title: Tyler Summitt

abstract: Ross Tyler Summitt is a former American college basketball player and coach.

text:
# Tyler Summitt

**Ross Tyler Summitt** (born September 21, 1990) is a former American college basketball player and coach.

## Early years

Summitt was born September 21, 1990, to R. B. Summitt, II and Pat Head Summitt. Pat Summitt was a former head coach of the University of Tennessee women's basketball team. Throughout his childhood, Summitt was often photographed with his mother at UT women’s basketball games and championships. In 2006, Summitt graduated *cum laude* from high school at the Webb School of Knoxville where he was a three-year starter in basketball. In his senior year, Summitt earned Scholar-Athlete of the Year and the Spartan Award as a point guard. He played basketball at the University of Tennessee as a freshman and sophomore. He was a 6'1", 180 lb guard.

## Coaching career

### Marquette University

Summitt served as scouting coordinator and offensive coach for Marquette University from 2012 to 2014.

### Louisiana Tech

On April 1, 2014, Summitt was hired as head coach for women’s basketball in Louisiana Tech University. He led his team to a 16–15 record in his first season and 14–16 in his last season. Summitt resigned on April 7, 2016, after an extramarital affair with player Brooke Pumroy was exposed.

## Head coaching record

Statistics overview
| Season | Team | Overall | Conference | Standing | Postseason |
| --- | --- | --- | --- | --- | --- |
| **Louisiana Tech Lady Techsters**  *(Conference USA)* (2014–2016) | | | | | | | | |
| 2014–15 | Louisiana Tech | 16–15 | 10–8 | T–7th |  |
| 2015–16 | Louisiana Tech | 14–16 | 9–9 | T–6th |  |
| **Louisiana Tech:** | | 30–31 (.492) | 19–17 (.528) |  | | | | |
| **Total:** | | 30–31 (.492) |  | | | | | | |
| National champion         Postseason invitational champion
Conference regular season champion          Conference regular season and conference tournament champion
Division regular season champion       Division regular season and conference tournament champion
Conference tournament champion | | | | | | | | |

## Personal life and controversy

Summitt was first married to Anne Dennis "AnDe" Ragsdale, whom he wed on June 1, 2013.

In 2012, Summitt was a first-year assistant coach at Marquette University where freshman student Brooklyn Pumroy was a guard. In 2014, Summitt was hired as the head coach of women's basketball at Louisiana Tech University, prompting Pumroy to transfer to that school, which sparked rumors that she and Summitt were involved in an extramarital affair.

Rochelle Vasquez, who was a junior guard and Pumroy's roommate, said athletic director Tommy McClelland and other school officials knew about the affair. Vasquez and the team's leading scorer, Brandi Wingate, said Pumroy had told them about the affair and that the team's perception of Summitt's favoritism for Pumroy divided the team to the point that players were resorting to violence against each other. Amid the scandal, the team lost seven of its last nine games.

Summitt resigned from his position at Louisiana Tech University on April 7, 2016. Summitt and Ragsdale divorced in June 2017, and he married Pumroy in December 2018. Summitt and Pumroy live in London, Ohio with their sons, Breck and Rocky, and daughter, Patricia.

In 2019, Brooke Summitt was hired as head coach of Fairborn High School girls basketball. When the announcement of her hire was released, it included a quote from Brooke Summitt saying her husband would be her assistant coach. After backlash followed the announcement of Summitt as assistant coach, Fairborn High School athletic director Kevin Alexander called the quote a miscommunication and announced that Tyler Summitt had not applied for the job nor had he been approved by the Fairborn City School board of education as required, and that Tyler Summitt would not coach at the high school.

Summitt has said he will no longer coach professionally. He receives more than $173,000 a year as the beneficiary of his mother's state pension. Summitt helps with the Pat Summitt Foundation and efforts to fight Alzheimer’s disease.

## InfoBox

Tyler Summitt
| Biographical details | |
| --- | --- |
| Born | (1990-09-21) September 21, 1990
Knoxville, Tennessee, U.S. |
| Playing career | |
| 2010–2012 | Tennessee |
|  | |
| Position(s) | Guard |
| Coaching career (HC unless noted) | |
| 2012–2014 | Marquette (assistant) |
| 2014–2016 | Louisiana Tech |
|  | |
| Head coaching record | |
| Overall | 30–31 (.492) |
|  | |


title: Tylochromis jentinki

abstract: Tylochromis jentinki is a species of fish belonging to the Cichlidae family. The species is found in the costal rivers of Gambia to the Tano River in Ghana. The fish maximum length is 27 cm (11 in) long (SL).

text:
# Tylochromis jentinki

***Tylochromis jentinki*** is a species of fish belonging to the Cichlidae family. The species is found in the costal rivers of Gambia to the Tano River in Ghana. The fish maximum length is 27 cm (11 in) long (SL).

## InfoBox

| *Tylochromis jentinki* | |
| --- | --- |
|  | |
| Conservation status | |
|
Least Concern  (IUCN 3.1) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Actinopterygii |
| Order: | Cichliformes |
| Family: | Cichlidae |
| Genus: | *Tylochromis* |
| Species: | ***T. jentinki*** |
| Binomial name | |
| ***Tylochromis jentinki***
(Steindachner, 1894) | |
|


title: Type 96 armored personnel carrier

abstract: Type 96 wheeled armored personnel carrier The Type 96 wheeled armored personnel carrier is an armoured vehicle that entered service with Japan in 1996, manufactured by Komatsu. This vehicle complements the existing fleet of tracked Type 73 armored personnel carriers already in service with plans to eventually replace it.

text:
# Type 96 armored personnel carrier

The **Type 96 wheeled armored personnel carrier** (96式装輪装甲車, *kyuu-roku-shiki-sourin-soukou-sha*) is an armoured vehicle that entered service with Japan in 1996, manufactured by Komatsu. This vehicle complements the existing fleet of tracked Type 73 armored personnel carriers already in service with plans to eventually replace it.

## History

Komatsu produced the first Type 96 in 1996 in service with the JGSDF. Development first started in 1992 with a prototype vehicle produced in 1994.

In March 2021, a Type 96 APC was shown with Type 70 MiclicC system mine clearing equipment.

## Design

The driver sits on the right side of the vehicle with the engine to his left, who also has its own hatch. This position is fitted with three periscopes, the center of which can be replaced by a passive night vision periscope. Behind the driver is the commander/gunner in a cupola that traverses 360° that can carry either a 40 mm grenade launcher (Type A) or a .50 caliber (12.7 mm) M2HB machine gun (Type B).

Its suspension is based on a double wishbone type suspension with torsion bars on the front two axles and trailing arm type torsion bars on the rear two axles. The Type 96 can be driven between all-wheel drive (8x8) and rear 2-axle drive (4x8).

The passenger compartment has space for 8 infantrymen who can use 2 firing ports on each side. They can dismount via rear hydraulic ramp, but a built-in door can be used in case the hydraulics do not work. In case of casualty evacuation, the spacious interior can be used to load stretchers inside.

When the Type 96 was deployed to Iraq previously, it appeared that the driver's position was fitted with an assembly of three windows to enable the person to drive with his head out of the vehicle for greater situational awareness while still protected from small-arms fire. It also included additional armor for protection. The Central Readiness Regiment (CRR) uses it with additional armor installed on the sides, which is known as the "Type 96 Wheeled Armored Vehicle Type 2".

## Replacement

On 10 January 2017, a new 8×8 APC prototype called the **Wheeled Armoured Vehicle (Improved)** was handed off to the JSDF to replace the 365 Type 96 vehicles in service. Developed by the Japanese Defense Ministry in collaboration with Komatsu Limited, this next generation wheeled vehicle was designed to offer more protection against improvised explosive devices (IEDs) with a similar layout to the Patria AMV and Stryker, providing a family of different vehicles on a common chassis. The new vehicle proposed is longer, higher and heavier than the Type 96. Around $41 million USD was invested by the Ministry of Defense.

The *Wheeled Armoured Vehicle (Improved)* prototype is 8.4 m (28 ft) long, 2.5 m (8.2 ft) wide, and 2.9 m (9.5 ft) high, weighing 20 tons and carries two crew and nine troops with a new more powerful 500 hp diesel engine and strengthened suspension to run at 100 km/h. The vehicle will equip JGSDF combat and combat-support units for peacekeeping operations as well as “counter island invasion” scenarios. Trials of the prototype were intended to continue until 2019. This was due to issues with the armor quality of the prototypes. The Japanese Ministry of Defense announced that further prototype testing would end in 2018, due to concerns of a lack of adequate bulletproofing material that can be used and whether revisions can be made to meet the target production and the costs in time.

The MOD reported that they would continue to look for suitable APCs to replace the Type 96. Among the vehicles tested included the LAV 6.0, the Patria AMV and the Mitsubishi Mobile Armored Vehicle.

On 9 December 2022, the Japanese Ministry of Defense awarded a contract for the Patria AMV through Patria Japan.

## Operators

* Japan: 365 vehicles had been produced as of 2014.

## InfoBox

| Type 96 wheeled armored personnel carrier | |
| --- | --- |
| A Type 96 on display at Narashino | |
| Type | Armored personnel carrier |
| Place of origin | Japan |
| Service history | |
| In service | 1996–present |
| Used by | Japan |
| Production history | |
| Manufacturer | Komatsu |
| Unit cost | * $USD 1.6 million (2012) * 120 million yen (2014) |
| Produced | 1996–present |
| No. built | 365 (2014) |
| Specifications | |
| Mass | 14.6 tonnes (16.1 short tons) |
| Length | 6.84 metres (269 in) |
| Width | 2.48 metres (98 in) |
| Height | 1.85 metres (73 in) |
| Crew | 2 + 8 |
| --- | |
| Main
armament | 1x Type 96 40mm Automatic grenade launcher or 1x 12.7 mm M2HB machine gun |
| Engine | Mitsubishi 6D40 water-cooled 6-cylinder diesel
360 hp |
| Suspension | 8x8 wheeled |
| Operational
range | 500 kilometres (310 mi) |
| Maximum speed | 100 kilometres per hour (62 mph) (road) |
| References |  |


title: Type 96 25 mm AT/AA gun

abstract: Type 96 25 mm gun The Type 96 25 mm gun was an automatic cannon used by the Imperial Japanese Navy during World War II. A locally-built variant of the French Hotchkiss 25 mm anti-aircraft gun, it was designed as a dual-purpose weapon for use against armored vehicles and aircraft, but was primarily used as an anti-aircraft gun in fixed mounts with one to three guns.

text:
# Type 96 25 mm AT/AA gun

The **Type 96 25 mm gun** (九六式二十五粍高角機銃, *Kyūroku-shiki nijyūgo-miri Kōkakukijū*) was an automatic cannon used by the Imperial Japanese Navy during World War II. A locally-built variant of the French Hotchkiss 25 mm anti-aircraft gun, it was designed as a dual-purpose weapon for use against armored vehicles and aircraft, but was primarily used as an anti-aircraft gun in fixed mounts with one to three guns.

## History and development

In 1935 the Imperial Japanese Navy decided to replace the earlier 40 mm Vickers "pom-pom" guns with a 25 mm Hotchkiss design. A party of Japanese officers and engineers traveled to France to evaluate the design in 1935, and an order was placed for a number of guns and mounts for evaluation. Firing tests of these guns were conducted at Yokosuka Naval Arsenal in 1935. The first few weapons were built in France under the designation *Type 94* and *Type 95*, with the mass production model produced at the Yokosuka Arsenal being designated *Type 96*.

The Japanese made a number of minor changes to the original Hotchkiss design and production process, changing some components from forgings to castings to simplify production, and replacing the simple conical flash suppressor with a Rheinmetall-type design. A submarine-mountable version of the gun which made extensive use of stainless steel was also produced.

The double-mount type was the first to enter service, with triple mounts following in 1941 and finally single mounts later in 1943.

## Design

The Type 96 25mm gun is a simple air-cooled gas operated design. The barrel is a forging screwed into the breech mechanism. Additional support is provided to the breech end of the gun barrel by the finned cooling jacket. The barrel is changeable, requiring two men and special tools; the operation took a trained crew approximately five minutes. By adjusting the gas valve setting it was possible to vary the rate of fire between 200 and 260 rounds per minute, with 220 rounds per minute being the standard setting.

The gun mounts were normally provided with one of three gun sights:

* A *Le Prieur* mechanical lead computing sight
* An open ring sight
* An etched glass optical ring sight

Land mountings and all single mountings all used the single open-ring sight. The Type 95 sight was used on ship-based multiple mounts, in the case where the mount has a powered drive linked to a fire director it was used as a backup.

The Type 95 sight was originally designed with a maximum target speed of 600 km/h (370 mph); however, experience showed that aircraft often exceeded this speed. To compensate for the problem, a ring was added to the sighting telescope to provide an additional offset for speeds up to 900 km/h (560 mph).

The gun was normally used without a gun shield, although some multiple mounts on *Yamato*-class battleships were fitted with a Ducol high tensile steel shields. Many ship-based mounts also had splinter shields.

### Ammunition

The Type 96 cartridge case was a rimless type design with a deep extraction groove at the base. The projectiles fired by the weapon were slightly unusual in that they had two rotating bands. The forward band was slightly smaller in diameter than the rear band. It was believed that this was to reduce wear on the rifling near the chamber. The case of the cartridge was crimped around the rear rotating band. The complete round weighed approximately 820 g (1.81 lb) with the projectile weighing 320 g (0.71 lb).

The propellant was 102 grams of single-perforated, graphited grains of nitrocellulose approximately 2 mm in diameter and between 2.5 and 4.5 mm in length.

Normally one tracer round was added every four or five rounds to aid laying.

* High-explosive shell. Orange body.
* High explosive incendiary. Green body.
* High explosive tracer. Orange or red body.
* High explosive tracer self-destroying. Orange or red body.
* Armor-piercing. Black, white or smoky blue body. Approx 42 mm penetration at 0-100 m and 0 degrees from normal.

## Variants

* Type 94 - French built
* Type 95 - French built
* Type 96 - Built in Japan
    + Type 96 Model 1 - Used on land and in warships in single, double and triple mountings (also known as double 25 and triple 25). The single mount was free swinging, while double and triple mounts had hand-wheel traverse.
    + Type 96 Model 2 - Used on warships in double and triple mountings.
    + Type 96 Model 3 - Used on warships in single free-swinging mounts.
    + Type 96 Model 4 - Used on submarines, in single, double and triple mounts. Single mounts can be manually lowered into the submarine.
        - Type 96 Model 4 mod 1 - Used on submarines in free-swinging single mounts. Could not be lowered into the submarine.
        - Type 96 Model 4 mod 2 - Used on submarines in free-swinging single mounts. Could be remotely lowered into the submarine.
    + Type 96 Model 5 - Used on submarines in twin and triple geared mounts.
    + Type 96 Model 6 - Used on land on single gun twin wheel carriages.
    + Type 96 Model 8 - Used on land on single gun twin wheel carriages.
    + Type 96 Model 10 - Used on torpedo boats on a ring mounting with geared elevation in single gun mounts.

## Combat record

The Type 96 was the standard Japanese medium anti-aircraft weapon of the Imperial Japanese Navy, being mounted aboard practically every ship in the fleet. The gun was also used in land bases in the Japanese Empire and in the Japanese overseas combat fronts. These weapons were also used as anti-tank guns in some defensive actions in Pacific theaters and against land objectives in southeast Asia/Chinese mainland during the Pacific War. The gun was used by the Viet Cong during the Vietnam War. It was also used by the Bougainville Revolutionary Army during the Bougainville Civil War which lasted from 1988-1998.

## Effectiveness

In interviews conducted by the U.S. Naval Technical Mission to Japan after the end of the war, Japanese military personnel said it was the most reliable Japanese anti-aircraft weapon, but second in effectiveness to the 100 mm (3.9 in) Type 98 anti-aircraft gun. The Type 96 was most effective when used at ranges of 1,000 meters or less. The Japanese military estimated that it required an average of 1,500 rounds to shoot down an aircraft at a height of 1,000 meters and a range of 2,000 meters, and that fire beyond that range was completely ineffective. Later in the war, when ammunition supply was restricted, firing was held until the targets were within 800 meters range, dropping this ratio to as low as seven rounds per aircraft.

The Type 96 was a mediocre weapon compared to its contemporaries in other navies. It was hampered by slow training and elevating speeds (even in power-operated triple mounts), excessive vibration and muzzle flash, and that the ammunition feed was via a 15-round fixed magazine, which necessitated ceasing fire every time the magazine had to be changed. According to "US Naval Technical Mission to Japan report O-47(N)-2", all magazines had to be loaded by hand as no specialized loading equipment was ever developed. Overall, it was more comparable to the 20 mm Oerlikon, though vastly inferior to the 40mm Bofors weapons used by the US and allies in every respect except rate of fire (and only barely in that respect: the Bofors could put out a sustained 120 rounds per minute because of its constant-fire top-fed ammo clip design, whereas the 25mm's frequent ammo box changes lowered its nominal rate of fire to only half of its theoretical maximum of 260 rounds per minute).

The Japanese ranked in order of seriousness the problems with the gun as:

* Elevation and traverse were too slow, even with powered mounts
* The sights were ineffective against high speed targets
* Firing the multiple mounts caused excessive vibration, which reduced accuracy and prevented effective target tracking
* Too little ammunition in each magazine resulted in a low overall rate of fire

In *Rapid Fire*, Anthony Williams writes that the intermediate caliber weapons (including the US Navy's 1.1"/75 caliber gun 28×199mm L/75) were relatively unsuccessful during World War II: the mounts were much heavier and more complex than smaller calibre guns, but the shells lacked the range and hitting power of the larger 37 and 40 millimeter weapons. The Japanese viewed increasing the caliber of autocannons as the number one priority of research and development in the field.

* Bishop, Chris (eds) *The Encyclopedia of Weapons of World War II*. Barnes & Nobel. 1998. ISBN 0-7607-1022-8.
* Campbell, John (1985). *Naval Weapons of World War Two*. Annapolis, Maryland: Naval Institute Press. ISBN 0-87021-459-4.
* Chant, Chris. *Artillery of World War II*, Zenith Press, 2001, ISBN 0-7603-1172-2.
* McLean, Donald B. *Japanese Artillery; Weapons and Tactics*. Wickenburg, Ariz.: Normount Technical Publications 1973. ISBN 0-87947-157-3.

## InfoBox

| Type 96 25 mm dual purpose gun | |
| --- | --- |
| Type 96 25 mm AA gun at the Philippine Army Museum | |
| Type | Anti-Aircraft/Anti-tank, Autocannon |
| Place of origin | Empire of Japan |
| Service history | |
| In service | 1936–1945 |
| Used by | Imperial Japanese Navy |
| Wars | World War II
Chinese Civil War
Indonesian National Revolution
Malayan Emergency
Korean War
First Indochina War
Vietnam War |
| Production history | |
| Designer | Hotchkiss |
| Designed | 1935 |
| No. built | 33,000 |
| Specifications | |
| Mass | Single barrel: 785 kg (1,731 lb)
Twin barrel: 1,100 kg (2,400 lb)
Triple barrel: 1,800 kg (4,000 lb) |
| Barrel length | 1.5 m (4 ft 11 in) L/60 |
| Crew | 9, 7 or 3 depending on number of barrels |
| --- | |
| Shell | 25×163mm |
| Caliber | 25 mm (0.98 in) |
| Action | Gas operated |
| Elevation | -10° to +85° |
| Traverse | 360° |
| Rate of fire | 200–260 rpm (cyclic)
110 rpm (effective) |
| Muzzle velocity | 820 m/s (2,700 ft/s) |
| Effective firing range | 6.8 km (4.2 mi) at 45° with HE shell |
| Maximum firing range | 3 km (9,800 ft) (effective)
5.5 km (18,000 ft) (maximum) |
| Feed system | 15-round box magazine |


title: Tyler Dennett

abstract: Tyler Dennett was an American historian and educator. He received the 1934 Pulitzer Prize for Biography or Autobiography for his 1933 book John Hay: From Poetry to Politics.

text:
# Tyler Dennett

| Tyler Dennett | |
| --- | --- |
|  | |
| 3rd Department of State Historian | |
| **In office**
1924–1931 | |
| Preceded by | Harry Dwight |
| Succeeded by | David Hunter Miller |
|  | |
|  | |

**Tyler Dennett** (June 13, 1883 Spencer, Wisconsin – December 29, 1949 in Geneva, New York) was an American historian and educator. He received the 1934 Pulitzer Prize for Biography or Autobiography for his 1933 book *John Hay: From Poetry to Politics*.

## Early career and education

Born in Wisconsin, but raised in Rhode Island, Dennett graduated high school as valedictorian from the Moses Brown School in Providence. In 1900, Dennett enrolled at Bates College and then transferred to Williams College as a sophomore. At Williams, he was a member of the football team. After his graduation in the spring of 1904 and a year of work in Williamstown, Massachusetts he attended the Union Theological Seminary, where he was awarded a Bachelor of Divinity in 1908. He served briefly as a Congregational minister before leaving to pursue a career in journalism.

## Career

Among his early scholarly writings were *The Democratic Movement in Asia* (1918) and *A Better World* (1920). In 1922, he published *Americans in Eastern Asia*, a study of American policy in the Far East, which was well received and was long held as an important work in the field. Dennett published "President Roosevelt's Secret Pact with Japan" in 1924, the subject of which came to be known as the Taft–Katsura Agreement. The paper put forth the thesis that formerly-isolationist Japan and the US began to carve up their spheres of influence, which would later become world empires, with the agreement, which was therefore of first-class importance historically. Later historians questioned that interpretation. Dennett was awarded a Ph.D. in history from Johns Hopkins University in 1925 based on this research on Theodore Roosevelt and the Russo-Japanese War.

He taught American history at Johns Hopkins University (1923–24) and at Columbia University (1927–28), and international relations at Princeton University (1931–34). Most significantly, Dennett served as president of Williams College (1934–37), resigning after a disagreement with the college's board of trustees. The trustees planned to purchase the Greylock Hotel, which later became a dorm, but at the time Dennett felt the hotel had no useful purpose for the college. Dennett was also one of the future college presidents to speak out against Nazi Germany during this period, ending academic exchange programs with Nazi Germany in 1936.

He received the 1934 Pulitzer Prize for Biography or Autobiography for his book, *John Hay: From Poetry to Politics* (1933).

## Death

He died in Geneva, New York in 1949.

## Further reading

* Borg, Dorothy. "Two historians of the Far Eastern policy of the United States: Tyler Dennett and A. Whitney Griswold," in Dorothy Borg and Shumpei Okamoto, eds., *Pearl Harbor as History: Japanese-American Relations, 1931-1941* (1975) pp 551–574.

## InfoBox

| Tyler Dennett | |
| --- | --- |
| Born | June 13, 1883
Spencer, Wisconsin |
| Died | December 29, 1949
Geneva, New York |
| Nationality | American |
| Alma mater | Williams College (BA)
Union Theological Sem. (BD)
Johns Hopkins University (PhD) |
| Occupations | * Historian * educator * writer |


title: Tyler Ward

abstract: Tyler Ray Ward is an American independent singer, songwriter, and producer. On his YouTube channel, he has over 2 million subscribers with 5+ billion views. Ward also has a strong social media following on sites like Facebook, Twitter, Instagram, and Spotify.

text:
# Tyler Ward

**Tyler Ray Ward** (born March 12, 1984) is an American independent singer, songwriter, and producer. On his YouTube channel, he has over 2 million subscribers with 5+ billion views. Ward also has a strong social media following on sites like Facebook, Twitter, Instagram, and Spotify.

## Personal life

Before Ward had interest in music, his focus was on athletics. After graduating from high school, he enrolled at the United States Air Force Academy Preparatory School, where he studied and played football. Ward left the Air Force Academy after his first semester and transferred to University of Northern Colorado as a scholarship collegiate football athlete.

## Musical career

Ward has become a well-known artist in part through his use of social media, posting a mix of covers and originals on YouTube. He has successfully completed five worldwide headlining tours and has played shows with many mainstream artists including Switchfoot, the Beach Boys, Aloe Blacc, the Jonas Brothers, the Fray, Yung Joc, and many more. Through his music video career, Ward has performed and produced most of his early songs and many of the current ones in his parents' basement, which he later turned into a proper recording space. Nowadays, Ward produces most of his music on the road or in his Los Angeles recording studio. Ward was number five on *Billboard*'s Top 100 Uncharted List and was also ranked on Billboard's Social 50 Chart for several weeks.

In 2011, Ward performed a duet with the Band Perry, celebrating the Academy of Country Music Awards, and went on a tour with Boyce Avenue. Later that year, he performed with Christina Grimmie live on *The Ellen DeGeneres Show*. Their performance aired nationwide on October 10, 2011.

On September 25, 2012, Ward released an EP titled *Hello. Love. Heartbreak.* on iTunes. In early January 2013, the artist confirmed that he had signed with Sony Music Germany.

In June 2013, Jason Derulo joined Ward by singing the acoustic version of "The Other Side".

In October 2013, Warner Music Group retained seven YouTube stars, including Ward, Kina Grannis, and Peter Hollens, to help promote a new single by Hunter Hayes and Jason Mraz. Ward and the others independently recorded versions of the song, "Everybody's Got Somebody But Me"; these were subsequently mashed up into a video posted exclusively on YouTube. This was the first such venture by Warner, whose senior vice-president for interactive marketing said optimistically that "\[f\]or some kids, people like Kurt Schneider and Tyler Ward are people that they trust."

Ward released his debut album on October 18, 2013, titled *Honestly*. It included twelve original songs that featured up-and-coming artists including Alex G. and Lindsey Stirling. Ward completed his fifth headlining tour in the winter of 2015 in Europe and North America.

In December 2015, he was picked as Elvis Duran's Artist of the Month and was featured on NBC's *Today* show hosted by Kathy Lee Gifford and Hoda Kotb and broadcast nationally, where he performed live his single "Yellow Boxes".

In 2016, after the tragic death of Christina Grimmie, Tyler released a music video named "A song for Christina Grimmie", dedicated to her and their friendship.

Between 2017 and 2018, Ward released ten original singles. His song "What It's Like to Be Lonely" was well received by critics and fans.

## Discography

### Albums

List of studio albums, with selected chart positions
| Title | Details |
| --- | --- |
| *Honestly* | * Released: October 18, 2013 * Label: Tyler Ward Studios, Sony Music * Formats: CD, digital download |

### EPs

List of EPs, with selected chart positions
| Title | Details |
| --- | --- |
| *Yellow Boxes* | * Released: October 1, 2015 * Label: Tyler Ward Studios, Sony Music * Formats: CD, digital download |

### Singles

List of singles, with selected chart positions
| Title | Year | Album |
| --- | --- | --- |
| "The Way We Are" | 2012 | *Honestly* |
| "Falling"
(featuring Alex G)"
Official German Release | | 2013 |
| | | "Forever Starts Tonight" |
| | | "Some Kind of Beautiful"
(featuring Lindsey Stirling) |
| "Beginning of a Bad Idea" | | 2014 |
| | | "Hoopty Hoop" |
| | | "SOS" |
| "What It's Like to Be Lonely" | 2017 | Non-album single |
|

## InfoBox

| Tyler Ward | |
| --- | --- |
| Ward performing in 2014 | |
| Background information | |
| Birth name | Tyler Ray Ward |
| Born | (1984-03-12) March 12, 1984 |
| Origin | Aurora, Colorado, U.S. |
| Genres | Acoustic rock, country pop |
| Occupation | Musician |
| Instruments | * Vocals * guitar * piano * bass * drums |
| Years active | 2007–present |
| Labels | Tyler Ward Studios, Sony Music |
|  | |
| Website | tylerwardmusic.com |


title: Tyrone (producer)

abstract: Triumph Grandeur is a Nigerian record producer. His love for music started at age 9 when he learned to play various musical instruments such as drums, piano, and guitar. He grew to become a music producer in Nigeria, producing popular tracks like Olamide's multi-award-winning ‘Voice of the Street’ in his 2012 YBNL Album; Reminisce’ Baba Hafusa, Grind and award-winning ‘Local Rappers’ which featured Olamide & Phyno. He has worked with other Nigerian artists including 2Baba, Ruggedman, Wande Coal, M.I Abaga, Vector, May D, Brymo, Solidstar, D'Prince, DJ Xclusive, Shank, Tillaman, Skales, Taiwon, Del City, Eben, and Jahdiel. He's also one Nigerias most respected radio personalities currently working as the corporate brand manager and group head of Production in one of Nigeria's biggest radio corporation group, CoolFM, Wazobia FM & Nigeria Info and most recently Arewa radio. He is the sound coordinator for Wazobia TV and Wazobia Max. He has trained artists in voice-overs, singing, and production.

text:
# Tyrone (producer)

**Triumph Grandeur** (known professionally as **Tyrone**, born 1 August) is a Nigerian record producer.

His love for music started at age 9 when he learned to play various musical instruments such as drums, piano, and guitar. He grew to become a music producer in Nigeria, producing popular tracks like Olamide's multi-award-winning ‘Voice of the Street’ in his 2012 YBNL Album; Reminisce’ Baba Hafusa, Grind and award-winning ‘Local Rappers’ which featured Olamide & Phyno. He has worked with other Nigerian artists including 2Baba, Ruggedman, Wande Coal, M.I Abaga, Vector, May D, Brymo, Solidstar, D'Prince, DJ Xclusive, Shank, Tillaman, Skales, Taiwon, Del City, Eben, and Jahdiel.

He's also one Nigerias most respected radio personalities currently working as the corporate brand manager and group head of Production in one of Nigeria's biggest radio corporation group, CoolFM, Wazobia FM & Nigeria Info and most recently Arewa radio. He is the sound coordinator for Wazobia TV and Wazobia Max.

He has trained artists in voice-overs, singing, and production.

## Early life

Tyrone was born in Delta State and spent his early life there before moving with his parents to Lagos. He attended the University of Lagos and obtained a BSc in microbiology. He started his career in production as a student of Unilag where he joined a music group, Rock Solid, and was an active member with the likes of Nollywood actor, OC Ukeje and singer J’odie (Kuchi Kuchi) amongst other members- this same group which produced KUSH, one of Nigeria's R&B/contemporary bands at the time. He later became HOD of the group.

## Career

**Music production**

At the earliest part of his music career, he co-founded a record label, Beatmap, with John Black with member Artists Zeal, Goldie and DelCity. Tyrone officially pulled out of the record label a few years later to pursue his personal career.

In 2015, he produced Reminisce’ ‘Local Rappers’ that featured Olamide & Phyno. This track won ‘Best Hip-Hop Track in the TooXclusive Awards 2015. He produced 2 other tracks, ‘Baba Hafusa’ and ‘Grind’ on Reminisce’ third album, Baba Hafusa, an album that sold over 500,000 copies in Nigeria in 2 weeks. This album is one of the most successful hip-hop albums in Nigeria.

He was one of the producers of Olamide's YBNL Album (4)(5) that won Best Rap Album of the Year and Album of the Year in The Headies 2013, and also won Best Album of the Year in the 2013 Nigeria Entertainment Awards (13) (11). In this Album, Tyrone personally produced ‘Voice of the Streets’. This track was nominated Lyricist on the Roll in The Headies 2013 and Music Video of the Year in the 2013 Nigerian Entertainment Awards (11).

Tyrone produced DJ Xclusive's Kontrol remix (17) featuring W4, Ara remix featuring Brymo and No Time’ in the Album ‘According to X’ which featured May-D, Tillaman, and Skales.

Tyrone was one of the producers of Goldie's 2012 Album, ‘Gold Reloaded’ (9); Ruggedman's ‘Untouchable’ Album released in 2010; Vector's album, ‘The Second Coming’

Other music artists Tyrone has produced for include DelCity(15), MBryo(16), Pepenazi, Bebe Sumtin, popular gospel Artists, Eben and Jahdiel.

Movie post-production

Taste of Love (2015): Tyrone produced the official soundtrack and handled the scoring/post production of this movie series, Taste of Love, which was Nigeria's first indigenous telenovela.

‘Royal Castle’ (2015): The movie scoring and production of the official soundtrack was done by Tyrone.

‘Heavens Hell’: The movie scoring and sound production was done by Tyrone. He produced the radio trailers and promotions for this movie

He also produced radio trailers and promotions for the following movies: ‘Inale’, ‘Last Flight to Abuja', ‘Mirror Boy’ and others.

Radio and entertainment

Tyrone has worked with different radio stations including Cool FM, Wazobia FM, Nigeria Info, Nigezie. In 2013, he worked with the CEO Kwame in re-branding the sound of Nigezie by creating new imaging materials.

He produced a number of radio programs including a whole season of ‘*The Pepsi Chart Show’*, in 2012 for Cecil Hammond which aired on major radio stations in Nigeria; ‘Nigeria Manifesto’: He produced this program working with Nicolas Okoye (CEO Anabel Group, former Dep Gen Manager, Nigerian Stock Exchange); ‘The Business’: a weekly magazine program.

He is also a creative writer and produces numerous radio jingles in Nigeria (12); He handles sound branding, sound coordination and imaging for radio and TV Stations. He handled the station imaging for Cool FM which won them the ‘Radio Channel with Best Station Imaging’ in the Nigerian Broadcasters Merit Awards 2014 (14).

## Music production controversy

In 2014, news sources reported that the beat for Olamide's biggest hit, Durosoke, was originally produced by Tyrone but he was not credited for co-production because the artist's frequent music collaborator, Pheelz allegedly re-modelled the beat and took full credit for the song production (7). However, Tyrone and the Artist, Olamide have long moved past the issue as they still work closely together.

Tyrone has sometimes missed out on getting credits from the Music Industry for songs he produced. NotJustOk.com, one of Nigeria's known online music sites reviewed Reminisce’ Baba Hafusa album, listing other producers but omitting Tyrone's name even though he had produced three notable songs on the same album, but giving the production credits to other producers(18).

## Discography

| Songs produced | Artist | Album | Song awards |
| --- | --- | --- | --- |
| Voice of the Street | Olamide | YBNL | "Best Album of the Year" – 2013 Nigeria Entertainment Awards |
|  |  |  | "Album of the Year" – The Headies 2013 |
|  |  |  | "Best Rap Album" – The Headies 2013 |
|  |  |  | Nominee, Lyricist on the Roll – The Headies 2013 |
| Baba Hafusa | Reminisce | Baba Hafusa |  |
| Grind | Reminisce | Baba Hafusa |  |
| Local Rapper | Reminisce, ft. Olamide & Phyno | Baba Hafusa | "Best Hip-Hop Track" TooXclusive Awards 2015 |
| Kontrol Remix (ft. W4) | DJ Xclusive | Single |  |
| Ara Remix (ft. Brymo) | DJ Xclusive | Single |  |
| No Time | DJ Xclusive, May-D, Tillaman & Skales | According to X |  |
| Agidi | Rugged Man (ft. Wande-Cole) | Single |  |
| Because of You | Rugged Man, MI & TuFace | Single |  |
| Seyi Shay | Rugged Man & Olamide |  |  |
| Halla | Rugged Man |  |  |
| DJ Pump it up | Rugged Man |  |  |
| E No Easy to popular | Rugged Man |  |  |
| Jawo Jawo Remix | Goldee and Jaywon | Single |  |
| Rora | Vector and Shamk | Single |  |
| Halleluyah | Solid Star | Single |  |
| E Must to be | D'Prince | Single |  |

## InfoBox

| Tyrone | |
| --- | --- |
| This is an Image of Triumph Grandeur | |
| Background information | |
| Birth name | Triumph Grandeur |
| Born | Delta State, Nigeria |
| Occupation | Record producer |


title: Tú Cómo Estás (Domingo Quiñones song)

abstract: "Tú Cómo Estás" is a song written by Gustavo Márquez and performed by Domingo Quiñones on his studio album Mi Meta (1996). In the song, the artist wonders how his former love is doing and if she misses him. It became his first and only number one song on the Tropical Airplay in the US where it spent two weeks on top. José A.Estévez, Jr. of AllMusic called it "among the singer's finest moments" and praised the arrangement by Ramón Sánchez. It was recognized as recognized as one of the best-performing songs of the year at the 1997 ASCAP Latin Awards on the tropical field.

text:
# Tú Cómo Estás (Domingo Quiñones song)

"**Tú Cómo Estás**" ("How Are You?") is a song written by Gustavo Márquez and performed by Domingo Quiñones on his studio album *Mi Meta* (1996). In the song, the artist wonders how his former love is doing and if she misses him. It became his first and (to date) only number one song on the Tropical Airplay in the US where it spent two weeks on top. José A.Estévez, Jr. of AllMusic called it "among the singer's finest moments" and praised the arrangement by Ramón Sánchez. It was recognized as recognized as one of the best-performing songs of the year at the 1997 ASCAP Latin Awards on the tropical field.

## Charts

## InfoBox

| "Tú Cómo Estás" | |
| --- | --- |
| Single by Domingo Quiñones | |
| from the album  *Mi Mieta* | |
| Released | 1996 |
| Genre | Salsa |
| Length | 4:57 |
| Label | RMM |
| Songwriter(s) | Gustavo Márquez |
| Producer(s) | * Carlos "Cuto" Sota * Domingo Quiñones |
| Domingo Quiñones singles chronology | |
| "Enseñáme"
(1992) "**Tú Cómo Estás**"
(1996) "Si Tú Te Vas"
(1996) | |


title: Tze Ming Mok

abstract: Tze Ming Mok is a fiction writer and sociopolitical commentator, and has been a prominent New Zealand Asian community advocate.

text:
# Tze Ming Mok

**Tze Ming Mok** (Chinese: 莫志明; pinyin: *Mò Zhìmíng*; born 1978) is a fiction writer and sociopolitical commentator, and has been a prominent New Zealand Asian community advocate.

## Biography

Mok was born in Auckland, New Zealand, growing up in the suburb of Mount Roskill. Her parents came to New Zealand in 1973 as international students studying medicine, and were originally from Singapore and Malaysia.

Mok received her degrees at the University of Auckland. She has an MA in political studies, with a thesis titled *In the name of the Pacific: Theorising pan-Pacific identities in Aotearoa New Zealand*. Mok works in human rights and development. She received her Doctor of Philosophy from the London School of Economics in 2019 with a thesis titled *Inside the box: ethnic choice and ethnic change for mixed people in the United Kingdom*.

Mok's most prominent period of advocacy for New Zealand Asian, migrant, and New Zealand Chinese communities was the period 2005–2007, during which time her ethnopolitical blog Yellow Peril was featured on the popular New Zealand group blog Public Address, and she wrote an opinion column on race relations and Asia-Pacific issues in New Zealand's national Sunday newspaper, *The Sunday Star-Times*.

In 2004, she led an anti-racist march to Parliament, Wellington, in response to hate crimes. In 2007, she and other Asian community leaders organised a successful New Zealand Press Council challenge of a magazine article that had been published in the national monthly magazine of note, North & South. The article, 'Asian Angst' by former Member of Parliament Deborah Coddington, was found to be inaccurate and racially discriminatory.

## Publication

Her poems, stories, reviews, opinions, and journalism have appeared in a range of publications including:


title: Tarnya Cooper

abstract: Tarnya Cooper is an art historian and author who is currently the National Trust's Curatorial & Collections Director. She has previously been the Chief Curator and Curatorial Director at the National Portrait Gallery, London.

text:
# Tarnya Cooper

**Tarnya Cooper** is an art historian and author who is currently the National Trust's Curatorial & Collections Director.

She has previously been the Chief Curator and Curatorial Director at the National Portrait Gallery, London.

## Education and employment

Cooper received her MA in art history from The Courtauld Institute of Art in 1996 where she studied Dutch and Flemish art. She obtained a D Phil from the University of Sussex in 2002. The title of her thesis (2001) was: *Memento mori portraiture: painting, Protestant culture and the patronage of middle elites in England and Wales, 1540 - 1630*.

She was Assistant Curator of the College Art Collections and taught art history at University College London.

She moved to the NPG in 2002 to become the 16th Century Curator. She led the seven-year "Making Art in Tudor Britain" project. This project encompassed a detailed and comprehensive scientific survey of Tudor paintings in the NPG. The NPG received a grant from the Getty Foundation to enable her to write *Citizen Portrait* based in part on her D Phil dissertation together with her research in her role as curator at the NPG. In 2010 she was awarded a senior research fellowship by the Paul Mellon Centre which enabled her to complete the book.

She was appointed Chief Curator at the NPG in 2011 and was elected as a fellow of the Society of Antiquaries of London in June of that year.

In January 2018 she became the National Trust's Curatorial & Collections Director. In this role she will deliver the Trust’s curatorial strategy, including research, engagement, and care for collections and buildings.

## Exhibitions

During her time at UCL, she curated two exhibitions from the college's collections. She co-curated (with David Starkey) the exhibition *Elizabeth I* at the National Maritime Museum in 2003 and was a contributor to the catalogue.

She curated *Searching for Shakespeare* at the National Portrait Gallery in 2006. She was the curator of the exhibition *Elizabeth I & her people* which was held at the NPG from October 2013 to January 2014. This exhibition included a miniature portrait of Elizabeth I found in a house clearance in 2012, that Cooper described as "a very high quality image by a 16th-century artist".

She also curated the display *The Real Tudors* at the National Portrait Gallery (12 September 2014 – 1 March 2015), which includes results from the NPG's "Making Art in Tudor Britain" research project. She is co-editor of *Painting in Britain 1500 - 1630: Production, Influences, and Patronage*, an interdisciplinary survey published by the British Academy and Oxford University Press in 2015.

## Publications

* Cooper, Tarnya, ed. (1997). *Refashioning Death; Vanitas and Memento Mori Prints from Northern Europe, 1514-c1640*. University College.
* Cooper, Tarnya, ed. (2000). *Drawing Practices, Mediums and Methods, 1500–1950*. University College.
* Cooper, Tarnya (2003). "The Queen's Visual Presence". In Starkey, David (ed.). *Elizabeth I; The Exhibition Catalogue*. Chatto & Windus.
* Cooper, Tarnya (2006). *Searching for Shakespeare*. National Portrait Gallery Publications.
* Cooper, Tarnya (2008). *Tudor and Jacobean Portraiture*. National Portrait Gallery Publications.
* Cooper, Tarnya (2010). "The enchantment of the familiar face". In Hamling, Tara; Richardson, Catherine (eds.). *Everyday Objects: Medieval and Early Modern Material Culture and Its Meanings*. Ashgate Publishing. p. 173.
* Cooper, Tarnya (2012). *Citizen Portrait*. Yale University Press.
* Cooper, Tarnya; Archer, Ian W; Orlin, Lena Cowen (2013). *Elizabeth I & Her People*. National Portrait Gallery. ISBN 978-1855144651.
* Cooper, Tarnya; Bolland, Charlotte (2014). *The Real Tudors : kings and queens rediscovered*. London: National Portrait Gallery. ISBN 9781855144927.
* Cooper, Tarnya; Burnstock, Aviva; Howard, Maurice; Town, Edward, eds. (2015). *Painting in Britain 1500 - 1630: production, influences and patronage*. Oxford: Oxford University Press. ISBN 9780197265840.

1. "Dr Tarnya Cooper to join National Trust as Curatorial & Collections Director". *National Trust*. Retrieved 19 July 2020.
2. National Portrait Gallery Website
3. The Art Newspaper
4. *Citizen Portrait*, Acknowledgements
5. Interview
6. Society of Antiquaries Archived 5 December 2012 at the Wayback Machine
7. Amazon
8. NPG
9. NPG events
10. BBC News
11. National Portrait Gallery
12. "Painting in Britain 1500 - 1630". Retrieved 10 July 2017.

## InfoBox

| Tarnya Cooper | |
| --- | --- |
| Education | University of Sussex. |
| Occupation | National Trust Curatorial & Collections Director. Former National Portrait Gallery Chief Curator. |


title: My Love Is Cool

abstract: My Love Is Cool is the debut studio album by English alternative rock band Wolf Alice. It was released on 22 June 2015 in the United Kingdom by Dirty Hit and on 23 June 2015 in the United States by RCA Records. The album includes the previously released singles "Bros" and "Fluffy" in re-recorded versions, and was preceded by the songs "Giant Peach" and "You're a Germ". The song "Moaning Lisa Smile", which originally appeared on the band's 2014 EP Creature Songs, peaked at number nine on the US Billboard Alternative Songs chart, and was also included on the US edition of the album. While not a single, the song "Silk" appeared on the soundtrack of T2 Trainspotting, peaking at number 39 on the Scottish charts in 2017. The album was nominated for the 2015 Mercury Music Prize. On 19 August 2016, My Love Is Cool was reissued as a limited-edition box set, containing a 12-inch double gatefold vinyl of the album, 10-inch vinyl copies of the Blush and Creature Songs EPs, and a bonus CD of demos, B-sides and rarities.

text:
# My Love Is Cool

***My Love Is Cool*** is the debut studio album by English alternative rock band Wolf Alice. It was released on 22 June 2015 in the United Kingdom by Dirty Hit and on 23 June 2015 in the United States by RCA Records. The album includes the previously released singles "Bros" and "Fluffy" in re-recorded versions, and was preceded by the songs "Giant Peach" and "You're a Germ". The song "Moaning Lisa Smile", which originally appeared on the band's 2014 EP *Creature Songs*, peaked at number nine on the US *Billboard* Alternative Songs chart, and was also included on the US edition of the album. While not a single, the song "Silk" appeared on the soundtrack of *T2 Trainspotting*, peaking at number 39 on the Scottish charts in 2017.

The album was nominated for the 2015 Mercury Music Prize. On 19 August 2016, *My Love Is Cool* was reissued as a limited-edition box set, containing a 12-inch double gatefold vinyl of the album, 10-inch vinyl copies of the *Blush* and *Creature Songs* EPs, and a bonus CD of demos, B-sides and rarities.

## Critical reception

Professional ratings
| Aggregate scores | |
| --- | --- |
| Source | Rating |
| AnyDecentMusic? | 7.9/10 |
| Metacritic | 78/100 |
| Review scores | |
| Source | Rating |
| AllMusic |  |
| *The Daily Telegraph* |  |
| *The Guardian* |  |
| *The Irish Times* |  |
| *Mojo* |  |
| *NME* | 9/10 |
| *Pitchfork* | 7.4/10 |
|  |  |
| *Rolling Stone* |  |
| *Uncut* | 8/10 |

*My Love Is Cool* received positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 78, based on 21 reviews, indicating generally favorable reviews. Harriet Gibsone of *The Guardian* called the album "familiar but invigorating indie-rock", further stating: "while the foundations of *My Love Is Cool* are 90s/00s shoegaze and grunge, the London quartet defibrillate their influences with the ambition of youth. It also feels like an album that's been allowed time to gestate: despite being virtually veteran in buzzband terms, they have benefited from beefing up their sound on tour – as evidenced on the heavy romance of 'Your Loves Whore', the dirty degenerate chug of 'You're a Germ', or the cinematic 'Turn to Dust'. The awkward introversion in the lyrics – which deal with relationship strife, creepy blokes, friendship, gender and the quest for eternal love – add a sense of emotional overload driven by late nights, blood pacts and wide-eyed wonder. It's an invigorating debut with a gaunt, gallant identity of its own." Harriet Gibsone, also of *The Guardian*, described the album musically as "grungy, dream-pop."

Stephen Ackroyd of *DIY* praised the album, saying "*My Love Is Cool* isn't simply a great debut. It's not just a great album full stop. It's, in no uncertain terms, a remarkable one. The furthest from route one they could ever get, Wolf Alice aren't just sure of who they are; they own it." *MusicOMH*'s Graeme Marsh said the album is "as good a debut as you could hope to hear, a fresh injection of pure brilliance and beauty to a genre that is creaking under the weight of mediocrity and a lack of adventurous inventiveness." AllMusic critic Heather Phares stated that "even if *My Love Is Cool* sacrifices some of Wolf Alice's earlier fury, the album is all the stronger for it." Neil McCormick of *The Telegraph* wrote, "They don't quite sound like the finished article, but there is a virtuous sense of their trying to make music in service of something profound." *Pitchfork*'s Laura Snapes stated: "The confident diversity of *My Love Is Cool* indicates a band who have their own thing all figured out, who shouldn't veer from their own strange path to live up to outdated narratives that dictate what a young British band should be."

### Accolades

| Publication | Accolade | Rank | Ref. |
| --- | --- | --- | --- |
| *Drowned in Sound* | Favorite Albums of 2015 | 4 |  |
| *The Guardian* | The Best Albums of 2015 | 13 |  |
| *musicOMH* | Top 50 Albums of 2015 | 6 |  |
| *NME* | Albums of the Year 2015 | 4 |  |
|  | 50 Albums of the Year 2015 | 44 |  |
| Rough Trade | Albums of the Year 2015 | 6 |  |
| *Time Out London* | The 50 Best Albums of 2015 | 6 |  |
| *Under the Radar* | Top 100 Albums of 2015 | 3 |  |
| *NME* | Best Albums of the Decade | 65 |  |

## Track listing

All tracks are written by Ellie Rowsell, Joff Oddie, Theo Ellis and Joel Amey

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Turn to Dust" | 3:07 |
| 2. | "Bros" | 3:44 |
| 3. | "Your Loves Whore" | 4:57 |
| 4. | "You're a Germ" | 2:53 |
| 5. | "Lisbon" | 3:26 |
| 6. | "Silk" | 4:03 |
| 7. | "Freazy" | 3:14 |
| 8. | "Giant Peach" | 4:35 |
| 9. | "Swallowtail" | 5:41 |
| 10. | "Soapy Water" | 3:42 |
| 11. | "Fluffy" | 2:44 |
| 12. | "The Wonderwhy" (includes hidden track "My Love Is Cool") | 6:46 |
| Total length: | | 48:52 |

Digital deluxe edition bonus tracks
| No. | Title | Length |
| --- | --- | --- |
| 13. | "Moaning Lisa Smile" | 2:40 |
| 14. | "Storms" | 3:24 |
| 15. | "Heavenly Creatures" | 3:17 |
| 16. | "We're Not the Same" | 3:04 |
| 17. | "Blush" | 4:19 |
| 18. | "She" | 3:12 |
| 19. | "Nosedive" | 2:46 |
| 20. | "90 Mile Beach" | 3:44 |
| 21. | "Baby Ain't Made of China" | 3:37 |
| 22. | "I Saw You (In a Corridor)" | 2:42 |
| 23. | "Every Cloud" | 2:54 |
| 24. | "White Leather" | 2:36 |
| 25. | "Leaving You" | 3:18 |
| 26. | "Freazy" (music video) | 3:17 |
| 27. | "You're a Germ" (music video) | 2:51 |
| 28. | "Bros" (music video) | 3:45 |
| 29. | "Giant Peach" (music video) | 4:34 |
| 30. | "Moaning Lisa Smile" (music video) | 2:48 |
| 31. | "Fluffy" (music video) | 3:16 |
| Total length: | | 119:56 |

US edition
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Turn to Dust" | 3:07 |
| 2. | "Bros" | 3:44 |
| 3. | "Your Loves Whore" | 4:57 |
| 4. | "Moaning Lisa Smile" | 2:42 |
| 5. | "You're a Germ" | 2:53 |
| 6. | "Lisbon" | 3:26 |
| 7. | "Silk" | 4:03 |
| 8. | "Freazy" | 3:14 |
| 9. | "Giant Peach" | 4:35 |
| 10. | "Swallowtail" | 5:41 |
| 11. | "Soapy Water" | 3:42 |
| 12. | "Fluffy" | 2:44 |
| 13. | "The Wonderwhy" (includes hidden track "My Love Is Cool") | 6:46 |
| Total length: | | 51:34 |

Limited-edition box set – bonus 10-inch vinyl (*Creature Songs*)
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Moaning Lisa Smile" | 2:40 |
| 2. | "Storms" | 3:24 |
| 3. | "Heavenly Creatures" | 3:17 |
| 4. | "We're Not the Same" | 3:04 |
| Total length: | | 12:25 |

Limited-edition box set – bonus 10-inch vinyl (*Blush*)
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Blush" | 4:19 |
| 2. | "She" | 3:12 |
| 3. | "Nosedive" | 2:47 |
| 4. | "Ninety Mile Beach" | 3:44 |
| Total length: | | 14:02 |

Limited-edition box set – bonus CD (B-Sides, Demos & Shit)
| No. | Title | Length |
| --- | --- | --- |
| 1. | "The Movie of Your Life" (demo) |  |
| 2. | "Destroy Me" (demo) |  |
| 3. | "Wednesday" (demo) |  |
| 4. | "Bros" (demo) |  |
| 5. | "Every Cloud" | 2:54 |
| 6. | "White Leather" | 2:36 |
| 7. | "Leaving You" | 3:18 |
| 8. | "I Saw You (In a Corridor)" | 2:42 |
| 9. | "Baby Ain't Made of China" | 3:37 |
| 10. | "Swallowtail" (demo) |  |

## Personnel

Credits adapted from the liner notes of *My Love Is Cool*.

### Wolf Alice

* Ellie Rowsell – guitars, vocals, synths, programming, piano, Omnichord, Hammond organ
* Joff Oddie – guitars, backing vocals, synths, programming, banjo, violins
* Theo Ellis – bass guitar, backing vocals, synths
* Joel Amey – drums, percussion, backing vocals, lead vocals on "Swallowtail", synths, programming, guitars, Hammond organ

### Additional personnel

* Mike Crossey – production, mixing, synths, programming
* Jonathan Gilmore – engineering
* Robin Schmidt – mastering
* Rachel Thomas – cover photo
* Samuel Burgess-Johnson – design

## Charts

| Chart (2015) | Peak
position |
| --- | --- |
| Australian Albums (ARIA) | 41 |
| Belgian Albums (Ultratop Flanders) | 148 |
| Dutch Albums (Album Top 100) | 83 |
| Irish Albums (IRMA) | 37 |
| Irish Independent Albums (IRMA) | 2 |
| Scottish Albums (OCC) | 6 |
| UK Albums (OCC) | 2 |
| UK Independent Albums (OCC) | 1 |
| US *Billboard* 200 | 90 |
| US Top Alternative Albums (*Billboard*) | 12 |
| US Top Rock Albums (*Billboard*) | 14 |

## Certifications

| Region | Certification | Certified units/sales |
| --- | --- | --- |
| United Kingdom (BPI) | Gold | 109,020 |

## InfoBox

| My Love Is Cool | |
| --- | --- |
|  | |
| Studio album by Wolf Alice | |
| Released | 22 June 2015 (2015-06-22) |
| Recorded | 2014–2015 |
| Studio | Livingston, London |
| Genre |  |
| Length | 48:52 |
| Label | Dirty Hit, RCA Records |
| Producer | Mike Crossey |
| Wolf Alice chronology | |
| *Creature Songs*
(2014) ***My Love Is Cool***
(2015) *Visions of a Life*
(2017) | |
|  | |
| Singles from  *My Love Is Cool* | |
| 1. "Giant Peach"
Released: 24 February 2015 2. "Bros"
Released: 17 April 2015 3. "You're a Germ"
Released: 10 June 2015 4. "Freazy"
Released: 27 November 2015 5. "Lisbon"
Released: 22 June 2016 | |
|  | |


title: Troika (Julia Kogan album)

abstract: Troika: Russia's westerly poetry in three orchestral song cycles is a 2011 album of contemporary classical songs performed by soprano Julia Kogan, who also conceived the project. She is accompanied by The St. Petersburg Chamber Philharmonic conducted by Jeffery Meyer. The songs are set to Russian, English, and French language poetry by five classic Russian writers: Joseph Brodsky, Mikhail Lermontov, Vladimir Nabokov, Aleksandr Pushkin and Fyodor Tyutchev. Eight modern composers, from France, Russia, and the United States, wrote music for the album: Isabelle Aboulker, Ivan Barbotin, Eskender Bekmambetov, Jay Greenberg, James DeMars, Andrey Rubtsov, Michael Schelle and Lev Zhurbin. The three song cycles on the album are “there…”, set to Russian poems and their English auto-translations by Joseph Brodsky; “Sing, Poetry”, set to Russian poems and their English auto-translations by Vladimir Nabokov; and “Caprice étrange”, set to French poems by Mikhail Lermontov, Aleksandr Pushkin and Fyodor Tyutchev. The common point of the three song cycles is that they are based upon poetry that reflects its authors’ active linguistic integration into Western culture.

text:
# Troika (Julia Kogan album)

***Troika: Russia's westerly poetry in three orchestral song cycles*** is a 2011 album of contemporary classical songs performed by soprano Julia Kogan, who also conceived the project. She is accompanied by The St. Petersburg Chamber Philharmonic conducted by Jeffery Meyer. The songs are set to Russian, English, and French language poetry by five classic Russian writers: Joseph Brodsky, Mikhail Lermontov, Vladimir Nabokov, Aleksandr Pushkin and Fyodor Tyutchev. Eight modern composers, from France, Russia, and the United States, wrote music for the album: Isabelle Aboulker, Ivan Barbotin, Eskender Bekmambetov, Jay Greenberg, James DeMars, Andrey Rubtsov, Michael Schelle and Lev Zhurbin.

The three song cycles on the album are “there…”, set to Russian poems and their English auto-translations by Joseph Brodsky; “Sing, Poetry”, set to Russian poems and their English auto-translations by Vladimir Nabokov; and “Caprice étrange”, set to French poems by Mikhail Lermontov, Aleksandr Pushkin and Fyodor Tyutchev. The common point of the three song cycles is that they are based upon poetry that reflects its authors’ active linguistic integration into Western culture.

## Album structure

### “there…” (2006)

“there…” is a setting of five poems originally written by Joseph Brodsky in Russian and subsequently translated into English by the author: “Пятая годовщина” / “The Fifth anniversary” (extract), “Английские каменные деревни” / “Stone Villages”, “То не Муза воды набирает в рот” / “Folk Tune” (extract), “Колыбельная” / “Lullaby” (extract) and “Новый Жюль Верн” / “The New Jules Verne” (Part IX). The English and Russian versions of each poem are set to music by Eskender Bekmambetov. In the case of the first four poems, the Russian and English texts are interspersed to form a single song. In the case of “Новый Жюль Верн” / “The New Jules Verne”, the Russian and English versions are sequential: the character of Blanche Delarue first reads letters addressed to her in Russian, then (supposedly in a state of inebriation ten years later) in English. “there…” was premiered at the Pavel Slobodkin Concert Hall in Moscow 14 June 2007. A New York Times review of the American premiere at Carnegie Hall's Weill Hall with Chamber Orchestra Kremlin stated “The work, a sort of musical theater piece with lyrical, thick orchestral textures, was at times redolent of Shostakovich, Piazzolla and Weill.” Following a performance at the Library of Congress, The Washington Post described “there…” as “a constantly shifting fabric of earthy Russian melody, folksy Americana and all sorts of wryly spoofed dance forms, from ragtime to tango.”

### “Sing, Poetry” (2009)

The cycle is based on three poems originally written by Vladimir Nabokov in Russian in his youth and self-translated into English towards the end of the author's life. The Russian and English versions of each poem are independently set to music by a Russian and an American composer, respectively: “Дождь пролетел” / “The Rain Has Flown” by Lev Zhurbin and Michael Schelle; “Еще безмолвствую” / “I Still Keep Mute” by Andrey Rubtsov and Jay Greenberg; and “Прованс” / “Provence” by Ivan Barbotin and James DeMars. The title of the cycle evokes that of Nabokov's autobiography (“Speak, Memory”). “Sing, Poetry” was premiered at Glinka Hall in Saint Petersburg on 25 December 2009.

### “Caprice étrange” (2008)

The cycle, by composer Isabelle Aboulker, is based on four poems written in French by three great poets of the “golden age” of Russia's poetry: Aleksandr Pushkin, Mikhail Lermontov, and Fyodor Tyutchev. The poems are: Pushkin's “Mon Portrait” (1814) and “Couplets” (1817) (titled “Jusqu’au plaisir de nous revoir” on the album after the phrase ending each of the couplets), Lermontov's “Quand je te vois sourire…” (1830 or 1831) and Tyutchev's “Nous avons pu tous deux…”. The title of the cycle is taken from the text of Lermontov's poem. “Caprice étrange” was premiered at Glinka Hall in Saint Petersburg on 25 December 2009.

## Critical reception

The album was released in France on 8 December 2011 with international release to follow in 2012. It was featured on Radio France and has been praised for its “irresistible charm”, “musicality of the singing”, and “originality and quality of realization” as well as for its “luxurious” presentation and “Julia Kogan’s magical voice”.

1. "Troika: Russia’s westerly poetry in three orchestral song cycles", Rideau Rouge Records, ASIN: B005USB24A, 2011, liner notes, p.5
2. "Troika: Russia’s westerly poetry in three orchestral song cycles", Rideau Rouge Records, ASIN: B005USB24A, 2011, liner notes, p.2
3. "Chamber Orchestra KREMLIN – Concerts in Moscow - Season 2004-2005".
4. "Poetry and Song to Plumb the Russian Soul’s Depths" by Vivien Schweitzer, *New York Times* (14 February 2008)
5. "Performing Arts: Chamber Orchestra Kremlin" by Joe Banno, *Washington Post* (p. C9, 18 February 2008)
6. "The St. Petersburg Chamber Philharmonic | Concert Seasons | 2009-10". *www.st-pcp.org*. Archived from the original on 2010-07-03.
7. "The St. Petersburg Chamber Philharmonic | Concert Seasons | 2009-10". *www.st-pcp.org*. Archived from the original on 2010-07-03.
8. “Pourquoi la poésie russe est très belle ?” by David Christoffel, “France Musique” (14 December 2011)
9. “Poésie, musique et troïka” Archived 2012-01-14 at the Wayback Machine by Serge Chauzy, “Classic Toulouse”
10. “Chante poésie, langue natale du peuple russe !” by Gil Pressnitzer, “Culture 31” (26 December 2011)

## InfoBox

| Troika | |
| --- | --- |
|  | |
| Studio album by Julia Kogan | |
| Released | 8 December 2011 |
| Genre | Contemporary classical |
| Length | 64:46 |
| Label | Rideau Rouge Records / Harmonia Mundi distribution |
| Producer | Chloë Nicolas |


title: Ponder the Mystery

abstract: Ponder the Mystery is the fifth studio album by William Shatner. It was released on October 8, 2013 in the US by Cleopatra Records. The album was produced and mixed by Billy Sherwood, who also composed the music and performs vocals, drums, bass, guitars and keys, while many noted musicians also guest, including Tony Kaye. The album was mastered by mastering engineer Maor Appelbaum.

text:
# Ponder the Mystery

***Ponder the Mystery*** is the fifth studio album by William Shatner. It was released on October 8, 2013 in the US by Cleopatra Records. The album was produced and mixed by Billy Sherwood, who also composed the music and performs vocals, drums, bass, guitars and keys, while many noted musicians also guest, including Tony Kaye. The album was mastered by mastering engineer Maor Appelbaum.

## Track listing

1. "Red Shift"
2. "Where It's Gone... I Don't Know", with Mick Jones
3. "Manhunt", with Simon House
4. "Ponder the Mystery", with Steve Vai
5. "So Am I", with Al Di Meola
6. "Change", with Rick Wakeman
7. "Sunset", with Joel Vandroogenbroeck
8. "Twilight", with Edgar Winter
9. "Rhythm of the Night", with Nik Turner
10. "Imagine Things", with Vince Gill
11. "Do You See?", with Edgar Froese
12. "Deep Down", with Robby Krieger
13. "I'm Alright, I Think", with Dave Koz
14. "Where Does Time Go?", with George Duke
15. "Alive", with Zoot Horn Rollo

## InfoBox

| Ponder the Mystery | |
| --- | --- |
|  | |
| Studio album by William Shatner | |
| Released | October 7, 2013 |
| Recorded | 2013 |
| Genre | Rock, spoken word |
| Label | Cleopatra |
| Producer | Billy Sherwood |
| William Shatner chronology | |
| *Seeking Major Tom*
(2011) ***Ponder the Mystery***
(2013) *Why Not Me*
(2018) | |


title: Zinedin Mustedanagić

abstract: Zinedin Mustedanagić is a Bosnian professional footballer who plays as a midfielder for Prva NL club BSK Bijelo Brdo.

text:
# Zinedin Mustedanagić

**Zinedin Mustedanagić** (Bosnian pronunciation: \[zǐnedin mǔstedanagitɕ\]; born 1 August 1998) is a Bosnian professional footballer who plays as a midfielder for Prva NL club BSK Bijelo Brdo.

## Club career

### Sparta Prague

Mustedanagić started playing football at his local club Sloga Bosanska Otoka before moving very early to the Bubamara academy in Novi Grad, connected to Sloboda Novi Grad. In 2011 he moved abroad to Sparta Prague's youth academy, with whom he signed his first professional contract in August 2015. He made his professional debut in a cup game against České Budějovice on 12 October 2016 at the age of 18. Two weeks later, he made his league debut in a 4–0 home win against Příbram.

On 25 January 2017, Mustedanagić signed a new three-year deal with the club.

Two days later, he was sent on a year-long loan to Dukla Prague. During the loan, on 11 March, he scored his first professional goal against Jablonec, which ensured his team a triumph.

In August 2018, Mustedanagić was loaned to Slovak Fortuna liga club Ružomberok. It was said, that he re-joined David Holoubek, who previously served as a youth manager in Sparta, to advance Mustedanagić in his career, as well as to increase his play-time due to an overload of players in Sparta's senior team.

In Slovakia, Mustedanagić immediately became a starting-XI player and a crucial part of the team, playing in his preferred position, as an attacking midfielder. In his debut match against Spartak Trnava, that concluded as a goal-less tie, on 26 August 2018, Mustedanagić played the entire match and was booked with a yellow card. He scored his first header goal against Nitra over a month later, after a cross from Peter Gál-Andrezly. By the end of the season he scored 4 more league goals (plus 2 more in the Slovak Cup against FK Gerlachov), including one against Slovan Bratislava, in an unexpected 3–2 win over the season's champions.

This marked the first competitive defeat for Slovan at the newly reconstructed Tehelné pole and meant, that after 16 rounds Ružomberok re-gained the 3rd place in the table overcoming Žilina, to the place guaranteeing them a spot in the qualifying round of next season's Europa League. Ružomberok managed to hold on to that position in the remaining three fixtures of the season.

During the second part of 2019, Mustedanagić was loaned to Czech First League club České Budějovice.

### Sarajevo

In January 2020, Mustedanagić was sent on a loan to Bosnian Premier League Sarajevo. He made his official debut for Sarajevo in a 6–2 league win against Tuzla City on 22 February 2020. On 1 June 2020, Mustedanagić won his first league title with Sarajevo, though after the 2019–20 Bosnian Premier League season was ended abruptly due to the COVID-19 pandemic in Bosnia and Herzegovina and after which Sarajevo were by default crowned league champions for a second consecutive time.

On 17 July 2020, he permanently joined Sarajevo after the club bought out his contract with Sparta, signing a three-year contract. Mustedanagić scored his first goal for the club on 30 October 2020, in a league match against Mladost Doboj Kakanj.

In June 2021, he terminated his contract with Sarajevo, leaving the club.

## International career

Mustedanagić represented Bosnia and Herzegovina on all youth levels. He also served as captain of the under-17 and under-19 teams.

## Personal life

Zinedin is a cousin of former Yugoslav international player Džemal Mustedanagić.

## Career statistics

### Club

*As of match played 1 June 2024*

| Club | Season | League | | | National cup | | Continental | | Total | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | Division | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| Sparta Prague | 2016–17 | Czech First League | 5 | 0 | 2 | 0 |  | | 7 | 0 |
| | 2017–18 | Czech First League | 2 | 0 |  | |  | | 2 | 0 |
| | Total | | 7 | 0 | 2 | 0 |  | | 9 | 0 |
| Dukla Prague (loan) | 2016–17 | Czech First League | 9 | 1 |  | |  | | 9 | 1 |
| | 2017–18 | Czech First League | 9 | 2 | 2 | 0 |  | | 11 | 2 |
| | Total | | 18 | 3 | 2 | 0 |  | | 20 | 3 |
| Ružomberok (loan) | 2018–19 | Slovak Super Liga | 25 | 5 | 2 | 2 |  | | 27 | 7 |
| České Budějovice (loan) | 2019–20 | Czech First League | 5 | 0 | 2 | 0 |  | | 7 | 0 |
| Sarajevo (loan) | 2019–20 | Bosnian Premier League | 2 | 0 |  | |  | | 2 | 0 |
| Sarajevo | 2020–21 | Bosnian Premier League | 13 | 2 | 3 | 0 | 0 | 0 | 16 | 2 |
| | Total | | 15 | 2 | 3 | 0 | 0 | 0 | 18 | 2 |
| Vllaznia Shkodër | 2021–22 | Kategoria Superiore | 25 | 2 | 7 | 6 |  | | 32 | 8 |
| Vukovar 1991 | 2022–23 | Prva NL | 29 | 11 |  | |  | | 29 | 11 |
| | 2023–24 | Prva NL | 27 | 11 | 3 | 1 |  | | 30 | 12 |
| | Total | | 56 | 22 | 3 | 1 |  | | 59 | 23 |
| Career total | | | 151 | 34 | 21 | 9 | 0 | 0 | 172 | 43 |

## Honours

**Sarajevo**

1. Zinedin Mustedanagić za MeridianSportBH: “Ne vraćam se u BiH igrati fudbal do daljeg” at Meridian Sport BH
2. "Mustedanagić, fudbaler Sparte, novi igrač u juniorskoj reprezentaciji". *klix.ba* (in Bosnian). 2 November 2015. Retrieved 4 November 2015.
3. "Zinedin Mustedanagić debitovao za prvi tim Sparte Prag". *bih.ba* (in Bosnian). 12 October 2016. Retrieved 15 October 2016.
4. "Mustedanagić upisao ligaški debi". *sportsport.ba* (in Bosnian). 29 October 2016. Retrieved 30 October 2016.
5. "Sparta nagradila Mustedanagića novim ugovorom". *sportsport.ba* (in Bosnian). 25 January 2017. Retrieved 28 January 2017.
6. "Sparta poslala Mustedanagića na posudbu". *sportsport.ba* (in Bosnian). 27 January 2017. Retrieved 29 January 2017.
7. "Zinedin Mustedanagić donio pobjedu Dukli protiv Jabloneca". *scsport.ba* (in Bosnian). 11 March 2017. Retrieved 11 March 2017.
8. "Sparta poslala Mustedanagića na posudbu u Slovačku". *fokus.ba* (in Bosnian). 25 August 2018. Retrieved 26 August 2018.
9. "Mustedanagič míří na Slovensko za Holoubkem. Kdo ještě ze Sparty odejde?". *iDNES.cz*. 17 August 2018. Retrieved 31 May 2019.
10. "FC Spartak Trnava - MFK Ružomberok | 0 - 0". *ulk.futbalnet.sk* (in Slovak). Retrieved 31 May 2019.
11. "MFK Ružomberok - FC Nitra | 3 - 1". *ulk.futbalnet.sk* (in Slovak). Retrieved 31 May 2019.
12. "Už istý majster Slovan prehral v Ružomberku, DAC si zabezpečil miestenku do EL UEFA". *tvnoviny.sk* (in Slovak). Retrieved 31 May 2019.
13. "Transfer potvrđen, Mustedanagić na novoj posudbi". *sportsport.ba* (in Bosnian). 28 June 2019. Retrieved 28 June 2019.
14. "(ZVANIČNO) Zinedin Mustedanagić potpisao za Sarajevo!". *Sport1.ba* (in Bosnian). 17 January 2020. Retrieved 17 January 2020.
15. E.B. (22 February 2020). "Sarajevo u spektakularnom derbiju razbilo Tuzla City, hat-trick Ahmetovića" (in Bosnian). Klix.ba. Retrieved 22 February 2020.
16. F.Z. (1 June 2020). "Zvanično! Sarajevo prvak BiH drugu godinu zaredom, Čelik i Zvijezda ispadaju" (in Bosnian). Klix.ba. Retrieved 1 June 2020.
17. F.Z. (17 July 2020). "Zinedin Mustedanagić potpisao trogodišnji ugovor s FK Sarajevo" (in Bosnian). Klix.ba. Retrieved 17 July 2020.
18. "GOLČINA! Zinedin Mustedanagić konačno pokazao šta može i postigao eurogol" (in Bosnian). Sport1.ba. 30 October 2020. Retrieved 30 October 2020.
19. H. H. (18 June 2021). "Mustedanagić sporazumno raskinuo ugovor sa Sarajevom i napustio Koševo" (in Bosnian). Klix.ba. Retrieved 18 June 2021.
20. "Mustedanagić: Timskom igrom juniorska selekcija može do EP-a". *sportsport.ba* (in Bosnian). 23 November 2016. Retrieved 24 November 2016.
21. Zinedin Mustedanagić: Odbio sam Čehe, mogu igrati samo za Bosnu \- Sport Avaz (in Bosnian)
22. Zinedin Mustedanagić at Soccerway

## InfoBox

Zinedin Mustedanagić
| Personal information | | | |
| --- | --- | --- | --- |
| Date of birth | (1998-08-01) 1 August 1998 | | |
| Place of birth | Bosanska Krupa, Bosnia and Herzegovina | | |
| Height | 1.85 m (6 ft 1 in) | | |
| Position(s) | Midfielder | | |
| Team information | | | |
| Current team | BSK Bijelo Brdo | | |
| Number | 4 | | |
| Youth career | | | |
|  | Sloga Bosanska Otoka | | |
| 0000–2011 | Sloboda Bubamara Novi Grad | | |
| 2011–2016 | Sparta Prague | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 2016–2020 | Sparta Prague | 7 | (0) |
| 2017 | Dukla Prague (loan) | 18 | (3) |
| 2018–2019 | Ružomberok (loan) | 25 | (5) |
| 2019 | České Budějovice (loan) | 5 | (0) |
| 2020 | Sarajevo (loan) | 2 | (0) |
| 2020–2021 | Sarajevo | 13 | (2) |
| 2021–2022 | Vllaznia Shkodër | 25 | (2) |
| 2022–2024 | Vukovar 1991 | 56 | (22) |
| 2024– | BSK Bijelo Brdo | 0 | (0) |
| International career | | | |
| 2012–2015 | Bosnia and Herzegovina U17 | 16 | (4) |
| 2015–2017 | Bosnia and Herzegovina U19 | 19 | (5) |
| 2017–2020 | Bosnia and Herzegovina U21 | 11 | (2) |
| \*Club domestic league appearances and goals, correct as of 10 July 2024 | | | |


title: Visar Berisha

abstract: Visar Berisha is a Kosovan professional footballer who plays as a centre-back for Kosovo First League club Drenica.

text:
# Visar Berisha

**Visar Berisha** (born 7 December 1986) is a Kosovan professional footballer who plays as a centre-back for Kosovo First League club Drenica.

## International career

### Albania

Berisha was expected to be called up by the Albania national team after his good performances with Schaffhausen, but due to the rupture of the ligaments of his right knee, he lost the chance to be called up from Albania, but also to be transferred to Swiss club Grasshoppers.

### Kosovo

On 22 January 2018, Berisha received a call-up from Kosovo for the friendly match against Azerbaijan. However, the match was cancelled and therefore he was unable to make his debut.

## InfoBox

Visar Berisha
| Personal information | | | |
| --- | --- | --- | --- |
| Date of birth | (1986-12-07) 7 December 1986 | | |
| Place of birth | Suva Reka, SFR Yugoslavia | | |
| Height | 1.81 m (5 ft 11 in) | | |
| Position(s) | Centre-back | | |
| Team information | | | |
| Current team | Drenica | | |
| Youth career | | | |
| 0000–2006 | Liria Prizren | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 2006–2010 | Prishtina |  |  |
| 2009 | Winterthur (loan) | 9 | (1) |
| 2009–2010 | Schaffhausen (loan) | 21 | (1) |
| 2010–2011 | Schaffhausen | 15 | (0) |
| 2013–2015 | Ballkani |  |  |
| 2015–2017 | Liria | 12 | (0) |
| 2017–2018 | Drenica | 15 | (2) |
| 2018–2022 | Ballkani | 74 | (5) |
| 2022–2023 | Liria |  |  |
| 2023– | Drenica |  |  |
| \*Club domestic league appearances and goals, correct as of 19 January 2022 | | | |


title: Schistura tizardi

abstract: Schistura tizardi is a species of ray-finned fish, a stone loach, in the genus Schistura from the Kong River basin in southern Laos. It was found in rapids and stretches of river with stone bottoms, in both the mainstream and the tributaries.

text:
# Schistura tizardi

***Schistura tizardi*** is a species of ray-finned fish, a stone loach, in the genus *Schistura* from the Kong River basin in southern Laos. It was found in rapids and stretches of river with stone bottoms, in both the mainstream and the tributaries.

## InfoBox

| *Schistura tizardi* | |
| --- | --- |
| Conservation status | |
|
Data Deficient  (IUCN 3.1) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Actinopterygii |
| Order: | Cypriniformes |
| Family: | Nemacheilidae |
| Genus: | *Schistura* |
| Species: | ***S. tizardi*** |
| Binomial name | |
| ***Schistura tizardi***
Kottelat, 2000 | |
|


title: Westphalia, Michigan

abstract: Westphalia is a village in Clinton County in the U.S. state of Michigan. The population was 924 at the time of the 2020 census. The village is in Westphalia Township, about 25 miles (40.2 km) northwest of Lansing and 55 miles (88.5 km) east of Grand Rapids. The village is known for its German and Catholic roots.

text:
# Westphalia, Michigan

**Westphalia** is a village in Clinton County in the U.S. state of Michigan. The population was 924 at the time of the 2020 census. The village is in Westphalia Township, about 25 miles (40.2 km) northwest of Lansing and 55 miles (88.5 km) east of Grand Rapids. The village is known for its German and Catholic roots.

## History

Westphalia was founded in 1836 by a group of German settlers. It was named after the province of Westphalia in Germany. These settlers were German Catholics who emigrated from the Westphalian cities of Wimbach, Meerhof, and from Hesse, among others, and found the rich soil ideal for farming. Some family members stayed in Detroit, while others moved into the wilderness to clear farmland. The German-Catholic parish was established almost immediately after the settlers arrived. After buying the land at Ionia, Father Anton Kopp traveled to Detroit to visit Bishop Friedrich Reese, and returned to his assigned parish in September 1837, where he celebrated Masses in the homes of the settlers in what is now St. Mary's Parish.

In 2012, the village celebrated its 175th anniversary.

## Geography

According to the United States Census Bureau, the village has a total area of 1.14 square miles (2.95 km2), of which 1.11 square miles (2.87 km2) is land and 0.03 square miles (0.08 km2) (2.63%) is water.

## Demographics

Historical population
| Census | Pop. | Note |  |
| --- | --- | --- | --- |
| 1890 | 350 |  |  |
| 1900 | 374 |  | 6.9% |
| 1910 | 366 |  | −2.1% |
| 1920 | 325 |  | −11.2% |
| 1930 | 328 |  | 0.9% |
| 1940 | 386 |  | 17.7% |
| 1950 | 459 |  | 18.9% |
| 1960 | 560 |  | 22.0% |
| 1970 | 806 |  | 43.9% |
| 1980 | 896 |  | 11.2% |
| 1990 | 780 |  | −12.9% |
| 2000 | 876 |  | 12.3% |
| 2010 | 923 |  | 5.4% |
| 2020 | 924 |  | 0.1% |
| U.S. Decennial Census | | | |

### 2010 census

As of the census of 2010, there were 923 people, 355 households, and 267 families residing in the village. The population density was 831.5 inhabitants per square mile (321.0/km2). There were 364 housing units at an average density of 327.9 per square mile (126.6/km2). The racial makeup of the village was 98.2% White, 0.1% African American, 0.1% Native American, 0.1% Asian, 1.0% from other races, and 0.5% from two or more races. Hispanic or Latino of any race were 3.0% of the population.

There were 355 households, of which 30.7% had children under the age of 18 living with them, 67.0% were married couples living together, 6.2% had a female householder with no husband present, 2.0% had a male householder with no wife present, and 24.8% were non-families. 22.3% of all households were made up of individuals, and 12.6% had someone living alone who was 65 years of age or older. The average household size was 2.60 and the average family size was 3.04.

The median age in the village was 39.4 years. 27.5% of residents were under the age of 18; 6.2% were between the ages of 18 and 24; 23.8% were from 25 to 44; 20.1% were from 45 to 64; and 22.4% were 65 years of age or older. The gender makeup of the village was 48.3% male and 51.7% female.

### 2000 census

As of the census of 2000, there were 876 people, 342 households, and 251 families residing in the village. The population density was 765.7 inhabitants per square mile (295.6/km2). There were 350 housing units at an average density of 305.9 per square mile (118.1/km2). The racial makeup of the village was 99.43% White, 0.23% Native American, and 0.34% from two or more races.

There were 342 households, out of which 32.7% had children under the age of 18 living with them, 66.7% were married couples living together, 4.7% had a female householder with no husband present, and 26.6% were non-families. 24.9% of all households were made up of individuals, and 13.7% had someone living alone who was 65 years of age or older. The average household size was 2.56 and the average family size was 3.07.

In the village, the population was spread out, with 27.9% under the age of 18, 6.6% from 18 to 24, 26.6% from 25 to 44, 21.7% from 45 to 64, and 17.2% who were 65 years of age or older. The median age was 36 years. For every 100 females, there were 94.7 males. For every 100 females age 18 and over, there were 93.9 males.

The median income for a household in the village was $52,500, and the median income for a family was $58,864. Males had a median income of $40,781 versus $31,827 for females. The per capita income for the village was $20,112. There are 3.5% of families living below the poverty line and 4.2% of the population, including 4.3% of under eighteens and 9.0% of those over 64.

## Education

Westphalia is home to the following schools:

In 2019, Pewamo-Westphalia High School was ranked among the top 15 best high schools in Michigan by *U.S. News & World Report*, and 615th in the nation.

## Recreation

### Westphalia Cruise-In

The Westphalia Cruise-In is an annual event held by the village of Westphalia every June in conjunction with the Portland Cruisers. Classic cars are displayed on downtown streets. The Cruise in 2018 hosted 1,312 cars.

### Light parade and tree lighting

Hosted by the Westphalia Historical Society on the first Saturday of December, a parade goes down Main Street. Each year a person of honor "flips the switch" on the tree. St. Nikolaus joins in as well, in true German tradition in honor of the upcoming feast day. Local businesses open with specialties, treats and fun.

### Cemetery walk

Hosted every September by the Westphalia Historical Society in the St. Mary Parish Cemetery, the Village Cemetery Walk is an event where historical members of the community are represented – often by living relatives – in period clothing, incorporate props, and tell stories to attendees as they walk past the deceased's graves.

### St. Mary Parish family fest

Traditionally held on the 4th of July, the St. Mary Parish Picnic was officially changed in 2021 to the St. Mary's Fall Family Fest. The two-day festival held across from the church includes a cookout, beanbag tournament, Livestream of the Pewamo-Westphalia football game, bake sale, 5k/5 mile run, craft show, family concert, and evening live music.

On January 26, 2022, the community of Westphalia was spotlighted by the EWTN show "Living Divine Mercy".

## Notable people

## InfoBox

| Westphalia, Michigan | |
| --- | --- |
| Village | |
| Village of Westphalia | |
| Location within Clinton County | |
| WestphaliaLocation within the state of MichiganWestphaliaLocation within the United States | |
| Coordinates: 42°55′49″N 84°47′53″W / 42.93028°N 84.79806°W / 42.93028; -84.79806 | |
| Country | United States |
| State | Michigan |
| County | Clinton |
| Township | Westphalia |
| Founded | 1836 |
| Government | |
| Type | Village council |
| President | Tim Fandel |
| Clerk | Dave Boswell |
| Area | |
| Total | 1.15 sq mi (2.96 km2) |
| Land | 1.11 sq mi (2.88 km2) |
| Water | 0.03 sq mi (0.08 km2) |
| Elevation | 758 ft (231 m) |
| Population (2020) | |
| Total | 924 |
| Density | 829.44/sq mi (320.31/km2) |
| Time zone | UTC-5 (Eastern (EST)) |
| Summer (DST) | UTC-4 (EDT) |
| ZIP code(s) | 48894 |
| Area code | 989 |
| FIPS code | 26-86120 |
| GNIS feature ID | 2400156 |
| Website | Official website |


title: Westwood Hills, Kansas

abstract: Westwood Hills is a city in Johnson County, Kansas, United States. As of the 2020 census, the population of the city was 400. It is the most densely populated city in the Kansas City Metropolitan Area at 6,240 people per square mile. It borders Kansas City, Missouri.

text:
# Westwood Hills, Kansas

**Westwood Hills** is a city in Johnson County, Kansas, United States. As of the 2020 census, the population of the city was 400. It is the most densely populated city in the Kansas City Metropolitan Area at 6,240 people per square mile. It borders Kansas City, Missouri.

## History

Westwood Hills had its start in the year 1922 when developer J.C. Nichols platted the subdivision and began building.

In 2013, Westwood Hills was added to the National Register of Historic Places.

## Geography

According to the United States Census Bureau, the city has a total area of 0.07 square miles (0.18 km2), all of it land.

## Demographics

Historical population
| Census | Pop. | Note |  |
| --- | --- | --- | --- |
| 1950 | 431 |  |  |
| 1960 | 495 |  | 14.8% |
| 1970 | 414 |  | −16.4% |
| 1980 | 437 |  | 5.6% |
| 1990 | 383 |  | −12.4% |
| 2000 | 378 |  | −1.3% |
| 2010 | 359 |  | −5.0% |
| 2020 | 400 |  | 11.4% |
| U.S. Decennial Census | | | |

### 2010 census

As of the census of 2010, there were 359 people, 167 households, and 105 families living in the city. The population density was 5,128.6 inhabitants per square mile (1,980.2/km2). There were 177 housing units at an average density of 2,528.6 per square mile (976.3/km2). The racial makeup of the city was 94.4% White, 1.7% African American, 1.9% Asian, and 1.9% from two or more races. Hispanic or Latino of any race were 3.1% of the population.

There were 167 households, of which 25.7% had children under the age of 18 living with them, 54.5% were married couples living together, 6.6% had a female householder with no husband present, 1.8% had a male householder with no wife present, and 37.1% were non-families. 29.3% of all households were made up of individuals, and 10.2% had someone living alone who was 65 years of age or older. The average household size was 2.15 and the average family size was 2.65.

The median age in the city was 47.1 years. 17.8% of residents were under the age of 18; 4.2% were between the ages of 18 and 24; 26.2% were from 25 to 44; 34.3% were from 45 to 64; and 17.5% were 65 years of age or older. The gender makeup of the city was 50.1% male and 49.9% female.

### 2000 census

As of the census of 2000, there were 378 people, 170 households, and 116 families living in the city. The population density was 5,512.0 inhabitants per square mile (2,128.2/km2). There were 173 housing units at an average density of 2,522.7 per square mile (974.0/km2). The racial makeup of the city was 93.92% White, 1.59% African American, 0.26% Native American, 3.17% Asian, and 1.06% from two or more races. Hispanic or Latino of any race were 1.06% of the population.

There were 170 households, out of which 28.2% had children under the age of 18 living with them, 59.4% were married couples living together, 7.6% had a female householder with no husband present, and 31.2% were non-families. 25.9% of all households were made up of individuals, and 4.1% had someone living alone who was 65 years of age or older. The average household size was 2.22 and the average family size was 2.70.

In the city, the population was spread out, with 21.7% under the age of 18, 3.2% from 18 to 24, 33.1% from 25 to 44, 31.7% from 45 to 64, and 10.3% who were 65 years of age or older. The median age was 41 years. For every 100 females, there were 98.9 males. For every 100 females age 18 and over, there were 93.5 males.

The median income for a household in the city was $81,812, and the median income for a family was $108,732. Males had a median income of $76,250 versus $52,188 for females. The per capita income for the city was $48,256. About 1.8% of families and 2.4% of the population were below the poverty line, including none of those under the age of eighteen or sixty-five or over.

## Transportation

### Major highways

## Further reading

## InfoBox

| Westwood Hills, Kansas | |
| --- | --- |
| City | |
| Location within Johnson County and Kansas | |
| KDOT map of Johnson County (legend) | |
| Coordinates: 39°02′20″N 94°36′35″W / 39.03889°N 94.60972°W / 39.03889; -94.60972 | |
| Country | United States |
| State | Kansas |
| County | Johnson |
| Founded | 1922 |
| Incorporated | 1949 |
| Area | |
| Total | 0.06 sq mi (0.17 km2) |
| Land | 0.06 sq mi (0.17 km2) |
| Water | 0.00 sq mi (0.00 km2) |
| Elevation | 902 ft (275 m) |
| Population (2020) | |
| Total | 400 |
| Density | 6,700/sq mi (2,400/km2) |
| Time zone | UTC-6 (CST) |
| Summer (DST) | UTC-5 (CDT) |
| ZIP code | 66205 |
| Area code | 913 |
| FIPS code | 20-77525 |
| GNIS ID | 485661 |
| Website | westwoodhillsks.gov |


title: Poplin (company)

abstract: Poplin is an American company which allows people to hire independent contractors to wash, dry, fold, and deliver laundry. SudShare was co-founded in 2018 by Mort and Nachshon Fertel in Baltimore, Maryland, and operates through a mobile app of the same name. The service is available in over 400 American cities.

text:
# Poplin (company)

**Poplin** (formerly **SudShare**) is an American company which allows people to hire independent contractors to wash, dry, fold, and deliver laundry. SudShare was co-founded in 2018 by Mort and Nachshon Fertel in Baltimore, Maryland, and operates through a mobile app of the same name. The service is available in over 400 American cities.

## History

SudShare was developed as a mobile app in 2017 by Nachshon Fertel, one of three teenage triplet siblings in a family of seven. The software was developed while Nachshon Fertel was a high school sophomore student at a yeshiva in Norfolk, Virginia, where he earned science credits for developing the app after school hours. The Fertel family initially washed clients' laundry themselves, then began signing up contractors as demand expanded.

The idea for the business model came from Ari Fertel, the Fertel triplet's mother, who was tired of doing laundry for the entire family. She challenged Nachshon Fertel to create an app that would allow her to outsource the task. According to Ari Fertel, "the kids wouldn’t help with the laundry, but they solved the problem for me with code."

The company was formally launched and co-founded in 2018 in Baltimore, Maryland, with a later expansion in Norfolk and Washington, DC. Mort Fertel, Nachshon Fertel's father, took the role of CEO. Nachshon Fertel currently serves as Chief Technology Officer. His triplet brother, Moshe Fertel, is Chief Operating Officer.

Over the course of 2021, SudShare expanded to cover over 400 cities across America, and according to the company, has over 50,000 independent contractors using the app. The business does not generally cover rural or remote areas, due to increased costs of transportation.

## Operations

SudShare operates through a mobile app, with in-app options giving consumers a choice of cleaning methods. Repeat customers can choose who services them.

SudShare is used by independent contractors it calls "Sudsters," who pick up, clean, fold, and deliver user's laundry, often using their own washer and dryer, rather than a laundromat's.

The service offers in-app training for new contractors, and allows them to choose which new orders to take on, if any. The app also uses a rating system in which higher-rated contractors get access to more orders. Contractors take a 75% commission for each transaction, plus tips.

## Reception

SudShare's business model has been compared to other platform economy companies such as Uber, which profit through gig workers using the service. According to marketing professor Marie Yeh, of Loyola University Maryland, "There are going to be some consumers who aren’t going to like that idea of people touching your clothes," potentially leading to lowered demand for the service.

The company's use of service workers to outsource laundry has also been compared to the use of dhobis in India, a group of castes in the Indian subcontinent whose traditional occupations are washing and ironing clothes.

SudShare is part of a larger movement of on-demand laundry startups, with competitors such as Tide Cleaners, Rinse, Royal Clean and Hampr, which offer similar competing services.

## InfoBox

SudShare, Inc.
|
|  |
| Company type | Private |
| Industry |  |
| Founded | 2018 (2018) |
| Founder | * Mort Fertel (CEO) * Nachshon Fertel (CTO) |
| Headquarters | Baltimore, Maryland |
| Number of locations | 400+ |
| Key people | * Ari Fertel * Mort Fertel * Moshe Fertel * Nachshon Fertel * Shira Fertel |
| Services | Laundry services |
|  | |
| Number of independent contractors | 50,000+ |
|  | |
| Website | sudshare.com |


title: Port of Police

abstract:
The Port of Police is a Polish seaport and deep water harbour in Police, Poland located on the west bank of the Oder River, off the Szczecin Lagoon.
It is the fourth-busiest port in the country. In 2022, the cargo traffic in the seaport equaled 1,212,000 tons, comprising 1% of all cargo traffic in Polish seaports and the port was entered by 227 ships with gross tonnage of more than 100. In January 2019 Port of Police and PKP have signed an agreement to create a direct railway link with the port to improve the delivery of the cargo. A direct track with accompanying infrastructure will be constructed from Police railway station to the seaport itself. The Port of Police has access to the Baltic Sea through the Szczecin Lagoon, Świna strait.

text:
# Port of Police

The **Port of Police** \[pɔˈlit͡sɛ\] (in Polish generally *Port Police*) is a Polish seaport and deep water harbour in Police, Poland located on the west bank of the Oder River, off the Szczecin Lagoon. It is the fourth-busiest port in the country.

In 2022, the cargo traffic in the seaport equaled 1,212,000 tons, comprising 1% of all cargo traffic in Polish seaports and the port was entered by 227 ships with gross tonnage of more than 100.

In January 2019 Port of Police and PKP have signed an agreement to create a direct railway link with the port to improve the delivery of the cargo. A direct track with accompanying infrastructure will be constructed from Police railway station to the seaport itself.

The Port of Police has access to the Baltic Sea through the Szczecin Lagoon, Świna strait.

1. "UNLOCODE (Pl) - POLAND". *service.unece.org*. Retrieved 2024-01-28.
2. "Statistical Yearbook of Maritime Economy 2023" (PDF). *Statistics Poland*. 2023-12-28. pp. 94, 98, 294.
3. "Poland's Azoty to benefit from direct rail link to Baltic port". *Icis*. 2019-01-21. Retrieved 2019-02-03.
4. "Poland's Police Seaport to have a direct rail link". *Railway PRO Communication Platform*. 2019-01-28. Retrieved 2019-02-02.
5. "Zbudują tory kolejowe do Portu Morskiego w Policach". *WIRTUALNE POLICE - police24.pl* (in Polish). 2019-01-18. Retrieved 2019-02-03.

## InfoBox

| Port of Police | |
| --- | --- |
| The Sea Terminal in the Port of Police (2022) | |
| Click on the map for a fullscreen view | |
| Location | |
| Country | Poland |
| Location | Police |
| Coordinates | 53°33′08″N 14°36′03″E / 53.55222°N 14.60083°E / 53.55222; 14.60083 |
| UN/LOCODE | PLC |
| Details | |
| Draft depth | 9,15 m |
| Statistics | |
| Vessel arrivals | 227 |
| Annual cargo tonnage | 1,212,000 (2022) |
| Annual container volume | 116 (2021) |
| Passenger traffic | 10 (2022) |
| **Website**<br>Port of Police | |


title: Port of Port Elizabeth

abstract: The Port of Port Elizabeth is a port in the city of Port Elizabeth, in the Eastern Cape, South Africa. Located in Algoa Bay, it handles dry bulk, bulk liquid, breakbulk and containers, as well as providing facilities for tugs and fishing vessels. In the 2023 World Bank Container Port Performance Index, the port was ranked 391st out of 405.

text:
# Port of Port Elizabeth

The **Port of Port Elizabeth** is a port in the city of Port Elizabeth, in the Eastern Cape, South Africa. Located in Algoa Bay, it handles dry bulk, bulk liquid, breakbulk and containers, as well as providing facilities for tugs and fishing vessels.

In the 2023 World Bank Container Port Performance Index, the port was ranked 391st out of 405.

## InfoBox

| Port of Port Elizabeth | |
| --- | --- |
| Click on the map for a fullscreen view | |
| Location | |
| Country | South Africa |
| Location | Eastern Cape |
| Coordinates | 33°57′S 25°38′E / 33.950°S 25.633°E / -33.950; 25.633 (Port of Port Elizabeth) |
| UN/LOCODE | ZAPLZ |
| Details | |
| No. of berths | 18 |
| Draft depth | Draft 12.1 m (40 ft) |
| Statistics | |
| 2023 World Bank Container Port Performance Index | 391 (out of 405) |
| **Website**<br>Transet Port Elizabeth | |


title: Popular Action (Italy)

abstract: Popular Action was a conservative political party in Italy. It was founded by Silvano Moffa as an association of former members of National Alliance who left Future and Freedom to return into the centre-right fold in late 2010. Moffa has been also leader of the group of People and Territory in the Italian Chamber of Deputies since 2011. In 2012 AP formed Cantiere Popolare along with The Populars of Italy Tomorrow, the Christian Movement of Workers and the Extended Christian Pact.

text:
# Popular Action (Italy)

**Popular Action** (*Azione Popolare*, AP) was a conservative political party in Italy.

It was founded by Silvano Moffa as an association of former members of National Alliance who left Future and Freedom to return into the centre-right fold in late 2010. Moffa has been also leader of the group of People and Territory in the Italian Chamber of Deputies since 2011.

In 2012 AP formed Cantiere Popolare along with The Populars of Italy Tomorrow, the Christian Movement of Workers and the Extended Christian Pact.

## Leadership