title: Room Service (Roxette album)

abstract: Room Service is the seventh studio album by Swedish pop duo Roxette, released worldwide from 2 April 2001. A planned release in the United States failed to materialise, as the duo's label there, Edel Records America, had been disbanded the previous month due to financial difficulties. Marie Fredriksson was not as involved in the album's production as she had been on previous records, taking part in the composition of just two songs. The album was remastered and reissued with bonus tracks in 2009. Three singles were released from the record: lead single "The Centre of the Heart" was a hit throughout Europe, and was Roxette's third number one single in their home country. "Real Sugar" underperformed; it remains the lowest-peaking of all their charting singles in both Germany and Switzerland. Conversely, "Milk and Toast and Honey" performed well, and was the album's longest-charting hit in Sweden and Switzerland. The latter was also the only single from the album to be released in the United Kingdom. The album received mixed reviews upon release. AllMusic called it an "exciting, immediate, high-gloss pop gem that contains very little filler indeed", although other publications were critical of Per Gessle's lyrics, particularly to album track "Jefferson". The record performed well commercially throughout mainland Europe, and was one of the best-selling albums of the year in several territories, but was largely ignored in the United Kingdom, where it peaked at number 120.

text:
# Room Service (Roxette album)

***Room Service*** is the seventh studio album by Swedish pop duo Roxette, released worldwide from 2 April 2001. A planned release in the United States failed to materialise, as the duo's label there, Edel Records America, had been disbanded the previous month due to financial difficulties. Marie Fredriksson was not as involved in the album's production as she had been on previous records, taking part in the composition of just two songs. The album was remastered and reissued with bonus tracks in 2009.

Three singles were released from the record: lead single "The Centre of the Heart" was a hit throughout Europe, and was Roxette's third number one single in their home country. "Real Sugar" underperformed; it remains the lowest-peaking of all their charting singles in both Germany and Switzerland. Conversely, "Milk and Toast and Honey" performed well, and was the album's longest-charting hit in Sweden and Switzerland. The latter was also the only single from the album to be released in the United Kingdom.

The album received mixed reviews upon release. AllMusic called it an "exciting, immediate, high-gloss pop gem that contains very little filler indeed", although other publications were critical of Per Gessle's lyrics, particularly to album track "Jefferson". The record performed well commercially throughout mainland Europe, and was one of the best-selling albums of the year in several territories, but was largely ignored in the United Kingdom, where it peaked at number 120.

## Production

*Room Service* is a shorter effort than preceding album, 1999's *Have a Nice Day*. The duo decided against touring in support of that release, with Per Gessle opting instead to immediately focus on recording demos for a follow-up album at his Tits & Ass recording studio in Halmstad in April 1999. He eventually demoed a total of 29 songs for *Room Service*, excluding songs written by Marie Fredriksson, or songs originally demoed for *Have a Nice Day*, such as "The Centre of the Heart". That song was first recorded in October 1997, and is the only track on *Room Service* to feature a production credit from *Have a Nice Day* co-producer Michael Ilbert.

Fredriksson was not as involved in the production of *Room Service* as she had been on previous records; she composed just two songs for the album: "Little Girl" and "Every Day". This is in stark contrast to *Have a Nice Day*—she composed ten songs for that record. In a 2009 interview with Swedish publication *Filter*, when asked about the possibility of working with Fredriksson again following her brain tumour diagnosis in 2002, Gessle responded: "This is difficult to say, but when I think about the \[*Room Service*\] sessions, she was obviously not too interested in Roxette \[in\] the years before she got sick."

"Little Girl" is Fredriksson's only contribution to the album. It was written and composed solely by her, while "Every Day" was co-written with Gessle. The latter song was also released on deluxe editions of *The Ballad Hits* in 2002, as well as *The Rox Box/Roxette 86–06*. It later appeared as a bonus track when *Room Service* was remastered and reissued in 2009, along with another Fredriksson-composed track, "All I Ever Wanted". Despite this, "All I Ever Wanted" is unrelated to the album: it had first been demoed in April 1997 and re-recorded in June 2004 during sessions for Fredriksson's first English-language solo album, 2004's *The Change*.

## Release and promotion

"The Centre of the Heart" was released as the lead single, and its music video was directed by longtime collaborator Jonas Åkerlund. Filmed over three days at The Madonna Inn in California, it is Roxette's most expensive music video, surpassing the budget of "Spending My Time" from their 1991 album *Joyride*. The song was sent to radio on 19 February 2001, with a commercial single release following a month later. It went on to spend four weeks at number one in Sweden, making it their third number one single in their home country. The album was released worldwide from 2 April, with a North American release set for the following day via Edel America Records. A United States release failed to materialise, as Edel America was disbanded in March 2001 due to financial difficulties, although the record was released in Canada through EMI Music.

Photography for the record sleeve was shot at The Madonna Inn and was created by Tempel, a design duo consisting of Åkerlund and photographer Sarah Sheppard. "Real Sugar" was released as the album's second single throughout Europe. It peaked at number 12 in Spain and number 23 in Sweden, but it performed poorly elsewhere, charting only in Germany and Switzerland and becoming their lowest-charting single to date in both territories (numbers 96 and 72, respectively). The third and final single from the album, "Milk and Toast and Honey", was more successful, peaking at number 21 in Sweden and becoming their longest-charting single in the country since "You Don't Understand Me" in 1995 (14 weeks). Similarly, it peaked at number 29 on the Swiss Hitparade and spent 17 weeks on the chart—their longest-charting single in that country since "Sleeping in My Car" in 1994. It was also the first and only single from *Room Service* to be released in the United Kingdom, where it peaked at number 89.

The "Room Service World Tour" was Roxette's first concert tour in over six years. Concerts planned in South Africa were cancelled after the September 11 attacks. The tour began on 28 September and saw them performing in Spain, Belgium, Germany, Switzerland, Austria, the Czech Republic, Russia, Estonia, Finland and Sweden over its 25-dates. On reviewing one of their concerts, Per Bjurman from *Aftonbladet* was critical of the duo's chosen playlist and suggested that they had become too stuck in their past glories. Johan Lindqvist from *Göteborgs-Posten* was more positive, scoring their concert in Munich four stars.

## Critical reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *Aftonbladet* |  |
| *Expressen* |  |
| *Göteborgs-Posten* |  |
| *The Guardian* |  |
| MTV Asia | (7/10) |
| Yahoo! Music |  |

*Room Service* received a mixed response from critics. Leslie Mathew of AllMusic said it was their best album since *Joyride* (1991), calling it an "exciting, immediate, high-gloss pop gem that contains very little filler indeed." Chili Paddy from MTV Asia also praised the album, and said it contained several potential hit singles. Fred Bronson from *Billboard* rated it the 7th best album of the year. Bjurman from *Aftonbladet* put it bluntly: "\[*Room Service*\] is not very good", elaborating: "Many songs sound like covers of old Roxette material. Perhaps inevitable when a band returns to its 'roots', but a little more imagination may be required." However, he did praise the three singles, calling "Milk and Toast and Honey" their "strongest ballad since 'It Must Have Been Love' or maybe even 'Listen to Your Heart'," before ending his review with "Roxette is not finished. But soon, I suspect."

> "Jefferson was always out of luck
> I remember when we both grew up
> Jefferson got hit by a westbound truck
> I guess that didn't make him look like
> a million bucks"

—lyrics to the first verse of "Jefferson".

The first verse of album track "Jefferson" was heavily criticised by English-language reviewers. Simon P. Ward from Yahoo! Music said he laughed "uncontrollably at that lyrical gem"; Caroline Sullivan from *The Guardian* called it "one of the worst first verses in history" and said of the entire album: "Fredriksson's vocals are compelling yet curiously unengaged as she tries to negotiate Per Gessle's lyrics." Ward additionally noted that "Make My Head Go Pop" has "everything and the kitchen sink thrown into it—keyboards, techno beats, the guitar riff from the Stones' 'Satisfaction', and strings." Anders Nunstedt from *Expressen* initially gave the album a positive review, rating it three stars out of five and praising Gessle's songwriting and Clarence Öfwerman's production. However, in recent years, he has given a more critical overview of the album. Speaking of *Room Service* in relation to Roxette's other studio albums, he called it "Outdated, unattractive and also relatively unmusical." He also hypothesized: "On *Have a Nice Day*, you heard a band that had lost its compass. You do not have to listen carefully to *Room Service* to hear the sound of a duo who had been lost in the woods for so long that the search had ended."

## Commercial performance

The album was not as successful as the duo's preceding studio albums, and was largely ignored in the United Kingdom, peaking at number 120 there. Per Gessle commented in 2009: "Of course, it's hard to stay on top of the world forever. I'm old-fashioned, in that I believe it's enough to have a fantastic song and it will become a hit and then you can be on top again. *Joyride* sold 11 million copies, *Look Sharp!* 9 million, which means there are a lot of people who know who we are and who might be interested in what we are still doing. But it's normal for some albums to sell less than others, like *Have a Nice Day*. 'We'll sell more next time', I thought, but then *Room Service* did even worse. I don't know why."

*Room Service* peaked at number three on *Billboard*'s European Albums, and at number two on CNN's WorldBeat Albums. It topped the national record charts in both Belgium and Sweden, and peaked at number two in Switzerland, number three in Germany, number four in Austria, number five in Greece and Spain, number seven in Norway, number eight in Poland, and number ten in Finland. It performed particularly well in Scandinavian territories, ending 2001 as one of the top fifteen best-selling albums of the year in Finland (tenth), Sweden (twelfth), and Norway (fourteenth). It sold well throughout central Europe. It was the 34th best-selling album of the year in Germany, the 42nd best-selling album in Belgium, and the 46th best-selling album in Switzerland. It was also certified either gold or platinum in many of these countries.

## Track listing

All tracks are written by Per Gessle, except "Little Girl" written by Marie Fredriksson

*Room Service* – Original release
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Real Sugar" | 3:17 |
| 2. | "The Centre of the Heart" | 3:22 |
| 3. | "Milk and Toast and Honey" | 4:04 |
| 4. | "Jefferson" | 3:51 |
| 5. | "Little Girl" | 3:36 |
| 6. | "Looking for Jane" | 3:19 |
| 7. | "Bringing Me Down to My Knees" | 3:48 |
| 8. | "Make My Head Go Pop" | 3:22 |
| 9. | "Try (Just a Little Bit Harder)" | 3:13 |
| 10. | "Fool" | 3:52 |
| 11. | "It Takes You No Time to Get Here" | 3:35 |
| 12. | "My World, My Love, My Life" | 4:02 |
| Total length: | | 43:21 |

*Room Service* – Japanese release
| No. | Title | Length |
| --- | --- | --- |
| 13. | "Entering Your Heart" (Extended Version) | 4:34 |
| Total length: | | 47:55 |

*Room Service* – South African bonus disc
| No. | Title | Length |
| --- | --- | --- |
| 0. | "The Centre of the Heart" (Enhanced Music Video) | 3:29 |
| 1. | "The Centre of the Heart" (StoneBridge Club Mix) | 7:49 |
| 2. | "The Centre of the Heart" (Jens Bjurman and Per Kalenius's Yoga Remix) | 3:29 |
| 3. | "Real Sugar" (Shooting Star Treatment) | 4:22 |
| 4. | "Milk and Toast and Honey" (Active Dance Remix) | 3:49 |
| 5. | "It Will Take a Long Long Time" (Modern Rock Version) | 4:06 |
| 6. | "Entering Your Heart" (Original Version) | 4:00 |
| Total length: | | 27:35 |

*Room Service* – 2009 reissue (CD bonus tracks)
| No. | Title | Length |
| --- | --- | --- |
| 13. | "Entering Your Heart" (Original Version) | 4:00 |
| 14. | "The Weight of the World" | 2:52 |
| 15. | "Bla Bla Bla Bla Bla (You Broke My Heart)" | 4:37 |
| Total length: | | 54:50 |

*Room Service* – 2009 reissue (iTunes bonus tracks)
| No. | Title | Writer(s) | Producer(s) | Length |
| --- | --- | --- | --- | --- |
| 16. | "Every Day" | * Fredriksson (music) * Gessle (lyrics) |  | 3:26 |
| 17. | "Bla Bla Bla Bla Bla (You Broke My Heart)" (Demo) |  | Gessle | 4:36 |
| 18. | "All I Ever Wanted" | Fredriksson | Mikael Bolyos | 4:17 |
| 19. | "Stupid" (Roxette Version) |  |  | 3:26 |
| Total length: | | | | 70:35 |

## Personnel

Credits adapted from the liner notes of *Room Service*.

**Musicians**

**Additional musicians and technical personnel**

* Jonas Åkerlund – photography and art direction
* Micke "Nord" Andersson – acoustic guitar (track 7)
* David Birde – electric guitar (track 4)
* Mikael Bolyos – engineering (track 5)
* Marie Dimberg – management
* Mats Holmquist – conducting (tracks 2, 3 and 12)
* Michael Ilbert – engineering and co-production (track 2)
* Ronny Lahti – engineering and mixing
* Sarah Sheppard – photography and art direction
* Stockholm Session Strings – strings (tracks 2, 3 and 12)
* Mattias Torell – acoustic guitar (track 5)

## Charts

## Certifications

| Region | Certification | Certified units/sales |
| --- | --- | --- |
| Finland (Musiikkituottajat) | Gold | 23,394 |
| Germany (BVMI) | Gold | 150,000^ |
| Spain (PROMUSICAE) | Gold | 50,000^ |
| Sweden (GLF) | Platinum | 80,000^ |
| Switzerland (IFPI Switzerland) | Gold | 20,000^ |
| ^ Shipments figures based on certification alone.
 | | |

## InfoBox

| Room Service | |
| --- | --- |
|  | |
| Studio album by Roxette | |
| Released | 2 April 2001 |
| Recorded | January 2000 – January 2001 |
| Studio | Atlantis and Polar Studios, Stockholm, Sweden |
| Genre | Pop rock |
| Length | 43:20 |
| Label | * Roxette Recordings * EMI |
| Producer |  |
| Roxette chronology | |
| *Have a Nice Day*
(1999) ***Room Service***
(2001) *The Ballad Hits*
(2002) | |
|  | |
| Singles from  *Room Service* | |
| 1. "The Centre of the Heart"
Released: 19 March 2001 2. "Real Sugar"
Released: 18 June 2001 3. "Milk and Toast and Honey"
Released: 16 September 2001 | |
|  | |


abstract: The National Center for Hearing Assessment and Management (NCHAM) was founded in 1990 at Utah State University in Logan, Utah.

text:
# National Center for Hearing Assessment and Management

**The National Center for Hearing Assessment and Management** (NCHAM) was founded in 1990 at Utah State University in Logan, Utah.

## Contributions

### Newborn Hearing Screening

From 1988 to 1993, NCHAM conducted the first large-scale clinical trial of universal newborn hearing screening known as the Rhode Island Hearing Assessment Project. Results of this trial were focused on a variety of subjects that were included in the 1993 decision of the National Institutes of Health (NIH) that all newborns should be screened for hearing loss. From 1993 to 1996, NCHAM directed a National Consortium for Newborn Hearing Screening that resulted in over 100 hospitals in 10 states implementing newborn hearing screening programs. From 1996 to 2000, NCHAM staff worked with newborn hearing screening programs in 35 states and provided direct assistance to over 200 hospitals in establishing Early Hearing Detection and Intervention (EHDI) programs. Since April 1, 2000, NCHAM has served as the National Technical Assistance System for EHDI programs and with support from the Maternal and Child Health Bureau, NCHAM has worked with every State and Territorial EHDI program, as well as other professional, governmental, and advocacy groups to expand and improve EHDI programs worldwide.


title: Ibaté

abstract: Ibaté is a municipality in the state of São Paulo, Brazil with a population of 35,472 in 2020 according to IBGE. The city's name comes from the Tupi language and means "dry lake". Ibaté is located on the east-center of the state, 12 km from São Carlos and 247 km from the city of São Paulo.

text:
# Ibaté

**Ibaté** is a municipality in the state of São Paulo, Brazil with a population of 35,472 in 2020 according to IBGE. The city's name comes from the Tupi language and means "dry lake".

Ibaté is located on the east-center of the state, 12 km from São Carlos and 247 km from the city of São Paulo.

## History

The origins and development of the city has relation with the coffee production on the region, at the end of the 19th century. The village of *São João Batista da Lagoa* was founded on January 29, 1893. In 1900 the village was elevated to district, with the name of *Vila de Ibaté*.

On December 30, 1953, Ibaté was officially established as a municipality.

## Media

In telecommunications, the city was served by Companhia Telefônica Brasileira until 1973, when it began to be served by Telecomunicações de São Paulo. In July 1998, this company was acquired by Telefónica, which adopted the Vivo brand in 2012.

The company is currently an operator of cell phones, fixed lines, internet (fiber optics/4G) and television (satellite and cable).

## InfoBox

| Ibaté | |
| --- | --- |
| Municipality | |
|  | |
| Nickname: Encanto do Planalto | |
| Location of Ibaté | |
| Coordinates: 21°57′18″S 47°59′49″W / 21.95500°S 47.99694°W / -21.95500; -47.99694 | |
| Country | Brazil |
| Region | Southeast |
| State | São Paulo |
| Mesoregion | Araraquara |
| Government | |
| Mayor | José Luiz Parella |
| Area | |
| Total | 289.544 km2 (111.794 sq mi) |
| Elevation | 839 m (2,753 ft) |
| Population (2020 ) | |
| Total | 35,472 |
| Density | 105.74/km2 (273.9/sq mi) |
| Time zone | UTC−3 (BRT) |
| Postal Code | 14815-000 |
| Area code | +55 16 |
| Website | Prefecture of Ibaté, SP |


title: Mill Creek (White Clay Creek tributary)

abstract: Mill Creek is a 9.6-mile-long (15.4 km) stream principally located in northern New Castle County, Delaware, a tributary of the White Clay Creek. It takes its name from the large number of mills located along it during the 18th and early 19th centuries. It originates a short distance over the state line near Kaolin, Pennsylvania and flows east, then south into Delaware. It passes under the Lancaster Pike at Hockessin, where Swift Memorial Park has been laid out along the stream between Old Lancaster Pike and the Wilmington and Western Railroad tracks. Leaving Hockessin, the stream turns slightly to the west, and then sharply towards the southeast to flow through a deep, wooded gorge between suburban developments. Further down the gorge, Mill Creek passes through Limestone Hills Park, and then forms the western boundary of the DelCastle Recreation Area. Continuing south and passing under Limestone Road, the hills on either side diminish in height, and development increases, although the steep sides have protected the creek from direct encroachment. Passing through the neighborhood known as "Milltown", Lindell Park lies along the creek between Milltown Road and Kirkwood Highway. Below Kirkwood Highway, the valley begins to open, and the creek skirts Delaware Park and passes under the Wilmington and Christiana Turnpike just before it empties into the White Clay.

text:
# Mill Creek (White Clay Creek tributary)

**Mill Creek** is a 9.6-mile-long (15.4 km) stream principally located in northern New Castle County, Delaware, a tributary of the White Clay Creek. It takes its name from the large number of mills (mostly gristmills and sawmills) located along it during the 18th and early 19th centuries.

It originates a short distance over the state line near Kaolin, Pennsylvania and flows east, then south into Delaware. It passes under the Lancaster Pike at Hockessin, where Swift Memorial Park has been laid out along the stream between Old Lancaster Pike and the Wilmington and Western Railroad tracks. Leaving Hockessin, the stream turns slightly to the west, and then sharply towards the southeast to flow through a deep, wooded gorge between suburban developments. Further down the gorge, Mill Creek passes through Limestone Hills Park, and then forms the western boundary of the DelCastle Recreation Area. Continuing south and passing under Limestone Road, the hills on either side diminish in height, and development increases, although the steep sides have protected the creek from direct encroachment. Passing through the neighborhood known as "Milltown", Lindell Park lies along the creek between Milltown Road and Kirkwood Highway. Below Kirkwood Highway, the valley begins to open, and the creek skirts Delaware Park and passes under the Wilmington and Christiana Turnpike just before it empties into the White Clay.

## Variant names

According to the Geographic Names Information System, it has also been known historically as:

* Lillefalskijlen

## InfoBox

| Mill Creek
Tributary to White Clay Creek | |
| --- | --- |
| Location of Mill Creek mouthMill Creek (White Clay Creek tributary) (the United States) | |
| Location | |
| Country | United States |
| State | Pennsylvania, Delaware |
| Counties | Chester, New Castle |
| Physical characteristics | |
|  | |
| Source | divide between Mill Creek and Broad Run (White Clay Creek) |
| location | Kennett Township, Chester County, Pennsylvania |
| coordinates | 39°47′55″N 75°43′10″W / 39.79861°N 75.71944°W / 39.79861; -75.71944 |
| elevation | 380 ft (120 m) |
|  | |
| Mouth | White Clay Creek |
| location | New Castle County, Delaware |
| coordinates | 39°42′32″N 75°39′09″W / 39.70889°N 75.65250°W / 39.70889; -75.65250 |
| elevation | 5 ft (1.5 m) |
| Length | 8.33 mi (13.41 km) |
| Basin size | 12.96 square miles (33.6 km2) |
|  | |
| Discharge |  |
| location | White Clay Creek |
| average | 18.62 cu ft/s (0.527 m3/s) at mouth with White Clay Creek |
|  | |
| Basin features | |
| Progression | White Clay CreekChristina RiverDelaware RiverDelaware BayAtlantic Ocean |
| River system | Christina River |
| Tributaries |  |
| left | unnamed tributaries |
| right | unnamed tributaries |
| Bridges | Southwood Road, Piersons Ridge, Loblolly Court, Slashpine Circle, Valley Road, Mill Creek Road, Brackenville Road, Mill Creek Road, Stoney Batter Road, Limestone Road, Milltown Road, Kirkwood Highway (DE 2), Telegraph Road, Delaware Park Blvd., DE 4 |
|  | |
| National Wild and Scenic Rivers System | |
| Designated | October 24, 2000 |
|  | |
|  | |


title: Huntertones

abstract: Huntertones are an American band formed in Columbus, Ohio, in 2010 by saxophonist Dan White, and based in Brooklyn, New York. Known for their "high-energy, horn-driven sound", the band's line-up also includes trombonist Chris Ott and trumpet/sousaphone player Jon Lampley. Originally named the Dan White Sextet, the band was formed when White, Ott, and Lampley were students at Ohio State University. The Dan White Sextet released their debut album The New York Sessions in 2012. They changed their name to Huntertones in 2014, and have embarked on concert tours across the United States and internationally, with their travels inspiring their 2018 album Passport.

text:
# Huntertones

**Huntertones** are an American band formed in Columbus, Ohio, in 2010 by saxophonist Dan White, and based in Brooklyn, New York. Known for their "high-energy, horn-driven sound", the band's line-up also includes trombonist Chris Ott and trumpet/sousaphone player Jon Lampley.

Originally named the **Dan White Sextet**, the band was formed when White, Ott, and Lampley were students at Ohio State University. The Dan White Sextet released their debut album *The New York Sessions* in 2012. They changed their name to Huntertones in 2014, and have embarked on concert tours across the United States and internationally, with their travels inspiring their 2018 album *Passport*.

## Discography

**As the Dan White Sextet**

* *The New York Sessions* (2012)
* *Play* (2013)
* *Your Song* (2014)

**As Huntertones**

* *Huntertones* (EP, 2015)
* *Live* (2016)
* *Passport* (2018)
* *Time to Play* (2021)
* *Engine Co.* (2023)
* *Motionation* (2024)

## Personnel

## InfoBox

| Huntertones | |
| --- | --- |
| Also known as | Dan White Sextet |
| Origin | Columbus, Ohio, U.S. |
| Genres |  |
| Years active | 2010–present |
|  | |
| Members | * Dan White * Chris Ott * Jon Lampley * Adam DeAscentis * John Hubbell * Josh Hill |
|  | |
| Past members | * Jeff Bass * Theron Brown |
|  | |
| Website | huntertones.com |


title: Unabhängiger Beirat des Stabilitätsrats

abstract: The Unabhängiger Beirat des Stabilitätsrats is an independent body of experts that assists the Stabilitätsrat in monitoring compliance with the upper limit on the general government structural deficit set out in the Budgetary Principles Act. The board produces statements and recommendations in this context that lay the foundation for the work of the Stability Council. The chair of the advisory board participates in Stability Council discussions on monitoring the general government structural deficit limit and communicates the board's opinion. The advisory board was set up as part of Germany's national implementation of the European Fiscal Compact. The board convened for the first time on 5 December 2013.

text:
# Unabhängiger Beirat des Stabilitätsrats

The ***Unabhängiger Beirat des Stabilitätsrats*** (**Advisory Board to the Stability Council**) is an independent body of experts that assists the *Stabilitätsrat* (Stability Council) in monitoring compliance with the upper limit on the general government structural deficit set out in the Budgetary Principles Act. The board produces statements and recommendations in this context that lay the foundation for the work of the Stability Council. The chair of the advisory board participates in Stability Council discussions on monitoring the general government structural deficit limit and communicates the board's opinion.

The advisory board was set up as part of Germany's national implementation of the European Fiscal Compact. The board convened for the first time on 5 December 2013.

## Chair and members

The advisory board's members include: one representative each from the *Deutsche Bundesbank* and the *Sachverständigenrat zur Begutachtung der gesamtwirtschaftlichen Entwicklung* (German Council of Economic Experts); one representative from the research institutes involved in preparing the Joint Economic Forecast; four experts appointed for a period of five years by representatives of the Federation and *Länder* on the Stability Council; and two experts appointed for a period of five years by the national associations of local authorities and the national organisations of the social security funds.

## Task

In line with section 7 subsection (3) of the Stability Council Act, the advisory board expresses its opinion on matters involving compliance with the upper limit on the general government structural deficit as defined in the Budgetary Principles Act. If necessary, the board makes recommendations for measures to eliminate excessive deficits. The board's statements and recommendations as well as other relevant documents are published here. The board itself determines whether and which documents are published.

## International coordination

The independent advisory board to the Stability Council is part of the EU Network of Independent Fiscal Institutions (EU IFIs).

## InfoBox

Advisory Board to the Stability Council (*Unabhängiger Beirat des Stabilitätsrats*)
| Formation | 2013 |
| --- | --- |
| Purpose | 'Independent' analysis of the public finances ahead of the budget |
| Location |  |
| Region served | Germany |
| Chairman | Eckhard Janeba |
| Website | www.stabilitaetsrat.de/EN/Beirat/Beirat\_node.html |


title: Mălina Călugăreanu

abstract: Mălina Călugăreanu is a Romanian foil fencer.

text:
# Mălina Călugăreanu

**Mălina Călugăreanu** (born 15 September 1996, Bucharest) is a Romanian foil fencer.

## Career

Călugăreanu took up fencing at the age of twelve under the guiding of Petre Ducu and Florin Gheorghe, who remain her coaches as of 2016. She won her first junior World Cup tournament in 2014 in Timișoara, ending the 2014–15 season with a No. 1 position in World junior rankings.

She took part in her first senior competitions during the 2011–12 season and she joined the senior Romanian national team for the 2013 European Championships in Zagreb. In 2014, she won the silver medal at the Romanian championships, after losing in the final to Steaua teammate Maria Boldor. They went on to win the team gold medal together. The same happened in 2015.

In the 2015–16 season she earned a silver medal at the World Cup satellite tournament in Ankara. In April she qualified to the Fencing at the 2016 Summer Olympics through a top-four finish at the Prague pre-olympic tournament.

She competed at the 2022 World Fencing Championships held in Cairo, Egypt.

* Profile at the European Fencing Confederation

## InfoBox

| Mălina Călugăreanu | |
| --- | --- |
|  | |
| Personal information | |
| Born | (1996-09-15) 15 September 1996
Bucharest, Romania |
| Sport | |
| Country | Romania |
| Weapon | sabre |
| Hand | left-handed |
| National coach | Petre Ducu |
| Club | CSA Steaua |
| Head coach | Petre Ducu
Florin Gheorghe |
| FIE ranking | current ranking |
| Medal record      Women's foil  Representing  Romania  European Games  2023 Kraków–Małopolska Individual | |


abstract: The IEEE Sensors Council Technical Achievement Award honors a person with outstanding technical contributions within the scope of the IEEE Sensors Council, as documented by publications and patents. The award is based on the general quality and originality of the contributions. At the moment, four Awards are given every year. This kind of award honors a person with outstanding technical contributions within the scope of the IEEE Sensors Council, as documented by publications and patents. It is based on the general quality and originality of contributions. The winner of this Award is presented with a plaque and $2,000 check. Awards are available in two fields: the field of "Sensors" and the field of "Systems or Networks"; within each field, an Early Career and an Advanced Career are given every year. Early Career awards are for individuals within 15 years of receiving the first degree. Advanced Career awards are for individuals beyond 15 years of the first degree

text:
# IEEE Sensors Council Technical Achievement Award

The (Institute of Electrical and Electronics Engineers) IEEE Sensors Council Technical Achievement Award honors a person with outstanding technical contributions within the scope of the IEEE Sensors Council, as documented by publications and patents. The award is based on the general quality and originality of the contributions. At the moment, four Awards are given every year. This kind of award honors a person with outstanding technical contributions within the scope of the IEEE Sensors Council, as documented by publications and patents. It is based on the general quality and originality of contributions. The winner of this Award is presented with a plaque and $2,000 check. Awards are available in two fields: the field of "Sensors" and the field of "Systems or Networks"; within each field, an Early Career and an Advanced Career are given every year. Early Career awards are for individuals within 15 years of receiving the first degree. Advanced Career awards are for individuals beyond 15 years of the first degree

## Recipients

* 2021: Asad Madni (Systems or Networks – Advanced Career)
* 2021: Katarzyna Wac (Systems or Networks – Early Career)
* 2021: Joseph Wang (Sensors – Advanced Career)
* 2021: Muhammad Akram Karimi (Sensors – Early Career)
* 2020: Laurence Yang (Systems or Networks – Advanced Career)
* 2020: Domenico Ciuonzo (Systems or Networks – Early Career)
* 2020: Eui-Hyeok Yang (Sensors – Advanced Career)
* 2020: Sheng Xu (Sensors – Early Career)
* 2019: Paul C.-P. Chao (Systems or Networks – Advanced Career)
* 2019: Changzhan Gu (Systems or Networks – Early Career)
* 2019: Wei Gao (Sensors – Early Career)
* 2019: Ellis Meng (Sensors - Advanced Career)
* 2018: Gerard L. Coté (Sensors - Advanced Career)
* 2018: Ashwin Seshia (Systems or Networks – Advanced Career)
* 2018: Daniele Tosi (Sensors - Early Career)
* 2018: Omer Tolga Inan (Systems or Networks – Early Career)
* 2017: Kourosh Kalantar-zadeh (Sensors - Advanced Career)
* 2017: Deepak Uttamchandani (Systems or Networks – Advanced Career)
* 2017: Yu Shrike Zhang (Sensors - Early Career)
* 2017: Pantelis Georgiou (Systems or Networks – Early Career)
* 2016: Xin Zhang (Sensors - Advanced Career)
* 2016: Sandro Carrara (Systems or Networks – Advanced Career)
* 2016: Ravinder S. Dahiya (Sensors - Early Career)
* 2016: Changzhi Li (Systems or Networks – Early Career)
* 2015: John Kirching (Sensors - Advanced Career)
* 2015: Mina Rais-Zadeh (Sensors - Early Career)
* 2014: Tony Jun Huang
* 2013: Khalil Najafi
* 2012: Wen H. Ko
* 2011: Tom Kenny
* 2010: Brian Cunningham
* 2009: Andrei Shkel
* 2008: Michael Shur

## InfoBox

| IEEE Sensors Council Technical Achievement Award | |
| --- | --- |
| Awarded for | Outstanding technical contribution within the scope of IEEE Sensors Council. |
| Presented by | Institute of Electrical and Electronics Engineers |
| First awarded | 2008 |
| Website | IEEE Sensors Awards |


title: PhotoForum

abstract: PhotoForum Inc. is a non-profit New Zealand photography organisation founded 12 December 1973 in Wellington "dedicated to the promotion of photography as a means of communication and expression," and is also the title of its magazine, first published in February 1974. The magazine issues were discontinued after 1984, but the organisation continues to publish a series of books on New Zealand photography and photographers with the same ISSN. One of these, number 83, is a 273 page, large format history of PhotoForum Inc. published with Rim Books and edited by art historian Nina Seja.

text:
# PhotoForum

**PhotoForum Inc.** is a non-profit New Zealand photography organisation founded 12 December 1973 in Wellington "dedicated to the promotion of photography as a means of communication and expression," and is also the title of its magazine, first published in February 1974.

The magazine issues were discontinued after 1984, but the organisation continues to publish a series of books on New Zealand photography and photographers with the same ISSN. One of these, number 83, is a 273 page, large format history of PhotoForum Inc. published with Rim Books and edited by art historian Nina Seja.

## History

### Background

Desmond Kelly and John B. Turner screened documentary films, and held discussions, on photography in Wellington over 1969/70. They and their audience noted the prevalent lack of attention to, or analysis of, photography in New Zealand other than as a commercial profession or an amateur activity. Photography publications existed but were mostly books presenting the country's landscape often with an eye to tourism, and hobby, trade, technical and photographic society journals; *New Zealand Studio*, the journal of the New Zealand Professional Photographers’ Association 1952–1975; *New Zealand Camera*, journal of the Photographic Society of New Zealand, launched in 1954; and *Photographics New Zealand* magazine 1961–1963.

### Publication

Kelly and Turner met Bruce Weatherall who subsequently in 1970 published the newsletter *Photographic Art & History*, which was the precursor to *Photo-Forum* magazine. Its first issue covered conservation of photographs, appreciation of fine art photography, collecting photographic equipment, and the history of photography, and called for expressions of interest in contributing to further newsletters. Kelly and Turner became co-editors of the magazine with Weatherall from issue 2.

They turned attention to New Zealand photographers Tudor Collins, Mac Miller, John Daley, and the current *Maori in Focus* exhibition, and in issue 3 covered Ans Westra, Mac Miller, and Hill & Adamson in New Zealand. After issue 4, featuring reviews of the 19th Century New Zealand Photography exhibition; *Photography, A Visual Dialect,* Gernsheim’s *History of Photography*; Hardwicke Knight’s *First Century of Photography* exhibition; and an article on the photographer J.N. Crombie, the journal was renamed *New Zealand Photography.*

Under the new title *New Zealand Photography* and from 1971 the content was more internationally focused and included Keri McCleary's reviews of New Zealand exhibitions of Brassaï and *Photography 1971* exhibitions, and articles on the American Bruce Davidson and the French photojournalist Cartier-Bresson, with others on New Zealanders James Chapman-Taylor and others.

Through 1972/73 more attention was given to New Zealand photographers and exhibitions, with articles on, and photographs by, Alan Leatherby; Richard Collins; Roger Leach; James McDonald; Lloyd Homer; Keri McCleary; Max Oettli; D.L. Mundy; Simon Buis; John Fields; Walter Logeman; Mike Hammersley; Allan McDonald; Don Roy; Clive Stone; John Milnes; Jim Payne; Harry Foster; Ans Westra; Barry Lett Galleries; Bryan James; Historical New Zealand photographs in Australia; Bryan James; Ken Foster; Corynne Bootten; Graham Mitchell; Grant Douglas; the Elam Workshop; John Daley; Victorian photographs of Wellington; Michael Hawkins; the Photographic Communication Symposium; Barry Myers; Barry Hesson; Paul Cooper; Gary Baigent; Paul Gilbert; Rev. John Kinder; Christchurch photographers at Victoria Market Gallery; Leith F. Jennings.

After Weatherall departed for a position as Lecturer in Journalism at the University of Canterbury in 1974, Turner took over *New Zealand Photography* magazine and re-launched it as *Photo-Forum* magazine in February 1974, the title inspired by the American *Artforum.* As well as its magazine, the organisation also produced posters, postcard sets, diaries, calendars, newsletters and books.

*PhotoForum* ceased publication as a magazine in 1984, replaced by the irregular issue of book-format titles which continued the magazine numbering and its ISSN. Subscribed members received *MoMento*, published from January 2008.

### Organisation

On 12 December 1973, founders Ken Browning, Paul Fudakowski, Bob Jones, Peter Maughan, Max Oettli, Peter Robson, Larence N. Shustak, and John B. Turner contributed $1000 each to register PhotoForum as an Incorporated Society. Max Oettli became first President of the Society, Treasurer was Wendy Turner; Secretary, Janet Mayo; *Photo-Forum* (originally hyphenated thus) Editor was John Turner, and Associate Editors Laurence Shustak and Do Van Toan.

In 1989 a restructure, which replaced the position of President with a Director, Sally Symes was appointed to the role, which she retained until her resignation and replacement by John B. Turner in 1993. He resigned in July 2012, precipitated by his relocation to Beijing, though he retained his role as co-Managing Editor beside Haruhiko Sameshima. Geoffrey Short, who featured in the 2012 MoMento 10, and who had been employed as gallery Manager in 1987, replaced Turner as Director.

## The magazine contents 1974-1984

**1974**

* Photo-Forum 18 (February/March): *Nudes*; Clive Stone portfolio.
* Photo-Forum 19 (April/May): Time-themed portfolio: F.W. Young, James Bragge, Charles Spencer, Gordon H. Burt, Paul Gilbert; John Fields and Glenn Busch portfolios.
* Photo-Forum 20 (June/July): Len Wesney landscapes; Workshop ’74; Wellington Polytechnic photography.
* Photo-Forum 21 (August/September): Bryony Dalefield, Murray Hedwig, Noel Trustrum; large format photography; August Sander book review.
* Photo-Forum 22 (October/November): The New Zealand landscape: John Johns, Alfred H. Burton, Ken Foster; Max Oettli; Andre Kertesz book review.
* Photo-Forum 23 (December 1974/January 1975): Five portfolios: Charles McKenzie; Peter Maughan; Neil Carrie; Sally Tagg; Bernard Schofield; Minor White; *The Painter and the Photograph* review

**1975**

* Photo-Forum 24 (February/March): Elam portfolio; Tom Hutchins guest editorial; John Szarkowski: *Looking at Photographs*; first of William Main’s *Collector’s Piece* columns.
* Photo-Forum 25 (April/May): Ben Boer and Glenn Busch portfolios; review of Bragge’s Wellington and the Wairarapa, by William Main.
* Photo-Forum 26 (June/July): Joseph D. Jachna Jr. Door County Landscapes; Six French Photographers review.
* Photo-Forum 27 (August/September): Greg McBean; Merylyn Tweedie; The Active Eye; Creative Camera Yearbook; Tiny Grey (Simon Buis) Offshoot column begins.
* Photo-Forum 28 (October/November): Portfolios: Richard Buckley, Murray Hedwig, Graham Kirk; Hill & Adamson.
* Photo-Forum 29 (December 1975/January 1976): Women’s Photography; Peter Peryer portfolio; School photographs review; Photo-Realism review.

**1976**

* Photo-Forum 30 (February/March): Allan McDonald; Edward Weston; *News photography.*
* Photo-Forum 31 (April/May): Robin Morrison; recent Australian photography.
* Photo-Forum 32 (June/July): John Maften Hope album (later identified as work by Northwood brothers); Anne Noble portfolio.
* Photo-Forum 33 (August/September): Peter Peryer portfolio; *36 Exposures* review; Brian Brake: *40 Photographs* review; *New Photographers* review.
* Photo-Forum 34 (October/November): *Fragments of a World* review; notes on Cole Weston’s visit; Mark Bentley Adams portfolio; Colin Parrish portfolio; Allan McDonald and Merylyn Tweedie exhibition review.
* Photo-Forum 35 (December 1976/January 1977): PhotoForum/Wellington; Photographic collections; *Wisconsin Death Trip* review; Exhibition reviews: Victoria Ginn, Ans Westra, Wellington Thomas Gordon Cody.

**1977**

* Photo-Forum 36 (February/March): Snaps Gallery interview part one; PhotoForum Museum exhibition review; *Portraits by Anonymous Photographer*; Photographer’s Gallery *Erotic Photography* review; Broadsheet *Womanvision* review.
* Photo-Forum 37 (April/May): *Maori in Focus* portfolio and review; Terence Pattie portfolio; Snaps Gallery interview, part two.
* Photo-Forum 38 (June/July): Christchurch portfolio; *New Zealand Landscape* exhibition review; *Creative Camera Yearbook* review.
* Photo-Forum 39 (August/September): Murray Cammick *Flash Cars* portfolio; *Ex Camera* exhibition review.
* Photo-Forum 40 (October/November): David Moore; Dennis Waugh.
* Photo-Forum 41 (December 1977/January 1978): Calendar Issue; Includes a detailed index covering all issues from February/March 1974 through to the Calendar Issue, compiled by Juliana Austen.

Photo-Forum 41 was the last A4 size Photo-Forum (designed by Karen Sarno-Woodroffe).

* PhotoForum Supplement 1 (Summer 1977/78): Brassaï; Peter Peryer portfolio; Tom Hutchins interview; Darius McCallum portfolio; Photo-montage; Peter H. Hughes’ Aspects of Photo Criticism.

**1978**

With issue 42 the magazine format is reduced and centres more on images. *Photo-Forum Supplement*, launched at the end of 1977, is in tabloid newsprint format to provide space for more discourse and news.

* *Photo-Forum* 42 (June): Auction report; Terry O’Connor and Clive Stone portfolios; *9 Carte-de-Visite Portraits*.
* *Photo-Forum Supplement* 2 (Summer 78/79): reviews of Bill Brandt, Looking Back, de Meyer, Ernst Haas, Photomontage, Collection & care of historical photographs, Family of Children, Josef Sudek, Les Krims and William Eggleston books; Darius McCallum portfolio; *Historical Show* at Snaps and PhotoForum Galleries; Peter H. Hughes’ Aspects of Photo-Criticism part two; Peter Hannken: Debut.

**1979**

* Photo-Forum 43 (March): Max Oettli, *In Transit*; Edward Weston *Nudes*; Robin Morrison, *Images of a House*; Laurence Aberhart, *Nineteen Photographs*; PhotoArt ’78
* Photo-Forum 44 (August): Dr. A. C. Barker; Gillian Chaplin; *Snaps* and PhotoForum Gallery openings.
* PhotoForum Supplement 3 (Spring 1979): Les Cleveland: *The Tyrees*; Victoria Ginn *portfolio*; *Art, Reality and Photography*; Graham Kirk: *In Search of the Taniwha comic.*

**1980**

* Photo-Forum 45 (April): Portfolios by Lucien Rizos, Terry O’Connor, Terry Austin, Mark Bentley Adams; *Mirrors and Windows: American Photography since 1960*; J. W. Chapman-Taylor.
* Photo-Forum 46 (August): Paul Hewson; Bruce Attwell; Euan Cameron; Glenn Jowitt.
* Photo-Forum 47 (December): Bruce Connew; Peter Black; Janet Bayly; Dinah Bradley; Philip Ridge, *Colour Photography: A Criticism* (first colour portfolios).
* PhotoForum Supplement 4 (Winter): *The Last Empire*; Stuart MacKenzie; *The Photographer and the Law*; *Kolorplaten*; Paul Johns; Shirley Gruar: *Debut*.
* PhotoForum Supplement 5 (Spring): Megan Jenkinson; *Women in New Zealand: An Exhibition*; Ingeborg Tyssen; Gil Hanly; PhotoForum Gallery.
* PhotoForum Supplement 6 (Summer): Barney Brewster; *The Suspect Image*; Margaret Jane Dawson; *A Little More Law*; *Politics and Photography*; Tony Kellaway; Rod Wills; Dennis Ng; Shirley Gruar; Bruce Connew; Diane Quin; *Celebration in History*.

**1981**

From issue 48 the hyphen in the title was dropped.

* PhotoForum 48 (June): Jane Zusters; Clive Stone; *On Collecting*; *Photograph as Icon*; Don McCullin.
* PhotoForum 49 (October): Ken Browning; *The Tour is Here*; Robin Morrison; *Political photography*; Boyd Webb review.

**1982**

* PhotoForum 50 (January): John B. Turner, *Fifty Issues–Thirteen Years*; Miles Hargest; Peter Black: *Fifty Photographs*; Bruce Foster.
* Peter Black: Fifty Photographs catalogue for National Art Gallery exhibition.
* PhotoForum 51/52 (September): Anne Noble, The Wanganui. Published in collaboration with the Sarjeant Gallery, Wanganui, as a catalogue for the touring exhibition of the same name.
* PhotoForum 53 (December): The Way We Like It: A PhotoForum Diary of Contemporary New Zealand Photographers 1983: Mark Adams, Kapil Arn, Peter Black, Ken Browning, Peter Butler, Fiona Clark, Bruce Connew, Grant Douglas, Gil Hanly, Peter Hannken, Murray Hedwig, Gary Helm, Terry Hobin, Megan Jenkinson, John Johns, Mike Keeling, Tony Kellaway, Billy Lawry, Elizabeth Leyland, Gabrielle McKone, Mary Macpherson, John Miller, Juliet Nicholas, Terry O’Connor, Mike Perry, Peter Peryer, Jae Renaut, Geoffrey H. Short, Kees Sprengers, Sally Symes, John B. Turner, Anna Wilson, and Jennifer Urquhart.

**1983**

* PhotoForum 54 (February): Terry O’Connor and Katherine Findlay, *All Good Children: Life in a New Zealand Children’s Health Camp.*
* Quin, Diane (1983). *The Way we like it: a PhotoForum diary of contemporary New Zealand photographers*. Auckland: Photoforum. OCLC 17606304.

**1984**

* PhotoForum 55, (December): Sally Symes and Hana (Saana) Murray, *The Te Hapua Project*; Terence White; *Views/Exposures* and *The New Color Photography* reviews; Index to Photographic Art & History and New Zealand Photography magazines 1970–1973; Index to PhotoForum issues 42–55 and Photo-Forum Supplement 1–6. Compiled by Gail I. Hamblin.

From 1986 *PhotoForum Newsletter* was renamed *PhotoForum ReView* and changed to A5 format under new editors Janet Bayly and Athol McCredie.

### 1987

* Tweedie, Merylyn; Bosworth, Rhondda; Queen Elizabeth II Arts Council of New Zealand; PhotoForum Inc (1987). *Six women photographers*. Auckland, N.Z.: Published with assistance of the Queen Elizabeth II Arts Council of New Zealand and PhotoForum/Wellington. OCLC 154770341.


title: Hp53int1

abstract: Human protein 53 intron 1 (Hp53int1) is a protein encoded by the Hp53int1 gene in humans.

text:
# Hp53int1

**Human protein 53 intron 1** (Hp53int1) is a protein encoded by the **Hp53int1** gene in humans.

## Gene

The Hp53int1 gene is located on chromosome 17p.13, encoded by a DNA sequence 1125 base pairs in length, covering region 7,685,260 bp-7,686,371 bp. The Hp53int1 gene has two aliases, WRAP53int1 and TP53int1, in accordance to its overlap with the WRAP53 and TP53int1 genes on chromosome 17. Hp53int1 is located downstream of the p53p2 start site.

Hp53int1 does not have multiple exons, and therefore has no isoforms.

### Important relationship to TP53

The Hp53int1 gene is transcribed in the same direction as TP53 and is present in TP53 protein-rich myeloid leukemia cells HL-60 and U937. This suggests a strong relationship to the TP53 gene and subsequent protein, including a share of transcription factors, promoter signals, tissue expression, and subcellular localization. While these genes are not identical, this relationship may give clues to function, structure, and expression.

## mRNA transcript

Hp53int1 is encoded by a polyadenylated transcript 1125 base pairs in length. There is a repeat sequence between base pairs 633...926 and a regulatory Poly A tail sequence between base pairs 496...1000. The repeat sequence between base pairs 633 and 926 is noted to be similar to the *Alu SC subfamily repeat*, a sequence that characterizes the most abundant repeat sequences in humans and primates, and which likely diverged from other Alu subfamily complexes around 32 million years ago.

### Promoter sequence

The promoter sequence of the Hp53int1 gene was shown to be 540 base pairs in length. Transcription factors SMAD2, SRY, and ETV7 had Basewise Conservation Scores of 2.99, 2.73, and 3.03 respectively, with value of 4 indicating the highest conservation and -0.5 the lowest. KLF2 and KLF5 had scores of 3.73 each. The species being compared were elephant, dog, rhesus macaque, and chicken.

## Protein

The Hp53int1 protein has a molecular weight of 13.3 kdal and is 118 amino acids in length. It is a basic protein. There is one highly conserved amino acid sequence between 102 and 110. Serine site distribution is significantly higher than Arginine and Tyrosine sites. There is a possible Casein Kinase II phosphorylation site between amino acids 22–25. Casein Kinase II phosphorylation is involved in cell proliferation. Three regions of disorder are predicted for the Hp53int1 protein.

### Post translational modifications

There is a possible O-ß-GlcNAc site between amino acids 14–20. There are no transmembrane domains nor signal peptides.

There is a conserved phosphorylation site at S5, S15, and S20.

## Structure

### Secondary

Hp53int1 protein is predicted to contain one alpha helix and five beta sheets. There are eight possible protein binding sites.

### Tertiary

### Subcellular localization

There is a 56.5% likelihood that the Hp53int1 protein is localized within the cytoplasm.

## Tissue expression

There is low tissue specificity for the Hp53int1 gene. When comparing various samples of adult human tissues there is high expression in the thymus, ovaries, lymph nodes, and white blood cells. There was a high expression score for both RNA expression and protein expression in proximal digestive tract, gastrointestinal tract, and male/female tissues. During fetal development between weeks 10 and 16, there is elevated expression in the lung and heart tissues.

Hp53int1 is differentially expressed under conditions that require cell proliferation or apoptosis, in accordance to its congruence with the TP53 tumor suppressor gene

## Homology and evolution

### Paralogs

The Hp53int1 gene was found to have no paralogs.

### Orthologs

Using NCBI BLAST sequence analysis and Clustal W a multiple sequence alignment was formulated for Hp53int1 and twenty top BLAST hits.

While the objective of this research was to find several orthologs across a variety of mammals, vertebrates, and invertebrates, there were only results in two classes: primates and bacteria. Furthermore, there was only one amino acid sequence within Hp53int1 and its orthologs of a general 20 amino acids in length that directly aligned). The primate genes are located on chromosome 13 while Hp53int1 is located on chromosome 17. There is also evidence for subcellular localization of the primate proteins within the nuclear envelope, while evidence for Hp53int1 suggests it is in the cytoplasm. Thus, it is reasonable to assume that the primates are not strict orthologs. A possible explanation for why strict Hp53int1 alignments are only found in bacteria is a possible crossing over event shared between bacteria and a common ancestor of primates.

## Function

The Hp53int1 protein is likely involved in the regulation of cellular proliferation and apoptosis. This is indicated by the use of apoptosis-regulator and ubiquitination regulator interacting proteins, its share of transcription factors with TP53 (especially the SMAD2, SRY, and ETV7 transcription factors), its location downstream of the p53p2 start site, its casein kinase II phosphorylation site, and its ubiquitous expression across tissues. The Hp53int1 gene expression is increased in environments where proteins that reduce cell proliferation are overexpressed, suggesting its requirement in cellular environments that need to arrest cell growth. Also, quantitative analysis shows that the general hp53 protein is absolutely required for the activation of cellular response to DNA damage.

### Interacting Proteins

The following interacting proteins were found for TP53, but can be applied to Hp53int1 due to their chromosomal relationship. Important to note: the functions of these interacting proteins are directly involved in cell regulation (ubiquitination, transcriptional regulator, apoptosis, and protein-tyrosine kinase).

### SNPs

There are two identified SNPS for Hp53int1. SNP 15 falls at position 32 in a sequence of 43 residues located upstream of the largest ORF of the TP53 promoter. SNP 20 is then located 45 bp downstream of the 3’ end of the 1125 bp cDNA (Hp53int1).

## Clinical significance

There is evidence that the Hp53int1 gene is involved in tumor suppression. Hp53int1 overlaps with TP53 exon 1 (TAD1). Mutations within this region can result in alternative exon expression or incomplete splicing and a loss of tumor suppressor function. Regarding osteosarcoma, these rearrangements within TAD1 have been detected in ~20% of the cases involving incomplete splicing of TP53. These rearrangements are located across the full sequence of TP53 intron 1, but the majority of them will cluster in a domain of the Hp53int1 transcript, suggesting that these rearrangements may be facilitated by chromatin conformation within this locus

## InfoBox

| Hp53int1 | | | |
| --- | --- | --- | --- |
|  | | | |
| Identifiers | | | |
| Aliases |  | | |
| External IDs | GeneCards: ; OMA:\- orthologs | | |
| Orthologs  Species **Human** **Mouse**  Entrez   Ensembl   UniProt   RefSeq (mRNA)     n/a   n/a   RefSeq (protein)     n/a   n/a   Location (UCSC) n/a n/a  PubMed search n/a n/a | | | |
| Wikidata | | | |
| View/Edit Human | | | |


title: Larutia puehensis

abstract: Larutia puehensis, also known as the Berumput two-toed skink, is a species of skink. It is only known from holotype collected from Gunung Berumput in Pueh Mountains, Sarawak, Malaysian Borneo.

text:
# Larutia puehensis

***Larutia puehensis***, also known as the **Berumput two-toed skink**, is a species of skink. It is only known from holotype collected from Gunung Berumput (=Mt. Berumput) in Pueh Mountains, Sarawak, Malaysian Borneo.

## InfoBox

| *Larutia puehensis* | |
| --- | --- |
| Conservation status | |
|
Data Deficient  (IUCN 3.1) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Reptilia |
| Order: | Squamata |
| Family: | Scincidae |
| Genus: | *Larutia* |
| Species: | ***L. puehensis*** |
| Binomial name | |
| ***Larutia puehensis***
Grismer, Leong, & Yaakob, 2003 | |
|


title: National Center for Historical Memory

abstract: The National Centre for Historical Memory (NCHM) is a national and public entity attached to the Administrative Department for Social Prosperity (DSP) in Colombia.

text:
# National Center for Historical Memory

The **National Centre for Historical Memory** (NCHM) is a national and public entity attached to the Administrative Department for Social Prosperity (DSP) in Colombia.

## History

The NCHM was created by the Law 1448/2011, also called the Law of Victims and Land Restitution. The NCHM is in charge of contributing to the State´s duty of memory regarding the violations committed during the Colombian armed conflict. Also, it helps on the comprehensive reparation and the right to the truth to which the victims and the entire society are entitled.

The Centre produces public information available for everyone interested, through museum and educational activities that enrich the knowledge of the social and political history of Colombia. In 2021, the NCHM will inaugurate the Colombia’s National Museum of Memory, a platform for the dialogue and articulation of plural memories of the armed conflict that guarantees the inclusion of different actors and populations and contributes to the comprehensive reparation, historical clarification, guaranties of non-repetition and the construction of a sustainable peace.

Deemed to be very close to the Colombian government and the Armed Forces, the Centre was excluded in 2020 from the International Coalition of Sites of Conscience (which brings together more than 200 museums and memorials in over 60 countries). According to associations of victims of the conflict and historians, the center carries out "negationist" work by reducing the armed conflict to a struggle between the State and "terrorists.

The government approved the so-called "veterans' law," which provides that a space in the National Memory Museum be dedicated "to displaying to the public the life stories of veterans of the public force, especially highlighting their courageous actions, their sacrifice and their contribution to the general welfare.

The director of the organization, Darío Acevedo, resigned on July 7, 2022, following a complaint filed against him by the Special Jurisdiction for Peace for having altered documents, when he did not have the right to do so, in order to conceal the role of paramilitarism in the conflict. Darío AcevedoHe faced several controversies and was criticized by victims' associations who accused him of denial. In particular, he signed a controversial agreement with José Félix Lafaurie, president of the Colombian Federation of Cattle Breeders (FEDEGAN), to highlight the role of cattle breeders in the conflict, while FEDEGAN has often been criticized for financing paramilitary groups and opposing reparations to victims through land restitution.

## Organization

To fulfill its mandates and strategic objectives, the NCHM is divided into four large areas:

* Construction of Historical Memory Directorate
* National Museum of Memory Directorate
* Human Rights Archive Directorate
* Truth Agreements Directorate

One of its main objectives is the contribution to the clarification of the facts, the culprits and the conditions that made the armed conflict possible, as well as the institutional, political and social dynamics that unleashed and degraded the conflict.

Also, the NCHM works to:

* Consolidate the role of memory as a right and public patrimony.
* Dignify the victims and clarify the violent acts committed during the armed conflict.
* Plan, construct and deliver to the country the National Museum of Memory as a place that dignifies the victims and promotes a culture respectful of human rights.

## Reports published

### 2008

### 2009

* El Salado: That War was not Ours
* Memories in Wartime
* Toolbox: Recall and Narrate the Conflict

### 2010

* Bojayá: War Without Limits
* La Rochela: Memoirs of a Crime Against Justice
* The Bahía Portete Massacre: Wayuu Women in the Spotlight
* The Disputed Land
* Memories of Dispossession and Peasant Resistance in the Caribbean Coast (1960 - 2010)

### 2011

* Women and War: Victims and Resistance in the Colombian Caribbean
* Women Who Make History: Earth, Body and Policy in the Colombian Caribbean
* San Carlos: Memories of Exodus in War
* The Invisible Footprint of War: Forced Displacement in the Comuna 13
* The Unarmed Order. The resistance of the Workers' Association Peasants of Carare
* To Silence Democracy. The Massacres of Remedios and Segovia 1982-1997
* El Tigre Massacre: Reconstruction of Historical Narrative in the Valle del Guaméz \- Putumayo

### 2012

* El Placer: Women, Coca and War in the Bajo Putumayo
* “Our life has been our struggle”. Memory and Resistance in the Indigenous Cauca
* Justice and Peace: Judicial Truth or Historical Truth?
* Law of Justice and Peace: The Silences and the Forgetfulness of Truth
* Justice and Peace: Lands and Territories from the Paramilitary Perspective

### 2013

* “Basta Ya!” Colombia: Memories of War and Dignity. This document gives an account of 50 years of armed conflict in Colombia, revealing the enormous magnitude, ferocity and degradation of war and the serious consequences and impact on the civilian population.
* Guerrilla Forces and Civilian Population. Path of the FARC 1949 - 2013
* A Kidnapped Society
* Agrarian Policies and Land Reform in Colombia: Sketch of an Institutional Memory
* Challenges for Reintegration: Approaches to Gender, Age and Ethnicity

### 2014

* Remember to Repair. The Massacres of Matal of Flor Amarillo and Corocito in Arauca
* Archive of grave violations to Human Rights. Elements for Public Policy
* Masters and Farmers: Land, Power, Violence in Valle del Cauca
* Putumayo: The Maelstrom of Rubber Plantations
* Notebook of Damages Caused by the Violence
* Truth Agreements Directorate (TAD) Reports
* New Scenarios of Armed Conflict and Violence. Panorama of post-agreements with Paramilitaries of Caribe Region, Department of Antioquia and Department of Choco
* New Scenarios of Armed Conflict and Violence. Panorama of post-agreements with Paramilitaries of Northeast and Middle Magdalena, Eastern Plains, Southeast and Bogota
* Make War and Kill Politics
* Enforced Disappearance

### 2015

* Overview I contributed to the truth
* Annihilate the difference
* The legacy of the absent. Leaders and important people in the history of El Salado
* The word and silence
* A journey through the historical memory
* Disarmament, demobilization and reintegration
* Del ñame espino al calabazo
* Series: A displaced nation
    + A displaced nation. National report of the displacement in Colombia
    + Razed villages. Memories of the displacement in El Castillo (Meta)
    + Licensed to move: Massacres and reconfiguration territorial in Tibú, Catatumbo
    + Crossing the border: Memories of the exodus towards Venezuela. The case of the Arauca River
* Primer: Criminal law and war
* Quintín Lame: first indigenous guerrilla of Latin America
* Roads for memory
* Toolbox for Managers of Human Rights Archives
* Buenaventura: A Port Without Community
* Corporal Texts of Cruelty: Historical Memory and Forensic Anthropology
* Narratives of Life and Memory
* Memory, Territory and Peasant Struggles
* Lucho Arango: The Advocate of Artisanal Fishing
* That Day the Violence Arrived by Canoe…
* Historical Memory from the Territorial Sphere
* Communicate During the Conflict, Memoires of Eduardo Estrada

### 2016

* Crimes that do not prescribe
* Petroleum, coca, territorial dispossession and social organization in Putumayo
* Pogue: the memory made of songs
* Social cleansing. Limpieza social. Una violencia mal nombrada (Spanish)
* Right to justice as a guarantee of non-repetition
* Memories of a forgotten massacre
* La maldita tierra (Spanish)
* La justicia demanda memoria (Spanish)
* Esa mina llevaba mi nombre (Spanish)
* Land and rural conflicts
* Granada. Memories of war, resistance and reconstruction
* Until you find them. The drama of enforced disappearance in Colombia
* Cartillas: Desde el Carare, la niñez y la juventud siembra cultura de paz (Spanish)

### 2017

* The hidden war: landmines and explosive remnants in Colombia
* Grupos armados posdesmovilización (Spanish) - Armed groups that emerged after the demobilization
* Architecture, memory and reconciliation
* Tomas y ataques guerrilleros (1965 - 2013) (Spanish) - (1965-2013) guerrilla attacks
* Herramienta Metodológica del Monumento Sonoro por la Memoria (Spanish)
* Travesía por la memoria: Ruta metodológica para la reconstrucción de memoria histórica con niños, niñas y adolescentes (Spanish) - Journey through memory: Methodological path for the reconstruction of historical memory with children and adolescents


title: Ian Carradice

abstract: Ian Carradice is an authority on the coinages of ancient Greece, Rome, Persia and Carthage, and the history of museums. He is the former professor of ancient numismatics at the University of St Andrews and the director of the museums of that university.

text:
# Ian Carradice

**Ian Carradice** is an authority on the coinages of ancient Greece, Rome, Persia and Carthage, and the history of museums. He is the former professor of ancient numismatics at the University of St Andrews and the director of the museums of that university.

## Career

Carradice joined the British Museum's Department of Coins and Medals in 1977 where he worked as curator of ancient near eastern coins until 1989 when he joined St Andrews university. He became professor of ancient numismatics there and retired in 2012 when the university held a symposium in his honour.

Carradice is a member of the British government's Treasure Valuation Committee.

## Selected publications

* *Ancient Greek portrait coins*. British Museum Publications, London, 1978. ISBN 0714108499
* *Coinage and finances in the reign of Domitian*. British Archaeological Reports, Oxford, 1983. ISBN 0860542289
* *Coinage in the Greek world*. Spink, London, 1988. (With Martin Price) ISBN 0900652829
* *The coin atlas: The world of coinage from its origins to the present day*. Macdonald, London, 1990. (With Joe Cribb & Barrie Cook)
* *Greek coins*. British Museum Press, London, 1995. ISBN 0714122106
* *The Roman imperial coinage. Volume II, part 1, From AD 69-96, Vespasian to Domitian*. Spink, London. 2007. (2nd revised edition) (With Theodore V. Buttrey) ISBN 9781902040844


title: MimicCreme

abstract:
MimicCreme was a brand of vegan imitation cream based on nuts and made without lactose, soy, or gluten. It was certified as pareve kosher. First produced commercially in January 2007 in Albany, New York, by Green Rabbit LLC, MimicCreme was primarily marketed toward vegans as an alternative to dairy products.
The company website indicates that the company closed in November 2013 due to no longer having access to an appropriate production facility. The product was invented by Rose Anne Colavito, who wanted to create a better tasting, richer non-dairy ice cream. There were seven versions available: unsweetened; sweetened with sugarcane; sugar-free sweetened, which was sweetened with a natural non-sugar sweetener; Unsweetened, French Vanilla and Hazelnut flavored formulated for use as a coffee creamer and a whipping cream called HealthyTop. It had up to a two-year shelf life and once opened would remain stable in the refrigerator for 14 days.

text:
# MimicCreme

**MimicCreme** was a brand of vegan imitation cream based on nuts and made without lactose, soy, or gluten. It was certified as pareve kosher. First produced commercially in January 2007 in Albany, New York, by Green Rabbit LLC, MimicCreme was primarily marketed toward vegans as an alternative to dairy products. The company website indicates that the company closed in November 2013 due to no longer having access to an appropriate production facility (they are still looking for one).

The product was invented by Rose Anne Colavito, who wanted to create a better tasting, richer non-dairy ice cream. There were seven versions available: unsweetened; sweetened with sugarcane; sugar-free sweetened, which was sweetened with a natural non-sugar sweetener; Unsweetened, French Vanilla and Hazelnut flavored formulated for use as a coffee creamer and a whipping cream called HealthyTop.

It had up to a two-year shelf life and once opened would remain stable in the refrigerator for 14 days.

## Ingredients

* Unsweetened: purified water, almonds, cashews, natural flavors, bicarbonate soda, rice starch, sea salt.
* Sugar-Free Sweetened: purified water, erythritol (a natural sugar alcohol), almonds, cashews, maltodextrin (corn-based), tapioca starch, natural flavors, guar gum, bicarbonate soda, sea salt.
* Sugar-Sweetened: purified water, almond and cashew nut blend, sugar (non-bone char), maltodextrin (corn-based), tapioca starch, xanthan gum, guar gum, bicarbonate soda, natural flavors, sea salt, natural flavors.
* Unsweetened Cream for Coffee: purified water, almonds, cashews, natural flavors, dipotassium phosphate, rice starch.
* French Vanilla Cream for Coffee:purified water, almonds, cashews, natural flavors, dipotassium phosphate, rice starch.
* Hazelnut Cream for Coffee: purified water, almonds, cashews, natural flavors, dipotassium phosphate, rice starch.
* HealthyTop Whipping Cream: purified water, coconut oil, sugar, maltodextrin, almonds, cashews, almond oil, sunflower lecithin, guar gum, natural flavors, polyglycerol esters of fatty acids, sorbitan monostearate.

## Patents

Three patents have been granted in the United States: Patent Number 7,507,432 was granted on March 24, 2009, Patent Number 7,592,030 was granted on September 22, 2009, and Patent Number 7,776,337 was granted on August 7, 2010. Various international patents have also been granted.

## Awards

MimicCreme was awarded "The Best New Product" in the consumables category at the June 2007 National Association of Chain Drug Stores (NACDS) show in Boston. It also received the "Best in Show" award at the Expo West in 2008 and 2011, a natural product trade show.


abstract: Huntersville Township is a township in Wadena County, Minnesota, United States. The population was 128 at the 2000 census. The unincorporated place also called Huntersville is located in this township, at the junction of County Roads 18 and 25. Most of Huntersville State Forest is located within this township as well. Huntersville Township was named on account of the area being a favorite hunting ground.

text:
# Huntersville Township, Wadena County, Minnesota

**Huntersville Township** is a township in Wadena County, Minnesota, United States. The population was 128 at the 2000 census. The unincorporated place also called Huntersville is located in this township, at the junction of County Roads 18 and 25. Most of Huntersville State Forest is located within this township as well.

Huntersville Township was named on account of the area being a favorite hunting ground.

## Geography

According to the United States Census Bureau, the township has a total area of 35.9 square miles (93 km2); 34.8 square miles (90 km2) of it is land and 1.0 square mile (2.6 km2) of it (2.82%) is water. The Crow Wing River flows through Huntersville Township, and every other stream within the township is a tributary of the Crow Wing. The township also contains several small lakes and ponds.

## Demographics

As of the census of 2000, there were 128 people, 51 households, and 39 families residing in the township. The population density was 3.7 inhabitants per square mile (1.4/km2). There were 84 housing units at an average density of 2.4 per square mile (0.93/km2). The racial makeup of the township was 99.22% White and 0.78% Native American.

There were 51 households, out of which 31.4% had children under the age of 18 living with them, 66.7% were married couples living together, 9.8% had a female householder with no husband present, and 21.6% were non-families. 21.6% of all households were made up of individuals, and 7.8% had someone living alone who was 65 years of age or older. The average household size was 2.51 and the average family size was 2.93.

In the township the population was spread out, with 26.6% under the age of 18, 4.7% from 18 to 24, 30.5% from 25 to 44, 28.1% from 45 to 64, and 10.2% who were 65 years of age or older. The median age was 39 years. For every 100 females, there were 103.2 males. For every 100 females age 18 and over, there were 104.3 males.

The median income for a household in the township was $32,500, and the median income for a family was $35,000. Males had a median income of $18,750 versus $24,063 for females. The per capita income for the township was $12,320. There were 15.2% of families and 25.2% of the population living below the poverty line, including 30.8% of under eighteens and none of those over 64.

## InfoBox

| Huntersville Township, Minnesota | |
| --- | --- |
| Township | |
| Huntersville Township, MinnesotaLocation within the state of MinnesotaHuntersville Township, MinnesotaHuntersville Township, Minnesota (the United States) | |
| Coordinates: 46°45′23″N 94°53′1″W / 46.75639°N 94.88361°W / 46.75639; -94.88361 | |
| Country | United States |
| State | Minnesota |
| County | Wadena |
| Area | |
| Total | 35.9 sq mi (92.9 km2) |
| Land | 34.9 sq mi (90.3 km2) |
| Water | 1.0 sq mi (2.6 km2) |
| Elevation | 1,375 ft (419 m) |
| Population (2000) | |
| Total | 128 |
| Density | 3.7/sq mi (1.4/km2) |
| Time zone | UTC-6 (Central (CST)) |
| Summer (DST) | UTC-5 (CDT) |
| ZIP code | 56464 |
| Area code | 218 |
| FIPS code | 27-30536 |
| GNIS feature ID | 0664532 |


title: Ulrik Frederik Cappelen

abstract: Ulrik Frederik Cappelen was a Norwegian jurist and politician.

text:
# Ulrik Frederik Cappelen

**Ulrik Frederik Cappelen** (13 May 1797  24 November 1864) was a Norwegian jurist and politician.

## Personal life

Ulrik Frederik Cappelen was born in 1795 as the second child of ship-owner Ulrich Fredrich von Cappelen (17701820) and his wife Benedicte Henrikke, née Aall (17721812). His maternal grandfather was Nicolai Benjamin Aall. As such his group of uncles included Constitutional founding fathers Niels, Jacob and Jørgen Aall.

His older brother Nicolai Benjamin too became a jurist and member of the national parliament. The younger brother, Wittus Juel, became a merchant in Drammen. The oldest sisters Didricha and Louise were married consecutively to bishop and politician Jens Lauritz Arup. The fourth sister Benedicte married their cousin Hans Blom Cappelen; from this marriage, Jørgen got a nephew Didrik who became a member of parliament, and a niece Marie who married Fritz Trampe Flood of the notable Flood ship-owner family. His third and youngest brother Jørgen Wright Cappelen became a book publisher.

In 1831 Ulrik Frederik Cappelen married Anne Helene Øwre Aagaard. She was the daughter of a merchant in Hammerfest.

## Career

Ulrik Frederik Cappelen was born in Skien, but the family moved to Porsgrund in 1805. His father had been a shipowner, but by 1820 the business was bankrupt. Ulrik Frederik Cappelen instead started a career as a civil servant, like his older brother Nicolai Benjamin. He studied at the University of Copenhagen, and graduated with a cand.jur. degree from the University of Christiania in 1817.

He then held various positions before becoming district stipendiary magistrate (*sorenskriver*) in Western Finnmark in 1825. In 1829 he was promoted to County Governor of Finnmark. While stationed here he was elected to the Norwegian Parliament in 1833, representing the constituency of *Finmarkens Amt*. However, in July the same year he was appointed County Governor of Jarlsberg og Laurvigs amt (today named Vestfold). While being County Governor seated in the city of Laurvik, he was elected for a second time to the Norwegian Parliament, in 1845. He represented the constituency of *Laurvik og Sandefjord*. He retired as County Governor in September 1864, and died later that year.

## InfoBox

| Ulrik Frederik Cappelen | |
| --- | --- |
|  | |
| Governor of Finnmarkens amt | |
| **In office**
1829–1833 | |
| Member of Parliament | |
| **In office**
1833–1833 | |
| County Governor of Jarlsbergs og Laurvigs amt | |
| **In office**
1833–1864 | |
| Member of Parliament | |
| **In office**
1845–1845 | |
|  | |
| Personal details | |
| Born | 13 May 1797 |
| Died | 24 November 1864 |
| Nationality | Norwegian |
| Political party | Independent |
| Spouse | Anne Helene Øwre Aagaard |
| Relations | Nicolai Benjamin Aall (grandfather),
Ulrich Fredrich von Cappelen (father)
Nicolai Benjamin Cappelen (brother)
Jørgen Wright Cappelen (brother)
Jens Lauritz Arup (brother-in-law)
Niels Aall (uncle)
Jacob Aall (uncle)
Jørgen Aall (uncle) |
| Profession | Jurist |
|  | |


title: Mălina Olinescu

abstract: Mălina Olinescu was a Romanian singer who represented her country at the Eurovision Song Contest 1998 with the song "Eu cred" and placed 22nd with six points, with all of her points coming from Israel. Olinescu died on 12 December 2011 at the age of 37. She committed suicide by falling out of the 6th-floor window in the building in which she lived.

text:
# Mălina Olinescu

**Mălina Olinescu** (Romanian pronunciation: \[məˈlina oliˈnesku\]; 29 January 1974  12 December 2011) was a Romanian singer who represented her country at the Eurovision Song Contest 1998 with the song "Eu cred" ("I Believe") and placed 22nd with six points, with all of her points coming from Israel. Olinescu died on 12 December 2011 at the age of 37. She committed suicide by falling out of the 6th-floor window in the building in which she lived.

## InfoBox

| Mălina Olinescu | |
| --- | --- |
| Born | (1974-01-29)29 January 1974
Bucharest, Romania. |
| Origin | Romania |
| Died | 12 December 2011(2011-12-12) (aged 37)
Bucharest, Romania. |
| Occupation | Singer |


title: IEEE Software

abstract: IEEE Software is a bimonthly peer-reviewed magazine and scientific journal published by the IEEE Computer Society covering all aspects of software engineering, processes, and practices. Its mission is to be the best source of reliable, useful, peer-reviewed information for leading software practitioners—the developers and managers who want to keep up with rapid technology change. It was established in 1983 and is published by the IEEE Computer Society. According to the Journal Citation Reports, the journal has a 2022 impact factor of 3.3. IEEE Software received the APEX 2016 Award of Excellence in the "Magazines, Journals & Tabloids — Electronic" category. IEEE Software's November/December 2016 issue, "The Role of the Software Architect," won the 2017 Folio Eddies Digital Award in the "Standalone Digital Magazine; Association/Non-Profit (B-to-B) – Standalone Digital Magazine – less than 6 issues" category. IEEE Software also received an honorable mention in the Folio Digital Awards in 2018.

text:
# IEEE Software

***IEEE Software*** is a bimonthly peer-reviewed magazine and scientific journal published by the IEEE Computer Society covering all aspects of software engineering, processes, and practices. Its mission is to be the best source of reliable, useful, peer-reviewed information for leading software practitioners—the developers and managers who want to keep up with rapid technology change. It was established in 1983 and is published by the IEEE Computer Society. According to the *Journal Citation Reports*, the journal has a 2022 impact factor of 3.3.

*IEEE Software* received the APEX 2016 Award of Excellence in the "Magazines, Journals & Tabloids — Electronic" category. *IEEE Software*'s November/December 2016 issue, "The Role of the Software Architect," won the 2017 Folio Eddies Digital Award in the "Standalone Digital Magazine; Association/Non-Profit (B-to-B) – Standalone Digital Magazine – less than 6 issues" category. *IEEE Software* also received an honorable mention in the Folio Digital Awards in 2018.

## Editors-in-chief

The following individuals are or have been editor-in-chief of the journal:

## InfoBox

|  | |
| --- | --- |
| Discipline | Computer science, Software |
| Language | English |
| Edited by | Ipek Ozkaya |
| Publication details | |
| History | 1983–present |
| Publisher | IEEE Computer Society |
| Frequency | Bimonthly |
| Impact factor | 3.3 (2022) |
| Standard abbreviations
 | |
| ISO 4 | *IEEE Softw.* |
| Indexing
 | |
| CODEN | IESOEG |
| ISSN | 0740-7459 (print)
1937-4194 (web)
 |
| LCCN | 89644395 |
| OCLC no. | 10024196 |
| Links | |
|  | |


title: Johan de Kleer

abstract: Johan de Kleer is a computer scientist working as a Research Fellow at Xerox PARC.

text:
# Johan de Kleer

**Johan de Kleer** is a computer scientist working as a Research Fellow at Xerox PARC.

## Education

De Kleer earned a Bachelor of Science in computer science and mathematics from University of British Columbia, and Master of Science in computer science and electrical engineering and PhD in artificial intelligence from the Massachusetts Institute of Technology.

## Career

De Kleer is known for his work on qualitative reasoning, model-based diagnosis, design and truth maintenance systems. He won the Computers and Thought award from IJCAI in 1987 for his work in qualitative reasoning. He is a fellow of the Association for the Advancement of Artificial Intelligence (AAAI) and the Association for Computing Machinery.

## InfoBox

| Johan de Kleer | |
| --- | --- |
| Education | PhD |
| Alma mater |  |
| Awards |  |
| **Scientific career** | |
| Fields | Cognitive science, electrical engineering, computer science |
| Institutions | Xerox PARC |
| Doctoral advisor | Gerald Jay Sussman |
|  | |


title: Huancarani District

abstract: Huancarani District is one of six districts of the province Paucartambo in Peru.

text:
# Huancarani District

**Huancarani District** is one of six districts of the province Paucartambo in Peru.

## Ethnic groups

The people in the district are mainly indigenous citizens of Quechua descent. Quechua is the language which the majority of the population (94.86%) learnt to speak in childhood, 4.91% of the residents started speaking using the Spanish language (2007 Peru Census).

13°30′07″S 71°36′57″W / 13.5020°S 71.6157°W / -13.5020; -71.6157

## InfoBox

| Huancarani Wankarani | |
| --- | --- |
| District | |
| Country | Peru |
| Region | Cusco |
| Province | Paucartambo |
| Founded | May 11, 1987 |
| Capital | Huancarani |
| Government | |
| Mayor | José Patricio Mendoza Ccahuana |
| Area | |
| Total | 145.14 km2 (56.04 sq mi) |
| Elevation | 3,850 m (12,630 ft) |
| Population (2005 census) | |
| Total | 6,060 |
| Density | 42/km2 (110/sq mi) |
| Time zone | UTC-5 (PET) |
| UBIGEO | 081105 |


title: Rossmore, County Tipperary

abstract: Rossmore is a small village and townland in County Tipperary in Ireland. It is in the civil parish of Clonoulty, barony of Kilnamanagh Lower. It is located in the electoral division (ED) of Clonoulty West. It is also half of the Clonoulty and Rossmore parish in the Roman Catholic Archdiocese of Cashel and Emly.

text:
# Rossmore, County Tipperary

**Rossmore** (Irish: *An Ros Mór*, meaning 'the big wood') is a small village and townland in County Tipperary in Ireland. It is in the civil parish of Clonoulty, barony of Kilnamanagh Lower. It is located in the electoral division (ED) of Clonoulty West. It is also half of the **Clonoulty and Rossmore** parish in the Roman Catholic Archdiocese of Cashel and Emly.

## Geographic location

Rossmore is administered by Tipperary County Council, and lies within the boundaries of Tipperary constituency for the purposes of Irish general elections.

Rossmore is almost equidistant from the three nearest towns. Cashel is 12 kilometres south-east, Thurles is 13 kilometres north-east, and Tipperary Town is 14 kilometres south-west. The nearest railway station is Thurles railway station, which has frequent and direct connections to Ireland's three largest cities: Dublin, Cork, and Limerick.

Rossmore may also refer to a slightly larger area which forms one half of the Clonoulty–Rossmore GAA club. The usage of the term Rossmore in these instances encompasses a number of other townlands including Rossmore itself, plus Glenough, Turraheen, Knockbawn, Toragh, Doorish, Westonslot, Gorteenamoe, Drum, Drumwood, Tooreen, Coolanga, Clunedarby, Brockagh, Park, and Stouke.

## Local facilities

The village consists of a national school, a post office, a racquetball alley, silent orchard airsoft site, a Roman Catholic church, and a pub. Rossmore National School is a primary school which has subsumed two other schools in close proximity to it over the past three decades - Glenough National School, and Turraheen National School. The majority of children from the Rossmore area travel to Thurles or Cashel for second-level education. Bus services bring pupils to secondary schools in these towns.

Rossmore is primarily an agricultural area, with numerous dairy and beef farms. The Multeen River, a tributary of the River Suir flows by the village, passing beside Rossmore Community Hall, and continuing downstream under Rossmore Bridge.

The most popular team sport in the area is hurling, with hurlers from Rossmore having represented the Tipperary GAA hurling team at all age grades.

## InfoBox

| Rossmore *An Ros Mór* | |
| --- | --- |
| Village | |
| RossmoreLocation in Ireland | |
| Coordinates: 52°37′12″N 8°00′07″W / 52.62000°N 8.00194°W / 52.62000; -8.00194 | |
| Country | Ireland |
| Province | Munster |
| County | County Tipperary |
| Elevation | 130 m (430 ft) |
| Time zone | UTC+0 (WET) |
| Summer (DST) | UTC-1 (IST (WEST)) |
| Irish Grid Reference | R994518 |


title: Office (band)

abstract: Office is a Chicago-based pop band that was active in the 2000s and went on hiatus in 2009.

text:
# Office (band)

**Office** is a Chicago-based pop band that was active in the 2000s and went on hiatus in 2009.

## History

The band was founded by Scott Masson while attending College of Goldsmiths, in London, UK. Upon returning to America after his student exchange program ended, Masson continued to use Office as a vehicle for his songwriting and art at Kalamazoo College in Kalamazoo, Michigan. Masson maintained the band with various friends and performers as collaborators, preferring to call it a "project" or "hallucination." The latest iteration of the project appeared onstage at SXSW, on MTV, at Lollapalooza, and elsewhere dressed as if going to work in "business attire and black mini dresses."

Office developed a cult following in the 2000s, particularly in and around Kalamazoo, Michigan and later in Chicago, Illinois, promoting a sound that has been described by Spin as "handclaps and sunny harmonies." Masson recorded and self-released the debut Office album under his own publishing company, Public Treatments, and began promoting it in Kalamazoo in 2001. At its peak, he said people were coming to his house at 2 a.m. asking for a copy. In 2004, Masson recruited guitarist Tom Smith, bassist Alissa Noonan-Hacker, and drummer Erica Corniel to the band.

In 2006, the band was performing shows at South by Southwest music festival, CMJ, Mobfest, Midwest Music Conference, a set at Lollapalooza. In October that year, the group signed with Scratchie Records, an independent label owned by James Iha, former guitarist of the Smashing Pumpkins.

The band's first album under the Scratchie label, *A Night at the Ritz*, was released on September 25, 2007. The album contains both previously unreleased and older material from the group's early records. It also includes the singles from *Q&A*, which were remastered, remixed, reproduced for commercial release by the label. By the time *A Night At The Ritz* was released, many of the audience and critical reactions were lukewarm or mixed. Office produced a music video for the song "Oh My," which was featured on MTV in 2007. When bassist Alissa Noonan Hacker left the group In 2007, she was replaced by Chicago-based indie artist and longtime friend of Masson's from Kalamazoo College, Justin Petertil. He would later be succeeded by Colin DeKuiper from the popular instrumental band, Russian Circles, until the band's hiatus in late 2008.

Following the completion of the album *Mecca* in late 2008, Masson moved to the Detroit area to be near his family, and was treated for depression and post-traumatic stress disorder from his experiences in the music industry. This marked the beginning of an indefinite hiatus for Office. Masson eventually made a full recovery, and began recording and performing experimental music around the mid-west under his own name, and occasionally with a group called Glossies. He resides in Ferndale, MI, where he works full-time as a producer, engineer, and creative consultant for artists, musicians, and ad agencies around the Detroit area. He also paints.

Office signed with Ann Arbor-based media conglomerate Quack!Media in January 2009, releasing "Mecca" on limited-edition vinyl and digital download. The band made the album available for free via the internet.

The song "Ridiculous Plans" was included in the teen indie film "The Virginity Hit". Office's song 'Dominoes' was included on the indie compilation in August 2009. The song "Enter Me, Exit You" was licensed by Abercrombie & Fitch, and Hollister Co. stores across the US and UK. In 2017 Scott Masson removed Office songs from all streaming services. They were replaced with remixed/remastered versions in 2020.

## Members and Collaborators

Members and collaborators include: Scott Masson, Alissa Noonan, Tom Smith, Jessica Gonyea, Justin Petertil, Erica Corniel, Jamie Harper, John D. Martin III, Brad Miner, Toby Worscheck, Jen Collier, Colin DeKuiper, Jody Weinmann, Thea Nichols, Sara Jean Stevens, Shawn Rios, Jackie Phillips, Kip Donlon, Jeremy Freer, Jeffrey Freer, Alex Merz, Ayinde Zuri

## Discography

### Albums

#### *Office* (2001)

1. "Traffic Jams"
2. "Cash/Money Killionaire"
3. "Paint the City and Faces With Yellow"
4. "Squeeze the Distance"
5. "Bizmox"
6. "Gas Mask"
7. "Wireless"
8. "The Program"
9. "Toy Piano"
10. "Cakeheads"
11. "Message Machine"

#### *The Ice Tea Boys and the Lemonade Girls* (2002)

1. "Loverdriver"
2. "Plus/Minus Fairytale"
3. "Weathermaker"
4. "Superfoolfantastic"
5. "Reaching For A Laser Beam"
6. "Company Calls"
7. "Bar Yellow"
8. "And You're So..."
9. "The Ice Tea Boys and the Lemonade Girls"
10. "Until I Find You..."
11. "Mosquito"

#### *Glass Corvette* \[unreleased\] (2004)

1. "Introduction"
2. "Q & A"
3. "Glass Corvette"
4. "The Remedy"
5. "Poor Rich"
6. "Into Your Network"
7. "Wicker Park Party!"
8. "Reality TV Show"
9. "Busy With Other Things"
10. "Until 6PM..."
11. "Suburban Perfume"
12. "Good Cops"
13. "Twelve Months"
14. "Pulmonary Lounge"

#### *Q&A* (2005)

1. "Wound Up"
2. "Oh My"
3. "The Big Bang Jump!"
4. "If You Don't Know By Now"
5. "Busy With Other Things"
6. "Q&A"
7. "Until 6PM"
8. "Not Her Style"
9. "Ordinary Offices, Extraordinary Proposals"
10. "Had a Visit"
11. "Dominos"
12. "Possibilities"

#### *A Night at the Ritz* (2007)

1. "Oh My"
2. "If You Don't Know by Now"
3. "The Ritz"
4. "Company Calls"
5. "Wound Up"
6. "The Big Bang Jump"
7. "Plus Minus Fairytale"
8. "Paralyzed Prince"
9. "Had a Visit"
10. "Q&A"
11. "Dominoes"
12. "Possibilities"
13. "Suburban Perfume"
14. "Walking the Cow" (iTunes only bonus track)

#### *Mecca* (2009)

1. "Sticky Dew"
2. "Nobody Knows You"
3. "Ridiculous Plans"
4. "Enter Me, Exit You"
5. "Dr. Drako"
6. "Sleepwalking"
7. "Everything You've Witnessed"
8. "Trainwreck DJs"
9. "Double Penetrate the Market"
10. "Aphrodisiac Missiles"
11. "The Silent Parade"

## Notes and references

## InfoBox

| Office | |
| --- | --- |
| Origin | Chicago, Illinois
Kalamazoo, Michigan |
| Genres | Rock, pop, indie rock, psychedelic, electronic |
| Years active | 2000–2008 |
| Labels | Quack!Media
Former label - Scratchie Records
New Line Records |
|  | |
| Members | Scott Masson - guitar, vocals, piano
Erica Corniel - drums, vocals
Justin Petertil - piano, keys, vocals, and percussion
Tom Smith - guitar, vocals
Colin DeKuiper - bass |
|  | |
| Past members | Alissa Noonan-Hacker - bass
Jessica Gonyea - synth, percussion, and vocals
Jamison Harper \- bari sax, flute
John D. Martin III - tenor sax, accordion
Brad Miner - bass
Toby Worscheck - drums, drum machine |


abstract: Miller Creek is a stream in Yukon, Canada.

text:
# Miller Creek (Sixtymile River tributary)

**Miller Creek** is a stream in Yukon, Canada.

## Geography

The length of Miller Creek from its junction with Sixtymile River, a tributary of the Yukon River, is about 6.5 miles (10.5 km), and its course is nearly straight. The gradient of its bed is considerable, as is the case with all other streams in this region, and this gradient increases slightly toward the head of the creek. At the extreme head, the slope becomes very steep, the angle nearly corresponding with that of the sides of the valley farther down. In general the valley is V-shaped, but at the head it widens and shows a tendency to assume a more curved, or U-shaped, outline in cross-section, thus suggesting a glacial amphitheater or cirque. It is indeed probably to ice action that this broadening and flattening is due. In the winter ice and snow accumulate and have a tendency to move from the dividing ridge down the steep slopes which the rapidly cutting stream has left. During the spring months, when the ice is softening and melting, the head of the valley is occupied by a veritable though small and transient glacier. The rounding of the head of the valley and its gradual alteration into the form of a cirque is due in part to the moving of the ice, but perhaps more largely to the erosion of the glacial waters, which are distributed over the whole width of the valley instead of being concentrated in its bottom, as are the streams that have no dependence upon ice. As the ice melts, great furrows and ditches are formed on the glacier, and the water flowing from these and falling over the ice front forms waterfalls which churn up the gravel and carry it down the valley, so that the bed rock is often laid bare. As the front of the ice recedes, this vigorous erosion is brought to bear upon successively higher parts of the valley. This action was of economic importance, since it prevents accumulations of auriferous gravels within areas in which it operates—a fact which was proved by prospecting. Miller and Glacier creeks flow into Sixtymile. The drainage areas of Sixtymile and Fortymile rivers are separated by a ridge of moderate height, whose top is comparatively flat and forms part of the general plateau in which the streams have excavated their deep valleys in late geological time.

## History

Miller Creek was first prospected immediately after the first discovery of gold in this region, which was about 1887, on Franklin Gulch. In 1898, it was reported that few years earlier, it was the busiest spot on the Upper Yukon. In the winter of 1895-90 there were about 500 miners in this vicinity, mostly on Miller Creek, but in the spring more than half of that number left for the diggings on Birch Creek, so that the entire number of men working in the district at the time it was visited (in July, 1896) was only about 200. It is on Miller Creek, however, that the richest strike made at the time in the Yukon diggings was that by John Miiller, who cleared from one claim of 500 feet along the bed of the gulch a sum which was variously estimated at $30,000 to $50,000 as the result of the work of two winters and one summer.

## Notable people

* This article incorporates text from this source, which is in the public domain: J. E. Spurr's " Geology of the Yukon Gold District, Alaska" (1898)

63°59′18″N 140°48′01″W / 63.9883°N 140.8003°W / 63.9883; -140.8003