title: Yujiulü

abstract:
Yujiulü is a given surname, generally used by the Yujiulü clan, the ruling family of the Rouran Khaganate. Notable people with the name include:
  - Consort Yujiulü, formally Empress Gong, a consort of Tuoba Huang, a crown prince of the Xianbei-led Northern Wei dynasty of China
  - Empress Yujiulü (525-540), formally Empress Dao, an empress of the Xianbei-led Western Wei dynasty of China
  - Yujiulü Anagui, khan of the Rouran (520-552) with the title of Chiliantoubingdoufa Khan
  - Yujiulü Anluochen, khan of the Rouran (553-554)
  - Yujiulü Chounu, khan of the Rouran (508-520) with the title of Douluofubadoufa Khan
  - Yujiulü Datan, khan of the Rouran (414-429) with the title of Mouhanheshenggai Khan
  - Yujiulü Dengshuzi, the last khan of the Rouran
  - Yujiulü Doulun, khan of the Rouran (485-492) with the title of Fumingdun Khan
  - Yujiulü Futu, khan of the Rouran (506-508) with the title of Tuohan Khan
  - Yujiulü Hulü, an early 5th century Aikugai Khan (ruler) of the Rouran
  - Yujiulü Kangti khan of the Rouran (553)
  - Yujiulü Mugulü, ancestor of the Rouran tribe and the Yujiulü clan
  - Yujiulü Nagais khan of the Rouran (492-506) with the title of Houqifudaikezhe Khan
  - Yujiulü Shelun (391–410), Khagan of the Rouran (402-410)
  - Yujiulü Tiefa, khan of the Rouran (552-553)
  - Yujiulü Tuhezhen, khan of the Rouran (444-464) with the title of Chu Khan
  - Yujiulü Wuti, khan of the Rouran (429–444) with the title of Chilian Khan
  - Yujiulü Yucheng khan of the Rouran (464-485) with the title of Shouluobuzhen Khan

text:
# Yujiulü

**Yujiulü** is a given surname, generally used by the Yujiulü clan, the ruling family of the Rouran Khaganate. Notable people with the name include:

* Consort Yujiulü (died 452), formally Empress Gong, a consort of Tuoba Huang, a crown prince of the Xianbei-led Northern Wei dynasty of China
* Empress Yujiulü (525-540), formally Empress Dao, an empress of the Xianbei-led Western Wei dynasty of China
* Yujiulü Anagui (died 552), khan of the Rouran (520-552) with the title of Chiliantoubingdoufa Khan
* Yujiulü Anluochen (died 554), khan of the Rouran (553-554)
* Yujiulü Chounu (died 520), khan of the Rouran (508-520) with the title of Douluofubadoufa Khan
* Yujiulü Datan (died 429 AD), khan of the Rouran (414-429) with the title of Mouhanheshenggai Khan
* Yujiulü Dengshuzi (died 555), the last khan of the Rouran
* Yujiulü Doulun (died 492), khan of the Rouran (485-492) with the title of Fumingdun Khan
* Yujiulü Futu (died 508), khan of the Rouran (506-508) with the title of Tuohan Khan
* Yujiulü Hulü (died 414), an early 5th century Aikugai Khan (ruler) of the Rouran
* Yujiulü Kangti (died 553) khan of the Rouran (553)
* Yujiulü Mugulü (born before 277), ancestor of the Rouran tribe and the Yujiulü clan
* Yujiulü Nagais (died 506) khan of the Rouran (492-506) with the title of Houqifudaikezhe Khan
* Yujiulü Shelun (391–410), Khagan of the Rouran (402-410)
* Yujiulü Tiefa (died 553), khan of the Rouran (552-553)
* Yujiulü Tuhezhen, khan of the Rouran (444-464) with the title of Chu Khan
* Yujiulü Wuti, khan of the Rouran (429–444) with the title of Chilian Khan
* Yujiulü Yucheng (died 485) khan of the Rouran (464-485) with the title of Shouluobuzhen Khan


title: Yusif İmanov

abstract: Yusif Bəhruz oğlu İmanov is an Azerbaijani professional footballer who plays as a goalkeeper for Sabah and the Azerbaijan national team.

text:
# Yusif İmanov

**Yusif Bəhruz oğlu İmanov** (born 27 September 2002) is an Azerbaijani professional footballer who plays as a goalkeeper for Sabah and the Azerbaijan national team.

## Career

### Club

On 19 March 2022, İmanov made his debut in the Azerbaijan Premier League for Sabah match against Sabail.

## Career statistics

### Club

*As of match played 22 September 2024*

Appearances and goals by club, season and competition
| Club | Season | League | | | Azerbaijan Cup | | Continental | | Total | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | Division | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| Sabah | 2020-21 | Azerbaijan Premier League | 0 | 0 | 0 | 0 |  | | 0 | 0 |
| | 2021-22 | Azerbaijan Premier League | 8 | 0 | 0 | 0 |  | | 8 | 0 |
| | 2022-23 | Azerbaijan Premier League | 33 | 0 | 2 | 0 |  | | 35 | 0 |
| | 2023-24 | Azerbaijan Premier League | 24 | 0 | 3 | 0 | 4 | 0 | 31 | 0 |
| | 2024-25 | Azerbaijan Premier League | 6 | 0 | 0 | 0 | 4 | 0 | 10 | 0 |
| Career total | | | 71 | 0 | 5 | 0 | 8 | 0 | 84 | 0 |

### International

*As of match played 24 March 2024*

Appearances and goals by national team and year
| National team | Year | Apps | Goals |
| --- | --- | --- | --- |
| Azerbaijan | 2023 | 1 | 0 |
| Total | | 1 | 0 |

1. Yusif İmanov at Soccerway
2. "SABAH VS. SƏBAIL 1 - 0". Soccerway. 19 March 2022.
3. "Yusif İmanov". *National Football Teams*. Benjamin Strack-Zimmermann. Retrieved 23 September 2024.

## InfoBox

Yusif İmanov
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Yusif Bəhruz oğlu İmanov | | |
| Date of birth | (2002-09-27) 27 September 2002 | | |
| Place of birth | Ağdam, Azerbaijan | | |
| Height | 1.92 m (6 ft 4 in) | | |
| Position(s) | Goalkeeper | | |
| Team information | | | |
| Current team | Sabah | | |
| Number | 1 | | |
| Youth career | | | |
|  | Sabah | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 2022– | Sabah | 65 | (0) |
| International career | | | |
| 2023– | Azerbaijan | 1 | (0) |
| \*Club domestic league appearances and goals, correct as of 26 May 2024 | | | |


title: NV5 Invitational

abstract: The NV5 Invitational is a golf tournament on the Korn Ferry Tour. It was first played as the Evans Scholars Invitational in May 2019 at The Glen Club in Glenview, Illinois. As part of COVID-19-related schedule changes to the Korn Ferry Tour season, the tournament was postponed to September 2020, and the location was changed to Chicago Highlands Club. In 2021 the tournament returned to May and to The Glen Club.

text:
# NV5 Invitational

The **NV5 Invitational** is a golf tournament on the Korn Ferry Tour. It was first played as the **Evans Scholars Invitational** in May 2019 at The Glen Club in Glenview, Illinois. As part of COVID-19-related schedule changes to the Korn Ferry Tour season, the tournament was postponed to September 2020, and the location was changed to Chicago Highlands Club. In 2021 the tournament returned to May and to The Glen Club.

## Winners

| Year | Winner | Score | To par | Margin of
victory | Runner(s)-up |
| --- | --- | --- | --- | --- | --- |
| NV5 Invitational | | | | | |
| 2024 | Thomas Rosenmüller | 259 | −25 | 2 strokes | Karl Vilips |
| 2023 | Trace Crowe | 259 | −25 | Playoff | **Patrick Fishburn** |
| 2022 | **Harry Hall** | 262 | −22 | Playoff | Nick Hardy |
| Evans Scholars Invitational | | | | | |
| 2021 | **Cameron Young** | 266 | −18 | 5 strokes | **Adam Svensson** |
| 2020 | **Curtis Thompson** | 271 | −17 | 1 stroke | Jimmy Stanger
**Will Zalatoris** |
| 2019 | **Scottie Scheffler** | 271 | −17 | Playoff | Marcelo Rozo |

**Bolded** golfers graduated to the PGA Tour via the Korn Ferry Tour regular-season money list.

## InfoBox

NV5 Invitational
| Tournament information | |
| --- | --- |
| Location | Glenview, Illinois |
| Established | 2019 |
| Course(s) | The Glen Club |
| Par | 71 |
| Length | 7,257 yards (6,636 m) |
| Tour(s) | Korn Ferry Tour |
| Format | Stroke play |
| Prize fund | US$1,000,000 |
| Month played | July |
| Tournament record score | |
| Aggregate | 259 Trace Crowe (2023)
259 Patrick Fishburn (2023)
259 Thomas Rosenmüller (2024) |
| To par | −25 *as above* |
| Current champion | |
| Thomas Rosenmüller | |
| Location map | |
| The Glen ClubLocation in the United StatesThe Glen ClubLocation in Illinois | |


title: Nabulagala Mapeera church

abstract: Mapeera Church alias was the first constructed catholic church in Uganda in 1879 by the White Fathers. It is located in Lusaze Lubya in Nabulagala, Kigungu Landing site behind Entebbe Airport in Uganda.

text:
# Nabulagala Mapeera church

**Mapeera Church** alias (**Nabulagala Mapeera church,** **St. John the Baptist Mapeera-Nabulagala Catholic Parish)** was the first constructed catholic church in Uganda in 1879 by the White Fathers. It is located in Lusaze Lubya in Nabulagala, Kigungu Landing site behind Entebbe Airport in Uganda.

## It is where;

* The first ever catholic mass of latin rite was held in Uganda.
* The first catholic converts in Buganda were baptised in 1880, of which four of them are among the Uganda Martyrs.
* The dedication of the missionary activity of the White fathers and "Uganda to Mary" on the 2 July 1879 was hosted.
* The catholic pioneer of the missionary society of White Fathers were first buried before they were exhumed.

## History

The church is historical in the Catholic church because it was were the first mission the missionaries established in Uganda on arrival in 1879 and where the first mass was celebrated in the country.

## The arrival of the White Fathers

The missionaries belonged to the Catholic missionary society of White Fathers which is also known as **Religious Institute of the Missionaries of Africa.** They arrived in Africa on the 15th November 1878 and the missionaries included; Pere (Fr.) Siméon Lourdel Marpel (aka Mapeera and also misspelt as Simon Laudel Mapeera), brother Delmas Amans (aka Amansi), Léone Livinhac, Ludoic Girault and Léon Barbot.

Their arrival in Uganda almost turned sour because they were almost denied entry due to the religious rivalry of the time.

When Mapeera and Amans wanted to come to Uganda, Alexander Mackay, an Anglican missionary who had arrived earlier in Uganda as the French visitors was consulted by Kabaka Mutesa I.

On 21 February 1879, a Ugandan muslim family of the late Amir Sekikkubo in Kitebe village, Rubaga Division, Kampala District welcomed, hosted Fr. Mapeera and Brother Amansi in to their home. Sekikkubo took the visitors to the Kabaka who instructed him that he should keep the visitors for 15 days until the Lukiiko determined their fate. Sekikkubo constructed a hut for them to stay in until they met Kabaka Muteesa I who offered Mapeera and Amansi land of about two miles in Nabulagala on which they constructed the **Nabulagala Mapeera** catholic church in Kitebe Village in Rubaga Division.

On the 11th April 1879, the Kabaka Muteesa I gave Amansi a fleet of 24 canoes to go and fetch the other missionaries that included Léon Livinhac, Girault and Barbot.

### The first Ugandan Catholic Baptism

Mapeera church was where the first baptism in the Buganda region took place on February 17, 1879. Among those who were first baptised by Msgr. Léon Livinhac in Uganda included; Paul Nalubandwa (aka Paolo Nlubanwa), Peter Kyonooneka Ddamulira (aka Petro Ddamulira), Joseph Lwanga (aka as Yosefu Lwanga) and Leon Kaddu. They also received their first holy communion and confirmation the next day. Fr. Mapeera baptised Andrew Kaggwa and Joseph Mukasa Balikuddembe on the 30th April 1882. Fr. Ludovic Girault baptised Mathias Mulumba and Lukka Baanabakintu on 28 May 1882. Local chiefs including Luka Banabakinti and Matia Kalemba were also baptised.

### Construction of the mosque

In 1980, Emmanuel Cardinal Nsubuga built a mosque for the family of Amir Sekikkubo in memory of Amir Sekikkubo who offered land to the pioneers of the catholic missionaries in Uganda and the mosque still stands to date and is being used by the public.

### Construction of a bigger church

St. John the Baptist, Mapeera-Nabulagala church with a capacity of 1000 members was constructed in Rubaga Division using the contributions from the White Fathers and Catholics in Uganda and diaspora at the same spot where Mapeera and Amansi built their first mission station. It was consecrated by Dr. Cyprian Kizito Lwanga on the 25th June 2016.

### The Fr. Mapeera and Brother Amansi monument

A monument was constructed by the Missionaries of Africa at Kyettale at Kigungu landing site in Entebbe Municipality Mapeera and Amansi arrived at on the 17th February 1879.

## InfoBox

| Mapeera Church | |
| --- | --- |
| Mapeera Nabulagala Church | |
| Nabulagala Mapeera church in Lusaze Lubya | |
|  | |
| Location | Kigungu landing site, Uganda |
| Address | Lusaze Lubya |
| Country | Uganda |
| Associations | White Fathers |
| Religious institute | Catholic Church |
| History | |
| Founded | 1879 |
| Founder(s) | White fathers aka The Missionaries of Africa |
| Architecture | |
| Years built | 1879 |
| Specifications | |
| Capacity | 200 members |
| Administration | |
| Archdiocese | Kampala |


title: Na Yoon-kyung

abstract: Na Yoon-kyung is a South Korean sports shooter. She competed in the Women's 10 metre air rifle and 50 metre rifle events at the 2012 Summer Olympics.

text:
# Na Yoon-kyung

**Na Yoon-kyung** (born 24 November 1982) is a South Korean sports shooter. She competed in the Women's 10 metre air rifle and 50 metre rifle (3 positions) events at the 2012 Summer Olympics.

## InfoBox

Na Yoon-kyung
| Personal information | |
| --- | --- |
| Born | (1982-11-24) 24 November 1982<br>Seoul, South Korea |
| Sport | |
| Sport | Sports shooting |


title: Nagahara Station (Tokyo)

abstract: .mw-parser-output.infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output.infobox-3cols-child{margin:auto}.mw-parser-output.infobox.navbar{font-size:100%}body.skin-minerva.mw-parser-output.infobox-header,body.skin-minerva.mw-parser-output.infobox-subheader,body.skin-minerva.mw-parser-output.infobox-above,body.skin-minerva.mw-parser-output.infobox-title,body.skin-minerva.mw-parser-output.infobox-image,body.skin-minerva.mw-parser-output.infobox-full-data,body.skin-minerva.mw-parser-output.infobox-below{text-align:center}@media screen{html.skin-theme-clientpref-night.mw-parser-output.infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os.mw-parser-output.infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive.mw-parser-output.infobox-table{display:table!important}body.skin--responsive.mw-parser-output.infobox-table>caption{display:table-caption!important}body.skin--responsive.mw-parser-output.infobox-table>tbody{display:table-row-group}body.skin--responsive.mw-parser-output.infobox-table tr{display:table-row!important}body.skin--responsive.mw-parser-output.infobox-table th,body.skin--responsive.mw-parser-output.infobox-table td{padding-left:inherit;padding-right:inherit}} Nagahara Station is a railway station on the Tokyu Ikegami Line in Ota, Tokyo, Japan, operated by the private railway operator Tokyu Corporation.

text:
# Nagahara Station (Tokyo)

**Nagahara Station** (長原駅, *Nagahara-eki*) is a railway station on the Tokyu Ikegami Line in Ota, Tokyo, Japan, operated by the private railway operator Tokyu Corporation.

## Station layout

The station has two underground side platforms.

### Platforms

| **1** | Tokyu Ikegami Line | for Yukigaya-Ōtsuka, Ikegami, and Kamata |
| --- | --- | --- |
| **2** | Tokyu Ikegami Line | for Hatanodai, Togoshi-Ginza, and Gotanda |

## History

The station opened on 28 August 1927. It was rebuilt as an underground station in June 1972.

## Bus services

* Nagahara bus stop (Tokyu Bus)

35°36′08″N 139°41′53″E / 35.60224°N 139.69801°E / 35.60224; 139.69801

## InfoBox

| IK06
Nagahara Station
長原駅 | |
| --- | --- |
| Front of the station, 2019 | |
| General information | |
| Location | Kami-ikedai, Ota, Tokyo
（東京都大田区上池台）
Japan |
| Operated by | Tōkyū Railways |
| Line(s) | Ikegami Line |
| Platforms | 2 side platforms |
| Tracks | 2 |
| Connections | * Bus stop |
| Construction | |
| Structure type | Underground |
| Other information | |
| Station code | IK06 |
| History | |
| Opened | 28 August 1927 (1927-08-28) |
|  | |
| Services | |
| Preceding station  Tōkyū Railways Following station  Senzoku-ikeIK07towards Kamata  Ikegami Line  HatanodaiIK05towards Gotanda | |
|  | |
|  | |
|  | |
| Location  Nagahara Station (Tokyo)Location within Special wards of TokyoNagahara Station (Tokyo)Nagahara Station (Tokyo) (Tokyo Bay and Bōsō Peninsula)Nagahara Station (Tokyo)Nagahara Station (Tokyo) (Tokyo)Nagahara Station (Tokyo)Nagahara Station (Tokyo) (Japan) | |


title: Yuichiro Nagashima

abstract: Yuichiro "Jienotsu" Nagashima is a Japanese cosplayer, retired kickboxer, mixed martial artist, known for his career in K-1.

text:
# Yuichiro Nagashima

**Yuichiro "Jienotsu" Nagashima** (長島☆自演乙☆雄一郎, *Nagashima Jien'otsu Yūichirō*, born July 2, 1984) is a Japanese cosplayer, retired kickboxer, mixed martial artist, known for his career in K-1.

## Biography

Yuichiro Nagashima was born in 1984 in the city of Nishinomiya, Hyogo. He started learning Judo when he was an elementary school. He continued training Judo until the graduation of Middle School. During his High School life, he practiced Karate, but he attended training only once or twice a week. He first intended to become a Professional Wrestler, but was deemed too short, so he decided to be a fighter instead.

### Mixed martial arts

Nagashima joined the team of Nippon Kempo and started training seriously when he was matriculated in University of Marketing and Distribution Sciences. In addition, Nagashima started participating professional mixed martial arts bouts. He also started cosplaying anime characters during his entrance to the ring.

### Kickboxing

In 2007, Nagashima shifted his focus to kickboxing and has gone on to become known as the "Otaku Kickboxer" due to his love of anime and cosplay entrances before bouts. He won ten consecutive victories to start his career, fighting for Deep, Mars and New Japan Kickboxing Federation. On November 9, 2008, he defeated Teruaki Furukawa for the vacant NJKF Super welterweight title; this marked the first time a kickboxer from a non-NJKF affiliated gym had won an NJKF title. On January 25, 2009, he was chosen and awarded 2008 Outstanding Performance Award by NJKF, and also given 3 more awards certified combat sports medias.

#### K-1

After winning the title, Nagashima was offered by K-1. He participated K-1 World MAX 2009 Japan Tournament on February 23, 2009, and he knocked out Hayato at 2R at the quarterfinal, but he was beaten by Yuya Yamamoto and lost by TKO because of being cut at the semifinal.

After the Japanese tournament, Nagashima was offered to fight against Albert Kraus from Netherlands on April 21. They engaged in a heated war of words before the bout where Kraus said "he seems to be a gay". The fight ended in Nagashima losing by knockout in round one. On October 26, Nagashima was offered to fight against Xu Yan from China. Although he trained at Masato's gym, he was knocked out at round one. In December, he was awarded the 2009 Walkout of the Year by *Inside MMA* of HDNet.

On March 27, 2010, Nagashima participated to K-1 World Max 2010 Japan tournament. He won the tournament with 3 consecutive knock outs. Although he wanted to defend his NJKF title after this tournament, he returned his title as on 1 April because he was going to participate the world tournament and it was hard to arrange his schedule for defending title.

On December 31, 2010, Nagashima took part in a "mixed rules" bout against Judo and Brazilian Jiu-Jitsu expert Shinya Aoki at Dynamite!! 2010, the annual New Year's Eve fight festival. One round was to be held under Kickboxing rules and the other under Mixed Martial Arts rules. A Coin Toss decided that the Kickboxing round was to commence first. Aoki took advantage of the fact that he only had to survive through a single three-minute round of Kickboxing and thus threw pointless attacks like flying dropkicks and rolling heel kicks while holding onto the ring ropes in order to run the clock down. As the second round began, and Aoki now in his element under MMA rules, he dropped immediately for a Double Leg Takedown, while Nagashima launched a Flying Knee square into Aoki's jaw. The blow instantly knocked out Aoki, after which Nagashima followed up with a number of hammerfists on the supine Aoki. The referee stepped in and stopped the fight four seconds into the period.

He faced Henri van Opstal at *REBELS 13* in Tokyo on October 28, 2012 with a place at the *Shoot Boxing World Tournament 2012* on the line. He lost via unanimous decision (30-29, 30-29, 29-28).

He lost a one-sided unanimous decision to Robin van Roosmalen at *Glory 4: Tokyo - 2012 Heavyweight Grand Slam* in Saitama, Japan on December 31, 2012 after being dropped in round one.

He lost to Yoshihiro Sato by unanimous decision at *Hoost Cup: Kings* in Nagoya, Japan on June 16, 2013.

Nagashima stopped a three-fight skid when he beat Hiroki Shishido by unanimous decision at *Shoot Boxing Battle Summit Ground Zero Tokyo 2013* in Tokyo, Japan on November 15, 2013.

### Professional wrestling

On March 6, 2011, Nagashima appeared in the puroresu promotion Pro Wrestling Zero1 to challenge fellow rookie Daichi Hashimoto, who was scheduled to face Masahiro Chono, and said that he had also made his debut in wrestling and soon would be Daichi's rival. Nagashima began training in the Zero1 dojo under Shinjiro Otani, who was also Hashimoto's trainer. Although Daichi was the original target to Yuichiro, veteran wrestler Kohei Sato offered to wrestle Nagashima first, so Yuichiro had his debut on May 5 at the Korakuen Hall against him, with th Otaku Kickboxer winning the bout. The match was highly praised and some said that Yuichiro's skill was such that he seemed to have years of experience. Later, on June 14, Yuichiro had his first match against Daichi, teaming with former yokozuna and K-1 fighter Akebono to defeat Hashimoto & Otani. Two months after, Nagashima teamed up with Hashimoto and Otani to defeat Ryoji Sai, Kamikaze & Munenori Sawa.

After their last meeting, Nagashima announced his intention to face Masahiro Chono, who had wrestled against Hashimoto. Chono agreed and the match was held in Inoki Genome Federation, with Nagashima in the losing side. Thereafter, Yuichiro began competing actively for IGF, achieving significant victories over Munenori Sawa and Bob Sapp. Upon his return to Zero1, Nagashima came in a feud with Fujita Hayato, being defeated by Fujita in a singles match. This was his final match of the year, as Nagashima returned to kickboxing shortly after.

In 2013, Nagashima made a return to pro wrestling in IGF, beating Black Tiger in two consecutive matches.

### Lethwei

In February 2020, Nagashima made his debut in Lethwei rules against Burmese Aut Chin Thwai. Nagashima lost after he injured his leg at the third round. He entered the match wearing the first anime cosplay he wore in his career, that of Haruhi Suzumiya from the eponymous franchise, and suggested this was his last fight.

### Retirement

On September 23, 2021, Nahashima was scheduled to face Shohei Asahara, Yasuomi Soda and Yusaku Nakamura in his retirement exhibition match at DEEP☆KICK 55. As in the previous occasion, he came to the match wearing a significant cosplay, the same Miku Hatsune costume he wore in his K-1 championship in November 2008, and thanked the fans for their support in his 14 years career.

## Titles

## Awards

* 2008 Outstanding Performance Award (NJKF, January 25, 2009)
* 2008 Kakutogi Tsushin Award (NJKF, January 25, 2009)
* 2008 Fullcontact KARATE Award (NJKF, January 25, 2009)
* 2008 BoutReview Award (NJKF, January 25, 2009)
* 2009 Walkout of the Year (*Inside MMA* of HDNet, December 2009)

## Lethwei record

Professional Lethwei record
| **0 wins, 1 losses, 0 draws** | | | | | | |
| --- | --- | --- | --- | --- | --- | --- |
| Date | Result | Opponent | Event | Location | Method | Round |
| 2020-02-22 | Loss | Aut Chin Thwai | Lethwei in Japan 15: Kizuna | Osaka, Japan | KO | 3 |
| ***Legend***:   Win   Loss   Draw   Notes | | | | | | | | |

## Kickboxing record

Professional Kickboxing record
| **21 Wins (13 (T)KO's), 18 Losses, 2 Draw** | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- |
| Date | Result | Opponent | Event | Location | Method | Round | Time |
| 2018-01-27 | Loss | Qiu Jianliang | Glory of Heroes: Qingdao | Qingdao, China | TKO (Punches) | 3 | 1:23 |
| 2017-11-26 | Loss | Chuchai Kaewsamrit | HOOST CUP KINGS OSAKA 2 | Osaka, Japan | Decision (unanimous) | 3 | 3:00 |
| 2017-04-23 | Loss | Artem Pashporin | Kunlun Fight 60 – 70 kg World Max 2017 Group G Tournament Semi-Finals | Zunyi, China | TKO (Ref.stop/3 Knockdowns) | 2 | 1:22 |
| 2016-12-05 | Loss | Takuya Imamura | KNOCK OUT Vol.0 | Japan | KO (Right Cross) | 2 |  |
| 2016-10-30 | Draw | Tian Xin | Kunlun Fight 54 - Super Fight | Wuhan, China | Extra Round Decision (Draw) | 4 | 3:00 |
| 2016-06-05 | Loss | Gu Hui | Kunlun Fight 45 \- Qualification tournament for 70 kg 16 man Tournament Group E Semi Final | Chengdu, China | Decision (Unanimous) | 3 | 3:00 |
| 2015-10-03 | Loss | Li Yankun | XTREME MUAY THAI 2015 The Venetian Macao | Macao, China | Decision (unanimous) | 3 | 3:00 |
| 2015-04-05 | Loss | Nishikawa Yasuhira | DEEP | Tokyo, Japan | Decision (unanimous) | 3 | 3:00 |
| 2015-02-21 | Loss | Yuki Sakamoto | Shoot Boxing 2015 act. I | Tokyo, Japan | Decision (unanimous) | 3 | 3:00 |
| 2015-01-31 | Draw | Yi Long | Wu Lin Feng World Championship 2015 | Chongqing, China | Decision (Unanimous) | 3 | 3:00 |
| 2014-12-29 | Loss | Hinata | Blade 1 | Tokyo, Japan | Decision | 3 | 3:00 |
| 2014-11-16 | Loss | Jenrop Punpanmuang | HOOST CUP KINGS WEST | Osaka, Japan | Decision (Unanimous) | 3 | 3:00 |
| 2014-09-09 | Win | Yi Long | Wu Lin Feng | Khorgos, China | TKO | 2 |  |
| 2014-06-16 | Loss | Danilo Zanolini | RISE 100 - Blade 0 - | Tokyo, Japan | DQ (Fouls) |  |  |
| 2014-04-29 | Win | Daiki Watabe | RISE 99 | Tokyo, Japan | Ext.R Decision (Unanimous) | 4 | 3:00 |
| 2013-11-15 | Win | Hiroki Shishido | Shoot Boxing Battle Summit Ground Zero Tokyo 2013 | Tokyo, Japan | Decision (Unanimous) | 3 | 3:00 |
| 2013-10-14 | Win | Tanansak SuranareeGym | M-FIGHT ～Shuken 13～ Part 2 | Tokyo, Japan | Decision (Unanimous) | 3 | 3:00 |
| 2013-06-16 | Loss | Yoshihiro Sato | Hoost Cup: Kings | Nagoya, Japan | Decision (unanimous) | 3 | 3:00 |
| 2012-12-31 | Loss | Robin van Roosmalen | Glory 4: Tokyo | Saitama, Japan | Decision (Unanimous) | 3 | 3:00 |
| 2012-10-28 | Loss | Henri van Opstal | REBELS.13 | Tokyo, Japan | Decision (Unanimous) | 3 | 3:00 |
| 2011-09-25 | Win | Kenmun | K-1 World MAX 2011 –70 kg Japan Tournament Final | Osaka, Japan | Decision (Unanimous) | 3 | 3:00 |
| 2010-11-08 | Loss | Mike Zambidis | K-1 World MAX 2010 Final Quarter-final | Tokyo, Japan | TKO (Referee Stoppage) | 3 | 0:53 |
| 2010-07-05 | Win | Andre Dida | K-1 World MAX 2010 Final 16 - Part 1 | Tokyo, Japan | Decision (Majority) | 3 | 3:00 |
| Qualifies for K-1 World MAX 2010 Final. | | | | | | | |
| 2010-03-27 | Win | Hiroki Nakajima | K-1 World MAX 2010 -70kg Japan Tournament Final | Saitama, Japan | KO (Right Hook) | 3 | 1:58 |
| Wins K-1 World Max 2010 Japan Tournament. | | | | | | | |
| 2010-03-27 | Win | Ryuji | K-1 World MAX 2010 -70kg Japan Tournament Semifinal | Saitama, Japan | TKO (Referee Stoppage) | 1 | 1:44 |
| 2010-03-27 | Win | Yuji Nashiro | K-1 World MAX 2010 -70kg Japan Tournament Quarterfinal | Saitama, Japan | TKO (Referee Stoppage) | 1 | 0:39 |
| 2009-10-26 | Loss | Xu Yan | K-1 World MAX 2009 World Championship Tournament Final | Yokohama, Japan | KO (Left Hook) | 1 | 1:04 |
| 2009-04-21 | Loss | Albert Kraus | K-1 World MAX 2009 World Championship Tournament Final 16 | Tokyo, Japan | KO (Punches) | 1 | 1:07 |
| 2009-02-23 | Loss | Yuya Yamamoto | K-1 World MAX 2009 Japan Tournament Semi-final | Tokyo, Japan | TKO (Doctor Stoppage) | 3 | 0:59 |
| 2009-02-23 | Win | Hayato | K-1 World MAX 2009 Japan Tournament Quarter-final | Tokyo, Japan | TKO (Referee Stoppage) | 2 | 0:36 |
| 2008-12-22 | Win | Sakushi | DEEP Protect Impact 2008 | Tokyo, Japan | TKO (Doctor Stoppage) | 2 | 0:39 |
| 2008-11-09 | Win | Teruaki Furukawa | NJKF "Start of the New Legend XIII" | Tokyo, Japan | TKO (Referee Stoppage) | 1 | 1:04 |
| Winning the vacant 1st NJKF Super welterweight championship. | | | | | | | |
| 2008-09-27 | Win | Soichiro Miyakoshi | NJKF "Start of the New Legend XI" | Tokyo, Japan | TKO (Referee Stoppage) | 1 | 1:50 |
| 2008-06-08 | Win | Kenta | NJKF West Swell | Osaka, Japan | Decision (Majority 2-1) | 5 | 3:00 |
| 2008-05-03 | Win | Marmai | Khaolak stadium | Khao Lak, Thailand | KO | 4 |  |
| 2008-02-11 | Win | Shine Soo | 'MARS 11 2nd Anniversary MARS Blaster Bout Tournament A block Final | Tokyo, Japan | KO (Left Hook) | 3 | 0:18 |
| Winning MARS Blaster Bout Tournament A block.
MARS was dissolved before fighting against the winner from B block. | | | | | | | |
| 2008-02-11 | Win | K.Worwanchai | "MARS 11 2nd Anniversary MARS Blaster Bout Tournament A block" Semi-final | Tokyo, Japan | Decision (Unanimous) | 2 | 3:00 |
| 2007-12-09 | Win | Norimasa Iwasaki | MARS 10 "All-Out War" | Tokyo, Japan | Decision (Unanimous) | 3 | 3:00 |
| 2007-10-13 | Win | Junichi Maruyama | MARS 09 | Osaka, Japan | TKO (Referee Stoppage) | 1 | 2:27 |
| 2007-07-08 | Win | Kenji Ueda | DEEP 30 Impact | Osaka, Japan | KO | 1 | 1:38 |
| 2007-04-15 | Win | Fumihito Fukano | NJKF "Fighting Evolution IV Kenshinjuku 10th anniversary event" | Osaka, Japan | KO (Right High Kick) | 1 | 2:04 |

## Mixed martial arts record

Professional record breakdown
| **7 matches** | **4 wins** | **3 losses** |
| --- | --- | --- |
| **By knockout** | 4 | 1 |
| **By submission** | 0 | 1 |
| **By decision** | 0 | 1 |

| Res. | Record | Opponent | Method | Event | Date | Round | Time | Location | Notes |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Loss | 4-3 | Andy Souwer | KO (punches) | Rizin Fighting Federation 2 | December 31, 2015 | 1 | 5:28 | Saitama, Japan |  |
| Loss | 4-2 | Hiroshi Shiba | Decision (Unanimous) | Real Rhythm: 5th Stage | November 18, 2006 | 2 | 5:00 | Osaka, Japan |  |
| Win | 4-1 | Hiromu Nagado | KO (Punch) | Pancrase: Blow 8 | October 1, 2006 | 1 | 0:12 | Osaka, Japan |  |
| Win | 3-1 | Yusuke Kagiyama | KO (Punches) | Real Rhythm: 4th Stage | July 30, 2006 | 1 | 3:45 | Osaka, Japan |  |
| Win | 2-1 | Tsuneo Kimura | TKO (Punches) | Double R: 3rd Stage | April 29, 2006 | 1 | 0:41 | Osaka, Japan |  |
| Win | 1-1 | Tsuyoshi Ono | TKO (Punches) | Double R: 3rd Stage | April 29, 2006 | 1 | 0:37 | Osaka, Japan |  |
| Loss | 0-1 | Satoru Takadaya | Submission (Armbar) | Powergate 2: War Cry Of Soul | August 27, 2005 | 1 | 1:59 | Osaka, Japan |  |

## Mixed rules record

Professional record breakdown
| **3 matches** | **1 win** | **2 losses** |
| --- | --- | --- |
| **By knockout** | 1 | 2 |
| **By submission** | 0 | 0 |
| **By decision** | 0 | 0 |

| Res. | Record | Opponent | Method | Event | Date | Round | Time | Location | Notes |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Loss | 1-2 | Xu Xiaodong | TKO (Punches) | Lumpinee Boxing Stadium | November 22, 2019 | 2 | 0:35 | Bangkok, Thailand |
| Loss | 1-1 | Katsunori Kikuno | TKO (Punches) | Fight For Japan: Genki Desu Ka Omisoka 2011 | December 31, 2011 | 2 | 2:34 | Saitama City, Saitama, Japan |
| Win | 1–0 | Shinya Aoki | KO (Flying Knee) | Dynamite!! 2010 | December 31, 2010 | 2 | 0:04 | Chūō-ku, Saitama, Japan |

***Legend***:   Win    Loss    Draw/No contest    Notes

## InfoBox

| Yuichiro "Jienotsu" Nagashima | |
| --- | --- |
| Born | Nagashima Yūichirō
(1984-07-02) July 2, 1984
Nishinomiya, Hyogo, Japan |
| Native name | 長島☆自演乙☆雄一郎 |
| Other names | Jienotsu (short for Jisaku-Jien Otsukaresan ) |
| Nationality | Japanese |
| Height | 1.75 m (5 ft 9 in) |
| Weight | 70.0 kg (154.3 lb; 11.02 st) |
| Division | Middleweight |
| Style | Nippon Kempo, Karate, Kickboxing |
| Team | Sakigake Juku |
| Rank | *2nd dan Black Belt in Nippon Kempo* |
| Years active | (2005-2018) |
|  | |
| Kickboxing record | |
| **Total** | 38 |
| **Wins** | 19 |
| By knockout | 13 |
| **Losses** | 17 |
| By knockout | 7 |
| **Draws** | 2 |
|  | |
|  | |
| Mixed martial arts record | |
| **Total** | 7 |
| **Wins** | 4 |
| By knockout | 3 |
| **Losses** | 3 |
| By knockout | 1 |
| By submission | 1 |
|  | |
| Other information | |
| University | University of Marketing and Distribution Sciences |
| Notable relatives | Kengo Nagashima, *brother* |
| Mixed martial arts record from Sherdog | |
| Last updated on: November 15, 2013 | |


title: Yvonne Thomas (occupational therapist)

abstract: Yvonne Thomas is an English-New Zealand occupation therapist and academic, and is a full professor at Otago Polytechnic, specialising in occupational health, wellbeing and homelessness.

text:
# Yvonne Thomas (occupational therapist)

**Yvonne Thomas** is an English-New Zealand occupation therapist and academic, and is a full professor at Otago Polytechnic, specialising in occupational health, wellbeing and homelessness.

## Academic career

Thomas is English, and trained as an occupational therapist, graduating from St Loyes School of Occupational Therapy (now part of the University of Plymouth) in 1983. Thomas then worked as an occupational therapist, gaining experience in social care, rehabilitation of stroke patients, and mental health. Thomas moved first to New Zealand, where she gained a postgraduate certificate in clinical teaching from the University of Canterbury, and a graduate diploma in education from the University of Otago. Thomas then moved to Queensland, where she earned a Masters of Education, and completed a PhD titled *An occupational perspective of wellbeing: a case study of homelessness in Townsville* at James Cook University in 2012. Thomas has worked at the University of Worcester, where she developed and led an occupational therapy programme. Thomas then joined the faculty Otago Polytechnic, rising to full professor in 2022. Her research focuses on how occupations can affect wellbeing, especially for marginalised and socially disadvantaged people. As part of this, she is interested in the concept of home and how homeless people maintain wellbeing. Thomas also investigates professional practice and practice education for health professionals, and has reviewed the use and role of simulation in the education of health professionals.

Thomas is the research coordinator for the Otago Polytechnic.

## Selected works

* Kristy Alexandratos; Fiona Barnett; Yvonne Thomas (February 2012). "The Impact of Exercise on the Mental Health and Quality of Life of People with Severe Mental Illness: A Critical Review". *British Journal of Occupational Therapy*. **75** (2): 48–60. doi:10.4276/030802212X13286281650956. ISSN 0308-0226. Wikidata Q61912300.
* Yvonne Thomas; David Dickson; Jacqueline Broadbridge; Linda Hopper; Rachel Hawkins; Ann Edwards; Cathy McBryde (December 2007). "Benefits and challenges of supervising occupational therapy fieldwork students: Supervisors' perspectives". *Australian Occupational Therapy Journal*. **54** (s1). doi:10.1111/J.1440-1630.2007.00694.X. ISSN 0045-0766. Wikidata Q124407960.
* Yvonne Thomas; Marion Gray; Sue McGinty; Sally Ebringer (10 November 2011). "Homeless adults engagement in art: first steps towards identity, recovery and social inclusion". *Australian Occupational Therapy Journal*. **58** (6): 429–436. doi:10.1111/J.1440-1630.2011.00977.X. ISSN 0045-0766. PMID 22111645. Wikidata Q39521782.
* Yvonne Thomas; Marion Gray; Sue McGinty (8 November 2010). "A systematic review of occupational therapy interventions with homeless people". *Occupational Therapy in Health Care*. **25** (1): 38–53. doi:10.3109/07380577.2010.528554. ISSN 0738-0577. PMID 23898982. Wikidata Q38125227.
* Yvonne Thomas; Merrolee Penman; Peter Williamson (March 2005). "Australian and New Zealand fieldwork: Charting the territory for future practice". *Australian Occupational Therapy Journal*. **52** (1): 78–81. doi:10.1111/J.1440-1630.2004.00452.X. ISSN 0045-0766. Wikidata Q124407964.
* Yvonne Thomas; Marion A Gray; Sue McGinty (1 January 2012). "An exploration of subjective wellbeing among people experiencing homelessness: a strengths-based approach". *Social Work in Health Care*. **51** (9): 780–797. doi:10.1080/00981389.2012.686475. ISSN 0098-1389. PMID 23078011. Wikidata Q39521772.

## InfoBox

| Yvonne Thomas | |
| --- | --- |
|  | |
| Academic background | |
| Alma mater | James Cook University, James Cook University, University of Otago |
| Thesis | * *An occupational perspective of wellbeing: a case study of homelessness in Townsville* (2012) |
| Academic work | |
| Institutions | University of Worcester, Otago Polytechnic, James Cook University |
|  | |


title: Nagaoka (crater)

abstract: Nagaoka is a lunar impact crater that lies to the southeast of the Mare Moscoviense, on the far side of the Moon. To the east of Nagaoka is the somewhat larger Konstantinov. This is a moderately eroded crater, with the satellite crater Nagaoka W overlapping the northwestern rim. The remainder of the rim remains well-defined, although it is overlain by several tiny craters. The inner wall has slumped in places, forming terrace-like shelves. A few small craters lie within the crater interior. The crater was named after Japanese physicist Hantaro Nagaoka by the IAU in 1970.

text:
# Nagaoka (crater)

**Nagaoka** is a lunar impact crater that lies to the southeast of the Mare Moscoviense, on the far side of the Moon. To the east of Nagaoka is the somewhat larger Konstantinov.

This is a moderately eroded crater, with the satellite crater Nagaoka W overlapping the northwestern rim. The remainder of the rim remains well-defined, although it is overlain by several tiny craters. The inner wall has slumped in places, forming terrace-like shelves. A few small craters lie within the crater interior.

The crater was named after Japanese physicist Hantaro Nagaoka by the IAU in 1970.

## Satellite craters

By convention these features are identified on lunar maps by placing the letter on the side of the crater midpoint that is closest to Nagaoka.

| Nagaoka | Latitude | Longitude | Diameter |
| --- | --- | --- | --- |
| U | 19.9° N | 151.4° E | 30 km |
| W | 20.0° N | 153.0° E | 29 km |

## InfoBox

Nagaoka
| Oblique Apollo 13 image, facing east | |
| --- | --- |
| Coordinates | 19°24′N 154°00′E / 19.4°N 154.0°E / 19.4; 154.0 |
| Diameter | 46 km |
| Depth | *Unknown* |
| Colongitude | 206° at sunrise |
| Eponym | Hantaro Nagaoka |


title: Nandome no Aozora ka?

abstract: "Nandome no Aozora ka?" is the 10th single by Japanese idol girl group Nogizaka46. It was released on October 8, 2014. It debuted in number one on the weekly Oricon Singles Chart and, as of October 20, 2014, has sold 478,888 copies. It also reached number one on the Billboard Japan Hot 100. It was the 8th best-selling single of the year in Japan, with 578,174 copies.

text:
# Nandome no Aozora ka?

"**Nandome no Aozora ka?**" (Japanese: 何度目の青空か?, "How many blue skies have there been?") is the 10th single by Japanese idol girl group Nogizaka46. It was released on October 8, 2014. It debuted in number one on the weekly Oricon Singles Chart and, as of October 20, 2014 (issue date), has sold 478,888 copies. It also reached number one on the Billboard Japan Hot 100. It was the 8th best-selling single of the year in Japan, with 578,174 copies.

## Release

This single was released in 4 versions. Type-A, Type-B, Type-C, and a regular edition. The center position in the choreography for the title song is held by Erika Ikuta. She temporally suspended her activities to prepare for college and resumed from this single.

## Track listing

### Type-A

CD
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Nandome no Aozora ka?" (何度目の青空か?) | 4:49 |
| 2. | "Tōmawari no Aijō" (遠回りの愛情) | 4:16 |
| 3. | "Korogatta Kane o Narase!" (転がった鐘を鳴らせ!) | 4:15 |
| 4. | "Nandome no Aozora ka? -off vocal ver.-" (何度目の青空か? -off vocal ver.-) | 4:49 |
| 5. | "Tōmawari no Aijō -off vocal ver.-" (遠回りの愛情 -off vocal ver.-) | 4:16 |
| 6. | "Korogatta Kane o Narase! -off vocal ver.-" (転がった鐘を鳴らせ! -off vocal ver.-) | 4:14 |

DVD
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Nandome no Aozora ka? Music Video" |  |
| 2. | "Korogatta Kane o Narase! Music Video" |  |
| 3. | "Manatsu Akimoto" |  |
| 4. | "Erika Ikuta" |  |
| 5. | "Chiharu Saitō" |  |
| 6. | "Mai Shinuchi" |  |
| 7. | "Himeka Nakamoto" |  |
| 8. | "Seira Nagashima" |  |
| 9. | "Ami Nōjō" |  |
| 10. | "Nanami Hashimoto" |  |
| 11. | "Hina Higuchi" |  |
| 12. | "Minami Hoshino" |  |
| 13. | "Rena Matsui" |  |
| 14. | "Kenkyūsei Part 1" |  |

### Type-B

CD
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Nandome no Aozora ka?" (何度目の青空か?) | 4:49 |
| 2. | "Tōmawari no Aijō" (遠回りの愛情) | 4:16 |
| 3. | "Watashi, Okiru." (私、起きる。) | 3:52 |
| 4. | "Nandome no Aozora ka? -off vocal ver.-" (何度目の青空か? -off vocal ver.-) | 4:49 |
| 5. | "Tōmawari no Aijō -off vocal ver.-" (遠回りの愛情 -off vocal ver.-) | 4:16 |
| 6. | "Watashi, Okiru. -off vocal ver.-" (私、起きる。 -off vocal ver.-) | 3:51 |

DVD
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Nandome no Aozora ka? Music Video" |  |
| 2. | "Watashi, Okiru. Music Video" |  |
| 3. | "Karin Itō" |  |
| 4. | "Marika Itō" |  |
| 5. | "Hina Kawago" |  |
| 6. | "Mahiro Kawamura" |  |
| 7. | "Hinako Kitano" |  |
| 8. | "Asuka Saitō" |  |
| 9. | "Reika Sakurai" |  |
| 10. | "Mai Shiraishi" |  |
| 11. | "Sayuri Matsumura" |  |
| 12. | "Yumi Wakatsuki" |  |
| 13. | "Maaya Wada" |  |
| 14. | "Kenkyūsei Part 2" |  |

### Type-C

CD
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Nandome no Aozora ka?" (何度目の青空か?) | 4:49 |
| 2. | "Tōmawari no Aijō" (遠回りの愛情) | 4:16 |
| 3. | "Ano Hi Boku wa Tossa ni Uso o Tsuita" (あの日 僕は咄嗟に嘘をついた) | 4:13 |
| 4. | "Nandome no Aozora ka? -off vocal ver.-" (何度目の青空か? -off vocal ver.-) | 4:49 |
| 5. | "Tōmawari no Aijō -off vocal ver.-" (遠回りの愛情 -off vocal ver.-) | 4:16 |
| 6. | "Ano Hi Boku wa Tossa ni Uso o Tsuita -off vocal ver.-" (あの日 僕は咄嗟に嘘をついた -off vocal ver.-) | 4:12 |

DVD
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Nandome no Aozora ka? Music Video" |  |
| 2. | "Ano Hi Boku wa Tossa ni Uso o Tsuita Music Video" |  |
| 3. | "Rina Ikoma" |  |
| 4. | "Sayuri Inoue" |  |
| 5. | "Misa Etō" |  |
| 6. | "Yūri Saitō" |  |
| 7. | "Kazumi Takayama" |  |
| 8. | "Kana Nakada" |  |
| 9. | "Nanase Nishino" |  |
| 10. | "Seira Hatanaka" |  |
| 11. | "Mai Fukagawa" |  |
| 12. | "Miona Hori" |  |
| 13. | "Rina Yamato" |  |
| 14. | "Kenkyūsei Part 3" |  |

### Regular Edition

CD
| No. | Title | Lyrics | Music | Artist(s) | Length |
| --- | --- | --- | --- | --- | --- |
| 1. | "Nandome no Aozora ka?" (何度目の青空か?) | Yasushi Akimoto | Masahiro Kawaura | Erika Ikuta, et cetera | 4:49 |
| 2. | "Tōmawari no Aijō" (遠回りの愛情) | Yasushi Akimoto | Noda Akiko | Reika Sakurai, Seira Nagashima, et cetera | 4:16 |
| 3. | "Tender days" | Yasushi Akimoto | SoichiroK, Nozomu.S | Nanami Hashimoto, et cetera | 4:42 |
| 4. | "Nandome no Aozora ka? -off vocal ver.-" (何度目の青空か? -off vocal ver.-) |  | Tomonori Inoue |  | 4:49 |
| 5. | "Tōmawari no Aijō -off vocal ver.-" (遠回りの愛情 -off vocal ver.-) |  | Kadono Toshikazu |  | 4:16 |
| 6. | "Tender days -off vocal ver.-" |  | Tomohiro Nakatsuchi |  | 4:41 |

## Participating members

Centre: Erika Ikuta

3rd Row: Misa Etō, Yumi Wakatsuki, Miona Hori, Minami Hoshino, Kazumi Takayama, Chiharu Saitō

2nd Row: Sayuri Matsumura, Manatsu Akimoto, Rina Ikoma, Reika Sakurai, Mai Fukagawa

1st Row: Rena Matsui, Mai Shiraishi, Erika Ikuta (centre), Nanase Nishino, Nanami Hashimoto

## Chart and certifications

## Further reading

* Nogizaka46 (8 October 2014a). *Nandome no Aozora ka?* (Type-A ed.). Sony Music Entertainment. ASIN B00MH2OA0U. SRCL-8621/8622.`{{cite book}}`: CS1 maint: numeric names: authors list (link)
* Nogizaka46 (8 October 2014b). *Nandome no Aozora ka?* (Type-B ed.). Sony Music Entertainment. ASIN B00MH2O9X8. SRCL-8623/8624.`{{cite book}}`: CS1 maint: numeric names: authors list (link)
* Nogizaka46 (8 October 2014c). *Nandome no Aozora ka?* (Type-C ed.). Sony Music Entertainment. ASIN B00MH2OA4Q. SRCL-8625/8626.`{{cite book}}`: CS1 maint: numeric names: authors list (link)
* Nogizaka46 (8 October 2014r). *Nandome no Aozora ka?* (Regular ed.). Sony Music Entertainment. ASIN B00MH2O9OW. SRCL-8627.`{{cite book}}`: CS1 maint: numeric names: authors list (link)

## InfoBox

| "Nandome no Aozora ka?" | |
| --- | --- |
| Regular edition cover | |
| Single by Nogizaka46 | |
| from the album  *Tōmei na Iro* | |
| B-side | * "Tōmawari no Aijō" * "Korogatta Kane o Narase!" (Type-A) * "Watashi, Okiru." (Type-B) * "Ano Hi Boku wa Tossa ni Uso o Tsuita" (Type-C) * "Tender days" (Regular) |
| Released | October 8, 2014 (2014-10-08) (Japan) |
| Genre | J-pop |
| Length | 4:49 |
| Label | N46Div. |
| Songwriter(s) | Yasushi Akimoto, Masahiro Kawaura |
| Producer(s) | Yasushi Akimoto |
| Nogizaka46 singles chronology | |
| "Natsu no Free & Easy"
(2014) "**Nandome no Aozora ka?**"
(2014) "Inochi wa Utsukushii"
(2015) | |


title: Yushima Tenmangū

abstract: Yushima Tenman-gū Yushima Tenman-gū (湯島天満宮) is a Shinto shrine located in the Bunkyō ward of Tokyo, Japan. Established in 458, it is now devoted to Tenjin, the kami of Learning. For this reason, it is also called Yushima Tenjin. It is located very close to Ueno Park, and not far from the University of Tokyo. It is frequently sited by prospective students hoping to pass the entrance exams, particularly in April. At this time, the temple receives many offerings of ema, votive tablets to petition the kami for success. One of the most famous features of the shrine are the blossoms of his plum trees (ume) in the spring. In February and March, the annual festival Ume Matsuri is held, attracting many visitors.

text:
# Yushima Tenmangū

**Yushima Tenman-gū** (湯島天満宮) is a Shinto shrine located in the Bunkyō ward of Tokyo, Japan.

Established in 458, it is now devoted to Tenjin, the kami of Learning. For this reason, it is also called **Yushima Tenjin**.

It is located very close to Ueno Park, and not far from the University of Tokyo. It is frequently sited by prospective students hoping to pass the entrance exams, particularly in April. At this time, the temple receives many offerings of *ema*, votive tablets to petition the kami for success.

One of the most famous features of the shrine are the blossoms of his plum trees (*ume*) in the spring. In February and March, the annual festival *Ume Matsuri* is held, attracting many visitors.

## History

*Yushima Tenman-gū* was originally established for the worship of *Ame-no-Tajikarao-mikoto* (天手力雄命), a kami associated with sports and physical power found in Japanese mythology (most famously in the *Kojiki* and *Nihon Shoki*).

In February 1355 the shrine was expanded to enshrine the kami *Tenjin* (天神) as well. *Tenjin* is the deification of Sugawara no Michizane (845–903), a famous scholar, poet and politician from the Heian period. As a kami he is associated to scholarship and learning. Currently both kami are enshrined in *Yushima Tenman-gū*.

The shrine was later rebuilt in October 1455 at the behest of local warlord Ota Dokan (1432–1486), and enjoyed greater popularity during the Edo period when it was visited by such Confucian scholars as Hayashi Doshun (1583–1657) and Arai Hakuseki (1657–1725).

The current structures of *Yushima Tenman-gū* were rebuilt in 1995. They were made using only cypress, and following closely the tradition of Shinto architecture.

## Annual events

The yearly events and festival at *Yushima Tenman-gū* are:

* Hatsumōde (New Year's visit) 1 – 7 January
* Ume Matsuri (Plum trees festival) 7 February – 7 March
* Tenjin-sai (The grand festival) 25 May
* Kiku Matsuri (The chrysanthemums flowers festival) 1 – 23 November

## Access

There is no admission fee for visitors to enter the shrine precincts. It is open from 6 am to 8 pm (the shop from 8:30 am to 7 pm).

The entrances is at a 2-minute walk from Exit 3 of Yushima Station on the Chiyoda Line.

## Branch

There is a branch of Yushima Tenmangū located in the Wakahowatauchi district of Nagano (city) next to the Kitano Museum of Art

## InfoBox

| Yushima Tenman-gū
湯島天満宮 | |
| --- | --- |
| front view of the *haiden* | |
| Religion | |
| Affiliation | Shinto |
| Deity | Tenjin (Sugawara no Michizane)
Ame-no-Tajikarao-mikoto |
| Type | Tenman-gū |
| Location | |
| Location | 3 Chome-30-1 Yushima, Bunkyō, Tokyo  113-0034 |
| Shown within Japan | |
| Geographic coordinates | 35°42′28″N 139°46′6″E / 35.70778°N 139.76833°E / 35.70778; 139.76833 |
| Architecture | |
| Date established | 458 |
| Website | |
| www.yushimatenjin.or.jp/pc/eng-page/english.htm | |
| Glossary of Shinto | |


title: Yushima Station (Tokyo)

abstract: Yushima Station Yushima Station is a subway station on the Tokyo Metro Chiyoda Line in the Bunkyo-ku, Tokyo, Japan, operated by the Tokyo subway operator Tokyo Metro. It is located near Shinobazu Pond and Ueno Park.

text:
# Yushima Station (Tokyo)

**Yushima Station** (湯島駅, *Yushima-eki*) is a subway station on the Tokyo Metro Chiyoda Line in the Bunkyo-ku, Tokyo, Japan, operated by the Tokyo subway operator Tokyo Metro. It is located near Shinobazu Pond and Ueno Park.

## Lines

Yushima Station is served by the Tokyo Metro Chiyoda Line. Through services operate to and from the Odakyu Odawara Line to the south and the JR Joban Line to the north. It is also relatively close to Ueno-hirokoji Station on the Tokyo Metro Ginza Line and Ueno-Okachimachi Station on the Toei Ōedo Line (around 350 meters northeast), although it is not officially recognized as a transfer station and there is no transfer corridor between the three stations.

## Station layout

The station consists of one island platform serving two tracks.

### Platforms

| **1** | C Chiyoda Line | for Otemachi and Yoyogi-uehara
Odakyu Odawara Line for Hon-Atsugi and Isehara |
| --- | --- | --- |
| **2** | C Chiyoda Line | for Kita-senju, Ayase and Kita-ayase
JL Jōban Line for Abiko and Toride |

## History

Yushima Station opened on December 20, 1969.

The station facilities were inherited by Tokyo Metro after the privatization of the Teito Rapid Transit Authority (TRTA) in 2004.

## Surrounding area

35°42′29″N 139°46′12″E / 35.707954°N 139.769933°E / 35.707954; 139.769933

## InfoBox

| C13
Yushima Station
湯島駅 | |
| --- | --- |
| Platform of Yushima Station | |
| General information | |
| Location | 3-47-10 Yushima, Bunkyō-ku, Tokyo
Japan |
| Operated by | Tokyo Metro |
| Line(s) | C Chiyoda Line |
| Platforms | 1 island platform |
| Tracks | 2 |
| Construction | |
| Structure type | Underground |
| Other information | |
| Station code | C-13 |
| History | |
| Opened | 20 December 1969 (20 December 1969) |
|  | |
| Services | |
| Preceding station  Tokyo Metro Following station  Shin-ochanomizuC12towards Yoyogi-Uehara  Chiyoda Line  NezuC14towards Kita-Ayase | |
|  | |
|  | |
|  | |
| Location  Yushima Station (Tokyo)Location within Special wards of TokyoYushima Station (Tokyo)Yushima Station (Tokyo) (Tokyo Bay and Bōsō Peninsula)Yushima Station (Tokyo)Yushima Station (Tokyo) (Tokyo)Yushima Station (Tokyo)Yushima Station (Tokyo) (Japan) | |


title: Napoleon I as Emperor

abstract: Napoleon I as Emperor, also known as Napoleon I in his Coronation Robes, is an oil-on-canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire and currently displayed at the Palace of Versailles. Gérard initially produced the painting as an official portrait of Napoleon I for his throne room at the Tuileries Palace. It was later moved to the Palace of Versailles. The painting spent time at the Louvre, at the Élysée Palace, then at the Château de Saint-Cloud before returning to Versailles in 1894.

text:
# Napoleon I as Emperor

***Napoleon I as Emperor***, also known as ***Napoleon I in his Coronation Robes*** (French: *Portrait de l’empereur Napoléon Ier en robe de sacre*), is an oil-on-canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire and currently displayed at the Palace of Versailles. Gérard initially produced the painting as an official portrait of Napoleon I for his throne room at the Tuileries Palace. It was later moved to the Palace of Versailles. The painting spent time at the Louvre, at the Élysée Palace (from 1849 to 1851 under the presidency of Louis-Napoléon Bonaparte), then at the Château de Saint-Cloud before returning to Versailles in 1894.

## Description

The painting depicts the emperor Napoleon I at his coronation on 2 December 1804. He is standing before a blue-cushioned gilt throne, wearing a white robe embroidered with gold thread, a long red coronation cloak trimmed with ermine, and white coronation gloves. His head is crowned with golden laurels, and he is wearing a golden collar of the Légion d'honneur. He is holding a staff topped by an eagle in his right hand, and his left hand is resting by his side; further to his right is a stool bearing an orb and cross and an ivory-headed sceptre, a Hand of Justice typical of the French Crown Jewels.

The work measures 225.5 cm × 145.5 cm (88.8 in × 57.3 in) – with its frame, 261.5 cm × 180.5 cm × 17.5 cm (103.0 in × 71.1 in × 6.9 in) – and weighs 100 kg (220 lb). Many copies were produced during the First French Empire. There are workshop paintings at, for example, the Château de Fontainebleau in Fontainebleau, the Hôtel des Invalides in Paris, the Rijksmuseum in Amsterdam (on loan from the Museum Boijmans Van Beuningen since 1922), the Pushkin Museum in Moscow, the Hofburg in Vienna, and the Deutsches Historisches Museum in Berlin.

## Capodimonte Museum

A copy is now in the Capodimonte Museum in Naples, probably after being taken there by Joachim Murat, although it is not known where it was first exhibited. When the Bourbons were restored to the throne of Naples, the painting was initially moved off public display and into a barn at the Palace of Portici. The work was attributed to Gérard in the 1840s and the work was moved to the main floor of the palace. In an 1874 inventory, the work was reattributed to Anne-Louis Girodet de Roussy-Trioson and moved to the Palace of Capodimonte, where it still hangs in Room 54 within the Royal Apartments.

Despite being a copy, the work has several notable differences to the original. In the copy, the figure's pose is modelled on that of Michaelangelo's David, standing with the sceptre of Charles V of France in one hand and a gold laurel wreath on his head. To his left is a cushion bearing the hand of justice and an orb, whilst there is a throne in the background. The work's celebratory tone is reinforced by a French-made frame surmounted by emblems of Napoleon.

1. Touring Club Italiano, p. 228.
2. Touring Club Italiano, p. 226-228.

## Bibliography

* (in Italian) Touring Club Italiano, Museo di Capodimonte, Milan, Touring Club Editore, 2012. ISBN 978-88-365-2577-5
* Original painting at Versailles
* Copy at the Rijksmuseum

## InfoBox

| Napoleon I as Emperor | |
| --- | --- |
|  | |
| Artist | François Gérard |
| Year | 1805 |
| Medium | oil on canvas |
| Dimensions | 225.5 cm × 145.5 cm (88.8 in × 57.3 in) |
| Location | Palace of Versailles, Versailles |


title: Nangya Jeong clan

abstract: The Nangya Jeong clan is a Korean clan. Their Bon-gwan is in Langya, Shandong, China, known as Nangya (Korean: 낭야) in Korean. Their founder was Jeong Seon-gap who was from Langya, Shandong. He was a Jinshi (進士) at the end of Ming dynasty.

text:
# Nangya Jeong clan

The **Nangya Jeong clan** (Korean: 낭야 정씨; Hanja: 瑯琊 鄭氏) is a Korean clan. Their Bon-gwan is in Langya, Shandong, China, known as Nangya (Korean: 낭야) in Korean. Their founder was Jeong Seon-gap who was from Langya, Shandong. He was a Jinshi (imperial examination) (進士) at the end of Ming dynasty.

1. *Academy of Korean Studies 낭야정씨 瑯琊鄭氏*. Academy of Korean Studies.

## InfoBox

| Nangya Jeong clan<br>낭야 정씨 | |
| --- | --- |
| Country | Korea |
| Current region | Langya |
| Founder | Jeong Seon-gap |


title: Nangō-Jūsan-Chōme Station

abstract: Nangō-Jūsan-Chōme Station (南郷13丁目駅) is a Sapporo Municipal Subway station in Shiroishi-ku, Sapporo, Hokkaido, Japan. The station number is T15.

text:
# Nangō-Jūsan-Chōme Station

**Nangō-Jūsan-Chōme Station** (南郷13丁目駅) is a Sapporo Municipal Subway station in Shiroishi-ku, Sapporo, Hokkaido, Japan. The station number is **T15**.

## Platforms

The station has two side platforms serving two tracks on the second basement level.

| **1** | Tōzai Line | for Shin-Sapporo |
| --- | --- | --- |
| **2** | Tōzai Line | for Miyanosawa |

## History

The station opened on 21 March 1982 coinciding with the opening of the Tozai Line extension from Shiroishi Station to Shin-Sapporo Station.

## Surrounding area

43°2′8.737″N 141°25′21.862″E / 43.03576028°N 141.42273944°E / 43.03576028; 141.42273944

## InfoBox

| T15
Nangō-Jūsan-Chōme Station
南郷13丁目駅 | |
| --- | --- |
| Sapporo Municipal Subway station | |
| Station exit 2 | |
| General information | |
| Location | Shiroishi, Sapporo, Hokkaido
Japan |
| Operated by | Sapporo City Transportation Bureau |
| Line(s) | Tōzai Line |
| Construction | |
| Accessible | Yes |
| Other information | |
| Station code | T15 |
| History | |
| Opened | March 21, 1982 (March 21, 1982) |
|  | |
| Services | |
| Preceding station  Sapporo Municipal Subway Following station  Nangō-Nana-ChōmeT14towards Miyanosawa  Tōzai Line  Nangō-JūhatchōmeT16towards Shin-Sapporo | |
|  | |
|  | |
|  | |
| Location  T15
Nangō-Jūsan-Chōme StationLocation within HokkaidoT15
Nangō-Jūsan-Chōme StationT15
Nangō-Jūsan-Chōme Station (Japan) | |


title: Nangzhik Gompa

abstract: Nangzhik Monastery, formerly known by several other names, is a monastery of the Bon religion in Amdo, modern Ngawa Town, Sichuan, China. It is about a 4 kilometres (2.5 mi) walk up a shortcut to reach the monastery on a hill to the north of the town. On a hill to the east is another Bon monastery named Togden or Topgyel which has a large stupa nearby.

text:
# Nangzhik Gompa

**Nangzhik Monastery** (Wylie: *snang zhig dgon*, Chinese: 郎依寺, locally pronounced "Narshi" or "Nogi"), formerly known by several other names (Wylie: *snang zhig rgyal bstan phun tshogs gling, snang zhig bkra shis g.yung drung gling, snang zhig phyogs las rnam rgyal bkra shis g.yung drung gling*), is a monastery of the Bon religion in Amdo, modern Ngawa Town, Sichuan, China. It is about a 4 kilometres (2.5 mi) walk up a shortcut to reach the monastery on a hill to the north of the town. On a hill to the east is another Bon monastery named Togden or Topgyel which has a large stupa nearby.

## History

Founded in 1108 as Gyelten Püntsok Monastery (Wylie: *rgyal bstan phun tshogs gling*) by Nyimadzin (Wylie: *Nyi ma ’dzin*), it was moved to its present site in 1754. It is a large monastery with about 800-1000 monks, and it is said to be the biggest Bon monastery in Tibet. Nangzhik is a branch of **Nogi** (**Duiansi**) at Changla in Songpan County.

A history of the monastery was published in 1994.

## Footnotes

* Dorje, Gyurme (2009). *Footprint Tibet Handbook*. Footprint Books. ISBN 978-1-906098-32-2.
* Kotan Publishing (2000). *Mapping the Tibetan World*. Kotan Publishing, 2004 reprint. ISBN 0-9701716-0-9.

## InfoBox

| Nangzhik Gompa | |
| --- | --- |
| **Nangzhik Gompa** or Narshi Monastery | |
| Religion | |
| Affiliation | Bon |
| Leadership | Home to 800 to 1000 monks |
| Location | |
| Location | Ngawa Tibetan and Qiang Autonomous Prefecture, Sichuan, China |
| Location within Sichuan | |
| Geographic coordinates | 32°56′6.9″N 101°43′37.92″E / 32.935250°N 101.7272000°E / 32.935250; 101.7272000 |
| Architecture | |
| Founder | Nangzhik Lodro Gyatso |
| Completed | 1107<br>Renovated in 1754 |


title: Nangō, Fukushima

abstract: Nangō was a former village located in Minamiaizu District, Fukushima Prefecture, Japan. As of 2003, the village had an estimated population of 2,994 and a density of 25.05 persons per km⁲. The total area was 119.50 km⁲. On March 20, 2006, Nangō, along with town of Tajima, and the villages of Ina and Tateiwa, was merged to create the town of Minamiaizu. Nangō is famous throughout Fukushima for its tomatoes. Nangō is one of many rural areas in Japan that suffers from the problem of having a large aged population but relatively few young people. As of March 2006, there were more people aged 90 and above than people between the ages of 20 and 24 living in Nangō. Nangō's ski and snowboard area attracts people from as far south as Tokyo. It is home to ski courses of varying difficulty, but known best for its large snowboard park.

text:
# Nangō, Fukushima

**Nangō** (南郷村, *Nangō-mura*) was a former village located in Minamiaizu District, Fukushima Prefecture, Japan.

As of 2003, the village had an estimated population of 2,994 and a density of 25.05 persons per km2. The total area was 119.50 km2.

On March 20, 2006, Nangō, along with town of Tajima, and the villages of Ina and Tateiwa (all from Minamiaizu District), was merged to create the town of Minamiaizu.

Nangō is famous throughout Fukushima for its tomatoes.

Nangō is one of many rural areas in Japan that suffers from the problem of having a large aged population but relatively few young people. As of March 2006, there were more people aged 90 and above than people between the ages of 20 and 24 living in Nangō.

Nangō's ski and snowboard area attracts people from as far south as Tokyo. It is home to ski courses of varying difficulty, but known best for its large snowboard park.

## Climate

| Climate data for Nangō, Minamiaizu (1991−2020 normals, extremes 1976−present) | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Month | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec | Year |
| Record high °C (°F) | 11.6
(52.9) | 14.1
(57.4) | 20.1
(68.2) | 28.0
(82.4) | 32.7
(90.9) | 33.1
(91.6) | 35.1
(95.2) | 36.6
(97.9) | 34.1
(93.4) | 29.7
(85.5) | 23.7
(74.7) | 19.2
(66.6) | 36.6
(97.9) |
| Mean daily maximum °C (°F) | 1.2
(34.2) | 2.1
(35.8) | 6.0
(42.8) | 13.7
(56.7) | 20.7
(69.3) | 24.0
(75.2) | 27.3
(81.1) | 28.8
(83.8) | 24.4
(75.9) | 18.1
(64.6) | 11.4
(52.5) | 4.3
(39.7) | 15.2
(59.3) |
| Daily mean °C (°F) | −2.2
(28.0) | −1.9
(28.6) | 1.1
(34.0) | 7.1
(44.8) | 13.9
(57.0) | 18.3
(64.9) | 22.0
(71.6) | 22.9
(73.2) | 18.7
(65.7) | 12.2
(54.0) | 5.7
(42.3) | 0.4
(32.7) | 9.9
(49.7) |
| Mean daily minimum °C (°F) | −5.7
(21.7) | −6.1
(21.0) | −3.2
(26.2) | 1.5
(34.7) | 7.4
(45.3) | 13.3
(55.9) | 17.8
(64.0) | 18.5
(65.3) | 14.4
(57.9) | 7.7
(45.9) | 1.4
(34.5) | −2.9
(26.8) | 5.3
(41.6) |
| Record low °C (°F) | −18.0
(−0.4) | −17.2
(1.0) | −16.5
(2.3) | −7.3
(18.9) | −1.1
(30.0) | 3.8
(38.8) | 9.3
(48.7) | 9.1
(48.4) | 3.0
(37.4) | −2.9
(26.8) | −11.2
(11.8) | −15.0
(5.0) | −18.0
(−0.4) |
| Average precipitation mm (inches) | 126.8
(4.99) | 79.1
(3.11) | 76.0
(2.99) | 65.7
(2.59) | 76.6
(3.02) | 117.1
(4.61) | 225.1
(8.86) | 169.6
(6.68) | 139.4
(5.49) | 134.7
(5.30) | 119.7
(4.71) | 161.6
(6.36) | 1,492.1
(58.74) |
| Average snowfall cm (inches) | 306
(120) | 249
(98) | 175
(69) | 42
(17) | 0
(0) | 0
(0) | 0
(0) | 0
(0) | 0
(0) | 0
(0) | 16
(6.3) | 211
(83) | 1,010
(398) |
| Average rainy days (≥ 1.0 mm) | 20.6 | 16.2 | 15.7 | 11.6 | 11.3 | 13.0 | 15.6 | 13.2 | 13.4 | 13.9 | 16.0 | 20.0 | 180.5 |
| Average snowy days (≥ 3 cm) | 23.4 | 20.9 | 20.1 | 5.8 | 0 | 0 | 0 | 0 | 0 | 0 | 1.5 | 13.5 | 85.2 |
| Mean monthly sunshine hours | 55.1 | 75.1 | 126.8 | 173.4 | 196.2 | 154.3 | 148.0 | 186.8 | 136.6 | 123.1 | 99.1 | 62.5 | 1,540.6 |
| Source 1: JMA | | | | | | | | | | | | | |
| Source 2: JMA | | | | | | | | | | | | | |


title: Nanny Mountain

abstract: Nanny Mountain is a mountain summit in York County in the state of South Carolina (SC). Nanny Mountain climbs to an elevation of 981 feet (299 m) above sea level. The mountain is located near Lake Wylie and was privately owned, but now it is currently open to the public from 8am to 6pm and the park is owned and operated by York County Parks.

text:
# Nanny Mountain

**Nanny Mountain** is a mountain summit in York County in the state of South Carolina (SC). Nanny Mountain climbs to an elevation of 981 feet (299 m) above sea level. The mountain is located near Lake Wylie and was privately owned, but now it is currently open to the public from 8am to 6pm and the park is owned and operated by York County Parks.

## InfoBox

| Nanny Mountain | |
| --- | --- |
|  | |
| Highest point | |
| Elevation | 981 ft (299 m) |
| Coordinates | 35°04′26″N 81°06′11″W / 35.073752°N 81.103131°W / 35.073752; -81.103131 |
| Geography | |
| Location | York County, South Carolina, U.S. |
| Topo map | Nanny Mountain Topo Map |


title: Za Tebe

abstract: Za Tebe is the second studio album by Slovenian singer-songwriter Senidah. It was released digitally on 18 November 2022 through Belgrade-based record label Bassivity Digital. Za Tebe serves as the follow-up project to her first album Bez Tebe (2019). It features guest vocals from Serbian rapper Surreal and an all-women folk group Žene. The album was preceded by three singles: "Behute", "Jadnaja" and "Dva prsta". Primarily, Za Tebe is an alternative pop, hip hop and alternative R&B record that also explores sevdah, flamenco, alternative reggaeton and folk music. It was met with generally positive reception from both critics and the public, and entered the Austrian Albums Chart.

text:
# Za Tebe

***Za Tebe*** (pronounced \[za têbe\]; transl.*For You*) is the second studio album by Slovenian singer-songwriter Senidah. It was released digitally on 18 November 2022 through Belgrade-based record label Bassivity Digital. *Za Tebe* serves as the follow-up project to her first album *Bez Tebe* (2019). It features guest vocals from Serbian rapper Surreal and an all-women folk group Žene. The album was preceded by three singles: "Behute", "Jadnaja" and "Dva prsta". Primarily, *Za Tebe* is an alternative pop, hip hop and alternative R&B record that also explores sevdah, flamenco, alternative reggaeton and folk music. It was met with generally positive reception from both critics and the public, and entered the Austrian Albums Chart.

## Background

Following the release of her debut album *Bez Tebe* on 25 March 2019, Senidah released a series of standalone singles, including commercially successful "Mišići" (2019), "Kamikaza" (2019), "100%" (2019), "Dođi" (2021) and "Replay" (2021). At the beginning of 2020, she became the first former Yugoslav artist to gross over 700,000 monthly listeners on Spotify. At the 2020 Music Awards Ceremony in Belgrade she received the Trap Song of the Year Award for "Mišići" as well as the Golden MAC for Authenticity Award.

The album was announced during Senidah's guest appearance on Serbian late night talk show *Veče sa Ivanom Ivanovićem* in October 2021.

## Composition

The album opens with "Zauvek" (*Forever*), a "quirky rap song with a progressive flow". It is followed by the lead single "Behute", which combines sevdah and flamenco and features acoustic guitars, "emotional" vocals, rhythmic handclaps and brass instruments. The title of the song comes from a Turkish word used colloquially in the Western Balkans, meaning "stupor", "inebriation" or "ecstasy". "Saten" (*Satin*) is a synth-heavy track inspired by the 1980s music. The R&B track "Beli svemir" (*White Universe*) was compared to the singer's previous album, while the third single "Dva prsta" (*Two Fingers*) embraces the sound of reggaeton. "Mesečina i ja" (*Moonlight and I*) and "Level" are dance-pop tracks, and the former is followed by the ballad "Jadnaja" (portmanteau of *jadna ja*, meaning "poor me"), which served as the second single. "Jug" (*South*) and "Maria Magdalena" (*Mary Magdalene*) feature the sounds of drill and trap, over which the artist lays vocal inflections reminiscent of Young Thug. The dance track "Noćne životinje" (*Nocturnal Animals*) features distorted, "robotic" vocals and a repetitive hook, aiming to imitate the "altered state of consciousness" in the club. The ballad "Kad će doći red" (*When Will It Be \[My\] Turn*) incorporates the flamenco sound and handclaps even more prominently than "Behute". The avant-garde, self-titled track "Senida" blends drum and bass production with folk music harmonies and traditional women's choir vocals, leading to comparisons with Eurovision entries. "Femme fatale" is reminiscent of Bond themes, while the closing track "Soba 2" (*Bedroom, Pt. 2*) is a direct sequel to the artist's previous album's opening track "Soba" (*Bedroom*). It is a ballad that discards electronic beats and percussion in favour of a guitar, synthesizers and heavy Auto-Tune.

## Singles

The lead single "Behute" was released on 28 January 2022, peaking at number one on *Billboard* Croatia Songs, number five on *Billboard* Austria Songs, and number fifteen on Ö3 Austria Top 40. "Behute" remained at the summit of the Croatia Songs chart for four weeks, having become the first song to top the newly established chart. Its accompanying music video directed by Ljubba has accumulated over 30 million views on YouTube, as of late November 2022. In the video, Senidah is featured as a *matador* bullfighting against her love interest.

The album's second single "Jadnaja" was released on the night of 5 April 2022. Music video for "Jadnaja" was shot with an iPhone at a Caribbean beach.

The third single from *Za Tebe*, titled "Dva prsta", was released on 2 November 2022. The music video, which was also directed by Ljubba, displays scenes of a traditional Balkan wedding with Senidah portraying a bride participating in traditional male customs, an implication that the artist married herself. The video also features references to virginity tests, which were interpreted by B92 as the artist empowering women against degrading traditions. "Dva prsta" debuted and peaked at number 12 on *Billboard* Croatia Songs.

## Critical reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Muzika.hr |  |

In a four out of five-star review, Domagoj Jurić of *Muzika.hr* was favorable of the album's genre diversity and experimentation in contrast to her more cohesive debut album, comparing it to the catalogue of Billie Eilish and Rosalía's *Motomami*. Furthermore, he highlighted Senidah's vocal delivery, saying "a harsh, strong, extremely feminine, but at the same time dominantly masculine voice shattered all expectations". On the other hand, Jurić made negative reviews regarding the vocal production on "Noćne životinje", which according to him was "disfigured by filters", and the composition of the tracks "Beli svemir" and "Femme fatale". Vojkan Bećir wrote for Red Bull: "*Za Tebe* is a rarely \[seen\] complete album, with a beginning and an end, a clear idea and exceptional execution. It does not follow trends, but only plays with them. \[...\] For our area, Senidah is what once were Brena or Čola, but also a counterpart of the album of the year which is *Renaissance*."

*Novosti*'s Lujo Parežanin wrote: "*Za Tebe* is not a flawless album. First of all, its predecessor's cohesiveness would've done it no harm, and the lyrics occasionally lack the polish that would match the polish of the production, even if we take the linguistic and metrical carelessness of trap as a genre into account. Despite its flaws, it is an exceptionally convincing argument in favor of Senidah's status as the leader of region's new pop. May she live long!"

### Year-end lists

Year-end rankings of *Za Tebe*
| Publication | List | Rank | Ref. |
| --- | --- | --- | --- |
| *Muzika.hr* | The Best Local Albums of 2022 | 1 |  |

## Track listing

All tracks are written by Senidah

*Za Tebe* track listing
| No. | Title | Writer(s) | Producer(s) | Length |
| --- | --- | --- | --- | --- |
| 1. | "Zauvek" |  | * Cazzafura * Jan Magdevski | 3:30 |
| 2. | "Behute" |  | * Magdevski | 3:40 |
| 3. | "Saten" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 4:05 |
| 4. | "Beli svemir" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 4:06 |
| 5. | "Dva prsta" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 3:06 |
| 6. | "Mesečina i ja" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 2:20 |
| 7. | "Jadnaja" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 2:55 |
| 8. | "Jug" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 3:04 |
| 9. | "Noćne životinje" | * Hajdarpašić * Jovanović * Vunturišević * Relja Milanković | * Magdevski | 2:39 |
| 10. | "Kad će doći red" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 3:16 |
| 11. | "Senida" (featuring Žene) | * Hajdapašić * Jovanović * Vunturišević * Milanković * Radmila Petrović | * Magdevski | 3:07 |
| 12. | "Femme fatale" | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 3:51 |
| 13. | "Level" | * Hajdarpašić * Jovanović * Vunturišević * Milanković | * Cazzafura * Magdevski | 3:05 |
| 14. | "Maria Magdalena" (featuring Surreal) | * Hajdarpašić * Krnetić * Filip Arsenijević | * Cazzafura * Magdevski | 2:43 |
| 15. | "Soba 2" (Outro) | * Hajdarpašić * Krnetić | * Cazzafura * Magdevski | 5:23 |
| Total length: | | | | 50:56 |

## Personnel

* Senidah – lead vocals
* Nenad Gajin – guitar (track 2)
* Miloš Nikolić – horns (track 2)
* Tadej Košir – guitar (tracks 3 and 10)
* Grega Robič – bass guitar (tracks 5 and 8)
* Džimi – guitar (tracks 11 and 13)
* Sebastien Graux – guitar (track 12)

## Charts

Chart performance for *Za Tebe*
| Chart (2022) | Peak position |
| --- | --- |
| Austrian Albums (Ö3 Austria) | 53 |

## Release history

Release history for *Za Tebe*
| Region | Date | Format | Label | Ref. |
| --- | --- | --- | --- | --- |
| Various | 18 November 2022 |  | Bassivity Digital |  |

## InfoBox

| Za Tebe | |
| --- | --- |
|  | |
| Studio album by Senidah | |
| Released | 18 November 2022 |
| Recorded | 2021–2022 |
| Genre |  |
| Length | 50:56 |
| Language | Serbian |
| Label | * Bassivity Digital |
| Producer | * Cazzafura * Jan Magdevski |
| Senidah chronology | |
| *Bez Tebe*
(2019) ***Za Tebe***
(2022) | |
|  | |
| Singles from  *Za Tebe* | |
| 1. "Behute"
Released: 28 January 2022 2. "Jadnaja"
Released: 6 April 2022 3. "Dva prsta"
Released: 2 November 2022 | |
|  | |


title: Narrative network

abstract: A narrative network is a system that represents complex event sequences or characters’ interactions as depicted by a narrative text. Network science methodology offers an alternative way of analysing the patterns of relationships, composition and activities of events and actors studied in their own context. Network theory can contribute to the understanding of the structural properties of a text and the data contained in it. The meaning of the individual and the community in a narrative is conditional on their position in a system of social relationships reported by the author. Hence, a central problem when dealing with narratives is framing and organising the author's perspective of individual and collective connections to understand better the role of both the witness and its testimony as reflected by the text. However, the category of narrative network is in its formative, initial phase and as a consequence it is hard to view as a stable and defined notion in linguistics, and beyond sociology.

text:
# Narrative network

A **narrative network** is a system that represents complex event sequences or characters’ interactions as depicted by a narrative text. Network science methodology offers an alternative way of analysing the patterns of relationships, composition and activities of events and actors studied in their own context. Network theory can contribute to the understanding of the structural properties of a text and the data contained in it. The meaning of the individual and the community in a narrative is conditional on their position in a system of social relationships reported by the author. Hence, a central problem when dealing with narratives is framing and organising the author's perspective of individual and collective connections to understand better the role of both the witness (viz. the persona that emerges from the narrative) and its testimony as reflected by the text. However, the category of narrative network is in its formative, initial phase and as a consequence it is hard to view as a stable and defined notion in linguistics, and beyond sociology.

## Overview: Narrative as a structure of a story in time

To be an object of study and analysis, time must be transformed into a causal sequence, and the only way this can be done is by narration. As a form of description, narrating inevitably requires sequencing in time. The direction of time is not a trivial thing, but the backbone of the information contained in the narrative itself. One has to bear in mind the fundamental concepts of Genette's narratology, mainly the concept of ‘order.’ This distinguishes three entities: story, narrative, and narration. The story generally corresponds to a series of events placed its chronological order (the story time). When these events are rearranged and represented in a form that has its own sequence and features by the author, it produces a narrative. Even if the narrated events are not chronologically ordered, being reported in the narrative's time, they always refer to a position in the story time.

The survey of any textual account ought to take into account its literary nature. Far from being a window that must be revealed to penetrate into a ‘historical truth,’ each historical document adds to the number of texts that must be interpreted if an approachable and intelligible picture of a given historical milieu is to be drawn. As pointed out by Peter Munz, "Narrative is the only literary device available which will reflect the past’s time structure." The pretension that conceives of history as the representation of the ‘actual’ should be put aside to acknowledge that one can only approach past structures by contrasting them with, or bonding them to, the imaginable world. In this way, and similar to Genette's conception of narrative order and time, a historical narrative implies not simply an account of events that happened in the transition from one point in time to another. Thence, historical narrative is a progressive ‘redescription’ of events and people that dismantles a structure encoded in one verbal mode in the beginning to justify the recoding of it in another mode at the end. Narratives are, thus, structures that contain complex systems that draw images of experience.

## Background

To approach new ways of making sense of narrative, one must first distinguish two different systems that can be found in the narrative structure: the sequence of events and the sequence of the actor's interactions. The former is the order in time in which all the events take place (Genette's narrative time). Although trivial, this identification is fundamental for the construction of the latter. I understand the sequence of social interactions as the set of the characters’ relationships ordered in relation to its appearance following the sequence of events. Both constitute interdependent systems that express the flow of the narrative on two different levels.

Defining what constitutes a relationship depends on the specific research questions formulated for the study of the narrative. The fact that two characters are mentioned as actors in a certain event can serve as a criterion for connecting two individuals (two actors are connected by the fact that they share one reported action). Criteria can, of course, be more detailed and precise. Depending on the specific phenomena of interest, one can frame the scope of the interactions to be identified throughout the narrative. For example, one might be interested in assessing the integration of an individual within a collective body. Indicators of social ties, as indicated by the text itself, would define the interaction criteria

## Current Studies

Authors such as Peter Bearman, Robert Faris, and James Moody have understood the sequence of events in a narrative as a complex event structure. By suggesting that the flow of the narrated events can be problematized as a complex structure, they focus on the similarities between the social structures and the narrative. Through these similarities they have defended the applicability of network methods for the analysis of historical data contained in texts.

Roberto Franzosi, and Bearman and Stovel have offered modelling techniques for narrative networks by focusing on the sequence of events. These authors have visualised the story time by connecting the events from the original narrative time. The constructed ‘narrative networks’ connect the events by causal relationships, viz. if action B lead to action A, then A and B are linked. By working on 'narrative networks,’ these authors defend it is possible to observe and measure new structural features of the narrative. They focus on autobiographical narratives of the rise and identity of fascism (the former) and Nazism (the latter). The substantive idea that they develop is that the observable narrative structure of life stories can provide insight into the process of identity formation among the witnesses of a delimited scope of time.

Although these are remarkable models of applied quantitative narrative analysis and network analysis, their proposed narrative networks represent sequence of events rather than of characters. These research strategies may have to be diversified to study aspects such as political influence and other non-institutional features of organizations or groups reported by the author through narration.

### Citations


title: Narra, Bokaro

abstract: Narra is a census town in Chandrapura CD block in Bermo subdivision of Bokaro district in the Indian state of Jharkhand.

text:
# Narra, Bokaro

**Narra** is a census town in Chandrapura CD block in Bermo subdivision of Bokaro district in the Indian state of Jharkhand.

## Geography

8km
5milesWES T  BENGAL Bokaro
River Konar
River Damodar River Tenughat
DamD PetarwarR NawadihR KasmarR MahuatandR PindrajoraR SiyaljoriR ChandankiyariR Bokaro Steel PlantF Bokaro B TPSF Tenughat TPSF CCL Kathara AreaA CCL Dhori AreaA CCL B&K AreaA PhusroM ChasM TenuCT BhandraCT Tanr BalidihCT JenaCT Bandh DihCT Tenudam-cum-KatharaCT SaramCT LalpaniaCT HasirCT GomiaCT BandhgoraCT Bokaro Steel CityCT DugdaCT SijuaCT BurseraCT TermiCT ChandrapuraCT NarraCT TeloCT Jaridih BazarCT BermoCT KurpaniaCT Bokaro (Thermal)CT  BhojudihCT  AmlabadCT**Cities, towns and locations in Bokaro district in North Chotanagpur Division**
M: municipal town, CT: census town, R: rural/ urban centre, F: Factory, A: Coal Mining Area
Abbreviation used: TPS – Thermal Power Station
Owing to space constraints in the small map, the actual locations in a larger map may vary slightly

### Location

Narra is located at 23°47′11″N 86°05′54″E / 23.786256°N 86.098249°E / 23.786256; 86.098249.

### Area overview

Bokaro district consists of undulating uplands on the Chota Nagpur Plateau with the Damodar River cutting a valley right across. It has an average elevation of 200 to 540 metres (660 to 1,770 ft) above mean sea level. The highest hill, Lugu Pahar, rises to a height of 1,070 metres (3,510 ft). The East Bokaro Coalfield located in the Bermo-Phusro area and small intrusions of Jharia Coalfield make Bokaro a coal rich district. In 1965, one of the largest steel manufacturing units in the country, Bokaro Steel Plant, operated by Steel Authority of India Limited, was set-up at Bokaro Steel City. The Damodar Valley Corporation established its first thermal power station at Bokaro (Thermal). The 5 kilometres (3.1 mi) long, 55 metres (180 ft) high earthfill dam with composite masonry cum concrete spillway, Tenughat Dam, across the Damodar River, is operated by the Government of Jharkhand. The average annual rainfall is 1,291.2 millimetres (50.83 in). The soil is generally infertile and agriculture is mostly rain-fed.

Note: The map alongside presents some of the notable locations in the district. All places marked in the map are linked in the larger full screen map.

## Demographics

According to the 2011 Census of India, Narra had a total population of 5,390, of which 2,773 (51%) were males and 2,617 (49%) were females. Population in the age range 0-6 years was 777. The total number of literate persons in Narra was 3,240 (70.28% of the population over 6 years).

## Infrastructure

According to the *District Census Handbook 2011, Bokaro*, Narra covered an area of 6.83 km2. Among the civic amenities, it had 9 km roads with both open and closed drains, the protected water supply involved uncovered wells, hand pumps. It had 880 domestic electric connections, x road lighting points. Among the medical facilities, it had 6 hospitals, 6 dispensaries, 6 health centres, 6 family welfare centres, 6 maternity and child welfare centres, 6 maternity homes, 8 nursing homes, no medicine shops. Among the educational facilities it had 2 primary schools, 1 middle school, the nearest secondary school at Bursera 10 km away, the nearest senior secondary school at Taranagar 2 km away. It had 3 non-formal educational centres (Sarva Siksha Abhiyan).

## InfoBox

| Narra | |
| --- | --- |
| Census Town | |
| NarraLocation in Jharkhand, India#India3NarraNarra (India) | |
| Coordinates: 23°47′11″N 86°05′54″E / 23.786256°N 86.098249°E / 23.786256; 86.098249 | |
| Country | India |
| State | Jharkhand |
| District | Bokaro |
| Area | |
| Total | 6.83 km2 (2.64 sq mi) |
| Population (2011) | |
| Total | 5,390 |
| Density | 790/km2 (2,000/sq mi) |
| Languages | |
| Official | Hindi, Urdu |
| Time zone | UTC+5:30 (IST) |
| PIN | 828403 |
| Telephone/STD code | 06549 |
| Vehicle registration | JH |
| Lok Sabha constituency | Giridih |
| Vidhan Sabha constituency | Bermo |
| Website | bokaro.nic.in |


title: Zabzugu-Tatale District

abstract: Zabzugu-Tatale District is a former district that was located in Northern Region, Ghana. Originally created as an ordinary district assembly in 1988, which was created from the former East Dagomba District Council. However on 28 June 2012, it was split off into two new districts: Zabzugu District and Tatale-Sangule District. The district assembly was located in the eastern part of Northern Region and had Zabzugu as its capital town.

text:
# Zabzugu-Tatale District

**Zabzugu-Tatale District** is a former district that was located in Northern Region, Ghana. Originally created as an ordinary district assembly in 1988, which was created from the former East Dagomba District Council. However on 28 June 2012, it was split off into two new districts: Zabzugu District (capital: Zabzugu) and Tatale-Sangule District (capital: Tatale). The district assembly was located in the eastern part of Northern Region and had Zabzugu as its capital town.

## Demographics

As of the 2010 census, Zabzugu-Tatale District had 123,854 inhabitants. Of those, 57,249 inhabitants were aged up to 14 years old, 61,930 inhabitants were aged between 15 and 64 years old, while 4,675 inhabitants were aged 65 years or older.

9°17′49.2″N 0°22′8.4″E / 9.297000°N 0.369000°E / 9.297000; 0.369000

## InfoBox

| Zabzugu-Tatale District | |
| --- | --- |
| Former District | |
| Districts of Northern Region | |
| Zabzugu-Tatale DistrictLocation of Zabzugu-Tatale District within Northern | |
| Coordinates: 9°17′49.2″N 0°22′8.4″E / 9.297000°N 0.369000°E / 9.297000; 0.369000 | |
| Country | Ghana |
| Region | Northern |
| Capital | Zabzugu |
| Government | |
| District Executive | Alhaji Yakubu Bukari |
| Area | |
| Total | 2,365 km2 (913 sq mi) |
| Population (2010) | |
| Total | 123,854 |
| Time zone | UTC+0 (GMT) |
| ISO 3166 code | GH-NP-ZT |