita continued to feature and score regularly for the team, helping it to four five-place finishes from 1943 to 1949. In the latter season, he netted 12 goals in only 15 contests, but featured only twice in the following year as the *Carbayones* eventually suffered relegation; in 13 years, he appeared in 270 official games for his main side.

In 1950, Herrerita returned to his first club Sporting, playing one season in Segunda División and retiring afterwards. Subsequently, he acted as assistant manager with Oviedo, and died on 15 August 1991 at the age of 77.

## International career

Herrerita played six games with Spain, during three years. His debut came on 18 March 1934, in a 2–1 friendly win in Portugal.

## Personal life

Herrerita's son, Jesús, was also a footballer and a forward. He too represented Oviedo, and played in the top division with Real Madrid and Real Sociedad.

## InfoBox

Herrerita
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Eduardo Herrera Bueno | | |
| Date of birth | (1914-07-05)July 5, 1914 | | |
| Place of birth | Gijón, Spain | | |
| Date of death | August 15, 1991(1991-08-15) (aged 77) | | |
| Position(s) | Forward | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1931–1933 | Sporting Gijón | 13 | (8) |
| 1933–1936 | Real Oviedo | 57 | (31) |
| 1939–1940 | Barcelona | 17 | (9) |
| 1940–1950 | Real Oviedo | 155 | (79) |
| 1950–1951 | Real Gijón | 5 | (3) |
| International career | | | |
| 1934–1947 | Spain | 6 | (2) |
| \*Club domestic league appearances and goals, correct as of 03:51, 27 May 2021 (UTC)<br>‡ National team caps and goals, correct as of 03:51, 27 May 2021 (UTC) | | | |


title: Herman H. Pevler

abstract: Herman H. Pevler was the tenth president of the Roanoke, VA based Norfolk and Western Railway (N&W). He had previously served as president of the Wabash Railroad, and served as president of the N&W from October 1, 1963, until his retirement in April 1970.

text:
# Herman H. Pevler

**Herman H. Pevler** (20 April 1903  29 August 1978) was the tenth president of the Roanoke, VA based Norfolk and Western Railway (N&W). He had previously served as president of the Wabash Railroad, and served as president of the N&W from October 1, 1963, until his retirement in April 1970.

## Personal life

*Commonwealth Magazine* once described Pevler as "a driver who operated with doors open and coats off," citing the "sheer force of his personality" and vigor in his activities. He was an alumnus of Purdue University. He was buried in Evergreen Burial Park, Roanoke, Virginia,

## Career

In 1927, Herman Pevler commenced work with the Pennsylvania Railroad, and he was elected vice president of that railway in 1948.

In 1959, he was elected a director of the First National Bank in St. Louis.

Herman Pevler was the president of Wabash Railroad before he succeeded Stuart T. Saunders as President of N&W. Saunders left to head the Pennsylvania Railroad, a major N&W stockholder at that time. Pulver oversaw a complex group of mergers, which began under Saunders and merged the Nickel Plate Road, the Wabash Railroad, and portions of the Pennsylvania Railroad into the N&W company. The mergers were completed in 1964 and widely expanded the company, reaching major points such as Detroit, Chicago, and St. Louis. The latter two were major gateways and interchange points with western railroads.

Following the expansion, N&W's revenue quadrupled during Pevler's administration. Coming from the Wabash, he was the first N&W president in the 20th century to have not come up through the lower ranks of the N&W, and his leadership was met with some resistance by some N&W staff. Among his legacies was a change in N&W livery on locomotives to a blue very similar to that employed by the Wabash, which became known within the company as "Pevler blue." As his mandatory retirement age approached, it became known that Pevler intended to recommend to the board of directors a top official of another railroad as his replacement. However, quick maneuvering by N&W insiders and lobbying of key directors resulted in the selection of John P. Fishwick, a longtime N&W staff attorney who Pevler had assigned to Cleveland to oversee a subsidiary operation.

In 1959, Pulver wrote a 12-page pamphlet on Featherbedding titled *The Changing Railroad Picture*.

Pulver supported the Demonstration Cities and Metropolitan Development Act of 1966.

## Awards

In 1967, Pulver was named Roanoke's Outstanding Citizen.


title: S-class ferry

abstract: S-class ferries are roll-on/roll-off (RORO) ferries operated by BC Ferries in British Columbia, Canada. They are the largest ferries in the BC Ferries fleet. The class comprises two ships, Spirit of British Columbia and Spirit of Vancouver Island, which were completed in 1993 and 1994 respectively. They serve the ferry route between Tsawwassen and Swartz Bay. In 2017, the class underwent conversion to a dual-fuel propulsion system that would allow them to use either marine diesel fuel or liquefied natural gas.

text:
# S-class ferry

**S-class ferries** (also known as the **Spirit class** or **Super ferries**) are roll-on/roll-off (RORO) ferries operated by BC Ferries in British Columbia, Canada. They are the largest ferries in the BC Ferries fleet. The class comprises two ships, *Spirit of British Columbia* and *Spirit of Vancouver Island*, which were completed in 1993 and 1994 respectively. They serve the ferry route between Tsawwassen and Swartz Bay. In 2017, the class underwent conversion to a dual-fuel propulsion system that would allow them to use either marine diesel fuel or liquefied natural gas.

## Design and description

The S-class roll on/roll off ferries are the largest vessels in the BC Ferries fleet. They are 167.5 m (549 ft 6 in) long overall and 156.0 m (511 ft 10 in) between perpendiculars with a beam of 32.9 m (107 ft 11 in). The vessels have a displacement of 11,681 tonnes (11,497 long tons), an initial 18,747 gross tonnage (GT) and 2,925 tons deadweight (DWT). The gross tonnage later increased to 21,935 for *Spirit of Vancouver* and 21,958 for *Spirit of British Columbia* as of 2018.

The vessels were initially powered by four MAN 6L40/54 diesel engines driving two shafts creating 21,394 horsepower (15,954 kW). The ferries have a maximum speed of 19.5 knots (36.1 km/h; 22.4 mph). In 2018, the ferries began a mid-life refit that involved changing the propulsion system to a dual-fuel system comprising four Wärtsilä 34DF dual-fuel engines which allow the ships to use either marine diesel oil or liquefied natural gas to power the ship. Further changes include navigation and propulsion equipment, steering and evacuation systems, lighting and air conditioning. Passenger areas were upgraded including the lounges, bathrooms and retail areas.

The ferries have capacity for 2,100 passengers and crew and 358 automobiles. The ferries are equipped with lounges and cafes.

## Ships in class

S class
| Name | Launched | Completed | Route | Status | Notes |
| --- | --- | --- | --- | --- | --- |
| *Spirit of British Columbia* | April 17, 1992 | February 1993 | 1 - TsawwassenSwartz Bay | In service |  |
| *Spirit of Vancouver Island* | 1994 | February 1994 | 1 - Swartz Bay–Tsawwassen | In service |  |
|

## History

The two ferries, *Spirit of British Columbia* and *Spirit of Vancouver Island*, were constructed in two pieces. The ferries' foreparts were built by Allied Shipbuilders of North Vancouver, British Columbia. The rest of the ships were constructed by Integrated Ferry of Esquimalt, British Columbia. The two sections were joined and *Spirit of British Columbia* was completed in February 1993, with *Spirit of Vancouver Island* completed in February 1994. *Spirit of British Columbia* was assigned to the TsawwassenSwartz Bay route and *Spirit of Vancouver Island* to the inverse Swartz Bay–Tsawwassen route.

On September 14, 2000, *Spirit of Vancouver Island* collided with the 9.72-metre (31.9 ft) *Star Ruby* while attempting to overtake the vessel in a narrow channel. The accident report found that pleasure craft had ignored all warnings of the impending collision. Two passengers aboard *Star Ruby* later died as a result of their injuries sustained by the collision. From 2005 to 2006, the S-class ferries underwent major refits.

In 2017, it was announced that the two S-class ferries would undergo a $140 million conversion to a dual-fuel system to allow the vessels to use liquefied natural gas as fuel in an effort to reduce greenhouse gas emissions. Further modifications during the conversion included the replacement of navigation and propulsion systems and a general overhaul. Passenger areas were modified as well. *Spirit of British Columbia* was the first to undergo the conversion at the Remontowa Ship Repair Yard in Gdańsk, Poland, between 2017 and 2018. *Spirit of Vancouver Island*'s retrofit began in September 2018 and the vessel returned to service in April 2019. The conversion of *Spirit of British Columbia* earned BC Ferries the Shippax Retrofit Award, which identifies innovation in the ferry industry.

## InfoBox

| *Spirit of British Columbia* | |
| --- | --- |
| Class overview | |
| Operators | BC Ferries |
| Preceded by |  |
| Built | 1992–1994 |
| In service | 1993–present |
| Planned | 2 |
| Completed | 2 |
| Active | 2 |
| General characteristics as built | |
| Type | Ferry |
| Tonnage |  |
| Displacement | 11,681  (11,497 long tons) |
| Length | 167.5 m (549 ft 6 in) |
| Beam | 27.1 m (88 ft 11 in) |
| Draught | 5 m (16 ft 5 in) |
| Depth | 8 m (26 ft 3 in) |
| Installed power | 21,394 hp (15,954 kW) |
| Propulsion | 4 × MAN-B&W 6L 40/54 diesel engines |
| Speed | 19.5 knots (36.1 km/h; 22.4 mph) |
| Capacity | * 2,100 passengers and crew * 358 vehicles |


title: S. Jay Plager

abstract: Sheldon Jay Plager is a Senior United States circuit judge of the United States Court of Appeals for the Federal Circuit.

text:
# S. Jay Plager

**Sheldon Jay Plager** (born May 16, 1931) is a Senior United States circuit judge of the United States Court of Appeals for the Federal Circuit.

## Early life and education

Born in Long Branch, New Jersey to A.L. and Clara Plager, Plager was educated in the public schools. He received his B.A. degree from the University of North Carolina in 1952, and his Juris Doctor from the University of Florida College of Law in 1958, with high honors, followed by a Master of Laws from Columbia Law School in 1961. He was in the United States Navy from 1948 to 1970, being commissioned as an ensign in 1952 and serving in active duty following World War II, earning the rank of Commander before he retired.

## Career

Plager taught as a law professor at the University of Florida from 1958 to 1963, then at the University of Illinois College of Law until 1977, and was then a dean and professor at the Indiana University Maurer School of Law until 1984. He also taught as a visiting professor at the University of Wisconsin Law School, was a visiting scholar at Stanford Law School, and was a visiting fellow at Cambridge University and the Rockefeller Foundation Research Center. From 1986 to 1987, he was counselor to the undersecretary of the United States Department of Health and Human Services, followed by three years as associate director and later administrator of the Office of Information and Regulatory Affairs in the Office of Management and Budget.

## Federal judicial service

Plager was nominated by President George H. W. Bush on September 12, 1989, to a seat on the United States Court of Appeals for the Federal Circuit vacated by Shiro Kashiwa, and he was confirmed by the United States Senate on November 8, 1989. He received his commission on November 11, 1989. Plager assumed senior status on November 30, 2000, and continues to sit as a Senior United States Circuit Judge. In addition to his teaching and judicial activities, he has authored numerous articles and books.

## Personal

Plager married his college sweetheart Frankie Lee (née Bird) Plager in 1951 while still in college. They divorced in 1980. They had three children, and six grandchildren (two from each children) by the time of his ex-wife's death in February 2015.

## InfoBox

| Sheldon Jay Plager | |
| --- | --- |
|  | |
|  | |
| Senior Judge of the United States Court of Appeals for the Federal Circuit | |
| **Incumbent** | |
| **Assumed office**
November 30, 2000 | |
| Judge of the United States Court of Appeals for the Federal Circuit | |
| **In office**
November 11, 1989  November 30, 2000 | |
| Appointed by | George H. W. Bush |
| Preceded by | Shiro Kashiwa |
| Succeeded by | Sharon Prost |
|  | |
| Personal details | |
| Born | Sheldon Jay Plager
(1931-05-16) May 16, 1931
Long Branch, New Jersey, U.S. |
| Spouse | Frankie Plager  (m. 1951; div. 1980) |
| Children | 3 |
| Education | University of North Carolina at Chapel Hill (BA)
University of Florida (JD)
Columbia University (LLM) |
|  | |


title: Pat Dolan

abstract: Patrick Dolan is a former football player, manager, and executive. He is also a former soccer analyst on RTÉ Sport. He is currently a FIFA-registered players' agent and has represented a number of players based in the English Premier League and English Football League Championship divisions. He also writes articles in the Irish Daily Star and acts within an ambassador role for a small number of Dublin hotels.

text:
# Pat Dolan

**Patrick Dolan** (born 20 September 1967 in Galway, Ireland) is a former football player, manager, and executive. He is also a former soccer analyst on RTÉ Sport. He is currently a FIFA-registered players' agent  and has represented a number of players based in the English Premier League and English Football League Championship divisions. He also writes articles in the *Irish Daily Star* and acts within an ambassador role for a small number of Dublin hotels.

## Early life

Dolan, and his twin Eamonn Dolan, moved to Chelmsford as children and both began life as trainee footballers with West Ham United. They both played for the Republic of Ireland at the 1985 FIFA World Youth Championship and Under 21 level. Both had made their Irish international debut at Republic of Ireland national under-17 football team level against Northern Ireland in the first ever fixture between the two nations at Seaview in a 6–1 friendly win in January 1985.

## Early career

Dolan signed YTS forms with Arsenal when he turned sixteen and made numerous appearances for both the youth and reserve team. Paul Merson recalls playing with Dolan together in the Arsenal youth team and even how Dolan would regularly be invited to stay over at his parents' house .

In 1988, he was loaned out to Walsall to gain experience and soon made the move permanent. The following year, having failed to make the impact expected of him, he was loaned out to League of Ireland side St. Patrick's Athletic. He made his League of Ireland debut at Richmond Park on 28 February 1988.

After a handful of appearances he returned to Walsall but was promptly released. He signed for Paul McGee at Galway United for the 1989–90 League of Ireland Premier Division season where he missed only two league games as the Tribesmen finished 8th.

Dolan made his Galway debut on 10 September at Terryland Park

His first ever club goal came against his former club on 1 October as Dolan headed in the equaliser

The following season he moved to Shamrock Rovers. He scored on his first start at Turners Cross (where he had also scored his only Ireland U21 goal) on 28 October. He was an unused substitute in the 1991 FAI Cup Final when Rovers lost to Galway United. After Rovers maiden season in the RDS Arena (3 goals in 23 total appearances) he joined St Patrick's Athletic on a full-time deal in 1991.

## St Patrick's Athletic

Dolan joined St Pats when the club was in a state of poverty. They were playing in Harold's Cross Stadium while they tried to raise enough funds to return to Richmond Park. As St Pats could not justify his salary purely on footballing grounds, Dolan was employed as Commercial Manager. Within months he had ignited the local business community and new sponsors came on board.

Dolan played in the 1992/93 FAI League Cup Final and his last game was the 1993 FAI Cup semi final at Dundalk on 18 April. As Dolan's injuries got worse he retired from football and was appointed chief executive.

Dolan worked closely with manager Brian Kerr and new chairman Tim O'Flaherty (a respected local businessman), and in December 1993 St Pats returned to Richmond Park.

Over the next 3 years the club went from strength to strength as Dolan's marketing and Kerr's team building saw the Saints win the league title in 1996. In the December of that year Kerr was appointed Director of Coaching by the FAI. Chairman O'Flaherty surprised most with his appointment of Dolan for team manager with most commentators believing that Kerr's assistant Liam Buckley would get the job. In January 1997 Dolan was appointed manager of Pats. At 28 he was the youngest manager in the history of the club.

Buckley resigned in protest but crucially, Dolan kept respected coach Noel O'Reilly on his staff. After a disappointing finish to his first season, Dolan spent relatively large sums on securing the top young Irish players available and signed three of the Ireland team that finished third in the 1997 FIFA World Youth Championship. His large squad won the 1997/98 League championship on the last day of the season as arch rivals Shelbourne lost a 2-point lead. After leading St Pats to a credible performance in the Champions League against Celtic in September 1998 Dolan resigned as manager to concentrate on his new roles as managing director and Director of Football. He had also purchased a major shareholding in the club.

Liam Buckley was persuaded back into the club to take the managerial hot seat. Buckley would lead the Saints to a second straight league title and Dolan continued to work effectively as managing director. The following December Pats lost 3 successive games and despite lying in third position in the league, Buckley was sacked. Dolan was immediately reinstated as team manager but could only steer the club to sixth place.

## Dublin Saints and the registration season

Early into the 1999/2000 season saw the first cracks in the relationship between Dolan and St Pats fans, as he accused a section of fans of being drunk and overly abusive to a new player, Martin Garrett. Dolan used his match day programme notes to lambaste the Pats travelling fans and, inevitably, the fans hit back. The team finished in fifth position. The following season, acting in his capacity as CEO, Dolan began negotiations with St Francis F.C., with a view to merging. His use of terms like 'Dublin Saints' and 'Pats-Francis' in both his programme notes and his column for national newspaper the Irish Daily Star angered many Pats fans and in a stormy meeting held by the club to announce their plans, many sought his resignation. Backed by staunchly loyal chairman O'Flaherty, Dolan remained in both jobs. Before the end of the season the merger was off but the damage was most certainly done in the eyes of many fans.

The following season saw the Saints improve dramatically on the pitch and they were leading the league when the FAI announced they were deducting 9 points from St Pats total as they played an ineligible player, Paul Marney, for 3 games. St Pats strongly argued it was a clerical error and as Marney had been registered properly they did not seek to gain an advantage. The FAI overturned this decision and re-instated the nine points, much to the annoyance of closest rivals, Shelbourne's chief executive Oliver Byrne. Dolan and Shelbourne manager Dermot Keely traded insults in their competing tabloid columns on a weekly basis. After receiving an anonymous tip off, the league investigated the registration of every St Pats player and found that one, Charles Livingstone Mbabazi, wasn't correct. They deducted fifteen points and St Pats' title challenge lay in tatters. St Pats, again, angrily denied the charges and a leaked report (to the Evening Herald) commissioned by new league CEO Roy Dooney apparently exposed several minor irregularities in player registrations on several teams but was never released. However, only St Pats were punished and they would settle for third place in the league. St Pats started the season as they ended the previous one and for the first time progressed in Europe beating HNK Rijeka in the Intertoto Cup. Only an away goals defeat to KAA Gent stopped further progress.

However the levels of performance dropped and a section of the St Pats support openly protested against Dolan, with a "Dolan Out" banner appearing at games. The majority of St Pat's fans had huge appreciation for what Dolan had achieved for the club, and they still do to this day. It took a late winner at home to Cork in St Pats' last home game for Dolan to avoid bringing the team into the relegation playoff. In February 2003, Dolan parted company with St Pats to take the high-profile job at Cork City. It left St Pats fans divided with the following season seeing many terrace debates between Pro and Anti Dolan camps.

## Cork City

In March 2003, Dolan was appointed team manager of Cork City. Cork had finished in fourth place in 2002/2003 but with the exciting partnership of John O'Flynn and George O'Callaghan, many pundits expected their challenge to be stronger. Dolan brought Kevin Doyle, who he had given his debut with Pats to Cork, and he caught the imagination of the Cork public and much like his Saintmania and Supersaint tags, and along with Brian Lennox re-branded Cork City as the Rebel Army. He would lead Cork to 3rd position in his first season, 16 points behind league winners Shelbourne. The following season, Dolan invested heavily in players and it seemed to pay off as Cork beat Malmö FF and NEC Nijmegen in the Intertoto Cup before falling to Nantes. Dolan would improve Cork to second place in the league and they finished only three points behind winners Shelbourne. Shortly before the beginning of the 2005 season, Cork announced that Pat Dolan was no longer manager of the club.

Much like his departure at St Pats, no formal announcement was made as to the reasons behind it. In another mirroring of the St Pats departure, Cork fans were split into Pro and Anti Dolan camps. Dolan had finished building a strong team at Cork, following the good work first laid out by Dave Barry and then Liam Murphy, and the club went on to win the league title in 2005 under new manager Damien Richardson, with the notable addition of Roy O'Donovan. A key factor in the victory in 2005 was the ability for Cork City to finally beat Shelbourne, something which they never managed while Dolan was in charge.

## Waterford United

In September 2005 Dolan was appointed as an "advisor" for the Blues and their under pressure manager Brendan Rea. At the time of his appointment, Waterford United were at the foot of the table and doomed to an impending relegation. However, Dolan's appointment inspired Waterford United to a remarkable turnaround, and eventually the team secured their status in the league comfortably with two games to spare. They eventually finished 8th place in the Premier League, seven points clear of the relegation playoff spot that for so long looked theirs. Many believe Dolan's success at Waterford United was his greatest achievement, given the despairing position the club was in before his appointment. He left his role at the club at the end of this season.

## Media

Throughout his St Pats and Cork City days Dolan wrote a weekly column in the tabloid newspaper Irish Daily Star. His outspoken and often controversial column saw Dolan's profile rise outside the League of Ireland scene. After his departure from Cork City, Dolan joined Setanta Sports as their main football pundit. He continues to front their Setanta Sports Cup coverage, as well as commentating on Serie A, Champions League and UEFA Cup football. He is also now a regular guest on soccer radio show and podcast World Soccer Daily. Dolan is parodied, to some acclaim, by Apres Match. On 7 December 2009, in his weekly Star column, Dolan was fiercely critical of the Irish international team's pursuit of players born outside Ireland.

## Wexford Youths

In 2007 Dolan took on the role as Head Coach of the newly formed League of Ireland First Division outfit, Wexford Youths. Dolan assisted manager and owner Mick Wallace on a part-time basis due to his media commitments.

## Search for new Ireland manager, and appointment of Trapattoni

Through his weekly column in the Irish Daily Star and regular appearances on Setanta Sports, Dolan was fiercely critical of the FAI's recruitment process to find a new senior International team manager.

The holder of a FA coaching badge, he is currently a FIFA-registered players' agent.

## Honours

### As a manager

**St Patrick's Athletic**

### As a Director of Football

**St Patrick's Athletic**

### Individual

## Sources

* *The Hoops* by Paul Doolan and Robert Goggins (ISBN 0-7171-2121-6)

## InfoBox

Pat Dolan
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Patrick Dolan | | |
| Date of birth | (1967-09-20) 20 September 1967 | | |
| Place of birth | Galway, Ireland | | |
| Height | 5 ft 11 in (1.80 m) | | |
| Position(s) | Midfielder | | |
| Youth career | | | |
| 1981–1983 | West Ham United | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1983–1988 | Arsenal | 0 | (0) |
| 1986–1988 | Walsall | 1 | (0) |
| 1987–1988 | St Patrick's Athletic | 4 | (0) |
| 1988–1989 | Hendon | 16 | (0) |
| 1989–1990 | Galway United | 30 | (4) |
| 1990–1991 | Shamrock Rovers | 18 | (2) |
| 1991–1993 | St Patrick's Athletic | 34 | (5) |
| Total |  | **103** | **(11)** |
| International career | | | |
| 1986–1987 | Republic of Ireland U21 | 3 | (1) |
| Managerial career | | | |
| 1996–1998 | St Patrick's Athletic | | |
| 1999–2003 | St Patrick's Athletic | | |
| 2003–2005 | Cork City | | |
| \*Club domestic league appearances and goals | | | |


title: New Zealand Asian Studies Society

abstract: The New Zealand Asian Studies Society (NZASIA) is established in 1974. It is an independent academic society that seeks to encourage the spread of knowledge about Asia, its history, its culture, and its role in international affairs. The society publishes the biannual journal New Zealand Journal of Asian Studies and a yearly newsletter. The NZASIA, in cooperation with the Asia:NZ Foundation, offers post-graduate scholarships to support research and fieldwork in Asia.

text:
# New Zealand Asian Studies Society

The **New Zealand Asian Studies Society** (**NZASIA**) is established in 1974. It is an independent academic society that seeks to encourage the spread of knowledge about Asia, its history, its culture, and its role in international affairs. The society publishes the biannual journal *New Zealand Journal of Asian Studies* and a yearly newsletter. The NZASIA, in cooperation with the Asia:NZ Foundation, offers post-graduate scholarships to support research and fieldwork in Asia.


title: Pseudogobio banggiangensis

abstract: Pseudogobio banggiangensis is a species of cyprinid endemic to the Yangtze in China.

text:
# Pseudogobio banggiangensis

***Pseudogobio banggiangensis*** is a species of cyprinid endemic to the Yangtze in China.

## InfoBox

| *Pseudogobio banggiangensis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Actinopterygii |
| Order: | Cypriniformes |
| Family: | Cyprinidae |
| Subfamily: | Gobioninae |
| Genus: | *Pseudogobio* |
| Species: | ***P. banggiangensis*** |
| Binomial name | |
| ***Pseudogobio banggiangensis***<br>Nguyen, 2001 | |
|


title: Maria Turtschaninoff

abstract: Maria Turtschaninoff is a Finnish author. She is best known for writing fantasy books including Maresi, the first book in the Red Abbey Chronicles and winner of the 2014 Finlandia Junior Prize.

text:
# Maria Turtschaninoff

**Maria Turtschaninoff** (born 1977) is a Finnish author. She is best known for writing fantasy books including *Maresi*, the first book in the *Red Abbey Chronicles* and winner of the 2014 Finlandia Junior Prize.

## Life and career

Turtschaninoff was born in 1977 in Finland and her first language is Finland’s Swedish. As a child, she appeared in a minor role in the television series *Harjunpää och antastaren* (1985). She received the degree of Master of Philosophy from Gothenburg University in 2000 where she studied human ecology. After her graduation, she worked as a journalist in Helsinki.

The first book of her *Red Abbey Chronicles*, *Maresi*, was published in Finland in 2014 and won the 2014 Finlandia Junior Prize. The film rights to *Maresi* were bought by Film4 in 2016. The second book of the series, *Naondel*, was published in 2016.

She was awarded with the Swedish YLE Literature Prize in 2014 and the Finland-Swedish cultural prize in 2017. Turtschaninoff was also nominated for the 2015 Nordic Council Children and Young People's Literature Prize and the 2018 Astrid Lindgren Memorial Award.

## InfoBox

| Maria Turtschaninoff | |
| --- | --- |
|  | |
| Born | (1977-02-21) February 21, 1977<br>Helsinki, Finland |
| Occupation | Author |
| Language | Swedish |
| Nationality | Finnish |
| Education | Master of Philosophy |
| Alma mater | Gothenburg University |
| Genre | Fantasy |
| Years active | 2014– |
| Notable work | *Red Abbey Chronicles* |
| Website | |
| Author's website | |


title: X-methyl-His dipeptidase

abstract:
Xaa-methyl-His dipeptidase is an enzyme. This enzyme catalyses the following chemical reaction
  - Hydrolysis of anserine (beta-alanyl!Npi-methyl-L-histidine), carnosine, homocarnosine, glycyl!leucine and other dipeptides with broad specificity

text:
# X-methyl-His dipeptidase

**Xaa-methyl-His dipeptidase** (EC 3.4.13.5, *anserinase*, *aminoacyl-methylhistidine dipeptidase*, *acetylhistidine deacetylase*, *N-acetylhistidine deacetylase*, *alpha-N-acetyl-L-histidine aminohydrolase*) is an enzyme. This enzyme catalyses the following chemical reaction

Hydrolysis of anserine (beta-alanyl!Npi-methyl-L-histidine), carnosine, homocarnosine, glycyl!leucine and other dipeptides with broad specificity

## InfoBox

| Xaa-methyl-His dipeptidase | |
| --- | --- |
| Identifiers | |
| EC no. | 3.4.13.5 |
| CAS no. | 9027-38-7 |
| Databases | |
| IntEnz | IntEnz view |
| BRENDA | BRENDA entry |
| ExPASy | NiceZyme view |
| KEGG | KEGG entry |
| MetaCyc | metabolic pathway |
| PRIAM | profile |
| PDB structures | RCSB PDB PDBe PDBsum |
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title: Łyczba

abstract: Łyczba is a village in the administrative district of Gmina Łubnice, within Staszów County, Świętokrzyskie Voivodeship, in south-central Poland. It lies approximately 2 kilometres (1 mi) east of Łubnice, 17 km (11 mi) south of Staszów, and 66 km (41 mi) south-east of the regional capital Kielce.

text:
# Łyczba

**Łyczba** \[ˈwɨt͡ʂba\] is a village in the administrative district of Gmina Łubnice, within Staszów County, Świętokrzyskie Voivodeship, in south-central Poland. It lies approximately 2 kilometres (1 mi) east of Łubnice, 17 km (11 mi) south of Staszów, and 66 km (41 mi) south-east of the regional capital Kielce.

## Demography

According to the 2002 Poland census, there were 173 people residing in Łyczba village, of whom 49.7% were male and 50.3% were female. In the village, the population was spread out, with 30.1% under the age of 18, 31.2% from 18 to 44, 19.7% from 45 to 64, and 19.1% who were 65 years of age or older.

> Table 1. Population level of village in 2002 — by age group
> | SPECIFICATION | | | | | Measure
unit | POPULATION
(by age group in 2002) | | | | | | | | | |
> | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
> | | TOTAL | 0-9 | 10-19 | 20-29 | | 30-39 | 40-49 | 50-59 | 60-69 | 70-79 | 80 + |
> | I. | TOTAL | | | | person | 173 | 19 | 37 | 23 | 18 | 20 | 21 | 8 | 16 | 11 |
> | |  | of which in | | | % | 100 | 11 | 21.4 | 13.3 | 10.4 | 11.6 | 12.1 | 4.6 | 9.2 | 6.4 |
> | | 1. | BY SEX | | | | | | | | | | | | | |
> | | A. | Males | | person | 86 | 10 | 18 | 15 | 7 | 11 | 12 | 5 | 4 | 4 |
> | |  | of which in | % | 49.7 | 5.8 | 10.4 | 8.7 | 4 | 6.4 | 6.9 | 2.9 | 2.3 | 2.3 |
> | | B. | Females | | person | 87 | 9 | 19 | 8 | 11 | 9 | 9 | 3 | 12 | 7 |
> | |  | of which in | % | 50.3 | 5.2 | 11 | 4.6 | 6.4 | 5.2 | 5.2 | 1.7 | 6.9 | 4 |
>
> **Figure 1. Population pyramid of village in 2002 — by age group and sex**
>
> Table 2. Population level of village in 2002 — by sex
> | SPECIFICATION | | | | | | Measure
unit | POPULATION
(by sex in 2002) | | |
> | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
> | | TOTAL | Males | Females ||
> | I. | TOTAL | | | | | person | 173 | 86 | 87 |
> | |  | of which in | | | | % | 100 | 49.7 | 50.3 |
> | | 1. | BY AGE GROUP | | | | | | | | | | | | | | | | | | |
> | | A. | At pre-working age | | | person | 52 | 27 | 25 |
> | |  | of which in | | % | 30.1 | 15.6 | 14.5 |
> | | B. | At working age. grand total | | | person | 88 | 48 | 40 |
> | |  | of which in | | % | 50.9 | 27.7 | 23.2 |
> | | a. | at mobile working age | | person | 54 | 28 | 26 |
> | |  | of which in | % | 31.2 | 16.2 | 15 |
> | | b. | at non-mobile working age | | person | 34 | 20 | 14 |
> | |  | of which in | % | 19.7 | 11.6 | 8.1 |
> | | C. | At post-working age | | | person | 33 | 11 | 22 |
> | |  | of which in | | % | 19.1 | 6.4 | 12.7 |

## InfoBox

| Łyczba | |
| --- | --- |
| Village | |
| Łyczba | |
| Coordinates: 50°24′37″N 21°10′16″E / 50.41028°N 21.17111°E / 50.41028; 21.17111 | |
| Country | Poland |
| Voivodeship | Świętokrzyskie |
| County | Staszów |
| Gmina | Łubnice |
| Sołectwo | Łyczba |
| Elevation | 178 m (584 ft) |
| Population (31 December 2009 at Census) | |
| Total | 172 |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 28-232 |
| Area code | +48 15 |
| Car plates | TSZ |


title: List of compositions by Franz Benda

text:
# List of compositions by Franz Benda

Works by the Bohemian composer Franz Benda (1709-1786). They are classified by "L" numbers according to the catalogue of Douglas A. Lee.

## Symphonies

* L I:1 \ Symphony No. 1 in C major
* L I:2 \ Symphony No. 2 in C major
* L I:3 \ Symphony No. 3 in D major
* L I:4 \ Symphony No. 4 in D major
* L I:5 \ Symphony No. 5 in F major
* L I:6 \ Symphony No. 6 in G major
* L I:7 \ Symphony No. 7 in G major
* L I:8 \ Symphony No. 8 in A major
* L I:9 \ Symphony No. 9 in B flat major
* L I:10 \ Symphony No.10 in B flat major
* L I:11 \ Symphony No.11 in E flat major
* L I:12 \ Symphony No.12 in F major
* L I:13 \ Symphony No.13 in G major
* L I:14 \ Symphony No.14 in A major
* L I:15 \ Symphony in C major
* L I:16 \ Symphony in F major
* L I:17 \ Symphony in G major

## Concertos

* L II:1 \ Violin Concerto in C major
* L II:2 \ Violin Concerto in D major
* L II:3 \ Violin Concerto in D major
* L II:4 \ Violin Concerto in D minor
* L II:5 \ Violin Concerto in E flat major
* L II:6 \ Violin Concerto in E major
* L II:7 \ Violin Concerto in E major (mostly lost)
* L II:8 \ Violin Concerto in E major
* L II:9 \ Violin Concerto in F major
* L II:10 \ Violin Concerto in G major
* L II:11 \ Flute Concerto in G major
* L II:12 \ Violin Concerto in A flat major
* L II:13 \ Violin Concerto in A major
* L II:14 \ Violin Concerto in A major
* L II:15 \ Violin Concerto in A major
* L II:16 \ Flute Concerto in A minor
* L II:17 \ Violin Concerto in B flat major
* L II:18 \ Violin Concerto in B flat major
* L II:19 \ Violin Concerto in C major (Georg Benda)
* L II:20 \ Violin Concerto in B flat major (Joseph Riepel)
* L II:21 \ Violin Concerto in B flat major (Johann Benda)
* L II:22 \ Violin Concerto in G major (Johann Gottlieb Graun)
* L II:23 \ Violin Concerto in E major (lost)
* L II:24 \ Violin Concerto in E minor (lost)
* L II:25 \ Violin Concerto in G major (lost)
* L II:26 \ Violin Concerto in B flat major (lost)
* L II:27 \ Violin Concerto in B flat major (lost)
* L II:28 \ Violin Concerto in B minor (lost)

## Sonatas for instrument & basso continuo

* L III:1 \ Violin Sonata Op. 1 No.3 in C major
* L III:2 \ Violin Sonata in C major
* L III:3 \ Violin Sonata in C major
* L III:4 \ Violin Sonata in C major
* L III:5 \ Violin Sonata in C major
* L III:6 \ Flute Sonata in C major
* L III:7 \ Violin Sonata in C major
* L III:8 \ Violin Sonata in C minor
* L III:9 \ Violin Sonata in C minor
* L III:10 \ Violin Sonata in C minor
* L III:11 \ Violin Sonata in C minor
* L III:12 \ Violin Sonata in C minor
* L III:13 \ Violin Sonata in C minor
* L III:14 \ Violin Sonata in C minor
* L III:15 \ Violin Sonata in C minor
* L III:16 \ Violin Sonata in D major
* L III:17 \ Violin Sonata in D major
* L III:18 \ Violin Sonata in D major
* L III:19 \ Violin Sonata in D major
* L III:20 \ Violin Sonata in D major
* L III:21 \ Violin Sonata in D major
* L III:22 \ Flute Sonata in D major
* L III:23 \ Violin Sonata in D major
* L III:24 \ Flute Sonata in D major
* L III:25 \ Violin Sonata in D major
* L III:26 \ Violin Sonata in D major
* L III:27 \ Violin Sonata in D major
* L III:28 \ Violin Sonata in D major
* L III:29 \ Violin Sonata in D minor
* L III:30 \ Violin Sonata in D minor
* L III:31 \ Violin Sonata in D minor
* L III:32 \ Violin Sonata in D minor
* L III:33 \ Violin Sonata in E flat major
* L III:34 \ Violin Sonata in E flat major
* L III:35 \ Violin Sonata in E flat major
* L III:36 \ Violin Sonata in E flat major
* L III:37 \ Violin Sonata in E flat major
* L III:38 \ Violin Sonata in E flat major
* L III:39 \ Violin Sonata in E flat major
* L III:40 \ Violin Sonata in E flat major
* L III:41 \ Violin Sonata in E flat major
* L III:42 \ Violin Sonata in E flat major
* L III:43 \ Violin Sonata in E flat major
* L III:44 \ Violin Sonata in E major
* L III:45 \ Violin Sonata in E major
* L III:46 \ Violin Sonata in E major
* L III:47 \ Violin Sonata Op. 1 No.1 in E major
* L III:48 \ Violin Sonata in E major
* L III:49 \ Violin Sonata in E major
* L III:50 \ Violin Sonata in E major
* L III:51 \ Violin Sonata Op. 1 No.5 in E major
* L III:52 \ Violin Sonata in E major
* L III:53 \ Violin Sonata in E major
* L III:54 \ Violin Sonata in E major
* L III:55 \ Violin Sonata in E major
* L III:56 \ Flute Sonata in E minor
* L III:57 \ Flute Sonata in E minor
* L III:58 \ Violin Sonata in E minor
* L III:59 \ Violin Sonata in E minor
* L III:60 \ Violin Sonata in E minor
* L III:61 \ Violin Sonata in E minor
* L III:62 \ Violin Sonata in F major
* L III:63 \ Violin Sonata in F major
* L III:64 \ Violin Sonata in F major
* L III:65 \ Violin Sonata in F major
* L III:66 \ Violin Sonata in F major
* L III:67 \ Violin Sonata in F major
* L III:68 \ Violin Sonata in F major
* L III:69 \ Violin Sonata in F major
* L III:70 \ Violin Sonata in F major
* L III:71 \ Violin Sonata in F major
* L III:72 \ Violin Sonata in F major
* L III:73 \ Violin Sonata in F minor
* L III:74 \ Violin Sonata in G major
* L III:75 \ Violin Sonata in G major
* L III:76 \ Violin Sonata in G major
* L III:77 \ Violin Sonata in G major
* L III:78 \ Violin Sonata in G major
* L III:79 \ Violin Sonata in G major
* L III:80 \ Violin Sonata in G major
* L III:81 \ Violin Sonata in G major
* L III:82 \ Violin Sonata in G major
* L III:83 \ Violin Sonata in G major
* L III:84 \ Violin Sonata in G major
* L III:85 \ Violin Sonata in G major
* L III:86 \ Violin Sonata in G major
* L III:87 \ Violin Sonata in G major
* L III:88 \ Violin Sonata in G major
* L III:89 \ Violin Sonata in G minor
* L III:90 \ Violin Sonata in G minor
* L III:91 \ Violin Sonata in G minor
* L III:92 \ Violin Sonata in A flat major
* L III:93 \ Violin Sonata in A major
* L III:94 \ Violin Sonata in A major
* L III:95 \ Violin Sonata Op. 1 No.6 in A major
* L III:96 \ Violin Sonata in A major
* L III:97 \ Violin Sonata in A major
* L III:98 \ Violin Sonata Op. 1 No.2 in A major
* L III:99 \ Violin Sonata in A major
* L III:100 \ Violin Sonata in A major
* L III:101 \ Violin Sonata in A major
* L III:102 \ Violin Sonata in A major
* L III:103 \ Violin Sonata in A major
* L III:104 \ Violin Sonata in A major
* L III:105 \ Violin Sonata in A major
* L III:106 \ Violin Sonata in A major
* L III:107 \ Violin Sonata in A major
* L III:108 \ Violin Sonata in A major
* L III:109 \ Violin Sonata in A major
* L III:110 \ Violin Sonata in A major
* L III:111 \ Violin Sonata in A major
* L III:112 \ Violin Sonata in A major
* L III:113 \ Violin Sonata in A major
* L III:114 \ Violin Sonata in A major
* L III:115 \ Violin Sonata in A major
* L III:116 \ Violin Sonata in A minor
* L III:117 \ Violin Sonata in A minor
* L III:118 \ Violin Sonata in A minor
* L III:119 \ Violin Sonata in A minor
* L III:120 \ Violin Sonata in A minor
* L III:121 \ Violin Sonata Op. 1 No.4 in A minor
* L III:122 \ Violin Sonata in A minor
* L III:123 \ Violin Sonata in B flat major
* L III:124 \ Violin Sonata in B flat major
* L III:125 \ Violin Sonata in B flat major
* L III:126 \ Violin Sonata in B flat major
* L III:127 \ Violin Sonata in B flat major
* L III:128 \ Violin Sonata in B flat major
* L III:129 \ Violin Sonata in B flat major
* L III:130 \ Violin Sonata in B flat major
* L III:131 \ Violin Sonata in B flat major
* L III:132 \ Violin Sonata in B flat major
* L III:133 \ Violin Sonata in B flat major
* L III:134 \ Violin Sonata in B flat major
* L III:135 \ Violin Sonata in B flat major
* L III:136 \ Violin Sonata in B flat major
* L III:137 \ Violin Sonata in B flat major
* L III:138 \ Violin Sonata in B flat minor
* L III:139 \ Violin Sonata in B minor
* L III:140 \ Violin Sonata in C major
* L III:141 \ Violin Sonata in D major
* L III:142 \ Flute Sonata in D major
* L III:143 \ Violin Sonata in D major
* L III:144 \ Violin Sonata in E flat major
* L III:145 \ Violin Sonata in E flat major
* L III:146 \ Violin Sonata in E major
* L III:147 \ Violin Sonata in F major
* L III:148 \ Violin Sonata in G major
* L III:149 \ Violin Sonata in G major
* L III:150 \ Violin Sonata in G minor
* L III:151 \ Violin Sonata in G minor
* L III:152 \ Violin Sonata in A major
* L III:153 \ Violin Sonata in A major
* L III:154 \ Violin Sonata in A major
* L III:155 \ Violin Sonata in A major
* L III:156 \ Oboe Sonata in B flat major
* L III:157 \ Violin Sonata in B flat major
* L III:158 \ Violin Sonata in B flat major
* L III:159 \ Violin Sonata in B flat major
* L III:160 \ Sonata for keyboard & flute Op. 5 No.2 in C major
* L III:161 \ Sonata for keyboard & flute Op. 5 No.3 in E major
* L III:162 \ Sonata for keyboard & flute Op. 5 No.1 in F major
* L III:163 \ Violin Sonata in G major (Friedrich Ludwig Benda)
* L III:164 \ Violin Sonata in A major (Joseph Benda)
* L III:165 \ Violin Sonata in F major (lost)
* L III:166 \ Violin Sonata in A major (lost)
* L III:167 \ Violin Sonata in A minor (lost)
* L III:168 \ Violin Sonata in C minor (lost)
* L III:169 \ Violin Sonata in D major (lost)
* L III:170 \ Flute Sonata in D major (lost)
* L III:171 \ Violin Sonata in D major (lost)
* L III:172 \ Oboe Sonata in D minor (lost)
* L III:173 \ Violin Sonata in E flat major (lost)
* L III:174 \ Bassoon Sonata in F major (lost)
* L III:175 \ Violin Sonata in A major (lost)
* L III:176 \ Violin Sonata in A major (lost)
* L III:177 \ Violin Sonata in A major (lost)
* L III:178 \ Violin Sonata in A major (lost)
* L III:179 \ Violin Sonata in A minor (lost)
* L III:180 \ Oboe Sonata in B flat major (lost)
* L III:181 \ Bassoon Sonata in B flat major (lost)
* L III:182 \ Bassoon Sonata in B flat major (lost)

## Trio sonatas

* L IV:1 \ Sonata for 2 flutes & continuo in G major
* L IV:2 \ Sonata for 2 violins & continuo in A major
* L IV:3 \ Sonata for 2 violins & continuo in D major (Graun)
* L IV:4 \ Sonata for 2 violins & continuo in G major (Graun)
* L IV:5 \ Sonata for violin, keyboard & continuo in D major (lost)
* L IV:6 \ Sonata for violin, bassoon & continuo in F major (lost)
* L IV:7 \ Sonata for flute & keyboard obligato in G major
* L IV:8 \ Sonata for violin, flute & continuo in G major (lost)
* L IV:9 \ Sonata for 2 violins & continuo in B flat major (lost)
* L IV:10 \ Sonata for violin & keyboard in B flat major (lost)

## Duets for 2 violins

* L V:1 \ Violins Duet No. 1 in C major
* L V:2 \ Violins Duet No. 5 in C major
* L V:3 \ Violins Duet No. 2 in C major
* L V:4 \ Violins Duet No. 8 in C major
* L V:5 \ Violins Duet No.11 in C major
* L V:6 \ Violins Duet No. 4 in C major
* L V:7 \ Violins Duet No. 9 in C major
* L V:8 \ Violins Duet No. 3 in C major
* L V:9 \ Violins Duet No.22 in C minor
* L V:10 \ Violins Duet No.21 in C minor
* L V:11 \ Violins Duet No.19 in D major
* L V:12 \ Violins Duet No.20 in D major
* L V:13 \ Violins Duet No.18 in D minor
* L V:14 \ Violins Duet No.13 in E minor
* L V:15 \ Violins Duet No.17 in F major
* L V:16 \ Violins Duet No.10 in G major
* L V:17 \ Violins Duet No.16 in G major
* L V:18 \ Violins Duet No.12 in G major
* L V:19 \ Violins Duet No. 6 in G major
* L V:20 \ Violins Duet No. 7 in G major
* L V:21 \ Violins Duet No.14 in A minor
* L V:22 \ Violins Duet No.15 in A minor
* L V:23 \ Violins Duet in C major
* L V:24 \ Violins Duet in C major
* L V:25 \ Violins Duet in C major
* L V:26 \ Violins Duet in E flat major
* L V:27 \ Violins Duet in E minor
* L V:28 \ Violins Duet in F major
* L V:29 \ Violins Duet in F major
* L V:30 \ Violins Duet in G major
* L V:31 \ Violins Duet in A minor

## Solo violin pieces

* L VI:1 \ Violin Capriccio No.62 in C major
* L VI:2 \ Violin Capriccio No. 1 in C major
* L VI:3 \ Violin Capriccio No.39 in C major
* L VI:4 \ Violin Capriccio No.69 in C minor
* L VI:5 \ Violin Capriccio No. 6 in C minor
* L VI:6 \ Violin Capriccio No.48 in C minor
* L VI:7 \ Violin Capriccio No.61 in C minor
* L VI:8 \ Violin Capriccio No.70 in C minor
* L VI:9 \ Violin Capriccio No.41 in C minor
* L VI:10 \ Violin Capriccio No.18 in C sharp major
* L VI:11 \ Violin Capriccio No.20 in D flat major
* L VI:12 \ Violin Capriccio No.15 in C sharp minor
* L VI:13 \ Violin Capriccio No.42 in D major
* L VI:14 \ Violin Capriccio No. 4 in D major
* L VI:15 \ Violin Capriccio in D major (fragment)
* L VI:16 \ Violin Capriccio No.92 in D major
* L VI:17 \ Violin Capriccio No.94 in D major
* L VI:18 \ Violin Capriccio No.25 in D minor
* L VI:19 \ Violin Capriccio No.30 in E flat major
* L VI:20 \ Violin Capriccio No.28 in E flat major
* L VI:21 \ Violin Capriccio No.65 in E flat major
* L VI:22 \ Violin Capriccio No.91 in E flat major
* L VI:23 \ Violin Capriccio No. 7 in E flat major
* L VI:24 \ Violin Capriccio No.90 in E flat major
* L VI:25 \ Violin Capriccio No.64 in E flat major
* L VI:26 \ Violin Capriccio No.36 in E flat minor
* L VI:27 \ Violin Capriccio No.34 in E major
* L VI:28 \ Violin Capriccio No.14 in E major
* L VI:29 \ Violin Capriccio No.13 in E minor
* L VI:30 \ Violin Capriccio No.71 in F major
* L VI:31 \ Violin Capriccio No.33 in F major
* L VI:32 \ Violin Capriccio No.24 in F major
* L VI:33 \ Violin Capriccio No.29 in F major
* L VI:34 \ Violin Capriccio No.95 in F major
* L VI:35 \ Violin Capriccio No.72 in F major
* L VI:36 \ Violin Capriccio No.27 in F minor
* L VI:37 \ Violin Capriccio No.93 in F minor
* L VI:38 \ Violin Capriccio No.96 in F minor
* L VI:39 \ Violin Capriccio No.22 in F minor
* L VI:40 \ Violin Capriccio No.17 in F sharp major
* L VI:41 \ Violin Capriccio No.37 in G flat major
* L VI:42 \ Violin Capriccio No.16 in F sharp minor
* L VI:43 \ Violin Capriccio in G major
* L VI:44 \ Violin Capriccio No.51 in G major
* L VI:45 \ Violin Capriccio No.11 in G major
* L VI:46 \ Violin Capriccio No.12 in G major
* L VI:47 \ Violin Capriccio in G major
* L VI:48 \ Violin Capriccio No.35 in G major
* L VI:49 \ Violin Capriccio No.89 in G minor
* L VI:50 \ Violin Capriccio No.40 in G minor
* L VI:51 \ Violin Capriccio No. 8 in G minor
* L VI:52 \ Violin Capriccio No.38 in A major
* L VI:53 \ Violin Capriccio No. 9 in A major
* L VI:54 \ Violin Capriccio No.26 in A major
* L VI:55 \ Violin Capriccio No.31 in A major
* L VI:56 \ Violin Capriccio No.98 in A major
* L VI:57 \ Violin Capriccio No.97 in A major
* L VI:58 \ Violin Capriccio No.10 in A major
* L VI:59 \ Violin Capriccio No. 3 in A minor
* L VI:60 \ Violin Capriccio No.21 in A minor
* L VI:61 \ Violin Capriccio No. 2 in A minor
* L VI:62 \ Violin Capriccio No.23 in B flat major
* L VI:63 \ Violin Capriccio No.32 in B flat major
* L VI:64 \ Violin Capriccio No.57 in B flat major
* L VI:65 \ Violin Capriccio No.47 in B flat major
* L VI:66 \ Violin Capriccio No.19 in B flat minor
* L VI:67 \ Violin Capriccio No. 5 in B minor
* L VI:68 \ Violin Capriccio in G major
* L VI:69 \ Violin Capriccio in G major
* L VI:70 \ Violin Capriccio No.59 in C major (lost)
* L VI:71 \ Violin Capriccio No.84 in C major (lost)
* L VI:72 \ Violin Capriccio No.75 in C major (lost)
* L VI:73 \ Violin Capriccio No.68 in C major (lost)
* L VI:74 \ Violin Capriccio No.83 in C major (lost)
* L VI:75 \ Violin Capriccio No.60 in C major (lost)
* L VI:76 \ Violin Capriccio No.55a in D major (lost)
* L VI:77 \ Violin Capriccio No.81 in D major (lost)
* L VI:78 \ Violin Capriccio No.80 in D major (lost)
* L VI:79 \ Violin Capriccio No.74 in D major (lost)
* L VI:80 \ Violin Capriccio No.78 in D major (lost)
* L VI:81 \ Violin Capriccio No.56 in D major (lost)
* L VI:82 \ Violin Capriccio No.66 in D minor (lost)
* L VI:83 \ Violin Capriccio No.58 in E flat major (lost)
* L VI:84 \ Violin Capriccio No.67 in E minor (lost)
* L VI:85 \ Violin Capriccio No.53 in E minor (lost)
* L VI:86 \ Violin Capriccio No.63 in F major (lost)
* L VI:87 \ Violin Capriccio No.50 in F minor (lost)
* L VI:88 \ Violin Capriccio No.82 in G major (lost)
* L VI:89 \ Violin Capriccio No.79 in G major (lost)
* L VI:90 \ Violin Capriccio No.73 in G major (lost)
* L VI:91 \ Violin Capriccio No.76 in G major (lost)
* L VI:92 \ Violin Capriccio No.52 in G minor (lost)
* L VI:93 \ Violin Capriccio No.54 in G minor (lost)
* L VI:94 \ Violin Capriccio No.44 in A major (lost)
* L VI:95 \ Violin Capriccio No.49 in A major (lost)
* L VI:96 \ Violin Capriccio No.88 in A major (lost)
* L VI:97 \ Violin Capriccio No.43 in A major (lost)
* L VI:98 \ Violin Capriccio No.46 in A minor (lost)
* L VI:99 \ Violin Capriccio No.55 in B flat major (lost)
* L VI:100 \ Violin Capriccio No.77 in B flat major (lost)
* L VI:101 \ Violin Capriccio No.86 in B flat major (lost)
* L VI:102 \ Violin Capriccio No.87 in B flat major (lost)
* L VI:103 \ Violin Capriccio No.85 in B flat major (lost)
* L VI:104 \ Violin Capriccio No.45 in B minor (lost)
* L VI:105 \ Violin Capriccio in D major (lost)
* L VI:106 \ Violin Capriccio in E flat major (lost)
* L VI:107 \ Violin Capriccio in A major (lost)
* L VI:108 \ Violin Capriccio in A major (lost)
* L VI:109 \ Violin Capriccio in B flat major (lost)
* L VI:110 \ Violin Capriccio in B flat major (lost)

## Miscellaneous works

* L VII:1 \ Dragonermarsch in D major
* L VII:2 \ Piece for mechanical clock in G major
* L VII:3 \ 3 Odes
* L deest \ Harp Sonata in D major


title: Pandemis euryloncha

abstract: Pandemis euryloncha is a species of moth of the family Tortricidae. It is found in Madagascar.

text:
# Pandemis euryloncha

***Pandemis euryloncha*** is a species of moth of the family Tortricidae. It is found in Madagascar.

## InfoBox

| *Pandemis euryloncha* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Tortricidae |
| Genus: | *Pandemis* |
| Species: | ***P. euryloncha*** |
| Binomial name | |
| ***Pandemis euryloncha***<br>(Diakonoff, 1973) | |
|
| Synonyms | |
| * *Parapandemis euryloncha* Diakonoff, 1973 | |


title: Urushibara Mokuchu

abstract:
Urushibara Mokuchu (漆原木虫) (1888–1953), given name Yoshijirō, was a Japanese print maker known for his many black-and-white prints of horses.
He lived in Europe for many years, and exhibited in the United States after World War II.

text:
# Urushibara Mokuchu

**Urushibara Mokuchu** (漆原木虫) (18881953), given name Yoshijirō, was a Japanese print maker known for his many black-and-white prints of horses. He lived in Europe for many years, and exhibited in the United States after World War II.

## Biography

Urushibara Yoshijirô was born in Tokyo in 1888 and studied *mokuhan* as a young man. In 1908, aged nineteen, he travelled to London, where he was among a group of woodblock print craftsmen who demonstrated printing techniques at the Anglo-Japanese Exhibition of 1910. He remained in London after the exhibition, restoring prints, making reproductions of prints, and mounting scrolls at the British Museum. In 1912, the British Museum employed Urushibara to make accurate copies of a famous Chinese scroll painting by Gu Kaizhi (c. 344–406 AD), the *Admonitions Scroll*.

After the museum job, Urushibara worked independently, becoming a significant member of a growing group of Japanese artists based in London, including Yoshio Markino and Ryuson Chuso Matsuyama. He collaborated with English and French designers on prints—notably with Frank Brangwyn. He carved and printed many prints from Frank Brangwyn's designs of horses, landscapes, and flowers. In a portfolio called "Bruges" (1919) he reproduced several of Brangwyn's watercolours as large woodblock prints. Especially interesting within the Bruges portfolio is *The Bridge at Predikheren*, which is published in two different sizes. The artists applied this practice to six other subjects during their period of collaboration: *The Beguinage, Bruges*, of c. 1919; *Ruins of a Roman Bridge over the Loire River*, also of 1919; *The Devil's Bridge*, c. 1924; *Messina, Life Among the Ruins*, c. 1927; *Outside the Walls of Avignon*, c. 1927; and *The Dance of Death Bridge at Lucerne*, c. 1928. It is unclear whether the smaller prints are contemporaneous to the larger impressions, and archival materials suggest that they were made later. The purpose of the scaling exercise is similarly ambiguous. Hilary Chapman hypothesises that the popularity of the subjects may have motivated Brangwyn to commission the smaller prints. In 1924, Urushibara produced with Brangwyn the portfolio *Ten Woodcuts by Yoshijirô Urushibara after Designs by Frank Brangwyn.* The two artists worked together until Urushibara's departure for Japan in 1940.

Urushibara was influential in the English revival of colour woodblock printing in the 1920s and 1930s. At first he carved and printed to other artists' designs, but later printed many of his own designs. He took up the 'art name' of Mokuchu (木虫), which appears on some of his print seals.

The American artist Andrew Kay Womrath studied printmaking under Urushibara, and Urushibara bought several of Womrath's works. Later Urushibara donated some of these works to the British Museum.

Urushibara returned to Japan in 1934. After 1945 he exhibited in the United States

## InfoBox

| Yoshijirō (Mokuchu) Urushibara | |
| --- | --- |
|  | |
| Born | 1888 |
| Died | 1953 |
| Nationality | Japanese |
| Occupation | Printmaker |
| Known for | Horses |