title: Try My Love (song)

abstract: Try My Love is the third single released by the american singer Jeremy Jordan from his first studio album Try My Love. It was released in 1993, and was composed by Nick Mundy. A music video directed by Antoine Fuqua was also released to promote the single. It was a minor hit in Australia, peaking #72 in the ARIA Charts. The song was included in the Rob Bowman's 1993 comedy-drama film Airborne.

text:
# Try My Love (song)

**Try My Love** is the third single released by the american singer Jeremy Jordan from his first (and only) studio album Try My Love. It was released in 1993, and was composed by Nick Mundy. A music video directed by Antoine Fuqua was also released to promote the single. It was a minor hit in Australia, peaking #72 in the ARIA Charts. The song was included in the Rob Bowman's 1993 comedy-drama film Airborne.

## Track listing

EU maxi-single 1. Try My Love (Radio Edit) 4:01
2. Try My Love (Album Version) 4:54
3. Try My Love (Instrumental) 4:56

Japan mini-single 1. Try My Love (Album Version) 4:52
2. Try My Love (Instrumental) 4:53

## Charts

| Chart (1993) | Peak
position |
| --- | --- |
| ARIA Charts. | 72 |
|

1. Ryan, Gavin (2011). *Australia's Music Charts 1988–2010*. Mt. Martha, VIC, Australia: Moonlight Publishing.
2. "Airbone (1993)". *TCM*. Archived from the original on 24 June 2017. Retrieved 8 June 2014.
3. Jeremy Jordan - Try my Love (single) Discogs.com. Retrieved 27 December 2018.
4. "Jeremy Jordan – Try My Love". Discogs. Retrieved 2021-10-04.

## InfoBox

| "Try My Love" | |
| --- | --- |
|  | |
| Single by Jeremy Jordan | |
| from the album  *Try My Love* | |
| Released | 1993 |
| Genre | Pop |
| Length | 4:54 |
| Label | Giant Records |
| Songwriter(s) | Nick Mundy |
| Jeremy Jordan singles chronology | |
| "Wannagirl"
(1993) "**Try My Love**"
(1993) "My Love Is Good Enough"
(1994) | |
|  | |
| Music video | |
| "Try My Love" on YouTube | |
|  | |


title: Trzaskowice, Greater Poland Voivodeship

abstract: Trzaskowice is a village in the administrative district of Gmina Chodzież, within Chodzież County, Greater Poland Voivodeship, in west-central Poland. It lies approximately 8 kilometres (5 mi) south of Chodzież and 58 km (36 mi) north of the regional capital Poznań.

text:
# Trzaskowice, Greater Poland Voivodeship

**Trzaskowice** \[tʂaskɔˈvit͡sɛ\] is a village in the administrative district of Gmina Chodzież, within Chodzież County, Greater Poland Voivodeship, in west-central Poland. It lies approximately 8 kilometres (5 mi) south of Chodzież and 58 km (36 mi) north of the regional capital Poznań.

## InfoBox

| Trzaskowice | |
| --- | --- |
| Village | |
| Trzaskowice | |
| Coordinates: 52°55′10″N 16°52′33″E / 52.91944°N 16.87583°E / 52.91944; 16.87583 | |
| Country | Poland |
| Voivodeship | Greater Poland |
| County | Chodzież |
| Gmina | Chodzież |
| Population | 51 |


title: Luigi Fabris

abstract: Luigi Fabris was an Italian sculptor and ceramist.

text:
# Luigi Fabris

**Luigi Fabris** (August 23, 1883 in Bassano del Grappa – May 19, 1952 in Bassano del Grappa) was an Italian sculptor and ceramist.

## Biography

Luigi Fabris was a sculptor from Bassano del Grappa. He studied at the Regio Istituto di Belle Arti of Venice between 1905 and 1906 under the guidance of Antonio Dal Zotto with whom he collaborated, in particular for the statue of Carlo Goldoni in Campo San Bartolommeo in Venice. Dal Zotto donated the model of the statue to his pupil's hometown as proof of his consideration for him. Fabris obtained the maximum note cum laude in "Nude Modeling" in the Second Special Course in Sculpture and received a cash prize as best student.

In 1912, after a period of teaching at the Artisan School and at the Professional Institute of Drawing, both in Ponte di Legno (Brescia), he returned to Bassano to teach at the School of Drawing. He took over the factory of Raffaele Passarin and made his first ceramic models, and designed and carried out the ceramic cladding of the facade of the Grand Hotel Ausonia & Hungaria at the Lido di Venezia between 1913 and 1916, recently carefully studied and restored.

As the expert in ceramics Nadir Stringa wrote in the introduction of the catalogue of the exhibition in Bassano del Grappa, Fabris "set out on a grandiose oeuvre in which he could express both his artistic gifts: sculpture (with large figures, plants, fruit and architectural elements in bas relief) and painting (the whole surface is painted with a rich palette of colours ‘a gran fuoco').

In 1916, after the damage caused by World War I in Bassano del Grappa (aerial bombing struck the bridge on the Brenta river near his kiln in Via Gamba), he decided to move to Milan in Via Bandello 15. In 1918, an architect friend of his, probably Giovanni Muzio, invited him to open an art studio in Via Lanzone, where he devoted himself to large bronze statues and to the production of pottery thanks to the help of a few workers from Bassano who had followed him.

After the end of World War I, when he was already an accomplished sculptor, he made the statue for the Monument to the Fallen Soldier of the Air Force Ferruccio Lucchetti at the Cimitero Monumentale di Milano.

In 1920, he was commissioned by the Municipality of Bassano to make the statue La Musa Scrivente dedicated to the writer Giovanni Vaccari, deceased in 1919, currently in the Parolini Gardens in Bassano. He won the first prize at a sculpture contest in Genoa with the work La Samaritana. The bronze statue is now in a building in Genoa, while the plaster statue is kept in his studio. In 1922, he sculpted a monument in high relief commissioned by the Venetian provinces for the Opera Bonomelli in Bergamo. He made the statue of the goddess Hygieia for the Albergo diurno Venezia in Milan at the entrance of the baths section, in the years 1924-1925.

In Milan he decided to try producing porcelain. The tests for the mixture of raw material and baking at high temperature were successful, thanks to the help of Raffaele Passarin's brother, who was an engineer in the laboratories of the Ercole Marelli company, founded in 1891 for the production of physics and electrical devices.

After he obtained the desired results in ovens at 1300 degrees, Luigi Fabris established a factory of art porcelain in Corso Indipendenza 7 in Milan, with many ovens for high temperature baking.

He designed the red anchor logo and a monogram to protect his work and produced a large range of models, in just a few years; some of these were also large in size, which was unusual and risky for porcelain. In 1923 the Manifattura Italiana Porcellane Artistiche Fabris Milano participated to the first Fiera Campionaria di Milano in 1923. Fabris's production was successful and the laboratory was visited by important personalities of culture, theatre, cinema and politics. Gabriele D'Annunzio commissioned some pieces for the Vittoriale degli italiani, Other important customers were Ettore Petrolini and Cesare Baseggio.

The Manifattura Fabris and Richard Ginori were the only porcelain factories published in the *Enciclopedia delle Moderne Arti Decorative Italiane (1927)*, which included pictures of several pieces in the third volume devoted to the arts of fire.

As Nadir Stringa wrote: "The fantasy and creativity of Fabris are unlimited, and the sample case is continuously growing with romantic scenes, everyday life scenes, masks, caricatures, folk characters, musicians, dancers, historical personalities, characters of the Commedia dell’Arte, allegoric and bucolic groups, sacred subjects, animals, and ornamental vases. There were 530 models in 1942. He continued to test new heat resistant colors, besides common blue. Green, water green, sage green, yellow, yellow ochre, turquoise, periwinkle blue, lilac, rose, peach rose and new decoration techniques, such as the use of lace for ballerinas and small ladies, and small flowers and other relief decoration on the fabric of clothes, imitating the ancient Chinese ‘an hua’ (secret decoration) technique".

As other artists of the time (Arturo Martini, Bortolo Sacchi, Guido Cacciapuoti) Fabris believed in the artist's multiple, a limited series of small sculptures made by the artist with the collaboration of an artisanal laboratory. Thanks to his character he managed to surround himself with valid associates who kept the quality of production high: moulders, retouchers, flower designers, lace makers, painters, and gilders. He took part to the 1929 Leipzig Fair, where he obtained international fame. .

In the 1920s, he was elected head of the Ceramics Community of Lombardy and became a member of the Fascist Experimental Institute for Ceramics. Fabris porcelain was exported all over the world. He made a porcelain portrait of Princess Marie José of Belgium on the occasion of her marriage to Umberto II of Savoy. In 1935, he made a sketch of Benito Mussolini on horseback for an equestrian monument that was to be placed in Piazza Venezia in Rome, but the monument was censured because it ‘trampled’ on the ruins of Rome.

In 1940, he made a bronze Madonna statue for the Gaviraghi family tomb in the Cimitero Monumentale in Milan. In 1942, English bombs struck the Fabris factory but the print house was saved. Luigi Fabris returned to Bassano del Grappa with his family. In 1943 the print house for porcelain was moved to Bassano into the new headquarters in Via Torino 10, and the workers also moved from Milan. Luigi Fabris never stopped creating new models, helped by his sons Antonio (who was responsible for management), Gianantonio (responsible for sculpture) and his daughter-in-law Vittoria (responsible for painting).

After his death on 19 May 1953, Fabris porcelain was requested more and more. His work is on display at the National Museum of Cuba, at the Ceramics Museum in Bassano del Grappa, at the Vittoriale degli italiani, and at the Museo delle Maschere in Rome. The critics of his time defined him as "an artist who works and keeps quiet" (Parenti 1927) and as "a poet, because he has managed to transfuse the poetry and passion that animate him into the cold features of his creatures" (Della Chiesa, 1928). Gabriele d’Annunzio called him "excellent creator".

## Works

The complete list of his works is included in the book *Luigi Fabris 1883/1952. Plasmare l’Armonia, Sculture, Dipinti, Porcellane*, with texts by Mario Guderzo and Nadir Stringa, Catalogue of the exhibition held in Bassano del Grappa, Comune di Bassano del Grappa, 2006.

### Main Monuments

* Monument to Giovanni Vaccari, 1920, Bronze, cm 80 x 70 x 70, Bassano del Grappa, Giardini Parolini.
* Monument to the Fallen Soldier of the Air Force Emilio Ferruccio Lucchetti, 1922, Bronze, cm 180 x 85 x 40, cappella Lucchetti, cemetery of Camisano (Cremona). Kept in Milan until 2003, Cimitero Monumentale di Milano, rip. 16, n. 82.
* Goddess Hygeia, ca. 1924-1925, Bronze, Milan, Albergo diurno Venezia, Piazza Oberdan.
* Madonna for the Gaviraghi family tomb, 1940, Bronze, Milan, Cimitero Monumentale, rip. 14, n. 196-198.
* Monument for the Opera Bonomelli, 1922, Bronze, cm 135 x 210.

### Porcelain

Fabris designed and produced 24 Biscuit porcelain sculptures and about a hundred polychrome porcelain sculptures. The detailed list is included in the cited catalogue of the exhibition. The most important are:

* Vittoria Alata, Frate Incappucciato (called Crisalide by the artist), Cavallo Greco, Libro Farfalla, L’ultima Suonata, Nudino con Maschera, Portacenere con Nudo, Nudo di Donna con Lampada, Busto di Eleonora Duse, Elefanti ed animali feroci. They were commissioned by Gabriele D'Annunzio for his villa at Gardone Riviera, on Lake Garda, in 1926. The villa was later renamed Vittoriale degli italiani and donated to the State in 1930.
* Maria José. Model made in 1930 on the occasion of the marriage of the Belgian princess to Umberto II of Savoy.
* Ceramic cladding of the facade of the Grand Hotel Ausonia & Hungaria at the Lido di Venezia.

* Luigi Fabris 1883/1952. Plasmare l’Armonia, Sculture, Dipinti, Porcellane, with texts by Mario Guderzo and Nadir Stringa, Catalogue of the exhibition held in Bassano del Grappa, Comune di Bassano del Grappa, 2006.
* F. della Chiesa, Le porcellane della manifattura L. Fabris, in "Fiamma italica", Year V, n. 1, May–June 1928,
* G. Marangoni, Le arti del fuoco : ceramica, vetri, vetrate, Milan, 1927.
* Angelo Minghetti, Ceramisti, Milan, 1939.
* M. Parenti, Un’arte italiana che risorge: la porcellana statuaria di Luigi Fabris, in "La Rinascita", Year V, October–November 1927
* E. Petrini, Luigi Fabris, in "L’Illustre bassanese", n. 26, November 1993,
* Nadir Stringa, La Ceramica, in Storia di Bassano, Bassano del Grappa, 1980.


title: Lucrezia Borgia (1922 film)

abstract: Lucrezia Borgia is a 1922 German silent historical film directed by Richard Oswald and starring Conrad Veidt, Liane Haid, Paul Wegener, and Albert Bassermann. It was based on a novel by Harry Sheff, and portrayed the life of the Renaissance Italian aristocrat Lucrezia Borgia (1480–1519). Botho Hoefer and Robert Neppach worked as the film's art directors, designing the period sets needed. It was shot at the Tempelhof Studios in Berlin. Karl Freund was one of the cinematographers. Famed French director Abel Gance remade the film in 1935. Cesare Borgia (Veidt) is a monstrous villain who will do anything for pleasure and power, even seducing his own cousin Lucrezia (Haid) and murdering his male siblings. The Borgias were a medieval family known for their corruption under the rule of Pope Alexander VI. Lucrezia Borgia changed real life siblings Cesare and Lucrezia Borgia into cousins, with Cesare and Juan referred to as "the nephew(s) of the Pope", not his sons. This film version made Lucrezia a more sympathetic character, blaming Cesare for causing her indiscretions. Director Richard Oswald's depiction of the family was seen as an attack on the Catholic Church, thus the film was not able to be shown in the U.S. until 1928, and even then the American prints were edited down to 75 minutes. Richard Oswald directed a number of classic horror films, including The Picture of Dorian Gray (1917), Eerie Tales (1919), The Hound of the Baskervilles (1914-1915), and Uncanny Stories (1932), a remake of the 1919 film. Conrad Veidt and Paul Wegener were in the cast. Actor William Dieterle later moved to Hollywood where he directed the Charles Laughton version of The Hunchback of Notre Dame in 1939.

text:
# Lucrezia Borgia (1922 film)

***Lucrezia Borgia*** is a 1922 German silent historical film directed by Richard Oswald and starring Conrad Veidt, Liane Haid, Paul Wegener, and Albert Bassermann. It was based on a novel by Harry Sheff, and portrayed the life of the Renaissance Italian aristocrat Lucrezia Borgia (1480–1519). Botho Hoefer and Robert Neppach worked as the film's art directors, designing the period sets needed. It was shot at the Tempelhof Studios in Berlin. Karl Freund was one of the cinematographers. Famed French director Abel Gance remade the film in 1935.

Cesare Borgia (Veidt) is a monstrous villain who will do anything for pleasure and power, even seducing his own cousin Lucrezia (Haid) and murdering his male siblings. The Borgias were a medieval family known for their corruption under the rule of Pope Alexander VI. *Lucrezia Borgia* changed real life siblings Cesare and Lucrezia Borgia into cousins, with Cesare and Juan referred to as "the nephew(s) of the Pope", not his sons. This film version made Lucrezia a more sympathetic character, blaming Cesare for causing her indiscretions. Director Richard Oswald's depiction of the family was seen as an attack on the Catholic Church, thus the film was not able to be shown in the U.S. until 1928, and even then the American prints were edited down to 75 minutes.

Richard Oswald directed a number of classic horror films, including *The Picture of Dorian Gray* (1917), *Eerie Tales* (1919), *The Hound of the Baskervilles* (1914-1915), and *Uncanny Stories* (1932), a remake of the 1919 film. Conrad Veidt and Paul Wegener were in the cast. Actor William Dieterle later moved to Hollywood where he directed the Charles Laughton version of *The Hunchback of Notre Dame* in 1939.

## Cast

## Bibliography

## InfoBox

| Lucrezia Borgia | |
| --- | --- |
|  | |
| Directed by | Richard Oswald |
| Written by |  |
| Starring |  |
| Cinematography |  |
| Production<br>company | Richard-Oswald-Produktion |
| Distributed by | UFA |
| Release date | * 20 October 1922 (1922-10-20) |
| Running time | 96 minutes |
| Country | Germany |
| Languages |  |


title: Luisa Sello

abstract: Luisa Sello is an Italian classical flautist and teacher.

text:
# Luisa Sello

**Luisa Sello** is an Italian classical flautist and teacher.

## Biography

Luisa Sello was born in Udine. She completed the Doctor of Musical Arts degree in Italy and Paris where she studied flute as well as Contemporary and Baroque performance practice. She has studied in Paris with Raymond Guiot, at the Accademia Chigiana with Severino Gazzelloni, and at the Académie Internationale of Nice with Alain Marion. She has graduated also in Languages and in Modern Literature.

She spent a brief period of orchestral experience and collaboration with the orchestra of the Teatro alla Scala of Milan under the direction of Riccardo Muti. During her solo career she has played alongside artists such as Alirio Diaz, Bruno Canino, Trevor Pinnock, Philippe Entremont, the Pražák Quartet, Nuovo Quartetto Italiano, the Jess Trio Wien, and has been guest soloist with orchestras such as I Virtuosi Italiani, Concert Verein Wiener Symphoniker, Salzburger Kammerorchester, Slovak Philharmonic, Thailand Symphonic Orchestra, Greater Miami Symphony Orchestra and the Orchestra Milano Classica.

She has worked with numerous contemporary composers (Aldo Clementi, Franco Donatoni, Adriano Guarnieri, Francesco Pennisi, Primo Ramov, Josef Anton Riedl, Salvatore Sciarrino) performing their works for the first time. The Italian composer Valter Sivilotti has dedicated to Luisa Sello the composition "L'incantesimo della luna nuova" for flute and string orchestra.

In 2013 she has been nominated honorary Ambassador of Udine in the world, to represent Friulian culture in Italy and in the world.

Since 2008 she is President of the Association "Gli amici della musica di Udine", the ancient music society of the Friuli Venezia Giulia region founded in 1922.

She was professor of Flute at the Conservatory of Trieste "Giuseppe Tartini" from 1989 to 2020. She is visiting professor at University of Music in Vienna and adjunct professor at the New Bulgarian University of Music in Sofia.

## Honours

Knight of the Order of Merit of the Italian Republic – December 2, 2022

## Selected discography

* Serenade for Ludwig, Ludwig van Beethoven, Flute Chamber Music, Bruno Canino piano, Myriam Dal Don violin, Giuseppe Mari viola. Dynamic 2020
* All'Italiana! Belcanto for flute and piano, Verdi/Galli, Donizetti, Rossini/Tulou, Rossini/Cottignies, Bellini/Galli, Bruno Canino piano, Stradivarius 2019
* Johann Sebastian Bach, Le Sonate concertanti for flute and piano, Bruno Canino piano, Stradivarius 2018
* Sérénade à deux, Works for flute and guitar, Willy Burkhard, Heitor Villa-Lobos, Astor Piazzolla, Jacques Ibert, Francesco Molino,Franco Margola, Daniele Zanettovich, Ferdinando Carulli, Carla Minen guitar, Stradivarius 2016
* The origin of song, Rossini, Sello, Donizetti, He, Verdi, Chaminade, Bellini, Beethoven, Bruno Canino (piano), Johannes Kropfitsch (piano), Beijing Hongcheng Millennium Culture & Art Co. 2012
* Wolfgang Amadeus Mozart, Integrale dei Concerti K.V. 313-314-315, Romolo Gessi conductor, Orchestra Milano Classica, Stradivarius 2007
* Minus one "Fantasie d'opera", Verdi e Bellini, Johannes Jess Kropfitsch, piano, BMG Ricordi Milano Dischi 2005
* Sonate, Hummel-Martinů-Franck, Johannes Jess Kropfitsch piano, RivoAlto 2000

## Books and essays

* 2007 The personification of Krishna and Radha in Giacinto Scelsi's Music in 'The Goddess Awakened' (Ed. Forum, ISBN 978-88-8420-449-3)
* 2005 Fantasie su arie di Verdi e Bellini, Introduzione e revisione di Luisa Sello, Raccolta di fantasie per flauto e pianoforte di differenti gradi di difficoltà per l'uso dei giovani flautisti, Ricordi publisher, Milano
* 1997 Fantasie brillanti per giovani allievi, Melodie favorite di Verdi, Bellini, Rossini, Donizetti, Introduzione e revisione di Luisa Sello, Raccolta di fantasie per flauto di differenti gradi di difficoltà per l’uso dei giovani flautisti, Ricordi publisher, Milano

1. "Luisa Sello - Miyazawa Artists Biography". *Miyazawa*. Retrieved 7 April 2022.
2. "Federazione CEMAT - Luisa Sello" (in Italian). Retrieved 19 May 2022.
3. "L' Incantesimo della Luna Nuova" (in Italian). Retrieved 10 April 2022.
4. "Luisa Sello ambasciatrice di Udine nel mondo". *Il Friuli* (in Italian). Retrieved 10 April 2022.
5. "Gli Amici della Musica di Udine festeggiano i primi 100 anni". *Il Friuli* (in Italian). Retrieved 11 April 2022.
6. "Luisa Sello in concert". *Italian Cultural Institute - Toronto*. Retrieved 10 April 2022.
7. "Music Department Adjunct Professors". *New Bulgarian University*. Retrieved 7 April 2022.
8. "Dettaglio decorato Luisa Sella". *quirinale.it* (in Italian). Retrieved 3 June 2023.
9. "RAI - Luisa Sello". *RAI* (in Italian). Retrieved 10 April 2022.

## InfoBox

| Luisa Sello | |
| --- | --- |
|  | |
| Background information | |
| Born | Udine, Italy |
| Genres |  |
| Occupation(s) | Musician, Professor |
| Instrument | Flute |
| Labels | Stradivarius |


title: Luisa Seghezzi

abstract: Luisa Seghezzi is an Italian former cyclist. She competed in the women's road race event at the 1984 Summer Olympics.

text:
# Luisa Seghezzi

**Luisa Seghezzi** (born 6 December 1965) is an Italian former cyclist. She competed in the women's road race event at the 1984 Summer Olympics.

## Major results

Sources:

1984 9th Olympic Road race 1987 8th UCI World Championship Road race 1988 10th Overall Tour de France féminin 1990 3rd  UCI World Championship Road race

## InfoBox

Luisa Seghezzi
| Personal information | |
| --- | --- |
| Full name | Luisa Seghezzi |
| Born | (1965-12-06) 6 December 1965<br>Bergamo, Italy |
| Height | 1.53 m (5 ft 0 in) |
| Weight | 51 kg (112 lb; 8 st 0 lb) |
| Team information | |
| Discipline | Road |
| Medal record      Representing  Italy  Women's road cycling  World Championships  1990 Utsunomiya Road race | |


title: Trubatsa

abstract: Trubatsa is a genus of sea snails, marine gastropod mollusks in the family Muricidae, the murex snails or rock snails.

text:
# Trubatsa

***Trubatsa*** is a genus of sea snails, marine gastropod mollusks in the family Muricidae, the murex snails or rock snails.

## Species

* Houart, R, Buge, B. & Zuccon, D. (2021). A taxonomic update of the Typhinae (Gastropoda: Muricidae) with a review of New Caledonia species and the description of new species from New Caledonia, the South China Sea and Western Australia. Journal of Conchology. 44(2): 103–147.
* Garrigues, B. (2021). Description of four new Typhinae species (Mollusca: Muricidae) and comments on the status of the genus Talityphis Jousseaume, 1882 and Trubatsa Dall, 1889. Xenophora Taxonomy. 33: 3-20.

## InfoBox

| *Trubatsa* | |
| --- | --- |
|  | |
| Shell of *Siphonochelus aethomorpha* (holotype at MNHN, Paris) | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Gastropoda |
| Subclass: | Caenogastropoda |
| Order: | Neogastropoda |
| Superfamily: | Muricoidea |
| Family: | Muricidae |
| Subfamily: | Typhinae |
| Genus: | *Trubatsa*
Jousseaume, 1880 |
|
| Type species | |
| *Typhis longicornis* Dall, 1888
 | |
| Synonyms | |
| * *Siphonochelus (Trubatsa)* Dall, 1889 * *Typhis (Trubatsa)* Dall, 1889 (original rank) | |


abstract:
The Tsuji–Wilkinson decarbonylation reaction is a method for the decarbonylation of aldehydes and some acyl chlorides. The reaction name recognizes Jirō Tsuji, whose team first reported the use of Wilkinson's catalyst (RhCl(PPh3)3) for these reactions:
  - RC(O)X + RhCl(PPh3)3 → RX + RhCl(CO)(PPh3)2 + PPh3 Although decarbonylation can be effected by several transition metal complexes, Wilkinson's catalyst has proven the most effective.

text:
# Tsuji–Wilkinson decarbonylation reaction

The **Tsuji–Wilkinson decarbonylation reaction** is a method for the decarbonylation of aldehydes and some acyl chlorides. The reaction name recognizes Jirō Tsuji, whose team first reported the use of Wilkinson's catalyst (RhCl(PPh3)3) for these reactions:

RC(O)X + RhCl(PPh3)3 → RX + RhCl(CO)(PPh3)2 \+ PPh3

Although decarbonylation can be effected by several transition metal complexes, Wilkinson's catalyst has proven the most effective.

## Reaction mechanism

Strictly speaking, this reaction results in the formation of a rhodium carbonyl complex rather than free carbon monoxide.

The catalytic cycle is assumed to involve oxidative addition of the aldehyde (or acid chloride) to gives a 16e acyl Rh(III)-hydride intermediate, which undergoes migratory extrusion of CO proceed to form an 18-electron d6 Rh(III) carbonyl complex. Reductive elimination produces the decarbonylated product. In the catalytic variant of the Tsuji–Wilkinson decarbonylation, RhCl(CO)(PPh3)2 evolves CO above 200 °C, thereby regenerating RhCl(PPh3)n. Otherwise, the reaction mechanism halts by formation of this thermodynamically stable carbonyl complex.

## Synthetic applications

The Tsuji–Wilkinson decarbonylation proceeds under mild conditions and is highly stereospecific. In addition to aliphatic, aromatic, and α,β-unsaturated aldehydes, acyl nitriles and 1,2-diketones are also suitable substrates. Few methods exist for decarbonylation.

One illustrative application is the synthesis of the core nucleus of FR-900482. Note that the ester is unaffected by the rhodium reagent.

The Tsuji–Wilkinson decarbonylation is employed in the penultimate step of the synthesis of (–)-presilphiperfolan-8-ol. They comment “Of note in these final steps, separate reduction and oxidation steps proceeded in inferior yield in generating 38 (70% versus 93%), while the Rh(PPh3)3Cl operation proceeded smoothly when conducted on small scale (~15 mg). In total, the synthesis required 13 steps from commercial starting material, and ~15 mg of \[(–)-presilphiperfolan-8-ol\] has been prepared with spectral properties and optical rotations matching that of the natural isolate.”

## Efforts to render a low temperature catalytic Tsuji–Wilkinson decarbonylation

Unfortunately, the Tsuji–Wilkinson decarbonylation is stoichiometric. The product bis(triphenylphosphine)rhodium carbonyl chloride is not readily converted back to a CO-free reagent. Above 200 °C, carbon monoxide RhCl(CO)(PPh3)2 does decarbonylate, however these high temperatures are often prohibitive. The ideal Tsuji–Wilkinson decarbonylation would be by catalytic near ambient temperatures.

The reaction has been carried out in flow conditions at low temperatures in which a biphasic liquid-gas flow decarbonylation was developed employing N2 as a gas carrier. However, the temperature required for this reaction is 200 °C.

Significant improvements of the Tsuji–Wilkinson decarbonylation have been made by using cationic rhodium complexes with chelating bisphosphines.

## Historic references

* Tsuji, Jiro; Ohno, Kiyotaka (January 1965). "Organic syntheses by means of noble metal compounds XXI. Decarbonylation of aldehydes using rhodium complex". *Tetrahedron Letters*. **6** (44): 3969–3971. doi:10.1016/S0040-4039(01)89127-9.
* Tsuji, Jiro; Ohno, Kiyotaka; Kajimoto, Tsunesuke (January 1965). "Organic syntheses by means of noble metal compounds XX. Decarbonylation of acyl chloride and aldehyde catalyzed by palladium and its relationship with the rosenmund reduction". *Tetrahedron Letters*. **6** (50): 4565–4568. doi:10.1016/S0040-4039(01)89065-1.
* *Synthesis,* 1969, 157.
* Ohno, Kiyotaka; Tsuji, Jiro (1968). "Organic synthesis by means of noble metal compounds. XXXV. Novel decarbonylation reactions of aldehydes and acyl halides using rhodium complexes". *Journal of the American Chemical Society*. **90** (1): 99–107. doi:10.1021/ja01003a018.

## InfoBox

| Tsuji–Wilkinson decarbonylation | |
| --- | --- |
| Named after | Jirō Tsuji
Geoffrey Wilkinson |
| Reaction type | Decarbonylation |
|  | |


title: Tshekardocoleoidea

abstract:
Tshekardocoleoidea is a superfamily in the extinct suborder Protocoleoptera that contains the following families:
  - †Coleopsidae Kirejtshuk & Nel, 2016
  - †Labradorocoleoidae Ponomarenko, 1969
  - †Oborocoleidae Kukalová, 1969
  - †Tshekardocoleidae Rohdendorf, 1944

text:
# Tshekardocoleoidea

**Tshekardocoleoidea** is a superfamily in the extinct suborder Protocoleoptera that contains the following families:

## InfoBox

| Tshekardocoleoidea | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Suborder: | Protocoleoptera |
| Superfamily: | Tshekardocoleoidea<br>Rohdendorf, 1944 |
|


title: Tsebona

abstract: Tsebona is a genus of the plant family Sapotaceae described as a genus in 1962. There is only one known species, Tsebona macrantha, endemic to Madagascar.

text:
# Tsebona

***Tsebona*** is a genus of the plant family Sapotaceae described as a genus in 1962.

There is only one known species, ***Tsebona macrantha***, endemic to Madagascar.

## InfoBox

| *Tsebona* | |
| --- | --- |
| Conservation status | |
|
Near Threatened  (IUCN 3.1) | |
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Asterids |
| Order: | Ericales |
| Family: | Sapotaceae |
| Subfamily: | Sapotoideae |
| Genus: | *Tsebona*
Capuron |
| Species: | ***T. macrantha*** |
| Binomial name | |
| ***Tsebona macrantha***
Capuron | |
|


title: Ludovina de Oliveira

abstract: Ludovina Dias de Oliveira is a Mozambican former athlete. She competed in the women's discus throw at the 1980 Summer Olympics.

text:
# Ludovina de Oliveira

**Ludovina Dias de Oliveira** (born 26 April 1955) is a Mozambican former athlete. She competed in the women's discus throw at the 1980 Summer Olympics.

## InfoBox

Ludovina de Oliveira
| Personal information | |
| --- | --- |
| Nationality | Mozambican |
| Born | (1955-04-26) 26 April 1955 |
| Sport | |
| Sport | Athletics |
| Event | Discus throw |


title: Ludovisi Ares

abstract: The Ludovisi Ares is an Antonine Roman marble sculpture of Ares, a fine 2nd-century copy of a late 4th-century BCE Greek original, associated with Scopas or Lysippus: thus the Roman god of war receives his Greek name, Ares. Ares/Mars is portrayed as young and beardless and seated on a trophy of arms, while an Eros plays about his feet, drawing attention to the fact that the god of war, in a moment of repose, is presented as a love object. The 18th-century connoisseur Johann Joachim Winckelmann, a man with a practiced eye for male beauty, found the Ludovisi Ares the most beautiful Mars that had been preserved from Antiquity, when he wrote the catalogue of the Ludovisi collection. Rediscovered in 1622, the sculpture was apparently originally part of the temple of Mars, of which few traces remain, for it was recovered near the site of the church of San Salvatore in Campo. Pietro Santi Bartoli recorded in his notes that it had been found near the Palazzo Santa Croce in Rione Campitelli during the digging of a drain. The sculpture found its way into the collection formed by Cardinal Ludovico Ludovisi (1595–1632) the nephew of Pope Gregory XV at the splendid villa and gardens he built near Porta Pinciana, on the site where Julius Caesar and his heir, Octavian, had had their villa. The sculpture was lightly restored by the young Bernini, who refinished its surfaces and discreetly provided a right foot; he was probably largely responsible for the cupid, which Haskell and Penny note was omitted from G.F. Susini's bronze replica and from the prints of the sculpture in Maffei's anthology. The sculpture was a sensational find. A small-scale bronze replica of it was executed by G.F. Susini, heir and assistant to his more famous uncle Antonio Susini, when he visited Rome in the 1630s and copied several marbles from Ludovisi's collection; a bronze of the Ludovisi Ares is in the Ashmolean Museum, Oxford. Later, the Ludovisi Ares was one of the featured antiquities to be seen on the "grand tour". For example, the portrait of English tourist John Talbot by Pompeo Batoni depicts him next to the statue to display his culture and showing his familiarity with great works of art. Less expensive representations could be found: Giambattista Piranesi's son Francesco made an engraving of it at the Villa Ludovisi in 1783. Casts of the Ludovisi Ares found their way into early museum collections, such as the Copenhagen Glyptotek and were influential to several generations of Neoclassical and academic students. In 1901, the eventual heir, prince Boncompagni-Ludovisi, brought the Ludovisi antiquities to auction. The Italian state purchased 96 of the objects, and the rest have been dispersed among the museums of Europe and the US. The Ares is conserved in the section of the National Museum of the Terme that is housed in Palazzo Altemps, Rome. A depiction of the statue is used as an emblem for the Greek athletic club Aris Thessaloniki.

text:
# Ludovisi Ares

The **Ludovisi Ares** is an Antonine Roman marble sculpture of Ares, a fine 2nd-century copy of a late 4th-century BCE Greek original, associated with Scopas or Lysippus: thus the Roman god of war receives his Greek name, Ares.

Ares/Mars is portrayed as young and beardless and seated on a trophy of arms, while an Eros plays about his feet, drawing attention to the fact that the god of war, in a moment of repose, is presented as a love object. The 18th-century connoisseur Johann Joachim Winckelmann, a man with a practiced eye for male beauty, found the Ludovisi Ares the most beautiful Mars that had been preserved from Antiquity, when he wrote the catalogue of the Ludovisi collection.

Rediscovered in 1622, the sculpture was apparently originally part of the temple of Mars (founded in 132 BCE in the southern part of the Campus Martius), of which few traces remain, for it was recovered near the site of the church of San Salvatore in Campo. Pietro Santi Bartoli recorded in his notes that it had been found near the Palazzo Santa Croce in Rione Campitelli during the digging of a drain. (Haskell and Penny 1981:260) The sculpture found its way into the collection formed by Cardinal Ludovico Ludovisi (1595–1632) the nephew of Pope Gregory XV at the splendid villa and gardens he built near Porta Pinciana, on the site where Julius Caesar and his heir, Octavian (Caesar Augustus), had had their villa. The sculpture was lightly restored by the young Bernini, who refinished its surfaces and discreetly provided a right foot; he was probably largely responsible for the cupid, which Haskell and Penny note was omitted from G.F. Susini's bronze replica and from the prints of the sculpture in Maffei's anthology.

The sculpture was a sensational find. A small-scale bronze replica of it was executed by G.F. Susini, heir and assistant to his more famous uncle Antonio Susini, when he visited Rome in the 1630s and copied several marbles from Ludovisi's collection; a bronze of the Ludovisi Ares is in the Ashmolean Museum, Oxford. Later, the Ludovisi Ares was one of the featured antiquities to be seen on the "grand tour". For example, the portrait of English tourist John Talbot (later first Earl Talbot) by Pompeo Batoni depicts him next to the statue to display his culture and showing his familiarity with great works of art. Less expensive representations could be found: Giambattista Piranesi's son Francesco made an engraving of it at the Villa Ludovisi in 1783 . Casts of the Ludovisi Ares found their way into early museum collections, such as the Copenhagen Glyptotek  and were influential to several generations of Neoclassical and academic students.

In 1901, the eventual heir, prince Boncompagni-Ludovisi, brought the Ludovisi antiquities to auction. The Italian state purchased 96 of the objects, and the rest have been dispersed among the museums of Europe and the US. The Ares is conserved in the section of the National Museum of the Terme that is housed in Palazzo Altemps, Rome.

A depiction of the statue is used as an emblem for the Greek athletic club Aris Thessaloniki.

* Francis Haskell and Nicholas Penny, 1981. *Taste and the Antique: the Lure of Classical Sculpture 1500–1900.* (Yale University Press) cat. no. 58.

Media related to Ludovisi Ares at Wikimedia Commons

## InfoBox

| Ludovisi Ares | |
| --- | --- |
| The *Ludovisi Ares* | |
| Artist | Lysippus |
| Year | 2nd-century copy |
| Catalogue | 11.3 |
| Type | Sculpture |
| Medium | Marble |
| Location | National Museum of Rome, Rome |


title: Luiz Mott

abstract: Luiz Roberto de Barros Mott or Luiz Mott in São Paulo, is an anthropologist and a gay rights activist in Brazil.

text:
# Luiz Mott

**Luiz Roberto de Barros Mott** or **Luiz Mott** (born 6 May 1946) in São Paulo, is an anthropologist and a gay rights activist in Brazil.

## Early life

Luiz Mott graduated in Social Sciences from the University of São Paulo (USP) during the military regime, obtained a master's degree in Ethnography from the Sorbonne and a doctorate in anthropology from the University of Campinas in São Paulo.

## Career

Luiz Mott is professor emeritus of the Department of Anthropology of the Federal University of Bahia (UFBA). In his work Mott has traced homosexual desire in a number of indigenous Brazilian tribes such as the Bororo, Guató, Trumai, Tupinambá, Wai Wai and Xavante. He has also explored intimate partner violence between gay, transsexual and transgender people in Salvador, the capital of the Brazilian state of Bahia. In 1995, he declared that national hero Zumbi dos Palmares had been gay.

Alongside his academic work, Mott is also a gay rights activist and founded the Gay Group of Bahia in 1980. It was the first homosexual support group in Bahia and Mott ensured its survival by pressuring the municipal government to fund it. It published records of homophobic attacks, raised awareness of HIV/AIDS and organised a pride parade, workshops, educational events and protests. He also created Centro Baiano Anti-AIDS.

In 1993, he published the first account of the life of Rosa Egipcíaca, a religious mystic and formerly enslaved prostitute, who wrote the book *Sagrada Teologia do Amor Divino das Almas Peregrinas,* which was the first book to be written by a black woman in Brazil.

In 1995, he was awarded the Felipa de Souza Award by the International Gay and Lesbian Human Rights Commission (now OutRight Action International). Mott commented to the *Los Angeles Times* in 2015: "Brazil is an extremely contradictory country. On the one hand, we are a pink country, celebrating sexual diversity \[..\] then, there is another color, the red blood of victims."

1. "Luiz Roberto de Barros Mott". *Ciência e Cultura* (in Brazilian Portuguese). Retrieved 11 July 2020.
2. Haggerty, George (2013). *Encyclopedia of Gay Histories and Cultures* (eBook). Routledge. ISBN 978-1-135-58513-6. Retrieved 11 July 2020.
3. Conner, Randy P.; Sparks, David Hatfield (2004). *Queering creole spiritual traditions: lesbian, gay, bisexual, and transgender participation in African-inspired traditions in the Americas*. Psychology Press. p. 47. ISBN 978-1-56023-351-0.
4. Allen, Andrea Stevenson (2016). *Violence and Desire in Brazilian Lesbian Relationships*. Springer. p. 12. ISBN 978-1-137-48984-5. Retrieved 11 July 2020.
5. Voss, Barbara L.; Casella, Eleanor Conlin (2011). *The Archaeology of Colonialism: Intimate Encounters and Sexual Effects*. Cambridge University Press. p. 259. ISBN 978-1-139-50313-6. Retrieved 11 July 2020.
6. Bevins, Vincent (22 March 2015). "Homophobic attacks increase in seemingly gay-friendly Brazil". *Los Angeles Times*. Retrieved 11 July 2020.
7. "A Celebration of Courage: Felipa Awardees 1994-1999". *OutRight Action International*. 1 May 1999. Retrieved 11 July 2020.
8. Martins, Ana Margarida (2019). "Teresa Margarida da Silva Orta (1711–1793): A Minor Transnational of the Brown Atlantic". *Portuguese Studies*. **35** (2): 136–53. doi:10.5699/portstudies.35.2.0136. ISSN 0267-5315. JSTOR 10.5699/portstudies.35.2.0136. S2CID 213802402.
9. "Enslaved: Peoples of the Historical Slave Trade". *enslaved.org*. Retrieved 21 August 2021.
10. Henery, Celeste (5 April 2021). "Excavating the History of Afro-Brazilian Women". *AAIHS*. Retrieved 21 August 2021.


title: Luiz Marinho

abstract: Luiz Marinho is a Brazilian politician and unionist. He was minister of Labor and Employment and minister of Social Security in the government of president Luiz Inácio Lula da Silva. He also was mayor of São Bernardo do Campo between 2009 and 2017.

text:
# Luiz Marinho

**Luiz Marinho** (born 20 May 1959 in Cosmorama) is a Brazilian politician and unionist. He was minister of Labor and Employment and minister of Social Security in the government of president Luiz Inácio Lula da Silva. He also was mayor of São Bernardo do Campo between 2009 and 2017.

## Biography

Marinho is married to Nilza de Oliveira and is the father of two children. Have a Bachelor of Law degree and is a former metalworker in the '70s, when met Lula da Silva. His first and only register in his work permit is from July 1978, when he was hired to work in the painting sector of Volkswagen in São Bernardo do Campo, where he also began his unionist career as member of the Internal Commission of Accidente Prevention (CIPA).

## Awards

Among the public acknowledgments, Marinho collects the Highlight of the Year Award of 1999, granted by the magazine Livre Mercado.

Also in 1999, he was appointed by Time/CNN as one of the *50 Latin American Leaders for the New Millennium*, because of his negotiations with Volkswagen, which avoided the dismissal of 10,000 workers.

## InfoBox

| Luiz Marinho | |
| --- | --- |
| Marinho in 2023. | |
|  | |
| Minister of Labour | |
| **Incumbent** | |
| **Assumed office**
1 January 2023 | |
| President | Luiz Inácio Lula da Silva |
| Preceded by | José Carlos Oliveira |
| **In office**
12 July 2005  29 March 2007 | |
| President | Luiz Inácio Lula da Silva |
| Preceded by | Ricardo Berzoini |
| Succeeded by | Carlos Lupi |
| President of the Workers' Party of São Paulo | |
| **Incumbent** | |
| **Assumed office**
8 May 2017 | |
| Preceded by | Emídio de Souza |
| Mayor of São Bernardo do Campo | |
| **In office**
1 January 2009  1 January 2017 | |
| Vice Mayor | Frank Aguiar |
| Preceded by | William Dib |
| Succeeded by | Orlando Morando |
| Minister of Social Security | |
| **In office**
29 March 2007  3 June 2008 | |
| President | Luiz Inácio Lula da Silva |
| Preceded by | Nelson Machado |
| Succeeded by | José Pimentel |
|  | |
| Personal details | |
| Born | Luiz Marinho
(1959-05-20) 20 May 1959
Cosmorama, SP, Brazil |
| Political party | PT (1980–present) |
| Spouse | Nilza de Oliveira |
| Profession | Unionist |
|  | |


title: Tsukiji Uogashi Sandaime

abstract: Tsukiji Uogashi Sandaime is a Japanese manga series by Masaharu Nabeshima with art by Mitsuo Hashimoto. It has been adapted into a 2008 Japanese film directed by Shingo Matsubara. The film was intended to be part of a series.

text:
# Tsukiji Uogashi Sandaime

***Tsukiji Uogashi Sandaime*** (築地魚河岸三代目, "Tsukiji Fish Market – Third Generation") is a Japanese manga series by Masaharu Nabeshima with art by Mitsuo Hashimoto. It has been adapted into a 2008 Japanese film directed by Shingo Matsubara. The film was intended to be part of a series.

## Film

### Cast

## Reception

The film was released in Japan on 259 theaters and has made US$2,234,531 at the box office. It was one of the films in competition for the Golden Cup award for best film at the 2008 Shanghai International Film Festival.

## InfoBox

| Tsukiji Uogashi Sandaime | |
| --- | --- |
| First volume cover | |
| 築地魚河岸三代目 | |
| Genre | Cooking |
| Manga | |
| Written by | Ken'ichi Ōishi (vol.1)
Masaharu Nabeshima (vol.2-20)
Kazuto Kuwa (21-42) |
| Illustrated by | Mitsuo Hashimoto |
| Published by | Shogakukan |
| Magazine | *Big Comic* |
| Demographic | *Seinen* |
| Original run | November 2000April 2014 |
| Volumes | 42 |
| Live-action film | |
| *The Taste of Fish* | |
| Directed by | Shingo Matsubara |
| Studio | Shochiku |
| Released | June 7, 2008 (2008-06-07) |
| Runtime | 116 minutes |


title: Tsukiji

abstract: Tsukiji (築地) is a district of Chūō, Tokyo, Japan. Literally meaning "reclaimed land", it lies near the Sumida River on land reclaimed from Tokyo Bay in the 18th century during the Edo period. The eponymous Tsukiji fish market opened in 1935 and closed in 2018 when its operations were moved to the new Toyosu Market. There are also districts named Tsukiji in Kobe and Amagasaki, cities in Hyōgo Prefecture, although neither is as well known as the district in Tokyo.

text:
# Tsukiji

**Tsukiji** (築地) is a district of Chūō, Tokyo, Japan. Literally meaning "reclaimed land", it lies near the Sumida River on land reclaimed from Tokyo Bay in the 18th century during the Edo period. The eponymous Tsukiji fish market opened in 1935 and closed in 2018 when its operations were moved to the new Toyosu Market.

There are also districts named *Tsukiji* in Kobe and Amagasaki, cities in Hyōgo Prefecture, although neither is as well known as the district in Tokyo.

## History

Tsukiji is built on reclaimed land out of what were once lowland marshes along the Sumida River delta. Throughout the Tokugawa period, earth from the shogunate's extensive moat and canal excavations was systematically used to fill in the marshes along the river, creating new commercial districts and waterfront housing. The land was then named Tsukiji (築地), meaning "constructed land" or "reclaimed land".

The Great Fire of Meireki of 1657 destroyed over two-thirds of Edo's buildings, including Hongan-ji temple in Asakusa, the enormous Kantō headquarters of the Jōdo Shinshū sect. As a result, the temple site was relocated to Tsukiji, where many of the residents of nearby Tsukudajima were instrumental in its reconstruction. A number of other temples were also erected on what is now the outer marketplace. In addition, many private residences for samurai and feudal lords were constructed along the southern edge of Tsukiji.

In 1869, Tsukiji was designated as an approved residential area for foreigners and treaty port. However, as the Yokohama foreign settlement, opened in 1859, had already become a center for commercial activities and international trade it never flourished, Like Yokohama, it was separated from the city by a canal.Tsukiji grew more as a focus for education, healthcare and Christian mission work. Early classroom and study facilities for Keio University, Rikkyo University, Aoyama Gakkuin, St. Margaret's Junior College, the American School in Japan and St. Luke's International Hospital were all to be found in this district. The Hoterukan (also known as Tsukiji Hotel or Edo Hotel), the first foreign -style hotel in Tokyo was a popular subject for woodblock prints after it opened in 1870, but it burned down after only four years.It was never very popular with foreigners, who gravitated to other parts of the city or Yokohama. Moreover, the roadstead was distant because the harbor was shallow. After twenty years (1889), it was reincorporated into the city of Tokyo.

The United States legation occupied a site in Tsukiji from 1875 to 1890 on the site that is now occupied by the St. Luke's Garden complex. The American legation had been moved from an old temple in Azabu, by Minister John Bingham, prominent Reconstruction era Ohio congressman and the longest serving American chief of mission to serve in Japan. A total of ten other legations also established quarters there.

Tsukiji was also the location from 1869 of the Imperial Japanese Navy technical training facilities, renamed in 1876 as the Imperial Japanese Naval Academy. In 1888, the Naval Academy was relocated from Tsukiji to new, larger facilities at Etajima in Hiroshima Prefecture. The Tsukiji naval buildings next to the Akibashi bridge then became home, until 1923, of the Naval War College, a post-graduate staff college for senior naval officers.

After it was closed as a treaty port, it became an industrial area. The Great Kantō earthquake on September 1, 1923, and the resultant fires which raged in its aftermath, caused severe damage throughout central Tokyo. A significant portion of the Tsukiji district burned to the ground, and the old Nihonbashi fish market was razed. In the citywide restructuring following the quake, the Nihonbashi fish market was relocated to the Tsukiji district, and after the construction of a modern market facility, reopened in 1935. It was a major source of fish for the region. In his book on Tsukiji, Theodore Bestor called it "the market at the center of the world."

## Places of interest

* For many residents and visitors to Tokyo, the Central Wholesale Market, better known as the Tsukiji fish market was synonymous with sushi, sashimi and seafood products of every kind. While the inner market moved in October 2018 to the new Toyosu Market, the many small neighborhood restaurants, restaurant supply stores and retail operations in the outer market have remained and act as a major culinary tourist destination. Tsukiji was the largest fish market in the world handling more than 2000 tons of 450 types of seafood daily.
* Tsukiji Hongan-ji, a key temple of the Jōdo Shinshū sect of Buddhism. Inside the temple is a small memorial to deceased popular rock star hide.
* The Sumida River, the Tsukiji riverbank has pedestrian access north of the Kachidoki Bridge.
* Quieter backstreets of Tsukiji still feature some older properties and storefronts clad in copper tiles used in the early Showa Period as a means of weather-proofing and distinctive architectural decoration.
* St. Luke's Garden, one of Tokyo's taller buildings containing, offices, a hotel, residential and long-term care accommodation. Part of the St. Luke's International Hospital campus.

## Companies based in Tsukiji

Foreign companies with offices:

## Subway stations

## Education

Public elementary and junior high schools are operated by Chuo City Board of Education. Tsukiji 1-6 chome are zoned to Kyōbashi Tsukiji Elementary School (中央区立京橋築地小学校), while Tsukiji 7-chome is zoned to Akashi Elementary School (中央区立明石小学校). All of Tsukiji is zoned to Ginza Junior High School (中央区立銀座中学校)

Rikkyo Junior High School, a private secondary school, was established in Tsukiji in 1896 but the building was destroyed by the Great Kanto earthquake, so a new building in Ikebukuro opened in 1923.

35°40′05″N 139°46′26″E / 35.66819°N 139.77390°E / 35.66819; 139.77390


title: Trucy-l'Orgueilleux

abstract: Trucy-l'Orgueilleux is a commune in the Nièvre department in central France.

text:
# Trucy-l'Orgueilleux

**Trucy-l'Orgueilleux** (French pronunciation: \[tʁysi lɔʁɡœjø\] ) is a commune in the Nièvre department in central France.

## Demographics

On 1 January 2019, the estimated population was 219.

## InfoBox

| Trucy-l'Orgueilleux | |
| --- | --- |
| Commune | |
| Location of Trucy-l'Orgueilleux | |
| Trucy-l'OrgueilleuxTrucy-l'Orgueilleux | |
| Coordinates: 47°26′50″N 3°24′47″E / 47.4472°N 3.4131°E / 47.4472; 3.4131 | |
| Country | France |
| Region | Bourgogne-Franche-Comté |
| Department | Nièvre |
| Arrondissement | Clamecy |
| Canton | Clamecy |
| Government | |
| Mayor (20212026) | Mohammed Azeddine Filali |
| Area**1** | 13.54 km2 (5.23 sq mi) |
| Population (2021) | 219 |
| Density | 16/km2 (42/sq mi) |
| Time zone | UTC+01:00 (CET) |
| Summer (DST) | UTC+02:00 (CEST) |
| INSEE/Postal code | 58299 /58460 |
| Elevation | 164–286 m (538–938 ft) |
| **1** French Land Register data, which excludes lakes, ponds, glaciers \> 1 km2 (0.386 sq mi or 247 acres) and river estuaries. | |


title: Luke Simmonds

abstract: Luke Simmonds is an English former professional snooker player.

text:
# Luke Simmonds

**Luke Simmonds** (born 7 December 1979) is an English former professional snooker player.

## Career

### Early career

Simmonds won the World Under-21 Championship in Malta in 1998, defeating Robert Murphy 11–2 in the final, before beating Ryan Day 11–10 to become World Amateur champion in the same year.

He first experienced competitive snooker during the 1997/1998 season, when he entered three tournaments; in the Benson & Hedges Championship, he won his first match 5–0 against Rajan Sharma, but lost in the next round 1–5 to Philip Seaton. First-round defeats in Event 1 of that season's UK Tour and qualifying for the World Championship followed, and he thereafter took a year-long hiatus from competing.

Upon his return in 1999, Simmonds entered the 2000 World Championship, losing in the fifth pre-qualifying round. During the 2000/2001 season, he played on the Challenge Tour, reaching the semi-finals at Event 1 - where he lost 1–5 to Andrew Norman \- and the quarter-finals at Event 3, where Kurt Maflin beat him 5–3, before reaching his first career final at Event 4. Drawn against nineteen-year-old Shaun Murphy, Simmonds lost 2–6, but his performances over the course of the season were sufficient for him to earn a place on the main tour.

### Professional - 2001 to 2004

Simmonds' debut season as a professional began well, as he recorded back-to-back victories over David McDonnell and Surinder Gill in the British Open, before losing in the third round 2–5 to Jonathan Birch. He could not progress any further than the last 96 in any other tournament, however, and a 5–10 loss to Barry Pinches at this stage of the 2002 World Championship meant he dropped off the tour after only one season.

Back in the amateur ranks, Simmonds once again found success, notably reaching his second final at Event 3 of the 2003 Challenge Tour. Michael Rhodes defeated him 6–5, but this was enough to assure him of a return to the main tour for the 2003/2004 season.

Simmonds began that season ranked 126th, but it heralded no more success than his first. He reached the last 80 in three tournaments - the 2004 Welsh Open, where he lost 4–5 to Patrick Wallace, the Irish Masters, where Andy Hicks defeated him 5–1, and the Players Championship, where he was whitewashed 5–0 by Murphy - but, after a 5–10 loss to Ian Preece in World Championship qualifying, he was ranked 94th at the season's conclusion. Although he had broken into the top 100 for the first time, he was again relegated from the main tour.

### Amateur return

After a three-year break, Simmonds entered several Pontin's International Open Series events in the 2007/2008 season; he reached the last 16 at Event 2, but lost there 2–4 to Andrew Pagett.

He entered Q-School in 2011 and 2015 attempting to regain a place on the tour, and as a result of his performances in 2015, where he lost his final match in Event Two 4–3 to Paul Davison, he was allowed to participate as a wildcard entry in several ranking tournaments in the 2015/2016 season. However, Simmonds did not win a match; he lost 1–5 to Michael Leslie in the Shanghai Masters, 0–6 to Ali Carter in the International Championship, and 2–5 to Barry Hawkins in the German Masters, and led Robbie Williams 3–0 in the Welsh Open before succumbing 3–4.

In qualifying for the 2016 World Championship, Simmonds lost 2–10 to Liam Highfield; since his last involvement with the professional game, he has been active on the English amateur tour.

## Performance and rankings timeline

| Tournament | 1997/
98 | 1999/
00 | 2000/
01 | 2001/
02 | 2002/
03 | 2003/
04 | 2015/
16 | 2017/
18 | 2018/
19 | 2022/
23 |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Ranking |  |  |  |  |  |  |  |  |  |  |
| **Ranking tournaments** | | | | | | | | | | | | | | | | | | | |
| Championship League | Tournament Not Held | | | | | | Non-Ranking Event | | | RR |
| European Masters | Tournament Not Held | | | LQ | A | LQ | NH | A | A | LQ |
| British Open | A | A | A | LQ | A | LQ | Tournament Not Held | | | A |
| Northern Ireland Open | Tournament Not Held | | | | | | | A | 1R | A |
| UK Championship | A | A | A | LQ | A | LQ | A | A | 1R | A |
| Scottish Open | A | A | A | LQ | A | LQ | NH | A | 2R | A |
| English Open | Tournament Not Held | | | | | | | A | 1R | A |
| World Grand Prix | Tournament Not Held | | | | | | DNQ | DNQ | DNQ | DNQ |
| Shoot Out | Tournament Not Held | | | | | | NR | A | 3R | 1R |
| German Masters | A | Tournament Not Held | | | | | LQ | A | A | A |
| Welsh Open | A | A | A | LQ | A | LQ | 1R | A | A | A |
| Players Championship | Tournament Not Held | | | | | | DNQ | DNQ | DNQ | DNQ |
| WST Classic | Tournament Not Held | | | | | | | | | 1R |
| Tour Championship | Tournament Not Held | | | | | | | | DNQ | DNQ |
| World Championship | LQ | LQ | LQ | LQ | LQ | LQ | LQ | A | LQ | A |
| **Non-ranking tournaments** | | | | | | | | | | | | | | | | | | | |
| The Masters | LQ | A | A | A | LQ | LQ | A | A | A | A |
| **Former ranking tournaments** | | | | | | | | | | | | | | | | | | | |
| Thailand Masters | A | A | A | LQ | NR | Tournament Not Held | | | | | | | | | | | | | | | | | | | |
| Irish Masters | Non-Ranking Event | | | | A | LQ | Tournament Not Held | | | | | | | | | | | | | | | | | | | |
| Shanghai Masters | Tournament Not Held | | | | | | LQ | A | NR | NH |
| Riga Masters | Tournament Not Held | | | | | | MR | A | 1R | NH |
| World Open | A | A | A | LQ | A | LQ | NH | A | LQ | NH |
| Paul Hunter Classic | Tournament Not Held | | | | | | MR | LQ | 1R | NH |
| International Championship | Tournament Not Held | | | | | | LQ | A | A | NH |
| Indian Open | Tournament Not Held | | | | | | | A | 2R | NH |
| China Open | NR | A | A | LQ | Not Held | | A | A | A | NH |

| Performance Table Legend | | | | | |
| --- | --- | --- | --- | --- | --- |
| LQ | lost in the qualifying draw | #R | lost in the early rounds of the tournament
(WR = Wildcard round, RR = Round robin) | QF | lost in the quarter-finals |
| SF | lost in the semi-finals | F | lost in the final | **W** | won the tournament |
| DNQ | did not qualify for the tournament | A | did not participate in the tournament | WD | withdrew from the tournament |

| NH / Not Held | | | | means an event was not held. |
| --- | --- | --- | --- | --- |
| NR / Non-Ranking Event | | | | means an event is/was no longer a ranking event. |
| R / Ranking Event | | | | means an event is/was a ranking event. |
| MR / Minor-Ranking Event | | | | means an event is/was a minor-ranking event. |
| PA / Pro-am Event | | | | means an event is/was a pro-am event. |

## Career finals

### Non-ranking finals: 2

| Outcome | No. | Year | Championship | Opponent in the final | Score |
| --- | --- | --- | --- | --- | --- |
| Runner-up | 1. | 2001 | Challenge Tour - Event 4 | Shaun Murphy | 2–6 |
| Runner-up | 2. | 2003 | Challenge Tour - Event 3 | Michael Rhodes | 5–6 |

### Pro-am finals: 2 (1 title)

| Outcome | No. | Year | Championship | Opponent in the final | Score |
| --- | --- | --- | --- | --- | --- |
| Runner-up | 1. | 1999 | Pontins Spring Open | John Gallagher | 4–7 |
| Winner | 1. | 2001 | Pontins Spring Open | Brian Morgan | 7–5 |

### Amateur finals: 9 (5 titles)

| Outcome | No. | Year | Championship | Opponent in the final | Score |
| --- | --- | --- | --- | --- | --- |
| Runner-up | 1. | 1997 | English Open | Mark Gray | 4–8 |
| Winner | 1. | 1998 | IBSF World Under-21 Snooker Championship | Robert Murphy | 11–2 |
| Winner | 2. | 1998 | IBSF World Snooker Championship | Ryan Day | 11–10 |
| Runner-up | 2. | 2018 | Challenge Tour – Event 1 | Brandon Sargeant | 1–3 |
| Runner-up | 3. | 2021 | EPSB Open Series - Event 2 (Breakers) | Jenson Kendrick | 1–3 |
| Winner | 3. | 2021 | EPSB Open Series - Event 6 (Breakers) | Ryan Thomerson | 3–0 |
| Runner-up | 4. | 2021 | EPSB Open Series - Event 7 (Breakers) | Ryan Davies | 2–3 |
| Winner | 4. | 2021 | EPSB Open Series - Event 8 (Breakers) | Andy Marriott | 3–0 |
| Winner | 5. | 2021 | EPSB Open Series - Event 9 (Breakers) | Chae Ross | 3–2 |

1. "Luke Simmonds".
2. "Easb.co.uk".
3. "Ranking History". Snooker.org. Retrieved 19 August 2018.

## InfoBox

Luke Simmonds
| Born | (1979-12-07) 7 December 1979
Cornwall, United Kingdom |
| --- | --- |
| Sport country | England |
| Professional | 2001/2002, 2003/2004 |
| Highest ranking | 94 (2003–04) |
| Best ranking finish | Last 32 (x2) |


title: Luisita Golf and Country Club

abstract: The Luisita Golf and Country Club is a golf course and country club in San Miguel, Tarlac City, Philippines.

text:
# Luisita Golf and Country Club

The **Luisita Golf and Country Club** is a golf course and country club in San Miguel, Tarlac City, Philippines.

## History

The Luisita Golf and Country Club was built within the Hacienda Luisita estate then largely owned by the Cojuangco family in the 1960s commissioning Robert Trent Jones, Sr. for the design. When the estate was acquired by Martin Lorenzo in 2015, Jones' son, Robert Jr. was tasked serve as a consultant as part of the golf course's renovation works which led to the addition of tee boxes.

## Background

The Luisita Golf and Country Club's layout was designed by Robert Trent Jones, Sr. The golf course has 18 holes with greens of primarily Tifdwarf and fairways of Tifton 419. However portions of the course's fairways has been overtaken by zoysia and other indigenous grasses. The greens existing in 2018 were originally planted in 1968.

## Tournaments

Luista Golf and Country Club hosted the 2015 Philippine Open and the golf events of the 2019 Southeast Asian Games.

## InfoBox

Luisita Golf and Country Club
| Club information | |
| --- | --- |
| Coordinates | 15°26′05.9″N 120°37′17.6″E / 15.434972°N 120.621556°E / 15.434972; 120.621556 |
| Location | Tarlac City, Philippines |
| Type | private |
| Owned by | Luisita Golf and Country Club, Inc. |
| Total holes | 18 |
| Events hosted | Philippine Open<br>Southeast Asian Games |
| Greens | Tifdwarf |
| Fairways | Tifton 419, partly zoysia and other indigenous grasses |
|  | |
| Designed by | Robert Trent Jones, Sr. |
| Par | 72 |
|  | |


title: Tsumetai Umi/Start in My Life

abstract: Tsumetai Umi/Start in My Life "Tsumetai Umi/Start in My Life" is Mai Kuraki's seventh single, released on February 7, 2001. "Start in My Life" was used as the 11th ending theme to the Case Closed anime series.

text:
# Tsumetai Umi/Start in My Life

"**Tsumetai Umi/Start in My Life (冷たい海/Start in My Life)**" is Mai Kuraki's seventh single, released on February 7, 2001. "Start in My Life" was used as the 11th ending theme to the *Case Closed* anime series.

## Track listing

CD single
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Tsumetai Umi (冷たい海)" | (Michael Africk, Perry Geyer, Miguel Pessoa) | 4:40 |
| 2. | "Start in My Life" | * Kuraki * Ohno * Cybersound | 5:09 |
| 3. | "Never Gonna Give You Up" (Never Never Land Mix One) |  | 5:38 |
| 4. | "Tsumetai Umi (冷たい海)" (Instrumental) | * Kuraki * Ohno * Cybersound | 4:40 |
| 5. | "Start in My Life" (Instrumental) | * Kuraki * Ohno * Cybersound | 5:09 |

## Charts

## Certification and sales

| Region | Certification | Certified units/sales |
| --- | --- | --- |
| Japan (RIAJ) | Platinum | 400,000^ |
| ^ Shipments figures based on certification alone.
 | | |

## InfoBox

| "Tsumetai Umi/Start in My Life" | |
| --- | --- |
|  | |
| Single by Mai Kuraki | |
| from the album  *Perfect Crime* | |
| Released | February 7, 2001 |
| Recorded | 2001 |
| Genre | J-pop |
| Label | Giza Studio |
| Producer(s) | Kanonji |
| Mai Kuraki singles chronology | |
| "Reach for the Sky"
(2000) "**Tsumetai Umi/Start in My Life**"
(2001) "Stand Up"
(2001) | |


title: Luigi Lunari

abstract: Luigi Lunari was an Italian playwright, translator, essayist and screenwriter.

text:
# Luigi Lunari

**Luigi Lunari** (January 3, 1934 – August 15, 2019) was an Italian playwright, translator, essayist and screenwriter.

## Biography

In 1939, in order to avoid the indoctrination of the fascist school, he was enrolled by his father in the Deutsche Schule in Milan, managed by the "Congregation of the Sisters of Our Lady", far from any Nazi ideology. From 1942 to 1946 he lived the period of displacement in his father's birthplace (Arzignano, Vicenza). In 1946, he returned to Milan to attend middle school and gymnasium at the Gonzaga dei Salesiani Institute, and classical high school at the Carducci high school , where he had as a classmate Bettino Craxi. Enrolled in the Faculty of Law of the University of Milan, he graduated in 1956. He also attended the Arrigo Boito Conservatory of Parma.


title: Luigi M. Venanzi

abstract: Luigi Maria Venanzi was an inorganic chemist who was recognized for diverse contributions to coordination chemistry. He was born in Italy in 1927. After receiving his diplom degree at the University of Kiel, he took a position at ICI Laboratories, where he published extensively with Joseph Chatt. He then proceeded to receive his D.Phil. at Oxford, where he remained as lecturer until 1968. He left England to become professor at SUNY Albany and later the University of Delaware. He then moved to ETH, succeeding Gerold Schwarzenbach. He finished his career in Switzerland, working extensively on platinum phosphine complexes and 31P NMR spectroscopy. A lecture award was created in his memory in 2014.

text:
# Luigi M. Venanzi

**Luigi Maria Venanzi** was an inorganic chemist who was recognized for diverse contributions to coordination chemistry. He was born in Italy in 1927.

After receiving his diplom degree at the University of Kiel, he took a position at ICI Laboratories, where he published extensively with Joseph Chatt. He then proceeded to receive his D.Phil. at Oxford, where he remained as lecturer until 1968. He left England to become professor at SUNY Albany and later the University of Delaware. He then moved to ETH, succeeding Gerold Schwarzenbach. He finished his career in Switzerland, working extensively on platinum phosphine complexes and 31P NMR spectroscopy.

A lecture award was created in his memory in 2014.

1. "L. M. Venanzi Distinguished Lecture".
2. Albinati, Alberto; Venanzi, Luigi M. (2000). "Transition Metal Hydrides as Ligands". *Coordination Chemistry Reviews*. 200–202: 687–715. doi:10.1016/s0010-8545(00)00257-5.
3. Moor, A.; Pregosin, P.S.; Venanzi, L.M. (1981). "31P and 195Pt NMR Studies of the Cluster Complexes \[Pt32-CO)3 (Tertiary phosphine)3\]". *Inorganica Chimica Acta*. **48**: 153–157. doi:10.1016/s0020-1693(00)90084-7.
4. "L. M. Venanzi Distinguished Lecture". *ETH Zurich*. Retrieved 4 September 2024.
5. Chatt, J.; Venanzi, L. M. (1956). "Olefin Complexes of Rhodium". *Nature*. **177** (4514): 852–3. Bibcode:1956Natur.177..852C. doi:10.1038/177852b0. S2CID 4296682.


title: Tumcha

abstract: The Tumcha is a river in the south of the Kola Peninsula in Murmansk Oblast, Russia. It is 20 kilometers (12 mi) in length. The area of its basin is 5,240 square kilometers (2,020 sq mi). The river originates in the confluence of the rivers Kutsayoki and Tuntsayoki and flows into the Iova Reservoir which is drained by the Kovda. The Tumcha River carries its waters in the very north of Karelia and in the Murmansk region, already beyond the Arctic Circle. The harsh beauty of the northern taiga, a series of interesting rapids, an abundance of mushrooms and berries — all this is prepared by the river for its guests.

text:
# Tumcha

The **Tumcha** (Russian: Тумча, Finnish: *Tuntsajoki*) is a river in the south of the Kola Peninsula in Murmansk Oblast, Russia. It is 20 kilometers (12 mi) in length. The area of its basin is 5,240 square kilometers (2,020 sq mi). The river originates in the confluence of the rivers Kutsayoki and Tuntsayoki and flows into the Iova Reservoir which is drained by the Kovda.

The Tumcha River carries its waters in the very north of Karelia and in the Murmansk region, already beyond the Arctic Circle.

The harsh beauty of the northern taiga, a series of interesting rapids, an abundance of mushrooms and berries (according to the season) — all this is prepared by the river for its guests.

## InfoBox

| Tumcha | |
| --- | --- |
|  | |
| Location | |
| Country | Russia |
| Physical characteristics | |
| Mouth | Iova Reservoir |
| coordinates | 66°40′28″N 30°40′20″E / 66.67444°N 30.67222°E / 66.67444; 30.67222 |
| Length | 20 km (12 mi) |
| Basin size | 5,240 km2 (2,020 sq mi) |
| Basin features | |
| Progression | Iova ReservoirKovdaWhite Sea |


title: Luis Jiménez (radio host)

abstract: Luis Jimenez is a Puerto Rican-American comedian and Spanish radio host. Jimenez created "El Vacilón de la Mañana", the morning show which, during its 13 years on the air, grew to become the No.1 morning show, in the New York market, and the most listened to Spanish radio morning show in the U.S. It was syndicated in X markets and heard worldwide on the show's website, ElVacilon.com.

text:
# Luis Jiménez (radio host)

**Luis Jimenez** is a Puerto Rican-American comedian and Spanish radio host. Jimenez created "El Vacilón de la Mañana", the morning show which, during its 13 years on the air, grew to become the No.1 morning show, in the New York market, and the most listened to Spanish radio morning show in the U.S. It was syndicated in X markets and heard worldwide on the show's website, ElVacilon.com.

## Biography

As a child growing up in Puerto Rico, Jimenez was fascinated with radio. When Jimenez was six, his father offered to take him to Disney World. Jimenez turned down the offer and asked if he could go visit a radio station instead. Jimenez took his first steps in broadcasting working as a part-timer in Puerto Rican radio. In 1989 he moved to Orlando, Florida to work in a local radio station where his friend had become a program director. Things didn't quite go his way, and the young radio hopeful had to take work as a maintenance employee while keeping his position on the air. In 1993, his friend George Mier, who had become Program Director of WSKQ, invited him to move to New York to host the morning show. On August 9, 1993, El Vacilón de la Mañana was born.

Jimenez, alongside his morning crew, interacted with callers and celebrities from Jennifer Lopez to Donald Trump.

Luis Jimenez's talents reach beyond radio. Jiminez has sold-out shows at Carolines, The Comedy Garden at New York's Madison Square Garden and at the New York Comedy Festival. His first album, "El Vacilon de la Mañana's Tortilla Party," was nominated for a prestigious Billboard Latin Music Award, marking the first time a radio personality had received the honour. Since then, he's released three additional comedy albums. In 2005, Jimenez released the feature film, "El Vacilón: The Movie." The movie had an eight-week run in limited release and was then released on DVD.

For more than seven years, the entertainer performed on the small screen with two programs, "Sábado 47" and "WEPA", a program that he also created and produced. In addition, Jimenez is the voice of HBO Latino and History Channel en Español.

Jimenez has received many honours, including being named the Padrino (Godfather) of the National Puerto Rican Day Parade of 2003. The official announcement was made during his radio program by former First Lady of the United States and U.S. Senator Hillary Clinton. Jimenez has been invited to participate in different debates on the Latino vote on CNN's Election Center hosted by John Roberts.

In January 2008 after 13 Years with SBS’ La Mega 97.9 in New York, which aired his show "El Vacilón de la Mañana", Jimenez launched "The Luis Jimenez show" on the Univision radio network, WCAA 105.9fm. This show was syndicated across the U.S. adding several markets and broadcast live from Univision's studio in Midtown Manhattan.

In 2015, Jimenez launched his online radio venture, the Luis Network over Labor Day weekend. This online venture puts Jiminez and his wife Alma, who is his show's executive producer and on-air talent, in the driver's seat. Owning the network will allow Luis to speak his mind without restrictions, controlling the content and the revenues.

## Works


title: Tryptophan hydroxylase

abstract:
Tryptophan hydroxylase (TPH) is an enzyme involved in the synthesis of the monoamine neurotransmitter serotonin. Tyrosine hydroxylase, phenylalanine hydroxylase, and tryptophan hydroxylase together constitute the family of biopterin-dependent aromatic amino acid hydroxylases. TPH catalyzes the following chemical reaction
  - L-tryptophan + tetrahydrobiopterin + O2 ⇌ 5-Hydroxytryptophan + dihydrobiopterin + H2O It employs one additional cofactor, iron.

text:
# Tryptophan hydroxylase

| tryptophan hydroxylase 1 (tryptophan 5-monooxygenase) | |
| --- | --- |
| Identifiers | |
| Symbol | TPH1 |
| Alt. symbols | TPRH, TPH |
| NCBI gene | 7166 |
| HGNC | 12008 |
| OMIM | 191060 |
| PDB | 1MLW |
| RefSeq | NM\_004179 |
| UniProt | P17752 |
| Other data | |
| EC number | 1.14.16.4 |
| Locus | Chr. 11 *p15.3-p14* |
| Search for  Structures Swiss-model  Domains InterPro | |

| tryptophan hydroxylase 2 | |
| --- | --- |
| Identifiers | |
| Symbol | TPH2 |
| NCBI gene | 121278 |
| HGNC | 20692 |
| OMIM | 607478 |
| RefSeq | NM\_173353 |
| UniProt | Q8IWU9 |
| Other data | |
| Locus | Chr. 12 *q15* |
| Search for  Structures Swiss-model  Domains InterPro | |

**Tryptophan hydroxylase** (**TPH**) is an enzyme (EC 1.14.16.4) involved in the synthesis of the monoamine neurotransmitter serotonin. Tyrosine hydroxylase, phenylalanine hydroxylase, and tryptophan hydroxylase together constitute the family of biopterin-dependent aromatic amino acid hydroxylases. TPH catalyzes the following chemical reaction

L-tryptophan \+ tetrahydrobiopterin \+ O2 $\rightleftharpoons $ 5-Hydroxytryptophan \+ dihydrobiopterin \+ H2O

It employs one additional cofactor, iron.

## Function

It is responsible for addition of the -OH group (hydroxylation) to the 5 position to form the amino acid 5-hydroxytryptophan (5-HTP), which is the initial and rate-limiting step in the synthesis of the neurotransmitter serotonin. It is also the first enzyme in the synthesis of melatonin.

Tryptophan hydroxylase (TPH), tyrosine hydroxylase (TH) and phenylalanine hydroxylase (PAH) are members of a superfamily of aromatic amino acid hydroxylases, catalyzing key steps in important metabolic pathways. Analogously to phenylalanine hydroxylase and tyrosine hydroxylase, this enzyme uses (6R)-L-erythro-5,6,7,8-tetrahydrobiopterin (BH4) and dioxygen as cofactors.

In humans, the stimulation of serotonin production by administration of tryptophan has an antidepressant effect and inhibition of tryptophan hydroxylase (e.g. by p-Chlorophenylalanine) may precipitate depression.

The activity of tryptophan hydroxylase (i.e. the rate at which it converts L-tryptophan into the serotonin precursor L-5-hydroxytryptophan) can be increased when it undergoes phosphorylation. Protein Kinase A, for example, can phosphorylate tryptophan hydroxylase, thus increasing its activity.

## Isoforms

In humans, as well as in other mammals, there are two distinct TPH genes. In humans, these genes are located on chromosomes 11 and 12 and encode two different homologous enzymes *TPH1* and *TPH2* (sequence identity 71%).

* TPH1 is mostly expressed in tissues that express serotonin (a neurotransmitter) in the periphery (skin, gut, pineal gland) but it is also expressed in the central nervous system.
* On the other hand, TPH2 is exclusively expressed in neuronal cell types and is the predominant isoform in the central nervous system.

## Additional images

## Further reading

## InfoBox

| tryptophan 5-monooxygenase | |
| --- | --- |
| tryptophan 5-monooxygenase monomer, Human | |
| Identifiers | |
| EC no. | 1.14.16.4 |
| CAS no. | 9037-21-2 |
| Databases | |
| IntEnz | IntEnz view |
| BRENDA | BRENDA entry |
| ExPASy | NiceZyme view |
| KEGG | KEGG entry |
| MetaCyc | metabolic pathway |
| PRIAM | profile |
| PDB structures | RCSB PDB PDBe PDBsum |
| Gene Ontology | AmiGO / QuickGO |
| Search  PMC articles  PubMed articles  NCBI proteins | |


title: Lungotevere dei Mellini

abstract: The Lungotevere dei Mellini is the stretch of Lungotevere that links Via Vittoria Colonna to Piazza della Libertà, in the rione Prati in Rome (Italy). The Lungotevere takes its name from the Mellini family, which owned a house in the rione Monti and another in Piazza Navona; it was established as per resolution dated July 20, 1887. From the Lungotevere is it possible to observe the back façade of Palazzo Blumenstihl, easily recognizable for the big arches in the ground floor and for the turret. The palace rises in the same place of the former Teatro Alhambra, built in 1880 and destroyed by a fire in 1902; the theatre, interely made of wood, was very popular for its Opera performances. Since 1992 Palazzo Blumenstihl houses the Polish Institute in Rome.

text:
# Lungotevere dei Mellini

The **Lungotevere dei Mellini** is the stretch of Lungotevere that links Via Vittoria Colonna to Piazza della Libertà, in the rione Prati in Rome (Italy).

The Lungotevere takes its name from the Mellini (or Millini) family, which owned a house in the rione Monti and another in Piazza Navona; it was established as per resolution dated July 20, 1887.

From the Lungotevere is it possible to observe the back façade of Palazzo Blumenstihl, easily recognizable for the big arches in the ground floor and for the turret. The palace rises in the same place of the former Teatro Alhambra, built in 1880 and destroyed by a fire in 1902; the theatre, interely made of wood, was very popular for its Opera performances. Since 1992 Palazzo Blumenstihl houses the Polish Institute in Rome.

## Bibliografia

* Rendina, Claudio; Paradisi, Donatella (2004). *Le strade di Roma. Volume secondo E-O*. Rome: Newton Compton Editori. ISBN 88-541-0209-1.


title: OBDuino

abstract: OBDuino is an open source trip computer design based on the Arduino platform. An OBDuino may be assembled and customised by an electronics hobbyist; it displays information such as instantaneous fuel economy, engine tuning parameters etc. on an LCD. OBDuino utilises the On-Board Diagnostics interface found in most modern cars.

text:
# OBDuino

**OBDuino** is an open source trip computer design based on the Arduino platform. An OBDuino may be assembled and customised by an electronics hobbyist; it displays information such as instantaneous fuel economy (e.g. miles per gallon, L/100 km or kilometres per litre), engine tuning parameters etc. on an LCD.

OBDuino utilises the On-Board Diagnostics interface found in most modern cars.

## Features

* Most OBD-II PIDs or derived values may be displayed. Common values include
    + Fuel: cost, used or remaining, wasted while idling, consumption, measured in mpg or l/100 km
    + Engine: load, RPM
    + Temperatures: coolant, air intake
    + Vehicle speed
    + Tank distance
    + Remaining distance that can be travelled on the current tank of fuel
    + Throttle position
    + Battery voltage
    + CAN status, for CAN protocol only, display TX and RX error
* Displays instantaneous values, average, maximum and minimum values calculated per trip, per outing, or per tank of fuel
* Menu system for configuring parameters
* Relatively cheap compared to commercial alternatives
* Customisable and extendable

OBDuino does not display or reset engine fault codes (which are available over the OBD interface).

## Design

The key components of the design are:

* A microcontroller. One of the various AVR-based Arduino kits is typically used for this, although one of several Atmel AVR microcontrollers may be used directly in a custom OBDuino circuit.
* An interface to the car's management system, using the On-Board Diagnostics (OBD) connector found in most modern cars. This requires a cable and a circuit. There are several variations of this circuit depending on the particular OBD protocol implemented:
    1. ISO 9141/ISO 9141-2/ISO 14230, using Freescale MCZ33290EF
    2. CAN, using MCP2515 and MCP2551
    3. Generic (SAE J1850 PWM & VPW/ISO 9141/ISO 9141-2/ISO 14230/CAN protocols), using an ELM327 from ELM Electronics. Although this gives a more versatile trip computer compatible with most modern vehicles, the ELM327 chip adds significant cost to the circuit and requires a significant supporting circuit for different protocols. It removes the complexity of interpreting the various OBD protocols.
    4. STN1110 which is software compatible with the ELM327. Unfortunately, this IC is not pin-compatible with the ELM327, therefore the circuit would require some changes.
* An LCD and three input buttons. A typical LCD is 2 rows x 16 characters or 4x20 character, based on the HD44780, with a circuit based on the mpguino circuit.
* Microcontroller code. This is a C++ program based on the Arduino framework, called a Sketch in Arduino terminology. This is loaded on the microcontroller over a USB or serial interface using the free Arduino integrated development environment.

Many Arduino-based projects have either custom printed circuit boards available which include the AVR microcontroller (removing the need for an Arduino board), or extension boards that contain the extra circuit and that plug directly into the standard Arduino circuit board. No such PCBs are available for the OBDuino as of September 2009.

## Project

The OBDuino project was started in 2008 based on the MPGuino project, with the desire to simplify wiring to the vehicle, instead of using the standard OBD-II socket that does not directly wire to the vehicle's fuel injection system and digital vehicle speed sensor, and to access the wide range of engine management data available using OBD.

The project is centred on the discussion forum on ecomodder.com and the wiki and code hosting provided by Google code, project is released under the GPL license.

The main OBDuino thread on the eccomoder forum was started by jmonroe on 1 June 2008 as a fork of MPGuino discussions.

Magister posted an OBDuino announcement to the Arduino forum on 4 December 2008.

As of September 2009, the OBDuino32K code credits these developers:

> Main coding/ISO/ELM: Frédéric (aka Magister on ecomodder.com)
> LCD part: Dave (aka dcb on ecomodder.com), optimized by Frédéric
> ISO Communication Protocol: Russ, Antony, Mike
> Features: Mike, Antony
> Bugs & Fixes: Antony, Frédéric, Mike

The 32K in the obduino32K name differentiates the code targeted at the Atmega328 with 32k flash memory (i.e. Arduino 2009) version from the Atmega168 16k (Arduino 2008) version.

## Variations

* An OBDuino variant is described in the book *Practical Arduino* (2009) by Jonathan Oxer and Hugh Blemings. Based on the Arduino Mega, the OBDuino is extended to log GPS and OBD data to a USB stick.
* A Graphical OBD MPGuino graphs values such as miles per gallon and OBD-II PIDs, etc., on a 128\*64 pixel LCD.
* OBDuino author Magister is working on a commercial prototype with a CAN-only protocol.

* Scangauge is a commercial trip computer using the OBD interface. In addition to the trip-computer-style features in OBDuino, the Scangauge also includes features for displaying and resetting engine fault codes.
* The mpguino is another Arduino-based trip computer, and is mainly limited to fuel usage measurement. It may be used in any vehicle which has an electric fuel injection system and digital vehicle speed sensor. The mpguino links directly to these sensors so it doesn't require an OBD2 interface. It can report instant and tank MPG, remaining miles till the tank is empty etc. The mpguino is available in kit form from several suppliers.
* The SuperMID is an enthusiast/hobbyist trip computer, designed originally for the Toyota Prius, although it may be used in any vehicle which has an electric fuel injection system and digital vehicle speed sensor. The SuperMID interfaces directly to the engine ECU or sensors, rather than using a standard OBDII connector.
* Bruce D. Lightner's entry won a 2004 Circuit Cellar design contest. Lightner's design uses an AVR microcontroller connected to an OBD-II interface to drive an analogue gauge displaying fuel consumption in mpg. This only implements the SAE J1850 VPW variant of the OBD-II protocol suite (so it only works with mostly GM cars that use VPW).
* An OBD II Car Computer design is described by NerdKits using their AVR-based microcontroller kit. This implements the SAE J1850 VPW variant of the OBD-II protocol suite (so it only works with certain cars that use VPW) and displays RPMs, Coolant Temperature, Vehicle Speed and Percent Throttle on an LCD. This is partly derived from Bruce D. Lightner's design.
* OBD2-LCD is an AVR based OBD-II trip computer, designed by Florian Schäffer. It implements the ISO 9141 and ISO 14230 (KW 2000) OBD-II variants, with design and code published and available in kit form. The new kit supports CAN (ISO 15765) too.

1. Lightner, Bruce D. (21 January 2020). "Fuel-Consumption Gauge for Your GM Car". *Circuit Cellar*. AVR 2004 Design Contest. Retrieved 21 January 2020.


title: Only Forever (Alive Like Me album)

abstract: Only Forever is the debut and only studio album by American rock band Alive Like Me. It was released in October 2014. Based in the college town of Eugene, Oregon, singer Jairus Kersey, guitarists Brandon Banton and Dakota Dufloth, bassist David Knox, and drummer Joel Riley quickly built momentum releasing their first single "Start Again". As their reputation grew, they came to the attention of prominent Oregon indie Rise Records, who signed the band in early 2014. After joining the Vans Warped Tour for several dates that summer, they released their debut album, Only Forever, in October 2014.

text:
# Only Forever (Alive Like Me album)

***Only Forever*** is the debut and only studio album by American rock band Alive Like Me. It was released in October 2014.

Based in the college town of Eugene, Oregon, singer Jairus Kersey, guitarists Brandon Banton and Dakota Dufloth, bassist David Knox, and drummer Joel Riley quickly built momentum releasing their first single "Start Again". As their reputation grew, they came to the attention of prominent Oregon indie Rise Records, who signed the band in early 2014. After joining the Vans Warped Tour for several dates that summer, they released their debut album, *Only Forever*, in October 2014.

## Track listing

Standard edition
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Better Off" | 2:54 |
| 2. | "Slip Away" | 3:48 |
| 3. | "What Did You Expect" | 4:10 |
| 4. | "Our Time Down Here" | 2:51 |
| 5. | "Start Again" | 2:59 |
| 6. | "Only Forever" | 3:42 |
| 7. | "Wreckage" | 3:20 |
| 8. | "Searching for Endings" | 3:53 |
| 9. | "Lost Without You" | 3:38 |
| 10. | "Meant for This" | 3:27 |
| 11. | "Never Looking Back" | 3:31 |
| Total length: | | 38:13 |

Japanese bonus tracks
| No. | Title | Length |
| --- | --- | --- |
| 12. | "Meant for This" (acoustic version) | 3:21 |
| 13. | "Only Forever" (Scout remix) | 3:58 |
| 14. | "Better Off" (Scout remix) | 3:05 |
| Total length: | | 48:37 |

## Personnel

Credits for *Only Forever* adapted from AllMusic.

## Charts

| Chart (2014) | Peak
position |
| --- | --- |
| *Billboard* Top Heatseekers | 26 |
|

## InfoBox

| Only Forever | |
| --- | --- |
|  | |
| Studio album by Alive Like Me | |
| Released | October 3, 2014 (2014-10-03) |
| Genre |  |
| Length | 38:13 |
| Label | Rise |
| Producer | Ryan Furlott |
|  | |
| Singles from  *Only Forever* | |
| 1. "Start Again"
Released: January 29, 2014 2. "Searching for Endings"
Released: July 11, 2014 3. "Slip Away"
Released: July 17, 2014 4. "Our Time Down Here"
Released: September 30, 2014 5. "What Did You Expect"
Released: February 18, 2015 | |
|  | |


title: Nütəh

abstract: Nütəh is a village and municipality in the Quba Rayon of Azerbaijan. It has a population of 155.

text:
# Nütəh

**Nütəh** (also, **Nutyakh** and **Nyutakh**) is a village and municipality in the Quba Rayon of Azerbaijan. It has a population of 155.

## InfoBox

| Nütəh | |
| --- | --- |
| Municipality | |
| Nütəh | |
| Coordinates: 40°59′48″N 48°41′39″E / 40.99667°N 48.69417°E / 40.99667; 48.69417 | |
| Country | Azerbaijan |
| Rayon | Quba |
| Population | |
| Total | 155 |
| Time zone | UTC+4 (AZT) |
| Summer (DST) | UTC+5 (AZT) |


title: Mitsou (film)

abstract: Mitsou is a 1956 French comedy film directed by Jacqueline Audry and starring Danièle Delorme, Fernand Gravey and François Guérin. A music hall singer becomes involved in a love triangle with an older, wealthy man and a young army officer. It is based on the 1919 novella Mitsou by Colette. The title role is played by Danièle Delorme who had previously appeared as Gigi in the 1949 film adaptation of Colette's work Gigi which was also directed by Audry.

text:
# Mitsou (film)

***Mitsou*** (or ***Mitsou ou Comment l'esprit vient aux filles...***) is a 1956 French comedy film directed by Jacqueline Audry and starring Danièle Delorme, Fernand Gravey and François Guérin. A music hall singer becomes involved in a love triangle with an older, wealthy man and a young army officer. It is based on the 1919 novella *Mitsou* by Colette. The title role is played by Danièle Delorme who had previously appeared as Gigi in the 1949 film adaptation of Colette's work *Gigi* which was also directed by Audry.

## Cast

1. ftvdb.bfi.org.uk: Mitsou ou Comment l'esprit vient aux filles... Retrieved 12 June 2014


title: Vexillum tumidum

abstract: Vexillum tumidum, common name the swollen mitre, is a species of small sea snail, marine gastropod mollusk in the family Costellariidae, the ribbed miters.

text:
# Vexillum tumidum

***Vexillum tumidum***, common name the **swollen mitre**, is a species of small sea snail, marine gastropod mollusk in the family Costellariidae, the ribbed miters.

## Description

The length of the shell attains 47.7 mm.

(original description) The shell is shortly fusiform with a short spire and a sharp apex. The shell has swollen whorls that are flatly angulated round the upper part and longitudinally rudely ribbed. The ribs are nodulosely swollen at the angle. The shell is whitish or greenish, the whorls stained with red about the angle. The body whorl is encircled round the middle with a rather broad black belt. The columella is three- or four plaited.

## Distribution

This marine species occurs off Palau.

* Dekkers A.M. (2014) Vexillum vangemerti sp. nov. (Gastropoda: Costellariidae), an overlooked species from Vietnam. Gloria Maris 53(1): 22-27

## InfoBox

| *Vexillum tumidum* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Gastropoda |
| Subclass: | Caenogastropoda |
| Order: | Neogastropoda |
| Family: | Costellariidae |
| Genus: | *Vexillum* |
| Species: | ***V. tumidum*** |
| Binomial name | |
| ***Vexillum tumidum***<br>(Reeve, 1844) | |
|
| Synonyms | |
| * *Mitra tumida* Reeve, 1844 (original combination) * *Vexillum (Vexillum) tumidum* (Reeve, 1844) · | |


title: NV-41 mine

abstract: The NV-41 was a wooden-cased Soviet anti-tank blast mine used during the Second World War. The mine consists of a square wooden box with a filling plug on the bottom. The top of the box is covered by a thin pressure lid, which covers a pressure plate held up by a spring. Sufficient pressure on the lid collapses it down onto the pressure plate. Downward movement of the pressure plate moves down a pressure plunger, which in turn levers up the striker retaining lever, releasing the spring-loaded striker and allowing it to impact the stab sensitive detonator, triggering the main charge. The mine has a central tube in the bottom, which can either accept an electric command detonator or a wire, which is attached to the pressure plunger. The wire can anchored, allowing it to act as an anti-handling device.

text:
# NV-41 mine

The **NV-41** was a wooden-cased Soviet anti-tank blast mine used during the Second World War. The mine consists of a square wooden box with a filling plug on the bottom. The top of the box is covered by a thin pressure lid, which covers a pressure plate held up by a spring. Sufficient pressure on the lid collapses it down onto the pressure plate. Downward movement of the pressure plate moves down a pressure plunger, which in turn levers up the striker retaining lever, releasing the spring-loaded striker and allowing it to impact the stab sensitive detonator, triggering the main charge.

The mine has a central tube in the bottom, which can either accept an electric command detonator or a wire, which is attached to the pressure plunger. The wire can anchored, allowing it to act as an anti-handling device.

## Specifications

* Length: 250 mm
* Weight: 8 kg
* Explosive content: 5.9 kg of TNT


title: Resurrection (1944 film)

abstract: Resurrection is a 1944 Italian drama film directed by Flavio Calzavara and starring Doris Duranti, Claudio Gora and Germana Paolieri. It is an adaptation of the 1899 work Resurrection, the final novel by the Russian writer Leo Tolstoy. It was one of a significant number of Italian films based on works of Russian literature made during the era. It was made at the Scalera Studios in Rome.

text:
# Resurrection (1944 film)

***Resurrection*** (Italian: ***Resurrezione***) is a 1944 Italian drama film directed by Flavio Calzavara and starring Doris Duranti, Claudio Gora and Germana Paolieri. It is an adaptation of the 1899 work *Resurrection*, the final novel by the Russian writer Leo Tolstoy. It was one of a significant number of Italian films based on works of Russian literature made during the era. It was made at the Scalera Studios in Rome.

## Cast

1. Testa p.6

## Bibliography

* Testa, Carlo. *Italian Cinema and Modern European Literatures, 1945-2000*. Greenwood Publishing Group, 2002.

## InfoBox

| Resurrection | |
| --- | --- |
|  | |
| Directed by | Flavio Calzavara |
| Written by | Leo Tolstoy (novel)
Corrado Alvaro
Gian Paolo Callegari
Italo Cremona
Tomaso Smith
Flavio Calzavara |
| Produced by | Mario Borghi |
| Starring | Doris Duranti
Claudio Gora
Germana Paolieri
Wanda Capodaglio |
| Cinematography | Gábor Pogány |
| Edited by | Ignazio Ferronetti |
| Music by | Franco Casavola |
| Production
company | Scalera Film |
| Distributed by | Scalera Film |
| Release date | * 8 May 1944 (1944-05-08) |
| Running time | 90 minutes |
| Country | Italy |
| Language | Italian |


title: 1955 Iowa State Cyclones football team

abstract: The 1955 Iowa State Cyclones football team represented Iowa State College of Agricultural and Mechanic Arts in the Big Seven Conference during the 1955 college football season. In their second year under head coach Vince DiFrancesca, the Cyclones compiled a 1–7–1 record, tied for fifth place in the conference, and were outscored by their opponents by a combined total of 218 to 69. They played their home games at Clyde Williams Field in Ames, Iowa. The team's regular starting lineup on offense consisted of left end Mel Wostoupal, left tackle Ray Tweetan, left guard Bob Bird, center Grant Blaney, right guard Jim Lyons, right tackle Jim McCaulley, right end Harold Potts, quarterback John Breckenridge, left halfback Gary Lutz, right halfback Brucke Alexander, and fullback Marv Walter. Jim McCaulley and Mel Wostoupal were the team captains. The team's statistical leaders included Donn Lorenzen with 179 rushing yards, John Breckenridge with 354 passing yards, and Harold Potts with 173 receiving yards and 18 points. No Iowa State players were selected as first-team all-conference players.

text:
# 1955 Iowa State Cyclones football team

1955 Big Seven Conference football standings
|  | Conf | | | | |  |  | Overall | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Team | W |  | L |  | T |  |  | W |  | L |  | T |
| No. 1 Oklahoma $ | 6 |  | 0 |  | 0 |  |  | 11 |  | 0 |  | 0 |
| Nebraska | 5 |  | 1 |  | 0 |  |  | 5 |  | 5 |  | 0 |
| Colorado | 3 |  | 3 |  | 0 |  |  | 6 |  | 4 |  | 0 |
| Kansas State | 3 |  | 3 |  | 0 |  |  | 4 |  | 6 |  | 0 |
| Kansas | 1 |  | 4 |  | 1 |  |  | 3 |  | 6 |  | 1 |
| Iowa State | 1 |  | 4 |  | 1 |  |  | 1 |  | 7 |  | 1 |
| Missouri | 1 |  | 5 |  | 0 |  |  | 1 |  | 9 |  | 0 |
|  | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| * $  Conference champion Rankings from AP Poll | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

The **1955 Iowa State Cyclones football team** represented Iowa State College of Agricultural and Mechanic Arts (later renamed Iowa State University) in the Big Seven Conference during the 1955 college football season. In their second year under head coach Vince DiFrancesca, the Cyclones compiled a 1–7–1 record (1–4–1 against conference opponents), tied for fifth place in the conference, and were outscored by their opponents by a combined total of 218 to 69. They played their home games at Clyde Williams Field in Ames, Iowa.

The team's regular starting lineup on offense consisted of left end Mel Wostoupal, left tackle Ray Tweetan, left guard Bob Bird, center Grant Blaney, right guard Jim Lyons, right tackle Jim McCaulley, right end Harold Potts, quarterback John Breckenridge, left halfback Gary Lutz, right halfback Brucke Alexander, and fullback Marv Walter. Jim McCaulley and Mel Wostoupal were the team captains.

The team's statistical leaders included Donn Lorenzen with 179 rushing yards, John Breckenridge with 354 passing yards, and Harold Potts with 173 receiving yards and 18 points (three touchdowns). No Iowa State players were selected as first-team all-conference players.

## Schedule

| Date | Time | Opponent | Site | Result | Attendance | Source |
| --- | --- | --- | --- | --- | --- | --- |
| September 17 | 2:00 pm | Denver* |  | L 7–19 | 12,217 |  |
| October 1 | 12:30 pm | at Illinois* |  | L 0–40 | 45,706 |  |
| October 8 | 2:00 pm | at Kansas |  | T 7–7 | 19,854 |  |
| October 15 | 2:00 pm | Missouri | * Clyde Williams Field * Ames, IA (rivalry) | W 20–14 | 8,314 |  |
| October 22 | 2:00 pm | Kansas State | * Clyde Williams Field * Ames, IA (rivalry) | L 7–9 | 14,740 |  |
| October 29 | 8:05 pm | at Drake* |  | L 21–27 | 6,516–8,500 |  |
| November 5 | 2:00 pm | Nebraska | * Clyde Williams Field * Ames, IA | L 7–10 | 11,237 |  |
| November 12 | 2:00 pm | at No. 1 Oklahoma |  | L 0–52 | 46,455 |  |
| November 19 | 3:00 pm | at Colorado |  | L 0–40 | 20,780 |  |
| * \*Non-conference game * Homecoming * Rankings from AP Poll released prior to the game * All times are in Central time | | | | | | |

## InfoBox

| 1955 Iowa State Cyclones football | |
| --- | --- |
| Conference | Big Seven Conference |
| Record | 1–7–1 (1–4–1 Big 7) |
| Head coach |  |
| Captain | Jim McCaulley, Mel Wostoupal |
| Home stadium | Clyde Williams Field |
|