title: Rohrbach in Oberösterreich

abstract: Rohrbach in Oberösterreich was a town and capital of the district of Rohrbach in the Austrian state of Upper Austria. On May 1, 2015 Rohrbach was merged with neighboring community of Berg bei Rohrbach to the municipality Rohrbach-Berg.

text:
# Rohrbach in Oberösterreich

**Rohrbach in Oberösterreich** was a town and capital of the district of Rohrbach in the Austrian state of Upper Austria. On May 1, 2015 Rohrbach was merged with neighboring community of Berg bei Rohrbach to the municipality Rohrbach-Berg.

## Population

Historical population
| Year | Pop. | ±% |
| --- | --- | --- |
| 1869 | 1,242 |  |
| 1880 | 1,217 | −2.0% |
| 1890 | 1,271 | +4.4% |
| 1900 | 1,416 | +11.4% |
| 1910 | 1,317 | −7.0% |
| 1923 | 1,206 | −8.4% |
| 1934 | 1,276 | +5.8% |
| 1939 | 1,273 | −0.2% |
| 1951 | 1,533 | +20.4% |
| 1961 | 1,667 | +8.7% |
| 1971 | 1,755 | +5.3% |
| 1981 | 1,874 | +6.8% |
| 1991 | 2,132 | +13.8% |
| 2001 | 2,353 | +10.4% |
| 2011 | 2,483 | +5.5% |

## InfoBox

| Rohrbach in Oberösterreich | |
| --- | --- |
|  | |
|  | |
| Rohrbach in OberösterreichLocation within Austria | |
| Coordinates: 48°34′N 13°59′E / 48.567°N 13.983°E / 48.567; 13.983 | |
| Country | Austria |
| State | Upper Austria |
| District | Rohrbach |
| Area | |
| Total | 7 km2 (3 sq mi) |
| Elevation | 605 m (1,985 ft) |
| Population (14 June 2016) | |
| Total | 2,530 |
| Density | 360/km2 (940/sq mi) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 4150 |
| Website | http://www.rohrbach.at |


title: Phaon

abstract: In Greek mythology, Phaon was a mythical boatman of Mytilene in Lesbos. He was old and ugly when Aphrodite came to his boat. She put on the guise of a crone. Phaon ferried her over to Asia Minor and accepted no payment for doing so. In return, she gave him a box of ointment. When he rubbed it on himself, he became young and beautiful. Many were captivated by his beauty. According to Athenian Theater, Sappho fell in love with him. He lay with her but soon grew to resent her and devalue her. Sappho was so distraught with his rejection that she threw herself into the sea under the superstition that she would be either cured of her love, or drowned. She was drowned. Aelian says that Phaon was killed by a man whom he was cuckolding. Aside from Aelian, Phaon's story is told by Ovid and Lucian. He is also mentioned by Plautus in Miles Gloriosus as being one of only two men in the whole world, who "ever had the luck to be so passionately loved by a woman". This article incorporates text from the public domain 1848 edition of Lemprière's Classical Dictionary.

text:
# Phaon

In Greek mythology, **Phaon** (Ancient Greek: Φάων; *gen*.: Φάωνος) was a mythical boatman of Mytilene in Lesbos. He was old and ugly when Aphrodite came to his boat. She put on the guise of a crone. Phaon ferried her over to Asia Minor and accepted no payment for doing so. In return, she gave him a box of ointment. When he rubbed it on himself, he became young and beautiful. Many were captivated by his beauty.

According to Athenian Theater, Sappho fell in love with him. He lay with her but soon grew to resent her and devalue her. Sappho was so distraught with his rejection that she threw herself into the sea under the superstition that she would be either cured of her love, or drowned. She was drowned. Aelian says that Phaon was killed by a man whom he was cuckolding.

Aside from Aelian, Phaon's story is told by Ovid and Lucian. He is also mentioned by Plautus in *Miles Gloriosus* as being one of only two men in the whole world, who "ever had the luck to be so passionately loved by a woman" (Act 3).

*This article incorporates text from the public domain 1848 edition of Lemprière's *Classical Dictionary*.*


title: Untapable

abstract: Untapable is an American Thoroughbred racehorse. She showed promise as a two-year-old in 2013 when she won two of her four races including the Pocahontas Stakes and was placed in the Starlet Stakes. In 2014 she emerged as a top-class racehorse, winning the Rachel Alexandra Stakes, Fair Grounds Oaks, Kentucky Oaks, Mother Goose Stakes, Cotillion Handicap and Breeders' Cup Distaff and was named American Champion Three-Year-Old Filly.

text:
# Untapable

**Untapable** (foaled 13 February 2011) is an American Thoroughbred racehorse. She showed promise as a two-year-old in 2013 when she won two of her four races including the Pocahontas Stakes and was placed in the Starlet Stakes. In 2014 she emerged as a top-class racehorse, winning the Rachel Alexandra Stakes, Fair Grounds Oaks, Kentucky Oaks, Mother Goose Stakes, Cotillion Handicap and Breeders' Cup Distaff and was named American Champion Three-Year-Old Filly.

## Background

Untapable is a bay filly with a white blaze and three white leg markings bred in Kentucky by Winchell Thoroughbreds. She was sired by Tapit, a gray son of Pulpit, who won the Wood Memorial Stakes and started second favorite for the 2004 Kentucky Derby. Tapit has become a successful breeding stallion with other progeny, including Tonalist, Hansen, Stardom Bound, Tapitsfly (Breeders' Cup Juvenile Fillies Turf) and Tapizar (Breeders' Cup Dirt Mile). Untapable's dam Fun House was a successful racemare who won five races including the Grade II Buena Vista Handicap. Fun House's dam Bistra was a half-sister to the Hollywood Derby winner Olympio.

Untapable is trained by Steve Asmussen and has been ridden in most of her races by Rosie Napravnik.

## Racing career

### 2013: two-year-old season

Untapable began her racing career at Churchill Downs. In a maiden race on June 20, 2013, she took the lead soon after the start and won by a length from Harlan's Special. In September, Untapable was moved up in class and distance for the Grade II Pocahontas Stakes over 8+12 furlongs and finished strongly to win by half a length from tonetastic at odds of 5.8/1. On November 2, Untapable started the 11/2 fourth choice in the betting for the Breeders' Cup Juvenile Fillies at Santa Anita Park. She appeared beaten when hampered by the fall of Secret Compass and came home eighth of the nine finishers behind the subsequently disqualified She's a Tiger. Joseph Talamo took over the ride from Napravnik when Untapable ran in the Starlet Stakes at Hollywood Park Racetrack on December 7 when the filly finished third behind Streaming and Taste Like Candy.

### 2014: three-year-old season

Untapable began her three-year-old season at Fair Grounds Race Course in New Orleans, Louisiana. On February 22 in the Grade III Rachel Alexandra Stakes over nine furlongs she started third favorite behind Ria Antonia and Got Lucky. She raced on the outside before moving up to take the lead in the straight and won very easily by 9+12 lengths from Got Lucky. After the race Asmussen said "The filly acted extremely well today...we just think she's a better mare than she was last year, and she showed it today" whilst Napravnik commented "I had lots of confidence in her. It was a wide trip which just goes to show you how much the best she was". Five weeks later she started 1/2 favorite for the Grade II Fair Grounds Oaks over 8+12 furlongs. She took the lead a quarter of a mile from the finish and drew away in the closing stages to win by seven and three quarter lengths from Fiftyshadesofgold. Asmussen said "She has grown up a lot, and she has great composure... and she's fast. I like how she was handled by Rosie, how she relaxed, and she ran big, especially off such a fast effort in the Rachel Alexandra" whilst Napravnik admitted to being "very excited about her". On May 2, Untapable started favorite for the Kentucky Oaks over nine furlongs at Churchill Downs with her main opposition appearing to come from the Gazelle Stakes winner My Miss Sophia and the Ashland Stakes winner Rosalind. Drawn wide in stall 13, the filly settled in fourth place before moving up to take the lead from My Miss Sophia on the final turn. In the straight she went clear of her opponents before being eased in the closing stages to win by 4+12 lengths. After the race, Napravnik commented "She was really great. She got into a great stride and relaxed. She is magnificent".

On June 28, Untapable started at odds of 1/20 for the Mother Goose Stakes over 8+12 furlongs at Belmont Park. After being hampered in the early stages, Untapable, ridden by John Velazquez moved up to take the lead on the final turn and pulled clear to win by nine and a quarter lengths from Princess Violet. Untapable's connections opted to race her against colts in her next race, hoping she could become the third filly, after Serena's Song and Rachel Alexandra to win the Haskell Invitational over nine furlongs at Monmouth Park. Racing on the outside of the field, Untapable (the 7/5 favorite) made some progress approaching the straight but never threatened the wire–to–wire winner Bayern and finished fifth, beaten more than nine lengths. Napravnik reported that "the horse next to us (Social Inclusion) acted up in the gate, so she got a little fussy and didn't get away well. We had the widest trip of everybody; she ran a hell of a race and ran as hard as she could".

Untapable returned to competing against her own sex in the Cotillion Stakes over 8+12 furlongs at Parx on September 20 in which she was expected to be matched against Stopchargingmaria the winner of the Alabama Stakes and the CCA Oaks. The race lost some of its interest when Stopchargingmaria was scratched. Napravnik tracked the leaders Jojo Warrior and Cassatt before sending the 1/2 favorite into the lead approaching the final furlong. Untapable held off the late challenge of Sweet Reason and won by a length in a time of 1:42.30. Untapable took on older fillies and mares for the first time in the Breeders' Cup Distaff at Santa Anita on October 31 and started 8/5 favorite. Her biggest danger appeared to be the five-time Grade I winner Close Hatches while her other rivals included Belle Gallantey (Beldame Stakes), Iotapa (Vanity Handicap) and Don't Tell Sophia (Spinster Stakes). Forced to race on the outside she made rapid progress on the final turn before taking the lead from Iotapa entering the straight. She stayed on strongly to win by one and a quarter lengths from Don't Tell Sophia, who finished a nose in front of Iotapa. Asmussen said "I can't say enough about her and how proud I am of her. She's an amazing mare to put us on this stage and to perform like she did. Rosie and she are a great combination and they have had a tremendous season. Today, definitely makes her a champion and that's enough said. She's had a great year and she's a great filly." After the win, Napravnik announced that she was seven weeks pregnant and would be taking a "retirement" of "indefinite" duration.

### 2015: four-year-old season

On January 17, 2015, Untapable won the Eclipse Award for American Champion Three-Year-Old Filly by a unanimous vote.

Rebounding from her March 14, 2015 debut loss in the Azeri Stakes, Untapable took the Grade I Apple Blossom Handicap on April 10. The winner of the Azeri, Gold Metal Dancer, placed. For the rest of the year Untapable ran consistently without recovering her best form and posted a string of placed efforts in major distaff races. She finished second to Wedding Toast in the Ogden Phipps Stakes, second to Stopchargingmaria in the Shuvee Handicap, third to Sheer Drama in the Personal Ensign Stakes and second to Got Lucky in the Spinster Stakes. It was expected that she would attempt to defend her Breeders' Cup Distaff title but was scratched three days before the race after she was found to be running an abnormally high temperature.

### 2016: five-year-old season

Untapable made her seasonal debut in the Azeri Stakes for the second year in succession and as in 2015 she was beaten at odds-on, going down by a neck to Call Pat. She failed to recover her form in her two remaining races, despite starting odds-on on both occasions: she finished fourth in the Apple Blossom Handicap in April and fourth in the Grade III Fleur de Lis Handicap on 18 June at Churchill Downs. On June 19, 2016, it was announced Untapable had been retired from racing.

Foals – In 2018 she had a colt by frankel she was breed to gun runner for a 2019 foal

## Pedigree

Pedigree of Untapable, bay filly, 2011
| Sire
Tapit (USA)
2001 | Pulpit (USA)
1994 | A.P. Indy | Seattle Slew |
| --- | --- | --- | --- |
| | | Weekend Surprise |
| | Preach | Mr. Prospector |
| | Narrate |
| | Tap Your Heels (USA)
1996 | Unbridled | Fappiano |
| | | Gana Facil |
| | Ruby Slippers | Nijinsky II |
| | Moon Glitter |
| Dam
Fun House (USA)
1999 | Prized (USA)
1986 | Kris S | Roberto |
| | | Sharp Queen |
| | My Turbulent Miss | My Dad George |
| | Turbulent Miss |
| | Bistra (USA)
1986 | Classic Go Go | Pago Pago |
| | | Classic Perfection |
| | Carol's Christmas | Whitesburg |
| | Light Verse (Family: 8-d) |

## InfoBox

| Untapable | |
| --- | --- |
| Untapable at Saratoga in 2015 | |
| Sire | Tapit |
| Grandsire | Pulpit |
| Dam | Fun House |
| Damsire | Prized |
| Sex | Filly |
| Foaled | 13 February 2011 |
| Country | United States |
| Colour | Bay |
| Breeder | Winchell Thoroughbreds |
| Owner | Ron Winchell |
| Trainer | Steve Asmussen |
| Record | 20: 9–5–2 |
| Earnings | $3,886,725 |
| Major wins | |
| Pocahontas Stakes (2013)
Rachel Alexandra Stakes (2014)
Fair Grounds Oaks (2014)
Kentucky Oaks (2014)
Mother Goose Stakes (2014)
Cotillion Handicap (2014)
Breeders' Cup Distaff (2014)
Apple Blossom Handicap (2015) | |
| Awards | |
| American Champion Three-Year-Old Filly | |
| Last updated on 17 February 2022 | |


abstract: The Olympus Zuiko Digital ED 40-150mm 1:4.0-5.6 is an interchangeable moderate telezoom lens for the Four Thirds system. It was announced by Olympus Corporation on September 27, 2004.

text:
# Olympus Zuiko Digital ED 40-150mm f/4.0-5.6

The **Olympus Zuiko Digital ED 40-150mm 1:4.0-5.6** is an interchangeable moderate telezoom lens for the Four Thirds system. It was announced by Olympus Corporation on September 27, 2004.

* "Zuiko Digital ED 40-150mm F4.0-5.6". Olympus America. Archived from the original on October 13, 2008.

## InfoBox

Olympus Zuiko Digital ED 40-150mm 1:4.0-5.6
|  | |
| --- | --- |
| Maker | Olympus |
| Lens mount(s) | Four Thirds |
| Technical data | |
| Type | Zoom |
| Focus drive | Micromotor |
| Focal length | 40-150mm |
| Aperture (max/min) | f/4.0 - f/5.6 |
| Close focus distance | 0.90 metres (3.0 ft) |
| Max. magnification | 0.14 |
| Diaphragm blades | 7 |
| Construction | 12 elements in 9 groups |
| Features | |
| Manual focus override | No |
| Weather-sealing | No |
| Lens-based stabilization | No |
| Aperture ring | No |
| Physical | |
| Diameter | 66 millimetres (2.6 in) |
| Weight | 220 grams (0.49 lb) |
| Filter diameter | 58mm |
| Accessories | |
| Lens hood | LH-61D |
| History | |
| Introduction | 2004 |


title: Nanjing incident of 1616

abstract: The Nanjing incident of 1616, or the Nanjing Church incident, was a set-back for Christianity in China after the initial success of Matteo Ricci and other members of the Jesuit China mission to use western science and technology to integrate themselves into the Ming Dynasty bureaucracy and scholarly culture. The incident was instigated by the vice-minister and the acting Minister of Rites, with the support of others throughout the bureaucracy. Members of the Jesuit mission, who had become less accommodating towards traditional Chinese rituals since the death of Ricci in 1610, were put on trial for their actions in the dual capitals Beijing and Nanjing. Of the twelve missionaries in China at the time, four were banished to Macao, and the remaining eight retired from public life and ceased publication of religious and scientific works until 1622.

text:
# Nanjing incident of 1616

The **Nanjing incident of 1616**, or the **Nanjing Church incident** (Chinese: 南京教案), was a set-back for Christianity in China after the initial success of Matteo Ricci and other members of the Jesuit China mission to use western science and technology to integrate themselves into the Ming Dynasty bureaucracy and scholarly culture.

The incident was instigated by the vice-minister and the acting Minister of Rites, with the support of others throughout the bureaucracy. Members of the Jesuit mission, who had become less accommodating towards traditional Chinese rituals since the death of Ricci in 1610, were put on trial for their actions in the dual capitals Beijing and Nanjing. Of the twelve missionaries in China at the time (all Jesuit), four were banished to Macao, and the remaining eight retired from public life and ceased publication of religious and scientific works until 1622.

## Sources


title: Mill Hill (Concord, North Carolina)

abstract:
Mill Hill near Concord, North Carolina is a historic house built by master craftsman Jacob Stirewalt in 1821. It includes Greek Revival and Federal architectural elements. A number of its features, including a distinctive fireplace mantel, are documented in a North Carolina State University collection.
The Johnson-Neel House is also attributed to Stirewalt, due in part to its having a similar mantelpiece. It was listed on the National Register of Historic Places in 1974.

text:
# Mill Hill (Concord, North Carolina)

**Mill Hill** near Concord, North Carolina is a historic house built by master craftsman Jacob Stirewalt in 1821. It includes Greek Revival and Federal architectural elements.

A number of its features, including a distinctive fireplace mantel, are documented in a North Carolina State University collection. The Johnson-Neel House is also attributed to Stirewalt, due in part to its having a similar mantelpiece (and is also NRHP-listed).

It was listed on the National Register of Historic Places in 1974.

## InfoBox

|  | |
| --- | --- |
| Mill Hill | |
| U.S. National Register of Historic Places | |
|  | |
|  | |
| Location | W of Kannapolis on SR 1616, near Concord, North Carolina |
| Coordinates | 35°28′36″N 80°41′59″W / 35.47667°N 80.69972°W / 35.47667; -80.69972 |
| Area | 9 acres (3.6 ha) |
| Built | 1821 |
| Built by | Jacob Stirewalt |
| Architectural style | Greek Revival, Federal |
| NRHP reference No. | 74001330 |
| Added to NRHP | September 10, 1974 |


title: Kamma

abstract:
Kamma may refer to:
  - Kamma (caste), a caste or social group found largely in Southern India
  - Kamma, India, village in Punjab, India
  - The Pali and Ardhamagadhi term for karma
  - Bava Kamma, a traditional Jewish civil law procedure, dealing largely with damages and compensation
  - The nickname of the Norwegian football club Hamarkameratene
  - A locality near Cairns in the state of Queensland, Australia.
  - A mountain range in Pershing County, Nevada, USA
  - Name of a mountain creek in the province of British Columbia, Canada
  - Kamma Rahbek, Danish artist, salonist and lady of letters

text:
# Kamma

**Kamma** may refer to:

* Kamma (caste), a caste or social group found largely in Southern India
* Kamma, India, village in Punjab, India
* The Pali and Ardhamagadhi term for karma
* Bava Kamma, a traditional Jewish civil law procedure (1st volume of Nezikin), dealing largely with damages and compensation
* The nickname of the Norwegian football club Hamarkameratene
* A locality near Cairns in the state of Queensland, Australia.
* A mountain range in Pershing County, Nevada, USA
* Name of a mountain creek in the province of British Columbia, Canada
* Kamma Rahbek, Danish artist, salonist and lady of letters


title: NTV (Kenyan TV channel)

abstract: NTV is a Kenyan general entertainment channel. The channel was rebranded on 4 April 2005 as revamp from the previous Nation TV station under the Nation Media Group arm that has been in existence since 1997. It is a popular TV Station in Kenya along with Citizen TV, Kenya Television Network, Kenya Broadcasting Corporation among other Kenyan broadcasting channels. NTV shut down its analogue signal together with two competing private networks in late December 2013, as part of the migration to digital terrestrial television in Kenya.

text:
# NTV (Kenyan TV channel)

**NTV** is a Kenyan general entertainment channel. The channel was rebranded on 4 April 2005 as revamp from the previous Nation TV station under the Nation Media Group arm that has been in existence since 1997.

It is a popular TV Station in Kenya along with Citizen TV, Kenya Television Network, Kenya Broadcasting Corporation among other Kenyan broadcasting channels. NTV shut down its analogue signal together with two competing private networks in late December 2013, as part of the migration to digital terrestrial television in Kenya.

## YouTube

In September 2007, NTV went online with its content on YouTube. Within the first month it received over 325,000 views, three honors, and an average of 4,000 views for every video uploaded. In mid-2012, NTV went live on YouTube. Following this move, the blogosphere was awash with accolades with NTV's US correspondent (BMJ) Ben Mutua Jonathan Muriithi terming it a techno-revolution for mass media among Kenyans across the globe.

## Programming

Some of the programmes available are listed below.

1. "Standard Digital News : : Lifestyle - KTN, Citizen, and NTV to be switched off". standardmedia.co.ke. Retrieved 5 April 2014.

## InfoBox

NTV
|  | |
| --- | --- |
| Country | Kenya |
| Broadcast area | Kenya |
| Headquarters | Nation Centre, Kimathi Street, Central Nairobi |
| Programming | |
| Language(s) | Swahili and English |
| Picture format | 576i SDTV |
| Ownership | |
| Owner | Nation Media Group |
| History | |
| Launched | 1999 (1999) |
| Former names | Nation TV |
| Links | |
| Website | ntvkenya.co.ke |
| Availability | |
|  | |
| Terrestrial | |
| UHF | Channel 22 |
|  | |


title: Lake Namakagon

abstract: Lake Namakagon is located in Bayfield County, Wisconsin. The lake is a large freshwater drainage lake that opens inlet and outlet of streams located between Lake Superior and Mississippi River system. The lake is located in the upper Namekagon river watershed as St. Croix river basin is the subwatershed of it. The lake derives its name from the Ojibwe language, and it means "Lake abundant with sturgeons." It is known for tourism and was the home of the legendary Anishinaabe Chief Namakagon.

text:
# Lake Namakagon

**Lake Namakagon** (pronounced NAM-uh-KAH-gun) is located in Bayfield County, Wisconsin. The lake is a large freshwater drainage lake that opens inlet and outlet of streams located between Lake Superior and Mississippi River system. The lake is located in the upper Namekagon river watershed as St. Croix river basin is the subwatershed of it. The lake derives its name from the Ojibwe language, and it means "Lake abundant with sturgeons." It is known for tourism and was the home of the legendary Anishinaabe Chief Namakagon.

## Early History/Origins

The area around Lake Namakagon was logged heavily during the timber boom years from post-Civil War days through the mid-1920s. The Chicago, Minneapolis, St. Paul, Omaha and Northwestern Railroad arrived nearby in 1880, delivering timber and tourists. Area forests are temperate deciduous forest containing many varieties of coniferous trees, such as white spruce, and other vegetation.

From the early 1830s through 1886, a Native American made his home on the lake. Known locally as Chief Namakagon, he became legend as a result of *Ashland Daily Press* articles about his trading shards of silver for supplies. His secret source for the silver was never discovered and people still search for it today.

Logging has given way to tourism as the primary economic driver.

The Namakagon River sources from this lake.

## Physical Aspects

Lake Namakagon is a 2897 acre lake located at 46 22’ 15” 70.00” N -91 06’ 36.00” W. The shoreline length of Lake Namakagon is 43.67 mi (70 km). Lake Namakagon reaches a maximum depth of 51 ft (17 yd),and a mean depth of 16 ft (5.3 yd). The Namakagon River sources the 52,032 acre feet (64,181,000 m3) lake. There is a dam located on the west side of the lake and was put in place by the town of Namakagon in 1926 to regulate the water level. The lake's geological basin origin is a glacial lake basin. Lake Namakagon hydrological lake type is drainage. The bottom composition of the lake is 30% sand, 25% gravel, 0% rock, 45% muck. The water clarity of Lake Namakagon is low.

## Living, Biological, and Wildlife

Lake Namakagon is home to a thriving fishery with the following species; muskellunge, bluegill and other sunfish, largemouth and smallmouth bass, crappie, northern pike, and walleye. Lake Namakagon's trophic status is a eutrophic lake.

## Recreation

Namakagon lake offers several activities open to the public including camping, hiking and biking on the trails, kayaking, water activities, basketball courts, fishing, and wildlife watching. Near the campground there are several trails of North Country National Scenic Trail, CAMBA Mountain Bike Trails, and Rock Lake National Recreation Trail. Across the campground there is a Namekagon trail about a mile long loop. Water activities include, jet skiing, swimming, boat riding, tubing, waterskiing, and windsurfing are all offered at the lake. Namakagon is known for their great fishery of different species of bluegill and other sunfish, largemouth and smallmouth bass, crappie, northern pike, and walleye. Namakagon is a premier muskellunge lake, and "one of only three lakes in Wisconsin managed as a trophy muskie lake."

## Tourist Attractions

There are several restaurants and resorts located on Lake Namakagon.

Most of the resorts overlook the lake and feature Northwoods-style cabins and lodging. Among them include:

* Lakewoods Resort & Lodge
* Mogasheen Resort
* Garmisch USA Resort
* Westwind Resort
* Four Seasons Resort
* Mortenson's Resort

* Islands in the Lake

## Environmental Concerns

There are environmental concerns throughout Namakagon Lake that need to be addressed:

* **Invasive species:** Invasive species have the ability to change the natural features of Namekagon Lake which can cause expensive control methods for invasive species. Nonindigenous species of hybrid Eurasian watermilfoil, *Myriophyllum sibiricum* (northern Eurasian watermilfoil), *Lythrum salicaria* (purple loosestrife), *Cipangopaludina chinensis* (chinese mystery snail), and *Potamogeton crispus* (curly leaf pondweed) are taking over the indigenous species by squeezing into openings at the bottom of the lake which cause the indigenous species to be eliminated from the lake. *Myriophyllum spicatum (* Eurasian watermilfoil) is a invasive plant species that causes fragmentation and blocking the native species from getting the sunlight they need to grow. *Lythrum salicaria* (Purple loosestrife) replaces native wetland vegetation and breaking down wildlife habitats. Some of the ways to control and prevent nonindigenous species from taking over Namakagon lake is to help educate lake users, contacts to conform nonindigenous species identification, landing surveillance cameras, and coat decontamination.

1.

* **Herbicides:** There are two kinds of herbicides of systemic and broad spectrum herbicides used at Namakagon lake. Herbicides can have an effect on wildlife resources, human health, and the environment. Army Corps of Engineers Aquatic Plant Information System (APIS) mentions that herbicides are able to control Eurasian watermilfoil invasive species but it can cause plants to be depressed by male tubercles, depressed by their egg cell maturation among females, and decreases the chances of larval surviving.
* **Woody cover:** Namakagon lake wants to help prevent woody cover of trees and stumps from being removed to allow for wildlife, fish, and other organisms to have a habitat to live in.
* **Water quality:** The water clarity in Namakagon lake has been low. Most of the water quality is being collected by volunteers working for Namakagon lake. The volunteers use black and white quadrant secchi disk (about eight inches) method to collect samples within Namakagon lake to measure the transparency throughout the season/year to year of water clarity. Secchi disk calculates the depth when the disk is lowered down into the water until it can not be seen. The greater the secchi depth is, the greater the water clarity is. transparency can have an effect on sediment, water, and algae. The trophic state index is between mesotrophic and eutrophic that can show low to no oxygen present and the secchi disks can result in decreased readings.
*

* **Erosion:** Controlling erosion measures in Namakagon lake by having the proper construction activities clear of fish spawning in their habitat and preserve gravel and rubble near the shoreline. Helping restore vegetation buffers will allow for erosion to be protected and silt runoff from occurring along the shoreline.
* **Management practices:** Namakagon lake's watershed needs to have a strong management practice to assist in reducing debris, silts, and nutrients from entering the lake system. The management is run by the Wisconsins's Forestry Best Management Practice for Water Quality, WDNR.

## Sources

## InfoBox

| Lake Namakagon | |
| --- | --- |
|  | |
| Lake NamakagonLake Namakagon | |
| Location | Bayfield County, Wisconsin near Cable, Wisconsin |
| Coordinates | 46°12′57″N 91°06′40″W / 46.2157°N 91.111°W / 46.2157; -91.111 |
| Type | Glacial lake |
| Primary inflows | Namakagon River |
| Basin countries | United States |
|  | |
| Max. length | 43.670 (70.280 km) |
| Average depth | 38.000 ft (11.582 m) |
| Max. depth | 51.000 ft (15.545 m) |
| Water volume | 52,032 acre-feet (64.181×10~~^~~6 m3) |
| Shore length1 | 43.670 mi (70.280 km) |
|  | |
| Islands | Paines Island, Anderson Island |
| Settlements | Namakagon, Wisconsin |
| 1 Shore length is not a well-defined measure. | |


title: Petr Sailer

abstract: Petr Sailer is a Czech professional ice hockey player. He played with HC Karlovy Vary in the Czech Extraliga during the 2010–11 Czech Extraliga season. Sailer previously played for HC České Budějovice, HC Slavia Praha and HC Bílí Tygři Liberec.

text:
# Petr Sailer

**Petr Sailer** (born September 18, 1975) is a Czech professional ice hockey player. He played with HC Karlovy Vary in the Czech Extraliga during the 2010–11 Czech Extraliga season.

Sailer previously played for HC České Budějovice, HC Slavia Praha and HC Bílí Tygři Liberec.

## InfoBox

| Petr Sailer | | | |
| --- | --- | --- | --- |
| Petr Sailer | | | |
| Born | (1975-09-18) September 18, 1975<br>Jindřichův Hradec, Czechoslovakia | | |
| Height | 6 ft 0 in (183 cm) | | |
| Weight | 183 lb (83 kg; 13 st 1 lb) | | |
| Position | Forward | | |
| Shoots | Right | | |
| Czech Extraliga team | *HC Karlovy Vary* | | |
| Playing career | 1993present | | |


title: Wayne Mansfield

abstract: Wayne Mansfield, of Perth, Western Australia, was the head of direct marketing business T3 Direct Marketing, operating under a series of two-dollar companies, and in 2005 became the first Australian to be prosecuted for email spamming.

text:
# Wayne Mansfield

**Wayne Mansfield**, of Perth, Western Australia, was the head of direct marketing business T3 Direct Marketing, operating under a series of two-dollar companies, and in 2005 became the first Australian to be prosecuted for email spamming.

## Spamming cases

Mansfield was a junk faxer in the mid-1990s before turning to spamming, in which he promoted seminar-hosting companies he ran, including The Maverick Partnership and Business Seminars Australia. These messages admitted he had harvested emails from "various publicly available sources and other marketing promotions", but included instructions for recipients to unsubscribe from the list.

T3 Direct was blacklisted along with the company in June 2002 by the Spam Prevention Early Warning System (SPEWS), along with its ISP, Swiftel (now People Telecom). Swiftel suspended T3 Direct's online access for this, and also violation of its terms of service. T3 Direct was left with A$4,578 in charges outstanding to Swiftel. However, Mansfield insisted that it was the other arm of his business, concerned with web design and the management of opt-in databases, which suffered as a result.

In July of the same year, Mansfield began legal action against Perth technician and anti-spam campaigner Joey McNicol. After receiving spam from Mansfield and discovering that the unsubscribe option did not work, and that contact details in the messages were fake, McNicol had set up a website publishing the details of T3 Direct and other Mansfield companies, as well as publishing these details in newsgroups. Mansfield accused McNicol of sending his company's IP address to SPEWS, prompting the blacklisting, but lost the case as he was unable to prove McNicol had actually contacted SPEWS, and in any case the action was not ruled to be illegal. Although Mansfield's company was ordered to pay McNicol's costs in the action, Mansfield shut down that company without paying those costs and continued business using a new company. McNicol's legal fees were in part paid by donations.

In August 2013, Mansfield was fined NZ$95,000 in New Zealand under the Unsolicited Electronic Messages Act 2007 for the sending of unsolicited email communications. The case was brought by the Department of Internal Affairs (New Zealand) after it had received 53 complaints relating to unsolicited email from Mansfield and his entities between April and September 2010.

In 2015 Mansfield has resumed spamming, this time using a not for profit charity "The Jindalee Foundation" in an attempt to skirt anti-spam laws.

## Spam Act 2003

In June 2005 the then Australian Communications Authority (ACA) (Now known as the Australian Communications & Media Authority – ACMA) brought proceedings against Mansfield and his new company, Clarity1 under the recently passed Spam Act 2003 where ACMA alleged that they were involved in the sending of 56 million spam emails during 2004. He however insisted that sending commercial emails was his "right", but claimed he had not harvested any new email addresses since the Spam Act came into force, arguing that because he had started spamming the recipients before the Spam Act and the recipients had not unsubscribed, he could infer consent (an argument that did not find favour with the Court). He also stated that telephone operators at his company had been subjected to abuse by irate callers, but promised that unsubscribe requests were handled "within minutes". He defended his campaign, citing 20,000 attendees at his business seminars.

ACMA's complaint in this matter was upheld in the Australia Federal Court on 13 April 2006. The Court imposed a penalty of A$4.5 million on Clarity1, and A$1 million on Wayne Mansfield, on 27 October 2006.

## Disqualified

In April 2009, the Australian Securities and Investments Commission (ASIC) disqualified Mansfield from managing corporations for four years following their investigation into his role in two failed companies. These companies were Clarity1 Pty Ltd, which was at the centre of the spam case, and The Which Company Pty Ltd. "ASIC found that the companies had failed with substantial statutory debts accrued over a substantial period and that Mr Mansfield's management and involvement in the affairs of Clarity1 Pty Ltd and Which Co Pty Ltd did not meet the standards required of a person in his position."

## InfoBox

| Wayne Mansfield | |
| --- | --- |
| Born | Margaret River, Western Australia |
| Occupation | Direct marketing |
| Children | 3 |
|  | |


title: In Spheres Without Time

abstract: In Spheres Without Time is the debut album of Norwegian gothic metal band Myriads.

text:
# In Spheres Without Time

***In Spheres Without Time*** is the debut album of Norwegian gothic metal band Myriads.

## Track listing

1. "Fragments of the Hereafter" - 10:20
2. "The Day of Wrath" - 7:14
3. "Spheres Without Time" - 11:38
4. "Seductive Hate" - 8:26
5. "Dreams of Reality" - 7:35

## Personnel

* Mona Undheim Skottene - Lead piano, Keyboard, Vocals
* Rudi Jünger - Drums/Percussion
* Mikael Stokdal - Lead keyboard, Piano, Vocals
* J.P - Guitars
* Alexander Twiss - Guitars, Vocals

### Additional musicians

* Torp - Bass guitar
* Knud Kleppe - Bass guitar

## InfoBox

| In Spheres Without Time | |
| --- | --- |
|  | |
| Studio album by Myriads | |
| Released | November 22, 1999 |
| Recorded | Mansion Studio, Stavanger, Norway |
| Genre | Gothic metal |
| Length | 45:13 |
| Label | Napalm |
| Producer | Myriads and Øyvind Grødem |
| Myriads chronology | |
| *In Spheres Without Time (demo)*
(1998) ***In Spheres Without Time***
(1999) *Introspection*
(2002) | |


title: HTC Desire 620

abstract: The HTC Desire 620 is an Android-based smartphone designed and manufactured by HTC. It is part of the Desire range of mid-range handsets. It was announced on 29 November 2014 in Taiwan. It was announced for the European market on 9 December 2014.

text:
# HTC Desire 620

The **HTC Desire 620** is an Android-based smartphone designed and manufactured by HTC. It is part of the Desire range of mid-range handsets. It was announced on 29 November 2014 in Taiwan. It was announced for the European market on 9 December 2014.

## Specifications

### Design

The HTC Desire 620 has a 5 inch display with sizable bezels; there is a front-facing camera, a speaker grill and sensors at the upper bezel of the display while there is an "HTC" logo and a speaker grill at the lower bezel of the display. On the side frame; there is a volume rocker and a power button at the right side, there is a 3.5 mm headphone jack at the top and there is a microUSB port and a microphone hole at the bottom; the left side is empty. The rear-facing camera is located at the back with the LED flash right under it. It has a removable back cover with an "HTC" logo; removing the back cover reveals a removable battery, a microSD card slot and a SIM card slot.

The phone measures 150.1 x 72.7 x 9.6 mm and weighs 160 grams. It is available in white, gray, gray with orange accents, gray with blue accents and white with orange accents.

### Hardware

The HTC Desire 620 is powered by Qualcomm Snapdragon 410 system-on-chip with a 1.2 GHz quad-core ARM Cortex-A53 64-bit CPU and Adreno 306 GPU. It comes with 1 GB RAM and 8 GB internal storage expandable up to 128 GB through the microSD card slot.

The phone has a 5-inch LCD display with 720x1280 pixels resolution and 294 ppi pixel density. It has dual front-facing speakers.

The phone comes with an 8 megapixel back-mounted BSI camera with 1080p video recording. There is also a 5 megapixel front-mounted BSI camera with 1080p video recording.

The device has a 2100mAh removable lithium polymer battery.

The phone has Wi-Fi 802.11 b/g/n, Bluetooth 4.0, microUSB and GPS. It also supports LTE connectivity.

### Software

The HTC Desire 620 runs on Android 4.4 KitKat with HTC's Sense UI 6 out of the box.

## Variants

There are 2 versions of the HTC Desire 620: Desire 620 with single SIM support and Desire 620G with dual SIM support. Although these two models have similar specifications, there are some differences; Desire 620G uses MediaTek MT6592 system-on-chip with a 1.7 GHz octa-core ARM Cortex-A7 32-bit CPU and ARM Mali-450 MP4 GPU instead of the Qualcomm Snapdragon 410 system-on-chip, lacks LTE (4G) connectivity and has microSD card support up to 32 GB instead of 128 GB.

1. "HTC Desire 620 goes official in Taiwan with midrange specs". *gsmarena.com*. 29 November 2014. Archived from the original on 30 November 2014. Retrieved 19 February 2022.
2. "HTC Desire 620 gets announced for Europe, out next year". *gsmarena.com*. 9 December 2014. Archived from the original on 13 January 2015. Retrieved 19 February 2022.
3. "HTC's mid-range Desire 620 will be launched in January in Europe". *phonearena.com*. 9 December 2014. Archived from the original on 10 December 2014. Retrieved 19 February 2022.
4. "HTC announces the Desire 620, availability set for early 2015". *androidauthority.com*. 9 December 2014. Archived from the original on 10 December 2014. Retrieved 19 February 2022.
5. "New HTC Desire 620 revealed - a mid-range smartphone with dual front-facing speakers". *phonearena.com*. 27 November 2014. Archived from the original on 29 November 2014. Retrieved 19 February 2022.
6. "HTC Desire 620 - Full Phone Specifications". *gsmarena.com*. Archived from the original on 2021-10-24. Retrieved 2022-02-19.
7. "HTC Desire 620G dual sim". *gsmarena.com*. Archived from the original on 2021-05-06. Retrieved 2022-02-19.
8. "HTC announces the Desire 620, availability set for early 2015". *androidauthority.com*. 9 December 2014. Archived from the original on 10 December 2014. Retrieved 19 February 2022.
9. "HTC Desire 620 leaks online". *notebookcheck.net*. 29 November 2014. Archived from the original on 2 December 2014. Retrieved 19 February 2022.
10. "HTC Desire 620 officially announced, will be available in December (in Asia)". *phonearena.com*. 28 November 2014. Archived from the original on 2 December 2014. Retrieved 19 February 2022.

## InfoBox

HTC Desire 620
| Manufacturer | HTC |
| --- | --- |
| Slogan | See more detail in HD |
| Series | HTC Desire series |
| First released | 2014 Dec |
| Availability by region | 2014 Dec |
| Predecessor | HTC Desire 610 |
| Successor | HTC Desire 626 |
| Related | HTC Desire 620G, HTC Desire 616 |
| Type | Smartphone |
| Form factor | Slate |
| Dimensions | 150.1 mm (5.91 in) H
72.7 mm (2.86 in) W
9.6 mm (0.38 in) D |
| Weight | 145 g (5.1 oz) |
| Operating system | Android 4.4.4 KitKat |
| System-on-chip | Qualcomm Snapdragon 410 |
| CPU | Quad-core 1.2 GHz ARM Cortex-A53 |
| GPU | Adreno 306 |
| Memory | 1 GB RAM |
| Storage | 8 GB |
| Removable storage | up to 128 GB microSD |
| Battery | 2,100 mAh Li-Po |
| Display | 5.0 in (130 mm) Super LCD 720 x 1280 pixels (294 ppi) |
| Sound | Dual front-facing speakers |
| Rear camera | 8-megapixel BSI camera with autofocus, 1x LED flash, f/2.4 aperture, 28 mm lens, 1080p video recording |
| Front camera | 5-megapixel BSI camera, f/2.4 aperture, 1080p video recording |
| Connectivity | Wi-Fi 802.11 b/g/n
Bluetooth 4.0
GPS
3.5 mm headphone jack
microUSB |
| Data inputs | List |
| Website | www.htc.com/sea/smartphones/htc-desire-620/ |


title: Petras Karla

abstract: Petras Karla was a Lithuanian rower who specialized in the eight event. In this event he won three silver medals at the European and world championships of 1962–1964 and finished fifth at the 1964 Summer Olympics. In 1962, Karla graduated from the Physics Department of Vilnius University.

text:
# Petras Karla

**Petras Karla** (9 April 1937 – 14 October 1969) was a Lithuanian rower who specialized in the eight event. In this event he won three silver medals at the European and world championships of 1962–1964 and finished fifth at the 1964 Summer Olympics.

In 1962, Karla graduated from the Physics Department of Vilnius University.

## InfoBox

Petras Karla
| Personal information | |
| --- | --- |
| Born | 9 April 1937
Didžiasalis, Vilnius, Lithuania |
| Died | 14 October 1969 (aged 32)
Vilnius, Lithuanian SSR, Soviet Union |
| Height | 1.88 m (6 ft 2 in) |
| Weight | 86 kg (190 lb) |
| Sport | |
| Sport | Rowing |
| Medal record      Representing the  Soviet Union  World Rowing Championships  1962 Lucerne  Eight  European Rowing Championships  1963 Copenhagen  Eight  1964 Amsterdam  Eight | |


title: Wayne Marshall (ethnomusicologist)

abstract: Wayne Marshall is an American ethnomusicologist college professor at the Berklee College of Music His scholarship focuses on the musical and cultural production of the Caribbean and the Americas, and their circulation in the wider world, with particular attention to digital technologies. He is currently writing a book on music, networked media and transnational youth culture. He co-edited and contributed to the book Reggaeton and has published in journals such as Popular Music and Callaloo, while writing for popular outlets including The Wire and the Boston Phoenix. Marshall holds a Ph.D. from the University of Wisconsin-Madison and has taught courses at Brandeis, Brown, University of Chicago, and MIT. He is also an active DJ.

text:
# Wayne Marshall (ethnomusicologist)

**Wayne Marshall** is an American ethnomusicologist college professor at the Berklee College of Music

His scholarship focuses on the musical and cultural production of the Caribbean and the Americas, and their circulation in the wider world, with particular attention to digital technologies. He is currently writing a book on music, networked media and transnational youth culture. He co-edited and contributed to the book *Reggaeton* (Duke University Press, 2009) and has published in journals such as *Popular Music* and *Callaloo*, while writing for popular outlets including *The Wire* and the *Boston Phoenix*. Marshall holds a Ph.D. from the University of Wisconsin-Madison and has taught courses at Brandeis, Brown, University of Chicago, and MIT. He is also an active DJ.

## Background

Wayne Marshall was born and raised in Cambridge, Massachusetts. He specializes in the intersections between Caribbean and American popular music. He received his AB from Harvard and his doctorate from the University of Wisconsin-Madison in 2007. His dissertation, "Routes, Rap, Reggae: Hearing the Histories of Hip-hop and Reggae Together", examines the musical interplay between Jamaica and the US in the late twentieth century. He has taught at MIT (Mellon Fellow 2009–11), Brandeis (Florence Levy Kay Fellow in Ethnomusicology 2007–09), the University of Chicago, and Harvard University. As of 2020, he teaches at the Berklee College of Music.


title: Montgomery station (West Virginia)

abstract: Montgomery station is an Amtrak station in Montgomery, West Virginia, served by the Cardinal passenger train. The station is an open metal shed built along platforms previously used by the Chesapeake and Ohio Railway, which demolished the former brick station house in the 1970s after the company ended passenger service in 1971. The station platform was rebuilt in 2020 to provide greater accessibility.

text:
# Montgomery station (West Virginia)

**Montgomery station** is an Amtrak station in Montgomery, West Virginia, served by the *Cardinal* passenger train. The station is an open metal shed built along platforms previously used by the Chesapeake and Ohio Railway, which demolished the former brick station house in the 1970s after the company ended passenger service in 1971. The station platform was rebuilt in 2020 to provide greater accessibility.

## InfoBox

| Montgomery, WV | |
| --- | --- |
| Montgomery station in March 2017. | |
| General information | |
| Location | Third Avenue and Washington Street
Montgomery, West Virginia
United States |
| Coordinates | 38°10′51″N 81°19′26″W / 38.18083°N 81.32389°W / 38.18083; -81.32389 |
| Line(s) | CSX Kanawha Subdivision |
| Platforms | 1 side platform |
| Tracks | 2 |
| Other information | |
| Station code | Amtrak: MNG |
| History | |
| Rebuilt | 2020 |
| Passengers | |
|  | |
| FY 2023 | 266 (Amtrak) |
|  | |
|  | |
| Services | |
| Preceding station  Amtrak Following station  Charlestontoward Chicago  *Cardinal*  Thurmondtoward New York | |
|  | |
|  | |
| Former services   Preceding station Chesapeake and Ohio Railway Following station  Cabin Creektoward Cincinnati  Main Line  Deepwatertoward Washington, D.C. or Old Point Comfort | |
|  | |
|  | |
| Location | |


title: In Spite of Thunder

abstract: In Spite of Thunder, first published in 1960, is a detective story by John Dickson Carr which features Carr's series detective Gideon Fell. It marked Carr's 40th book in 30 years. This novel is a mystery of the type known as a locked room mystery.

text:
# In Spite of Thunder

***In Spite of Thunder***, first published in 1960, is a detective story by John Dickson Carr which features Carr's series detective Gideon Fell. It marked Carr's 40th book in 30 years. This novel is a mystery of the type known as a locked room mystery (or more accurately a subset of that type known as an "impossible crime").

## Plot

Beautiful film star Eve Eden's fiancé Hector Matthews died in a strange accident while the couple was visiting Adolf Hitler at Berchtesgaden in 1939. Although he had no reason to commit suicide, he apparently flung himself off a high balcony to die hundreds of feet below—and no one was near him at the time, as the witnesses Gerald Hathaway and Paula Catford say. Years later, Eve is married to actor Desmond Ferrier and living in Geneva. Brian Innes, a painter who lives in Geneva too, is asked by his old school friend DeForrest Page to warn his daughter Audrey against continuing to associate with Eve. When Eve Ferrier appears at the Hotel du Rhône, where Innes had been dining with Sir Gerald Hathaway, she proves to be carrying a perfume bottle filled with oil of vitriol, apparently to her own surprise. The next day, when Innes is called to Eve Ferrier's villa by a desperate Audrey, he arrives in time to see Eve fall to her death from a high balcony—and no one was near her at the time. It takes the investigative genius of Gideon Fell to penetrate the ingenious murder method and reveal the criminal.

## Publication

As publicity for the book, the publisher "sealed off" the last section of the book, with the promise that if the reader could stop at that point and return the book to the bookseller, they would get their money back.

## Reception

Russell Thacher, writing in *The Record*, thought that as with Carr's previous books, the suspense never faltered and found his writing "as ingenious as ever". Likewise the reviewer for *The Anniston Star*, felt the book would prove no disappointment to fans of the series. One the other hand Bob Hill, of the *Spokane Daily Chronicle*, felt the book was a disappointment, with little of the "enormous gusto" of his previous offerings. He also thought that the solution was "ludicrously contrived".

## InfoBox

In Spite of Thunder
| First UK edition | |
| --- | --- |
| Author | John Dickson Carr |
| Language | English |
| Series | Gideon Fell |
| Genre | Mystery, Detective novel |
| Publisher | Hamish Hamilton (UK) & Harper (USA) |
| Publication date | 1960 |
| Publication place | United Kingdom |
| Media type | Print (hardback & paperback) |
| Pages | 186 pp (Bantam A2267, first paperback edition, 1961) |
| Preceded by | *The Dead Man's Knock (1958)* |
| Followed by | *The House at Satan's Elbow (1965)* |


title: Wanna Be a Star

abstract: Wanna Be a Star is the ninth album by the Canadian rock band Chilliwack, released in September 1981. At this point, the band had collapsed into a trio, without a full-time drummer, but leader Bill Henderson and guitarist/keyboardist/drummer Brian MacLeod had become a powerful songwriting team during the interim. The single release "My Girl" became the group's first hit since the 1979 collapse of their former label Mushroom Records, reaching #1 in Canada and giving Chilliwack their U.S. Top 40 breakthrough peaking at #22 on the Billboard Hot 100: "My Girl" also gave Chilliwack their only evident chart item outside North America reaching #57 in Australia with a disproportionately long chart run of 28 weeks. The success of "My Girl" led to a touring version of Chilliwack re-forming. The album's second single: "I Believe", released in early 1982, was also a Top 10 Canadian hit and returned Chilliwack to the U.S. Top 40 at #33. In November 1982, Wanna Be a Star was certified Platinum in Canada. Overall the album is something of a concept album about the "rock and roll" lifestyle and the pursuit of fame. The leadoff track "Sign Here" is a reference to Chilliwack's new quest for mainstream success, tempered by their brush with fame on Mushroom. This was the first album they recorded with Solid Gold Records in Canada, a new Toronto-based label.

text:
# Wanna Be a Star

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic |  |

***Wanna Be a Star*** is the ninth album by the Canadian rock band Chilliwack, released in September 1981. At this point, the band had collapsed into a trio, without a full-time drummer, but leader Bill Henderson and guitarist/keyboardist/drummer Brian MacLeod had become a powerful songwriting team during the interim. The single release "My Girl (Gone, Gone, Gone)" became the group's first hit since the 1979 collapse of their former label Mushroom Records, reaching #1 in Canada and giving Chilliwack their U.S. Top 40 breakthrough peaking at #22 on the *Billboard* Hot 100: "My Girl (Gone, Gone, Gone)" also gave Chilliwack their only evident chart item outside North America reaching #57 in Australia with a disproportionately long chart run of 28 weeks. The success of "My Girl (Gone, Gone, Gone)" led to a touring version of Chilliwack re-forming. The album's second single: "I Believe", released in early 1982, was also a Top 10 Canadian hit and returned Chilliwack to the U.S. Top 40 at #33. In November 1982, *Wanna Be a Star* was certified Platinum (in excess of 100,000 copies sold) in Canada.

Overall the album is something of a concept album about the "rock and roll" lifestyle and the pursuit of fame. The leadoff track "Sign Here" is a reference to Chilliwack's new quest for mainstream success, tempered by their brush with fame on Mushroom. This was the first album they recorded with Solid Gold Records in Canada, a new Toronto-based label.

## Track listing

1. "Sign Here" (Bill Henderson/Brian MacLeod) (2:57)
2. "So You Wanna Be a Star" (Henderson/MacLeod) (4:29)
3. "Tell It to the Telephone" (Henderson) (3:14)
4. "Too Many Enemies" (Henderson/MacLeod) (4:39)
5. "Living In Stereo" (4:49) (Henderson)
6. "Mr. Rock" (3:51) (Henderson)
7. "My Girl (Gone, Gone, Gone)" (Henderson/MacLeod) (4:16)
8. "(Don't Wanna) Live for a Living" (MacLeod) (3:22)
9. "Walk On" (Henderson) (3:38)
10. "I Believe" (Henderson) (3:57)

## Musicians

## InfoBox

| Wanna Be a Star | |
| --- | --- |
|  | |
| Studio album by Chilliwack | |
| Released | September 1981 |
| Recorded | Waterstreet Sound, Vancouver |
| Genre | Rock |
| Length | 39:12 |
| Label | Solid Gold Records (CAN)
Millennium Records (USA) |
| Producer | Bill Henderson and Brian MacLeod |
| Chilliwack chronology | |
| *Breakdown in Paradise*
(1979) ***Wanna Be a Star***
(1981) *Opus X*
(1982) | |


abstract: The Lagos State Ministry of Agriculture and Cooperatives is the state government ministry, charged with the responsibility to plan, devise and implement the state policies on Agriculture and Cooperatives.

text:
# Lagos State Ministry of Agriculture and Cooperatives

The **Lagos State Ministry of Agriculture and Cooperatives** is the state government ministry, charged with the responsibility to plan, devise and implement the state policies on Agriculture and Cooperatives.

## History

Since the state was founded in 1967, the agricultural sector in the state has evolved throughout several decades. At the time of the Lagos State Ministry of Agriculture's creation, the policy focus was on direct production by the state. For a variety of reasons, the legislative focus has shifted over time from direct production to creating a favorable climate for private sector investment. To manage certain sections of the Sector, a number of specialized agencies were established. The Lagos State Coconut Development Authority (LASCODA), the Agricultural Land Holding Authority (ALHA), the Lagos State Input Supply Authority (LAISA), and the Lagos State Agricultural Development Authority are among these organizations (LSADA).

## Lagos State Coconut Development Authority

Lagos State Coconut Development Authority (LASCODA) is a parastatal under the Lagos state Ministry of Agriculture. The authority was established on 15 May 1996. The mandate of the agency is to promote sustainable Coconut Production in the state. Coconut is the main cash crop of Lagos State, hence the need of LASCODA to maximize its comparative advantage for production, processing and utilization.

## Activities of LASCODA

* The Lagos State Government through LASCODA donated 300 coconut seedlings to the Faculty of Agriculture, Obafemi Awolowo University, Ile-Ife, Osun State, for the establishment of a coconut plantation.
* The Lagos State Government through LASCODA conducted training more than 450 young entrepreneurs on the use of coconut waste in arts and craft.
* The Ministry of Agriculture state through LASCODA engaged 10 bakeries to ensure the mass production of coconut bread in the state.
* The State Government and the Food and Agriculture Organisation (FAO) signed a $200,000 Unilateral Trust Fund Agreement for the development of the coconut value chain
* In Lagos State, Nigeria, the Lagos State Ministry offers sustainable food production.

## Impact

With a population growth rate of 3.2 percent per year, Lagos State now produces less than 20% (on average) of the food consumed inside its borders. Food from other States of the Federation and foreign countries is generally used to fill obvious supply deficits. Along the value chains, the state currently has over 600,000 farming families (producers, processors, marketers and service providers).

The Rouleaux Foundation, a scientific non-profit organization, partnered with the Lagos State Government to train and empower food handlers and other stakeholders in Lagos markets on food safety and maintenance, as well as pest and rodent control on a regular basis.

The Lagos State Agricultural Development Authority has urged residents to explore urban farming as a means of achieving food security. Ms Abisola Olusanya, the Commissioner of Agriculture, stated that urban farming would enhance food output, increase access to fresh agricultural products, lessen market pressure on food produce, and stabilize food prices. To improve food security, the government has trained youths and farmers. Promoting rural livelihoods in the state through cooperative societies.


title: György Lukács bibliography

abstract: György Lukács was a Hungarian Marxist philosopher and literary critic. There follows a bibliography of György Lukács.

text:
# György Lukács bibliography

**György Lukács** (13 April 1885 – 4 June 1971) was a Hungarian Marxist philosopher and literary critic.

There follows a **bibliography of György Lukács**.

## Books by Lukács in English

A date in brackets is that of the original publication in Hungarian or German.

* 1950. *Studies in European Realism.* London: Hillway.
* 1962. \[1937, Rus.; 1947, Hun.\] *The Historical Novel.* London: Merlin.
* 1963. \[1958, Ger.\] *The Meaning of Contemporary Realism.* London: Merlin.
* 1964. \[1947, Hun.\] *Essays on Thomas Mann.* London: Merlin.
* 1968. \[1947, Ger.\] *Goethe and His Age.* London: Merlin.
* 1970. \[1924, Ger.\] *Lenin: A Study on the Unity of his Thought.* London: New Left Books.
* 1970. \[1969, Ger.\] *Solzhenitsyn.* London: Merlin.
* 1970. *Writer and Critic, and Other Essays.* Edited by Arthur Kahn. London: Merlin.
* 1971. \[1923, Ger.\] *History and Class Consciousness.* London: Merlin.
* 1971. \[1916/1920, Ger.: *Die Theorie des Romans.*\] *The Theory of the Novel.* London: Merlin.
* 1972. \[1919, Hun.\] *Tactics and Ethics.* Edited by Rodney Livingstone. London: New Left Books.
* 1973. *Marxism and Human Liberation.* Edited by E. San Juan, Jr. New York: Dell.
* 1974. *Conversations with Lukács.* Edited by Theo Pinkus. London: Merlin.
* 1974. \[1910, Hun.\] *Soul and Form.* London: Merlin.
* 1975. \[1948, Ger.\] *The Young Hegel.* London: Merlin.
* 1978. *The Ontology of Social Being. 1, Hegel's False and His Genuine Ontology.* London: Merlin.
* 1978. *The Ontology of Social Being. 2, Marx's Basic Ontological Premises.* London: Merlin.
* 1980. \[1954, Ger.\] *The Destruction of Reason.* London: Merlin.
* 1980. \[1948, Ger.\] *Essays on Realism.* Edited by Rodney Livingstone. London: Lawrence and Wishart.
* 1980. *The Ontology of Social Being. 3, Labour.* London: Merlin.
* 1983. *Record of a Life.* Edited by István Eörsi. London: Verso.
* 1983. *Reviews and Articles from "Die Rote Fahne".* London: Merlin.
* 1986. *Selected Correspondence, 19021920.* Edited by Judith Marcus and Zoltán Tar. New York: Columbia University Press.
* 1991. *The Process of Democratization.* Albany: State University of New York Press.
* 1993. \[1951, Ger.\] *German Realists in the Nineteenth Century.* Edited by Rodney Livingstone. London: Libris.
* 1995. *The Lukács Reader.* Edited by Arpad Kadarkay. Oxford: Blackwell.
* 2002. \[1996, Ger.\] *A Defence of "History and Class Consciousness."* London: Verso.
* 2010. \[1910, Hun.\] *Soul and Form.* New ed. Edited by John T. Sanders and Katie Terezakis. New York: Columbia University Press.
* 2012. *The Culture of People's Democracy.* Edited by Tyrus Miller. Leiden: Brill.

## Selected articles and book chapters by Lukács in English

* 1920. "The Social Background of the White Terror." *Workers' Dreadnought*, November 20: 1.
* 1921. "The Problem of Communist Organization." *Communist Review*, October: 4149.
* 1934. "Marx and Engels on Problems of Dramaturgy." *International Theatre*, no. 2: 1114.
* 1934. "Propaganda or Partisanship?" *Partisan Review* 1, no. 2: 3646.
* 1935. "Nietzsche, Forerunner of Fascist Aesthetics." *International Literature*, no. 1: 6780.
* 1936. "Essay on the Novel." *International Literature*, no. 5: 6874.
* 1936. "The Intellectual Physiognomy of Literary Characters." *International Literature*, no. 8: 5683.
* 1937. "Narration versus Description." Pt. 1. *International Literature*, no. 6: 96112.
* 1937. "Narration versus Description." Pt. 2. *International Literature*, no. 7: 8597.
* 1939. "On Socialist Realism." *International Literature*, no. 45: 8796.
* 1962. "Thomas Mann." *New Left Review* 16: 7687.
* 1966. "Technology and Social Relations." *New Left Review* 39: 2734.
* 1967. "Lessing's *Minna von Barnhelm*." *International Social Science Journal* 19, no. 4: 570580.
* 1970. "The Old Culture and the New Culture." *Telos* 5: 2130.
* 1970. "The Twin Crises." *New Left Review* 60: 3647.
* 1971. "Lukács on His Life and Work." *New Left Review* 68: 4958.
* 1972. "A Final Rethinking." *Social Policy* 3, no. 2: 48, 5657.
* 1972. "Labour as a Model of Social Practice." *New Hungarian Quarterly* 13, no. 47: 543.
* 1972. "Max Weber and German Sociology." *Economy and Society* 1, no. 4: 386398.
* 1972. "On the Phenomenology of the Creative Process." *Philosophical Forum* 3, no. 34: 314325.
* 1972. "On the Poverty of Spirit." *Philosophical Forum* 3, no. 34: 371385.
* 1973. "Approximation to Life in the Novel and the Play." In *Sociology of Literature and Drama*, edited by Elizabeth Burns and Tom Burns, 280295. Harmondsworth: Penguin.
* 1975. "Franz Kafka or Thomas Mann?" In *Marxists on Literature*, edited by David Craig, 380394. Harmondsworth: Penguin.
* 1975. "Tolstoy and the Development of Realism." In *Marxists on Literature*, edited by David Craig, 282345. Harmondsworth: Penguin.
* 1975. Hauser, Arnold, and György Lukács. "On Youth, Art and Philosophy: A 1969 Radio Meeting." *New Hungarian Quarterly* 16, no. 58: 96105.
* 1977. "Bolshevism as a Moral Problem." *Social Research* 44, no. 3: 416424.
* 1977. \[1938, Ger.\]. "Realism in the Balance." In *Aesthetics and Politics*, 2859. London: New Left Books.
* 1977. "An Unpublished Letter by Georg Lukács." *Science and Society* 41, no. 1: 6668.
* 1978. "On Bertolt Brecht." *New Left Review* 110: 8892.
* 1978. "On Walter Benjamin." *New Left Review* 110: 8388.
* 1983. "Gelebtes Denken: An Autobiographical Sketch." *New Hungarian Quarterly* 24, no. 89: 6695.
* 1985. "The Present and Future of Democratization." *New Hungarian Quarterly* 26, no. 97: 100114.
* 1991. "Georg Simmel." *Theory, Culture and Society* 8, no. 3: 145150.
* 1998. "Aesthetic Culture." *Yale Journal of Criticism* 11, no. 2: 365379.

## Selected books on Lukács in English

### General and biographical studies

* Arato, Andrew, and Paul Breines. *The Young Lukács and the Origins of Western Marxism.* New York: Seabury, 1979.
* Bahr, Ehrhard, and Ruth Goldschmidt Kunzer. *Georg Lukács.* Modern Literature Monographs. New York: Frederick Ungar, 1972.
* Bewes, Timothy, and Timothy Hall, eds. *Georg Lukács: The Fundamental Dissonance of Existence.* London: Continuum, 2011.
* Congdon, Lee. *The Young Lukács.* Chapel Hill: University of North Carolina Press, 1983.
* Corredor, Eva L., ed. *Lukács After Communism: Interviews with Contemporary Intellectuals.* Post-Contemporary Interventions. Durham: Duke University Press, 1997.
* Feenberg, Andrew. *Lukács, Marx, and the Sources of Critical Theory.* Oxford: Martin Robertson, 1981.
* . *The Philosophy of Praxis: Marx, Lukács, and the Frankfurt School.* London: Verso, 2014.
* Fekete, Eva, and Eva Karadi, eds. *György Lukács: His Life in Pictures and Documents.* Budapest: Corvina, 1981.
* Gluck, Mary. *Georg Lukács and His Generation, 19001918.* Cambridge, Mass.: Harvard University Press, 1985.
* Heller, Ágnes, ed. *Lukács Revalued.* Oxford: Blackwell, 1983.
* Illés, László, Farkas József, Miklós Szabolcsi, and István Szerdahelyi, eds. *Hungarian Studies on György Lukács.* Budapest: Akadémiai Kiadó, 1993.
* Joós, Ernest, ed. *George Lukács and His World: A Reassessment.* New York: Peter Lang, 1987.
* Kadarkay, Arpad. *Georg Lukács: Life, Thought and Politics.* Oxford: Blackwell, 1991.
* Lichtheim, George. *Lukács.* Modern Masters. London: Fontana, 1970.
* Löwy, Michael. *Georg Lukács: From Romanticism to Bolshevism.* London: New Left Books, 1979.
* Marcus, Judith, and Zoltán Tar, eds. *Georg Lukács: Theory, Culture and Politics.* New Brunswick: Transaction, 1989.
* Parkinson, G. H. R. *Georg Lukács.* London: Routledge and Kegan Paul, 1977.
* , ed. *Georg Lukács: The Man, His Work and His Ideas.* London: Weidenfeld and Nicolson, 1969.
* Rockmore, Tom, ed. *Lukács Today: Essays in Marxist Philosophy.* Dordrecht: D. Reidel, 1988.
* Sim, Stuart. *Georg Lukács.* Modern Cultural Theorists. New York: Harvester Wheatsheaf, 1994.
* Thompson, Michael J. *Georg Lukács Reconsidered: Critical Essays in Politics, Philosophy and Aesthetics.* London: Continuum, 2011.
* Zitta, Victor. *Georg Lukács' Marxism: Alienation, Dialectics, Revolution.* The Hague: Martin Nijhoff, 1964.

### Special studies

* Aitken, Ian. *Lukácsian Film Theory and Cinema: A Study of Georg Lukács' Writings on Film, 191371.* Manchester: Manchester University Press, 2012.
* Bernstein, J. M. *The Philosophy of the Novel: Lukács, Marxism, and the Dialectics of Form.* Brighton: Harvester, 1984.
* Corredor, Eva L. *György Lukács and the Literary Pretext.* New York: Peter Lang, 1987.
* Joós, Ernest. *Lukács' Last Autocriticism: The "Ontology."* Atlantic Highlands: Humanities Press, 1983.
* Királyfalvi, Béla. *The Aesthetics of György Lukács.* Princeton: Princeton University Press, 1975.
* Mészáros, István. *Lukács' Concept of Dialectic.* London: Merlin, 1972.
* Rockmore, Tom. *Irrationalism: Lukács and the Marxist View of Reason.* Philadelphia: Temple University Press, 1993.
* Shafai, Fariborz. *The Ontology of Georg Lukács: Studies in Materialist Dialectics.* Avebury Series in Philosophy. Aldershot: Avebury, 1996.
* Varga, Csaba. *The Place of Law in Lukács' World Concept.* Budapest: Akadémiai Kiadó, 1985. (Rev. ed. 1998.)
* Vazsonyi, Nicholas. *Lukács Reads Goethe: From Aestheticism to Stalinism.* Studies in German Literature, Linguistics, and Culture. Columbia: Camden House, 1997.

### Joint studies

* Goldmann, Lucien. *Lukács and Heidegger: Towards a New Philosophy.* London: Routledge and Kegan Paul, 1977.
* Marcus, Judith. *Georg Lukács and Thomas Mann: A Study in the Sociology of Literature.* Amherst: University of Massachusetts Press, 1987.
* Pike, David. *Lukács and Brecht.* Chapel Hill: University of North Carolina Press, 1985.
* Tihanov, Galin. *The Master and the Slave: Lukács, Bakhtin, and the Ideas of Their Time.* Oxford: Clarendon, 2000.

### Bibliographies

* Ambrus, János. *A Selected Bibliography of Works by Georg Lukács.* Budapest: Lukács Archives and Library, 1988.
* Lapointe, François H. *Georg Lukács and His Critics.* Westport: Greenwood, 1983.
* Murphy, Peter. *Writings By and About Georg Lukács.* Bibliographical Series. New York: American Institute for Marxist Studies, 1976.
* Nordquist, Joan. *Georg Lukács.* Social Theory. Santa Cruz: Reference and Research Services, 1988.


title: Fred A. Henderich

abstract: Fred A Henderich was a leading architect of the Florida land boom of the 1920s. He was a native of New York and graduated from Columbia University. Henderich came to Saint Augustine in 1905 to work for Henry Flagler's Florida East Coast Hotel Company and lived and worked in the city for over twenty years.

text:
# Fred A. Henderich

**Fred A Henderich** (1879 – 1941) was a leading architect of the Florida land boom of the 1920s. He was a native of New York and graduated from Columbia University. Henderich came to Saint Augustine in 1905 to work for Henry Flagler's Florida East Coast Hotel Company and lived and worked in the city for over twenty years.

## Buildings

Henderich designed multiple bungalow style homes in Saint Augustine — many on Saint George Street south of Saint Francis, where his father-in-law developed a large tract of land. These homes exhibited native wood shingles, palm tree porch posts, and coquina stone fireplaces.

Houses include:

* 5 Tremerton Street, Saint Augustine
* 21 Water Street (1905), Saint Augustine
* 48 Sevilla Street, Saint Augustine
* 178 Bay Street, Saint Augustine
* 287 Saint George Street, Saint Augustine
* 297 Saint George Street (1914), Saint Augustine
* 36 Treasury Street

Henderich also took advantage of the area's natural resources to bring the Mediterranean Revival style to Florida in civic architecture. After the original Flagler Hospital was destroyed by fire in 1916, Mary Lily Kenan (the widow of Henry Flagler) and the hospital's ladies auxiliary raised funds toward construction of a new building. The new Flagler Hospital opened in 1921, designed by Henderich with a stucco shell dash exterior and a red tile roof. It was demolished in the late 20th century, and replaced by a new complex south of town.

In 1925, Henderich designed a masonry structure at 102 Martin Luther King Ave (then Central Avenue) which served as Saint Augustine's first public high school for African-Americans. The Colored School was renamed Excelsior in 1928 and served as Lincolnville's community center for over forty years. It was retired as a high school in 1968 and reopened as the Excelsior Museum and Cultural Center in 2005.

Henderich's major Florida buildings include:


title: Naoki Tanemura

abstract: Naoki Tanemura Naoki Tanemura was a Japanese writer, essayist and critic. He called himself a "railway writer". He had published commentaries on railways and travel writings including mysteries. He came from Ōtsu, Shiga Prefecture. He graduated from Shiga Prefectural Zeze High School and then the Department of Law of Kyoto University. He became a journalist of the Mainichi Shimbun, and became independent afterwards. Tanemura was well informed about the railways in Japan. His travel style in his book called "Kimagure Ressha" influenced a lot of young people. Tanemura had a fan club. Writers in Japan who have their own fan club is considerably few. He traveled with the members of the fan club and he often wrote about them in his works. Tanemura was an authority of a hobby named "travel savings", where participants around the country deposit a small amount of money at post offices to collect the rubber stamps of the post offices.

text:
# Naoki Tanemura

**Naoki Tanemura** (種村 直樹, *Tanemura Naoki*, March 7, 1936 – November 6, 2014) was a Japanese writer, essayist and critic. He called himself a "railway writer". He had published commentaries on railways and travel writings including mysteries.

He came from Ōtsu, Shiga Prefecture. He graduated from Shiga Prefectural Zeze High School and then the Department of Law of Kyoto University. He became a journalist of the Mainichi Shimbun, and became independent afterwards.

Tanemura was well informed about the railways in Japan. His travel style in his book called "Kimagure Ressha" (capricious train) influenced a lot of young people.

Tanemura had a fan club. Writers in Japan who have their own fan club is considerably few. He traveled with the members of the fan club and he often wrote about them in his works.

Tanemura was an authority of a hobby named "travel savings" (旅行貯金, *ryokō chokin*), where participants around the country deposit a small amount of money at post offices (and Japan Post Bank) to collect the rubber stamps of the post offices.


title: Naoki Uto

abstract: Naoki Uto is a Japanese professional basketball player for the Bambitious Nara of the B.League in Japan.

text:
# Naoki Uto

**Naoki Uto** (宇都直輝, *Uto Naoki*, born June 11, 1991) is a Japanese professional basketball player for the Bambitious Nara of the B.League in Japan.

## Career statistics

Legend
| GP | Games played | GS | Games started | MPG | Minutes per game |
| --- | --- | --- | --- | --- | --- |
| FG% | Field goal percentage | 3P% | 3-point field goal percentage | FT% | Free throw percentage |
| RPG | Rebounds per game | APG | Assists per game | SPG | Steals per game |
| BPG | Blocks per game | PPG | Points per game | **Bold** | Career high |

| * | Led the league |
| --- | --- |
|

| Year | Team | GP | GS | MPG | FG% | 3P% | FT% | RPG | APG | SPG | BPG | PPG |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 2013-14 | Toyota | 12 |  | 8.5 | .414 | .000 | .526 | 0.7 | 1.5 | 0.3 | 0.1 | 2.8 |
| 2014-15 | Toyota | 47 | 1 | 14.8 | .363 | .000 | .706 | 1.2 | 1.9 | 0.4 | 0.1 | 3.8 |
| 2015-16 | Toyota | 55 | 3 | 15.7 | .422 | .333 | .698 | 1.4 | 1.9 | 0.4 | 0.1 | 3.4 |
| 2016-17 | Toyama | 60 | 47 | 29.6 | .416 | .290 | .763 | 4.0 | 4.2\* | 1.2 | 0.2 | 9.4 |
| 2017-18 | Toyama | 59 | 58 | 34.5 | .453 | .222 | .787 | 4.7 | 7.7\* | 1.2 | 0.1 | 17.0 |

## InfoBox

Naoki Uto
|  | |
| --- | --- |
| No. 13  Bambitious Nara | |
| Position | Point guard |
| League | B.League |
| Personal information | |
| Born | (1991-06-11) June 11, 1991
Nagoya, Aichi |
| Nationality | Japanese |
| Listed height | 6 ft 3 in (1.91 m) |
| Listed weight | 176 lb (80 kg) |
| Career information | |
| High school | Chubu University Daiichi High
(Nisshin, Aichi) |
| College | Senshu University |
| Playing career | 2014–present |
| Career history | |
| 2014–2016 | Toyota Alvark |
| 2016–2022 | Toyama Grouses |
| 2022- | Bambitious Nara |
|  | |
| Career highlights and awards | |
| * 2x B.League Assist leader | |
|  | |


title: Wanderer W21

abstract: The Wanderer W21 was a middle-class six-cylinder sedan introduced by Auto Union's Wanderer company in 1933. The W21 replaced the Wanderer W17, from which it inherited its ohv engine. The car shared its chassis with the more powerful Wanderer W22, but its engine was smaller. Two years after introduction, in 1935, the car was renamed as the Wanderer W235, and in 1936 it was renamed again as the Wanderer W35. The engine and principal mechanical components remained very little changed throughout, however, as did the wheelbase and other principal chassis measurements. The car therefore was, and generally still is, regarded as a single model despite the name changes. At launch the W21 differed from its predecessor most notably on account of its subframe and swing rear axle, supported by lateral leaf springing, adopting a pattern established by Professor Porsche during his time with the Austrian Steyr company. Another new feature in the W21 was the hydraulic braking system. The car was powered by a six-cylinder four-stroke ohv engine of 1690 cc driving the rear wheels via a four-speed gear box. Claimed maximum power output was 35 PS, supporting a top speed of 95 km/h (59 mph). Initially the compact-six-engined Wanderer was offered as a four-door saloon and as a two-door cabriolet. The 1935 name change from W21 to W235 coincided with the withdrawal of the cabriolet version and the introduction of a four-door ‘tourer’. There were no significant changes to the car accompanying the 1936 name change to Wanderer W35. The Wanderer W21/W235/W35 shared its 3,000 mm (118.1 in) wheelbase both with the six-cylinder 1950 cc W22/W240/W40 and, after 1935, with the six-cylinder 2257 cc W245/W250/W45/W50 models. Taking all the 3 meter wheelbase models together, 29,111 of these six-cylinder Wanderers were produced between 1933 and 1938. Arguably Auto Union did not directly replace the Wanderer W35. However, the four-cylinder Wanderer W24 with its 42 PS (31 kW) engine was probably seen by some to be occupying the same middle market sector.

text:
# Wanderer W21

The **Wanderer W21** was a middle-class six-cylinder sedan introduced by Auto Union's Wanderer company in 1933. The W21 replaced the Wanderer W17, from which it inherited its ohv engine. The car shared its chassis with the more powerful Wanderer W22, but its engine was smaller.

Two years after introduction, in 1935, the car was renamed as the Wanderer W235, and in 1936 it was renamed again as the Wanderer W35. The engine and principal mechanical components remained very little changed throughout, however, as did the wheelbase and other principal chassis measurements. The car therefore was, and generally still is, regarded as a single model despite the name changes.

At launch the W21 differed from its predecessor most notably on account of its subframe and swing rear axle, supported by lateral leaf springing, adopting a pattern established by Professor Porsche during his time with the (at that time still independent) Austrian Steyr company. Another new feature in the W21 was the hydraulic braking system.

The car was powered by a six-cylinder four-stroke ohv engine of 1690 cc driving the rear wheels via a four-speed gear box. Claimed maximum power output was 35 PS (26 kW; 35 hp), supporting a top speed of 95 km/h (59 mph).

Initially the compact-six-engined Wanderer was offered as a four-door saloon and as a two-door cabriolet. The 1935 name change from W21 to W235 coincided with the withdrawal of the cabriolet version and the introduction of a four-door ‘tourer’. There were no significant changes to the car accompanying the 1936 name change to Wanderer W35.

The Wanderer W21/W235/W35 shared its 3,000 mm (118.1 in) wheelbase both with the six-cylinder 1950 cc W22/W240/W40 and, after 1935, with the six-cylinder 2257 cc W245/W250/W45/W50 models. Taking all the 3 meter wheelbase models together, 29,111 of these six-cylinder Wanderers were produced between 1933 and 1938.

Arguably Auto Union did not directly replace the Wanderer W35. However, the four-cylinder Wanderer W24 with its 42 PS (31 kW) engine was probably seen by some to be occupying the same middle market sector.

## InfoBox

| Wanderer W21 *(1933-1934)*
Wanderer W235 *(1935)*
Wanderer W35 *(1936)* | |
| --- | --- |
|  | |
| Overview | |
| Manufacturer | Wanderer-Werke AG |
| Production | 1933 – 1936 |
| Assembly | Zwickau, Germany |
| Body and chassis | |
| Related | Wanderer W22 |
| Powertrain | |
| Engine | 1,690 cc ohv Straight six |
| Transmission | 4-speed manual with floor-mounted shift |
| Dimensions | |
| Wheelbase | 3,000 mm (120 in) |
| Length | 4,500 mm (180 in) |
| Width | 1,670 mm (66 in) |
| Height | 1,650 mm (65 in) |
| Chronology | |
| Predecessor | Wanderer W17 |


title: Wanderer (Cat Power album)

abstract: Wanderer is the tenth studio album by American musician Cat Power, released worldwide by Domino on October 5, 2018.

text:
# Wanderer (Cat Power album)

***Wanderer*** is the tenth studio album by American musician Cat Power, released worldwide by Domino on October 5, 2018.

## Background and recording

The album is the first Cat Power release since 1996's *Myra Lee* not to be issued under Matador Records. According to Power – real name Chan Marshall – executives at Matador outright rejected the completed album, and told her to "Do it again. Do it over." Following this incident, Marshall hired Andy Slater, her first manager, who confirmed that Matador told him *Wanderer* was "not good enough, not strong enough to put out." Marshall said she received similar criticism from the label during the recording of her 2012 album *Sun*: "It was like, 'We need hits!' And I did it—\[*Sun* reached the\] Top 10 \[of the *Billboard* 200.\] I did the best I could to give them 'hits' \[on *Sun*\]."

Marshall also said that, while she was recording *Wanderer*, an executive from Matador came to the studio specifically to ask her to listen to Adele's *25*, telling her that "this is how a record is supposed to sound". She explained: "Looking back, I know they \[Matador\] were using me. I understand \[now\] that I was a product, but I always thought I was a person." She credited her manager for telling her "that I have a lot to be proud of. It's not pretentious to be called an 'artist'. It's not corny to sing songs that maybe other people think are 'depressing'. It's not embarrassing." The only song recorded for the album after Marshall's split with Matador is "Woman", a duet with Lana Del Rey (whom Marshall opened for on the European leg of her LA to the Moon Tour), which has been described by *The New York Times* as "a middle finger to her ex-label".

*Wanderer* was produced entirely by Marshall herself and was written and recorded in Miami's the Pink House and 10K Islands and Los Angeles' Mant Studio over the past few years. Marshall stated: "The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them." It was engineered and mixed by Rob Schnapf, who said Marshall "did not want to make a 'big' record—absolutely not … \[Sometimes\] her eyes would roll back and she'd just channel and go \[into the recording booth\]. You can't make that happen. Either you've got the genie in the bottle, or you've just got the bottle."

The record includes a cover version of Rihanna's "Stay", which Marshall explained had "stuck with me ever since I'd heard it in an old boyfriend's car. He was picking me up and he opened the door and that song was on the radio. He said, 'Oh, there's my girl,' and I thought he was talking about me, you know? Then the song ended and he turned off the radio, and I realized he was talking about Rihanna."

## Release and promotion

Marshall announced *Wanderer* on July 18, 2018, alongside a music video of the title track, which set as an introduction to the record. The second single, "Woman" featuring Lana Del Rey, was released on August 15, and the third single, a cover of Rihanna's "Stay", was released on September 18. The album was released on CD, LP, digital download and streaming services on October 5, 2018, through Domino Recording Company. It is her first album to not be released on Matador Records since 1996.

In promotion of the album, Marshall embarked on a world tour which began in September at Riot Fest. On October 4, she performed the single "Woman" on *The Late Show with Stephen Colbert*.

## Critical reception

Professional ratings
| Aggregate scores | |
| --- | --- |
| Source | Rating |
| AnyDecentMusic? | 7.4/10 |
| Metacritic | 79/100 |
| Review scores | |
| Source | Rating |
| AllMusic |  |
| *The A.V. Club* | C+ |
| *The Daily Telegraph* |  |
| *The Guardian* |  |
| *The Independent* |  |
| *NME* |  |
| *Pitchfork* | 7.4/10 |
|  |  |
| *Rolling Stone* |  |
| *Uncut* | 8/10 |

*Wanderer* received positive reviews upon release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, it received an average score of 79 out of 100, based on 27 publications, which indicates "generally favorable reviews". The record also received an average rating of 7.4 out of 10 at AnyDecentMusic?. In his review for *Rolling Stone*, critic Will Hermes wrote, "Cat Power, lays full claim to the title of her tenth album, *Wanderer* with the authority of a blueswoman who's seen some shit, alternately conjuring trances and slapping you out of them, projecting clear-eyed, uncompromising strength on one of the most fragile-sounding sets she's ever made." Katie Moulton from *Consequence of Sound* opined that "*Wanderer* is neither as harrowing as *Moon Pix* nor as kaleidoscopic as *Sun*, but it shows a mature artist who rides the waves of tumultuous experience—no less excellent for containing her multitudes." Jordan Bassett of *NME* stated that "this album is a quiet triumph, the understated work of an artist honouring herself and her creativity."

Alexis Petridis of *The Guardian* said, "These are complex songs, striking but low-key: their constant references to motion and travel seem to have as much to do with Marshall's determination to go her own way artistically – whatever expectations others have of her – as they do with the peripatetic life of a touring musician. There's a quiet confidence and poise about *Wanderer* that suggests Marshall is exactly where she wants to be." AllMusic writer Heather Phares wrote, "As tender as it is uncompromising, Wanderer is exactly the album Marshall needed to make at this point in her career and life. It's some of her most essential music, in both senses of the word." *The Independent*'s Elisa Bray said, "Understated, beautifully crafted and always emotionally involving, *Wanderer* shows an artist who has found strength in her convictions, and a new pace of life." Hal Horowitz of *American Songwriter* called the album "an intimate, multifaceted reflection of her always complex, frequently indistinct character. These often inscrutable songs offer kaleidoscopic glimpses into what seems like a complicated persona."

Jayson Greene of *Pitchfork* said "*Wanderer* drags just the tiniest bit. It speaks softly from the echoes of the best Cat Power moments, which means it doesn't ice-pick you in the center of your most treasured insecurities the way some of her most celebrated music has." *The Telegraph*'s Neil McCormick wrote, "*Wanderer* is an album of peculiar little songs that you won't hear in anyone else's catalogue. It is ungainly, odd, and at times almost amateurish. For some, Cat Power will always sound slightly unfinished. For others, it is exactly that quality that makes her records ring with raw truth." In a more mixed review, *The A.V. Club* critic Annie Zaleski stated that "there's nothing inherently wrong about *Wanderer* being mannered—but, unfortunately, the album's subtlety is also often its undoing."

## Track listing

All tracks are written by Chan Marshall, except track 6 by Mikky Ekko and Justin Parker

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Wanderer" | 1:14 |
| 2. | "In Your Face" | 4:10 |
| 3. | "You Get" | 3:43 |
| 4. | "Woman" (featuring Lana Del Rey) | 4:50 |
| 5. | "Horizon" | 4:24 |
| 6. | "Stay" | 3:58 |
| 7. | "Black" | 3:56 |
| 8. | "Robbin Hood" | 2:10 |
| 9. | "Nothing Really Matters" | 3:12 |
| 10. | "Me voy" | 4:00 |
| 11. | "Wanderer / Exit" | 2:18 |
| Total length: | | 37:55 |

*Wanderer* – UK HMV-exclusive bonus track
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 12. | "What the World Needs Now" |  | 2:29 |

*Wanderer* – Limited edition 7" vinyl
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 12. | "Woman" (single version) |  | 4:05 |
| 13. | "What the World Needs Now" | * David * Bacharach | 2:29 |

## Credits and personnel

Credits adapted from the liner notes of *Wanderer*.

**Musicians**

**Technical**

## Charts

| Chart (2018) | Peak
position |
| --- | --- |
| Australian Albums (ARIA) | 42 |
| Austrian Albums (Ö3 Austria) | 21 |
| Belgian Albums (Ultratop Flanders) | 24 |
| Belgian Albums (Ultratop Wallonia) | 31 |
| Dutch Albums (Album Top 100) | 90 |
| French Albums (SNEP) | 19 |
| German Albums (Offizielle Top 100) | 18 |
| Irish Albums (IRMA) | 71 |
| Italian Albums (FIMI) | 93 |
| Portuguese Albums (AFP) | 10 |
| Scottish Albums (OCC) | 18 |
| Spanish Albums (PROMUSICAE) | 24 |
| Swedish Albums (Sverigetopplistan) | 45 |
| Swiss Albums (Schweizer Hitparade) | 11 |
| UK Albums (OCC) | 29 |
| US *Billboard* 200 | 96 |
| US Top Alternative Albums (*Billboard*) | 10 |
| US Independent Albums (*Billboard*) | 4 |
| US Top Rock Albums (*Billboard*) | 18 |

## InfoBox

| Wanderer | |
| --- | --- |
|  | |
| Studio album by Cat Power | |
| Released | October 5, 2018 (2018-10-05) |
| Studio | * The Pink House, Miami * 10K Islands, Miami * Mant, Los Angeles |
| Genre | Country blues |
| Length | 37:55 |
| Label | Domino |
| Producer | Cat Power |
| Cat Power chronology | |
| *Sun*
(2012) ***Wanderer***
(2018) *Covers*
(2022) | |
|  | |
| Singles from  *Wanderer* | |
| 1. "Wanderer"
Released: July 18, 2018 2. "Woman"
Released: August 15, 2018 3. "Stay"
Released: September 18, 2018 | |
|  | |


title: Nancy Branch

abstract: Nancy Branch is a stream in Polk County, Arkansas, United States. Its headwaters arise at 34°30′30.38″N 94°21′44.77″W and it flows to the northwest and enters Mountain Fork approximately 2.8 miles to the northwest of Hatfield and ten miles southwest of Mena at 34°31′27.38″N 94°23′53.77″W. The stream confluence has an elevation of 840 feet (260 m).

text:
# Nancy Branch

**Nancy Branch** is a stream in Polk County, Arkansas, United States. Its headwaters arise at 34°30′30.38″N 94°21′44.77″W / 34.5084389°N 94.3624361°W / 34.5084389; -94.3624361 and it flows to the northwest and enters Mountain Fork approximately 2.8 miles to the northwest of Hatfield and ten miles southwest of Mena at 34°31′27.38″N 94°23′53.77″W / 34.5242722°N 94.3982694°W / 34.5242722; -94.3982694. The stream confluence has an elevation of 840 feet (260 m).

34°31′27″N 94°23′53″W / 34.5242724°N 94.3979928°W / 34.5242724; -94.3979928


title: Haaseidae

abstract: Haaseidae is a family of millipedes belonging to the order Chordeumatida. This family includes 29 species. These millipedes are found in central and southeastern Europe.

text:
# Haaseidae

**Haaseidae** is a family of millipedes belonging to the order Chordeumatida. This family includes 29 species. These millipedes are found in central and southeastern Europe.

## Description

Adult millipedes in this family range from 4.5 mm to 12 mm in length. The paranota are well developed. Species in this family have either 28 or 30 segments (counting the collum as the first segment and the telson as the last).

## Genera

This family includes five genera:

## InfoBox

| Haaseidae | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Subphylum: | Myriapoda |
| Class: | Diplopoda |
| Order: | Chordeumatida |
| Superfamily: | Haaseoidea |
| Family: | Haaseidae |
|


title: Haashtag

abstract: Haashtag is the sixth studio album by American Latin pop duo Ha*Ash, released on 1 September 2022. The album features artist Kenia Os. Ha*Ash assumed an integral role in the album's production and collaborated with producers including George Noriega, Sebastián Krys and Julio Reyes. The album was preceded by the release of tree singles. The first, "Lo Que un Hombre Debería Saber" was 17 March 2022. In November 2017, the second single, "Supongo Que Lo Sabes", was released in May 2022 and third single released were, "Mi Salida Contigo" featuring Kenia Os was released in August 2022. Ha*Ash released others four music video: "Mejor Que Te Acostumbres", "Serías Tú", "Si Yo Fuera Tú" and "Tenían Razón". To promote the album, the band embarked on Gira Mi Salida Contigo, which began at Puebla on 2 September 2022.

text:
# Haashtag

***Haashtag*** is the sixth studio album by American Latin pop duo Ha\*Ash, released on 1 September 2022. The album features artist Kenia Os. Ha\*Ash assumed an integral role in the album's production and collaborated with producers including George Noriega, Sebastián Krys and Julio Reyes.

The album was preceded by the release of tree singles. The first, "Lo Que un Hombre Debería Saber" was 17 March 2022. In November 2017, the second single, "Supongo Que Lo Sabes", was released in May 2022 and third single released were, "Mi Salida Contigo" featuring Kenia Os was released in August 2022. Ha\*Ash released others four music video: "Mejor Que Te Acostumbres", "Serías Tú", "Si Yo Fuera Tú" and "Tenían Razón".

To promote the album, the band embarked on Gira Mi Salida Contigo, which began at Puebla on 2 September 2022.

## Background and production

The new album was announced in May 2020. *Haashtag* is a primarily a pop sound, urban, mariachi, and country-pop rhythm, consisting mainly of stripped down instruments such as the piano and acoustic guitar. According to Hanna, the group recorded the album at home in Houston during the COVID-19 lockdown. In February 2021, their first new song in four years, "Fuiste Mía", featuring the Argentine group MYA, was released in February 2021. Ha\*Ash assumed an integral role in the album's production and collaborated with producers including George Noriega, Sebastián Krys and Julio Reyes.

## Release and promotion

It is the band's first studio album in five years, after of their previous album, *30 de Febrero* (2017). In Mexico, the standard edition CD of the album was released on 1 September 2022, under the Sony Music Latin label.

### Singles

The first single from the album was "Lo Que un Hombre Debería Saber"; released on March 17, 2022. The single was accompanied by a video, released on the same day. The track peaked at number 24 in the Latin Pop Songs charts in the United States. In Mexico, the song peaked at No. 1 of the Mexican Espanol Airplay and Monitor Latino charts in Mexico. "Lo Que un Hombre Debería Saber" was certified gold in Mexico.

The second single from the album was "Supongo Que Lo Sabes", released in May 2022, the single was accompanied by a video, released on the same day. The clip was recorded in The Filmore Miami Beach, Florida. The track peaked at number 19 in the Latin Pop Songs charts in the United States. In Mexico, the song peaked at No. 1 of the Monitor Latino charts in Mexico. "Supongo Que Lo Sabes" has become the group's first single to earn a certification in the United States.

On 29 August 2022, they released the third single from the album, "Mi Salida Contigo" with Kenia Os. The track peaked at number 19 in the Latin Pop Songs charts in the United States. In Mexico, the song peaked at No. 1 of the Monitor Latino charts in Mexico. The single was certified gold in Mexico.

### Other songs

On April 21, the group released the promotional single from the album, titled "Mejor Que Te Acostumbres". The song was announced in a video posted to social media on April 17, 2022. On May 5, the group released "Serías Tú", song is about the strong connection between a mother and daughter. The music video features the band singing the song while scenes show Ha\*Ash with a little girl played by Mathilda, the daughter of Hanna. In July the group released the song "Si Yo Fuera Tú" accompanied by a video, released on the same day. In November, Ha\*Ash has officially released the musical video of "Tenían Razón".

### Tour

To promote the album, the group embarked on a world tour called "Gira mi salida contigo" from mid-2022 to 2023.

## Track listing

Standard edition
| No. | Title | Writer(s) | Producer(s) | Length |
| --- | --- | --- | --- | --- |
| 1. | "Lo Que un Hombre Debería Saber" |  |  | 3:14 |
| 2. | "Si Yo Fuera Tú" | * Ashley * Hanna * Zéguer * Preciado | * Hanna\[a\] * Sebastián Krys | 3:27 |
| 3. | "Supongo Que Lo Sabes" |  | * Hanna\[a\] * Noriega | 3:56 |
| 4. | "Mi Salida Contigo" (with Kenia Os) |  | * Hanna\[a\] * Noriega | 2:55 |
| 5. | "Tenían Razón" | * Ashley * Hanna * Zéguer * Preciado |  | 3:13 |
| 6. | "Mejor Que te Acostumbres" | * Ashley * Hanna * German Duque * Felipe González Abad | * Hanna\[a\] * Noriega | 3:13 |
| 7. | "Te Lo Dije" | * Ashley * Hanna * Preciado | * Hanna\[a\] * Julio Reyes | 3:12 |
| 8. | "Yo Nunca Nunca" |  | * Hanna\[a\] * Noriega | 2:53 |
| 9. | "Demasiado Para Ti" | * Ashley * Hanna * Preciado | * Hanna\[a\] * Noriega | 3:08 |
| 10. | "Mi Día Favorito" |  | * Hanna\[a\] * Noriega | 3:32 |
| 11. | "Serías Tú" | * Ashley * Hanna * Zéguer * Preciado |  | 3:26 |
| Total length: | | | | 32:25 |

**Notes**

* **^\[a\]**  signifies a co-producer

## Credits and personnel

Credits adapted from the album's liner notes.

### Musicians

* Ashley Grace: vocals (all tracks)
* Hanna Nicole: vocals (all tracks)
* Kenia Os: vocals (4)
* Jean Rodríguez: background vocals (1, 3, 6)
* Pete Wallace: keyboards (1, 3-4, 6, 8-10)
* Doug Emery: keyboards (2)
* Camilo Velandia: guitar (1, 3-5, 6, 8-10), banjo (4, 8-10)
* David Levita: guitar (2)
* Pablo De La Loza: bass (1)
* Davey Farragher: bass (2)
* George Noriega: bass (3-4)
* Lee Levin: drums (1-3)
* Matt Calderín: drums (1-6)
* Juan Camilo Escorcia : accordion (4)
* Julie Almonte: trumpet (6)
* Daniel Uribe: guitar (7, 11)
* Julio Reyes: keyboards (7, 11)
* Guillermo Vadalá: bass (7, 11)
* Aaron Sterling: drums (7, 11)

### Production

* George Noriega: producer (1, 3-4, 6, 8-10), director (1, 3-4, 6, 8-10), music supervisor (1, 3, 6, 8-10), programmer (1, 3-4, 6, 8-10), recording engineer (1, 3-4, 6, 8-10)
* Sebastián Krys: producer (2, 5), mixing engineer (2, 5), recording engineer (2, 5)
* Julio Reyes: producer (7; 11), programmer (7; 11), mixing engineer (7; 11)
* Hanna Nicole: co-producer (all tracks)
* Jean Rodríguez: vocal producer (1, 3-5, 6-10), recording engineer (1, 3-5, 6-10)
* Pablo De La Loza: programmer (1), engineer (1)
* Mike Fuller: mastering engineering (1-2, 4-5, 6, 8-10)
* Javier Garza: mixing engineer (1-3, 4-5, 6, 8-10)
* Camilo Velandia: recording engineer (1, 3-4, 6, 8-10)
* Lee Levin: recording engineer (1, 3-4)
* Daniel Galindo: recording engineer (2-5)
* Pete Wallace: recording engineer (3-4, 6, 8-10), programmer (4, 6, 8-10)
* Pedro Alfonso: arrangements (5)
* Julie Justine Acosta: recording engineer (6, 8-10)
* Diego Contento: recording engineer (6, 8-10)
* Gene Grimaldi: mastering engineering (7-11)
* Natalia Schlesinger: mixing engineer (7, 11), recording engineer (7, 11)
* Robin Reumers: mixing engineer (7, 11), recording engineer (7, 11)
* Daniela Riaño: programmer (7, 11)
* Aaron Sterling: recording engineer (7, 11)
* Guillermo Vadalá: recording engineer (7, 11)
* Daniel Uribe: recording engineer (7, 11)

## Release history

| Region | Date | Format | Label | Ref |
| --- | --- | --- | --- | --- |
| Various | 1 September 2022 | * Digital download, streaming | Sony Music Latin |  |
| | Mexico | * CD * Digital download, streaming | Sony Music México |  |

## InfoBox

| Haashtag | |
| --- | --- |
|  | |
| Studio album by Ha\*Ash | |
| Released | 1 September 2022 (2022-09-01) |
| Studio | Cutting Cane Studios (Florida) |
| Genre |  |
| Length | 32:25 |
| Language | Spanish |
| Label | Sony Music Latin |
| Producer |  |
| Ha\*Ash chronology | |
| *Ha\*Ash: En Vivo*
(2019) ***Haashtag***
(2022) | |
|  | |
| Ha\*Ash studio album chronology | |
| *30 de Febrero*
(2017) ***Haashtag***
(2022) | |
| Singles from  *Haashtag* | |
| 1. "Lo Que un Hombre Debería Saber"
Released: 17 March 2022 2. "Supongo Que Lo Sabes"
Released: 19 May 2022 3. "Mi Salida Contigo"
Released: 29 August 2022 | |
|  | |