title: Where's Sally?

abstract: Where's Sally? is a 1936 British comedy film, directed by Arthur B. Woods and starring Chili Bouchier, Gene Gerrard and Claude Hulbert. The film was a quota quickie production and is now believed to be lost.

text:
# Where's Sally?

***Where's Sally?*** is a 1936 British comedy film, directed by Arthur B. Woods and starring Chili Bouchier, Gene Gerrard and Claude Hulbert. The film was a quota quickie production and is now believed to be lost.

## Plot

A womanising playboy becomes tired of his philandering lifestyle and asks his current girlfriend to marry him. At the wedding reception, his best man makes a speech treating the entire gathering to the finer details of the bridegroom's chequered romantic history. The bride becomes upset, and her new husband is furious with his best friend for being so indiscreet. He whisks her straight out of the wedding hall and they set off on honeymoon.

Matters are set for a series of farcical complications and misunderstandings as they start to meet a motley selection of odd characters who do nothing to improve relations between the newly-weds. Then the best friend's wife turns up at the honeymoon location, announcing that she has left her husband in disgust. He is quickly on the scene trying to change her mind, and soon there are two sets of bickering couples going full steam, while the bridegroom and his best friend also clash with each other. The bewildered bride has to try to make up her mind whether or not to stay with her new husband.

## Cast

## InfoBox

| Where's Sally? | |
| --- | --- |
| Directed by | Arthur B. Woods |
| Written by | Frank Launder
Brock Williams |
| Produced by | Irving Asher |
| Starring | Chili Bouchier
Gene Gerrard
Claude Hulbert |
| Cinematography | Basil Emmott |
| Distributed by | Warner Brothers-First National Productions |
| Release date | * May 1936 (1936-05) |
| Running time | 71 minutes |
| Country | United Kingdom |
| Language | English |


title: Mithun Agency

abstract: Mithun was an advertising and marketing firm, founded in 1933 by Ralph Campbell and Ray Mithun. It was part of Interpublic Group of Communication Companies. The core business was consumer advertising through radio, TV, print, digital, mobile and out-of-home. The company was based in Minneapolis, Minnesota. On January 27, 2016, Mithun ended its 83-year history through a restructuring that consolidated Mithun, Compass Point Media and McCann Worldgroup’s Minneapolis-based General Mills account team into newly formed McCann Minneapolis.

text:
# Mithun Agency

**Mithun** was an advertising and marketing firm, founded in 1933 by Ralph Campbell and Ray Mithun. It was part of Interpublic Group of Communication Companies. The core business was consumer advertising through radio, TV, print, digital, mobile and out-of-home. The company was based in Minneapolis, Minnesota. On January 27, 2016, Mithun ended its 83-year history through a restructuring that consolidated Mithun, Compass Point Media and McCann Worldgroup’s Minneapolis-based General Mills account team into newly formed McCann Minneapolis.

## History

### Early history

Ralph Campbell and Ray Mithun started their advertising agency as "Campbell Mithun" in the midst of the Great Depression during a time of widespread business closings and bank failures. Ralph Campbell was president for 10 years and chairman for four years before retiring in 1947. He died in 1949 at the age of 63.

Ray Mithun, earned a reputation as a visionary founder when in an internal memo he proclaimed that "Everything Talks." This statement and tenet, which remained as a staple of the agency, explains how every component of communications should work together seamlessly, like cogwheels. Mithun remained involved with the agency until his retirement in 1978 and died 20 years later.

Within the first decade of business, anchored by a client roster including Andersen Windows, Land O’Lakes and Northwestern National Bank \- Ray Mithun, at the age of 34, was named president and billings had grown to $2.7 million by 1943. A 1274% increase since 1933.

### 1950s–1960s

By the late 1950s and early 1960s, Campbell Mithun was highly regarded within the advertising industry for its creative work. One of the ad campaigns that propelled the company was the "Land of Sky Blue Waters" television spot for Hamm's beer. The success of this campaign led to many other accounts across the country such as Toro, Interstate Bakery and General Mills.

In 1953, Campbell Mithun became the largest advertising agency in Minneapolis.

In 1958, silent film and comedy icon, Buster Keaton created one of the first musical icons in advertising history with the Northwest Orient Airlines TV campaign.

From 1965 to 1967, Campbell Mithun worked with puppeteer Jim Henson on campaigns for La Choy canned chow mein and Wilson's Certified Meats.

In 1969, billings hit $75 million.

### 1970s-1980s

In 1974, the Master Lock "Marksman" campaign became the first Super Bowl specific strategy.

In 1976, the agency started Cash Plus Media Services, a media buying service, which was renamed as Compass Point Media.

in 1977, "The Incredible, Edible Egg" campaign launched for the American Egg Board.

In 1978, Ted Bates Worldwide acquired Campbell Mithun.

In 1980, with $250 million in billings, Campbell Mithun becomes the largest agency west of the Mississippi River.

In 1985, Campbell Mithun helped client Dairy Queen conceptualize and produce the DQ Blizzard Flavored Treat.

In 1986, London-based Saatchi & Saatchi, a publicly owned company, purchases Ted Bates Worldwide, and Bates subsidiaries Campbell Mithun and William Esty. In the same year, ConAgra's Healthy Choice is added to the client roster.

In 1988, Campbell Mithun and William Esty agency merged to become Campbell Mithun Esty (CME), with combined billings of $740 million. The merger paves the way for the iconic Corona beer campaign featuring Gulf Coast beaches.

In 1989, Ray Mithun was inducted into the American Advertising Federation Hall of Fame.

### 1990s-2000s

In 1992, Campbell-Mithun-Esty announced the merger of CME and London-based KHBB to form a new international advertising agency network. CME-KHBB Advertising, Inc., with combined billings of $1.2 billion, was listed as the 17th largest ad agency in the world.

In 1995, CME management and Interpublic Group of Companies entered into joint ownership of CME.

In 1996, Campbell Mithun helped develop the tagline, "Hey! Where's the cream filling?" for Hostess CupCakes, Twinkies, Ho Hos, and Ding Dongs, a tagline that will remain until 2013.

In 1998, at the age of 89, co-founder Ray Mithun died.

In 2000, Campbell Mithun parted ways with Esty and returned to its original name.

In 2001, the agency topped $1 billion in billings and aired its first Super Bowl spot for H&R Block. As part of the Interpublic Group of Companies, Campbell Mithun also had offices in California and New York and operated from its headquarter-offices in the newly named Campbell Mithun Tower in Minneapolis.

In 2006, The Lucky 13 Internship program was created to honor Ray Mithun's sentiment of courage, perspective, and opportunity. The Lucky 13 Internship program recruited talent from around the world.

On April 1, 2008, Campbell Mithun celebrated its 75th anniversary. "You Got People" won top Account Planning honors in the Service Brand category for the 2008 American Association of Advertising Agencies Jay Chiat Planning Award.

January 8, 2022. William (Bill) Dunlap, former CEO passed at age 83

### 2010-2016

In 2010, Campbell Mithun merged with MRM Worldwide and named its first female president, Rachael Marret.

In 2013, Campbell Mithun celebrated its 80th anniversary. Rob Buchner became CEO and the agency announced plans to move to the 510 Marquette Building.

In 2014, David Carter joined Campbell Mithun as chief creative officer. Carter formerly worked at BBDO New York and created two of the One Show's Top Ten campaigns of the decade: BMW Films and HBO Voyeur.

In 2014, Campbell Mithun dropped the name Campbell, and became known as just Mithun.

In 2015, the agency lost the Land O'Lakes account to The Martin Agency after a competitive review, ending an 80-year-long relationship.

In 2016, the agency was dissolved as McCann Worldgroup consolidated Mithun, Compass Point Media and McCann Worldgroup's Minneapolis-based General Mills account team into newly formed McCann Minneapolis. CEO Rob Buchner and CCO David Carter, together with other staff members, were fired due to their inability to competitively position the agency in the digital age, win new creative business, and for losing multiple, major, historic accounts including Land O'Lakes and Toro.

## InfoBox

Mithun
|
|  |
| Company type | Subsidiary of IPG |
| Industry | Advertising, Marketing, Media |
| Founded | 1933 (1933) |
| Fate | Merged with Compass Point Media and McCann Worldgroup’s Minneapolis-based General Mills account team, and became McCann Minneapolis on January 27, 2016 |
| Headquarters | Minneapolis |
| Key people | Founders:
Ralph Campbell
Ray Mithun (Co-founder) |
| Website | interpublic.com |


title: Mladen Ivančiċ (film promoter)

abstract: Mladen Ivančiċ is a New Zealand film official. He worked for the New Zealand Film Commission promoting and funding films for over 30 years, retiring in 2023. Ivančiċ was born in Petone of Croatian parents, Stojan and Sylvija, who had met in New Zealand. He was educated at St Bernard's College, Lower Hutt and Victoria University of Wellington where he graduated with a Bachelor of Commerce and Administration. Ivančiċ was appointed as Finance Director of the Film Commission in 1989 and held the roles of Deputy Chief Executive, Chief Financial Officer, Acting CEO and Chief Operating Officer until 2023. Ivančiċ and his team negotiated over 12 co-production treaties including with China, Germany, India, The Republic of Korea, Singapore, Spain, South Africa and the UK. He received the SPADA / Onfilm Industry Champion Award in 2006, an acknowledgment of his significant contributions to the screen industry in New Zealand. The films he provided funding for included Once Were Warriors, An Angel at My Table, The World's Fastest Indian, Whale Rider, Hunt for the Wilderpeople, Heavenly Creatures, Whina and Red, White and Brass. In his role Ivančiċ spoke publicly about the importance of government funding to New Zealand's film production industry. Ivančiċ represented the Film Commission in the team which designed criteria and processes for a New Zealand Government grant of NZ$50m for production funding to the Film Commission to support the sector following COVID-19 disruptions. He was credited by the Film Commission with ensuring that the funding was allocated appropriately, leading to $154m in film and television investment.

text:
# Mladen Ivančiċ (film promoter)

**Mladen Ivančiċ** (born in 1955) is a New Zealand film official. He worked for the New Zealand Film Commission promoting and funding films for over 30 years, retiring in 2023.

Ivančiċ was born in Petone of Croatian parents, Stojan (born in Bosnia and Herzegovina) and Sylvija, who had met in New Zealand. He was educated at St Bernard's College, Lower Hutt and Victoria University of Wellington where he graduated with a Bachelor of Commerce and Administration.

Ivančiċ was appointed as Finance Director of the Film Commission in 1989 and held the roles of Deputy Chief Executive, Chief Financial Officer, Acting CEO (on six occasions) and Chief Operating Officer until 2023.

Ivančiċ and his team negotiated over 12 co-production treaties including with China, Germany, India, The Republic of Korea, Singapore, Spain, South Africa and the UK. He received the SPADA / Onfilm Industry Champion Award in 2006, an acknowledgment of his significant contributions to the screen industry in New Zealand. The films he provided funding for included *Once Were Warriors*, *An Angel at My Table*, *The World's Fastest Indian*, *Whale Rider*, *Hunt for the Wilderpeople*, *Heavenly Creatures*, *Whina* and *Red, White and Brass*. In his role Ivančiċ spoke publicly about the importance of government funding to New Zealand's film production industry.

Ivančiċ represented the Film Commission in the team which designed criteria and processes for a New Zealand Government grant of NZ$50m for production funding to the Film Commission to support the sector following COVID-19 disruptions. He was credited by the Film Commission with ensuring that the funding was allocated appropriately, leading to $154m in film and television investment.

## InfoBox

| Mladen Ivančiċ | |
| --- | --- |
| Born | 1955 (age 6869)<br>Petone, New Zealand |
| Nationality | Croation and New Zealand |
| Occupation(s) | Former CFO, COO and acting CEO of the New Zealand Film Commission |
| Years active | 1989–2023 |


title: Mladen Ivanković-Lijanović

abstract: Mladen Ivanković-Lijanović is a Bosnian politician and businessman. He is the founder and leader of the People's Party Work for Betterment.

text:
# Mladen Ivanković-Lijanović

**Mladen Ivanković-Lijanović** (born 22 August 1960 in Duvno (now Tomislavgrad), Bosnia and Herzegovina, then Yugoslavia) is a Bosnian politician and businessman. He is the founder and leader of the People's Party Work for Betterment.

## Biography

Lijanović was born in the rural part of the Tomislavgrad municipality into a family which included three brothers and a sister. The family wealth was made in the meat processing industry prior to the beginning of the Bosnian War.

Lijanović twice ran unsuccessfully for the Bosnian Croat seat in the Presidency of Bosnia and Herzegovina. In 2006, his brother, Jerko, was elected to the Bosnian parliament. In 2010, his political party gained many Bosnian Croat votes that had previously often gone to the parties of HDZBiH and HDZ1990.


title: What's Your Hurry?

abstract: What's Your Hurry? is a 1920 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Sam Wood and stars Wallace Reid and Lois Wilson.

text:
# What's Your Hurry?

***What's Your Hurry?*** is a 1920 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Sam Wood and stars Wallace Reid and Lois Wilson.

## Plot

As described in a film magazine, to win the favor of his sweetheart's father "Old Pat" MacMurran (Ogle), race car driver Dusty Rhoades (Reid) forsakes the speedway in determination to put over effective publicity for the father's product, Pakro motor trucks. A prospective order from Cabrillo Irrigation Company is an incentive to his effort. MacMurran fumbles his publicity plan to bring a giant Christmas tree down from the mountains for the children of Los Angeles on a Pakro truck and goes soberly to the Cabrillo Valley to spend the holiday. Inability to get supplies to builders of the valley dam over the storm-driven roads threatens the lives and homes of valley residents. The day is saved by a truck driven by Dusty carrying the necessary supplies. There is a certainty of a wife for Dusty in Virginia MacMurran (Wilson) and a job at Pakro as the film ends.

## Cast

unbilled

## Preservation

A copy of *What's Your Hurry?* is maintained at Gosfilmofond in Moscow.

## InfoBox

| What's Your Hurry? | |
| --- | --- |
| Ad for film | |
| Directed by | Sam Wood |
| Written by | Byron Morgan (scenario) |
| Based on | *The Hippoptamus Parade*
by Byron Morgan |
| Produced by | Adolph Zukor
Jesse Lasky |
| Starring | Wallace Reid
Lois Wilson |
| Cinematography | Alfred Gilks |
| Distributed by | Paramount Pictures |
| Release date | * 1920 (1920) |
| Running time | 5 reels; 5,040 feet |
| Country | United States |
| Language | Silent (English intertitles) |


title: White Miles

abstract: White Miles was an Austrian rock duo, consisting of singer/guitarist Medina Rekic and drummer/singer Hansjörg Loferer and founded in 2011. They describe their musical style as "dirty pole dancer stoner blues rock". It oscillates between blues rock and stoner rock.

text:
# White Miles

**White Miles** was an Austrian rock duo, consisting of singer/guitarist Medina Rekic and drummer/singer Hansjörg Loferer and founded in 2011. They describe their musical style as "dirty pole dancer stoner blues rock". It oscillates between blues rock and stoner rock.

## History

The band claims to be descended from Madagascar, more precisely from its capital Antananarivo, but both members were born Tyrolese. They met in 2005, and decided to join in a new band in 2011. After early successes with four live video productions, they quit their day jobs and dedicated themselves to music. In 2014, the band was invited by Truckfighters and Courtney Love to join them as their opening act on tours throughout Europe and the UK. *White Miles* also cooperated with Munich-based Colour Haze and several Austrian groups. In 2014, their first studio album was produced by LLRR. Called *job: genius, diagnose: madness*, it was published on CD and vinyl record.

In October and November 2015, they served as the supporting act for the American group Eagles of Death Metal on their European tour. On 13 November 2015, the band escaped the November 2015 Paris attacks. Shortly after they had finished their opening act to the Eagles of Death Metal in Parisian Bataclan theatre, an attack on the venue led to 89 deaths and several severely wounded. In a statement on 18 November, the duo said "We are happy, but miserable at the same time. Happy, because we are back with our families, who help immensely to make us feel safe again; miserable, because we know that many families have to mourn following the weekend. It goes without saying that our thoughts are with all victims and their relatives." The remainder of the tour was canceled, but they began performing again at Innsbruck on 17 December 2015.

On 1 April 2016, their second album titled 'The Duel' was released, also available on CD and vinyl. In April 2017 singer Medina Rekic left for own projects and the group disbanded.

## Discography

### Studio albums

* 2014: *job: genius, diagnose: madness* (LLRR)
* 2016: *The Duel*

### Videos

* 2014: *Fake Smile*
* 2014: *Crazy Horse*

## InfoBox

| White Miles | |
| --- | --- |
| White Miles supporting the Eagles of Death metal | |
| Background information | |
| Origin | Tyrol, Austria |
| Genres | Blues rock, stoner rock |
| Years active | 2011–2017 |
| Labels | LLRR |
|  | |
| Members |  |
|  | |
| Website | www.white-miles.com |


title: White Men Can't Jump (2023 soundtrack)

abstract: White Men Can't Jump is the soundtrack to the 2023 film White Men Can't Jump, directed by Calmatic, a remake of the 1992 film of the same name. It was released on May 19, 2023 by Hollywood Records, and featured the original score jointly composed by Marcelo Zarvos and Oak Felder.

text:
# White Men Can't Jump (2023 soundtrack)

***White Men Can't Jump (Original Soundtrack)*** is the soundtrack to the 2023 film *White Men Can't Jump*, directed by Calmatic, a remake of the 1992 film of the same name. It was released on May 19, 2023 by Hollywood Records, and featured the original score jointly composed by Marcelo Zarvos and Oak Felder.

## Development

According to executive producer and screenwriter Kenya Barris, the film was intended to have a soundtrack produced by DJ Drama, but was not involved in the film. However, Calmatic felt that the film would feature popular artists in the soundtrack, ranging from Ed Sheeran, SZA, Armani White amongst others; Jack Harlow's 2020 single "What's Poppin" is also featured in the film.

In April 2023, Marcelo Zarvos was recruited to score music for *White Men Can't Jump*. Having born and grew up in Brazil, Zarvos recalled that he used to play football (a popular sport in the country) in his early days and while working with musicians and orchestras, which revolves around collaborations, he felt sports as an important element in the film and how it inspires human lives. Oak Felder was brought in to co-compose and produce the score and original music, whom he worked in Calmatic's feature directorial debut *House Party*, released in the same year.

Zarvos recalled on Felder's collaboration, while the latter would focus on pieces that were song-like, the former would work on the score, which has been emotional and choreographed, on which cue should be appropriate for the sequences, adding that the music never stops down. Calmatic used to supervise the cue sheet and share his insight on the score as, according to Felder, "the whole thing plays on his strengths", as he was known for directing music videos and also being a music producer.

Sharing the perspectives on the remake and its original counterpart, which came from the period of 1990s hip hop, admitting that "you got the retro vibe and put it in this film". Balancing the basketball and music culture, hip hop served as the bridge for the cultural influences, where he could borrow back the vibes from that period. While violin and percussion being used for the score, Felder felt the vocals being the primary instrument for the film as it was "the most used instrument" carrying the emotions of the film. He further attributed that at first, the music for basketball games have been evolved the film, but as the film further progresses it revolves around the story, characters and their background.

## Track listing

| No. | Title | Music | Length |
| --- | --- | --- | --- |
| 1. | "Duke Skywalker" | Marcelo Zarvos | 1:16 |
| 2. | "Time Out" | Marcelo Zarvos | 1:36 |
| 3. | "The Big Fight" | Marcelo Zarvos | 2:03 |
| 4. | "Wrap Up" | Marcelo Zarvos | 2:58 |
| 5. | "Garage Conversations – Just a Few Games" | Marcelo Zarvos | 2:10 |
| 6. | "That Won't Work" | Oak Felder | 1:01 |
| 7. | "Got My Mind Right" | Oak Felder | 1:15 |
| 8. | "Little Out of Your Range" | Oak Felder | 1:07 |
| 9. | "Out of Your Range" | Marcelo Zarvos | 1:11 |
| 10. | "Eighty Minus Sixty" | Oak Felder | 0:57 |
| 11. | "Final Game" | Oak Felder | 1:01 |
| 12. | "Tournament Finale" | Oak Felder | 0:56 |
| 13. | "Find Somebody to Make Money" | Oak Felder | 0:46 |
| 14. | "Yoga Instructor" | Oak Felder | 1:04 |
| 15. | "Bringing Up the Past" | Marcelo Zarvos | 0:47 |
| 16. | "Hit This Shot Sitting Down" | Marcelo Zarvos | 0:39 |
| 17. | "Tournament Finale Flashback" | Marcelo Zarvos | 0:57 |
| 18. | "Getting Fired" | Marcelo Zarvos | 2:03 |
| 19. | "Just Need a Plan" | Marcelo Zarvos | 2:42 |
| 20. | "Injured" | Marcelo Zarvos | 2:04 |
| 21. | "Making Up" | Marcelo Zarvos | 1:42 |
| 22. | "Always Be Our Game" | Marcelo Zarvos | 1:58 |
| 23. | "MS" | Marcelo Zarvos | 1:53 |
| 24. | "Gambling on My Husband" | Marcelo Zarvos | 0:47 |
| 25. | "New Private Workouts" | Marcelo Zarvos | 0:43 |
| 26. | "Jeremy Wins" | Marcelo Zarvos | 0:56 |
| 27. | "Stem Cells" | Oak Felder | 1:24 |
| Total length: | | | 37:56 |

## Reception

Andrew Lawrence in his review for The Guardian wrote "Marcelo Zarvos’s score is an unspoiled mix of old school and new." Arun Venugopal of *Maxblizz* also opined the same and felt that it "provided a fitting backdrop to the story."

## InfoBox

| White Men Can't Jump (Original Soundtrack) | |
| --- | --- |
|  | |
| Soundtrack album by Marcelo Zarvos and Oak Felder | |
| Released | May 19, 2023 |
| Genre |  |
| Length | 37:56 |
| Label | Hollywood |
| Producer |  |
|  | |
| Marcelo Zarvos chronology | |
| *Big George Foreman*
(2023) ***White Men Can't Jump***
(2023) *Flamin' Hot*
(2023) | |
| Oak Felder chronology | |
| *House Party*
(2023) ***White Men Can't Jump***
(2023) | |
|  | |


title: What Did I Do to You?

abstract: "What Did I Do to You?" is a song by British singer-songwriter and actress Lisa Stansfield from her debut album, Affection (1989). It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: "My Apple Heart," "Lay Me Down" and "Something's Happenin'." "What Did I Do to You?" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries, reaching number fifteen in Italy, number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. "What Did I Do to You?" was also released in Japan. In 2014, the remixes of "What Did I Do to You?" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.

text:
# What Did I Do to You?

"**What Did I Do to You?**" is a song by British singer-songwriter and actress Lisa Stansfield from her debut album, *Affection* (1989). It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: "My Apple Heart," "Lay Me Down" and "Something's Happenin'." "What Did I Do to You?" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries, reaching number fifteen in Italy, number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. "What Did I Do to You?" was also released in Japan.

In 2014, the remixes of "What Did I Do to You?" were included on the deluxe 2CD + DVD re-release of *Affection* and on *People Hold On ... The Remix Anthology*. They were also featured on *The Collection 1989–2003* box set (2014), including previously unreleased Red Zone Mix by David Morales.

## Chart performance

Not commercially as successful as the three previous singles from *Affection*, "What Did I Do to You?" still was a sizeable hit on the charts in Europe. The song entered the top 20 in Finland (18), Ireland (20) and Italy (15), while peaking within the top 30 in the UK. In the latter, the song peaked at number 25 on the UK Singles Chart on 13 May 1990, after having debuted as number 29 the week before. Additionally, it was a top 40 hit in both Belgium (37) and the Netherlands (38), as well as peaking at number 56 on the Eurochart Hot 100 in June same year.

## Critical reception

The song received positive reviews from music critics. In a 2019 retrospective review, Matthew Hocter from Albumism declared it as a "upbeat offering". Upon the release, Todd Caudle from *Gazette Telegraph* wrote that Stansfield's "sensuous voice delivers beautiful love lyrics" in "What Did I Do to You?". David Giles from *Music Week* said it's "beautifully performed" by the singer. A reviewer from *Reading Eagle* opined that the song "would be right at home on the *Saturday Night Fever* soundtrack." Parry Gettelman from *The Sentinel* felt it "sounds too much like a speeded-up "The Hustle" to be true, but Stansfield makes it credible."

## Music video

A music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for "All Around the World" and "Live Together". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009, and had generated more than 1,7 million views as of February 2023.

## Track listings

## Charts

| Chart (1990) | Peak
position |
| --- | --- |
| Belgium (Ultratop 50 Flanders) | 37 |
| Europe (European Hot 100 Singles) | 56 |
| Finland (Suomen virallinen lista) | 18 |
| Germany (Official German Charts) | 43 |
| Ireland (IRMA) | 20 |
| Italy (*Musica e dischi*) | 15 |
| Netherlands (Dutch Top 40 Tipparade) | 2 |
| Netherlands (Single Top 100) | 38 |
| UK Singles (OCC) | 25 |
|

## InfoBox

| "What Did I Do to You?" | |
| --- | --- |
|  | |
| Single by Lisa Stansfield | |
| from the album  *Affection* | |
| B-side | "Something's Happenin" |
| Released | 30 April 1990 (1990-04-30) |
| Genre |  |
| Length | 4:48 |
| Label | Arista |
| Songwriter(s) | * Lisa Stansfield * Ian Devaney * Andy Morris |
| Producer(s) | * Ian Devaney * Andy Morris |
| Lisa Stansfield singles chronology | |
| "Live Together"
(1990) "**What Did I Do to You?**"
(1990) "You Can't Deny It"
(1990) | |
|  | |
| Music video | |
| "What Did I Do to You?" on YouTube | |
|  | |


title: Mlinari

abstract: Mlinari is a village in Croatia, under the Vrbovsko township, in Primorje-Gorski Kotar County.

text:
# Mlinari

**Mlinari** is a village in Croatia, under the Vrbovsko township, in Primorje-Gorski Kotar County.

## InfoBox

| Mlinari Млинари (Serbian) | |
| --- | --- |
| Village | |
| Mlinari | |
| Coordinates: 45°24′38″N 15°02′02″E / 45.410532°N 15.033882°E / 45.410532; 15.033882 | |
| Country | Croatia |
| County | Primorje-Gorski Kotar County |
| City | Vrbovsko |
| Area | |
| Total | 1.7 km2 (0.7 sq mi) |
| Population (2021) | |
| Total | 7 |
| Density | 4.1/km2 (11/sq mi) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 51326 |
| Area code | +385 051 |


title: Why Do Fools Fall in Love (song)

abstract: "Why Do Fools Fall in Love" is a debut single by American rock and roll band Frankie Lymon & the Teenagers that was released on January 10, 1956. It reached No. 1 on the R&B chart, No. 6 on Billboard's Pop Singles chart, and No. 1 on the UK Singles Chart in July. Many renditions of the song by other artists have also been hit records in the U.S., including versions by the Diamonds, the Beach Boys, and Diana Ross. The song was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)—and ranked No. 314 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time. In 2001, the 1955 recording of the song on Gee Records was inducted into the Grammy Hall of Fame.

text:
# Why Do Fools Fall in Love (song)

"**Why Do Fools Fall in Love**" (initially "**Why Do Birds Sing So Gay?**") is a debut single by American rock and roll band Frankie Lymon & the Teenagers that was released on January 10, 1956. It reached No. 1 on the R&B chart, No. 6 on *Billboard*'s Pop Singles chart, and No. 1 on the UK Singles Chart in July. Many renditions of the song by other artists have also been hit records in the U.S., including versions by the Diamonds (in 1956), the Beach Boys (in 1964), and Diana Ross (in 1981).

The song was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in *Christgau's Record Guide: Rock Albums of the Seventies* (1981)—and ranked No. 314 on the *Rolling Stone* magazine's list of The 500 Greatest Songs of All Time. In 2001, the 1955 recording of the song on Gee Records was inducted into the Grammy Hall of Fame.

## Background and authorship

In late 1955, The Teenagers (at that time calling themselves The Premiers) auditioned a song called "Why do Birds Sing So Gay?" for George Goldner, recording producer and owner of Gee Records. Herman Santiago, tenor of the group, had written the song based on a line from some love letters given to the guys by a tenant in bassist Sherman Garnes' apartment building. One of them featured the words "Why do birds sing so gay?," which fit in with lyrics of other songs that Herman had been writing based on a 1-6-2-5 chord pattern. Herman adjusted the harmony to take advantage of Frankie Lymon's high tenor/soprano. At Goldner's suggestion, some of the lyrics were changed. During the audition, Lymon's voice stood out and Goldner recommended the lead in subsequent recording sessions be given to Lymon. The singer did some improvising and recreated the melody to match his own style. According to Jimmy Merchant, what happened at the recording session was a combination of "Frankie's singing ability coupled with George Goldner's special ability to bring out the best in Frankie."

Although early vinyl single releases of "Why Do Fools Fall in Love" credit Frankie Lymon, Herman Santiago, and George Goldner as co-writers of the song, later releases and cover versions were attributed only to Lymon and record producer George Goldner. Goldner's name was later replaced by Morris Levy when Levy bought Goldner's interest in Gee Records, the Teenagers' record company. After a lengthy court battle, songwriting credits were awarded to original Teenagers members Herman Santiago and Jimmy Merchant in December 1992.

However, this ruling was overturned by the U.S. Court of Appeals for the Second Circuit because Santiago and Merchant did not bring the case to court soon enough. This gave the song rights back to Lymon and Levy. The U.S. Supreme Court declined to hear a further appeal. The current publisher of the song is EMI Music Publishing, which still lists these two as the songwriters.

## Beach Boys version

| "Why Do Fools Fall in Love" | |
| --- | --- |
|  | |
| Single by the Beach Boys | |
| from the album  *Shut Down Volume 2* | |
| A-side | "Fun, Fun, Fun" |
| Released | February 3, 1964 |
| Recorded | January 7–8, 1964 |
| Length | 2:07 (original version) * 2:33 (extended version) |
| Label | Capitol |
| Songwriter(s) | Frankie Lymon, Morris Levy |
| Producer(s) | Brian Wilson |
| The Beach Boys singles chronology | |
| "Little Saint Nick"
(1963) "**Why Do Fools Fall in Love**"
(1964) "I Get Around"
(1964) | |

The song was used as a B-side for the Beach Boys single "Fun, Fun, Fun", which reached #5 on the *Billboard* Hot 100 in 1964. The Beach Boys' version of the song charted at #120. It was included on the Beach Boys 1964 album *Shut Down Volume 2* and had only appeared in mono since the release of the single back in 1964.

The single mix of the song was later found and used on the 2007 *The Warmth of the Sun* compilation and on *The Original US Singles Collection The Capitol Years 1962–1965*. This box set, released in 2008, also used a recently found mono single edit mix. In 2009, a new stereo mix was created with a newly discovered intro, due to the discovery of the original multitrack masters by Jon Stebbins and is featured on the band's compilation *Summer Love Songs*. The song was also performed as part of the band's 50th Anniversary Tour, usually during the first half of the shows. One of the performances was later included on the live album from the tour.

### Personnel

Sourced from Craig Slowinski.

**The Beach Boys**

**Additional musicians**

## Diana Ross version

| "Why Do Fools Fall in Love" | |
| --- | --- |
|  | |
| Single by Diana Ross | |
| from the album  *Why Do Fools Fall in Love* | |
| B-side | "Think I'm in Love" |
| Released | September 25, 1981 |
| Recorded | 1980 |
| Genre | R&B |
| Length | 2:51 |
| Label | RCA Records |
| Songwriter(s) | Herman Santiago |
| Producer(s) | Diana Ross |
| Diana Ross singles chronology | |
| "Endless Love"
(1981) "**Why Do Fools Fall in Love**"
(1981) "Mirror Mirror"
(1981) | |
|  | |
| Music video | |
| "Why Do Fools Fall in Love" on YouTube | |
|  | |

American singer Diana Ross released a cover version on the RCA label on September 25, 1981, as the first single from her album of the same name (1981). She also produced her rendition of the song. It was a hit, peaking at No. 2 on the US adult contemporary chart, No. 4 in the UK Singles Chart, No. 6 on the US R&B chart, and No. 7 on *Billboard'*s Pop Singles Chart, and earning her a British Phonographic Industry silver disc award for sales in excess of 250,000 copies. It also reached No.1 in Belgium and the Netherlands and climbed to the top 10 in Ireland, New Zealand and Switzerland as well as making the top 20 in Australia, Canada and West Germany. A reissue of Ross' cover peaked at No. 36 on the UK chart in July 1994.

After Ross returned the song to the top ten, a controversy ensued concerning Lymon's estate. Three women involved in lawsuits and countersuits over Lymon's copyrights and royalties each claimed to be Lymon's rightful widow. The string of court cases were portrayed in the 1998 film *Why Do Fools Fall in Love*.

In the music video, Ross performs the song on Fremont Street in Las Vegas.

### Track listings

* **7" single**

1. "Why Do Fools Fall in Love" - 2:51
2. "Think I'm In Love"

* **UK remix CD**

1. "Why Do Fools Fall in Love" (159.0 bpm) - 2:53
2. "I'm Coming Out" (Joey Negro Extended 12", 109.7 bpm) - 6:05
3. "The Boss" (David Morales Club, taken from: *Diana Extended/The Remixes*, 124.0 bpm) - 6:29
4. "Love Hangover" (Joey Negro Hangover Symphony, 121.0 bpm) - 8:57

* **UK reissue 7"**

1. "Why Do Fools Fall in Love"
2. "I'm Coming Out" (Joey Negro 7" Mix)

### Charts

| Chart (1994) | Peak
position |
| --- | --- |
| UK Singles (OCC) | 36 |

### Certifications

Certifications for "Why Do Fools Fall in Love"
| Region | Certification | Certified units/sales |
| --- | --- | --- |
| United Kingdom (BPI) | Silver | 250,000^ |
| ^ Shipments figures based on certification alone.
 | | |

## Legacy

The recording by Frankie Lymon & The Teenagers is featured in the 1973 film *American Graffiti*, in a scene where Richard Dreyfuss's character first notices a mysterious blonde girl; as well as the 1999 film *October Sky*, it is featured when Jake Gyllenhaal's character Homer Hickam and his friends are spending the night out at the dance club. The song is featured in the final episode of the first series of the 2012 BBC drama *Call the Midwife*, as well as the Academy Award-nominated British short film *Boogaloo and Graham*. In 1998, the legacy of the song and its author was the theme of the movie of the same name.

## Other charting versions

* The Canadian group the Diamonds did a more traditional doo wop version that came out two months after Lymon's in March 1956. This version stayed 19 weeks on the *Billboard* chart, topping out at No. 12.
* Gale Storm released a version of the song as a single in 1956 that reached #9 on the *Billboard* pop chart.
* Gloria Mann released a version of the song as a single in 1956 that reached #59 on the *Billboard* pop chart.
* Alma Cogan released a version of the song as a single in 1956 that reached #25 in the UK.
* The Happenings released a slower version of the song, in a harmony-driven soft rock arrangement, as a single in 1967 that reached #41 on the Billboard Hot 100.
* Ponderosa Twins Plus One released a version of the song as a single in 1972 that reached #40 on the US R&B chart and #102 on the *Billboard* pop chart.
* Joni Mitchell, backed by The Persuasions, released a live version of the song as a single in 1980 that reached #102 on the Bubbling Under Hot 100.

## InfoBox

| "Why Do Fools Fall in Love" | |
| --- | --- |
|  | |
| Single by Frankie Lymon & the Teenagers | |
| from the album  *The Teenagers Featuring Frankie Lymon* | |
| B-side | "Please Be Mine" |
| Released | January 10, 1956 |
| Recorded | November 1955 |
| Genre | Doo-wop, rock and roll |
| Length | 2:20 |
| Label | Gee |
| Songwriter(s) | Frankie Lymon, Herman Santiago, Jimmy Merchant |
| Producer(s) | George Goldner |
| Frankie Lymon & the Teenagers singles chronology | |
| "**Why Do Fools Fall in Love**"
(1956) "I Want You to Be My Girl"
(1956) | |
|  | |
| Audio sample | |
| 13-second audio sample of "Why Do Fools Fall in Love" | |
|  | |


title: Why Do Fools Fall in Love (album)

abstract: Why Do Fools Fall in Love is the twelfth studio album by American R&B singer Diana Ross, released on September 14, 1981, by RCA Records. It was Ross' first of six albums released by the label during the decade. It peaked at No. 15 in the United States, No. 17 in the United Kingdom and the top ten in Sweden, Norway and the Netherlands.

text:
# Why Do Fools Fall in Love (album)

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *The Rolling Stone Album Guide* |  |

***Why Do Fools Fall in Love*** is the twelfth studio album by American R&B singer Diana Ross, released on September 14, 1981, by RCA Records. It was Ross' first of six albums released by the label during the decade. It peaked at No. 15 in the United States (No. 4 R&B), No. 17 in the United Kingdom and the top ten in Sweden, Norway and the Netherlands.

## Background

*Why Do Fools Fall in Love* was the first album Ross recorded after leaving the Motown label, when she signed a $20 million deal with RCA. Originally, Nile Rodgers and Bernard Edwards were slated to produce the follow-up to the platinum *Diana* (1980) album. However, their schedules were filled with commitments to also produce Debbie Harry's solo debut album *KooKoo* (1981), Johnny Mathis and another Chic album. Ross had given her word to RCA president Robert Summers to deliver an album for the 1981 holiday selling season.

The album was the first to be produced by Ross herself, and it became her second RIAA-certified platinum album. It was also certified gold in the UK and Canada.

After Ross returned "Why Do Fools Fall in Love" to the Top Ten in 1981, a major controversy concerning Frankie Lymon's estate ensued. Three women each were involved in lawsuits and counter-lawsuits over Lymon's copyrights and royalties, claiming to be Lymon's rightful widow. The string of court cases led to the making of the 1998 film *Why Do Fools Fall in Love*.

Ross embarked on a world tour in support of the album.

The album was remastered and re-released on September 2, 2014, by Funky Town Grooves, with bonus material.

## Singles

The album includes the US top 10 hits "Why Do Fools Fall in Love" - a cover of the 1950s Frankie Lymon & the Teenagers classic - and the rock-flavoured "Mirror Mirror".

It also includes "Work That Body", co-written by Ross with Paul Jabara and Ray Chew which was a top 10 hit in the UK and top 15 in the Netherlands. "It's Never Too Late" was also released as a single in some international territories.

Also included on the album is a solo version of "Endless Love", which was a number one duet with Lionel Richie from earlier that year, as well as a version of another 1950s rock & roll classic, "Sweet Nothings" originally recorded by Brenda Lee.

## Track listing

Side one
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Why Do Fools Fall in Love" |  | 2:53 |
| 2. | "Sweet Surrender" | * Leonard Stack * Cheryl Christiansen | 4:09 |
| 3. | "Mirror, Mirror" |  | 6:08 |
| 4. | "Endless Love" | Lionel Richie | 4:56 |

Side two
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 5. | "It's Never Too Late" | Dan Hartman | 3:19 |
| 6. | "Think I'm in Love" | L. Cheryl Taylor | 4:15 |
| 7. | "Sweet Nothings" |  | 3:00 |
| 8. | "Two Can Make It" |  | 3:24 |
| 9. | "Work That Body" |  | 5:01 |
| Total length: | | | 35:46 |

2014 Expanded Edition Bonus Tracks (Funky Town Grooves)
| No. | Title | Length |
| --- | --- | --- |
| 10. | "Mirror Mirror" (7" Mix) | 3:59 |
| 11. | "Mirror Mirror" (7" Alternate Version) | 4:06 |
| 12. | "Work That Body" (7" Mix) | 3:34 |
| 13. | "Work That Body" (12" Mix) | 6:31 |
| 14. | "Work That Body" (Extended Remix) | 6:22 |
| 15. | "Endless Love" (Edited Version) | 3:46 |
| Total length: | | 1:05:24 |

## Personnel

Credits are adapted from the *Why Do Fools Fall in Love* liner notes.

**Musicians**

* Diana Ross – lead vocals (all tracks), backing vocals (1–4, 6–9)
* Rob Mounsey – acoustic piano (1)
* Ray ChewRhodes (1, 6), acoustic piano (2–5, 7–9), arrangements (2–5, 8, 9)
* Pat Rebillot – acoustic piano (4)
* Ed Walsh – synthesizers (4)
* Leon Pendarvis – Rhodes (5, 7), arrangements (7)
* Ron Frangipane – acoustic piano (6), synthesizers (6), arrangements (6)
* Bob Kulick – guitar (1), electric guitar (3)
* Eric Gale – electric guitar (1, 2, 5–8) rhythm guitar (3)
* Jeff Mironov – electric guitar (1, 4–7, 9) rhythm guitar (3)
* Neil Jason – bass (1, 3–7, 9)
* Francisco Centeno – bass (2, 8)
* Yogi Horton – drums (all tracks)
* Ralph MacDonald – percussion (1, 3, 5–7, 9)
* George Young – tenor saxophone (1)
* Don Brooks – harmonica (2)
* Michael Brecker – tenor saxophone (7)
* Bert DeCoteaux – horn and string arrangements (1)
* Paul Riser – horn and string arrangements (2, 4, 5, 6, 8)
* Randy Brecker – horn arrangements (3, 7)
* Lamar Alsop – concertmaster (1, 2, 4–6, 8)
* Lionel Richie – lead and backing vocals (4)
* Margaret Dorn – backing vocals (5, 9)
* Leata Galloway – backing vocals (5, 9)
* Millie Whiteside – backing vocals (5, 9)

## Production

* Producer – Diana Ross
* Production assistance – Sephra Herman
* Production manager – Matt Murphy
* Engineer – Larry Alexander
* Assistant engineer – Dave Greenberg
* Recorded at the Power Station (New York, NY).
* Mastered by Ted Jensen at Sterling Sound (New York, NY).
* Inside photography – Claude Mougin
* Cover photo – Douglas Kirkland

## Charts

| Chart (1981/82) | Peak
position |
| --- | --- |
| Australia (Kent Music Report) | 47 |
| Canada Top Albums/CDs (*RPM*) | 33 |
| Dutch Albums (Album Top 100) | 3 |
| Finnish Albums (Suomen virallinen lista) | 3 |
| Japan Albums Chart | 28 |
| Norwegian Albums (VG-lista) | 5 |
| Swedish Albums (Sverigetopplistan) | 6 |
| UK Albums (OCC) | 17 |
| US *Billboard* 200 | 15 |
| US Top R&B/Hip-Hop Albums (*Billboard*) | 4 |

## Certifications

Certifications for *Why Do Fools Fall in Love*
| Region | Certification | Certified units/sales |
| --- | --- | --- |
| Canada (Music Canada) | Gold | 50,000^ |
| Finland (Musiikkituottajat) | Gold | 25,000 |
| United Kingdom (BPI) | Gold | 100,000^ |
| United States (RIAA) | Platinum | 1,000,000^ |
| ^ Shipments figures based on certification alone.
 | | |

1. Brackett, Nathan; Hoard, Christian David (2004). *The New Rolling Stone Album Guide*. Simon and Schuster. p. 704. ISBN 9780743201698.
2. J. Andy Taraborrelli (2007). *Diana Ross: the Unauthorized Biography*. Pan Macmillan. ISBN 978-0-330-43600-7.
3. AllMusic review
4. "Why Do Fools Fall In Love (Expanded Edition)". *FunkyTownGrooves.com*. Archived from the original on January 28, 2015. Retrieved January 28, 2015.
5. *Why Do Fools Fall in Love* (CD booklet). Diana Ross. Capitol Records. 1981.`{{cite AV media notes}}`: CS1 maint: others in cite AV media (notes) (link)
6. Kent, David (1993). *Australian Chart Book 1970–1992* (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 259. ISBN 0-646-11917-6.
7. "Top RPM Albums: Issue 0439". *RPM*. Library and Archives Canada. Retrieved September 27, 2021.
8. "Dutchcharts.nl – Diana Ross – Why Do Fools Fall in Love" (in Dutch). Hung Medien. Retrieved September 27, 2021.
9. Pennanen, Timo (2021). "Diana Ross". *Sisältää hitin - 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021* (PDF) (in Finnish). Helsinki: Kustannusosakeyhtiö Otava. p. 219. Retrieved August 24, 2022.
10. "Norwegiancharts.com – Diana Ross – Why Do Fools Fall in Love". Hung Medien. Retrieved September 27, 2021.
11. "Swedishcharts.com – Diana Ross – Why Do Fools Fall in Love". Hung Medien. Retrieved September 27, 2021.
12. "Official Albums Chart Top 100". Official Charts Company. Retrieved September 27, 2021.
13. "Diana Ross Chart History (*Billboard* 200)". *Billboard*. Retrieved September 27, 2021.
14. "Diana Ross Chart History (Top R&B/Hip-Hop Albums)". *Billboard*. Retrieved September 27, 2021.
15. "Canadian album certifications – Diana Ross – Why Do Fools Fall in Love". Music Canada.
16. "Diana Ross" (in Finnish). Musiikkituottajat – IFPI Finland.
17. "British album certifications – Diana Ross – Why Do Fools Fall in Love". British Phonographic Industry.
18. "American album certifications – Diana Ross – Why Do Fools Fall in Love". Recording Industry Association of America.

## InfoBox

| Why Do Fools Fall in Love | |
| --- | --- |
|  | |
| Studio album by Diana Ross | |
| Released | September 14, 1981 (1981-09-14) |
| Recorded | 1980–1981 |
| Studio | Power Station, New York City |
| Genre |  |
| Length | 35:46 |
| Label |  |
| Producer | Diana Ross |
| Diana Ross chronology | |
| *All the Great Hits*
(1981) ***Why Do Fools Fall in Love***
(1981) *Silk Electric*
(1982) | |
|  | |
| Singles from  *Why Do Fools Fall in Love* | |
| 1. "Why Do Fools Fall in Love"
Released: September 25, 1981 2. "Mirror Mirror"
Released: December 11, 1981 3. "Work That Body"
Released: March 19, 1982 4. "It's Never Too Late"
Released: July 1982 | |
|  | |


title: Mladen Vranković

abstract: Mladen Vranković was a Croatian football player and manager.

text:
# Mladen Vranković

**Mladen Vranković** (2 July 1937 – 11 February 2021) was a Croatian football player and manager.

## Career

Born in Rtina, he played for his hometown club, HNK Rijeka, for eight seasons, collecting 350 caps. He also spent three years in the North American Soccer League playing for Kansas City Spurs. Following the end of his career he became a manager. He was Rijeka's manager between 1987 and 1989, leading the club to the 1986–87 Yugoslav Cup final against Hajduk Split. He briefly coached Australian club Sydney Croatia in the now defunct Australian National Soccer League during the 1991–92 season.

## Managerial statistics

| Club | From | To | Competition | Record | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | P | W | D | L | Win % |
| NK Rijeka | 22 February 1987 | 16 December 1990 | First League | 85 | 30 | 26 | 29 | 035.29 |
| | | | Yugoslav Cup | 5 | 1 | 2 | 2 | 020.00 |
| NK Rijeka | 16 February 1992 | 16 February 1992 | First League | 1 | 0 | 1 | 0 | 000.00 |
| HNK Rijeka | 2 April 1995 | 9 April 1995 | Prva HNL | 2 | 1 | 1 | 0 | 050.00 |
| Totals | | | | | 93 | 32 | 30 | 31 | 034.41 |

\*Dates of first and last games under Vranković; not dates of official appointments

## Honours

**Kansas City Spurs**

## InfoBox

Mladen Vranković
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Mladen Vranković | | |
| Date of birth | 2 July 1937 | | |
| Place of birth | Rtina, Kingdom of Yugoslavia | | |
| Date of death | 11 February 2021(2021-02-11) (aged 83) | | |
| Place of death | Rijeka, Croatia | | |
| Position(s) | Defender | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1960–1968 | Rijeka | 350 | (5) |
| 1968–1971 | Kansas City Spurs | 56 | (1) |
| Managerial career | | | |
| 1987–1989 | Rijeka | | |
| 1989–1990 | Šibenik | | |
| 1991 | Rijeka | | |
| 1991 | Sydney Croatia | | |
| 1991–1992 | Orijent | | |
| 1995 | Rijeka | | |
| 2000 | Zadar | | |
| \*Club domestic league appearances and goals | | | |


title: Wild Sketch Show

abstract: .mw-parser-output.tracklist{border-spacing:0}.mw-parser-output.tracklist tr{background-color:var(--background-color-base,#fff)}.mw-parser-output.tracklist tr:nth-child(2n-1){background-color:var(--background-color-neutral-subtle,#f8f9fa)}.mw-parser-output.tracklist caption{text-align:left;font-weight:bold}.mw-parser-output.tracklist td,.mw-parser-output.tracklist th[scope="row"]{vertical-align:top}.mw-parser-output.tracklist th[scope="col"]{text-align:left;background-color:var(--background-color-neutral,#eaecf0)}.mw-parser-output.tracklist th.tracklist-length-header,.mw-parser-output.tracklist th.tracklist-number-header,.mw-parser-output.tracklist th[scope="row"],.mw-parser-output.tracklist-length,.mw-parser-output.tracklist-total-length td{padding-right:10px;text-align:right}.mw-parser-output.tracklist th[scope="row"]{font-weight:normal}.mw-parser-output.tracklist-number-header{width:2em;padding-left:10px}.mw-parser-output.tracklist-length-header{width:4em}.mw-parser-output.tracklist tr.tracklist-total-length{background-color:transparent}.mw-parser-output.tracklist.tracklist-total-length th{padding:0;font-weight:bold}.mw-parser-output.tracklist-total-length th>span{float:right;padding:0 10px;background-color:var(--background-color-neutral,#eaecf0)}.mw-parser-output.tracklist-total-length td{background-color:var(--background-color-neutral,#eaecf0);font-weight:bold;padding:0 10px 0 0} Wild Sketch Show is a live video album by Sketch Show. It features a mix of Sketch Show songs and Yellow Magic Orchestra songs performed in the Sketch Show style. Sketch Show were joined by fellow YMO member Ryuichi Sakamoto, as well as two guitarists and two keyboardists. This is the only live show released under Sketch Show's name.

text:
# Wild Sketch Show

***Wild Sketch Show*** is a live video album by Sketch Show. It features a mix of Sketch Show songs (nine from *Audio Sponge*, four from *Tronika* and one song that has been never released in studio form) and Yellow Magic Orchestra songs performed in the Sketch Show style (one from *Paraiso*, one from *BGM* and two from *Technodelic*). Sketch Show were joined by fellow YMO member Ryuichi Sakamoto (which turned Sketch Show into Human Audio Sponge), as well as two guitarists and two keyboardists. This is the only live show released under Sketch Show's name (later releases featured the same members and style, but were released under YMO).

## Track listing

All tracks are written by Haruomi Hosono and Yukihiro Takahashi, except where noted

| No. | Title | Lyrics | Music | Length |
| --- | --- | --- | --- | --- |
| 1. | "Reform" | instrumental |  |  |
| 2. | "Ekot" |  |  |  |
| 3. | "Do You Want to Marry Me" | Corinne Tulipe | Michel Magne |  |
| 4. | "Supreme Secret" |  | Hosono, Ryuichi Sakamoto, Takahashi |  |
| 5. | "Night Talker" | Takahashi |  |  |
| 6. | "Ohotzka" | instrumental |  |  |
| 7. | "Wilson" | Takahashi |  |  |
| 8. | "Graduated Grey" (灰色グレイの段階 *Gurei no Dankai*) | Hosono, Peter Barakan | Hosono |  |
| 9. | "Wonderful to Me" |  | Hosono, Sakamoto, Takahashi |  |
| 10. | "Chronograph" |  |  |  |
| 11. | "Turn Turn" |  |  |  |
| 12. | "Microtalk" | instrumental |  |  |
| 13. | "Flying George" | Takahashi |  |  |
| 14. | "Return" |  |  |  |
| 15. | "Zoetrope" | instrumental |  |  |
| 16. | "Pure Jam" (ジャム *Jamu*) | Takahashi, Barakan | Takahashi |  |
| 17. | "Cue" | Hosono, Takahashi, Barakan |  |  |
| 18. | "Paraiso" (はらいそ *Haraiso*) | Hosono | Hosono |  |

## Personnel

## InfoBox

| Wild Sketch Show | |
| --- | --- |
|  | |
| Video by Sketch Show | |
| Released | September 25, 2003 (2003-09-25) |
| Recorded | 3, 8, 9 December 2002 |
| Venue | Shibuya-AX, Jinnan, Shibuya, Tokyo |
| Genre | Electronica, Glitch Pop |
| Label | avex, cutting edge, daisyworld discs |
| Producer | Audio Sponge |
| Sketch Show chronology | |
| *Tronika*
(2003) ***Wild Sketch Show***
(2003) *Loophole*
(2003) | |


title: Whoso Is Without Sin

abstract: Whoso Is Without Sin is a 1916 British silent drama film directed by Fred Paul and starring Hilda Moore, Milton Rosmer and Flora Morris. The screenplay concerns a woman who offers shelter to a prostitute.

text:
# Whoso Is Without Sin

***Whoso Is Without Sin*** is a 1916 British silent drama film directed by Fred Paul and starring Hilda Moore, Milton Rosmer and Flora Morris. The screenplay concerns a woman who offers shelter to a prostitute.

## Premise

An extravagant woman has a change of heart after her husband commits suicide. She offers shelter to a prostitute and protects her from an angry mob.

## Cast

## InfoBox

| Whoso Is Without Sin | |
| --- | --- |
| Directed by | Fred Paul |
| Written by | Fred Paul
Benedict James
May Sherman |
| Starring | Hilda Moore
Milton Rosmer
Flora Morris
Ronald Squire |
| Production
company | Ideal Film Company |
| Distributed by | Ideal Film Company |
| Release date | * January 1916 (1916-01) |
| Country | United Kingdom |
| Language | English |


title: Whose Wedding Is It Anyway?

abstract: Whose Wedding Is It Anyway? is an American reality TV show on the Style Network. Season 1 began in 2003, Tuesdays, 10 p.m. Each episode runs 60 minutes and follows two different couples who plan their weddings in different states and sometimes a destination wedding in a foreign country. Each episode begins with the bride and groom meeting the wedding planner to discuss theme and what plans might already have been made. The episode then chronicles the wedding planner at work, coordinating the details of the pre-wedding festivities, including rehearsal, the actual wedding, and the reception. Each affianced couple have unique requests, from flowers, invitations, placecards, the cake, the wedding venue, and the reception. Some of the wedding planners also specialize in cultural weddings. While the brides are followed to bridal boutiques to pick out the perfect wedding dress, some select two dresses, one for the wedding and one for the reception, to honor special cultural wedding traditions and customs, or simply for a different reception look. The wedding planners help couples, including same-sex couples, explore and celebrate their individuality and personal style, as well as addressing difficult family circumstances. Voice-over narrators have included Shari Albert and Masasa Moyo. Those couples featured on the show usually receive a few nights paid accommodation at a resort or hotel as a wedding gift from the Style Network. Couples can apply on-line for consideration. The Web site also provides a list of wedding planners and budget tips. The show travels to a variety of vendor meetings: dressmakers, florists, reception sites especially. In Season 4 Episode 3 "Pop Stars and Dictators" the show goes to the Hoboken cake shop. This vendor, Buddy, winds up having his own show, Cake Boss, 2 years later. He appears semi-regularly after that: he saves the day in S5:E4 "Born to Be a Bride and Last Minute Loss", helps a gay couple with a dream cake on "Lofty Expectations" (S6:E9), and reins in a control-freak bride in "Alter Images" (S6:E10).

text:
# Whose Wedding Is It Anyway?

***Whose Wedding Is It Anyway?*** is an American reality TV show on the Style Network. Season 1 began in 2003, Tuesdays, 10 p.m. Each episode runs 60 minutes and follows two different couples who plan their weddings in different states and sometimes a destination wedding in a foreign country.

Each episode begins with the bride and groom meeting the wedding planner to discuss theme and what plans might already have been made. The episode then chronicles the wedding planner at work, coordinating the details of the pre-wedding festivities, including rehearsal, the actual wedding, and the reception. Each affianced couple have unique requests, from flowers, invitations, placecards, the cake, the wedding venue, and the reception. Some of the wedding planners also specialize in cultural weddings.

While the brides are followed to bridal boutiques to pick out the perfect wedding dress, some select two dresses, one for the wedding and one for the reception, to honor special cultural wedding traditions and customs, or simply for a different reception look. The wedding planners help couples, including same-sex couples, explore and celebrate their individuality and personal style, as well as addressing difficult family circumstances.

Voice-over narrators have included Shari Albert and Masasa Moyo.

Those couples featured on the show usually receive a few nights paid accommodation at a resort or hotel as a wedding gift from the Style Network. Couples can apply on-line for consideration. The Web site also provides a list of wedding planners and budget tips.

The show travels to a variety of vendor meetings: dressmakers, florists, reception sites especially. In Season 4 Episode 3 "Pop Stars and Dictators" the show goes to the Hoboken cake shop. This vendor, Buddy, winds up having his own show, Cake Boss, 2 years later. He appears semi-regularly after that: he saves the day (and pranks the bride a little) in S5:E4 "Born to Be a Bride and Last Minute Loss", helps a gay couple with a dream cake on "Lofty Expectations" (S6:E9), and reins in a control-freak bride in "Alter Images" (S6:E10).

## Notable people

### Wedding planners

* Ana Cruz
* Jung Lee
* Donnie Brown
* Kevin Covey
* Gina Sole
* James Tramondo
* Jenny Orsini
* Jes Gordon
* Julie Conley
* Kim Bradford
* Linnyette Richardson-Hall
* Michelle Lynn Buckley
* Samantha Goldberg
* Stella Inserra
* Tracy French
* Sasha Souza
* Vicky Johnson
* Shawn Rabideau
* Susan Southerland
* Mark Kingsdorf

Mary Dann also appeared on *Whose Wedding Is It Anyway*

## InfoBox

| *Whose Wedding Is It Anyway?* | |
| --- | --- |
| Genre | Reality television |
| Original release | |
| Network | Style Network |


title: Wife vs. Secretary

abstract: Wife vs. Secretary is a 1936 American romantic comedy drama film starring Clark Gable, Myrna Loy and Jean Harlow. Directed and co-produced by Clarence Brown, it was the fifth of six collaborations between Gable and Harlow and the fourth of seven between Gable and Loy. The screenplay was based on the short story of the same title by Faith Baldwin, published in Cosmopolitan magazine in May 1935. The screenplay was written by Norman Krasna, John Lee Mahin and Alice Duer Miller. May Robson, George Barbier, Hobart Cavanaugh, and James Stewart appear in support, with Stewart playing the secretary's suitor in one of his first memorable roles.

text:
# Wife vs. Secretary

***Wife vs. Secretary*** (or *Wife Versus Secretary*) is a 1936 American romantic comedy drama film starring Clark Gable, Myrna Loy and Jean Harlow. Directed and co-produced by Clarence Brown, it was the fifth of six collaborations between Gable and Harlow and the fourth of seven between Gable and Loy. The screenplay was based on the short story of the same title by Faith Baldwin, published in *Cosmopolitan* magazine in May 1935. The screenplay was written by Norman Krasna, John Lee Mahin and Alice Duer Miller.

May Robson, George Barbier, Hobart Cavanaugh, and James Stewart appear in support, with Stewart playing the secretary's suitor in one of his first memorable roles.

## Plot

High-end magazine publisher Van Stanhope and his wife, Linda, are celebrating their third wedding anniversary. They are very much in love, and demonstrate it in every way. However, Van's secretary, the beautiful and bright Helen "Whitey" Wilson, is thought by Van's mother to be too great a temptation to him. Linda refuses to listen to her, or her own friends, as she trusts her husband implicity, the hallmark of her relationship with him and envy of all others.

Meanwhile, Whitey's beau, Dave, is frustrated with her when Van calls one night during dinner and she once again drops everything to rush off and serve him, any time, any place. When Dave asks her to marry him, she refuses, and buries herself deeper in her work.

Van covets J. D. Underwood's popular weekly to broaden his reader base. To prevent his chief rival from beating him to it, the pursuit is kept top secret - only Whitey is permitted to know.

When Van returns from meeting Underwood and tells Linda the white lie that he has spent the day at his club, Linda accidentally learns that he had not been there but had spent part of it with Whitey (who had merely helped him prepare his sales pitch). At a company skating party, Linda is too sick to skate, but Van and Whitey gleefully crack the whip together. Linda meanwhile gets a misinformed earful from a gabby wife who - clueless who Linda is - plants more seeds of fear and jealousy. On the ride home Van reveals he had turned down a request to promote Whitey elsewhere in the company, explaining she is too valuable to him. Linda pleads with him to assent; he refuses, they quarrel, she strides angry and hurt into their home, and he stomps off the same way for the refuge of his club.

She gives in and calls Van there. Overjoyed, he rushes home into her arms.

Van promises Linda a trip together to the Caribbean, but to preserve the secrecy of his still-pending blockbuster he is vague about a date. His top company rep falls ill, and Van is forced to take his place at a big industry convention in Havana. He knows it will be all work and no play, so refuses Linda's repeated requests to accompany him in lieu of the promised island getaway.

A day into the confab Whitey learns that Van's top rival is also scheming a deal with Underwood, who's playing both ends against the middle. She tells Van, and he has her catch the next flight to Havana to help him prepare an immediate contract proposal to head off the gambit.

The two plunge headlong into a work marathon. Caught up in the cloak-and-dagger, Van neglects to make promised calls to an increasingly broken-hearted wife, and Whitey falls evermore in unrequited love with him.

Van cinches the deal, and gets staggering drunk celebrating with Whitey. He develops a woozy attraction to her, which she weakens towards. Before things can go too far, Linda telephones. It is 2 AM when Whitey answers Van's phone; Linda assumes the worst and hangs up. The chastened twosome retire separately.

Pushed past her limit, Linda files for divorce, and refuses all Van's explanations and entreaties. His desperation yields to loneliness, and he invites Whitey to join him on a trip to Bermuda to clear his head. She agrees, but revealing her essential decency rushes to confront Linda before Linda's Europe-bound liner can depart. She makes it clear that to that point everything had indeed been business between her and Van, but that was going to change. Linda refuses to believe her account. Whitey says she's a fool not to, and hopes she does not, as she will get Van and Linda will never win him back.

Shortly later it's all business again between Van and Whitey back at Van's office. Linda appears, recognizing that she had let others undermine a perfect marriage. Van is overjoyed. Whitey quietly leaves, finds Dave waiting for her in his car, and they make up and move closer to each other.

## Cast

## Production

*Wife vs. Secretary* was the fifth collaboration of Gable and Harlow and the fourth of Gable and Loy. The picture was the first time that Harlow and Loy worked together; they would both appear as well in *Libeled Lady* later in 1936, with Harlow billed above William Powell and Spencer Tracy.

On Harlow during the making of *Wife vs. Secretary*, Loy said, "Jean was beautiful, but far from the raucous sexpot of her films. As a matter of fact, she began to shake that image in *Wife vs. Secretary*....She'd begged for a role that didn't require spouting slang and modeling lingerie. She even convinced them to darken her hair a shade, in hopes of toning down that brash image. It worked. She's really wonderful in the picture and her popularity wasn't diminished one bit. Actually we did kind of a reversal in that picture. Jean, supposedly the other woman, stayed very proper, while I had one foot in bed throughout. That's the sexiest wife I've ever played. In one scene, Clark stands outside my bedroom door and we banter, nothing more, but there's just no question about what they've done the night before. Clarence Brown, our director, made it all so subtle, yet, oh, so wonderfully suggestive. (In fact, the only vulgarity in the picture is in the breakfast scene, where I discover a diamond bracelet that Clark has hidden in the brook trout I'm about to eat. It didn't seem chic or funny to me—merely messy, typical of Hollywood's misguided notion of upper-class sophistication. I tried to get them to take it out, but they wouldn't. Needless to say, it's the scene everyone remembers, so what do I know?). Where sex is concerned, the double entendre, the ambiguity, it seems to me, is much more effective than being too explicit. This is something the moviemakers don't seem to understand today."

James Stewart, meanwhile, spoke of his scene in the car with Harlow, saying, "Clarence Brown, the director, wasn't too pleased by the way I did the smooching. He made us repeat the scene about half a dozen times...I botched it up on purpose. That Jean Harlow sure was a good kisser. I realized that until then I had never been really kissed." Despite being billed sixth in the cast, Stewart enjoys the most screen time aside from the three leads, mainly romantic sequences with Harlow, including the final scene and dialogue in the movie.

## Reception

### Box office

The picture was a success with the filmgoing public, with MGM records indicating it earned $1,350,000 in the US and Canada and $717,000 elsewhere, turning a profit of $876,000.

### Critical response

## InfoBox

| Wife vs. Secretary | |
| --- | --- |
| Lobby card | |
| Directed by | Clarence Brown |
| Screenplay by |  |
| Based on | "Wife Versus Secretary"
by Faith Baldwin |
| Produced by |  |
| Starring |  |
| Cinematography | Ray June |
| Edited by | Frank E. Hull |
| Music by |  |
| Production
company | Metro-Goldwyn-Mayer |
| Distributed by | Loew's Inc. |
| Release date | * February 28, 1936 (1936-02-28) |
| Running time | 88 minutes |
| Country | United States |
| Language | English |
| Budget | $519,000 |
| Box office | $2 million |


title: Wielki Dwór

abstract: Wielki Dwór is a village in the administrative district of Gmina Małdyty, within Ostróda County, Warmian-Masurian Voivodeship, in northern Poland. It lies approximately 9 kilometres (6 mi) west of Małdyty, 34 km (21 mi) north-west of Ostróda, and 60 km (37 mi) west of the regional capital Olsztyn.

text:
# Wielki Dwór

**Wielki Dwór** (Polish pronunciation: \[ˈvjɛlkʲi ˈdvur\]) is a village in the administrative district of Gmina Małdyty, within Ostróda County, Warmian-Masurian Voivodeship, in northern Poland. It lies approximately 9 kilometres (6 mi) west of Małdyty, 34 km (21 mi) north-west of Ostróda, and 60 km (37 mi) west of the regional capital Olsztyn.

## InfoBox

| Wielki Dwór | |
| --- | --- |
| Village | |
| Wielki Dwór | |
| Coordinates: 53°55′N 19°37′E / 53.917°N 19.617°E / 53.917; 19.617 | |
| Country | Poland |
| Voivodeship | Warmian-Masurian |
| County | Ostróda |
| Gmina | Małdyty |


title: Mobile simulator

abstract: A mobile simulator is a software application for a personal computer which creates a virtual machine version of a mobile device, such as a mobile phone, iPhone, other smartphone, or calculator, on the computer. This may sometimes also be termed an emulator. The mobile simulator allows the user to use features and run applications on the virtual mobile on their computer as though it was the actual mobile device. A mobile simulator lets you test a website and determine how well it performs on various types of mobile devices. A good simulator tests mobile content quickly on multiple browsers and emulates several device profiles simultaneously. This allows analysis of mobile content in real-time, locate errors in code, view rendering in an environment that simulates the mobile browser, and optimize the site for performance. Mobile simulators may be developed using programming languages such as Java,.NET and JavaScript.

text:
# Mobile simulator

A **mobile simulator** is a software application for a personal computer which creates a virtual machine version of a mobile device, such as a mobile phone, iPhone, other smartphone, or calculator, on the computer. This may sometimes also be termed an emulator.

The mobile simulator allows the user to use features and run applications on the virtual mobile on their computer as though it was the actual mobile device.

A mobile simulator lets you test a website and determine how well it performs on various types of mobile devices. A good simulator tests mobile content quickly on multiple browsers and emulates several device profiles simultaneously. This allows analysis of mobile content in real-time, locate errors in code, view rendering in an environment that simulates the mobile browser, and optimize the site for performance.

Mobile simulators may be developed using programming languages such as Java, .NET and JavaScript.


title: Miss Call

abstract: Miss Call is a 2021 Indian Bengali movie which was directed by Ravi Kinagi and produced by Nispal Singh under the banner of Surinder Films. This film is a remake of 2015 Kannada film Krishna Leela. This film starred Soham Chakraborty, Rittika Sen and Supriyo Dutta. The film was released in theaters on 26 February 2021.

text:
# Miss Call

***Miss Call*** is a 2021 Indian Bengali movie which was directed by Ravi Kinagi and produced by Nispal Singh under the banner of Surinder Films. This film is a remake of 2015 Kannada film *Krishna Leela*. This film starred Soham Chakraborty, Rittika Sen and Supriyo Dutta. The film was released in theaters on 26 February 2021.

## Cast

## Soundtrack

Track listing
| No. | Title | Singer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Miss Call Title Track" | Tushar Joshi | 3:42 |
| 2. | "O Piya Re" | Madhuraa Bhattacharya | 2:54 |
| 3. | "Talli" | Satrujit Dasgupta | 3:34 |

## InfoBox

| Miss Call | |
| --- | --- |
| Theatrical release poster | |
| Directed by | Ravi Kinagi |
| Screenplay by | N K Salil |
| Story by | Shashank |
| Produced by | Nispal Singh |
| Starring | Soham Chakraborty
Rittika Sen
Supriyo Dutta |
| Cinematography | Murali Y Krishna |
| Edited by | Md. Kalam |
| Music by | Raja Narayan Deb |
| Production
company | Surinder Films |
| Release date | * 26 February 2021 (2021-02-26) |
| Country | India |
| Language | Bengali |


title: Wild Surmise

abstract: Wild Surmise is a 2002 verse novel by Australian poet Dorothy Porter which was shortlisted for the 2003 Miles Franklin Award.

text:
# Wild Surmise

***Wild Surmise*** is a 2002 verse novel by Australian poet Dorothy Porter which was shortlisted for the 2003 Miles Franklin Award.

* Dedication: For Andy
* Epigraph: 'There felt I like some watcher of the skies, When a new planet swims into his ken; or like stout Cortez when with eagle eyes, he stared at the Pacific - and all his men loo'd at each other with a wild surmise -' - 'On First Looking into Chapman's Homer.' John Keats
* Epigraph: 'Behold now, standing before you, the man who has pierced the air and penetrated the sky, wended his way amongst the stars and overpassed the margins of the world. - 'La Cena de le Ceneri.' Giordano Bruni (1548-1600).

## Adaptation

This novel was adapted for the stage by Jane Montgomery Griffiths and directed by Marion Potts. Performances of the play were held at the Malthouse Theatre, in Melbourne, in November and December 2012.

## Reviews

* *The Sydney Morning Herald*

## Awards and nominations

## InfoBox

Wild Surmise
|  | |
| --- | --- |
| Author | Dorothy Porter |
| Language | English |
| Publisher | Picador, Australia |
| Publication date | 2002 |
| Publication place | Australia |
| Media type | Print (Paperback) |
| Pages | 293 |
| ISBN | 0330363808 |
| Preceded by | *What a Piece of Work* |
| Followed by | *El Dorado* |


title: Wildeshausen station

abstract: Wildeshausen is a railway station located in Wildeshausen, Germany. The station is located on the Delmenhorst–Hesepe railway and the train services are operated by NordWestBahn.

text:
# Wildeshausen station

**Wildeshausen** is a railway station located in Wildeshausen, Germany. The station is located on the Delmenhorst–Hesepe railway and the train services are operated by NordWestBahn.

## Train services

The station is served by the following services:

* Local services RB 58 *Osnabrück - Bramsche - Vechta - Delmenhorst - Bremen*

## InfoBox

| Wildeshausen | |
| --- | --- |
| Bf | |
| Wildeshausen railway station in 2009 | |
| General information | |
| Location | Wildeshausen, Lower Saxony<br>Germany |
| Coordinates | 52°32′07″N 8°15′19″E / 52.5353°N 8.2553°E / 52.5353; 8.2553 |
| Line(s) | Delmenhorst–Hesepe railway |
| Platforms | 2 |
| Tracks | 2 |
| Other information | |
| Fare zone | VBN: 630 |
|  | |
| Services | |
| Preceding station NordWestBahn Following station  Rechterfeldtowards Osnabrück Hbf  RB 58  Brettorftowards Bremen Hbf | |
|  | |
|  | |
|  | |


title: Lungotevere dei Fiorentini

abstract: Lungotevere dei Fiorentini is the stretch of the Lungotevere that connects Piazza Pasquale Paoli to Via Acciaioli, in Rome, in the rione Ponte. The area is named after the Florentines because here, in the fifteenth century, many people moved from Florence, protected by the Medici popes Leo X and Clement VII, both coming from the Tuscan capital. In this area the Florentines had its own tribunal, their laws, a consulate, a prison and they built their national church and a convent, today destroyed. Moreover, in 1519 pope Leo X granted to his fellow citizens the small church of San Pantaleo juxta flumen, demolished by the Florentines to make room for the great building of San Giovanni de 'Fiorentini. In 1863 it was built an iron bridge, also named after the Florentines, which connected the areas of the current lungoteveri dei Sangallo and Gianicolense; it was demolished in 1941, a year before the construction of the new bridge dedicated to Prince Amedeo di Savoia-Aosta, close to the previous.

text:
# Lungotevere dei Fiorentini

**Lungotevere dei Fiorentini** is the stretch of the Lungotevere that connects Piazza Pasquale Paoli to Via Acciaioli, in Rome, in the rione Ponte.

The area is named after the Florentines because here, in the fifteenth century, many people moved from Florence, protected by the Medici popes Leo X and Clement VII, both coming from the Tuscan capital.

In this area the Florentines had its own tribunal, their laws, a consulate, a prison and they built their national church (the basilica of San Giovanni dei Fiorentini) and a convent, today destroyed. Moreover, in 1519 pope Leo X granted to his fellow citizens the small church of *San Pantaleo juxta flumen* (or *San Pantaleo Affine*, with meaning "ad flumen"), demolished by the Florentines to make room for the great building of San Giovanni de 'Fiorentini.

In 1863 it was built an iron bridge, also named after the Florentines, which connected the areas of the current lungoteveri dei Sangallo and Gianicolense; it was demolished in 1941, a year before the construction of the new bridge dedicated to Prince Amedeo di Savoia-Aosta, close to the previous.

1. Rendina-Paradisi (2004), p. 530

## Sources

* Rendina, Claudio; Paradisi, Donatella. *Le strade di Roma. 2nd volume E-O* (2004 ed.). Newton Compton Editori, Rome. ISBN 88-541-0209-1.


title: Obsolete Serbian units of measurement

text:
# Obsolete Serbian units of measurement

A number of units of measurement were used in Serbia to measure length, weight, etc. Metrication was carried out in 1873 in Serbia.

## System before metric system

A number of units were used.

### Length

One notable unit was archine. One archine was 28.0 in (0.711 m).

### Mass

Some units of mass are given below:

1 litra = 100 drachm

1 oka = 4 litra = 2.8188 lb = 1.2786 kg.


title: Oostpunt

abstract: Oostpunt is a geozone (region) on the island of Curaçao. It is located on the easternmost point of the island. Since the 1870s, the area has been privately owned by the Maal family, and most of the area is off-limits, with the exception of the villages of Oostpunt, Sint Joris, and Santa Catharina. The geozone of Oostpunt covers about 10% of the island.

text:
# Oostpunt

**Oostpunt** (also **Land van Maal**) is a geozone (*region*) on the island of Curaçao. It is located on the easternmost point of the island. Since the 1870s, the area has been privately owned by the Maal family, and most of the area is off-limits, with the exception of the villages of Oostpunt, Sint Joris, and Santa Catharina. The geozone of Oostpunt covers about 10% of the island.

## History

Plantation Klein Sint Joris (also *San Juan*) was founded in 1662 by Matthias Beck and is one of the oldest plantations on Curaçao. Around 1840, Oostpunt was inhabited by 150 to 200 people, most of whom were slaves. The Maal family, army officers from the Netherlands, arrived in Curaçao in the late 18th century and had acquired five plantations by the 1870s. The plantations were used for agriculture, livestock, and mining, however, the vast majority of land is pristine wilderness. The coral reefs in Oostpunt are considered one of the best preserved reefs of the Caribbean.

## Settlements

The village of Oostpunt is only inhabited by Willy Maal and his mother. Sint Joris consists of a collection of houses across Landhuis Klein Sint Joris, and is mainly inhabited by locals who have been born there. Santa Catharina is a recent addition which started to develop in the 1960s, and has attracted many Dutch citizens. There are paved roads to Sint Joris and Santa Catharina. As of 2011, the remainder of Oostpunt can only be accessed via unpaved paths with large holes.

## National Park and Curaçao Marine Park

In 1987, the Government of Curaçao approached the Maal family to develop a conservation plan, and discuss the proposed development of a tourist resort in Oostpunt. In 1993, an area of 4,400 hectares (11,000 acres) was unilaterally declared a national park in which no development was possible. Along the coast, the Curaçao Marine Park was announced to protect the coral reef. The Maal family responded by suing the government for 100 million (~US$56 million) for breach of contract. A long legal battle followed, and the resort was built in the Bahamas instead. On 7 June 1999, the Government of Curaçao was ordered to allow development in 50 percent of the area, and pay the Maal family ƒ20 million plus interest in damages.

In 2010, the development plans of the Maal family were approved by the States of Curaçao. The battle is not over, because CARMABI, the national institute for protected areas, wants to prevent any development, and is backed by the International Coral Reef Society, National Geographic, NOAA, and others. In April 2016, an attempt was made to stop the development plans using an outdated map which resulted in a threat from the Maal family to resume litigation. In December 2016, the development plans were once again approved by the States.

1. "Where is Curaçao located". *Villa Sea Shell*. Retrieved 25 April 2021.
2. Buurtprofiel Oostpunt 2011, p. 10.
3. "Census 2011". *Central Bureau of Statistics*. Retrieved 25 April 2021.
4. ""The Road To Economic Recovery, The Oostpunt Scenario"". *Curaçao Chronicle*. Retrieved 25 April 2021.
5. Buurtprofiel Oostpunt 2011, p. 8.
6. Buurtprofiel Oostpunt 2011, p. 6.
7. Buurtprofiel Oostpunt 2011, p. 9.
8. "De kwestie Maal (1)". *Jan Thiel Blogspot* (in Dutch). Retrieved 25 April 2021.
9. "CURAÇAO 1 of the 3 BEST REEFS IN THE CARIBBEAN" (PDF). *Research Station Carmabi*. p. 13. Retrieved 25 April 2021.
10. "Oogstrelend, Oostpunt van Curaçao". *Duiken.nl*. Retrieved 25 April 2021.
11. "Curaçao's Oostpunt Reef among the Best in the Caribbean". *Repeating Islands*. Retrieved 25 April 2021.
12. Buurtprofiel Oostpunt 2011, p. 24.
13. Buurtprofiel Oostpunt 2011, p. 25.
14. Buurtprofiel Oostpunt 2011, p. 22.
15. "Curaçao Marine Park". *Beautiful Curaçao*. Retrieved 25 April 2021.
16. "Schadeclaim Maal dreigt opnieuw". *Antilliaans Dagblad* (in Dutch). Retrieved 25 April 2021.
17. "Maal wil schadevergoeding voor niet nakomen afspraken Oostpunt in Curacao". *Dutch Caribbean Legal Portal* (in Dutch). Retrieved 25 April 2021.
18. "Groen licht voor bouwplan Oostpunt". *Versgeperst* (in Dutch). Retrieved 25 April 2021.
19. "'Reef will die with development at Oostpunt'". *Research Station Carmabi*. Retrieved 25 April 2021.
20. "Bestemming Oostpunt ondanks bezwaren ongewijzigd". *Amigoe via Knipselkrant Curaçao* (in Dutch). Retrieved 25 April 2021.
21. "Maal: Eindelijk gerechtigheid". *Antilliaans Dagblad via Knipselkrant Curaçao* (in Dutch). Retrieved 25 April 2021.

## Bibliography

## InfoBox

| Oostpunt Land van Maal | |
| --- | --- |
| Landhuis Klein Sint Joris | |
| OostpuntLocation in Curaçao | |
| Coordinates: 12°03′31″N 68°46′51″W / 12.0587°N 68.7807°W / 12.0587; -68.7807 | |
| State | Kingdom of the Netherlands |
| Country | Curaçao |
| District | Bandariba |
| Area | |
| Total | 54.24 km2 (20.94 sq mi) |
| Population (2011) | |
| Total | 555 |
| Density | 10/km2 (27/sq mi) |


title: Oblimersen

abstract: Oblimersen is an antisense oligodeoxyribonucleotide being studied as a possible treatment for several types of cancer, including chronic lymphocytic leukemia, B-cell lymphoma, and breast cancer. It may kill cancer cells by blocking the production of Bcl-2—a protein that makes cancer cells live longer—and by making them more sensitive to chemotherapy.

text:
# Oblimersen

**Oblimersen** (INN, trade name **Genasense**; also known as **Augmerosen** and **bcl-2 antisense oligodeoxynucleotide G3139**) is an antisense oligodeoxyribonucleotide being studied as a possible treatment for several types of cancer, including chronic lymphocytic leukemia, B-cell lymphoma, and breast cancer. It may kill cancer cells by blocking the production of Bcl-2—a protein that makes cancer cells live longer—and by making them more sensitive to chemotherapy.

## History

The antisense oligonucleotide drug oblimersen was developed by Genta Incorporated to target Bcl-2. An antisense DNA or RNA strand is non-coding and complementary to the coding strand (which is the template for producing respectively RNA or protein). An antisense drug is a short sequence of RNA which hybridises with and inactivates mRNA, preventing the protein from being formed.

It was shown that the proliferation of human lymphoma cells (with t(14;18) translocation) could be inhibited by antisense RNA targeted at the start codon region of Bcl-2 mRNA. In vitro studies led to the identification of oblimersen, which is complementary to the first 6 codons of Bcl-2 mRNA.

These have shown successful results in Phase I/II trials for lymphoma, and a large Phase III trial was launched in 2004.

By the first quarter 2010, the drug had not received FDA approval due to disappointing results in a melanoma trial. Although its safety and efficacy have not been established for any use, Genta Incorporated still claims on its website that studies are currently under way to examine the potential role of oblimersen in a variety of clinical indications.

Recent studies in 2023 continue to explore the potential of oblimersen in combination with other therapies. Preclinical models have demonstrated that oblimersen, when combined with vinorelbine, significantly inhibits tumor growth and prolongs survival in NSCLC. These findings suggest that combining oblimersen with other chemotherapeutic agents could enhance its efficacy and potentially overcome previous clinical challenges.

* Augmerosen entry in the public domain NCI Dictionary of Cancer Terms

## InfoBox

Oblimersen
|  | |
| --- | --- |
| Clinical data | |
| Trade names | Genasense |
| Other names | G3139 |
| ATC code |  |
| Legal status | |
| Legal status | * Not marketed |
| Identifiers | |
| CAS Number |  |
| PubChem CID |  |
| ChemSpider |  |
| UNII |  |
| CompTox Dashboard (EPA) |  |
| Chemical and physical data | |
| Formula | C172H221N62O91P17S17 |
| Molar mass | 5684.58 g·mol−1 |
| 3D model (JSmol) |  |
| SMILES * Cc1cn(c(=O)\[nH\]c1=O)\[C@H\]2C\[C@@H\](\[C@H\](O2)COP(=O)(O\[C@H\]3C\[C@@H\](O\[C@@H\]3COP(=O)(O\[C@H\]4C\[C@@H\](O\[C@@H\]4COP(=O)(O\[C@H\]5C\[C@@H\](O\[C@@H\]5COP(=O)(O\[C@H\]6C\[C@@H\](O\[C@@H\]6COP(=O)(O\[C@H\]7C\[C@@H\](O\[C@@H\]7COP(=O)(O\[C@H\]8C\[C@@H\](O\[C@@H\]8COP(=O)(O\[C@H\]9C\[C@@H\](O\[C@@H\]9COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1COP(=O)(O\[C@H\]1C\[C@@H\](O\[C@@H\]1CO)n1cc(c(=O)\[nH\]c1=O)C)S)n1ccc(nc1=O)N)S)n1cc(c(=O)\[nH\]c1=O)C)S)n1ccc(nc1=O)N)S)n1ccc(nc1=O)N)S)n1ccc(nc1=O)N)S)n1cnc2c1ncnc2N)S)n1cnc2c1nc(\[nH\]c2=O)N)S)n1ccc(nc1=O)N)S)n1cnc2c1nc(\[nH\]c2=O)N)S)n1cc(c(=O)\[nH\]c1=O)C)S)n1cnc2c1nc(\[nH\]c2=O)N)S)n1ccc(nc1=O)N)S)n1cnc2c1nc(\[nH\]c2=O)N)S)n1ccc(nc1=O)N)S)n1ccc(nc1=O)N)S)n1cnc2c1ncnc2N)S)O | |
| InChI * InChI=1S/C172H221N62O91P17S17/c1-69-39-225(169(253)213-149(69)237)117-21-73(236)92(292-117)44-274-326(257,343)320-85-33-129(229-63-191-135-141(181)187-61-189-143(135)229)303-103(85)55-285-332(263,349)314-79-27-122(221-17-9-113(177)201-165(221)249)295-95(79)47-278-330(261,347)312-78-26-121(220-16-8-112(176)200-164(220)248)298-98(78)50-280-338(269,355)322-87-35-131(231-65-193-137-145(231)205-157(183)209-153(137)241)305-105(87)57-287-334(265,351)316-81-29-124(223-19-11-115(179)203-167(223)251)299-99(81)51-281-339(270,356)323-88-36-132(232-66-194-138-146(232)206-158(184)210-154(138)242)307-107(88)59-289-337(268,354)319-84-32-128(228-42-72(4)152(240)216-172(228)256)302-102(84)54-284-341(272,358)325-90-38-134(234-68-196-140-148(234)208-160(186)212-156(140)244)306-106(90)58-288-335(266,352)317-82-30-125(224-20-12-116(180)204-168(224)252)300-100(82)52-282-340(271,357)324-89-37-133(233-67-195-139-147(233)207-159(185)211-155(139)243)308-108(89)60-290-342(273,359)321-86-34-130(230-64-192-136-142(182)188-62-190-144(136)230)304-104(86)56-286-333(264,350)315-80-28-123(222-18-10-114(178)202-166(222)250)296-96(80)48-277-328(259,345)310-76-24-119(218-14-6-110(174)198-162(218)246)294-94(76)46-276-329(260,346)311-77-25-120(219-15-7-111(175)199-163(219)247)297-97(77)49-279-336(267,353)318-83-31-127(227-41-71(3)151(239)215-171(227)255)301-101(83)53-283-331(262,348)313-75-23-118(217-13-5-109(173)197-161(217)245)293-93(75)45-275-327(258,344)309-74-22-126(291-91(74)43-235)226-40-70(2)150(238)214-170(226)254/h5-20,39-42,61-68,73-108,117-134,235-236H,21-38,43-60H2,1-4H3,(H,257,343)(H,258,344)(H,259,345)(H,260,346)(H,261,347)(H,262,348)(H,263,349)(H,264,350)(H,265,351)(H,266,352)(H,267,353)(H,268,354)(H,269,355)(H,270,356)(H,271,357)(H,272,358)(H,273,359)(H2,173,197,245)(H2,174,198,246)(H2,175,199,247)(H2,176,200,248)(H2,177,201,249)(H2,178,202,250)(H2,179,203,251)(H2,180,204,252)(H2,181,187,189)(H2,182,188,190)(H,213,237,253)(H,214,238,254)(H,215,239,255)(H,216,240,256)(H3,183,205,209,241)(H3,184,206,210,242)(H3,185,207,211,243)(H3,186,208,212,244)/t73-,74-,75-,76-,77-,78-,79-,80-,81-,82-,83-,84-,85-,86-,87-,88-,89-,90-,91+,92+,93+,94+,95+,96+,97+,98+,99+,100+,101+,102+,103+,104+,105+,106+,107+,108+,117+,118+,119+,120+,121+,122+,123+,124+,125+,126+,127+,128+,129+,130+,131+,132+,133+,134+,326?,327?,328?,329?,330?,331?,332?,333?,334?,335?,336?,337?,338?,339?,340?,341?,342?/m0/s1 N * Key:MIMNFCVQODTQDP-NDLVEFNKSA-N N | |
| NY (what is this?)  (verify) | |


title: Nail salon

abstract: A nail salon or nail bar is a specialty beauty salon establishment that primarily offers nail care services such as manicures, pedicures, and nail enhancements. Often, nail salons also offer skin care services. Manicures are also offered by general beauty salons, spas, and hotels. People who work at nail salons are usually called nail technicians, manicurists, or nailists. Nail salons offer a variety of options for nail care, examples of which include acrylics, silk or fiberglass wraps, French manicures, polish, and pedicures. Some nail salons offer one-stop beauty services. In addition to nail services, one-stop nail salons offer facial treatments, waxing, and skin care. Generally, those working in nail salons are referred to as nail technicians. In some areas throughout the United States, nail technicians must hold formal, state-recognized qualifications in order to be able to work at nail salons. Certifications must come from state board.

text:
# Nail salon

A **nail salon** or **nail bar** is a specialty beauty salon establishment that primarily offers nail care services such as manicures, pedicures, and nail enhancements. Often, nail salons also offer skin care services. Manicures are also offered by general beauty salons, spas, and hotels. People who work at nail salons are usually called nail technicians, manicurists, or nailists.

Nail salons offer a variety of options for nail care, examples of which include acrylics, silk or fiberglass wraps, French manicures, polish, and pedicures. Some nail salons offer one-stop beauty services. In addition to nail services, one-stop nail salons offer facial treatments, waxing, and skin care.

Generally, those working in nail salons are referred to as nail technicians. In some areas throughout the United States, nail technicians must hold formal, state-recognized qualifications in order to be able to work at nail salons. Certifications must come from state board.

## Nail care services

Nail salons offer the following services:

## Wages and working conditions

Nail salon wages and working conditions in New York City, a major center for nail salons in North America, are poor. In May 2015, an investigation by the New York State Department of Labor, which had been tipped off by a *New York Times* investigation, had been productive but was incomplete.

### Working conditions

There is some evidence to suggest that nail salon workers are subjected to potentially unjust, hazardous working conditions. In surveys conducted on Vietnamese-American nail salon workers, many responses suggested that the work environment may cause negative health consequences. According to *Standard 62-1989: Ventilation for Acceptable Indoor Quality* of the American Society for Heating, Refrigeration, Air Conditioning Engineers, adequate supply of outdoor air should be about 20 cubic feet per minute per occupant. This necessitates multiple pathways for air to enter and exit the room. Such pathways include, but are not limited to, windows and doors. The study revealed that one-third of the surveyed nail salons had only one single door for ventilation with no secondary air pathway.

Due to the nature of salon work, many nail technicians are required to wear masks and gloves. Other surveys conducted on similar worker populations revealed that 90% of workers wore masks and 70% wore gloves to work.

#### Chemical exposures

Nail technicians use beauty products like nail polish, nail polish removers, artificial nails, adhesives, and disinfectants throughout the day. Compared to the average individual, they are exposed to the chemical ingredients the products contain on a much higher magnitude. Some of the more potent chemicals are toluene, formaldehyde, ethyl methacrylate (EMA), and dibutyl phthalate (DBP). Organizations and coalitions, such as the National Healthy Nail and Beauty Salon Alliance, address worker rights and exposure concerns faced by nail technicians. These movements provide platforms for conversation regarding occupational safety and health, which is a part of environmental justice.

Some solvents used, such as acetone and ethyl acetate, are very flammable and should not be used near any flame.

#### Ergonomic hazards

The nail salon industry in the United States consists mostly of immigrant-owned small businesses that face not only cultural/linguistic barriers but also workplace hazards such as chemical and challenging work postures. Organizations such as the Occupational Safety and Health Administration (OSHA) have shed light on the risks of working in this industry in recent years with recommended workplace health practices available online. These range from protective factors such as use of masks or improving ventilation to the substitution of certain products. The nail industry is complex with multiple products entering the market.

Much of the current research available focuses on the chemical exposures and toxicological impacts on workers with few studies touching on the concern relating to ergonomics. Nail salon workers often report increased musculoskeletal symptoms such as neck, hand/wrist, lower back, and shoulder pain. Workplace factors can contribute to these symptoms such as poor body mechanics, repetitive movement, and work equipment. The repetitive and prolonged nature of nail salon work can lead to overuse and strain which may result in inflammation related injuries that are self-limiting. There is a lack of consistency in ergonomic training and knowledge of ergonomic hazards varies among workers in this industry. Some workers take pain relievers, practice yoga, stretch, walk/stand between clients, and/or adjust their posture during their work with customers. Other examples which are particular to engineering controls are nonadjustable worktables and the low position of a customer's feet when they sit in the pedicure chair can pose an ergonomic hazard, where the worker has to often bend their neck and hunch back forward.11

## Relevant policies and regulations in the United States

### State level

Enacted in 2005, this senate bill requires the full disclosure of all ingredients of products sold in California to the California Department of Health Services. In addition, if the substances are known to cause cancer or reproductive harm, the products will be subject to investigation by the Division of Environmental and Occupational Disease Control. Enacted in 1986, this proposition requires the state of California to publish a list of chemicals known to cause cancer, birth defects, or other reproductive harm. All California businesses with ten or more employees must also provide "clear and reasonable" warning before exposing any individual to a chemical on the aforementioned list.

### Federal level

Enacted in 1976, this federal act provides the Environmental Protection Agency(EPA) the authority to regulate certain chemical substances. Currently, cosmetics are excluded from regulation under the TSCA but there have been campaign efforts that hope to extend the EPA's regulatory jurisdiction to include cosmetics.