title: Vein graft failure

abstract: In medicine, vein graft failure (VGF) is a condition in which vein grafts, which are used as alternative conduits in bypass surgeries, get occluded. Veins, mainly the great saphenous vein (GSV) are the most frequently used conduits in bypass surgeries, due to their ease of use and availability. Some structural changes of intima thickening and vein wall remodeling are necessary for vein graft adaptation to the arterial environment. The reasons why some of the grafts progress to clinical stenosis is unknown. The patency rates of saphenous vein grafts after CABG at 1 year is approximately 80%. After 5 years the patency rate drops to 65% and at 10 years GSV patency rates are approximately 50%, with only half of the veins are atherosclerosis free. VGF may be identified in asymptomatic patients, but can also produce symptoms of ischemia, depending on the area of the supplied territory of the heart, and the function of native arteries and other grafts. VGF has been closely correlated with revascularization, myocardial infarction and death. Treatment of occluded GSVs can be performed by percutaneous coronary intervention or redo CABG and is considered to be challenging, and thus preventing their obstruction is of great importance.

text:
# Vein graft failure

In medicine, **vein graft failure** (VGF) is a condition in which vein grafts, which are used as alternative conduits in bypass surgeries (e.g. CABG), get occluded.

Veins, mainly the great saphenous vein (GSV) are the most frequently used conduits in bypass surgeries (CABG or PABG), due to their ease of use and availability. Some structural changes of intima thickening and vein wall remodeling are necessary for vein graft adaptation to the arterial environment. The reasons why some of the grafts progress to clinical stenosis is unknown. The patency rates of saphenous vein grafts after CABG at 1 year is approximately 80%. After 5 years the patency rate drops to 65% and at 10 years GSV patency rates are approximately 50%, with only half of the veins are atherosclerosis free. VGF may be identified in asymptomatic patients, but can also produce symptoms of ischemia, depending on the area of the supplied territory of the heart, and the function of native arteries and other grafts. VGF has been closely correlated with revascularization, myocardial infarction and death. Treatment of occluded GSVs can be performed by percutaneous coronary intervention or redo CABG and is considered to be challenging, and thus preventing their obstruction is of great importance.

## Mechanism

During and after the harvesting, veins go through a period of ischemia and reperfusion after engraftment, which causes damage to endothelial and smooth muscle cells (SMC). The grafting exposes the vein to arterial pressure and flow that causes increased shear stress and wall tension, which further damages the endothelial layer and SMC. The damage causes local release of tissue factors and reduced bioavailability of prostacyclin and nitric oxide (NO), all of which contribute to platelet activation, deposition of fibrin, which promotes thrombosis. Growth factors that released from macrophages and platelets lead to increased proliferation and migration of SMCs to the intima. The migrated SMC release extracellular matrix resulting in reduced intimal cellularity. Low levels of endothelial nitric oxide, adenosine and prostaglandins, further contribute to SMC proliferation. Over time continued SMC migration and proliferation cause extracellular matrix deposition and fibrotic change that lead to development of intimal hyperplasia, which results in luminal loss that makes the graft more susceptible to atherosclerosis. Progressive atherosclerosis is the primarily cause of late vein graft failure. Vein graft atherosclerotic lesions are more diffuse and concentric, yet less calcified, compared to native atherosclerotic lesions, and are more susceptible to thrombosis formation and rupture.

## Graft failure depending on saphenous vein harvesting technique

Having an intact outer fat pedicle is what differentiates the two main techniques for harvesting saphenous vein grafts. Conventionally, the outer fat pedicle is removed during the harvesting process. It has been proposed that the no-touch technique, leaving the outer fat pedicle intact, will cause less endothelial damage at the time of harvest. This lessens intimal hyperplasia in the long run.

## Prevention

Statins and antiplatelets such as aspirin, are the only medications recommended by the ESC guidelines and the ACC/AHA Task Force guidelines for the prevention of VGF. Different surgical techniques had been studied in attempt to reduce VGF. The No-touch technique is where the vein is harvested with the surrounding tissues, keeping the vasa vasorum and the nerves in the adventitia intact. This technique shown to improve vein graft patency and less development of intimal hyperplasia. Despite the benefits shown, the use of No-touch technique in CABG is limited to a few centers. Probably because of the shift toward improved cosmetic outcome and *patient satisfaction* provided by endoscopic vein harvesting (EVH). Although, EVH has been associated with higher risk of vein graft stenosis and occlusion. The solutions in which vein grafts are stored after harvesting also play an important role. Buffered saline, instead of saline or blood, has shown to reduce the risk of significant stenosis or occlusion. Providing the vein with external support prior to grafting has shown to reduce intimal hyperplasia formation and improve the hemodynamics within the graft. Gene therapy is another strategy that been suggested to prevent VGF as the veins are ideally suited for *ex vivo* treatment prior to grafting. Preclinical studies showed that such strategy has the potential to reduce intimal hyperplasia but more clinical data is needed.


title: Little Stanmore

abstract: Little Stanmore was an ancient parish of Middlesex which is today the residential area of Canons Park in the London Borough of Harrow, England. The parish included the western part of the town of Edgware.

text:
# Little Stanmore

**Little Stanmore** was an ancient parish of Middlesex which is today the residential area of Canons Park in the London Borough of Harrow, England. The parish included the western part of the town of Edgware.

## Toponymy

**Little Stanmore (parish) population**
| 1881 | 862 |
| --- | --- |
| 1891 | 926 |
| 1901 | 1,069 |
| 1911 | 1,761 |
| 1921 | 2,015 |
| 1931 | 6,918 |
| Absorbed by Harrow parish | |
| source: UK census | |

The name 'Stanmore' means "pond made of stone".

Little Stanmore was named to distinguish it from Great Stanmore, which is now known as Stanmore. The parish was also known as **Whitchurch**. Whitchurch is a common English place-name meaning 'white church', and probably referring to a church built of stone. The name has fallen out of use and is preserved in Whitchurch Gardens and Whitchurch Lane.

## History

Little Stanmore formed an ancient parish in the Gore hundred of Middlesex. It included the western part of the town of Edgware.

The parish was grouped for relief of the poor and sanitary provision into Hendon Poor Law Union in 1836 and Hendon rural sanitary district in 1875. The parish became part of Hendon Rural District from 1894, and was abolished as a civil parish in 1934, becoming absorbed by Harrow Urban District. The population in 1901 was 1,069 and in 1931 it was 6,918.

## St Lawrence's Church

The medieval St Lawrence's Church was reconstructed by James Brydges, 1st Duke of Chandos in the baroque style. The architect was John James, who also worked on the Duke of Chandos' nearby house called Cannons (which was demolished in 1747). It is possible that James Gibbs oversaw the finishing touches to the church when he replaced John James as the Duke's architect in 1715. The interior retains early eighteenth-century paintings by artists such as Louis Laguerre and there is an organ played by Handel and restored in the 1990s to its original condition. In the churchyard is a tombstone to William Powell, supposedly "The Harmonious Blacksmith" who inspired one of Handel's keyboard works. It is also the final resting place of the singer Long John Baldry, (1941 - 2005).

## InfoBox

| Little Stanmore | |
| --- | --- |
| Little StanmoreLocation within Greater London | |
| OS grid reference | TQ189912 |
| London borough |  |
| Ceremonial county | Greater London |
| Region |  |
| Country | England |
| Sovereign state | United Kingdom |
| Post town | EDGWARE |
| Postcode district | HA8 |
| Dialling code | 020 |
|  | |
| Police | Metropolitan |
| Fire | London |
| Ambulance | London |
|  | |
| UK Parliament |  |
| London Assembly |  |
|


title: Pankaj Jaswal

abstract: Pankaj Jaswal is an Indian cricketer who plays for Himachal Pradesh. In October 2017, he made the second-fastest fifty in the history of the Ranji Trophy, doing so in 16 balls. He was the leading wicket-taker for Himachal Pradesh in the 2018–19 Vijay Hazare Trophy, with ten dismissals in six matches. On 2 November 2018, in Himachal Pradesh's match against Bengal in the 2018–19 Ranji Trophy, he took his maiden five-wicket haul in first-class cricket. He was the leading wicket-taker for Himachal Pradesh in the tournament, with 25 dismissals in eight matches. In December 2018, he was bought by the Mumbai Indians in the player auction for the 2019 Indian Premier League. He was released by the Mumbai Indians ahead of the 2020 IPL auction.

text:
# Pankaj Jaswal

**Pankaj Jaswal** (born 20 September 1995) is an Indian cricketer who plays for Himachal Pradesh. In October 2017, he made the second-fastest fifty in the history of the Ranji Trophy, doing so in 16 balls.

He was the leading wicket-taker for Himachal Pradesh in the 2018–19 Vijay Hazare Trophy, with ten dismissals in six matches. On 2 November 2018, in Himachal Pradesh's match against Bengal in the 2018–19 Ranji Trophy, he took his maiden five-wicket haul in first-class cricket. He was the leading wicket-taker for Himachal Pradesh in the tournament, with 25 dismissals in eight matches.

In December 2018, he was bought by the Mumbai Indians in the player auction for the 2019 Indian Premier League. He was released by the Mumbai Indians ahead of the 2020 IPL auction.

## InfoBox

Pankaj Jaswal
| Personal information | |
| --- | --- |
| Full name | Pankaj Pawan Jaswal |
| Born | (1995-09-20) 20 September 1995<br>Kangra, Himachal Pradesh, India |
| Source: Cricinfo, 1 November 2015 | |


title: The Hampstead Figure

abstract: The Hampstead Figure is an abstract bronze sculpture by F. E. McWilliam. It was commissioned by Basil Spence and was completed in 1964 for the new Hampstead Civic Centre. It was moved in 2019 to its present location on the Adelaide Road side of the Swiss Cottage Library. The sculpture represents a reclining female figure in abstract form in bronze. It is sited on a plinth. It is inscribed "The Hampstead Figure, 1964" and signed by McWilliam. The National Heritage List for England listing describes it as forming a "close and complementary grouping" with the civic buildings, which include the Swiss Cottage Library. The Hampstead Figure was listed at Grade II on the National Heritage List for England in August 1999.

text:
# The Hampstead Figure

***The Hampstead Figure*** is an abstract bronze sculpture by F. E. McWilliam. It was commissioned by Basil Spence and was completed in 1964 for the new Hampstead Civic Centre. It was moved in 2019 to its present location on the Adelaide Road side of the Swiss Cottage Library.

The sculpture represents a reclining female figure in abstract form in bronze. It is sited on a plinth. It is inscribed "The Hampstead Figure, 1964" and signed by McWilliam.

The National Heritage List for England listing describes it as forming a "close and complementary grouping" with the civic buildings, which include the Swiss Cottage Library.

*The Hampstead Figure* was listed at Grade II on the National Heritage List for England in August 1999.

Details in the Hampstead Figure

51°32′32″N 0°10′21″W / 51.54209°N 0.17257°W / 51.54209; -0.17257

## InfoBox

The Hampstead Figure
|  | |
| --- | --- |
|  | |
| Location | London, England |
| Type | Sculpture |
| Material | Bronze |
| Completion date | 1964 |


title: Pimelea lanata

abstract: Pimelea lanata is a species of flowering plant in the family Thymelaeaceae and is endemic to the southwest of Western Australia. It is a shrub with narrowly elliptic leaves and erect clusters of white to deep pink flowers surrounded by 4, mostly green, involucral bracts.

text:
# Pimelea lanata

***Pimelea lanata*** is a species of flowering plant in the family Thymelaeaceae and is endemic to the southwest of Western Australia. It is a shrub with narrowly elliptic leaves and erect clusters of white to deep pink flowers surrounded by 4, mostly green, involucral bracts.

## Description

*Pimelea lanata* is an erect, spindly shrub that typically grows to a height of 0.7–4 m (2 ft 4 in – 13 ft 1 in) and has a single stem at ground level. The leaves are narrowly elliptic, usually 9–25 mm (0.35–0.98 in) long and 2–10 mm (0.079–0.394 in) wide and sessile, or on a petiole up to 1.3 mm (0.051 in) long. The flowers are arranged in erect clusters, surrounded by 4 mostly green involucral bracts that are 6–13 mm (0.24–0.51 in) long, 4–8 mm (0.16–0.31 in) wide, each flower on a pedicel 0.3–1 mm (0.012–0.039 in) long. The floral tube is 7.0–10.5 mm (0.28–0.41 in) long, the sepals 2.5–3.5 mm (0.098–0.138 in) long, and the stamens are longer than the sepals. Flowering occurs mainly from December to February.

## Taxonomy

*Pimelea lanata* was first formally described in 1810 by Robert Brown in his book *Prodromus Florae Novae Hollandiae et Insulae Van Diemen*. The specific epithet (*lanata*) means "woolly".

## Distribution and habitat

This pimelea grows in winter-wet places on near-coastal plains between Perth and Albany in the Jarrah Forest, Swan Coastal Plain and Warren bioregions of south-western Western Australia.

## Conservation status

*Pimelea lanata* is listed as "not threatened" by the Government of Western Australia Department of Biodiversity, Conservation and Attractions.

## InfoBox

| *Pimelea lanata* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Rosids |
| Order: | Malvales |
| Family: | Thymelaeaceae |
| Genus: | *Pimelea* |
| Species: | ***P. lanata*** |
| Binomial name | |
| ***Pimelea lanata***<br>R.Br. | |
|
| Synonyms | |
|  | |


title: Politics of Haryana

abstract: The key political players in Haryana state in northern India are the ruling Bharatiya Janata Party, the Indian National Congress, the Indian National Lok Dal, The Sarvahit Party and smaller parties like the Haryana Janhit Congress and the Bahujan Samaj Party partaking in various state and national level elections in Haryana. The dynastic political clans of Haryana are often criticised for the infamous self-serving politics of the Aaya Ram Gaya Ram turncoats who notoriously engage in frequent party switching, political horse trading, unholy political alliances, political corruption, political cronyism, nepotistic-dynastic rule, which serves their clan more than it serves their voters and people of Haryana they are ought to serve.

text:
# Politics of Haryana

The key political players in Haryana state in northern India are the ruling Bharatiya Janata Party, the Indian National Congress, the Indian National Lok Dal, The Sarvahit Party and smaller parties like the Haryana Janhit Congress and the Bahujan Samaj Party partaking in various state (Haryana Legislative Assembly) and national level (Lok sabha) elections in Haryana.

The dynastic political clans of Haryana are often criticised for the infamous self-serving politics of the Aaya Ram Gaya Ram turncoats who notoriously engage in frequent party switching, political horse trading, unholy political alliances, political corruption, political cronyism, nepotistic-dynastic rule, which serves their clan more than it serves their voters and people of Haryana they are ought to serve.

## National politics

There are ten constituencies of the Lok Sabha (lower house in the Parliament of India). The Bhiwani-Mahendragarh constituency was announced to be formed in 2007 as a result of the report by the Delimitation Commission of India. The previous Bhiwani and Mahendragarh were merged to form this one.

## State politics

The Haryana Legislative Assembly has 90 seats.

## Elections

The various national and state elections in Haryana are as follows:

## Further reading

* *Dynamics of Electoral Politics in Haryana*, S. S. Chahar, Sanjay Prakashan, 2004 ISBN 8174531793


title: Lizaola

abstract: The surname Lizaola is of Italian origin mainly found in northern Italy, spreading also to Spain what was known as Basque country. The meaning of the name is derived from two words “Liza ola (Place). The first immigration to the West was during the latter half of the 19th century, political unrest, paired with economic uncertainty, in many countries of the Old World resulted in a Diaspora that brought many people to North America. This was opportune because governments in the United States and Canada were actively recruiting laborers to work in the mines, railways and forestry camps. Thus, as the Old World suffered from systemic political and economic turmoil and the abuse of minorities, the New World offered land, opportunity and apparent tolerance of difference. For peasants whose families for generations had tended the estates of the gentry and for workers in mines, mills and industrial enterprises, the New World was a means of taking charge of their lives and improving the lot of the next generation. After their migration, they headed south into Mexico during the late part of the 1800s finally settling in the surrounding areas of Guadalajara, Jalisco, Mexico joining other Italian communities. The major ones established in the outskirts of Ameca, Jalisco, Mexico. Currently there are many living in the United States and Canada.

text:
# Lizaola

The surname **Lizaola** is of Italian origin mainly found in northern Italy, spreading also to Spain what was known as Basque country.

The meaning of the name is derived from two words “Liza (tall mountain) ola (Place).

The first immigration to the West was during the latter half of the 19th century, political unrest, paired with economic uncertainty, in many countries of the Old World resulted in a Diaspora that brought many people to North America. This was opportune because governments in the United States and Canada were actively recruiting laborers to work in the mines, railways and forestry camps. Thus, as the Old World suffered from systemic political and economic turmoil and the abuse of minorities, the New World offered land, opportunity and apparent tolerance of difference. For peasants whose families for generations had tended the estates of the gentry and for workers in mines, mills and industrial enterprises, the New World was a means of taking charge of their lives and improving the lot of the next generation.

After their migration, they headed south into Mexico during the late part of the 1800s finally settling in the surrounding areas of Guadalajara, Jalisco, Mexico joining other Italian communities. The major ones established in the outskirts of Ameca, Jalisco, Mexico. Currently there are many living in the United States and Canada.


title: Mackenzie Foy

abstract: Mackenzie Foy is an American actress. She is known for portraying Renesmee Cullen in the 2012 film The Twilight Saga: Breaking Dawn – Part 2, which earned her a Young Artist Award nomination as Best Supporting Young Actress in a Feature Film. She portrayed young Murph in the 2014 space epic Interstellar, for which she received a Saturn Award for Best Performance by a Younger Actor among other awards nominations. She starred as Clara in Disney's 2018 film The Nutcracker and the Four Realms. Her most recent film work was in the 2020 Disney+ film Black Beauty.

text:
# Mackenzie Foy

**Mackenzie Foy** (born November 10, 2000) is an American actress. She is known for portraying Renesmee Cullen in the 2012 film *The Twilight Saga: Breaking Dawn – Part 2*, which earned her a Young Artist Award nomination as Best Supporting Young Actress in a Feature Film. She portrayed young Murph in the 2014 space epic *Interstellar*, for which she received a Saturn Award for Best Performance by a Younger Actor among other awards nominations. She starred as Clara in Disney's 2018 film *The Nutcracker and the Four Realms*. Her most recent film work was in the 2020 Disney+ film *Black Beauty*.

## Early life

Foy was born on November 10, 2000, in Los Angeles, California, where she was raised. Her father, a truck driver, and mother, a homemaker, had no connections to the film industry. Foy began modeling at age 3, and started acting at age 9. Mackenzie Foy is a practitioner of Taekwondo.

## Career

Foy began modeling in print ads in 2004, working for Garnet Hill, Polo Ralph Lauren and Guess. From there, she modeled for companies such as The Walt Disney Company, Mattel and Gap.

Foy's acting career began when she was nine years old, when she guest-starred in television shows such as *'Til Death*, *FlashForward* and *Hawaii Five-0*. In 2010, she was cast as Renesmee Cullen in the film adaptation of Stephenie Meyer's book *Breaking Dawn*, the fourth and final novel in the *Twilight* saga series. The first movie, *The Twilight Saga: Breaking Dawn – Part 1*, in which Renesmee is shown only in a flash-forward, was released on November 18, 2011, while the second, *The Twilight Saga: Breaking Dawn – Part 2*, on November 16, 2012.

In February 2012, she joined the cast of James Wan's horror film *The Conjuring*. Shooting on the film began in February 2012 in North Carolina, and it was released in July 2013. In February, she was also in the last episode of the second season of the horror TV series *R. L. Stine's The Haunting Hour*, in which she played Natalie, a girl who goes to live with her grandfather and discovers that one of the dolls is alive and has bad intentions.

On October 10, 2012, Foy joined *Wish You Well*, the film adaptation of David Baldacci's book, where she played the lead. On November 17, 2012, Foy was in another episode of *R. L. Stine's The Haunting Hour*, playing Georgia Lomin. In 2014, Foy appeared in Erica Dunton's movie *Black Eyed Dog*.

Foy co-starred as the childhood version of Matthew McConaughey's daughter in Christopher Nolan's *Interstellar*. She provided the voice of Celestine in the English dub of *Ernest & Celestine* (2012), Violet in *The Boxcar Children* (2014) and The Little Girl in *The Little Prince* (2015). In July 2016, it was announced that Foy would play the lead role of Clara in the film *The Nutcracker and the Four Realms*.

In May 2019 it was announced that Foy would co-star with Kate Winslet in a new adaptation of *Black Beauty*, which was filmed in the fall of 2019 and was released in 2020.

## Filmography

### Film

| Year | Title | Role | Notes |
| --- | --- | --- | --- |
| 2011 | *The Twilight Saga: Breaking Dawn – Part 1* | Renesmee Cullen |  |
| 2012 | *The Twilight Saga: Breaking Dawn – Part 2* | Renesmee Cullen |  |
| 2013 | *The Conjuring* | Cindy Perron |  |
| 2013 | *Wish You Well* | Lou Cardinal |  |
| 2014 | *Ernest & Celestine* | Celestine | Voice role (English dub) |
| 2014 | *The Boxcar Children* | Violet | Voice role |
| 2014 | *Black Eyed Dog* | Daisy |  |
| 2014 | *Interstellar* | Young Murph |  |
| 2015 | *The Little Prince* | The Little Girl | Voice role |
| 2018 | *The Nutcracker and the Four Realms* | Clara Stahlbaum |  |
| 2020 | *Black Beauty* | Jo Green |  |

### Television

| Year | Title | Role | Notes |
| --- | --- | --- | --- |
| 2009 | *'Til Death* | Little Girl | Episode: "No Complaints" |
| 2010 | *FlashForward* | Kate Erskine | Episode: "Blowback" |
| 2010 | *Hawaii Five-0* | Lily Wilson | Episode: "Ho'apono" |
| 2012 | *R. L. Stine's The Haunting Hour: The Series* | Natalie / Georgia Lomin | Guest role; 2 episodes |
| 2014 | *The Cookie Mobster* | Sally | Television film |
| 2015 | *Jesse Stone: Lost in Paradise* | Jenny O'Neill | Television film |

## Awards and nominations

| Year | Association | Category | Work | Result | Refs |
| --- | --- | --- | --- | --- | --- |
| 2013 | Young Artist Award | Best Performance in a Feature Film – Supporting Young Actress | *The Twilight Saga: Breaking Dawn – Part 2* | Nominated |  |
| 2014 | Washington D.C. Area Film Critics Association | Best Youth Performance | *Interstellar* | Nominated |  |
| 2014 | St. Louis Film Critics Association | Best Supporting Actress | *Interstellar* | Nominated |  |
| 2014 | Critics' Choice Movie Awards | Best Young Performer | *Interstellar* | Nominated |  |
| 2015 | Saturn Award | Best Performance by a Younger Actor | *Interstellar* | Won |  |
| 2015 | Teen Choice Awards | Choice Movie Actress – Sci-Fi/Fantasy | *Interstellar* | Nominated |  |

## InfoBox

| Mackenzie Foy | |
| --- | --- |
| Foy in 2015 | |
| Born | (2000-11-10) November 10, 2000<br>Los Angeles, California, U.S. |
| Occupation | Actress |
| Years active | 2009–present |


title: Pankaj Ghosh

abstract: Pankaj Ghosh is an Indian politician belonging to the Communist Party of India (Marxist). He is an ex member of West Bengal Legislative Assembly. He was elected as MLA of Bangaon Uttar in 1996 and 2001 by defeating Bhupendra nath Seth. Currently, Pankaj Ghosh is a Secretariat member of North 24 Pargana district committee of CPI(M)

text:
# Pankaj Ghosh

**Pankaj Ghosh** is an Indian politician belonging to the Communist Party of India (Marxist). He is an ex member of West Bengal Legislative Assembly. He was elected as MLA of Bangaon Uttar in 1996 and 2001 by defeating Bhupendra nath Seth. Currently, Pankaj Ghosh is a Secretariat member of North 24 Pargana district committee of CPI(M)

## Early life

Although Pankaj Ghosh started his career as a physics teacher at Gopalnagar Haripada Institute, he left his job shortly after and joined the CPI(M) as a full-time worker.

## Political life

## InfoBox

| Pankaj Ghosh | |
| --- | --- |
|  | |
| Member of Legislative Assembly | |
| **In office**<br>1996–2006 | |
| Preceded by | Bhupendranath Seth |
| Succeeded by | Bhupendranath Seth |
| President, 24 PGS (N) District Committee, All India Kishan Sabha | |
|  | |
|  | |


title: The Labours of Erica

abstract: The Labours of Erica is a British television sitcom starring Brenda Blethyn as self-made businesswoman Erica Parsons. The show was first broadcast between 13 March 1989 and 9 April 1990.

text:
# The Labours of Erica

***The Labours of Erica*** is a British television sitcom starring Brenda Blethyn as self-made businesswoman Erica Parsons. The show was first broadcast between 13 March 1989 and 9 April 1990.

## Premise

Businesswoman Erica Parsons finds a list she had made as a young girl of everything she wanted to do before turning 18. Realising she has never done any of them, she resolves to achieve all her aims before her 40th birthday instead. The series premiered on ITV in the United Kingdom at 8:00pm on Monday 13 March 1989 and ran for two series until 9 April 1990.

## DVD release

The complete series of *The Labours of Erica* was released on DVD in the United Kingdom on 2 August 2010.

## InfoBox

| *The Labours of Erica* | |
| --- | --- |
| Written by | Richard Fegen
Andrew Norriss |
| Starring | Brenda Blethyn
Clive Merrison
Geoffrey Davies |
| Country of origin | United Kingdom |
| Original language | English |
| No. of series | 2 |
| No. of episodes | 12 |
| Production | |
| Running time | 30 minutes |
| Production company | Thames Television |
| Original release | |
| Network | ITV |
| Release | 13 March 1989 (1989-03-13)
9 April 1990 (1990-04-09) |


title: List of ship launches in 1937

abstract: The list of ship launches in 1937 includes a chronological list of some ships launched in 1937.

text:
# List of ship launches in 1937

The **list of ship launches in 1937** includes a chronological list of some ships launched in 1937.

| Date | Country | Builder | Location | Ship | Class / type | Notes |
| --- | --- | --- | --- | --- | --- | --- |
| 8 January | United States | Brooklyn Navy Yard | Brooklyn, New York | ***Spencer*** | Treasury-class cutter | For United States Coast Guard. |
| 12 January | United States | Mare Island Navy Yard | Vallejo, California | ***Henley*** | *Bagley*-class destroyer | For United States Navy |
| 14 January | United States | Charleston Navy Yard | Charleston, South Carolina | ***Bibb*** | Treasury-class cutter | For United States Coast Guard. |
| 14 January | United Kingdom | Harland & Wolff | Belfast | ***May*** | Lightship tenderCommissioners of Irish Lights. | For |
| 27 January | United Kingdom | Harland & Wolff | Belfast | ***Comara*** | Coaster | For North Coast Steam Navigation Company. |
| 28 January | United Kingdom | Blythswood Shipbuilding Co. Ltd. | Glasgow | ***Adula*** | Tanker | For Anglo-Saxon Petroleum Co. Ltd. |
| 28 January | United Kingdom | John Brown & Company | Clydebank | ***Ilex*** | I-class destroyer | For Royal Navy. |
| 7 February | Germany | Blohm + Voss | Hamburg | ***Admiral Hipper*** | *Admiral Hipper*-class cruiser | For Kriegsmarine. |
| 11 February | United Kingdom | Yarrow Shipbuilders | Scotstoun | ***Ivanhoe*** | I-class destroyer | For Royal Navy. |
| 11 February | United Kingdom | Harland & Wolff | Belfast | ***Rochester Castle*** | Refrigerated cargo ship | For Union-Castle Line. |
| 20 February | Germany |  |  | ***Hans Rolshoven*** | *Krischan*-class seaplane tender | For the Luftwaffe. |
| 25 February | United Kingdom | Harland & Wolff | Belfast | ***Torr Head*** | Cargo ship | For Ulster Steamship Co. |
| 1 March | United Kingdom | J. Samuel White | Cowes | ***Impulsive*** | I-class destroyer | For Royal Navy. |
| 6 March | Netherlands | Wilton-Fijenoord | Schiedam | ***Nederland*** | Tanker | For Nederlandsche Pacific Petroleum Maatschappij |
| 11 March | United Kingdom | Harland & Wolff | Belfast | ***Salacia*** | Cargo ship | For Donaldson Line. |
| 12 March | Germany | Germaniawerft | Kiel | ***Erich Giese*** | Type 1934A-class destroyer | For Kriegsmarine. |
| 13 March | United States | Federal Shipbuilding and Drydock Company | Kearny, New Jersey | ***Somers*** | *Somers*-class destroyer | For United States Navy. |
| 16 March | United Kingdom | Harland & Wolff | Belfast | ***Lady Sylvia*** | Ferry | For Union Steamship Co. |
| 18 March | Germany | Germaniawerft | Kiel | ***Erich Koellner*** | Type 1934A-class destroyer | For Kriegsmarine |
| 21 March | Germany | Blohm & Voss | Hamburg | ***Friedrich Eckoldt*** | Type 1934A-class destroyer | For Kriegsmarine. |
| 23 March | Germany | Howaldtswerke | Kiel | ***Friesenland*** | *Friesenland*-class seaplane carrier | For civilian service. |
| 24 March | United Kingdom | Fairfield Shipbuilding and Engineering Company | Govan | ***Liverpool*** | Town-class cruiser | For Royal Navy. |
| 25 March | United Kingdom | Harland & Wolff | Belfast | ***Roxburgh Castle*** | Refrigerated cargo ship | For Union-Castle Line. |
| 10 April | Netherlands | N.V. Rotterdam Drydock Company | Rotterdam | ***Nieuw Amsterdam*** | Ocean liner | For Holland America Line. |
| 12 April | United Kingdom | Harland & Wolff | Belfast | ***Delius*** | Cargo ship | For Lamport & Holt. |
| 12 April | United Kingdom | R. & W. Hawthorn, Leslie and Company | Hebburn | ***Manchester*** | Town-class cruiser | For Royal Navy. |
| 15 April | Germany | Schulte & Bruns | Emden | ***Köln*** | Fishing trawler | For Emder Heringfischerei AG. |
| 22 April | United Kingdom | Harland & Wolff | Belfast | ***Boardale*** | Tanker | For British Tanker Company. |
| 24 April | Germany | Flenderwerft | Lübeck | ***Porjus*** | Fishing trawler | For For Afrikanische Frucht-Compagnie A.G. |
| 5 May | Germany | Schulte & Bruns | Emden | ***Almuth*** | Fishing trawler | For Leerer Heringfischerei AG. |
| 5 May | Germany | Blohm + Voss | Hamburg | ***Wilhelm Gustloff*** | Passenger ship | For Hamburg Süd. |
| 6 May | United States | Puget Sound Navy Yard | Bremerton, Washington | ***Patterson*** | *Bagley*-class destroyer | For United States Navy. |
| 8 May | United States | New York Shipbuilding Corporation | Camden, New Jersey | ***Savannah*** | *Brooklyn*-class cruiser | For United States Navy. |
| 8 June | Germany | Deutsche Werke | Kiel | ***Blücher*** | *Admiral Hipper*-class cruiser | For Kriegsmarine. |
| 8 June | United Kingdom | Vickers Armstrong | Walker | ***Afridi*** | Tribal-class destroyer | For Royal Navy. |
| 8 June | United Kingdom | Vickers Armstrong | Walker | ***Cossack*** | Tribal-class destroyer | For Royal Navy. |
| 8 June | Germany | Schulte & Bruns | Emden | ***Mars*** | Fishing trawler | For Dollart Heringfischerei AG. |
| 16 June | Germany | Deutsche Werke | Hamburg | ***Teutonia*** | Fishing trawler | For N. Ebsling. |
| 22 June | United Kingdom | Vickers Armstrong | Govan | ***British Integrity*** | Tanker | For British Tanker Company. |
| 23 June | Germany | Flensburger Schiffbau-Gesellschaft | Flensburg | ***Birka*** | Passenger ship | For Mathies Reederei KG. |
| 24 June | United Kingdom | Harland & Wolff | Belfast | ***Leinster*** | Ferry | For British & Irish Steam Packet Co. |
| 7 July | United Kingdom | Fairfield Shipbuilding & Engineering Company | Govan | ***Gurkha*** | Tribal-class destroyer | For Royal Navy. |
| 14 July | United Kingdom | J. Samuel White | Cowes | ***Bittern*** | *Bittern*-class sloop | For Royal Navy. |
| 25 July | Italy | Cantieri Riuniti dell'Adriatico | Trieste | ***Vittorio Veneto*** | *Littorio*-class battleship | For Regia Marina. |
| 5 August | United Kingdom | Harland & Wolff | Belfast | ***Donaghadee*** | Collier | For John Kelly Ltd. |
| 14 August | United States | Norfolk Naval Shipyard | Portsmouth, Virginia | ***Blue*** | *Bagley*-class destroyer | For United States Navy. |
| 18 August | Norway | Royal Norwegian Navy Shipyard | Horten | ***Nordkapp*** | *Nordkapp*-class fishery protection vessel | For Royal Norwegian Navy. |
| 19 August | Germany | DeSchiMAG | Bremen | ***Diether von Roeder*** | Type 1936-class destroyer | For Kriegsmarine. |
| 22 August | Italy | Gio. Ansaldo & C. | Sestri Ponente | ***Littorio*** | *Littorio*-class battleship | For Regia Marina. |
| 24 August | United Kingdom | Swan Hunter & Wigham Richardson | Wallsend | ***Somali*** | Tribal-class destroyer | For Royal Navy. |
| 26 August | United States | New York Naval Yard | Brooklyn, New York | ***Honolulu*** | *Brooklyn*-class cruiser | For United States Navy. |
| 2 September | United Kingdom | Harland & Wolff | Belfast | ***Broomdale*** | Tanker | For British Tanker Company. |
| 2 September | United Kingdom | Fairfield Shipbuilding & Engineering Company | Govan | ***Maori*** | Tribal-class destroyer | For Royal Navy. |
| 3 September | United Kingdom | Vickers Armstrong | Walker | ***Eskimo*** | Tribal-class destroyer | For Royal Navy. |
| 3 September | United Kingdom | Vickers Armstrong | Walker | ***Mashona*** | Tribal-class destroyer | For Royal Navy. |
| 23 September | United Kingdom | Harland & Wolff | Belfast | ***Capetown Castle*** | Passenger ship | For Union-Castle Line. |
| 23 September | United Kingdom | Alexander Stephen and Sons | Govan | ***Zulu*** | Tribal-class destroyer | For Royal Navy. |
| 25 September | Germany | Schiffbau-Gesellschaft Unterweser | Wesermünde | ***Gauleiter Telschow*** | Fishing trawler | For For Hussmann & Hahn. |
| September | Germany | Deschimag | Wesermünde | ***Dorum*** | Fishing trawler | For Ernst Glässel. |
| 2 October | United States | New York Shipbuilding Corporation | Camden, New Jersey | ***Nashville*** | *Brooklyn*-class cruiser | For United States Navy. |
| 5 October | United Kingdom | Vickers Armstrong | Barrow-in-Furness | ***Undine*** | U-class submarine | For Royal Navy. |
| 6 October | United Kingdom | Scotts Shipbuilding and Engineering Company | Greenock | ***Matabele*** | Tribal-class destroyer | For Royal Navy. |
| 9 October | United States | Bethlehem Steel Company | Sparrows Point, Maryland | ***Gulfwave*** | Tanker | For Gulf Oil Corporation. |
| 15 October | United Kingdom | John I. Thornycroft & Company | Woolston, Hampshire | ***Mohawk*** | Tribal-class destroyer | For Royal Navy. |
| 19 October | United Kingdom | Devonport Dockyard | Devonport | ***Gloucester*** | Town-class cruiser | For Royal Navy. |
| 20 October | Germany | H. C. Stülcken Sohn | Hamburg | ***Gebrüder Kähler*** | Fishing trawler | For Hinrich Foch Hochseefischerei AG. |
| 21 October | United Kingdom | Blyth Dry Docks & Shipbuilding Co. Ltd | Blyth, Northumberland | ***Barbarian*** | Bar-class boom defence vessel | For Royal Navy. |
| 21 October | United Kingdom | Harland & Wolff | Belfast | ***Delane*** | Cargo ship | For Lamport & Holt. |
| 21 October | United Kingdom | Swan Hunter & Wigham Richardson | Wallsend | ***Tartar*** | Tribal-class destroyer | For Royal Navy. |
| 27 October | United Kingdom | Harland & Wolff | Belfast | ***British Trust*** | Tanker | For British Tanker Company. |
| 30 October | Germany | Blohm + Voss | Hamburg | ***Albert Leo Schlageter*** | *Gorch Fock*-class sail training ship | For Kriegsmarine. |
| October | Germany | Deschimag | Wesermünde | ***Hermann Bösch*** | Fishing trawler | For C. C. H. Bösch. |
| 3 November | United Kingdom | Harland & Wolff | Belfast | ***Munster*** | Ferry | For British & Irish Steam Packet Co. |
| 4 November | United Kingdom | Harland & Wolff | Govan | ***British Security*** | Tanker | For British Tanker Company. |
| 5 November | United Kingdom | William Denny and Brothers | Dumbarton | ***Ashanti*** | Tribal-class destroyer | For Royal Navy. |
| 16 November | United States | Philadelphia Navy Yard | Philadelphia, Pennsylvania | ***Wichita*** | Cruiser | For United States Navy. |
| 1 December | Germany | DeSchiMAG | Bremen | ***Hans Lüdemann*** | Type 1936-class destroyer | For Kriegsmarine. |
| 2 December | United Kingdom | Scotts Shipbuilding and Engineering Company | Greenock | ***Cachalot*** | *Grampus*-class submarine | For Royal Navy. |
| 15 December | United Kingdom | Blyth Dry Docks & Shipbuilding Co. Ltd | Blyth, Northumberland | ***Barbette*** | Bar-class boom defence vessel | For Royal Navy. |
| 16 December | United Kingdom | Harland & Wolff | Belfast | ***Koolama*** | Cargo ship | For West Australian Government. |
| 17 December | United Kingdom | Alexander Stephen & Sons | Linthouse | ***Sikh*** | Tribal-class destroyer | For Royal Navy. |
| 18 December | United Kingdom | Alexander Stephen & Sons | Linthouse | ***Punjabi*** | Tribal-class destroyer | For Royal Navy. |
| 21 December | United Kingdom | William Denny and Brothers | Dumbarton | ***Bedouin*** | Tribal-class destroyer | For Royal Navy. |
| 21 December | United Kingdom | Harland & Wolff | Belfast | ***Devis*** | Cargo ship | For Lamport & Holt. |
| 21 December | United Kingdom | John I. Thornycroft & Company | Woolston | ***Nubian*** | Tribal-class destroyer | For Royal Navy. |
| 22 December | United Kingdom | Ailsa Shipbuilding Company | Troon, Ayrshire | ***Franklin*** | *Halcyon*-class minesweeper | For Royal Navy. |
| 22 December | Germany | DeSchiMAG | Bremen | ***Hermann Künne*** | Type 1936-class destroyer | For Kriegsmarine. |
| 28 December | Germany | H. C. Stülcken Sohn | Hamburg | ***Otto Bröhan*** | Fishing trawler | For Cranzer Fischdamper AG. |
| December | Germany | DeSchiMAG | Bremerhaven | ***Franz Westermann*** | Fishing trawler | For Reederei Siebert & Co. |
| Unknown date | Germany | Deutsche Werft AG | Hamburg | ***Algol*** | Coastal tanker | For Trelleborgs Angfabrik Nya A/B. |
| Unknown date | United Kingdom | Cochrane & Sons Ltd. | Selby | ***Englishman*** | tug | For United Towing Co. Ltd. |
| Unknown date | Germany | Flensburger Schiff- Gesellschaft. | Flensburg | ***Ernst L. M. Russ*** | Cargo ship | For Ernst Russ. |
| Unknown date | Germany | F Schichau GmbH | Elbing | ***Gabelsflach*** | Coastal tanker | For Kriegsmarine. |
| Unknown date | Germany | Deutsche Schiff- und Maschinenbau | Wesermünde | ***Gambian*** | Cargo ship | For United African Company. |
| Unknown date | United Kingdom | Burntisland Shipbuilding Co. Ltd. | Burntisland | ***Ginnheim*** | Cargo ship | For Unterweser Reederei. |
| Unknown date | United Kingdom | Swan, Hunter & Wigham Richardson | Newcastle upon Tyne | ***Inkosi*** | Refrigerated cargo liner | For Charente Steamship Co. Ltd. |
| Unknown date | Germany | Lübecker Flender-Werke AG | Lübeck | ***Marie Fisser*** | Cargo ship | For Fisser & van Doornum. |
| Unknown date | Germany | Flensburger Schiff- Gesellschaft. | Flensburg | ***Mathias Stinnes*** | Tanker | For Kohlen Import und Poseidon Schiffs. |
| Unknown date | Germany | Neptun AG | Rostock | ***Messina*** | Cargo ship | For Robert Miles Sloman Jr. |
| Unknown date | Germany | Stettiner Oderwerke AG | Stettin | ***Saar*** | Cargo ship | For R. C. Gribel. |
| Unknown date | United Kingdom | Henry Robb Ltd. | Leith | ***Spinel*** | Cargo ship | For William Robertson. |
| Unknown date | Germany | Deutsche Schiff- und Maschinenbau | Wesermünde | ***Takoradian*** | Cargo ship | For United Africa Company. |
| Unknown date | United Kingdom | J. Bolson & Son Ltd. | Poole | ***Titlark II*** | Motor vessel | For J. Bolson & Son Ltd. |
| Unknown date | Germany | Deutsche Schiff- und Maschinenbau. | Bremen | ***Unitas*** | Whaler | For Unitas Deutsche Walfang GmbH. |
| Unknown date | Germany | Bremer Vulkan Schiff- und Mashcinenbau | Bremen | ***Unitas 4*** | Whaler | For Jurgens Van Den Brugh Margarine Verkaufs Union GmbH. |
| Unknown date | Germany | Bremer Vulkan Schiff- und Mashcinenbau | Bremen | ***Unitas 5*** | Whaler | For Jurgens Van Den Brugh Margarine Verkaufs Union GmbH. |
| Unknown date | Germany | Bremer Vulkan Schiff- und Mashcinenbau | Bremen | ***Unitas 8*** | Whaler | For Jurgens Van Den Brugh Margarine Verkaufs Union GmbH. |

Sources * Colledge, J.J.; Warlow, Ben (2003). *Ships of the Royal Navy: The Complete Record of All Fighting Ships of the Royal Navy*. Greenhill. ISBN 1-85367-566-0.
* Mitchell, WH; Sawyer, LA (1990). *The Empire Ships* (Second ed.). London, New York, Hamburg, Hong Kong: Lloyd's of London Press Ltd. ISBN 1-85044-275-4.


title: Pine Hills, Queensland

abstract: Pine Hills is a rural locality in the Western Downs Region, Queensland, Australia. In the 2021 census, Pine Hills had "no people or a very low population".

text:
# Pine Hills, Queensland

**Pine Hills** is a rural locality in the Western Downs Region, Queensland, Australia. In the 2021 census, Pine Hills had "no people or a very low population".

## Geography

Roma–Condamine Road runs through from west to east.

## Demographics

In the 2016 census, Pine Hills had "no people or a very low population".

In the 2021 census, Pine Hills had "no people or a very low population".

## InfoBox

| Pine Hills
Queensland | |
| --- | --- |
| Pine Hills | |
| Coordinates | 26°53′59″S 149°56′57″E / 26.8997°S 149.9491°E / -26.8997; 149.9491 |
| Population | 0 (2021 census) |
| • Density | 0.000/km2 (0.000/sq mi) |
| Postcode(s) | 4416 |
| Area | 134.2 km2 (51.8 sq mi) |
| Time zone | AEST (UTC+10:00) |
| LGA(s) | Western Downs Region |
| State electorate(s) | Warrego |
| Federal division(s) | Maranoa |
| **Suburbs around Pine Hills:**  Moraby Drillham South Drillham South  Moraby Pine Hills Condamine  Yulabilla Condamine Condamine | |


title: Poosaripalayam

abstract: Poosaripalayam village is located in Chengappalli panchayath, Uthukuli taluk in the state of Tamil Nadu. Nearby cities are Uthukuli, Chengapalli, Tiruppur, Erode, Coimbatore, Kangeyam and Gobi. The area has a lot of temples such as Mariamman Temple, Vinayagar Temple, Karuvalur Mariamman Temple, Chenni Aandavar Temple and Karupparaayan Temple. The land in the area is very dry and rocky.

text:
# Poosaripalayam

**Poosaripalayam** village is located in Chengappalli panchayath, Uthukuli taluk in the state of Tamil Nadu.

Nearby cities are Uthukuli, Chengapalli, Tiruppur, Erode, Coimbatore, Kangeyam and Gobi. The area has a lot of temples such as Mariamman Temple, Vinayagar Temple, Karuvalur Mariamman Temple, Chenni Aandavar Temple and Karupparaayan Temple. The land in the area is very dry and rocky.

## Economy

The people in the village have predominantly been farmers, farming goats, cows and oxen. More recently there are Banian Companies, Knitting Companies and Powerlooms.

## Transport

Bus are available from Tiruppur, Uthukuli and Chengapalli. A railway is station available at 2 km Uttukuli and 10 km Tiruppur railway station also available.


title: Melbourne Mavericks

abstract: Melbourne Mavericks is an Australian professional netball team set to compete in Suncorp Super Netball (SSN) from the 2024 season. The club is operated by the Sports Entertainment Group (SEG) and is based at the Waverley Netball Centre in Glen Waverley, Victoria. The Mavericks hold the SSN license made vacant by the Collingwood Magpies, who folded and withdrew from the league at the conclusion of the 2023 season.

text:
# Melbourne Mavericks

**Melbourne Mavericks** is an Australian professional netball team set to compete in Suncorp Super Netball (SSN) from the 2024 season. The club is operated by the Sports Entertainment Group (SEG) and is based at the Waverley Netball Centre in Glen Waverley, Victoria.

The Mavericks hold the SSN license made vacant by the Collingwood Magpies, who folded and withdrew from the league at the conclusion of the 2023 season.

## History

Following the demise of the Collingwood Magpies, speculation circled as to who would be awarded the eighth license for the 2024 Suncorp Super Netball season and beyond. Submissions for the new license closed on 20 June 2023, with as many as six initial bids being whittled down to two by the closing date, according to media reports.

On 21 July 2023, the league announced that the Sports Entertainment Group (SEG), led by chief executive Craig Hutchison, was awarded the license for a team to be based in south-east Melbourne. As part of the licensing agreement, Netball Australia will operate the team for the rest of 2023 before transitioning to SEG for 2024 and beyond. ABC News reported that the SEG bid was preferred by broadcasters Fox Netball over the alternate bid put forward by Netball Victoria, which suggested a regional team 'floating' between Geelong, Bendigo or Ballarat.

On 2 August 2023, decorated English netball coach Tracey Neville was announced as the inaugural head coach of the then-unnamed Mavericks.

## Location

The team was initially announced as being representative of 'south-east Melbourne' without a specific location named. In October 2023, SEG confirmed that the club's administration and training base would be located at the Waverley Netball Centre in Glen Waverley, Victoria.

## Identity

The identity of the Mavericks was officially announced by netball operations general manager Shae Bolton-Brown on 20 September 2023, with the club's name, logo and primary colours—sky blue, 'pacific cyan' and sapphire—revealed after months of speculation.

## Current Players

**2025 Squad**

| Melbourne Mavericks 2025 playing roster | | | | | |
| --- | --- | --- | --- | --- | --- |
| **Nat** | **Name** | **Position(s)** | **Dob** | **Height** | **Notes** |
| JAM | Shimona Jok | GS | 01/12/1998 | 1.95m (6ft 5in) | **Head Coach:** Tracy Neville |
| ENG | Eleanor Cardwell | GS/GA | 11/11/1994 | 1.86 (6ft 1in) | **Assistant Coach**: Nicole Richardson |
| ENG | Sasha Glasgow | GA/GS | 19/07/1998 | 1.87m (6ft 2in) | -(CC)= Co-Captain -(IN)=Injured |
| AUS | Maisie Nankivell | WA/C | 29/09/1999 | 1.76 m (5 ft 9in) | -(TP)=Training Partner |
| AUS | Molly Jovic | C/WA | 07/101995 | 1.71 m (5 ft 7 in | -(RP)= Replacement Player |
| AUS | Tayla Fraser | C/WD/WA | 13/061999 | 1.72 m (5 ft 8 in) | -(TRP)= Temporary Replacement Player |
| AUS | Amy Parmenter (captain) | WD/C | 01/081997 | 1.76 m (5 ft 9 in) | -(MAT)=Maternity Leave |
| AUS | Kim Jenner | GD/GK/WD | 27/02/1998 | 1.85 m (6 ft 1 in) |  |
| AUS | Lauren Moore | GD/GK/WD | 30/011998 | 1.84 m (6 ft) | |
| AUS | Olivia Lewis | GK/GD | 29/04/1999 | 1.84 m (6 ft) | |

## Internationals

England

South Africa

Australia

## Head Coaches

| Coach | Years |
| --- | --- |
| Tracey Neville | 2024- |

1. https://wwos.nine.com.au/netball/super-netball-2023-collingwood-confirm-withdrawal-conclusion-of-season/4cbb8c47-770e-4782-a702-ceb8af38e140 Retrieved 2023-05-25.
2. ^ ***a*** ***b*** Carter, Brittany (2023-07-21). "Craig Hutchison wins bid for eighth Super Netball team". *ABC News*. Retrieved 2023-07-21.
3. "Eighth Licence Awarded". *Suncorp Super Netball*. 2023-07-21. Retrieved 2023-07-21.
4. "Decorated coach to lead newest team". *Suncorp Super Netball*. 2023-08-02. Retrieved 2023-09-20.
5. "Mavericks confirm new home at Waverley Netball Centre". *Sports Entertainment Network*. 2023-10-20. Retrieved 2023-11-02.
6. "SEN unveils the Melbourne Mavericks - a game-changing new netball brand". *Sports Entertainment Network*. 2023-09-20. Retrieved 2023-09-20.

## InfoBox

Melbourne Mavericks
|  | |
| --- | --- |
| Founded | 2023 |
| Based in | Glen Waverley, Victoria |
| Regions | City of Melbourne |
| Home venue | John Cain Arena |
| Head coach | Tracey Neville |
| Captain | Amy Parmenter |
| Premierships | Nil |
| League | Suncorp Super Netball
 |
| n/a placing | n/a |


title: Vein stripping

abstract: Vein stripping is a surgical procedure done under general or local anaesthetic to aid in the treatment of varicose veins and other manifestations of chronic venous disease. The vein "stripped" is usually the great saphenous vein. The surgery involves making incisions, followed by insertion of a special metal or plastic wire into the vein. The vein is attached to the wire and then pulled out from the body. The incisions are stitched up and pressure dressings are often applied to the area. An overnight hospital stay is sometimes required, although some clinics may do it as a day surgery procedure. Patients may be advised to avoid physical activity for days or weeks. A pressure bandage, followed by elastic stockings, is a common recovery prescription.

text:
# Vein stripping

**Vein stripping** is a surgical procedure done under general or local anaesthetic to aid in the treatment of varicose veins and other manifestations of chronic venous disease. The vein "stripped" (pulled out from under the skin using minimal incisions) is usually the great saphenous vein. The surgery involves making incisions (usually the groin and medial thigh), followed by insertion of a special metal or plastic wire into the vein. The vein is attached to the wire and then pulled out from the body. The incisions are stitched up and pressure dressings are often applied to the area.

An overnight hospital stay is sometimes required, although some clinics may do it as a day surgery procedure. Patients may be advised to avoid physical activity for days or weeks. A pressure bandage, followed by elastic stockings, is a common recovery prescription.

## Complications

As with any surgery that requires anesthesia, patients might experience some complications.

Some risks include:

## InfoBox

| Vein stripping | |
| --- | --- |
| ICD-9-CM | 38.5 |


title: Litton, Mississippi

abstract: Litton, also known as Ivy, is an unincorporated community located in Bolivar County, Mississippi, United States. Litton is approximately 10 miles (16 km) east of Benoit and approximately 7 miles (11 km) north of Shaw. A post office operated under the name Ivy from 1900 to 1913.

text:
# Litton, Mississippi

**Litton**, also known as Ivy, is an unincorporated community located in Bolivar County, Mississippi, United States. Litton is approximately 10 miles (16 km) east of Benoit and approximately 7 miles (11 km) north of Shaw.

A post office operated under the name Ivy from 1900 to 1913.

## InfoBox

| Litton, Mississippi | |
| --- | --- |
| Unincorporated community | |
|  | |
| Litton, MississippiLitton, Mississippi | |
| Coordinates: 33°38′45″N 90°50′14″W / 33.64583°N 90.83722°W / 33.64583; -90.83722 | |
| Country | United States |
| State | Mississippi |
| County | Bolivar |
| Elevation | 131 ft (40 m) |
| Time zone | UTC-6 (Central (CST)) |
| Summer (DST) | UTC-5 (CDT) |
| ZIP code | 38773 |
| Area code | 662 |
| GNIS feature ID | 692007 |


title: Mackena Bell

abstract: Mackena Bell is an American professional stock car racing driver. She drove the No. 23 Rick Ware Racing Chevrolet for one race in the NASCAR Nationwide Series in 2014. She was also a graduate of NASCAR Drive for Diversity.

text:
# Mackena Bell

**Mackena Bell** (born June 9, 1990) is an American professional stock car racing driver. She drove the No. 23 Rick Ware Racing Chevrolet for one race in the NASCAR Nationwide Series in 2014. She was also a graduate of NASCAR Drive for Diversity.

## Racing career

### Early years

Bell started racing go-karts at age five, moved up to Legend cars at age fourteen, and started racing late models at eighteen.

### K&N Pro Series East

As part of the Drive for Diversity program in NASCAR, Bell competed in six races in 2010, failing to finish four and recording a best finish of eighteenth, at Martinsville Speedway. In 2013, running the whole season for Max Siegel, she recorded two top-five finishes and failed to finish only two of the fourteen races. In 2014, she crashed out of two races and recorded only one top ten finish. She did not return to the series in 2015.

### Nationwide Series

Bell made her only Nationwide Series start at the end of 2014 at Phoenix International Raceway. Driving for Rick Ware Racing, she started 39th and finished 29th, eight laps down.

## Personal life

Bell attended Carson High School in Carson City, Nevada, where she was the prom queen.

## Motorsports career results

### NASCAR

(key) (**Bold** – Pole position awarded by qualifying time. *Italics* – Pole position earned by points standings or practice time. * – Most laps led.)

#### Nationwide Series

| NASCAR Nationwide Series results | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Year | Team | No. | Make | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | NNSC | Pts | Ref |
| 2014 | Rick Ware Racing | 23 | Chevy | DAY | PHO | LVS | BRI | CAL | TEX | DAR | RCH | TAL | IOW | CLT | DOV | MCH | ROA | KEN | DAY | NHA | CHI | IND | IOW | GLN | MOH | BRI | ATL | RCH | CHI | KEN | DOV | KAN | CLT | TEX | PHO
29 | HOM | 69th | 15 |  |

#### K&N Pro Series East

| NASCAR K&N Pro Series East results | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Year | Team | No. | Make | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | NKNPSEC | Pts | Ref |
| 2010 | Revolution Racing | 8 | Chevy | GRE
19 | SBO
23 | IOW
21 | MAR
18 | NHA
27 | LRP
28 | LEE | JFC | NHA | DOV |  | | | | | | 23rd | 570 |  |
| 2013 | Rev Racing | 21 | Toyota | BRI
29 | GRE
18 | FIF
11 | RCH
5 | BGS
6 |  | LGY
11 | COL
11 |  | VIR
17 | GRE
5 | NHA
9 | DOV
19 | RAL
25 |  | | 13th | 419 |  |
| | | 27 | | | | |  | | | | | IOW
16 |  | | IOW
15 |  | | | | | | |
| 2014 | | 21 | | NSM
8 | DAY
17 | BRI
21 | GRE
21 | RCH
15 | IOW
19 | BGS
13 | FIF
12 | LGY
13 | NHA
27 | COL
22 | IOW
19 | GLN
13 | VIR
21 | GRE
16 | DOV
17 | 16th | 430 |  |

## InfoBox

| Mackena Bell | |
| --- | --- |
| Bell's 2013 K&N East car at Richmond International Raceway | |
| Born | (1990-06-09) June 9, 1990
Carson City, Nevada |
| NASCAR Xfinity Series career | |
| 1 race run over 1 year | |
| 2014 position | 69th |
| Best finish | 69th (2014) |
| First race | 2014 DAV 200 (Phoenix) |
| Wins Top tens Poles  0 0 0 | |
|  | |
| *Statistics current as of November 8, 2014.* | |


title: Fasciculus

abstract: Fasciculus vesanus is an extinct species of stem-group ctenophores known from the Burgess Shale of British Columbia, Canada. It is dated to 515 to 505 million years ago and belongs to middle Cambrian strata. The species is remarkable for its two sets of long and short comb rows, not seen in similar form elsewhere in the fossil record or among modern species.

text:
# Fasciculus

***Fasciculus vesanus*** is an extinct species of stem-group ctenophores known from the Burgess Shale of British Columbia, Canada. It is dated to 515 to 505 million years ago and belongs to middle Cambrian strata.

The species is remarkable for its two sets of long and short comb rows, not seen in similar form elsewhere in the fossil record or among modern species.

### Maotianshan shales ctenophores

## InfoBox

| *Fasciculus*
Temporal range: | |
| --- | --- |
|  | |
| Artist's reconstruction | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Ctenophora |
| Genus: | *Fasciculus*
Simonetta & Delle Cave, 1978 |
| Species: | ***F. vesanus*** |
| Binomial name | |
| ***Fasciculus vesanus***
Simonetta & Delle Cave, 1978 | |
|


title: 1947–48 Scottish Division C

abstract: The 1947-48 Scottish Division C was won by East Stirlingshire who were promoted to the Division B. Raith Rovers 'A' finished bottom. It was the second season of short-lived Scottish Division C and featured seven reserve teams.

text:
# 1947–48 Scottish Division C

The **1947-48 Scottish Division C** was won by East Stirlingshire who were promoted to the Division B. Raith Rovers 'A' finished bottom. It was the second season of short-lived Scottish Division C and featured seven reserve teams.

## Table

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Promotion or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | East Stirlingshire | 22 | 18 | 3 | 1 | 72 | 26 | +46 | 39 | Promotion to the 1948–49 Division B |
| 2 | East Fife 'A' | 22 | 16 | 3 | 3 | 63 | 37 | +26 | 35 |  |
| 3 | Forfar Athletic | 22 | 14 | 4 | 4 | 67 | 37 | +30 | | 32 |
| 4 | Kilmarnock 'A' | 22 | 10 | 3 | 9 | 52 | 41 | +11 | | 23 |
| 5 | St Johnstone 'A' | 22 | 9 | 4 | 9 | 44 | 51 | 7 | | 22 |
| 6 | Dundee United 'A' | 22 | 9 | 2 | 11 | 55 | 57 | 2 | | 20 |
| 7 | Montrose | 22 | 7 | 5 | 10 | 42 | 69 | 27 | | 19 |
| 8 | Arbroath 'A' | 22 | 7 | 4 | 11 | 45 | 57 | 12 | | 18 |
| 9 | Leith Athletic 'A' | 22 | 7 | 3 | 12 | 44 | 60 | 16 | | 17 |
| 10 | Brechin City | 22 | 6 | 4 | 12 | 43 | 54 | 11 | | 16 |
| 11 | Edinburgh City | 22 | 6 | 3 | 13 | 51 | 58 | 7 | | 15 |
| 12 | Raith Rovers 'A' | 22 | 3 | 2 | 17 | 36 | 67 | 31 | | 8 |

Source:

## InfoBox

Scottish Division C
| Season | 1947–48 |
| --- | --- |
| Champions | East Stirlingshire |
| Promoted | East Stirlingshire |
| 1946–47 1948–49 | |


title: List of symphonies by Leif Segerstam

text:
# List of symphonies by Leif Segerstam

This is a list of symphonies by Leif Segerstam.

## List

| Symphony
number | Name | Year |
| --- | --- | --- |
| (1) | ***Symphony of Slow Movements***,
Orchestral Diary Sheets Nos. 33, 34, 36 | 1977
-
1978 |
| 2 | Orchestral Diary Sheet No. 22 | 1980 |
| 3 | Orchestral Diary Sheet No. 23 | 1981 |
| 4 | *in Two or Three movements*,
Orchestral Diary Sheet Nos. 24, 25, 26 | |
| 5 | Orchestral Diary Sheet No. 12 | 1982 |
| 6 | Orchestral Diary Sheet No. 7 | |
| 7 | Orchestral Diary Sheet No. 15 | |
| 8 | Orchestral Diary Sheets Nos. 1 and 2 | 1984
-
1985 |
| 9 | Orchestral Diary Sheet No. 3 | 1984 |
| 10 | ***X***,
Three Times... | 1986 |
| 11 | Orchestral Diary Sheet No. 5 | |
| 12 | *After the Flood*,
Orchestral Diary Sheet No. 9 | |
| 13 | ***XIII***,
Orchestral Diary Sheet No. 13 | 1987 |
| 14 | ***Moments of Peace III***
Orchestral Diary Sheet No. 44 | |
| 15 | *Ecliptic Thoughts* | 1990 |
| 16 | *Thoughts at the Border* | |
| 17 | *Thoughts 1987*,
*Thoughts before 1992*
Orchestral Diary Sheet No. 49 | 1987
-
1991 |
| 18 | *Unelma – A Dream*
Orchestral Diary Sheet No. 66 | 1993 |
| 19 | *August Segesa Kuikka...* | 1994 |
| 20 | *December* | 1995 |
| 21 | *September*
*Visions at Korpijärvi...* | |
| 22 | *in Määrpää – clouds...* | 1997 |
| 23 | *Afterthoughts questioning questionings*
Motto: To question or not to question, that is to be... | 1998 |
| 24 | *Symphonic Thoughts at the Change of a Millenium* | |
| 25 | *Symphonic Thoughts before the Change of the Millenium* | |
| 26 | *Symphonic Thoughts at the End of the Millenium* | |
| 27 | *Symphonic Thoughts after the Change of the Millenium No. 1* | |
| 28 | *Symphonic Thoughts after the Change of the Millenium No. 2?* | 1999 |
| 29 | *After thoughts questioning questionings No. 2...* | |
| 30 | *Embracing the Nature...* | |
| 31 | *After thoughts questioning questionings No. 3* | |
| 32 | *Recyclings* | |
| 33 | Thoughts into the 3rd Millenium | |
| 34 | *Symphonic Thoughts – Disregarding the Change of the Millenium* | 2000 |
| 35 | *Flashbacking Backwardsly...* | |
| 36 | *Vocal Truths...* | |
| 37 | *On a Birthday* | |
| 38 | *Flashbacks of Symphonic Thoughts* | |
| 39 | *Voices of Nordic Softness* | |
| 40 | *Embracing Tones* | |
| 41 | *After 40...* | |
| 42 | *Nostalgico Melodioso...* | |
| 43 | *For Trees...* | |
| 44 | *Sitting for a Portrait...* | |
| 45 | *Between the Ears* | |
| 46 | *Between the lines...* | |
| 47 | *Dreaming again... before...* | |
| 48 | *Bleedings for Pencilled Sounds...* | |
| 49 | *Nameless but Thoughtful...* | |
| 50 | *Before 60* | |
| 51 | *After 50* | |
| 52 | *After a Birthday* | |
| 53 | *Dreaming again... after...* | |
| 54 | *Dreaming again... because...* | |
| 55 | *Augustic Notations* | |
| 56 | *Catching Up in Numbers* | |
| 57 | *Waiting for More Crossings, Passings, Touchings & Ups & Downs* | |
| 58 | *Easteric Thoughts...* | 2001 |
| 59 | *In a Baggage to Japan...* | |
| 60 | *Before 70...* | |
| 61 | *After 60...
One more before...* | |
| 62 | *Thinking of & Surfing on... some... Numbers* | |
| 63 | *SING-A-PÅ-RE, Sing! Apor: E!!...* | 2002 |
| 64 | *Sunday Morning... before & after...* | |
| 65 | *Bothnic Thoughts* | |
| 66 | *More Serious than Sexy...* | |
| 67 | *After the 21252nd Day...* | |
| 68 | *Nameless... just numbered...* | |
| 69 | *Surfing & clicking &...* | |
| 70 | *Before 80...* | |
| 71 | *After 70...* | |
| 72 | *Nameless... kept secret...* | |
| 73 | *1 after 72...* | |
| 74 | *2nd after 72...* | |
| 75 | *3rd after 72...* | |
| 76 | *4th after 72...* | |
| 77 | *Footnotes... in... between...* | |
| 78 | *See(sea)ing Sounds at a Lakeside...* | |
| 79 | *Se, Vent y Nine – look, wait & mate...* | |
| 80 | *Before Ninety...* | |
| 81 | *After Eighty...* | |
| 82 | *At the end of (another = again one more) year...* | |
| 83 | *From Autumn again to Spring again...* | 2003 |
| 84 | *For a Milestone...
Leif Segerstam 60 years 2.3.2004...* | |
| 85 | *HADES...* | |
| 86 | *A(a)TE&(y)SIC!s...* | |
| 87 | *The Erected Infinity 8 is-a(=e)-friend?-ven(=vän)...?* | |
| 88 | *8x8=64* | |
| 89 | *One before Ninety...* | |
| 90 | *Because-because... = Six-ty...
Hannele Segerstam Six-ty years on 19.8.2003* | |
| 91 | *Nostalgic Number...* | |
| 92 | *Formula 4...* | |
| 93 | *Meeting Point...* | |
| 94 | *Starting Point...* | |
| 95 | *Working Hard...* | |
| 96 | *Making life...* | |
| 97 | *Violaelina...* | |
| 98 | *Selimoskar...* | |
| 99 | *Iirisilona...* | |
| 100 | *On the other hand I am not afraid...* | |
| 101 | *104 to 104...!* | 2004 |
| 102 | *103 to 104...* | |
| 103 | *102 to 104...* | |
| 104 | *Ah, Finalmente!...* | |
| 105 | *Pa-Pá, Pá-Pa-Passing...* | |
| 106 | *Hommage a Anton Bruckner...* | |
| 107 | *Summer visions...* | |
| 108 | *"LOVIISA..." & her swancake...* | |
| 109 | *"VOLDEMAR..." & his beautiful mountains...* | |
| 110 | *"MILENA..." & her generous embracings...* | |
| 111 | *sorrowmosquitocaterpillarformations... towards... because...* | |
| 112 | *Scaling scales up & down with a BESMAN (scale)...* | |
| 113 | *11–3=...* | |
| 114 | *\- perhaps with crutches for...* | |
| 115 | *Listening to the tree clapping your shoulder...* | |
| 116 | *After Summer...* | |
| 117 | *When Autumn Starts...* | |
| 118 | *Strolling in Freepulsative Landscapes of Sound...* | |
| 119 | *More Strollings in Free-pulsative Landscapes of Sound...* | |
| 120 | *Notations during protected Time...* | |
| 121 | *Notations at the End of a Protected Time...* | 2005 |
| 122 | *Tsunamic Zoomings...* | |
| 123 | *Listening to a Start...* | |
| 124 | *Displaying sounds in doubled quantities...* | |
| 125 | *addingly deriving the numbers of sounds displayed...* | |
| 126 | *A Mei-Legend...* | |
| 127 | *Before Summer...* | |
| 128 | *Admiring the Nordic Nature...* | |
| 129 | *Spurting notative sounds...* | |
| 130 | *Some summery summaries...* | |
| 131 | *Some more summery summaries...* | |
| 132 | *Pasting Sounds thinking Numbers zig-zagly...* | |
| 133 | *A Meadow of freely pulsating Sounds...* | |
| 134 | *Freepulsative Meadows of Sounds...* | |
| 135 | *Displaying isles of Sounds...* | |
| 136 | *Notating sound-islands...* | |
| 137 | *More islands of Sounds...* | |
| 138 | *Notating Isles of Sounds...* | |
| 139 | *Catching Randomities...* | |
| 140 | *Notating Randomities...* | |
| 141 | *Listening for Randomities...* | |
| 142 | *Fishing for Randomities...* | |
| 143 | *Seeing Randomities of Sound...* | |
| 144 | *AIHMÉ (a Wonder!) BORN TO-DIE... I feel VIEL! (Japanese-German...) 1, 4, 4!...* | |
| 145 | *Today... again...* | |
| 146 | *OH-Ja-Panese-Ger-Man...* | |
| 147 | *Before the Season Starts...* | |
| 148 | *Before the Season Starts Again...* | |
| 149 | *14,9,149:14,9...!=I feel, No, I feel so: OH DEATH, SUFFERING...!* | |
| 150 | *OH, Five Only...?!* | |
| 151 | *Challenging the risks with Molto "FLU-ENTE", largamente grandioso... al...* | 2006 |
| 152 | *After: "Oh Lord, Toss KANIINI; LAPIN Poika!" won...!* | |
| 153 | *Sudokushes...* | |
| 154 | *Inspired by MÄÄRKIRI...* | |
| 155 | *More footnotes... in... between...* | |
| 156 | *Because of Summer-Times...* | |
| 157 | *In Midsummery Moods...* | |
| 158 | *18.6... TAR...JA!, Taking it...YES!"
in memoriam Tarja Makkonen* | |
| 159 | *Sharing Visions with Visitors...* | |
| 160 | *Returning to Notations...* | |
| 161 | *Thinking & feeling Goodbye to Notations...* | |
| 162 | *Doubling the number for Bergen!* | |
| 163 | *Accepting the thought of a Goodbye to Notations fo \[*sic*\] a while...* | |
| 164 | *Thinking of steps & terrace-levels in Määrpää...* | |
| 165 | *Measuring musical thoughts in Six Frames freepulsatively without barlines...* | |
| 166 | *Ota vaan! & surffaa OTAVAAN...!
Displaying musical material in Six Frames freepulsatively without barlines...*
First in a series of the *Star symphonies*. | |
| 167 | *Thinking musical lines in Six Frames freepulsatively without barlines...* | |
| 168 | *Moving on orchestral sounds in Six Frames freepulsatively without barlines...* | |
| 169 | *Surfing on musical thoughts in Six Frames freepulsatively without barlines...* | |
| 170 | *Looking at musical plasms in Six Frames freepulsatively without barlines...* | |
| 171 | *Skinpumply pumpskinned musical pumpkins...* | |
| 172 | *Enjoying newly tuned pianos...*
Last in a series of the *Star symphonies*. | |
| 173 | *Launching Thoughts into Nexties...*
Hommage-Epitaph, the great personality MIRJAM HELIN in memoriam! | 2006
-
2007 |
| 174 | *Welcoming returning birds solemnly...* | 2007 |
| 175 | *When an eagle eyes eagerly...* | |
| 176 | *Re-living motivations revealed...* | |
| 177 | *Re-enliving revealed motivations for sounds...* | |
| 178 | *In the (Easter-) isle of Time (-life) after Winter before Summer...* | |
| 179 | *Rainbows of the Blue Moon...* | |
| 180 | *Inspirationbargains for musical visions found e.g. around giant flying extraterrestrial whales or golden fullerenes measured in nanometers & ångströms...* | |
| 181 | *Names itself when played...* | |
| 182 | *Before giving-ups...* | |
| 183 | *Notatively inspired by a Viennese friends name...* | |
| 184 | *Tripping in nostalgic centuries...* | |
| 185 | *Casting Broadly Thoughts or Shadows on left- or rightovers from pathcrossings in mental musical freewaysystems...* | |
| 186 | *When the Muse was away...* | |
| 187 | *Autumnal Leif-live-leaves...* | |
| 188 | *I ate-ate... "188", in RUSKA-clothing for the Autumnal LEAVE...* | |
| 189 | *Getting inspiration from MARIMEKKO & Natures beautiful RUSKA whilst surfing in the likewise Autumnal Lifescore...* | |
| 190 | *UFO, Under F & Over...* | |
| 191 | *11.2.08... When the Eleventh arrived...* | 2008 |
| 192 | *a Rat's "RAT"... :˜ Rätt Rad...! That's that* | |
| 193 | *To be "Antsk" og make "Fisk-Arts"...* | |
| 194 | *Feeling Steps & Paths TOWARDS...* | |
| 195 | *Yes, Pray...: light: "Si, Be, ljus..."* | |
| 196 | *Äikkäthy ilut – ylneddus emac...* | |
| 197 | *Su-doku.9.com/posing12...* | |
| 198 | *Spring or Winter, Winter or Spring* | |
| 199 | *At the End of the Second Century* | |
| 200 | *Starting the Last Century* | |
| 201 | *NUO otin..:.. Nuotin "NU" otin...!* | |
| 202 | *"CECILIA, cessi, ..." (cecci... gis-sa... guess... G & Ebs & : Gb...gess...et.c...)* | |
| 203 | *IN ger Sam ze-lius...* | |
| 204 | *"NY71U" (a life-booking-code...)* | |
| 205 | *e.g. Sakuntala...* | |
| 206 | *19.8.1943 + 1944, 3887, 26 + 27 = 53 = 8, 17 + 18 = 35, = 8, 65 = 11...* | |
| 207 | *Pururavas & Urivashi – Blubblub & Därrur...?* | |
| 208 | *Cess(n)a Cäravän 208 Kärajan...* | |
| 209 | *"Nono? yesyes? sey it....seysey only ONon, 22....* | |
| 210 | *After Two, oh no, Two I owe....* | |
| 211 | *"Two eyes, eggs & arrowheads...." (P.S. Tummies – AA-men...but, !)* | 2009 |
| 212 | *"You there!, Me? To meet... where..." (Du-Da-Mel, 2–1–2...)* | 2008 |
| 213 | *Two I ate to not notate...* | 2009 |
| 214 | *"To me.... Death, (sleep infinitely; to not notate....)": (22.8.; 2008....)* | |
| 215 | *Chorales calling* | |
| 216 | *Särestävän särestöviä raitoja ja raiteita Reidarin reiteille* | |
| 217 | *Looking at the same tree which once knocked me on my shoulder* | |
| 218 | *THOUGHTS in different LIGHTS... (some seeing lights...)* | |
| 219 | *Extended sensic expectations from a memory bank...* | |
| 220 | *White Nights, No Snow, but the Show goes on...* | |
| 221 | *Just listening...* | |
| 222 | *Just guessing...* | |
| 223 | *Just letting go...(like e.g. sometimes when sailing...)* | |
| 224 | *Just remembering...* | |
| 225 | *Just feeling...* | |
| 226 | *Just thinking...* | |
| 227 | *MUSIC stirred up during daily "Nordic-walking-pilgrimages" to the local mailboxpoint hoping to fetch linking letters & parcels with stimulative & inspirative motivations for the current surfings in the autumnal lifescores homepageterritories...* | |
| 228 | *Cooling my beard too (2) on "Sval"bard, "Spit"sbergen farewelling (on the "seal"ed waters) the blinding "spittingly" ice- (& eyes) cracking Sun (setstart on 22.8...!) with my Son (J. S.) remembering nostalgically "lace"- (spets-) coverings of (e.g.) Venusmountains as well as all those got... (lays...) – It is very windy on the tops, "the picked peaks for peeking into the ∞s...", "spets"-listening too... 2... 8!* | |
| 229 | *JoJo* | |
| 230 | *Two, Nought, Nought & Nine* | |
| 231 | *About Völvan* | |
| 232 | *Textless lines from Völvan* | 2010 |
| 233 | *Fragmental Völvations from my Opera-To-Be...* | |
| 234 | *Excerpt No 1 from my opera to be: Völvan...* | |
| 235 | *IN-ÄR-I* | |
| 236 | *OUT is outside....* | |
| 237 | *After catching THE Glimpse of LCY144&NEJ720....* | |
| 238 | *Before, when & after THE CITIZ arrived...* | |
| 239 | *YANGHAI SHAMANIC DREAMS...* | |
| 240 | *TELLUS! tell Us! & the BP-s...: Fill the Hole (The WHOLE?...)* | |
| 241 | *"SHE..", "SIE..."* | 2011 |
| 242 | *Lights of Love...* | |
| 243 | *"8.3.2011..." day of ♀...!* | |
| 244 | *Musical Northlightbeams sending comforting vibrations to the screaming Japanese souls caught in their nightmare...* | |
| 245 | *Eyelighthighlites..* | |
| 246 | *Credo* | |
| 247 | *"From a Tuijanest" in the Ö-landic forests...* | |
| 248 | *Errorings of Mirrorings...* | |
| 249 | *Some “Summer-Summaries” before it RINGs again...* | |
| 250 | *Autumnal Thoughts after it RINGed again...* | |
| 251 | *"Ringing for David Searcy...." (David Searcy in memoriam)* | |
| 252 | *Surfing on Higg's bosons to Kepler – 22b...* | |
| 253 | *Crazyly alone at Christmas, but in the family of universes of sounds* | |
| 254 | *Stormy Tempestings in between Alternatives...: NO-YES…* | 2012 |
| 255 | *E-DU-R-E-DO…* | |
| 256 | *Listening to and looking at Tales & Visions in the opened souls of the STONES in Finnish SMOKESAUNA…* | |
| 257 | *The VALUE around Kalevalavaalavaluja…* | |
| 258 | *Enchanted by the famous pigletpettattoes of Viola Segerstam* | |
| 259 | *A Loving, Serving & Remembering Symfuunic Sinfuunia,: THE UUNIQUE SYMPHUUNIO at Pörskypekkamäntylä No. 149…* | |
| 260 | *Opelic Thoughts & Surfings with TNP-975 in Augustic Landscapes of Suomi-Finland…* | |
| 261 | *MM & MM… Maaslander-Mice & Marslander-Men…* | 2013 |
| 262 | *Inspired by AROS...* | |
| 263 | *Answering No. 212...* | |
| 264 | *2B – EIJING, AAAAA; NONONONONONO:: NOW!!!...* | |
| 265 | *Ei! No!, Ei-no Lei(f)-no... despite 2x grandioso Masses of Morte!... (More Tea... hahhahh)...* | |
| 266 | *Border crossings...* | |
| 267 | *The 8th Wave* | |
| 268 | *Recycling thoughts and memories before a birthday No. 1* | |
| 269 | *Recycling thoughts and memories before and after a birthday No. 2* | 2014 |
| 270 | *Recycling thoughts and memories before and after a Birthday No. 3* | |
| 271 | *Recycling thoughts and memories before and after a Birthday No. 4* | |
| 272 | *Summery Screamings* | |
| 273 | *Knowing – looking – seeing, ... not yet !* | |
| 274 | *Knowing – Seeing, Yes...* | |
| 275 | *Trusting Cyberknife's knowing and seeing...* | |
| 276 | *Successful mental & corpsal combinationcopulations in creative chaoses...* | |
| 277 | *Quintuple musical graffities (dedicated to Viola Segerstam) in six visions for freepulsative orchestra...* | |
| 278 | *Impressions of Nordic Nostalgies at Symposiums in restaurant Korcula, Zagreb...* | |
| 279 | *Surfing on Thoughts & Visions experienced during a mental mezzomarathon of music...* | |
| 280 | *Feeling the Healing surfings in Clouds of Inspirative Iridescence streaming from Grandiose Grandchildren... "in the days After..." (with gratitude resonance vibrating eternally)* | |
| 281 | *A Measurewormic Morning... (for the early birds, not angry and without bar-lines...)* | |
| 282 | *Surviving Subtropic Surroundings in the North of Aurea Borealis...* | |
| 283 | *Always Smiling "if"... (Leif-Live: Le-"if"...!)* | |
| 284 | *Pisces Fishing for Pieces (Peaces)... All Over??? Not Yet!!!* | |
| 285 | *Going On... until... and "beyond"...* | |
| 286 | *Thoughts & Visions in a Life-score Moment...* | 2015 |
| 287 | *Embracing a Garden and feeling Natures Powers...* | |
| 288 | *Letting the FLOW go on...* | |
| 289 | *When a cat visited* | |
| 290 | *Calling the 112 in woody galaxies of the multiverses....* | |
| 291 | *"BBC, ABC...."* | |
| 292 | *In Christmastime 2015: Snow-when, Snow-where, Snow-white, Black..., -out-there, so- ;: Snow-what!!!!* | |
| 293 | *"Feeling the enormous amount of difficult challenges the next generations have to overwin in order to succeed in their lifescores...." (after the teenchildren paid me a visit...)* | 2016 |
| 294 | *Songs of a UNICORN heralding...* | |
| 295 | *ulF SöDErBlom in Memoriam...* | |
| 296 | *Englische Ornamente* | |
| 297 | *Sinfonia (piccola) No. 297 with Royal Cello Obligato Solo...* | |
| 298 | *Stretching thoughts towards...* (Eri Klas in memoriam) | |
| 299 | *Symphony No. 299 with 1–12 Cello Obligat Soli... LAMENT !!!!* – Seppo Laamanen in memoriam!.... | |
| 300 | *STATUS QUO...* | |
| 301 | *"Restarting...." honoring the memory of Juhani Raiskinen....!* | |
| 302 | *"A musical conscience fundamentally & universally"* | |
| 303 | *"Honouring my tonechoosing colleague Dmitri Shostakovich with painting a lot of DSCH-minitatoos on four homepages taken out of the storage library in my musical conscience between my ears..."* | |
| 304 | *WITHOUT BREAX-IN-TO-IT-UNI-ONS & OFFS! U.P.S.H.!,...* | |
| 305 | *KAIT KITES "A-leja", a L-Ei-ja, leijailee-if....* | |
| 306 | *Strawberrylic Surfings during Carnavaltime (8.-10.7.2016) in Suonenjoki... : = Summery Thoughts and Visions zooming penetratively throughout the global ORIGOS in the Rich Finnish Nature....* | |
| 307 | *Digging up old chains of euforic inspirations old-fashionedly looking into Tunnels leading to surrounding dimensions...* | |
| 308 | *Suvereenejä suvireenejä*
*Sovereign Summery Speedings...* | |
| 309 | *"Situations" in freepulsative surfs multiversly... Kalle Holberg in Memoriam* | |
| 310 | *Escaping from today's realities into the healing waves of musical surfings inspired by the Nordic natures status quo...* | 2017 |
| 311 | Sinfonia seriosa. *"Fundeerauksia...*
"Ponderings..."
*President Mauno Koivisto 12.5.2017 in memoriam with musical thoughts...* | |
| 312 | *Seriosa & piccola* | |
| 313 | *The most famously known car registration number...!* | |
| 314 | *π x 4=3,14 & 3,14 & 3,14 & 3,14...* | |
| 315 | ...HELMUT KOHL IN MEMORIAM... | |
| 316 | "Happy Tonechooseries in the Summerfreetimes...." | |
| 317 | A St. Michel-guide to gourmet-tidbits of musical substances | |
| 318 | Standing up surviving after feeling offended and desauvuored with humiliation and mental bypassings yesterdaylicly and seeking now comfort in formulating just "a classical symphonic tonechoosery..." (this time) | |
| 319 | "Ihmisihme...." (A Human Wonder) | 2018 |
| 320 | "Baking music recyclingly ...from a Liedreise" | |
| 321 | Sinfonia piccola. "Rejoicing the medaljeuxes of Finland in the Pyongyang olympics..." | |
| 322 | Sinfonia piccola. "Waiting for the pandalinos to emerge... | |
| 323 | Sinfonia piccola. "PingPingPing Do, PingPingPing LA, PingPingPing SI, PingPingPing STOP..." | |
| 324 | Sinfonia piccola. Next Spring...("SO-IS-THAW...") (NIIN-IS-TÖ) | |
| 325 | Sinfonia piccola. ("Raja-avaimet...") "Borderkeys for the keyboard..." | |
| 326 | Sinfonia piccola. "Tonechooseries in Finnish indian-summer 2018..." | |
| 327 | Sinfonia piccola. "More Tonechooseries in the Finnish Indian Summer 2018" | |
| 328 | Minisinfonia. "Seconda volta of 'Maaslander mice & Marslander men...' rejoicing the successful US space mission" | |
| 329 | Minisinfonia. "More dreamings by Sofia (a Dog...)" | |
| 330 | Minisinfonia. "Oodi Oodille" "An Ode for the Odeion..." | |
| 331 | Minisinfonia. "Musical claims under the heaven of Heinävesi Church..." | 2019 |
| 332 | Minisinfonia. "Thoughts beyond where Sven-David Sandström now is... Mini-Symphony No. 332" | |
| 333 | Minisinfonia. "3+3+3 = 9, 3–4–2 = the morning Tea... 8 ly... Mini-Symphony No. 333" | |
| 334 | Minisinfonia. "Kuoli... ku oli, ku olen, en kuole..." | |
| 335 | Minisinfonia."GIS, g, 2, ess, GIS, e, ess, g... Mini-Symphony No. 335" | |
| 336 | Minisinfonia. "Exoplanet Surfings in ExoticAurorabeams After or Before..." | 2020 |
| 337 | Minisinfonia. "Forrest Gumply..." | |
| 338 | Sinfonia piccola. "Crawling in dolphinformic limbos of thoughts on different levels of consciences towards the multiverses of infinite musical vibrationchoices" | |
| 339 | Sinfonia piccola. "Coronavirus chaoticlies in prisonic moods" | |
| 340 | Minipiccola Symphony. "Hääyöaie..." | |
| 341 | Mini Sinfonia Piccola. "In changing moods surfing..." | |
| 342 | "Musical perseverences..." ("Marslander Mail...") | |
| 343 | Sinfonia piccola. "Surfing with Musical Beam, Lase or Brain Currents, with Aims at Mars..." | 2021 |
| 344 | "Saluting a royal soul...", bordercrossingly... | |
| 345 | Minisinfonia piccola. "Returning to standard,normal tonechoosing therapy....." | |
| 346 | Minisinfonia piccola. "At a Notationtable ..." (again) | |
| 347 | Minisinfonia piccola. "Repeated Thoughts with different visioms..." | |
| 348 | Minisinfonia piccola. "Tonechoosing and notations during & after the Riika-Storm in Mid-Finland" | |
| 349 | Sinfonia piccola. "The last on in July... connecting with 335..." | |
| 350 | Sinfonia piccola. "Tonechooseries post corona" | 2022 |
| 351 | Minisinfonia. "Despite the worlds situation...!" | |
| 352 | Minisinfonia. "At Midsummer Time freepulsatively..." | |
| 353 | Minisinfonia. "A suite to follow suite, sweet & salty, sur fing free-pulsative this life-score... " | 2023 |
| 354 | "(for the four papers...) in Aino Kliniikka, a "clean" "friendbrothership".... " | |

## Sources


title: Pink Elephants

abstract: Pink Elephants is Mick Harvey's second album of Serge Gainsbourg covers, released in 1997.

text:
# Pink Elephants

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *Entertainment Weekly* | B |

***Pink Elephants*** is Mick Harvey's second album of Serge Gainsbourg covers, released in 1997.

## Critical reception

*Entertainment Weekly* wrote that "Harvey’s English versions of Gainsbourg songs maintain the latter’s lounge-lizard perversions, hilarious existential angst, and theatrical grandeur." *Trouser Press* called "I Love You...Nor Do I", the Anita Lane and Nick Cave duet, "erotic" and "the album’s centerpiece."

## Track listing

All tracks composed by Serge Gainsbourg, except where indicated.

1. "Pink Elephants" (Mick Harvey, Bertrand Burgalat) – 2:35
2. "Requiem. . ." (Gainsbourg, Michel Colombier) (translation: Larry Norman, Pierre Gottfried Imhof, & Harvey) – 2:35
3. "The Javanaise" (translation: Harvey) – 2:30
4. "Black Seaweed" (translation: Norman, Imhof, & Harvey) – 2:21
5. "Comic Strip" (translation: Bill Soly) – 2:42
6. "The Ticket Puncher" (translation: Harvey & Alain Chamberlain) – 2:50
7. "Non Affair" (translation: Norman, Imhof, & Harvey) – 2:30
8. "Scenic Railway" (translation: by Norman, Imhof, & Harvey) – 2:52
9. "To All the Lucky Kids" (translation: Norman, Imhof, & Harvey) – 3:53
10. "Anthracite" (translation: Norman, Imhof, & Harvey) – 2:20
11. "Manon" (translation: Norman, Imhof, & Harvey) – 2:20
12. "I Love You...Nor Do I" (Harvey) – 4:38
13. "The Ballad of Melody Nelson" (Gainsbourg, Jean-Claude Vannier) (translation: Sarah Owen & Harvey) – 1:56
14. "Torrey Canyon" (translation: Owen & Harvey) – 3:12
15. "Who Is 'In' Who Is 'Out'" (translation: Harvey & Chamberlain) – 3:14
16. "Hotel Specific" (Gainsbourg, Jean-Claude Vannier) (translation: Harvey, Katy Beale, & Chamberlain) – 3:42

## Personnel

* Mick Harvey – vocals, guitar, bass
* Anita Lane – vocals on "I Love You...Nor Do I" and "The Ballad of Melody Nelson"
* Nick Cave – vocals on "I Love You...Nor Do I"
* Chris Hughes – drums
* Nick Burton – violin
* Steve Bentley-Klein – violin
* James Cruickshank – organ, vocals
* David McClymont – bass
* Loene Carmen – backing vocals on "Torrey Canyon" and "Who Is 'In' Who Is 'Out'"
* Monica McMahon – backing vocals on "Torrey Canyon" and "Who Is 'In' Who Is 'Out'"
* Abigail Trundle – cello
* Bertrand Burgalat – string arrangements
* Kiernan Box – accordion on "The Javanaise"
* Eleanor Gilchrist – violin
* Theresa Whipple – viola
* Jeremy Morris – violin
* Sarah Beardsley- guitar

**Technical**

* P.A. Taylor - sleeve layout
* Katy Beale - photography

## InfoBox

| Pink Elephants | |
| --- | --- |
|  | |
| Studio album by Mick Harvey | |
| Released | 27 October 1997 |
| Genre | Rock |
| Length | 46:45 |
| Label | Mute |
| Producer | Mick Harvey with Victor Van Vugt and Tony Cohen |
| Mick Harvey chronology | |
| *Intoxicated Man*
(1995) ***Pink Elephants***
(1997) *One Man's Treasure*
(2005) | |