title: Timkatec

abstract: Timkatec is a homeless shelter for children in Port-au-Prince, Haiti, sponsored by The Friends of Timkatec in America, the GEOMOUN Fondation in Belgium (www.geomoun.org), Timkatec France and the Jasmine Foundation in Canada. A Haitian Non-Governmental Organization, Timkatec is a home for "enfants de rues" or street children. It was founded by a retired Salesian High School teacher, Father Simon Gatine Joseph Maceus, in 1994. Father Simon started his effort with one building in Pétion-Ville near Port-au-Prince. The initial mission was to rescue orphaned and abandoned boys and give them physical, medical and spiritual care as well as an education in the Primary grades. Since then, with the active involvement of the above groups, that mission has increased to also provide secondary education and trade training to teenage boys and girls in four facilities, three of which have been newly built. Land for two of the facilities was donated by the Japanese Government, and the land for a third school now called Timkatec 3, by the Jasmine Foundation. In this effort, Simon received funding from the international organisations in the USA, Belgium, France and Canada. By 2004, there were 40 residential students and 50 day students. In 2004 The Friends of Timkatec in America was founded by Patrick O'Shea and their family and friends, to assist the Timkatec effort. Father Simon's deep desire was to build a trade training school that would enable his students to continue their education and become independent, by training in various trades essential in the country. That school, now called Timkatec 2, is in nearby La botte Moquette and the new workshops were fully funded by The Friends of Timkatec in America and Catholic Relief Services in 2004. By 2005 construction of that workshop complex was commenced. It was completed in June 2006 and initial classes were started with 80 students in September 2006. By 2007 the number of classes doubled with five trades offered to 150 students with the first 15 graduates in 2008. In 2009 enrollment increased to 230 students and the second class graduated with 57 Electricians, tailors, plumbers, shoemakers and masons receiving State Diplomas Father Simon continued Timkatec development with the completion of the third facility now called Timkatec 3, opened in September 2009 offering Primary and Trade Training to 130 girls. This building has a dual use, as a school during the day and as a shelter at night for over a hundred street children to receive a meal and a bed and a short instruction period. Funding for Timkatec 3 comes from the Jasmine Foundation and the Mennonite Central Committee (MCC). The Grand Opening was attended by Founder, Benjamin Plett. Operating funds for Timkatec 1 and 3 comes from GEOMOUN and Timkatec France, while the training at Timkatec 2 is funded by The Friends of Timkatec in America. The European supporters also fund the administrative costs Father Simon and the current effort to offer a production facility using the workshops at Timkatec 2 after instructional hours. By early 2010, the total number of children and teenagers receiving the services of the Timkatec facilities is over 500 compared to 90 in 2004, with a staff of 35. All US funding for the Timkatec Schools is from private donations with some additional material donations. Belgian funding is from GEOMOUN with a multiple matching support from the European Commission, Timkatec France funding is from the Fondation-France, controlled by the Office of the President of France with some additional private donor support. The Haitian Government provides no assistance to such private schools although some Haitian donors offer Father Simon material support as do Haitian American Groups and Salesian Alumnae groups.

text:
# Timkatec

**Timkatec** is a homeless shelter for children in Port-au-Prince, Haiti, sponsored by The Friends of Timkatec in America, the GEOMOUN Fondation in Belgium (www.geomoun.org), Timkatec France and the Jasmine Foundation in Canada.

A Haitian Non-Governmental Organization, Timkatec is a home for "enfants de rues" or street children. It was founded by a retired Salesian High School teacher, Father Simon Gatine Joseph Maceus, in 1994. Father Simon started his effort with one building in Pétion-Ville near Port-au-Prince. The initial mission was to rescue orphaned and abandoned boys and give them physical, medical and spiritual care as well as an education in the Primary grades. Since then, with the active involvement of the above groups, that mission has increased to also provide secondary education and trade training to teenage boys and girls in four facilities, three of which have been newly built. Land for two of the facilities was donated by the Japanese Government, and the land for a third school now called Timkatec 3, by the Jasmine Foundation.

In this effort, Simon received funding from the international organisations in the USA, Belgium, France and Canada. By 2004, there were 40 residential students and 50 day students. In 2004 The Friends of Timkatec in America was founded by Patrick O'Shea and their family and friends, to assist the Timkatec effort.

Father Simon's deep desire was to build a trade training school that would enable his students to continue their education and become independent, by training in various trades essential in the country. That school, now called Timkatec 2, is in nearby La botte Moquette and the new workshops were fully funded by The Friends of Timkatec in America and Catholic Relief Services in 2004. By 2005 construction of that workshop complex was commenced. It was completed in June 2006 and initial classes were started with 80 students in September 2006. By 2007 the number of classes doubled with five trades offered to 150 students with the first 15 graduates in 2008. In 2009 enrollment increased to 230 students and the second class graduated with 57 Electricians, tailors, plumbers, shoemakers and masons receiving State Diplomas

Father Simon continued Timkatec development with the completion of the third facility now called Timkatec 3, opened in September 2009 offering Primary and Trade Training to 130 girls. This building has a dual use, as a school during the day and as a shelter at night for over a hundred street children to receive a meal and a bed and a short instruction period. Funding for Timkatec 3 comes from the Jasmine Foundation and the Mennonite Central Committee (MCC). The Grand Opening was attended by Founder, Benjamin Plett. Operating funds for Timkatec 1 and 3 comes from GEOMOUN and Timkatec France, while the training at Timkatec 2 is funded by The Friends of Timkatec in America. The European supporters also fund the administrative costs Father Simon and the current effort to offer a production facility using the workshops at Timkatec 2 after instructional hours.

By early 2010, the total number of children and teenagers receiving the services of the Timkatec facilities is over 500 compared to 90 in 2004, with a staff of 35. All US funding for the Timkatec Schools is from private donations with some additional material donations. Belgian funding is from GEOMOUN with a multiple matching support from the European Commission, Timkatec France funding is from the Fondation-France, controlled by the Office of the President of France with some additional private donor support. The Haitian Government provides no assistance to such private schools although some Haitian donors offer Father Simon material support as do Haitian American Groups and Salesian Alumnae groups.


title: Keera (director)

abstract: Keera is an Indian film director, who has directed Tamil language films. He became known for the rural drama Pachai Engira Kaathu (2012), and has gone on to make feature films including Ettuthikkum Para (2020) and Irumban (2023).

text:
# Keera (director)

**Keera** is an Indian film director, who has directed Tamil language films. He became known for the rural drama *Pachai Engira Kaathu* (2012), and has gone on to make feature films including *Ettuthikkum Para* (2020) and *Irumban* (2023).

## Career

Keera first worked on the rural drama *Pachai Engira Kaathu* (2012) starring newcomers in the lead role. During the making of the film, he gave the film's debutant actress Saranya, the stage name of Devadhai. In the late 2010s, Keera worked on *Ettuthikkum Para* (2020), a social drama film based on honour killings headlined by Samuthirakani. The film released in March 2020 and became one of the final films to have a theatrical release before the COVID-19 pandemic caused a lockdown.

In December 2018, Keera announced that he was working on a project titled *Kuravan* featuring Jr MGR, a distant relative of former actor-politician M. G. Ramachandran, in the lead role. Following opposition to the title form tribal activists, the project proceeded under the name of *Irumban* (2023). During the release of the film, Keera's name was largely removed from the promotional posters, prompting him to call out the lead actor and producers for unfair treatment and lack of payment.

In January 2023, he announced that his next project would be titled *Veeman*, a tale on elephant mahouts.

## Filmography

Films

| Year | Film | Notes |
| --- | --- | --- |
| 2012 | *Pachai Engira Kaathu* |  |
| 2018 | *Merlin* |  |
| 2020 | *Ettuthikkum Para* |  |
| 2023 | *Irumban* |  |

## InfoBox

| Keera | |
| --- | --- |
| Born | Tamil Nadu, India |
| Occupation | Film director |
| Years active | 2012-present |


abstract: Warwick Township is a township in Chester County, Pennsylvania, United States. The population was 2,507 at the 2010 census.

text:
# Warwick Township, Chester County, Pennsylvania

**Warwick Township** is a township in Chester County, Pennsylvania, United States. The population was 2,507 at the 2010 census.

## History

The township's history includes several notable names William Penn, Benjamin Franklin, and George Washington. Warwick Township was also instrumental in the Revolutionary War. Some of the iron furnaces such as Van Leer Furnace produced cannons and shot for the war against the British. Today the land still remains undisturbed and the history is preserved.

The Hockley Mill Farm, Hopewell Furnace National Historic Site, John Knauer House and Mill, Lahr Farm, North Warwick Historic and Archeological District, Reading Furnace Historic District, Philip Rogers House, St. Mary's Episcopal Church, St. Peters Village Historic District, Warrenpoint, Warwick Mills, and Jacob Winings House and Clover Mill are listed on the National Register of Historic Places.

## Geography

According to the U.S. Census Bureau, the township has a total area of 19.2 square miles (50 km2), all land. It is drained by the French Creek eastward into the Schuylkill River and areas near the border with Berks County are mountainous, exceeding 250 metres (825 feet) in places. Unincorporated communities in the township include Knauertown, Pine Swamp, St. Peters, Trythall and Warwick. Warwick Township is located in the Hopewell Big Woods. French Creek State Park is partially located in the township and also in Berks County.

### Neighboring municipalities

## Recreation

Warwick County Park and portions of the Pennsylvania State Game Lands Number 43 are located in Warwick Township.

## Demographics

Historical population
| Census | Pop. | Note |  |
| --- | --- | --- | --- |
| 1930 | 1,083 |  |  |
| 1940 | 1,125 |  | 3.9% |
| 1950 | 1,144 |  | 1.7% |
| 1960 | 1,436 |  | 25.5% |
| 1970 | 1,667 |  | 16.1% |
| 1980 | 2,350 |  | 41.0% |
| 1990 | 2,575 |  | 9.6% |
| 2000 | 2,556 |  | −0.7% |
| 2010 | 2,507 |  | −1.9% |
| 2020 | 2,590 |  | 3.3% |
|  | | | |

At the 2010 census, the township was 96.1% non-Hispanic White, 1.2% Black or African American, 0.2% Native American, 1.0% Asian, and 1.1% were two or more races. 1.6% of the population were of Hispanic or Latino ancestry.

As of the census of 2000, there were 2,556 people, 999 households, and 755 families living in the township. The population density was 133.2 inhabitants per square mile (51.4/km2). There were 1,033 housing units at an average density of 53.8 per square mile (20.8/km2). The racial makeup of the township was 98.16% White, 0.23% African American, 0.27% Native American, 0.47% Asian, 0.31% from other races, and 0.55% from two or more races. Hispanic or Latino of any race were 0.67% of the population.

There were 999 households, out of which 30.7% had children under the age of 18 living with them, 67.7% were married couples living together, 5.2% had a female householder with no husband present, and 24.4% were non-families. 20.9% of all households were made up of individuals, and 6.6% had someone living alone who was 65 years of age or older. The average household size was 2.56 and the average family size was 2.98.

In the township the population was spread out, with 23.4% under the age of 18, 5.8% from 18 to 24, 27.3% from 25 to 44, 31.7% from 45 to 64, and 11.9% who were 65 years of age or older. The median age was 41 years. For every 100 females, there were 105.3 males. For every 100 females age 18 and over, there were 102.0 males.

The median income for a household in the township was $56,771, and the median income for a family was $70,625. Males had a median income of $46,422 versus $31,429 for females. The per capita income for the township was $26,547. About 3.6% of families and 6.1% of the population were below the poverty line, including 11.0% of those under age 18 and 3.0% of those age 65 or over.

## Education

Warwick Township is in the Owen J. Roberts School District. Owen J. Roberts High School is the zoned comprehensive high school.

## Transportation

As of 2018, there were 50.85 miles (81.84 km) of public roads in Warwick Township, of which 22.40 miles (36.05 km) were maintained by the Pennsylvania Department of Transportation (PennDOT) and 28.45 miles (45.79 km) were maintained by the township.

Pennsylvania Route 23 and Pennsylvania Route 345 are the numbered roads serving the township. PA 23 follows Ridge Road along an east-west alignment across the southern portion of the township. PA 345 follows Bulltown Road, Warwick Road and Pine Swamp Road along a north-south alignment across the western part of the township.

## InfoBox

| Warwick Township | |
| --- | --- |
| Township | |
| St. Peter's Village | |
| Location of Warwick Township in Chester County and in Pennsylvania | |
| Coordinates: 40°11′16″N 75°44′56″W / 40.18778°N 75.74889°W / 40.18778; -75.74889 | |
| Country | United States |
| State | Pennsylvania |
| County | Chester |
| Area | |
| Total | 18.90 sq mi (48.94 km2) |
| Land | 18.75 sq mi (48.56 km2) |
| Water | 0.15 sq mi (0.39 km2) |
| Elevation | 692 ft (211 m) |
| Population (2010) | |
| Total | 2,507 |
| Estimate (2016) | 2,540 |
| Density | 135.49/sq mi (52.31/km2) |
| Time zone | UTC-5 (EST) |
| Summer (DST) | UTC-4 (EDT) |
| Area code(s) | 610 |
| FIPS code | 42-029-81160 |


title: Henri Pachard

abstract: Henri Pachard, Jackson St. Louis and Crystal Blue were the pseudonyms of the American film director Ron Sullivan. In the late 1960s, using his real name, Sullivan directed a number of sex-and-sadism Sexploitation films for the then-thriving 42nd Street grindhouse market. Working for Sam Lake Enterprises in New York, he directed his first film, Lust Weekend (1967). This was followed by The Bizarre Ones (1967), Scare Their Pants Off (1968), and This Sporting House, with future adult star Jennifer Welles, in 1969. In the 1980s he adopted the alias "Henri Pachard". From then until his death in 2008, he produced and directed dozens of mainstream pornographic films, including The Devil in Miss Jones 2 and Blame it on Ginger, starring Ginger Lynn. He also made numerous bondage-discipline features, particularly for the long-running Dresden Diary series, and many spanking fetish videos such as Blazing Bottoms and Smarty Pants!. In addition to directing, he also acted in small character roles in adult films, most notably, Glen and Glenda (1994), a pornographic spoof of Ed Wood's 1953 movie Glen or Glenda. In May 2008 it was reported that Sullivan/Pachard was gravely ill from cancer, with an open call to others in the industry to employ his wife Deloras as a cameraman or as a film editor to help offset his medical expenses. He died at his home on September 27, 2008, after a three-year battle with cancer.

text:
# Henri Pachard

**Henri Pachard**, **Jackson St. Louis** and **Crystal Blue** were the pseudonyms of the American film director **Ron Sullivan** (June 4, 1939 – September 27, 2008).

In the late 1960s, using his real name, Sullivan directed a number of sex-and-sadism Sexploitation films for the then-thriving 42nd Street grindhouse market. Working for Sam Lake Enterprises in New York, he directed his first film, *Lust Weekend* (1967). This was followed by *The Bizarre Ones* (1967), *Scare Their Pants Off* (1968), and *This Sporting House*, with future adult star Jennifer Welles, in 1969.

In the 1980s he adopted the alias "Henri Pachard". From then until his death in 2008, he produced and directed dozens of mainstream pornographic films, including *The Devil in Miss Jones 2* and *Blame it on Ginger,* starring Ginger Lynn.

He also made numerous bondage-discipline features, particularly for the long-running *Dresden Diary* series, and many spanking fetish videos such as *Blazing Bottoms* and *Smarty Pants!* (both for LBO Entertainment).

In addition to directing, he also acted in small character roles in adult films, most notably, *Glen and Glenda* (1994), a pornographic spoof of Ed Wood's 1953 movie *Glen or Glenda*.

In May 2008 it was reported that Sullivan/Pachard was gravely ill from cancer, with an open call to others in the industry to employ his wife Deloras as a cameraman or as a film editor to help offset his medical expenses.

He died at his home on September 27, 2008, after a three-year battle with cancer.

## Awards

* 1979 AFAA Award \- Best Director - *Babylon Pink*
* 1983 AFAA Award - Best Director - *The Devil in Miss Jones Part II*
* 1985 AVN Award – Best Director (Video) – *Long Hard Nights*
* 1985 XRCO Award \- Best Director - *Taboo American Style*
* 1986 CFAA Award \- Best Director - *Taboo American Style*
* 1988 AVN Award – Best Director (Video) – *Talk Dirty to Me, Part V*
* 1990 AVN Award – Best Director (Film) – *The Nicole Stanton Story, Parts 1 & 2*
* 1997 XRCO Hall of Fame inductee
* AVN Hall of Fame inductee

## InfoBox

| Henri Pachard | |
| --- | --- |
| Henri Pachard at the 2006 Erotica Los Angeles convention | |
| Born | Ronald Sullivan
June 4, 1939
Kansas City, Missouri |
| Died | September 27, 2008 (aged 69)
California |
| Other names | Jackson St. Louis, Crystal Blue |
| Occupation | Director |


abstract: The National University of Singapore Faculty of Law is Singapore's oldest law school. NUS Law was initially established in 1956 as the Department of Law in the University of Malaya, and subsequently, University of Singapore. After its establishment, NUS Law was Singapore's only law school for half a century, until the subsequent establishment of the SMU School of Law in 2007 and the SUSS School of Law in 2017. NUS Law is currently located at the NUS Bukit Timah Campus. The current dean of NUS Law is Andrew Simester. Internationally, NUS Law has been ranked twelfth by the QS World University Rankings by Subject in 2024 and eleventh by the Times Higher Education World University Rankings by Subject in 2024.

text:
# National University of Singapore Faculty of Law

The **National University of Singapore Faculty of Law** (**NUS Law**) is Singapore's oldest law school. NUS Law was initially established in 1956 as the Department of Law in the University of Malaya, and subsequently, University of Singapore. After its establishment, NUS Law was Singapore's only law school for half a century, until the subsequent establishment of the SMU School of Law in 2007 and the SUSS School of Law in 2017. NUS Law is currently located at the NUS Bukit Timah Campus. The current dean of NUS Law is Andrew Simester. Internationally, NUS Law has been ranked twelfth by the QS World University Rankings by Subject in 2024 and eleventh by the Times Higher Education World University Rankings by Subject in 2024.

## History

After its establishment in 1956 as the Department of Law of the University of Malaya, NUS Law attained faculty status in 1959, and Lionel Astor Sheridan was appointed as its founding dean. Its pioneer batch of students graduated in 1961, featuring future notable figures such as Chan Sek Keong and Tommy Koh. After the division of the University of Malaya in 1962, the faculty continued as part of the new University of Singapore. Subsequently, the faculty became part of the National University of Singapore which was formed in 1980 by a merger between the University of Singapore and Nanyang University.

## Undergraduate programmes

The LL.B. programme at NUS Law is a four-year programme. Students take compulsory modules in their first two years and elective modules in their third and fourth years. In terms of exposure to non-law subjects, students may choose to take non-law elective modules offered by other NUS faculties, read for minors outside of law, and take on concurrent or double degree programmes.

Undergraduate students may go on exchange to study in a law school in a foreign jurisdiction. Students on the exchange programme pay only tuition fees at the NUS Law rate. Selected students can also combine completion of their LL.B. at NUS Law with an LL.M. from a partner institution in four years.

The indicative grade profile of the tenth percentile of GCE A-Level applicants offered places in its LL.B. programme in 2020 was AAA/A. Applicants are required to sit for a selection test and attend a formal interview to assess their suitability for the study of law.

## Graduate programmes

For graduate students, NUS Law offers a J.D. programme, several coursework LL.M. programmes, and a research Ph.D. programme. Admissions for graduate programmes generally require a good bachelor's degree in law.

## Publications

NUS Law publishes the *Singapore Journal of Legal Studies*, one of the oldest law journals in the Commonwealth. It also produces the *Asian Journal of International Law* (which is published by Cambridge University Press and succeeds the *Singapore Year Book of International Law*), and the *Asian Journal of Comparative Law* (also published by Cambridge University Press).

Additionally, the *Singapore Law Review*, which is Asia's oldest student-run legal publication, is managed exclusively by the students of NUS Law.

## Centres

NUS Law hosts the following centres:

| Centre | Established |
| --- | --- |
| Asia-Pacific Centre for Environmental Law (APCEL) | 1996 |
| Asian Law Institute (ASLI) | 2003 |
| Centre for International Law (CIL) | 2009 |
| Centre for Asian Legal Studies (CALS) | 2012 |
| EW Barker Centre for Law & Business (EWBCLB) | 2013 |
| Centre for Banking & Finance Law (CBFL) | 2014 |
| Centre for Legal Theory (CLT) | 2015 |
| Centre for Maritime Law (CML) | 2015 |
| Centre for Pro Bono & Clinical Education (CPBCLE) | 2017 |
| Centre for Technology, Robotics, Artificial Intelligence & the Law (TRAIL) | 2019 |

In addition, NUS Law also hosts the Secretariat of the Asian Society of International Law (AsianSIL).

## Deans

The deans of NUS Law from 1956 to present are listed below:

| S/N | Name | Term of office |
| --- | --- | --- |
| 1. | Lionel Astor Sheridan | 1956–1962 |
| 2. | Chua Boon Lan | 1962–1963 |
| 3. | Harry E. Groves | 1963–1964 |
| 4. | Leslie C. Green | 1964–1965 |
| 5. | James Louis Montrose | 1965–1966 |
| 6. | Geoffrey W. Bartholomew | 1966–1968 |
| 7. | Thio Su Mien | 1968–1971 |
| 8. | Tommy Koh | 1971–1974 |
| 9. | S. Jayakumar | 1974–1980 |
| 10. | Tan Sook Yee | 1980–1987 |
| 11. | Tan Lee Meng | 1987–1992 |
| 12. | Chin Tet Yung | 1992–2001 |
| 13. | Tan Cheng Han | 2001–2011 |
| 14. | Simon Chesterman | 2012–2022 |
| 15. | Andrew Simester | 2023– |

## Notable alumni

NUS Law has produced a number of notable alumni, including Senior Counsel, Attorneys-General, Members of the Singapore Parliament, Ministers of the Cabinet of Singapore and Judges of the Supreme Court of Singapore:

### Academia

### Arts

### Business

### Judicial

### Public service

### Politics

## InfoBox

National University of Singapore
Faculty of Law
|  | |
| --- | --- |
| Established | 1956 |
| Parent institution | National University of Singapore |
| Dean | Andrew Simester |
| Address | 469G Bukit Timah Rd, Singapore 259776, Singapore, Singapore<br>1°19′07″N 103°48′54″E / 1.3187°N 103.8150°E / 1.3187; 103.8150 |
| Website | www.law.nus.edu.sg |


title: Nau Sena Medal

abstract: Nau Sena Medal is a gallantry award for servicemen in the Indian Navy.

text:
# Nau Sena Medal

**Nau Sena Medal** (also spelt *Nao Sena Medal*, lit. *Navy Medal*) is a gallantry award for servicemen in the Indian Navy.

## History

The Nao Sena Medal was instituted on 26 January 1960 by the Government of India, with the approval of the President of India. Five other medals were instituted on the same day - the Vishisht Seva Medal series (Class I, Class II, Class III), the Sainya Seva Medal, Videsh Seva Medal, Sena Medal and the Vayu Sena Medal.

## Design

The medal is pentangular in shape, with curved sides made of standard silver. The mounting shall is a fixed ring attached to a metal stripe 3mm wide ornamented with Ashoka leaves. It has embossed on its obverse the Naval Crest. On its reverse, it has a trident within a circle and rope and the inscription "Nau Sena Medal", in Hindi, embossed along the upper rim.

The riband is navy blue colour with a white thin silver stripe down the centre. 32 mm, dark blue with a 2 mm white central strips. Dark blue 15 mm, white 2 mm, dark blue 15 mm.

## InfoBox

| Nau Sena Medal | |
| --- | --- |
| Nau Sena Medal | |
| Type | Medal |
| Awarded for | "Awarded for such individual acts of exceptional devotion to duty or courage as have special significance for the Navy." |
| Country | Republic of India |
| Presented by | Republic of India |
| Eligibility | All ranks of the navy. |
| Established | 17 June 1960 |
|  | |
| Service Ribbon | |
|  | |
| Order of Wear | |
| Next (higher) | Yudh Seva Medal |
| Equivalent | Sena Medal (Army)<br>Vayu Sena Medal (Air Force) |
| Next (lower) | Vishisht Seva Medal |


title: Otto Erlandsen

abstract: Otto Bernhard Erlandson was a Swedish-American builder and architect in the Intermountain West in the early-20th century. Erlandson was born a son of Elias and Kjersti (Lundstett) Erlandson in Malmo, Sweden. His brother was Henry Erlandson. The family emigrated to Utah Territory with his parents and siblings in 1870 as converts to the Church of Jesus Christ of Latter-day Saints. He was schooled in Payson, Utah and took mechanical drawing classes at Utah State University. Erlandsen's most notable designs were the Rexburg and Nebo Stake Tabernacles for the LDS Church. Rexburg Stake Tabernacle is listed on the National Register of Historic Places. Nebo Stake Tabernacle was demolished in the 1980s. Otto Erlandsen and his brother Henry Erlandson operated Central Lumber Company in Payson. They resided in a Prairie-style home built during 1910 in Payson that remains a local historic home of architectural importance.

text:
# Otto Erlandsen

**Otto Bernhard Erlandson** (September 20, 1867 – October 11, 1959) was a Swedish-American builder and architect in the Intermountain West in the early-20th century. Erlandson was born a son of Elias and Kjersti (Lundstett) Erlandson in Malmo, Sweden. His brother was Henry Erlandson (b. 1875). The family emigrated to Utah Territory with his parents and siblings in 1870 as converts to the Church of Jesus Christ of Latter-day Saints (LDS Church). He was schooled in Payson, Utah and took mechanical drawing classes at Utah State University.

Erlandsen's most notable designs were the Rexburg and Nebo Stake Tabernacles for the LDS Church. Rexburg Stake Tabernacle (now Rexburg Tabernacle Community Center) is listed on the National Register of Historic Places. Nebo Stake Tabernacle was demolished in the 1980s.

Otto Erlandsen and his brother Henry Erlandson operated Central Lumber Company in Payson. They resided in a Prairie-style home built during 1910 in Payson that remains a local historic home of architectural importance.


title: Gladden Bishop

abstract: Francis Gladden Bishop was a minor leader in the Latter Day Saint movement after the 1844 succession crisis. Bishop claimed to be the rightful successor to Joseph Smith; from the 1850s until his death, Bishop led a succession of small groups of Latter Day Saints and converts. His followings have been identified informally by later writers as the Gladdenites and the Church of Jesus Christ of Latter Day Saints (Gladdenite), though the name of a late following is formally The Church of Jesus Christ of the New Jerusalem. In the 1850s, many of Bishop's followers abandoned him and joined the movement that would later become the Church of Christ.

text:
# Gladden Bishop

**Francis Gladden Bishop** (January 19, 1809 – November 30, 1864) was a minor leader in the Latter Day Saint movement after the 1844 succession crisis. Bishop claimed to be the rightful successor to Joseph Smith; from the 1850s until his death, Bishop led a succession of small groups of Latter Day Saints and converts. His followings have been identified informally by later writers as the ***Gladdenites*** and the **Church of Jesus Christ of Latter Day Saints (Gladdenite),** though the name of a late following is formally **The Church of Jesus Christ of the New Jerusalem**. In the 1850s, many of Bishop's followers abandoned him and joined the movement that would later become the Church of Christ (Temple Lot).

## Early life

Bishop was born in Livonia, Livingston County, New York, the third of nine children born to devout Methodists Isaac Gates Bishop and Mary Hyde. According to some reports, Mary Hyde Bishop "was a religious enthusiast and previous to \[Gladden's\] birth had predicted that she would bear a son who would some day gladden the hearts of the people and would be the flying roll which Zacharias \[sic\] saw with his prophetic eye" (see Zechariah 5:1–4).

Other than serving as a missionary, Bishop's adult occupation is unknown. He was identified in various contemporary documents as a silversmith and as a pocket watch repairer.

## Latter Day Saint

In July 1832, Bishop was baptized by Latter Day Saint missionaries at Olean, New York and became a member of the Church of Christ, which had been founded two years earlier by Joseph Smith. Bishop also became an elder of the church and for a brief period of time in 1833 was president of the congregation of Latter Day Saints at Westfield, New York. At some point Bishop was also ordained to the priesthood office of seventy. In 1838 and 1839 Bishop was a missionary for the church in North Carolina, Virginia (including present-day West Virginia), Maryland, New York, Massachusetts, and Upper Canada. During his mission, Bishop published a short history of the Church of Jesus Christ of Latter Day Saints.

## Apostasies

On August 7, 1835, Bishop was disfellowshipped from the church by a high council of the church at Bradford, Massachusetts because "it was proved that he had erred in spirit and in doctrine, and was considerably inclined to enthusiasm, and much lifted up". On September 28, the Presiding High Council at Kirtland, Ohio reinstated Bishop and warned him against "advancing heretical doctrines which were derogatory to the character of the Church of the Latter Day Saints".

However, one contemporary commentator stated that "Gladden gave Joseph \[Smith\] much trouble; was cut off from the church and taken back and rebaptized nine times".

## Prophet and sect leader

### Final apostasy and becoming a prophet

Well before the death of Joseph Smith in 1844, Bishop began to inform others that he had been chosen by God as Smith's rightful successor. In 1842, Bishop was excommunicated for heresy. Bishop claimed that although Smith had originally been chosen by God, he had become a "fallen prophet" due to his immorality and other sins. At the church trial that led to Bishop's final excommunication, Smith commented that Bishop "was a fool and had not sens \[sic\] sufficient for the Holy Ghost to enlighten him." Bishop asserted that Smith had been given the Aaronic priesthood by an angel, but his sinfulness prevented his reception of the Melchizedek priesthood. Bishop claimed that he himself had been given the Melchizedek priesthood by Jesus Christ, and that a man called "Nephi"—who Bishop said was one of the Three Nephites from the *Book of Mormon*—had visited him and delivered seven "sacred things" or objects, the first six of which had once been in the possession of Smith. The seven items Bishop claimed to be in possession of were:

1. the golden plates from which Smith translated the *Book of Mormon*;
2. the Urim and Thummim, which assisted Smith in translation;
3. the breastplate of Moroni;
4. the Liahona, an artifact from the *Book of Mormon*;
5. the sword of Laban;
6. a small silver "Crown of Israel" representing the Aaronic priesthood; and
7. a larger gold "Crown of Glory" representing the Melchizedek priesthood.

Bishop also claimed to have in his possession the first 116 pages of English manuscript of the *Book of Mormon* which had been translated by Joseph Smith but lost by Martin Harris.

Seven days after receiving these items, Bishop claimed that he was washed, anointed, robed and in vision placed upon a throne; according to one commentator, "to Bishop, this completed his calling, as upon him was conferred divine authority and kingship." Following this event, Bishop claimed that he was "David", "the king that shall reign over the united nation of Israel".

A few families in Illinois and Iowa believed that Bishop was a new prophet; other Latter Day Saints called these followers of Bishop *Gladdenites*. During this period of time, Bishop's leadership attracted the devotion of Martin Harris, one of the Three Witnesses to the *Book of Mormon* and a one-time apostle of the church. In 1851, Bishop and his followers moved to Kirtland, Ohio, which had been a headquarters of the church in the 1830s. One of Bishop's goals in returning to Kirtland was to acquire ownership of the Kirtland Temple, which the church was forced to abandon and had been unable to sell. On April 8, following a meeting of his followers in the temple, Bishop received a revelation which stated:

> "Thus saith the Lord, even Jesus Christ, the everlasting Father—He who was, and is, and is to come—the first and the last: Behold I have again commenced a work on the earth, even that spoken of in the Book of Mormon, when I would bring forth the greater things to those who receive the Book of Mormon.
>
> "And therefore have I again sent mine Holy Angels even as to Joseph \[Smith\] at the first and put into the hands of my servant Gladden the same sacred things which I put into the hands of my servant Joseph; and also other sacred things which have been hid up, to come forth when I should set up my Kingdom on the earth.
>
> "And therefore that my word might be fulfilled, and also that my people might believe, have I caused that my servant Gladden should call Witnesses of these things; even he, who was one of the three Witnesses to the Book of Mormon, (viz: my servant Martin \[Harris\], and also my daughter Phebe \[Bishop's wife\], whom I have called these many years that she might be a witness in this, my great and glorious work, which I have now begun, and which shall never be overthrown;) and behold! my Witnesses have borne their testimony before my people in this place, yea, and in my house, even that which my people have built and dedicated unto me in Kirtland."

However, the Gladdenites were unable to gain legal possession of the Kirtland Temple. Several other attempts at collecting and holding a following proved ineffective as well.

### Attempted move to Utah

In 1852, the leaders of the Latter Day Saints who had followed Brigham Young announced that the Church of Jesus Christ of Latter-day Saints were teaching and practising plural marriage in Utah Territory. Shortly thereafter, Bishop received a revelation from God that his followers should go to Utah, where the Gladdenites would wrest control of the LDS Church from Young by leading an uprising of the members of the LDS Church against polygamy. Bishop himself did not make the overland trip.

Several of Bishop's followers in Utah began preaching in the streets of Salt Lake City in March 1853. On March 20, from a wagon in front of the Old Tabernacle, several believers noisily accosted residents as they left church meetings. When several men attempted to push or pull the wagon out of the area, the city marshal dispersed the crowd. A week later another meeting was prohibited entirely by city officials. Alfred Smith, a member of the LDS Church who defected to the Gladdenites and had accused Young of robbing him of his property, was arrested and imprisoned until he gave a promise to Young to discontinue his rebellion.

On March 27, Young made the subject of the Gladdenites the focus of his Sunday sermon in the Salt Lake Tabernacle. In his sermon, Young stated:

> "We want \[apostates of the church\] to go to California, or anywhere they choose. I say to those persons, you must not court persecution here, lest you get so much of it you will not know what to do with it. Do NOT court persecution. We have known Gladden Bishop for more than twenty years, and know him to be a poor, dirty curse. ... I say again, you Gladdenites, do not court persecution, or you will get more than you want, and it will come quicker than you want it. I say to you Bishops, do not allow them to preach in your wards. Who broke the roads to these valleys? Did this little nasty \[Alfred\] Smith, and his wife? No they staid in St. Louis while we did it, peddling ribbons, and kissing the Gentiles. I know what they have done here—they have asked exorbitant prices for their nasty stinking ribbons. \[Voices, 'that's true.'\] We broke the roads to this country. Now, you Gladdenites, keep your tongues still, lest sudden destruction come upon you. ...
> "I say, rather than that apostates should flourish here, I will unsheath my bowie knife, and conquer or die. \[Great commotion in the congregation, and a simultaneous burst of feeling, assenting to the declaration.\] Now, you nasty apostates, clear out, or judgment will be put to the line, and righteousness to the plummet. \[Voices, generally, 'go it, go it.'\] If you say it is right, raise your hands. \[All hands up.\] Let us call upon the Lord to assist us in this, and every good work."

Later polemicists suggested that Young's comments are to be viewed in the context of his belief in the doctrine that apostates must be killed in order to pay for their sin. Both scholars and Latter Day Saint apologists have pointed out that none of the Gladdenites were actually killed by Young or members of the LDS Church, that Young's invective-filled speech was largely meant as a rhetorical message to the Gladdenites that the LDS Church did not want them remaining in Utah, and that within two weeks Young in fact backed down from his heated rhetoric.

Following Young's fiery speech, Apostle Parley P. Pratt delivered a similar sermon in which he attempted to destroy Bishop's credibility:

> "Why is it that these apostates wish to cram down people's stomachs that which they loathe? That which they have no wish either to hear, think about, or digest? ... Where is the need, then, of preaching in the streets. But where is the city or community to be found, who wish to discuss that which they already know and understand? As to this *man*, or rather ' *thing*,' called Gladden Bishop, and his pretended visions and revelations, I know him of old. I knew him in Ohio, some eighteen or twenty years ago. I remember his name. ... I scarcely ever heard that name in my life, that it was not associated with some imposition or falsehood in the name of the Lord. If he was tried before the Councils of the Church, he would confess that he had lied, in pretending to visions, angels, and revelations, and ask forgiveness. If he was excommunicated, he would join again, &c.
> "I never heard of him in any other light, but as a man or a ' *thing* ' that crept in from time to time among the Saints, with attempts to deceive the people with one imposition or another.
> "His difficulty all the time was, that the people would not be deceived by him. I will not put him on a level with other apostates. Where can we find one of them that has not had some influence? I know of no one that had not some followers for awhile, although none could keep them; but I never knew Gladden Bishop to gain a single follower among his personal acquaintance. He was disfellowshipped, and received on his professions of repentance, so often, that the church at length refused to admit him any more as a member. . . .
> "I see no ground, then, to prove or to investigate the calling of an apostate, who has always been trying to impose upon this people. It is too late in the day for us to stop to inquire whether such an outcast has the truth. . . .
> "And yet we are called upon to prove—what? *Whether an egg that was known to be rotten fifteen years ago, has really improved by reason of age!!*"

On April 17, 1853, Brigham Young clarified his previous sermon dealing with the Gladdenites, curbing his hyperbole and emphasizing the Saints were to leave the Gladdenites alone:

> "I wish to say a few words about some men and families in this city, called Gladdenites. We have been pretty severe upon them, but nowhere, except in the pulpit, to my knowledge. I counsel my brethren to keep away from their houses; let them alone, and treat them as courteously as you would any other person. Do you enquire whether I have any grounds for giving this advice? I answer, I have. For there are few men in this congregation who know when to stop, should they find themselves engaged in a contest with one of that class of people, therefore let them alone entirely. Those individuals are disagreeable to me, and so are their doctrines. The man they hold up is so low and degraded in his spirit, feelings, and life, I have not patience to hear anything said about him. I have known him too long, and too well, not to be satisfied of the wickedness of his heart. ...
>
> "I wish this community to understand, that what has been said here touching those men and their views has been with no other design than to cause them to use their tongues as they ought, and cease abusing me and this people. Some of them visited me yesterday, and wished to know if it was safe for them to stay here. I told them they were as safe as I was, if they did not undertake to make us swallow, whether or not, something we are not willing to take. "We have been driven, and re-driven," said I, "and if corrupt people stay in our midst, they have got to use their tongues properly." They promised they would, if they might stay.
> "If they wish to live here in peace, I am willing they should, but I do not wish them to stir up strife. I never expected that this community would be composed entirely of Latter-day Saints, but I expected there would be goats mixed among the sheep, until they are separated. I do not look for anything else, but I wish them to behave themselves in their sphere, also the sheep; and let the goats associate with their goatish companions, and not endeavor to disturb the equanimity of the sheep in their pasture.
> "This comparison will apply to this people, and those men. If they wish to labor, and obtain a living, they are welcome to do so; but they are not at liberty to disturb the peace of their neighbors in any way; neither let this people disturb them, but grant them every privilege claimed by, and belonging to, American citizens. Let them meet together and pray if they please; this is their own business. Let them do as some did in a camp meeting in York State-One man met another and said, "How do you do? How are they getting along on the camp-ground?" "Why they are serving God like the very devil," was the reply. And the Gladdenites may serve God like the devil, if they will keep out of my way, and out of the way of this people."

### Moves to Illinois and Iowa

By 1854, most of the Gladdenites had left Utah. Bishop and several dozen of his followers returned to Illinois and settled in Crow Creek, Illinois. There Bishop continued to claim that he was the leader of the church, which he now called *The Church of Jesus Christ of the New Jerusalem*. Granville Hedrick was said to be a follower of Bishop, but no direct evidence has been found to confirm. However, when several of the surrounding settlements of unaffiliated Latter Day Saints began meeting together under the direction of John E. Page, Bishop and some of his followers abandoned Crow Creek and moved to Kanesville, Iowa. Some of the Gladdenites, including Hedrick, remained in Illinois and became affiliated with the church organized by Page and Hedrick in 1863, which later became known as the Church of Christ (Temple Lot).

During his time in Iowa, Bishop attempted to publish a periodical for his organization entitled *Zion's Messenger*, which seems to have had only one issue.

### Moves to Nebraska and Utah

By about 1860, Bishop and his followers had settled near Oconee in Platte County, Nebraska, where Bishop continued to head what he called the *Church of Jesus Christ of Latter Day Saints*. The Gladdenites were active in attempting to convert settlers and Native Americans in the area, with little success.

Around 1863, "unsavory reports in regard to the orgies which were a part of their Sunday exercises in the windowless church came to the ears of the outside world and created such discussion that their condition became unpleasant to them and their presence obnoxious to the settlers." The members of the Gladdenite church dispersed, with Bishop and a number of his followers travelling to Colorado.

In June or July 1864, Bishop travelled to Salt Lake City with the intention of meeting with Brigham Young, allowing the Mormons access to the seven sacred objects he claimed to hold, and ushering in the reign of the Ancient of Days. He lived quietly in Salt Lake City with his sister for several months and died there during a scarlet fever outbreak in late November 1864. He was to be buried in his sister's family plot but was interred in the wrong grave.

After Bishop's death, the Gladdenite church disintegrated. The "sacred things" were not found among his personal possessions.

## Publications

* Francis Gladden Bishop, *A Brief History of the Church*, Salem, \[N.C.\]: Blum and Son, 1839.
* ——, *An Address to the Sons and Daughters of Zion, Scattered Abroad, Through all the Earth*, Kirtland, Ohio: F.G. Bishop, 1851.

### Zion's Messenger

*Zion's Messenger* was a periodical written and edited by Gladden Bishop and published in Council Bluffs, Iowa. The only recorded issue appeared in 1854.

## InfoBox

| Gladden Bishop | |
| --- | --- |
|  | |
|  | |
| Founder of the Church of Jesus Christ of Latter Day Saints (Gladdenite) | |
| 1851  November 30, 1854 (1854-11-30) | |
|  | |
|  | |
| Personal details | |
| Born | Francis Gladden Bishop
(1809-01-19)January 19, 1809
Livonia, New York, United States |
| Died | November 30, 1864(1864-11-30) (aged 55)
Salt Lake City, Utah, United States |
| Parents | Isaac Gates Bishop
Mary Hyde |
|  | |


title: Timbiriche, El concierto

abstract: Timbiriche, El concierto is a two-disc live album from Mexican pop music group Timbiriche. It was released in 1999. The album is a live recording from their reunion in 1999. The album was certified Platinum + Gold by AMPROFON for sales of over 350,000.

text:
# Timbiriche, El concierto

***Timbiriche, El concierto*** is a two-disc live album from Mexican pop music group Timbiriche. It was released in 1999. The album is a live recording from their reunion in 1999. The album was certified Platinum + Gold by AMPROFON for sales of over 350,000.

## Track listing

CD 1

1. "TIMBIRICHE"
2. "SOMOS AMIGOS"
3. "JUNTOS"
4. "SOLO TU SOLO YO"
5. "ROCK Medley (Concierto de Rock/Telefono/Me Planto/Mickey)"
6. "PRINCESA TIBETANA" (featuring Erik)
7. "SI NO ES AHORA" (featuring Erik & Paulina)
8. "ADIOS A LA ESCUELA" (featuring Benny, Alix & Mariana)
9. "BAILE DEL SAPO"
10. "GREASE Medley"
11. "PAYASOS" (featuring Alix & Mariana)
12. "MAMA" (featuring Benny)
13. "MIRAME" (featuring Alix)

CD 2

1. "MURIENDO LENTO" (featuring Sasha & Benny)
2. "SOY UN DESASTRE" (featuring Diego)
3. "ACELERAR" (featuring Paulina)
4. "AMAME HASTA CON LOS DIENTES" (featuring Erik)
5. "BESOS DE CENIZA" (featuring Mariana)
6. "TU Y YO SOMOS UNO MISMO" (featuring Diego)
7. "LA VIDA ES MEJOR CANTANDO" (featuring Sasha)
8. "CON TODOS MENOS CONMIGO" (featuring Erik, Diego & Benny)
9. "HOY TENGO QUE DECIRTE PAPA"
10. "CORRO VUELO ME ACELERO" (featuring Mariana, Alix, Paulina & Sasha)
11. "LA BANDA TIMBIRICHE"
12. "MEXICO" (featuring Mariana & Paulina)
13. "ESTA DESPIERTO"
14. "SUMA COSMICA"
15. "LA FUERZA DEL AMOR"

## InfoBox

| Timbiriche, El concierto | |
| --- | --- |
|  | |
| Live album by Timbiriche | |
| Released | 1999 (1999) |
| Recorded | 1999 |
| Genre | Pop |
| Label | Fonovisa |
| Timbiriche chronology | |
| '**Timbiriche XII'**
(1993) ***Timbiriche, El concierto***
(1999) | |


title: Ken Filiano

abstract: Ken Filiano is an American jazz and orchestral bassist based in Brooklyn, New York. Since the 1970s, Filiano has played or recorded with Anthony Braxton, Fred Ho, Nels Cline, Bill Dixon, Fay Victor, and others. Filiano is on the teaching roster at the New School in New York. He teaches master classes in bass and improvisation and has a private studio in Brooklyn.

text:
# Ken Filiano

**Ken Filiano** (born 1952) is an American jazz and orchestral bassist based in Brooklyn, New York.

Since the 1970s, Filiano has played or recorded with Anthony Braxton, Fred Ho, Nels Cline, Bill Dixon, Fay Victor, and others. Filiano is on the teaching roster at the New School in New York. He teaches master classes in bass and improvisation and has a private studio in Brooklyn.

## Music career

### Early life and education

Filiano was born in Patchogue, New York. He began playing trumpet as a child and continued to play the instrument while attending Syracuse University and studying with Rudolf Nashan. Nearing the end of his undergraduate work, Filiano decided to switch to bass and study with V. Stewart Wheeler. He received a Bachelor of Music in Double Bass from Syracuse University in 1978.

Filiano did graduate work at the University of Southern California in the late 1980s before eventually receiving a Master of Music in Double Bass from Rutgers University in 1997. While at Rutgers, he studied with bassists Carolyn Davis, John Feeney, and Larry Ridley, as well as with Ted Dunbar, Kenny Barron, Ralph Bowen, and Daniel Goode.

### Performing and recording

Filiano began his professional career in 1974, working across the Northeastern United States from his home base in Syracuse, New York. From 1975-76 he was the principal bassist in the Syracuse University Orchestra.

As the decade began, Filiano lived in Boston. From 1980-83 he was a member of the Search quartet, performing and giving master classes sponsored by the Performing Artist Association of New England. In 1983, Filiano relocated to Los Angeles, California. He began to work as a freelance bassist in classical recording studios and on the jazz scene. He formed a relationship with multi-instrumentalist Vinny Golia, with whom he toured North America and Europe throughout the 1980s.

Filiano made his jazz album debut in 1985, appearing on recordings by Golia and Arni Cheatham. In the second half of the decade, he recorded with Richard Grossman, Steve Adams and Kim Richmond. Filiano also performed in numerous classical concerts, both solo and in chamber ensembles, in the Los Angeles area, including performances of "'L'Histoire du Soldat' and the Dvorak Quintet, along with premieres of new works for contrabass by Yu-Chin Quo and John Kennedy.

The 90s were a fertile recording period for Filiano, who appeared on more than 50 albums with Golia, Grossman, Adams, Tony Lujan, Anthony Coleman, Hafez Modirzadeh, Bill Perkins, Joelle Leandre and many others.

Filiano performed around North America, Europe, and Japan, including at the Bergamo Jazz Festival (Italy), the Du Maurier Atlantic Jazz Festival (Canada), the Tampere International Jazz Festival (Finland), the Texaco New York Jazz Festival, and at the Blue Note in Fukuoka, Japan. He also performed classical and tango music, including touring Germany with the Giora Feidman Ensemble, performing duo concerts for cello and contrabass, playing with the New York/Buenos Aires Connection at the Hollywood Bowl, and premiering a solo bass work, 'Yauchzen', by composer Kitty Brazelton.

As the 21st century began, Filiano increased his busy recording and touring schedule, appearing on more than 70 albums. In addition to his continuing relationships from the 90s, he added performances and recordings with Dom Minasi, Fred Hess, Roswell Rudd, Paul Smoker, Rodrigo Amado, Andrea Wolper, Jason Kao Hwang, Marco Cappelli, and many others. He continued to perform at many of the premier clubs and festivals around the world, including at the Knitting Factory, the Bell Atlantic Jazz Festival (New York), Merkin Concert Hall (New York), the JVC Jazz Festival (New York), the Jazz ao Centro Festival (Portugal), the Cape Verde International Jazz Festival, the Vancouver International Jazz Festival, and others. He played with several tango ensembles. His classical work included performances with the Manhattan Chamber Orchestra, the Princeton Chamber Orchestra, and the Sirius String Quartet.

Filiano has appeared on more than a dozen recordings since the start of the new decade, including on trumpeter Bill Dixon’s final recording, 'Envoi', and on albums with Anthony Braxton, Connie Crothers, Taylor Ho Bynum, Nate Wooley and Anders Nilsson, among others. Filiano has performed at festivals and clubs around the world, including in the United States, Canada, Slovenia, Italy, Germany, France, and Russia.

### Teaching

Filiano has been teaching bass since 1980, both privately and at colleges and universities. He’s also taught at Mansfield University, Rutgers University, Hunter College and the University of Southern California.

## Discography

**2011**

* Bill Dixon, *Envoi* (Victo)
* Anthony Braxton, *Trillium E*
* Connie Crothers Quartet, *Connie Crothers Quartet + Mark Weber: Live at the Stone*
* Connie Crothers Quintet, *Band of Fire*
* Andrea Wolper, *Parallel Lives*
* Jason Kao Hwang & Edge, *Crossroads Unseen*
* Jason Kao Hwang & Spontaneous River, *Symphony of Souls*
* Vinny Golia Quartet, *Take Your Time* (Relative Pitch)
* Taylor Ho Bynum Sextet, *Apparent Distance*
* Stephen Gauci Quartet, *CIMPFest: Live in Villach 2009*

**2010**

* Ken Filiano & Quantum Entanglements, *Dreams from a Clown Car* (Clean Feed)
* Nate Wooley \+ Taylor Ho Bynum, *The Throes*, (CIMP)
* Marco Cappelli Acoustic Trio, *Les Nuages en France*, (Avant)
* Fred Hess Big Band, *Into the Open*
* Steve Adams Trio, *Surface Tension*, (Clean Feed)
* Anders Nilsson, *Aorta Ensemble* (KOPACD)

**2009**

* Marilyn Lerner/Ken Filiano/Lou Grassi, *Arms Spread Wide* (NoBusiness)
* Bill Dixon, *Tapestries for Small Orchestra*
* Fred Hess Big Band, *Hold On* (Dazzle)
* Fay Victor Ensemble, *The Freesong Suite* (Greene Avenue Music)
* Dom Minasi, *Dissonance Makes the Heart Grow Fonder*

**2008**

* M. Marucci & D. Webb Trio feat. Ken Filiano, *Changeup* (CIMP)
* Jim McCauley, *The Ultimate Frog* (Drip Audio)
* The Fred Hess Band, *Single Moment* (Alison)
* Jessica Jones Qt., *Word*
* Marco Cappelli, *Italian Doc Remix* (ITN)
* Richard Thompson, *Swing Low, Sweet Chariot*

**2007**

* ESATrio: Bill Gagliardi, Ken Filiano, Lou Grassi, *kenbillou* (CIMP)
* Fay Victor Quartet, *Cartwheels Through the Cosmos*
* M. Marucci & D. Webb Trio feat. Ken Filiano, *Three the Hard Way* (CIMP)
* Stephen Gauci Quartet, *Wisps of an Unknown Face* (CIMP)
* Saco Yasuma, *Another Rain*
* Anthony Coleman, *Lapidation* (New World)
* Paul Smoker/Damon Short Quintet, *No Stock Options*
* Jason Kao Hwang, *Stories Before Within* (Innova)
* Tomas Janzon, *Coast to Coast to Coast* (Changes Music)
* Chris Chalfant, *Book of Unstandards* (Jyaku Sound)
* Fred Hess, *In the Grotto* (Alison)
* Alipio C Neto, *The Perfume Comes Before the Flower* (Clean Feed)
* TECK String Quartet (CleanFeed)
* Sebastian Schunke Meets Olvido, *Vida Pura* (Timba)
* Evil Eye, *Doin' It All For My Baby* (KMB Jazz)
* Jon Hemmersam/Dom Minasi Quartet (CDM)
* Rodrigo Amido, *Surface* (European Echoes)

**2006**

* Ken Filiano/Bonnie Barnett Duo, *Trio for Two*
* Ken Filiano, Steve Adams, *The Other Side of This* (Clean Feed)
* Dom Minasi, *The Vampire’s Revenge* (CDM)
* Jason Kao Hwang, *Edge*
* Adam Caine Trio, *Pipe*
* Fred Hess Quartet, *How 'Bout Now* (Tapestry)
* Richard Thompson, *Poetry Prelude* (Videmus)
* Stephen Gauci Qt., *Absolutely, Absolutely* (CIMP)

**2005**

* Ken Wessel, *Jawboning* (CIMP)
* Andrea Wolper, *The Small Hours* (Varisone Jazz)
* Dennis González’s Spirit Meridian, *Idle Wild* (Clean Feed)
* David Taylor/Steve Swell Quintet, *Not Just* (CIMP)
* Vinny Golia Quartet, *Sfumato* (Clean Feed)
* Julia Doszna, *Immigrant/Emirpaht* (American Historical Recordings)

**2004**

* LIP Improvisation Players, *Motion* (Clean Feed)
* Dom Minasi’s DDT+2, *Time Will Tell* (CDM)
* Carol Mennie, *I’m Not a Sometime Thing* (CDM)
* Lou Grassi Quartet, *Avanti Galoppi* (CIMP)
* Jessica Jones Quartet, *Nod* (New Artists)
* Bob Feldman Trio, *Triplicity* (One Soul)
* Fred Hess Quartet, *Crossed Paths* (Tapestry)
* ROVA:ORKESTROVA (music by Satoko Fujii & Steve Adams), *An Alligator in Your Wallet*
* Ras Moshe, *Live Spirits*

**2003**

* Rodrigo Amado/Carlos Zingaro/Ken Filiano, *The Space Between* (Clean Feed)
* Avram Fefer Quartet, *Shades of the Muse* (CIMP)
* Fred Hess Quartet, *The Long and Short of It* (Tapestry)
* Anna Saeki, *Omoi* (Rentrak)

**2002**

* Ken Filiano Solo Bass, *Subvenire*
* Vinny Golia, *Feeding Frenzy (Music for Woodwinds & String Quartet)*
* Dom Minasi Trio, *Goin' Out Again* (CDM)
* Fred Hess, *Extended Family* (Tapestry)
* Chris Chalfant, *Love and Light* (Jyaku Sound)
* Fred Hess, *Exposed* (CIMP)
* Joe Scianni, *One Eyed Jack* (CJR)
* Aardvark Jazz Orchestra with Sheila Jordan, *Bethlehem Counterpoint* (Aardmuse)

**2001**

* Dom Minasi Trio, *Takin' The Duke Out* (CDM)
* Giora Feidman Quartet, *Tangoklezmer* (Koch/Schwann)
* Various Artists, *The Music of Eric Von Essen, Volume III*
* Large Music, *Large Music 2* (CIMP)
* Fred Hess, *Going There* (CIMP)
* Implicate Order, *At Seixal* (CleanFeed)
* Ursel Schlicht Quartet, *Implicate Order* (Soundquest)

**2000**

* Roswell Rudd, *Broad Strokes* (Knitting Factory)
* Richard Grossman Trio, *Where The Sky Ended* (hatOLOGY)
* Frank London, *Invocations* (Tzadik)
* Tina Marsh & the Bob Rodriguez Trio, *Out of Time* (CreOp Muse)
* Paul Smoker Trio, *Mirabile Dictu* (CIMP)
* Phil Haynes/Herb Robertson 5tet, *BrooklynBerlin* (CIMP)
* Large Music, *Large Music 1* (CIMP)

**1999**

* Vinny Golia Quintet, *Lineage*
* Vinny Golia Large Ensemble, *The Other Bridge (Oakland 1999)*
* Bonnie Barnett, *Live at Roulette*
* Jim Cajacob & Friends, *Knee Deep in Paradise*
* Hollie Baines, *A Close Call With Love*
* Hafez Modirzadeh/Ramin Zoufonoun, *The Mystery of Sama*

**1998**

* Rob Blakeslee Quartet, *Spirit of the Times*
* Frank Giasullo Quartet, *Firstlight*
* Richard Grossman Trio, *Even Your Ears* (hatOLOGY)
* Mark Weber (poet), *Time Zone Differential* (Zerx)

**1997**

* Vinny Golia/Paul Smoker Quartet, *Halloween, the Sequel*
* Mark Harvey & Aardvark Jazz Orchestra, *An Aardvark Christmas*
* Aardvark Jazz Orchestra, *Psalms & Elegies* (Leo Lab)
* Chris Chalfant Trio, *All in Good Time* (C. Chalfant Music)
* Davida Singer (poet), *Khupe*
* Danielle Gasparro, *The World of You*

**1996**

* Vinny Golia/Ken Filiano Duo, *The Art of Negotiation* (CIMP)
* Vinny Golia Large Ensemble, *Portland 1996* (Nine Winds)
* Anthony Coleman, *What Is Jazz? Festival 1996* (KFW)
* Hafez Modirzadeh, *The People's Blues* (X DOT)
* Paul Smoker/Vinny Golia Quartet, *Halloween '96* (CIMP)
* Steve Swell Quartet, *Out and About* (CIMP)
* Live Knitting Factory Recording, *What is Jazz? 1996*

**1995**

* Vinny Golia Large Ensemble, *Tutto Contare* (NWCD)
* Vinny Golia Quintet, *Against the Grain* (NWCD)
* Bob Rodriguez Trio, *Mist* (NWCD)
* Don Glandon, *Only Believe* (CJR)
* Brad Dutz, *Krin* (Interworld)
* Aardvark Jazz Orchestra, *Paintings for Jazz Orchestra* (Leo Lab)

**1994**

* Steve Adams/Ken Filiano Duo, *In Out Side*
* Richard Grossman Trio, *Remember* (512)
* Vinny Golia Quintet, *Regards from Norma Desmond*
* Vinny Golia Large Ensemble, *Commemoration*
* Bill Perkins Quintet, *Frame of Mind* (Interplay)
* Rob Blakeslee Quintet, *Lifeline*
* Paul Carmen & ESP, *Passion*
* Tony Lujan, *Zulu* (Capri)
* Jake Jacobson, *Talking with the Moon* (SMP)

**1993**

* Mark Harvey & Aardvark Jazz Orchestra, *Steps Out*
* Tina Marsh & Creative Opportunity Orchestra, *The Heaven Line* (CreOpMuse)
* Chamber Orchestra at St. Matthew's, *Peter & the Wolf* (Seaclef Productions)

**1992**

* Vinny Golia/Joelle Leandre/Ken Filiano, *Haunting the Spirits Inside Them...* (Music & Arts)
* Vinny Golia Large Ensemble, *Decennium Dans Axlan* (Nine Winds)

**1991**

* Sid Jacobs, *It's Not Goodnight* (Best Recordings)
* Richard Grossman, *In the Air* (Nine Winds)
* Dick Berk, *The Jazz Adoption Agency* (Nine Winds)
* Joey Sellers' Jazz Aggregation, *Pastels, Ashes* (Nine Winds)

**1990**

* Vinny Golia Large Ensemble, *Pilgrimage to Obscurity*
* Vinny Golia Chamber Trio, *Worldwide & Portable* (Nine Winds)
* Richard Grossman, *Trio in Real Time* (Nine Winds)
* Joey Sellers' Jazz Aggregation, *Something for Nothing* (Nine Winds)

**1989**

* Steve Adams/Ken Filiano Quartet, *Anacrusis* (Nine Winds)
* Kim Richmond Ensemble, *Looking Out Looking In* (Nine Winds)
* Vinny Golia Quintet, *Out for Blood* (Nine Winds)
* Dennis González, *The Earth and the Heart* (Konnex)
* Vinny Golia Trio, *Puff of Smoke*

**1986**

* Steve Adams/Ken Filiano, *Hiding Out* (Nine Winds)
* Richard Grossman, *One...Two...Three...Four* (Nine Winds)
* John Rapson, *BuWah* (Nine Winds)

**1985**

* Vinny Golia Quintet, *Goin' Ahead* (Nine Winds)
* Arni Cheatham, *Romantha: Rumination* (Talented Tenth)

## InfoBox

| Ken Filiano | |
| --- | --- |
| Ken Filiano at the Moers Festival 2022 | |
| Background information | |
| Born | (1952-10-27) October 27, 1952<br>Patchogue, New York, U.S. |
| Genres | Jazz, avant-garde jazz |
| Occupation | Musician |
| Instrument | Double bass |
| Years active | 1980–present |
| Labels | Nine Winds, CIMP, Knitting Factory, Mode, Clean Feed |


title: War World (video game)

abstract: War World: Tactical Combat is a 3D mech combat simulator game developed and published by Australian company Third Wave Games. It was released on Microsoft Windows in 2005, and 2008 for the Xbox Live Arcade service. A version for the original Xbox was planned but got cancelled.

text:
# War World (video game)

***War World: Tactical Combat*** (also known as simply ***War World***) is a 3D mech combat simulator game developed and published by Australian company Third Wave Games (who are made up of former Rare alumni who have been involved in the development of such games as *Banjo Kazooie*, *Donkey Kong 64*, and others). It was released on Microsoft Windows in 2005, and 2008 for the Xbox Live Arcade service. A version for the original Xbox was planned but got cancelled.

## Story

The story revolves around a planet within the Milky Way galaxy known as WarWorld. This planet has been under perpetual conflict throughout its known history over various reasons (ranging from religious differences to territorial disputes to blood feuds between different sects of the inhabitants). However, eventually the largest groups of these people would form into corporate entities and would establish several neutral cities on the planet in the hopes of establishing commerce with the outside galaxy. When the game first starts, 7 of these city-states will have already been formed exporting all sorts of variants of their warlike nature from mercenaries to military hardware to gladiatorial arena games using mechs. The player assumes the role of one of these arena competitors as they fight their way thru various battles with competing clans or mech pilots in the game.

## Gameplay

Gameplay is similar to the *Tribes* first-person shooter games even though the game is classified as a Mech sim much like the MechAssault series of games. Despite this, some commonalities can be found between the two sims such as collecting powerups and some interface design choices. The gameplay focuses on Teamwork and Squad based FPS tactics throughout the entire experience. Mechs are designed in a garage interface at different intervals depending on what type of game you're playing at the time. Within this interface, players can purchase mechs and spare parts using currency earned called *credits*. Credits can be earned over the course of a single player game or dictated based on the requirements set up ahead of time on a multiplayer game. War World has the single and multi player options, and includes game modes such as "capture the flag" and "team deathmatch".

## Mech units

All mech units in War World share certain commonalities that can be termed as a unit's stats. These stats include Armor (or the amount of health a unit has before dying), Jump (how high a unit can jump without the assistance of a thruster), the speed of a unit, a multiplier to how much ammo each weapon on the unit has (based on the weapon's baseline stats), and the cost of a unit in terms of credits (the currency in the game). All mechs come with a radar stealth function that allows them to disappear off an opponent's radar screens. However, this does not make a unit invisible to sight and can be spotted normally even with the stealth option turned on. In addition, a unit can be altered in terms of paint or color scheme in order to change its appearance.

There are five different mech units in the game (as of Version 1.9.02) that a player can choose from; the Panther 770, the Python KX5, the Thunder B-2, the Assault T1000 and the Leviathan.

The game also features dropships - combat cargo planes that can deliver new mech units to the battlefield over the course of a match. Typically in single player mode, they will be seen flying over the entire arena attacking the player and dropping in new units. A dropship has multiple minigun like turrets all around the vessel that fire low damage rounds at various intervals (depending on the difficulty level) and has twice as much armor as the Leviathan mech. Mechs are unloaded from the rear of the plane through the use of a drop down ramp that folds out. As of version 1.9 these are only controllable by the AI and not by players.

## Reception

The PC version received "average" reviews, while the Xbox 360 version received "generally unfavorable reviews", according to the review aggregation website Metacritic.

## InfoBox

| War World | |
| --- | --- |
|  | |
| Developer(s) | Third Wave Games |
| Publisher(s) | Third Wave Games,
Flashman Studios
(Xbox 360),
Lighthouse Interactive
(Windows, Europe) |
| Designer(s) | Morten Brodersen
Johnni Christensen
Phillip Tavel |
| Programmer(s) | Morten Brodersen |
| Artist(s) | Johnni Christensen |
| Composer(s) | Mason B. Fisher (Windows), David Wise (Xbox 360) |
| Platform(s) | Microsoft Windows, Xbox 360 (XBLA) |
| Release | **Windows**
* NA: August 2, 2005 * EU: March 17, 2006 **Xbox 360*** WW: October 1, 2008 |
| Genre(s) | Action,
First-person Shooter |
| Mode(s) | Single player, Multiplayer |


title: Henry Allender

abstract: Henry Allender was an Australian rules footballer who played with Carlton in the Victorian Football League (VFL). Allender played his only game for Carton in the first round of the 1899 VFL season against South Melbourne and was mentioned favourably in match reports, but was not selected in the next couple of matches and returned to Collingwood Juniors less than a month later.

text:
# Henry Allender

**Henry Allender** (25 March 1872 – 25 April 1939) was an Australian rules footballer who played with Carlton in the Victorian Football League (VFL).

Allender played his only game for Carton in the first round of the 1899 VFL season against South Melbourne and was mentioned favourably in match reports, but was not selected in the next couple of matches and returned to Collingwood Juniors less than a month later.

## InfoBox

| Henry Allender | | | |
| --- | --- | --- | --- |
| Personal information | | | |
| Full name | Henry William Allender | | |
| Date of birth | 25 March 1872 | | |
| Place of birth | Collingwood, Victoria | | |
| Date of death | 25 April 1939(1939-04-25) (aged 67) | | |
| Original team(s) | Collingwood Juniors | | |
| Playing career1 | | | |
| Years | **Club** | **Games (Goals)** |
| 1899 | Carlton | 1 (0) |
| 1 Playing statistics correct to the end of 1899. | | | |
| Sources: AFL Tables, AustralianFootball.com | | | |


title: Hawangen

abstract: Hawangen is a municipality in the district of Unterallgäu in Bavaria, Germany, with about 1,254 inhabitants. Hawangen is situated 5 km (3 mi) east of Memmingen. The town has a municipal association with Ottobeuren.

text:
# Hawangen

**Hawangen** is a municipality in the district of Unterallgäu in Bavaria, Germany, with about 1,254 inhabitants. Hawangen is situated 5 km (3 mi) east of Memmingen. The town has a municipal association with Ottobeuren.

## InfoBox

| Hawangen | |
| --- | --- |
| Municipality | |
| Catholic parish church of Saint Stephan | |
|  | |
| Location of Hawangen within Unterallgäu district | |
| Hawangen Hawangen | |
| Coordinates: 47°58′N 10°16′E / 47.967°N 10.267°E / 47.967; 10.267 | |
| Country | Germany |
| State | Bavaria |
| Admin. region | Schwaben |
| District | Unterallgäu |
| Municipal assoc. | Ottobeuren |
| Government | |
| Mayor (201925) | Ulrich Ommer (CSU) |
| Area | |
| Total | 14.50 km2 (5.60 sq mi) |
| Elevation | 637 m (2,090 ft) |
| Population (2023-12-31) | |
| Total | 1,304 |
| Density | 90/km2 (230/sq mi) |
| Time zone | UTC+01:00 (CET) |
| Summer (DST) | UTC+02:00 (CEST) |
| Postal codes | 87749 |
| Dialling codes | 08332 |
| Vehicle registration | MN |
| Website | www.hawangen.de |


title: Harold Livingstone Fraser

abstract: Harold Livingstone Fraser was an Australian aviator born in Rockhampton, Queensland.

text:
# Harold Livingstone Fraser

**Harold Livingstone Fraser** (21 December 1890  1 November 1950) was an Australian aviator born in Rockhampton, Queensland.

## Military career

Fraser worked as a station overseer in central-western Queensland before enlisting at the age of 24 at Blackall for service in World War I. Joining the 5th Light Horse Brigade of the First Australian Imperial Force on 25 September 1915 and fighting in the Gallipoli Campaign, he eventually transferred to the Australian Flying Corps' No. 1 Squadron on 7 April 1917. He was awarded the Military Cross for distinguished services in the field in connection with military operations culminating in the capture of Jerusalem.

## Civilian career

After his war service, Fraser returned to Queensland and engaged in raising and trading sheep. In 1931, he founded Rockhampton Aerial Services and carried passengers, newspapers and money between Brisbane and central Queensland by air.

## Plane crash

On a return flight from Clermont on 19 July 1936, Fraser's DH50 VH-UFW lost its engine and propeller at 4000 feet (1220 m). The Morning Bulletin reported that, after a free-fall of 3000 feet (914 m), he 'manipulated the controls to stop the machine going into a spin' and by 'a series of falling-leaf manoeuvres . . . came down on a flat in a bit of open country'. He walked 15 miles (24 km) to Capella where the local publican was startled by his 'queer looking clothes' and 'bloody great silk scarf'. Having downed a stiff whisky, Fraser nonchalantly caught a train back to Rockhampton.

Financial problems, exacerbated by the loss of his plane, forced the sale of Rockhampton Aerial Services and it was sold to Airlines of Australia in 1936. Fraser once more turned to agriculture and bought Strathcona station in the Dingo district where he privately flew a De Havilland twin-engine aircraft. For a number of years he was associated with his brother Donald in successful gold-mining at Crocodile Creek. In 1946 Harold moved to Greystonlea cattle-station, Kingaroy.

## Death

Harold Fraser died on 1 November 1950, after suffering severe burns in a house fire at Greystonlea cattle station Homestead. Fraser was trapped in his sleep in the blazing building and staggered through the flames to reach a side window. Fraser who owned Greystonlea cattle station, 35 miles west of Kingaroy, died in Kingaroy hospital 15 hours after the fire. Workmen in bunkhouses near the homestead were awakened at 1.30 am by Fraser's screams. The eight-roomed building was one mass of flames, shooting high into the air, they saw Fraser tumble from a side window. Fraser was survived by his wife who was on holiday in Brisbane at the time of the fire and two daughters.

## InfoBox

| Harold Livingstone Fraser | |
| --- | --- |
| Harold Livingstone Fraser of the Australian Flying Corps, 1917 | |
| Born | (1890-12-21)21 December 1890
Rockhampton, Queensland, Australia |
| Died | 1 November 1950(1950-11-01) (aged 59)
Kingaroy, Queensland, Australia |
| Resting place | Mount Thompson Memorial Gardens & Crematorium, Queensland |
| Awards | Military Cross |
| **Aviation career** | |
| Air force | Australian Flying Corps No. 1 Squadron |
| Battles | World War I, Gallipoli Campaign |
| Rank | Lieutenant |
|  | |
| Military Cross | |


title: Leeds United!

abstract: "Leeds United!" is the first episode of fifth season of the British BBC anthology TV series Play for Today. The episode was a television play that was originally broadcast on 31 October 1974. "Leeds United!" was written by Colin Welland, directed by Roy Battersby, produced by Kenith Trodd, and starred Lynne Perrie.

text:
# Leeds United!

"**Leeds United!**" is the first episode of fifth season of the British BBC anthology TV series *Play for Today*. The episode was a television play that was originally broadcast on 31 October 1974. "Leeds United!" was written by Colin Welland, directed by Roy Battersby, produced by Kenith Trodd, and starred Lynne Perrie.

## Background

The film is based on an unofficial strike amongst female textile workers in Leeds in February 1970, demanding equal pay with male workers. Dramatist Colin Welland's mother-in-law was involved in the strike, and Welland interviewed many of those involved while preparing his script. This was the first strike by the textile workers in Leeds in 36 years.

The script was originally written for Granada Television, but they rejected it initially on the grounds that it would be too expensive, although it later emerged that some at Granada were worried that the political radicalism of the play might upset advertisers. Welland then took the script to the BBC, and it was produced for the *Play for Today* series. After being accepted in May 1972, the play's production was continuously held up by concerns about defamation, made particularly acute by filming in Leeds, and some aspects of the play were changed to obscure the identities of the employers in the 1970 strike.

## Plot

The play begins with a group of women returning to work at John Black's textile mill after a strike, unhappy with the deal negotiated by the union. At a meeting of workers, Gridley (a Communist) states that a union conference in July had rejected the women's request for a shilling-per-hour increase, and had now negotiated separate deals for male and female workers to end the latest strike. On Gridley's advice, the female workers vote to strike. They then march through Leeds, singing a song about "a bob an hour". They then begin to picket other textile mills at Boswell's and Bent's.

Union representative Billy Crane refuses to meet the strikers and recommends a return to work, but he does meet with John Black. They agree that the workers are being manipulated by a few political activists.

Flying pickets then visit the north-east and the strike spreads there. Some confrontations follow with those reluctant to strike. Strikers force an evacuation of workers from one mill by burning paper, and storm the gate at another mill. A woman who says that she cannot afford to strike because she has children to feed is told that this is the case for all the strikers.

The employers in Leeds struggle to reach an agreement on how to respond to the strike. Bentham is less aggressive than Black, and wants to keep good relations with the union for future job cuts.

Workers at Bentham's and Stringer's then join the strike. A week in, Maggie's mother dies and she attends her mother's funeral. Conflict grows between the strikers and the union.

Although Packer and Gridley are told to demand a shilling per hour, they are willing to find a compromise when meeting the employers. They agree a return to work for an interim rewards plus negotiations. Maggie leads a revolt against this agreement, and a huge crowd at Woodhouse Moor shouts down Gridley. Maggie claims that shop stewards are undermining the strike, and the crowd votes to continue striking.

After a few days of discussions, the committee agrees to end the strike. Mollie later slaps Joe for referring to politics as "the art of the attainable".

Shortly afterwards, many of the workers are made redundant. Gridley is given a large amount of compensation, but Peggy is given just £5 after 26 years of work.

## Cast

* Lynne Perrie as Mollie
* Elizabeth Spriggs as Maggie
* Lori Wells as Sadie
* Josie Lane as Annie
* Bert Gaunt as Harry Gridley
* Stan Stennett as Joe Pike
* Peter Wallis as Fred Packer
* Bernard Archard as managing director, Blacks
* Stanley Meadows as managing director, Benthams
* Terence Frisby as Raymond Boswell
* Peter Cellier as Philip Stringer
* Pat Wallis as Rhona
* Peter Russell as Stan Lloyd
* Christine Buckley as Joan
* Frances Goodall as Peggy
* John Comer as Billy Crane
* Martin Dempsey as Union Regional Secretary
* George Silver as Bent
* Tony Heath as Isaacs
* Denis Huckerby as King
* Duggie Brown as bus conductor
* Gwen Harris as older worker
* Dennis Lawes as older worker
* Terry Waddington as Dennis Jones
* Sue Dexter as Mrs Hesketh
* Nanette Ryder as Mrs Gridley
* Muriel Lawfor as Florrie
* Wendy Marshal as young girl
* Bernard Atha as radio reporter
* Alex Robinson as town hall chairman
* Liz Dawn as striker

## Controversy

The play's accuracy was challenged by employers and unions. The play was discussed on BBC2's *In Vision* programme the following day, with a panel including producer Kenith Trodd, employers and workers from the textile mills involved, and some journalists. Trodd quoted news reports from the time to defend the accuracy of the film.

The portrayal of the Communist Party member Gridley as duplicitous led to the play's being praised by Trotskyist groups such as the Workers' Revolutionary Party and condemned as "a snide distortion" by the Communist *Morning Star*.

In addition, there was some controversy on the use of profanity by women in the film (although these cases are relatively mild terms). In the 1970s, swearing was still considered unladylike. Some of the female strikers who defended the factual accuracy of the film added that they would never swear. Roy Battersby said that he felt that some of these women were embarrassed by the prospect of their husbands finding out they swore at work.

## InfoBox

| "**Leeds United!**" | |
| --- | --- |
| *Play for Today* episode | |
| Episode no. | Series 5<br>Episode 1 |
| Directed by | Roy Battersby |
| Written by | Colin Welland |
| Original air date | 31 October 1974 (1974-10-31) |
|


abstract: The Grammy Award for Best Southern, Country or Bluegrass Gospel Album was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to artists, producers, and engineers for quality gospel music albums. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences (NARAS) of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". Originally called the Grammy Award for Best Southern Gospel Album, the award was first presented to Bruce Carroll at the 33rd Grammy Awards in 1991 for the album The Great Exchange. Three years later, the category's name was changed to the Best Southern Gospel, Country Gospel or Bluegrass Gospel Album. The category's name was changed to Best Southern, Country or Bluegrass Gospel Album in 1998. After 2011 it was merged with the Grammy Award for Best Rock Gospel Album and the Grammy Award for Best Pop/Contemporary Gospel Album, forming the Grammy Award for Best Contemporary Christian Music Album. The NARAS made this change in order to "tighten the number of categories" at the Grammy Awards. In 2015, a similar category, Best Roots Gospel Album was introduced. Bill Gaither has the most wins in the category, with a total of four: two from his work in the Gaither Vocal Band, and another two in combination with his wife, Gloria. Randy Travis has won one less Grammy than Gaither in this category, with three. Gaither has the most nominations in the category, with eleven; the Light Crust Doughboys have eight, trailing Gaither by three nominations. Kyle Lehning holds the record for most wins as a producer or engineer, with a total of three. Nominated bands include Karen Peck and New River, who were selected in three of the final four years of the Grammy, and the Cathedral Quartet.

text:
# Grammy Award for Best Southern, Country or Bluegrass Gospel Album

The **Grammy Award for Best Southern, Country or Bluegrass Gospel Album** was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to artists, producers, and engineers for quality gospel music albums. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences (NARAS) of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

Originally called the Grammy Award for Best Southern Gospel Album, the award was first presented to Bruce Carroll at the 33rd Grammy Awards in 1991 for the album *The Great Exchange*. Three years later, the category's name was changed to the Best Southern Gospel, Country Gospel or Bluegrass Gospel Album. The category's name was changed to Best Southern, Country or Bluegrass Gospel Album in 1998. After 2011 it was merged with the Grammy Award for Best Rock Gospel Album and the Grammy Award for Best Pop/Contemporary Gospel Album, forming the Grammy Award for Best Contemporary Christian Music Album. The NARAS made this change in order to "tighten the number of categories" at the Grammy Awards. In 2015, a similar category, Best Roots Gospel Album was introduced.

Bill Gaither has the most wins in the category, with a total of four: two from his work in the Gaither Vocal Band, and another two in combination with his wife, Gloria. Randy Travis has won one less Grammy than Gaither in this category, with three. Gaither has the most nominations in the category, with eleven; the Light Crust Doughboys have eight, trailing Gaither by three nominations. Kyle Lehning holds the record for most wins as a producer or engineer, with a total of three. Nominated bands include Karen Peck and New River, who were selected in three of the final four years of the Grammy, and the Cathedral Quartet.

## Recipients

| Year<sup>\[I\]</sup> | Winning artist | Personnel | Work | Other nominees | Ref. |
| --- | --- | --- | --- | --- | --- |
| 1991 | Bruce Carroll |  | *The Great Exchange* |  |  |
| 1992 | Gaither Vocal Band |  | *Homecoming* |  |  |
| 1993 | Bruce Carroll |  | *Sometimes Miracles Hide* |  |  |
| 1994 | Kathy Mattea |  | *Good News* |  |  |
| 1995 | The Cox Family and Alison Krauss |  | *I Know Who Holds Tomorrow* |  |  |
| 1996 |  | Bill Hearn, producer | *Amazing Grace – A Country Salute to Gospel* |  |  |
| 1997 | Andy Griffith |  | *I Love to Tell the Story – 25 Timeless Hymns* |  |  |
| 1998 |  | David Corlew and Peter York, producers | *Amazing Grace 2: A Country Salute to Gospel* |  |  |
| 1999 |  | Peter Afterman, John Huie, and Ken Levitan, producers | *The Apostle – Music from and Inspired by the Motion Picture* |  |  |
| 2000 | Bill and Gloria Gaither and Their Homecoming Friends |  | *Kennedy Center Homecoming* |  |  |
| 2001 | Ricky Skaggs, and Kentucky Thunder | Brent King and Alan Shulman, engineers | *Soldier of the Cross* |  |  |
| 2002 | Bill and Gloria Gaither and Their Homecoming Friends | Chad Evans, engineer | *Bill & Gloria Gaither Present a Billy Graham Music Homecoming* |  |  |
| 2003 | The Jordanaires, Larry Ford, the Light Crust Doughboys | Tim Cooper, Chuck Ebert, Adrian Payne, Robb Tripp, and Philip York, engineers | *We Called Him Mr. Gospel Music: The James Blackwood Tribute Album* |  |  |
| 2004 | Randy Travis | Kyle Lehning, producer. Jason Lehning and Steve Tillisch, engineers | *Rise and Shine* |  |  |
| 2005 | Randy Travis | Kyle Lehning, producer. Jason Lehning and Casey Wood, engineers | *Worship & Faith* |  |  |
| 2006 | Amy Grant | Vince Gill and Brown Bannister, producers. Steve Bishir, engineer | *Rock of Ages... Hymns and Faith* |  |  |
| 2007 | Randy Travis | Kyle Lehning, producer. Casey Wood, engineer | *Glory Train: Songs of Faith, Worship, and Praise* |  |  |
| 2008 | Ricky Skaggs, The Whites | Brent King, engineer | *Salt of the Earth* |  |  |
| 2009 | Gaither Vocal Band | Chad Evans and Pete Greene, engineers | *Lovin' Life* |  |  |
| 2010 | Jason Crabb | Paul Corley and Ben Fowler, engineers | *Jason Crabb* |  |  |
| 2011 | Diamond Rio | Michael Clute, engineer | *The Reason* |  |  |
|

<sup>**^\[I\]** </sup> Each year is linked to the article about the Grammy Awards held that year.

### General

* "Past Winners Search". National Academy of Recording Arts and Sciences. Archived from the original on December 19, 2015. Retrieved September 15, 2012. Note: User must select the "Gospel" category as the genre under the search feature.

### Specific

## InfoBox

| Grammy Award for Best Southern, Country or Bluegrass Gospel Album | |
| --- | --- |
| Awarded for | Southern gospel, country, or bluegrass gospel albums |
| Country | United States |
| Presented by | National Academy of Recording Arts and Sciences |
| First awarded | 1991 |
| Last awarded | 2011 |
| Website | grammy.com |


title: Otto Ernst

abstract: Otto Ernst was a Chilean footballer. He played in four matches for the Chile national football team from 1913 to 1924. He was also part of Chile's squad for the 1924 South American Championship.

text:
# Otto Ernst

**Otto Ernst** (7 September 1898  28 February 1940) was a Chilean footballer. He played in four matches for the Chile national football team from 1913 to 1924. He was also part of Chile's squad for the 1924 South American Championship.

## InfoBox

Otto Ernst
|  | | | |
| --- | --- | --- | --- |
| Personal information | | | |
| Date of birth | (1898-09-07)7 September 1898 | | |
| Date of death | 28 February 1940(1940-02-28) (aged 41) | | |
| Position(s) | Defender | | |
| International career | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1913–1924 | Chile | 4 | (0) |


title: Gladstone Professor of Greek

abstract: The Gladstone Chair of Greek is an academic position that was one of the original endowments of the foundation of the University of Liverpool in 1881. The Chair was named in recognition of the scholarship of W. E. Gladstone, the British prime minister, and the close association of the Gladstone family with Liverpool. The chair fell vacant after Professor Long left in 1983 to take up a position in the United States, but was revived in 2017.

text:
# Gladstone Professor of Greek

The **Gladstone Chair of Greek** is an academic position that was one of the original endowments of the foundation of the University of Liverpool in 1881. The Chair was named in recognition of the scholarship of W. E. Gladstone, the British prime minister, and the close association of the Gladstone family with Liverpool.

The chair fell vacant after Professor Long left in 1983 to take up a position in the United States, but was revived in 2017.

## Gladstone Professors of Greek


title: Frentera

abstract: A frentera is a part of some halters and bridles, usually on a horse. It is a cord, strap, or chain on the face of the horse that is attached to the crownpiece or browband and runs down the horse's face to the noseband or bit rings. A frentera can be split at the top to pass on either side of the forelock, or on either side of the ears. In the latter case, the frentera usually substitutes for a browband. A frentera can also be split at the bottom into two or more parts to support and stabilize a heavy noseband or bit. The known history of the frentera dates back to Ancient Greece, possibly earlier, and the frentera is in use today in Europe, Asia, Australia, and South America. When it includes a disk or sheet of metal, often silver, it is known in English as a testera, chamfron, or faceplate. Equipment with a similar purpose of stabilizing a bit or noseband include the forelock hanger, bit lifter (Australia), and cheekers (Australia). The frentera is not to be confused with a similar appearing piece of tack, the overcheck.

text:
# Frentera

A **frentera** is a part of some halters and bridles, usually on a horse. It is a cord, strap, or chain on the face of the horse that is attached to the crownpiece or browband and runs down the horse's face to the noseband or bit rings. A frentera can be split at the top to pass on either side of the forelock, or on either side of the ears. In the latter case, the frentera usually substitutes for a browband. A frentera can also be split at the bottom into two or more parts to support and stabilize a heavy noseband or bit.

The known history of the frentera dates back to Ancient Greece, possibly earlier, and the frentera is in use today in Europe, Asia, Australia, and South America. When it includes a disk or sheet of metal, often silver, it is known in English as a **testera** (Spanish loanword), **chamfron** (French loanword), or **faceplate**.

Equipment with a similar purpose of stabilizing a bit or noseband include the **forelock hanger** (North America), **bit lifter** (Australia), and **cheekers** (Australia). The frentera is not to be confused with a similar appearing piece of tack, the overcheck.

## History

In the Alexander Mosaic, circa 200 BC, both Greek and Persian horses wear frentera, in two different styles. Some horses of the Terracotta Army (China, 210 BC) wear a bridle with a split-top frentera. Stiff, padded and studded testera have been found in Scythian tombs.

More recently, in the 19th century frentera were used on cavalry horses of several nations, including Germany, and today are used in cavalry ceremonies in Argentina.

## Current use

Today, the frentera is seldom seen in English speaking countries but widely used elsewhere in the world. It is used in Spain and Portugal on serreta bridles, in Hungary on similar bridles, and in Argentina and adjacent countries on both halters and bridles.

In Argentina, the frentera is an integral part of both utilitarian halters and parade bridles. The parade bridles often are *chapeado*, even made entirely of chains of sheet metal (often silver) heavily decorated with repoussé and chasing work. The frentera may be attached to the browband, passed between the ears to the crownpiece, or passed below (outside) the ears to the cheek pieces or fiador. If a halter and bridle are worn together, typically only one of them will have a frentera. In the English-speaking world, an ornamental frentera is seen occasionally on some parade horses.

Several items of specialty horse tack of a utilitarian nature are related to the frentera. On an Australian polo noseband bridle a frentera-like strap supports a heavy noseband attached to the rings of a snaffle bit. Also in Australia, two items involve a forked strap suspended from the browband or crownpiece of the bridle, that help to maintain the position of the bit. These are the **bit lifter** and its variant **cheekers**, a rubber bit lifter with an integral pair of bit guards. Both bit lifters and cheekers are approved for thoroughbred racing in Australia. In the United States and Canada, a leather thong or string is sometimes attached to the top of the crownpiece of a headstall and used to support a bosal. It sometimes is tied to the horse's forelock rather than the headstall and then may be called a **forelock hanger**.


title: Haidian Wuluju station

abstract: Haidian Wuluju is a station on Line 6 of the Beijing Subway. It was opened on December 30, 2012. The station was the terminus of the line until it was extended west to Jin'anqiao on December 30, 2018.

text:
# Haidian Wuluju station

**Haidian Wuluju** (Chinese: 海淀五路居站; pinyin: *Hǎidiàn Wǔlùjū Zhàn*) is a station on Line 6 of the Beijing Subway. It was opened on December 30, 2012. The station was the terminus of the line until it was extended west to Jin'anqiao on December 30, 2018.

## Station layout

The platform of this station is a Spanish-style platform layout. The side platforms on both sides are for passengers to get off, and the middle island platform is for passengers to get on. With the opening of the west extension of Line 6 to Jin'anqiao Station, the station only retains island platforms for getting on and off passengers, while the original two side platforms are closed.

## Exits

There are 4 exits, lettered A, B, C, and D. Exit D is accessible.

39°55′57″N 116°16′36″E / 39.932584°N 116.276531°E / 39.932584; 116.276531

## InfoBox

| Haidian Wuluju
海淀五路居 | |
| --- | --- |
| Platform | |
| General information | |
| Location | Linglong Road (玲珑路) and West 4th Ring Road North
Haidian District, Beijing
China |
| Operated by | Beijing Mass Transit Railway Operation Corporation Limited |
| Line(s) | Line 6 |
| Platforms | 4 (1 island platform and 2 side platforms, only the island platform in use) |
| Tracks | 2 |
| Construction | |
| Structure type | Underground |
| Accessible | Yes |
| History | |
| Opened | December 30, 2012 (2012-12-30) |
|  | |
| Services | |
| Preceding station  Beijing Subway Following station  Tiancuntowards Jin'anqiao  Line 6  Cishousitowards Lucheng | |
|  | |
|  | |
|  | |
| Location  Haidian WulujuLocation in central Beijing | |


title: Henry Bayman

abstract: Henry Bayman is an independent scholar living in Turkey who has spent twenty-five years studying with the Masters of Wisdom of Central Anatolia. He is the author of The Station of No Station, a study of Sufism and Islam as they relate to contemporary issues, The Secret of Islam: Love and Law in the Religion of Ethics, The Black Pearl: Spiritual Illumination In Sufism And East Asian Philosophies & The Teachings of a Perfect Master: An Islamic Saint for the Third Millennium. Henry Bayman introduced through his writings, one of his spiritual teacher in the Sufi Path, Ahmet Kayhan whom he calls "Grand Master of Sufism." According to his own account, Henry Bayman met Ahmet Kayhan in early spring, 1978 and after the introduction he began to attend his discussion groups more frequently. From the beginning of September 1983, excluding normal working hours or vacations, he stayed almost continually in the presence of Ahmet Kayhan until his death.

text:
# Henry Bayman

**Henry Bayman** is an independent scholar living in Turkey who has spent twenty-five years studying with the Masters of Wisdom of Central Anatolia. He is the author of *The Station of No Station*, a study of Sufism and Islam as they relate to contemporary issues, *The Secret of Islam: Love and Law in the Religion of Ethics* , *The Black Pearl: Spiritual Illumination In Sufism And East Asian Philosophies* & *The Teachings of a Perfect Master: An Islamic Saint for the Third Millennium.*

Henry Bayman introduced through his writings, one of his spiritual teacher in the Sufi Path, Ahmet Kayhan (1898 - August 3, 1998) whom he calls "Grand Master of Sufism." According to his own account, Henry Bayman met Ahmet Kayhan in early spring, 1978 and after the introduction he began to attend his discussion groups more frequently. From the beginning of September 1983, excluding normal working hours or vacations, he stayed almost continually in the presence of Ahmet Kayhan until his death.

## Published works

Till January 2012, Henry Bayman has authored 4 Books and a number of articles.

* 2001 *The Station of No Station: Open Secrets of the Sufis.* North Atlantic Books. ISBN 1556432402
* 2003 *The Secret of Islam: Love and Law in the Religion of Ethics.* North Atlantic Books. ISBN 1556434324
* 2005 *The Black Pearl: Spiritual Illumination In Sufism and East Asian Philosophies.* Monkfish Book Publishing. ISBN 0974935956
* 2012 *The Teachings of a Perfect Master: An Islamic Saint for the Third Millennium.* Anqa Publishing. ISBN 190593744X

## Online books

* The Meaning of the Four Books
* Science, Knowledge and Sufism

Both the online books are made available in online readable version on HenryBayman.com


title: Haverskerque

abstract: Haverskerque is a commune in the Nord department in northern France.

text:
# Haverskerque

**Haverskerque** (from Flemish; *Haverskerke* in modern Dutch spelling) is a commune in the Nord department in northern France.

## Heraldry

|  | The arms of Haverskerque are blazoned :
*Or, a fess gules.* (Condé-sur-l'Escaut and Haverskerque use the same arms.)

 |
| --- | --- |

## InfoBox

| Haverskerque Haverskerke | |
| --- | --- |
| Commune | |
| Haverskerque in the arrondissement of Dunkirk | |
|  | |
| Location of Haverskerque | |
| HaverskerqueHaverskerque | |
| Coordinates: 50°38′29″N 2°32′30″E / 50.6414°N 2.5417°E / 50.6414; 2.5417 | |
| Country | France |
| Region | Hauts-de-France |
| Department | Nord |
| Arrondissement | Dunkerque |
| Canton | Hazebrouck |
| Intercommunality | CC Flandre Lys |
| Government | |
| Mayor (20202026) | Jocelyne Durut |
| Area**1** | 9.17 km2 (3.54 sq mi) |
| Population (2021) | 1,401 |
| Density | 150/km2 (400/sq mi) |
| Demonym | Haverskerquois |
| Time zone | UTC+01:00 (CET) |
| Summer (DST) | UTC+02:00 (CEST) |
| INSEE/Postal code | 59293 /59660 |
| Elevation | 14–19 m (46–62 ft)
(avg. 16 m or 52 ft) |
| **1** French Land Register data, which excludes lakes, ponds, glaciers \> 1 km2 (0.386 sq mi or 247 acres) and river estuaries. | |