title: Paul Kornfeld (playwright)

abstract: Paul Kornfeld was a Prague-born German-language Jewish writer whose expressionist plays and scholarly treatises on the theory of drama earned him a specialized niche in influencing contemporary intellectual discourse.

text:
# Paul Kornfeld (playwright)

**Paul Kornfeld** (11 December 1889 – 25 April 1942) was a Prague-born German-language Jewish writer whose expressionist plays and scholarly treatises on the theory of drama earned him a specialized niche in influencing contemporary intellectual discourse.

## Writing career before and after World War I

Paul Kornfeld came to adulthood in the city of his birth which, as the capital of Bohemia was, at the time, a part of the Austro-Hungarian Empire and a major center of culture and learning. In 1913, at the age of 23, he formulated a thesis elucidating his philosophy of dramaturgy, *Der beseelte und der psychologische Mensch* \[*The Spiritual and the Psychological Person*, also translated as *The Inspired and the Psychological Being*\] and wrote the first draft of his most-renowned play, *Die Verführung* \[*The Seduction*\]. His circle of young friends and compatriots included some of the most renowned German-speaking Jewish literary figures of the era, Oskar Baum, Max Brod, Rudolf Fuchs, Willy Haas, Franz Janowitz, Franz Kafka, Egon Erwin Kisch, Otto Pick, Hermann Ungar, Johannes Urzidil and Franz Werfel.

In 1916, amidst the chaos of World War I and, with the ultimate birth of the future republic of Czechoslovakia only two years away, Kornfeld moved from Prague to Berlin where, during the Weimar period, he was to experience his most intense period of creativity. In 1918, during the final months of the war, he published a revised version of his thesis and oversaw the first production of *Die Verführung*. An expressionist work, which put forth abstract and revisionist ideas, it attempted to encapsulate the universality of human aspiration. Character development and plot details were eschewed in favor of an atmosphere of hopeless inability to cope, which defeated the play's tragic protagonist. A subsequent expressionist drama, *Himmel und Holle* \[*Heaven and Hell*\] presented even more abstract ideas, but in a vein that was, to a greater degree, lyrical and ecstatic.

Kornfeld also wrote satirical comedies which did not utilize expressionism and showed him in possession of a highly developed sense of humor. *Der ewige Traum* \[*The Eternal Dream*\] (1922), which held up a jaundiced mirror to reflect upon monogamous and polygamous relationships, *Palme, oder Der Gekränkte* \[*Palme, or The Offended One*\] (1924), which spotlighted a character of comically extreme sensitivity and *Kilian, oder Die gelbe Rose* \[*Kilian, or The Yellow Rose*\] (1926), all enjoyed audience approval as did his collaboration with Max Reinhardt on a 1925 Berlin theatrical production. Written in 1929 and staged in 1930, his final Berlin play, *Jud Süß* \[*Suss, the Jew*, generally known under its literal translation, *Jew Suss*\], presented a highly nuanced and objective portrayal of the controversial 18th century Jewish financier Joseph Süß Oppenheimer whose story had already been depicted a century earlier in Wilhelm Hauff's 1827 novella and, again, only four years before his own work, in Lion Feuchtwanger's 1925 historical novel. Within a decade, it also became the subject of a 1934 British film starring Conrad Veidt, and a notorious 1940 German antisemitic propaganda film with Ferdinand Marian in the title role.

## Hitler era and death

Hitler's coming to power in 1933 put an end to Kornfeld's Berlin odyssey and forced him back to Prague, no longer a gathering hub of German-language culture but, since October 1918, the capital of the new republic of Czechoslovakia. His subsequent literary output greatly decreased and he began work on what turned out to be his only novel, *Blanche oder Das Atelier im Garten* \[*Blanche or The Studio in the Garden*\], which was not published until 1957, fifteen years after its author's death. Shortly after completing it in 1941, he was taken into custody by the German authorities administering occupied Prague and transported to Ghetto Litzmannstadt, the name given during the German occupation to a section of Łódź, Poland's then-second-largest city. Between 1939 and 1944, over 200,000 Jews and a small number of Romani passed through the ghetto, an area of 4 sq. kilometers, of which only 2.4 kilometers were developed and habitable. Fuel supplies were extremely limited, and the inhabitants burned whatever they could to survive the harsh winter. Some 18,000 died during a famine in 1942, one of them Paul Kornfeld. He was 52 years old.

Through the passing decades, his literary output has remained, for the most part, neglected, although a critical edition, *Paul Kornfeld: Revolution mit Flötenmusik und andere kritische Prosa* \[*Paul Kornfeld: Revolution with Flute Music and Other Critical Prose*\], was issued in 1977.

## Sources

* Johnston, William M. (1972). *The Austrian Mind An Intellectual and Social History 18481938*. University of California Press. ISBN 0-520-04955-1
* Drain, Richard (1995). *Twentieth-century Theatre: A Sourcebook*. Routledge ISBN 0-415-09619-7, ISBN 978-0-415-09619-5 \[includes an excerpt from *The Inspired and the Psychological Being*\]

## InfoBox

| Paul Kornfeld | |
| --- | --- |
| Photo from the late 1930s | |
| Born | (1889-12-11)11 December 1889
Prague, Bohemia, Crown of Bohemia, Austria-Hungary
(now Czech Republic) |
| Died | 25 April 1942(1942-04-25) (aged 52)
Ghetto Litzmannstadt
(part of Łódź) in
German-occupied Poland |
| Alma mater | German Charles-Ferdinand University, Prague |
| Style | Expressionism |


title: Manitoba Regiment

abstract: The Manitoba Regiment was an infantry regiment of the Non-Permanent Active Militia of the Canadian Militia. In 1936, the regiment was disbanded as a result of a country wide reorganization of the Canadian Militia.

text:
# Manitoba Regiment

The **Manitoba Regiment** was an infantry regiment of the Non-Permanent Active Militia of the Canadian Militia (now the Canadian Army). In 1936, the regiment was disbanded as a result of a country wide reorganization of the Canadian Militia.

## History

As a result of the **Otter Commission**, **The Manitoba Regiment** was created on 15 March 1920, by incorporating the **27th Battalion, CEF**, into the post-WWI Canadian Militia.

The regiment was headquartered in **Winnipeg, Manitoba**.

On 1 February 1936, **The Manitoba Regiment** was disbanded along with 13 other regiments as part of the 1936 Canadian Militia reorganization.

## Perpetuations

## Battle honours

## Notes and references

1. "Guide to Sources Relating to the Canadian Militia (Infantry, Cavalry, Armored)" (PDF). *Library and Archives Canada*.
2. "The Manitoba Regiment \[Canada\]". 2007-09-11. Archived from the original on 11 September 2007. Retrieved 2021-12-29.
3. "www.canadiansoldiers.com". *www.canadiansoldiers.com*. Retrieved 2021-12-29.
4. "The Minute Book". *www.regimentalrogue.com*. Retrieved 2021-12-29.

## InfoBox

| The Manitoba Regiment | |
| --- | --- |
| Active | 1920-1936 |
| Country | Canada |
| Branch | Canadian Militia |
| Type | Line Infantry |
| Role | Infantry |
| Size | One Regiment |
| Part of | Non-Permanent Active Militia |
| Garrison/HQ | Winnipeg, Manitoba |
| Engagements | First World War |
| Battle honours | * Mount Sorrel * Somme, 1916, '18 * Flers-Courcelette * Thiepval * Ancre Heights * Arras, 1917, '18 * Vimy, 1917 * Arleux * Scarpe, 1917, '18 * Hill 70 * Ypres, 1917 * Passchendaele * Amiens * Hindenburg Line * Drocourt-Quéant * Canal du Nord * Cambrai, 1918 * Pursuit to Mons * France and Flanders, 1915–18 |


title: Michael Petach

abstract: Michael Petach was an American engineer who made contributions in the fields of cryogenics and thermoacoustics in developing systems for space applications. He worked as an engineer for Northrop Grumman. His notable work revolved around developing cryocoolers and the traveling-wave thermoacoustic electric generator, a technology that enhances the efficiency of power generation for spacecraft. He contributed to the development of the cryocooler system for the James Webb Space Telescope's Mid-Infrared Instrument (MIRI) and worked on cryocooler concepts for the Origins Space Telescope. Born in Upper Darby Township, Pennsylvania and raised in Woodland Hills, CA, Petach studied Mechanical engineering at the University of California, San Diego.

text:
# Michael Petach

**Michael Petach** (December 30, 1959 – June 25, 2024) was an American engineer who made contributions in the fields of cryogenics and thermoacoustics in developing systems for space applications. He worked as an engineer for Northrop Grumman. His notable work revolved around developing cryocoolers and the traveling-wave thermoacoustic electric generator, a technology that enhances the efficiency of power generation for spacecraft. He contributed to the development of the cryocooler system for the James Webb Space Telescope's Mid-Infrared Instrument (MIRI) and worked on cryocooler concepts for the Origins Space Telescope.

Born in Upper Darby Township, Pennsylvania and raised in Woodland Hills, CA (a suburb of Los Angeles), Petach studied Mechanical engineering at the University of California, San Diego.

## TASHE

Inspired by Robert Stirling's 19th-century engine, Petach, along with Scott Backhaus, and Emanuel Tward, developed the thermoacoustic-Stirling heat engine (TASHE) that was first published in *Applied Physics Letters*. He had previously published on thermoacoustics in space applications. TASHE uses intense sound waves to convert up to 18 percent of heat source energy into electricity for spacecraft, a significant improvement compared to prior thermoelectric generators, which converted about 7% of heat energy into electrical energy. This increased efficiency enhanced the power and capabilities of deep space probes, aligning with the goals of NASA's Project Prometheus and missions like the Jupiter Icy Moons Orbiter.

TASHE employs sound waves produced by thermal differences to generate electricity. The system's core includes a regenerator composed of stainless-steel wire-mesh discs, through which helium gas oscillates due to temperature differences created by a heat source and a heat sink. This oscillation produces sound waves that drive a piston in a linear alternator, converting acoustic energy into electrical energy. This design features minimal moving parts, primarily the helium gas and an ambient temperature piston, contributing to the system's high reliability, crucial for long-duration space missions where maximizing power output from limited energy sources is essential.

## Cryocoolers

Petach made significant contributions to the development and advancement of cryocoolers, particularly in space applications. Cryocoolers are devices that maintain extremely low temperatures for sensors in satellites and space telescopes, enabling them to function properly for long-term missions and capture high-quality images of Earth and deep space.

He was involved in the design, analysis, and testing of pulse tube cryocoolers, focusing on improving their performance and reliability. His notable projects include work on the Mid-Infrared Instrument (MIRI) cryocooler for the James Webb Space Telescope, which has been crucial for cooling infrared detectors to very low temperatures in space environments. He also worked on cryocooling technologies for the development of the Origins Space Telescope.

1. "More Power for Deep Space Missions | Centauri Dreams". *www.centauri-dreams.org*. Retrieved 2024-07-28.
2. "A traveling-wave engine to power deep space travel". *SpaceNews*. 2004-09-16. Retrieved 2024-07-28.
3. Tward, Emanuel; Petach, Michael; Backhaus, Scott (2003-01-01). "Thermoacoustic Space Power Converter". *SPACE TECHNOLOGY AND APPLICATIONS INT.FORUM-STAIF 2003: Conf.on Thermophysics in Microgravity; Commercial/Civil Next Generation Space Transportation; Human Space Exploration. AIP Conference Proceedings*. **654**: 656–661. Bibcode:2003AIPC..654..656T. doi:10.1063/1.1541352.
4. Leisawitz, David (2021). "Origins Space Telescope: baseline mission concept". *Journal of Astronomical Telescopes, Instruments, and Systems*. **7** (1): 011002. Bibcode:2021JATIS...7a1002L. doi:10.1117/1.JATIS.7.1.011002.
5. "Michael (Mike) B. Petach". *Daily Breeze*. 2024-07-21. Retrieved 2024-07-28.
6. Petach, Michael; Backhaus, Scott; Tward, Emanuel. "Traveling-wave thermoacoustic electric generator". *Applied Physics Letters*. **85** (6).
7. Backhaus, S.; Toward, E.; Petach, M. (2001-10-01). THERMOACOUSTIC POWER SYSTEMS FOR SPACE APPLICATIONS (Report). Los Alamos National Laboratory (LANL), Los Alamos, NM (United States). OSTI 788284.
8. "A Traveling-wave Engine To Power Deep Space Travel". *ScienceDaily*. Retrieved 2024-07-28.
9. REED, Jaime; DADD, Mike; BAILEY, Paul; PETACH, Michael; RAAB, Jeff (2005). "Development of a valved linear compressor for a satellite borne J–T cryocooler". *Cryogenics*. **45** (7): 496–500. Bibcode:2005Cryo...45..496R. doi:10.1016/j.cryogenics.2005.03.007. ISSN 0011-2275.
10. Petach, Michael; Waterman, M.; Tward, Emanuel; Bailey, Paul B. (2007). "Pulse Tube Microcooler for Space Applications". *International Cryocooler Conference*.
11. Petach, M.; Michaelian, M.; Nguyen, T. (2020-03-01). "Modifications to the MIRI cryocooler design to provide significant lift in the 2K to 4K range". *IOP Conference Series: Materials Science and Engineering*. **755** (1): 012018. Bibcode:2020MS&E..755a2018P. doi:10.1088/1757-899X/755/1/012018.
12. Durand, D.; Colbert, R.; Jaco, C.; Michaelian, M.; Nguyen, T.; Petach, M.; Raab, J. (2008-03-01). "Mid Infrared Instrument (miri) Cooler Subsystem Prototype Demonstration". *ADVANCES IN CRYOGENIC ENGINEERING: Transactions of the Cryogenic Engineering Conference - CEC, Vol. 52. AIP Conference Proceedings*. **52**: 807–814. Bibcode:2008AIPC..985..807D. doi:10.1063/1.2908674.
13. DiPirro, Michael J.; Shirron, Peter; Kimball, Mark; Tuttle, James; Jahromi, Amir; Glaister, David; Olson, Jeffrey; Petach, Michael; Zagarola, Mark (2021-01-23). "Cryocooling technologies for the origins space telescope". *Journal of Astronomical Telescopes, Instruments, and Systems*. **7** (1): 011008. Bibcode:2021JATIS...7a1008D. doi:10.1117/1.jatis.7.1.011008.


abstract: The 1988 United States Senate election in Massachusetts was held on November 8, 1988. Incumbent Democratic U.S. Senator Ted Kennedy won re-election to his sixth term.

text:
# 1988 United States Senate election in Massachusetts

The **1988 United States Senate election in Massachusetts** was held on November 8, 1988. Incumbent Democratic U.S. Senator Ted Kennedy won re-election to his sixth (his fifth full) term.

## General election

### Candidates

* Mary Fridley (New Alliance)
* Ted Kennedy, incumbent U.S. Senator since 1962 (Democratic)
* Joe Malone, political activist (Republican)
* Freda Lee Nason (Libertarian)

### Results

1988 United States Senate election in Massachusetts
| Party | | Candidate | Votes | % | ±% |
| --- | --- | --- | --- | --- | --- |
|  | **Democratic** | **Ted Kennedy (incumbent)** | **1,693,344** | **64.97%** | **4.16** |
|  | Republican | Joe Malone | 884,267 | 33.93% | 4.33 |
|  | New Alliance | Mary Fridley | 15,208 | 0.58% | N/A |
|  | Libertarian | Freda Lee Nason | 13,199 | 0.51% | 0.41 |
|  | Write-in | | 207 | 0.01 | +0 |
| Total votes | | | **2,606,225** | **100.00%** |  |
|  | Democratic **hold** | | | | |

## InfoBox

1988 United States Senate election in Massachusetts
| --- | |
| --- | --- |
|  | |
| Nominee **Ted Kennedy** Joe Malone   Party Democratic Republican  Popular vote **1,693,344** 884,267  Percentage **64.97%** 33.93% | |
| ---  **Kennedy:**      50–60%      60–70%      70–80%      80–90%      \>90%
**Malone:**      40–50%      50–60%
**Tie:**      40–50% | |
| ---  **U.S. senator before election**
Ted Kennedy
Democratic **Elected U.S. Senator**
Ted Kennedy
Democratic | |


title: 1987 WCT Tournament of Champions

abstract: The 1987 WCT Tournament of Champions, also known by its sponsored name Shearson Lehman Brothers Tournament of Champions, was a men's tennis tournament played on outdoor clay courts in Forest Hills, Queens, New York City in the United States. The event was part of the 1987 Grand Prix circuit and was organized by World Championship Tennis (WCT). It was the 11th edition of the tournament and was held from May 4 through May 10, 1987. Fourth-seeded Andrés Gómez won the singles title.

text:
# 1987 WCT Tournament of Champions

The **1987 WCT Tournament of Champions**, also known by its sponsored name **Shearson Lehman Brothers Tournament of Champions**, was a men's tennis tournament played on outdoor clay courts in Forest Hills, Queens, New York City in the United States. The event was part of the 1987 Grand Prix circuit and was organized by World Championship Tennis (WCT). It was the 11th edition of the tournament and was held from May 4 through May 10, 1987. Fourth-seeded Andrés Gómez won the singles title.

## Finals

### Singles

Andrés Gómez defeated  Yannick Noah 6–4, 7–6(7–5), 7–6(7–1)

* It was Gomez' 1st singles title of the year and the 15th of his career.

### Doubles

Guy Forget /  Yannick Noah defeated  Gary Donnelly /  Peter Fleming 4–6, 6–4, 6–1

## InfoBox

| 1987 WCT Tournament of Champions | |
| --- | --- |
| Date | May 4 – 10 |
| Edition | 11th |
| Category | Grand Prix / WCT |
| Draw | 64S / 32D |
| Prize money | $500,000 |
| Surface | Clay / outdoor |
| Location | Forest Hills, Queens, New York |
| Venue | West Side Tennis Club |
| Champions | |
| Singles | |
| Andrés Gómez | |
| Doubles | |
| Guy Forget /  Yannick Noah | |
|  | |


title: 1987 California Angels season

abstract: The 1987 California Angels season involved the Angels finishing sixth in the American League west with a record of 75 wins and 87 losses.

text:
# 1987 California Angels season

The **1987 California Angels season** involved the Angels finishing sixth in the American League west with a record of 75 wins and 87 losses.

## Regular season

### Season standings

AL West
| Team |  |  | Pct. | GB | Home | Road |
| --- | --- | --- | --- | --- | --- | --- |
| Minnesota Twins | 85 | 77 | .525 |  | 5625 | 2952 |
| Kansas City Royals | 83 | 79 | .512 | 2 | 4635 | 3744 |
| Oakland Athletics | 81 | 81 | .500 | 4 | 4239 | 3942 |
| Seattle Mariners | 78 | 84 | .481 | 7 | 4041 | 3843 |
| Chicago White Sox | 77 | 85 | .475 | 8 | 3843 | 3942 |
| Texas Rangers | 75 | 87 | .463 | 10 | 4338 | 3249 |
| California Angels | 75 | 87 | .463 | 10 | 3843 | 3744 |

### Record vs. opponents

|
Sources: | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Team | BAL | BOS | CAL | CWS | CLE | DET | KC | MIL | MIN | NYY | OAK | SEA | TEX | TOR |
| Baltimore |  | 1–12 | 9–3 | 8–4 | 7–6 | 4–9 | 9–3 | 2–11 | 5–7 | 3–10 | 7–5 | 4–8 | 7–5 | 1–12 |
| Boston | 12–1 |  | 4–8 | 3–9 | 7–6 | 2–11 | 6–6 | 6–7 | 7–5 | 7–6 | 4–8 | 7–5 | 7–5 | 6–7 |
| California | 3–9 | 8–4 |  | 8–5 | 7–5 | 3–9 | 5–8 | 7–5 | 8–5 | 3–9 | 6–7 | 7–6 | 5–8 | 5–7 |
| Chicago | 4–8 | 9–3 | 5–8 |  | 7–5 | 3–9 | 6–7 | 6–6 | 6–7 | 5–7 | 9–4 | 6–7 | 7–6 | 4–8 |
| Cleveland | 6–7 | 6–7 | 5–7 | 5–7 |  | 4–9 | 6–6 | 4–9 | 3–9 | 6–7 | 4–8 | 5–7 | 2–10 | 5–8 |
| Detroit | 9–4 | 11–2 | 9–3 | 9–3 | 9–4 |  | 5–7 | 6–7 | 8–4 | 5–8 | 5–7 | 7–5 | 8–4 | 7–6 |
| Kansas City | 3–9 | 6–6 | 8–5 | 7–6 | 6–6 | 7–5 |  | 4–8 | 8–5 | 5–7 | 5–8 | 9–4 | 7–6 | 8–4 |
| Milwaukee | 11–2 | 7–6 | 5–7 | 6–6 | 9–4 | 7–6 | 8–4 |  | 3–9 | 7–6 | 6–6 | 4–8 | 9–3 | 9–4 |
| Minnesota | 7–5 | 5–7 | 5–8 | 7–6 | 9–3 | 4–8 | 5–8 | 9–3 |  | 6–6 | 10–3 | 9–4 | 6–7 | 3–9 |
| New York | 10–3 | 6–7 | 9–3 | 7–5 | 7–6 | 8–5 | 7–5 | 6–7 | 6–6 |  | 5–7 | 7–5 | 5–7 | 6–7 |
| Oakland | 5–7 | 8–4 | 7–6 | 4–9 | 8–4 | 7–5 | 8–5 | 6–6 | 3–10 | 7–5 |  | 5–8 | 6–7 | 7–5 |
| Seattle | 8–4 | 5–7 | 6–7 | 7–6 | 7–5 | 5–7 | 4–9 | 8–4 | 4–9 | 5–7 | 8–5 |  | 9–4 | 2–10 |
| Texas | 5–7 | 5–7 | 8–5 | 6–7 | 10–2 | 4–8 | 6–7 | 3–9 | 7–6 | 7–5 | 7–6 | 4–9 |  | 3–9 |
| Toronto | 12–1 | 7–6 | 7–5 | 8–4 | 8–5 | 6–7 | 4–8 | 4–9 | 9–3 | 7–6 | 5–7 | 10–2 | 9–3 |  |

### Notable transactions

* December 19, 1986: Ron Romanick was traded by the California Angels with a player to be named later to the New York Yankees for a player to be named later and Butch Wynegar.
* January 8, 1987: Doug DeCinces was signed as a free agent with the California Angels.
* January 22, 1987: Jim Eppard was purchased by the California Angels from the Oakland Athletics.
* May 1, 1987: Bob Boone was signed as a free agent with the California Angels.
* May 19, 1987: Doug Corbett was signed as a free agent with the California Angels.
* June 1, 1987: Greg Minton was signed as a free agent with the California Angels.
* June 19, 1987: Doug Corbett was released by the California Angels.
* June 22, 1987: Alan Mills was sent by the California Angels to the New York Yankees to complete an earlier deal made on December 19, 1986.
* July 28, 1987: Bill Buckner signed as a free agent with the California Angels.
* September 15, 1987: John Candelaria was traded by the California Angels to the New York Mets for Jeff Richardson and Shane Young (minors).

#### Draft picks

* June 2, 1987: John Orton was drafted by the California Angels in the 1st round (25th pick) of the 1987 amateur draft.
* June 2, 1987: Rubén Amaro, Jr. was drafted by the California Angels in the 11th round of the 1987 amateur draft. Player signed June 16, 1987.

### Roster

| 1987 California Angels | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| **Roster** | | | | | | | | | |
| **Pitchers** |  | **Catchers** **Infielders** |  | **Outfielders** |  | **Manager** **Coaches** |

## Player stats

### Batting

#### Starters by position

*Note: Pos = Position; G = Games played; AB = At bats; H = Hits; Avg. = Batting average; HR = Home runs; RBI = Runs batted in*

| Pos | Player | G | AB | H | Avg. | HR | RBI |
| --- | --- | --- | --- | --- | --- | --- | --- |
| C | Bob Boone | 128 | 389 | 94 | .242 | 3 | 33 |
| 1B | Wally Joyner | 149 | 564 | 161 | .285 | 34 | 117 |
| 2B | Mark McLemore | 138 | 433 | 102 | .236 | 3 | 41 |
| 3B | Doug DeCinces | 133 | 453 | 106 | .234 | 16 | 63 |
| SS | Dick Schofield | 134 | 479 | 120 | .251 | 9 | 46 |
| LF | Jack Howell | 138 | 449 | 110 | .245 | 23 | 64 |
| CF | Gary Pettis | 133 | 394 | 82 | .208 | 1 | 17 |
| RF | Devon White | 159 | 639 | 168 | .263 | 24 | 87 |
| DH | Brian Downing | 155 | 567 | 154 | .272 | 29 | 77 |

#### Other batters

*Note: G = Games played; AB = At bats; H = Hits; Avg. = Batting average; HR = Home runs; RBI = Runs batted in*

| Player | G | AB | H | Avg. | HR | RBI |
| --- | --- | --- | --- | --- | --- | --- |
| Ruppert Jones | 85 | 192 | 47 | .245 | 8 | 28 |
| Bill Buckner | 57 | 183 | 56 | .306 | 3 | 32 |
| George Hendrick | 65 | 162 | 39 | .241 | 5 | 25 |
| Gus Polidor | 63 | 137 | 36 | .263 | 2 | 15 |
| Johnny Ray | 30 | 127 | 44 | .346 | 0 | 15 |
| Darrell Miller | 53 | 108 | 26 | .241 | 4 | 16 |
| Mark Ryal | 58 | 100 | 20 | .200 | 5 | 18 |
| Butch Wynegar | 31 | 92 | 19 | .207 | 0 | 5 |
| Tony Armas | 28 | 81 | 16 | .198 | 3 | 9 |
| Jack Fimple | 13 | 10 | 2 | .200 | 0 | 1 |
| Jim Eppard | 8 | 9 | 3 | .333 | 0 | 0 |
| Tack Wilson | 7 | 2 | 1 | .500 | 0 | 0 |

### Starting pitchers

*Note: G = Games pitched; IP = Innings pitched; W = Wins; L = Losses; ERA = Earned run average; SO = Strikeouts*

| Player | G | IP | W | L | ERA | SO |
| --- | --- | --- | --- | --- | --- | --- |
| Mike Witt | 36 | 297.0 | 16 | 14 | 4.01 | 192 |
| Don Sutton | 35 | 191.2 | 11 | 11 | 4.70 | 99 |
| John Candelaria | 20 | 116.2 | 8 | 6 | 4.71 | 74 |
| Jerry Reuss | 17 | 82.1 | 4 | 5 | 5.25 | 37 |
| Kirk McCaskill | 14 | 74.2 | 4 | 6 | 5.67 | 56 |

#### Other pitchers

*Note: G = Games pitched; IP = Innings pitched; W = Wins; L = Losses; ERA = Earned run average; SO = Strikeouts*

| Player | G | IP | W | L | ERA | SO |
| --- | --- | --- | --- | --- | --- | --- |
| Willie Fraser | 36 | 176.2 | 10 | 10 | 3.92 | 106 |
| Jack Lazorko | 26 | 117.2 | 5 | 6 | 4.59 | 55 |
| Urbano Lugo | 7 | 28.0 | 0 | 2 | 9.32 | 24 |

##### Relief pitchers

*Note: G = Games pitched; W = Wins; L = Losses; SV = Saves; ERA = Earned run average; SO = Strikeouts*

| Player | G | W | L | SV | ERA | SO |
| --- | --- | --- | --- | --- | --- | --- |
| DeWayne Buice | 57 | 6 | 7 | 17 | 3.39 | 109 |
| Greg Minton | 41 | 5 | 4 | 10 | 3.08 | 35 |
| Gary Lucas | 48 | 1 | 5 | 3 | 3.63 | 44 |
| Chuck Finley | 35 | 2 | 7 | 0 | 4.67 | 63 |
| Mike Cook | 16 | 1 | 2 | 0 | 5.50 | 27 |
| Donnie Moore | 14 | 2 | 2 | 5 | 2.70 | 17 |
| Bryan Harvey | 3 | 0 | 0 | 0 | 0.00 | 3 |
| Miguel García | 1 | 0 | 0 | 0 | 16.20 | 0 |

## Farm system

| Level | Team | League | Manager |
| --- | --- | --- | --- |
| AAA | Edmonton Trappers | Pacific Coast League | Tom Kotchman |
| AA | Midland Angels | Texas League | Mako Oliveras |
|  | Palm Springs Angels | California League | Bill Lachemann |
|  | Quad Cities Angels | Midwest League | Eddie Rodríguez |
| A-Short Season | Salem Angels | Northwest League | Chris Smith |

1. "Ron Romanick Stats".
2. "Doug DeCinces Stats".
3. Jim Eppard Statistics Baseball-Reference.com
4. "Bob Boone Stats".
5. Doug Corbett Statistics Baseball-Reference.com
6. "Greg Minton Stats".
7. "Alan Mills Stats".
8. Bill Buckner Statistics Baseball-Reference.com
9. John Candelaria Statistics Baseball-Reference.com
10. "John Orton Stats".
11. Rubén Amaro Statistics Baseball-Reference.com
12. Johnson, Lloyd, and Wolff, Miles, ed., *The Encyclopedia of Minor League Baseball*. Durham, North Carolina: Baseball America, 1997

## InfoBox

| 1987 California Angels | |
| --- | --- |
| League | American League |
| Division | West |
| Ballpark | Anaheim Stadium |
| City | Anaheim, California |
| Owners | Gene Autry |
| General managers | Mike Port |
| Managers | Gene Mauch |
| Television | KTLA
(Joe Torre, Bob Starr, Joel Meyers) |
| Radio | KMPC
(Ken Brett, Joel Meyers, Al Conin)
XPRS
(Ruben Valentin, Ulpiano Cos Villa) |
|  | |


title: 1988–89 Brentford F.C. season

text:
# 1988–89 Brentford F.C. season

During the 1988–89 English football season, Brentford competed in the Football League Third Division. The gruelling 63-match season is best remembered for the Bees' run to the sixth round of the FA Cup. Brentford narrowly failed to qualify for the play-offs, but the club's final placing of 7th was its highest in the league pyramid since the 1964–65 season.

## Season summary

After a disappointing end to what was a positive first full season in charge, Brentford manager Steve Perryman identified that his principle starting XI would be complete with a creative winger and a reliable goalscoring forward. Perryman broke the Bees' incoming transfer record by spending £77,500 on Sheffield United forward Richard Cadette in July 1988. Perryman brought experienced winger Neil Smillie back to Griffin Park, 11 years after Smillie had initially played for the Bees on loan. Also arriving at Griffin Park was goalkeeper Tony Parks from Tottenham Hotspur for a £60,000 fee and replaced Gary Phillips, who joined Reading for £25,000. On the eve of the season, right back Roger Joseph, who had been named in the 1987–88 Third Division PFA Team of the Year, joined Wimbledon for a new club record outgoing transfer fee of £150,000.

Brentford enjoyed one of the most exciting seasons in years, producing some notable results in both the Third Division and the cup competitions. The Bees trod water in mid-table for most of the season, before a run of eight wins and two draws from a 10-match spell in March and April 1989 raised the club to 7th position, one place outside the play-off zone, despite the club record £350,000 sale of influential midfielder Andy Sinton to Queens Park Rangers. Two consecutive defeats in early May left Brentford in 9th place, still with a chance of a play-off finish going into the final two matches of the season, but a 1–1 draw with Swansea City at Griffin Park in the penultimate match of the season ended any mathematical chances. Despite drawing the final match of the season, defeats for former play-off-contending rivals Chester City and Notts County raised Brentford to a credible 7th-place finish.

In the cup competitions, Brentford advanced to the second round of the League Cup and the Southern Area semi-finals of the Football League Trophy. Notably the Bees faced local rivals Fulham in both competitions and in the Third Division, winning two, drawing two and losing one of the five matches between the sides during the season. In the FA Cup, Brentford advanced to the sixth round for the first time since the 1948–49 season. Non-league club Halesowen Town were dispatched in the first round, but it took replays to see off Peterborough United and Walsall in the second and third rounds respectively. The Bees faced high-flying Second Division club Manchester City in the fourth round at a sold-out Griffin Park and emerged 3–1 victors thanks to a Gary Blissett brace and one goal from Keith Jones. Brentford also drew promotion-chasing Second Division opposition in the fifth round – Blackburn Rovers at Ewood Park. 3,000 travelling supporters watched Brentford hold Rovers at 0–0 until the 80th minute, when Gary Blissett scored the first of the only two goals of the match to put the Bees into the hat for the sixth round. Brentford were drawn against First Division giants Liverpool at Anfield, for a match which would be one of the club's biggest occasions of the postwar era. Steve McMahon opened the scoring after 15 minutes and the Bees held firm until midway through the second half, when three Liverpool goals in a 16-minute spell saw the match finish with an unflattering 4–0 scoreline.

Central defender Terry Evans missed just one match during the season and finished with 62 appearances, the club record for a player in a single season.

## League table

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Promotion or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 5 | Bristol Rovers | 46 | 19 | 17 | 10 | 67 | 51 | +16 | 74 | Participated in play-offs |
| 6 | Preston North End | 46 | 19 | 15 | 12 | 79 | 60 | +19 | | 72 |
| 7 | Brentford | 46 | 18 | 14 | 14 | 66 | 61 | +5 | 68 |  |
| 8 | Chester City | 46 | 19 | 11 | 16 | 64 | 61 | +3 | | 68 |
| 9 | Notts County | 46 | 18 | 13 | 15 | 64 | 54 | +10 | | 67 |

Source:

## Results

*Brentford's goal tally listed first.*

### Legend

| Win | Draw | Loss |
| --- | --- | --- |

### Pre-season

| Date | Opponent | Venue | Result | Attendance | Scorer(s) | Notes |
| --- | --- | --- | --- | --- | --- | --- |
| 23 July 1988 | Barreirense | N | 1–2 | n/a | Sinton |  |
| 25 July 1988 | Estoril | N | 0–1 | n/a |  |  |
| 27 July 1988 | Montijo | N | 4–3 | n/a | Pyle (2), Cockram, Obi |  |
| 29 July 1988 | Estrela da Amadora | N | 1–0 | n/a | Cadette |  |
| 13 August 1988 | Orient | A | 4–1 | n/a | Birch (2), Sinton (pen), Jones |  |
| 15 August 1988 | Maidenhead United | A | 3–0 | 612 | Cadette (2), Feeley |  |
| 19 August 1988 | Bournemouth | H | 1–0 | 1,117 | Blissett |  |

### Football League Third Division

| No. | Date | Opponent | Venue | Result | Attendance | Scorer(s) |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 27 August 1988 | Huddersfield Town | H | 1–0 | 5,016 | Cockram |
| 2 | 3 September 1988 | Northampton Town | A | 0–1 | 4,488 |  |
| 3 | 10 September 1988 | Wigan Athletic | H | 1–1 | 4,081 | Blissett |
| 4 | 17 September 1988 | Swansea City | A | 1–1 | 5,015 | Millen |
| 5 | 21 September 1988 | Bristol Rovers | A | 2–1 | 3,836 | Cadette (2) |
| 6 | 24 September 1988 | Sheffield United | H | 1–4 | 6,577 | Sinton (pen) |
| 7 | 1 October 1988 | Gillingham | H | 1–0 | 4,839 | Sinton (pen) |
| 8 | 5 October 1988 | Chester City | A | 2–3 | 1,999 | Blissett, Cadette |
| 9 | 9 October 1988 | Southend United | H | 4–0 | 5,016 | Evans, Sinton (2), Cockram |
| 10 | 15 October 1988 | Bury | A | 1–3 | 2,359 | Cockram |
| 11 | 22 October 1988 | Preston North End | H | 0–2 | 5,584 |  |
| 12 | 25 October 1988 | Chesterfield | A | 2–2 | 1,876 | Cadette (2) |
| 13 | 29 October 1988 | Port Vale | H | 2–1 | 5,212 | Jones, Holdsworth |
| 14 | 5 November 1988 | Reading | A | 2–2 | 7,974 | Sinton (2, 1 pen) |
| 15 | 8 November 1988 | Notts County | H | 2–1 | 4,013 | Cadette (2) |
| 16 | 21 November 1988 | Mansfield Town | A | 0–1 | 3,196 |  |
| 17 | 25 November 1988 | Cardiff City | A | 0–1 | 3,405 |  |
| 18 | 3 December 1988 | Bolton Wanderers | H | 3–0 | 4,628 | Cadette (2), Evans |
| 19 | 18 December 1988 | Aldershot | A | 0–0 | 4,012 |  |
| 20 | 26 December 1988 | Blackpool | H | 1–0 | 6,021 | Sinton |
| 21 | 31 December 1988 | Wolverhampton Wanderers | H | 2–2 | 8,020 | Godfrey, Jones |
| 22 | 2 January 1989 | Fulham | A | 3–3 | 8,120 | Sinton, Godfrey, Cadette |
| 23 | 14 January 1989 | Northampton Town | H | 2–0 | 6,043 | Cadette, Stanislaus |
| 24 | 21 January 1989 | Wigan Athletic | A | 1–1 | 2,514 | Sinton |
| 25 | 4 February 1989 | Gillingham | A | 0–0 | 4,002 |  |
| 26 | 11 February 1989 | Chester City | H | 0–1 | 5,748 |  |
| 27 | 25 February 1989 | Bury | H | 2–2 | 6,077 | Godfrey, Blissett |
| 28 | 28 February 1989 | Chesterfield | H | 1–0 | 4,192 | Cadette |
| 29 | 4 March 1989 | Preston North End | A | 3–5 | 8,191 | Ratcliffe, Bates, Godfrey |
| 30 | 11 March 1989 | Reading | H | 3–2 | 6,866 | Millen, Evans, Sinton (pen) |
| 31 | 13 March 1989 | Port Vale | A | 2–3 | 5,577 | Godfrey, Millen |
| 32 | 24 March 1989 | Fulham | H | 0–1 | 10,851 |  |
| 33 | 27 March 1989 | Blackpool | A | 3–0 | 3,305 | Godfrey, Cockram (2, 1 pen) |
| 34 | 1 April 1989 | Aldershot | H | 2–1 | 5,200 | Jones, Sealy |
| 35 | 4 April 1989 | Bristol City | H | 3–0 | 4,627 | Sealy (2), Cockram (pen) |
| 36 | 8 April 1989 | Wolverhampton Wanderers | A | 0–2 | 14,356 |  |
| 37 | 11 April 1989 | Bristol City | A | 1–0 | 4,339 | Evans |
| 38 | 15 April 1989 | Bristol Rovers | H | 2–1 | 7,558 | Blissett, Smillie |
| 39 | 18 April 1989 | Southend United | A | 1–1 | 4,194 | Smillie |
| 40 | 22 April 1989 | Sheffield United | A | 2–2 | 12,613 | Sealy, Godfrey |
| 41 | 25 April 1989 | Huddersfield Town | A | 2–1 | 3,538 | Godfrey, Blissett |
| 42 | 29 April 1989 | Mansfield Town | H | 1–0 | 5,231 | Cockram |
| 43 | 1 May 1989 | Notts County | A | 0–3 | 4,989 |  |
| 44 | 6 May 1989 | Bolton Wanderers | A | 2–4 | 4,627 | Ansah (2) |
| 45 | 9 May 1989 | Swansea City | H | 1–1 | 4,415 | Blissett |
| 46 | 13 May 1989 | Cardiff City | H | 1–1 | 4,865 | Evans |

### FA Cup

| Round | Date | Opponent | Venue | Result | Attendance | Scorer(s) |
| --- | --- | --- | --- | --- | --- | --- |
| 1R | 19 November 1988 | Halesowen Town | H | 2–0 | 4,514 | Evans, Sinton |
| 2R | 10 December 1988 | Peterborough United | A | 0–0 | 5,609 |  |
| 2R (replay) | 14 December 1988 | Peterborough United | H | 3–2 | 5,605 | Cadette, Cockram, Smillie |
| 3R | 7 January 1989 | Walsall | A | 1–1 | 5,375 | Jones |
| 3R (replay) | 10 January 1989 | Walsall | H | 1–0 | 8,163 | Cockram |
| 4R | 28 January 1989 | Manchester City | H | 3–1 | 12,100 | Blissett (2), Jones |
| 5R | 18 February 1989 | Blackburn Rovers | A | 2–0 | 15,280 | Blissett (2) |
| 6R | 18 March 1989 | Liverpool | A | 0–4 | 42,376 |  |

### Football League Cup

| Round | Date | Opponent | Venue | Result | Attendance | Scorer(s) |
| --- | --- | --- | --- | --- | --- | --- |
| R1 (1st leg) | 30 August 1988 | Fulham | A | 2–2 | 5,489 | Sinton, Stanislaus |
| R1 (2nd leg) | 6 September 1988 | Fulham | H | 1–0 (won 3–2 on aggregate) | 7,707 | Blissett |
| R2 (1st leg) | 27 September 1988 | Blackburn Rovers | A | 1–3 | 4,606 | Blissett |
| R2 (2nd leg) | 12 October 1988 | Blackburn Rovers | H | 4–3 (lost 5–6 on aggregate) | 3,844 | Cadette (2), Sinton, Jones |

### Football League Trophy

| Round | Date | Opponent | Venue | Result | Attendance | Scorer |
| --- | --- | --- | --- | --- | --- | --- |
| SPR (match 1) | 22 November 1988 | Fulham | A | 2–0 | 2,376 | Blissett, Cadette |
| SPR (match 2) | 29 November 1988 | Gillingham | H | 2–0 | 3,713 | Blissett, Cockram |
| SR1 | 17 January 1989 | Notts County | H | 2–0 | 3,194 | Godfrey, Cadette |
| SQF | 21 February 1989 | Chesterfield | A | 1–0 | 4,207 | Cadette |
| SSF | 21 March 1989 | Torquay United | H | 0–1 | 5,802 |  |

* Sources: 100 Years of Brentford, The Big Brentford Book of the Eighties, Statto

## Playing squad

*Players' ages are as of the opening day of the 1988–89 season.*

| Pos. | Name | Nat. | Date of birth (age) | Signed from | Signed in | Notes |
| --- | --- | --- | --- | --- | --- | --- |
| Goalkeepers | | | | | | |
| GK | Tony Parks |  | 26 January 1963 (aged 25) | Tottenham Hotspur | 1988 |  |
| GK | Jeremy Roberts |  | 24 November 1966 (aged 21) | Darlington | 1988 |  |
| Defenders | | | | | | |
| DF | Jamie Bates |  | 24 February 1968 (aged 20) | Youth | 1986 |  |
| DF | John Buttigieg |  | 5 October 1963 (aged 24) | Sliema Wanderers | 1988 |  |
| DF | Jason Cousins |  | 4 October 1970 (aged 17) | Youth | 1989 |  |
| DF | Terry Evans |  | 12 April 1965 (aged 23) | Hillingdon | 1985 |  |
| DF | Andy Feeley |  | 30 September 1961 (aged 26) | Leicester City | 1987 |  |
| DF | Marcus Gayle |  | 27 September 1970 (aged 17) | Youth | 1988 |  |
| DF | Colin Lee |  | 12 June 1956 (aged 32) | Chelsea | 1987 | Youth Development Officer |
| DF | Keith Millen |  | 26 September 1966 (aged 21) | Youth | 1985 |  |
| DF | Graham Pearce |  | 8 July 1959 (aged 29) | Farnborough Town | 1988 |  |
| DF | Roger Stanislaus |  | 2 November 1968 (aged 19) | Arsenal | 1987 |  |
| Midfielders | | | | | | |
| MF | Allan Cockram |  | 8 October 1963 (aged 24) | St Albans City | 1988 |  |
| MF | Andy Driscoll |  | 21 October 1971 (aged 16) | Youth | 1989 |  |
| MF | Kevin Godfrey |  | 24 February 1960 (aged 28) | Leyton Orient | 1988 |  |
| MF | Keith Jones () |  | 14 October 1965 (aged 22) | Chelsea | 1987 |  |
| MF | Steve Perryman |  | 21 December 1951 (aged 36) | Oxford United | 1986 | Manager |
| MF | Simon Ratcliffe |  | 8 February 1967 (aged 21) | Norwich City | 1989 |  |
| MF | Neil Smillie |  | 19 July 1958 (aged 30) | Reading | 1988 |  |
| Forwards | | | | | | |
| FW | Andy Ansah |  | 19 March 1969 (aged 19) | Dorking | 1989 |  |
| FW | Gary Blissett |  | 29 May 1964 (aged 24) | Crewe Alexandra | 1987 |  |
| FW | Richard Cadette |  | 21 March 1965 (aged 23) | Sheffield United | 1988 |  |
| FW | Jon Purdie |  | 22 February 1967 (aged 21) | Oxford United | 1989 | Loaned from Oxford United before transferring permanently |
| FW | Tony Sealy |  | 7 May 1959 (aged 29) | Unattached | 1989 |  |
| Players who left the club mid-season | | | | | | |
| GK | John Smeulders |  | 28 March 1957 (aged 31) | Bournemouth | 1988 | Returned to Bournemouth after loan |
| MF | Bob Booker |  | 25 January 1958 (aged 30) | Bedmond Sports & Social | 1978 | Transferred to Sheffield United |
| MF | Andy Sinton |  | 19 March 1966 (aged 22) | Cambridge United | 1985 | Transferred to Queens Park Rangers |
| FW | Paul Birch |  | 3 December 1968 (aged 19) | Portsmouth | 1987 | Retired |
| FW | Dean Holdsworth |  | 8 November 1968 (aged 19) | Watford | 1988 | Returned to Watford after loan |

* Sources: The Big Brentford Book of the Eighties, Timeless Bees

## Coaching staff

| Name | Role |
| --- | --- |
| Steve Perryman | Manager |
| Phil Holder | Assistant manager |
| Roy Clare | Physiotherapist |

## Statistics

### Appearances and goals

*Substitute appearances in brackets.*

| Pos | Nat | Name | League | | FA Cup | | League Cup | | FL Trophy | | Total | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| GK |  | Tony Parks | 33 | 0 | 7 | 0 | 3 | 0 | 2 | 0 | 45 | 0 |
| GK |  | Jeremy Roberts | 5 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 9 | 0 |
| DF |  | Jamie Bates | 31 (5) | 1 | 1 (1) | 0 | 2 (1) | 0 | 2 | 0 | 36 (7) | 1 |
| DF |  | John Buttigieg | 12 (6) | 0 | 0 (1) | 0 |  | | 0 | 0 | 12 (7) | 0 |
| DF |  | Terry Evans | 45 | 5 | 8 | 1 | 4 | 0 | 5 | 0 | 62 | 6 |
| DF |  | Andy Feeley | 30 (3) | 0 | 8 | 0 | 2 (1) | 0 | 5 | 0 | 45 (4) | 0 |
| DF |  | Marcus Gayle | 0 (3) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 (3) | 0 |
| DF |  | Colin Lee | 1 (1) | 0 | 0 | 0 | 0 | 0 | 0 (1) | 0 | 1 (2) | 0 |
| DF |  | Keith Millen | 36 | 3 | 8 | 0 | 4 | 0 | 5 | 0 | 53 | 3 |
| DF |  | Graham Pearce | 11 (7) | 0 | 2 (1) | 0 |  | | 1 | 0 | 14 (8) | 0 |
| DF |  | Roger Stanislaus | 42 (1) | 1 | 6 | 0 | 4 | 1 | 2 | 0 | 55 (1) | 2 |
| *MF* |  | *Bob Booker* | *5 (3)* | *0* |  | | *1 (1)* | *0* |  | | *6 (4)* | *0* |
| MF |  | Allan Cockram | 31 (6) | 7 | 6 (1) | 2 | 3 | 0 | 3 (1) | 1 | 43 (8) | 10 |
| MF |  | Andy Driscoll | 0 (1) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 (1) | 0 |
| MF |  | Kevin Godfrey | 24 (5) | 8 | 5 (2) | 0 |  | | 4 (1) | 1 | 33 (8) | 9 |
| MF |  | Keith Jones | 40 | 3 | 8 | 2 | 4 | 1 | 4 | 0 | 56 | 6 |
| MF |  | Steve Perryman | 2 (3) | 0 | 0 (2) | 0 | 0 (1) | 0 | 1 | 0 | 3 (6) | 0 |
| MF |  | Simon Ratcliffe | 7 (2) | 1 | 1 (1) | 0 |  | | 1 (1) | 0 | 9 (4) | 1 |
| *MF* |  | *Andy Sinton* | *31* | *10* | *7* | *1* | *4* | *2* | *5* | *0* | *47* | *13* |
| MF |  | Neil Smillie | 25 (3) | 2 | 6 | 1 | 4 | 0 | 2 | 0 | 37 (3) | 3 |
| FW |  | Andy Ansah | 3 (4) | 2 |  | |  | |  | | 3 (4) | 2 |
| *FW* |  | *Paul Birch* | *0 (2)* | *0* |  | | *0 (1)* | *0* |  | | *0 (3)* | *0* |
| FW |  | Gary Blissett | 35 (1) | 6 | 6 | 4 | 4 | 2 | 4 | 3 | 49 (1) | 15 |
| FW |  | Richard Cadette | 31 (1) | 12 | 8 | 1 | 4 | 2 | 5 | 2 | 48 (1) | 17 |
| FW |  | Jon Purdie | 5 (1) | 0 |  | |  | |  | | 5 (1) | 0 |
| FW |  | Tony Sealy | 11 (1) | 4 | 0 (1) | 0 |  | | 0 (1) | 0 | 11 (3) | 4 |
| Players loaned in during the season | | | | | | | | | | | | |
| *GK* |  | *John Smeulders* | *8* | *0* |  | | *1* | *0* |  | | *9* | *0* |
| *FW* |  | *Dean Holdsworth* | *2 (5)* | *1* |  | |  | |  | | *2 (5)* | *1* |

* Players listed in *italics* left the club mid-season.
* Source: The Big Brentford Book of the Eighties

### Goalscorers

| Pos. | Nat | Player | FL3 | FAC | FLC | FLT | Total |
| --- | --- | --- | --- | --- | --- | --- | --- |
| FW |  | Richard Cadette | 12 | 1 | 2 | 2 | 17 |
| FW |  | Gary Blissett | 6 | 4 | 2 | 3 | 15 |
| *MF* |  | *Andy Sinton* | *10* | *1* | *2* | *0* | *13* |
| MF |  | Allan Cockram | 7 | 2 | 0 | 1 | 10 |
| MF |  | Kevin Godfrey | 8 | 0 |  | 1 | 9 |
| DF |  | Terry Evans | 5 | 1 | 0 | 0 | 6 |
| MF |  | Keith Jones | 3 | 2 | 1 | 0 | 6 |
| FW |  | Tony Sealy | 4 | 0 |  | 0 | 4 |
| DF |  | Keith Millen | 3 | 0 | 0 | 0 | 3 |
| MF |  | Neil Smillie | 2 | 1 | 0 | 0 | 3 |
| FW |  | Andy Ansah | 2 |  |  |  | 2 |
| DF |  | Roger Stanislaus | 1 | 0 | 1 | 0 | 2 |
| *FW* |  | *Dean Holdsworth* | *1* |  |  |  | *1* |
| MF |  | Simon Ratcliffe | 1 | 0 |  | 0 | 1 |
| DF |  | Jamie Bates | 1 | 0 | 0 | 0 | 1 |
| Total | | | 66 | 12 | 8 | 7 | 93 |

* Players listed in *italics* left the club mid-season.
* Source: The Big Brentford Book of the Eighties

### Management

| Name | Nat | From | To | Record All Comps | | | | | Record League | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | P | W | D | L | W % | P | W | D | L | W % |
| Steve Perryman |  | 27 August 1988 | 13 May 1989 | 63 | 29 | 17 | 17 | 046.03 | 46 | 18 | 14 | 14 | 039.13 |

### Summary

| Games played | 63 (46 Third Division, 8 FA Cup, 4 League Cup, 5 Football League Trophy) |
| --- | --- |
| Games won | 29 (18 Third Division, 5 FA Cup, 2 League Cup, 4 Football League Trophy) |
| Games drawn | 17 (14 Third Division, 2 FA Cup, 1 League Cup, 0 Football League Trophy) |
| Games lost | 17 (14 Third Division, 1 FA Cup, 1 League Cup, 1 Football League Trophy) |
| Goals scored | 93 (66 Third Division, 12 FA Cup, 8 League Cup, 7 Football League Trophy) |
| Goals conceded | 84 (61 Third Division, 8 FA Cup, 8 League Cup, 7 Football League Trophy) |
| Clean sheets | 22 (13 Third Division, 4 FA Cup, 1 League Cup, 4 Football League Trophy) |
| Biggest league win | 4–0 versus Southend United, 9 October 1988 |
| Worst league defeat | 3–0 versus Notts County, 1 May 1989; 4–1 versus Sheffield United, 24 September 1988; 5–3 versus Preston North End, 4 March 1989 |
| Most appearances | 62, Terry Evans (45 Third Division, 8 FA Cup, 4 League Cup, 5 Football League Trophy) |
| Top scorer (league) | 12, Richard Cadette |
| Top scorer (all competitions) | 17, Richard Cadette |

## Transfers & loans

| Players transferred in | | | | | |
| --- | --- | --- | --- | --- | --- |
| Date | Pos. | Name | Previous Club | Fee | Ref. |
| July 1988 | FW | Richard Cadette | Sheffield United | £77,500 |  |
| August 1988 | GK | Tony Parks | Tottenham Hotspur | £60,000 |  |
| August 1988 | MF | Neil Smillie | Reading | Free |  |
| September 1988 | GK | Jeremy Roberts | Darlington | Non-contract |  |
| October 1988 | MF | Kevin Godfrey | Leyton Orient | Non-contract |  |
| October 1988 | FW | Graham Pearce | Farnborough Town | Non-contract |  |
| 2 November 1988 | DF | John Buttigieg | Sliema Wanderers | £40,000 |  |
| 1988 | GK | Ashley Bayes | n/a | n/a |  |
| 1988 | FW | Kelly Haag | n/a | n/a |  |
| 1988 | MF | Khotso Moabi | n/a | n/a |  |
| January 1989 | MF | Simon Ratcliffe | Norwich City | £100,000 |  |
| March 1989 | FW | Andy Ansah | Dorking | n/a |  |
| March 1989 | FW | Tony Sealy | Unattached | Free |  |
| April 1989 | FW | Jon Purdie | Oxford United | n/a |  |
| Players loaned in | | | | | |
| Date from | Pos. | Name | From | Date to | Ref. |
| October 1988 | FW | Dean Holdsworth | Watford | November 1988 |  |
| October 1988 | GK | John Smeulders | Bournemouth | November 1988 |  |
| March 1989 | MF | Jon Purdie | Oxford United | April 1989 |  |
| Players transferred out | | | | | |
| Date | Pos. | Name | Subsequent club | Fee | Ref. |
| August 1988 | DF | Roger Joseph | Wimbledon | £150,000 |  |
| August 1988 | GK | Gary Phillips | Reading | £25,000 |  |
| November 1988 | MF | Bob Booker | Sheffield United | Free |  |
| March 1989 | MF | Andy Sinton | Queens Park Rangers | £350,000 |  |
| Players released | | | | | |
| Date | Pos. | Name | Subsequent club | Join date | Ref. |
| August 1988 | MF | Wayne Turner | Barnet | 1988 |  |
| October 1988 | FW | Paul Birch | Retired |  |  |
| 1988 | MF | Robbie Carroll | Fareham Town | 1988 |  |
| 1988 | GK | Tony Oliver | Weymouth | 1988 |  |
| May 1989 | DF | Andy Feeley | Bury | July 1989 |  |
| May 1989 | DF | Colin Lee | Retired |  |  |
| May 1989 | FW | Graham Pearce | Maidstone United | 1989 |  |
| May 1989 | FW | Jon Purdie | Shrewsbury Town | June 1989 |  |
| May 1989 | GK | Jeremy Roberts | Maidenhead United | 1989 |  |
| May 1989 | FW | Tony Sealy | Swindon Town | 1989 |  |

## Kit

Supplier: Hobot
Sponsor(s): KLM

Source: Brentford F.C.

## Awards

1. White, Eric, ed. (1989). *100 Years Of Brentford*. Brentford FC. p. 400. ISBN 0951526200.
2. White, p. 337.
3. Croxford, Lane & Waterman, p. 248-257.
4. White, p. 338-345.
5. Croxford, Lane & Waterman, p. 226.
6. "Brentford results for the 1988–1989 season". *Statto.com*. Archived from the original on 29 November 2016. Retrieved 24 February 2017.
7. "Brentford Table on Saturday 6th May 1989". *Statto.com*. Archived from the original on 24 February 2017. Retrieved 24 February 2017.
8. Brentford F.C. at the *Football Club History Database*
9. Croxford, Lane & Waterman, p. 228-247.
10. Haynes, Graham (1998). *A-Z Of Bees: Brentford Encyclopedia*. Yore Publications. p. 12. ISBN 1 874427 57 7.
11. Croxford, Mark; Lane, David; Waterman, Greville (2011). *The Big Brentford Book of the Eighties*. Sunbury, Middlesex: Legends Publishing. ISBN 978-1906796716.
12. Haynes, Graham; Coumbe, Frank (2006). *Timeless Bees: Brentford F.C. Who's Who 1920–2006*. Yore Publications. ISBN 978-0955294914.
13. Croxford, Lane & Waterman, p. 430.
14. Haynes & Coumbe, p. 18.
15. Haynes & Coumbe, p. 71.
16. Croxford, Lane & Waterman, p. 465.
17. Croxford, Lane & Waterman, p. 276.
18. Croxford, Lane & Waterman, p. 383.

## InfoBox

Brentford
| 1988–89 season | |
| --- | --- |
| Chairman | Martin Lange |
| Player-manager | Steve Perryman |
| Stadium | Griffin Park |
| Third Division | 7th |
| FA Cup | Sixth round |
| League Cup | Second round |
| Football League Trophy | Semi-final |
| Top goalscorer | League: Cadette (12)<br>All: Cadette (17) |
| Highest home attendance | 12,100 |
| Lowest home attendance | 3,194 |
| Average home league attendance | 5,682 |
|  | |
|  | |
|  | |
|  | |


title: Tshegofatso Seakgoe

abstract: Tshegofatso Seakgoe is a South African model and actress. She was born in Meadowlands, Gauteng in South Africa. She was the winner of a model-photography competition run by ELLE Magazine South Africa in 2010.

text:
# Tshegofatso Seakgoe

**Tshegofatso Seakgoe** (born 8 March 1990) is a South African model and actress. She was born in Meadowlands, Gauteng in South Africa. She was the winner of a model-photography competition run by ELLE Magazine South Africa in 2010.

## Early life

She was born and raised in Meadowlands, Soweto (in Gauteng, South Africa) and lived with her mother, until she died in 1999. She then moved to stay with her father, step-mother, three younger brothers and one younger step-brother in Alberton, Gauteng.

As a girl, she was interested in the entertainment industry and took part in a number of television features, including being featured on children's entertainment channel YOT V 4 and singing for Nelson Mandela at his 80th birthday celebration. At 5 ft 6 in (1.68 m) she always believed she was too short to be a model.

## After high school

Following her graduation from Greenside High School in Gauteng, South Africa, Tshegofatso started a course in management. She dropped out after three months and decided to take a break from studies. She worked as a receptionist for a short time and then decided to return to studies and to study Political Studies and Journalism at Monash University.

## Career

Six months into her university course, in 2010, a friend approached her to be a model for his photography entry into a competition for ELLE Magazine South Africa. She won the competition with her friend. A friend, working as a make-up artist on the ELLE Magazine shoot, advised her to seek an agent. She signed with Ayana Africa Management and attended castings for six months with no luck.

In May 2011, Tshegofatso became the first black South African to adorn the cover of Playboy.

Tshegofatso has become a prominent actress, with recent appearances in the TV show The Throne and presenting at the 2020 Dubai Expo.

In 2020 Tshegofatso started her own YouTube channel, although her showreel was added just before that. In April 2020 Tshegofatso answered 21 questions about herself, adopting a Vogue (magazine) styled Vlog interview.

### LEGiT Campaign

Tshegofatso was approached by advertising agency Black River FC to work on their campaign with female fashion retailer LEGiT, part of the Edcon stable. She followed in a line of brand ambassadors including TV presenter and actress Minnie Dlamini, TV presenter Bonang Matheba, model Noni Gasa and radio and TV personality Sade Giliberti.

### Playboy Magazine South Africa

When her friend started working for Playboy Magazine South Africa, she was approached to attend a casting for the magazine's first few issues. She attended the casting and was selected as a playmate. After a review by the South African Playboy staff, she was chosen as the cover star for their local May issue.

## Filmography

| Year | Title | Role | Target |
| --- | --- | --- | --- |
| 2018 | The Throne | Co-Star | Television |
| 2017 | Broken Vows | Co-Star | Television |
| 2016 | Keeping Score | Co-Star | Television |
| 2016 | The Queen Mzansi | Co-Star | Television |
| 2015 | State Enemy no. 1 | Principle | Feature Film |

## InfoBox

| Tshegofatso Seakgoe | |
| --- | --- |
| Born | 8 March 1990<br>Meadowlands, Gauteng |
| Occupation(s) | Actress, model |
| Years active | 2010-present |
| **Modelling information** | |
| Hair colour | Black |
| Eye colour | Brown |
|  | |


title: Warriors (anthology)

abstract: Warriors is a cross-genre, all-original fiction anthology featuring stories on the subjects of war and warriors; it was edited by George R. R. Martin and Gardner Dozois. The book's Introduction, "Stories from the Spinner Rack", was written by Martin. This anthology was first published in hardcover by Tor Books on March 16, 2010. It won a Locus Award for Best Anthology in 2011. The book was later split and republished in paperback as Warriors 1; Warriors 2 and Warriors 3. Stories from the Spinner Rack is included in all the three split books.

text:
# Warriors (anthology)

***Warriors*** is a cross-genre, all-original fiction anthology featuring stories on the subjects of war and warriors; it was edited by George R. R. Martin and Gardner Dozois. The book's Introduction, "Stories from the Spinner Rack", was written by Martin. This anthology was first published in hardcover by Tor Books on March 16, 2010. It won a Locus Award for Best Anthology in 2011.

The book was later split and republished in paperback as *Warriors 1* (ISBN 9780765360267, published in 2010); *Warriors 2* (ISBN 9780765360274, published in 2011) and *Warriors 3* (ISBN 9780765360281, also published in 2011). *Stories from the Spinner Rack* is included in all the three split books.

## Contents

## Reception

*Warriors* won a Locus Award for Best Anthology in 2011.

## InfoBox

Warriors
| First edition cover | |
| --- | --- |
| Editors | George R. R. Martin <br>Gardner Dozois |
| Author | Various |
| Language | English |
| Genre | Science fiction/Fantasy |
| Published | March 16, 2010 |
| Publisher | Tor Books |
| Publication place | United States |
| Media type | Print (Hardcover & Paperback) |
| Pages | 736 |
| ISBN | 978-0-76532-048-3 |
| Followed by | *Dangerous Women* |


title: Pulau Anak Bukom

abstract: Pulau Anak Bukom is a small 0.2-hectare islet located to the south west of Singapore, between Pulau Bukom and Pulau Bukom Kechil. Anak Bukom means "child of Bukom" in Malay, a reference to its small size and location just next to Pulau Bukom.

text:
# Pulau Anak Bukom

**Pulau Anak Bukom** is a small 0.2-hectare islet located to the south west of Singapore, between Pulau Bukom and Pulau Bukom Kechil. *Anak Bukom* means "child of Bukom" in Malay, a reference to its small size and location just next to Pulau Bukom.

Pulau Bukom and Pulau Bukom Kechil, Western Islands, Singapore. Pulau Bukom Kechil lies to the left with the shorter grey cylindrical tanks, while Pulau Bukom, to the right, with the smaller white and grey but taller tanks and buildings. Pulau Anak Bukom is the small islet with vegetation under the cluster of chimneys at centre-left.

## InfoBox

| Pulau Anak Bukom | |
| --- | --- |
| Name transcription(s) | |
| Chinese | 安娜毛广岛 |
| Pinyin | ānnà máoguǎng dǎo |
| Malay | Pulau Anak Bukom |
| Pulau Anak BukomLocation of Pulau Anak Bukom within Singapore | |
| Coordinates: 1°13′30″N 103°46′12.50″E / 1.22500°N 103.7701389°E / 1.22500; 103.7701389 | |
| Country | Singapore |


title: Proville

abstract: Proville is a commune in the Nord department in northern France.

text:
# Proville

**Proville** (French pronunciation: \[pʁɔvil\]) is a commune in the Nord department in northern France.

## Population

Historical population
| Year | Pop. | ±% p.a. |
| --- | --- | --- |
| 1968 | 915 |  |
| 1975 | 2,238 | +13.63% |
| 1982 | 3,215 | +5.31% |
| 1990 | 3,655 | +1.62% |
| 1999 | 3,472 | −0.57% |
| 2007 | 3,475 | +0.01% |
| 2012 | 3,237 | −1.41% |
| 2017 | 3,163 | −0.46% |
| Source: INSEE | | |

## Heraldry

|  | The arms of Proville are blazoned :
*Gules, a crescent argent.*

 |
| --- | --- |

## InfoBox

| Proville | |
| --- | --- |
| Commune | |
| The town hall in Proville | |
|  | |
| Location of Proville | |
| ProvilleProville | |
| Coordinates: 50°09′40″N 3°12′22″E / 50.161°N 3.206°E / 50.161; 3.206 | |
| Country | France |
| Region | Hauts-de-France |
| Department | Nord |
| Arrondissement | Cambrai |
| Canton | Cambrai |
| Intercommunality | CA Cambrai |
| Government | |
| Mayor (20212026) | Guy Coquelle |
| Area**1** | 6.31 km2 (2.44 sq mi) |
| Population (2021) | 3,128 |
| Density | 500/km2 (1,300/sq mi) |
| Time zone | UTC+01:00 (CET) |
| Summer (DST) | UTC+02:00 (CEST) |
| INSEE/Postal code | 59476 /59267 |
| Elevation | 42–87 m (138–285 ft)
(avg. 5 m or 16 ft) |
| **1** French Land Register data, which excludes lakes, ponds, glaciers \> 1 km2 (0.386 sq mi or 247 acres) and river estuaries. | |


title: Paul Korda

abstract: Paul Korda was a Singaporean songwriter, singer, musician, and actor. He wrote and performed music from the 1960s onwards, and his songs have been covered by artists such as Roger Daltrey, Dave Edmunds, Frankie Valli, and Love Sculpture.

text:
# Paul Korda

**Paul Korda** (born **Paul Kunstler**, 1948  11 March 2020) was a Singaporean songwriter, singer, musician, and actor. He wrote and performed music from the 1960s onwards, and his songs have been covered by artists such as Roger Daltrey, Dave Edmunds, Frankie Valli, and Love Sculpture.

## Family background

Korda was born in Singapore, into a creative family of entertainers, professional singers, songwriters, and accomplished musicians. His father, Hungarian-born Tibor Kunstler, was a violinist and former student of the Franz Liszt Conservatory of Music in Budapest, Hungary and Academia La Scala in Milan, Italy. Tibor played saxophone on Coleman Hawkins' tour of the East. Korda's British mother, Shirley Green — who worked under the stage name Shirley Lenner — was a vocalist and actress. She starred in *Those Kids From Town* (1942) and also sang with Joe Loss, George Elrick, and Stéphane Grappelli.

Kunstler and Green met while working as entertainers in Singapore. Kunstler, who had been interned during the Japanese invasion of Java while playing at the Hilton Hotel there, was performing at Raffles Hotel while Green, who had spent the latter part of World War II entertaining British troops, was singing at Princes Restaurant nearby.

Korda's British grandparents had also been professional singers, songwriters and musicians. In the 1890s, his grandmother Florence Wright worked in a market stall in Edinburgh, Scotland, singing songs penned by Lawrence Wright to help sell his sheet music. Wright and her husband, pianist Tommy Lenner, took their thirteen children on tour with them as angels at the beginning of the Vaudeville era.

Shirley Lenner's sisters were well known singers in Britain: Judy Shirley hosted *Monday Night at Seven* for the BBC during World War II, and Anne Lenner sang with American composer Carole Gibbons.

## Formative years

Due to his parents' work commitments and divorce, Korda was sent to boarding school at age five and a half upon returning to England. He continued to be away at school for much of his childhood. He took classical piano lessons, prompted by his father's classical education, while his mother arranged for him to take lessons from a contemporary piano player. At the age of nine wrote his first musical.

At thirteen Korda won a scholarship to Victoria College on the Isle of Jersey in the Channel Islands. It was on Jersey that he joined The Intruders, a local band, even though boarders were forbidden to go to nightclubs, and began writing songs.

Korda applied for a place at Harrow Technical College, near London, to study photography at age fifteen. He was accepted at the college, based not on his academic results, but on the quality of his photographs. While studying photography, Korda ran Harrow Technical College's Folk Club, and was spotted by the manager of Bluesology, a band formed by Elton John and Rod Stewart. The manager soon took Korda to meet Beatles publisher Stephen James and introduced him to Elton John (still called Reg Dwight).

## Early career: songwriting and production

Korda's first record, "Go on Home", was released on EMI's Columbia label when he was seventeen. At this point in his early career Korda began playing the Soho folk club, Les Cousins, alongside other friends, Sandy Denny and Cat Stevens. Cat Stevens and Korda became close friends and in between recording sessions would often check out the London nightlife together.

In 1967 Korda was signed as a songwriter to Rolling Stones producer Andrew Loog Oldham's Immediate Records publishing company and went on to write for P.P. Arnold for her single "The Time Has Come". The song made the UK charts, and the Italian version "Se Perdo Te", recorded by Patty Pravo, reached No. 18 in Italy. Korda, like so many Immediate artists, wasn't paid, and, being a minor, repudiated his contract after the managing director took Korda's new 12-string guitar and gave it to another songwriter.

That same year Korda formed his first professional band and gave his opening night at the 7 1⁄2 Club in London to Jimi Hendrix so that Hendrix could showcase to the English music business. Hendrix expressed his gratitude for the chance and referred to the Afro-wearing Korda as his "soul brother".

After suffering the shock of his mother's accidental death, he was offered a production job by EMI Records and produced Jon Anderson's first recordings Korda's production rhythm section included Ronnie Lane, Ian McLagan, and Kenney Jones on drums.

## *Hair*

Korda signed young American singer Andy Forray and took him to auditions for the musical *Hair*: *The American Tribal Love/Rock Musical* in London. Forray was hired, as was Korda, who was also asked to audition and offered the part of Paul. The musical opened at the Shaftesbury Theatre in London on 27 September 1968 and continued for 1,998 performances. The run at the Shaftesbury ended when the theatre's roof collapsed in July 1973.

## Solo career

After leaving the cast of *Hair*, Korda was drawn to activism, starting early in his career with the ecological protest song "Seagull (The West Coast Oil Tragedy)", which he recorded for Parlophone Records (EMI) that was then covered by Love Sculpture. Korda then focused on local social issues, in particular the plight of Britain's Old Age Pensioners, who were struggling to survive on their government pensions. He penned "Give Us the Right to Live", rehearsed, and recorded the song with twenty pensioners, the eldest of whom was over 80 years old. When the song was released by Famous Records, Korda and the pensioners opened the Trade Union Congress at London's Royal Albert Hall.

Soon after bringing public attention to the pensioners' issue, Korda formed, sang for, and wrote songs for the British rock-fusion band Dada, in which he shared vocals with Elkie Brooks and Jimmy Chambers on their only album, *Dada*, for Atlantic Records in 1970. Due to factionalism Korda quit the band and was replaced by Robert Palmer.

Korda then decided to go solo and formed a band to play at the Speakeasy Club. This core of musicians—who went on to play on Korda's debut album, *Passing Stranger* (released 1971 on MAM Records)—consisted of Onnie McIntyre and Allan Gorrie and guitarists Chris Spedding and Andy Roberts. *Passing Stranger* also featured a trio of vocalists in African-American soul singer Doris Troy, Nanette Newman, and Madeline Bell.

Cat Stevens and Korda became close friends, both being signed to producer Mike Hurst. Steve (Steven Adam Georgiou), as he was known then, loaned his Mercedes to Korda for Korda's wedding, and his brother David was Korda's best man. In between recording sessions Steve and Korda would often check out the London nightlife together.

Korda went on to place his songs with other artists. In 1971 Korda's song "Walk the World Away" was recorded by reggae artist Teddy Brown. The French version "L'Amour C'est Ca, L'Amour C'est Toi" coupled with "C'est Ma Priere" was recorded by Mike Brant and remained at No. 1 in France for six months.

In 1974 Korda wrote, sang, and played piano on three songs ("Feeling", "Hearts Right", and "World Over") for Roger Daltrey's second solo album *Ride a Rock Horse* (1975), which reached the Top 20 in the US and UK. Korda's collaboration with Daltrey continued two years later when he wrote and played piano on "Written on the Wind" (#46 in the UK) for Daltrey's 1977 solo album *One of the Boys*. In an effort to reach a wider audience, Korda flew to New York City to look for work. Along with Daryl Pettiford and Nic Potter (whom Korda flew over from Britain) he performed a week-long engagement at The Other End and was written up in *Variety*. He moved his family to Los Angeles in 1977, where he recorded his second solo album *Dancing in the Aisles*, co-produced by Spencer Davis for Janus Records, and recorded at the Village Recorder. *Dancing in the Aisles* reached No. 4 in Billboard magazine's National Radio Adds chart the week following its release, due in large part to heavy airplay of "Manhattan" in New York. Korda then performed at Los Angeles' Roxy Theatre with a 12-piece band, and Bruce Springsteen, who came to the show, displayed his enthusiasm by dancing in the audience during the set. Before promotion of the album could be completed, Janus Records filed for bankruptcy.

To overcome the problem of losing his record deal to corporate bankruptcy, Korda came up with "Out of Gas", that was rush-released by RCA Records, at the beginning of the gas shortages in the US. The song was later featured in the documentary series *The History of America*, presented by Ted Koppel.

Korda's keyboard player David Kaffinetti and drummer R.J. Parnell were chosen as band members for Rob Reiner's cult classic *This Is Spinal Tap*, which led to Korda making a brief appearance as a rockstar/partygoer in the film.

In the early 1980s, Korda opened the Central Jam Night, during which musicians such as Phil Collins and Mitch Mitchell joined him onstage. He performed with guitarists John Goodsall and Mike Miller, keyboardist J. Peter Robinson, drummers Steve Chapman, Ric Parnell and keyboardists David Kaf, Merry Stewart and bass player Lou Castro, and percussionist Malando Gassama.

In the mid-1980s, Korda recorded an unreleased album with producer Dave Jerdan. He also received first prize at the Japan Expo for his space song "Living in the Sky", subsequently recorded with fusion guitar virtuoso Allan Holdsworth. Korda went on to sing background vocals on Holdsworth's 1985 album *Road Games*, and co-wrote and sang "In the Mystery" for Holdsworth's follow-up indie album *Metal Fatigue*. Written and recorded in 24 hours, it was released and being played on KROQ-FM three weeks later.

In 1988 Korda returned to London, where he opened a club in Highgate Village. Korda booked his friend, British guitarist Snowy White, as headliner, and formed the support band with Malcolm Duncan on saxophone, Nic Potter on bass, and some singers from Eurythmics. Shortly afterward Korda supported White at one of the last shows at the original Marquee Club in London.

Korda went on to Orlando, Florida, where he opened Major Music Records. Finding there were "too many sharks on land there," he returned to Los Angeles in the early 1990s and wrote and arranged "Run for Your Life" for Frankie Valli and the Four Seasons' *Hope and Glory* album.

In 1994, shortly after obtaining custody of his sons, Korda dedicated his time and energy to volunteering to help low-income inner city children. He began teaching music to children at a community center in East Los Angeles, encouraging them to develop an outlet for their frustrations through spontaneous musical creativity. To promote the cause, Korda began working with the choir of his sons' former school, the 32nd Street / USC Magnet School for the Performing Arts. They recorded "Beyond the Darkness", hoping to raise money through sales of the CD to finance music education. The project was aided by A&M Records founder Herb Alpert, who arranged for the recording to be produced at A&M Studio A in Hollywood. J. Peter Robinson arranged the music and Linda Yellan directed the video for the song, with the children in charge of wardrobe, make up and acting. Due to the lack of high-profile rock stars involved, and royalties going to the Los Angeles School Districts Magnet Program, promotion was limited by the lack of business interest.

Korda was personally affected by the events of 9/11, because he had turned down a reservation on the doomed flight out of Boston that morning, returning from London on 10 September, choosing an earlier direct flight to Los Angeles instead. He witnessed the 9/11 events the next morning and decided to drive to Vancouver Island Canada, to collect his thoughts. While staying in Vancouver, he began developing the concept of a musical, *Coming To*, a kind of modern-day *Hair*, about the country's psychological aftermath in the months following 9/11 and the collective need for awakening. He also composed many of the songs for his next album *Not for Robots*.

Shortly after recording *Not for Robots*, Korda went to work as the governor's dignitary in the movie *Pirates of the Caribbean: The Curse of the Black Pearl,* for the first two weeks of production. On the last day of filming Korda came up with the idea for his song, "Pirates of the Caribbean". Korda added the song as a bonus track on *Not for Robots*. In August 2003 the song reached No. 1 in the UK MP3 Europop chart and No. 6 in the UK MP3 Pop chart, for internet downloads.

In 2003 Korda worked with Peter Mullen and John C. Riley on the *Criminal*. In 2004 he played a museum director in the movie *After the Sunset*. His last movie appearances were as Pierre Fuquette in *The Pink Panther* and another turn as Governor Swann's dignitary in *Pirates of the Caribbean: Dead Man's Chest*. He also appeared in *My Name is Earl.*

## Death

Korda died on 11 March 2020, aged 72.

## Discography

### 7-inch singles

* "Go on Home" (Korda)/"Just Come Closer to me" (Korda-Spyropolous), Columbia DB7994 Paul Korda, 1966. Production: Mike Smith
* "Smile If You Want To" (Korda-Andrews) "Making Love to Him" (Korda-Andrews) Tim Andrews & Paul Korda, Parlophone R5714, 1968. Production: Paul Korda.
* "Angel Face" (Korda-Andrews)/"Waiter Get Me A Drink" (Korda-Andrews) Tim Andrews & Paul Korda, Parlophone R5746, 1968. Production: Paul Korda.
* "How Many More Hearts Must Be Broken" (Korda-Andrews) "Discovery" (Korda-Andrews) Tim Andrews & Paul Korda, Parlophone R 5769, 1969. Production: Paul Korda
* "Seagull (the West coast oil tragedy)" (Korda) "Night of the Next Day" (Korda) Paul Korda, Parlophone R5778, 1970. Production: Paul Korda.
* "Between the Road" (Korda)/"English Country Garden" (Korda) Paul Korda, MAM1971, 1971. Production: Paul Korda & Vic Smith.
* "More Than A Friend" (Korda)/"Alone Together" (Korda) Paul Korda, Janus 277, 1979. Production: Spencer Davis & Paul Korda.
* "Out of Gas" (Korda)/"To be Born Again" (Korda) Paul Korda, RCA 11645. Production: Paul Korda.
* "Pirates of the Caribbean" mp3, 2003.

### Albums/CDs

* *Hair* Original London Cast LP, Decca Records, 1968. (Paul Korda: Main Performer-Vocals)
* *Dada* Atlantic Records, 1970. (Korda: Vocals)
* *Passing Stranger* Paul Korda MAM Records (Paul Korda: Main Performer, Songs, Vocals). Produced by Paul Korda & Vic Smith.
* *Dancing in the Aisles* Paul Korda Janus Records, 1979. (Paul Korda: Main Performer, Vocals). Producers: Spencer Davis & Paul Korda.
* *Beyond the Darkness* Paul Korda & the 32ndStreet / USC Children's Choir, 1994, (Paul Korda: Vocal)
* Holiday greetings CD to benefit the Magnet School program for the Performing arts. Production: Paul Korda
* *Not for Robots* Paul Korda, OnLineRecordWorld.com, 2003 (Paul Korda: songwriting, instruments, production, album artwork).
* *Seeds* Paul Korda, 2008, (Paul Korda: songwriter, arrangements, keyboards, vocals, artwork)
* *Early Years* Paul Korda, 2009, (Paul Korda: songs, arrangements, keyboards, vocals).
* *In the Key of See* Paul Korda, 2009, (Paul Korda: piano, keyboards, vocals).

## Bibliography

* Wollman, Elizabeth Lara. *The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig*, Ann Arbor: University of Michigan, 2009 ISBN 978-0-472-03402-4

## InfoBox

| Paul Korda | |
| --- | --- |
| Birth name | Paul Kunstler |
| Born | 1948 (1948)<br>Singapore |
| Died | (2020-03-11)11 March 2020 (aged 72) |
| Genres | Rock, pop, soul |
| Occupation(s) | Musician, songwriter, producer, arranger, actor |
| Instrument(s) | guitar, piano, vocals |
| Years active | 1965–2020 |
| Formerly of | Original cast of *Hair*, Dada, Elkie Brooks, Love Sculpture, Teddy Brown, Frankie Valli, Roger Daltrey |
|  | |
| Website | www.paulkorda.com |


title: Mao Biao

abstract: Mao Biao is a former Chinese footballer who played as a striker. He is ridiculed by local fans who usually address him with nickname Cristiano Maonalbiao (克里斯蒂亚诺·毛纳尔彪) or C Mao (C毛).

text:
# Mao Biao

**Mao Biao** (Chinese: 毛彪; pinyin: *Máo Biāo*; born July 24, 1987, in Tianjin) is a former Chinese footballer who played as a striker. He is ridiculed by local fans who usually address him with nickname **Cristiano Maonalbiao** (克里斯蒂亚诺·毛纳尔彪) or **C Mao** (C毛).

## Club career

A graduate of the Tianjin Teda youth team Mao Biao broke into the senior team in the opening game of the 2005 league season against Liaoning Zhongyu, where he also scored his debut goal in a 5–1 win. Throughout the season Mao Biao found himself gaining significant playing time, though often coming on as a substitute he was nevertheless able to play in fifteen league games by the end of the season. This was to continue throughout the following season where he was able to further his reputation at Tianjin by playing in twenty-two league games.

Mao Biao, however did not rise to prominence until the 2008 league season when he was able to strike a partnership with Éber Luís Cucchi that saw Tianjin come fourth in the league and a chance to play in the AFC Champions League. At the 2009 AFC Champions League he played in six games and scored one goal as the team were knocked out in the group stages, while back within the league he was unable to replicate the same success he achieved with Éber Luís Cucchi.

## International career

Mao Biao made his international debut against Saudi Arabia on June 4, 2009, in a 4–1 loss coming on as a substitute for Gao Lin.

## Honours

## InfoBox

Mao Biao
毛彪
| Personal information | | | |
| --- | --- | --- | --- |
| Date of birth | (1987-07-24) July 24, 1987 | | |
| Place of birth | Tianjin, China | | |
| Height | 1.83 m (6 ft 0 in) | | |
| Position(s) | Striker, Winger | | |
| Youth career | | | |
|  | Tianjin Teda | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 2005–2017 | Tianjin Teda | 164 | (19) |
| International career | | | |
| 2009 | China | 1 | (0) |
| Managerial career | | | |
| 2019-2022 | Tianjin Teda U-10 | | |
| 2023- | Heilongjiang Ice City (Assistant Coach) | | |
| \*Club domestic league appearances and goals, correct as of 30 October 2016<br>‡ National team caps and goals, correct as of 1 Jan 2013 | | | |


title: Pulau-Pulau Terselatan

abstract: Pulau-Pulau Terselatan is a district (Kecamatan) in the Maluku Barat Daya regency (kabupaten) of the province of Maluku, Indonesia. The district includes the islands of Kisar and Romang, with the surrounding small islands of Njata, Mitan, Tellang, Limtutu, Loud, Kital, Maopora and Djuha; all lie to the east of the larger island of Wetar. The main town is Wonreli on Kisar Island. Pulau-Pulau Terselatan had 17,899 inhabitants in 2010, divided into the twelve villages (Kelurahan) - Lekloor, Oirata Barat (555), Oirata Timur (1,011), Abusur (803), Kota Lama (833), Wonreli (6,652), Nomaha (640), Pur Pura (398), Lebelau (1,852), Jerusu (2,138), Hila (Romang) (1,262) and Solath (484).

text:
# Pulau-Pulau Terselatan

**Pulau-Pulau Terselatan** (southern islands) is a district (Kecamatan) in the Maluku Barat Daya regency (kabupaten) of the province of Maluku, Indonesia. The district includes the islands of Kisar and Romang, with the surrounding small islands of Njata, Mitan, Tellang, Limtutu, Loud, Kital, Maopora and Djuha; all lie to the east of the larger island of Wetar. The main town is Wonreli on Kisar Island.

Pulau-Pulau Terselatan had 17,899 inhabitants in 2010, divided into the twelve villages (*Kelurahan*) - Lekloor (1,271 inhabitants in 2010), Oirata Barat (555), Oirata Timur (1,011), Abusur (803), Kota Lama (833), Wonreli (6,652), Nomaha (640), Pur Pura (398), Lebelau (1,852), Jerusu (2,138), Hila (Romang) (1,262) and Solath (484).

8°04′19″S 127°09′43″E / 8.0719°S 127.1620°E / -8.0719; 127.1620


title: Tsutomu Shibayama

abstract: Tsutomu Shibayama Tsutomu Shibayama is a Japanese anime director of film and television. He is known for directing the Doraemon TV and Movie series(1984–2005). He was born in Asakusa, Taitō, Tokyo. In 2012 he won Agency for Cultural Affair Award.

text:
# Tsutomu Shibayama

**Tsutomu Shibayama** (芝山努, *Shibayama Tsutomu*, born 9 March 1941) is a Japanese anime director of film and television. He is known for directing the *Doraemon* TV and Movie series(1984–2005). He was born in Asakusa, Taitō, Tokyo.

In 2012 he won Agency for Cultural Affair Award.

## Works

### Books

* *Tsutomu Shibayama and movie Doraemon world of "Nobita and the Robot Kingdom"* (芝山努と映画ドラえもん『のび太とロボット王国(キングダム)』の世界). Shogakukan, 2002. ISBN 978-4091015594
* *Doraemon: Nobita and the Wind Wizard Storyboard Collection* (映画ドラえもん『のび太とふしぎ風使い』絵コンテ集). Shogakukan, 2003. ISBN 978-4092902749


title: Puerto Rico Highway 141

abstract: Puerto Rico Highway 141 (PR-141) is a road that travels from Jayuya, Puerto Rico to northeastern Utuado. This highway begins at PR-144 in downtown Jayuya and ends at PR-140 in Mameyes Abajo.

text:
# Puerto Rico Highway 141

**Puerto Rico Highway 141** (**PR-141**) is a road that travels from Jayuya, Puerto Rico to northeastern Utuado. This highway begins at PR-144 in downtown Jayuya and ends at PR-140 in Mameyes Abajo.

## Major intersections

| Municipality | Location | km | mi | Destinations | Notes |
| --- | --- | --- | --- | --- | --- |
| Jayuya | Jayuya barrio-pueblo | 0.0 | 0.0 | PR-144 Utuado, Villalba | Southern terminus of PR-141 |
| | | 0.4–
0.5 | 0.25–
0.31 | PR-5144 Villalba |  |
| | Río Grande | 1.1 | 0.68 | PR-5141 (Desvío Norte de Jayuya) Utuado |  |
| | Río GrandeMameyes Arriba line | 5.5 | 3.4 |
PR-533 east Ciales, Orocovis |  |
| Ciales
 | No major junctions | | | | | | | |
| Jayuya | Mameyes Arriba | 9.3 | 5.8 | PR-530 Mameyes Arriba |  |
| UtuadoJayuya
municipal line | Mameyes AbajoMameyes Arriba line | 17.5 | 10.9 | PR-613 Tetuán |  |
| Utuado | Mameyes Abajo | 20.7 | 12.9 | PR-140 Utuado, Florida | Northern terminus of PR-141 |
| 1.000 mi = 1.609 km; 1.000 km = 0.621 mi
 | | | | | |

| Highway 5141 | |
| --- | --- |
|  | |
| Location | Jayuya |
| Length | 2.1 km (1.3 mi) |

**Puerto Rico Highway 5141** (**PR-5141**) is a bypass road that branches off from PR-141 northeast of downtown Jayuya and ends at PR-144 west of the municipal center. The entire route is located in Jayuya.

| Location | km | mi | Destinations | Notes |
| --- | --- | --- | --- | --- |
| Jayuya Abajo | 0.0 | 0.0 | PR-144 Jayuya, Utuado | Western terminus of PR-5141 |
| | 1.2 | 0.75 | PR-532 Jayuya |  |
| Río Grande | 2.1 | 1.3 | PR-141 Jayuya, Ciales | Eastern terminus of PR-5141 |
| 1.000 mi = 1.609 km; 1.000 km = 0.621 mi
 | | | | | |

## InfoBox

| Highway 141 | |
| --- | --- |
| *Ruta 141* | |
| Route information | |
| Maintained by Puerto Rico DTPW | |
| Length | 20.7 km (12.9 mi) |
| Existed | 1953–present |
| Major junctions | |
| South end | PR-144 in Jayuya barrio-pueblo |
| Major intersections |  |
| North end | PR-140 in Mameyes Abajo |
|  | |
| Location | |
| Country | United States |
| Territory | Puerto Rico |
| Municipalities | Jayuya, Ciales, Utuado |
|  | |
| Highway system | |
|  | |
| PR-140   PR-142 | |
| PR-5139 **PR-5141**  PR-5144 | |


title: Tsutomu Sekido

abstract: Tsutomu Sekido was a Japanese alpine, cross-country, and Nordic combined skier who competed in the 1936 Winter Olympics. In 1936 he participated in the alpine skiing combined event. He finished 46th in the downhill race, in the slalom he was not allowed to start in the second run. At the same Olympics he finished 55th in the 18 km cross-country competition. As a member of the Japanese team he finished twelfth in the first ever held cross-country relay contest. In the Nordic combined event he finished 35th.

text:
# Tsutomu Sekido

**Tsutomu Sekido** (関戸 力, *Sekido Tsutomu*, March 25, 1915  November 23, 1987) was a Japanese alpine, cross-country, and Nordic combined skier who competed in the 1936 Winter Olympics.

In 1936 he participated in the alpine skiing combined event. He finished 46th in the downhill race, in the slalom he was not allowed to start in the second run. At the same Olympics he finished 55th in the 18 km cross-country competition. As a member of the Japanese team he finished twelfth in the first ever held cross-country relay contest. In the Nordic combined event he finished 35th.


title: Pura Lempuyang Luhur

abstract: Pura Lempuyang Luhur is the seventh and highest temple of the Lempuyang temple complex on Mount Lempuyang in Karangasem Regency, east Bali, Indonesia. It is one of the nine directional temples of Bali, which are the nine holiest places of worship on Bali. It is dedicated to Ida Betara Hyang Iswara, the guardian of the east.

text:
# Pura Lempuyang Luhur

**Pura Lempuyang Luhur** is the seventh and highest temple of the Lempuyang temple complex on Mount Lempuyang in Karangasem Regency, east Bali, Indonesia.

It is one of the nine directional temples (*Pura Sad Kahyangan* or *Pura Kahyangan Sad Winayaka*) of Bali, which are the nine holiest places of worship on Bali. It is dedicated to Ida Betara Hyang Iswara, the guardian of the east.

## Location

Pura Lempuyang is located on Mount Lempuyang or Gamongan Hill, in Karangasem district, about 12 kilometres north of Amlapura, the capital of Karangasem Regency. The village of Bunutan is to the north-east (15 km by road), that of Tista is 10 km north-west

*Pura Lempuyang Luhur* is the seventh and highest temple of the complex, at 1,060 m above sea level, near the peak of Mount Lempuyang.

## Lempuyang temples

The Pura Lempuyang complex includes seven temples along the hiking path to the summit of Mount Lempuyang.

The seven temples are, from the lowest to the highestː

* Pura Penataran Lempuyang
* Pura Telaga Mas, second temple met from the entrance
* Pura Telaga Sawangan
* Pura Lempuyang Madya
* Pura Puncak Bisbis, fifth temple
* Pura Pasar Agung, sixth temple
* Pura Lempuyang Luhur, seventh temple

The most popular temple among visitors is the Pura Penataran Agung Lempuyang. With its towering white candi bentar split gate, three dragon stairs and three *kori agung* gates, this compound has views to the west overlooking Mount Agung, the highest volcano in Bali.

## Notes and references

### Notes

### References

1. "Pura Lempuyang Luhur". *google.co.id/maps* (map).
2. "The Nine Directional Temples of Bali". *bali.com*. Retrieved 2024-05-20.
3. "Temples In Bali Explained -The Guide For Beginners". *greenerbali.com*. Retrieved 2024-05-20.
4. "The most sacred Hindu places of worship in Bali". *hinducouncil.com.au*. 2018. Retrieved 2024-05-20.
5. Watra, I Wayan. "The *Aksara Modre* official of magical religious treatment (Hindu philosophy perspective)". *The concept of healing in religion, culture, health sciences and the economical prospective* (PDF) (International seminar). Hindu Indonesia University, Denpasar, Bali. p. 200. ISBN 978-602-61920-0-4.
6. Suardana 2014, p. 42, 45.
7. "Pura Lempuyang Luhur, map". *openstreetmap.org*.
8. Suardana 2014, p. 41.
9. Suardana 2014, p. 42.

## InfoBox

| Pura Lempuyang Luhur | |
| --- | --- |
|  | |
| General information | |
| Type | Pura |
| Architectural style | Balinese |
| Address | West Seraya, Karangasem District, Karangasem Regency |
| Country | Indonesia |
| Coordinates | 8°23′43″S 115°38′52″E / 8.395194760301969°S 115.64788538435978°E / -8.395194760301969; 115.64788538435978 |
| Elevation | 1060 metres |


title: Luiz Sá

abstract: Luiz Sá was a Brazilian comic book artist, caricaturist, illustrator, painter, scenographer and publicist. Born in the state of Ceará, he moved to Rio de Janeiro around 1929, where he began working for O Tico-Tico, the first comics magazine in Brazil. In O Tico-Tico, Sá created his most famous characters: the trio Reco-Reco, Bolão and Azeitona, considered the first legitimately Brazilian comic book characters and also the most popular of the magazine until its ending, in the 1960s. Sá was also one of the pioneers in Brazilian animation. In 1974, he contracted tuberculosis and, in 1979, he died of complications from the disease. In 1988, he was awarded posthumously with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.

text:
# Luiz Sá

**Luiz Sá** (Fortaleza, September 28th, 1907 - Niterói, 1979) was a Brazilian comic book artist, caricaturist, illustrator, painter, scenographer and publicist. Born in the state of Ceará, he moved to Rio de Janeiro around 1929, where he began working for O Tico-Tico, the first comics magazine in Brazil. In O Tico-Tico, Sá created his most famous characters: the trio Reco-Reco, Bolão and Azeitona, considered the first legitimately Brazilian comic book characters and also the most popular of the magazine until its ending, in the 1960s. Sá was also one of the pioneers in Brazilian animation. In 1974, he contracted tuberculosis and, in 1979, he died of complications from the disease. In 1988, he was awarded posthumously with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.

## InfoBox

| Luiz Sá | |
| --- | --- |
|  | |
| Born | 28 September 1907
Fortaleza |
| Died | 14 November 1979  (aged 72)
Niterói |
| Occupation | Comics artist, animator, cartoonist, caricaturist, painter |
| Employer |  |
| Works | Reco-Reco, Bolão and Azeitona |
| Awards |  |


title: Pulse (2017 film)

abstract: Pulse is a 2017 Australian drama film starring and written by Daniel Monks.

text:
# Pulse (2017 film)

***Pulse*** is a 2017 Australian drama film starring and written by Daniel Monks.

## Plot

## Cast

## Reception

Rotten Tomatoes lists 7 critics with 6 assessed as fresh and 1 as rotten. It gave the film a score of 86%.

Norman Gidney of Film Threat gives a positive review, writing "Misgivings set aside; there is plenty to enjoy in Pulse. The deft direction from Cruz-Martin cuts nimbly back and forth between personal image and perception, allowing us to stay with our main character. Monks’ performance as Olly is beautifully sincere and hits moments of honesty that truly resonate."

## Awards

## InfoBox

| Pulse | |
| --- | --- |
| Directed by | Stevie Cruz-Martin |
| Written by | Daniel Monks |
| Produced by | Stevie Cruz-Martin, Daniel Monks, Gemma Hall |
| Starring | Caroline Brazier
Daniel Monks
Scott Lee |
| Cinematography | Stevie Cruz-Martin |
| Edited by | Daniel Monks |
| Music by | Featurette |
| Running time | 84 minutes |
| Country | Australia |
| Language | English |


title: Luigi Luraschi

abstract: Luigi Luraschi was a lifelong executive for Paramount Pictures who initially served as head of the studio's Domestic and Foreign Censorship Department, before spending most of the remainder of his tenure overseas, supervising both European releases of their American films as well as foreign-based productions such as The Conformist. Luraschi was born in London at Queen Charlotte's and Chelsea Hospital to Guiditta Luraschi, a native of Appiano Gentile; he was never told his father's identity. His stepfather, Genaro San Sevarino, was a restaurateur. Luraschi attended Catholic school in his childhood, and was later educated in Swiss and German boarding schools. He initially followed in his stepfather's trade, joining him in moving to the Italian Riviera to help him run a hotel catering to American tourists. Upon the recommendation of several of his American customers, Luraschi moved to America to seek work. However, he arrived in New York City during the summer of 1929, soon before the infamous "Black Tuesday" when the Wall Street Crash of 1929 put thousands out of work, and initially was unable to find a job. "While walking on 7th Avenue wondering what I could do to earn a living, I ran into a school chum from Switzerland. His mother was a theatrical agent who had an Italian novel called Death Takes a Holiday. She needed to have it translated. I took the job and got [paid] for my work. Paramount Pictures bought the novel. At the same time they hired me to do the sub-titles for all their films for foreign release. In fact, I helped to invent the technology for talking pictures with sub-titles. This was in New York. I became the head of operations for subtitles for Paramount Pictures, New York." He was soon transferred to Paramount's Hollywood offices, where he established an international division to handle inquiries from foreign publications, and supervise foreign-based productions. Luraschi also served in a much quieter role as a frequent overseer of content in films released by Paramount. In the buildup and entry into World War II, he warned against inserting content into films that could have repercussions on Jews overseas; when Paramount produced The Hitler Gang in 1944, he alerted the studio that in one test screening, audiences were applauding anti-Semitic statements made in the film. The film scholar David N. Eldridge proposes that Luraschi, writing under the pseudonym Owen, later became a frequent correspondent with the Central Intelligence Agency, both informing them of political activities of studio talent while taking advice from them to place positive American imagery in films made at Paramount. Suggestions, such as depicting African-Americans in dignified roles to counter foreign propaganda about American race issues, or making sure American characters in foreign locales were respectful of local mores. Luraschi also reportedly claimed to have seen a naked breast during the shower scene of Alfred Hitchcock's Psycho when it was previewed for studio brass, though Hitchcock insisted he only imagined it. Luraschi spent the '60's shuttling between Europe and the States, initially collaborating with Dino De Laurentiis on Italian-based productions for Paramount in Rome, then acting as assistant to president of production George Weltner in New York, then transferring to Paris to supervise production of René Clément's Is Paris Burning?. Luraschi was ultimately established in Rome at Mars Film Produzione, an Italian production outfit seeded by Paramount, in 1967, where he would greenlight films produced for Germany, France, Italy and Spain, and handle the release of American films in those territories. He also became VP of international production for Paramount's London offices, and often was in charge of foreign-language dubbing on behalf of their shared European distribution venture Cinema International Corporation. He retired from studio activity in 1994 at age 88. He died of natural causes in Paris at the age of 96. He married Lillian Houlgate in Los Angeles and they had two children. Their son, Tony Luraschi, directed the IRA thriller The Outsider, which was released by Paramount in 1980. Their daughter Judy Starbuck Sorro is an artist and works for the city of San Francisco. They have 5 grandchildren. Tony Starbuck is an artist and sound mixer based in New York. Joshua Starbuck is a lighting designer based in New York. Savanna Luraschi is a fashion executive an ordained Buddhist nun based in New York. Clay Luraschi is an executive with Topps based in New York. David Luraschi is a photographer based in Paris.

text:
# Luigi Luraschi

**Luigi Luraschi** (January 7, 1906  March 31, 2002) was a lifelong executive for Paramount Pictures who initially served as head of the studio's Domestic and Foreign Censorship Department, before spending most of the remainder of his tenure overseas, supervising both European releases of their American films as well as foreign-based productions such as *The Conformist*.

Luraschi was born in London at Queen Charlotte's and Chelsea Hospital to Guiditta Luraschi, a native of Appiano Gentile; he was never told his father's identity. His stepfather, Genaro San Sevarino, was a restaurateur. Luraschi attended Catholic school in his childhood, and was later educated in Swiss and German boarding schools. He initially followed in his stepfather's trade, joining him in moving to the Italian Riviera to help him run a hotel catering to American tourists.

Upon the recommendation of several of his American customers, Luraschi moved to America to seek work. However, he arrived in New York City during the summer of 1929, soon before the infamous "Black Tuesday" when the Wall Street Crash of 1929 put thousands out of work, and initially was unable to find a job. "While walking on 7th Avenue wondering what I could do to earn a living, I ran into a school chum from Switzerland. His mother was a theatrical agent who had an Italian novel called *Death Takes a Holiday*. She needed to have it translated. I took the job and got \[paid\] for my work. Paramount Pictures bought the novel. At the same time they hired me to do the sub-titles for all their films for foreign release. In fact, I helped to invent the technology for talking pictures with sub-titles. This was in New York. I became the head of operations for subtitles for Paramount Pictures, New York."

He was soon transferred to Paramount's Hollywood offices, where he established an international division to handle inquiries from foreign publications, and supervise foreign-based productions.

Luraschi also served in a much quieter role as a frequent overseer of content in films released by Paramount. In the buildup and entry into World War II, he warned against inserting content into films that could have repercussions on Jews overseas; when Paramount produced *The Hitler Gang* in 1944, he alerted the studio that in one test screening, audiences were applauding anti-Semitic statements made in the film. The film scholar David N. Eldridge proposes that Luraschi, writing under the pseudonym Owen, later became a frequent correspondent with the Central Intelligence Agency, both informing them of political activities of studio talent while taking advice from them to place positive American imagery in films made at Paramount. Suggestions, such as depicting African-Americans in dignified roles to counter foreign propaganda about American race issues, or making sure American characters in foreign locales were respectful of local mores. Luraschi also reportedly claimed to have seen a naked breast during the shower scene of Alfred Hitchcock's *Psycho* when it was previewed for studio brass, though Hitchcock insisted he only imagined it.

Luraschi spent the '60's shuttling between Europe and the States, initially collaborating with Dino De Laurentiis on Italian-based productions for Paramount in Rome, then acting as assistant to president of production George Weltner in New York, then transferring to Paris to supervise production of René Clément's *Is Paris Burning?*. Luraschi was ultimately established in Rome at Mars Film Produzione, an Italian production outfit seeded by Paramount, in 1967, where he would greenlight films produced for Germany, France, Italy and Spain, and handle the release of American films in those territories. He also became VP of international production for Paramount's London offices, and often was in charge of foreign-language dubbing on behalf of their shared European distribution venture Cinema International Corporation.

He retired from studio activity in 1994 at age 88. He died of natural causes in Paris at the age of 96.

He married Lillian Houlgate in Los Angeles and they had two children. Their son, Tony Luraschi, directed the IRA thriller *The Outsider*, which was released by Paramount in 1980. Their daughter Judy Starbuck Sorro is an artist and works for the city of San Francisco. They have 5 grandchildren. Tony Starbuck is an artist and sound mixer based in New York. Joshua Starbuck is a lighting designer based in New York. Savanna Luraschi is a fashion executive an ordained Buddhist nun based in New York. Clay Luraschi is an executive with Topps based in New York. David Luraschi is a photographer based in Paris.


title: Pyramid, Illinois

abstract: Pyramid is an unincorporated community in Ashley Township, Washington County, Illinois, United States. The community is located at the junction of U.S. Route 51 and Illinois Route 15. It was once the site of the Egyptian Bus Company, which was later bought by Greyhound.

text:
# Pyramid, Illinois

**Pyramid** (also known as **Tuckerville**) is an unincorporated community in Ashley Township, Washington County, Illinois, United States. The community is located at the junction of U.S. Route 51 and Illinois Route 15. It was once the site of the Egyptian Bus Company, which was later bought by Greyhound.

## InfoBox

| Pyramid, Illinois | |
| --- | --- |
| Unincorporated community | |
| Pyramid, IllinoisPyramid, Illinois | |
| Coordinates: 38°20′03″N 89°13′40″W / 38.33417°N 89.22778°W / 38.33417; -89.22778 | |
| Country | United States |
| State | Illinois |
| County | Washington |
| Township | Ashley |
| Elevation | 561 ft (171 m) |
| Time zone | UTC-6 (Central (CST)) |
| Summer (DST) | UTC-5 (CDT) |
| Area code | 618 |
| GNIS feature ID | 423095 |