title: Tom Kirdahy

abstract: Thomas Joseph Kirdahy is an American Tony and Olivier Award-winning theatrical producer, film producer, lawyer, and activist. Kirdahy's upcoming projects include the 2024 Broadway revival of Gypsy, starring six-time Tony Award winner Audra McDonald and directed by five-time Tony Award winner George C. Wolfe, the new Broadway musical Just in Time, starring Tony Award winner Jonathan Groff as Bobby Darin, and the film adaptation of the Terrence McNally, John Kander, and Fred Ebb musical Kiss of the Spider Woman, written and directed by Bill Condon and starring Jennifer Lopez. His current productions include the Broadway musical Hadestown, winner of eight Tony Awards including Best Musical, and the off-Broadway revival of Little Shop of Horrors originally starring Jonathan Groff, Tammy Blanchard, and Christian Borle, which won the Drama Desk, Drama League and Outer Critics Circle Awards for Best Revival of a Musical. Kirdahy produced the New York Times Critic’s Pick Here We Are, the final musical from Stephen Sondheim. Here We Are was written by Sondheim with a book by David Ives and direction by Joe Mantello. Described by the New York Times as “hands down, the most anticipated event of the fall season,” the production opened at The Shed in Hudson Yards on October 22, 2023, and was immediately heralded as “cool and impossibly chic” by Jesse Green in his New York Times review. Kirdahy is also known for the Broadway production of the epic two-part play The Inheritance, winner of four Tony Awards including Best Play, and the Tony-nominated 2022 Broadway revival of August Wilson’s Pulitzer Prize-winning play The Piano Lesson, starring Samuel L. Jackson, John David Washington, and Danielle Brooks, which became the highest-grossing August Wilson play in Broadway history. His other notable Broadway credits include the 2019 revival of Terrence McNally’s Frankie and Johnny in the Clair de Lune starring Audra McDonald and Michael Shannon, which received two Tony Award nominations including Best Revival of a Play, the musical Anastasia, the 2014 revival of It's Only a Play starring Nathan Lane and Matthew Broderick, and The Visit starring Chita Rivera, which received five Tony Award nominations. He has received additional Tony nominations for Broadway productions of Mothers and Sons, After Midnight, Ragtime, and Master Class. His West End credits include the West End production of The Inheritance, which won four Olivier Awards including Best New Play, and Edward Albee's The Goat, or Who Is Sylvia?. Off-Broadway, Kirdahy has produced The White Chip, The Jungle, and White Rabbit Red Rabbit, among other shows.

text:
# Tom Kirdahy

**Thomas Joseph Kirdahy** (born June 18, 1963) is an American Tony and Olivier Award-winning theatrical producer, film producer, lawyer, and activist.

Kirdahy's upcoming projects include the 2024 Broadway revival of *Gypsy*, starring six-time Tony Award winner Audra McDonald and directed by five-time Tony Award winner George C. Wolfe, the new Broadway musical *Just in Time*, starring Tony Award winner Jonathan Groff as Bobby Darin, and the film adaptation of the Terrence McNally, John Kander, and Fred Ebb musical *Kiss of the Spider Woman*, written and directed by Bill Condon and starring Jennifer Lopez.

His current productions include the Broadway musical *Hadestown*, winner of eight Tony Awards including Best Musical, and the off-Broadway revival of *Little Shop of Horrors* originally starring Jonathan Groff, Tammy Blanchard, and Christian Borle, which won the Drama Desk, Drama League and Outer Critics Circle Awards for Best Revival of a Musical.

Kirdahy produced the *New York Times* Critic’s Pick *Here We Are*, the final musical from Stephen Sondheim. *Here We Are* was written by Sondheim with a book by David Ives and direction by Joe Mantello. Described by the *New York Times* as “hands down, the most anticipated event of the fall season,” the production opened at The Shed in Hudson Yards on October 22, 2023, and was immediately heralded as “cool and impossibly chic” by Jesse Green in his *New York Times* review.

Kirdahy is also known for the Broadway production of the epic two-part play *The Inheritance,* winner of four Tony Awards including Best Play, and the Tony-nominated 2022 Broadway revival of August Wilson’s Pulitzer Prize-winning play *The Piano Lesson*, starring Samuel L. Jackson, John David Washington, and Danielle Brooks, which became the highest-grossing August Wilson play in Broadway history.

His other notable Broadway credits include the 2019 revival of Terrence McNally’s *Frankie and Johnny in the Clair de Lune* starring Audra McDonald and Michael Shannon, which received two Tony Award nominations including Best Revival of a Play, the musical *Anastasia,* the 2014 revival of *It's Only a Play* starring Nathan Lane and Matthew Broderick, and *The Visit* starring Chita Rivera, which received five Tony Award nominations. He has received additional Tony nominations for Broadway productions of *Mothers and Sons, After Midnight, Ragtime,* and *Master Class.* His West End credits include the West End production of *The Inheritance,* which won four Olivier Awards including Best New Play, and Edward Albee's *The Goat, or Who Is Sylvia?*. Off-Broadway, Kirdahy has produced *The White Chip,* *The Jungle,* and *White Rabbit Red Rabbit,* among other shows.

## Early life and education

Kirdahy was born in Hauppauge, New York, in 1963 and is the son of Paul E. Kirdahy and Joan Kirdahy (*née* McGunnigle). Two-time Tony Award-winner Donna Murphy grew up across the street from him. He attended New York University and graduated as valedictorian of his class in 1985 with a BA in politics and dramatic literature. He then went on to NYU School of Law in the hopes of being an entertainment lawyer.

The advent of the AIDS crisis steered him towards dedicating his early professional career to fighting for LGBT causes and providing free legal services for people with HIV/AIDS. Kirdahy said, "At the time the AIDS crisis was getting worse. A great number of my friends were getting sick and dying. I felt that I needed to do something about the crisis that was decimating my community." He developed HIV projects at Gay Men's Health Crisis, Bronx AIDS services, and Nassau-Suffolk Law Services. For many years, he was highly active at the Manhattan Lesbian, Gay, Bisexual, and Transgender Community Center, from its early days when ACT UP was forming to when he became a part of the Executive Board where he played a critical role in expanding its cultural programs. He was the co-Chair of the East End Gay Organization which would eventually lead him to meet his future husband, playwright, Terrence McNally, as well as LGBT figures like Edith Windsor, the plaintiff in the landmark Supreme Court case that led to the legalization of same-sex marriage.

## Theatre career

Kirdahy always maintained a strong passion and love for the theatre, even while pursuing a career as an activist and lawyer. Through the East End Gay Organization, Kirdahy and critic, Isa Goldberg, organized a discussion called "Theatre From a Gay Perspective", which was the beginning of his transition to a producing career. The panel included three playwrights: Lanford Wilson, Edward Albee, and Terrence McNally.

In 2007 he produced *Deuce* by Terrence McNally on Broadway starring Marian Seldes and Angela Lansbury. It was Lansbury's return to Broadway after more than twenty years. Kirdahy went on to produce the Tony-nominated revival of *Ragtime* (2009) and the revival of *Master Class* in the West End starring Tyne Daly (2011).

In 2014, he produced Terrence McNally's play *Mothers and Sons* starring Tyne Daly, which was McNally's 20th Broadway production. *The New York Times* described the Tony nominated play as "an ambitious attempt to dramatize the head-spinning changes in Gay America", and "a resonant elegy for a ravaged generation". It marked the first time a legally wed gay couple was seen on a Broadway stage.

In 2014, Kirdahy would go on to produce *It's Only a Play,* a satire of an opening night on Broadway. The cast included Nathan Lane, Matthew Broderick, Megan Mullally, Rupert Grint, Stockard Channing, F. Murray Abraham, and Micah Stock. It was directed by three-time Tony Award winner Jack O'Brien. The production broke box office records at the Gerald Schoenfeld Theatre where it was initially scheduled for an 18-week run. *It's Only a Play* transferred to the Bernard B. Jacobs Theatre and was extended to June 7, 2015. The production would subsequently star actors Martin Short, Katie Finneran, Maulik Pancholy, and T. R. Knight.

Kirdahy followed up *It's Only a Play* with a production of *The Visit*, a musical with a book by Terrence McNally, music by John Kander, and lyrics by Fred Ebb. The musical was fifteen years in the making, but the production seen on Broadway was the result of a new team assembled by Kirdahy, which included Chita Rivera, Roger Rees, and directed by John Doyle, who Kirdahy stopped on an airplane in order to get the script read by him. The musical went on to earn five Tony nominations.

Kirdahy produced the off-Broadway show *White Rabbit Red Rabbit* by Nassim Soleimanpour in 2016, which ran for 42 weeks at the Westside Theatre – "a notable achievement on an economically challenging Off-Broadway landscape", according to *Variety*. Each performance featured a different actor, who was handed the script in front of an audience. The actor did not have access to the text until that moment and then performed it live with a script in hand. A portion of the play's profits were donated to PEN International, an association of writers working to promote literature and defend freedom of expression around the world. The idea of a new weekly guest star attracted a rotating cast of performers including Whoopi Goldberg, Nathan Lane, Martin Short, Darren Criss, Alan Cumming, Bobby Cannavale, Billy Porter, Cynthia Nixon, Tony Danza, Brian Stokes Mitchell, and many more.

In 2016, Kirdahy produced the musical, *Anastasia,* on Broadway, after it set box office records in a run at Hartford Stage. The creative team included Terrence McNally (Book), Stephen Flaherty (Music), and Lynn Ahrens (Lyrics), and was directed by Tony Award-winner Darko Tresnjak. The musical ran at the Broadhurst Theatre on Broadway from March 23, 2017, to March 31, 2019. The U.S. national tour launched in the fall of 2018, and the show continues to tour worldwide.

In the West End, Kirdahy produced *The Inheritance* at the Noël Coward Theatre which opened in 2018 and ran until January 19, 2019. The two-part play by Matthew Lopez had a sold-out run at the Young Vic and Dominic Cavendish of *The Telegraph* called it "the most important American play of the century". The play was directed by Stephen Daldry and featured John Benjamin Hickey and Vanessa Redgrave. The production won four Olivier Awards for Best New Play, Best Direction, Best Actor, and Best Lighting Design. Kirdahy also produced *The Jungle* by Joe Murphy and Joe Robertson and directed by Stephen Daldry and Justin Martin. The play tells the stories of a group of refugees at a real migrant camp in Calais, France. After a sold-out run at the Young Vic, the production began previews on June 16, 2018, at the Playhouse Theatre in the West End and ran until November 3, 2018. His other productions in the West End include the 2012 revival of Terrence McNally's *Master Class*, starring Tyne Daly as Maria Callas, and Edward Albee's *The Goat, or Who Is Sylvia?* starring Damian Lewis and Sophie Okonedo and directed by Ian Rickson in 2017.

*The Jungle* had its off-Broadway premiere at St. Ann’s Warehouse in December 2018, where it was critically lauded. The *New York Times* described the show as “thrilling” and “extraordinary.” The show’s New York transfer received significant attention in the press when three actors from the original London cast – residents of predominantly Muslim countries – were barred from traveling to the United States by President Trump’s travel ban. Kirdahy and the other lead producers were determined to move the show with the original cast intact, and they worked to overcome the travel ban. All three performers were ultimately granted employment visas by the State Department.

In 2019, Kirdahy opened *Hadestown* on Broadway at the Walter Kerr Theatre, which the *New York Times* described as "Sumptuous. Hypnotic. Gorgeous," and the *Wall Street Journal* called "the best new musical of the season." The musical was nominated for 14 Tony Awards on June 9, 2019, the most nominations received for any production, and won eight, including Best Musical. The production is directed by Rachel Chavkin with music, lyrics, and book by Anaïs Mitchell. In the same year, Kirdahy produced a Tony-nominated revival of *Frankie and Johnny in the Clair de Lune* by Terrence McNally starring six-time Tony winning actress Audra McDonald and two-time Oscar nominated actor Michael Shannon. This new production, directed by Arin Arbus, opened on May 30, 2019, at the Broadhurst Theatre, and was a celebration of McNally's 80th birthday. McDonald called McNally "one of our great American playwrights." The production was additionally notable as the first production in Broadway history to use an intimacy director.

Kirdahy's 2019 off-Broadway revival of *Little Shop of Horrors*. won every Best Musical award it was eligible for, including the Drama Desk for Outstanding Revival of a Musical, the Drama League Award for Outstanding Revival of a Musical, and the Outer Critics Circle Award for Outstanding Revival of a Musical, a distinction it shares with the original 1983 production. The 2019 production featured Jonathan Groff as Seymour, Tammy Blanchard as Audrey, and Christian Borle as Orin, with direction by Michael Mayer.

In 2021, the Broadway production of *The Inheritance* won four Tony Awards, including Best Play.

Kirdahy produced the first Broadway revival of August Wilson’s Pulitzer Prize-winning play *The Piano Lesson* in 2022. The production starred Samuel L. Jackson, John David Washington, and Danielle Brooks, and was directed by LaTanya Richardson-Jackson. This revival made history as the first Broadway production of an August Wilson play to be directed by a woman and garnered critical acclaim, with Helen Shaw of *The New Yorker* calling it “in a word, magnificent.”

On April 26, 2023, Kirdahy’s world premiere production of the new Kander and Ebb musical *New York, New York* opened at the St. James Theatre, with direction and choreography by Susan Stroman. Just over a month later, on May 30, 2023, the new American play *Grey House* opened at the Lyceum Theatre. *Grey House* marked the Broadway debut of playwright Levi Holloway, and starred Laurie Metcalf, Tatiana Maslany, and Paul Sparks, alongside Sophia Anne Caruso and Millicent Simmonds. The production was notable for incorporating American Sign Language. Simmonds, who played a Deaf character named Bernie, said in a 2023 interview that “it’s interesting to see how Bernie navigates her life with the other people in this world. It’s not just about English and ASL as the two languages; you have so many languages operating in the house.”

Kirdahy serves on The Broadway League Board of Governors, the Board of Trustees of Broadway Cares/Equity Fights AIDS, and the Advisory Council for the Harry Ransom Center at the University of Texas at Austin, and is a founding director of Berwin Lee London New York Playwrights, Inc. He was named the Broadway Global Producer of the Year in 2014, and received the Commercial Theater Institute's Robert Whitehead Award for Outstanding Achievement in Commercial Theater Producing in 2019. In 2020, Tom was the recipient of the Miss Lilly Award, a prize in recognition of his advocacy for women in a male-dominated industry.

## Personal life

Kirdahy was married to legendary American playwright Terrence McNally following a civil ceremony in Vermont on December 20, 2003, until McNally's death from COVID-19 on March 24, 2020. They married in Washington, D.C., on April 6, 2010. In celebration of the Supreme Court's decision to legalize same-sex marriage in all 50 states, they renewed their vows at New York City Hall with Mayor Bill de Blasio officiating on June 26, 2015.

## Theatre credits

## InfoBox

| Tom Kirdahy | |
| --- | --- |
| Kirdahy in 2020 | |
| Born | Thomas Joseph Kirdahy
(1963-06-18) June 18, 1963
Hauppauge, New York, U.S. |
| Education | New York University (BA, JD) |
| Occupation(s) | Theatre producer, lawyer |
| Organization | Tom Kirdahy Productions |
| Spouse | Terrence McNally  (m. 2003; died 2020) |
| Website | www.tomkirdahyproductions.com |


title: Tommy Wood (motorcyclist)

abstract: Tommy Wood was a British Grand Prix motorcycle road racer. He competed in his first Manx Grand Prix in 1937. His best season was in 1951, when he won two races, including the 1951 Isle of Man Lightweight TT, and finished second to Bruno Ruffo in the 250cc world championship.

text:
# Tommy Wood (motorcyclist)

**Tommy Wood** (17 February 1912  21 January 2003) was a British Grand Prix motorcycle road racer. He competed in his first Manx Grand Prix in 1937. His best season was in 1951, when he won two races, including the 1951 Isle of Man Lightweight TT, and finished second to Bruno Ruffo in the 250cc world championship.

## InfoBox

| Tommy Wood | |
| --- | --- |
| Nationality | British |
| Motorcycle racing career statistics  Grand Prix motorcycle racing  Active years 1949, 1951, 1953 \- 1954  First race 1949 350cc Swiss Grand Prix  Last race 1954 500cc Spanish Grand Prix  First win 1951 350cc Spanish Grand Prix  Last win 1951 Isle of Man 250cc Lightweight TT  Team(s) Moto Guzzi  Championships 0   Starts Wins Podiums Poles F. laps Points  16 2 6 0 2 | |


title: Tomorrow, the Stars

abstract:
Tomorrow, the Stars is an anthology of speculative fiction short stories, presented as edited by American author Robert A. Heinlein and published in 1952. Heinlein wrote a six-page introduction in which he discussed the nature of science fiction, speculative fiction, escapist stories, and literature. None of the stories had previously been anthologized. According to science fiction historian Bud Webster, Heinlein's introduction and name on the book were his sole contributions; the actual selection of the stories, and the work involved in arranging for their publication, was done by Frederik Pohl and Judith Merril. This is confirmed by Virginia Heinlein in Grumbles from the Grave and by Pohl in chapter 6 of his autobiography, The Way the Future Was. However, the correspondence between Heinlein and Merril, now housed in Library and Archives Canada, shows that while Heinlein claimed to be uninvolved in the editing, he certainly had some input into the structure and contents of the book:
I am the lowest form of literary prostitute, swindling the public into thinking that I have done a piece of editing which I aint done and aint going to do... On the issue of whether or not the volume should have a theme: I don’t give a hoot about a theme; I’d like to see stories picked for highest possible entertainment value. I can’t think of any other real excuse for putting out another S-F anthology... I'll be of more help, I hope, a month from now when I can get at my files of magazines and books.

text:
# Tomorrow, the Stars

***Tomorrow, the Stars*** is an anthology of speculative fiction short stories, presented as edited by American author Robert A. Heinlein and published in 1952.

Heinlein wrote a six-page introduction in which he discussed the nature of science fiction, speculative fiction, escapist stories, and literature. None of the stories had previously been anthologized.

According to science fiction historian Bud Webster, Heinlein's introduction and name on the book were his sole contributions; the actual selection of the stories, and the work involved in arranging for their publication, was done by Frederik Pohl and Judith Merril. This is confirmed by Virginia Heinlein in *Grumbles from the Grave* (without mentioning Pohl or Merril) and by Pohl in chapter 6 of his autobiography, *The Way the Future Was*. However, the correspondence between Heinlein and Merril, now housed in Library and Archives Canada, shows that while Heinlein claimed to be uninvolved in the editing, he certainly had some input into the structure and contents of the book:

> I am the lowest form of literary prostitute, swindling the public into thinking that I have done a piece of editing which I aint done and aint going to do ... On the issue of whether or not the volume should have a theme: I don’t give a hoot about a theme; I’d like to see stories picked for highest possible entertainment value. I can’t think of any other real excuse for putting out another S-F anthology ... I'll be of more help, I hope, a month from now when I can get at my files of magazines and books.

## The Stories

## Editions

It was published in 1952 in hardcover by Doubleday and Company, Inc., published 1953 in paperback. The Library of Congress Control Number of the hardcover was 52-5218.

## Reception

P. Schuyler Miller found the stories to be "all smoothly professional, all enjoyable, some of them mind-tickling." Damon Knight judged that of the fourteen stories in the volume, "ten are A's, four B's; there are no stinkers at all", and asserted that each of the ten excellent stories "is a pretty good approximation of the last word on its subject."

## Sources

## InfoBox

Tomorrow, the Stars
| Cover of first edition (hardcover) | |
| --- | --- |
| Editor | Robert A. Heinlein |
| Illustrator | Richard M. Powers |
| Language | English |
| Genre | Science fiction |
| Publisher | Doubleday Books |
| Publication date | 1952 |
| Publication place | United States |
| Media type | Print (hardback & paperback) |
| Pages | 249 |
| OCLC | 1240835 |


title: Tomorrow/Waupaca River

abstract: The Tomorrow/Waupaca River is a river that flows wholly within the U.S. state of Wisconsin. It is called the Tomorrow River where it rises between Polonia and Rosholt in northeast Portage County; it flows through Nelsonville and Amherst. As it exits the village of Amherst, the Tomorrow enters the Town of Amherst, where it joins Bear Creek to become the Waupaca River. It flows into Waupaca County and through the city of Waupaca. There it adjoins the Crystal River and enters Weyauwega before converging with the Wolf River in eastern Waupaca County. The Waupaca River is 44.8 miles (72.1 km) long, and the Tomorrow River is 22.1 miles (35.6 km) long.

text:
# Tomorrow/Waupaca River

The **Tomorrow/Waupaca River** is a river that flows wholly within the U.S. state of Wisconsin. It is called the Tomorrow River where it rises between Polonia and Rosholt in northeast Portage County; it flows through Nelsonville and Amherst. As it exits the village of Amherst, the Tomorrow enters the Town of Amherst, where it joins Bear Creek to become the **Waupaca River**. It flows into Waupaca County and through the city of Waupaca. There it adjoins the Crystal River and enters Weyauwega before converging with the Wolf River in eastern Waupaca County.

The Waupaca River is 44.8 miles (72.1 km) long, and the Tomorrow River is 22.1 miles (35.6 km) long.

## Name origin

The river was named as the Waupaca by the Native Americans inhabiting the area, *Waupaca* being the Native American word for "tomorrow". The Native Americans needed 24 hours to travel its full length, so they would not reach the end until the following day, always "tomorrow". It is unknown why later settlers renamed the first portion of the river in English, as the Tomorrow River, before it reaches Bear Creek. The Wisconsin Department of Natural Resources recognizes the river as the "Tomorrow/Waupaca River".

## Battenberg Getaway

The Royal Battenberg family brought much acclaim to the city of Amherst and the Tomorrow River when they built a small cabin in the woods outside of Amherst. Locals have organized a committee to rename the King Cone (Ice Cream Parlor) to King Battenberg.

44°18′20″N 88°52′52″W / 44.30556°N 88.88111°W / 44.30556; -88.88111


title: Tonight We Raid Calais

abstract: Tonight We Raid Calais is a 1943 American film directed by John Brahm and starring John Sutton, Lee J. Cobb, and Annabella.

text:
# Tonight We Raid Calais

***Tonight We Raid Calais*** is a 1943 American film directed by John Brahm and starring John Sutton, Lee J. Cobb, and Annabella.

## Plot

Geoffrey Carter (John Sutton), a young British commando officer, is sent into Nazi-occupied France as a one-man raid to help the RAF destroying a munitions factory with help from a patriotic farmer, M. Bonnard (Lee J. Cobb). Carter is selected because of his ability to speak French fluently.

After landing in France, Carter makes contact with Bonnard at his farm. Bonnard’s daughter Odette (Annabella) hates the British and Germans equally since her brother was killed in Oran. She is concerned that harbouring a commando puts the family in danger. Bonnard invents an idea to tell the people in the village that Carter is his missing son, Pierre, who has returned from fighting for the German army.

Bonnard gathers the local farmers in the village to tell them about Carter's plan to set their crops alight in the fields that surround the munitions factory to act as a beacon for an RAF bombing raid. Most of the farmers agree because of their hatred of the occupation, but Grandet (Marcel Dalio) refuses saying that burning their crops would bring more problems and would only result in them having less food.

German Sgt. Block (Howard Da Silva), who is attracted to Odette, becomes suspicious when he hears that Pierre has returned to the village without registering or showing his papers. He visits Mme. Bonnard (Beulah Bondi) and confirms his suspicions by asking to see a photograph of her son. He immediately has Carter and the Bonnard family, with the exception of Odette, arrested and taken into custody. Block tells his captain (Richard Derr) that Odette is a supporter of the German occupation, which the captain exploits by telling her to find out what Carter was planning or her family will be executed.

Odette finds Grandet, who is drinking alone in a local café, to ask him what he knows about Carter's mission. He reveals the objective is to destroy the munitions factory, but for fear of being overheard they part company before he's able to reveal details of the bombing raid. Odette rushes back to the prison and finds her family lined up in front of a firing squad. She tells the captain what she knows, but he gives the order to fire and Odette sees her family executed.

The captain issues arrest orders for anyone in the village suspected to be part of the plot. He then takes a group of soldiers to the factory in an attempt to stop the plot from happening, still not knowing it will be bombed in an air raid. All the women farmers from the village become suspects and are arrested and imprisoned.

Traumatised and feeling vengeful, Odette plays along as a German sympathiser and visits the jail where Carter and the locals are being held. She stabs Block with a shard of glass from a broken mirror when they are alone, takes his keys and releases the other prisoners.

Carter, Odette and the farmers escape and make their way to the fields surrounding the munitions factory and successfully set fire to the crops just in time for the RAF bombers to find their target and destroy the factory.

Carter heads off on the river out of the village back to Calais in a small boat and offers to take the baby Odette is raising, who is Pierre’s son, with him back to England and look after him until the end of the war when Odette will come to get him.

## Cast

## Reception

Quentin Tarantino picked *Tonight We Raid Calais* as one of his five favorite World War II films. It was one of the films he discovered while doing research for his own World War II film, *Inglourious Basterds*.

## InfoBox

| Tonight We Raid Calais | |
| --- | --- |
| Theatrical release poster | |
| Directed by | John Brahm |
| Written by | L. Willinger
Rohama Lee |
| Screenplay by | Waldo Salt |
| Produced by | André Daven |
| Cinematography | Lucien Ballard |
| Edited by | Allen McNeil |
| Music by | Cyril J. Mockridge
Emil Newman |
| Distributed by | 20th Century Fox |
| Release date | * April 30, 1943 (1943-04-30) |
| Running time | 70 minutes |
| Country | United States |
| Language | English |


title: Tonight Today

abstract: "Tonight Today" is a song by the remaining members of Dave Dee, Dozy, Beaky, Mick & Tich after the departure of Dave Dee. It was released as a single in November 1969.

text:
# Tonight Today

"**Tonight Today**" is a song by the remaining members of Dave Dee, Dozy, Beaky, Mick & Tich after the departure of Dave Dee. It was released as a single in November 1969.

## Release

In September 1969, frontman Dave Dee decided to leave Dave Dee, Dozy, Beaky, Mick & Tich in order to pursue a solo career. The remaining members decided to continue performing today under the shortened name D. B. M. & T. Ken Howard and Alan Blaikley also remained as the managers and songwriters for the group. "Tonight Today", recorded in September, was the group's first record, released in November 1969. It was released in the US and Canada in February 1970 by Cotillion Records. The song uses a "clever canon arrangement for the song, with Dozy, Beaky and Tich each singing one tongue-twisting section counterpart to one another".

The single failed to chart on the UK Singles Chart, but was very successful in the Netherlands, where it was a top-5 hit. The group's follow-up single, "Mr. President" was more successful in the UK, peaking at number 33.

The B-side, "Bad News" became a hit in Mexico when Radio Capital disc jockey César Alejandre liked the song so much that he frequently played it on his programme "Estudiantes 1260". A *Greatest Hits* album of Dave Dee, Dozy, Beaky, Mick & Tich, including several D. B M. & T. songs, was released in Mexico after the success of "Bad News".

## Reception

Reviewing for *New Musical Express*, Derek Johnson described "Tonight Today" as "a bubbling Howard-Blaikley number very much in the tradition already established by the Dee outfit. There's an interesting solo that sounds like a cross between Val Doonican and Johnny Cash, plus a sing-along chorus by the rest of the boys and a bouncy beat. A cheerful blues chaser". For *Record Mirror*, Peter Jones wrote: "Clever use of voices, including an unidentified bass gimmick. Song is definitely strong enough and the more I hear it the more I commend it for the sheer cleverness in the harmonies. Like cascades of sound".

## Track listing

1. "Tonight Today" – 3:16
2. "Bad News" – 3:26

## Charts

| Chart (1970) | Peak
position |
| --- | --- |
| Belgium (Ultratop 50 Flanders) | 17 |
| Belgium (Ultratop 50 Wallonia) | 49 |
| Germany (Official German Charts) | 39 |
| Netherlands (Dutch Top 40) | 3 |
| Netherlands (Single Top 100) | 4 |

## InfoBox

| "Tonight Today" | |
| --- | --- |
| Cover of the single released in Germany | |
| Single by D. B. M. & T. | |
| B-side | "Bad News" |
| Released | 7 November 1969 (1969-11-07) |
| Recorded | 8, 9 and 16 September 1969 |
| Studio | De Lane Lea Studios, London |
| Genre | Pop rock |
| Length | 3:16 |
| Label | Fontana |
| Songwriter(s) |  |
| Producer(s) | D. B. M. & T. |
| D. B. M. & T. singles chronology | |
| "Snake in the Grass"
(1969) "**Tonight Today**"
(1969) "Mr. President"
(1970) | |


title: Tonight We Have the Stars

abstract: "Tonight We Have the Stars" is a rock song written by Bryan Adams, Gretchen Peters and Jim Vallance for Adams' tenth studio album 11 (2008). The song's musical-style and production were heavily inspired by rock and pop music from the 1980s, and its lyrics chronicles a relationship. The single was released worldwide on May 30, 2008 and later as a digital single on June 6, 2008. The B-side is a live solo acoustic performance of "Somethin' to Believe In" in Barcelona, Spain from his digital UK EP "Live From Barcelona".

text:
# Tonight We Have the Stars

"**Tonight We Have the Stars**" is a rock song written by Bryan Adams, Gretchen Peters and Jim Vallance for Adams' tenth studio album *11* (2008). The song's musical-style and production were heavily inspired by rock and pop music from the 1980s, and its lyrics chronicles a relationship. The single was released worldwide on May 30, 2008 and later as a digital single on June 6, 2008. The B-side is a live solo acoustic performance of "Somethin' to Believe In" in Barcelona, Spain from his digital UK EP "Live From Barcelona".

## Recording and production

"Tonight We Have the Stars" was written by Adams, Gretchen Peters and Jim Vallance. When writing the song, the three e-mailed each other's audio files back and forth, with each of them commenting on the song when received. This process continued until the song was completed. As Vallance later wrote on his webpage;

> "This is my 'first draft' of 'Tonight We Have The Stars' (the original "audio email" that I sent to Bryan). It was a quick recording done in my home studio in Vancouver, but Bryan was able to turn this humble snippet into a song."

The song was mixed by Bob Clearmountain at his studio in Los Angeles. As stated by Vallance: "I was in Canada, Bryan was in Brazil, and Ben Dobie was in England. Give or take a few milliseconds, we were all hearing the mix "live", streaming on a dedicated, encrypted iTunes channel." After each pass of mixing Vallance and Adams would send comments to him on iChat. After giving Clearmountain a comment he would "roll tape" again, and we'd hear the suggested changes unfold in close-to-real time. As stated by Vallance:

> "This might not seem unique to everyone, but for me, considering the technology that existed when I started in the music business nearly 40 years ago, this is like science fiction. I can only imagine where things will be, 40 years from now!"

## Reception

Following statement is from a review by Kirk LaPointe, managing editor of *The Vancouver Sun*;

> "Arguably the strongest song on 11, Tonight We Have The Stars has a serendipitous quality that speaks volumes about how Bryan works and networks: a lyric from last decade with Gretchen Peters, a new piece of music sent by Vallance and a new melody from Adams. He pulled the pieces off his Mac on an airplane and began mumbling the result to the surprise of his seatmates. Presto, the song that built the foundation for the album".

Darryl Sterdan, in his review for Jam! have stated that the song is "a classic Adams opening gambit -- he starts out with moody verses, then kicks into gear with an arena-ready chorus". However MusicOMH was not too impressed by the song calling it has "requisite croaky vocals and anthemic radio-friendly chorus, but there's nothing to move or touch you."

## Music video

The Music video for the song is identical to the previous single's video. Bryan and his band play the song live in a studio. It was available on his website for a time, and is to be included with the upcoming DVD.

## Track listing

| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Tonight We Have the Stars" | Adams, Vallance, Peters | 4:05 |
| 2. | "Somethin' to Believe In (Live In Barcelona)" | Adams, Kennedy | 3:02 |

## InfoBox

| "Tonight We Have the Stars" | |
| --- | --- |
|  | |
| Single by Bryan Adams | |
| from the album  *11* | |
| Released | May 30, 2008 (2008-05-30) |
| Recorded | 2008 |
| Genre | Rock |
| Length | 4:05 |
| Label | Universal/Polydor |
| Songwriter(s) | Bryan Adams
Jim Vallance
Gretchen Peters |
| Producer(s) | Bryan Adams |
| Bryan Adams singles chronology | |
| "I Thought I'd Seen Everything"
(2008) "**Tonight We Have the Stars**"
(2008) "She's Got a Way"
(2008) | |


title: Tonight We Ride

abstract: Tonight We Ride is the twelfth studio album by American singer-songwriter Michael Martin Murphey and his first for Warner Bros. Records. Released in 1986, the album was produced by Jim Ed Norman and contains guest performances by Holly Dunn, Reggie Young, Mark O'Connor, Charlie McCoy, and JD Souther. The album's title track was also its first single. The album peaked at number 46 on the Billboard Top Country Albums chart.

text:
# Tonight We Ride

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic |  |

***Tonight We Ride*** is the twelfth studio album by American singer-songwriter Michael Martin Murphey and his first for Warner Bros. Records. Released in 1986, the album was produced by Jim Ed Norman and contains guest performances by Holly Dunn, Reggie Young, Mark O'Connor, Charlie McCoy, and JD Souther. The album's title track was also its first single. The album peaked at number 46 on the *Billboard* Top Country Albums chart.

## Track listing

| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Tonight We Ride" | Michael Martin Murphey, Jim Ed Norman | 3:42 |
| 2. | "Rollin' Nowhere" | Murphey | 2:53 |
| 3. | "Innocent Hearts" | Murphey | 4:18 |
| 4. | "Close to My Heart" | Murphey | 3:40 |
| 5. | "Face to Face with the Night" | Murphey | 4:05 |
| 6. | "Building Bridges" | Murphey, Chick Rains | 3:10 |
| 7. | "Fiddlin' Man" | Murphey | 4:44 |
| 8. | "I'll Break Out Again Tonight" | A.L. "Doodle" Owens, Sanger D. Shafer | 3:28 |
| 9. | "The One That Got Away" | Murphey, David Hoffner, Sonny Throckmorton | 3:51 |
| 10. | "Santa Fe Cantina" | Murphey, Rains | 3:52 |
| 11. | "Ghost Town (Message from the Ghost Ranch)" | Murphey | 3:11 |

## Credits

**Music**

* Michael Martin Murphey – lead vocals, guitar, banjo
* Fred Carter Jr. – guitar
* Paul Worley – guitar
* Steve Gibson – guitar
* Reggie Young – electric guitar
* Josh Leo – guitar, mandolin
* Sonny Garrish – steel guitar
* Carmen Acciaioli – steel guitar
* Buddy Emmons – steel guitar
* Mitch Humphries – piano, synthesizer
* Barry Beckett – piano
* Dennis Burnside – piano, synthesizer
* John Jarvis – piano, synthesizer
* David Hoffner – synthesizer, piano
* Mark O'Connor – fiddle
* Charlie McCoy – harmonica
* Michael Rhodes – bass
* Michael Bowden – bass
* Eddie Bayers – drums
* Pam Tillis – vocals
* JD Souther – background vocals
* Gary Pigg – background vocals
* Robb Strandlund – background vocals
* Thomas Flora – background vocals
* Sonny Throckmorton – background vocals
* Michael Lund – background vocals

**Production**

* Nick DeCaro – arranger
* Bergen White – arranger
* Scott Hendricks – engineer
* Chris Hammond – assistant engineer
* Eric Prestidge – engineer, mastering, mixing
* Lee Groizsch – assistant engineer, mixing assistant
* Glenn Meadows – mastering
* Kurt Markus – photography
* W.C. Matthews – design

## Chart performance

| Chart (1986) | Peak
position |
| --- | --- |
| U.S. *Billboard* Top Country Albums | 46 |

## InfoBox

| Tonight We Ride | |
| --- | --- |
|  | |
| Studio album by Michael Martin Murphey | |
| Released | 1986 |
| Genre | Country |
| Length | 40:54 |
| Label | Warner Bros. |
| Producer | Jim Ed Norman |
| Michael Martin Murphey chronology | |
| *The Best of Michael Martin Murphey*
(1984) ***Tonight We Ride***
(1986) *Americana*
(1987) | |
|  | |
| Singles from  *Tonight We Ride* | |
| 1. "Rollin' Nowhere"
Released: May 12, 1986 2. "Fiddlin' Man"
Released: August 30, 1986 | |
|  | |


title: Too Much Trouble (Limahl song)

abstract: "Too Much Trouble" is a song by English singer-songwriter Limahl from his debut studio album, Don't Suppose (1984).

text:
# Too Much Trouble (Limahl song)

"**Too Much Trouble**" is a song by English singer-songwriter Limahl from his debut studio album, *Don't Suppose* (1984).

## Credits and personnel

* Limahl – songwriter, vocals
* Tim Palmer – producer, engineering
* Dave Harris – producer
* Brian Aris – cover art, photographer

Credits and personnel adapted from the *Don't Suppose* album and 7-inch single liner notes.

## Charts

Weekly chart performance for "Too Much Trouble"
| Chart (1984) | Peak
position |
| --- | --- |
| Finland (Suomen virallinen lista) | 23 |
| UK Singles (OCC) | 64 |
| West Germany (Official German Charts) | 26 |

## InfoBox

| "Too Much Trouble" | |
| --- | --- |
|  | |
| Single by Limahl | |
| from the album  *Don't Suppose* | |
| B-side | "You've Been Gone for a Little While" |
| Released | 21 May 1984 |
| Genre | Synth-pop |
| Label | EMI |
| Songwriter(s) | Limahl |
| Producer(s) |  |
| Limahl singles chronology | |
| "Only for Love"
(1983) "**Too Much Trouble**"
(1984) "The NeverEnding Story"
(1984) | |


abstract: Thomas Oswald Graham was an Australian rules footballer who played with University in the Victorian Football League (VFL).

text:
# Tommy Graham (Australian rules footballer)

**Thomas Oswald Graham** (12 May 1886 – 29 April 1933) was an Australian rules footballer who played with University in the Victorian Football League (VFL).

## Sources

* Holmesby, Russell & Main, Jim (2007). The Encyclopedia of AFL Footballers. 7th ed. Melbourne: Bas Publishing.

## InfoBox

| Tommy Graham | | | |
| --- | --- | --- | --- |
| Personal information | | | |
| Full name | Thomas Oswald Graham | | |
| Date of birth | (1886-05-12)12 May 1886 | | |
| Place of birth | Narracan | | |
| Date of death | 29 April 1933(1933-04-29) (aged 46) | | |
| Place of death | Melbourne | | |
| Original team(s) | University and Metropolitan Club | | |
| Playing career1 | | | |
| Years | **Club** | **Games (Goals)** |
| 1909–12 | University | 9 (1) |
| 1 Playing statistics correct to the end of 1912. | | | |
| Sources: AFL Tables, AustralianFootball.com | | | |


title: Tophill, Luton

abstract: Tophill is a suburb of Luton, in the north-west of the town, centred on Toddington Road, in Bedfordshire, England. It is roughly bounded by the edge of Luton to the north, Brickly Road to the south, the M1 to the west, and the Midland Main Line to the east. Tophill mostly consists of 1960s, 70s, and 80s suburban housing, and also includes the Toddington Road industrial estate and the Vauxhall Aftersales Warehouse.

text:
# Tophill, Luton

**Tophill** is a suburb of Luton, in the north-west of the town, centred on Toddington Road, in Bedfordshire, England. It is roughly bounded by the edge of Luton to the north, Brickly Road to the south, the M1 to the west, and the Midland Main Line to the east.

Tophill mostly consists of 1960s, 70s, and 80s suburban housing, and also includes the Toddington Road industrial estate and the Vauxhall Aftersales Warehouse.

## Politics

Tophill is part of Leagrave ward, which is represented by Cllr Waheed Akbar (Labour), Cllr Maria Lovell (Labour) and Cllr Sameera Saleem (Labour).

The ward forms part of the parliamentary constituency of Luton North and the MP is Sarah Owen (Labour).

## InfoBox

| Tophill | |
| --- | --- |
| TophillLocation within Bedfordshire | |
| OS grid reference | TL050247 |
| Unitary authority |  |
| Ceremonial county |  |
| Region |  |
| Country | England |
| Sovereign state | United Kingdom |
| Post town | LUTON |
| Postcode district | LU4 |
| Dialling code | 01582 |
|  | |
| Police | Bedfordshire |
| Fire | Bedfordshire and Luton |
| Ambulance | East of England |
|  | |
| UK Parliament |  |
|


title: Tomor, Hungary

abstract: Tomor is a village in Borsod-Abaúj-Zemplén county, Hungary.

text:
# Tomor, Hungary

**Tomor** is a village in Borsod-Abaúj-Zemplén county, Hungary.

## InfoBox

| Tomor | |
| --- | --- |
| Location of Borsod-Abaúj-Zemplén county in Hungary | |
| TomorLocation of Tomor, Hungary | |
| Coordinates: 48°19′36″N 20°53′00″E / 48.32661°N 20.88325°E / 48.32661; 20.88325 | |
| Country | Hungary |
| County | Borsod-Abaúj-Zemplén |
| Area | |
| Total | 12.89 km2 (4.98 sq mi) |
| Population (2004) | |
| Total | 267 |
| Density | 20.71/km2 (53.6/sq mi) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 3787 |
| Area code | 48 |


title: Torre-serona

abstract: Torre-serona is a village in the province of Lleida and autonomous community of Catalonia, Spain.

text:
# Torre-serona

**Torre-serona** (Catalan pronunciation: \[ˌtoreseˈɾonɛ\]) is a village in the province of Lleida and autonomous community of Catalonia, Spain.

## Toponymy

From Catalan *torre* "(the) tower" and the Pyrenean Celt *Serona*, goddess Sirona.

## InfoBox

| Torre-serona | |
| --- | --- |
| Municipality | |
| Church of the Assumption | |
| Torre-seronaLocation in Catalonia | |
| Coordinates: 41°40′27″N 0°37′55″E / 41.67417°N 0.63194°E / 41.67417; 0.63194 | |
| Country | Spain |
| Community | Catalonia |
| Province | Lleida |
| Comarca | Segrià |
| Government | |
| Mayor | Enric Colom Sandiumenge (2015) |
| Area | |
| Total | 5.9 km2 (2.3 sq mi) |
| Elevation | 197 m (646 ft) |
| Population (2018) | |
| Total | 386 |
| Density | 65/km2 (170/sq mi) |
| Website | torreserona.ddl.net |


title: Tony Burton (bishop)

abstract: Anthony John Burton is an Anglican bishop. He was formerly the Bishop of Saskatchewan in the Anglican Church of Canada. He was the rector of the Church of the Incarnation in Dallas, Texas, from 2008 to 2022. On February 13, 2022, Burton announced that he would retire as rector of the Church of the Incarnation in September 2022. Burton was born in Ottawa, Ontario, Canada. He was educated at Trinity College at the University of Toronto; Dalhousie University in Halifax, Nova Scotia; and Wycliffe Hall, Oxford. Burton was ordained in the Diocese of Nova Scotia in 1987, where he served in two parishes on Cape Breton Island. In 1991 he moved to Prince Albert, Saskatchewan, where he served as Dean of Saskatchewan and Rector of St. Alban’s Cathedral before being elected as bishop of the Diocese of Saskatchewan in 1993. At the time of his election Burton was the youngest bishop in the worldwide Anglican Communion and the youngest Canadian bishop of the 20th century. He spent a term as the chair of the Council of the North and also served as a co-chair of the Canadian Anglican-Roman Catholic Dialogue, as the Episcopal Visitor to the South American Mission Society, and as patron or officer of a variety of institutions, societies, and organizations. He was a member of the Council of General Synod and of the council's planning committee. From 2008 to 2022 Burton was the rector of the Church of the Incarnation in Dallas, Texas. He is also the chairman of the Board of Trustees of the Elliott House of Studies, a visitor of Ralston College, and a member of the Steering Committee of the Communion Partner Rectors. He serves on the board of trustees of The Anglican Digest.

text:
# Tony Burton (bishop)

**Anthony John Burton** (born 1959) is an Anglican bishop. He was formerly the Bishop of Saskatchewan in the Anglican Church of Canada. He was the rector of the Church of the Incarnation in Dallas, Texas, from 2008 to 2022. On February 13, 2022, Burton announced that he would retire as rector of the Church of the Incarnation in September 2022.

Burton was born in Ottawa, Ontario, Canada. He was educated at Trinity College at the University of Toronto; Dalhousie University in Halifax, Nova Scotia; and Wycliffe Hall, Oxford.

Burton was ordained in the Diocese of Nova Scotia in 1987, where he served in two parishes on Cape Breton Island. In 1991 he moved to Prince Albert, Saskatchewan, where he served as Dean of Saskatchewan and Rector of St. Alban’s Cathedral before being elected as bishop of the Diocese of Saskatchewan in 1993. At the time of his election Burton was the youngest bishop in the worldwide Anglican Communion and the youngest Canadian bishop of the 20th century. He spent a term as the chair of the Council of the North and also served as a co-chair of the Canadian Anglican-Roman Catholic Dialogue, as the Episcopal Visitor to the South American Mission Society, and as patron or officer of a variety of institutions, societies, and organizations. He was a member of the Council of General Synod (the executive committee of General Synod) and of the council's planning committee.

From 2008 to 2022 Burton was the rector of the Church of the Incarnation in Dallas, Texas. He is also the chairman of the Board of Trustees of the Elliott House of Studies, a visitor of Ralston College, and a member of the Steering Committee of the Communion Partner Rectors. He serves on the board of trustees of *The Anglican Digest*.

1. "126th Annual Parish Meeting 2022". 14 February 2022.
2. Diocese of Saskatchewan Website
3. "Anthony Burton | About". Archived from the original on 2011-09-26.
4. "Church of the Incarnation | Bishop Burton, Rector". Archived from the original on 2012-11-01. Retrieved 2013-01-14.
5. Who's Who 2008: London, A & C Black, 2008 ISBN 978-0-7136-8555-8
6. "Bio -- Tony Burton".
7. "Ralston College | Home | To think is to be free".
8. "Board of Trustees". *The Anglican Digest*. **58** (4): 2. Winter 2016. ISSN 0003-3278.

## InfoBox

| The Right Reverend
Tony Burton | |
| --- | --- |
| Province | Anglican Church of Canada |
| Diocese | Saskatchewan |
| See | St. Alban's Cathedral, Prince Albert |
| Installed | 1993 |
| Term ended | 2008 |
| Predecessor | Thomas Morgan |
| Successor | Michael Hawkins |
| Other post(s) | Rector of the Church of the Incarnation |
| Orders | |
| Ordination | 1987 |
| Consecration | 1993 |
| Personal details | |
| Born | Anthony John Burton
1959 (age 6465)
Ottawa, Ontario |
| Spouse | Anna Burton |
| Children | 2 |
| Alma mater | Trinity College, University of Toronto
Dalhousie University
Wycliffe Hall, University of Oxford |


title: Touch (The Supremes album)

abstract: Touch is the twenty-third studio album by The Supremes, released in the summer of 1971 on the Motown label. It was the third and final LP under the supervision of Frank Wilson, who had been the group's main producer since 1970, when Jean Terrell joined as lead singer. The album also marked the first Motown contributions by composer-producer Leonard Caston, Jr. and writer-lyricist Kathleen Wakefield: "Nathan Jones", a hit single sung by all three members, which was later recorded by Bananarama, and "Love It Came to Me This Time". The album included contributions by several Motown artists and staff writers: "Here Comes the Sunrise" by actor-composer Clifton Davis; Billy Page's "Johnny Raven", and "Have I Lost You" by Pam Sawyer and Gloria Jones. Wilson also recorded Jean Terrell's vocals to the backing track of a cover of Laura Nyro's "Time and Love" that Bones Howe had produced for Diana Ross, but that was shelved and remained unreleased until 2002. The other tracks were written by Sawyer and Wilson, including the opening and closing numbers, "This Is the Story" and "It's So Hard for Me to Say Goodbye"; "Happy", released as flip side of "Nathan Jones"; and the album title track, "Touch", the first charting Supremes single to feature lead vocals by both Terrell and founding member Mary Wilson. The song missed the US top 40, peaking at #71, and it was later recorded by The Jackson 5. After this release, producer Frank Wilson went on to work with Motown artist Eddie Kendricks. This album also contained liner notes written by Elton John.

text:
# Touch (The Supremes album)

***Touch*** is the twenty-third studio album by The Supremes, released in the summer of 1971 on the Motown label. It was the third and final LP under the supervision of Frank Wilson, who had been the group's main producer since 1970, when Jean Terrell joined as lead singer. The album also marked the first Motown contributions by composer-producer Leonard Caston, Jr. and writer-lyricist Kathleen Wakefield: "Nathan Jones", a hit single sung by all three members, which was later recorded by Bananarama, and "Love It Came to Me This Time".

The album included contributions by several Motown artists and staff writers: "Here Comes the Sunrise" by actor-composer Clifton Davis (who had written "Never Can Say Goodbye" for The Jackson 5); Billy Page's "Johnny Raven" (recorded by Kiki Dee in her 1970 Motown album), and "Have I Lost You" by Pam Sawyer and Gloria Jones. Wilson also recorded Jean Terrell's vocals to the backing track of a cover of Laura Nyro's "Time and Love" that Bones Howe had produced for Diana Ross, but that was shelved and remained unreleased until 2002.

The other tracks were written by Sawyer and Wilson, including the opening and closing numbers, "This Is the Story" and "It's So Hard for Me to Say Goodbye"; "Happy (Is a Bumpy Road)", released as flip side of "Nathan Jones"; and the album title track, "Touch", the first charting Supremes single to feature lead vocals by both Terrell and founding member Mary Wilson. The song missed the US top 40, peaking at #71, and it was later recorded by The Jackson 5.

After this release, producer Frank Wilson went on to work with Motown artist Eddie Kendricks. This album also contained liner notes written by Elton John.

## Critical reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *Cashbox* | (Favorable) |
| *Rolling Stone* | (favorable) |

In a contemporary review *Cashbox* published:

> 'What has been left unsaid about the fantastic Supremes? They make all the right moves. One great track follows another on their latest entry in the album field. If we had to pick favorites, we'd choose the smooth "Love It Came To Me This Time" and the exuberant "Here Comes The Sunrise." Among the other treats: the girls' big hit of "Nathan Jones" and a fine rendition of the Laura Nyro number, "Time And Love." Ten tunes in all get the benefit of the Supremes' touch. Should be a major chart item.'

## Track listing

All lead vocals by Jean Terrell except where noted.

Side I
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "This Is the Story" | Frank Wilson, Pam Sawyer | 3:26 |
| 2. | "Nathan Jones" (lead singers: Jean Terrell, Mary Wilson, Cindy Birdsong) | Leonard Caston, Kathleen Wakefield | 3:02 |
| 3. | "Here Comes the Sunrise" | Clifton Davis | 2:47 |
| 4. | "Love It Came to Me This Time" | Caston, Wakefield | 3:21 |
| 5. | "Johnny Raven" | Billy Page | 3:19 |

Side II
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 6. | "Have I Lost You" | Gloria Jones, Sawyer | 2:44 |
| 7. | "Time and Love" | Laura Nyro | 4:07 |
| 8. | "Touch" (lead singers: Jean Terrell, Mary Wilson) | Wilson, Sawyer | 3:49 |
| 9. | "Happy (Is a Bumpy Road)" | Wilson, Sawyer | 3:08 |
| 10. | "It's So Hard for Me to Say Goodbye" | Wilson, Sawyer | 3:16 |

## Personnel

## Charts

| Chart (1971) | Peak
position |
| --- | --- |
| UK Albums (OCC) | 40 |
| US *Billboard* 200 | 85 |
| US Top R&B/Hip-Hop Albums (*Billboard*) | 6 |
| US *Cashbox* Top 100 | 78 |
| US *Record World* | 66 |
| US *Record World* R&B | 4 |

## InfoBox

| Touch | |
| --- | --- |
|  | |
| Studio album by The Supremes | |
| Released | June 1971 |
| Recorded | 1970–1971 |
| Genre |  |
| Length | 32:59 |
| Label | Motown |
| Producer | Frank Wilson |
| The Supremes chronology | |
| *The Return of the Magnificent 7*
(1971) ***Touch***
(1971) *Dynamite
(with Four Tops)*
(1971) | |
|  | |
| Singles from  *Touch* | |
| 1. "Nathan Jones"
Released: April 15, 1971 2. "Touch"
Released: September 7, 1971 | |
|  | |


title: Torsten Herbst

abstract: Torsten Herbst is a German politician of the Free Democratic Party (FDP) who has been serving as a member of the Bundestag from the state of Saxony since 2017. In 2021, he was elected whip of the FDP parliamentary group.

text:
# Torsten Herbst

**Torsten Herbst** (born 22 August 1973) is a German politician of the Free Democratic Party (FDP) who has been serving as a member of the Bundestag from the state of Saxony since 2017. In 2021, he was elected whip of the FDP parliamentary group.

## Early life and education

Torsten Herbst grew up in the Zschertnitz district of Dresden, where he attended the "Gottfried Semper" polytechnic secondary school and later the Dresden-Plauen grammar school. He did his civilian service in a hospital. He then studied economics at the University of Applied Sciences in Dresden, graduating with a degree in International Business Studies. During his studies he also attended Liverpool John Moores University in 1995/96.

After graduating, he worked as an editorial assistant at Mitteldeutscher Rundfunk and later in the press office of ADAC Sachsen. From 1999 until he entered the Bundestag, he worked for the Dresden-based advertising and PR agency Zastrow + Zastrow. In this role, he advised medium-sized companies on strategic marketing and public relations. He continued to practise his profession to a limited extent during his time as a member of the Landtag.

## Political career

Torsten Herbst was a founding member of the Young Liberal Action Saxony (Jungliberale Aktion Sachsen, JuliA) in the post-reunification period and its state chair from 1997 to 2000. He was elected deputy state chair of the FDP Saxony in 1999, was secretary general of the FDP Saxony from 2005 to 2019, and has been its treasurer since 2019. Since 2019, he has also been a member of the federal executive committee of the FDP.

In 1999, Herbst was elected deputy state chairman of the FDP in Saxony, and from 2005 to 2019, he was secretary general of the state association, under the leadership of chairman Holger Zastrow. From 2004 to 2014, he was a member of the State Parliament of Saxony.

Herbst became a member of the Bundestag in the 2017 German federal election. He has since been serving on the Committee on Transport and Digital Infrastructure. Since 2019, he has also been a member of the federal executive committee of the FDP, under the leadership of chair Christian Lindner.

In the negotiations to form a so-called traffic light coalition of the Social Democratic Party (SPD), the Green Party and the FDP following the 2021 German elections, Herbst was part of his party's delegation in the working group on economic affairs, co-chaired by Carsten Schneider, Cem Özdemir and Michael Theurer.

## Other activities

## InfoBox

| Torsten Herbst | |
| --- | --- |
| Herbst in 2017 | |
|  | |
| Member of the Bundestag | |
| **Incumbent** | |
| **Assumed office**
2017 | |
|  | |
| Personal details | |
| Born | (1973-08-22) 22 August 1973
Dresden, East Germany
(now Germany) |
| Political party | FDP |
| Alma mater | Dresden University of Applied Sciences |
|  | |


title: Top Four Cup

abstract: The Top Four Cup was an association football super cup featuring the top four clubs in the League of Ireland. It was first held in 1955–56 and last played for in 1973–74. It was played at the end of the season. Shamrock Rovers were the inaugural winners and subsequently featured in seven finals. Waterford won the competition the most times, five times in total. The competition was sponsored by the Irish Independent and a result was also known as the Independent Cup. The cup was last won by Cork Celtic and is currently on display in the Evergreen Bar in Turners Cross, Cork. During the late 1960s the (Northern) Irish Football League also organised a Top Four Cup. Between 1998 and 2001 the FAI organised a similar formatted competition known as the FAI Super Cup.

text:
# Top Four Cup

The **Top Four Cup** was an association football super cup featuring the top four clubs in the League of Ireland. It was first held in 1955–56 and last played for in 1973–74. It was played at the end of the season. Shamrock Rovers were the inaugural winners and subsequently featured in seven finals. Waterford won the competition the most times, five times in total. The competition was sponsored by the *Irish Independent* and a result was also known as the **Independent Cup**. The cup was last won by Cork Celtic and is currently on display in the Evergreen Bar in Turners Cross, Cork. During the late 1960s the (Northern) Irish Football League also organised a Top Four Cup. Between 1998 and 2001 the FAI organised a similar formatted competition known as the FAI Super Cup.

## List of finals

| Season | Winner | Score | Runners-up | Venue |
| --- | --- | --- | --- | --- |
| 1955–56 | Shamrock Rovers | 1–0 | Waterford | Dalymount Park |
| 1956–57 | Evergreen United | 2–1 | Drumcondra | Dalymount Park |
| 1957–58 | Shamrock Rovers | 2–1 | Drumcondra | Dalymount Park |
| 1958–59 | Evergreen United | 1–0 | Shamrock Rovers | Dalymount Park |
| 1959–60 | Cork Celtic | 2–1 | Shelbourne | Dalymount Park |
| 1960–61 | Drumcondra | 1–1 | Cork Celtic | Dalymount Park |
| *Replay* | Drumcondra | 2–2 | Cork Celtic | The Mardyke |
| *2nd Replay* | Drumcondra | 3–0 | Cork Celtic | Tolka Park |
| 1961–62 | Shelbourne | 2–1 | Cork Celtic | Dalymount Park |
| 1962–63 | Drumcondra | 2–2 | Cork Celtic | Tolka Park |
| *Replay* | Drumcondra | 4–3 | Cork Celtic | Turners Cross |
| 1963–64 | Dundalk | 0–0 | Limerick | Dalymount Park |
| *Replay* | Dundalk | 2–0 | Limerick | Tolka Park |
| 1964–65 | Drumcondra | 3–0 | Shamrock Rovers | Dalymount Park |
| 1965–66 | Shamrock Rovers | 3–3 | Bohemians | Dalymount Park |
| *Replay* | Shamrock Rovers | 1–1 | Bohemians | Tolka Park |
| *2nd Replay* | Shamrock Rovers | 3–0 | Bohemians | Dalymount Park |
| 1966–67 | Dundalk | 0–0 | Bohemians | Dalymount Park |
| *Replay* | Dundalk | 2–1 | Bohemians | Tolka Park |
| 1967–68 | Waterford | 3–2 | Shamrock Rovers | Tolka Park |
| 1968–69 | Waterford | 2–0 | Shamrock Rovers | Tolka Park |
| 1969–70 | Waterford | 6–2 | Cork Hibernians | Kilcohan Park |
| 1970–71 | Waterford | 3–0 | Cork Hibernians | Tolka Park |
| 1971–72 | Bohemians | 2–1 | Finn Harps | Dalymount Park |
| 1972–73 | Waterford | 6–2 | Bohemians | Tolka Park |
| 1973–74 | Cork Celtic | 0–0 | Bohemians | Flower Lodge |
|

**Source**:

### Notes

1. Cork Celtic won on penalties

## InfoBox

Top Four Cup
| Founded | 1955–56 |
| --- | --- |
| Region | Ireland |
| Number of teams | 4 |
| Most successful club(s) | Waterford (5 wins) |


title: Poliklinik Cheras

abstract: Poliklinik Cheras or Poliklinik Cahaya was a governmental hospital opened in October 1954 in Cheras, Selangor, Malaysia. The hospital closed down after 30 years of service in 1984.

text:
# Poliklinik Cheras

**Poliklinik Cheras** (*Peng Kuai*) or **Poliklinik Cahaya** was a governmental hospital opened in October 1954 in Cheras, Selangor, Malaysia. The hospital closed down after 30 years of service in 1984.

## History

The original name of the Poliklinik Cheras was **The Lady Templer Hospital.** It was named after the British doctor, Lady Templer. The hospital was opened in 1954. In 1955 the Federal Government donated 300,000 dollars to the hospital. In 1962 The Sultan of Selangor visited the hospital. The Lady Templer Hospital was renamed "Poliklinik Cheras" since it was in Cheras, Kuala Lumpur.

## InfoBox

| Poliklinik Cheras | |
| --- | --- |
|  | |
| Geography | |
| Location | Cheras, Selangor, Malaysia |
| Coordinates | 3°06′24″N 101°43′29″E / 3.106685°N 101.724744°E / 3.106685; 101.724744 (approximate) |
| History | |
| Former name(s) | Poliklinik Cheras, The Lady Templer Hospital |
| Opened | October 1954 |
| Closed | 1984 |
| Links | |
| Lists | Hospitals in Malaysia |


title: Zavidince

abstract: Zavidince is a village in the municipality of Babušnica, Serbia. According to the 2002 census, the village has a population of 503 people.

text:
# Zavidince

**Zavidince** (Serbian Cyrillic: Завидинце) is a village in the municipality of Babušnica, Serbia. According to the 2002 census, the village has a population of 503 people.

Panoramic view of Zavidince.

43°02′37″N 22°13′46″E / 43.04361°N 22.22944°E / 43.04361; 22.22944

## InfoBox

| Zavidince | |
| --- | --- |
| Village | |
| Country | Serbia |
| District | Šumadija |
| Municipality | Babušnica |
| Population (2002) | |
| Total | 503 |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |


# Swimming at the 2006 Commonwealth Games – Men's 100 metre butterfly

## Men's 100 m Butterfly - Final

| Pos. | Lane | Athlete | R.T. | 50 m | 100 m | Tbh. |
| --- | --- | --- | --- | --- | --- | --- |
|  | 5 | Ryan Pini (PNG) | 0.83 | 24.38
24.38 | **52.64**
28.26 |  |
|  | 4 | Michael Klim (AUS) | 0.75 | 24.92
24.92 | **52.70**
27.78 | 0.06 |
|  | 6 | Moss Burmester (NZL) | 0.76 | 24.91
24.91 | **52.73**
27.82 | 0.09 |
| 4 | 1 | Corney Swanepoel (NZL) | 0.74 | 24.77
24.77 | **53.14**
28.37 | 0.50 |
| 5 | 3 | Adam Pine (AUS) | 0.83 | 24.95
24.95 | **53.25**
28.30 | 0.61 |
| 6 | 2 | Todd Cooper (SCO) | 0.68 | 24.54
24.54 | **53.31**
28.77 | 0.67 |
| 7 | 7 | Matthew Bowe (ENG) | 0.92 | 24.98
24.98 | **53.64**
28.66 | 1.00 |
| 8 | 8 | Thomas Kindler (CAN) | 0.76 | 24.89
24.89 | **54.18**
29.29 | 1.54 |
|

## Men's 100 m Butterfly - Semifinals

### Men's 100 m Butterfly - Semifinal 01

| Pos. | Lane | Athlete | R.T. | 50 m | 100 m | Tbh. |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 4 | Todd Cooper (SCO) | 0.67 | 24.86
24.86 | **53.30**
28.44 |  |
| 2 | 5 | Matthew Bowe (ENG) | 0.88 | 25.20
25.20 | **53.53**
28.33 | 0.23 |
| 3 | 3 | Corney Swanepoel (NZL) | 0.75 | 24.93
24.93 | **53.77**
28.84 | 0.47 |
| 4 | 2 | Darryl Rudolf (CAN) | 0.78 | 25.32
25.32 | **54.05**
28.73 | 0.75 |
| 5 | 6 | Jeremy Knowles (BAH) | 0.74 | 25.64
25.64 | **54.46**
28.82 | 1.16 |
| 6 | 7 | Ian Powell (GUE) | 0.71 | 26.06
26.06 | **55.74**
29.68 | 2.44 |
| 7 | 1 | Andrew McMillan (NZL) | 0.76 | 26.35
26.35 | **55.81**
29.46 | 2.51 |
| 8 | 8 | Arjun Muralidharan (IND) | 0.83 | 26.32
26.32 | **56.65**
30.33 | 3.35 |
|

### Men's 100 m Butterfly - Semifinal 01

| Pos. | Lane | Athlete | R.T. | 50 m | 100 m | Tbh. |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 6 | Michael Klim (AUS) | 0.75 | 24.75
24.75 | **52.86**
28.11 |  |
| 2 | 4 | Ryan Pini (PNG) | 0.77 | 24.62
24.62 | **52.91**
28.29 | 0.05 |
| 3 | 5 | Adam Pine (AUS) | 0.76 | 24.96
24.96 | **52.96**
28.00 | 0.10 |
| 4 | 3 | Moss Burmester (NZL) | 0.86 | 25.21
25.21 | **53.15**
27.94 | 0.29 |
| 5 | 7 | Thomas Kindler (CAN) | 0.80 | 24.80
24.80 | **53.83**
29.03 | 0.97 |
| 6 | 2 | Andrew Richards (AUS) | 0.67 | 25.51
25.51 | **54.37**
28.86 | 1.51 |
| 7 | 1 | Daniel Bego (MAS) | 0.68 | 26.03
26.03 | **55.49**
29.46 | 2.63 |
| 8 | 8 | Simon Le Couilliard (JER) | 0.79 | 26.07
26.07 | **56.52**
30.45 | 3.66 |
|

## Men's 100 m Butterfly - Heats

### Men's 100 m Butterfly - Heat 01

| Pos. | Lane | Athlete | R.T. | 50 m | 100 m | Tbh. |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 7 | Daniel Bego (MAS) | 0.68 | 25.98
25.98 | **55.81**
29.83 |  |
| 2 | 5 | Conrad Francis (SRI) | 0.82 | 26.15
26.15 | **56.78**
30.63 | 0.97 |
| 3 | 2 | Md Jewel Ahmed (BAN) | 0.88 | 27.24
27.24 | **59.95**
32.71 | 4.14 |
| 4 | 8 | Kyle Tingler (SHE) | 0.74 | 26.99
26.99 | **1:00.29**
33.30 | 4.48 |
| 5 | 3 | Bertrand Bristol (SEY) | 0.67 | 27.94
27.94 | **1:00.78**
32.84 | 4.97 |
| 6 | 1 | Earlando Mc Rae (GUY) | 0.63 | 28.23
28.23 | **1:01.30**
33.07 | 5.49 |
| 7 | 4 | Naji Ferguson (GRN) | 0.87 | 27.85
27.85 | **1:01.83**
33.98 | 6.02 |
| 8 | 6 | Mohamed Sharif (MDV) | 0.90 | 34.93
34.93 | **1:22.14**
47.21 | 26.33 |
|

### Men's 100 m Butterfly - Heat 02

| Pos. | Lane | Athlete | R.T. | 50 m | 100 m | Tbh. |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 5 | Ryan Pini (PNG) | 0.79 | 25.03
25.03 | **53.50**
28.47 |  |
| 2 | 4 | Adam Pine (AUS) | 0.80 | 25.47
25.47 | **53.72**
28.25 | 0.22 |
| 3 | 3 | Jeremy Knowles (BAH) | 0.76 | 25.56
25.56 | **54.42**
28.86 | 0.92 |
| 4 | 6 | Andrew McMillan (NZL) | 0.74 | 26.39
26.39 | **56.01**
29.62 | 2.51 |
| 5 | 2 | Cheng Xun Ng (SIN) | 0.66 | 26.61
26.61 | **57.03**
30.42 | 3.53 |
| 6 | 7 | Thomas Hollingsworth (GUE) | 0.87 | 27.09
27.09 | **57.45**
30.36 | 3.95 |
| 7 | 1 | Brad Hamilton (JAM) | 0.68 | 27.08
27.08 | **58.21**
31.13 | 4.71 |
| 8 | 8 | Luke Hall (SWZ) | 0.74 | 27.82
27.82 | **1:00.15**
32.33 | 6.65 |
|

### Men's 100 m Butterfly - Heat 03

| Pos. | Lane | Athlete | R.T. | 50 m | 100 m | Tbh. |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 4 | Todd Cooper (SCO) | 0.69 | 24.85
24.85 | **53.64**
28.79 |  |
| 2 | 3 | Matthew Bowe (ENG) | 0.90 | 24.93
24.93 | **53.83**
28.90 | 0.19 |
| 3 | 5 | Michael Klim (AUS) | 0.72 | 25.00
25.00 | **53.98**
28.98 | 0.34 |
| 4 | 6 | Thomas Kindler (CAN) | 0.79 | 25.12
25.12 | **54.72**
29.60 | 1.08 |
| 5 | 2 | Simon Le Couilliard (JER) | 0.82 | 26.26
26.26 | **56.13**
29.87 | 2.49 |
| 6 | 7 | Michael O'connor (BER) | 0.79 | 27.01
27.01 | **58.05**
31.04 | 4.41 |
| 7 | 1 | Ramadhan Vyombo (KEN) | 0.79 | 26.52
26.52 | **1:00.13**
33.61 | 6.49 |
| 8 | 8 | Ben Lowndes (GUE) | 0.85 | 27.73
27.73 | **1:00.21**
32.48 | 6.57 |
|

### Men's 100 m Butterfly - Heat 04

| Pos. | Lane | Athlete | R.T. | 50 m | 100 m | Tbh. |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 5 | Moss Burmester (NZL) | 0.79 | 25.24
25.24 | **53.88**
28.64 |  |
| 2 | 4 | Corney Swanepoel (NZL) | 0.73 | 25.09
25.09 | **53.94**
28.85 | 0.06 |
| 3 | 3 | Andrew Richards (AUS) | 0.62 | 25.50
25.50 | **54.56**
29.06 | 0.68 |
| 4 | 6 | Darryl Rudolf (CAN) | 0.76 | 25.86
25.86 | **54.60**
28.74 | 0.72 |
| 5 | 2 | Ian Powell (GUE) | 0.68 | 25.99
25.99 | **55.75**
29.76 | 1.87 |
| 6 | 7 | Arjun Muralidharan (IND) | 0.85 | 26.36
26.36 | **56.74**
30.38 | 2.86 |
| 7 | 1 | Shirong Su (SIN) | 0.73 | 26.64
26.64 | **56.80**
30.16 | 2.92 |
| 8 | 8 | Alexander Ray (NAM) | 0.70 | 27.56
27.56 | **1:00.09**
32.53 | 6.21 |
|


title: Saratoga Springs Public Library

abstract: Saratoga Springs Public Library (SSPL), established in 1950, is a public library located in Saratoga Springs in the Capital District area of New York. SSPL serves the Saratoga Springs City School District.

text:
# Saratoga Springs Public Library

**Saratoga Springs Public Library** (SSPL), established in 1950, is a public library located in Saratoga Springs in the Capital District area of New York. SSPL serves the Saratoga Springs City School District.

## Services and facilities

The three-story building on Henry Street that now houses the library was opened in 1995. SSPL offers a wide variety of services in the building and via the web site. The library offers a collection of current, high demand print and non-print items, including books on tape or compact discs, DVDs, as well as access to online electronic information resources, downloadable audiobooks, ebooks and videos, and much more. The library provides public computer access to library card and non-card holders, printing, 3D printing, scanning, faxing, and free WiFi.

Librarians are available to respond to the information needs of customers who walk-in or phone-in with questions. SSPL also provides Ask-A-Librarian (https://www.sspl.org/contact/librarian/), an email reference service. Individuals who wish to research their own information needs can also browse through the dozens of reference pages known as LibGuides.

The library offers wireless capability, a coffee shop, and *The Friends Book Shop* bookstore selling used paperback and hardbound books.

### Programs

The library offers free programs and activities for all ages. While the rotating list of programs and events can be found here, some recurring offerings include:

### The Saratoga Room

The Saratoga Room is a collection of local history resources containing books, pamphlets, audio-visual materials on the Saratoga Springs area. Examples are a history of the effort to preserve the springs, *The Politics of Hydrotherapy and the Development of a New York State Policy* written by local resident and former Saratoga Spa State Park employee Ed Murphy, and the "Frank Sullivan Collection" of books written by humorist Frank Sullivan or inscribed to him by his famous friends. This room is open for limited hours.

The library is part of the Southern Adirondack Library System, providing an integrated online catalog and interlibrary loan among thirty-six libraries in Saratoga, Warren, Washington, and Hamilton counties.

## History

The first library in Saratoga Springs, the Saratoga Athenaeum, was a private subscription library founded in 1885 by a group that included Spencer Trask and Joseph Drexel among others. This library was first located on the corner of Broadway and Caroline Street, and moved to 344 Broadway in 1906.

In 1945 voters approved a proposal to construct a public library, which opened at 320 Broadway at the intersection of, Spring Street in a corner of Congress Park, in 1950. When this library opened students from the Saratoga Springs school district carried the books down Broadway to their new home.

The library's current building at 49 Henry Street broke ground in 1993 and opened in 1995. It was designed by Architecture Plus of Troy, New York and The LA Group and Phillips Associates of Saratoga Springs.

## Parking

The Saratoga Springs Public Library is located in downtown, nestled between Henry and Putnam Streets. As of 2024 the City of Saratoga Springs implemented summer paid parking. Paid parking runs from Memorial Day through Labor Day and affect six city-owned, off-street parking facilities. General information about parking restrictions and exceptions can be found here.

The library's Putnam Street parking lot has several restrictions enacted by the city during the time between Memorial Day and Labor Day:

* Between 9am and 6pm, all parking in the library parking lot, including in the 15-minute and handicap accessible spaces, is restricted to library parking lot permit holders only.
* Between 9am and 9pm, parking is free for library parking lot permit holders.
* While the City of Saratoga Springs Seasonal Paid Parking program is in effect, non-permit holders will pay $2 per hour or fraction thereof between 6pm and 9am, and all parkers will pay $2 per hour, or fraction thereof, between 9pm and 9am, and on holidays when the library is closed.

## InfoBox

| Saratoga Springs Public Library | |
| --- | --- |
| (2013) | |
|  | |
| 43°04′52″N 73°47′00″W / 43.0811°N 73.7832°W / 43.0811; -73.7832 | |
| Location | 49 Henry Street<br>Saratoga Springs, New York |
| Established | 1950 |
| Collection | |
| Size | 220,000 |
| Access and use | |
| Circulation | 508,964 (loaned in 2012) |
| Population served | 52,091 |
| Members | 48,000 |
| Other information | |
| Budget | US $6,057,860 total operating (FY 2023 - 2024) |
| Director | A. Issac Pulver |
| Employees | 105, 59 FTE |
| Website | sspl.org |


title: Touch Me, Tease Me

abstract: "Touch Me, Tease Me" is a 1996 song by American R&B singer and songwriter Case. It serves as the second single from his self-titled debut album (1996). It features vocals from R&B singer Mary J. Blige and rapper Foxy Brown, with backing vocals by Vernell Foster and contains a sample of the 1985 song "P.S.K." by Schoolly D. The single was commercially successful, peaking at number 14 on the US Billboard Hot 100, and number 26 on the UK Official Charts. The song also placed at number 63 on the Billboard Year-End Hot 100 singles of 1996, and was Certified Gold by the Recording Industry Association of America. The song also features in the soundtrack to the Eddie Murphy film The Nutty Professor, which scenes are intercut in its music video. Blige and Brown make appearances in the video.

text:
# Touch Me, Tease Me

"**Touch Me, Tease Me**" is a 1996 song by American R&B singer and songwriter Case. It serves as the second single from his self-titled debut album (1996). It features vocals from R&B singer Mary J. Blige and rapper Foxy Brown, with backing vocals by Vernell Foster (later known as Vee of Koffee Brown) and contains a sample of the 1985 song "P.S.K. (What Does It Mean?)" by Schoolly D.

The single was commercially successful, peaking at number 14 on the US *Billboard* Hot 100, and number 26 on the UK Official Charts. The song also placed at number 63 on the *Billboard* Year-End Hot 100 singles of 1996, and was Certified Gold by the Recording Industry Association of America.

The song also features in the soundtrack to the Eddie Murphy film *The Nutty Professor*, which scenes are intercut in its music video. Blige and Brown make appearances in the video.

## Samples and covers

In 1996 hip hop group The LOX freestyled over the instrumental to "Touch Me, Tease Me" on Hot 97.

The song was later covered by Welsh boyband 3SL in 2002 and was successful than the original version, it reached number 16 on the UK Singles Chart, ten places higher than the original.

In 2009 50 Cent recorded an abbreviated version titled "Touch Me". In its music video, he is seen wearing the same attire as Case in the original version.

In 2018 King Combs (son of Sean "Diddy" Combs) sampled "Touch Me, Tease Me" for his single "Love You Better" featuring vocals from Chris Brown.

## InfoBox

| "Touch Me, Tease Me" | |
| --- | --- |
| 1999 cover for the UK release | |
| Single by Case featuring Foxy Brown and Mary J. Blige | |
| from the album  *The Nutty Professor and Case* | |
| Released | April 30, 1996 (1996-04-30) |
| Recorded | 1995 |
| Studio | Quad Studios
(New York) |
| Genre |  |
| Length | 4:10 |
| Label | Def Jam |
| Songwriter(s) | * Mary J. Blige * Kenny Kornegay * Inga Marchand * J.B. Weaver, Jr. * Case Woodard * Darryl Young |
| Producer(s) | * Kenny "K-Smoove" Kornegay * Darryl "88" Young |
| Case singles chronology | |
| "More to Love"
(1996) "**Touch Me, Tease Me**"
(1996) "Don't Be Afraid"
(1996) | |
|  | |
| Mary J. Blige singles chronology | |
| "Not Gon' Cry"
(1996) "**Touch Me, Tease Me**"
(1996) "Can't Knock the Hustle"
(1996) | |
| Foxy Brown singles chronology | |
| "Ain't No Nigga"
(1996) "**Touch Me, Tease Me**"
(1996) "Get Me Home"
(1996) | |
|  | |


title: Waterhouses, Staffordshire

abstract: Waterhouses is a village in the south of the Staffordshire Peak District in England. It is around 8 miles from Leek and Ashbourne, being nearly the halfway point between the two towns on the A523 road, which roughly follows the southern boundary of the Peak District National Park. Waterhouses is also a civil parish, created in 1934 when the parishes of Calton, Cauldon, Waterfall and part of Ilam were merged; previously the village of Waterhouses was on the boundary of Waterfall and Cauldon parishes. The hamlet of Winkhill is also in the parish. The population of the civil parish at the 2011 census was 1,134.

text:
# Waterhouses, Staffordshire

**Waterhouses** is a village in the south of the Staffordshire Peak District in England. It is around 8 miles from Leek and Ashbourne, being nearly the halfway point between the two towns on the A523 road, which roughly follows the southern boundary of the Peak District National Park. Waterhouses is also a civil parish, created in 1934 when the parishes of Calton, Cauldon, Waterfall and part of Ilam were merged; previously the village of Waterhouses was on the boundary of Waterfall and Cauldon parishes. The hamlet of Winkhill is also in the parish. The population of the civil parish at the 2011 census was 1,134.

## Village

The village of Waterhouses is on the River Hamps, a tributary of the River Manifold, and at the southern end of the track of the former Leek and Manifold Valley Light Railway (now the Manifold Way, a walk- and cycle-path), which ran to Hulme End. Nearby is the Cauldon cement plant of Lafarge Cement, and a large Tarmac limestone quarry.

Waterhouses was served by a railway station opened by the North Staffordshire Railway on 1 July 1905, on the line from Leek to Waterhouses. Waterhouses was also served by a railway station which was opened by the Leek and Manifold Valley Light Railway on 27 June 1904, whilst being entirely operated by the North Staffordshire Railway. These two lines were next to each other. Due to the railway not being as successful as hoped and not utilised enough, it was later opened for tourists, but still failed to make a profit and was later closed and then turned into a cycle path.

Waterhouses situated on the A523 Leek to Ashbourne Road, near to Alton Towers and on the edge of the dramatic scenery of the Peak Park, is a popular place for visitors to the area. It offers a doorway to the beauty of the Peak District National Park, uninterrupted by traffic. via many footpaths or the aforementioned Manifold Way Cycle path and is also a common respite stop for visitors to Alton Towers. The Peak District Boundary Walk runs through the village. Brown End Quarry, a nature reserve of Staffordshire Wildlife Trust, is nearby.

The village is popular with tourists and has many great amenities available, The Crown – public house, a local Post Office, swimming baths, off licence / convenience store and the Riverside Cafe.

* Keys, R. & Porter, L. (1972) *The Manifold Valley and its Light Railway*, Moorland Publishers

53°02′59″N 1°52′34″W / 53.0497°N 1.8762°W / 53.0497; -1.8762

## InfoBox

| Waterhouses | |
| --- | --- |
| River Hamps flowing through Waterhouses | |
| WaterhousesLocation within Staffordshire | |
| Population | 1,134 (2011 Census) |
| District |  |
| Shire county |  |
| Region |  |
| Country | England |
| Sovereign state | United Kingdom |
| Post town | Stoke-on-Trent |
| Postcode district | ST10 |
|  | |
| Police | Staffordshire |
| Fire | Staffordshire |
| Ambulance | West Midlands |
|  | |
| UK Parliament |  |
|


title: Wings Off the Sea

abstract: Wings Off the Sea is a 1954 Australian novel by J. E. Macdonnell. It told the story of an Australian air craft carrier during the Korean War.

text:
# Wings Off the Sea

***Wings Off the Sea*** is a 1954 Australian novel by J. E. Macdonnell. It told the story of an Australian air craft carrier during the Korean War. (Another Macdonnell novel *Gimme the Boats* had also been adapted for radio.)

## Radio serial

The ABC adapted the novel into a 1954 radio serial. There was 26 episodes of 15 minutes. MacDonell did the adaptation himself. Rod Taylor starred.

## InfoBox

Wings Off the Sea
| Author | J. E. Macdonnell |
| --- | --- |
| Language | English |
| Subject | Korean War |
| Genre | war |
| Set in | Korean War |
| Publication date | 1954 |
| Publication place | Australia |


title: Vera Stroukova

abstract: Vera Stroukova is a retired Russian women's international footballer who played as a defender. She was a member of the Russia women's national football team. She was part of the team at the 2003 FIFA Women's World Cup.

text:
# Vera Stroukova

**Vera Stroukova**  (born 6 August 1981) is a retired Russian women's international footballer who played as a defender. She was a member of the Russia women's national football team. She was part of the team at the 2003 FIFA Women's World Cup.

1. "FIFA Women's World Cup USA 2003 - Technical Report" (PDF). *FIFA Women's World Cup United States 2003*. FIFA. 2003. Archived from the original (PDF) on 26 December 2011. Retrieved 28 September 2007.

## InfoBox

Vera Stroukova
| Personal information | | | |
| --- | --- | --- | --- |
| Date of birth | (1981-08-06) 6 August 1981 | | |
| Position(s) | Defender | | |
| International career | | | |
| Years | **Team** | **Apps** | **(Gls)** |
|  | Russia | 4 | (0) |
| ‡ National team caps and goals, correct as of 4 October 2003 | | | |


title: Salt Lake City Radar Bomb Scoring Site

abstract: The Salt Lake City Radar Bomb Scoring Site is a Formerly Used Defense Site that was an automatic tracking (AUTOTRACK) radar station during the Cold War. Operated by Detachment 6 of the 11th Radar Bomb Scoring Squadron which had relocated from the Phoenix semi-mobile RBS station in December 1964, the military installation evaluated practice bomb runs by Strategic Air Command simulating attacks on the metropolitan area and on the Hill Air Force Range which had been the Salt Lake City Army Air Base Gunnery Range in World War II. Originally part of the Salt Lake City Army Airfield, the 0.34 acres (0.14 ha) site at "Salt Lake City Municipal Airport No. 1, on the corner of Second Street and E Street" was leased by the USAF from the Salt Lake City Corporation for the site. Equipment included tracking radar which mistakenly resulted in "a dropping of practice" bomb on one occasion, and the 1960 Salt Lake B-58 crash occurred while on a bomb run tracked from the site. Det 6 also provided technicians for the first SAC RBS Express train created in 1961 from "existing U.S. Army stock" at the nearby Ogden General Depot. Designated FUDS J08UT092700, in May 2005 the site was part of the 135 acres (55 ha) Utah Air National Guard installation.

text:
# Salt Lake City Radar Bomb Scoring Site

The **Salt Lake City Radar Bomb Scoring Site** ("Salt Lake Bomb Plot") is a Formerly Used Defense Site that was an automatic tracking (AUTOTRACK) radar station during the Cold War. Operated by Detachment 6 of the 11th Radar Bomb Scoring Squadron which had relocated from the Phoenix semi-mobile RBS station in December 1964, the military installation evaluated practice bomb runs by Strategic Air Command simulating attacks on the metropolitan area (e.g., during the 1955 Bombing and Navigation Competition) and on the Hill Air Force Range which had been the **Salt Lake City Army Air Base Gunnery Range** in World War II.

Originally part of the Salt Lake City Army Airfield, the 0.34 acres (0.14 ha) site at "Salt Lake City Municipal Airport No. 1 (now Salt Lake City International Airport), on the corner of Second Street and E Street" was leased by the USAF from the Salt Lake City Corporation for the site. Equipment included tracking radar ("radar bomb scoring device") which mistakenly resulted in "a dropping of practice" bomb on one occasion, and the 1960 Salt Lake B-58 crash occurred while on a bomb run tracked from the site. Det 6 also provided technicians for the first SAC RBS Express train created in 1961 from "existing U.S. Army stock" at the nearby Ogden General Depot (the Tooele Army Depot's "Army Rail Shops" serviced the train).

Designated FUDS J08UT092700, in May 2005 the site was part of the 135 acres (55 ha) Utah Air National Guard installation.


title: Sam Houston Zephyr

abstract: The Sam Houston Zephyr was a named passenger train operated by the Burlington-Rock Island Railroad, a subsidiary of both the Chicago, Burlington and Quincy Railroad and the Chicago, Rock Island and Pacific Railroad. It was the first streamlined passenger train in Texas. Inaugurated on October 1, 1936, the year of the Texas centennial celebrations, the streamlined train was named for Texas hero Sam Houston. On its original schedule, the train ran from the Texas and Pacific station in Fort Worth to Union Station in Houston in exactly five hours, making only four intermediate stops in Dallas, Waxahachie, Corsicana, and Teague. The train was designated number 3 southbound, and number 4 northbound. Its chief competitor was the Sunbeam, operated by the Texas and New Orleans Railroad on a parallel route between Dallas and Houston. One of the original trainsets from the Twin Cities Zephyr, number 9901, was transferred to begin this new route. While under the management of the Rock Island, Zephyr 9901 power car was destroyed by fire on December 19, 1944. The Rock Island did not maintain the train properly; the cause of the fire was oil residue which poor maintenance failed to remove. Because equipment was needed to keep the busy line running, the Rock Island replaced its Texas Rocket with the new Twin Star Rocket in July 1945. Like many other passenger trains that experienced declining revenues in the face of competition from automobiles and airplanes in the 1950s and 1960s, the Sam Houston Zephyr was discontinued in 1966.

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# Sam Houston Zephyr

The ***Sam Houston Zephyr*** was a named passenger train operated by the Burlington-Rock Island Railroad, a subsidiary of both the Chicago, Burlington and Quincy Railroad and the Chicago, Rock Island and Pacific Railroad. It was the first streamlined passenger train in Texas.

Inaugurated on October 1, 1936, the year of the Texas centennial celebrations, the streamlined train was named for Texas hero Sam Houston. On its original schedule, the train ran from the Texas and Pacific station in Fort Worth to Union Station in Houston in exactly five hours, making only four intermediate stops in Dallas, Waxahachie, Corsicana, and Teague.

The train was designated number 3 southbound, and number 4 northbound. Its chief competitor was the *Sunbeam*, operated by the Texas and New Orleans Railroad (a subsidiary of the Southern Pacific) on a parallel route between Dallas and Houston.

One of the original trainsets from the *Twin Cities Zephyr*, number 9901, was transferred to begin this new route. While under the management of the Rock Island, *Zephyr* 9901 power car was destroyed by fire on December 19, 1944. The Rock Island did not maintain the train properly; the cause of the fire was oil residue which poor maintenance failed to remove. Because equipment was needed to keep the busy line running, the Rock Island replaced its *Texas Rocket* with the new *Twin Star Rocket* in July 1945.

Like many other passenger trains that experienced declining revenues in the face of competition from automobiles and airplanes in the 1950s and 1960s, the *Sam Houston Zephyr* was discontinued in 1966.

## InfoBox

*Sam Houston Zephyr*
| First trainset of the line which was destroyed by fire in 1944. | |
| --- | --- |
| Overview | |
| Service type | Inter-city rail |
| First service | 1936 |
| Last service | 1966 |
| Former operator(s) | Chicago, Burlington and Quincy Railroad
Chicago, Rock Island and Pacific Railroad |
| Route | |
| Termini | Fort Worth, Texas
Houston, Texas |
| Distance travelled | 283.1 miles (455.6 km) |
| Average journey time | 5 hours |
| Train number(s) | 3 and 4 |
| On-board services | |
| Seating arrangements | Chair cars |
| Observation facilities | Observation-parlor-diner |
| Technical | |
| Track gauge | 4 ft 8+12 in (1,435 mm) |
| Track owner(s) | Burlington-Rock Island Railroad |
| Route map | |


title: Saliva (Thalía song)

abstract: "Saliva" is a song by Mexican singer Thalía from her self titled debut solo album. It was released by Melody/Fonovisa as the album's second single in 1990. The music caused controversy due to the lyrics of a sexual nature and was banned from some Mexican radio stations.

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# Saliva (Thalía song)

"**Saliva**" (Spanish for "Saliva") is a song by Mexican singer Thalía from her self titled debut solo album. It was released by Melody/Fonovisa as the album's second single in 1990. The music caused controversy due to the lyrics of a sexual nature and was banned from some Mexican radio stations.

## Background and promotion

In 1989, after two successful albums with Timbiriche, *Timbiriche VII* and *Timbiriche VIII & IX*, that sold 1 million copies each one, Thalía announced her departure from the group to pursue a solo career. In January 1990, the singer traveled to the United States to prepare musically. At the University of California, Los Angeles (UCLA), she took English, dance, singing and acting classes. The album was produced by Thalía's mentor Alfredo Díaz, who was in charge of the music department of Televisa. The singer wanted to revive the Flower power movement and "to break from anything traditional". In the middle of that same year, she returned to Mexico with a new image and released her first LP on 9 October. Just like Thalía's first single "Un Pacto Entre los Dos", the song caused much controversy for its seductive lyrics and was even prohibited in some radio stations and television in Mexico. To promote the song, a music video (with participation of Ricky Luis) was shot in China and released in 1990. It was included in the Thalía's boxset *La Historia* released by Universal Music in 2010, which included the singer's first three albums and a DVD with her music videos from the Fonovisa era.

## Commercial performance

Despite the song being banned in radio stations in Mexico, it still managed to be a hit in Spain as well as some Latin American countries. The song had success in Spain thanks to Thalía becoming the new musical hostess for La Gala VIP Noche from the Spanish television network Telecinco

## Certifications and sales

| Region | Certification | Certified units/sales |
| --- | --- | --- |
| Spain (PROMUSICAE) | Gold | 100,000 |

## InfoBox

| "Saliva" | |
| --- | --- |
|  | |
| Single by Thalía | |
| from the album  *Thalía* | |
| Released | 1990 |
| Genre | Latin pop |
| Length | 3:12 |
| Label | Melody/Fonovisa |
| Songwriter(s) | * Thalía Sodi * Alfredo Díaz Ordaz |
| Producer(s) | Alfredo Díaz Ordaz |
| Thalía singles chronology | |
| "Un Pacto Entre los Dos"
(1990) "**Saliva**"
(1990) "Pienso en Ti"
(1991) | |
|  | |
| Music video | |
| "Saliva" on YouTube | |
|  | |


title: Salute to the Streetz

abstract: Salute to the Streetz is a compilation album by rappers Young Buck and Savion Saddam that was released for digital download June 1, 2012 through Ca$hville Records and CPK Musik.

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# Salute to the Streetz

***Salute to the Streetz*** is a compilation album by rappers Young Buck and Savion Saddam that was released for digital download June 1, 2012 through Ca$hville Records and CPK Musik.

## Background

Young Buck joins forces with Kinston, NC's Savion Saddam to drop a collaboration album.

The first singles were released on September 17, 2011 along with the music videos to the songs "Birdshit" & "My City".

On May 9, 2012 Savion Saddam released four tracks including the intro "Salute" off the album via his official Twitter account. He also indicated that the album contained 14 tracks in whole and is set to drop June 1, 2012.

## Track listing

| No. | Title | Produced By: | Length |
| --- | --- | --- | --- |
| 1. | "Salute" (Intro) | Young Seph | 3:14 |
| 2. | "My City" (Remix) | Young Seph | 3:45 |
| 3. | "Put It All On The Line" | Young Seph | 3:30 |
| 4. | "Birdshit" | Young Seph | 3:43 |
| 5. | "Shine On 'Em" | Young Seph | 3:18 |
| 6. | "Mr. Sportscenter (Throw Away Money)" (featuring Slim Gutta) | Young Seph | 4:24 |
| 7. | "Gangsta Dick" | Young Seph | 2:52 |
| 8. | "If I Had U" | Young Seph | 3:38 |
| 9. | "Rucker" | Young Seph | 2:42 |
| 10. | "Bang Dat" | Young Seph | 2:58 |
| 11. | "Tourchure" (featuring Ion Philly) | Young Seph | 4:04 |
| 12. | "Word Iz" | Young Seph | 4:15 |
| 13. | "He Snitchin" (featuring Hugg E Bear) | Young Seph | 2:55 |
| 14. | "Struggling" (featuring Charlie P & Lin Mercer) | Young Seph | 4:31 |

## InfoBox

| Salute to the Streetz | |
| --- | --- |
|  | |
| Studio album by Young Buck & Savion Saddam | |
| Released | June 1, 2012 |
| Recorded | 2010–2012 |
| Genre | Hip hop |
| Label | Ca$hville Records, CPK Musik |
| Producer | Young Seph |
|  | |
| Singles from  *Salute to the Streetz* | |
| 1. "Birdshit"
Released: September 17, 2011 2. "My City"
Released: September 17, 2011 3. "Put It All on the Line"
Released: May 8, 2012 | |
|  | |


title: Sam Vandervelde

abstract: Samuel Kendrick Vandervelde is a mathematician who, along with Sandor Lehoczky and Richard Rusczyk, created the Mandelbrot Competition, and is listed first under "Thanks" in the mathematical textbook The Art of Problem Solving.

text:
# Sam Vandervelde

**Samuel Kendrick Vandervelde** (born 12 February 1971) is a mathematician who, along with Sandor Lehoczky and Richard Rusczyk, created the Mandelbrot Competition, and is listed first under "Thanks" in the mathematical textbook  *The Art of Problem Solving*.

## Contributions to mathematics

Vandervelde contributes problems to the USA Math Olympiad. He was a member of the 1989 United States International Mathematical Olympiad team. He was a grader at the Mathematical Olympiad Program, an intensive summer camp that prepares top high school students for the International Math Olympiad. Vandervelde founded the Stanford Math Circle. He was on the math faculty at St. Lawrence University from 2007 to 2015, and is currently the Head of School and math teacher at Proof School, a private day school in San Francisco for kids who love math. He is also a regular instructor at and board member of MathPath, and has published two books, *Bridge to Higher Mathematics* and *Circle in a Box*. His educational work has been recognized by the Mathematical Association of America's Edyth May Sliffe Award for high school teaching (2000) and the Henry L. Alder Award for collegiate teaching (2011).

## Interests

His other interests include playing soccer, spending time with his two sons, and cooking. He attended Amherst County High School. He received his undergraduate degree from Swarthmore College and doctoral degree from the University of Chicago in June 2004. He currently resides in California. He is married to Eunice Cheung.

## InfoBox

| Sam Vandervelde | |
| --- | --- |
| Born | (1971-02-12) February 12, 1971 |
| Nationality | American |
| Alma mater | University of Chicago |
| Known for | Mandelbrot Competition, Proof School |
| **Scientific career** | |
| Fields | Mathematics |
| Institutions | Art of Problem Solving, Proof School |
|  | |


title: Polikarps Vilcāns

abstract: Polikarps Vilcāns was a Latvian and Latgalian ceramicist. One of the most renowned Latgalian ceramicists. In 1937, Vilcāns was awarded with a Gold Medal at the Paris Exhibition.

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# Polikarps Vilcāns

**Polikarps Vilcāns** (26 January 1894 – 8 May 1969) was a Latvian and Latgalian ceramicist. One of the most renowned Latgalian ceramicists. In 1937, Vilcāns was awarded with a Gold Medal at the Paris Exhibition.

## Biography

Polikarps Vilcāns was born at Dūbes village in Silajāņi Parish, Russian Empire in 1894. He learned the craft of ceramicist from his father Joahims and successfully fired his first kiln at the age of 16. After the 1917 October Revolution, Vilcāns fought against the Kolchak's army in the Eastern Front.

He and Paulāns were the first Latgalian ceramicists to create a large candlesticks with a numerous prickets that eventually became a trademark of the Latgalian ceramics. His works were exhibited in Soviet Union and abroad, in France, Germany and other countries. Other Latgalian ceramicists, such as Polikarps Čerņavskis and Antons Ušpelis cited Vilcāns as their influencer and teacher.

He was one of two Latgalian ceramicists, alongside his cousin Andrejs Paulāns who were awarded with a Gold Medal at the 1937 Paris Exhibition. In 1958, Vilcāns was recognized as the People's Artist of the Latvian SSR.

Vilcāns died on 8 May 1969. He is buried in the Antonišķi cemetery.

## Honors

## InfoBox

| Polikarps Vilcāns | |
| --- | --- |
| Photo of Vilcāns in 1967 | |
| Born | Polikarps Vilcāns
(1894-01-26)26 January 1894
Silajāņi Parish, Russian Empire |
| Died | 8 May 1969(1969-05-08) (aged 75)
Silajāņi Parish, Soviet Union |
| Nationality | Latvian |
| Known for | Ceramics |
| Movement | Latgalian ceramics |
| Awards | Gold Medal at 1937 Paris Exhibition |