title: Marco Botti

abstract: Marco Botti is an Italian racehorse trainer who is based in Great Britain, working from his stable Prestige Place in Newmarket, Suffolk. Botti is the son of Alduino Botti, a champion racehorse trainer in Italy, and worked for trainers Luca Cumani, Ed Dunlop and the Godolphin Racing organization before becoming a trainer in his own right. Botti's first winner as a trainer came in 2006 and he has become established a successful trainer since then, gaining Group One victories in France, Canada and the United States.

text:
# Marco Botti

**Marco Botti** (born 23 December 1976) is an Italian racehorse trainer who is based in Great Britain, working from his stable *Prestige Place* in Newmarket, Suffolk. Botti is the son of Alduino Botti, a champion racehorse trainer in Italy, and worked for trainers Luca Cumani, Ed Dunlop and the Godolphin Racing organization before becoming a trainer in his own right. Botti's first winner as a trainer came in 2006 and he has become established a successful trainer since then, gaining Group One victories in France, Canada and the United States.

## Major wins

Canada

---

France

---

United States


title: University of Kassala

abstract:
University of Kassala.
A public university located in Kassala, Sudan it was established to provide higher education services to the people of eastern Sudan in the field of engineering, medicine, education, computer science, economy, accounting and management. The university was established by Republican Decree No. (67), according to which the University of the East was divided into three universities: University of Kassala, University of Gadarif and Red Sea University.

text:
# University of Kassala

**University of Kassala** (in Arabic جامعة كسلا, Jām'iat Kassala). A public university located in Kassala, Sudan it was established to provide higher education services to the people of eastern Sudan in the field of engineering, medicine, education, computer science, economy, accounting and management. The university was established by Republican Decree No. (67), according to which the University of the East was divided into three universities: University of Kassala , University of Gadarif and Red Sea University.

## Colleges

Medicine and Health, Engineering, Computer Science and IT, Economics and Administrative Sciences, Education, Agriculture and Natural Resources, Islamic Studies, Science, Law, Animal production sciences and technology, Community Development.

## Research centers

Eastern Sudan Heritage and Languages Research Center, Medical Research Center, and IT Research Center.

## InfoBox

University of Kassala
| جامعة كسلا | |
| --- | --- |
| University of Kassala logo | |
| Former name | University of East |
| Type | Public Research University |
| Established | 1990 (1990) |
| Academic affiliations | AArU |
| Academic staff | 700 |
| Students | 8,700 |
| Location | Kassala, Sudan<br>15°27′29″N 36°24′14″E / 15.45806°N 36.40389°E / 15.45806; 36.40389 |
| Campus | Public |
| Website | kassalauni.edu.sd/en/ |


title: Marc C. Woehr

abstract: Marc C. Woehr is a German contemporary artist known for his sculptural wooden relief constructions and monumental city paintings. The former graffiti sprayer now exhibits in international galleries and art fairs.

text:
# Marc C. Woehr

**Marc C. Woehr** (pronounced \[wöhr\]; born December 29, 1973, in Heilbronn) is a German contemporary artist known for his sculptural wooden relief constructions and monumental city paintings. The former graffiti sprayer now exhibits in international galleries and art fairs.

## Early career

Immersed in the local skateboarding culture of Stuttgart Germany in the late 1980s Woehr began his artistic career as a traditional graffiti artist, tagging walls around the city. Moving from graffiti art to the studio in 2000 Woehr started to experiment with painting on canvas and constructing sculptural dioramas. Working in these modes of expression Woehr sought to capture the dynamism of the urban experience and environment. Recognized for his artistic talent in 2010 Woehr was chosen, along with four other artists, to represent Germany in the Fine Art international art exhibition, an arts initiative and traveling exhibition created to celebrate the FIFA World Cup of the same year.

## Career and influence

In 2013 Woehr sought new means to treat the city, his urban subject matter. His abstract images depict a bird's eye view, a vision which represents the fundamental essence of an urban experience Woehr eschews realistic depictions, alternatively restructuring and reshaping the streets and architecture of a particular city he has visited in a style reminiscent of the Russian Constructivists, like Kazimir Malevich, El Lissitzky, Vladimir Tatlin and the artists of the Bauhaus such as Lászlo Moholy-Nagy, from whom he draws inspiration. By titling each work with a location's geographic or GPS coordinates, Woehr invites viewer participation, research and exploration of the subject city. While each work is a translation of the artist's personal connection with a particular city, the receding dimensionality of each multi-layer image leaves the viewer a conceptual space for her own interpretation. Although he works primarily in the studio, Woehr remains close to the urban landscape continuing to paint outside on city walls, buildings, trains and large-scale sculptures. These works achieve the same objectives as his sculptural reliefs, as he crafts the illusion of the three-dimensional space in these painted constructions. Painted on a monumental scale this work envelops the viewer, inviting her into a newly conceived urban environment and experience.

## Artistic process and technique

Embracing technology Woehr employs computers to aid in the design and formulation of his complex relief constructions. Borrowing from contemporary industrial manufacturing processes, computer driven lasers are then used to cut the multiple layers of paper, cardboard or wood that make up each design. The artist then painstakingly constructs the three-dimensional space of each individual work, arranging and assembling each layer by hand. The finished work of art reflects a unique combination of the artist's hand and creativity together with the precision and clarity inherent in computer generated design and fabrication. When working with reclaimed wood Woehr differences his artistic process creating these sculptures freehand, respecting the inherent idiosyncrasies of found, reclaimed materials.

## Exhibitions

* 2008: Exhibition for Urban Arts, Carhartt Gallery, Weil am Rhein, Germany.
* 2008: Primary Flight, MODART, Miami Art Basel, Miami Beach, USA.
* 2008: MODART, Art Basel, Basel, Switzerland.
* 2009: 20 Years Fall of the Berlin Wall, Berlin, Germany.
* 2009: Old Skollin for the Children, ART WHINO, Washington DC, USA.
* 2009: Frerk & Marc C Woehr, Carmichael Gallery, Los Angeles, USA
* 2009: Inked Souls, ART WHINO, Washington DC, USA.
* 2010: International Fine Art Collection, touring exhibition, opening in Africa.
* 2010: G40: The Summit, ART WHINO, Washington DC, USA.
* 2010: Art.Fair21 Blooom, Die Kunstagentin, Cologne, Germany.
* 2011: Dirty Works Volume II, 30works Galerie, Cologne, Germany
* 2012: International Art Festival, Kerteminde, Denmark.
* 2012: Stroke, Urban Art Gallery, Munich, Germany.
* 2012: Solo, Urban Art Gallery, Stuttgart, Germany.
* 2012: Parallax AF, Urban Art Gallery, London, UK.
* 2012: Affordable Art Fair Milano, L’art Industriel, Milan, Italy.
* 2013: Stroke, Urban Art Fair, Munich, Germany.
* 2014: Flashback, Solo Show, Urban Art Gallery, Stuttgart, Germany.
* 2014: Dirty Works Volume 5, 30works Galerie, Cologne, Germany.
* 2014: Millerntor Gallery, Viva con Agua, Hamburg, Germany.
* 2014: City Vibes, WOW-WilliBender Gallery, Heidelberg, Germany.
* 2014: Urban Playground, Urban Art Gallery, Stuttgart, Germany.
* 2015: Superfine, Image Gallery NYC, Miami Art Basel, Miami Beach, USA.
* 2015: Berliner Liste, Galerie Kerstan, Berlin, Germany.
* 2015: Die Grenzlandaustellung, Group Show, Kunstverein Apenrade, Apenrade, Denmark
* 2015: Varietas, Group Show, Galerie Mauritiushof, Bad Zurzach, Switzerland.
* 2015: Urban Beauty, Group Show, Urban Art Gallery, Stuttgart, Germany.
* 2016: 8e Avenue, From Graffiti to Relief, Urban Art Gallery, Paris, Frankreich.
* 2016: Coming from the Basics, ARTCAN GALLERY, Group Show, Montpellier, Frankreich.
* 2016: Urban Art Fair, Urban Art Gallery, Paris, Frankreich.
* 2017: Urbstractions, Pretty Portal Gallery, Düsseldorf, Germany.
* 2017: Art Elysees, Galerie ANGE BASSO, Paris, Frankreich.
* 2017: Urban Art Fair, Urban Art Gallery, Paris, Frankreich.
* 2017: Art Up, Urban Art Gallery, Lille, Frankreich.
* 2017: Urvanity Art Fair, Urban Art Gallery, Madrid, Spanien.
* 2018: Scope Art Fair, Urban Art Gallery, Basel, Switzerland.
* 2018: Urban Art Fair, Galerie Pretty Portal, Paris, Frankreich.
* 2018: Urvanity Art Fair, Urban Art Gallery, Madrid, Spanien.
* 2018: Art Up, Galerie ANGE BASSO, Lille, Frankreich.
* 2019: Marc C. Woehr & Friends, Urban Art Gallery Pop-up, Stuttgart, Germany.

## Further reading

* *Marc C Woehr. Selection 2018.* By Urban Art Gallery Stuttgart. Stuttgart: Urban Art Gallery Stuttgart, 2018.
* *Une œuvre, un artiste,* Graffiti Art magazine #31, 2016.
* *Marc C Woehr* by Robert Mucha in *Best offf Interviews, Edition 1–32.*. Heilbronn: Hanix Media, 2014.
* *Vom Graffito zum Relief* by Friedrich Dassler. xia 100, P. 44–49, 07–08/2017.


title: Manuel Gonzales

abstract: Manuel Gonzales was a Spanish-American Disney comics artist. He worked on the Mickey Mouse comic strip from 1940 to 1981.

text:
# Manuel Gonzales

**Manuel Gonzales** (March 3, 1913 – March 31, 1993) was a Spanish-American Disney comics artist. He worked on the *Mickey Mouse* comic strip from 1940 to 1981.

## Biography

Gonzales was born in Cabañas de Sayago, Zamora, Spain.

Gonzales emigrated from Spain to the U.S. in 1918 via Ellis Island, and was employed at the Walt Disney Studios in September 1936, where he worked initially as an "in-betweener" on several short animated stories and on the motion picture *Snow White and the Seven Dwarfs*, and also as an artist in the Publicity Department creating pencil art for publicity drawings and Good Housekeeping Disney children's pages.

Later working in the comic strip department, Gonzales took over the illustrating of the *Mickey Mouse* comic strip's Sunday page from Floyd Gottfredson in 1938. Only interrupted by his military service for the U.S. in World War II from 1942 to 1945, Gonzales performed this job until his retirement in 1981. During the war, he worked for the U.S. Army as an artist animating short newsreel clips promoting war bonds and the war effort.

In 1941, Gonzales was married to his wife LaVonne, with whom he had two sons, Thomas and Daniel.

Bill Walsh wrote the scripts for the Sunday pages from 1946 to 1963. These pages told funny stories from Mickey Mouse's everyday life (Mickey was portrayed as a "guy next door" - a middle-class citizen with a normal life), as well as doing sometimes surrealistic gags featuring Gonzales' specialty, Goofy. Gonzales and Walsh also introduced a new character to the Disney universe, the intelligent and witty bird Ellsworth, in 1950. In general, the Sunday pages have status as better than Gottfredson's daily gags of the time (also written by Walsh).

Besides the Sunday pages, Gonzales worked on other Disney comic strips and illustrations. He inked *Donald Duck* and *Scamp* dailies, illustrated newspaper comic adaptations of different Disney films, like *Song of the South*, and illustrated some Disney books. He also worked on Disney's annual Christmas comic strip from 1960 to 1969.

Gonzales grew up in Westfield, Massachusetts, where he went to school and picked tobacco during summer jobs as a boy. He later lived and went to art school in New York City. His father, walking home from work one late-summer evening in 1936, tore a flyer from a telephone pole and gave it to Gonzales after dinner. The flyer invited artists to bring their portfolios to the Metropolitan Museum of Art for a job opportunity. Gonzales was interviewed and hired on the spot, given $200 and told to report in two weeks to the Hyperion Studios in Los Angeles to work as an animator. His first assignment was as an "in-betweener" on what was to be the first animated full-length major motion picture, *Snow White and the Seven Dwarfs*, for a man he'd never heard of before named Walt Disney.

Gonzales received a "Mousecar" award and a Hyperion Club award personally from Walt Disney during his career. The Mousecar was a much coveted award, given to the artists who had most significantly impacted the company's success. Modeled after the Oscar, which is awarded annually for achievement by the Academy of Motion Picture Arts and Sciences, the Mousecar is a bronze statuette of Mickey Mouse in his trademark pose on a black base. The Hyperion Club award uses the same bronze statuette as the Mouscar, but it is on a wooden base with a Hyperion Club brass label on the base. Gonzales was named a Disney Legend posthumously at the 2017 D23 award ceremony. Of the hundreds of thousands of people who have been employed by the Walt Disney Company, as of 2017 less than 300 have been named "Disney Legends". It is the highest award given by the company. Walt Disney, who was very fond of his artists, used to joke that Manuel had signed Disney's signature (which Gonzales would sign on every comic strip he'd draw) more than Disney himself had in his lifetime.

Gonzales died in Los Angeles

## InfoBox

| Manuel Gonzales | |
| --- | --- |
| Born | Manuel Martin Gonzales
(1913-03-03)March 3, 1913
Cabañas de Sayago, Zamora, Spain |
| Died | March 31, 1993(1993-03-31) (aged 80)
Los Angeles, California, U.S. |
| Nationality | Spanish American |
| Area(s) | Cartoonist |
| Awards | 1963 Mousecar Award
1966 Hyperion Club Award
2017 Disney Legend |
| Spouse(s) | LaVonne Gonzales (m. 1941) |
| Children | 2 |


title: University counseling center

abstract: A university counseling center (UCC) provides mental health and other services within a university or college environment. The need for these services is on the rise. Counseling center directors and other student affairs personnel have reported an increase in the mental health needs of college students, with issues like eating disorders, alcohol and drug abuse/dependence, severe depression/anxiety, suicidality, and sexual assault becoming more prevalent in this environment. Among Big Ten Conference universities, directors report a 42% increase in the number of students seen at their counseling centers. In a summary of recent survey data, Duenwald also reports that the use of psychiatric medication has increased almost 10% among college students since the year 2000. May (2003) finds that a UCC will typically work with 15-20% of students at colleges and 8-12% at a university. Given these numbers, May recommends 1 counselor per 600 students in colleges and a 1:1000 ratio in universities with an average of 5 to 6 sessions per student. UCCs generally offer a variety of services including individual and group counseling, psychodiagnostic testing, alcohol and other drug counseling/evaluation, crisis assistance, campus outreach programs, consultation services, and graduate student training. Though services primarily target mental health problems, students also utilize counseling services to enhance areas of their life, including relationships, career/vocational choices, academic and athletic performance, and exploring psychological strengths. Lehigh University Counseling and Psychological Services (UCPS) is an example of a university counseling center. Another example of a university counseling center is the University of California, Irvine Counseling Center. In addition to the services mentioned above, the center also offers Peer Programs. Peer Programs offered by the UCI Counseling Center include C.O.A.C.H, The Peer Educator Program, and the LGBTQ Mentorship Program. In these programs, students receive services not from licensed health professionals, but from other students at UCI who have assumed these helping roles. This is a different approach to counseling for students who find more comfort in speaking with fellow peers who they can more easily relate with. Each program has a different focus, whether it be group-based, individual-based, or special needs-based; but all have the same goal—to promote student mental health and well-being in all aspects of life. in 2021, a study was released where campus counseling was found to not be as effective for students with disabilities and psychiatric disabilities.

text:
# University counseling center

A **university counseling center** (**UCC**) provides mental health and other services within a university or college environment. The need for these services is on the rise. Counseling center directors and other student affairs personnel have reported an increase in the mental health needs of college students, with issues like eating disorders, alcohol and drug abuse/dependence, severe depression/anxiety, suicidality, and sexual assault becoming more prevalent in this environment. Among Big Ten Conference universities, directors report a 42% increase in the number of students seen at their counseling centers. In a summary of recent survey data, Duenwald also reports that the use of psychiatric medication has increased almost 10% among college students since the year 2000. May (2003) finds that a UCC will typically work with 15-20% of students at colleges and 8-12% at a university. Given these numbers, May recommends 1 counselor per 600 students in colleges and a 1:1000 ratio in universities with an average of 5 to 6 sessions per student.

UCCs generally offer a variety of services including individual and group counseling, psychodiagnostic testing, alcohol and other drug counseling/evaluation, crisis assistance, campus outreach programs, consultation services, and graduate student training. Though services primarily target mental health problems (i.e., anxiety, depression), students also utilize counseling services to enhance areas of their life, including relationships, career/vocational choices, academic and athletic performance, and exploring psychological strengths. Lehigh University Counseling and Psychological Services (UCPS) is an example of a university counseling center.

Another example of a university counseling center is the University of California, Irvine Counseling Center. In addition to the services mentioned above, the center also offers Peer Programs. Peer Programs offered by the UCI Counseling Center include C.O.A.C.H, The Peer Educator Program, and the LGBTQ Mentorship Program. In these programs, students receive services not from licensed health professionals, but from other students at UCI who have assumed these helping roles. This is a different approach to counseling for students who find more comfort in speaking with fellow peers who they can more easily relate with. Each program has a different focus, whether it be group-based, individual-based, or special needs-based; but all have the same goal—to promote student mental health and well-being in all aspects of life.

in 2021, a study was released where campus counseling was found to not be as effective for students with disabilities and psychiatric disabilities.

## History

Early to mid 1940s: University counseling centers began formal operations, responding to the increasing educational and vocational needs of returning veterans of World War II.

1950: The Association of College Counseling Center Directors (AUCCCD) was established in 1950 by a group of mid-western college and university counseling directors. Dr. Ralph Birdie, director of the Student Counseling Bureau at the University of Minnesota, Minneapolis hosted the first conference on the UM campus. Annual meetings were hosted throughout the 1950s by several universities including the University of Illinois, Michigan State, The Ohio State University, State University of Iowa, University of Missouri, and the University of Minnesota. In the early days, the organization was referred to as the Annual Conference of college and University Counseling Directors. Conference attendance was based on invitation from participants and grew over time as directors around the country developed collegial relationships with each other. Initially membership was primarily drawn from mid-western institutions, but eventually the annual conference became a national affiliation of directors.

Following World War II, counseling centers were established in response to the educational and vocational needs of returning veterans. Directors were pioneering the development of organized counseling units and recognized their need to "talk shop" - to exchange information with each other and to develop a practical knowledge base on how to best to serve students. They gathered to discuss organizational issues, to share experience about how to work effectively with campus administration, and to discuss the nature of the work with students. An integral part of the annual meeting was the opportunity to develop and nourish collegial friendships through work and recreation in a restful setting.

Directors valued the opportunity to discuss confidential matters with their colleagues and trusted one another with sensitive details that they could not process with fellow administrators on their own campus. Directors were challenged with issues such as managing relations with campus administration and faculty who could be skeptical of the value of counseling students as well as issues related to the management of their staff. Conference attendance was restricted to directors with staffs of at least three full-time equivalents (FTE) in order to create a confidential environment for consultation.

The annual conference provided the opportunity for both formal and ad hoc presentations, roundtable discussions, and individual consultation. The group was loosely organized as a "non-organization" with a minimum of bureaucracy, and the pivotal activity was the annual meeting. A steering committee was elected annually to manage routine business, and a conference host was chosen from among competing institutions during the conference business meeting.

The formal structure of AUCCCD as we now know it developed slowly through the 1980s with the decision to revise the organization's By-laws and to incorporate as a non-profit organization. Throughout the 1990s several initiatives have been undertaken to develop a formal organizational structure to advance the business of AUCCCD as a national professional organization, and to put significant emphasis on advocating on behalf of counseling and psychological issues in higher education. Conference membership increased considerably after the 3 FTE restriction was lifted in the 1990s.

Membership in AUCCCD is institutional, with one director being selected to represent the member college or university. The group has experienced significant growth, with a current membership of 836 universities and colleges throughout the United States, Canada, and Europe and Asia.

1960s: As outpatient psychiatric clinics and services became more accessible to the general public, university counseling centers also began to provide standard psychological services to college students, including individual, couples, and group psychotherapy; vocational and personality assessment; consultative services to college administration, faculty, parents, and students; and crisis management among other services to the campus community.

1968: The Association of Psychology Postdoctoral and Internship Centers (APPIC) began formally coordinating pre-doctoral and post doctoral internships and jobs. Currently, there are 444 pre-doctoral internships listed through APPIC.

1978: The Association of Counseling Center Training Agencies (ACCTA) was established to coordinate the training objectives of university counseling centers, including creation and maintenance of pre-doctoral internship and practicum programs.


title: Up There Cazaly

abstract: "Up There Cazaly" is 1979 song by Mike Brady, written to promote Channel Seven's coverage of the Victorian Football League (VFL). It was first performed by the Two-Man Band, a duo of Brady and Peter Sullivan, and has since become an unofficial anthem of Australian rules football. The title refers to early-20th-century ruckman Roy Cazaly. Known for his prodigious leap, Cazaly formed a famous ruck combination with South Melbourne teammates Fred "Skeeter" Fleiter and Mark "Napper" Tandy. It was ruck-rover Fleiter who was the first to call "Up there, Cazaly!" when the ruckman flew for the ball. The catchcry was soon adopted by South Melbourne supporters and eventually entered the Australian lexicon as a common phrase of encouragement. Released independently on Fable Records, the song became the highest-selling Australian single ever, with sales of over 240,000 as of October 1979 and 260,000 by the end of 1980. It held this record until February 1981 when Joe Dolce's "Shaddap You Face" sold more than 290,000 units. At the Australian 1979 TV Week/Countdown Music Awards, the song was nominated for Most Popular Australian Single.

text:
# Up There Cazaly

"**Up There Cazaly**" is 1979 song by Mike Brady, written to promote Channel Seven's coverage of the Victorian Football League (VFL). It was first performed by the Two-Man Band, a duo of Brady and Peter Sullivan, and has since become an unofficial anthem of Australian rules football.

The title refers to early-20th-century ruckman Roy Cazaly. Known for his prodigious leap, Cazaly formed a famous ruck combination with South Melbourne teammates Fred "Skeeter" Fleiter and Mark "Napper" Tandy. It was ruck-rover Fleiter who was the first to call "Up there, Cazaly!" when the ruckman flew for the ball. The catchcry was soon adopted by South Melbourne supporters and eventually entered the Australian lexicon as a common phrase of encouragement.

Released independently on Fable Records, the song became the highest-selling Australian single ever, with sales of over 240,000 as of October 1979 and 260,000 by the end of 1980. It held this record until February 1981 when Joe Dolce's "Shaddap You Face" sold more than 290,000 units.

At the Australian 1979 *TV Week/Countdown* Music Awards, the song was nominated for Most Popular Australian Single.

## Background

"Up there, Cazaly!" was used as a battle cry by Australian troops during World War II. It has been noted that Cazaly's distinctive surname most likely contributed to the phrase's enduring popularity. As one journalist noted, "'Up there, McKinnon' might not have taken off".

Australian dramatist Ray Lawler included the phrase in his 1955 play *Summer of the Seventeenth Doll* when he had heroine Nancy use it on several occasions, most notably in a telegram with marked dramatic effect: "Up there, Cazaly. Lots of Love. Nance."

## Track listing

1. "Up There Cazaly" (Seven's Footy Theme) (2:40)
2. "The Winner's March" (Instrumental) (2:54)

## Reception

In 1979, VFL star Ron Barassi described the track as "one of VFL football's real success stories" of the year, and opined that it was "destined to go down in football history." Ian Warden, a columnist for *The Canberra Times*, reported that he found himself singing the "banal confection" to himself all day, and that it had "somehow made it to the summit of my subconscious Top Twenty, triumphing over the greatest hits of Wagner and of Berlioz. It is all too sinister."

When asked which Australian song he would most like to cover, Spiderbait member Kram chose "Up There Cazaly", "because it's the 'Bohemian Rhapsody' of footy songs".

In an essay on her love–hate relationship with Australian football, comedian Catherine Deveny considers "Up There Cazaly" to be "schmaltzy" and "formulaic", but also gives it reluctant praise: "The cloying lyrics and emotionally manipulative music would invoke involuntary goosebumps, teary eyes and a subsequent feeling of embarrassment. The rousing chord progressions, choirs in full flight, strings in octaves and timpani created a confected majesty that tapped into our animal brains."

When the South Melbourne Football Club relocated to Sydney as the rebranded Sydney Swans in 1982, the club changed its song to a rewritten version of "Up There Cazaly" entitled "Up There for Sydney". The song was poorly received and the club soon reverted to its original song, "Cheer, Cheer the Red and the White".

In 1991, Collingwood great Lou Richards released a hip hop version of "Up There Cazaly" under his nickname Louie the Lip. It peaked at number 105 in Australia; a music video was also made for the song, although its whereabouts, if copies still exist, is unknown. On his 2007 album *The World's Most Popular Pianist Plays Down Under Favorites*, French pianist Richard Clayderman included a medley composed of "Up There Cazaly", "Tie Me Kangaroo Down Sport" and "A Pub With No Beer".

"Up There Cazaly" is featured in the 1980 film adaptation of David Williamson's play *The Club*.

In 1981, Ian Turner and Leonie Sandercock published a history of the VFL titled *Up Where, Cazaly?: The Great Australian Game*.

In an episode of the 1997 documentary series *Race Around the World*, "Up There Cazaly" is played over footage of John Safran streaking through Jerusalem in St Kilda colours.

You Am I vocalist Tim Rogers performed the song on a 2001 episode of *The Footy Show*. "Up There Calisi" is a satirical song released by TISM bassist Jock Cheese on his 2002 solo album *Platter*. *Australian Idol* finalist Shannon Noll gave his own rendition of the song at the 2011 North Melbourne Grand Final Breakfast.

In 2014, Andrew Hansen of the comedy group The Chaser wrote a new version of "Up There Cazaly" for Fox Footy.

In 2016, Australia Post launched a television advertising campaign set to a cover version of "Up There Cazaly", sung by people from different backgrounds in their own cultural style. It was affiliated with the AFL's Multicultural Round.

## Use outside Australian football

In 1982, "Up There Cazaly" was rewritten and released as "Up There Old England" by Cliff Portwood. Brady flew to England to help Portwood record the song but it was never released, due to the B side having a portion of "Land of Hope and Glory" on it, creating a licensing issue just as it was getting major airtime on the radio.

The song is used as the walkout tune for Tonbridge Angels soccer club in the United Kingdom. It is also used as a fan chant for Derby County F.C. supporters with the name of Steve Bloomer's Watchin.

## Charts

### Weekly charts

Weekly chart performance for "Up There Cazaly"
| Chart (1979) | Peak
position |
| --- | --- |
| Australia (Kent Music Report) | 1 |

Weekly chart performance for "Up There Cazaly '99" by Haley White and Mike Brady
| Chart (1999) | Peak
position |
| --- | --- |
| Australia (ARIA) | 78 |

### Year-end charts

Year-end chart performance for "Up There Cazaly"
| Chart (1979) | Position |
| --- | --- |
| Australia (Kent Music Report) | 13 |

## InfoBox

| "Up There Cazaly" | |
| --- | --- |
| Cover of the 1983 reissue | |
| Single by The Two-Man Band | |
| B-side | "The Winner's March (Instrumental)" |
| Released | 1979 |
| Genre | Novelty song, pop rock |
| Length | 2:40 |
| Label | Fable |
| Songwriter(s) | Mike Brady |
| Producer(s) | Peter Sullivan |


title: Marco Dezzi Bardeschi

abstract: Marco Dezzi Bardeschi was an Italian architect. He was a professor of Architectural Restoration at the Polytechnic University of Milan. He authored several books, and he was the founding editor of ANANKE, an architectural magazine.

text:
# Marco Dezzi Bardeschi

**Marco Dezzi Bardeschi** (September 30, 1934 – November 4, 2018) was an Italian architect. He was a professor of Architectural Restoration at the Polytechnic University of Milan. He authored several books, and he was the founding editor of *ANANKE*, an architectural magazine.

## InfoBox

| Marco Dezzi Bardeschi | |
| --- | --- |
|  | |
| Born | (1934-09-30)September 30, 1934<br>Florence, Italy |
| Died | November 4, 2018(2018-11-04) (aged 84) |
| Nationality | Italian |
| Occupation | Architect |


title: Upper Lead Mountain Pond

abstract: Upper Lead Mountain Pond is a lake in Hancock County, Maine, United States. It is located less than 1.5 miles (2.4 km) west of the Lead Mountain and 0.25 mi (0.40 km) north of Maine State Route 9 near the town of Beddington. The inflow to Bear Pond comes from several small stream, and it drains via a small 500 feet (150 m) stream to Middle/Lower Lead Mountain Pond. Several unpaved roads provide access to the lake and private residences surrounding it. The Lake is surrounded by forest and supports several fish, including landlocked Atlantic salmon, brook trout, white perch, yellow perch, and chain pickerel.

text:
# Upper Lead Mountain Pond

**Upper Lead Mountain Pond** is a lake in Hancock County, Maine, United States. It is located less than 1.5 miles (2.4 km) west of the Lead Mountain and 0.25 mi (0.40 km) north of Maine State Route 9 near the town of Beddington. The inflow to Bear Pond comes from several small stream, and it drains via a small 500 feet (150 m) stream to Middle/Lower Lead Mountain Pond. Several unpaved roads provide access to the lake and private residences surrounding it. The Lake is surrounded by forest and supports several fish, including landlocked Atlantic salmon, brook trout, white perch, yellow perch, and chain pickerel.

## InfoBox

| Upper Lead Mountain Pond | |
| --- | --- |
| Upper Lead Mountain Pond from the east | |
| Upper Lead Mountain PondUpper Lead Mountain Pond | |
| Location | Hancock County, Maine,
United States |
| Coordinates | 44°51′07″N 68°08′27″W / 44.851848°N 68.140843°W / 44.851848; -68.140843 |
| Lake type | Glacial |
| Primary inflows | Meadow Brook and others |
| Primary outflows | Unnamed stream to Middle/Lower Lead Mountain Pond |
| Basin countries | United States |
|  | |
| Max. length | 2.6 mi (4.2 km) |
| Max. width | 1.0 mi (1.6 km) |
| Surface area | 977 acres (395 ha) |
| Max. depth | 57 ft (17 m) |
| Water volume | 24,970 acre-feet (30.80×10~~^~~6 m3) |
| Surface elevation | 350 ft (110 m) |
|  | |
| Islands | 2+ |


title: Upper Lawn, Pennsylvania

abstract: Upper Lawn is an unincorporated community in South Londonderry Township in Lebanon County, Pennsylvania, United States. Upper Lawn is located at the intersection of Pennsylvania Route 341, Lawn Road, and Gingrich Road.

text:
# Upper Lawn, Pennsylvania

**Upper Lawn** is an unincorporated community in South Londonderry Township in Lebanon County, Pennsylvania, United States. Upper Lawn is located at the intersection of Pennsylvania Route 341, Lawn Road, and Gingrich Road.

## InfoBox

| Upper Lawn, Pennsylvania | |
| --- | --- |
| Unincorporated community | |
| Upper Lawn | |
| Coordinates: 40°13′42″N 76°33′5″W / 40.22833°N 76.55139°W / 40.22833; -76.55139 | |
| Country | United States |
| State | Pennsylvania |
| County | Lebanon |
| Township | South Londonderry |
| Elevation | 479 ft (146 m) |
| Time zone | UTC-5 (Eastern (EST)) |
| Summer (DST) | UTC-4 (EDT) |
| Area code | 717 |
| GNIS feature ID | 1190237 |


title: Mardrea Hyman

abstract: Mardrea Hyman is a Jamaican runner who specializes in the 3000 metres steeplechase.

text:
# Mardrea Hyman

**Mardrea Hyman** (born 22 December 1972 in Clarendon) is a Jamaican runner who specializes in the 3000 metres steeplechase.

## Competition record

| Year | Competition | Venue | Position | Event | Notes |
| --- | --- | --- | --- | --- | --- |
| Representing  Jamaica | | | | | |
| 1988 | CARIFTA Games (U17) | Kingston, Jamaica | 3rd | 1500 m | 4:47.50 |
| 1989 | CARIFTA Games (U20) | Bridgetown, Barbados | 3rd | 3000 m | 10:37.6 |
| 1990 | CARIFTA Games (U20) | Kingston, Jamaica | 2nd | 1500 m | 4:48.26 |
| | | | 1st | 3000 m | 10:08.75 |
| 1995 | CAC Championships | Guatemala City, Guatemala | 2nd | 800 m | 2:08.23 |
| | | | 1st | 1500 m | 4:31.74 |
| 1997 | CAC Championships | San Juan, Puerto Rico | 2nd | 1500 m | 4:21.31 |
| 1998 | CAC Games | Maracaibo, Venezuela | 3rd | 800 m | 2:01.46 |
| | | | 1st | 1500 m | 4:27.03 |
| | Commonwealth Games | Kuala Lumpur, Malaysia | 4th | 800 m | 1:59.71 |
| | | 4th | 4x400 m | 3:34.74 |
| 1999 | World Indoor Championships | Maebashi, Japan |  | 800 m | DNF |
| 2000 | Olympic Games | Sydney, Australia | 21st (h) | 1500 m | 4:14.20 |
| 2001 | World Championships | Edmonton, Canada | 10th | 1500 m | 4:12.48 |
| | Goodwill Games | Brisbane, Australia | 7th | 5000 m | 16:03.71 |
| 2002 | Commonwealth Games | Manchester, United Kingdom | 6th | 1500 m | 4:10.47 |
| | World Cup | Madrid, Spain | 9th | 1500 m |  |
| 2003 | Pan American Games | Santo Domingo, Dominican Republic | 3rd | 1500 m | 4:10.08 |
| | World Championships | Paris, France | 22nd (sf) | 1500 m | 4:13.95 |
| 2004 | World Indoor Championships | Budapest, Hungary |  | 1500 m | DNF |
| 2005 | World Championships | Helsinki, Finland | 8th | 3000 m s'chase | 9:39.66 |
| | World Athletics Final | Monte Carlo, Monaco | 3rd | 3000 m s'chase | 9:27.21 (=NR) |
| | CAC Championships | Nassau, Bahamas | 1st | 3000 m s'chase | 9:54.01 |
| 2006 | Commonwealth Games | Melbourne, Australia | 9th | 3000 m s'chase | 10:09.74 |
| 2007 | World Championships | Osaka, Japan | 14th | 3000 m s'chase | 10:16.24 |
| | World Athletics Final | Stuttgart, Germany | 9th | 3000 m s'chase |  |
| 2008 | Olympic Games | Beijing, China |  | 3000 m s'chase | DNF |
| 2011 | World Championships | Daegu, South Korea |  | 3000 m s'chase | DNF |

### Personal bests

## InfoBox

Mardrea Hyman
| Medal record | | |
| --- | --- | --- |
| Women's athletics | | |
| Representing  Jamaica | | |
| Pan American Games | | |
|  | 2003 Santo Domingo | 1500 m |
| CAC Games | | |
|  | 1998 Maracaibo | 1500m |
|  | 1998 Maracaibo | 800m |
| CAC Championships | | |
|  | 2005 Nassau | 3000m s'chase |
|  | 1995 Guatemala City | 1500m |
|  | 1995 Guatemala City | 800m |
|  | 1997 San Juan | 1500m |
| CARIFTA Games <br>Junior (U20) | | |
|  | 1990 Kingston | 3000 m |
|  | 1990 Kingston | 1500 m |
|  | 1988 Kingston | 3000 m |
|  | 1989 Bridgetown | 3000 m |
| CARIFTA Games (Under 17s) | | |
|  | 1988 Kingston | 1500 m |


title: Margaret Hooks

abstract: Margaret Hooks (1945–2021) was an Irish-born author and journalist, best known for her books and writing about women, art and photography, including a celebrated biography of the Italian-born photographer Tina Modotti, and books and articles about Surrealism and artists related to the Surrealist movement.

text:
# Margaret Hooks

**Margaret Hooks** (1945–2021) was an Irish-born author and journalist, best known for her books and writing about women, art and photography, including a celebrated biography of the Italian-born photographer Tina Modotti, and books and articles about Surrealism and artists related to the Surrealist movement.

## Early life

Hooks was born at Belfast's Royal Victoria Hospital, the eldest of six children. Her parents were prominent members of the local Plymouth Brethren congregation. She left Belfast in 1964 for a job in the civil service in London, where she embraced the counterculture of the time. In the 1970s, she twice traveled overland from London to India.

## Activism

Settling in Sydney in 1973, Hooks became active in leftwing and feminist circles. She was hired in 1974 by the Sydney-based anti-war campaign organization AICD (the Association for International Cooperation & Disarmament, now known as the People for Nuclear Disarmament NSW) to direct its Latin America section, lobbying Australian Senators and Members of Parliament to enable resettlement of political asylum seekers fleeing repression from military regimes in South American countries, particularly Chile. She also served as Treasurer and Events Coordinator of the Chile Solidarity Committee in Sydney from 1974 to 1977 and on behalf of AICD organized visits to Australia by peace delegations from Latin America and Asia.

As a co-founder of Women In Solidarity for Peace, she also co-organized a month-long tour and participation of a delegation of Vietnamese women peace activists to the demonstration/celebration of International Women's Day in Sydney on March 8, 1975.

Hooks co-authored and published “Abortion: Our Bodies, Their Power”, a booklet critical of doctors and administrators at two Sydney abortion clinics operated by Population Services International (Australasia) Ltd. In June 1977, Hooks and six other former staffers at PSI abortion clinics in Sydney provided confidential "whistleblower" testimony to the Royal Commission on Human Relationships in Canberra regarding poor conditions for patients and staff at the PSI clinics and on the quality of abortion services in Australia, generally.

## Journalism

Hooks began a career in journalism upon relocating to Mexico in 1979, writing freelance articles about conditions for women in Mexico and Guatemala for international feminist publications, including the UK's Spare Rib magazine and Off Our Backs in the United States, while also doing volunteer work on human rights in Central America for non-governmental activist organizations based in London and Mexico City.

In 1984, she was given press credentials by British journalist Duncan Campbell, then with the London-based City Limits magazine, to travel to the Guatemalan highlands in order to report on rights violations and atrocities being committed against that country's indigenous population by the Guatemalan military in its counterinsurgency war against leftist guerrillas. Her reporting from that trip was published in The National Times of Australia and specialist journals, including Cultural Survival Quarterly and others, launching Hooks into a full-time journalism career.

By late-1984, she had become Mexico Correspondent for The Sunday Tribune of Dublin, Ireland, while working as Managing Editor of the Encuentro bi-weekly political supplement of Mexico's sole English-language newspaper, The Mexico City News.

In the immediate aftermath of the September 1985 Mexico City earthquake, she was named as Mexico-based correspondent for Ireland's leading newspaper, The Irish Times. Hooks covered breaking news and wrote feature articles for the paper from 1985 to 1991, filing stories from Mexico and Central America, with a focus on the region's armed conflicts and counterinsurgency campaigns and their impact on civilian populations, particularly in Guatemala.

Her by-lined stories from the region also appeared in a number of U.S. and British news publications, including The Guardian and The Observer newspapers in the UK, San Francisco-based Pacific News Service, The San Francisco Examiner, The San Diego Union, The Houston Chronicle, The Miami Herald, and others.

After a break from journalism to focus on book-writing, in 1996 Hooks became Mexico Correspondent for New York-based ARTnews and on relocating to Miami, Florida, in 1998 she was named a Contributing Editor of the magazine. Her writing on the visual arts and culture also appeared in a variety of other publications, including Grand Street Magazine, AfterImage Magazine, Aperture Magazine, Vogue, Elle Magazine, The Observer Magazine, Luna Córnea, The Daily Beast and BOMB magazine.

## Books

In her lifetime, Hooks published eight books of non-fiction, mainly focused on topics or subjects involving women, artists and the Surrealist movement. She also translated into English the Spanish-language autobiography of Austrian-born psychoanalyst Marie Langer, From Vienna to Managua: Journey of a Psychoanalyst, published in 1989 by Free Association Books (London).

Guatemalan Women Speak, chronicling women impacted by the military repression and genocide against indigenous peoples in Guatemala during the 1980s, was published in 1991 in London by CIIR. The book was released in a second edition in 1993, published in Washington, D.C. by EPICA.

The acclaimed Tina Modotti: Photographer and Revolutionary, about the Italian-born photographer and left-wing activist Tina Modotti, was published in 1993 by HarperCollins and deemed “a definitive biography" by the New York Times. In the book, Hooks "detailed \[Modotti's\] life as an artist, activist and woman at the height of Mexican muralism, where Bohemia met political revolution through a whirlwind of artistic expression." British feminist art historian and filmmaker Laura Mulvey lauded the book as a "carefully researched and fascinating biography" that showed "how legend and myth became an inextricable part of Modotti's afterlife and thus unavoidably part of her story."

Shortlisted in 1994 for the Kraszna-Krausz book award for writing on photography and for the annual Infinity award by the International Center for Photography, the book has been published in eight languages. After a first paperback edition by HarperCollins, the book was again reprinted in 2000 by Da Capo Press in a special paperback edition titled Tina Modotti: Radical Photographer. In 2017, the Madrid-based publisher of books on art and photography, La Fábrica, published new reprints of the book in Spanish and English, distributed in the United States by D.A.P./Artbook.

A Hooks authored two additional monographs on Modotti; the first, titled Tina Modotti (Aperture Masters of Photography), published in 1999 by the Aperture Foundation with a tri-lingual co-edition by Könemann Verlags GmbH; and the second, titled Tina Modotti, first published in 2002 as part of the Phaidon 55's series, and reprinted in 2005 under the same title in large format.

Frida Kahlo: Portraits of an Icon was published in a 2002 co-edition by Bloomsbury, London, and Turner Libros, Madrid. The book was published in Spanish that same year by Turner as Frida Kahlo: La Gran Ocultadora.

Surreal Eden: Edward James and Las Pozas was published in 2007by Princeton Architectural Press, and tells the story of Edward James, the "wealthy British surrealist-art benefactor turned rural Mexican architect, demi-god and dreamer", patron of Surrealists Salvador Dalí and Rene Magritte and friend of the artist Leonora Carrington, who over a period of 40 years built a surrealist sculpture garden at Las Pozas, high in the Sierra Huasteca mountains of Mexico. The book also published in Spanish by Turner Mexico that same year, under the title Edward James y Las Pozas: Un sueño surrealista en la selva mexicana.

Manel Armengol: Herbarium, a monograph of the work of Catalán photographer Manel Armengol, was also published in 2007 by Turner.

Hooks’ last book, Surreal Lovers: Eight Women Integral to the Life of Max Ernst, published in 2017 by La Fábrica and reprinted in a second edition in 2018, focuses on eight women who influenced the life and work of Surrealist painter Max Ernst. The book chronicles the relationships between Ernst and Leonora Carrington, Peggy Guggenheim, Dorothea Tanning, Luise Straus, Marie-Berthe Aurenche, Leonor Fini, Meret Oppenheim and Gala Dalí.

## Death

Hooks died at home in Xàbia (Jávea), Spain, on July 19, 2021, of cancer.

## InfoBox

| Margaret Hooks | |
| --- | --- |
|  | |
| Born | June 07, 1945
Belfast, N. Ireland |
| Died | July 19, 2021
Xàbia (Jávea), Spain |
| Nationality | Irish |
| Citizenship | Ireland, United Kingdom |
| Occupation(s) | Author and journalist |
| Years active | 1979-2021 |
| Spouse | David Gibb  (m. 19661967) Ron Robinson (1968-1974)
Michael Tangeman   (m. 19852021) |


title: Margaret Hope Bacon

abstract: Margaret Hope Bacon was an American Quaker historian, author and lecturer. She is primarily known for her biographies and works involving Quaker women’s history and the abolitionist movement. Her most famous book is her biography of Lucretia Mott, Valiant Friend, published in 1980.

text:
# Margaret Hope Bacon

**Margaret Hope Bacon** (née Borchardt; April 7, 1921 – February 24, 2011) was an American Quaker historian, author and lecturer. She is primarily known for her biographies and works involving Quaker women’s history and the abolitionist movement. Her most famous book is her biography of Lucretia Mott, *Valiant Friend*, published in 1980.

## Biography

Bacon spent her early childhood in New York City and moved to Florida as an adolescent. She went to Antioch College, where she met her husband, Allen Bacon. During World War II, she accompanied her husband to work at Springfield Hospital in Sykesville, Maryland as his assignment for conscientious objector status.

She worked at the American Friends Service Committee for many years and was the inspiration for the rehabilitation of the Fair Hill Burial Ground, a historic Quaker cemetery in North Philadelphia and the final resting place of abolitionists Lucretia Mott and Robert Purvis. Bacon authored biographies of both Mott and Purvis. A longtime trustee and Vice President of the Pennsylvania Abolition Society, she wrote a feature article titled "The Pennsylvania Abolition Society's Mission for Black Education" for the Historical Society of Pennsylvania's November 2005 newsletter.

She was a founding board member of Women's Way, the country’s oldest and largest funding federation for women’s organizations. Bacon died at her home at Crosslands in Kennett Square, Pennsylvania on February 24, 2011, aged 79.

## Awards

* City of Philadelphia Human Rights award, 1976
* Honorary Doctor of Humane Letters, Swarthmore College, 1981
* City of Philadelphia Citation for Contributions to Women’s History, 1987

## Works

### Non-fiction

* *The Quiet Rebels: The Story of Quakers in America* (1969).
* *Lamb’s warrior: The life of Isaac T. Hopper* (1970)
* *I speak for my Slave Sister; the life of Abby Kelly Foster* (1974)
* *Rebellion at Christiana* (1975)
* *Valiant Friend: The life of Lucretia Mott* (1980)
* *As the way opens: the story of Quaker women in America* (1980).
* *Mothers of feminism: The story of Quaker Women in America* (1986).
* *Let this life speak: The legacy of Henry Joel Cadbury* (1987).
* *One woman’s passion for peace and freedom: The life of Mildred Olmsted* (1992).
* *Wilt thou go on my errand? The journals of three eighteenth century Quaker women* (1994).
* *The quiet rebels: The story of Quakers in America* (1999).
* *Love is the hardest lesson (a memoir)* (1999)
* *Abby Hopper Gibbons: Prison reformer and social activist* (2000).
* *In the shadow of William Penn: Central Philadelphia Monthly Meeting* (2001).
* *Sarah Mapps Douglass: Faithful attender of Quaker Meeting* (2003).
* *Back to Africa: Benjamin Coates and the colonization movement in America, 1848-1880.* (2005), edited by Emma J. Lapsansky-Werner and Margaret Hope Bacon.
* *But one race: the life of Robert Purvis* (2007).

### Fiction

* *The night they burned Pennsylvania Hall: a chapter in the struggle for liberation of slaves and women.* (1992) (a play for children)
* *Year of grace* (2002).
* *The back bench* (2007.


title: Up Front (hardcore band)

abstract: Up Front was an American hardcore band from New York City. They were an influential part of the late 1980s New York hardcore and Connecticut straight edge scenes. They played many of their early shows at the now famous Anthrax Club in Norwalk, Connecticut. In 1987 they appeared on the X Marks The Spot compilation 7-inch, one of the first documents of the burgeoning Connecticut straight edge scene. In 1988, they released their Spirit LP, and a summer tour followed in 1989 with Unit Pride, Insted and Gorilla Biscuits. Up Front remained active through 1992, releasing the Daybreak 7 inch in 1990, touring the US again in the summer of 1991, and completing their first tour of Europe in the winter of 1991–1992. They initially broke up after recording the Changes 7-inch in 1992, but reformed in the spring of 1994 to record the What Fire Does 7-inch followed with their second tour of Europe that summer. After a brief hiatus Up Front wrote and recorded the Movement CD in 1997. After a handful of US shows, a tour of Japan in 1998, and their third summer tour of Europe in 1999 followed. Other than three "reunion" shows in the summer/fall of 2005, and one "reunion" show with a return to the Daybreak lineup in November 2009 at the A Time We'll Remember Fest, the band has remained dormant since 1999.

text:
# Up Front (hardcore band)

**Up Front** was an American hardcore band from New York City. They were an influential part of the late 1980s New York hardcore and Connecticut straight edge scenes. They played many of their early shows at the now famous Anthrax Club in Norwalk, Connecticut. In 1987 they appeared on the *X Marks The Spot* compilation 7-inch, one of the first documents of the burgeoning Connecticut straight edge scene.

In 1988, they released their *Spirit* LP, and a summer tour followed in 1989 with Unit Pride, Insted and Gorilla Biscuits. Up Front remained active through 1992, releasing the *Daybreak* 7 inch in 1990, touring the US again in the summer of 1991, and completing their first tour of Europe in the winter of 1991–1992.

They initially broke up after recording the *Changes* 7-inch in 1992, but reformed in the spring of 1994 to record the *What Fire Does* 7-inch followed with their second tour of Europe that summer.

After a brief hiatus Up Front wrote and recorded the *Movement* CD in 1997. After a handful of US shows, a tour of Japan in 1998, and their third summer tour of Europe in 1999 followed (supporting a split 7-inch vinyl with Belgian hardcore band Building, released through Sober Mind Records).

Other than three "reunion" shows in the summer/fall of 2005, and one "reunion" show with a return to the Daybreak lineup in November 2009 at the A Time We'll Remember Fest, the band has remained dormant since 1999.

## Band members

* Steve Keeley – vocals
* Jon Field – guitar
* Rich Ryder – guitar
* Jeff Terranova – bass
* Tim Schmoyer – drums

### Former members

* Dan Pettit – drums (1987)
* Jim Eaton – drums (1988–1989)
* Roger Lambert – vocals (1989)
* Ari Katz – drums (1989)

## Discography

* *X Marks the Spot* – 7 inch, 1988
* *Spirit* – CD, 1988
* *Daybreak* – 7 inch, 1990
* *Changes* – 7 inch, 1992
* *What Fire Does* – 7 inch, 1994
* *Doin' It Live on WNYU* – 7 inch, 1997
* *Movement* – CD, 1997
* *Split w/ Building* – 7 inch, 1999
* *Five by Seven* – CD, 2004

## InfoBox

| Up Front | |
| --- | --- |
| Origin | New York City, U.S. |
| Genres | Hardcore punk |
| Years active | 1987–1992, 1997–1999 |
| Labels | Smorgasbord, New Age, Sober Mind, |
|  | |
| Website | up-front.org |


title: Up Front (album)

abstract: Up Front is an album led by bassist David Williams but often credited to pianist Cedar Walton. Walton and Williams, along with drummer Billy Higgins, performed as a long-running trio under Walton's name. The album was recorded in 1986 and released on the Dutch Timeless label.

text:
# Up Front (album)

***Up Front*** is an album led by bassist David Williams but often credited to pianist Cedar Walton. Walton and Williams, along with drummer Billy Higgins, performed as a long-running trio under Walton's name. The album was recorded in 1986 and released on the Dutch Timeless label.

## Reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |

AllMusic awarded the album 4 stars.

## Track listing

1. "Up Front" (David Williams)
2. "Django" (John Lewis)
3. "Let's Call This" (Thelonious Monk)
4. "Everything Must Change" (Benard Ighner)
5. "Good Bait" (Tadd Dameron, Count Basie)
6. "Mode for Joe" (Cedar Walton)

## Personnel

## InfoBox

| Up Front | |
| --- | --- |
|  | |
| Studio album by Cedar Walton, David Williams & Billy Higgins | |
| Released | 1987 |
| Recorded | October 1986
Studio 44, Monster, Netherlands |
| Genre | Jazz |
| Label | Timeless
SJP 240 |
| Producer | Wim Wigt |
| Cedar Walton chronology | |
| *Blues for Myself*
(1986) ***Up Front***
(1987) *Cedar Walton Plays*
(1986) | |
|  | |
| David Williams chronology | |
| *Soul is Free*
(1978) ***Up Front***
(1986) *Duo*
(1990) | |
|  | |


title: Mardidjali

abstract: The Marditjali were an Indigenous Australian people, a small tribe distinct from the Jaadwa, whose lands extended from the state of Victoria to South Australia.

text:
# Mardidjali

The **Marditjali** were an Indigenous Australian people, a small tribe distinct from the Jaadwa, whose lands extended from the state of Victoria to South Australia.

## Name

Marditjali may not be the term used by the tribe itself, but an exonym applied to them by tribes to their west. Since the ethnonym is composed of two words *marti* ("abrupt/difficult to understand") and *tjale* (speech) from Westernj languages indicating their language was hard to grasp.

## Language

The Marditjali name for their language is unknown, but it was called Wintjabarap, designating the Wintjintanga horde by tribes to their west.

## Country

Marditjali ranged over a traditional land encompassing around 2,000 square miles (5,200 km2) from. Naracoorte in South Australia to the Victorian Wimmera area of Goroke and west of Mount Arapiles; They ranged as far south as Struan, Apsley, and Edenhope. Their northern boundaries were around Bangham, Kaniva, and Servicetown.

Marditjali tribal areas were characterized by swampy zones encircled by imposing country was characterized by large red gum forests The frontier with the Bungandidj (Buandik) around Eden hope was marked by a brusque change in tree type, as red gums yielded to scrub gums. Their western boundaries with the Meintangk on the Naracoorte Range are likewise ecologically defined by the rising terraces of wooded lime sand dunes.

## Social organisation

The Marditjali were divided into several camps

* *Witjintanga*

## Alternative names

* *Worangarait* (\[*wora*\] = plain country, \[*ngara*\] = to exist in-name applied by Bunganditj)
* *Worangarit, Wragarait*
* *Wintjabarap* (language name)
* *Lake Wallace tribe*
* *Keribial-barap*
* *Witjintanga*
* *Wichintunga*

## Some words

* *bangg* (man)

### Citations

1. Tindale 1974, p. 206.
2. Tindale 1974.
3. Tindale 1974, pp. 67–68.

## Sources

* Tindale, Norman Barnett (1974). "Marditjali (VIC)". *Aboriginal Tribes of Australia: Their Terrain, Environmental Controls, Distribution, Limits, and Proper Names*. Australian National University Press. ISBN 978-0-708-10741-6.


title: Upton, Texas

abstract: Upton is an unincorporated community in Bastrop County, Texas, United States. According to the Handbook of Texas, the community had a population of 25 in 2000. It is located within the Greater Austin metropolitan area.

text:
# Upton, Texas

**Upton** is an unincorporated community in Bastrop County, Texas, United States. According to the Handbook of Texas, the community had a population of 25 in 2000. It is located within the Greater Austin metropolitan area.

## History

Upton's first settler was J.P. Young in 1847. Three more settlers named John and Tom Hancock, as well as John Bright followed suit. When the Missouri, Kansas, and Texas Railroad arrived in the community in 1894, a post office was established and remained in operation until 1929. It was originally named Como but eventually changed its name to Upton. The community's population was 70 in 1914 and had a cotton gin and general store. A church was built that next year, with the population dropping to 25. There was a community center in the 1930s. The population of Upton remained at 25 over the decades and briefly grew to 50 in the late 1960s. It had 25 people as of the 2000 census.

## Geography

Upton is located 7 mi (11 km) south of Bastrop in central Bastrop County.

## Education

Upton's first school was a one-room log building. It was replaced by a newer frame building that was built on land donated by the community's first settler. It was moved to its current site in 1892. It then had three schools: two for black students and one for white students, in the 1930s. Today, Upton is served by the Smithville Independent School District.

## InfoBox

| Upton, Texas | |
| --- | --- |
| Unincorporated community | |
| UptonUpton | |
| Coordinates: 30°00′41″N 97°15′51″W / 30.01139°N 97.26417°W / 30.01139; -97.26417 | |
| Country | United States |
| State | Texas |
| County | Bastrop |
| Elevation | 341 ft (104 m) |
| Time zone | UTC-6 (Central (CST)) |
| Summer (DST) | UTC-5 (CDT) |
| Area code(s) | 512 & 737 |
| GNIS feature ID | 1379197 |


title: Upwardly Global

abstract: Upwardly Global is a 501(c)(3) national non-profit organization with offices in New York, Chicago, San Francisco and Washington, D.C. that helps immigrant, refugee and asylee professionals rebuild their careers in the United States.

text:
# Upwardly Global

**Upwardly Global** is a 501(c)(3) national non-profit organization with offices in New York, Chicago, San Francisco and Washington, D.C. that helps immigrant, refugee and asylee professionals rebuild their careers in the United States.

## History

### Beginnings

Upwardly Global was founded in 2000 by Jane Leu in San Francisco, California. After having worked extensively with immigrants, asylees, and refugees, Jane saw a need for programs that support professionally educated and experienced immigrants in particular. Newspapers have described cases of underemployed immigrant professionals — lawyers working as gas station attendants, doctors as doormen — as the "American classic." Multiple organizations exist to assist immigrant job-seekers, but few have the resources required to assist those with professional-level backgrounds. Upwardly Global is unique in the United States as an organization that specializes in matching qualified immigrants with professional positions. Jane began working with such immigrants part-time, unpaid, from her own kitchen.

In 2000, the organization received its first official grant from the Three Guineas Fund. In the next few years, the list of donors expanded to include the Levi Strauss Foundation, the Draper Richards Foundation, and various private donors. Nikki Cicerani served as the organization's President and CEO from 2009-2018, leading the organization's expansion from two metropolitan areas to four, and launching online, virtual services. She currently serves on the organization's Board of Directors. In 2018, Jina Krause-Vilmar took over as the President and CEO of Upwardly Global. Jina arrived at Upwardly Global with 15 years of experience in for-profit and non-profit sectors.

### Present day

Upwardly Global now has physical offices in San Francisco, New York City, Chicago, and Washington, D.C. The organization has received numerous awards, including the 2004 Manhattan Institute Award for Social Entrepreneurship and the 2006 John F. Kennedy New Frontier Award, the 2010 E Pluribus Unum Award.

The organization receives funding from private donors, as well as from the Achelis Foundation, Ashoka: Innovators for the Public, the Alan Slifka Foundation, Cisco Systems, Community Technology, Foundation for California, the Draper Richards Foundation, the Gimbel Foundation, the Johnson Foundation, JP Morgan Chase, the Leitner Family Foundation, New Profit, Inc., the New York Times Foundation, the Robin Hood Foundation, the San Francisco Foundation, the Third Millennium Foundation, Three Guineas Fund, Wells Fargo, and more.

Most recently, Upwardly Global has been working to address restrictive state licensing laws. 165,000 internationally trained healthcare professionals live in the U.S. with a range of education, skills, and experiences—including past pandemics and crises like the Ebola and SARS outbreaks. However, complex state licensing laws, misunderstandings of credentials, limited professional networks, and other systemic barriers leave these healthcare professionals on the sidelines—even during the height of the COVID-19 pandemic, when frontline support was scarce. Upwardly Global is working with state governments to change these laws to protect patients and build needed capacity.

## Strategy and outreach

### Jobseekers

Jobseekers that fit requirements have free access to Upwardly Global programs and in-person and digital services. Activities, programs and resources include:

* Resume and cover letter assistance
* Workshops
* Mock interviews
* Mentoring and advising by volunteers
* Access to free classes to earn credentials
* Submission of resumes to relevant employer partners

### Employer network

Upwardly Global has partnerships with such companies as Accenture, Google, Wells Fargo.

Upwardly Global's strategy for interaction with employer partners follows a basic three-level process:

**1. Education** Through training, Upwardly Global works with HR professionals to expand cross-cultural hiring practices.

**2. Engagement** Employees of partner companies are invited to volunteer for Upwardly Global, individually or in groups. This important step increases awareness about immigrant professional potential and creates "internal advocates for global diversity."

**3. Employment** The final component is the intersection of needs and goals between the job seekers and companies. Upwardly Global functions similarly to a recruiter by steering qualified and interested candidates towards open positions in employer partner companies.

*Upwardly Global places skilled immigrants in jobs worthy of their talents.*. Standford Social Innovation. Spring 2010.

*Bar Serves as Classroom for Immigrants Learning Job-Hunting Skills.*. The New York Times. February 28, 2010.

*Non-Profit Helps Immigrants Launch New Careers.*. CBS 5. May 27, 2009

*Fact Sheet on the Foreign Born: Language and Education Characteristics.* 2007. The Migration Policy Institute. Retrieved August 14, 2007.

*Immigration Policy Brief - New Census Bureau Data Underscore Importance of Immigrants in US Labor Force* 2007. Paral, Rob. The American Immigration Law Foundation. Retrieved August 15, 2007.

*More immigrants, more jobs.* July 11, 2005. The Wall Street Journal. Retrieved August 14, 2007.

The 2006 John F. Kennedy New Frontier Awards. The John F. Kennedy Library Foundation. Retrieved August 14, 2007.

*Upwardly Global: About Us: FAQs.* Upwardly Global. Retrieved August 13, 2007.

*IV. Review of the list of least developed countries.* March 2003. The United Nations. Retrieved August 14, 2007.

*Upwardly Global: Impact Statistics.* Upwardly Global. Retrieved July 14, 2021.

*GuideStar Report: Upwardly Global* GuideStar. Retrieved August 14, 2007.

*Legal Immigrants Have Trouble Finding Jobs* May 30, 2006. The Wall Street Journal. Retrieved August 14, 2007.

## InfoBox

Upwardly Global
| Company type | 501(c)(3) nonprofit |
| --- | --- |
| Industry | Social Entrepreneurship, Immigrant Inclusion, Corporate Diversity |
| Founded | 1999, United States |
| Headquarters | New York City, Chicago, San Francisco, Washington, D.C. |
| Key people | Jane Leu, Founder ; Nikki Cicerani, CEO 2009-2018 ; Jina Krause-Vilmar, CEO 2018-present |
| Products | Career counseling, career resources, mentoring, training, resume services |
| Revenue | 5,115,280 United States dollar (2016) |
| Website | www.upwardlyglobal.org |


title: Margaret Melhase

abstract: Margaret Melhase Fuchs was an American chemist and a co-discoverer, with Glenn T. Seaborg, of the isotope caesium-137.

text:
# Margaret Melhase

**Margaret Melhase Fuchs** (August 13, 1919  August 8, 2006) was an American chemist and a co-discoverer, with Glenn T. Seaborg, of the isotope caesium-137.

## Education and research career

In 1940, Melhase was an undergraduate in the college of chemistry at the University of California, Berkeley. She was president of the Student Affiliates of the American Chemical Society and was considering doctoral studies and a career in chemistry. Honors students typically took on research projects at the time, and she sought advice from her close friend, nuclear chemist Gerhart Friedlander; Friedlander was then a graduate student under the supervision of Glenn T. Seaborg, and he suggested she approach him for a project. She spoke to Seaborg in his lab, and he proposed they work together to search for a Group 1 element among the fission products of uranium. Her laboratory was above those of Nobel Prize winners Willard Libby and Melvin Calvin.

In March 1941, Melhase worked with Art Wahl. He handed her 100 grams of a uranium compound (uranyl nitrate) that had been neutron-irradiated by a cyclotron. Using a Lauritzen quartz fiber electroscope, she discovered the Cs-137 several months later. Despite establishing herself as a promising young experimental scientist, nuclear research during World War II was treated with strict secrecy and it was not publicized. Significant research on the isotope followed, but their results were not made available until after the war.

Melhase received a bachelor's degree in nuclear chemistry and planned to apply for graduate studies at UC Berkeley. However, the head of the chemistry department, Gilbert N. Lewis, was refusing entry to women; the last woman the department admitted had gotten married shortly after her graduation and he considered her education a "waste". She worked for the Philadelphia Quartz Company in El Cerrito, California. She rejoined the Manhattan Project from 1944 to 1946. Without an advanced degree, she did not continue her career in science.

Though references to her work are scant, Seaborg shares credit of his discovery of Cs-137 with her. Writing in 1961, he stated:

> I am considering including a short description of the discovery of radioactive cesium 137 in one of my talks. I believe that the work you did with me during 1941 on the identification of this isotope as a fission product of uranium constitutes the first observation of this isotope.
>
> Glenn T. Seaborg, correspondence with Melhase Fuchs in 1961

He also wrote in 1990 that "it is appropriate to credit both G. T. Seaborg and M. Melhase for the 'birth' of cesium 137."

## Personal life

Margaret was an only child, born in Berkeley, California to mother Margaret Orchard and father John Melhase, who worked as a geologist. During her time at UC Berkeley, Melhase was a member of the Berkeley Folk Dancers and edited the group's newsletter. She met mathematics professor Robert A. Fuchs at a folk dance, and the two married in 1945 and had three children. She and her husband moved to Los Angeles. She was a supporter of social causes, organizing marches for agricultural workers and housing and aiding immigrant Laotian families in Los Angeles.

## InfoBox

| Margaret Melhase Fuchs | |
| --- | --- |
| Margaret Melhase as an undergraduate at UC Berkeley c.1941 | |
| Born | Margaret Melhase
(1919-08-13)August 13, 1919
Berkeley, California |
| Died | August 8, 2006(2006-08-08) (aged 86)
Menlo Park, California |
| Alma mater | University of California, Berkeley |
| **Scientific career** | |
| Academic advisors | Glenn T. Seaborg |
|  | |


title: Margaret Mercer

abstract: Margaret Mercer was an American abolitionist and educator. She worked to end slavery and freed the Maryland slaves that she inherited from her father, sending six of them to Africa. Mercer started a school and a chapel in Loudoun County that welcomed black people and continued for a short while after her death. In 2018, a Virginia historical marker was dedicated in her honor.

text:
# Margaret Mercer

**Margaret Mercer** (July 1, 1791  September 17, 1846) was an American abolitionist and educator. She worked to end slavery and freed the Maryland slaves that she inherited from her father, sending six of them to Africa. Mercer started a school and a chapel in Loudoun County that welcomed black people and continued for a short while after her death. In 2018, a Virginia historical marker was dedicated in her honor.

## Early and family Life

Margaret Mercer was born on July 1, 1791, to Maryland governor, planter and veteran politician John Francis Mercer and his wife, the former Sophia Sprigg. Mercer was their fourth child, and one of the descendants of her brother John Mercer would be Lucy Mercer (who much later became known for her relationship with U.S. President Franklin Roosevelt). Her grandfather John Mercer and uncle James Mercer were prominent Virginia lawyers, and her father had served in the Virginia House of Delegates after his service in the American Revolutionary War and before marrying her mother and moving to her family's estates in Anne Arundel County, Maryland. Mercer grew up in the family home named Cedar Park in Galesville, and read widely in her father's library (which contemporaries had admired, as they had the library of her grandfather Mercer). Although her father and both grandfathers had operated their Virginia and Maryland plantations using enslaved labor, Margaret found slavery immoral. She also did not want to marry, and never did. She corresponded with her Essex County, Virginia paternal relatives, including about the important people who visited Cedar Park, the siege of Baltimore during the War of 1812, and her brother's surviving his military service.

## Career

Mercer inherited some of her father's 72 slaves upon his death in 1821, but was unable to send any of them to Africa because her father's estate was in debt, and their sale (which creditors wanted but Margaret knew would break up families) could pay off that debt. While her brother remained at the family's Anne Arundel county plantations, Mercer moved to Essex County, Virginia, where she lived with her uncle James Mercer Garnett (a former member of Congress as well as a prominent planter), and with his daughters taught at a school nearby in Elmwood for four years. Margaret Mercer taught classes five days a week, and also helped teach Sunday school. On Saturdays, she worked for the Virginia Colonization Society, a part of the American Colonization Society. The society advocated purchasing slaves' freedom and then settling them in Africa. In 1823, the American Colonization Society bought land on the Guinea Coast (in West Africa), and named it Liberia. Another of her Mercer cousins (who had helped found the American Colonization Society), was Congressman Charles Fenton Mercer, of Loudoun County, who lived on a westward road and also became known for education both education and internal improvements (like roads, canals and later railroads). She also knew architect John H. B. Latrobe, a prominent colonization advocate in Maryland.

In 1825, Mercer returned to Maryland to start a similar school for girls at her family's Cedar Park home, and she managed to pay off the estate's debt with profits raised from the school. Mercer then freed all of the slaves she inherited, sending six of them to Liberia. They arrived in Monrovia on a schooner named *Margaret Mercer*. The schooner's Captain Abels remained in Liberia for 13 days and in 1832 wrote a positive letter about his experience, which colonizers published. However, three years after the freed slaves arrived in Monrovia, three had died, one moved back to the United States, and another moved further away. \[The sixth freed slave's fate remains unknown\]. Similar results for other freed slaves sent to Africa led to the colonization movement's decline.

In 1836, Ludwell Lee, a planter and politician who had served as speaker of the Virginia Senate (1799) and also helped C.F. Mercer organize the Loudoun chapter of the American Colonization Society, died and his heirs placed Belmont, his 1,000-plus-acre plantation for sale. Mercer returned to Virginia, bought it and opened a school there named "Belmont Academy". She intended to emphasize agricultural education and how learning about it could remove the need for slave labor. Other courses were: philosophy, ethics, the Bible, French, Latin, geography, geology, and astronomy. Her students were mostly daughters of southern gentry and paid $250 each year for tuition. She employed seven teachers and only one of her students was a boy (John Morris Wample was a teacher's son and later became a Confederate engineer. In the 1840 census, 56 free white people lived on the property (of which 8 were male and 20 females of between 10 and 15 years old and 15 of between 15 and 20 years old, as well as nine enslaved Black women and girls and two free Black girls.

Because of the distance to the nearest church (difficult even on horseback), Mercer asked Latrobe to build Belmont Chapel. In 1841, the chapel opened for services and Bible study. Children of slaves and freed slaves participated with the schoolgirls at the chapel.

## Death and legacy

Mercer died of tuberculosis on September 17, 1846, aged 55, at Belmont, and was buried on the estate. Two years later, Morris Caspar published a biography of her life.

She had never married, and her executors Thomas S. Mercer and Richard S. Mercer sold the Belmont estate in 1851 to George Kephart of Frederick County, Maryland, who also bought the former Thomas Ludwell Lee plantation called "Coton" across the Leesburg Pike. Eugenia Kephart, George Kephart's eldest daughter, operated the school and moved it by 1856 to Oak Hill plantation, before closing in the early 1870s when the new Virginia constitution enabled free public education. Richard S. Mercer may have used some of the sale proceeds in 1858 to erect Parkhurst manor in Harwood, in Anne Arundel County, nearly across the state from George Kephart's decades-long farm near Buckeystown (which is about 28 miles away from Belmont, with a nearly direct crossing of the Potomac River along historic Route 15). George Kephart had considerable notoriety, particularly among Loudoun County Quakers at the Goose Creek meeting (about 18 miles from Belmont), for his and his sons' slave catching activities, and 1836 had purchased the Alexandria, Virginia slave-trading firm once known as Franklin & Armfield at 1315 Duke Street (about 40 miles from Belmont, or 50 miles from Buckeystown). George Kephart classified himself as a farmer in the 1850 Federal census for Maryland, and the accompanying slave census only showed him as owning 17 enslaved persons there, but two men of the same name (the other possibly his eldest son on the Maryland census) owned a total of 49 enslaved people in Alexandria. The 1860 Federal census for Loudoun County, Virginia classified George as "Merchant" and his son William as "Tradeing", but the Kephart family (now without George Junior who disappeared from the census but would be buried nearby in 1888, and to which 6 year old Julius had been added, only owned one slave, an 18 year old mulatto woman. Kephart either provided for his children who chose not to continue the business or encountered financial difficulties by 1858, when the firm's name changed to Price, Birch and Co. (which remained the name when Union authorities converted the Alexandria office in 1862 into a jail for Confederate and other prisoners) and in 1860 the Loudoun Circuit Court ordered various properties including Coton liquidated. In 1864, Virginia abolitionist Moncure Conway published *Testimonies Concerning Slavery* and specifically criticized Kephart, who died at Belmont in 1869, about two years after his wife. His Alexandria slave trading office and jail is now also a historic site and museum.

Although much of the former Belmont estate was developed in recent years, the manor house was placed on the National Register of Historic Places in 1980, and remains today as an event venue, surrounded by the Belmont golf club and gated community developed by Toll Brothers in 1995.

Religious services continued at the Belmont chapel until 1936. Arson destroyed it in 1967. In 1990, St. David's Episcopal Church was built on the former Belmont Chapel site. In 2018, community leaders and politicians from Loudoun County, and Liberia visited St. David's Episcopal Church and School in Ashburn to dedicate a Virginia historical marker in Mercer's honor.

## InfoBox

| Margaret Mercer | |
| --- | --- |
|  | |
| Born | (1791-07-01)July 1, 1791
Galesville, Maryland, US |
| Died | September 17, 1846(1846-09-17) (aged 55)
Belmont, Loudoun County, Virginia |
| Occupation(s) | Abolitionist, educator |


title: Uppland Runic Inscription 77

abstract: Uppland Runic Inscription 77 is the Rundata catalog number for a Viking Age memorial runestone that is located at Råsta, which is in Sundbyberg Municipality, Stockholm County, Sweden, which is in the historic province of Uppland.

text:
# Uppland Runic Inscription 77

**Uppland Runic Inscription 77** is the Rundata catalog number for a Viking Age memorial runestone that is located at Råsta, which is in Sundbyberg Municipality, Stockholm County, Sweden, which is in the historic province of Uppland.

## Description

This runestone, which is 1.75 meters in height and made of granite, consists of runic text on a serpent that becomes intertwined with itself in the center of the design. The inscription is classified as being carved in runestone style Pr4, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. The inscription has been attributed based upon stylistic analysis to a runemaster named Torgöt Fotsarve.

The runic text is in the younger futhark and states that the stone was raised by two brothers named Holmsteinn and Hôsvi as a memorial to their father Jóbjôrn and to another man believed to be named Gyríðr.

## Inscription

hulmstin

Holmsteinn

Holmstæinn

×

auk

ok

ok

×

haosui

Hǫsvi

Hosvi

×

litu

létu

letu

×

raisa

reisa

ræisa

istain

stein

stæin

×

iftir

eptir

æftiʀ

×

iybiurn

Jóbjǫrn,

Iobiorn,

×

faþur

fǫður

faður

sin

sinn,

sinn,

×

auk

ok

ok

×

kiriþ

Gyríðr(?)

Gyrið(?)

×

ifti

eptir.

æftiʀ.

(Old West Norse)

(Runic Swedish)

hulmstin × auk × haosui × litu × raisa istain × iftir × iybiurn × faþur sin × auk × kiriþ × ifti

Holmsteinn {} ok {} Hǫsvi {} létu {} reisa stein {} eptir {} Jóbjǫrn, {} fǫður sinn, {} ok {} Gyríðr(?) {} eptir.

Holmstæinn {} ok {} Hosvi {} letu {} ræisa stæin {} æftiʀ {} Iobiorn, {} faður sinn, {} ok {} Gyrið(?) {} æftiʀ.

Holmsteinn and Hǫsvi had the stone raised in memory of Jóbjǫrn, their father; and Gyríðr(?) in memory of (him).

59°22′43″N 17°58′30″E / 59.3786°N 17.9750°E / 59.3786; 17.9750


title: Urosalpinx gilmorei

abstract: Urosalpinx auroraensis is an extinct species of sea snail, a marine gastropod mollusk in the family Muricidae, the murex snails or rock snails.

text:
# Urosalpinx gilmorei

***Urosalpinx auroraensis*** is an extinct species of sea snail, a marine gastropod mollusk in the family Muricidae, the murex snails or rock snails.

## Description

The length of the shell attains 18 mm.

## Distribution

Fossils were found in Pleistocene strata of South Carolina, USA.

## InfoBox

| *Urosalpinx gilmorei* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Gastropoda |
| Subclass: | Caenogastropoda |
| Order: | Neogastropoda |
| Family: | Muricidae |
| Subfamily: | Ocenebrinae |
| Genus: | *Urosalpinx* |
| Species: | ***U. gilmorei*** |
| Binomial name | |
| ***Urosalpinx gilmorei***<br>E.J. Petuch, 1994 | |
|


title: Margaret McWade

abstract: Margaret McWade was an American stage and film actress. She began her career in vaudeville in the early 1890s. Her most memorable role was as one of the Pixilated Sisters, a comedic stage act with actress Margaret Seddon. Later in 1936, they reprised their roles in the movie Mr. Deeds Goes to Town.

text:
# Margaret McWade

**Margaret McWade** (born **Margaret May Fish**; September 3, 1871 – April 1, 1956) was an American stage and film actress. She began her career in vaudeville in the early 1890s. Her most memorable role was as one of the Pixilated Sisters, a comedic stage act with actress Margaret Seddon. Later in 1936, they reprised their roles in the movie *Mr. Deeds Goes to Town*.

## Biography

Margaret May Fish was born September 3, 1871, in Chicago, Illinois, the eldest of three daughters. A number of short biographies state that Fish was born in 1872; however, the 1900 U.S. Census reports her birth in 1871.

## Career

During her early career, Margaret May Fish went by the stage name Margaret May. In the late 1890s, while performing in vaudeville, she met fellow actress Margaret Seddon. The two actresses teamed to create a stage act known as the Pixillated Sisters. The act proved to be a hit for the duo. Years later, they would reprise the Pixilated Sisters in the 1936 movie *Mr. Deeds Goes to Town*.

On September 4, 1897, she married actor Edward McWade. The couple had appeared in a number of stage performances together in Boston and New York before their marriage, starting in March 1892. They were cast as supporting characters in *County Fair* at the Whitney Opera House. Until late 1919, Margaret continued to use her stage name Margaret May.

McWade made her screen debut in the 1914 silent film *The Drama of Heyville*, starring Marc McDermott and directed by Ashley Miller. She was under contract to the Edison Film Company and was later picked up by the Vitagraph Film Company. She acted in a total of 59 films from 1914 to 1954.

Between films, she was a prolific stage actress, touring the U.S. with various theatrical companies. She also toured with her husband in theater shows, several of which he wrote. In April 1901, Edward McWade wrote and produced the play *Winchester* at the American Theater in New York. The play was based upon an event during the Civil War. He wrote a supporting role for his wife. In 1902, he wrote the play *The Land of Mystery*, a romantic drama in which Margaret also had a role.

In 1922, Margaret was cast in the movie *The Blot*, produced and directed by Lois Weber and considered by many critics to be Weber's greatest film. McWade played Mrs. Griggs, and she is described in reviews as the "old mother hubbard, shouldering most of the burden for the penny pinching family". The movie received critical acclaim, which paved the way for more acting roles. McWade was most often described as playing the mother, aunt, older sister, spinster, and later in her career, the grandmother. In the Louisiana newspaper *Monroe Morning World* on June 5, 1938, she is described physically as "the one with the angular face and black hair".

In 1935, producers approached both McWade and Seddon and asked them to reprise their roles as the Pixilated Sisters for the 1936 movie *Mr. Deeds Goes to Town,* starring Gary Cooper and directed by Frank Capra. In the film, the two actresses play sisters who believe that Cooper's character is "pixilated". Reprising these characters set off a brief resurgence of stage and film performances for the duo. In *The Corsicana Daily Sun*, McWade is quoted regarding having played the Pixilated Sisters in the movie: "it's a one chance in a million, like something out of a book. It's not hard to understand. It wasn't we who clicked individually or even collectively. It was a grand part. If you recall, we turned the tide by our testimony in favor of Gary Cooper at an insanity hearing. He was a beloved character, and by helping him we helped ourselves."

The two actresses teamed for a variety of films throughout the late 1930s and into the 1940s, often playing spinster sisters in comedic roles written for them, such as *One Man's Bonus*. After 1936, they often were billed in newspapers and posters as those "beloved Pixilated Sisters".

## Later years and death

Two years after performing in her last movie, Margaret McWade died on April 1, 1956, in Los Angeles at the age of 83. She was buried in her hometown of Chicago, Illinois in Rosehill Cemetery.

## Stage performances

* 1892: *The County Fair*. The Whitney Opera House; Boston, MA; \** Edward McWade in production.
* 1893: *Comic Stage Sketches*. Boston, MA; \**Edward McWade in production.
* 1901: *Winchester*. The American Theater, New York; Written by Edward McWade.
* 1902: *The Land of Mystery*. New York Theater Company; New York; Written by husband Edward McWade.
* 1912: Robert A. Hudson Theater; San Francisco, CA; New York Stage Production Company.
* 1925: *The Painted Lady*.The William Fox Players. Touring theatrical show. Bar Harbor Maine.

## Partial filmography

## InfoBox

| Margaret McWade | |
| --- | --- |
| McWade with Louis Calhern in *The Blot* (1921) | |
| Born | Margaret May Fish
(1871-09-03)September 3, 1871
Chicago, Illinois, U.S. |
| Died | April 1, 1956(1956-04-01) (aged 84)
Los Angeles, California, U.S. |
| Burial place | Rosehill Cemetery |
| Other names | Margaret May |
| Occupation | Actress |
| Years active | 1892–1945 |
| Spouse | Edward McWade  (m. 1897; died 1943) |


title: UrbanGrowth NSW

abstract: UrbanGrowth NSW Development Corporation was an agency of the Government of New South Wales, between 2013 and 2019. It replaced the Sydney Metropolitan Development Authority. Up until its abolition, UrbanGrowth NSW worked with government, private and community partners to facilitate economic development, including the renewal of urban places across metropolitan Sydney. The chief executive officer of the corporation was Barry Mann. Following the 2019 state election, the activities of UrbanGrowth NSW were merged into Infrastructure NSW with effect from 1 July 2019.

text:
# UrbanGrowth NSW

**UrbanGrowth NSW Development Corporation** (known as **UrbanGrowth NSW**) was an agency of the Government of New South Wales, between 2013 and 2019. It replaced the Sydney Metropolitan Development Authority.

Up until its abolition, UrbanGrowth NSW worked with government, private and community partners to facilitate economic development, including the renewal of urban places across metropolitan Sydney. The chief executive officer of the corporation was Barry Mann.

Following the 2019 state election, the activities of UrbanGrowth NSW were merged into Infrastructure NSW with effect from 1 July 2019.

## InfoBox

UrbanGrowth NSW Development Corporation
| Agency overview | |
| --- | --- |
| Formed | January 2013 (2013-01) |
| Preceding agency | * Sydney Metropolitan Development Authority |
| Dissolved | 1 July 2019 (2019-07-01) |
| Superseding agency |  |
| Jurisdiction | New South Wales |
| Headquarters | 19 Martin Place, Sydney |
| Agency executives |  |
| Website | www.ugdc.nsw.gov.au |


title: Urban75

abstract: Urban75, also known as U75 or simply Urban, is a website and internet forum based in Brixton, London, and online since 1995.

text:
# Urban75

**Urban75**, also known as **U75** or simply **Urban**, is a website and internet forum based in Brixton, London, and online since 1995.

## History

Urban75 originated from a football comic *Bluebird Jones* \- an e-zine formed around football fans opposition to the Criminal Justice and Public Order Act 1994. The campaign received large amounts of exposure in the media, and in May 1995 an unknown helper on the campaign from Brighton put together the first version of the Urban75 site, using a modem donated by The Levellers. The site is characterised by an opposition to mainstream culture and does not carry adverts. Its editor is founder Mike Slocombe.

The site and forums expanded beyond football and direct action with a mix of left-wing politics, drugs, music, and photography amongst other interests. As it grew in popularity, it was forced to leave its web host Demon Internet, and was briefly hosted on the Head-Space Project until it moved to its own domain in August 1997. Early publicity was generated by Shockwave games in which politicians and celebrities could be virtually "slapped" or "punched".

## In the media

In March 2002, Urban75 entered the national news when Lambeth police chief Brian Paddick posted on the forums in order to discuss issues with Brixton's internet users while he was conducting a cannabis tolerance experiment. However, when the tabloid press discovered Paddick's posts on the site, a scandal ensued. In particular, the press highlighted one such post where Paddick had said: "The concept of anarchy has always appealed to me". Paddick subsequently met with the Metropolitan Police Commissioner, Sir John Stevens, and accepted criticism of his remarks. No disciplinary action was taken and Paddick remained in his post until his retirement in 2007.

In July 2005, Rachel North posted on the forums her account of having been caught up in the 2005 London bombings. This was reposted on a BBC blog in the days following the attack.

In October 2005, a forum post entitled "Can squirrels get addicted to crack?" was picked up by the local *South London Press*, leading to a number of national newspapers also running the story.

In September 2006, the technology news website The Register dubbed Urban75 as "the naughty corner of British politics" after posters on the forum disrupted an online petition in support of then UK Prime Minister Tony Blair.

## Offline club

Urban75 held its first *Offline* club night in February 2004, and continues today hosting nights in Brixton venues such as the Ritzy Cinema, Dogstar, Brixton Jamm Club, 414 Club, and the Prince Albert. Offline hosts a line-up of DJs and has also put on well known acts such as Alabama 3, Sharks, Morton Valence, Stewart Lee, Josie Long, Rob Newman, Shazia Mirza, and Howard Marks.

## InfoBox

Urban75
|  | |
| --- | --- |
| Type of site | Community, local news, left-wing politics |
| Headquarters | Brixton, London, England |
| Editor | Mike Slocombe |
| URL | urban75.org |
| Commercial | No |
| Launched | May 1995 (1995-05) |
| Current status | Online |


title: Urstromtaler

abstract: The Urstromtaler is a community currency being used in the landlocked states Brandenburg and Saxony-Anhalt side by side with the euro. It equates one-to-one with euro in value and is accepted by several local shops and businesses. The supporters argue that this helps by promoting local business especially for the small local shops that have to compete against corporate supermarkets and chain stores. There are 22 other regional currencies that have sprung up in Germany. Sometimes it is argued that Regiogeld is illegal, but most academics tend to see Regiogeld as a legal and welcome route to adapt regional economies to globalisation.

text:
# Urstromtaler

The **Urstromtaler** is a community currency being used in the landlocked states Brandenburg and Saxony-Anhalt side by side with the euro. It equates one-to-one with euro in value and is accepted by several local shops and businesses. The supporters argue that this helps by promoting local business especially for the small local shops that have to compete against corporate supermarkets and chain stores.

There are 22 other regional currencies that have sprung up in Germany. Sometimes it is argued that Regiogeld is illegal, but most academics tend to see Regiogeld as a legal and welcome route to adapt regional economies to globalisation.


title: Urban retrofitting

abstract: Urban retrofitting is a combination of policies and phenomena done with the goal of undoing or remedying the effects of urban sprawl. The phenomena of adaptive reuse and infill development to combat sprawl are key to this. It often follows the new urbanist school of thought, which aims to undo the sprawl and flight from urbanized areas that occurred in the US and Canada after WWII.

text:
# Urban retrofitting

**Urban retrofitting** is a combination of policies and phenomena done with the goal of undoing or remedying the effects of urban sprawl. The phenomena of adaptive reuse and infill development to combat sprawl are key to this. It often follows the new urbanist school of thought, which aims to undo the sprawl and flight from urbanized areas that occurred in the US and Canada after WWII.

## History and issues to solve

Ellen Dunham-Jones and June Williamson, professors of urban planning and architecture at Georgia Tech and CUNY, respectively, wrote the book on this phenomenon. Much of their work is captured in their book, "Retrofitting Suburbia: Urban Design Solutions for Redesigning Suburbs which discusses the phenomena of urban sprawl, economic development, climate change mitigation, and environmental justice.

In short, there are several issues that modern society faces that are either caused by or exacerbated by car dependency. These challenges include, but are not limited to: disrupting automobile dependence to promote public transit, "improve public health, support an aging population, leverage social capital for equity, compete for jobs, and add water and energy resilience" per the Congress for New Urbanism.

## Solutions to sprawl and effects

This phenomenon uses underutilized lots, parking lots, greyfield lots, densification of land use especially in regard to residential density, and rezoning to encourage walkability.

In a case study of the Belmar neighborhood of Lakewood, Colorado of the former Villa Italia Mall, the retrofit of the property resulted in the following:

* **22 city blocks on 103 acres**
* **777,000 square feet of retail space**
* **868,000 square feet of office space**
* **190,000 square feet of hotel space**
* **1,048 housing units**
* **9 acres of public parks/plazas**
* **5,000 parking spaces (garage, surface and street)**

There are several other cases of successful retrofits, including downtown Silver Spring, Maryland; North Hills in Raleigh, North Carolina; and CityCentre in Houston, Texas.