title: Miss Indonesia

abstract: Miss Indonesia is a national beauty pageant in Indonesia, organized by MNC Group under Miss Indonesia Organization, chaired by Liliana Tanoesoedibjo and sponsored by Sariayu Martha Tilaar. The winner of Miss Indonesia represents the country in Miss World pageant, one of the Big Four international beauty pageants and participates in various social actions in cooperation with Yayasan Jalinan Kasih, MNC Peduli and Miss World Organization program, Beauty with a Purpose. The current Miss Indonesia is Monica Kezia Sembiring of North Sumatra who was crowned by Audrey Vanessa Susilo of North Sulawesi on May 30, 2024. She will represent Indonesia at Miss World 2025.

text:
# Miss Indonesia

**Miss Indonesia** is a national beauty pageant in Indonesia, organized by MNC Group under Miss Indonesia Organization, chaired by Liliana Tanoesoedibjo and sponsored by Sariayu Martha Tilaar. The winner of Miss Indonesia represents the country in Miss World pageant, one of the Big Four international beauty pageants and participates in various social actions in cooperation with Yayasan Jalinan Kasih, MNC Peduli and Miss World Organization program, *Beauty with a Purpose*.

The current Miss Indonesia is Monica Kezia Sembiring of North Sumatra who was crowned by Audrey Vanessa Susilo of North Sulawesi on May 30, 2024. She will represent Indonesia at Miss World 2025.

## History

Miss Indonesia Organization together with Puteri Indonesia Organization is widely supported by the President and Cabinet of the Republic of Indonesia. In 2019, Joko Widodo announced the Miss Indonesia and Puteri Indonesia as the ***"National Intangible Cultural Heritage of Indonesia"***, which carries the values of Indonesian culture and society togetherness, to celebrate the role of women in the creative industry, environment, tourism, education and social awareness. In line with that, Angela Tanoesoedibjo the eldest daughter of media magnate MNC Group Hary Tanoesoedibjo and Miss Indonesia President and Chief Executive Officer Liliana Tanaja Tanoesoedibjo chosen as The Deputy of Ministry of tourism and Creative Economy of The Republic of Indonesia by the President of Indonesia, Joko Widodo at the Istana Negara Palace in Central Jakarta.

In 2005, the Miss Indonesia org. was established, is a national beauty pageant in Indonesia, organized by their own media company MNC Group under Miss Indonesia Organization, chaired by the Indonesian Business conglomerate, Media tycoon and Politician Hary Tanoesoedibjo wife - Liliana Tanaja Tanoesoedibjo and sponsored by Sariayu Martha Tilaar. The winner of Miss Indonesia represents the country in Miss World pageant, one of the Big Four international beauty pageants and participates in various social actions in cooperation with Yayasan Jalinan Kasih, MNC Peduli and Miss World Organization program, *Beauty with a Purpose*. The first Miss Indonesia to compete at Miss World beauty pageant is the former Indonesian National Armed Forces Reservist and United States Army Nurse Corps, Kristania Virginia Besouw who competed in Miss World 2006 in Palace of Culture and Science, Warsaw, Poland.

## Selection process

In order to represent her province at the National Finals, each delegate must go through an audition process conducted in major cities of Indonesia. Each year, a total of 34 delegates are selected to participate at the final round, one from each province.

## Titleholders

In 2005, the Miss Indonesia winner for the first time competed at the Miss ASEAN pageant, where the second edition was held in Jakarta, Indonesia and placed as the 1st Runner-up. In 2006, Miss Indonesia lost the franchise of the Miss ASEAN pageant and repositioned as Miss World Indonesia to represent Indonesia at the Miss World pageant. On occasions, when the winner does not qualify (due to age) for either contest, a runner-up is sent.

The winner of the contest receives the title *Miss Indonesia* and is eligible to represent Indonesia in the Miss World pageant. Miss Indonesia wears a crown of white gold with swarovski, presented by Untung Bersama Sejahtera (UBS Gold) since 2009.

In 2016, UBS Gold introduced the new Miss Indonesia crown model. The philosophy of the crown is *Beauty with a Purpose* that Miss Indonesia joins hands with the weak and children to make the world better.

In 2020, Miss Indonesia and UBS Gold again introduced the new Miss Indonesia crown model entitled "*Spirit of Indonesia*". The crown consists of a frame made of white gold, encrusted with swarovski zirconia to give it a red accent. The combination of red and white symbolizes Indonesia. This new crown is expected to bring fighting spirit to Indonesian women in the global arena.

| Year | Miss Indonesia | 1st Runner-up | 2nd Runner-up | 3rd Runner-up | Runners-up, in order
4th through 6th |
| --- | --- | --- | --- | --- | --- |
| 2005 | Imelda Fransisca
West Java | Joice Triatman
Central Java | Kiki Agustina
South Sumatra | Not awarded from 2005 to 2015 | Not awarded from 2005 to 2015 |
| 2006 | Kristania Virginia Besouw
North Sulawesi | Putu Yunita Oktarini
Bali | Josephine Amelia Widagdo
Central Java | | |
| 2007 | Kamidia Radisti
West Java | Verna Gladies Merry Inkiriwang
Central Sulawesi | I Gusti Ayu Agung Ary Kusumawardhani
Bali | | |
| 2008 | Sandra Angelia
East Java | Kartika Indah Pelapory
Maluku | Priscilla Yvonne Supit
North Sulawesi | | |
| 2009 | Kerenina Sunny Halim
Jakarta | Melati Putri Kusuma Dewi
West Sulawesi | Lia Angela Laksono
Bali | | |
| 2010 | Asyifa Latief
West Java Clarashinta Arumdani
D.I Yogyakarta | Kartika Kusumaningtyas
East Java || |
| 2011 | Astrid Yunadi
East Java | Amanda Roberta Zevannya
West Papua | Nadya Siddiqa
Banten | | |
| 2012 | Ines Putri
Bali | Ovi Dian Aryani Putri
East Java | Jennifer Sumia
Jakarta SCR | | |
| 2013 | Vania Larissa
West Kalimantan | Jovita Dwijayanti
Central Java | Shinta Nur Safira Azzahra
West Java | | |
| 2014 | Maria Asteria Sastrayu Rahajeng
West Sulawesi | Ellen Rachel Aragay
West Papua | Hanna Christiany Sugialam
East Java | | |
| 2015 | Maria Harfanti
D.I Yogyakarta | Savina Wibowo
South Sumatra Yona Luvitalice Miagan
Papua || |
| 2016 | Natasha Mannuela Halim
Bangka Belitung | Editha Aldillasari Rodianto
Bengkulu | Dian Bernika Ayuningtyas Silalahi
North Sumatra | Kidung Paramadita
Lampung | Nabilla Astrid Novianthy
Riau Islands |
| 2017 | Achintya Holte Nilsen
West Nusa Tenggara | Astrini Putri
Bengkulu | Ivhanrel Eltrisna Sumerah
North Sulawesi | Dinda Ayu Saraswati
Central Java | Anja Litani Ariella
D.I Yogyakarta |
| 2018 | Alya Nurshabrina
West Java | Narda Virelia
West Sumatra | Nadya Astrella Juliana
Central Java | Harini Merly Betrix Sondakh
North Sulawesi | Raudha Kasmir
Aceh |
| 2019 | Princess Mikhaelia Audrey Megonondo
Jambi | Elisa Jonathan
Banten | Sharon Margriet Sumolang
North Sulawesi | Tamara Dewi Gondo
East Java | Magdalena Rosari Ndona
East Nusa Tenggara  ---  Yolanda Lucia Tuasela
Maluku  ---  Vebbiantri Hananto
West Sulawesi |
| 2020 | Pricilia Carla Saputri Yules
South Sulawesi | Christella Fenisianti
Bangka Belitung Islands | Nadia Riwu Kaho
East Nusa Tenggara | Larissa Amelinda Soerayana
Jambi | Salma Effendi
North Sumatra |
| 2022 | Audrey Vanessa Susilo
North Sulawesi | Ida Ayu Laksmi Anjali
Bali | Alyssandra Yemima Gabe Winyoto
East Java | Angelina Aqila Suryadi
West Kalimantan | Naomy Angelica Sembiring
Riau |
| 2024 | Monica Kezia Sembiring
North Sumatra | Clarita Cahya Adity
D.I Yogyakarta | Anna Sakurai Dananjaya
Bali | Priyanka Puteri Ariffia
Jakarta SCR | Arindina Aulia Taim
Aceh |

### Number of wins by province

| Province | Titles | Year(s) |
| --- | --- | --- |
| West Java | 4 | 2005, 2007, 2010, 2018 |
| North Sulawesi | 2 | 2006, 2022 |
| East Java | | 2008, 2011 |
| North Sumatra | 1 | 2024 |
| South Sulawesi | | 2020 |
| Jambi | | 2019 |
| West Nusa Tenggara | | 2017 |
| Bangka Belitung Islands | | 2016 |
| Special Region of Yogyakarta | | 2015 |
| West Sulawesi | | 2014 |
| West Kalimantan | | 2013 |
| Bali | | 2012 |
| Jakarta SCR | | 2009 |
|

## International representations

Color key  * : Declared as Winner
* : Ended as runner-up
* : Ended as one of the finalists or semi-finalists
* : Ended as Special awards winner

| Year | Province | Miss Indonesia | International pageant | Placement | Special awards | Notes |
| --- | --- | --- | --- | --- | --- | --- |
|
| 2005 | West Java | Imelda Fransisca | Miss ASEAN 2005 | 1st Runner-up | * Miss Favorite |  |
| 2006 | North Sulawesi | Kristania Virginia Besouw | Miss World 2006 | Unplaced |  | For the first time, the Miss Indonesia team sent **2006 Grand Winner** to the Miss World 2006 competition. |
| 2007 | West Java | Kamidia Radisti | Miss World 2007 | Unplaced |  |  |
| 2008 | East Java | Sandra Angelia | Miss World 2008 | Unplaced |  |  |
| 2009 | Jakarta SCR | Kerenina Sunny Halim | Miss World 2009 | Unplaced |  |  |
| 2010 | West Java | Asyifa Latief | Miss World 2010 | Unplaced |  |  |
|
| 2011 | East Java | Astrid Yunadi | Miss World 2011 | Top 15 |  |  |
|
| 2012 | Bali | Ines Putri | Miss World 2012 | Top 15 |  |  |
|
| 2013 | West Kalimantan | Vania Larissa | Miss World 2013 | Top 10 |  |  |
|
| 2014 | West Sulawesi | Maria Asteria Sastrayu Rahajeng | Miss World 2014 | Top 25 |  |  |
|
| 2015 | D.I Yogyakarta | Maria Harfanti | Miss World 2015 | 2nd Runner-up |  |  |
|
| 2016 | Bangka Belitung | Natasha Mannuela Halim | Miss World 2016 | 2nd Runner-up |  |  |
|
| 2017 | West Nusa Tenggara | Achintya Holte Nilsen | Miss World 2017 | Top 10 |  |  |
|
| 2018 | West Java | Alya Nurshabrina | Miss World 2018 | Top 30 |  |  |
|
| 2019 | Jambi | Princess Mikhaelia Audrey Megonondo | Miss World 2019 | Top 40 |  |  |
|
| 2020 | South Sulawesi | Pricilia Carla Yules | Miss World 2021 | Top 6 |  |  |
| No International pageant in 2022 and 2023: *Miss World 2021 was rescheduled to 16 March 2022 due to the COVID-19 pandemic outbreak in Puerto Rico, and Miss World 2023 moved to 2024 in India.* | | | | | | |
|
| 2022 | North Sulawesi | Audrey Vanessa Susilo | Miss World 2023 | Top 40 |  |  |
| 2024 | North Sumatra | Monica Kezia Sembiring | Miss World 2025 |  |  |  |
|

## Placements at International Pageants

The following are the placements of **Miss Indonesia titleholders** for their participation at international pageants throughout the years.

## Controversy

In recent years, there has been criticism that some participants do not come from, and have never even set foot in, the area they represent. This is because Miss Indonesia auditions are generally held only in major cities, so not all regions can be represented. Potential participants may hold a sash from particular province, although they have no connection with that province.

## Miss World Indonesia Before 2006

| Year | Province | Miss World Indonesia | National title | Placement | Special awards | Notes |
| --- | --- | --- | --- | --- | --- | --- |
| Andi Beauty Institute Jakarta / Andy Nurhayati directorship — a franchise holder to Miss World between 1982–1983 | | | | | | |
| 1982 | Jakarta SCR | Andi Botenri | Miss World Indonesia 1982 | Unplaced |  | In 1982, Andi was **one the 5 winners at Miss Indonesia 1982**, titled Miss World Indonesia. She also was appointed by Andi Beauty Institute Jakarta to compete at Miss Universe 1983, a year later after Miss World competition in London, England, Great Britain. |
| 1983 | Jakarta SCR | Titi Dwijayati | Miss World Indonesia 1983 | Unplaced |  | In 1983 Titi was designated by Andi Beauty Institute Jakarta (as the national holder for Indonesia) *as* Miss World Indonesia 1983. She flied internationally with Andi Botenri who also competed at Miss Universe in the same year. |
| Did not compete between 1984—2004: *There is complete disagreement about Indonesia's delivery of beauty events from the government.* | | | | | | |
| Under Puteri Indonesia Organization who owned by The Royal Highest Princess Mooryati Soedibyo of Surakarta Sunanate only in 2005 | | | | | | |
| 2005 | DI Yogyakarta | Lindi Cistia Prabha | 1st Runner-up at Puteri Indonesia 2005 | Unplaced |  | For the first time Puteri Indonesia took over the Miss World and only once in history. |
|

## InfoBox

Miss Indonesia
|
|  |
| Formation | 2005 (14 years ago) |
| Type | Beauty pageant |
| Headquarters | Jakarta |
| Location | * Indonesia |
| Membership | Miss World |
| Official language | Indonesian and English |
| President and Chief Executive Officer Miss Indonesia | Liliana Tanoesoedibjo |
| Key people | Martha Tilaar
Wulan Tilaar
Lina Priscilla |
| Website | Official website |


title: Mir EO-4

abstract: Mir EO-4 was the fourth long-duration expedition to the Soviet space station Mir. The expedition began in November 1988, when crew members Commander Aleksandr Volkov and Flight Engineer Sergei Krikalev arrived at the station via the spacecraft Soyuz TM-7. The third crew member of EO-4, Valeri Polyakov, was already aboard Mir, having arrived in August 1988 part way through the previous expedition, Mir EO-3. The expedition lasted for five months, and at its conclusion Mir was left unmanned until the launch of Mir EO-5 in September 1989. This ended a continuous habitation of the space station which began in February 1987, with the arrival of the crew of Mir EO-2.

text:
# Mir EO-4

**Mir EO-4** (also called **Principal Expedition 4**) was the fourth long-duration expedition to the Soviet space station Mir. The expedition began in November 1988, when crew members Commander Aleksandr Volkov and Flight Engineer Sergei Krikalev arrived at the station via the spacecraft Soyuz TM-7. The third crew member of EO-4, Valeri Polyakov, was already aboard Mir, having arrived in August 1988 part way through the previous expedition, Mir EO-3.

The expedition lasted for five months, and at its conclusion Mir was left unmanned until the launch of Mir EO-5 in September 1989. This ended a continuous habitation of the space station which began in February 1987, with the arrival of the crew of Mir EO-2.

## Background

The previous long-duration expedition to Mir, EO-3, was intended to break the record for spaceflight duration of 326 days set by Yuri Romanenko during Mir EO-2. The physician Valeri Polyakov was sent to the station part way through EO-3 so that he could observe the cosmonauts at the end of their record duration flight. Polyakov then stayed aboard Mir to observe the EO-4 crew.

## Crew

| Mir EO-4 | Name | Spaceflight | Launch | Landing | Duration | Notes |
| --- | --- | --- | --- | --- | --- | --- |
| Commander | Alexander Volkov | Second | 26 November 1988
Soyuz TM-7 | 27 April 1989
Soyuz TM-7 | 151 days | Mir was left unmanned
when the crew undocked |
| Flight Engineer | Sergei Krikalev | First | | | | |
| Research Doctor | Valeri Polyakov | First | 29 August 1988
Soyuz TM-6 | | 241 days | Transferred from Mir EO-3 |

Volkov, the only crew member who had been to space before, had one previous spaceflight. It was a two-month mission in 1985 to the space station Salyut 7, launched by the spacecraft Soyuz T-14. This expedition, Salyut 7 EO-4, was intended to be 6 months long, but the Commander Vladimir Vasyutin became ill, and the mission was shortened, forcing the cosmonauts to leave the station unmanned. Volkov became father of the first ever second-generation cosmonaut, when his son Sergey Volkov became Commander of the International Space Station's Expedition 17 in 2008.

This was Krikalev's first spaceflight, and he went on to have a further five missions to space. As of 2010 he holds the record for the longest cumulative time spent in space, at 803 days. His most recent spaceflight was in 2005, as Commander of the International Space Station's Expedition 11.

Polyakov, a physician, arrived at the station part way through the previous expedition, Mir EO-3. He had never been in space before, but would later have one more spaceflight, which would span three Mir expeditions: EO-15, EO-16, and EO-17. His second spaceflight, launched on Soyuz TM-18 in January 1994, would last 437 days, and as of 2010, still holds the record for the longest ever spaceflight.

### Backup Crew

## Mission highlights

During this mission experiments in 16 different fields were performed as topografic and spectrografic research of the Earth surface, biological and medical research (including blood and heart-tests).

### Launch

The French president at the time, François Mitterrand, insisted on attending the launch of the Soyuz TM-7, of which Frenchman Chrétien was a crew member. This caused the launch to be delayed by four days, and hence reducing Chrétien's time in space. Mitterrand flew to the launch site in Baikonur in a Concorde.

On November 28, two days after launch, the Soyuz TM-7 spacecraft docked to Mir, and for the first time six cosmonauts were simultaneously aboard the complex.

### Mir Aragatz

From November 28 to December 21, 1988, there were six people aboard the station: the three crew members of EO-4, Titov and Manarov who were finishing EO-3, and the visiting French cosmonaut Jean-Loup Chrétien who had launched aboard Soyuz TM-7 on 26 November. Chrétien's flight was referred to as the French *Aragatz* mission. This was Chrétien's second spaceflight, his first was a short mission to Salyut 7, which was launched with the spacecraft Soyuz T-6, and lasted for about a week. After 24.8 days aboard the station, Chrétien returned to Earth aboard Soyuz TM-6 on 21 December.

| Mir Aragatz | Name | Spaceflight | Launch | Landing | Duration |
| --- | --- | --- | --- | --- | --- |
| Crew member | Jean-Loup Chrétien | Second | 26 November 1988
Soyuz TM-7 | 21 December 1988
Soyuz TM-6 | 24.8 days |

A highlight of the Aragatz mission was the spacewalk which was performed by Volkov and Chrétien on 9 December 1988, and lasted for 5 hours and 57 minutes. It was the first spacewalk conducted by someone not from the Soviet or U.S. space programs. Its purpose was to install the 240 kg French experimental deployable structure, known as ERA, and a panel of material samples.

Return of Soyuz TM-6

On December 15, 1988, Titov and Manarov's 359th day in space, the EO-3 crew officially broke the spaceflight duration record by the required 10%; the record had previously been set by Yuri Romanenko, who had a 326-day spaceflight aboard Mir during EO-2. Both the French mission and EO-3 ended when Chrétien, Titov, and Manarov landed in the spacecraft Soyuz TM-6 on December 21, which occurred six hours after undocking from Mir.

### Progress 39

On December 27, shortly after Soyuz TM-6 departed, the expedition's first Progress resupply spacecraft docked with the station, two days after its launch. This model of resupply spacecraft, Progress 7K-TG, had been used for resupply missions to Soviet space stations since 1978. Progress 39 delivered 1,300 kg of supplies to the EO-4 crew, and remained docked to the station for 42 days.

During this time, Progress 39 was used to boost the orbit of the space station. This was necessary due to the greater than normal atmospheric drag. The extra drag was caused by atmospheric expansion, which in turn was caused by the solar maximum occurring at the time, during solar cycle 22. The boost changed the Perigee and Apogee of the station from 325 km and 353 km AMSL to 340 km and 376 km, respectively. After the boost, Krikalev reported that he was unable to visually detect the change in altitude.

The EO-4 crew filled Progress 39 with waste and excess equipment used during the Aragatz mission, and then the spacecraft undocked on February 7, and was intentionally destroyed during atmospheric reentry later that day.

### Progress 40

On February 10, the next resupply spacecraft, Progress 40 was launched, and it docked with Mir two days later. It remained docked to Mir for 18 days. During this time, it was announced that due to delays in the production of the Kristall module, the launch of the next Mir module, Kvant-2, would also be delayed. It was also announced that as a result, Mir would be left unmanned following EO-4.

### Progress 41

The final Progress resupply spacecraft of the expedition docked with the station on March 19, and remained docked for 33 days. Progress 41 was the second last Progress spacecraft to use the original design (the last being Progress 42, which resupplied Mir EO-6 in 1990). The updated design would be called Progress-M, and its first flight would be Progress M-1 in August 1989, just prior to the arrival of the Mir EO-5 crew in September.

### Leaving Mir unmanned

All three crew members left Mir on board Soyuz TM-7 on 27 April 1989, bringing EO-4 to an end. For Volkov and Krikalev the mission lasted for 151d 11h 08m and for Polyakov 240d 22h 34m.

## InfoBox

Mir EO-4
|  | |
| --- | --- |
| Mission type | Mir expedition |
| Mission duration | 151 days, 11 hours, 8 minutes (launch to landing) |
|  | |
|  | |
| Expedition | |
| Space station | Mir |
| Began | 26 November 1988 (1988-11-26) |
| Ended | 26 April 1989, 23:28:01 (1989-04-26UTC23:28:02Z) UTC |
| Arrived aboard | Soyuz TM-7
Polyakov: Soyuz TM-6 |
| Departed aboard | Soyuz TM-7 |
|  | |
|  | |
| Crew | |
| Crew size | Three |
| Members | Alexander Volkov
Sergei Krikalev
Valeri Polyakov*
* - Transferred from EO-3 |
|  | |
| Long-term Mir expeditions | |


title: Misha and the Wolves

abstract: Misha and the Wolves is a 2021 documentary film written and directed by Sam Hobkinson. The film examines the fraudulent 1997 Holocaust memoir of Misha Defonseca. The film premiered at the 2021 Sundance Film Festival on January 31, 2021. On August 11, 2021, it became available on Netflix.

text:
# Misha and the Wolves

***Misha and the Wolves*** is a 2021 documentary film written and directed by Sam Hobkinson. The film examines the fraudulent 1997 Holocaust memoir of Misha Defonseca.

The film premiered at the 2021 Sundance Film Festival on January 31, 2021. On August 11, 2021, it became available on Netflix.

## Synopsis

After Defonseca's memoir, titled *Misha: A Mémoire of the Holocaust Years*, became a global success, her publisher began to question its veracity.

## Interviewees

## Reception

On the review aggregator website Rotten Tomatoes, 84% of 31 critics' reviews are positive, with an average rating of 7.2/10. The website's critics consensus reads, "A stranger-than-fiction account of a too-incredible-to-be-true story, *Misha and the Wolves* is an engaging documentary wrapped in a thrilling mystery." Metacritic, which uses a weighted average, assigned the film a score of 61 out of 100, based on 8 critics, indicating "generally favorable" reviews.

## InfoBox

| Misha and the Wolves | |
| --- | --- |
| Poster | |
| Directed by | Sam Hobkinson |
| Cinematography | Will Pugh |
| Edited by | Peter Norrey |
| Music by | Nick Foster |
| Production
companies | Arts Alliance Productions
MetFilm
Bright Yellow Films
Las Belgas
Take Five
APT Films
BBC Storyville
ZDF
Arte
Vpro |
| Distributed by | Netflix |
| Release dates | * January 31, 2021 (2021-01-31) (Sundance) * August 11, 2021 (2021-08-11) (Netflix) |
| Running time | 90 minutes |
| Countries | * Belgium * United Kingdom |
| Languages | * English * French |


title: Mirko Zardini

abstract: Mirko Zardini is the former Director and a member of the Board of Trustees of the Canadian Centre for Architecture (CCA) in Montreal, Quebec, Canada. He is an architect who teaches, curates exhibitions, and writes about contemporary architecture and urban issues. Zardini is an active member and former trustee of the Association of Art Museum Directors (AAMD), is on the Executive Committee of the International Confederation of Architectural Museums (ICAM), and is a member of the Canadian Art Museum Directors Organization (CAMDO).

text:
# Mirko Zardini

**Mirko Zardini** (Verona, born in 1955) is the former Director and a member of the Board of Trustees of the Canadian Centre for Architecture (CCA) in Montreal, Quebec, Canada. He is an architect who teaches, curates exhibitions, and writes about contemporary architecture and urban issues. Zardini is an active member and former trustee of the Association of Art Museum Directors (AAMD), is on the Executive Committee of the International Confederation of Architectural Museums (ICAM), and is a member of the Canadian Art Museum Directors Organization (CAMDO).

## Canadian Centre for Architecture

Zardini was senior consulting curator of the Canadian Centre for Architecture (CCA) from 2003-2005 and was appointed director and chief curator in 2005. He has shaped the institution's collection, research, exhibitions, programs and publications to emphasize the CCA's role as a venue for critical discourse about contemporary culture and the relationship of architecture to politics and society. His thematic approach often juxtaposes contradictory ideas to highlight the complexity of social and urban issues.

The CCA's collection of international architectural archives has received significant additions during Zardini's tenure, most notably those of Pritzker-prize-winner Álvaro Siza Vieira, Abalos & Herreros and Foreign Office Architects. A research project on the early application of digital tools in architectural design developed in collaboration with architect Greg Lynn resulted in the exhibition series "Archaeology of the Digital" and also led to the acquisition of digital project archives by the featured architects including Chuck Hoberman, Shoei Yoh, and others.

The exhibition program developed under Zardini has been recognized internationally. *Design Observer* named "Imperfect Health: The Medicalization of Architecture" the best exhibition of 2012 and published a review stating "it is worth noting that this show is just the latest in a series of inventive exhibitions that engage in social themes (energy consumption, proactive urbanism, war) undertaken by the CCA under Zardini, shows that together reassert that institution's place as a center of architectural culture." About the exhibition "Architecture in Uniform: Designing and Building for the Second World War", curated by Jean-Louis Cohen, *The New York Times* architecture critic Nicolai Ouroussoff wrote "Simply put, it's one of the most important architecture exhibitions I've seen in years." *The Globe and Mail* described Zardini's exhibitions as "suggestive, poetic", and "fascinating", noting their role in critically examining architecture's relationship to the environment.

Zardini is an advocate for online access and the need to strengthen long-distance research tools and collaborative digital projects for a global audience. In his 2012 text "A Project for Two Buildings", Zardini outlines his vision for an institution with "two buildings: the physical one, anchored to a specific place, and the digital, accessed online from any place at any time." Zardini oversaw the redevelopment of the CCA's website as a publishing platform dedicated to shaping architectural discourse, which allows the institution "to frame contemporary problems in a different way, to have a critical attitude about how architects work, and to show the inherent contradictions." The website was designed by Studio Lin, New York, and developed by Brazen, Montreal. Zardini launched the CCA's digital book publishing initiative with an electronic version of the exhibition catalogue for "Imperfect Health: The Medicalization of Architecture" and then created a digital-only epub series featuring individual projects from the "Archaeology of the Digital" exhibitions. The series was designed and developed by the New York-based graphic design studio Linked by Air and features technical innovations such as interactive slideshows and responsive design within the standard formats of reflowable e-books.

## Exhibitions

**Exhibitions organized and co-organized by Mirko Zardini at the Canadian Centre for Architecture (CCA)**

* It's All Happening So Fast, A Counter-History of the Modern Canadian Environment (2016)
* Rooms You May Have Missed: Bijoy Jain and Umberto Riva (2014)
* Imperfect Health: The Medicalization of Architecture (2011-2012, co-organized with Giovanna Borasi)
* Other Space Odysseys: Greg Lynn, Michael Maltzan, Alessandro Poli (2010, co-organized with Giovanna Borasi)
* Actions: What You Can Do With the City (2008-2009, co-organized with Giovanna Borasi)
* 1973: Sorry, Out of Gas (2007-2008, co-organized with Giovanna Borasi)
* Sense of the City (2005-2006)
* out of the box: price rossi stirling + matta-clark (2003-04 with collaborating curators Hubertus von Amelunxen, Marco De Michelis, Philip Ursprung, Anthony Vidler, and Mark Wigley)

**Other exhibitions organized and co-organized by Zardini**

## Editorial work

Zardini was editor of *Lotus International* magazine from 1988 to 1999, and editor of *Casabella* magazine and *Quaderni di Casabella* from 1983 to 1988. He has also guest edited an issue of *El Croquis* magazine (number 105 dedicated to Bolles+Wilson architects in 2011), the February 1999 issue of *Archi Magazine*, and served on the editorial board of *Domus Magazine* from 2004 to 2005.

Zardini also contributes articles to other publications including *Places Journal* and *Volume* magazine.

## Select bibliography

* Bratishenko, Lev and Mirko Zardini, Editors. "It's All Happening So Fast". Montreal: Canadian Centre for Architecture, and Heijningen, The Netherlands: Jap Sam Books, 2016. ISBN 9789490322786
* Zardini, Mirko. *Rooms You May Have Missed*. Baden: Lars Müller Publishers, 2014. ISBN 9783037784587
* Obrist, Hans-Ulrich (Ed.). *Lucius Burckhardt & Cedric Price: A Stroll Through a Fun Palace: Swiss Pavilion, Biennale Architettura 2014* with essay by Mirko Zardini "In a Corner of a Room, a Cedric Price". Zürich: Swiss Arts Council Pro Helvetia, 2014.
* Lynn, Greg and Mirko Zardini. *Archaeology of the Digital: Peter Eisenman, Frank Gehry, Chuck Hoberman, Shoei Yoh*. Montreal: Canadian Centre for Architecture, 2013. ISBN 9781927071021
* Stein, Ria (Ed.), Mirko Zardini et al. *Kuwabara Payne McKenna Blumberg Architects*. Basel: Birkhäuser, 2013. ISBN 9783034608282
* Borasi, Giovanna and Daria Der Kaloustian, Editors. *CCA on Paper* with conversation between Phyllis Lambert and Mirko Zardini. Montreal: Canadian Centre for Architecture, 2013. ISBN 9781927071045
* Borasi, Giovanna and Mirko Zardini, Editors. *Imperfect Health: The Medicalization of Architecture*. Montreal: Canadian Centre for Architecture, 2012. ISBN 9781927071014
* Borasi, Giovanna (Ed.), Mirko Zardini, et al. *Journeys: How travelling fruit, ideas and buildings rearrange our environment*. Montreal: Canadian Centre for Architecture, 2011. ISBN 9780920785904
* Allen, Stan and Marc McQuade, Editors. Mirko Zardini et al. *Landform Building: Architecture's New Terrain*. Princeton: Princeton University School of Architecture, 2011. ISBN 9783037782231
* Borasi, Giovanna and Mirko Zardini, Editors. *Other Space Odysseys: Greg Lynn, Michael Maltzan, Alessandro Poli*. Montreal: Canadian Centre for Architecture, 2010. ISBN 9780920785881
* Borasi, Giovanna and Mirko Zardini, Editors. *Actions: What You Can Do With the City*. Montreal: Canadian Centre for Architecture, 2009. ISBN 9780920785829
* Jacobs, Steven and Frank Maes, Editors. *Beyond the Picturesque* with essay by Mirko Zardini "Green is the Color". Gent: Stedelijk Museum van Actuele Kunst, 2009.
* Borasi, Giovanna (Ed.), Mirko Zardini, et al. *Some Ideas on Living in London and Tokyo: Stephen Taylor, Ryue Nishizawa*. Montreal: Canadian Centre for Architecture, 2008. ISBN 9780920785805
* Borasi, Giovanna and Mirko Zardini, Editors. *Sorry, Out of Gas: Architecture's Response to the 1973 Oil Crisis*. Montreal: Canadian Centre for Architecture, 2008. ISBN 9780920785782
* Zardini, Mirko (Ed.). *Sense of the City: An Alternate Approach to Urbanism*. Montreal: Canadian Centre for Architecture, 2006. ISBN 0920785735
* Ryan, Raymund, Ai Weiwei and Mirko Zardini. "Michael Maltzan: Alternate Ground". Pittsburg: Carnegie Museum of Art, 2005. ISBN
* Coupland, Douglas. *Super City* with text by Mirko Zardini. Montreal: Canadian Centre for Architecture, 2005. ISBN 9780880390453
* Lerup, Lars and Mirko Zardini. "Bolles + Wilson: Nieuwe Luxor Theater, Rotterdam". Fellbach: Edition Axel Menges, 2003.
* Zardini, Mirko. *(A) asfalto: il carattere della città (Asphalt: The Character of the City)*. Milan: Mondadori Electra, 2003. ISBN 8837021216
* Campi, Mario, Franz Bucher, Mirko Zardini. *Annähernd perfecte Peripherie: Glattalstadt/Greater Zurich Area*. Basel: Birkhäuser, 2001. ISBN 3764363118
* Zardini, Mirko. *Paesaggi ibridi: Highway, Multiplicity*. Milan: Skira, 1999. ISBN 8881186640

## InfoBox

| Mirko Zardini | |
| --- | --- |
|  | |
| Born | 1955 (age 6869) |
| Nationality | Italian |
| Occupation(s) | Curator, editor, architect |


title: Mitchell Horner

abstract: Edward Mitchell Horner is an American politician. He serves as a Republican member for the 3rd district of the Georgia House of Representatives.

text:
# Mitchell Horner

**Edward Mitchell Horner** (born May 4, 1994) is an American politician. He serves as a Republican member for the 3rd district of the Georgia House of Representatives.

## Life and career

Horner was homeschooled. He was a businessperson.

In 2022, Horner defeated his opponent Darrell Weldon Sr. in the Republican primary election for the 3rd district of the Georgia House of Representatives. No Democratic candidate or incumbent was nominated to challenge him in the general election. He assumed his office in 2023, succeeding Dewayne Hill.

## InfoBox

| Mitchell Horner | |
| --- | --- |
|  | |
|  | |
| Member of the Georgia House of Representatives from the 3rd district | |
| **Incumbent** | |
| **Assumed office**
January 9, 2023 | |
| Preceded by | Dewayne Hill |
|  | |
| Personal details | |
| Born | Edward Mitchell Horner
(1994-05-04) May 4, 1994 |
| Political party | Republican |
| Spouse | Roxanne Horner |
| Children | 2 |
| Residence(s) | Ringgold, Georgia, U.S. |
|  | |


title: Mite pocket

abstract: A mite pocket is an area on the body of a lizard that where biting mites congregate such as chiggers and ticks. They are slight depressions on the body, usually behind other appendages such as the legs and neck. These areas have smaller scales and increased blood vessels to entice the parasites to move there, while also being able to regenerate itself quickly, thus localizing the damage to only one part of the lizard's body. This feature has evolved independently in five families of lizard and over 150 species of lizards, and are in particular most common in places that are warm and moist. For example, in western North America, Sceloporous species from the lowlands have evolved mite pockets due to the abundance of ticks in those habitats, while Callisaurus and Uta species that live in arid deserts do not need them. While herpetologist Edwin N. Arnold argued that the structures were evolutionary adaptations to concentrate mite activity to certain regions of the body to reduce overall tissue damage, other authors have argued that the structures are not adaptations but merely the result of the way skin develops and folds, in combination with adaptation to locomotion and crypsis, and that mites are simply drawn to these relatively vulnerable positions.

text:
# Mite pocket

A **mite pocket** is an area on the body of a lizard that where biting mites congregate such as chiggers and ticks. They are slight depressions on the body, usually behind other appendages such as the legs and neck. These areas have smaller scales and increased blood vessels to entice the parasites to move there, while also being able to regenerate itself quickly, thus localizing the damage to only one part of the lizard's body.

This feature has evolved independently in five families of lizard and over 150 species of lizards, and are in particular most common in places that are warm and moist. For example, in western North America, *Sceloporous* species from the lowlands have evolved mite pockets due to the abundance of ticks in those habitats, while *Callisaurus* and *Uta* species that live in arid deserts do not need them. While herpetologist Edwin N. Arnold argued that the structures were evolutionary adaptations to concentrate mite activity to certain regions of the body to reduce overall tissue damage, other authors have argued that the structures are not adaptations but merely the result of the way skin develops and folds, in combination with adaptation to locomotion and crypsis, and that mites are simply drawn to these relatively vulnerable positions.

1. Arnold, E.N. (September 1986). "Mite pockets of lizards, a possible means of reducing damage by ectoparasites". *Biological Journal of the Linnean Society*. **29** (1): 1–21. doi:10.1111/j.1095-8312.1986.tb01767.x  via Oxford Academic.
2. Elmer, Nicole (27 October 2021). "All things creepy: parasitism pt 4, mite pockets". *The University of Texas at Austin Biodiversity Center*. Retrieved 7 April 2023.
3. Bertrand; et al. (March 2004). "The role of mite pocket-like structures on Agama caudospinosa (Agamidae) infested by Pterygosoma livingstonei sp. n. (Acari: Prostigmata: Pterygosomatidae)". *Folia Parasitol (Praha)*. **51** (1): 61–66. doi:10.14411/fp.2004.009. PMID 15139379  via PubMed.
4. Reed, Jay Clark (2014). *Analysis of the Function and Evolution of Mite Pockets in Lizards*. *University of Michigan Library* (Thesis). hdl:2027.42/107203.
5. "Do Lizards Really Have 'Mite Pockets'?". *Tetrapod Zoology*. 2024-03-02. Retrieved 2024-03-24.


title: Mirosław Żuławski

abstract: Mirosław Żuławski was a Polish writer, prosaist, diplomat and screenwriter. He was father of film director, Andrzej Żuławski.

text:
# Mirosław Żuławski

**Mirosław Żuławski** (16 January 1913 – 17 February 1995) was a Polish writer, prosaist, diplomat and screenwriter. He was father of film director, Andrzej Żuławski.

## Biography

Mirosław Żuławski was born in Nisko. He graduated in law and diplomatist studies from Lviv University. His career as a poet began in *Sygnały* magazine in 1934. During World War II he was a soldier of Związek Walki Zbrojnej, and then Armia Krajowa. In AK Żuławski operated in cultural underground and also wrote newsletters. During the years of 1944 and 1945 he was a war correspondent. After that he became as an editor-in-chief's assistant of *Rzeczpospolita* newspaper.

In 1945–1952 and 1957–1978 Żuławski worked in diplomacy as a permanent deputy of Poland in UNESCO in Paris. He was an ambassador of People's Republic of Poland (PRL) in Senegal and Mali. He was an editor of *Przegląd Kulturalny* weekly magazine from 1952 to 1957. Through the 1990s Żuławski published feuilletons in *Twój Styl*.

He died in 1995 in Warsaw.

## Honours

## Notable works

* *Ostatnia Europa*, stories, 1947
* *Trzy miniatury*, 1947
* *Rzeka Czerwona*, novel, 1953
* *Portret wroga*, 1954
* *Opowieść atlantycka*, 1954
* *Drzazgi bambusa*, 1956
* *Psia gwiazda*, 1965
* *Opowieści mojej żony*, 1970
* *Pisane nocą*, feuilletons, 1973 (extended edition in 1976)
* *Album domowe*, 1997
* *Ucieczka do Afryki*, memories, 1983-1989

### Screenplays

* *Autobus odjeżdża 6.20* (a.k.a. *The Bus Leaves at 6.20*), script consultation, 1954
* *Opowieść atlantycka* (a.k.a. *The Atlantic Tale*), based on his own story, 1955
* *Pieśń triumfującej miłości* (a.k.a. *The Story of Triumphant Love*), 1967
* *Pavoncello*, 1967
* *Trzecia część nocy* (a.k.a. *The Third Part of the Night*), 1971

## Family tree

1. *Kto jest kim w Polsce 1984*. Warszawa: Wydawnictwo Interpress. 1984. p. 1166. ISBN 83-223-2073-6.
2. "Uchwała Prezydium Krajowej Rady Narodowej z dnia 11 lipca 1946 r. o odznaczeniach obywateli polskich we Francji za: gorliwą i wydajną pracę na placówkach polskich, pracę społeczną, organizowanie placówek polskich zagranicą, pracę na polu kulturalno-oświatowym, działalność propagandowo-prasową, zasługi położone w walce z okupantem i udział w pracach konspiracyjnych w okresie okupacji, zasługi bojowe na froncie zachodnim i działalność duszpasterską w obozach dla deportowanych". *prawo.sejm.gov.pl* (in Polish). 1946-07-11. Retrieved 2019-05-24.

## InfoBox

| Mirosław Żuławski | |
| --- | --- |
|  | |
| Poland Ambassador to Senegal | |
| **In office**
1974–1977 | |
| Succeeded by | Marian Stradowski |
|  | |
| Personal details | |
| Born | (1913-01-16)16 January 1913
Nisko, Poland |
| Died | 17 February 1995(1995-02-17) (aged 82)
Warsaw |
| Political party | Polish United Workers' Party |
| Alma mater | John Casimir University of Lviv |
| Profession | Diplomat, novelist |
|  | |


title: Mitrabhum High School

abstract: Mitrabhum High School is one of the oldest schools in area. The school is situated in a rural area named Kurumgram, West Bengal, India. It is a higher secondary level co-education school in Birbhum district. The school established in 1921 as per the document but this school was built earlier then this.

text:
# Mitrabhum High School

**Mitrabhum High School** is one of the oldest schools in area. The school is situated in a rural area named Kurumgram, West Bengal, India. It is a higher secondary level co-education school in Birbhum district. The school established in 1921 as per the document but this school was built earlier then this.

## About

The Bengali medium school is affiliated with the West Bengal Board of Secondary Education (WBBSE) and West Bengal Council of Higher Secondary Education (WBCHSE) (for 11th and 12th standard). Currently there are approximately 1900+ students with 40 staff.

## History

The school was initially an entrance school. It was upgraded to a high-school in 1921 under the headmaster Manmatha Nath Majumdar's endeavor. He was the headmaster of the school for the next 15 years.

## Facilities

The salient features of the school are:

1. Well-equipped laboratories
2. A library
3. Regular cultural programmes and contests
4. A large playground
5. Annual sport events
6. Midday meals
7. NCC Training (presently this facility not available )

## Departments

| Arts | Science |
| --- | --- |
| Bengali | Physics |
| English | Chemistry |
| Sanskrit | Mathematics |
| Arabic | Biology |
| Geography |  |
| History | |
| Political Science | |
| Philosophy | |
| Computer Application | |

## InfoBox

| Mitrabhum | |
| --- | --- |
| Address | |
|  | |
| Kurumgram, Birbhum \- 731242, West Bengal, India | |
| Coordinates | 24°14′44″N 87°52′25″E / 24.2455°N 87.8735°E / 24.2455; 87.8735 |
| Information | |
| Type | High School |
| Established | 1921 |
| School board | WBBSE, WBCHSE |
| Faculty | \>40 |
| Grades | V–XII (5 to 12) |
| Number of students | c.2200 |
| Language | Bengali |
| Campus | Rural |
| Affiliation | West Bengal Council of Higher Secondary Education |


title: Mitragyna

abstract: Mitragyna is a genus of trees in the family Rubiaceae found in the tropical and subtropical regions of Asia and Africa. Members of this genus contain antimalarial and analgesic indole alkaloids.

text:
# Mitragyna

***Mitragyna*** is a genus of trees in the family Rubiaceae found in the tropical and subtropical regions of Asia and Africa. Members of this genus contain antimalarial and analgesic indole alkaloids.

## Species

As of January 2023, Plants of the World Online accepted the following species:

* Kratom (Mitragyna Speciosa)
* Media related to *Mitragyna* at Wikimedia Commons

## InfoBox

| *Mitragyna* | |
| --- | --- |
|  | |
| *Mitragyna parvifolia* | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Asterids |
| Order: | Gentianales |
| Family: | Rubiaceae |
| Subfamily: | Cinchonoideae |
| Tribe: | Naucleeae |
| Genus: | *Mitragyna*<br>Korth. |
|
| Synonyms | |
| * *Hallea* J.-F.Leroy * *Fleroya* Y.F.Deng | |


title: Miss Dial

abstract: Miss Dial is an American romantic comedy film released February 16, 2013. The plot centers on a customer service representative who is a remote worker. One day, she decides to abandon her job duties, and instead spends her time calling random people, looking for new connections.

text:
# Miss Dial

***Miss Dial*** is an American romantic comedy film released February 16, 2013. The plot centers on a customer service representative who is a remote worker. One day, she decides to abandon her job duties, and instead spends her time calling random people, looking for new connections.

## Cast

## InfoBox

| Miss Dial | |
| --- | --- |
| Directed by | David Steinberg |
| Music by | Chris Alan Lee |
| Release date | * February 16, 2013 (2013-02-16) |
| Running time | 88 minutes |
| Country | United States |


title: Miss You Nights

abstract: "Miss You Nights" is a song written by Dave Townsend and made famous worldwide by Cliff Richard. The song has been recorded by numerous other artists, most notably Westlife, who released it as the second track on a double A-side single in 2003. The Westlife single reached number 3 in the UK singles chart.

text:
# Miss You Nights

"**Miss You Nights**" is a song written by Dave Townsend and made famous worldwide by Cliff Richard. The song has been recorded by numerous other artists, most notably Westlife, who released it as the second track on a double A-side single in 2003. The Westlife single reached number 3 in the UK singles chart.

## Background

Townsend wrote the song in 1974 while his girlfriend was away on holiday. He recorded it on an album for Island Records, but the label shelved the album and decided to recoup part of the cost of the unreleased album through cover deals. Some demo tapes were handed to Bruce Welch of The Shadows who also worked as producer for Cliff Richard and was looking for songs to revitalize his career. Welch immediately recognized it as a hit - "Andrew Powell's string arrangement helped to make it a great love song through its imagery and potent feelings of longing and loneliness". Welch and Cliff recorded it in September 1975. Of the song and its writer Cliff said: "I think it's one of the nicest songs I’ve ever made... when I heard his version it was terrific. He \[Townsend\] was pleased to have that happen. I mean it could have been anybody and it would have been a hit."

## Original release

Cliff Richard released *Miss You Nights* on 14 November 1975 as the lead single from his studio album *I'm Nearly Famous*. It entered the British Top 20 and in March 1976, reached #15 in the UK Singles Chart.

**Chart performance**

| Chart | Peak
position |
| --- | --- |
| UK Singles (OCC) | 15 |
| Australia (Kent Music Report) | 100 |
| Belgium (Ultratop 50 Flanders) | 17 |
| Belgium (Ultratop 50 Wallonia) | 42 |
| Netherlands (Single Top 100) | 10 |
| South Africa (Springbok Radio) | 2 |
|

**Album appearances**

*Miss You Nights* was first included on Richard's 1976 studio album *I'm Nearly Famous*. As one of Richard's most enduring songs, it has been included on many of his compilation albums. The most notable of these compilation albums and albums with alternative versions are:

## Cliff Richard 1994 re-release

| "Miss You Nights (remix)" | |
| --- | --- |
|  | |
| Single by Cliff Richard | |
| from the album  *The Hit List* | |
| A-side | "All I Have to Do Is Dream" (double A-side) |
| Released | 28 November 1994 |
| Recorded | 9 September 1975 (remixed 1994) |
| Label | EMI |
| Songwriter(s) | Dave Townsend |
| Producer(s) | Bruce Welch |
| Cliff Richard singles chronology | |
| "Healing Love"
(1993) "**Miss You Nights (remix)**"
(1994) "Misunderstood Man"
(1995) | |

In 1994, Cliff Richard re-released the song on a double A-side single with "All I Have to Do Is Dream", which was listed first. "All I Have to Do Is Dream", originally by The Everly Brothers was recorded as a live duet with Phil Everly, while "Miss You Nights" is a remix of the 1976 original. The double A-side single reached #14 in the UK singles chart.

**Track list:**

CD1:

1. "All I Have to Do Is Dream"
2. "Miss You Nights"
3. "When Will I Be Loved"
4. "Tribute to the Legends - Medley"

CD2:

1. "All I Have to Do Is Dream"
2. "Miss You Nights"
3. "True Love Ways"
4. "Party Megamix"

**Chart performance**

| Chart | Peak
position |
| --- | --- |
| Australian Singles Chart (ARIA) | 93 |
| UK Singles (OCC) | 14 |
|

## Westlife version

| "Miss You Nights" | |
| --- | --- |
|  | |
| Single by Westlife | |
| from the album  *Unbreakable – The Greatest Hits Volume 1* | |
| A-side | "Tonight" (double A-side) |
| Released | 23 March 2003 (2003-03-23) |
| Recorded | 2002 |
| Studio | Rokstone Studios, London |
| Genre | Pop |
| Length | 3:09 |
| Label | BMG |
| Songwriter(s) | Dave Townsend |
| Producer(s) | Steve Mac |
| Westlife singles chronology | |
| "Unbreakable"
(2002) "**Tonight**" / "**Miss You Nights**"
(2003) "Hey Whatever"
(2003) | |
|  | |
| Music video | |
| "Miss You Nights" on YouTube | |
|  | |

Westlife released "Tonight" and "Miss You Nights" together in 2003 as a double A-side single in the United Kingdom (with "Tonight" listed first). However it was "Tonight" rather than "Miss You Nights" that received most of the radio airplay. The single reached number 3 in both the UK and Scotland. In all other countries where the single charted, only "Tonight" is listed as the charting track. In some countries "Miss You Nights" was excluded from the single altogether.

The song was composed in the traditional verse–chorus form in A major and in this rendition Filan, McFadden and Feehily's vocal ranges from the chords of E4 to B5.

**Chart performance**

| Chart | Peak
position |
| --- | --- |
| Europe (Eurochart Hot 100) | 14 |
| Scotland (OCC) | 3 |
| UK Singles (OCC) | 3 |
|

## Other versions

Cliff Richard also recorded two more versions of the song as duets:

Other covers include:

## InfoBox

| "Miss You Nights" | |
| --- | --- |
| Cover of 1982 UK re-release | |
| Single by Cliff Richard | |
| from the album  *I'm Nearly Famous* | |
| B-side | "Love Enough" |
| Released | 14 November 1975 |
| Recorded | 9 September 1975 |
| Studio | Abbey Road |
| Genre | Pop |
| Length | 3:57 |
| Label | EMI |
| Songwriter(s) | Dave Townsend |
| Producer(s) | Bruce Welch |
| Cliff Richard singles chronology | |
| "Honky Tonk Angel"
(1975) "**Miss You Nights**"
(1975) "Devil Woman"
(1976) | |
|  | |
| Music video | |
| "Miss You Nights on YouTube | |
|  | |


title: Mitchigan River

abstract:
The Mitchigan River is a 14.9-mile-long (24.0 km) stream in the Upper Peninsula of the U.S. state of Michigan. It flows into the Fence River at 46°17′27″N 88°09′58″W in northeast Iron County in Mansfield Township. The Fence River is a tributary of the Michigamme River, which is itself a tributary to the Menominee River, flowing to Lake Michigan. The Mitchigan River has its source in the southeast corner of Baraga County at 46°24′58″N 88°08′05″W. It flows mostly southward along the boundary between Iron and Marquette counties, crossing briefly into western Marquette County. Named tributaries from the mouth include:
  - Outflow from Little Chief Lake in Marquette County
    - Outflow from Chief Lake in Marquette County
      - Outflow from Springhole Lake in Marquette County
  - Outflow from Bullhead Lake in Marquette County
  - West Branch Mitchigan River, which rises at 46°25′30″N 88°09′00″W in southeast Baraga County
    - Leonard Creek, which rises in northeast Iron County at 46°23′10″N 88°09′13″W

text:
# Mitchigan River

The **Mitchigan River** is a 14.9-mile-long (24.0 km) stream in the Upper Peninsula of the U.S. state of Michigan. It flows into the Fence River at 46°17′27″N 88°09′58″W / 46.29083°N 88.16611°W / 46.29083; -88.16611 in northeast Iron County in Mansfield Township. The Fence River is a tributary of the Michigamme River, which is itself a tributary to the Menominee River, flowing to Lake Michigan. The Mitchigan River has its source in the southeast corner of Baraga County at 46°24′58″N 88°08′05″W / 46.41611°N 88.13472°W / 46.41611; -88.13472. It flows mostly southward along the boundary between Iron and Marquette counties, crossing briefly into western Marquette County.

Named tributaries from the mouth include:


title: Mitchigamea language

abstract: Mitchigamea or Michigamea is an extinct language formerly spoken by the Mitchigamea people in Arkansas. In 1673, Jacques Marquette and Louis Jolliet used a Mitchigamea man, who only spoke Illinois poorly, as a translator between the Illinois-speaking French, and the Siouan-speaking Quapaw. Jean Bernard Bossu provided two sentences from the mid-18th century which, according to John Koontz, indicate that Michigamea was a Siouan language of the Mississippi Valley branch.

text:
# Mitchigamea language

**Mitchigamea** or **Michigamea** is an extinct language formerly spoken by the Mitchigamea people in Arkansas.

In 1673, Jacques Marquette and Louis Jolliet used a Mitchigamea man, who only spoke Illinois poorly, as a translator between the Illinois-speaking French, and the Siouan-speaking Quapaw. Jean Bernard Bossu provided two sentences from the mid-18th century which, according to John Koontz, indicate that Michigamea was a Siouan language of the Mississippi Valley branch.

## InfoBox

| Michigamea | |
| --- | --- |
| Mitchigamea | |
| *Mihshikamiia* | |
| Native to | United States |
| Region | Arkansas |
| Ethnicity | Mitchigamea |
| Extinct | 18th century? |
| Language family | Siouan |
| Language codes | |
| ISO 639-3 | `cmm` |
| Linguist List | `cmm` |
| *Glottolog* | *None* |


title: Modern Art Foundry

abstract: The Modern Art Foundry is an historic foundry in Astoria, Queens, New York, founded in 1932 by John Spring. His descendants continue to operate the business in what used to be the carriage house of the Steinway Mansion. Modern Art Foundry specializes in working with artists who create limited edition works, usually intended for museums and galleries. The foundry utilizes the lost-wax casting method for producing its large-scale work. It also does maintenance and conservation of existing works.

text:
# Modern Art Foundry

The **Modern Art Foundry** is an historic foundry in Astoria, Queens, New York, founded in 1932 by John Spring. His descendants continue to operate the business in what used to be the carriage house of the Steinway Mansion.

Modern Art Foundry specializes in working with artists who create limited edition works, usually intended for museums and galleries. The foundry utilizes the lost-wax casting method for producing its large-scale work. It also does maintenance and conservation of existing works.

## History

John Spring, a Polish immigrant, started his business in 1932 on Astoria Boulevard, at the end near what is now the Socrates Sculpture Park. In 1947, the foundry moved from its location near the East River to where it is at present. Spring built the business on close relationships with a small group of "prominent and prolific" artists. Among the artists who have worked there are Jose de Creeft, Jacques Lipchitz, Louise Bourgeois, Gaston Lachaise, Joan Miró, Alexander Archipenko, and Isamu Noguchi.

## Operations

In contrast to most foundries that have switched over to ceramic shell casting, Modern Art utilizes the lost-wax casting method for producing its large-scale work. Workers first create a wax copy of the artist's original model and then apply a plastic coating to it. The mold is then fired in a kiln, which causes the wax to melt away. Molten bronze is then poured into the mold. This method yields an exact bronze replica of the artist's original model.

The foundry is known for its exacting and innovative work. Bourgeois chose the foundry to cast the Maman sculpture because of its reputation and output. In the early 1960s, Jasper Johns cast "Light Bulb," "Flashlight; Painted Bronze (ale cans)", "Painted Bronze (paintbrushes)", "Flag", and "Bronze (Light Bulb, Socket, Wire on Grid" at the foundry.

In 2002, artisans at the foundry replaced the original zinc statues that were part of the 1867 Civil War Soldiers Monument in the Green-Wood Cemetery, Brooklyn, with bronze replicas.

40°46′43″N 73°53′53″W / 40.77853°N 73.89815°W / 40.77853; -73.89815

## InfoBox

Modern Art Foundry
|
|  |
| Industry | Foundry |
| Founded | 1932 (1932) |
| Founder | John Spring |
| Headquarters | 18-70 41st Street<br>Astoria, New York 11105, United States |
| Key people | Jeffrey Spring, President |
| Website | www.modernartfoundry.com |


abstract: The Max Planck Institute for Infection Biology (MPIIB) is a non-university research institute of the Max Planck Society located in the heart of Berlin in Berlin-Mitte. It was founded in 1993. Arturo Zychlinsky is currently the Managing Director. The MPIIB is divided into nine research groups, two partner groups and two Emeritus Groups of the founding director Stefan H. E. Kaufmann and the director emeritus Thomas F. Meyer. The department "Regulation in Infection Biology" headed by 2020 Nobel laureate Emmanuelle Charpentier was hived off as an independent research center in May 2018. The Max Planck Unit for the Science of Pathogens is now administratively independent of the Max Planck Institute for Infection Biology. In October 2019, Igor Iatsenko and Matthieu Domenech de Cellès established their research groups at the institute, Mark Cronan started his position as research group leader in March 2020. Silvia Portugal joined the institute in June 2020 as Lise Meitner Group Leader. Two more research groups where added in 2020, Felix M. Key joined in September and Olivia Majer in October, completing the reorganization of the Max Planck Institute for Infection Biology. Simone Reber joined as Max Planck Fellow in 2023 and now heads the research group Quantitative Biology.

text:
# Max Planck Institute for Infection Biology

The **Max Planck Institute for Infection Biology** (**MPIIB**) is a non-university research institute of the Max Planck Society located in the heart of Berlin in Berlin-Mitte. It was founded in 1993. Arturo Zychlinsky is currently the Managing Director. The MPIIB is divided into nine research groups, two partner groups and two Emeritus Groups of the founding director Stefan H. E. Kaufmann and the director emeritus Thomas F. Meyer. The department "Regulation in Infection Biology" headed by 2020 Nobel laureate Emmanuelle Charpentier was hived off as an independent research center in May 2018. The Max Planck Unit for the Science of Pathogens is now administratively independent of the Max Planck Institute for Infection Biology. In October 2019, Igor Iatsenko and Matthieu Domenech de Cellès established their research groups at the institute, Mark Cronan started his position as research group leader in March 2020. Silvia Portugal joined the institute in June 2020 as Lise Meitner Group Leader. Two more research groups where added in 2020, Felix M. Key joined in September and Olivia Majer in October, completing the reorganization of the Max Planck Institute for Infection Biology. Simone Reber joined as Max Planck Fellow in 2023 and now heads the research group Quantitative Biology.

## Research Groups

* Mark Cronan heads the research group "*In vivo* cell biology of infections". The group is investigating how granulomas develop in the course of a tuberculosis infection and how host-directed therapies can be used to protect host organisms against infections.
* Matthieu Domenech de Cellès is the leader of the research group "Infectious Disease Epidemiology". Their focuses on the population biology of infectious diseases, with a view to understanding how individual-level mechanisms of infection translate into population-level dynamics.
* Igor Iatsenko heads the research group "Genetics of Host-Microbe Interactions". Its aim is to understand the mechanisms of how the host discriminates and responds to different microbial challenges.

* Felix M. Key heads the "Evolutionary Pathogenomics" research group, which aims to uncover the genetic mechanisms and phenotypic variation that underlay emergence and adaptation of infectious microbes.
* The Vector Biology research unit is headed by Elena Levashina. It is studying the role mosquitoes play in regulating the development of malaria parasites.
* Olivia Majer heads the "Innate Immune Regulation" research group, taking a cell biological approach to study how the spatial organization and trafficking of innate immune receptors contributes to immune homeostasis and how perturbations of these processes promote inflammation and autoimmunity.
* The Lise Meitner group leader Silvia Portugal heads the "Malaria Parasite Biology" research group, focusing on the interactions between malaria parasites and hosts in a seasonally-changing environment.
* Max Planck Fellow Simone Reber heads the group Quantitative Biology, where she works on the biochemical and biophysical principles that underlie the self-organization and scaling of organelles with a focus on the properties of tubulin.
* Marcus Taylor is the leader of the "Visualisation of Immune Signalling" research group. His group is trying to decipher cellular information transfer in the context of infections and immune responses.
* The Department of Cellular Microbiology is headed by Arturo Zychlinsky. The group's research focus is the hypothesis that chromatin may have evolved to have an immune function in eukaryotes. The group is testing this hypothesis by looking at "Neutrophil Extracellular Traps" (NETs), which were discovered by the group, and by studying the role of histones in the immune system.
* The Emeritus Group of Stefan H. E. Kaufmann, focuses on various aspects of the infection and immunology of tuberculosis as well as rational vaccine research.
* The Emeritus Group of Thomas F. Meyer studies the pathogenesis of *Chlamydia*, *Helicobacter*, and *Neisseria* infections. Particular attention is paid to the molecular mechanisms of the interaction of said pathogens with their host cells and host cell responses. In this case, emphasis is placed on the functional genomics of the host cell through RNA interference.

## Graduate Program

The institute also has an *International Max Planck Research School for Infectious Diseases and Immunology* in Berlin. The IMPRS-IDI is an English language doctoral program with participating faculty from the Free University of Berlin, Humboldt University of Berlin, the Robert Koch Institute, the German Rheumatism Research Center, and the Leibniz Institute for Zoo and Wildlife Research. The IMPRS-IDI, together with five other graduate schools, forms the "ZIBI Graduate School Berlin". IMPRS-IDI's mission is "better understanding of host-pathogen interactions at all levels". Arturo Zychlinsky is the IMPRS-IDI's spokesperson.

52°31′30″N 13°22′31″E / 52.52500°N 13.37528°E / 52.52500; 13.37528


title: Tumin–Lingee Assembly constituency

abstract: Tumin Lingee Legislative Assembly constituency is one of the 32 Legislative Assembly constituencies of Sikkim state in India. It lies half in Gangtok district and half in Namchi district. This constituency is reserved for members of the Bhutia-Lepcha community.

text:
# Tumin–Lingee Assembly constituency

**Tumin Lingee Legislative Assembly constituency** is one of the 32 Legislative Assembly constituencies of Sikkim state in India. It lies half in Gangtok district and half in Namchi district.

This constituency is reserved for members of the Bhutia-Lepcha community.

## Members of the Legislative Assembly

| Election | Member | Party | |
| --- | --- | --- | --- |
| 2009 | Ugyen Tshering Gyatso Bhutia |  | Sikkim Democratic Front |
| 2014 | | | |
| 2019 | | | |
| 2024 | Samdup Tshering Bhutia |  | Sikkim Krantikari Morcha |

## Election results

### Assembly Election 2024

2024 Sikkim Legislative Assembly election : Tumin–Lingee
| Party | | Candidate | Votes | % | ±% |
| --- | --- | --- | --- | --- | --- |
|  | **SKM** | **Samdup Tshering Bhutia** | **8,265** | **58.07%** | **10.60** |
|  | SDF | Norzong Lepcha | 4,177 | 29.35% | 20.54 |
|  | Citizen Action Party-Sikkim | Pema Gyalpu Bhutia | 885 | 6.22% | *New* |
|  | BJP | Passang Gyali Sherpa | 593 | 4.17% | *New* |
|  | INC | Samdup Lepcha | 197 | 1.38% | *New* |
|  | NOTA | None of the Above | 115 | 0.81% | 0.07 |
| Margin of victory | | | 4,088 | 28.72% | 26.31 |
| Turnout | | | 14,232 | 84.88% | 1.42 |
| Registered electors | | | 16,767 |  | 5.53 |
|  | SKM **gain** from SDF | | Swing | 8.19 |  |

### Assembly election 2019

2019 Sikkim Legislative Assembly election: Tumin–Lingee
| Party | | Candidate | Votes | % | ±% |
| --- | --- | --- | --- | --- | --- |
|  | **SDF** | **Ugyen Tshering Gyatso Bhutia** | **6,615** | **49.89%** | **12.37** |
|  | SKM | Samdup Tshering Bhutia | 6,295 | 47.47% | 12.85 |
|  | HSP | Bhaichung Bhutia | 234 | 1.76% | *New* |
|  | NOTA | None of the Above | 116 | 0.87% | 0.03 |
| Margin of victory | | | 320 | 2.41% | 25.22 |
| Turnout | | | 13,260 | 83.46% | 1.42 |
| Registered electors | | | 15,888 |  | 16.76 |
|  | SDF **hold** | | Swing | 12.37 |  |

### Assembly election 2014

2014 Sikkim Legislative Assembly election: Tumin–Lingee
| Party | | Candidate | Votes | % | ±% |
| --- | --- | --- | --- | --- | --- |
|  | **SDF** | **Ugyen Tshering Gyatso Bhutia** | **7,191** | **62.26%** | **6.93** |
|  | SKM | Nidup Tshering Lepcha | 3,999 | 34.62% | *New* |
|  | INC | Pandup Lepcha | 151 | 1.31% | 39.45 |
|  | NOTA | None of the Above | 105 | 0.91% | *New* |
|  | AITC | Prem Tshering Lepcha | 104 | 0.90% | *New* |
| Margin of victory | | | 3,192 | 27.64% | 13.06 |
| Turnout | | | 11,550 | 84.88% | 0.01 |
| Registered electors | | | 13,607 |  | 27.17 |
|  | SDF **hold** | | Swing | 6.93 |  |

### Assembly election 2009

2009 Sikkim Legislative Assembly election: Tumin–Lingee
| Party | | Candidate | Votes | % | ±% |
| --- | --- | --- | --- | --- | --- |
|  | **SDF** | **Ugyen Tshering Gyatso Bhutia** | **5,026** | **55.33%** | ***New*** |
|  | INC | Phuchung Bhutia | 3,702 | 40.75% | *New* |
|  | Sikkim Gorkha Party | Mingma Tharbu Sherpa | 160 | 1.76% | *New* |
|  | Independent | Pema Bhutia | 152 | 1.67% | *New* |
| Margin of victory | | | 1,324 | 14.58% |  |
| Turnout | | | 9,084 | 84.90% |  |
| Registered electors | | | 10,700 |  |  |
|  | SDF **win** (new seat) | | | | |

27°23′13″N 88°31′37″E / 27.387°N 88.527°E / 27.387; 88.527

## InfoBox

| Tumin Lingee | |
| --- | --- |
| Constituency No. 16 for the Sikkim Legislative Assembly | |
| Constituency details | |
| Country | India |
| Region | Northeast India |
| State | Sikkim |
| District | Gangtok and Namchi |
| LS constituency | Sikkim |
| Established | 2008 |
| Total electors | 15,888 |
| Reservation | BL |
| Member of Legislative Assembly | |
| 11th Sikkim Legislative Assembly | |
| **Incumbent**  **Samdup Tshering Bhutia** | |
| Party | Sikkim Krantikari Morcha |


title: Michael Dong

abstract: Michael Dong is a champion professional slalom skateboarder from Bothell, Washington, United States. Dong was ranked #5 in the world in 2005 and holds the 2003, 2004, and 2005 World Cyber Slalom titles. Dong began skateboarding in 1975. Early skating highlights include: 1979 Capitol Lakefair Skateboard Contest, Olympia, Washington, 14-year-old age group: 1st pool riding, 1st freestyle, 1st cross-country. In 2002, Dong re-entered competitive skateboarding after a 22-year absence, competing in the San Francisco Battle by the Bay. He quickly moved from the amateur ranks to professional. In 2003, he was ranked #5 in the world in slalom skateboarding, maintaining the #5 ranking in 2004 and 2005. He has established himself as the #1 cyber slalom skateboarder in the world. Dong is a member of the RoeRacing Slalom Skateboard Team.

text:
# Michael Dong

**Michael Dong** is a champion professional slalom skateboarder from Bothell, Washington, United States. Dong was ranked #5 in the world in 2005 and holds the 2003, 2004, and 2005 World Cyber Slalom titles.

Dong began skateboarding in 1975. Early skating highlights include: 1979 Capitol Lakefair Skateboard Contest, Olympia, Washington, 14-year-old age group: 1st pool riding, 1st freestyle, 1st cross-country. In 2002, Dong re-entered competitive skateboarding after a 22-year absence, competing in the San Francisco Battle by the Bay. He quickly moved from the amateur ranks to professional. In 2003, he was ranked #5 in the world in slalom skateboarding, maintaining the #5 ranking in 2004 and 2005. He has established himself as the #1 cyber slalom skateboarder in the world. Dong is a member of the RoeRacing Slalom Skateboard Team.

## 2005 Results

* Slalom Week 2005 World Championships (Morro Bay, California) – 17 September 2005
    + Tight Slalom – 3rd Place
    + Slalom – 4th Place
* European Championships (Stockholm, Sweden) – July 15, 2005: Cyber Slalom Cup – 1st Place
* 3dm Seismic West Coast Championships (Hood River, Oregon) – Tight Slalom – 1st Place – 9 July 2005
* “Bro, Your Dad’s a Martian” (Bush's Pasture Park Soap Box Derby Hill, Salem, Oregon) – Tight Slalom (dual lane) – 1st Place – 19 June 2005
* Paris World Cup (Paris, France) – May 14, 2005: Tight Straight Slalom – 2nd Place
* Red Clay Cup (Athens, Georgia) – Slalom – 3rd Place – 30 April 2005

## Cyber Slalom

As of 2018, Dong still held the world record for the Cyber Slalom, with a time of 7.96sec, set in Beaverton, Oregon in September 2008.


# Weightlifting at the 2019 Pan American Games – Qualification

The following is the qualification system and qualified nations for the weightlifting at the 2019 Pan American Games which will be held in Lima, Peru.

## Qualification system

A total of 126 weightlifters (63 per gender) will qualify to compete at the games. A nation may enter a maximum of 12 weightlifters (six per gender). The host nation (Peru) automatically qualified the maximum team size. All other nations qualified through their team scores from both the 2017 and 2018 Pan American Championships combined. A further two wild cards were awarded (one per gender).

## Qualification timeline

| Events | Date | Venue |
| --- | --- | --- |
| 2017 Pan American Weightlifting Championships | June 23–30, 2017 | Miami, United States |
| 2018 Pan American Weightlifting Championships | May 12–19, 2018 | Santo Domingo, Dominican Republic |

## Qualification summary

| **NOC** | **Men** | **Women** | **Total athletes** |
| --- | --- | --- | --- |
| Argentina | 1 | 3 | **4** |
| Aruba |  | 1 | **1** |
| Brazil | 3 | 2 | **5** |
| Canada | 1 | 3 | **4** |
| Chile | 3 | 3 | **6** |
| Colombia | 6 | 6 | **12** |
| Costa Rica | 2 | 2 | **4** |
| Cuba | 4 | 4 | **8** |
| Dominican Republic | 4 | 4 | **8** |
| Ecuador | 6 | 6 | **12** |
| El Salvador | 2 | 1 | **3** |
| Guatemala | 3 | 3 | **6** |
| Honduras | 1 |  | **1** |
| Mexico | 4 | 4 | **8** |
| Nicaragua |  | 2 | **2** |
| Panama | 2 |  | **2** |
| Peru | 6 | 6 | **12** |
| Puerto Rico | 3 | 2 | **5** |
| Uruguay | 2 | 1 | **3** |
| United States | 4 | 6 | **10** |
| Venezuela | 6 | 4 | **10** |
| Total: 21 NOCs | 63 | 63 | 126 |

## Men

The following is the list of nations winning quotas for men's events. The country receiving the wild card will be announced later.

* **Host nation:** 6 Athletes
* **Teams 1st–3rd:** 6 Athletes
* **Teams 4th–7th:** 4 Athletes
* **Teams 8th–11th:** 3 Athletes
* **Teams 12th–15th:** 2 Athletes
* **Teams 16th–17th:** 1 Athlete
* **Wild card:** 1 athlete

| Rank | Quota | NOC | Year | | Total |
| --- | --- | --- | --- | --- | --- |
| | | | 2017 | 2018 | |
|  | **6** | Peru | Host nation | | |
| 1 | **6** | Venezuela | 177 | 178 | **355** |
| 2 | **6** | Ecuador | 183 | 167 | **350** |
| 3 | **6** | Colombia | 199 | 149 | **348** |
| 4 | **4** | United States | 187 | 139 | **326** |
| 5 | **4** | Cuba | 155 | 160 | **315** |
| 6 | **4** | Mexico | 138 | 162 | **300** |
| 7 | **4** | Dominican Republic | 118 | 141 | **259** |
| 8 | **3** | Chile | 117 | 140 | **257** |
| 9 | **3** | Guatemala | 118 | 134 | **252** |
| 10 | **3** | Brazil | 156 | 89 | **245** |
| 11 | **3** | Puerto Rico | 120 | 88 | **208** |
| 12 | **2** | Costa Rica | 81 | 53 | **134** |
| 13 | **2** | Uruguay | 60 | 66 | **126** |
| 14 | **2** | El Salvador | 31 | 86 | **117** |
| 15 | **2** | Panama | 78 | 33 | **112** |
| 16 | **1** | Canada | 63 | 48 | **111** |
| 17 | **1** | Argentina | 109 | 0 | **109** |
| 18 |  | Nicaragua | 0 | 82 | **82** |
| 19 |  | Barbados | 23 | 13 | **36** |
| 20 |  | Paraguay | 13 | 0 | **13** |
| 21 |  | Aruba | 12 | 0 | **12** |
| 22 | **1** | Honduras | 0 | 0 | **0** |
|  | 63 |  |  | |  |

* Barbados was awarded a wild card spot and later declined it. It was reallocated to Honduras.

## Women

The following is the list of nations winning quotas for women's events. The country receiving the wild card will be announced later.

* **Host nation:** 6 Athletes
* **Teams 1st–3rd:** 6 Athletes
* **Teams 4th–7th:** 4 Athletes
* **Teams 8th–11th:** 3 Athletes
* **Teams 12th–15th:** 2 Athletes
* **Teams 16th–17th:** 1 Athlete
* **Wild card:** 1 athlete

| Rank | Quota | NOC | Year | | Total |
| --- | --- | --- | --- | --- | --- |
| | | | 2017 | 2018 | |
|  | **6** | Peru | Host nation | | |
| 1 | **6** | Colombia | 196 | 175 | **371** |
| 2 | **6** | Ecuador | 179 | 176 | **355** |
| 3 | **6** | United States | 165 | 180 | **345** |
| 4 | **4** | Dominican Republic | 165 | 178 | **343** |
| 5 | **4** | Mexico | 179 | 164 | **323** |
| 6 | **4** | Venezuela | 164 | 159 | **275** |
| 7 | **4** | Cuba | 110 | 165 | **259** |
| 8 | **3** | Chile | 149 | 108 | **257** |
| 9 | **3** | Argentina | 120 | 110 | **230** |
| 10 | **3** | Guatemala | 109 | 114 | **223** |
| 11 | **3** | Canada | 119 | 94 | **213** |
| 12 | **2** | Nicaragua | 103 | 84 | **187** |
| 13 | **2** | Puerto Rico | 84 | 61 | **145** |
| 14 | **2** | Costa Rica | 83 | 61 | **144** |
| 15 | **2** | Brazil | 70 | 49 | **119** |
| 16 | **1** | Uruguay | 13 | 33 | **46** |
| 17 | **1** | El Salvador | 0 | 46 | **46** |
| 18 |  | Panama | 0 | 33 | **33** |
| 19 | **1** | Aruba | 13 | 0 | **13** |
| 20 |  | Barbados | 0 | 13 | **13** |
| 21 |  | Guyana | 7 | 0 | **7** |
|  | 63 |  |  | |  |

* Aruba was awarded a wild card spot.


abstract: The Men's 62 kilograms event at the 2018 Asian Games took place on 21 August 2018 at the Jakarta International Expo Hall A.

text:
# Weightlifting at the 2018 Asian Games – Men's 62 kg

The **Men's 62 kilograms** event at the 2018 Asian Games took place on 21 August 2018 at the Jakarta International Expo Hall A.

## Schedule

All times are Western Indonesia Time (UTC+07:00)

| Date | Time | Event |
| --- | --- | --- |
| Tuesday, 21 August 2018 | 11:00 | Group B |
| | 14:00 | Group A |

## Records

Prior to this competition, the existing world, Asian and Games records were as follows.

| **World Record** | Snatch | Kim Un-guk (PRK) | **154 kg** | Incheon, South Korea | 21 September 2014 |
| --- | --- | --- | --- | --- | --- |
| | Clean & Jerk | Chen Lijun (CHN) | **183 kg** | Houston, United States | 22 November 2015 |
| | Total | Chen Lijun (CHN) | **333 kg** | Houston, United States | 22 November 2015 |
|  | | | | | | |
| **Asian Record** | Snatch | Kim Un-guk (PRK) | **154 kg** | Incheon, South Korea | 21 September 2014 |
| | Clean & Jerk | Chen Lijun (CHN) | **183 kg** | Houston, United States | 22 November 2015 |
| | Total | Chen Lijun (CHN) | **333 kg** | Houston, United States | 22 November 2015 |
|  | | | | | | |
| **Games Record** | Snatch | Kim Un-guk (PRK) | **154 kg** | Incheon, South Korea | 21 September 2014 |
| | Clean & Jerk | Le Maosheng (CHN) | **182 kg** | Busan, South Korea | 2 October 2002 |
| | Total | Kim Un-guk (PRK) | **332 kg** | Incheon, South Korea | 21 September 2014 |

## Results

Legend * **NM** — No mark

| Rank | Athlete | Group | Snatch (kg) | | | | Clean & Jerk (kg) | | | | Total |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | 1 | 2 | 3 | Result | 1 | 2 | 3 | Result | |
|  | Eko Yuli Irawan (INA) | A | 137 | 141 | ~~145~~ | 141 | 165 | 170 | ~~175~~ | 170 | **311** |
|  | Trịnh Văn Vinh (VIE) | A | 129 | 133 | ~~136~~ | 133 | 162 | 166 | ~~179~~ | 166 | **299** |
|  | Adkhamjon Ergashev (UZB) | A | 128 | 133 | 136 | 136 | 158 | 162 | ~~165~~ | 162 | **298** |
| 4 | Sin Chol-bom (PRK) | A | ~~130~~ | 130 | ~~133~~ | 130 | ~~168~~ | 168 | ~~170~~ | 168 | **298** |
| 5 | Yoichi Itokazu (JPN) | A | 125 | 130 | ~~133~~ | 130 | 152 | 158 | ~~162~~ | 158 | **288** |
| 6 | Đinh Xuân Hoàng (VIE) | A | 125 | ~~128~~ | 129 | 129 | ~~153~~ | 153 | 159 | 159 | **288** |
| 7 | Talha Talib (PAK) | B | 127 | 131 | 133 | 133 | 148 | 152 | 154 | 154 | **287** |
| 8 | Muhammad Purkon (INA) | A | 125 | 130 | ~~134~~ | 130 | 152 | ~~156~~ | ~~156~~ | 152 | **282** |
| 9 | Kao Chan-hung (TPE) | A | ~~126~~ | 126 | ~~129~~ | 126 | ~~153~~ | 154 | ~~157~~ | 154 | **280** |
| 10 | Hiroaki Takao (JPN) | B | 122 | ~~125~~ | 125 | 125 | ~~152~~ | ~~152~~ | 152 | 152 | **277** |
| 11 | Patiphan Bupphamala (THA) | B | 115 | 120 | ~~125~~ | 120 | 140 | ~~145~~ | ~~145~~ | 140 | **260** |
| 12 | Enkhjargalyn Mönkhdöl (MGL) | B | 112 | ~~120~~ | ~~120~~ | 112 | 139 | ~~147~~ | ~~151~~ | 139 | **251** |
| 13 | Gilton da Costa (TLS) | B | 70 | 80 | ~~87~~ | 80 | 85 | 90 | ~~105~~ | 90 | **170** |
|  | Thilanka Palangasinghe (SRI) | B | ~~122~~ | ~~122~~ | ~~125~~ |  |  |  |  |  | **NM** |
|  | Nawaf Al-Mazyadi (KSA) | B | ~~115~~ | ~~115~~ | ~~115~~ |  |  |  |  |  | **NM** |

## InfoBox

| Men's 62 kg <br>at the 2018 Asian Games | |
| --- | --- |
| Venue | Jakarta International Expo |
| Date | 21 August |
| Competitors | 15 from 12 nations |
| Medalists | |
| Indonesia  Vietnam  Uzbekistan | |
|


title: Way of the World (Cheap Trick song)

abstract: "Way of the World" is a song by American rock band Cheap Trick, which was released in 1980 as a single from their fourth studio album Dream Police (1979). The song was written by Rick Nielsen and Robin Zander and produced by Tom Werman. In February 1980 it was released as a 7" vinyl single in the UK only, backed by "Oh, Candy," from the first Cheap Trick album, and peaked at #73. It attempted to capitalize on the success of the mid-1979 single "I Want You to Want Me" and the live album Cheap Trick at Budokan which both entered the top 30. In some countries "Way of the World" was released as the B-side to Cheap Trick's 1980 single "Everything Works if You Let It." "Way of the World" was produced by American producer Tom Werman who produced the entire Dream Police album as well the band's 1977 album In Color and the 1978 album Heaven Tonight. No artwork was created for the single, with the 7" vinyl itself being packaged in an official Epic Records sleeve.

text:
# Way of the World (Cheap Trick song)

"**Way of the World**" is a song by American rock band Cheap Trick, which was released in 1980 as a single from their fourth studio album *Dream Police* (1979). The song was written by Rick Nielsen and Robin Zander and produced by Tom Werman. In February 1980 it was released as a 7" vinyl single in the UK only, backed by "Oh, Candy," from the first Cheap Trick album, and peaked at #73. It attempted to capitalize on the success of the mid-1979 single "I Want You to Want Me" and the live album *Cheap Trick at Budokan* which both entered the top 30.

In some countries "Way of the World" was released as the B-side to Cheap Trick's 1980 single "Everything Works if You Let It."

"Way of the World" was produced by American producer Tom Werman who produced the entire *Dream Police* album as well the band's 1977 album *In Color* and the 1978 album *Heaven Tonight*.

No artwork was created for the single, with the 7" vinyl itself being packaged in an official Epic Records sleeve.

## Background

The album "Dream Police" showed the band expanding into longer, more complex songs and incorporating orchestration on several tracks. "Way of the World" used this orchestral theme.

"Way of the World" was one of the first Cheap Trick songs to be written by both Nielsen and Zander together.

A music video was released to promote the single, largely featuring the band performing the song on stage. The video was recorded along with those for "Dream Police" and "Voices" well before the release of the "Way of the World" single or the *Dream Police* album, because the album release was delayed due to the surprising success of *Cheap Trick at Budokan*. The video has been released on *Every Trick in the Book*, where Allmusic considers it a "standout."

The song originally had different lyrics and was titled "See Me Now", where this version has been available on unofficial Bootleg releases.

The song was a minor success in the UK, peaking at #73 for a total of 2 weeks in early 1980.

The bonus tracks of the American 2006 reissue of *Dream Police* consisted mainly of rare live versions of songs from the album, including a live version of "Way of the World". "Way of the World" was also released on a number of Cheap Trick compilation albums, including *Sex, America, Cheap Trick* and *The Essential Cheap Trick*.

The band have performed the song live numerous times. They performed it on television for the *Don Kirshner's Rock Concert*, along with "Dream Police" and "Voices," in 1980. It was the band's typical concert opener throughout 2010.

## Critical reception

Allmusic picks the track as an AMG recommended track. Allmusic critic James Christopher Monger describes the "infectious rock & roll joy that emanates" from the song. *Ultimate Classic Rock* critic Dave Swanson called it "one of countless great rockers in the band's catalog," particularly praising Zander's vocals and the color added by the string instruments. Neil Lazaruk of *The Edmonton Journal* states that the song "continues rocking heavily" from the *Dream Police* title song which opens the album.

Dave Marsh of *Rolling Stone Magazine* spoke of the song in a review of the album, commenting on the fact that Rick Nielsen doesn't hide the sources that inspired the musical ideas for his songs, especially on *Dream Police*, questioning if Nielsen had 'gone too far' in relation to the songwriting on the album, but that "Way of the World" is "nearly as good as the earlier ones in which Cheap Trick used similar stylistic devices." Author Mike Hayes praises the "gorgeous" melody, the "tight" vocal harmonies and "fine phased guitar work," noting that the foundation of the song is its "driving rock attack."

## Track listing

7" Single 1. "Way of the World" - 3:30
2. "Oh, Candy" - 4:14

## Chart performance

| Chart (1980) | Peak
position |
| --- | --- |
| UK Singles Chart | 73 |

## Personnel

### Additional personnel

* Jai Winding - organ, piano, keyboards
* Tom Werman \- producer
* Jack Douglas - producer on "Oh Candy"
* Gary Ladinsky - engineer
* Mike Beiriger - engineer
* Ken Adamany - assistant engineer
* George Marino - mastering
* Writers of "Way of the World" - Rick Nielsen, Robin Zander
* Writers of "Oh Candy" - Rick Nielsen

## InfoBox

| "Way of the World" | |
| --- | --- |
|  | |
| Single by Cheap Trick | |
| from the album  *Dream Police* | |
| B-side | "Oh, Candy" |
| Released | February 2, 1980 |
| Genre | Rock, power pop |
| Length | 3:41 |
| Label | Epic Records |
| Songwriter(s) | Rick Nielsen, Robin Zander |
| Producer(s) | Tom Werman |
| Cheap Trick singles chronology | |
| "Voices"
(1979) "**Way of the World**"
(1980) "I'll Be with You Tonight"
(1980) | |


title: Way to Go

abstract: Way to Go may refer to:

text:
# Way to Go

**Way to Go** may refer to:

## Music

### Albums

### Songs

* "Way to Go!", a 2005 song by Rogue Traders
* "Way to Go!", a 2009 song by Girls' Generation from *Gee*
* "Way to Go", a 2017 song by Joyner Lucas featuring Snoh Aalegra from *508-507-2209*
* "Way to Go", a 2017 song by Empire of the Sun from *Two Vines*
* "Way to Go", a 1999 song by Flotsam and Jetsam from *Unnatural Selection*

## Film and television

## Other uses


title: Weißer See (Potsdam)

abstract: Weißer See is a lake in Brandenburg, Germany. At an elevation of 29.4 metres (96 ft), its surface covers 0.26 square kilometres (0.10 sq mi). The Sacrow–Paretz Canal flows through the lake.

text:
# Weißer See (Potsdam)

**Weißer See** is a lake in Brandenburg, Germany. At an elevation of 29.4 metres (96 ft), its surface covers 0.26 square kilometres (0.10 sq mi). The Sacrow–Paretz Canal flows through the lake.

## InfoBox

| Weißer See | |
| --- | --- |
|  | |
| Weißer See | |
| Location | Brandenburg |
| Coordinates | 52°26′0″N 13°2′0″E / 52.43333°N 13.03333°E / 52.43333; 13.03333 |
| Primary inflows | Sacrow–Paretz Canal |
| Primary outflows | Sacrow–Paretz Canal |
| Basin countries | Germany |
|  | |
| Max. length | 1.2 km (0.75 mi) |
| Max. width | 0.34 km (0.21 mi) |
| Surface area | 0.26 km2 (0.10 sq mi) |
| Max. depth | 2 m (6.6 ft) |
| Surface elevation | 29.4 m (96 ft) |
|  | |
| Settlements | Potsdam |


title: Weißer Stein (Eifel)

abstract: The Weißer Stein is located in the forest of Mürringen, a hamlet of the Büllingen municipality in East Belgium. It is the highest point of this village and the second-highest point of Belgium. It also lies on the border with the German state of North Rhine-Westphalia. German measurements indicated an altitude of 689 m at the nearby located measuring point, and a small higher area surrounded by the 690-meter altitude line. In 2007 the University of Liège executed measurements and found a height of 692 m. The altitude meter of Google Earth caused some doubt about Signal de Botrange as Belgium's highest point because its vertical reference EGM96 deviates a couple of meters from the German Normalnull and the Belgian TAW, thereby suggesting an altitude of 701 m for the Weißer Stein. An accurate control by the Belgian National Geographic Institute in 2010 showed the Weißer Stein to be at maximum 693.3 m TAW, with which it differs by less than 1 m from Signal de Botrange.

text:
# Weißer Stein (Eifel)

The **Weißer Stein** (German for *White Stone*; in English also written as **Weisser Stein**) is located in the forest of Mürringen, a hamlet of the Büllingen municipality in East Belgium. It is the highest point of this village and the second-highest point of Belgium. It also lies on the border with the German state of North Rhine-Westphalia.

German measurements (until 1920 the area belonged to Germany) indicated an altitude of 689 m (NN, German standard) at the nearby located measuring point, and a small higher area surrounded by the 690-meter altitude line. In 2007 the University of Liège executed measurements and found a height of 692 m (TAW, Belgian standard). The altitude meter of Google Earth caused some doubt about Signal de Botrange (694 m TAW) as Belgium's highest point because its vertical reference EGM96 deviates a couple of meters from the German Normalnull and the Belgian TAW, thereby suggesting an altitude of 701 m for the Weißer Stein. An accurate control by the Belgian National Geographic Institute in 2010 showed the Weißer Stein to be at maximum 693.3 m TAW (=691 m NN), with which it differs by less than 1 m from Signal de Botrange.

## InfoBox

| Weißer Stein | |
| --- | --- |
| Boardwalk leading to the *Weißer Stein* rocks in Belgium | |
| Highest point | |
| Elevation | 693.3 m (2,275 ft) |
| Coordinates | 50°24′30″N 6°22′9″E / 50.40833°N 6.36917°E / 50.40833; 6.36917 |
| Geography | |
| Weißer SteinLocation of Weißer Stein in Belgium | |
| Location | Büllingen, East Belgium |
| Parent range | Eifel |


title: Weite Räume meinen Füßen

abstract: "Weite Räume meinen Füßen" is a Christian hymn in German with text by Eugen Eckert and a tune by Alejandro Veciana. It is based on a verse from Psalm 31, "Du stellst meine Füße auf weiten Raum", which forms the refrain. Its topics are the broad perspectives of life. The song of the genre Neues Geistliches Lied is part of many hymnals and songbooks.

text:
# Weite Räume meinen Füßen

"**Weite Räume meinen Füßen**" (Wide room for my feet) is a Christian hymn in German with text by Eugen Eckert and a tune by Alejandro Veciana. It is based on a verse from Psalm 31, "**Du stellst meine Füße auf weiten Raum**" (Thou hast set my feet in a large room.), which forms the refrain. Its topics are the broad perspectives of life. The song of the genre Neues Geistliches Lied is part of many hymnals and songbooks.

## History, text and music

The Protestant theologian and pastor Eugen Eckert from Frankfurt and composer Alejandro Veciana wrote the song "Weite Räume meinen Füßen" in 2000 in collaboration. Both are regarded as prolific authors of songs of the genre Neues Geistliches Lied (New sacred song). The text is derived from a verse 8b from Psalm 31, "Du stellst meine Füße auf weiten Raum" (Thou hast set my feet in a large room)", which is the refrain. The song is also known by this line.

The song appeared in many hymnals and songbooks, including *Ein Segen sein / Junges Gotteslob*.

The song is in four stanzas, each of two lines. The text speaks of wide possibilities of life, horizons between courage and anxiety, and perspectives between chances and dangers. The music by Veciana is in B minor and common time. In the stanzas, the second line is repeated with a slightly different melody. The refrain repeats the psalm verse several times, and its last words even more often.

The band Habakuk recorded the song in 2001 on a CD entitled *Sommer*.

## InfoBox

| "Weite Räume meinen Füßen" | |
| --- | --- |
| Christian hymn | |
| Eugen Eckert in 2008 | |
| English | Wide room for my feet |
| Text | by Eugen Eckert |
| Language | German |
| Melody | by Horst Christill |
| Published | 2000 (2000) |


title: Wejinabikun Lake (Ontario)

abstract: Wejinabikun Lake is a lake in the Lake Superior drainage basin in Algoma District, Ontario, Canada. It is about 2.0 kilometres (1.2 mi) long and 0.7 kilometres (0.4 mi) wide and lies at an elevation of 362 metres (1,188 ft). The primary inflow and outflow is the Magpie River, which flows downstream into North Wejinabikun Lake, and eventually into Lake Superior.

text:
# Wejinabikun Lake (Ontario)

**Wejinabikun Lake** is a lake in the Lake Superior drainage basin in Algoma District, Ontario, Canada. It is about 2.0 kilometres (1.2 mi) long and 0.7 kilometres (0.4 mi) wide and lies at an elevation of 362 metres (1,188 ft). The primary inflow and outflow is the Magpie River, which flows downstream into North Wejinabikun Lake, and eventually into Lake Superior.

* "Toporama - Topographic Map Sheet 42C10". *Atlas of Canada*. Natural Resources Canada. Retrieved 2010-02-09.

## InfoBox

| Wejinabikun Lake | |
| --- | --- |
| Wejinabikun Lake | |
| Location | Algoma District, Ontario |
| Coordinates | 48°41′34″N 84°35′57″W / 48.69278°N 84.59917°W / 48.69278; -84.59917 |
| Primary inflows | Magpie River |
| Primary outflows | Magpie River |
| Basin countries | Canada |
|  | |
| Max. length | 2.0 km (1.2 mi) |
| Max. width | 0.7 km (0.43 mi) |
| Surface elevation | 362 m (1,188 ft) |


title: We'll Bring the House Down (song)

abstract: "We'll Bring the House Down" is a song by the British rock band Slade, released in 1981 as the lead single from their ninth studio album We'll Bring the House Down. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade. The band's first single to reach the UK Top 40 since 1977, the song peaked at No. 10 in the UK, remaining in the chart for nine weeks.

text:
# We'll Bring the House Down (song)

"**We'll Bring the House Down**" is a song by the British rock band Slade, released in 1981 as the lead single from their ninth studio album *We'll Bring the House Down*. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Slade. The band's first single to reach the UK Top 40 since 1977, the song peaked at No. 10 in the UK, remaining in the chart for nine weeks.

## Background

Having suffered from low popularity and a lack of chart action in the UK since 1976, Slade's fortunes changed when they were offered a headlining slot at the Reading Festival in August 1980, following a late cancellation by Ozzy Osbourne. The band's performance saw the music press begin to take an interest in them again, while heavy metal followers also began deeming the band 'cool'. The band's extended play *Alive at Reading* was released soon after, giving the band their first chart action since 1977, while the compilation *Slade Smashes!* was a big success. For their next single release, the band recorded "We'll Bring the House Down" in January 1981. A successful comeback single, it reached No. 10 in the UK, with the album of the same name following in March.

The idea for "We'll Bring the House Down" originally developed with the song's chant. At one of the band's post-Reading shows, the audience began repeating the chant. Backstage, Lea realised its potential and soon wrote the tune to the song. It was recorded over two days in January 1981 at Portland Studios in London. To give the song a bigger, distinctive sound, some parts of the song was recorded in the men's toilets, most notably the drums. In a 1984 interview with *Record Mirror*, Lea spoke of the song: "The crowd were chanting this "woh oh oh oh oh" and there was a big argument going on in the dressing room. Our manager Chas Chandler was going "You've got to go on otherwise there's going to be a riot!!". We looked through the curtain and all the gear had been packed away and they're going "woh oh oh oh oh" and I thought there's got to be a song in that – it's great."

In a 1981 fan club interview, drummer Don Powell spoke of the song's success: "The thing is we don't think of it as a comeback just because "We'll Bring the House Down" made the charts. We didn't really think how long it had been since we had a hit until "We'll Bring the House Down" charted, and then everyone told us that it was amazingly our first hit for four or five years, and we realised."

Later in March 1992, the band entered Rich Bitch Studios to record a new version of "We'll Bring the House Down". It was the band's final recording session and by the end of the month, Holder had left the band. The recording, later described by Lea as a "house/dance-style version" of the song, was never released.

## Release

"We'll Bring the House Down" was released on 7" vinyl by Cheapskate in the UK, Ireland, Germany and Spain. In Australia and New Zealand, it was released by RCA Victor. For the UK and Irish release, the B-side was "Hold on to Your Hats". For the remainder of releases, the single featured "Wheels Ain't Coming Down" as the B-side. Both tracks were taken from the band's 1979 album *Return to Base* and would also appear on *We'll Bring the House Down*.

## Promotion

A music video was filmed to promote the single, which was directed by Eric Boliski. It was filmed before and during the band's concert at the Gaumont Concert in Ipswich on 17 January.

In the UK, the band performed the song on the music show *Top of the Pops* and ITV's *Moondogs*. In Germany, they performed it on the TV show *Musikladen*. BBC radio DJ/presenter Mike Read noted the band's "electrifying" performance with the song on *Top of the Pops*.

## Critical reception

Upon its release, Mike Gardner of *Record Mirror* felt Slade had "blown the impetus they've gained over the past eight weeks" by releasing a "messy 'live'-orientated song with a muddy production that does little to explain to others what all the fuss is about with this 'revival'". He added, "How about re-releasing 'When I'm Dancin' I Ain't Fightin', lads?" Paul Du Noyer of *NME* remarked it was "nice to see the up-turn in Slade's fortunes which followed Reading", but felt it was "a shame it's taken such a rotten, clumsy HM to do the trick". He continued, "\[It\] should pander to the band's new headbanger following alright, but frankly hasn't got much going for it. A crass echo of former glories."

In a retrospective review of the *We'll Bring the House Down* album, Geoff Ginsberg of AllMusic commented, "The title track is automatic. One listen and you'll be chanting along, just as Slade audiences did ever since the band started playing the song. An absolute must-hear."

## Formats

7" Single (UK release) 1. "We'll Bring the House Down" – 3:32
2. "Hold on to Your Hats" – 2:33

7" Single 1. "We'll Bring the House Down" – 3:32
2. "Wheels Ain't Coming Down" – 3:36

## Cover versions

* In 1990, Lea released his own version of the song as a single under the pseudonym The Clout. The version sampled the chant from Slade's original version and also featured female vocals by ex-Shakatak singer Jackie Rawe.

## Personnel

* Noddy Holder \- lead vocals, guitar, producer, arranger
* Dave Hill \- lead guitar, backing vocals, producer, arranger
* Jim Lea \- bass, backing vocals, producer, arranger
* Don Powell \- drums, producer, arranger

## Charts

| Chart (1981) | Peak
position |
| --- | --- |
| Ireland (IRMA) | 11 |
| UK Singles (OCC) | 10 |
| UK Top 100 Singles (*Record Business*) | 11 |

## InfoBox

| "We'll Bring the House Down" | |
| --- | --- |
| UK cover of "We'll Bring the House Down". | |
| Single by Slade | |
| from the album  *We'll Bring the House Down* | |
| B-side | "Hold On to Your Hats" |
| Released | 23 January 1981 |
| Genre | Heavy metal |
| Length | 3:32 |
| Label | Cheapskate |
| Songwriter(s) |  |
| Producer(s) | Slade |
| Slade singles chronology | |
| "Xmas Ear Bender"
(1980) "**We'll Bring the House Down**"
(1981) "Wheels Ain't Coming Down"
(1981) | |
|  | |
| Audio sample | |
|  | |
| Alternative Cover | |
|  | |
| German cover of "We'll Bring the House Down". | |
|  | |
|  | |


title: Welcome to Europe

abstract: Welcome To Europe is a single/song released as a 12" vinyl record by Squarepusher for the album Hello Everything, although the songs were made available previously through Bleep.com.

text:
# Welcome to Europe

***Welcome To Europe*** is a single/song released as a 12" vinyl record by Squarepusher for the album *Hello Everything*, although the songs were made available previously through Bleep.com (all three in MP3 and two in FLAC formats).

## "Welcome To Europe"

"Welcome to Europe" was originally released as an MP3 file (320kbs) on bleep.com on September 4, 2006.  On October 16, 2006 the song was released on the album *Hello Everything*. The song was then pressed as an A-Side on the single of the same name.

## "Hanningfield Window"

"Hanningfield Window" was originally released in MP3 (320kbs) and FLAC  formats on bleep.com on September 18, 2006. On October 11, 2006 the song was released on the Japanese pressing of *Hello Everything*. The song was then released as a B-Side to the 12" vinyl single "Welcome to Europe".

## "Exciton"

"Exciton" was originally released in MP3 (320kbs) and FLAC  formats on October 2, 2006. On October 11, 2006 the song was released on the Japanese pressing of *Hello Everything*. The song was then released as a B-Side to the 12" vinyl single "Welcome to Europe".

## Track listing

**Side A**

1. "Welcome To Europe" - 4:32

**Side B**

1. "Hanningfield Window" - 4:20
2. "Exciton" - 4:10

* Discogs entry:

## InfoBox

| "Welcome To Europe" | |
| --- | --- |
| Single by Squarepusher | |
| A-side | "Welcome To Europe" |
| B-side | "Hanningfield Window", "Exciton" |
| Released | 2006 |
| Label | Warp Records WAP 215 |
| Songwriter(s) | Tom Jenkinson |
| Producer(s) | Tom Jenkinson |