title: Pontypridd (Senedd constituency)

abstract: Pontypridd is a constituency of the Senedd. It elects one Member of the Senedd by the first past the post method of election. It is also one of eight constituencies in the South Wales Central electoral region that elects four additional members, to produce a degree of proportional representation for the region as a whole.

text:
# Pontypridd (Senedd constituency)

**Pontypridd** is a constituency of the Senedd. It elects one Member of the Senedd by the first past the post method of election. It is also one of eight constituencies in the South Wales Central electoral region that elects four additional members (along with eight constituency members), to produce a degree of proportional representation for the region as a whole.

## Boundaries

Map of current boundaries

The constituency was created for the first election to the Assembly, in 1999, with the name and boundaries of the Pontypridd Westminster constituency. It is within the preserved county of Mid Glamorgan.

The other seven constituencies of the region are Cardiff Central, Cardiff North, Cardiff South and Penarth, Cardiff West, Cynon Valley, Rhondda and Vale of Glamorgan.

## Voting

In general elections for the Senedd, each voter has two votes. The first vote may be used to vote for a candidate to become the Member of the Senedd for the voter's constituency, elected by the first past the post system. The second vote may be used to vote for a regional closed party list of candidates. Additional member seats are allocated from the lists by the d'Hondt method, with constituency results being taken into account in the allocation.

## Assembly Members and Members of the Senedd

| Election | | Member | Party | Portrait |
| --- | --- | --- | --- | --- |
|  | 1999 | Jane Davidson | Labour |  |
|  | 2011 | Mick Antoniw | Labour |  |

## Elections

### Elections in the 2020s

2021 Senedd election: Pontypridd
| Party | | Candidate | Constituency | | | Regional | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | Votes | | % | ±% | Votes | % | ±% |
|  | **Labour** | **Mick Antoniw** | **11,511** | **41.8** | **+2.4** | **10,629** | **38.5** | **\+ 3.0** |
|  | Plaid Cymru | Heledd Fychan | 6,183 | 22.4 | +4.0 | 6,572 | 23.8 | +1.6 |
|  | Conservative | Joel James | 5,658 | 20.5 | +5.2 | 5,800 | 21.0 | +7.2 |
|  | Independent | Wayne Owen | 1,678 | 6.1 | *New* |  | | |
|  | Abolish | Michael Hughes | 785 | 2.8 | *New* | 1,093 | 4.0 | -0.4 |
|  | Green | Ken Barker | 655 | 2.4 | +0.4 | 1,102 | 4.0 | +1.4 |
|  | Liberal Democrats | Steven Rajam | 628 | 2.3 | -9.5 | 793 | 2.9 | -2.4 |
|  | Reform UK | Jamie Jenkins | 458 | 1.7 | *New* | 348 | 1.3 | *New* |
|  | UKIP | | | | | 393 | 1.4 | -12.2 |
|  | Propel | | | | | 241 | 0.9 | *New* |
|  | Gwlad | | | | | 201 | 0.7 | *New* |
|  | No More Lockdowns | | | | | 135 | 0.5 | *New* |
|  | Independent Alan Coulthard | | | | | 131 | 0.5 | *New* |
|  | Communist | | | | | 83 | 0.3 | ±0.0 |
|  | Workers Party | | | | | 42 | 0.2 | *New* |
|  | TUSC | | | | | 40 | 0.1 | -0.2 |
| Majority | | | 5,328 | 19.4 | −1.6 |
| Turnout | | | 27,556 |  |  |
|  | Labour **hold** | | Swing |  |  |
| Notes | | | | | | | | |

### Elections in the 2010s

Welsh Assembly Election 2016: Pontypridd
| Party | | Candidate | Constituency | | | Regional | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | Votes | | % | ±% | Votes | % | ±% |
|  | **Labour** | **Mick Antoniw** | **9,986** | **39.4** | **-11.4** | **8,973** | **35.5** | **-9.7** |
|  | Plaid Cymru | Chad Richards | 4,659 | 18.4 | +4.9 | 5,609 | 22.2 | +8.5 |
|  | Conservative | Joel James | 3,884 | 15.3 | -0.4 | 3,488 | 13.8 | -0.4 |
|  | UKIP | Edwin Allen | 3,322 | 13.1 | *New* | 3,437 | 13.6 | +8.6 |
|  | Liberal Democrats | Mike Powell | 2,979 | 11.8 | -6.1 | 1,335 | 5.3 | -5.1 |
|  | Green | Ken Barker | 508 | 2.0 | *New* | 650 | 2.6 | -1.5 |
|  | Abolish | | | | | 1,116 | 4.4 | *New* |
|  | Women's Equality | | | | | 226 | 0.9 | *New* |
|  | Monster Raving Loony | | | | | 162 | 0.6 | -0.1 |
|  | Independent (Jonathan Bishop) | | | | | 119 | 0.5 | *New* |
|  | TUSC | | | | | 76 | 0.3 | -0.1 |
|  | Communist | | | | | 64 | 0.3 | ±0.0 |
|  | Freedom to Choose / Vapers in Power | | | | | 36 | 0.0 | *New* |
| Majority | | | 5,328 | 21.0 | −11.9 |
| Turnout | | | 25,328 |  |  |
|  | Labour **hold** | | Swing |  |  |

Welsh Assembly Election 2011: Pontypridd
| Party | | Candidate | Constituency | | | List | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | Votes | | % | ±% | Votes | % | ±% |
|  | **Labour** | **Mick Antoniw** | **11,864** | **50.8** | **+8.9** | **10,561** | **45.2** | **+7.2** |
|  | Liberal Democrats | Mike Powell | 4,170 | 17.9 | -9.5 | 2,435 | 10.4 | -6.7 |
|  | Conservative | Joel James | 3,659 | 15.7 | +2.8 | 3,313 | 14.2 | +1.7 |
|  | Plaid Cymru | Ioan Bellin | 3,139 | 13.5 | -4.3 | 3,196 | 13.7 | -4.6 |
|  | Independent | Ken Owen | 501 | 2.1 | *New* |
|  | UKIP | | | | | 1,163 | 5.0 | +1.7 |
|  | Green | | | | | 951 | 4.1 | +0.5 |
|  | Socialist Labour | | | | | 637 | 2.7 | +1.7 |
|  | BNP | | | | | 498 | 2.1 | -1.7 |
|  | Welsh Christian | | | | | 249 | 1.1 | ±0.0 |
|  | Monster Raving Loony | | | | | 167 | 0.7 | *New* |
|  | TUSC | | | | | 101 | 0.4 | *New* |
|  | Communist | | | | | 73 | 0.3 | -0.1 |
| Majority | | | 7,694 | 32.9 | *N/A* |
| Turnout | | | 34,431 | 51.9 | +11.0 |
|  | Labour **hold** | | Swing | +9.8 |  |

**Regional ballots rejected at the count:** 147

### Elections in the 2000s

Welsh Assembly Election 2007: Pontypridd
| Party | | Candidate | Constituency | | | Regional | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | Votes | | % | ±% | Votes | % | ±% |
|  | Labour | **Jane Davidson** | **9,836** | **41.9** | -**8.1** | **8,847** | **38.0** | **-8.3** |
|  | Liberal Democrats | Michael Powell | 6,449 | 27.4 | +13.3 | 3,985 | 17.1 | +5.4 |
|  | Plaid Cymru | Richard Grigg | 4,181 | 17.8 | -3.9 | 4,259 | 18.3 | -1.3 |
|  | Conservative | Janice Charles | 3,035 | 12.9 | +2.9 | 2,920 | 12.5 | +1.5 |
|  | BNP | | | | | 878 | 3.8 | *New* |
|  | Green | | | | | 839 | 3.6 | +0.2 |
|  | UKIP | | | | | 768 | 3.3 | -0.8 |
|  | Welsh Christian | | | | | 263 | 1.1 | *New* |
|  | Socialist Labour | | | | | 223 | 1.0 | -1.1 |
|  | Socialist Alternative | | | | | 123 | 0.5 | *New* |
|  | CPA | | | | | 107 | 0.5 | *New* |
|  | Communist | | | | | 104 | 0.4 | ±0.0 |
|  | Respect | | | | | 100 | 0.4 | *New* |
|  | Socialist Equality | | | | | 30 | 0.1 | *New* |
| Majority | | | 3,347 | 14.5 | −14.2 |
| Turnout | | | 23,501 | 40.9 | +2.3 |
|  | Labour **hold** | | Swing |  |  |

Welsh Assembly Election 2003: Pontypridd
| Party | | Candidate | Constituency | | | Regional | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | Votes | | % | ±% | Votes | % | ±% |
|  | **Labour** | **Jane Davidson** | **12,206** | **50.0** | **+11.4** | **11,306** | **46.3** | **+8.7** |
|  | Plaid Cymru | Delme Bowen | 5,286 | 21.7 | −10.6 | 4,783 | 19.6 | -13.1 |
|  | Liberal Democrats | Mike Powell | 3,443 | 14.1 | −3.1 | 2,862 | 11.7 | -3.6 |
|  | Conservative | Jayne Cowan | 2,438 | 10.0 | +1.5 | 2,692 | 11.0 | +2.0 |
|  | UKIP | Peter Gracia | 1,025 | 4.2 | *New* | 999 | 4.1 | *New* |
|  | Green | | | | | 824 | 3.4 | +1.4 |
|  | Socialist Labour | | | | | 538 | 2.2 | +0.8 |
|  | Cymru Annibynnol | | | | | 138 | 0.6 | *New* |
|  | Communist | | | | | 100 | 0.4 | ±0.0 |
|  | Vote No 2 Stop the War | | | | | 70 | 0.3 | *New* |
|  | New Millennium Bean Partyn | | | | | 52 | 0.2 | *New* |
|  | ProLife Alliance | | | | | 47 | 0.2 | *New* |
| Majority | | | 6,920 | 28.3 | +23.0 |
| Turnout | | | 24,398 | 38.6 | −6.8 |
|  | Labour **hold** | | Swing | +11.0 |  |

**2003 Electorate:** 63,204
**Regional ballots rejected:** Not reported

### Elections in the 1990s

Welsh Assembly Election 1999: Pontypridd
| Party | | Candidate | Constituency | | | Regional | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | Votes | | % | ±% | Votes | % | ±% |
|  | **Labour** | **Jane Davidson** | **11,330** | **38.6** | ***N/A*** | **11,093** | **37.6** | ***N/A*** |
|  | Plaid Cymru | Bleddyn W. Hancock | 9,755 | 33.3 | *N/A* | 9,664 | 32.7 | *N/A* |
|  | Liberal Democrats | Gianni Orsi | 5,040 | 17.2 | *N/A* | 4,523 | 15.3 | *N/A* |
|  | Conservative | Susan Ingerfield | 2,485 | 8.5 | *N/A* | 2,669 | 9.0 | *N/A* |
|  | Independent | Paul Phillips | 436 | 1.5 | *N/A* |
|  | Communist | Robert Griffiths | 280 | 1.0 | *N/A* | 121 | 0.4 | *N/A* |
|  | Green | | | | | 600 | 2.0 |  |
|  | Socialist Labour | | | | | 405 | 1.4 |  |
|  | Others | | | | | 464 | 1.6 |  |
| Majority | | | 1,575 | 5.3 | *N/A* |
| Turnout | | | 29,326 | 45.4 | *N/A* |
|  | Labour **win** (new seat) | | | | |

1. Pontypridd Statement of Persons Nominated
2. "Wales elections \> Pontypridd". *BBC News*. 6 May 2011. Retrieved 8 March 2011.
3. National Assembly – 5 May 2016 - South Wales Central
4. "Results and turnout at the 2016 National Assembly for Wales election". *Electoral Commission*. Retrieved 24 November 2021.
5. "Jonathan Bishop". *Who Can I vote for?*. Retrieved 30 July 2021.
6. "National Assembly for Wales Elections: 2011 (Pages 14 & 16, 23 & 24)" (PDF). House of Commons. Retrieved 30 July 2021.
7. "Results and turnout at the 2011 National Assembly for Wales election". *Electoral Commission*. Retrieved 27 November 2021.
8. "2007 Assembly Election Results (updated) July 2007(Page 78 of the PDF / Page 72 of booklet)" (PDF). National Assembly for Wales. Retrieved 1 August 2021.
9. *The National Assembly for Wales elections 2003*. The Electoral Commission. November 2003. pp. 110–115. Retrieved 1 August 2021.
10. *The National Assembly for Wales elections 2003*. The Electoral Commission. November 2003. pp. 110–115. Retrieved 1 August 2021.
11. Pontypridd, Political Science Resources
12. "Vote 99 Wales (Time Stub 24:13)". *YouTube*. BBC News. Retrieved 11 August 2022.

51°36′04″N 3°21′00″W / 51.601°N 3.350°W / 51.601; -3.350

## InfoBox

| Pontypridd | |
| --- | --- |
| Senedd county constituency
for the Senedd | |
|  | |
| Pontypridd shown within the South Wales Central electoral region and the region shown within Wales | |
| Current Senedd county constituency | |
| Created | 1999 |
| Party | Labour |
| MS | Mick Antoniw |
| Preserved county | Mid Glamorgan
South Glamorgan |


title: Ponnur Municipality

abstract: Ponnur Municipality is the local self government in Ponnur, a town in the Indian state of Andhra Pradesh. It is classified as a Grade–II municipality. As the 2011 census of India, the municipality had a population of 59,913, with 16,138 households.

text:
# Ponnur Municipality

**Ponnur Municipality** is the local self government in Ponnur, a town in the Indian state of Andhra Pradesh. It is classified as a *Grade–II* municipality.

As the 2011 census of India, the municipality had a population of 59,913, with 16,138 households.

## History

The municipality was constituted in the year 1964 as *Grade–III* and then got upgraded in the year 1984 as a *Grade–II* municipality.

## Administration

The jurisdictional area of the municipality is spread over an area of 25.64 km2 (9.90 sq mi) with 31 municipal and 16 revenue wards. The *Elected Wing* of the municipality consists of a municipal council, which has elected members and is headed by a Chairperson. Whereas, the *Executive Wing* is headed by a municipal commissioner. The present chairperson of the municipality is *Sajja Hemalatha* and the present commissioner is *M.Ramesh Babu*.

As per the survey conducted in 2014, there exists 60,600 households. In 2014–15, the total income generated by the municipality was ₹ 8.8695 crore and the expenditure spent was ₹ 7.4132 crore.

## Civic works and services

The municipality supplies drinking and irrigation water to the town from the Kommamuru, Poondla and Alwala channels of Krishna Western Delta system. by means of borewells, public taps and water treatment plants. A total of 9 MLD (million liters per day) of drinking water is supplied every day. There are 38.35 km (23.83 mi) of cement concrete roads and 160.80 km (99.92 mi) of drains and 71.05 km (44.15 mi) of storm water drains.

The other infrastructure covers street lights, markets, and burial grounds, and recreational centers like, parks, playgrounds, auditoriums, functional halls and worship centers like temples, mosques and churches. There are both government and private educational institutions from primary to high schools including junior colleges. For public health, the municipality has a Government hospital and many other government and private nursing homes.

## InfoBox

Ponnur Municipality
| పొన్నూరు పురపాలక సంస్థ | |
| --- | --- |
| Formation | 1964 |
| Merger of | Municipal Corporation |
| Type | Governmental organization |
| Legal status | Local government |
| Purpose | Civic administration |
| Headquarters | Ponnur |
| Location |  |
| Official language | Telugu |
| Chairperson | Sajja Hemalatha |
| Commissioner | M.Ramesh Babu |
| Main organ | Committee |
| Website | ponnurmunicipality.com/about-ponnur/ |


title: Polydesmus angustus

abstract: Polydesmus angustus, also known as the flat-backed millipede, is a millipede in the genus Polydesmus native to Western Europe.

text:
# Polydesmus angustus

***Polydesmus angustus***, also known as the **flat-backed millipede**, is a millipede in the genus *Polydesmus* native to Western Europe.

## Description

The flat-backed millipede can be a rather small species of millipede, while typically reaching 24 millimetres (0.94 in), in captivity there have been individuals that reached sixes of up to 50 millimetres (2.0 in) or as small as 18 millimetres (0.71 in), this grand variety has been attributed to the quality of nutrition and humidity. As the name points out, *Polydesmus angustus* is a rather flat millipede, with all 20 segments' chitin extending laterally, an adaptation for digging and camouflaging in leaf litter. They are quite similar to other species in their same genus, *P. coriaceus*, *P. denticulatus* and *P. inconstans*, only being reliably identified by the shape of a male's gonopods or female epigyne.

## Range and habitat

*Polydesmus angustus* is most commonly found in Western Europe, including the British Isles; with some sightings in the East and West of the United States and southern Canada; likely in an invasive capacity.

It's often been believed that the flat-headed millipede prefers a woodland habitat, seen as they can be found in their leaf litter; more recent analysis suggest the species' true preference of heath and moorland environments, due to its tendency towards peat soils and dislike of soils with over 45% clay.

## InfoBox

| *Polydesmus angustus* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Subphylum: | Myriapoda |
| Class: | Diplopoda |
| Order: | Polydesmida |
| Family: | Polydesmidae |
| Genus: | *Polydesmus* |
| Species: | ***P. angustus*** |
| Binomial name | |
| ***Polydesmus angustus***<br>Latzel, 1884 | |
|


title: Polydesmiola meekii

abstract: Polydesmiola meekii is a species of moth of the family Erebidae first described by Thomas Pennington Lucas in 1894. It is found in the Australian states of Queensland and Western Australia.

text:
# Polydesmiola meekii

***Polydesmiola meekii*** is a species of moth of the family Erebidae first described by Thomas Pennington Lucas in 1894. It is found in the Australian states of Queensland and Western Australia.

## InfoBox

| *Polydesmiola meekii* | |
| --- | --- |
|  | |
|  | |
|
| Scientific classification | |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Erebidae |
| Genus: | *Polydesmiola* |
| Species: | ***P. meekii*** |
| Binomial name | |
| ***Polydesmiola meekii***<br>(T. P. Lucas, 1894) | |
|
| Synonyms | |
| * *Agonista meekii* Lucas, 1894 | |


title: Polypogon australis

abstract: Polypogon australis is a species of grass known by the common names Chilean beard grass and Chilean rabbitsfoot grass. It is native to Chile and Argentina. It is also known in parts of the western United States where it is an introduced species and invasive species that grows in moist habitat types such as ditches.

text:
# Polypogon australis

***Polypogon australis*** is a species of grass known by the common names **Chilean beard grass** and **Chilean rabbitsfoot grass**. It is native to Chile and Argentina. It is also known in parts of the western United States where it is an introduced species and invasive species that grows in moist habitat types such as ditches.

## Description

It is a perennial grass producing stems up to a meter tall. The inflorescence is a panicle up to 15 or 16 centimeters long and several centimeters wide. It is fluffy in appearance and sometimes purplish in color due to the long, dark-colored awns.

## InfoBox

| *Polypogon australis* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Monocots |
| *Clade*: | Commelinids |
| Order: | Poales |
| Family: | Poaceae |
| Subfamily: | Pooideae |
| Genus: | *Polypogon* |
| Species: | ***P. australis*** |
| Binomial name | |
| ***Polypogon australis***<br>Brongn. | |
|


title: Polypogon elongatus

abstract: Polypogon elongatus, the streambank rabbitsfoot grass, is a species of flowering plant in the family Poaceae. It is native to the U.S. states of Colorado, Arizona, and Texas, Mexico, Central America, and nearly all of South America, except the Amazon and adjoining tropical areas. A perennial reaching 90 cm (3 ft), it is typically found growing on damp stream banks.

text:
# Polypogon elongatus

***Polypogon elongatus***, the **streambank rabbitsfoot grass**, is a species of flowering plant in the family Poaceae. It is native to the U.S. states of Colorado, Arizona, and Texas, Mexico, Central America, and nearly all of South America, except the Amazon and adjoining tropical areas. A perennial reaching 90 cm (3 ft), it is typically found growing on damp stream banks.

## InfoBox

| *Polypogon elongatus* | |
| --- | --- |
|  | |
| Seedhead | |
|  | |
| Botanical illustration from *Aquatic and Wetland Plants of Southwestern United States* | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Monocots |
| *Clade*: | Commelinids |
| Order: | Poales |
| Family: | Poaceae |
| Subfamily: | Pooideae |
| Genus: | *Polypogon* |
| Species: | ***P. elongatus*** |
| Binomial name | |
| ***Polypogon elongatus***<br>Kunth | |
|
| Synonyms | |
| List * + *Alopecurus elongatus* (Kunth) Poir.     + *Chaetotropis elongata* (Kunth) Björkman     + *Chaetotropis elongata* var. *longearistata* Nicora     + *Chaetotropis imberbis* var. *bonariensis* Nicora     + *Nowodworskya agrostoides* J.Presl     + *Polypogon affinis* Brongn.     + *Polypogon elongatus* var. *longearistatus* (Nicora) Finot     + *Polypogon elongatus* f. *minor* Hack.     + *Polypogon elongatus* var. *strictus* É.Desv.     + *Polypogon inaequalis* Trin.     + *Polypogon mexicanus* Steud.     + *Santia elongata* (Kunth) Parl. ex Webb & Berth.     + *Vilfa acutigluma* Steud. | |


title: Polypogon subspathaceus

abstract: Polypogon maritimus, the Mediterranean rabbitsfoot grass, is a species of annual herb in the family Poaceae. They have a self-supporting growth form. Individuals can grow to 0.17 m.

text:
# Polypogon subspathaceus

***Polypogon maritimus***, the **Mediterranean rabbitsfoot grass**, is a species of annual herb in the family Poaceae (true grasses). They have a self-supporting growth form. Individuals can grow to 0.17 m.

## Sources

This article incorporates text from a free content work. Licensed under CC0 (license statement/permission). Text taken from *Polypogon subspathaceus*. Encyclopedia of Life.

## InfoBox

| *Polypogon subspathaceus* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Monocots |
| *Clade*: | Commelinids |
| Order: | Poales |
| Family: | Poaceae |
| Subfamily: | Pooideae |
| Genus: | *Polypogon* |
| Species: | ***P. subspathaceus*** |
| Binomial name | |
| ***Polypogon subspathaceus***<br>Willd. | |
|
| Synonyms | |
| *Polypogon maritimus* subsp. *subspathaceus* | |


title: Pops CB

abstract: Pops Club de Béisbol was a Spanish baseball club in Lloret de Mar, Catalonia, where there were many descendants of immigrants from Cuba. Its founders were Nasi Brugueras and Alex Colomer from Barcelona, and its sponsor and president was Roque Romero, a stockbroker born in Mendavia, Navarre. Roque Romero remained as president of the Pops club until its demise and for a while also became chairman of the Catalan Baseball Federation. This now defunct baseball club was active during the heyday of baseball in Spain in the 1950s and 1960s. But owing to mass-interest in football, Pops baseball club did not survive into the 1970s and its field was converted into a field for the local football team. Pops won the local Campionat de Catalunya in 1955.

text:
# Pops CB

**Pops Club de Béisbol** (from the Catalan word for "octopuses") was a Spanish baseball club in Lloret de Mar, Catalonia, where there were many descendants of immigrants from Cuba.

Its founders were Nasi Brugueras and Alex Colomer from Barcelona, and its sponsor and president was Roque Romero, a stockbroker born in Mendavia, Navarre. Roque Romero remained as president of the Pops club until its demise and for a while also became chairman of the Catalan Baseball Federation. This now defunct baseball club was active during the heyday of baseball in Spain in the 1950s and 1960s. But owing to mass-interest in football, Pops baseball club did not survive into the 1970s and its field was converted into a field for the local football team.

Pops won the local *Campionat de Catalunya* (Catalan Championship) in 1955.


title: Porcellio longicornis

abstract: Porcellio longicornis is a species of woodlouse. This species was described by Johann Philip Emil Friedrich Stein in 1859. It is found in Bosnia and Herzegovina, Croatia, and Montenegro.

text:
# Porcellio longicornis

***Porcellio longicornis*** is a species of woodlouse. This species was described by Johann Philip Emil Friedrich Stein in 1859. It is found in Bosnia and Herzegovina, Croatia, and Montenegro.

## InfoBox

| *Porcellio longicornis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Malacostraca |
| Order: | Isopoda |
| Suborder: | Oniscidea |
| Family: | Porcellionidae |
| Genus: | *Porcellio* |
| Species: | ***P. longicornis*** |
| Binomial name | |
| ***Porcellio longicornis***<br>Stein, 1859 | |
|


title: Porcellio hoffmannseggii

abstract: Porcellio hoffmannseggii, commonly called the titan isopod, is a species of woodlouse of the genus Porcellio described in 1833. This very large species is native to the southern Iberian Peninsula, Morocco and the Balearic Islands. Porcellio hoffmannseggii should not be confused with Platyarthrus hoffmannseggii, which is also a woodlouse, from the genus Platyarthrus. These two species share the same abbreviated binomial name of P. hoffmannseggii, which is a potential source of confusion. Porcellio hoffmannseggii may be listed with incorrect spelling as Porcellio hoffmannseggi, missing the final 'i'.

text:
# Porcellio hoffmannseggii

***Porcellio hoffmannseggii***, commonly called the **titan isopod**, is a species of woodlouse of the genus *Porcellio* described in 1833. This very large species is native to the southern Iberian Peninsula, Morocco and the Balearic Islands.

*Porcellio hoffmannseggii* should not be confused with *Platyarthrus hoffmannseggii*, which is also a woodlouse, from the genus *Platyarthrus.* These two species share the same abbreviated binomial name of *P. hoffmannseggii*, which is a potential source of confusion. *Porcellio hoffmannseggii* may be listed with incorrect spelling as *Porcellio hoffmannseggi,* missing the final 'i'.

## Appearance and physical characteristics

*Porcellio hoffmannseggii* is considered to be one of the largest terrestrial isopod species, with adults able to grow to be over 1.5 inches (3.8 cm) long. They are typically dark grey or black, with a thin white skirt around the edge of their body. Males of this species have longer uropods than females.

*Porcellio hoffmannseggii* is a species with multiple identified subspecies. There are current 4 identified subspecies, which are as follows:

List of subspecies
| Trinomial designation | Classification author and date | Notes on subspecies |
| --- | --- | --- |
| *Porcellio hoffmannseggii hoffmannseggii* | Brandt, 1833 |  |
| *Porcellio hoffmannseggii nemethi* | Paulian de Felice, 1941 |  |
| *Porcellio hoffmannseggii sordidus* | Budde-Lund, 1885 | Considered to be a subspecies that inhabits the western Balearic Islands. |
| *Porcellio hoffmannseggii tamarisis* | Verhoeff, 1937 |  |

## Behavior and reproduction

*Porcellio hoffmannseggii* does not conglobate like some of their other isopod cousins, commonly called pillbugs. It has been observed to guard their young after birth. The species is known to be very territorial for an isopod, which makes captive culturing more difficult.

## Distribution and habitat

*Porcellio hoffmannseggii* is common in the Oued Laou region of north-eastern Morocco, when compared to the distribution of other isopod species in the country. In addition to southern Spain and northern Morocco, this species is also native to Portugal.

Compared to other *Porcellio* species, this species has been observed to prefer drier environments while kept in captivity.

## InfoBox

| *Porcellio hoffmannseggii* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Malacostraca |
| Order: | Isopoda |
| Suborder: | Oniscidea |
| Family: | Porcellionidae |
| Genus: | *Porcellio* |
| Species: | ***P. hoffmannseggii*** |
| Binomial name | |
| ***Porcellio hoffmannseggii***<br>Brandt, 1833 | |
|


title: Port Clinton, Queensland

abstract: Port Clinton is an estuarine harbour and inlet located on the eastern side of the Warginburra Peninsula of central coastal Queensland. It was previously known as Port Bowen, which was the name given to the harbour by Captain Matthew Flinders in 1802. The title was changed in 1892 to Port Clinton so as to avoid confusion with the port of Bowen approximately 400 km to the north-west.

text:
# Port Clinton, Queensland

**Port Clinton** is an estuarine harbour and inlet located on the eastern side of the Warginburra Peninsula of central coastal Queensland. It was previously known as **Port Bowen**, which was the name given to the harbour by Captain Matthew Flinders in 1802. The title was changed in 1892 to Port Clinton so as to avoid confusion with the port of Bowen approximately 400 km to the north-west.

22°31′S 150°44′E / 22.517°S 150.733°E / -22.517; 150.733


abstract: The 1947 North American Soccer Football League season featured a 30-match schedule from 6 April to 30 August, with all six teams scheduled to play 10 matches each. The champion Detroit Wolverines had dropped out of the league, while both the Detroit Pioneers and St. Louis Raiders were added to the league. The Pittsburgh Indians and Toronto Greenbacks finished tied for first place with 14 points each, thus requiring a two-match playoff to decide a champion. The two matches were played in October, with Pittsburgh winning both matches to claim the championship.

text:
# 1947 North American Soccer Football League season

The 1947 North American Soccer Football League season featured a 30-match schedule from 6 April to 30 August, with all six teams scheduled to play 10 matches each. The champion Detroit Wolverines had dropped out of the league, while both the Detroit Pioneers and St. Louis Raiders were added to the league. The Pittsburgh Indians and Toronto Greenbacks finished tied for first place with 14 points each, thus requiring a two-match playoff to decide a champion. The two matches were played in October (after the Fall Season had started), with Pittsburgh winning both matches to claim the championship.

## League standings

| Team | Pld | W | D | L | GF | GA | GAv | Pts |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Pittsburgh Indians | 10 | 5 | 4 | 1 | 18 | 16 | 1.125 | 14 |
| Toronto Greenbacks | 10 | 6 | 2 | 2 | 26 | 18 | 1.444 | 14 |
| St. Louis Raiders | 10 | 4 | 3 | 3 | 20 | 19 | 1.053 | 11 |
| Chicago Maroons | 10 | 3 | 3 | 4 | 16 | 12 | 1.333 | 9 |
| Detroit Pioneers | 10 | 2 | 3 | 5 | 13 | 21 | 0.619 | 7 |
| Chicago Vikings | 10 | 2 | 1 | 7 | 10 | 17 | 0.588 | 5 |

Source: rsssf.com
Rules for classification: 2pts for win, 1pt for draw.

FINAL: Pittsburgh defeated Toronto 3-2, 3-2.

## InfoBox

North American Soccer Football League
| Season | 1947 |
| --- | --- |
| Dates | 6 April-<br>30 August 1947 |
| Matches played | 30 |
| Goals scored | 103 (3.43 per match) |
| 1946 | |


title: Viola pedatifida

abstract: Viola pedatifida, known variously as prairie violet, crow-foot violet, larkspur violet, purple prairie violet, and coastal violet, is a perennial herbaceous plant in the Violet family (Violaceae). It is native to Canada and the United States.

text:
# Viola pedatifida

***Viola pedatifida***, known variously as **prairie violet**, **crow-foot violet**, **larkspur violet**, **purple prairie violet**, and **coastal violet**, is a perennial herbaceous plant in the Violet family (*Violaceae*). It is native to Canada and the United States.

## Taxonomy

Prairie violet was first formally named in 1831 by the Scottish botanist George Don (1798–1856). The specific epithet *pedatifida* means "palmately divided with cleft segments" in botanical Latin, in reference to the leaves, which look like a bird's foot with the outer toes again parted.

It may hybridize with the common blue violet, *Viola sororia*.

## Description

Prairie violet grows 5–30 cm (2.0–11.8 in) tall with violet flowers and between 2–11 deeply divided leaves. It is an acaulescent violet, meaning it lacks leaves on the flowering stems. The leaves have 5–9 lanceolate to linear lobes, growing up to 7 cm (2.8 in) long and 8 cm (3.1 in) across. Prairie violet flowers between March and June. The flowers are light violet, the lower three petals white near the base, usually with some hairs. It forms ellipsoid capsules in the summer.

## Distribution and habitat

*Viola pedatifida* is native broadly across the central United States and south-central Canada, from Alberta to Ontario, south to Arkansas, west to New Mexico. It has a disjunct distribution in Virginia where it grows in Appalachian shale barrens. Across much of its range, prairie violet grows in dry prairies and other dry, sunny habitats. It is the provincial flower of the Canadian province of New Brunswick.

## InfoBox

| *Viola pedatifida* | |
| --- | --- |
|  | |
| In Waukesha County, Wisconsin | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Rosids |
| Order: | Malpighiales |
| Family: | Violaceae |
| Genus: | *Viola* |
| Species: | ***V. pedatifida*** |
| Binomial name | |
| ***Viola pedatifida***<br>G.Don | |
|
| Synonyms | |
|  | |


title: Michael Begler

abstract: Michael Begler is an American television writer, producer and screenwriter. He is best known for co-creating Cinemax's period medical drama The Knick, and for writing the films Raising Helen (2004), The Shaggy Dog (2006) and Big Miracle (2012), all with writing partner Jack Amiel.

text:
# Michael Begler

**Michael Begler** is an American television writer, producer and screenwriter. He is best known for co-creating Cinemax's period medical drama *The Knick*, and for writing the films *Raising Helen* (2004), *The Shaggy Dog* (2006) and *Big Miracle* (2012), all with writing partner Jack Amiel.

## Early life

Begler was born and raised in Long Island, New York. He attended the University of Wisconsin-Madison, where he majored in English.

He met his future writing partner Jack Amiel while they were in college together and both entered the university's musical-comedy contest, 'Humorology'.

## Career

After college, Begler moved to New York and worked as a PA on *The Cosby Show*. He and Amiel, who was working as a PA in Los Angeles, decided to write together shortly after, and Begler soon joined Amiel in Los Angeles. Their first writing job was on Fox's *Herman's Head*.

Begler worked consistently from that point onwards, writing - with Amiel - on a number of sitcoms, including *Empty Nest*, *Minor Adjustments*, *The Jeff Foxworthy Show*, *The Tony Danza Show* and *Malcolm in the Middle*.

In the mid-2000s, Begler transitioned into writing feature films, penning the scripts for the romantic comedies *The Prince and Me* and Garry Marshall's *Raising Helen*, both released in 2004. In 2006, Begler wrote Disney's *The Shaggy Dog*, starring Tim Allen and Robert Downey Jr.

Begler wrote 2012's Ken Kwapis-directed *Big Miracle* starring Drew Barrymore. Cinemax picked up Begler and Amiel's *The Knick* to series, after they wrote the pilot script on spec. Steven Soderbergh came on board the series as director and executive producer. Begler and Amiel served as co-showrunners and executive producers, and wrote the majority of the series' episodes. The series premiered on August 8, 2014. It was renewed for a second season of 10 episodes, airing October 2015. In April 2021, it was announced that Bagler and Amiel will serve as an executive producers and showrunners for second season of *Perry Mason*. Around the same time, he signed an overall deal with HBO.

## Filmography

**Films**

| Year | Title | Role | Notes |
| --- | --- | --- | --- |
| 2004 | *The Prince and Me* | Screenplay by |  |
| | *Raising Helen* | Screenplay by |  |
| 2006 | *The Shaggy Dog* | Screenplay by |  |
| 2007 | *Hell on Earth* | Written by | TV movie; also Executive Producer |
| 2012 | *Big Miracle* | Screenplay by |  |

**Production staff**

| Year | Show | Role | Notes |
| --- | --- | --- | --- |
| 1996 | *The Jeff Foxworthy Show* | Co-producer |  |
| 1997 | | |  |
| | *The Tony Danza Show* | Producer |  |
| | | 1998 |  |
| 2014 | *The Knick* | Executive Producer, Co-creator |  |
| 2015 | | |  |
| 2020 | *Perry Mason* | Executive Producer, Co-Showrunner (Season 2) |  |

**Writer**

| Year | Show | Season | Episode title | Episode | Notes |
| --- | --- | --- | --- | --- | --- |
| 1994 | *Herman's Head* | 3 | "The Herm from Ipanema" | 17 |  |
| 1995 | *Empty Nest* | 7 | "The Ex-Files" | 19 |  |
| 1996 | *Minor Adjustments* | 1 | "Ask Dr. Ron" | 9 |  |
| | | | "Baba-Doo-Wang" | 14 |  |
| | *The Jeff Foxworthy Show* | 2 | "The Poor Sportsmen of the Apocalypse" | 3 |  |
| | | 1997 | "Feud for Thought" | 11 |  |
| | | "Can't Teach an Old Dog New Tricks" | 12 |  |
| 1998 | *The Wonderful World of Disney* | 1 | "Disneys Animal Kingdom: The First Adventure" | 27 |  |
| | *The Tony Danza Show* | 1 | "C'gar Face" | 6 |  |
| | | "Vision Quest" | 14 |  |
| 2000 | *Malcolm in the Middle* | 1 | "Lois vs. Evil" | 9 |  |
| 2002 | *Greetings from Tucson* | 1 | "My Two Padres" | 2 |  |
| 2003 | | | "Ball and Chain" | 10 |  |
| 2014 | *The Knick* | 1 | "Method and Madness | 1 |  |
| | | | "Mr. Paris Shoes" | 2 |  |
| | | | "The Busy Flea" | 3 |  |
| | | | "Where's the Dignity" | 4 |  |
| | | | "Start Calling Me Dad" | 6 |  |
| | | | "Get the Rope" | 7 |  |
| | | | "Working Late a Lot" | 8 |  |
| | | | "Crutchfield" | 10 |  |
| 2015 | | 2 | "Ten Knots" | 1 |  |
| | | "You're No Rose" | 2 |  |
| | | "The Best with the Best to Get the Best" | 3 |  |
| | | "Wonderful Surprises" | 4 |  |
| | | "Williams and Walker" | 7 |  |
| | | "Do You Remember Moon Flower?" | 9 |  |
| | | "This Is All We Are" | 10 |  |
| 2023 | *Perry Mason* | 2 |  | 1 |  |
|

1. "Interview: The Knick Creators Amiel and Begler". 19 September 2014.
2. "Jack Amiel & Michael Begler Biography". *madeinatlantis.com*. Retrieved 2018-01-08.
3. Travers, Ben (2014-08-06). "'The Knick' Creators on How They Went From Writing Studio Rom-Coms to Steven Soderbergh's New TV Show". *IndieWire*. Retrieved 2018-01-08.
4. hercules. "THE KNICK!!
What Make The Critics Of Steven Soderbergh's THE KNICK??". *Aint It Cool News*. Retrieved 2018-01-08.
5. Foundas, Scott (2004-03-28). "The Prince & Me". *Variety*. Retrieved 2018-01-08.
6. "THE KNICK Showrunners Jack Amiel and Michael Begler on Bringing Their Show to Life | Nerdist". *Nerdist*. 2014-08-07. Retrieved 2018-01-08.
7. "The Shaggy Dog | Film Review | Slant Magazine". *Slant Magazine*. Retrieved 2018-01-08.
8. Fleming, Mike Jr. (2013-05-23). "Steven Soderbergh Will Interrupt Retirement To Direct And Produce Cinemax Series 'The Knick' With Clive Owen Starring". *Deadline*. Retrieved 2018-01-08.
9. "Cinemax Gives Steven Soderbergh's 'The Knick' Early Season 2 Renewal". *The Hollywood Reporter*. Retrieved 2018-01-08.
10. Andreeva, Nellie (April 23, 2021). "Jack Amiel & Michael Begler Ink Big Overall Deal With HBO, Join 'Perry Mason' As Showrunners; Ron Fitzgerald & Rolin Jones Exit". *Deadline Hollywood*. Retrieved April 23, 2021.

## InfoBox

| Michael Begler | |
| --- | --- |
| Born | Long Island, New York |
| Occupation | Television writer, screenwriter, producer, showrunner |
| Nationality | American |
| Alma mater | University of Wisconsin–Madison |
| Notable works |  |


title: Wappoo Creek Bridge

abstract: The Wappoo Creek Bridge is a bridge that connects the cities of Charleston and James Island in South Carolina. No bridge crossed the Wappoo Cut at the present location historically. A private company was chartered in 1896 and began raising funds. In 1898, when the idea of building a bridge was raised, phosphate companies, lumber companies, and towboat companies were aligned against the proposal for fear of its impact on their shipping businesses. A wooden bridge was added over the Wappoo Creek. That first bridge operated as a toll bridge until the privately-owned span was bought by the county in 1918. The county negotiated the price down to $8500 from $12,500, explaining that about $3500 of repairs were needed. The second bridge, opened in 1926, was a 434 foot span of concrete and metal. The earlier bridge had been rendered inadequate by the new developments on James Island including the Charleston County Club. When opened, the bridge was a swing bridge with a roadway 20 feet wide. The 1926 bridge was designed by James L. Parker and was built by the Sanitary and Drainage Commission of Charleston County with the Salmons-Clement Co. as the concrete contractor at a cost of $140,000. The 1926 swing bridge was, like the first bridge, inadequate for the increases in traffic. In 1949, funding was secured for a larger bridge that would not have to been opened as frequently to permit small boats to pass. The replacement span was expected to be about 20 higher than the swing span and was to be built 500 feet westward of the swing bridge to alleviate sharp turns on the approach. Surveying work for the draw bridge began in 1954. The current bridge was named to honor Burnet R. Maybank. The $900,000 bridge opened to traffic on June 12, 1956.

text:
# Wappoo Creek Bridge

The **Wappoo Creek Bridge** is a bridge that connects the cities of Charleston and James Island in South Carolina.

No bridge crossed the Wappoo Cut at the present location historically. A private company was chartered in 1896 and began raising funds. In 1898, when the idea of building a bridge was raised, phosphate companies, lumber companies, and towboat companies were aligned against the proposal for fear of its impact on their shipping businesses.

A wooden bridge was added over the Wappoo Creek. That first bridge operated as a toll bridge until the privately-owned span was bought by the county in 1918. The county negotiated the price down to $8500 from $12,500, explaining that about $3500 of repairs were needed.

The second bridge, opened in 1926, was a 434 foot span of concrete and metal. The earlier bridge had been rendered inadequate by the new developments on James Island including the Charleston County Club. When opened, the bridge was a swing bridge with a roadway 20 feet wide. The 1926 bridge was designed by James L. Parker and was built by the Sanitary and Drainage Commission of Charleston County with the Salmons-Clement Co. as the concrete contractor at a cost of $140,000.

The 1926 swing bridge was, like the first bridge, inadequate for the increases in traffic. In 1949, funding (about $400,000) was secured for a larger bridge that would not have to been opened as frequently to permit small boats to pass. The replacement span was expected to be about 20 higher (30 feet versus 10.5 feet) than the swing span and was to be built 500 feet westward of the swing bridge to alleviate sharp turns on the approach. Surveying work for the draw bridge began in 1954.

The current bridge was named to honor Burnet R. Maybank. The $900,000 bridge opened to traffic on June 12, 1956.

## InfoBox

| Wappoo Creek Bridge | |
| --- | --- |
| The Wappoo Creek Bridge crosses the Wappoo Creek. | |
| Coordinates | 32°45′59″N 79°58′27″W / 32.76639°N 79.97417°W / 32.76639; -79.97417 |
| Carries | SC 171 (Folly Road) |
| Crosses | Wappoo Creek |
| Locale | James IslandCharleston, South Carolina, United States |
| Official name | Burnet R. Maybank Memorial Bridge |
| Maintained by | South Carolina Department of Transportation |
| Characteristics | |
| Design | Draw bridge |
| Clearance above | 30 feet (9.1 m) |
| History | |
| Opened | June 12, 1956 |
| Location | |
|  | |


title: Mizérable (EP)

abstract: "Mizérable" is the debut extended-play or mini album of Japanese singer-songwriter Gackt, released on May 12, 1999, by Nippon Crown. It marked his solo debut, four months after he left Malice Mizer, immediately gaining success reaching second position on the Oricon Albums Chart. All of the album's lyrics were written and music composed and produced by Gackt himself, and so it remained in all his albums. Musically incorporating violin, piano and modern rock instruments, with mixed pop-art rock sound, and recognizable emotional-metaphorical lyrics, the album suggested his future musical expression.

text:
# Mizérable (EP)

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Sputnikmusic |  |

"**Mizérable**" is the debut extended-play or mini album of Japanese singer-songwriter Gackt, released on May 12, 1999, by Nippon Crown. It marked his solo debut, four months after he left Malice Mizer, immediately gaining success reaching second position on the Oricon Albums Chart.

All of the album's lyrics were written and music composed and produced by Gackt himself, and so it remained in all his albums. Musically incorporating violin, piano and modern rock instruments, with mixed pop-art rock sound, and recognizable emotional-metaphorical lyrics, the album suggested his future musical expression.

## Summary

In 1999, the 26-year-old Gackt was living in Tokyo, and trying to set up his solo project. He was joined by his fellow Cains:Feel members, You Kurosaki who became the rhythmic guitarist and violinist and Ren Aoba who became the bassist of his live supporting band, also the other, not-known members. Of them only Masa Shinozaki continued to be part of the support band. In February, Gackt travelled in Los Angeles, U.S. and France, to complete recording and filming. In April, he held his first concerts in 10 months called *Gackt Easter Live - Resurrection*, which was held in the Omiya Arche. It was a small event where he performed the song "Mizerable" live for the first time, as well talked with fans and announced the upcoming national tour.

The song "Mizerable" being the title song from the mini-album, was released one month later. This was first released as a single box containing a mini CD with the song and instrumental track, along VHS of the title song's promotional video and making of. Also nine days later a mini CD single version was released, containing no VHS. Also the song "Story" was re-recorded and released as a single titled "Saikai ~Story~" on August 30, 2000. Both songs were included on the 2004 compilation, *The Sixth Day: Single Collection*.

### Release

The album was released on May 12, 1999, by Nippon Crown. In the fourth counting week of May it reached number two on the Oricon chart, with sales of 163,970 copies. In the upcoming week, it was at number ten respectively, with sales of 28,380 copies. It charted for 12 weeks, and with sales of 252,670 copies, it was the 95th best selling album of the year.

From the album were released two singles, "Mizérable", and a re-recording of "Story" titled "Saikai ~Story~", but is not considered the album's official single. The first single "Mizérable" reached number three on the second counting week of July, with sales of 65,530 copies. In the upcoming week, it was at number fifteen, with sales of 20,230 copies. It charted for 9 weeks, and sold over 116,771 copies. The second single "Saikai ~Story~" reached number seven on the second counting week of September 2000, with sales of 60,510 copies. It charted for 6 weeks, and sold over 91,200 copies.

## Track listing

All lyrics are written by Gackt C.; all music is composed by Gackt C. (except "M-2" with Yohei Shimada)

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Mizérable" | 4:55 |
| 2. | "Story" | 5:38 |
| 3. | "Leeca" | 5:37 |
| 4. | "Lapis ~Prologue~" | 4:02 |

## Album credits

## InfoBox

| Mizérable | |
| --- | --- |
|  | |
| EP by Gackt | |
| Released | May 12, 1999 |
| Recorded | 1999 |
| Studio | (Recording Studio)
NRG Recording
Stagg Street st.
Skip Saylor
Sound Chamber
Groovin'Art st. |
| Genre | Art rock, symphonic rock, progressive rock |
| Length | 20:16 |
| Label | Nippon Crown |
| Producer | Gackt |
| Gackt chronology | |
| ***Mizérable***
(1999) *Mars*
(2000) | |
|  | |
| Singles from  *Mizérable* | |
| 1. "Mizérable"
Released: July 9, 1999 | |
|  | |


title: Minuscule 275

abstract: Minuscule 275, ε 292 (Soden), is a Greek minuscule manuscript of the New Testament, on parchment. Paleographically it has been assigned to the 12th century. It has marginalia.

text:
# Minuscule 275

**Minuscule 275** (in the Gregory-Aland numbering), ε 292 (Soden), is a Greek minuscule manuscript of the New Testament, on parchment. Paleographically it has been assigned to the 12th century. It has marginalia.

## Description

The codex contains the text of the four Gospels on 230 parchment leaves (25.6 cm by 20 cm). The text is written in one column per page, in 24 lines per page.

The text is divided according to the κεφαλαια (*chapters*), whose numbers are given at the margin, and their τιτλοι (*titles of chapters*) at the top. There is also a division according to the Ammonian Sections (in Mark 241 sections, the last in 16:20), with references to the Eusebian Canons (written below Ammonian Section numbers).

It contains Prolegomena, tables of the κεφαλαια (*tables of contents*) before each Gospel, and portions of synaxaria. It uses silver ink.

## Text

The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden included it to the textual family Kx. Aland placed it in Category V.

According to the Claremont Profile Method it represents the textual family Kx in Luke 1 and Luke 20. In Luke 10 no profile was made.

## History

The manuscript was added to the list of New Testament manuscripts by Scholz (1794-1852). It was examined and described by Paulin Martin. C. R. Gregory saw the manuscript in 1885.

The manuscript is currently housed at the Bibliothèque nationale de France (Gr. 80) at Paris.

## Further reading

* Jean-Pierre-Paul Martin, *Description technique des manuscrits grecs, relatif au Nouveau Testament, conservé dans les bibliothèques des Paris* (Paris 1883), p. 65

## InfoBox

Minuscule **275**
| **New Testament manuscript** | |
| --- | --- |
| Text | Gospels |
| Date | 12th century |
| Script | Greek |
| Now at | Bibliothèque nationale de France |
| Size | 25.6 cm by 20 cm |
| Type | Byzantine text-type |
| Category | V |
| Note | Family Kx
marginalia |


title: Vijay Gaur

abstract:
Vijay Gaur is an artist from Varanasi, Uttar Pradesh who comes from a family of idol-makers and he holds national record for painting 3,500 images of Lord Ganesha at Siddhi Vinayak Temple, Mumbai and he painted these images in 51 hours continuously in 2009 His achievement is recorded in Limca Book of Records.
He has produced more than 2 lakhs images or drawings of Ganesha in sketches, oil paintings, collages, stone etc.

text:
# Vijay Gaur

**Vijay Gaur** is an artist from Varanasi, Uttar Pradesh who comes from a family of idol-makers and he holds national record for painting 3,500 images of Lord Ganesha at Siddhi Vinayak Temple, Mumbai and he painted these images in 51 hours continuously in 2009 His achievement is recorded in Limca Book of Records. He has produced more than 2 lakhs images or drawings of Ganesha in sketches, oil paintings, collages, stone etc.

## Kittur Chennamma Statue

He has sculpted statue of Kittur Chennamma, which was installed in the Parliament House complex at New Delhi on 11 September 2007 and unveiled by President of India, Pratibha Patil. The statue measures 13 feet 7 inches in height and 5 feet 2 inches in breadth and weighs four tons and depicts the Rani Chennamma in astride position on a horse.


title: NJ9842

abstract: NJ9842, also called NJ 980420, is the northernmost demarcated point of the India-Pakistan cease fire line in Kashmir known as the Line of Control (LoC). The India–Pakistan AGPL, begins from the NJ9842 on LoC and ends near the Indira Ridge at the trijunction of areas controlled by China, India, and Pakistan.

text:
# NJ9842

300km
200miles NJ9842NJ9842

**NJ9842**, also called **NJ 980420** (in full: NJ 38 98000, 13 42000, yard based Indian Grid Coordinates), is the northernmost demarcated point of the India-Pakistan cease fire line in Kashmir known as the Line of Control (LoC). The India–Pakistan AGPL (Actual Ground Position Line), begins from the NJ9842 on LoC and ends near the Indira Ridge at the trijunction of areas controlled by China, India, and Pakistan.

## Delineation

As part of the Simla Agreement signed on 2 July 1972, prime ministers Indira Gandhi and Zulfikar Ali Bhutto agreed that "the line of control resulting from the ceasefire of 17 December 1971, shall be respected by both sides without prejudice to the recognised position of either side".

In November–December 1972, the military delegations of the two sides met in Suchetgarh to delineate the Line of Control. After delineation, signed maps were exchanged by the two sides and submitted to the respective governments for ratification. Scholar Brian Cloughley remarked that the delineation represented remarkable territorial precision. However, it terminated at the grid reference NJ9842, leaving undelimited roughly 60 to 75 km to the border with China.

## Location

The point NJ9842 is on the Saltoro Mountain Range, at the top of the Chalunka Lungpa valley that runs north from the village of Chalunka. The immediate south of the point is occupied by the Korisa Glacier, the source of the Chalunka Lungpa stream which flows into the Shyok River. To the southeast of NJ9842 is the Urdolep or Waris Glacier, which forms the source of the Waris Lungpa stream.

To the north of the point are the Chulung Glacier, which is the source of the Dansam River (one of the feeder rivers of the Saltoro River), and the Gyong Glacier, which generates a tributary stream called Gyong, all in Pakistan-administered Kashmir.

The prevailing line of control, called the Actual Ground Position Line, runs northeast from NJ9842 for about 10 km, approximately along the water-parting line of the two sets of glaciers. Afterwards, it runs north roughly along the watershed line of the Saltoro ridge, which divides the waters of the tributaries of the Shyok River that flow into Pakistan-administered Kashmir from those that flow into the Nubra river and tributaries in Indian-administered Kashmir.

Even though several authors identify the point Khor of the 1949 cease-fire line with NJ9842, the two points are quite different. Khor is further south, in the grid 39 00000, 13 20000 of Indian grid coordinates, closer to the Shyok River valley. The move up from Khor to NJ9842 in 1972 represented in part the territory gained by India in the Indo-Pakistani War of 1971.

### AGPL

AGPL runs along the Saltoro Mountains Range from Point NJ9842 on the India-Pakistan LoC to near La Yongma Ri, Gyong La, Gyong Kangri, Chumik Kangri, Bilafond La (pass) and nearby Bana Post, Saltoro Kangri, Ghent Kangri, and Sia La to the India–Pakistan–China trijunction northwest of Indira Col West on the Sino-Indian LAC. The peaks and passes under Pakistan's control such as Gayari Camp, Chogolisa, Baltoro Glacier, Conway Saddle, Baltoro Muztagh, and Gasherbrum lie west of the AGPL.

Near the AGPL (Actual Ground Position Line) Borders Conflicts Operations Books * Beyond NJ 9842: The Siachen Saga
* Meghdoot : The Beginning of the Coldest War

Other related topics    1. Deep Pradhan, Indian Grid System, retrieved 21 October 2021.
2. Hussain, Javed (22 April 2012). "The fight for Siachen". The Express Tribune.
3. Kapadia, Harish (1999). *Across Peaks & Passes in Ladakh, Zanskar & East Karakoram*. New Delhi, India: Indus Publishing Company. pp. 94, 185–87. ISBN 81-7387-100-0.
4. "Pakistan: Signing with the Red Chinese". *Time (magazine)*. 15 March 1963. Retrieved 11 January 2020.
5. "Simla Agreement". Ministry of External Affairs, Government of India.
6. "Simla Agreement between India and Pakistan". Embassy of India, Washington, DC. Archived from the original on 11 November 2009. Retrieved 14 November 2009.
7. Krishna Rao, K. V. (1991), *Prepare or Perish: A Study of National Security*, Lancer Publishers, p. 472, ISBN 978-81-7212-001-6
8. Asian Recorder (1990), "Annexure VII: Asian Recorder, 1–7, Jan. 1973 (SUMMARY: Delineation Maps Exchanged with Pakistan)", in Jasjit Singh (ed.), *India and Pakistan: Crisis of Relationship*, Lancer Publishers, pp. 185–189, ISBN 978-81-7062-118-8
9. Cloughley, Brian (2016), *A History of the Pakistan Army: Wars and Insurrections*, Carrel Books, Chapter 10, ISBN 978-1-63144-039-7
10. See, for example, Wirsing, Robert G. (1998), "War or Peace on the Line of Control?", in Clive Schofield (ed.), *Boundary and Territory Briefing, Volume 2, Number 5*, pp. 9–10, ISBN 1-897643-31-4
11. "Manning the Siachen Glacier". Bharat Rakshak Monitor. 2003. Archived from the original on 14 June 2012. Retrieved 27 January 2011.
12. R Baghela and M Nüsserab, 2015, Securing the heights: The vertical dimension of the Siachen conflict between India and Pakistan in the Eastern Karakoram, Political Geography (journal), Volume 48, Pages 24–36.
13. "Manning the Siachen Glacier". Bharat Rakshak Monitor. 2003. Archived from the original on 14 June 2012. Retrieved 27 January 2011.

## Further reading

35°00′30″N 77°00′32″E / 35.008371°N 77.008805°E / 35.008371; 77.008805


title: Yonder Godoy

abstract: Yonder Eduardo Godoy is a Venezuelan racing cyclist, who rides for Venezuelan amateur team Gobernación de Trujillo. He rode in the 2014 Giro d'Italia.

text:
# Yonder Godoy

**Yonder Eduardo Godoy** (born 19 April 1993) is a Venezuelan racing cyclist, who rides for Venezuelan amateur team Gobernación de Trujillo. He rode in the 2014 Giro d'Italia.

## Major results

Source:

2013 National Under-23 Road Championships 1st  Road race 1st  Time trial 3rd  Time trial, Bolivarian Games 10th Overall Okolo Slovenska 2014 1st  Time trial, National Under-23 Road Championships 4th Time trial, South American Games 8th Overall Vuelta a Venezuela 1st Young rider classification 9th Overall Volta de Ciclismo Internacional do Estado de São Paulo 2015 1st  Time trial, National Road Championships 10th Time trial, Pan American Games 2016 2nd Overall Tour of Taihu Lake 6th Coppa Ugo Agostoni 2017 6th Overall Tour of Turkey 2022 10th Overall Clásico RCN 2023 4th Overall Vuelta al Táchira 1st  Points classification 1st Stage 6

### Grand Tour general classification results timeline

| Grand Tour | 2014 |
| --- | --- |
| Giro d'Italia | 76 |
| Tour de France |  |
| Vuelta a España |  |

Legend
|  | Did not compete |
| --- | --- |
| DNF | Did not finish |

## InfoBox

Yonder Godoy
| Personal information | |
| --- | --- |
| Full name | Yonder Eduardo Godoy |
| Born | (1993-04-19) 19 April 1993<br>Portuguesa, Venezuela |
| Height | 1.67 m (5 ft 6 in) |
| Weight | 64 kg (141 lb) |
| Team information | |
| Current team | Gobernación de Trujillo |
| Discipline | Road |
| Role | Rider |
| Amateur teams | |
| 2016 | Fedeindustria–Gobernación de Yaracuy |
| 2022 | Indet Trujillo |
| 2023– | Gobernación de Trujillo |
|  | |
| Professional teams | |
| 2013–2015 | Androni Giocattoli–Venezuela |
| 2016–2017 | Wilier Triestina–Southeast |
| 2019 | Inteja Imca–Ridea |
|  | |
| Major wins | |
| National Time Trial Championships (2015) | |
|  | |


title: Mónika Sánchez

abstract: Mónika Sánchez is a Mexican actress.

text:
# Mónika Sánchez

**Mónika Sánchez** (born **Mónika Analia Sánchez Torre** on 3 December 1974 in Mexico City, Mexico) is a Mexican actress.

## Early life

Sánchez was born on 3 December 1974 in Mexico City. She is the daughter of Mexican writer and poet, Fernando Sánchez-Mayans and Angela Torre.

Moreover, she started acting and modeling at the Miami Community College and The Play House. This was when she realized that her main focus would be acting, so she then enrolled in the "Taller Artistico de Sergio Jimenez" at Televisa in Mexico City. Finally, Sánchez auditioned to be part of the CEA (Centro Educativo Artístico de Televisa), and began studying acting, TV techniques, theater, literature, English, dance, singing, culture, and many other arts. She began her career by doing castings, looking for opportunities, searching for producers and meeting them, and attending events where she could meet important people that could contribute to her future career as an actress.

## Career

Sánchez debuted in the 1992 telenovela *Ángeles sin paraíso* where she had a small participation. Then other opportunities followed: *Buscando el paraíso*, *Corazón Salvaje*, *Caminos cruzados*, *Alondra*, *Lazos de Amor*, *Morir dos veces* and *Tú y yo*. Sánchez starred as an antagonist in the telenovela *Pueblo chico, infierno grande*. The popularity of Sánchez for viewers, grew fast; and soon she was one of the most admired female antagonist in Mexíco. The mixture of sweetness and seduction that had not been seen before in a female antagonist, made her performances special and well-liked by viewers. She continued with great success again in antagonist roles in telenovelas: *El diario de Daniela* and *Laberintos de pasión*.

In 2000, TVyNovelas Awards recognized her as the Best Female Antagonist of the Year 2000 for her excellent work. In 2001, Sánchez played in the telenovela *Salomé* in the role of a fragile woman who dies for love. In 2003, she played in the telenovela *La Otra*; and 2004, *Apuesta por un amor* as the main antagonist and again in "La mariposa", that gave her another nomination as Best Female Antagonist of the Year 2005 in TVyNovelas Αwards, and followed two other appearances in the telenovela *Amar sin límites* in 2006 and *Al diablo con los guapos* in 2007.

After an absence in telenovelas for 4 years, she reappeared in *Amores Verdaderos*, produced by Nicandro Diaz Gonzalez, in the role of Cristina Balvanera Corona de Arriaga, with Eduardo Yáñez, Erika Buenfil, Sebastian Rulli and Marjorie de Sousa. In 2013, Sanchez had a special appearance in the telenovela *Libre para amarte* with singer Gloria Trevi, Gabriel Soto, and Eduardo Santamarina. In 2014 she played Gisela Cienfuegos in the telenovela *La gata*. Later in 2016-2017 she played Viridrina Betancourt in Tres veces Ana.

## Personal life

Sánchez in September 2008 she married the Venezuelan businessman Otto Seijas. They have three children: Santiago (born 2009), Angela Fernanda (born November 11, 2011) and Monika Constanza (born November 17, 2013).

## Filmography

| Television | | | | |
| --- | --- | --- | --- | --- |
| Year | Title | Role | Notes |
| 1992-93 | *Ángeles sin paraíso* | Andrea | Supporting Role |
| 1993-94 | *Buscando el paraíso* |  | Supporting Role |
| | *Corazón Salvaje* | Rosa | Supporting Role |
| 1995 | *Caminos cruzados* | Lucía | Supporting Role |
| | *Alondra* | Enriqueta | Supporting Role |
| 1995-96 | *Lazos de Amor* | Diana | Supporting Role |
| 1996 | *Morir dos veces* | Minerva | Supporting Role |
| 1996-97 | *Tú y yo* | Martha | Antagonist |
| 1997 | *Pueblo chico, infierno grande* | Indalecia Navas | Antagonist |
| 1997-06 | *Mujer, casos de la vida real* |  | 12 Episodes |
| 1998-1999 | *El diario de Daniela* | Elena Ruiz | Main Antagonist |
| 1999-2000 | *Laberintos de pasión* | Nadia Román Valencia | Main Antagonist |
| 2001 | *La Hora Pico (LHP)* | Invited | 1 Episode |
| 2001-02 | *Salomé* | Ángela Duval de Montesino | Special Appearance |
| 2002 | *La Otra* | Regina Salazar | Supporting Role |
| 2002 | *Acapulco 2002* |  |  |
| 2004-05 | *Apuesta por un amor* | Eva Flores "La Mariposa" | Antagonist |
| 2006-07 | *Amar sin límites* | Silvana Lombardo | Antagonist |
| 2007-13 | *La rosa de Guadalupe* |  | 1 Episode |
| 2007-08 | *Al diablo con los guapos* | Rosario Ramos #1 | Supporting Role |
| 2009 | *Mujeres Asesinas 2* | Eva Cárdenas | Episode "Laura, confundida" |
| 2012-13 | *Amores Verdaderos* | Cristina Corona de Arriaga / Cristina Balvanera Corona de Arriaga | Supporting Role |
| 2013-14 | *Libre para amarte* | Zamira | Special Appearance |
| 2014 | *Como dice el dicho* | Rose | Episode "Una sola mano no aplaude" |
| 2014 | *La gata* | Gisela Cienfuegos | Antagonist |
| 2016-17 | *Tres Veces Ana* | Viridiana Betancourt | Supporting Role |
| 2018 | *Eduacando a Nina* | Paz Echegaray | Guest Star |
| 2022-23 | *Mi camino es amarte* | Amparo Santos de Hernández | Supporting Role |

## Theater

| Theater | |
| --- | --- |
| Year |
| *Mi quinto amor* |
| *Los signos del zodíaco* |
| *Eloísa bajo el almendro* |
| *Bajo las sábanas* |
| *El precio de la fama* |
| *Mujeres frente al espejo* |
| *Me enamoré de una bruja* |
| *Las Alas del Pez* |

## Awards and nominations

| Year | Award | Category | Telenovela | Result |
| --- | --- | --- | --- | --- |
| 2000 | Premios TVyNovelas | Best Female Antagonist | *Laberintos de pasión* | Won |
| 2005 | | | *Apuesta por un amor* | Nominated |

* Female Revelation Theatrical Journalists Association
* Revelation Youth Award 2001
* Mar Cruz Olivier Award

## InfoBox

| Mónika Sánchez | |
| --- | --- |
| Born | Mónika Analia Sánchez Torre
(1974-12-03) 3 December 1974
Mexico City, Mexico |
| Occupation | Actress |
| Years active | 1992–present |
| Spouse | Otto Seijas (m. 2008) |
| Children | 3 |
| Parent(s) | Fernando Sánchez-Mayans
Angela Torre |
| Website | Official Website |


abstract: You Can't Do That on Stage Anymore, Vol. 2 is a live album by Frank Zappa. Despite the subtitle 'The Helsinki Concert', the album is not one complete concert, but was, in fact, assembled from two different concerts performed in Helsinki in 1974. The working title for this album was The Helsinki Tapes, a title more accurately reflecting the fact that the album was composed of performances from more than one show. It is the only album of the series You Can't Do That on Stage Anymore that includes only one Frank Zappa Band, and only one location of concert. All other albums mix different bands and different time periods in the stage career of Frank Zappa. The track listing is similar to that of Roxy & Elsewhere (1974), as are the core band personnel. The performance includes a double-speed version of "Village of the Sun", sandwiched between a later version of "RDNZL", the first being recorded in 1972, and "Echidna's Arf", and "Montana", in which Zappa alters the lyrics of "Montana" in response to a request from an audience member for the Allman Brothers song "Whipping Post". The guitar solo in the One Size Fits All (1975) version of "Inca Roads" is an edited extract of the solo presented here.

text:
# You Can't Do That on Stage Anymore, Vol. 2

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic |  |

***You Can't Do That on Stage Anymore, Vol. 2*** is a live album by Frank Zappa. Despite the subtitle 'The Helsinki Concert', the album is not one complete concert, but was, in fact, assembled from two (and possibly three) different concerts performed in Helsinki in 1974. The working title for this album was *The Helsinki Tapes*, a title more accurately reflecting the fact that the album was composed of performances from more than one show. It is the only album of the series *You Can't Do That on Stage Anymore* that includes only one Frank Zappa Band, and only one location of concert. All other albums mix different bands and different time periods in the stage career of Frank Zappa.

The track listing is similar to that of *Roxy & Elsewhere* (1974), as are the core band personnel. The performance includes a double-speed version of "Village of the Sun", sandwiched between a later version of "RDNZL", the first being recorded in 1972, and "Echidna's Arf (Of You)", and "Montana (Whipping Floss)", in which Zappa alters the lyrics of "Montana" in response to a request from an audience member for the Allman Brothers song "Whipping Post". (Zappa would later add "Whipping Post" to his band's repertoire in response to this request.) The guitar solo in the *One Size Fits All* (1975) version of "Inca Roads" is an edited extract of the solo presented here.

## Track listing

All songs written, composed and arranged by Frank Zappa, except where noted.

Compact disc

Disc one
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Tush Tush Tush (A Token of My Extreme)" | 2:48 |
| 2. | "Stinkfoot" | 4:18 |
| 3. | "Inca Roads" | 10:54 |
| 4. | "RDNZL" | 8:43 |
| 5. | "Village of the Sun" | 4:33 |
| 6. | "Echidna's Arf (Of You)" | 3:30 |
| 7. | "Don't You Ever Wash That Thing?" | 4:56 |
| 8. | "Pygmy Twylyte" | 8:22 |
| 9. | "Room Service" | 6:22 |
| 10. | "The Idiot Bastard Son" | 2:39 |
| 11. | "Cheepnis" | 4:29 |

Disc two
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Approximate" | 8:11 |
| 2. | "Dupree's Paradise" | 23:59 |
| 3. | "Satumaa (Finnish Tango)" (Unto Mononen) | 3:51 |
| 4. | "T'Mershi Duween" | 1:31 |
| 5. | "The Dog Breath Variations" | 1:38 |
| 6. | "Uncle Meat" | 2:28 |
| 7. | "Building a Girl" | 1:00 |
| 8. | "Montana (Whipping Floss)" | 10:15 |
| 9. | "Big Swifty" | 2:17 |

Vinyl

Side A
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Tush Tush Tush (A Token of My Extreme)" | 2:48 |
| 2. | "Stinkfoot" | 4:18 |
| 3. | "Inca Roads" | 10:54 |
| Total length: | | 18:46 |

Side B
| No. | Title | Length |
| --- | --- | --- |
| 4. | "RDNZL" | 8:43 |
| 5. | "Village of the Sun" | 4:33 |
| 6. | "Echidna's Arf (Of You)" | 3:30 |
| 7. | "Don't You Ever Wash That Thing?" | 4:56 |
| Total length: | | 22:19 |

Side C
| No. | Title | Length |
| --- | --- | --- |
| 8. | "Pygmy Twylyte" | 8:22 |
| 9. | "Room Service" | 6:22 |
| 10. | "The Idiot Bastard Son" | 2:39 |
| 11. | "Cheepnis" | 4:29 |
| Total length: | | 22:56 |

Side D
| No. | Title | Length |
| --- | --- | --- |
| 12. | "Approximate" | 8:11 |
| 13. | "Dupree's Paradise {Part 1)" | 9:57 |
| Total length: | | 18:39 |

Side E
| No. | Title | Length |
| --- | --- | --- |
| 14. | "Dupree's Paradise (Part 2)" | 14:37 |
| 15. | "Satumaa (Finnish Tango)" (Unto Mononen) | 3:51 |
| Total length: | | 18:56 |

Side F
| No. | Title | Length |
| --- | --- | --- |
| 16. | "T'Mershi Duween" | 1:31 |
| 17. | "The Dog Breath Variations" | 1:38 |
| 18. | "Uncle Meat" | 2:28 |
| 19. | "Building a Girl" | 1:00 |
| 20. | "Montana (Whipping Floss)" | 10:15 |
| 21. | "Big Swifty" | 2:17 |
| Total length: | | 20:06 |

## Personnel

## InfoBox

| You Can't Do That on Stage Anymore, Vol. 2 | |
| --- | --- |
|  | |
| Live album by Frank Zappa | |
| Released | October 25, 1988 |
| Recorded | September 22–23, 1974 |
| Venue | Kulttuuritalo (Helsinki, Finland) |
| Genre |  |
| Length | 116:42 |
| Label | Rykodisc |
| Producer | Frank Zappa |
| Frank Zappa chronology | |
| *You Can't Do That on Stage Anymore, Vol. 1*
(1988) ***You Can't Do That on Stage Anymore, Vol. 2***
(1988) *Broadway the Hard Way*
(1988) | |


title: You Can't Count On Me

abstract: "You Can't Count On Me" is the second single and lead commercial single released by Counting Crows from their album Saturday Nights & Sunday Mornings.

text:
# You Can't Count On Me

"**You Can't Count On Me**" is the second single and lead commercial single released by Counting Crows from their album *Saturday Nights & Sunday Mornings*.

## Critical reception

Billboard magazine gave the single three-and-a-half stars, calling it "a pleasant surprise" and saying "Duritz's vocals are still more whiny than soulful, but he can deliver a lyrical twist like he's holding an ice pick."

"You Can't Count On Me," was released to radio stations on February 4, 2008. A music video for the song was released on March 20, 2008. To promote the album, the band performed on *Private Sessions*, *Good Morning America*, *Late Show with David Letterman*, *The View* and *The Late Late Show with Craig Ferguson*.

Frontman Adam Duritz has stated in concert that the song is about "people mistaking you for a dependable guy".

## Charts

| Chart (2008) | Peak
Position |
| --- | --- |
| U.S. *Billboard* Adult Alternative Songs | 1 |
| U.S. *Billboard* Adult Top 40 | 35 |
| U.S. *Billboard* Pop 100 | 80 |
|

## InfoBox

| "You Can't Count On Me" | |
| --- | --- |
|  | |
| Single by Counting Crows | |
| from the album  *Saturday Nights & Sunday Mornings* | |
| Released | March 25, 2008 |
| Genre | Rock |
| Label | Geffen |
| Songwriter(s) | Jim Bogios, David Bryson, Adam Duritz, Charlie Gillingham, Millard Powers, Dan Vickrey |
| Producer(s) | Brian Deck |
| Counting Crows singles chronology | |
| "1492"
(2008) "**You Can't Count On Me**"
(2008) "Come Around"
(2008) | |


title: Yoon Suk-min (infielder)

abstract: Yoon Suk-min is a South Korean infielder who plays for the SK Wyverns in the Korea Baseball Organization. On November 21, 2019, he moved to a 1:1 trade with Huh Do-hwan, then a member of the SK Wyverns.

text:
# Yoon Suk-min (infielder)

**Yoon Suk-min** (Korean: 윤석민; born September 4, 1985) is a South Korean infielder who plays for the SK Wyverns in the Korea Baseball Organization.

On November 21, 2019, he moved to a 1:1 trade with Huh Do-hwan, then a member of the SK Wyverns.

## InfoBox

| Yoon Suk-min | |
| --- | --- |
| SK Wyverns – No. -- | |
| **Infielder** | |
| **Born:**  (1985-09-04) September 4, 1985
Guri, Gyeonggi, South Korea | |
| **Bats:** Right**Throws:** Right | |
| KBO debut | |
| September 1, 2004, for the Doosan Bears | |
| KBO statistics
(through August 1, 2019) | |
| Batting average | .289 |
| Home runs | 100 |
| Runs batted in | 454 |
|  | |
| Teams | |
|  | |


title: Yoshihiro Suzuki

abstract: Yoshihiro Suzuki is a retired Japanese professional baseball pitcher. He played for the Chunichi Dragons in Japan's Nippon Professional Baseball for the entirety of his career. Since 2015, he has been employed as the Dragons scorer.

text:
# Yoshihiro Suzuki

**Yoshihiro Suzuki** (鈴木 義広, born January 5, 1983, in Mannō, Kagawa Prefecture) is a retired Japanese professional baseball pitcher. He played for the Chunichi Dragons in Japan's Nippon Professional Baseball for the entirety of his career.

Since 2015, he has been employed as the Dragons scorer.

## InfoBox

| Yoshihiro Suzuki | |
| --- | --- |
|  | |
| **Pitcher** | |
| **Born:**  (1983-01-05) January 5, 1983 | |
| **Bats:** Right**Throws:** Right | |
| NPB debut | |
| 2005, for the Chunichi Dragons | |
| NPB statistics <br>(through 2014) | |
| Win–loss record | 10–6 |
| ERA | 2.73 |
| Holds | 41 |
| Strikeouts | 194 |
|  | |
| Teams | |
|  | |


title: York City War Memorial

abstract: The York City War Memorial is a First World War memorial designed by Sir Edwin Lutyens and located in York in the north of England. Proposals for commemorating York's war dead originated in 1919 but proved controversial. Initial discussions focused on whether a memorial should be a monument or should take on some utilitarian purpose. Several functional proposals were examined until a public meeting in January 1920 opted for a monument. The city engineer produced a cost estimate and the war memorial committee engaged Lutyens, who had recently been commissioned by the North Eastern Railway (NER) to design their own war memorial, also to be sited in York. Lutyens' first design was approved, but controversy enveloped proposals for both the city's and the NER's memorials. Members of the local community became concerned that the memorials as planned were not in keeping with York's existing architecture, especially as both were in close proximity to the ancient city walls, and that the NER's memorial would overshadow the city's. Continued public opposition forced the committee to abandon the proposed site in favour of one on Leeman Road, just outside the walls, and Lutyens submitted a new design of a War Cross and Stone of Remembrance to fit the location. This was scaled back to the cross alone due to lack of funds. Prince Albert, Duke of York, unveiled the memorial on 25 June 1925, six years after the memorial fund was opened. It consists of a stone cross 33 feet high on three stone blocks and a stone base, beneath which are two further blocks and two shallow steps. It sits in a memorial garden, with an entrance designed by Lutyens using the remaining funds for the memorial. The memorial itself is a grade II* listed building, having been upgraded when Lutyens' war memorials were designated a national collection in 2015. The piers and gate at the entrance to the garden are listed separately at grade II.

text:
# York City War Memorial

The **York City War Memorial** is a First World War memorial designed by Sir Edwin Lutyens and located in York in the north of England. Proposals for commemorating York's war dead originated in 1919 but proved controversial. Initial discussions focused on whether a memorial should be a monument or should take on some utilitarian purpose. Several functional proposals were examined until a public meeting in January 1920 opted for a monument. The city engineer produced a cost estimate and the war memorial committee engaged Lutyens, who had recently been commissioned by the North Eastern Railway (NER) to design their own war memorial, also to be sited in York.

Lutyens' first design was approved, but controversy enveloped proposals for both the city's and the NER's memorials. Members of the local community became concerned that the memorials as planned were not in keeping with York's existing architecture, especially as both were in close proximity to the ancient city walls, and that the NER's memorial would overshadow the city's. Continued public opposition forced the committee to abandon the proposed site in favour of one on Leeman Road, just outside the walls, and Lutyens submitted a new design of a War Cross and Stone of Remembrance to fit the location. This was scaled back to the cross alone due to lack of funds.

Prince Albert, Duke of York (later King George VI), unveiled the memorial on 25 June 1925, six years after the memorial fund was opened. It consists of a stone cross 33 feet (10 metres) high on three stone blocks and a stone base, beneath which are two further blocks and two shallow steps. It sits in a memorial garden, with an entrance designed by Lutyens using the remaining funds for the memorial. The memorial itself is a grade II\* listed building, having been upgraded when Lutyens' war memorials were designated a national collection in 2015. The piers and gate at the entrance to the garden are listed separately at grade II.

## Background

In the aftermath of the First World War, which saw over one million British deaths, thousands of war memorials were built across Britain. Amongst the most prominent designers of memorials was architect Sir Edwin Lutyens, described by Historic England as "the leading English architect of his generation". Lutyens designed The Cenotaph in London, which became the focus for the national Remembrance Sunday commemorations; the Thiepval Memorial to the Missing, the largest British war memorial anywhere in the world; and the Stone of Remembrance, which appears in all large Commonwealth War Graves Commission cemeteries and in several of Lutyens' civic memorials. The York City Memorial was the fifteenth and final War Cross designed by Lutyens, all to a broadly similar design. Most were commissioned for villages—the Devon County War Memorial in Exeter is the only other example of a War Cross serving as a civic memorial in a city.

Proposals for a war memorial in York were mired in controversy from the outset. A war memorial committee was established after a council meeting in May 1919 and the committee opened a memorial fund for donations in August, but six years elapsed before the City War Memorial was unveiled. The first point of contention was one that arose in many communities when considering a war memorial. Some felt that the war dead should be commemorated through a building with some community purpose rather than a purely decorative monument. Multiple ideas were put forward and the council tasked the war memorial committee with considering several proposals, including a new city hall and a convalescent home. The committee generated several ideas of its own including a new bridge over the River Ouse, homes for war widows, a maternity hospital, and several ideas for an educational institution. A series of public meetings produced still further ideas until a meeting on 14 January 1920, where a consensus was established in favour of a monument rather than any utilitarian proposal.

The committee requested that the city engineer produce a design for a memorial garden with an archway and a cenotaph. The city engineer reported back with a design which he estimated would cost around £7,000 and the war memorial committee appointed Lutyens to oversee the project. Lutyens had recently been commissioned to design a memorial for the North Eastern Railway Company (NER) which was based in York and planned to erect its own memorial in the city dedicated to those of its staff who fought and died in the war.

## Inception

The committee gave Lutyens a budget of £2,000 (1920). The architect visited York on 12 August 1920. Accompanied by the lord mayor and the city engineer, he reviewed nine potential sites for the memorial. His preference was for a former cholera burial ground just outside the city walls, but the committee opted for his second choice of a site inside the walls in the moat by Lendal Bridge, 100 yards (90 metres) from the proposed location for the NER's memorial. The committee asked Lutyens to submit a formal proposal, which they received eleven weeks later. The design consisted of Lutyens' Stone of Remembrance, complete with its characteristic base of three shallow steps, raised on a large podium taking it 18 feet (5.5 metres) off the ground. It was the only design for the Stone of Remembrance to treat it as an object of veneration—in all of Lutyens' other designs for the stone it functioned as an altar, albeit more symbolic than practical—and one of the most ambitious of all his war memorial projects. The committee endorsed the proposal on 24 June 1920, after which it was published in the local newspapers as part of a public consultation. It was eventually approved at a further public meeting on 25 November 1920.

Nonetheless, objections were raised after the approval. The York Archaeological Society (YAS) and the Yorkshire Architectural and York Archaeological Society (YAYAS) felt that the scheme was not in keeping with the existing architecture in the area, particularly York's ancient city walls, and that it would obstruct views for pedestrians coming into the city from the railway station. Other members of the community, including a local councillor, were concerned that the city's memorial in its proposed location would be overshadowed by the railway company's, given that the NER had granted Lutyens a budget of £20,000—ten times that allocated by the city—for which he had proposed a 54-foot (16-metre) obelisk and large screen wall. Given the proximity to the city walls (Lutyens' initial proposal for the NER abutted the walls) both the city's scheme and the NER's required the consent of the Ancient Monuments Board (later English Heritage and then Historic England). Charles Reed Peers, the board's chief inspector of ancient monuments, attended a meeting at the NER's offices on 8 July 1922 to hear representations for and against both schemes. He requested Lutyens make modification to the NER's memorial, but approved the city's, noting that the proposed site was not part of the walls' rampart and had been created when Lendal Bridge was built in the mid 19th century.

Public opposition to the proposed site mounted, even after the Ancient Monuments Board's approval, and the YAYAS continued to apply pressure, calling another public meeting—which it scheduled for 3 May 1923—forcing the war memorial committee to reconsider. The committee revisited a site on Leeman Road, outside the city walls, which had originally been proposed in 1921. Lutyens sent his assistant Albert J Thomas (an architect in his own right) to examine the site on 8 August 1923 and all parties agreed to it. By coincidence, the site was owned by the NER, which donated it to the city in a mark of gratitude for the good relations between the company and the city, the NER having recently been amalgamated into the London and North Eastern Railway. Lutyens submitted a revised design to account for the new location—a War Cross and a Stone of Remembrance—which would have cost almost £2,500. The scheme was scaled back to just the cross and the council undertook to conduct the work using its own staff in order to keep within the £1,100 that had been raised by public subscription.

## History and design

The memorial was unveiled a year after the North Eastern Railway War Memorial, at a ceremony on 25 June 1925, which was attended by large crowds. Prince Albert, the Duke of York (later King George VI), performed the unveiling and the Archbishop of York Cosmo Gordon Lang gave a dedication. The Duchess of York had earlier that day unveiled the Five Sisters window in York Minster, dedicated to "women of the Empire" killed in the First World War.

Of Portland stone construction, the memorial is in the form of a 33-foot (10-metre) high, lozenge-shaped shaft with short, chamfered arms, moulded where they meet the shaft to form a cross. The cross stands on a base of four uneven rectangular blocks, below which is an undercut square platform, which itself stands on two square blocks. At the very bottom are two wide, shallow steps. The largest block of the base bears the only inscription on the memorial: "TO THE CITIZENS OF YORK 1914 – 1918, 1939 – 1945" on the south face, and "THEIR NAME LIVETH FOR EVERMORE" on the north; the dates of the Second World War were added later. As a memento, a bottle, several coins, and a newspaper were placed inside the structure. The memorial stands in a war memorial garden on the south bank of the River Ouse; it overlooks the river and the ruins of St Mary's Abbey on the opposite bank.

When the accounts were reconciled in April 1926, there remained £400 in the memorial fund after Lutyens' fee of £122 and expenses of £20, so the committee commissioned Lutyens to design a set of entrance gates and a pair of supporting piers at the entrance to the memorial garden. The tall, rectangular piers are of limestone construction with cornices and finials in the shape of balls. The gates themselves are iron, painted black and gold, with iron panels linking them to the piers and an overthrow above, in the centre of which is the City of York's coat of arms. The gates open towards the memorial and are aligned with it. To wind up the memorial fund, the committee spent the remaining £17 on three wooden benches for the memorial garden.

The York City War Memorial was designated a grade II listed building (a status which offers statutory protection from demolition or modification, applied to structures of "special interest, warranting every effort to preserve them") on 10 September 1970 and the gates and piers were separately listed at grade II on 24 June 1983. The nearby NER memorial, just the other side of the city walls, was listed at grade II\* (defined as "particularly important buildings of more than special interest" and applied to about 5.5% of listed buildings) on 10 September 1970. In November 2015, as part of commemorations for the centenary of the First World War, Lutyens' war memorials were recognised as a national collection and all of his free-standing memorials in England were listed or had their listing status reviewed; their National Heritage List for England list entries were also updated and expanded. As part of this process, the York City memorial was upgraded from grade II to grade II\*.

**Bibliography**

* Burnham, Karyn (2014). *York in the Great War*. Barnsley: Pen and Sword Books. ISBN 9781783376094.
* Pevsner, Nikolaus; Neave, David (1995). *The Buildings of England: York and the East Rising*. New Haven, Connecticut: Yale University Press. ISBN 9780300095937.
* Skelton, Tim; Gliddon, Gerald (2008). *Lutyens and the Great War*. London: Frances Lincoln Publishers. ISBN 9780711228788.

**Citations**

## InfoBox

| York City War Memorial | |
| --- | --- |
| United Kingdom | |
|  | |
| For servicemen from York killed in the First World War | |
| Unveiled | 1925 |
| Location | 53°57′35.7″N 01°05′22.4″W / 53.959917°N 1.089556°W / 53.959917; -1.089556<br>Leeman Road, York, England |
| Designed by | Sir Edwin Lutyens |
|  | |
| Listed Building – Grade II\* | |
| Official name | York City War Memorial in the War Memorial Garden |
| Designated | 10 September 1970 |
| Reference no. | 1257512 |
|  | |
|  | |


title: NGC 1847

abstract: NGC 1847 is a young, massive star cluster in the bar of the Large Magellanic Cloud in the constellation Dorado. It was discovered in 1835 by John Herschel with an 18.7-inch reflecting telescope.

text:
# NGC 1847

**NGC 1847** is a young, massive star cluster in the bar of the Large Magellanic Cloud in the constellation Dorado. It was discovered in 1835 by John Herschel with an 18.7-inch reflecting telescope.

* Media related to NGC 1847 at Wikimedia Commons

## InfoBox

| NGC 1847 | |
| --- | --- |
| Hubble Space Telescope photograph of NGC 1847 | |
| Observation data (J2000.0 epoch) | |
| Right ascension | 05h 07m 8.2s |
| Declination | −68° 58 17 |
| Apparent magnitude (V) | 12.4 |
| Physical characteristics | |
| Associations | |
| Constellation | Dorado |
|


title: NGC 1820

abstract: NGC 1820 is an open cluster in the Dorado constellation. It is located within the Large Magellanic Cloud. It has a magnitude of 9.0 and was discovered by John Herschel on 2 January 1837.

text:
# NGC 1820

**NGC 1820** (also known as **ESO 85-SC39**) is an open cluster in the Dorado constellation. It is located within the Large Magellanic Cloud. It has a magnitude of 9.0 and was discovered by John Herschel on 2 January 1837.

## InfoBox

| NGC 1820 | |
| --- | --- |
| NGC 1820 with NGC 1816 north-east of it and NGC 1814 south-east of the open cluster | |
| Observation data (J2000 epoch) | |
| Right ascension | 05h 04m 06.0s |
| Declination | −67° 16 42 |
| Physical characteristics | |
| Other designations | ESO 85-SC39 |
| Associations | |
| Constellation | Dorado |
|


title: NGC 6782

abstract: NGC 6782 is a barred spiral galaxy located in the southern constellation of Pavo, at a distance of approximately 173 megalight-years from the Milky Way. It was discovered on July 12, 1834 by English astronomer John Herschel. John L. E. Dreyer described it as, "considerably faint, considerably small, round, a little brighter middle, 9th magnitude star to south". The morphological classification of NGC 6782 is (R1R′2)SB(r)a, indicating a barred spiral galaxy with a multiple ring system and tightly-wound spiral arms. It is seen nearly face-on, being inclined by an angle of 27.2°±0.2° to the line of sight from the Earth. At the galactic core is an almost circular nuclear ring at the inner Lindblad resonance. This is attached to the primary bar, which extends out to a somewhat pointy, diamond-shaped inner ring. It is actually a double-barred galaxy, with an interior bar inside the nuclear ring. A pair of faint spiral arms extend out from the inner ring to the outer parts of the galaxy, where it joints a double outer ring system. Both inner rings of the galaxy are undergoing star formation, producing hot OB stars, with little star formation occurring in the remainder.

text:
# NGC 6782

**NGC 6782** is a barred spiral galaxy located in the southern constellation of Pavo, at a distance of approximately 173 megalight-years from the Milky Way. It was discovered on July 12, 1834 by English astronomer John Herschel. John L. E. Dreyer described it as, "considerably faint, considerably small, round, a little brighter middle, 9th magnitude star to south". The morphological classification of NGC 6782 is (R1R′2)SB(r)a, indicating a barred spiral galaxy with a multiple ring system and tightly-wound spiral arms. It is seen nearly face-on, being inclined by an angle of 27.2°±0.2° to the line of sight from the Earth.

At the galactic core is an almost circular nuclear ring at the inner Lindblad resonance. This is attached to the primary bar, which extends out to a somewhat pointy, diamond-shaped inner ring. It is actually a double-barred galaxy, with an interior bar inside the nuclear ring. A pair of faint spiral arms extend out from the inner ring to the outer parts of the galaxy, where it joints a double outer ring system. Both inner rings of the galaxy are undergoing star formation, producing hot OB stars, with little star formation occurring in the remainder.

## InfoBox

| NGC 6781 | |
| --- | --- |
| A Hubble Space Telescope (HST) image of NGC 6782. | |
| Observation data (J2000 epoch) | |
| Constellation | Pavo |
| Right ascension | 19h 23m 57.935s |
| Declination | −59° 55 21.04 |
| Redshift | 0.012462±0.000123 |
| Heliocentric radial velocity | 3,736 km/s |
| Distance | 173 Mly (53 Mpc) |
| Apparent magnitude (V) | 11.8 |
| Characteristics | |
| Type | (R1R′2)SB(r)a |
| Apparent size (V) | 1′.197 × 0′.814 (NIR) |
| Other designations | |
| LEDA 63168, ESO 142-1, 2MASX J19235793-5955210, NGC 6782, PGC 63168 | |


title: York Theatre Royal

abstract: York Theatre Royal is a theatre in St Leonard's Place, in York, England, which dates back to 1744. The theatre currently seats 750 people. Whilst the theatre is traditionally a proscenium theatre, it was reconfigured for a season in 2011 to offer productions in-the-round. The theatre puts on many of its own productions, as well as hosting touring companies, one of which is Pilot Theatre, a national touring company which often co-produces its work with the theatre. Additionally the main stage and studio are regularly used by local amateur dramatic and operatic societies. York Theatre Royal was one of the co-producers of the historic York Mystery Plays 2012 which were staged in York Museum Gardens between 2–27 August. The theatre reopened on Friday 22 April 2016 following a £6million redevelopment, with a new roof, an extended and re-modelled front of house area, a refurbished and redecorated main auditorium and with major improvements to access and environmental impact.

text:
# York Theatre Royal

**York Theatre Royal** is a theatre in St Leonard's Place, in York, England, which dates back to 1744. The theatre currently seats 750 people. Whilst the theatre is traditionally a proscenium theatre, it was reconfigured for a season in 2011 to offer productions in-the-round. The theatre puts on many of its own productions, as well as hosting touring companies, one of which is Pilot Theatre, a national touring company which often co-produces its work with the theatre. Additionally the main stage and studio are regularly used by local amateur dramatic and operatic societies. York Theatre Royal was one of the co-producers of the historic York Mystery Plays 2012 which were staged in York Museum Gardens between 2–27 August. The theatre reopened on Friday 22 April 2016 following a £6million redevelopment, with a new roof, an extended and re-modelled front of house area, a refurbished and redecorated main auditorium and with major improvements to access and environmental impact.

## History

York Theatre Royal was built in 1744 on, and among, the site of the medieval St. Leonard's Hospital. Parts of the old hospital can still be seen in the modern building, including archways and walls. Under the stage lies a well, which is believed to be dated from the Roman era of York's history. The 1744 theatre replaced a theatre in Minster Yard, built by Thomas Keregan, with the encouragement of the City Corporation, in 1734. Twenty five years after its construction, in 1769, Tate Wilkinson paid £500 for a Royal Patent, and, accordingly, it was renamed the Theatre Royal. Wilkinson ran a company that included theatres in Hull, Leeds, Pontefract, Wakefield and other Yorkshire towns. His company was reckoned to be the leading provincial company, and he attracted many of the finest actors of the period, including John Philip Kemble and his sister Sarah Siddons, Dorothea Jordan and Elizabeth Farren, to act in York.

Since Wilkinson's time the theatre has undergone several renovations and upgrades. In the late 1800s the theatre was refurbished into the Victorian style, including, in 1879, a new Gothic Revival frontage, which is decorated with carved heads representing Elizabeth I and characters from Shakespeare's plays. In 1902 architect F. A. Tugwell of Scarborough redesigned the theatre interior. The latest major redevelopment was an extensive renovation of the theatre, with a new modernist foyer (architect: Patrick Gwynne), in 1967.

The theatre has been designated a Grade II\* listed building by Historic England.

The theatre was forced to close to the public during the lockdowns brought about by Covid-19. The theatre building was closed between March 2020 and May 2022. During this time, the theatre staff made scrubs for the NHS, created a pop-up outdoor theatre adjacent to the building and performed a 'Travelling Pantomime' in 14 different neighbourhoods of the city. The building re-opened on 17 May 2022 for 'The Love Season', a season of love stories featuring Ralph Fiennes, Julie Hesmondhalgh and New Earth Theatre among many others.

In 2022, the theatre welcomed the Kyiv City Ballet to the UK for the first time, in order to raise funds for UNICEF's work in Ukraine.

## Pantomime

The theatre produced its first pantomime in 1862 with a production of *The Sleeping Beauty.*

The theatre's annual pantomime was for more than 30 years been written and directed by Berwick Kaler, who also starred in the show. Kaler retired from playing the Dame in 2019. Due to an ongoing fall in ticket sales, the Theatre Royal announced that the pantomime for 2020 was going to be a 'reboot', and would move away from the Kaler-era pantomimes with a new writer and director.

In December 2020, the theatre performed 'The Travelling Pantomime', a tour of a small-scale pantomime to 14 different neighbourhoods in York.

## InfoBox

York Theatre Royal
| Front Facade of York's Theatre Royal, June 2022 | |
| --- | --- |
|  | |
| Address | St Leonard's Place |
| Location | York, England |
| Coordinates | 53°57′43″N 1°05′07″W / 53.9620°N 1.0853°W / 53.9620; -1.0853 |
| Owner | York Citizens' Theatre Trust |
| Designation | Grade II\* listed |
| Type | Theatre |
| Capacity | 750 |
| Construction | |
| Built | 1744 |
| Renovated | 2016 |
| Expanded | 1879, 1967 |
| Architect | George Styan (1879), FA Tugwell (1902), Patrick Gwynne and RA Sefton (1967) |
| Website | |
| www.yorktheatreroyal.co.uk | |


title: You and Others

abstract: You and Others is the second album by British-based band, Vega4. It follows on five years after their debut album, Satellites. It was produced by former Compulsion guitarist Jacknife Lee, and released on 30 October 2006 on Sony BMG.

text:
# You and Others

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |

***You and Others*** is the second album by British-based band, Vega4. It follows on five years after their debut album, *Satellites*. It was produced by former Compulsion guitarist Jacknife Lee, and released on 30 October 2006 on Sony BMG.

## Track listing

1. "You & Me" – 3:26
2. "Traffic Jam" – 4:20
3. "Tearing Me Apart" – 4:57
4. "Life Is Beautiful" – 6:15
5. "You" – 4:14
6. "Let Go" – 3:49
7. "Bullets" – 5:08
8. "Papercuts" – 4:30
9. "If This Is It" – 3:38
10. "A Billion Tons of Light" – 4:48
11. "Boomerang" – 4:23

## InfoBox

| You and Others | |
| --- | --- |
|  | |
| Studio album by Vega4 | |
| Released | 30 October 2006 |
| Genre | Rock, Indie rock |
| Label | Sony BMG |
| Producer | Jacknife Lee |
| Vega4 chronology | |
| *Satellites*
(2003) ***You and Others***
(2006) | |