title: Music of Cowboy Bebop

abstract: Cowboy Bebop Vitaminless The Cowboy Bebop anime series was accompanied by a number of soundtrack albums composed by Yoko Kanno and Seatbelts, a diverse band Kanno formed to create the music for the series, with a principal focus in jazz. The soundtrack was released in the American market by Victor Entertainment, a subsidiary of JVC Kenwood.

text:
# Music of Cowboy Bebop

The *Cowboy Bebop* anime series was accompanied by a number of soundtrack albums composed by Yoko Kanno and Seatbelts, a diverse band Kanno formed to create the music for the series, with a principal focus in jazz. The soundtrack was released in the American market by Victor Entertainment, a subsidiary of JVC Kenwood.

## Theme songs

### "Tank!"

"**Tank!**" is the series' opening song. The song, written by Yoko Kanno and performed by Seatbelts, has an extensive alto saxophone solo played by Masato Honda, as well as a fill part at the end. The song is a big band jazz piece in a Latin-infused hard bop style with a rhythm section that combines a double bass and bongo drums.

"Tank!" is primarily an instrumental piece, though it does feature some spoken male vocals (provided by long-time collaborator with Kanno, Tim Jensen) in the introductory portion of the song, thematically jazz in style. The vocal portion provides a lead-in to the instrumental portion, and its final lyrics, "I think it's time we blow this scene. Get everybody and the stuff together. Okay, three, two, one let's jam", signal the beginning bursts of the majority, purely instrumental end of the song.

It has been featured on the soundtracks to the series and was used on the preview for TV series *My Own Worst Enemy*. Figure skater Kevin Reynolds performed his short program for the 2016 Canadian National Figure Skating Championships to "Tank!", and did it dressed as Spike Spiegel.

### "The Real Folk Blues"

**"The Real Folk Blues"** is the first ending theme for *Cowboy Bebop*. The song was performed by Seatbelts, featuring vocals by Mai Yamane. The song was composed and arranged by Yoko Kanno, with lyrics by Yūho Iwasato. The track appears on the series-related album *Cowboy Bebop Vitaminless* (カウボーイビバップ ビタミンレス, *Kaubōi Bibappu Bitaminresu*). The song is one of few songs in the series to be sung in Japanese.

The song is not used for the end credits in "Jupiter Jazz, Pt. II" (the song used for the end credits in "Jupiter Jazz, Pt. II" is "Space Lion") and the finale, "The Real Folk Blues". However, an alternate version of the song entitled "See You Space Cowboy..." plays during the final episode as the prelude to the climax. It appears on the *Cowboy Bebop Blue* album as a bonus track.

## Studio recordings

### *Cowboy Bebop*

*Cowboy Bebop* is the first album created for the series, and the most easily categorized in terms of genre, as an outlet for many of the trademark bebop tracks. It begins with the show's theme song, "Tank!". The track "Bad Dog No Biscuits" opens with a cover of the Tom Waits composition "Midtown" before diverting in its interpretation.

The album received a rating of five out of five stars from AllMusic.

Track Listing
| No. | Title | Lyrics | Artist | Length |
| --- | --- | --- | --- | --- |
| 1. | "Tank!" |  |  | 3:30 |
| 2. | "Rush" |  |  | 3:34 |
| 3. | "Spokey Dokey" |  |  | 4:05 |
| 4. | "Bad Dog No Biscuits" |  |  | 4:10 |
| 5. | "Cat Blues" |  |  | 2:37 |
| 6. | "Cosmos" |  |  | 1:37 |
| 7. | "Space Lion" |  |  | 7:11 |
| 8. | "Waltz for Zizi" |  |  | 3:30 |
| 9. | "Piano Black" |  |  | 2:48 |
| 10. | "Pot City" |  |  | 2:14 |
| 11. | "Too Good Too Bad" |  |  | 2:35 |
| 12. | "Car24" |  |  | 2:49 |
| 13. | "The Egg and I" |  |  | 2:43 |
| 14. | "Felt Tip Pen" |  |  | 2:43 |
| 15. | "Rain" | Tim Jensen | Steve Conte | 3:24 |
| 16. | "Digging My Potato" |  |  | 2:25 |
| 17. | "Memory" (Music box overdubbed) |  |  | 1:32 |
| Total length: | | | | 53:25 |

### *Cowboy Bebop Vitaminless*

| Cowboy Bebop Vitaminless | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | June 3, 1998 |
| Recorded | Van Gelder Studio |
| Length | 28:27 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |

*Cowboy Bebop Vitaminless* (カウボーイビバップ ビタミンレス, *Kaubōi Bibappu Bitaminresu*) is the first mini-album. It features the end credits theme from the series, "The Real Folk Blues".

The middle section of "Spy" was later reprised in "You Make Me Cool", which appears on the *No Disc* album.

Track Listing
| No. | Title | Lyrics | Artist | Length |
| --- | --- | --- | --- | --- |
| 1. | "The Real Folk Blues" | Yūho Iwasato | Mai Yamane | 6:16 |
| 2. | "Odd Ones" |  | New York Musicians | 3:09 |
| 3. | "Doggy Dog" |  | Philippe Nalry | 3:14 |
| 4. | "Cats on Mars" | Gabriela Robin | Gabriela Robin | 2:44 |
| 5. | "Spy" |  | Seatbelts | 2:01 |
| 6. | "Fantaisie Sign" | Carla Vallet | Carla Vallet | 4:57 |
| 7. | "Piano Bar I" |  | Mark Soskin | 3:04 |
| 8. | "Black Coffee" (Bonus Track) |  | New York Musicians | 3:14 |
| Total length: | | | | 28:27 |

### *Cowboy Bebop No Disc*

| Cowboy Bebop No Disc | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | October 21, 1998 |
| Recorded | Victor Studio
Z'd Studio
Sound City Studios
Van Gelder Studio
Plus XXXstudio |
| Length | 50:23 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |

*Cowboy Bebop No Disc* (カウボーイビバップ ノーディスク, *Kaubōi Bibappu No Disuku*) is the second soundtrack album, which has more stylistic variety than its predecessor, incorporating bluegrass music, heavy metal, Japanese pop, lounge, swing, chorale and scat-singing, among other styles, as well as the usual blues and jazz pieces.

Track Listing
| No. | Title | Lyrics | Artist | Length |
| --- | --- | --- | --- | --- |
| 1. | "American Money" |  |  | 1:07 |
| 2. | "Fantaisie Sign" | Carla Vallet | Carla Vallet | 5:19 |
| 3. | "Don't Bother None" | Tim Jensen | Mai Yamane | 3:39 |
| 4. | "Vitamin A" |  |  | 0:10 |
| 5. | "Live in Baghdad" | Gabriela Robin | Masaaki Endoh | 3:22 |
| 6. | "Cats on Mars" | Gabriela Robin | Gabriela Robin | 2:44 |
| 7. | "Want It All Back" | Tim Jensen | Mai Yamane | 4:10 |
| 8. | "Bindy" |  |  | 2:18 |
| 9. | "You Make Me Cool" | Brian Richy | Masayoshi Furukawa | 3:11 |
| 10. | "Vitamin B" |  |  | 0:08 |
| 11. | "Green Bird" | Gabriela Robin | Gabriela Robin | 1:53 |
| 12. | "Elm" |  | Pierre Bensusan | 5:04 |
| 13. | "Vitamin C" |  |  | 0:06 |
| 14. | "Gateway" |  |  | 2:58 |
| 15. | "The Singing Sea" | Chris Mosdell | Tulivu-Donna Cumberbatch | 4:39 |
| 16. | "The Egg and You" |  |  | 3:42 |
| 17. | "Forever Broke" |  |  | 3:14 |
| 18. | "Power of Kung Food Remix" (Arranged by DJ Food) |  |  | 5:28 |
| Total length: | | | | 50:23 |

### *Cowboy Bebop Blue*

| Cowboy Bebop Blue | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | May 1, 1999 |
| Recorded | Van Gelder Studio |
| Length | 71:18 |
| Label | Victor Entertainment |

*Cowboy Bebop Blue* is the third soundtrack album, featuring many vocal pieces including a unique variation of "Ave Maria" performed by Jerzy Knetig and the Warsaw Philharmonic Orchestra.

It was released on May 1, 1999. Regarding the album, Cammila Collar of AllMusic wrote: "Of the more than ten discs released in conjunction with *Cowboy Bebop*, *Blue* is undoubtedly the best, representing the widest variety of genres."

Track Listing
| No. | Title | Lyrics | Artist | Length |
| --- | --- | --- | --- | --- |
| 1. | "Blue" | Tim Jensen | Mai Yamane | 5:01 |
| 2. | "Words That We Couldn't Say" | Tim Jensen | Steve Conte | 3:27 |
| 3. | "Autumn in Ganymede" |  |  | 3:54 |
| 4. | "Mushroom Hunting" (Based on a track by DJ Food, who performed *Power of Kung Food Remix* on the *No Disc* album.) |  | Tulivu-Donna Cumberbatch | 3:18 |
| 5. | "Go Go Cactus Man" |  |  | 2:37 |
| 6. | "Chicken Bone" | Gabriela Robin | Sydney and Sister R | 4:55 |
| 7. | "The Real Man" |  |  | 4:00 |
| 8. | "N.Y. Rush" |  |  | 5:03 |
| 9. | "Adieu" | Brian Richy | Emily Bindiger | 5:39 |
| 10. | "Call Me Call Me" | Tim Jensen | Steve Conte | 4:42 |
| 11. | "Ave Maria" | Gabriela Robin | Jerzy Knetig | 5:47 |
| 12. | "Stella by Moor" |  |  | 1:08 |
| 13. | "Flying Teapot" | Tomoko Tane | Emily Bindiger | 3:32 |
| 14. | "Wo Qui Non Coin" | Gabriela Robin | Aoi Tada | 3:41 |
| 15. | "Road to the West" |  |  | 2:52 |
| 16. | "Farewell Blues" |  |  | 5:12 |
| 17. | "See You Space Cowboy... (Not Final Mix Mountain Root)" (Hidden track. An alternative rendition of *The Real Folk Blues*.) | Mai Yamane | Mai Yamane | 5:55 |
| Total length: | | | | 71:18 |

### *Ask DNA*

| Ask DNA | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | July 25, 2001 |
| Recorded | Van Gelder Studio |
| Length | 18:39 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |

*Ask DNA* is a maxi single released in 2001, an accompaniment to *Cowboy Bebop Future Blues*. It consists of a few highlights from *Cowboy Bebop: The Movie*, including the title theme, "Ask DNA".

Track Listing
| No. | Title | Lyrics | Artist | Length |
| --- | --- | --- | --- | --- |
| 1. | "What Planet Is This?!" |  |  | 2:45 |
| 2. | "Ask DNA" | Tim Jensen | Raj Ramayya | 4:52 |
| 3. | "Cosmic Dare (Pretty with a Pistol)" | Raj Ramayya | Reynada Hill | 4:28 |
| 4. | "Hamduche" | Hassan Bohmide | Hassan Bohmide | 1:54 |
| 5. | "Is It Real?" | Tim Jensen | Scott Matthew | 4:40 |
| Total length: | | | | 18:39 |

### *Future Blues*

| Future Blues | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | August 29, 2001 |
| Recorded | Victor Studio
Sound City Studios
Van Gelder Studio
Crescente
Soundtrack Studio
Riversound Studio |
| Length | 71:11 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |

***Future Blues*** is the main soundtrack from *Cowboy Bebop: The Movie*. It explores styles such as country-western and Arabic music.

The song "3.14" features Aoi Tada reciting the first 53 digits of pi to a tune.

Track Listing
| No. | Title | Lyrics | Artist | Length |
| --- | --- | --- | --- | --- |
| 1. | "24 Hours Open" |  |  | 3:21 |
| 2. | "Pushing the Sky" | Jinghiskhanman | Mai Yamane | 4:07 |
| 3. | "Time to Know ~ Be Waltz" |  | Hideyuki Takahashi | 3:49 |
| 4. | "Clutch" |  |  | 5:15 |
| 5. | "Musawe" |  | Hassan Bohmide | 3:28 |
| 6. | "Yo Pumpkin Head" |  |  | 4:04 |
| 7. | "Diggin'" (Guitar: Kiyoshi Tuchiya) | Tim Jensen | Steve Conte | 5:05 |
| 8. | "3.14" | Yoko Kanno | Aoi Tada | 1:37 |
| 9. | "What Planet Is This?!" (Extended Version) |  | Mai Yamane, Mayu Jensen, Tim Jensen, Mataro Misawa (backing vocals) | 4:31 |
| 10. | "7 Minutes" |  |  | 6:46 |
| 11. | "Fingers" |  |  | 4:24 |
| 12. | "Powder" |  |  | 1:30 |
| 13. | "Butterfly" | Chris Mosdell | Mem Nahadr | 4:57 |
| 14. | "No Reply" | Tim Jensen | Steve Conte | 5:59 |
| 15. | "Dijurido" |  | Gabriela Robin | 1:55 |
| 16. | "Gotta Knock a Little Harder" | Tim Jensen | Mai Yamane | 5:19 |
| 17. | "No Money" |  | Hassan Bohmide | 1:06 |
| 18. | "Rain" (Bonus Track, Mai Yamane Version) | Tim Jensen | Mai Yamane | 3:23 |
| Total length: | | | | 71:11 |

### *Cowboy Bebop Tank! THE! BEST!*

| Cowboy Bebop Tank! THE! BEST! | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | December 22, 2004 |
| Recorded | Van Gelder Studio |
| Length | 51:59 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |

*Cowboy Bebop Tank! THE! BEST!* compiles previously released material, mostly vocal pieces, with three all-new songs written for the 2005 PlayStation 2 game *Cowboy Bebop: Tsuioku no Serenade*, featuring the vocals of Ilaria Graziano. The first pressing of the CD included a bonus sticker. These songs were the last new material released by Seatbelts.

Track Listing
| No. | Title | Lyrics | Artist | Length |
| --- | --- | --- | --- | --- |
| 1. | "Tank! (TV stretch)" |  |  | 3:30 |
| 2. | "What Planet Is This?!" |  |  | 3:31 |
| 3. | "Cosmic Dare (Pretty with a Pistol)" | Raj Ramayya | Reynada Hill | 4:29 |
| 4. | "Diamonds" |  | Ilaria Graziano | 4:01 |
| 5. | "Don't Bother None (TV edit)" | Tim Jensen | Mai Yamane | 2:55 |
| 6. | "Piano Black" |  |  | 2:47 |
| 7. | "Mushroom Hunting" |  | Tulivu-Donna Cumberbatch | 3:19 |
| 8. | "No Reply" | Tim Jensen | Steve Conte | 6:01 |
| 9. | "Blue" | Tim Jensen | Mai Yamane | 5:04 |
| 10. | "Einstein Groovin'" | Ilaria Graziano | Ilaria Graziano | 6:19 |
| 11. | "Pearls" | Ilaria Graziano | Ilaria Graziano | 4:44 |
| 12. | "Gotta Knock a Little Harder" | Tim Jensen | Mai Yamane | 5:24 |
| Total length: | | | | 51:59 |

## Miscellaneous

### *Cowboy Bebop Remixes: Music for Freelance*

| Cowboy Bebop Remixes: Music for Freelance | |
| --- | --- |
| Remix album by Seatbelts | |
| Released | June 6, 1999 |
| Recorded | Various |
| Genre | Jazz, electronic |
| Length | 40:27 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |

*Cowboy Bebop Remixes: Music for Freelance* (カウボーイ ビバップ リミキシーズ ミュージック フォー フリーランス, *Kaubōi Bibappu Rimikishīzu Myūjikku Fō Furīransu*) is a collection of songs remixed by popular American and British DJs, including many from the popular Ninja Tune label. Mr. Scruff spoke to British magazine *Impact* of his remix of *Cat Blues*, telling Andrez Bergen that he chose it "as it was a great, old sounding tune, simple with loads of personality. The parts were so well recorded that it was a pleasure to remix! I chopped it up into a kind of stuttering drumbox jazz wobbler".

The premise of the album is that the CD is a recording of a pirate radio station, and each song is humorously introduced by the DJ (Watanabe), in English. These tracks are called the "Radio Free Mars Talks". They are credited as follows:

Track Listing
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Radio Free Mars Talk 1" | 1:13 |
| 2. | "Tank! (Luke Vibert Remix)" | 3:37 |
| 3. | "Radio Free Mars Talk 2" | 0:39 |
| 4. | "Forever Broke (Fila Brazillia Remix)" | 5:23 |
| 5. | "Radio Free Mars Talk 3" | 0:35 |
| 6. | "Cats on Mars (DMX Krew Remix)" | 3:50 |
| 7. | "Radio Free Mars Talk 4" | 0:49 |
| 8. | "Piano Black (Ian O'Brien Remix)" | 6:51 |
| 9. | "Cat Blues (Mr. Scruff Remix)" | 4:50 |
| 10. | "Radio Free Mars Talk 5" | 0:44 |
| 11. | "Fe (DJ Vadim Remix)" | 3:50 |
| 12. | "Fantaisie Sign (Ian Pooley Remix)" | 5:18 |
| 13. | "Radio Free Mars Talk 6" | 0:26 |
| 14. | "Space Lion (4hero Remix)" | 6:19 |
| 15. | "Radio Free Mars Talk 7" | 0:23 |
| Total length: | | 40:27 |

### *Cowgirl Ed*

| Cowgirl Ed | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | June 21, 2001 |
| Recorded | Van Gelder Studio |
| Length | 18:30 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |

*Cowgirl Ed* is a limited edition Mini-CD. This single came packaged with the first pressing of *Future Blues* and is currently out of print.

Track Listing
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Goodnight Julia" | 1:56 |
| 2. | "PAPA Plastic" | 4:11 |
| 3. | "Telephone Shopping" | 0:18 |
| 4. | "Kabutoga ni Kodai no Sakana" (The Horseshoe Crab, The Ancient Fish) | 3:42 |
| 5. | "Slipper Sleaze" | 3:32 |
| 6. | "23 Hanashi" (Episode 23) | 4:51 |
| Total length: | | 18:30 |

### *Cowboy Bebop Boxed Set*

| Cowboy Bebop Boxed Set | |
| --- | --- |
| Box set by Seatbelts | |
| Released | June 21, 2002 |
| Recorded | Van Gelder Studio |
| Label | Victor Entertainment (VIZL-64) |

The *Cowboy Bebop Boxed Set* includes four regular size CDs, one bonus Mini CD, and a 52-page booklet (in Japanese). The booklet includes trivia, track listings, interviews, and lyrics. Disks 1, 2 and 3 contain new and previously released tracks from the series, performed by Seatbelts. Disk 4 contains live tracks from Seatbelts on tour, as well as some unreleased movie tracks. The dialogue tracks are not songs, rather, they are vocal samples taken directly from the Japanese version of the series. It was released on June 21, 2002, and is now out of production.

Sean Westergaard of AllMusic gave the boxed set four out of five stars, citing its eclectic blend of genres and an appeal going beyond anime fans to "any adventurous listener", but also mentioned that the spoken dialogue tracks detracted from its accessibility.

The scripts for the dialogue tracks are credited to Shinichiro Watanabe and Dai Sato and the translation was done by Agnes S. Kaku.

*Tracks in **bold** are exclusive to this boxed set.*

Disc 1
| No. | Title | Lyrics | Vocals | Length |
| --- | --- | --- | --- | --- |
| 1. | "Dialogue 1-1" |  |  | 00:30 |
| 2. | "**Tank! (TV Edit)**" |  |  | 01:32 |
| 3. | "Dialogue 1-2" |  |  | 00:16 |
| 4. | "**Want It All Back (clavinet hater version)**" | Tim Jensen | 山根麻衣 (Mai Yamane) | 04:01 |
| 5. | "Sax Quartet" (Yoko Kanno & Seatbelts) |  |  | 04:01 |
| 6. | "Dialogue 1-3" |  |  | 00:27 |
| 7. | "**Encore un Verre**" | Valentin Coupeau | Valentin Coupeau | 02:49 |
| 8. | "**March For Koala**" (Yoko Kanno & Seatbelts) |  |  | 01:01 |
| 9. | "Dialogue 1-4" |  |  | 00:23 |
| 10. | "Felt Tip Pen" (Yoko Kanno & Seatbelts) |  |  | 02:39 |
| 11. | "The Egg and You" (Yoko Kanno & Seatbelts) |  |  | 03:39 |
| 12. | "Dialogue 1-5" |  |  | 00:24 |
| 13. | "**Pot City II (Yab's Dub)**" (Yoko Kanno & Seatbelts) |  |  | 02:18 |
| 14. | "Dialogue 1-6" |  |  | 00:37 |
| 15. | "N.Y. Rush" (Yoko Kanno & Seatbelts) |  |  | 05:03 |
| 16. | "Dialogue 1-7" |  |  | 00:09 |
| 17. | "Fe" (Yoko Kanno & Seatbelts) |  |  | 01:58 |
| 18. | "Piano Black" (Yoko Kanno & Seatbelts) |  |  | 02:47 |
| 19. | "Dialogue 1-8" |  |  | 00:11 |
| 20. | "**Spokey Dokey (alternate take)**" (Yoko Kanno & Seatbelts) |  |  | 04:33 |
| 21. | "Forever Broke" (Yoko Kanno & Seatbelts) |  |  | 03:14 |
| 22. | "Dialogue 1-9" |  |  | 00:10 |
| 23. | "**Road to the West (with rhythm)**" (Yoko Kanno & Seatbelts) |  |  | 02:53 |
| 24. | "Dialogue 1-10" |  |  | 00:29 |
| 25. | "**Meteor**" (Yoko Kanno & Seatbelts) |  |  | 01:51 |
| 26. | "Dialogue 1-11" |  |  | 00:09 |
| 27. | "Digging My Potato" (Yoko Kanno & Seatbelts) |  |  | 04:15 |
| 28. | "Dialogue 1-12" |  |  | 00:11 |
| 29. | "**Rain (demo version)**" | Tim Jensen | 山根麻衣 (Mai Yamane) | 03:24 |
| 30. | "Dialogue 1-13" |  |  | 00:20 |
| 31. | "Green Bird" | Gabriela Robin | Gabriela Robin | 01:54 |

Disc 2
| No. | Title | Lyrics | Vocals | Length |
| --- | --- | --- | --- | --- |
| 1. | "Dialogue 2-1" |  |  | 00:34 |
| 2. | "Cats on Mars" | Gabriela Robin | Gabriela Robin | 02:45 |
| 3. | "**Doggy Dog II**" (Yoko Kanno & Seatbelts) |  |  | 03:47 |
| 4. | "**Doggy Dog III**" (Yoko Kanno & Seatbelts) |  |  | 01:50 |
| 5. | "Dialogue 2-2" |  |  | 00:18 |
| 6. | "Piano Bar I" (Yoko Kanno & Seatbelts) |  |  | 03:04 |
| 7. | "**Give And Take**" | Sydney Thiam | Sydney Thiam | 05:12 |
| 8. | "Dialogue 2-3" |  |  | 00:04 |
| 9. | "Cat Blues" (Yoko Kanno & Seatbelts) |  |  | 02:35 |
| 10. | "Dialogue 2-4" |  |  | 00:31 |
| 11. | "**The Singing Sea II**" | Cris Mosdell | Tulivu-Donna Cumberbatch | 04:23 |
| 12. | "Dialogue 2-5" |  |  | 00:25 |
| 13. | "ELM" |  | Pierre Bensusan | 05:04 |
| 14. | "Waltz for Zizi" (Yoko Kanno & Seatbelts) |  |  | 03:30 |
| 15. | "Dialogue 2-6" |  |  | 00:08 |
| 16. | "**Poor Faye (High Socks)**" (Yoko Kanno & Seatbelts) |  |  | 01:07 |
| 17. | "**Farewell Blues (alternate take)**" (Yoko Kanno & Seatbelts) |  |  | 04:30 |
| 18. | "Dialogue 2-7" |  |  | 00:51 |
| 19. | "Words That We Couldn't Say" | Tim Jensen | Steve Conte | 03:28 |
| 20. | "Dialogue 2-8" |  |  | 00:09 |
| 21. | "**Space Lion (orgel version)**" (Yoko Kanno & Seatbelts) |  |  | 01:34 |
| 22. | "**Waste Land**" (Yoko Kanno & Seatbelts) |  |  | 01:52 |
| 23. | "Dialogue 2-9" |  |  | 00:44 |
| 24. | "Goodnight Julia" (Yoko Kanno & Seatbelts) |  |  | 01:49 |
| 25. | "Space Lion" (Yoko Kanno & Seatbelts) |  |  | 07:07 |

Disc 3
| No. | Title | Lyrics | Vocals | Length |
| --- | --- | --- | --- | --- |
| 1. | "Dialogue 3-1" |  |  | 00:09 |
| 2. | "**Go Go Cactus Man (guitar version)**" (Yoko Kanno & Seatbelts) |  |  | 00:55 |
| 3. | "Dialogue 3-2" |  |  | 00:13 |
| 4. | "Too Good Too Bad" (Yoko Kanno & Seatbelts) |  |  | 02:35 |
| 5. | "Dialogue 3-3" |  |  | 00:07 |
| 6. | "**Eyeball**" (Yoko Kanno & Seatbelts) |  |  | 01:02 |
| 7. | "Dialogue 3-4" |  |  | 00:12 |
| 8. | "**Yuenchi**" (Yoko Kanno & Seatbelts) |  |  | 03:45 |
| 9. | "**On the Run**" (Yoko Kanno & Seatbelts; originally by Pink Floyd) |  |  | 03:50 |
| 10. | "Dialogue 3-5" |  |  | 00:25 |
| 11. | "23 Wa (with dialogue)" (Episode 23) |  |  | 04:52 |
| 12. | "Dialogue 3-6" |  |  | 00:05 |
| 13. | "**Don't Bother None (long version)**" | Tim Jensen | 山根麻衣 (Mai Yamane) | 05:02 |
| 14. | "Dialogue 3-7" |  |  | 00:25 |
| 15. | "**Wo Qui Non Coin (short, sad version)**" | Gabriela Robin | Aoi Tada | 02:36 |
| 16. | "**Poor Faye (Lip Cream)**" (Yoko Kanno & Seatbelts) |  |  | 01:04 |
| 17. | "Call Me Call Me" | Tim Jensen | Steve Conte | 04:43 |
| 18. | "Dialogue 3-8" |  |  | 00:25 |
| 19. | "Memory" (Yoko Kanno & Seatbelts) |  |  | 01:31 |
| 20. | "**Adieu (long version)**" | Brian Richy | Emily Bindiger | 06:13 |
| 21. | "Dialogue 3-9" |  |  | 00:21 |
| 22. | "See You Space Cowboy... (Not Final Mix Mountain Root)" | 山根麻衣 (Mai Yamane) | 山根麻衣 (Mai Yamane) | 05:56 |
| 23. | "Dialogue 3-10" |  |  | 00:19 |
| 24. | "Blue" | Tim Jensen | 山根麻衣 (Mai Yamane) | 05:02 |

Disc 4
| No. | Title | Length |
| --- | --- | --- |
| 1. | "**Tank! (live)**" (Yoko Kanno & Seatbelts) | 04:01 |
| 2. | "**Rush (live)**" (Yoko Kanno & Seatbelts) | 04:13 |
| 3. | "**What Planet Is This?! (live)**" (Yoko Kanno & Seatbelts) | 04:53 |
| 4. | "**Too Good Too Bad (live)**" (Yoko Kanno & Seatbelts) | 02:31 |
| 5. | "**Bad Dog No Biscuits (live)**" (Yoko Kanno & Seatbelts) | 04:31 |
| 6. | "**Call Me Call Me (live)**" (Steve Conte) | 05:20 |
| 7. | "**Mushroom Hunting (live)**" (Mai Yamane) | 04:09 |
| 8. | "**The Real Folk Blues (live)**" (Mai Yamane) | 06:08 |
| 9. | "**Piano solo (live)**" (Yoko Kanno & Seatbelts) | 07:52 |
| 10. | "Ask DNA" (Raju Ramayya) | 04:52 |
| 11. | "**SF Game Center**" (Yoko Kanno & Seatbelts) | 01:27 |
| 12. | "**Rouya**" (Yoko Kanno & Seatbelts) | 03:38 |
| 13. | "**Old School Game**" (Yoko Kanno & Seatbelts) | 01:04 |

8 cm Mini-CD
| No. | Title | Lyrics | Vocals | Length |
| --- | --- | --- | --- | --- |
| 1. | "**Wandering Cowboy (with vocals)**" | Shinichiro Watanabe & Yoko Kanno | Aoi Tada | 03:18 |
| 2. | "**Fascinating Horse Riding**" | Shinichiro Watanabe & Yoko Kanno | Masashi Ebara | 02:44 |
| 3. | "**Wandering Cowboy (karaoke version)**" (Inu to Utau Karaoke) |  | アイン (Ein) | 03:19 |
| Total length: | | | | 09:21 |

### *12" Vinyl Singles*

Accompanying the release of the *Cowboy Bebop Remixes: Music for Freelance* album and the *Ask DNA* maxi-single were two EPs released on 12-inch vinyl containing a selection of material from the aforementioned albums. Both EPs came in plain white jackets with printed graphics on the record label and played at 33⅓ rpm. Both albums were released independently with *Remixes* using the catalog number *BEBOP 001* and *Ask DNA* using *BEBOP 002*.

The first EP, simply dubbed *Remixes* and released in 1999, contains 5 tracks taken from the *Music for Freelance* CD. Around the label there are trademarks for Sunrise and Victor Entertainment, followed by a line that reads *DJ Promo Only Not for Resale*. The track list for the EP is below;

Track Listing
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Side A: Tank! (Luke Vibert Remix)" | 3:37 |
| 2. | "Side A: Cats on Mars (DMX Krew Remix)" | 3:50 |
| 3. | "Side A: Fantasie Sign (Ian Pooley Remix)" | 5:18 |
| 4. | "Side B: Piano Black (Ian O'Brien Remix)" | 6:51 |
| 5. | "Side B: Space Lion (4hero Remix)" | 6:19 |
| Total length: | | 24:75 |

The second EP, dubbed *Ask DNA* and released in 2001, contains all 5 tracks from the *Ask DNA* maxi-single. This EP was released through the *Cowboy Bebop* Japanese fanclub as promotional material in limited quantities. It came in a plain white jacket with a sticker on the outside containing the Seatbelts logo and an advertisement for the CD release of *Ask DNA*. The track list for the EP is below;

Track Listing
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Side A: What Planet Is This?!" | 2:45 |
| 2. | "Side A: Cosmic Dare (Pretty with a Pistol)" | 4:28 |
| 3. | "Side A: Hamduche" | 1:54 |
| 4. | "Side B: Is It Real?" | 4:40 |
| 5. | "Side B: Ask DNA" | 4:52 |
| Total length: | | 18:37 |

### The Real Folk Blues Charity Single for COVID-19 Relief

On May 1, 2020, a charity single of The Real Folk Blues was released by Mason Lieberman and Funimation to raise money for COVID-19 relief. The track features anime, game and music artists including Yoko Kanno and The Seatbelts, A-sha Mai Yamane, and Shihori, with cameos by voice-actors Steve Blum and Beau Billingslea. The single was available as a music video on YouTube, as a stream / download for purchase on Bandcamp and was also a Limited-Edition vinyl with B-side remix. Proceeds were donated to the CDC Foundation and Doctors without Borders.

## Further reading

## InfoBox

| Cowboy Bebop | |
| --- | --- |
| Soundtrack album by Seatbelts | |
| Released | May 21, 1998 |
| Studio | Sound Valley Studio
Soundtrack Studio
Van Gelder Studio, Englewood Cliffs, NJ
Victor "Aoyama" "Yamananako" Studio
Z'd Studio |
| Genre | Hard bop, big band, blues |
| Length | 53:25 |
| Label | Victor Entertainment |
| Producer | Yoko Kanno |


title: North Lakeport, California

abstract: North Lakeport is a census-designated place (CDP) in Lake County, California, United States. The population was 3,314 at the 2010 census, up from 2,879 at the 2000 census.

text:
# North Lakeport, California

**North Lakeport** is a census-designated place (CDP) in Lake County, California, United States. The population was 3,314 at the 2010 census, up from 2,879 at the 2000 census.

## Geography

According to the United States Census Bureau, the CDP has a total area of 6.6 square miles (17 km2), of which 3.8 square miles (9.8 km2) of it is land and 2.7 square miles (7.0 km2) of it (41.30%) is water.

## Demographics

### 2010

At the 2010 census North Lakeport had a population of 3,314. The population density was 505.9 inhabitants per square mile (195.3/km2). The racial makeup of North Lakeport was 2,685 (81.0%) White, 28 (0.8%) African American, 126 (3.8%) Native American, 40 (1.2%) Asian, 4 (0.1%) Pacific Islander, 271 (8.2%) from other races, and 160 (4.8%) from two or more races. Hispanic or Latino of any race were 571 people (17.2%).

The whole population lived in households, no one lived in non-institutionalized group quarters and no one was institutionalized.

There were 1,414 households, 377 (26.7%) had children under the age of 18 living in them, 631 (44.6%) were opposite-sex married couples living together, 169 (12.0%) had a female householder with no husband present, 72 (5.1%) had a male householder with no wife present. There were 116 (8.2%) unmarried opposite-sex partnerships, and 10 (0.7%) same-sex married couples or partnerships. 436 households (30.8%) were one person and 198 (14.0%) had someone living alone who was 65 or older. The average household size was 2.34. There were 872 families (61.7% of households); the average family size was 2.92.

The age distribution was 717 people (21.6%) under the age of 18, 263 people (7.9%) aged 18 to 24, 697 people (21.0%) aged 25 to 44, 961 people (29.0%) aged 45 to 64, and 676 people (20.4%) who were 65 or older. The median age was 44.5 years. For every 100 females, there were 96.1 males. For every 100 females age 18 and over, there were 91.5 males.

There were 1,759 housing units at an average density of 268.5 per square mile, of the occupied units 952 (67.3%) were owner-occupied and 462 (32.7%) were rented. The homeowner vacancy rate was 4.6%; the rental vacancy rate was 11.7%. 2,183 people (65.9% of the population) lived in owner-occupied housing units and 1,131 people (34.1%) lived in rental housing units.

### 2000

At the 2000 census there were 2,879 people, 1,205 households, and 765 families in the CDP. The population density was 767.8 inhabitants per square mile (296.4/km2). There were 1,572 housing units at an average density of 419.2 per square mile (161.9/km2). The racial makeup of the CDP was 88.75% White, 1.15% African American, 2.08% Native American, 0.42% Asian, 0.14% Pacific Islander, 4.90% from other races, and 2.57% from two or more races. Hispanic or Latino of any race were 13.20%.

Of the 1,205 households 27.6% had children under the age of 18 living with them, 48.0% were married couples living together, 10.6% had a female householder with no husband present, and 36.5% were non-families. 29.5% of households were one person and 12.4% were one person aged 65 or older. The average household size was 2.35 and the average family size was 2.89.

The age distribution was 24.3% under the age of 18, 6.3% from 18 to 24, 23.0% from 25 to 44, 26.4% from 45 to 64, and 20.0% 65 or older. The median age was 42 years. For every 100 females, there were 98.4 males. For every 100 females age 18 and over, there were 95.3 males.

The median household income was $34,155 and the median family income was $41,716. Males had a median income of $38,750 versus $29,181 for females. The per capita income for the CDP was $18,410. About 8.2% of families and 10.5% of the population were below the poverty line, including 13.8% of those under age 18 and 5.7% of those age 65 or over.

## Government

In the California State Legislature, North Lakeport is in the 2nd Senate District, represented by Democrat Mike McGuire, and in the 4th Assembly District, represented by Democrat Cecilia Aguiar-Curry.

In the United States House of Representatives, North Lakeport is in California's 3rd congressional district, represented by Republican Kevin Kiley.

## InfoBox

| North Lakeport, California | |
| --- | --- |
| Census-designated place | |
| Location within Lake County and California | |
| Coordinates: 39°5′8″N 122°54′34″W / 39.08556°N 122.90944°W / 39.08556; -122.90944 | |
| Country | United States |
| State | California |
| County | Lake |
| Area | |
| Total | 6.550 sq mi (16.965 km2) |
| Land | 3.845 sq mi (9.958 km2) |
| Water | 2.705 sq mi (7.007 km2)  41.30% |
| Population (2010) | |
| Total | 3,314 |
| Density | 510/sq mi (200/km2) |
| Time zone | UTC-8 (Pacific (PST)) |
| Summer (DST) | UTC-7 (PDT) |
| Area code | 707 |
| FIPS code | 06-51990 |


title: Øivind Larsen

abstract: Øivind Larsen is a Norwegian physician and Professor Emeritus of history of medicine at the University of Oslo. He became a docent (reader) in medical history in 1971 and was promoted to Professor in 1985. He is currently chairman of the Norwegian Medical Society. He received the dr.med. (D.Sc.) degree at the University of Oslo in 1968. His dissertation, titled Schiff und Seuche 1795–1799. Ein medizinischer Beitrag zur historischen Kenntnis der Gesundheitsverhältnisse an Bord dänisch-norwegischer Kriegsschiffe auf den Fahrten nach Dänisch-Westindien was a study of the health conditions aboard Dano-Norwegian naval vessels bound for the Danish West Indies in the 1790s.

text:
# Øivind Larsen

**Øivind Larsen** (born 6 September 1938) is a Norwegian physician and Professor Emeritus of history of medicine at the University of Oslo. He became a docent (reader) in medical history in 1971 and was promoted to Professor in 1985. He is currently chairman of the Norwegian Medical Society (*Det norske medicinske Selskab*; not to be confused with the Norwegian Medical Association).

He received the dr.med. (D.Sc.) degree at the University of Oslo in 1968. His dissertation, titled *Schiff und Seuche 1795–1799. Ein medizinischer Beitrag zur historischen Kenntnis der Gesundheitsverhältnisse an Bord dänisch-norwegischer Kriegsschiffe auf den Fahrten nach Dänisch-Westindien* was a study of the health conditions aboard Dano-Norwegian naval vessels bound for the Danish West Indies in the 1790s.


title: Nicholas Beaumont

abstract: Nicholas Beaumont, of Coleorton, Leicestershire, was an English politician. He was the eldest son of Richard Beaumont of Coleorton. He was a Justice of the Peace for Leicestershire from 1588 and was appointed High Sheriff of Leicestershire for 1577–78. He was elected a Member (MP) of the Parliament of England for Leicestershire in 1563 and 1572 and for Bramber in 1584. He married Anne, the daughter of William Saunders of Welford, Northamptonshire and had 4 sons, including his heir Henry Beaumont, MP for Leicester and another son, Thomas Beaumont who succeeded his brother as MP for Leicester.

text:
# Nicholas Beaumont

**Nicholas Beaumont** (born before 1526 – 1585), of Coleorton, Leicestershire, was an English politician. He was the eldest son of Richard Beaumont of Coleorton.

He was a Justice of the Peace for Leicestershire from 1588 and was appointed High Sheriff of Leicestershire for 1577–78.

He was elected a Member (MP) of the Parliament of England for Leicestershire in 1563 and 1572 and for Bramber in 1584.

He married Anne, the daughter of William Saunders of Welford, Northamptonshire and had 4 sons, including his heir Henry Beaumont, MP for Leicester and another son, Thomas Beaumont who succeeded his brother as MP for Leicester.


title: Leighton Coleman

abstract: Leighton Coleman was an American clergyman of the Episcopal Church.

text:
# Leighton Coleman

**Leighton Coleman** (May 3, 1837 - December 14, 1907) was an American clergyman of the Episcopal Church.

## Biography

He was born in Philadelphia, Pennsylvania, and graduated at the General Theological Seminary (New York City) in 1861. he was ordained deacon on July 1, 1860. From 1860 until 1862, he served as a missionary on Randalls and Wards Islands in New York. He was ordained priest on May 15, 1862.

He served his religion in a variety of positions and at different places. He was rector of churches in Bustleton, Pa., Wilmington, Del., Mauch Chunk, Pa., Toledo, Ohio, and Sayre, Pa. He lived in England from 1879 to 1887.

In 1888 Leighton Coleman was consecrated the 2nd Bishop of Delaware in the Episcopal Church. His consecration was on January 18, 1889 with Daniel Sylvester Tuttle being the chief consecrator.

Bishop Coleman was Grand Chaplain of the Grand Lodge of Masons of Pennsylvania and prelate of the Knights Templar, Chaplain General of the Society of the War of 1812, Chaplain of the Delaware Society of the Cincinnati, and Vice President of the Delaware Historical Society. He was elected a thirty-third degree Mason by the Consistory in Boston in September 1907.

## Publications authored

* *A History of the Lehigh Valley* (1872)
* *The Church in America* (1895)
* *A History of the Church in the United States* (1901, in the "Oxford Church Text Series")

* Raphael Morgan (Robert Josias Morgan, who was ordained to the Episcopal Deaconate by Bp. Coleman).

## Sources

## InfoBox

| The Right Reverend
Leighton Coleman
S.T.D., D.D., LL.D. | |
| --- | --- |
| Bishop of Delaware | |
|  | |
| Church | Episcopal Church |
| Diocese | Delaware |
| Elected | June 6, 1888 |
| In office | 1888–1907 |
| Predecessor | Alfred Lee |
| Successor | Frederick Joseph Kinsman |
| Orders | |
| Ordination | May 15, 1862
by Horatio Potter |
| Consecration | October 18, 1888
by Mark Antony De Wolfe Howe |
| Personal details | |
| Born | (1837-05-03)May 3, 1837
Philadelphia, Pennsylvania, United States |
| Died | December 14, 1907(1907-12-14) (aged 70)
Wilmington, Delaware. United States |
| Buried | Du Pont de Nemours Cemetery in Wilmington, Delaware |
| Nationality | American |
| Denomination | Anglican |
| Parents | John Coleman & Margaretta Thomas |
| Spouse | Frances Elizabeth DuPont |
| Signature |  |


title: Lyudmila Narbekova

abstract: Lyudmila Narbekova is a Russian painter and fashion designer who runs the Mordovian Erzia Museum of Visual Arts.

text:
# Lyudmila Narbekova

**Lyudmila Narbekova** (born 7 April 1964) is a Russian painter and fashion designer who runs the Mordovian Erzia Museum of Visual Arts.

## Life

Narbekova was born in Saransk. She is the youngest of three sisters. In early childhood, together with a classmate, they enrolled in an art school. Her parents, were unconnected with art, did they not oppose her interests. Lyudmila had a good education and engaged in other activities including the production of school wall newspapers. She helped to prepare anatomical drawings for her elder sister, who was studying medicine.

She studied at Leningrad University after she graduated with honours from the Saransk Art School.

In 2004 she became the director of the Mordovian Erzia Museum of Visual Arts. The museum is named for the sculptor Stepan Erzia who was born in Saransk. The museum contains valuable paintings including, notably, paintings by the museum's director.

Her museum joined in with the Night at the Museum theme and they were surprised by the level of interest when they opened the museum to night time visitors. The museum continued the idea as an annual event.

In 2018 she hosted a visit by Princess Takamado who was the first member of the Japanese Royal family to visit Russia since during the first world war in 1916. The Princess was in Saransk for the FIFA world cup but she took time to visit Narbekova's museum. They toured art by Nicholas Roerich and discussed their common interest of painting. She toured the museum and was given two silk dead scarves of which one was by Narbekova.

In 2019 her own solo exhibition opened titled the "River of Time". The exhibition opened on 10 April which was her 55th birthday. The 350 visitors on the first day included Anatoly Mikhailovich Chushkin who was Moldova's minister of culture and the head of the city's administration, Vladimir Valerievich Pankov.

## InfoBox

| Lyudmila Narbekova | |
| --- | --- |
| in 2017 | |
| Born | 7 or 10 April 1964<br>Saransk |
| Nationality | Russian |
| Occupation | museum director |
| Employer | Mordovian Erzia Museum of Visual Arts |


title: Solanum pinnatisectum

abstract: Solanum pinnatisectum, the tansy-leaf nightshade or tansyleaf nightshade, is a species of flowering plant in the family Solanaceae, native to Arizona in the United States, and to Mexico. A wild potato, it is being extensively studied for its resistance to Phytophthora infestans, in an effort to improve the domestic potato Solanum tuberosum.

text:
# Solanum pinnatisectum

***Solanum pinnatisectum***, the **tansy-leaf nightshade** or **tansyleaf nightshade**, is a species of flowering plant in the family Solanaceae, native to Arizona in the United States, and to Mexico. A wild potato, it is being extensively studied for its resistance to *Phytophthora infestans* (the cause of late potato blight), in an effort to improve the domestic potato *Solanum tuberosum*.

## InfoBox

| *Solanum pinnatisectum* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Asterids |
| Order: | Solanales |
| Family: | Solanaceae |
| Genus: | *Solanum* |
| Species: | ***S. pinnatisectum*** |
| Binomial name | |
| ***Solanum pinnatisectum***<br>Dunal | |
|
| Synonyms | |
| * *Solanum pinnatisectum* var. *heptazygum* Bitter * *Solanum pinnatisectum* var. *pentazygum* Bitter | |


title: Šahmani

abstract: Šahmani is a village in the municipality of Donji Vakuf, Bosnia and Herzegovina.

text:
# Šahmani

**Šahmani** (Cyrillic: Шахмани) is a village in the municipality of Donji Vakuf, Bosnia and Herzegovina.

## Demographics

According to the 2013 census, its population was nil, down from 209 in 1991.

## InfoBox

| Šahmani Шахмани | |
| --- | --- |
| Village | |
| Šahmani | |
| Coordinates: 44°08′48″N 17°28′53″E / 44.14667°N 17.48139°E / 44.14667; 17.48139 | |
| Country | Bosnia and Herzegovina |
| Entity | Federation of Bosnia and Herzegovina |
| Canton | Central Bosnia |
| Municipality | Donji Vakuf |
| Area | |
| Total | 0.60 sq mi (1.55 km2) |
| Population (2013) | |
| Total | 0 |
| Density | 0.0/sq mi (0.0/km2) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |


title: The Crazy Family (1984 film)

abstract: The Crazy Family is a 1984 Japanese film directed by Sōgo Ishii. Its special effects were supervised by Takashi Ito. The movie is a satirical take on the pressures of Japanese society, particularly focusing on the idea of the "perfect family."

text:
# The Crazy Family (1984 film)

***The Crazy Family*** (逆噴射家族, *Gyaku-funsha Kazoku*) is a 1984 Japanese film directed by Sōgo Ishii. Its special effects were supervised by Takashi Ito. The movie is a satirical take on the pressures of Japanese society, particularly focusing on the idea of the "perfect family."

## Plot

The story revolves around the Kobayashi family, who seem to have achieved the dream of the typical middle-class Japanese family. They move into a new suburban home, filled with hopes of living an idyllic life. However, the pressures of maintaining this image soon begin to unravel the family's sanity. The father, Katsuhiko, is obsessed with protecting the family from any perceived threats, both real and imagined. This paranoia grows as he feels increasingly unable to control the pressures of work and the expectations of society. The mother, Saeko, attempts to maintain a sense of normalcy but becomes increasingly detached as the situation worsens. Their son, Masaki, is a high school student who struggles with the intense academic pressure to succeed, while their daughter, Erika, is a rebellious teenager who resents the constraints placed on her by her parents.

As the family's mental state deteriorates, the movie descends into chaos. The once perfect image of the Kobayashi family crumbles, and they become increasingly violent and irrational. The father's paranoia reaches a breaking point, leading to a bizarre and destructive climax as the family turns on each other in a desperate attempt to maintain their sanity.

## Awards and nominations

**6th Yokohama Film Festival**

## InfoBox

| The Crazy Family | |
| --- | --- |
| Directed by | Gakuryū Ishii |
| Written by |  |
| Story by | Yoshinori Kobayashi |
| Produced by |  |
| Starring |  |
| Cinematography | Masaki Tamura |
| Edited by | Junichi Kikuchi |
| Music by | 1984 |
| Production<br>company | Director's Company |
| Distributed by | Art Theatre Guild |
| Release date | * 23 June 1984 (1984-06-23) |
| Running time | 106 minutes |
| Country | Japan |
| Language | Japanese |


title: Mushroom Lake

abstract: Mushroom Lake is a small alpine lake in Custer County, Idaho, United States, located in the Sawtooth Mountains in the Sawtooth National Recreation Area. There are no trails leading to the lake, although it is most easily accessed from Sawtooth National Forest trail 092. Mushroom Lake is in the Sawtooth Wilderness, and a wilderness permit can be obtained at a registration box at trailheads or wilderness boundaries. Hell Roaring Lake and Imogene Lake are downstream of Mushroom Lake.

text:
# Mushroom Lake

**Mushroom Lake** is a small alpine lake in Custer County, Idaho, United States, located in the Sawtooth Mountains in the Sawtooth National Recreation Area. There are no trails leading to the lake, although it is most easily accessed from Sawtooth National Forest trail 092.

Mushroom Lake is in the Sawtooth Wilderness, and a wilderness permit can be obtained at a registration box at trailheads or wilderness boundaries. Hell Roaring Lake and Imogene Lake are downstream of Mushroom Lake.

## InfoBox

| Mushroom Lake | |
| --- | --- |
| Mushroom LakeMushroom Lake | |
| Location | Custer County, Idaho |
| Coordinates | 43°59′24″N 114°57′50″W / 43.989919°N 114.963872°W / 43.989919; -114.963872 |
| Type | Glacial |
| Primary inflows | Hell Roaring Creek |
| Primary outflows | Hell Roaring Creek to Salmon River |
| Basin countries | United States |
|  | |
| Max. length | 0.13 mi (0.21 km) |
| Max. width | 0.12 mi (0.19 km) |
| Surface elevation | 8,560 ft (2,610 m) |


title: North Rose, New York

abstract: North Rose is a hamlet located in the Town of Rose, Wayne County, New York, United States. The population was 636 at the time of the 2010 census. Government offices for the Town of Rose are located in the hamlet.

text:
# North Rose, New York

**North Rose** is a hamlet (and census-designated place) located in the Town of Rose, Wayne County, New York, United States. The population was 636 at the time of the 2010 census. Government offices for the Town of Rose are located in the hamlet.

## Geography

North Rose is located at 43°11′14″N 76°53′11″W / 43.187220°N 76.886401°W / 43.187220; -76.886401.

According to the United States Census Bureau, the CDP has a total area of 1.7 square miles (4.4 km2), all land.

North Rose is located off N.Y. Route 104. The primary cross roads in the hamlet are N.Y. Route 414, also known as Main Street, Glenmark Road and Salter Road (CR 257).

## Demographics

Historical population
| Census | Pop. | Note |  |
| --- | --- | --- | --- |
| 2020 | 571 |  |  |
| U.S. Decennial Census | | | |

As of the census of 2010, there were 636 people, 259 households, and 167 families residing in the CDP. The population density was 374.1 inhabitants per square mile (144.4/km2). The racial makeup of the CDP was 93.2% White, 0.8% Black or African American, 0.5% Native American, 0.2% Asian, 0.0% Pacific Islander, 1.9% from other races, and 3.5% from two or more races. Hispanic or Latino of any race were 4.2% of the population.

There were 259 households, out of which 27.8% had children under the age of 18 living with them, 46.3% were married couples living together, 10.4% had a female householder with no husband present, and 35.5% were non-families. 27.4% of all households were made up of individuals, and 13.5% had someone living alone who was 65 years of age or older. The average household size was 2.46 and the average family size was 2.91.

In the CDP, the population was spread out, with 24.8% under the age of 20, 7.1% from 20 to 24, 22.1% from 25 to 44, 30.1% from 45 to 64, and 15.7% who were 65 years of age or older. The median age was 42.3 years. For every 100 females, there were 88.7 males. For every 100 females age 18 and over, there were 90.8 males.

The median income for a household in the CDP was $52,708, and the median income for a family was $53,542. Males had a median income of $28,958 versus $25,947 for females. The per capita income for the CDP was $21,528. About 0.0% of families and 2.5% of the population were below the poverty line, including 4.6% of those under age 18 and 0.0% of those age 65 or over.

### Housing

There were 272 housing units at an average density of 160.0 per square mile (61.8/km2). 4.8% of housing units were vacant.

There were 259 occupied housing units in the CDP. 201 were owner-occupied units (77.6%), while 58 were renter-occupied (22.4%). The homeowner vacancy rate was 1.5% of total units. The rental unit vacancy rate was 4.9%.

## InfoBox

| North Rose, New York | |
| --- | --- |
| Hamlet and CDP | |
| North Rose, New YorkLocation within the state of New York | |
| Coordinates: 43°11′14″N 76°53′11″W / 43.18722°N 76.88639°W / 43.18722; -76.88639 | |
| Country | United States |
| State | New York |
| County | Wayne |
| Town | Rose |
| Area | |
| Total | 1.69 sq mi (4.38 km2) |
| Land | 1.69 sq mi (4.38 km2) |
| Water | 0.00 sq mi (0.00 km2) |
| Elevation | 381 ft (116 m) |
| Population (2020) | |
| Total | 571 |
| Density | 337.87/sq mi (130.43/km2) |
| Time zone | UTC-5 (Eastern (EST)) |
| Summer (DST) | UTC-4 (EDT) |
| ZIP Code | 14516 |
| Area code(s) | 315 and 680 |
| FIPS code | 36-53462 |
| GNIS feature ID | 2631641 |


title: Nibricoccus

abstract: Nibricoccus is a Gram-negative, strictly aerobic and non-motile genus of bacteria from the family of Opitutaceae with one known species. Nibricoccus aquaticus has been isolated from hyporheic freshwater from Korea.

text:
# Nibricoccus

***Nibricoccus*** is a Gram-negative, strictly aerobic and non-motile genus of bacteria from the family of Opitutaceae with one known species (*Nibricoccus aquaticus*). *Nibricoccus aquaticus* has been isolated from hyporheic freshwater from Korea.

## InfoBox

| *Nibricoccus* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Bacteria |
| Phylum: | Verrucomicrobiota |
| Class: | Opitutae |
| Order: | Opitutales |
| Family: | Opitutaceae |
| Genus: | ***Nibricoccus***
Baek et al. 2019 |
|
| Type species | |
| *Nibricoccus aquaticus*
Baek et al. 2019 | |
| Species | |
| * *N. aquaticus* | |


title: Leicester Sound

abstract: Leicester Sound was an Independent Local Radio station which broadcast to Leicestershire. The station merged with two other East Midlands stations, Trent FM and Ram FM to form Capital FM East Midlands on Monday, 3 January 2011.

text:
# Leicester Sound

**Leicester Sound** was an Independent Local Radio station which broadcast to Leicestershire. The station merged with two other East Midlands stations, Trent FM and Ram FM to form Capital FM East Midlands (part of Global's Capital FM Network) on Monday, 3 January 2011.

## Background

Leicester Sound was launched by the owners of Radio Trent on 7 September 1984, eleven months after Leicestershire's first ILR station, Centre Radio, went into receivership and ceased broadcasting. The new station broadcast from Centre's Granville House studios and on Centre's frequencies of 1260 MW and 97.1 FM. The FM frequency was moved to 103.2 MHz in 1986 with medium wave broadcasts continuing until October 1988. In the same year, the station was renamed as Sound FM, before reverting to its original branding in 1991.

In January 1992, Leicester Sound was bought out by Midlands Radio plc. Within a year, the group was taken over by Capital Radio who sold the station, along with Trent FM and Mercia Sound to the GWR Group. In January 1997, Leicester Sound's frequency changed from 103.2 to 105.4 FM, offering a stronger signal, which could be heard in most of Leicestershire from a transmitter near Billesdon. In February 2002, the station moved to new studios at the Meridian Business Park in Leicester.

Leicester Sound broadcast its very last local programme on Friday 31 December 2010 ahead of the station's merger with Trent FM and Ram FM to form Capital FM East Midlands as part of Global Radio's plans to launch The Capital FM Network. The new station began broadcasting at 10 am on Monday 3 January 2011.

## Notable past presenters

## InfoBox

Leicester Sound
|  | |
| --- | --- |
|  | |
| Broadcast area | Leicestershire |
| Frequency | FM: 105.4 MHz
DAB
Freeview |
| RDS | LEIC SND |
| Programming | |
| Format | Contemporary hit radio |
| Ownership | |
| Owner | Global |
| History | |
| First air date | 7 September 1984 |
| Last air date | 3 January 2011 |
| Former names | Sound FM (1988–1991) |
| Former frequencies | 97.1 FM
103.2 FM
1260 MW |


title: Lyonetia euryella

abstract: Lyonetia euryella is a moth in the family Lyonetiidae. It is known from the islands of Honshu, Kyushu and Yakushima in Japan. The wingspan is 8–10 mm. Adults are on wing from the beginning to the middle of May, from the middle of June to the beginning of July, from the end of July to the beginning of August and from the beginning of September to the beginning of October. There are four generations per year. The larvae feed on Eurya japonica. They mine the leaves of their host plant.

text:
# Lyonetia euryella

***Lyonetia euryella*** is a moth in the family Lyonetiidae. It is known from the islands of Honshu, Kyushu and Yakushima in Japan.

The wingspan is 8–10 mm. Adults are on wing from the beginning to the middle of May, from the middle of June to the beginning of July, from the end of July to the beginning of August and from the beginning of September to the beginning of October. There are four generations per year.

The larvae feed on *Eurya japonica*. They mine the leaves of their host plant.

## InfoBox

| *Lyonetia euryella* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Lyonetiidae |
| Genus: | *Lyonetia* |
| Species: | ***L. euryella*** |
| Binomial name | |
| ***Lyonetia euryella***<br>Kuroko, 1964 | |
|


title: Songs of Freedom (TV series)

abstract: Songs of Freedom is a Canadian performing arts documentary series, which aired on Vision TV in 2015. Starring opera singer Measha Brueggergosman and produced to celebrate Black History Month, the series consisted of a 90-minute live concert special of Brueggergosman performing a program of African-American spiritual songs, followed by a four-part documentary series about Brueggergosman exploring her African heritage. The series' title takes its name from the lyrics of Bob Marley's single, "Redemption Song". The series garnered four Canadian Screen Award nominations at the 4th Canadian Screen Awards in 2016. It won three awards, including Direction in a Documentary Program, Editing in a Documentary Program and Sound in a Non-Fiction Program.

text:
# Songs of Freedom (TV series)

***Songs of Freedom*** is a Canadian performing arts documentary series, which aired on Vision TV in 2015. Starring opera singer Measha Brueggergosman and produced to celebrate Black History Month, the series consisted of a 90-minute live concert special of Brueggergosman performing a program of African-American spiritual songs, followed by a four-part documentary series about Brueggergosman exploring her African heritage. The series' title takes its name from the lyrics of Bob Marley's single, "Redemption Song".

The series garnered four Canadian Screen Award nominations at the 4th Canadian Screen Awards in 2016. It won three awards, including Direction in a Documentary Program (Barbara Willis Sweete), Editing in a Documentary Program (David New) and Sound in a Non-Fiction Program (Peter Sawade, David Rose, L. Stu Young, Lou Solakofski, Martin Gwynn Jones, Krystin Hunter and Jane Tattersall).

## InfoBox

| *Songs of Freedom* | |
| --- | --- |
| Genre | documentary |
| Directed by | Barbara Willis Sweete |
| Starring | Measha Brueggergosman |
| Country of origin | Canada |
| No. of seasons | 1 |
| No. of episodes | 5 |
| Production | |
| Producer | Barbara Willis Sweet |
| Production company | Rhombus Media |
| Original release | |
| Network | Vision TV |
| Release | February 2 (2015-02-02) <br>February 27, 2015 (2015-02-27) |


title: Štíhlice

abstract: Štíhlice is a municipality and village in Prague-East District in the Central Bohemian Region of the Czech Republic. It has about 200 inhabitants.

text:
# Štíhlice

**Štíhlice** is a municipality and village in Prague-East District in the Central Bohemian Region of the Czech Republic. It has about 200 inhabitants.

## Demographics

Historical population
| Year | Pop. | ±% |
| --- | --- | --- |
| 1869 | 275 |  |
| 1880 | 276 | +0.4% |
| 1890 | 287 | +4.0% |
| 1900 | 279 | −2.8% |
| 1910 | 267 | −4.3% |
| 1921 | 265 | −0.7% |
| 1930 | 247 | −6.8% |
| 1950 | 192 | −22.3% |
| 1961 | 172 | −10.4% |
| 1970 | 146 | −15.1% |
| 1980 | 158 | +8.2% |
| 1991 | 108 | −31.6% |
| 2001 | 109 | +0.9% |
| 2011 | 164 | +50.5% |
| 2021 | 257 | +56.7% |
| Source: Censuses | | |

## InfoBox

| Štíhlice | |
| --- | --- |
| Municipality | |
| Centre of Štíhlice | |
|  | |
| ŠtíhliceLocation in the Czech Republic | |
| Coordinates: 50°0′20″N 14°46′48″E / 50.00556°N 14.78000°E / 50.00556; 14.78000 | |
| Country | Czech Republic |
| Region | Central Bohemian |
| District | Prague-East |
| First mentioned | 1358 |
| Area | |
| Total | 5.19 km2 (2.00 sq mi) |
| Elevation | 385 m (1,263 ft) |
| Population (2024-01-01) | |
| Total | 210 |
| Density | 40/km2 (100/sq mi) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 281 63 |
| Website | www.stihlice.cz |


title: The Cost of Silence

abstract: The Cost of Silence is an American documentary film that premiered at the 2020 Sundance Film Festival on January 30, 2020. It runs for 84 minutes and was directed and produced by Mark Manning. The film is about the April 2010 Deepwater Horizon Drilling accident, and looks at the dangers of offshore drilling. Manning is a former deep-sea oilfield diver turned filmmaker and offers a unique perspective. Reviewers note that The Cost of Silence is well-researched and thorough. The footage was filmed over nine years and Manning depicts a public health crisis involving the dispersants used to break the oil up. The public health impacts from Deepwater continue to be felt in the region today. Director of Photography Aaron Reuben also described the dangers involved with filming The Cost of Silence as far beyond the typical hazards, given the filming environment.

text:
# The Cost of Silence

***The Cost of Silence*** is an American documentary film that premiered at the 2020 Sundance Film Festival on January 30, 2020. It runs for 84 minutes and was directed and produced by Mark Manning.

The film is about the April 2010 Deepwater Horizon Drilling accident, and looks at the dangers of offshore drilling. Manning is a former deep-sea oilfield diver turned filmmaker and offers a unique perspective. Reviewers note that *The Cost of Silence* is well-researched and thorough.

The footage was filmed over nine years and Manning depicts a public health crisis involving the dispersants used to break the oil up. The public health impacts from Deepwater continue to be felt in the region today. Director of Photography Aaron Reuben also described the dangers involved with filming *The Cost of Silence* as far beyond the typical hazards, given the filming environment.

## InfoBox

| The Cost of Silence | |
| --- | --- |
| Directed by | Mark Manning |
| Written by | Mark Monroe |
| Produced by |  |
| Cinematography | Reuben Aaronson |
| Edited by |  |
| Music by | Claude Chalhoub |
| Production<br>company | Conception Media |
| Release date | * January 30, 2020 (2020-01-30) (Sundance) |
| Running time | 84 minutes |
| Country | United States |
| Language | English |


title: Veterinary pathology

abstract: Veterinary pathologists are veterinarians who specialize in the diagnosis of diseases through the examination of animal tissue and body fluids. Like medical pathology, veterinary pathology is divided into two branches, anatomical pathology and clinical pathology. Other than the diagnosis of disease in food-producing animals, companion animals, zoo animals and wildlife, veterinary pathologists also have an important role in drug discovery and safety as well as scientific research.

text:
# Veterinary pathology

**Veterinary pathologists** are veterinarians who specialize in the diagnosis of diseases through the examination of animal tissue and body fluids. **Like medical pathology,** **veterinary pathology is divided into two branches, anatomical pathology and clinical pathology. Other than the diagnosis of disease in food-producing animals, companion animals, zoo animals and wildlife, veterinary pathologists also have an important role in drug discovery and safety as well as scientific research.**

## Veterinary anatomical pathology

Anatomical pathology (*Commonwealth*) or *Anatomic pathology* (*U.S.*) is concerned with the diagnosis of disease based on the gross examination, microscopic, and molecular examination of organs, tissues, and whole bodies (necropsy). V**eterinary pathology also takes into account the structure and function of the body and how particular cells were injured.** The Indian, European, Japanese, and American Colleges of Veterinary Pathologists certify veterinary pathologists through a certifying exam after completing a residency program. **After completing the residency and the exam, a certificate will be given out to display specialization in veterinary pathology.** **The American College of Veterinary Pathologist certification exam consists of four parts, - gross pathology, microscopic pathology, veterinary pathology, and general pathology. Only the general pathology section is shared between the anatomic and clinical pathology examinations.** **Veterinary pathologists are employed in several different positions, including diagnostics, teaching, research, and the pharmaceutical industry.**

## Veterinary clinical pathology

Clinical pathology is concerned with the diagnosis of disease based on the laboratory analysis of bodily fluids such as blood, urine or cavitary effusions, or tissue aspirates using the tools of chemistry, microbiology, hematology, and molecular pathology. Clinical pathology labs offer many services including hematology, hemostasis, urinalysis, cytology, and clinical biochemistry tests. **Many clinical pathology tests can be done "in" or "out" of house, meaning that the test can be done in that particular clinic or sent to a further specialized outside laboratory. Many patients have the desire to do "in-house" tests because it is usually cheaper.** **Ultimately, veterinary pathology consists of most of the behind-the-scenes laboratory work that studies virus, infections, bacteria, and much more. Without veterinary pathologists, illness would spread throughout many species of animals much quicker than in the present day.**


title: Mushroom Networks

abstract: Mushroom Networks, Inc. is a telecommunications company in San Diego, California. Mushroom Networks was founded in 2004, by electrical and computer engineers Rene L. Cruz, Cahit Akin, and Rajesh Mishra. It was spun off from the University of California, San Diego (UCSD) and got support from the von Liebig Entrepreneurism Center. The company solely focuses on networking products utilizing their "Broadband Bonding" technology. In various configurations, these products provide the end-user with the appearance of larger bandwidth by aggregating multiple network services through load balancing, and/or channel bonding.

text:
# Mushroom Networks

**Mushroom Networks, Inc.** is a telecommunications company in San Diego, California.

Mushroom Networks was founded in 2004, by electrical and computer engineers Rene L. Cruz, Cahit Akin, and Rajesh Mishra. It was spun off from the University of California, San Diego (UCSD) and got support from the von Liebig Entrepreneurism Center.

The company solely focuses on networking products utilizing their "Broadband Bonding" technology. In various configurations, these products provide the end-user with the appearance of larger bandwidth by aggregating multiple network services through load balancing, and/or channel bonding.

## History

In February, 2008, Mushroom Networks introduced the Truffle (BBNA6401) a broadband bonding network appliance.

In July, 2008, the company introduced the Porcini (BBNA4422) which was a sizeably smaller broadband bonding product than the previous Truffle product. This product can bond four wireline internet connections and a wireless USB port card.

In September, 2008 the company introduced the PortaBella (BBNA2242).

In June, 2009, the company introduced the second generation PortaBella (BBNA141).

In July, 2009, the company introduced the second generation Truffle (BBNA 5201G).

In April, 2010, the company announced the TelePorter, the industry's first broadcast quality live video streaming system utilizing bonded cellular link devices.

In July 2017, Mushroom Networks launched autopilot SD-WAN service for partners.

## InfoBox

Mushroom Networks
|
|  |
| Company type | Private |
| Industry | Telecommunication |
| Founded | 2004 |
| Headquarters | San Diego, California, United States |
| Key people | Cahit Akin
(Co-founder and CEO)
Rene Cruz
(Co-founder)
Rajesh Mishra
(CTO)
Steve Schneider
(CFO)
Steve Brown
(Lead Architect) |
| Products | Networking |
| Number of employees | 14-16 |
| Website | www.mushroomnetworks.com |


title: North Yonge Railways

abstract: The North Yonge Railways was a radial railway line operated by the Toronto Transportation Commission from 1930 to 1948 between Glen Echo (Toronto) and Richmond Hill. The line was created by reopening the southern portion of the TTC's Lake Simcoe radial line that had closed in 1930.

text:
# North Yonge Railways

The **North Yonge Railways** was a radial railway line operated by the Toronto Transportation Commission from 1930 to 1948 between Glen Echo (Toronto) and Richmond Hill. The line was created by reopening the southern portion of the TTC's Lake Simcoe radial line that had closed in 1930.

## Operations

The North Yonge Railways ran along Yonge Street from Glen Echo Terminal at the then-Toronto city limits through the municipalities of North York (Willowdale, Lansing, Bedford Park, Teddington Park), Thornhill (now part of Vaughan and Markham) and Richmond Hill. The line was single-track with passing loops and ran almost entirely on the side of the road, with an off-street terminal at Glen Echo and some centre-of-street track in Richmond Hill. The TTC used the Nachod block signal system on the line. The line had a 550-volt substation in Willowdale, which replaced older substations that had been used on the Lake Simcoe line closed in 1930.

Service was hourly from Glen Echo to Richmond Hill, every 30 minutes to Steeles Avenue with more frequent service during rush hours. Initially, the last car from Glen Echo was at 12:40 am and the first car was at 5:00 am. However, from April 14, 1942, night service started with trips leaving Glen Echo at 1:20 am, 3:40am and 3:50 am.

The line used double-ended, one-man radial cars (numbered 409-416) that Hydro-Electric Railways had once used on its Mimico line. They were housed at the TTC's Eglinton Carhouse.

## History

On July 17, 1930, the TTC's Lake Simcoe line (previously known as the Metropolitan line) running from Glen Echo in North York to Sutton, Ontario was closed being replaced by bus service. However, three months later on October 9, 1930, the portion from Glen Echo to Richmond Hill reopened as the North Yonge Railways. To restart service, the Townships of North York, Markham and Vaughan and the Village of Richmond Hill had acquired their portion of the line and contracted with the Toronto Transportation Commission to run it.

On May 14, 1934, the north end of the line in Richmond Hill was shortened by 91 m (300 ft) to accommodate highway widening.

Effective April 14, 1942, the TTC started night service to Richmond Hill at the request of the municipalities owning the line.

On November 11, 1946, buses started to supplement radial cars during the rush hours, a practice that would continue until the radial line's abandonment. The reasons for the bus supplements were increased ridership, an insufficient number of radial cars and power shortages.

On October 9, 1948, the radial cars had their last day of service, and were replaced by buses the next day. However the line remained intact. The TTC had insufficient funds to replace the worn-out infrastructure such as rails and cars, or to double-track the line which was being considered. An electrical power shortage provided an excuse to temporarily replace the radial cars with buses for six months. At the end of the six months, North York Township advised residents that buses would be less expensive than rail vehicles to service Yonge Street.

On September 26, 1949, the ratepayers within the municipalities that owned the line voted to make the replacement bus service permanent. Very few ratepayers chose to vote on the issue.

On November 24, 1949, the dismantlement of the line started, and was completed in spring 1950.

## Successors

The service was replaced by the Toronto Transportation Commission's North Yonge bus route in 1948. North Yonge bus was renumbered as 59 North Yonge route (after 1956) which ran from Eglinton Avenue and (later from Sheppard Avenue when 97 Yonge route extended northwards and the Yonge Subway was extended north to Finch) to Richmond Hill. 59 North Yonge route ended in 1977 and take over by 97 Yonge, but with bus service to Steeles Avenue (looping east on Yonge and Steeles Avenue East).

Service north of Steeles Avenue was provided by a number of other operators. In 1975 GO Transit began bus service (initially contracted to Gray Coach) from the TTC 59 North Yonge route with the Newmarket B/Route 62 and Yonge C/Route 63 from York Mills subway station (later from Finch Station) to Richmond Hill GO Station and terminating at Newmarket. In 2003 GO Transit transferred Yonge C bus service to York Regional Transit's bus which runs two local routes 98 Yonge North (Richmond Hill to Newmarket) and 99 Yonge South (Richmond Hill to Finch Station). In 2005 VIVA Blue was added to provide express service from Finch Station to Newmarket. All three York Region routes terminate at the Newmarket Bus Terminal at Eagle Street West and Davis Drive.

And in the future, rail service will be restored to Richmond Hill in the form of the Line 1 Yonge-University line extended to Richmond Hill by 2030.

## Fleet

### Series 409–416

| Cars 409–416 | |
| --- | --- |
| In service | 1930–1948 |
| Manufacturer | Ottawa Car Company |
| Constructed | 1924 (409–412)<br>1925 (413–416) |
| Entered service | 1930 |
| Number built | 19 |
| Number in service | 8 |
| Number preserved | 1 (416) |
| Fleet numbers | 409–416 |
| Capacity | 44 seats |
| Operators | TTC |
| Depots | Eglinton Carhouse |
| Specifications | |
| Width | 8' 2-7/8" |
| Height | 10' 10-3/4" |
| Multiple working | equipped for but used |
| Track gauge | 4 ft 10+78 in (1,495 mm) Toronto gauge |

In 1924–1925, the Ottawa Car Company built 19 double-ended, standard-gauge cars for the Hydro-Electric Railways Numbering the cars 401–419, Hydro assigned 11 cars (401–408 & 417–419) to the Sandwich, Windsor and Amherstburg Railway in the Windsor area and the remaining 8 cars (409–416) to the Toronto and York Mimico radial line to Port Credit. At the time of the purchase, Hydro managed both operations under contract on behalf of local municipalities which owned the lines.

The cars had some provision for multiple-unit train control, but that feature was not implemented for the cars in Toronto-area service.

In 1928, cars 409–416 became surplus when the Toronto Transportation Commission replaced the Mimico radial to Brown's Line with the Lake Shore streetcar line. The TTC sent cars 409-416 to the Hillcrest Complex for conversion to single-ended, pay-as-you-enter cars to run on Toronto gauge track. The second control panel was covered over but retained for a possible conversion back to double-ended operation. The cars then served the Bathurst streetcar route operating out of the St. Clair Carhouse.

When radial service was restored on Yonge Street between Glen Echo and Richmond Hill in 1930, cars 409–416 were converted back to double-ended operation for service there. When the North Yonge line closed in 1948, the cars were put into storage, and later scrapped by (Western Iron and Metal Co) or sold off.

Car 416, the only surviving car of the series, was used as a house in Hillsburgh, Ontario until 1972. The Halton County Radial Railway then acquired the car for restoration.

## Facilities

Here are the major facilities of the North Yonge Railways, none of which exist today:

* Glen Echo terminal: interchange with Yonge streetcar line; car house and site now used by Loblaws supermarket
* Eglinton carhouse: stored Yonge streetcars as well as radial cars for the North Yonge Railways; converted to bus garage by TTC and partially demolished
* Richmond Hill: at the north-east corner on Yonge Street and Lorne Avenue; now site of retail plaza

## InfoBox

North Yonge Railways
| Tape cutting ceremony at the opening of the North Yonge Railways, 1930 | |
| --- | --- |
| Overview | |
| Headquarters | Toronto |
| Locale | North York Township and York County |
| Dates of operation | 19301948 |
| Predecessor | Toronto and York Radial Railway, Metropolitan Division |
| Successor | Toronto Transportation Commission North Yonge bus route |
| Technical | |
| Track gauge | 4 ft 10+78 in (1,495 mm) Toronto gauge |
| Length | 13.55 miles (21.81 km) - Toronto (North York) to Richmond Hill |


title: Černý potok (Smědá)

abstract: The Černý potok is a tributary on the left side of the river Smědá in Liberec District in Liberec Region, Czech Republic. The stream flows for 5.1 km, with a basin area measuring 6.7 km ². The stream rises on the northern slopes of Černé Mountain in the Jizera Mountains at an altitude of 1035 m. The average flow at the mouth is 0.16 m³ / s. It flows mainly north. During its relatively short flow creates innumerable waterfalls and cascades. The outflow rushes through a stream northwards through, where there is the forest, dividing into several branches to the Strašice.

text:
# Černý potok (Smědá)

The **Černý potok** is a tributary on the left side of the river Smědá in Liberec District in Liberec Region, Czech Republic. The stream flows for 5.1 km, with a basin area measuring 6.7 km ².

The stream rises on the northern slopes of Černé Mountain (1085 m) in the Jizera Mountains at an altitude of 1035 m. The average flow at the mouth is 0.16 m³ / s. It flows mainly north. During its relatively short flow creates innumerable waterfalls and cascades. The outflow rushes through a stream northwards through, where there is the forest, dividing into several branches to the Strašice.

## InfoBox

| Černý potok | |
| --- | --- |
|  | |
| Location | |
| Country | Czech Republic |
| Physical characteristics | |
|  | |
| Source |  |
| location | Jizera Mountains |
|  | |
| Mouth |  |
| location | Smědá |
| coordinates | 50°52′26″N 15°12′01″E / 50.8739°N 15.2003°E / 50.8739; 15.2003 |
| Basin features | |
| Progression | SmědáLusatian NeisseOderBaltic Sea |


title: Nibrin

abstract: Nibrin, also known as NBN or NBS1, is a protein which in humans is encoded by the NBN gene.

text:
# Nibrin

**Nibrin**, also known as **NBN** or **NBS1**, is a protein which in humans is encoded by the *NBN* gene.

## Function

Nibrin is a protein associated with the repair of double strand breaks (DSBs) which pose serious damage to a genome. It is a 754 amino acid protein identified as a member of the NBS1/hMre11/RAD50(N/M/R, more commonly referred to as MRN) double strand DNA break repair complex. This complex recognizes DNA damage and rapidly relocates to DSB sites and forms nuclear foci. It also has a role in regulation of N/M/R (MRN) protein complex activity which includes end-processing of both physiological and mutagenic DNA double strand breaks (DSBs).

## Cellular response to DSBs

Cellular response is performed by damage sensors, effectors of lesion repair and signal transduction. The central role is carried out by ataxia telangiectasia mutated (ATM) by activating the DSB signaling cascade, phosphorylating downstream substrates such as histone H2AX and NBS1. NBS1 relocates to DSB sites by interaction of FHA/BRCT domains with phosphorylated histone H2AX. Once it interacts with nibrin c-terminal hMre11-binding domain, hMre11 and hRad50 relocate from the cytoplasm to the nucleus then to sites of DSBs. They finally relocate to N/M/R where they form the foci at the site of damage.

## Double strand breaks (DSBs)

DSBs occur during V(D)J recombination during early B and T cell development. This is at the point when the cells of the immune system are developing and the DSBs affect the development of lymphoid cells. DSBs also occur in immunoglobulin class switch in mature B cells. More frequently, however, DSBs are caused by mutagenic agents like radiomimetic chemicals and ionizing radiation(IR).

## DSB mutations

As mentioned, DSBs cause extreme damage to DNA. Mutations that cause defective repair of DSBs tend to accumulate un-repaired DSBs. One such mutation is associated with Nijmegen breakage syndrome (NBS), a radiation hyper-sensitive disease. It is a rare inherited autosomal recessive condition of chromosomal instability. It has been linked to mutations within exons 6–10 in the NBS1 gene which results in a truncated protein. Characteristics of NBS include microcephaly, cranial characteristics, growth retardation, impaired sexual maturation, immunodeficiency/recurring infections and a predisposition to cancer. This predisposition to cancer may be linked to the DSBs occurring at the development of lymphoid cells.

## Fertility

Two adult siblings, both heterozygous for two particular NBS1 nonsense mutations displayed cellular sensitivity to radiation, chromosome instability and fertility defects, but not the developmental defects that are typically found in other NBS patients. These individuals appear to be primarily defective in homologous recombination, a process that accurately repairs double-strand breaks, both in somatic cells and during meiosis.

Orthologs of NBS1 have been studied in mice and the plant arabidopsis. NBS1 mutant mice display cellular radiation sensitivity and female mice are sterile due to oogenesis failure. Studies of NBS1 mutants in Arabidopsis revealed that NBS1 has a role in recombination during early stages of meiosis.

## NBS1 over-expression in cancer

NBS1 has a role in microhomology-mediated end joining (MMEJ) repair of double strand breaks. It is one of 6 enzymes required for this error prone DNA repair pathway. NBS1 is often over-expressed in prostate cancer, in liver cancer, in esophageal squamous cell carcinoma, in non-small cell lung carcinoma, hepatoma, and esophageal cancer, in head and neck cancer, and in squamous cell carcinoma of the oral cavity.

Cancers are very often deficient in expression of one or more DNA repair genes, but over-expression of a DNA repair gene is less usual in cancer. For instance, at least 36 DNA repair enzymes, when mutationally defective in germ line cells, cause increased risk of cancer (hereditary cancer syndromes). (Also see DNA repair-deficiency disorder.) Similarly, at least 12 DNA repair genes have frequently been found to be epigenetically repressed in one or more cancers. (See also Epigenetically reduced DNA repair and cancer.) Ordinarily, deficient expression of a DNA repair enzyme results in increased un-repaired DNA damages which, through replication errors (translesion synthesis), lead to mutations and cancer. However, NBS1 mediated MMEJ repair is highly inaccurate, so in this case, over-expression, rather than under-expression, apparently leads to cancer.

## Herpes virus

HSV-1 infects more than 90% of adults over the age of 50. Alphaherpesviruses alone can cause the host to have mild symptoms, but these viruses can be associated with severe disease when they are transferred to a new species. Humans can even pass and also get an HSV-1 infection from other primate species. However, because of evolutionary differences between primate species, only some species can pass HSV-1 in an interspecies interaction. Also, though HSV-1 transmission from humans to other species primates can occur, there is no known sustained transmission chains that have resulted from constant transmission. A study found that Nbs1 is the most diverged in DNA sequence in the MRN complex between different primate species and that there is a high degree of species specificity, causing variability in promotion of the HSV-1 life cycle. The same study found that Nbs1 interacts with HSV-1's ICP0 proteins in an area of structural disorder of the nibrin. This suggests that in general, viruses commonly interact in intrinsically disordered domains in host proteins. It is possible that there are differences in the mammalian genomes that create unique environments for the viruses. Host proteins that are specific to the species might determine how the viruses must adapt to be able to ignite an infection in a new species. The evolution of increased disorder in nibrin benefits the host in decreasing ICP0 interaction and virus hijack. Nbs1 may not be the only host protein that evolves this way.

HSV-1-infection has been shown to result from the phosphorylation of Nbs1. It has been shown in studies that activation of the MRN complex and ATM biochemical cascade is consistent for a resulting HSV-1 infection. When there is an HSV-1 infection, the nucleus is reorganized causing the formation of RCs (replication compartments) where gene expression and DNA replication occurs. Proteins in the host used for DNA repair and damage response are needed for virus production. ICP8, which is a viral single-strand binding protein, is known to interact with several DNA repair proteins, such as Rad50, Mre11, BRG1, and DNA-PKcs. Ul12 and ICP8 viral proteins function together as a recombinase, possibly showing that while working with the host's recombination factors, work to form a concatemer by stimulating homologous recombination. These proteins may move the MRN complex towards the viral genome so it is able to promote homologous recombination, and to prevent non-homologous recombination as non-homologous recombination can have anti-viral effects. This possibly shows that the reaction between UL12 and MRN regulates the complex in a way that benefits the herpes virus.

## Interactions

Nibrin has been shown to interact with:

## Further reading

## InfoBox

| NBN | | | |
| --- | --- | --- | --- |
|  | | | |
| Identifiers | | | |
| Aliases | NBN, AT-V1, AT-V2, ATV, NBS, NBS1, P95, nibrin | | |
| External IDs | OMIM: 602667; MGI: 1351625; HomoloGene: 1858; GeneCards: NBN; OMA:NBN - orthologs | | |
|  | | | |
|  | | | |
|  | | | |
|  | | | |
| Orthologs  Species **Human** **Mouse**  Entrez   Ensembl   UniProt   RefSeq (mRNA)     NM\_001024688
NM\_002485   NM\_013752   RefSeq (protein)     NP\_001019859
NP\_002476   NP\_038780   Location (UCSC) Chr 8: 89.93 – 90 Mb Chr 4: 15.96 – 15.99 Mb  PubMed search | | | |
| Wikidata | | | |
| View/Edit Human View/Edit Mouse | | | |


title: Turnout

abstract:
Turnout may refer to:
  - Turnout (ballet), a rotation of the leg which comes from the hips, causing the knee and foot to turn outward, away from the center of the body
  - Turnout (film), a British film
  - Voter turnout, the percentage of eligible voters who cast a ballot in an election
  - A lay-by, turnout or pullout
    - a place to pull off a road for parking
    - a rest area
  - A passing place, turnout or pullout, a spot on a single track road where vehicles can pull over to let others pass
  - Railroad switch (US), turnout or set of points, a mechanical installation enabling trains to be guided from one railway track to another
  - Coach (carriage) or carriage together with the horses, harness and attendants
  - Bunker gear or turnout gear, the protective gear worn by firefighters

text:
# Turnout

**Turnout** may refer to:

* Turnout (ballet), a rotation of the leg which comes from the hips, causing the knee and foot to turn outward, away from the center of the body
* *Turnout* (film), a British film
* Voter turnout, the percentage of eligible voters who cast a ballot in an election
* A lay-by, turnout or pullout
* A passing place, turnout or pullout, a spot on a single track road where vehicles can pull over to let others pass
* Railroad switch (US), turnout or set of points, a mechanical installation enabling trains to be guided from one railway track to another
* Coach (carriage) or carriage together with the horses, harness and attendants
* Bunker gear or turnout gear, the protective gear worn by firefighters


title: Sonnet 26

abstract: Sonnet 26 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence. The sonnet is generally regarded as the end-point or culmination of the group of five preceding poems. It encapsulates several themes not only of Sonnets 20–25, but also of the first thirty-two poems together: the function of writing poems, the effect of class differences, and love.

text:
# Sonnet 26

**Sonnet 26** is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.

The sonnet is generally regarded as the end-point or culmination of the group of five preceding poems. It encapsulates several themes not only of Sonnets 20–25, but also of the first thirty-two poems together: the function of writing poems, the effect of class differences, and love.

## Structure

Sonnet 26 is a typical English or Shakespearean sonnet, formed of three quatrains and a couplet, having a rhyme scheme of ABAB CDCD EFEF GG. It is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions per line.

The seventh line exemplifies a regular iambic pentameter line. The next contains a final extrametrical syllable or *feminine ending*, of which this sonnet has six; it also exhibits an ictus moved to the right (resulting in a four-position figure, `× × / /`, sometimes referred to as a *minor ionic*):

```

But that I hope some good conceit of thine

In thy soul's thought, all naked, will bestow it: (26.7-8)

```
/ = *ictus*, a metrically strong syllabic position. × = *nonictus*. (×) = extrametrical syllable.

## Synopsis and analysis

As Stephen Booth notes, Sonnet 26 works on a series of "shows": the word appears in four separate lines of the sonnet. Booth perceives a vague sexual pun in the second half of the poem, but G. B. Evans and others describe this reading as "strained." The first "show" in the sonnet is directed to Cupid, to whom in servitude the poet's duty is "knit". The connection is compounded by the later "bare" and "all naked." The figure of the naked Cupid can be traced back to Ovid's Amores.

Capell, Dowden and others have seen Sonnet 26 as an envoy or introduction to a certain set of poems sent to an aristocrat who had commissioned them. The dedicatory sonnets are usually defined as 20–25, but they are sometimes extended to all of the first 25 sonnets. Others, among them George Wyndham and Henry Charles Beeching, make Sonnet 26 the introduction of a new set, running until Sonnet 32.

Assuming the sonnet is an envoy or "ambassage", a submission of a vassal seeking preferment from a Lord, we are presented with a pastiche of ink-horn terms. The plainant extols the Lord's "merit" and, disingenuously, his own meagre abilities, his "wit". Sonnet 26's inflated formality exposes the subservience required of letters seeking favour. The poet seems dutiful, the purpose of his letter being not to display his "wit" but to bear "witness" to his "duty". His "duty" is "so great" and his ability "so poore", that his language may seem "bare", lacking "words" and adornment. Except that ("But that") the poet's hope is that the youth's "good conceit", his fine 'thought' or 'fancy' or even his 'opinion,' which can be found in his "soul's thought", will dress up the poet's "all naked" or "bare" missive of love.

The sestet picks up the astrological motif of the previous sonnet, where the poet's love, unlike those who boast of the "favour of the stars", is at sufficient "remove" to be impervious to stellar influence. The youth's is required until such time as the poet's personal star, that which "guides" his "moving", shines favourably upon him ("points on me graciously with fair aspect"); "points" means 'directs' or 'influences' the poet, but was used of the zodiacal signs. Astrologically "aspect" (from the Latin ad + spicere = to look at or upon) is the manner in which a heavenly body or a conjunction of bodies looks upon the earth and its individuals, in this case "with favour".

The youth's "conceit," then, is needed until the time that his star "puts apparel on my tattered loving", until it dresses, as a bare or plain thing might be adorned, his loving which is clothed in tatters. He will be shown "worthy of their sweet respect", worthy of the countenance of "whatsoever star". Capell and Malone emend the quarto's "their" (line 12) to "thy". Other editors find the change unnecessary.

At such a moment the poet may boast of his love, as others might have in Sonnet 25, but until then he dare not. Until then he vows not to "show my head". To remain unnoticed or as an act of obeisance he will keep his head down, so that his Lord may not test him or his love ("prove"); "me" is a synecdoche for 'my love'.

The poem, like many others in the sequence, is built on a conceit rooted in social class. In this context, the master-servant trope commonplace in Petrarchan love poetry is literalised, by the poem's address to an imagined noble. Helen Vendler argues that the speaker's identification of himself as a slave or vassal invites skepticism rather than identification; however, others have stressed the appropriateness of the metaphor in the context of the speaker's frustrated desire for equality with the beloved.

Analysis of this sonnet was at one point focused on its provenance. Edward Capell was the first of several scholars to note the similarity of content between the first quatrain and the dedication to Henry Wriothesley in The Rape of Lucrece. Other scholars have speculated that the poem was written to accompany some other of Shakespeare's writings, perhaps the first group of sonnets. Edward Massey and Sidney Lee, among others, accept the connection between sonnet and dedication; among the skeptics are Thomas Tyler, Nicolaus Delius, and Hermann Isaac. More specific arguments have been made that the poem's similarities to the Venus dedications indicate that the poem was written to Southampton. Modern analysts are more likely to remain agnostic on the question of the occasion of the poem, if any; all agree, however, that the sonnet at least dramatizes the type of emotions an older but lower-class poet might express toward a potential noble patron.

## Further References

* Baldwin, T. W. (1950). *On the Literary Genetics of Shakspeare's Sonnets*. University of Illinois Press, Urbana.
* Hubler, Edwin (1952). *The Sense of Shakespeare's Sonnets*. Princeton University Press, Princeton.
* Lee, Sidney (1904). *Elizabethan Sonnets*. Westminster: Constable, 1904.
* Schallwyck, David (2002). *Speech and Performance in Shakespeare's Plays and Sonnets*. Cambridge University Press, Cambridge.
* Schoenfeldt, Michael (2007). *The Sonnets: The Cambridge Companion to Shakespeare's Poetry*. Patrick Cheney, Cambridge University Press, Cambridge.

First edition and facsimile   Variorum editions   Modern critical editions

## InfoBox

| Sonnet 26 | |
| --- | --- |
| The first eleven lines of Sonnet 26 in the 1609 Quarto | |
|  | |
|  | |


title: The Dancing Girl (film)

abstract: The Dancing Girl is a lost 1915 silent film drama produced by the Famous Players Film Company and distributed by Paramount Pictures. It is based on the 1891 Broadway play of the same name by Henry Arthur Jones. The film was directed by Allan Dwan and starred stage actress Florence Reed in her film debut. Reed's husband, Malcolm Williams, also appears in the film.

text:
# The Dancing Girl (film)

***The Dancing Girl*** is a lost 1915 silent film drama produced by the Famous Players Film Company and distributed by Paramount Pictures. It is based on the 1891 Broadway play of the same name by Henry Arthur Jones. The film was directed by Allan Dwan and starred stage actress Florence Reed in her film debut. Reed's husband, Malcolm Williams, also appears in the film.

## Plot

## Cast

## InfoBox

| The Dancing Girl | |
| --- | --- |
| A newspaper advertisement | |
| Directed by | Allan Dwan |
| Based on | *The Dancing Girl*
by Henry Arthur Jones |
| Produced by | Adolph Zukor
Daniel Frohman |
| Starring | Florence Reed |
| Cinematography | H. Lyman Broening |
| Distributed by | Paramount Pictures |
| Release date | * January 11, 1915 (1915-01-11) |
| Running time | 5 reels |
| Country | United States |
| Language | Silent film (English intertitles) |


title: Victory Ride Stakes

abstract: The Victory Ride Stakes is a Grade III American Thoroughbred horse race for three-year-old fillies run at a distance of 6+1⁄2 furlongs on the dirt held annually in late June or early July at Belmont Park in Elmont, New York.

text:
# Victory Ride Stakes

The **Victory Ride Stakes** is a Grade III American Thoroughbred horse race for three-year-old fillies run at a distance of 6+12 furlongs on the dirt held annually in late June or early July at Belmont Park in Elmont, New York.

## History

The race is named in honor of Victory Ride, winner of the Grade I Test Stakes in 2001.

The event was inaugurated on 23 August 2003 and was held at Saratoga Race Course in Saratoga Springs, New York over a distance of six furlongs. The event was won by the D. Wayne Lukas trained Country Romance in a time of 1:09.62.

The race was ungraded for its first three editions and was upgraded to Grade III in 2006.

Since 2012, the event has been run at Belmont Park in early July. The race was run at 6 furlongs until 2013, when it was increased to 6+12 furlongs.

In 2024 the event was moved to Aqueduct Racetrack due to infield tunnel and redevelopment work at Belmont Park.

## Records

**Speed record:**

* 6+12 furlongs: 1:14.47 – Frank's Rockette (2020)
* 6 furlongs: 1:08.89 – Emma's Encore (2012)

**Margins:**

* 9+14 lengths – La Traviata (2007)

**Most wins by a jockey:**

**Most wins by a trainer:**

* No trainer has won this race more than once.

**Most wins by an owner:**

* No owner has won this race more than once.

## Winners

| Year | Winner | Jockey | Trainer | Owner | Distance | Time | Purse | Grade | Ref |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| **At Aqueduct** | | | | | | | | | | |
| 2023 | Emery | Tyler Gaffalione | Brad H. Cox | Stonestreet Stables | 6+12 furlongs | 1:15.44 | $162,750 | III |  |
| **At Belmont Park** | | | | | | | | | | |
| 2023 | Maple Leaf Mel | Joel Rosario | Melanie Giddings | August Dawn Farm | 6+12 furlongs | 1:15.74 | $175,000 | III |  |
| 2022 | Hot Peppers | Luis Saez | Rudy R. Rodriguez | Michael Dubb & Michael J. Caruso | 6+12 furlongs | 1:17.73 | $145,500 | III |  |
| 2021 | Souper Sensational | Flavien Prat | Mark E. Casse | Live Oak Plantation | 6+12 furlongs | 1:15.79 | $150,000 | III |  |
| 2020 | Frank's Rockette | John Velazquez | William I. Mott | Frank Fletcher Racing Operations | 6+12 furlongs | 1:14.47 | $97,000 | III |  |
| 2019 | Royal Charlotte | Javier Castellano | Chad C. Brown | First Row Partner | 6+12 furlongs | 1:15.82 | $139,500 | III |  |
| 2018 | Dixie Serenade | Mychel J. Sanchez | Edward J. Coletti Jr. | Uptowncharlybrown Stud | 6+12 furlongs | 1:16.57 | $150,000 | III |  |
| 2017 | American Gal | Flavien Prat | Simon Callaghan | Kaleem Shah | 6+12 furlongs | 1:17.38 | $144,000 | III |  |
| 2016 | Coppa | Joseph Talamo | Philip D'Amato | Anthony Fanticola & Joseph Scardino | 6+12 furlongs | 1:16.23 | $150,000 | III |  |
| 2015 | Irish Jasper | Javier Castellano | Derek S. Ryan | Derek S. Ryan | 6+12 furlongs | 1:16.70 | $147,000 | III |  |
| 2014 | Street Story | Joel Rosario | Steven M. Asmussen | Whispering Oaks Farm | 6+12 furlongs | 1:17.08 | $150,000 | III |  |
| 2013 | Baby J | Joel Rosario | Patrick L. Reynolds | Paul P. Pompa | 6 furlongs | 1:10.84 | $147,000 | III |  |
| 2012 | Emma's Encore | Junior Alvarado | H. Allen Jerkens | Brenda Mercer & Peter A. Berglar | 6 furlongs | 1:08.89 | $150,000 | III |  |
| **At Saratoga** | | | | | | | | | | |
| 2011 | Hot Summer | Cornelio Velásquez | David Fawkes | Harold L. Queen | 6 furlongs | 1:10.18 | $102,000 | III |  |
| 2010 | Rapport | Martin Garcia | Bob Baffert | Thoroughbred Legends Racing Stable | 6 furlongs | 1:09.66 | $100,000 | III |  |
| 2009 | Sara Louise | Edgar S. Prado | Saeed bin Suroor | Godolphin Racing | 6 furlongs | 1:09.66 | $110,000 | III |  |
| 2008 | Porte Bonheur | Ramon A. Dominguez | David P. Duggan | Johanna Murphy-Leopoldsberger | 6 furlongs | 1:09.51 | $110,100 | III |  |
| 2007 | La Traviata | Julien R. Leparoux | Patrick L. Biancone | Michael B. Tabor, Mrs. John Magnier & Derrick Smith | 6 furlongs | 1:09.78 | $114,700 | III |  |
| 2006 | Wildcat Bettie B | Mario G. Pino | J. Larry Jones | Oasis Racing | 6 furlongs | 1:10.81 | $110,700 | III |  |
| 2005 | Nothing But Fun | Richard Migliore | Michael E. Hushion | Barry K. Schwartz | 6 furlongs | 1:09.40 | $81,500 | Listed |  |
| 2004 | Smokey Glacken | Joe Bravo | James A. Jerkens | Susan and John Moore | 6 furlongs | 1:09.64 | $76,800 | Listed |  |
| 2003 | Country Romance | Jorge F. Chavez | D. Wayne Lukas | Overbrook Farm | 6 furlongs | 1:09.62 | $76,200 | Listed |  |

## InfoBox

Victory Ride Stakes
| Grade III race | |
| --- | --- |
| Location | Belmont Park<br>Elmont, New York |
| Inaugurated | 2003 |
| Race type | ThoroughbredFlat racing |
| Website | NYRA |
| Race information | |
| Distance | 6+12 furlongs |
| Surface | Dirt |
| Track | Left-handed |
| Qualification | Three-year-old fillies |
| Weight | 124lbs with allowances |
| Purse | US$175,000 (2023) |


title: Muḥammad Ibn Dāniyāl

abstract: Shams al-Dīn AbūʿAbdallāh Muḥammad Ibn Dāniyāl b. Yūsuf al-Khuzā ʿī al-Mawsịlī, commonly referred to as Muḥammad Ibn Dāniyāl, was an Arab poet and playwright who became well known in Egypt during the Middle Ages. His trilogy of shadow puppetry plays are the first from the medieval era to be translated from Arabic to English.

text:
# Muḥammad Ibn Dāniyāl

**Shams al-Dīn AbūʿAbdallāh Muḥammad Ibn Dāniyāl b. Yūsuf al-Khuzā ʿī al-Mawsịlī** (1248 – c. 1311), commonly referred to as **Muḥammad Ibn Dāniyāl**, was an Arab poet and playwright who became well known in Egypt during the Middle Ages. His trilogy of shadow puppetry plays are the first from the medieval era to be translated from Arabic to English.

## Early life

Dāniyāl was born in 1248 in Mosul. Little is known about his family life, other than the fact that his father was illiterate. When he was a teenager, a Mongolian attack on the city forced him to immigrate to Cairo.

In his new city, he earned a living as an eye doctor, but it didn't take long before he gained a reputation as a writer and wit among the city's bohemian population.

## Career

For much of his career, Ibn Dāniyāl wrote celebratory maqama poems that honored the city's public figures and events.

His most studied works, the trilogy of plays for shadow puppetry, were written at the request of a friend who was frustrated by the genre's current state. The plays, entitled *The Shadow Spirit*, *The Amazing Preacher and the Stranger*, and *The Love Stricken One and the One Who Inspires Passion* were made available for scholarly study, particularly in the west, through the translations of Safi Mahfouz and Marvin Carlson.