title: Venkatapuram, Krishna district

abstract: Venkatapuram is a village in Krishna district of the Indian state of Andhra Pradesh. It is located in Bapulapadu mandal of Nuzvid revenue division. It is one of the villages in the mandal to be a part of Andhra Pradesh Capital Region.

text:
# Venkatapuram, Krishna district

**Venkatapuram** is a village in Krishna district of the Indian state of Andhra Pradesh. It is located in Bapulapadu mandal of Nuzvid revenue division. It is one of the villages in the mandal to be a part of Andhra Pradesh Capital Region.

## InfoBox

| Venkatapuram | |
| --- | --- |
| Village | |
| Dynamic map | |
| VenkatapuramLocation in Andhra Pradesh, IndiaVenkatapuramVenkatapuram (India) | |
| Coordinates: 16°30′57″N 81°15′29″E / 16.5158700°N 81.2581300°E / 16.5158700; 81.2581300 | |
| Country | India |
| State | Andhra Pradesh |
| District | Krishna |
| Talukas | Bapulapadu |
| Area | |
| Total | 7.96 km2 (3.07 sq mi) |
| Population (2011) | |
| Total | 1,318 |
| Density | 170/km2 (430/sq mi) |
| Languages | |
| Official | Telugu |
| Time zone | UTC+5:30 (IST) |
| PIN | 521190 |


title: MuslimFest

abstract: MuslimFest is an annual three-day festival that celebrates the best in Muslim Art, Culture, and Entertainment. The event showcases Muslim artists, musicians, and comedians, and takes place every summer in Mississauga, Ontario. MuslimFest is a signature event in Canada that won various awards including Top 100 by FEO and also Greenest Festival in Canada award. The 2023 event will take place at the Mississauga Celebration Square from July 07 to July 09. General features of the event include several educational workshops, a variety show, puppet show, programs geared towards women, and an international bazaar. Programs held during the day have typically consisted of an international art exhibit, film competition, and fashion show. A performance finale at the end of the final day typically includes spoken word artists, Muslim musicians and nasheed artists, and a comedy show. MuslimFest organizers claim that the event has attracted over 70,000 visitors over the course of three days.

text:
# MuslimFest

**MuslimFest** is an annual three-day festival that celebrates the best in Muslim Art, Culture, and Entertainment. The event showcases Muslim artists, musicians, and comedians, and takes place every summer in Mississauga, Ontario. MuslimFest is a signature event in Canada that won various awards including Top 100 by FEO and also Greenest Festival in Canada award. The 2023 event will take place at the Mississauga Celebration Square from July 07 to July 09.

General features of the event include several educational workshops, a variety show, puppet show, programs geared towards women, and an international bazaar. Programs held during the day have typically consisted of an international art exhibit, film competition, and fashion show. A performance finale at the end of the final day typically includes spoken word artists, Muslim musicians and nasheed artists, and a comedy show. MuslimFest organizers claim that the event has attracted over 70,000 visitors over the course of three days.

## About

Launched in 2004, MuslimFest is an annual cultural festival that brings together Muslims from all over Canada and even the US. MuslimFest has played a large role in encouraging arts and entertainment as well as showcasing the diversity of Islamic culture and identity. MuslimFest is a celebration of the intersection of religion and culture.

MuslimFest is organized by a team of young dedicated volunteers that come from various backgrounds and experiences, high-school students are encouraged to volunteer to get their community hours and also learn skills that will help them with their careers.

## Opening Ceremony

The festival will begin at 12:00 p.m. on Friday with Friday Prayer with the annual Canada National Flag Unveiling Ceremony and a children’s choir singing the national anthem.

## Entertainment

The festival stages will be busy with a full line-up of entertainers scheduled for the event. Amal Kassir and Labibah will present their poetry and spoken word pieces. Boonaa Mohamed, Illyas Mao, & Abdullah Bustami will entertain festival guests with their musical performances. Comedians Nadira from NYC and Spoken word by Ammar Al Shukry will keep guests laughing on Saturday night.

## The Fortunate Slave – Play

A prominent Fulani Muslim prince from West Africa was kidnapped to the Americas during the Atlantic slave trade. He was released due to an English humanitarian’s intervention and lived in England along with the nobility before returning home to Senegal.

## Art Battle

The ‘Battle of the Brushes' is a painting competition between artists who will create works of art LIVE in a bid to win and wow the audience with their talents.

## International Bazaar

Those attending the event will have the chance to browse and shop at many unique vendors over the weekend. There will be a Fragrant Oils Boutique and vendors selling Turkish clothing, Middle Eastern ornaments, Turkish lanterns, and more.

## Workshops

On Saturday and Sunday, festival attendees can learn how to create Phulkari Embroidery, Calligraphy, Water Marble, and Hacer Ozcan Style Water Marble. Registration for workshops is based on a first-come-first-served basis. In addition to the workshops, there will be an arts and crafts tent and carnival games where children and families can drop by throughout the day.

## Flavors of World Food Festival

Taste buds will be delighted by the food offerings at MuslimFest with food from various parts of the world.

## Art Exhibit

The Art Exhibit at Muslimfest to immerse yourself in talented artwork from all backgrounds, with three different age groups - explore some of our local artists!

## A Night of Nasheeds

MuslimFest invites you to come out for a night surrounded by creative cultural and spiritual music.

## Poetry Night - Park Bench Chroncicles

MuslimFest brings you an exciting play, Park Bench Chronicles, filled with poetry and comedy featuring talented artists Ammar Alshukary, Bonna Muhammad, Bustami, Essam, Ilyaas Mao, and Yousef Kroma.

## Performers and Artists

## InfoBox

| MuslimFest | |
| --- | --- |
| MuslimFest 2016 | |
| Genre | Arts Festival |
| Dates | Jul 07 - Jul 09 2023 |
| Location(s) | Celebration Square, Mississauga, Ontario, Canada |
| Years active | 2004–present |
| Attendance | 70,000 |
| Organised by | Tariq Syed |
| Website | muslimfest.com |


abstract: North Manchester Planing and Band Saw Mill was a historic sawmill complex located at North Manchester, Wabash County, Indiana. The sawmill was built in 1876, and was a 1+1⁄2-story brick building. It was enlarged in 1898, to house the power station of the Browne-Mills Electric Company. Associated with the mill were three brick cottages built in the late-1870s for mill employees. It was listed on the National Register of Historic Places in 1982, and delisted in 1995.

text:
# North Manchester Planing and Band Saw Mill

**North Manchester Planing and Band Saw Mill (J.A. Browne Co. Mill)** was a historic sawmill complex located at North Manchester, Wabash County, Indiana. The sawmill was built in 1876, and was a 1+12-story brick building. It was enlarged in 1898, to house the power station of the Browne-Mills Electric Company. Associated with the mill were three brick cottages built in the late-1870s for mill employees.

It was listed on the National Register of Historic Places in 1982, and delisted in 1995.

## InfoBox

|  | |
| --- | --- |
| North Manchester Planing and Band Saw Mill (J.A. Browne Co. Mill) | |
| Formerly listed on the U.S. National Register of Historic Places | |
|  | |
| Location | 705 W. Main St. (mill); (houses) 706-708 W. Grant St. and 202 N. High St., North Manchester, Indiana |
| Area | 4 acres (1.6 ha) |
| Built | 1876 (1876) |
| Built by | Eichholtz, George; Valenaire, John |
| Architectural style | Mixed (more Than 2 Styles From Different Periods) |
| NRHP reference No. | 82000052 |
| Significant dates | |
| Added to NRHP | March 5, 1982 |
| Removed from NRHP | June 12, 1995 |


title: News and Views (television)

abstract:
News and Views was an early American evening news program. Broadcast on ABC from 1948 to 1951, it was ABC's first evening news program and one of the first such programs on any television network; Both CBS and NBC also initiated their evening news programs that same year, both debuting a few months before the first broadcast of News and Views on August 11, 1948. The co-anchors were H. R. Baukhage and Jim Gibbons. Baukhage was a veteran radio broadcaster whose staccato baritone and gruff and abrupt sign-on, "Baukhage talking", was familiar to radio listeners of that era. Jim Gibbons was less well known. Typical of evening television news programs of the era, it ran for fifteen minutes. Its successor was After the Deadlines and, ultimately, ABC World News Tonight, as seen in this list:
  - ABC evening news programs
  - News and Views
  - After the Deadlines
  - All-Star News
  -
  - John Daly and the News
  - ABC News
  - John Daly and the News
  - ABC World News Tonight

text:
# News and Views (television)

***News and Views*** was an early American evening news program. Broadcast on ABC from 1948 to 1951, it was ABC's first evening news program and one of the first such programs on any television network; Both CBS and NBC also initiated their evening news programs (respectively *CBS Television News* and *Camel News Caravan*, called *Camel Newsreel Theatre* at first) that same year, both debuting a few months before the first broadcast of *News and Views* on August 11, 1948.

The co-anchors (not called that, as that meaning of "anchor" was not yet extant) were H. R. Baukhage and Jim Gibbons. Baukhage was a veteran radio broadcaster whose staccato baritone and gruff and abrupt sign-on, "Baukhage talking", was familiar to radio listeners of that era. Jim Gibbons was less well known.

Typical of evening television news programs of the era, it ran for fifteen minutes. Its successor was *After the Deadlines* and, ultimately, *ABC World News Tonight*, as seen in this list:

ABC evening news programs * ***News and Views*** (August 11, 1948 – March 30, 1951)
* *After the Deadlines* (April 2, 1951 – October 3, 1952)
* *All-Star News* (October 6, 1952 – January 2, 1953)
* (No weekday evening news broadcast, January 5, 1953 – October 9, 1953)
* *John Daly and the News* (October 12, 1953 – September 12, 1958)
* *ABC News* (September 15, 1958 – May 8, 1959)
* *John Daly and the News* (May 11, 1959 – December 16, 1960)
* *ABC World News Tonight* (December 19, 1960 – present (As of 2022))

1. NBC had broadcast the *Esso Newsreel* earlier, but this was broadcast only a few days a week.The Dumont Network had broadcast *The Walter Compton News* on a regular schedule in 1947, though, although Dumont had relatively few stations.
2. During this time, *John Daly and the News* was broadcast at 10:30–10:45 PM, Eastern and Pacific times
3. Also called, at various times, *ABC Evening Report*, *ABC Evening News*, and *ABC World News*, often with the name of the anchor appended


title: Lunar Saros 137

abstract: Saros cycle series 137 for lunar eclipses occurs at the moon's descending node, repeats every 18 years 11 and 1/3 days. It contains 78 events.

text:
# Lunar Saros 137

| member 26 |
| --- |
|
2015 Sep 28 |

**Saros cycle series 137 for lunar eclipses** occurs at the moon's descending node, repeats every 18 years 11 and 1/3 days. It contains 78 events.

| Cat. | Saros | Mem | Date | Time UT
(hr:mn) | Type | Gamma | Magnitude | Duration
(min) | | | Contacts UT
(hr:mn) | | | | | | Chart |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | Greatest | | | | Pen. | Par. | Tot. | P1 | P4 | U1 | U2 | U3 | U4 | |
| 08582 | 137 | 1 | 1564 Dec 17 | 21:16:37 | Penumbral | -1.5587 | -1.0109 | 23.0 |  |  | 21:05:07 | 21:28:07 |  |  |  |  |  |
| 08625 | 137 | 2 | 1583 Jan 08 | 5:55:04 | Penumbral | -1.5513 | -0.9958 | 38.4 |  |  | 5:35:52 | 6:14:16 |  |  |  |  |  |
| 08668 | 137 | 3 | 1601 Jan 18 | 14:32:25 | Penumbral | -1.5425 | -0.9777 | 50.9 |  |  | 14:06:58 | 14:57:52 |  |  |  |  |  |
| 08713 | 137 | 4 | 1619 Jan 29 | 23:07:09 | Penumbral | -1.5311 | -0.9547 | 63.5 |  |  | 22:35:24 | 23:38:54 |  |  |  |  |  |
| 08757 | 137 | 5 | 1637 Feb 09 | 7:38:45 | Penumbral | -1.5164 | -0.9256 | 76.7 |  |  | 7:00:24 | 8:17:06 |  |  |  |  |  |
| 08801 | 137 | 6 | 1655 Feb 20 | 16:03:56 | Penumbral | -1.4962 | -0.8860 | 91.8 |  |  | 15:18:02 | 16:49:50 |  |  |  |  |  |
| 08846 | 137 | 7 | 1673 Mar 03 | 0:24:02 | Penumbral | -1.4715 | -0.8381 | 107.2 |  |  | 23:30:26 | 1:17:38 |  |  |  |  |  |
| 08892 | 137 | 8 | 1691 Mar 14 | 8:36:44 | Penumbral | -1.4403 | -0.7780 | 123.8 |  |  | 7:34:50 | 9:38:38 |  |  |  |  |  |
| 08938 | 137 | 9 | 1709 Mar 25 | 16:43:34 | Penumbral | -1.4038 | -0.7084 | 140.3 |  |  | 15:33:25 | 17:53:43 |  |  |  |  |  |
| 08985 | 137 | 10 | 1727 Apr 06 | 0:41:54 | Penumbral | -1.3596 | -0.6247 | 157.4 |  |  | 23:23:12 | 2:00:36 |  |  |  |  |  |
| 09031 | 137 | 11 | 1745 Apr 16 | 8:34:55 | Penumbral | -1.3106 | -0.5321 | 173.9 |  |  | 7:07:58 | 10:01:52 |  |  |  |  |  |
| 09078 | 137 | 12 | 1763 Apr 27 | 16:20:38 | Penumbral | -1.2552 | -0.4281 | 190.1 |  |  | 14:45:35 | 17:55:41 |  |  |  |  |  |
| 09124 | 137 | 13 | 1781 May 8 | 0:01:08 | Penumbral | -1.1949 | -0.3152 | 205.6 |  |  | 22:18:20 | 1:43:56 |  |  |  |  |  |
| 09169 | 137 | 14 | 1799 May 19 | 7:36:00 | Penumbral | -1.1294 | -0.1930 | 220.3 |  |  | 5:45:51 | 9:26:09 |  |  |  |  |  |
| 09214 | 137 | 15 | 1817 May 30 | 15:07:30 | Penumbral | -1.0607 | -0.0652 | 233.9 |  |  | 13:10:33 | 17:04:27 |  |  |  |  |  |
| 09260 | 137 | 16 | 1835 Jun 10 | 22:35:53 | Partial | -0.9888 | 0.0681 | 246.4 | 56.8 |  | 20:32:41 | 0:39:05 | 22:07:29 |  |  | 23:04:17 |  |
| 09306 | 137 | 17 | 1853 Jun 21 | 6:01:48 | Partial | -0.9146 | 0.2056 | 257.8 | 96.7 |  | 3:52:54 | 8:10:42 | 5:13:27 |  |  | 6:50:09 |  |
| 09350 | 137 | 18 | 1871 Jul 02 | 13:27:48 | Partial | -0.8401 | 0.3432 | 267.9 | 122.4 |  | 11:13:51 | 15:41:45 | 12:26:36 |  |  | 14:29:00 |  |
| 09393 | 137 | 19 | 1889 Jul 12 | 20:53:52 | Partial | -0.7654 | 0.4807 | 276.8 | 141.7 |  | 18:35:28 | 23:12:16 | 19:43:01 |  |  | 22:04:43 |  |
| 09436 | 137 | 20 | 1907 Jul 25 | 4:22:27 | Partial | -0.6924 | 0.6149 | 284.5 | 156.8 |  | 2:00:12 | 6:44:42 | 3:04:03 |  |  | 5:40:51 |  |
| 09478 | 137 | 21 | 1925 Aug 04 | 11:52:57 | Partial | -0.6208 | 0.7463 | 291.2 | 168.9 |  | 9:27:21 | 14:18:33 | 10:28:30 |  |  | 13:17:24 |  |
| 09520 | 137 | 22 | 1943 Aug 15 | 19:28:46 | Partial | -0.5533 | 0.8697 | 296.7 | 178.4 |  | 17:00:25 | 21:57:07 | 17:59:34 |  |  | 20:57:58 |  |
| 09561 | 137 | 23 | 1961 Aug 26 | 3:08:51 | Partial | -0.4894 | 0.9863 | 301.4 | 186.0 |  | 0:38:09 | 5:39:33 | 1:35:51 |  |  | 4:41:51 |  |
| 09602 | 137 | 24 | 1979 Sep 06 | 10:55:02 | Total | -0.4305 | 1.0936 | 305.1 | 191.9 | 44.4 | 8:22:29 | 13:27:35 | 9:19:05 | 10:32:50 | 11:17:14 | 12:30:59 |  |
| 09643 | 137 | 25 | 1997 Sep 16 | 18:47:42 | Total | -0.3768 | 1.1909 | 308.2 | 196.4 | 61.5 | 16:13:36 | 21:21:48 | 17:09:30 | 18:16:57 | 19:18:27 | 20:25:54 |  |
| 09685 | 137 | 26 | 2015 Sep 28 | 2:48:17 | Total | -0.3296 | 1.2764 | 310.7 | 199.9 | 71.9 | 0:12:56 | 5:23:38 | 1:08:20 | 2:12:20 | 3:24:14 | 4:28:14 |  |
| 09726 | 137 | 27 | 2033 Oct 08 | 10:56:23 | Total | -0.2889 | 1.3497 | 312.6 | 202.4 | 78.8 | 8:20:05 | 13:32:41 | 9:15:11 | 10:16:59 | 11:35:47 | 12:37:35 |  |
| 09766 | 137 | 28 | 2051 Oct 19 | 19:11:50 | Total | -0.2542 | 1.4118 | 314.2 | 204.3 | 83.6 | 16:34:44 | 21:48:56 | 17:29:41 | 18:30:02 | 19:53:38 | 20:53:59 |  |
| 09807 | 137 | 29 | 2069 Oct 30 | 3:35:06 | Total | -0.2263 | 1.4616 | 315.4 | 205.6 | 86.8 | 0:57:24 | 6:12:48 | 1:52:18 | 2:51:42 | 4:18:30 | 5:17:54 |  |
| 09848 | 137 | 30 | 2087 Nov 10 | 12:05:33 | Total | -0.2043 | 1.5006 | 316.4 | 206.6 | 88.9 | 9:27:21 | 14:43:45 | 10:22:15 | 11:21:06 | 12:50:00 | 13:48:51 |  |
| 09890 | 137 | 31 | 2105 Nov 21 | 20:42:00 | Total | -0.1874 | 1.5301 | 317.3 | 207.3 | 90.4 | 18:03:21 | 23:20:39 | 18:58:21 | 19:56:48 | 21:27:12 | 22:25:39 |  |
| 09932 | 137 | 32 | 2123 Dec 03 | 5:24:09 | Total | -0.1755 | 1.5507 | 318.0 | 207.7 | 91.4 | 2:45:09 | 8:03:09 | 3:40:18 | 4:38:27 | 6:09:51 | 7:08:00 |  |
| 09975 | 137 | 33 | 2141 Dec 13 | 14:10:16 | Total | -0.1671 | 1.5652 | 318.7 | 208.1 | 92.0 | 11:30:55 | 16:49:37 | 12:26:13 | 13:24:16 | 14:56:16 | 15:54:19 |  |
| 10019 | 137 | 34 | 2159 Dec 24 | 23:00:09 | Total | -0.1619 | 1.5737 | 319.2 | 208.4 | 92.4 | 20:20:33 | 1:39:45 | 21:15:57 | 22:13:57 | 23:46:21 | 0:44:21 |  |
| 10062 | 137 | 35 | 2178 Jan 04 | 7:50:14 | Total | -0.1570 | 1.5820 | 319.8 | 208.8 | 92.8 | 5:10:20 | 10:30:08 | 6:05:50 | 7:03:50 | 8:36:38 | 9:34:38 |  |
| 10105 | 137 | 36 | 2196 Jan 15 | 16:41:55 | Total | -0.1537 | 1.5877 | 320.3 | 209.1 | 93.1 | 14:01:46 | 19:22:04 | 14:57:22 | 15:55:22 | 17:28:28 | 18:26:28 |  |
| 10149 | 137 | 37 | 2214 Jan 27 | 1:30:46 | Total | -0.1480 | 1.5979 | 320.9 | 209.5 | 93.6 | 22:50:19 | 4:11:13 | 23:46:01 | 0:43:58 | 2:17:34 | 3:15:31 |  |
| 10193 | 137 | 38 | 2232 Feb 07 | 10:17:44 | Total | -0.1410 | 1.6106 | 321.5 | 210.0 | 94.1 | 7:36:59 | 12:58:29 | 8:32:44 | 9:30:41 | 11:04:47 | 12:02:44 |  |
| 10239 | 137 | 39 | 2250 Feb 17 | 18:58:32 | Total | -0.1291 | 1.6326 | 322.2 | 210.7 | 95.0 | 16:17:26 | 21:39:38 | 17:13:11 | 18:11:02 | 19:46:02 | 20:43:53 |  |
| 10285 | 137 | 40 | 2268 Feb 29 | 3:35:27 | Total | -0.1142 | 1.6602 | 322.9 | 211.4 | 96.0 | 0:54:00 | 6:16:54 | 1:49:45 | 2:47:27 | 4:23:27 | 5:21:09 |  |
| 10331 | 137 | 41 | 2286 Mar 11 | 12:04:37 | Total | -0.0929 | 1.6996 | 323.7 | 212.3 | 97.2 | 9:22:46 | 14:46:28 | 10:18:28 | 11:16:01 | 12:53:13 | 13:50:46 |  |
| 10377 | 137 | 42 | 2304 Mar 22 | 20:26:42 | Total | -0.0661 | 1.7491 | 324.6 | 213.1 | 98.4 | 17:44:24 | 23:09:00 | 18:40:09 | 19:37:30 | 21:15:54 | 22:13:15 |  |
| 10423 | 137 | 43 | 2322 Apr 03 | 4:39:45 | Total | -0.0323 | 1.8116 | 325.4 | 213.9 | 99.4 | 1:57:03 | 7:22:27 | 2:52:48 | 3:50:03 | 5:29:27 | 6:26:42 |  |
| 10469 | 137 | 44 | 2340 Apr 13 | 12:45:17 | Total | 0.0074 | 1.8576 | 326.1 | 214.5 | 99.9 | 10:02:14 | 15:28:20 | 10:58:02 | 11:55:20 | 13:35:14 | 14:32:32 |  |
| 10514 | 137 | 45 | 2358 Apr 24 | 20:41:46 | Total | 0.0542 | 1.7720 | 326.7 | 214.8 | 99.5 | 17:58:25 | 23:25:07 | 18:54:22 | 19:52:01 | 21:31:31 | 22:29:10 |  |
| 10559 | 137 | 46 | 2376 May 5 | 4:29:55 | Total | 0.1074 | 1.6744 | 326.9 | 214.4 | 97.8 | 1:46:28 | 7:13:22 | 2:42:43 | 3:41:01 | 5:18:49 | 6:17:07 |  |
| 10603 | 137 | 47 | 2394 May 16 | 12:10:00 | Total | 0.1667 | 1.5656 | 326.6 | 213.3 | 94.3 | 9:26:42 | 14:53:18 | 10:23:21 | 11:22:51 | 12:57:09 | 13:56:39 |  |
| 10649 | 137 | 48 | 2412 May 26 | 19:43:25 | Total | 0.2306 | 1.4479 | 325.8 | 211.1 | 88.2 | 17:00:31 | 22:26:19 | 17:57:52 | 18:59:19 | 20:27:31 | 21:28:58 |  |
| 10693 | 137 | 49 | 2430 Jun 07 | 3:09:30 | Total | 0.3000 | 1.3201 | 324.3 | 207.7 | 78.4 | 0:27:21 | 5:51:39 | 1:25:39 | 2:30:18 | 3:48:42 | 4:53:21 |  |
| 10737 | 137 | 50 | 2448 Jun 17 | 10:30:31 | Total | 0.3730 | 1.1854 | 322.0 | 202.8 | 62.6 | 7:49:31 | 13:11:31 | 8:49:07 | 9:59:13 | 11:01:49 | 12:11:55 |  |
| 10780 | 137 | 51 | 2466 Jun 28 | 17:46:38 | Total | 0.4490 | 1.0448 | 318.7 | 196.2 | 32.2 | 15:07:17 | 20:25:59 | 16:08:32 | 17:30:32 | 18:02:44 | 19:24:44 |  |
| 10822 | 137 | 52 | 2484 Jul 09 | 1:00:42 | Partial | 0.5260 | 0.9021 | 314.5 | 187.6 |  | 22:23:27 | 3:37:57 | 23:26:54 |  |  | 2:34:30 |  |
| 10863 | 137 | 53 | 2502 Jul 21 | 8:11:07 | Partial | 0.6051 | 0.7554 | 309.2 | 176.6 |  | 5:36:31 | 10:45:43 | 6:42:49 |  |  | 9:39:25 |  |
| 10904 | 137 | 54 | 2520 Jul 31 | 15:22:37 | Partial | 0.6822 | 0.6120 | 303.0 | 163.3 |  | 12:51:07 | 17:54:07 | 14:00:58 |  |  | 16:44:16 |  |
| 10944 | 137 | 55 | 2538 Aug 11 | 22:33:32 | Partial | 0.7588 | 0.4693 | 295.7 | 146.7 |  | 20:05:41 | 1:01:23 | 21:20:11 |  |  | 23:46:53 |  |
| 10986 | 137 | 56 | 2556 Aug 22 | 5:48:05 | Partial | 0.8315 | 0.3334 | 287.8 | 126.6 |  | 3:24:11 | 8:11:59 | 4:44:47 |  |  | 6:51:23 |  |
| 11027 | 137 | 57 | 2574 Sep 02 | 13:03:42 | Partial | 0.9023 | 0.2008 | 278.9 | 100.5 |  | 10:44:15 | 15:23:09 | 12:13:27 |  |  | 13:53:57 |  |
| 11067 | 137 | 58 | 2592 Sep 12 | 20:25:19 | Partial | 0.9671 | 0.0791 | 269.7 | 64.3 |  | 18:10:28 | 22:40:10 | 19:53:10 |  |  | 20:57:28 |  |
| 11107 | 137 | 59 | 2610 Sep 25 | 3:50:47 | Penumbral | 1.0277 | -0.0350 | 260.2 |  |  | 1:40:41 | 6:00:53 |  |  |  |  |  |
| 11147 | 137 | 60 | 2628 Oct 05 | 11:22:30 | Penumbral | 1.0821 | -0.1379 | 250.7 |  |  | 9:17:09 | 13:27:51 |  |  |  |  |  |
| 11188 | 137 | 61 | 2646 Oct 16 | 19:00:12 | Penumbral | 1.1308 | -0.2304 | 241.4 |  |  | 16:59:30 | 21:00:54 |  |  |  |  |  |
| 11230 | 137 | 62 | 2664 Oct 27 | 2:45:20 | Penumbral | 1.1726 | -0.3102 | 232.7 |  |  | 0:48:59 | 4:41:41 |  |  |  |  |  |
| 11273 | 137 | 63 | 2682 Nov 07 | 10:37:27 | Penumbral | 1.2077 | -0.3776 | 225.0 |  |  | 8:44:57 | 12:29:57 |  |  |  |  |  |
| 11315 | 137 | 64 | 2700 Nov 18 | 18:35:06 | Penumbral | 1.2375 | -0.4352 | 218.0 |  |  | 16:46:06 | 20:24:06 |  |  |  |  |  |
| 11358 | 137 | 65 | 2718 Nov 30 | 2:39:40 | Penumbral | 1.2608 | -0.4808 | 212.5 |  |  | 0:53:25 | 4:25:55 |  |  |  |  |  |
| 11400 | 137 | 66 | 2736 Dec 10 | 10:49:08 | Penumbral | 1.2799 | -0.5183 | 207.8 |  |  | 9:05:14 | 12:33:02 |  |  |  |  |  |
| 11443 | 137 | 67 | 2754 Dec 21 | 19:03:15 | Penumbral | 1.2944 | -0.5472 | 204.3 |  |  | 17:21:06 | 20:45:24 |  |  |  |  |  |
| 11487 | 137 | 68 | 2773 Jan 01 | 3:19:29 | Penumbral | 1.3067 | -0.5717 | 201.3 |  |  | 1:38:50 | 5:00:08 |  |  |  |  |  |
| 11532 | 137 | 69 | 2791 Jan 12 | 11:38:09 | Penumbral | 1.3165 | -0.5914 | 198.9 |  |  | 9:58:42 | 13:17:36 |  |  |  |  |  |
| 11578 | 137 | 70 | 2809 Jan 22 | 19:56:13 | Penumbral | 1.3263 | -0.6107 | 196.3 |  |  | 18:18:04 | 21:34:22 |  |  |  |  |  |
| 11625 | 137 | 71 | 2827 Feb 03 | 4:12:29 | Penumbral | 1.3371 | -0.6314 | 193.2 |  |  | 2:35:53 | 5:49:05 |  |  |  |  |  |
| 11672 | 137 | 72 | 2845 Feb 13 | 12:25:13 | Penumbral | 1.3502 | -0.6561 | 188.9 |  |  | 10:50:46 | 13:59:40 |  |  |  |  |  |
| 11718 | 137 | 73 | 2863 Feb 24 | 20:33:14 | Penumbral | 1.3665 | -0.6864 | 183.1 |  |  | 19:01:41 | 22:04:47 |  |  |  |  |  |
| 11764 | 137 | 74 | 2881 Mar 07 | 4:34:07 | Penumbral | 1.3878 | -0.7256 | 174.7 |  |  | 3:06:46 | 6:01:28 |  |  |  |  |  |
| 11810 | 137 | 75 | 2899 Mar 18 | 12:27:24 | Penumbral | 1.4146 | -0.7748 | 163.0 |  |  | 11:05:54 | 13:48:54 |  |  |  |  |  |
| 11855 | 137 | 76 | 2917 Mar 29 | 20:11:52 | Penumbral | 1.4477 | -0.8350 | 146.6 |  |  | 18:58:34 | 21:25:10 |  |  |  |  |  |
| 11900 | 137 | 77 | 2935 Apr 10 | 3:47:50 | Penumbral | 1.4869 | -0.9066 | 123.4 |  |  | 2:46:08 | 4:49:32 |  |  |  |  |  |
| 11945 | 137 | 78 | 2953 Apr 20 | 11:12:26 | Penumbral | 1.5341 | -0.9928 | 86.0 |  |  | 10:29:26 | 11:55:26 |  |  |  |  |  |


title: Solamente Tu Amor

abstract: "Solamente Tu Amor" is a song written by Donato Poveda and performed by Puerto Rican singer Chayanne. It was released as the lead single from his seventh studio album Volver a Nacer. Its music video was filmed in Los Angeles. It was recognized as one of the best-performing songs of the year at the 1997 American Society of Composers, Authors and Publishers in the Pop/Rock category.

text:
# Solamente Tu Amor

"**Solamente Tu Amor**" ("Only Your Love") is a song written by Donato Poveda and performed by Puerto Rican singer Chayanne. It was released as the lead single from his seventh studio album *Volver a Nacer*. Its music video was filmed in Los Angeles. It was recognized as one of the best-performing songs of the year at the 1997 American Society of Composers, Authors and Publishers in the Pop/Rock category.

## Charts

## InfoBox

| "Solamente Tu Amor" | |
| --- | --- |
|  | |
| Single by Chayanne | |
| from the album  *Volver a Nacer* | |
| Released | 1996 |
| Studio | After Hours, Miami, FL
Brimmer Music Co, Thousand Oaks, CA
Music Design Studios, Miami, FL
O'Henry Studios, Burbank, CA
Riot Music, Miami, FL
South Beach Studios, Miami, FL |
| Genre | Latin pop |
| Length | 3:25 |
| Label | Sony Discos |
| Songwriter(s) | Donato Poveda |
| Producer(s) | Marcello Azevedo, Hal Batt, Manny Benito, Estéfano, Ronnie Foster, Donato Póveda |
| Chayanne singles chronology | |
| "Gavilán o Paloma"
(1995) "**Solamente Tu Amor**"
(1996) "Volver a Nacer"
(1997) | |


title: Šebkovice

abstract: Šebkovice is a municipality and village in Třebíč District in the Vysočina Region of the Czech Republic. It has about 500 inhabitants. Šebkovice lies approximately 12 kilometres (7 mi) south-west of Třebíč, 35 km (22 mi) south-east of Jihlava, and 147 km (91 mi) south-east of Prague.

text:
# Šebkovice

**Šebkovice** is a municipality and village in Třebíč District in the Vysočina Region of the Czech Republic. It has about 500 inhabitants.

Šebkovice lies approximately 12 kilometres (7 mi) south-west of Třebíč, 35 km (22 mi) south-east of Jihlava, and 147 km (91 mi) south-east of Prague.

## Demographics

Historical population
| Year | Pop. | ±% |
| --- | --- | --- |
| 1869 | 566 |  |
| 1880 | 538 | −4.9% |
| 1890 | 560 | +4.1% |
| 1900 | 590 | +5.4% |
| 1910 | 607 | +2.9% |
| 1921 | 638 | +5.1% |
| 1930 | 587 | −8.0% |
| 1950 | 533 | −9.2% |
| 1961 | 537 | +0.8% |
| 1970 | 521 | −3.0% |
| 1980 | 545 | +4.6% |
| 1991 | 507 | −7.0% |
| 2001 | 502 | −1.0% |
| 2011 | 456 | −9.2% |
| 2021 | 457 | +0.2% |
| Source: Censuses | | |

## InfoBox

| Šebkovice | |
| --- | --- |
| Municipality | |
| Centre of Šebkovice | |
|  | |
| ŠebkoviceLocation in the Czech Republic | |
| Coordinates: 49°7′23″N 15°48′49″E / 49.12306°N 15.81361°E / 49.12306; 15.81361 | |
| Country | Czech Republic |
| Region | Vysočina |
| District | Třebíč |
| First mentioned | 1349 |
| Area | |
| Total | 10.73 km2 (4.14 sq mi) |
| Elevation | 455 m (1,493 ft) |
| Population (2024-01-01) | |
| Total | 488 |
| Density | 45/km2 (120/sq mi) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 675 45 |
| Website | sebkovice.cz |


title: The Castle, Castle Eden

abstract: The Castle at Castle Eden, County Durham, England, is an 18th-century, Palladian style, mansion house and a Grade II* listed building. No trace remains of the medieval castle of Robert the Bruce. The historic listing states that "by 1678, Sir William Bromley owned the manor" and that in 1758, "William Throckmorton Bromley, sold the property to Rowland Burdon". At that time, "the estate was in poor condition and unenclosed, the chapel was in ruins and the mansion house had gone". Burdon enclosed the land, erected a church and built the manor house. The Burdon family of Castle Eden had their origins in Stockton on Tees, where the first Rowland Burdon was mayor nine times in the 17th century. His great-grandson Rowland Burdon III, a merchant banker, purchased the manor of Castle Eden in 1758, and in about 1765, with the assistance of architect William Newton, built the house which came to be known as The Castle. The house has three storeys and a seven-bay entrance front, and encompasses 15,102 square feet (1,403.0 m⁲). The central three bays are canted and the whole carries a castellated parapet. His grandson, Rowland Burdon V, was Member of Parliament for County Durham from 1790 to 1806, and his son Rowland VI was resident in 1861 and recorded in the census of that year as a farmer of 352 acres (1.42 km⁲). In 1881 the census records the resident as Rev John Burdon, a widower with two children and ten servants. In about 1863 the entrance frontage was enhanced by the addition of a single-storey six-bayed palmhouse, and in 1893 a north wing was added. Later Rowland Burdens served as High Sheriff of Durham in 1872 and 1907. The property was for sale in late 2020, with 14 acres of land; the castle then included 11 bedrooms and 15,102 square feet of space. Extensive restoration had been completed over the previous two decades. An article about the castle stated that "the dungeon is accessed via stone steps from the ground floor and includes many different rooms that span the entire footprint of the Castle".

text:
# The Castle, Castle Eden

**The Castle** at Castle Eden, County Durham, England, is an 18th-century, Palladian style, mansion house and a Grade II\* listed building. No trace remains of the medieval castle of Robert the Bruce.

The historic listing states that "by 1678, Sir William Bromley owned the manor" and that in 1758, "William Throckmorton Bromley, sold the property to Rowland Burdon". At that time, "the estate was in poor condition and unenclosed, the chapel was in ruins and the mansion house had gone". Burdon enclosed the land, erected a church and built the manor house.

The Burdon family of Castle Eden had their origins in Stockton on Tees, where the first Rowland Burdon was mayor nine times in the 17th century. His great-grandson Rowland Burdon III, a merchant banker, purchased the manor of Castle Eden in 1758, and in about 1765, with the assistance of architect William Newton, built the house which came to be known as *The Castle*. The house has three storeys and a seven-bay entrance front, and encompasses 15,102 square feet (1,403.0 m2). The central three bays are canted and the whole carries a castellated parapet.

His grandson, Rowland Burdon V, was Member of Parliament for County Durham from 1790 to 1806, and his son Rowland VI was resident in 1861 and recorded in the census of that year as a farmer of 352 acres (1.42 km2). In 1881 the census records the resident as Rev John Burdon, a widower with two children and ten servants.

In about 1863 the entrance frontage was enhanced by the addition of a single-storey six-bayed palmhouse, and in 1893 a north wing was added.

Later Rowland Burdens served as High Sheriff of Durham in 1872 and 1907.

The property was for sale in late 2020, with 14 acres of land; the castle then included 11 bedrooms and 15,102 square feet of space. Extensive restoration had been completed over the previous two decades. An article about the castle stated that "the dungeon is accessed via stone steps from the ground floor and includes many different rooms that span the entire footprint of the Castle".

54°44′32″N 1°20′14″W / 54.7423°N 1.3373°W / 54.7423; -1.3373


title: Venkatapura, Lingasugur

abstract:
Venkatapura is a village near Maski in the Lingasugur taluk of Raichur district in the Indian state of Karnataka. Venkatapura is a neolithic period site. 45 Cairns were found in the hills south to the village. Some of these cairns are 50 meters in diameter. Some are found in rings and pairs.
Venkatapura is 5 km from Maski town.

text:
# Venkatapura, Lingasugur

**Venkatapura** is a village near Maski in the Lingasugur taluk of Raichur district in the Indian state of Karnataka. Venkatapura is a neolithic period site. 45 Cairns were found in the hills south to the village. Some of these cairns are 50 meters in diameter. Some are found in rings and pairs. Venkatapura is 5 km from Maski town.

## InfoBox

| Venkatapura | |
| --- | --- |
| Village | |
| VenkatapuraVenkatapura | |
| Coordinates: 15°59′6.95″N 76°37′19.43″E / 15.9852639°N 76.6220639°E / 15.9852639; 76.6220639 | |
| Country | India |
| State | Karnataka |
| District | Raichur district |
| Taluk | Lingasugur |
| Languages | |
| Official | Kannada |
| Time zone | UTC+5:30 (IST) |
| Telephone code | 08537 |
| Vehicle registration | KA-36 |


title: Musgravetown

abstract: Musgravetown an incorporated municipality in the sheltered southwest corner of Bonavista Bay on the northeast coast of the island of Newfoundland of the Canadian province of Newfoundland and Labrador.

text:
# Musgravetown

**Musgravetown** (pop: 561 in 2021) an incorporated municipality in the sheltered southwest corner of Bonavista Bay on the northeast coast of the island of Newfoundland of the Canadian province of Newfoundland and Labrador.

## Demographics

In the 2021 Census of Population conducted by Statistics Canada, Musgravetown had a population of 561 living in 246 of its 301 total private dwellings, a change of -0.5% from its 2016 population of 564. With a land area of 13.49 km2 (5.21 sq mi), it had a population density of 41.6/km2 (107.7/sq mi) in 2021.

## InfoBox

| Musgravetown | |
| --- | --- |
| Town | |
| MusgravetownLocation of MusgravetownMusgravetownMusgravetown (Canada) | |
| Coordinates: 48°24′51″N 53°53′32″W / 48.41417°N 53.89222°W / 48.41417; -53.89222 | |
| Country | Canada |
| Province | Newfoundland and Labrador |
| Settled | 1863 |
| Population (2021) | |
| Total | 561 |
| Time zone | UTC−03:30 (NST) |
| Summer (DST) | UTC−02:30 (NDT) |
| Area code | 709 |
| Highways | Route 233 |


abstract: École élémentaire et secondaire publique l'Équinoxe is a primary and secondary school in Pembroke, Ontario. The school opened in September 1999 with 75 students from kindergarten to grade 8. The following year, a grade 9 was added, and a grade 10 the year after. The first graduation at l'Équinoxe was in 2006. With the student population growing every year, the school moved to a bigger building in 2007. The school now has more than 250 students from kindergarten to grade 12. In this school they only speak French with one English class every other day from grade 4 to 12.

text:
# École élémentaire et secondaire publique l'Équinoxe

**École élémentaire et secondaire publique l'Équinoxe** is a primary and secondary school in Pembroke, Ontario. The school opened in September 1999 with 75 students from kindergarten to grade 8. The following year, a grade 9 was added, and a grade 10 the year after. The first graduation at l'Équinoxe was in 2006.

With the student population growing every year, the school moved to a bigger building in 2007. The school now has more than 250 students from kindergarten to grade 12. In this school they only speak French with one English class every other day from grade 4 to 12.

45°49′25″N 77°07′18″W / 45.8235°N 77.1217°W / 45.8235; -77.1217


title: New Variety

abstract: The New Variety is an American cabaret created and produced by Thomas Goodman and Richard O'Donnell. It was a fast-paced, ever-changing volley of acts that included jugglers, fire-eaters, stand-up comics, singers, musicians, and sketch comedy troupes. It was hailed by June Sawyer of the Chicago Tribune as a cabaret for the '90s.

text:
# New Variety

The **New Variety** is an American cabaret created and produced by Thomas Goodman and Richard O'Donnell. It was a fast-paced, ever-changing volley of acts that included jugglers, fire-eaters, stand-up comics, singers, musicians, and sketch comedy troupes. It was hailed by June Sawyer of the Chicago Tribune as a cabaret for the '90s.

## History

In February 1992, producers Thomas Goodman (founder of CrossCurrents Cabaret) and R. O’Donnell (co-founder of New Age Vaudeville) teamed up to present the New Variety, located at 400 N. Clark, downtown Chicago. Modeled after the vaudeville variety shows of the ‘20s and '30s, the New Variety presented an evening’s worth of acts that included jugglers, fire-eaters, comics, singers, musicians, and sketch comedy troupes.

### Venues

#### New Variety Cabaret

The original location of the New Variety was the upstairs of the Italian restaurant Bellagio. Built specifically for the show, the cabaret was an elegant and intimate 100-seat theater, revealing a sophisticated art deco-style decor. The audience sat at round black tables with green and black chairs around a small black-and-white checkered stage, slightly raised.

Hailed by the June Sawyer of the *Chicago Tribune* as a Cabaret for the 90s. the bill included artistic director and host Richard O'Donnell (billed as "R."), jazz band the Vince Willis Trio, juggler extraordinaire Andy Head, drummer Donny DeMarco Jr., tap dancer Ayrie King, stand-up comedy by John Tamborino, and Saxophonist Sarah Underwood, followed by a crowning performance by the incomparable blues chanteuse Barbara LeShoure.

#### Improv Comedy Club

In August, 1993, the New Variety moved to the Chicago Improv, (504 N. Wells) and was responsible for changing a faltering 3-ring comedy presentation into a successful variety format. The New Variety now offered a more streamlined, commercial show. Acts included artistic director & host R. O’Donnell, stand-up comics such as Paul Gilmartin (Dinner and a movie, host), Kevin Rogers, and Steve Seagren and sketch comedy troupes including the all-girl Nude Coffee, the all-gay The Boys in the Bathroom, and the all-improv The Upright Citizens Brigade. Dr. Boom (who literally blew things up on stage) was the highlight of the evening.

The Chicago Improv was a 400-seat theater whereby audience members sat at long tables in a room about the size of your high school cafeteria. Scott Seigel re-designed the original look of the stage to accommodate the New Variety's edgier feel.

## Regular Acts

Boys in the Bathroom
Matt Besser
Upright Citizens Brigade (Matt Besser, Ian Roberts, Ali Farahnakian, Adam McKay, Rick Roman, and Horatio Sanz)
Dr. Boom
Nude Coffee
Ectomorph (Darren Bodeker, Bart Heird and Jim Kopsian)
Andy Head
Ayrie "Mr. Taps" King
R. O'Donnell (host)
Kevin Rogers
Steve Seagren
The Sound (A cappella group), Paul Mabin, Greg Vaden, Kevin Kent and Keevin Peuse
John Tamborino
Obediah Thomas
Vince Willis Trio
Sarah Underwood

## InfoBox

| NEW VARIETY | |
| --- | --- |
| New Variety Improv ad | |
| Company | Goodman & O'Donnell |
| Genre | variety
stand-up comedy
jazz
blues
sketch comedy
improv |
| Show type | touring / clubs |
| Location | Chicago Improv |
| Creative team | |
| Produced by | Thom Goodman, R. O'Donnell, Scott Siegel |
| Directed & Staged by | R. O'Donnell |
| Musical Director | Vince Willis
George Goetchell |
| Production Design | Scott Siegel & O'Donnell |
| Other information | |
| Years Active | 1992-94 |


title: Legions of Bastards

abstract: Legions of Bastards is the sixth full studio album by Swedish heavy metal band Wolf, which was released in April 2011 via Century Media Records. It was the band's last album featuring guitarist Johannes Axeman Losbäck, who was replaced by Simon Johansson.

text:
# Legions of Bastards

***Legions of Bastards*** is the sixth full studio album by Swedish heavy metal band Wolf, which was released in April 2011 via Century Media Records. It was the band's last album featuring guitarist Johannes Axeman Losbäck, who was replaced by Simon Johansson.

## Track listing

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Vicious Companions" | 03:41 |
| 2. | "Skull Crusher" | 03:47 |
| 3. | "Full Moon Possession" | 04:26 |
| 4. | "Jekyll & Hyde" | 05:39 |
| 5. | "Absinthe" | 04:44 |
| 6. | "Tales from the Crypt" | 05:55 |
| 7. | "Nocturnal Rites" | 05:30 |
| 8. | "Road to Hell" | 04:15 |
| 9. | "False Preacher" | 03:57 |
| 10. | "Hope to Die" | 04:34 |
| 11. | "K-141 Kursk" | 06:03 |
| Total length: | | 52:31 |

## Personnel

**Band**

* Niklas Stålvind – vocals, guitar
* Johannes Axeman Losbäck – guitar
* Anders G Modd – bass guitar
* Richard A Holmgren – drums

**Production**

## InfoBox

| Legions of Bastards | |
| --- | --- |
|  | |
| Studio album by Wolf | |
| Released | April 2011 |
| Recorded | 2010 |
| Genre | Heavy metal, power metal |
| Length | 52:31 |
| Label | Century Media |
| Producer | Pelle Saether |
| Wolf chronology | |
| *Ravenous*
(2009) ***Legions of Bastards***
(2011) *Devil Seed*
(2014) | |


title: Luys Bien

abstract:
Luys Bien is a Dominican singer, musician and songwriter. He interprets poetical lyrics with a melodious voice in a variety of Latin music genres, including bachata, merengue, bolero and salsa.
In 2022, Luys Bien released his first collaboration, Latidos de Tambor with the legendary musician Ramón Orlando.

text:
# Luys Bien

**Luys Bien** is a Dominican singer, musician and songwriter. He interprets poetical lyrics with a melodious voice in a variety of Latin music genres, including bachata, merengue, bolero and salsa. In 2022, Luys Bien released his first collaboration, *Latidos de Tambor* with the legendary musician Ramón Orlando.

## Biography

Luys Bien debuted in December 2020 with *Firme Albor*, an EP of five songs written by Dominican poet Cristino Gómez. *Firme Albor* tells the story of a lover whom moves from living in solitude and sad verses to living the dreamed love and singing lovely tunes. A year later, in December 2021, Luys Bien released "Mujer Amiga" a merengue arranged and produced by Dominican legendary musician Ramón Orlando.

Previously, in 2021 Luys Bien released an adaptations to bachata from the Taiwanese song "Ho Hay Yan 喔嗨洋" by Suming.

Also in 2021, Luys Bien aired the singles "Aún Te Amo" and "Déjame Nacer", a lullaby at Dominican rhythm pambiche.

In summer of 2022, Luys Bien released the merengue "Nos Queremos Tanto".

## Discography

### EP

### Singles

* "Cuando Ya Dolía" (2024)
* "Regresar Para Qué" (2023)

## InfoBox

| Luys Bien | |
| --- | --- |
| Born | Dominican Republic |
| Occupations | * Singer * musician * songwriter |
| **Musical career** | |
| Genres |  |
| Instruments | * Vocals * guitar |
|  | |


title: Solar telescope

abstract: A solar telescope or a solar observatory is a special-purpose telescope used to observe the Sun. Solar telescopes usually detect light with wavelengths in, or not far outside, the visible spectrum. Obsolete names for Sun telescopes include heliograph and photoheliograph

text:
# Solar telescope

A **solar telescope** or a **solar observatory** is a special-purpose telescope used to observe the Sun. Solar telescopes usually detect light with wavelengths in, or not far outside, the visible spectrum. Obsolete names for Sun telescopes include **heliograph** and **photoheliograph**

## Professional solar telescopes

Solar telescopes need optics large enough to achieve the best possible diffraction limit but less so for the associated light-collecting power of other astronomical telescopes. However, recently newer narrower filters and higher framerates have also driven solar telescopes towards photon-starved operations. Both the Daniel K. Inouye Solar Telescope as well as the proposed European Solar Telescope (EST) have larger apertures not only to increase the resolution, but also to increase the light-collecting power.

Because solar telescopes operate during the day, seeing is generally worse than for night-time telescopes, because the ground around the telescope is heated, which causes turbulence and degrades the resolution. To alleviate this, solar telescopes are usually built on towers and the structures are painted white. The Dutch Open Telescope is built on an open framework to allow the wind to pass through the complete structure and provide cooling around the telescope's main mirror.

Another solar telescope-specific problem is the heat generated by the tightly-focused sunlight. For this reason, a heat stop is an integral part of the design of solar telescopes. For the Daniel K. Inouye Solar Telescope, the heat load is 2.5 MW/m2, with peak powers of 11.4 kW. The goal of such a heat stop is not only to survive this heat load, but also to remain cool enough not to induce any additional turbulence inside the telescope's dome.

Professional solar observatories may have main optical elements with very long focal lengths (although not always, Dutch Open Telescope) and light paths operating in a vacuum or helium to eliminate air motion due to convection inside the telescope. However, this is not possible for apertures over 1 meter, at which the pressure difference at the entrance window of the vacuum tube becomes too large. Therefore, the Daniel K. Inouye Solar Telescope and the EST have active cooling of the dome to minimize the temperature difference between the air inside and outside the telescope.

Due to the Sun's narrow path across the sky, some solar telescopes are fixed in position (and are sometimes buried underground), with the only moving part being a heliostat to track the Sun. One example of this is the McMath-Pierce Solar Telescope.

The Sun, being the closest star to earth, allows a unique chance to study stellar physics with high-resolution. It was, until the 1990s, the only star whose surface had been resolved. General topics that interest a solar astronomer are its 11-year periodicity (i.e., the Solar Cycle), sunspots, magnetic field activity (see solar dynamo), solar flares, coronal mass ejections, differential rotation, and plasma physics.

## Other types of observation

Most solar observatories observe optically at visible, UV, and near infrared wavelengths, but other solar phenomena can be observed — albeit not from the Earth's surface due to the absorption of the atmosphere:

## Amateur solar telescopes

In the field of amateur astronomy there are many methods used to observe the Sun. Amateurs use everything from simple systems to project the Sun on a piece of white paper, light blocking filters, Herschel wedges which redirect 95% of the light and heat away from the eyepiece, up to hydrogen-alpha filter systems and even home built spectrohelioscopes. In contrast to professional telescopes, amateur solar telescopes are usually much smaller.

With a conventional telescope, an extremely dark filter at the opening of the primary tube is used to reduce the light of the Sun to tolerable levels. Since the full available spectrum is observed, this is known as "white-light" viewing, and the opening filter is called a "white-light filter". The problem is that even reduced, the full spectrum of white light tends to obscure many of the specific features associated with solar activity, such as prominences and details of the chromosphere. Specialized solar telescopes facilitate clear observation of such H-alpha emissions by using a bandwidth filter implemented with a Fabry-Perot etalon.

## Solar tower

A **solar tower** is a structure used to support equipment for studying the Sun, and is typically part of solar telescope designs. Solar tower observatories are also called vacuum tower telescopes. Solar towers are used to raise the observation equipment above atmospheric turbulence caused by solar heating of the ground and the radiation of the heat into the atmosphere. Traditional observatories do not have to be placed high above ground level, as they do most of their observation at night, when ground radiation is at a minimum.

The horizontal Snow solar observatory was built on Mount Wilson in 1904. It was soon found that heat radiation was disrupting observations. Almost as soon as the Snow Observatory opened, plans were started for a 60-foot-tall (18 m) tower that opened in 1908 followed by a 150-foot (46 m) tower in 1912. The 60-foot tower is currently used to study helioseismology, while the 150-foot tower is active in UCLA's Solar Cycle Program.

The term has also been used to refer to other structures used for experimental purposes, such as the Solar Tower Atmospheric Cherenkov Effect Experiment (STACEE), which is being used to study Cherenkov radiation, and the Weizmann Institute solar power tower.

Other solar telescopes that have solar towers are Richard B. Dunn Solar Telescope, Solar Observatory Tower Meudon and others.

## Heliophysics missions

## Selected solar telescopes


title: The Castle, Halton

abstract: The Castle, formerly known as The Castle Hotel, is a public house and former Georgian courthouse on Halton Hill in Halton, Runcorn, Cheshire, England. Its side walls are continuous with the curtain walls of the ruins of Halton Castle. It is recorded in the National Heritage List for England as a designated Grade II* listed building.

text:
# The Castle, Halton

**The Castle**, formerly known as **The Castle Hotel**, is a public house and former Georgian courthouse on Halton Hill in Halton, Runcorn, Cheshire, England. Its side walls are continuous with the curtain walls of the ruins of Halton Castle. It is recorded in the National Heritage List for England as a designated Grade II\* listed building.

## History

The building was originally a courthouse. The court at Halton had been held in the gatehouse of the castle. However, by 1737 its structure had deteriorated so badly that it was decided to build a new courthouse on the site of the gatehouse, using some of the stones from the previous building. The courtroom was on the first floor of the building and prisoners were held in cells in the basement.

## Architecture

The courthouse is constructed in red sandstone and it has a slate hipped roof. It has two storeys and seven bays; the lateral two bays project forward on each side. An outside staircase leads up to the first-floor door to the courtroom. Over its door are the Royal court of arms. Inside the courtroom is a marble tablet containing an inscription commemorating the completion of its building.

## InfoBox

| The Castle | |
| --- | --- |
| The Castle public house with castle ruins to the right | |
| Location | Halton Hill, Halton, Runcorn, Cheshire, England |
| Coordinates | 53°19′59″N 2°41′45″W / 53.3330°N 2.6957°W / 53.3330; -2.6957 |
| OS grid reference | SJ 540 820 |
| Built | 1737 (1737) |
| Website | thecastlehalton.co.uk |
|  | |
| Listed Building – Grade II\* | |
| Designated | 20 October 1952 |
| Reference no. | 1115543 |
|  | |
|  | |
| Location in Cheshire | |


title: Vicar of Bray (term)

abstract: The Vicar of Bray is a satirical description of an individual fundamentally changing his principles to remain in ecclesiastical office as external requirements change around him. The religious upheavals in England from 1533 to 1559 made it impossible for any devout clergyman to comply with all the successive requirements of the established church. The original figure was the vicar Simon Aleyn, although clerics who faced vicissitudes resulted in revised versions of the story. A satirical 18th-century song, "The Vicar of Bray", recounts the career of a vicar of Bray, Berkshire, towards the end of this period and his contortions of principle in order to retain his ecclesiastic office despite the changes through the course of several monarchs from Charles II to George I. A comic opera covers a later period in 18th-century history, while a film set in Bray, County Wicklow, in Ireland, covers Charles I, the English Civil War, the Commonwealth of England, The Protectorate, and restoration of Charles II. The Vicar of Bray "personif(ies) the archetypically Anglican knack for tasteful ambiguity that precludes the vulgar dialectic of yes or no. "So, is it both/and or either/or, your Grace?" "Well, surely we must say it's both, mustn't we?" It's a talent developed to an art form in the Anglican tradition."

text:
# Vicar of Bray (term)

The **Vicar of Bray** is a satirical description of an individual fundamentally changing his principles to remain in ecclesiastical office as external requirements change around him. The religious upheavals in England from 1533 to 1559 (and then from 1633 to 1715) made it impossible for any devout clergyman to comply with all the successive requirements of the established church. The original figure was the vicar Simon Aleyn, although clerics who faced vicissitudes resulted in revised versions of the story.

A satirical 18th-century song, "The Vicar of Bray", recounts the career of a vicar of Bray, Berkshire, towards the end of this period and his contortions of principle in order to retain his ecclesiastic office despite the changes through the course of several monarchs from Charles II to George I. A comic opera covers a later period in 18th-century history, while a film set in Bray, County Wicklow, in Ireland, covers Charles I, the English Civil War, the Commonwealth of England, The Protectorate, and restoration of Charles II.

*The Vicar of Bray* "personif(ies) the archetypically Anglican knack for tasteful ambiguity that precludes the vulgar dialectic of yes or no. "So, is it both/and or either/or, your Grace?" "Well, surely we must say it's both, mustn't we?" It's a talent developed to an art form in the Anglican tradition."

## Historical basis

The parish alluded to in most versions of the song is Bray, Berkshire, which at the time was almost wholly rural and agrarian. An early textual source for the legend of a long-standing, resilient and pliable incumbent of the parish of Bray was provided by Thomas Fuller (d. 1661) in his *Worthies of England*. Fuller's account of the story runs as follows:

> The vivacious vicar \[of Bray\] living under King Henry VIII, King Edward VI, Queen Mary, and Queen Elizabeth, was first a Papist, then a Protestant, then a Papist, then a Protestant again. He had seen some martyrs burnt (two miles off) at Windsor and found this fire too hot for his tender temper.
>
> This vicar, being taxed \[attacked\] by one for being a turncoat and an inconstant changeling, said, "Not so, for I always kept my principle, which is this – to live and die the Vicar of Bray."
>
> *Worthies of England*, published 1662

However, according to the facts of who held the benefice, the vicar alluded to by Fuller seems actually to have been two or more separate incumbents. Simon Symonds was vicar of Bray in 1522-51 during the reigns of Henry VIII and Edward VI. Simon Aleyn was vicar in 1557–1565 under Mary and Elizabeth.

It seems that Bray's Tudor clerics set a precedent, and the commonest version of the song today is based on events in the Stuart period. The incumbent during that period was Francis Carswell, vicar for 42 years, from 1667, who died in Bray in 1709. He was among very few clerics in England to minister to parishioners throughout such a long and fraught historical period, including the years after The Restoration and the Glorious Revolution.

Several other clerics inspired variants of the tradition and song, according to their location and date. They include:

## The song

In the song "The Vicar of Bray", the eponymous vicar was the clergyman of St Michael's Church, Bray. The most familiar version of the lyrics recount his adaptability (some would say amorality) over half a century, from the reigns of Charles II to George I. Over this period, he embraced whichever form of liturgy, Protestant or Catholic, was favoured by the monarch of the day in order to retain his position as vicar of Bray.

## Comic opera

*The Vicar of Bray* is an 1882 comic opera by Sydney Grundy and Edward Solomon. The opera is based on the character described in the 18th-century song, as well as on *The History of Sandford and Merton*, a series of 18th century moral tales.

## 1937 film version

A film version of the tale was released in 1937 starring Stanley Holloway as the vicar. In the film, the vicar (of Bray, County Wicklow, in Ireland) is given a more positive character and events are placed at a slightly earlier period, during the English Civil War. He successfully protects his parishioners by adopting a diplomatic approach during the turbulent events and secures forgiveness for moderate rebels from the restored Charles II.

## Cultural impact

The Tower of Bray is also referred to in the song *Parlour Songs* in the Stephen Sondheim musical *Sweeney Todd*, although the song has been removed from more recent performances of that musical.

George Orwell wrote an essay called *A Good Word for the Vicar of Bray*.

A scientific hypothesis is named after the Vicar of Bray that attempts to explain why sexual reproduction might be favoured over asexual reproduction.

*Vicar of Bray* is the name of the last-known surviving Whitehaven wooden-built ship. It was launched on 22 April 1841 by Robert Hardy.


title: Musala camp

abstract: The Musala camp was a prison camp in Konjic, Bosnia and Herzegovina operated by the Army of the Republic of Bosnia and Herzegovina (ARBiH) that was used to detain Bosnian Serbs and Bosnian Croats.

text:
# Musala camp

The **Musala camp** was a prison camp in Konjic, Bosnia and Herzegovina operated by the Army of the Republic of Bosnia and Herzegovina (ARBiH) that was used to detain Bosnian Serbs and Bosnian Croats.

## History

The Serb prisoners were initially captured during joint military operations conducted by joint Croatian Defence Council (HVO) and Bosnian Territorial Defence Forces (TO) in villages surrounding the municipality of Konjic in May 1992. While many of the men were taken to the Čelebići camp, some were transported to the Musala sports hall in Konjic. The sports hall was converted into a detention facility. With the Croat-Bosniak War, the camp would also be used for the detainment of Croats by the ARBiH.

According to witnesses, on 15 June 1992, detainees were ordered to take their seats in the camp gym during a shelling of the camp by the ARBiH, thus preventing them to take cover while the camp guards went to take cover in a safer place. As a result, 13 Serb prisoners were killed while dozens of others were severely or lightly wounded.

In July 2013, Ibro Macić, a former ARBiH member, was charged with inhumane treatment and mistreatment of prisoners at the camp from April to October 1993. According to the indictment, Macić, along with some other Bosnian Army servicemen, ordered sexual assaults on four prisoners. They were beaten, sexually abused and had their genitals burned. In 2015, Macić was sentenced to ten years in prison after being found guilty of participating in the mistreatment and physical, mental, and sexual abuse of several Serb and Croat prisoners. Macić was also found guilty for the massacre of four elderly Serb women in the village of Blaca.

In 2016, former military policeman Edhem Žilić was charged with war crimes against civilians in the Konjic area, including the beating and abuse of Croat and Serb detainees at the camp. Žilić, who was the acting manager of the facility, was convicted in November 2017 and sentenced to nine years; his sentence was reduced following an appeal to six years in May 2018.

## InfoBox

| Musala camp | |
| --- | --- |
| Detainment camp | |
| Musala campLocation of Musala camp within Bosnia and Herzegovina | |
| Coordinates | 43°39′05″N 17°57′52″E / 43.65139°N 17.96444°E / 43.65139; 17.96444 |
| Location | Konjic, Bosnia and Herzegovina |
| Operated by | Army of the Republic of Bosnia and Herzegovina |
| Operational | May 1992–October 1994 |
| Inmates | Bosnian Serbs and Bosnian Croats |
| Killed | 13 |


title: North Wing Sport X2

abstract: The North Wing Sport X2 is an American ultralight trike, designed and produced by North Wing Design of Chelan, Washington. The aircraft is supplied as a kit for amateur construction or as a complete ready-to-fly-aircraft.

text:
# North Wing Sport X2

The **North Wing Sport X2** is an American ultralight trike, designed and produced by North Wing Design of Chelan, Washington. The aircraft is supplied as a kit for amateur construction or as a complete ready-to-fly-aircraft.

## Design and development

The X2 was designed to comply with the Fédération Aéronautique Internationale microlight category and the US light-sport aircraft rules. It is listed on the Federal Aviation Administration's list of accepted SLSAs.

The X2 features a strut-braced hang glider-style high-wing, weight-shift controls, a two-seats-in-tandem open cockpit with a cockpit fairing, tricycle landing gear with wheel pants and a single engine in pusher configuration.

The aircraft is made from bolted-together aluminum tubing, with its double surface wing covered in Dacron sailcloth. Its 9.6 m (31.5 ft) span wing is supported by struts and uses an "A" frame weight-shift control bar. The SLSA's powerplant is a twin cylinder, liquid-cooled, two-stroke, dual-ignition 64 hp (48 kW) Rotax 582 engine. Other engines are available for the kit-built versions, including the four cylinder, air and liquid-cooled, four-stroke, dual-ignition 80 hp (60 kW) Rotax 912UL and the 60 hp (45 kW) HKS 700E engine. With the Rotax 582 engine the aircraft has an empty weight of 450 lb (204 kg) and a gross weight of 1,060 lb (481 kg), giving a useful load of 610 lb (277 kg).

A number of different wings can be fitted to the basic carriage, including the North Wing Apache 3 or the North Wing Quest GT5. The North Wing M-Pulse 2 was formerly the standard wing.

## Variants

Sport X2 Apache Fully equipped version Sport X2 Navajo Minimally equipped version

## Specifications (Sport X2 Apache)

*Data from* Bayerl

**General characteristics**

* **Crew:** one
* **Capacity:** one passenger
* **Wingspan:** 9.6 m (31 ft 6 in)
* **Wing area:** 15.0 m2 (161 sq ft)
* **Empty weight:** 204 kg (450 lb)
* **Gross weight:** 481 kg (1,060 lb)
* **Powerplant:** 1 × Rotax 582 twin cylinder, liquid-cooled, two stroke aircraft engine, 48 kW (64 hp)

**Performance**

* **Cruise speed:** 76 km/h (47 mph, 41 kn)
* **Stall speed:** 55 km/h (34 mph, 30 kn)
* **Rate of climb:** 3.0 m/s (590 ft/min)
* **Wing loading:** 32.1 kg/m2 (6.6 lb/sq ft)

## InfoBox

| Sport X2 | |
| --- | --- |
| Role | Ultralight trike |
| National origin | United States |
| Manufacturer | North Wing Design |
| Status | In production (2013) |


title: Nguyễn Hà Thanh

abstract: Nguyễn Hà Thanh, is a Vietnamese artistic gymnast from Hanoi. In 2012, he became the first gymnast to win a gold medal for Vietnam at World Challenge Cup, winning on at the 2012 Artistic Gymnastics FIG World Cup in Ostrava, Czech Republic.

text:
# Nguyễn Hà Thanh

**Nguyễn Hà Thanh** (born 1988), is a Vietnamese artistic gymnast from Hanoi. In 2012, he became the first gymnast to win a gold medal for Vietnam at World Challenge Cup, winning on at the 2012 Artistic Gymnastics FIG World Cup in Ostrava, Czech Republic.

## InfoBox

Nguyen Ha Thanh
| Personal information | |
| --- | --- |
| Full name | Nguyễn Hà Thanh |
| Nationality | Vietnamese |
| Born | 1988<br>Hanoi |
| Sport | |
| Country | Vietnam |
| Sport | Gymnastics |
| Event | Artistic |
| Medal record      Representing  Vietnam  Artistic Gymnastics  Artistic Gymnastics FIG World Cup  2012 Ostrava  Vault  2013 Cottbus  Parallel Bar  2012 Ostrava  Parallel Bar  2013 La Roche-sur-Yon  Vault  Asian Championships  2012 Putian  Parallel Bar  2012 Putian  Vault  Southeast Asian Games  2007 Thailand  Parallel Bar  2011 Indonesia  Team  2011 Indonesia  Parallel Bar  2005 Philippines  Parallel Bar  2005 Philippines  Rings  2007 Thailand  Team  2005 Philippines  Team  2011 Indonesia  Vault | |


title: Legs from Here to Homeworld

abstract: "Legs from Here to Homeworld" is the 25th episode of the fifth season of the American animated television series Steven Universe, and the 153rd episode of the series overall. It was directed by Kat Morris and Liz Artinian and written and storyboarded by Danny Cragg, Hilary Florido, and Tom Herpich, from a story by Morris, Matt Burnett, Ben Levin, Joe Johnston, and series creator and executive producer Rebecca Sugar. It premiered at the Steven Universe panel at San Diego Comic-Con on July 21, 2018, before being released on the Cartoon Network app and website the following day; it was broadcast on television on December 17, 2018. Following up on the events of the previous episode "Reunited", "Legs from Here to Homeworld" sees the Diamonds take Steven and the Crystal Gems back to Homeworld to seek help to cure all corrupted Gems on Earth. The episode ends with the introduction of White Diamond, a character theorized about for years by the fans; although she had been hinted at since early in the show's run and her hand could briefly be seen in a flashback in "Your Mother and Mine" earlier in season five, her existence and name had never been officially confirmed prior to the episode, and she was regarded as one of the biggest mysteries of the series. The episode received acclaim from critics, who praised White Diamond's reveal, design, and interaction with Steven, as well as Christine Ebersole's performance as the character; many felt that White Diamond's introduction immediately established her as an impactful and intriguing character, with several reviewers calling her "terrifying".

text:
# Legs from Here to Homeworld

"**Legs from Here to Homeworld**" is the 25th episode of the fifth season of the American animated television series *Steven Universe*, and the 153rd episode of the series overall. It was directed by Kat Morris and Liz Artinian and written and storyboarded by Danny Cragg, Hilary Florido, and Tom Herpich, from a story by Morris, Matt Burnett, Ben Levin, Joe Johnston, and series creator and executive producer Rebecca Sugar. It premiered at the *Steven Universe* panel at San Diego Comic-Con on July 21, 2018, before being released on the Cartoon Network app and website the following day; it was broadcast on television on December 17, 2018.

Following up on the events of the previous episode "Reunited", "Legs from Here to Homeworld" sees the Diamonds take Steven and the Crystal Gems back to Homeworld to seek help to cure all corrupted Gems on Earth. The episode ends with the introduction of White Diamond, a character theorized about for years by the fans; although she had been hinted at since early in the show's run and her hand could briefly be seen in a flashback in "Your Mother and Mine" earlier in season five, her existence and name had never been officially confirmed prior to the episode, and she was regarded as one of the biggest mysteries of the series.

The episode received acclaim from critics, who praised White Diamond's reveal, design, and interaction with Steven, as well as Christine Ebersole's performance as the character; many felt that White Diamond's introduction immediately established her as an impactful and intriguing character, with several reviewers calling her "terrifying".

## Plot

Yellow and Blue Diamond (Patti LuPone and Lisa Hannigan) have ceased attacking the Crystal Gems after learning that Pink Diamond and Rose Quartz are one and the same. They address Steven (Zach Callison) as Pink Diamond as well, despite his attempt to explain that he is a different person.

The two Diamonds also learn that their attack millennia ago in response to Pink's ostensible demise corrupted the remaining Gems on Earth into feral monsters, instead of obliterating them as intended. Steven convinces them to try to heal the corrupted Gems, but the three's combined attempt to restore the corrupted Gem "Centipeedle" to her original form Nephrite (Aparna Nancherla) produces only a temporary recovery. The Diamonds suggest they could permanently heal corrupted Gems with the aid of White Diamond, who has not left the Gem Homeworld in eons. Pearl (Deedee Magno Hall) warns Steven that White is like no other Gem, not even the other Diamonds.

As the Diamonds' spaceships were destroyed in the previous battle, in order to travel to Homeworld, Steven unearths Pink Diamond's long-abandoned ship, which is shaped like a giant pair of legs, from her junk pile in the desert. Steven, Pearl, Garnet (Estelle), Amethyst (Michaela Dietz), Connie (Grace Rolek), Yellow, and Blue prepare for the journey. Bismuth (Uzo Aduba), due to her animosity toward the Diamonds, decides to stay on Earth and look after the gems of Peridot and Lapis Lazuli, whose physical forms were destabilized during the battle. She advises Steven to take advantage of the fact that the Diamonds think he is Pink Diamond in order to assert himself among them. During the journey, the Diamonds become anxious at the prospect of facing White, fearing her response to learning the truth about the rebellion.

Upon arrival on Homeworld, the group is surprised to be greeted by a large crowd of cheering Gems. Although Yellow and Blue intend to speak with White first to defuse any possible backlash, White Diamond's Pearl (Christine Ebersole) unexpectedly appears and spirits Steven away. Steven is brought to White Diamond (also voiced by Ebersole), who welcomes "Pink Diamond" back without giving him the opportunity to speak, and sends him away to an isolated, empty pink room.

## Production

### Development

"Legs from Here to Homeworld" was directed by supervising director and co-writer Kat Morris and art director Liz Artinian. Danny Cragg, Hilary Florido, and former *Adventure Time* crew member Tom Herpich wrote and storyboarded the episode, from a story by Kat Morris, Matt Burnett, Ben Levin, Joe Johnston, and series creator and executive producer Rebecca Sugar; Herpich originally worked as a background designer on the show's pilot "The Time Thing", and had re-joined the *Steven Universe* crew for "Reunited", of which he co-wrote the story.

### White Diamond reveal

The existence of White Diamond had been hinted at via background art since early in the series, which led many fans to theorize about her for years. *The Economic Times* called White Diamond's identity "one of the biggest mysteries of the series."

The character's basic design was first seen in the second season episode "It Could Have Been Great", in which she is represented on a mural with the other Diamonds; her hand could also briefly be seen in a flashback in the season five episode "Your Mother and Mine". However, the character's existence had never been officially confirmed before the episode.

Cartoon Network mentioned the character's name two days before the episode's premiere, when they promoted a 3-D Photobooth at San Diego Comic-Con stating: "Fans also got a sneak peek of White Diamond’s eyes"; however, her name had never been mentioned in the series before the episode. Patti LuPone, who voices Yellow Diamond, unofficially confirmed the character in 2017 by telling a fan that her *War Paint* co-star Christine Ebersole was the voice of White Diamond. White Diamond's Pearl is also voiced by Ebersole, marking the first time Deedee Magno Hall does not voice a Pearl character.

Sugar stated that the character would be further explored in future episodes and that fans would also learn more about Pink Diamond through White's story.

## Release and reception

### Premiere

The episode premiered at the *Steven Universe* panel during San Diego Comic-Con on July 21, 2018. It was released on the Cartoon Network app and website the following day. It was broadcast on television on December 17, 2018, and it was viewed by 0.631 million people.

### Critical reception

The episode received critical acclaim. Although it was acknowledged as a transition episode, the introduction of White Diamond and her dialogue, design, and Christine Ebersole's performance as the character all received high praise. The scenes with Nephrite and Pink Diamond's ship were also positively received.

*Hidden Remote* called "Legs from Here to Homeworld" "a good episode in and of itself, but it's not until the final moments that it becomes something altogether frightening". They highly praised White Diamond, calling her "terrifying", and "equal parts captivating and horrifying", stating that "White looks completely unnatural, almost angelic. The design actually is exquisite in how unsettling it is, but what truly takes it over the edge is the voice of Christine Ebersole. She has this kind of uncomfortable ease with the way she speaks that it feels like talking to someone who's having a dissociative episode".

*Comic Book Resources* highly praised White Diamond, calling her "terrifying in the way that some of the strange and beautiful cosmic entities of DC and Marvel comics are. Her body is perfectly symmetrical, her face is an abstract glowing shape and her voice has a Mary Poppins, sing-song quality to it that dares you to defy her through measured politeness. \[...\] It's an introduction that is somehow everything and nothing like what we were expecting of the enigmatic Gem Empress." *The Mary Sue* called White Diamond "scary": "This was quite an impressive introduction to White Diamond as a future antagonist. Not only is their design both alien and unsettling, but paired with their stature and opened-toed heels (and perfectly polished nails), you know this ain’t the diamond to mess with. \[...\] Just looking at the crack on her Pearl (a crack they no doubt have the power to heal), it tells us all we need to know about the cruelty that White Diamond possesses."

In a group review by several reviewers, *The Fandomentals* said about White Diamond: "She's amazing. Absolutely amazing. Her design plain work". They also highly praised the scene with Nephrite, noting that the series' crew "interweave therapeutic practices and cognitive behavioral science into a story kids can understand", as the scene is "yet another beautiful metaphor for the healing process. When it comes to trauma, there's never just one part of a person affected. Physical trauma changes how people think about themselves and expression their emotions. Emotional trauma impacts how people behave and mental conditioning from abuse can warp people's ability to feel and express it, etc." They also noted that Pink Diamond's ship was "magnificent", adding "we could not love the leg ship more than we do".

*Gizmodo* also highly praised White Diamond, stating that "while Blue and Yellow Diamond have been framed as the most terrifying villains Steven and the Gems might ever face, White Diamond makes the two of them seem like mini bosses by comparison", while *The Economic Times* called her "an intimidating force". *TheWrap* praised Ebersole's performance, stating that she "chilled audiences with her condescending speech".

*Den of Geek!* gave a positive review, feeling that "\[Yellow and White Diamond\] offer something very important for Steven, a way to finally vent frustrations with his mom", but complaining that the episode "feels more like a preview of things to come. On its own? Totally fine little transition but it's less about the content here and more about what's coming next."

1. Radulovic, Petrana (November 19, 2018). "Steven Universe will finally return after July's cliffhanger". *Polygon*. Retrieved November 19, 2018.
2. "Legs From Here to Homeworld Kicks Our Heads In". *The Fandomentals*. July 23, 2018. Retrieved July 30, 2018.
3. Giglio, Mario (July 24, 2018). "Steven Universe: Teaser kündigt Film zur Cartoonserie an". *Serienjunkies* (in German). Retrieved August 10, 2018.
4. Collins, Hannah (July 24, 2018). "White Diamond Finally Makes Her Steven Universe Debut – And She's Terrifying". *Comic Book Resources*. Retrieved July 30, 2018.
5. "'Steven Universe' Season 5 Spoilers, News, Updates: Enter White Diamond, Show Could Be Nearing Its End". *The Economic Times*. July 25, 2018. Retrieved July 30, 2018.
6. "Steven Universe' Season 5 Episode 25 Spoilers, Latest News: White Diamond Debut Hints at Imminent End of Series?". *The Economic Times*. August 7, 2018. Retrieved August 7, 2018.
7. Pulliam-Moore, Charles (July 23, 2018). "Steven Universe: The Movie is Coming and So is White Diamond". *Gizmodo*. Retrieved July 30, 2018.
8. Fuster, Jeremy (August 2, 2018). "'Steven Universe' Showrunner Says Fans Are 'Astonishingly On Point' About White Diamond". *TheWrap*. Retrieved August 11, 2018.
9. Sugar, Rebecca (August 10, 2016). "📷 joethejohnston: These are the initial diamond mural designs that i did for "It Could Have Been Great"..." *Twitter*. Retrieved August 12, 2018.
10. "#StevenUniverse 3-D Photobooth at San Diego Comic-Con. Fans also got a sneak peek of White Diamond's eyes 👀". *Cartoon Network's Twitter*. July 19, 2018. Retrieved August 11, 2018.
11. "I had the great fortune of seeing War Paint tonight". *Reddit*. 2017. Retrieved July 30, 2018.
12. Metcalf, Mitch (December 18, 2018). "SHOWBUZZDAILY's Top 150 Monday Cable Originals & Network Finals: 12.17.2018". *Showbuzz Daily*. Archived from the original on December 19, 2018. Retrieved December 18, 2018.
13. Koening, Drew (July 27, 2018). "Steven Universe revealed its new villain and she's terrifying". *Hidden Remote*. Retrieved August 12, 2018.
14. Weekes, Princess (July 27, 2018). "Let's Talk About White Diamond in Steven Universe". *Den of Geek!*. Retrieved August 12, 2018.
15. Kelley, Shamus (July 23, 2018). "Steven Universe Season 5 Episode 25 Review: Legs From Here To Homeworld". *Den of Geek!*. Retrieved August 12, 2018.

## InfoBox

| "**Legs from Here to Homeworld**" | |
| --- | --- |
| *Steven Universe* episode | |
| The title card for the episode is shown | |
| Episode no. | Season 5
Episode 25 |
| Directed by | Kat Morris (supervising)
Liz Artinian (art) |
| Written by | Danny Cragg
Hilary Florido
Tom Herpich |
| Story by | Matt Burnett
Ben Levin
Rebecca Sugar
Kat Morris
Joe Johnston |
| Editing by | Paul Douglas |
| Original air dates | July 21, 2018 (2018-07-21) (SDCC)
July 22, 2018 (2018-07-22) (Online)
December 17, 2018 (2018-12-17) (Television) |
| Running time | 11 minutes |
| Guest appearances | |
|  | |
|
|


title: Lysapsus bolivianus

abstract: Lysapsus bolivianus is a species of frog in the family Hylidae endemic to the Amazon valley in Bolivia and Brazil.

text:
# Lysapsus bolivianus

***Lysapsus bolivianus*** is a species of frog in the family Hylidae endemic to the Amazon valley in Bolivia and Brazil.

## InfoBox

| *Lysapsus bolivianus* | |
| --- | --- |
|  | |
| Amapá, Brazil | |
| Conservation status | |
|
Data Deficient  (IUCN 3.1) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Amphibia |
| Order: | Anura |
| Family: | Hylidae |
| Genus: | *Lysapsus* |
| Species: | ***L. bolivianus*** |
| Binomial name | |
| ***Lysapsus bolivianus***
Gallardo, 1961 | |
|
| Synonyms | |
| * *Lysapsus limellus bolivianus* Gallardo, 1961 * *Pseudis boliviana* (Gallardo, 1961) | |


title: Solecurtidae

abstract: The Solecurtidae are a family of saltwater clams, marine bivalve molluscs in the order Cardiida.

text:
# Solecurtidae

The **Solecurtidae** are a family of saltwater clams, marine bivalve molluscs in the order Cardiida.

## Genera

Genera in the family Solenidae include:

* "Solecurtidae". Integrated Taxonomic Information System. Retrieved 24 November 2010.

## InfoBox

| Solecurtidae | |
| --- | --- |
|  | |
| *Solecurtus markushuberi* | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Bivalvia |
| Order: | Cardiida |
| Superfamily: | Tellinoidea |
| Family: | Solecurtidae<br>Orbigny, 1846 |
|
| Genera | |
| See text | |


title: Świnna, Greater Poland Voivodeship

abstract: Świnna is a village in the administrative district of Gmina Ostrowite, within Słupca County, Greater Poland Voivodeship, in west-central Poland.

text:
# Świnna, Greater Poland Voivodeship

**Świnna** \[ˈɕfinna\] is a village in the administrative district of Gmina Ostrowite, within Słupca County, Greater Poland Voivodeship, in west-central Poland.

## InfoBox

| Świnna | |
| --- | --- |
| Village | |
| Świnna | |
| Coordinates: 52°23′04″N 18°01′05″E / 52.38444°N 18.01806°E / 52.38444; 18.01806 | |
| Country | Poland |
| Voivodeship | Greater Poland |
| County | Słupca |
| Gmina | Ostrowite |


title: The Complete Book of Running

abstract: The Complete Book of Running is a 1977 non-fiction book written by Jim Fixx.

text:
# The Complete Book of Running

***The Complete Book of Running*** is a 1977 non-fiction book written by Jim Fixx.

## Overview

The book discusses not only the physical benefits of running, but its psychological benefits as well: increasing self-esteem, acquiring a "high" from running, and being able to cope better with pressure and tension.

## Author

Jim Fixx was the author of the 1977 best-seller *The Complete Book of Running*, which sold over one million copies. Fixx is credited with popularizing the sport of running and contributing to the 1970s running boom through regular media appearances that touted the health benefits of exercise. Predisposed to heart problems, Fixx died at age 52 of a heart attack after his daily run, which opened up discussion about the links between running, health, and life expectancy.

## InfoBox

The Complete Book of Running
| First edition | |
| --- | --- |
| Author | Jim Fixx |
| Language | English |
| Genre | Non-fiction |
| Publisher | Random House |
| Publication date | 1977 |
| Publication place | United States |
| ISBN | 0394411595 |


title: Vicarage Field, Aberystwyth

abstract:
Vicarage Field is a cricket ground in Aberystwyth, Wales used by Glamorgan for two Sunday League matches in 1977 and 1989. It was the host ground of the Olympic torch relay's 9th day Evening Celebrations featuring world class dance act Twist and Pulse The ground hosted 2 List A matches. Game Information:
  - Game Statistics: one-day:
  -

text:
# Vicarage Field, Aberystwyth

**Vicarage Field** is a cricket ground in Aberystwyth, Wales used by Glamorgan for two Sunday League matches in 1977 (against Essex) and 1989 (against Warwickshire). It was the host ground of the Olympic torch relay's 9th day Evening Celebrations featuring world class dance act Twist and Pulse

The ground hosted 2 List A matches.

**Game Information**:

| Game Type | No. of Games |
| --- | --- |
| County Championship Matches | 0 |
| Limited-over county matches | 2 |
| Twenty20 matches | 0 |

**Game Statistics: one-day**:

| Category | Information |
| --- | --- |
| Highest Team Score | Essex (234/7 in 40 overs against Glamorgan) in 1977 |
| Lowest Team Score | Glamorgan (203/4 in 40 overs against Warwickshire) in 1989 |
| Best Batting Performance | Hugh Morris (83 Runs for Glamorgan against Warwickshire in 1989 |
| Best Bowling Performance | Gwyn Richards (3/42 for Glamorgan against Essex) in 1977 |

52°24′44.08″N 4°04′26.22″W / 52.4122444°N 4.0739500°W / 52.4122444; -4.0739500


title: North Page, West Virginia

abstract: North Page is an unincorporated community in Fayette County, West Virginia, United States. North Page is 7.5 miles (12.1 km) southwest of Gauley Bridge.

text:
# North Page, West Virginia

**North Page** is an unincorporated community in Fayette County, West Virginia, United States. North Page is 7.5 miles (12.1 km) southwest of Gauley Bridge.

## InfoBox

| North Page, West Virginia | |
| --- | --- |
| Unincorporated community | |
| North PageNorth Page | |
| Coordinates: 38°04′15″N 81°15′39″W / 38.07083°N 81.26083°W / 38.07083; -81.26083 | |
| Country | United States |
| State | West Virginia |
| County | Fayette |
| Elevation | 1,066 ft (325 m) |
| Time zone | UTC-5 (Eastern (EST)) |
| Summer (DST) | UTC-4 (EDT) |
| Area code(s) | 304 & 681 |
| GNIS feature ID | 1544230 |


title: Ülemõisa

abstract: Ülemõisa is a village in Mulgi Parish, Viljandi County in Estonia.

text:
# Ülemõisa

**Ülemõisa** is a village in Mulgi Parish, Viljandi County in Estonia.

## InfoBox

| Ülemõisa | |
| --- | --- |
| Village | |
|  | |
| Coordinates: 58°10′59″N 25°30′50″E / 58.183055555556°N 25.513888888889°E / 58.183055555556; 25.513888888889 | |
| Country | Estonia |
| County | Viljandi County |
| Parish | Mulgi Parish |
| Time zone | UTC+2 (EET) |
| Summer (DST) | UTC+3 (EEST) |


title: Ngāti Koata

abstract: Ngāti Koata or Ngāti Kōata is a Māori iwi of New Zealand, originating on the west coast of Waikato, but now mainly at the northern tip of South Island. Ngāti Koata whakapapa back to Koata who lived near Kāwhia in the 17th century. She had two sons, Kāwharu and Te Wehi. Te Totara pa on the south shore of Kāwhia was shared with Ngāti Toa in the early 19th century. Following the musket wars, many of the iwi moved south to Kapiti Island and then Te Tau Ihu in the mid 1820s. Claims to land were considered by Parliament in 1929 and 1936. The latter related to land at Wakapuaka and the role of Te Rauparaha. 13 pa sites in the area of Raglan, Te Uku, Te Ākau, Ruapuke and Aotea have been associated with Ngāti Koata. The Ngāti Koata Trust was formed after signing the iwi's $11.76m. The tribe's Deed of Settlement was signed at Whakatū Marae in Nelson on 20 December 2012. Ngāti Koata logo was designed and gifted to the iwi by Puhanga Tupaea.

text:
# Ngāti Koata

**Ngāti Koata** or **Ngāti Kōata** is a Māori iwi of New Zealand, originating on the west coast of Waikato, but now mainly at the northern tip of South Island.

Ngāti Koata whakapapa back to Koata who lived near Kāwhia in the 17th century. She had two sons, Kāwharu and Te Wehi (founder of Ngāti Te Wehi). Te Totara pa on the south shore of Kāwhia was shared with Ngāti Toa in the early 19th century. Following the musket wars, many of the iwi moved south to Kapiti Island and then Te Tau Ihu in the mid 1820s.

Claims to land were considered by Parliament in 1929 and 1936. The latter related to land at Wakapuaka and the role of Te Rauparaha.

13 pa sites in the area of Raglan, Te Uku, Te Ākau, Ruapuke and Aotea have been associated with Ngāti Koata.

The Ngāti Koata Trust was formed after signing the iwi's $11.76m. The tribe's Deed of Settlement was signed at Whakatū Marae in Nelson on 20 December 2012.

Ngāti Koata logo was designed and gifted to the iwi by Puhanga Tupaea.

## InfoBox

| Ngāti Koata | |
| --- | --- |
| Iwi (tribe) in Māoridom | |
|  | |
| Rohe (region) | Te Tau Ihu |
| Waka (canoe) | Tainui |
| Website | www.ngatikoata.com |