title: The Age of Wire and String

abstract: The Age of Wire and String is Ben Marcus's first book, published in 1995. The book is composed of 8 sections, divided into 41 parts, which combine technical language with lyrical imagery to form a sort of Postmodern catalog by turns surreal, fantastic, and self-referential.

text:
# The Age of Wire and String

***The Age of Wire and String*** is Ben Marcus's first book, published in 1995. The book is composed of 8 sections, divided into 41 parts, which combine technical language with lyrical imagery to form a sort of Postmodern catalog by turns surreal, fantastic, and self-referential.

## Contents

The book begins with an "argument", which sets the terms and the tone for the rest of the book:

> This book is a catalog of the life project as prosecuted in the Age of Wire and String and beyond, into the arrangements of states, site, and cities and, further, within the small houses that have been granted erection or temporary placement on the perimeters of districts and river colonies. The settlement, in clusters and dispersed, has long required a document of secret motion and instruction—a collection of studies that might serve to clarify the terms obscured within every facet of the living program.

The rest of the book is divided into eight sections—Sleep, God, Food, The House, Animal, Weather, Persons, and The Society—each including five or six short fictions and ending with a glossary of terms. These terms are either invented (e.g. "CLOTH-EATERS" or "GERVIN"), or redefinitions of known words and concepts (e.g. "CARL—Name applied to food built from textiles, sticks, and rags.").

1. Marcus, Ben. *The Age of Wire and String*. Illinois: Dalkey Archive Press, 1998. p. 3.
2. Marcus, p. 41.

## InfoBox

The Age of Wire and String
| Hardcover edition | |
| --- | --- |
| Author | Ben Marcus |
| Language | English |
| Genre | Postmodern literature |
| Published | October 31, 1995 |
| Publisher | Alfred A. Knopf |
| Publication place | United States |
| Media type | Print |
| Pages | 140 pp. |
| ISBN | 0-67942-660-4 |


title: Madanpur railway station

abstract: Madanpur railway station is a railway station on the Sealdah Ranaghat line. It serves the local areas of Madanpur in the Nadia district of West Bengal.

text:
# Madanpur railway station

**Madanpur railway station** is a railway station on the Sealdah Ranaghat line. It serves the local areas of Madanpur in the Nadia district of West Bengal.

## History

The Sealdah–Kusthia line of the Eastern Bengal Railway was opened to railway traffic in the year 1862. Eastern Bengal Railway used to work only on the eastern side of the Hooghly River. The Sealdah–Ranaghat sector was electrified in 1963–65.

## Facilities

The platform is not well sheltered. It lacks many facilities including water and sanitation.

## InfoBox

| Madanpur | |
| --- | --- |
| Kolkata Suburban Railway station | |
| Madanpur railway station | |
| General information | |
| Location | Madanpur, Nadia, West Bengal<br>India |
| Coordinates | 23°00′22″N 88°29′24″E / 23.006041°N 88.490125°E / 23.006041; 88.490125 |
| Elevation | 13 metres (43 ft) |
| Owned by | Indian Railways |
| Operated by | Eastern Railway |
| Line(s) | Sealdah–Ranaghat line of Kolkata Suburban Railway |
| Platforms | 2 |
| Tracks | 2 |
| Construction | |
| Structure type | Standard on ground station |
| Parking | Not available |
| Bicycle facilities | Not available |
| Accessible | Not available |
| Other information | |
| Status | Functional |
| Station code | MPJ |
| Zone(s) | Eastern Railway |
| Division(s) | Sealdah |
| History | |
| Opened | 1862 (1862) |
| Electrified | 1963–1965 (1965) |
| Previous names | Eastern Bengal Railway |
|  | |
| Services | |
| Preceding station Kolkata Suburban Railway Following station  Kalyanitowards Sealdah  Eastern LineMain line  Simuralitowards Ranaghat Junction | |
|  | |
|  | |
|  | |
|  | |
| Location  MadanpurLocation in West BengalMadanpurLocation in India | |


title: Madison Township, Guernsey County, Ohio

abstract: Madison Township is one of the nineteen townships of Guernsey County, Ohio, United States. As of the 2020 census the population was 969.

text:
# Madison Township, Guernsey County, Ohio

**Madison Township** is one of the nineteen townships of Guernsey County, Ohio, United States. As of the 2020 census the population was 969.

## Geography

Located in the northeastern part of the county, it borders the following townships:

No municipalities are located in Madison Township.

Antrim is an unincorporated hamlet in the township at the junction of US 22 and SR 513 and was the site of several former schools.

## Name and history

Madison Township was organized in 1810. It is one of twenty Madison Townships statewide.

A school named Madison College operated from 1835 through 1859.

## Government

The township is governed by a three-member board of trustees, who are elected in November of odd-numbered years to a four-year term beginning on the following January 1. Two are elected in the year after the presidential election and one is elected in the year before it. There is also an elected township fiscal officer, who serves a four-year term beginning on April 1 of the year after the election, which is held in November of the year before the presidential election. Vacancies in the fiscal officership or on the board of trustees are filled by the remaining trustees.

## InfoBox

| Madison Township, Guernsey County, Ohio | |
| --- | --- |
| Township | |
| Antrim United Methodist Church | |
| Location of Madison Township in Guernsey County | |
| Coordinates: 40°6′25″N 81°23′43″W / 40.10694°N 81.39528°W / 40.10694; -81.39528 | |
| Country | United States |
| State | Ohio |
| County | Guernsey |
| Area | |
| Total | 24.9 sq mi (64.6 km2) |
| Land | 24.9 sq mi (64.5 km2) |
| Water | 0.04 sq mi (0.1 km2) |
| Elevation | 820 ft (250 m) |
| Population (2020) | |
| Total | 969 |
| Density | 39/sq mi (15/km2) |
| Time zone | UTC-5 (Eastern (EST)) |
| Summer (DST) | UTC-4 (EDT) |
| FIPS code | 39-46424 |
| GNIS feature ID | 1086185 |


title: MacBeth Sibaya

abstract: Ntuthuko MacBeth-Mao Sibaya, known as MacBeth Sibaya, is a South African professional football coach and a former player who played as a defensive midfielder. He coaches at the KZN Academy.

text:
# MacBeth Sibaya

**Ntuthuko MacBeth-Mao Sibaya** (born 25 November 1977), known as **MacBeth Sibaya**, is a South African professional football coach and a former player who played as a defensive midfielder. He coaches at the KZN Academy.

## Club career

Sibaya was born in Durban, KwaZulu-Natal. He previously played for III. Kerületi TUE in Hungary as well as Jomo Cosmos in South Africa, Rosenborg BK in Norway and FC Rubin Kazan in Russia.

## International career

Sibaya was a regular for the South Africa national football team, having amassed a total of 52 caps. He was part of the final squads at the 2002 and 2010 World Cups.

## Coaching career

After retiring, Sibaya started working as an analyst at SuperSport United. In August 2015, Sibaya was appointed manager of SuperSport United's reserve team. He later resigned to concentrate on his coaching badges.

In February 2021, Sibaya was appointed U19 manager at the KwaZulu-Natal Football Academy.

## Honors

**Rubin Kazan**

## InfoBox

MacBeth Sibaya
| Sibaya with Rubin Kazan in May 2009 | | | |
| --- | --- | --- | --- |
| Personal information | | | |
| Full name | Ntuthuko MacBeth-Mao Sibaya | | |
| Date of birth | (1977-11-25) 25 November 1977 | | |
| Place of birth | Durban, South Africa | | |
| Height | 1.75 m (5 ft 9 in) | | |
| Position(s) | Defensive midfielder | | |
| Team information | | | |
| Current team | KZN Academy (U19 manager) | | |
| Youth career | | | |
|  | Aston Villa Durban | | |
|  | Mpumalanga Youngsters | | |
| 1998–1999 | III. Kerület | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1998–1999 | III. Kerület | 8 | (0) |
| 1999–2002 | Jomo Cosmos | 59 | (6) |
| 2002–2003 | Rosenborg | 4 | (0) |
| 2003–2010 | Rubin Kazan | 131 | (3) |
| 2011–2013 | Moroka Swallows | 37 | (1) |
| Total |  | **239** | **(10)** |
| International career | | | |
| 2001–2013 | South Africa | 62 | (0) |
| Managerial career | | | |
| 2013–2015 | SuperSport United (analyst) | | |
| 2015–2018 | SuperSport United (reserves) | | |
| 2021– | KZN Academy (U19) | | |
| \*Club domestic league appearances and goals | | | |


title: Every Last Child

abstract: Every Last Child (2014) is a Pakistani and UAE documentary film directed and produced by Tom Roberts and made under the Imagenation Abu Dhabi FZ banner. Roberts also wrote the story of the film. The film was released in three different languages—Urdu, English and Pashto.

text:
# Every Last Child

***Every Last Child*** (2014) is a Pakistani and UAE documentary film directed and produced by Tom Roberts and made under the Imagenation Abu Dhabi FZ banner. Roberts also wrote the story of the film. The film was released in three different languages—Urdu, English and Pashto.

## Plot

*Every Last Child* shows the steps taken in Pakistan to eliminate poliomyelitis (polio) infection from the country. Polio, which had almost been eradicated from the world, showed resurgence in Pakistan after the Taliban banned polio vaccinations. The film also shows the efforts made by health care workers, who, in spite of difficulties while doing their work such as violence and politics, attempted to save Pakistani children from polio.

The first scene in *Every Last Child* is of a fully armed army unit being told by its captain to get ready for war, but in this case the war is to give protection against the Taliban who are obstructing the polio vaccinators from immunizing children. Polio victims are then profiled: In one scene, a destitute person affected by polio and pushing a dilapidated cart says "I'll be fit in the afterlife"; in another scene, a polio-affected child is getting fitted with braces, with his distressed father watching; in yet another scene a lady whose two family members were killed by the Taliban when they were canvassing for vaccination is actively supporting the cause of vaccination. There are also scenes of false propaganda made against the vaccinations stating perceived ill effects of the polio vaccine such as making "girls prematurely adult and boys impotent." The propaganda also attributes the vaccine as a plot of Jews and Christians with intent to eliminate Muslims.

The film ends on a positive note, with a scene showing documents related to the success of the vaccination programme under the title "Justice for Health", a programme initiated by Imran Khan.

## Production

*Every Last Child* is a production by Image Nation Abu Dhabi FZ, directed by Tom Roberts who was also the script writer. Roberts was also the producer of the film, along with Anna Melin and Sabin Agha. Ali Faisal Zaidi was the Director of Photography and editing and composing was done by Paul Carlin. The film's run time is 82 minutes.

## Release and reception

*Every Last Child* was released in November 2014 and received mostly positive reviews from critics. America's *National Public Radio* called it an "unboring" documentary. The *New York Times* said "Tom Roberts's observational film conveys an uncommon sense of the urgency befitting the stakes raised by the public health crisis." *The Hollywood Reporter* found the film "all too timely in the wake of the recent Ebola crisis." The film has a score of 73% on Metacritic.

## InfoBox

| Every Last Child | |
| --- | --- |
|  | |
| Directed by | Tom Roberts |
| Written by | Tom Roberts |
| Produced by | Anna Melin
Tom Roberts
Sabin Agha |
| Cinematography | Ali Faisal Zaidi |
| Music by | Nitin Sawhney |
| Distributed by | Zeitgeist Films (USA) |
| Release date | * 14 November 2014 (2014-11-14) (DocNYC) |
| Running time | 83 minutes |
| Countries | Pakistan
United Arab Emirates |
| Languages | Urdu
English
Pashto |


title: Madison Township, Pike County, Indiana

abstract: Madison Township is one of nine townships in Pike County, Indiana, United States. As of the 2020 census, its population was 386 and it contained 176 housing units.

text:
# Madison Township, Pike County, Indiana

**Madison Township** is one of nine townships in Pike County, Indiana, United States. As of the 2020 census, its population was 386 and it contained 176 housing units.

Historical population
| Census | Pop. | Note |  |
| --- | --- | --- | --- |
| 1890 | 825 |  |  |
| 1900 | 908 |  | 10.1% |
| 1910 | 798 |  | −12.1% |
| 1920 | 838 |  | 5.0% |
| 1930 | 737 |  | −12.1% |
| 1940 | 646 |  | −12.3% |
| 1950 | 550 |  | −14.9% |
| 1960 | 442 |  | −19.6% |
| 1970 | 415 |  | −6.1% |
| 1980 | 472 |  | 13.7% |
| 1990 | 443 |  | −6.1% |
| 2000 | 406 |  | −8.4% |
| 2010 | 382 |  | −5.9% |
| 2020 | 386 |  | 1.0% |
| Source: US Decennial Census | | | |

## Geography

According to the 2010 census, the township has a total area of 22.07 square miles (57.2 km2), of which 21.65 square miles (56.1 km2) (or 98.10%) is land and 0.42 square miles (1.1 km2) (or 1.90%) is water. The White River defines the township's northern border, as well as the northern border of Pike County.

### Unincorporated towns

(This list is based on USGS data and may include former settlements.)

### Cemeteries

The township contains these six cemeteries: Blaize, Fowler, Poplar Grove, Stewart, Weathers and Weist.

## School districts

* Pike County School Corporation

## Political districts

* State House District 64
* State Senate District 48

* "Madison Township, Pike County, Indiana". *Geographic Names Information System*. United States Geological Survey, United States Department of the Interior. Retrieved November 26, 2009.
* United States Census Bureau 2009 TIGER/Line Shapefiles
* IndianaMap

1. "Explore Census Data". *data.census.gov*. Retrieved April 13, 2024.
2. "Township Census Counts: STATS Indiana".
3. "Population, Housing Units, Area, and Density: 2010 - County -- County Subdivision and Place -- 2010 Census Summary File 1". United States Census. Archived from the original on February 12, 2020. Retrieved May 10, 2013.

## InfoBox

| Madison Township
Pike County | |
| --- | --- |
| Township | |
| Location in Pike County | |
| Coordinates: 38°29′28″N 87°21′37″W / 38.49111°N 87.36028°W / 38.49111; -87.36028 | |
| Country | United States |
| State | Indiana |
| County | Pike |
| Government | |
| Type | Indiana township |
| Area | |
| Total | 22.07 sq mi (57.2 km2) |
| Land | 21.65 sq mi (56.1 km2) |
| Water | 0.42 sq mi (1.1 km2)  1.90% |
| Elevation | 446 ft (136 m) |
| Population (2020) | |
| Total | 386 |
| Density | 17/sq mi (6.8/km2) |
| ZIP code | 47567 |
| GNIS feature ID | 453596 |


# Texas's 53rd House of Representatives district

The 53rd district of the Texas House of Representatives contains the entirety of the following counties: Medina, Menard, Pecos, Real, Schleicher, Sutton, and Upton. The current representative is Andrew Murr, who was first elected in 2014.

## InfoBox

| Texas's 53rd State
House of Representatives
district | |
| --- | --- |
| --- | |
|  | |
| Representative | Andrew Murr
Junction |
| Demographics | 57.9% White
2.4% Black
36.6% Hispanic
1.2% Asian |
| Population (2020)
Voting age | 199,548
159,656 |


title: The Abominable Showman

abstract: The Abominable Showman is the fourth solo album by the English singer-songwriter Nick Lowe, released in 1983. Lowe supported the album by touring with Paul Carrack. The album was out of print for two decades until being reissued on CD and vinyl by Yep Roc Records on 14 July 2017. The reissue contained three bonus tracks.

text:
# The Abominable Showman

***The Abominable Showman*** is the fourth solo album by the English singer-songwriter Nick Lowe, released in 1983. Lowe supported the album by touring with Paul Carrack.

The album was out of print for two decades until being reissued on CD and vinyl by Yep Roc Records on 14 July 2017. The reissue contained three bonus tracks.

## Critical reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| Robert Christgau | B+ |
| *The Rolling Stone Album Guide* |  |
| *Spin Alternative Record Guide* | 4/10 |

*The New York Times* noted the "light but appealing funk, reggae and 1960's soul in addition to the expected garage-pop-and-roll."

## Track listing

All tracks are written by Nick Lowe, except where noted

| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "We Want Action" | Lowe, Carlene Carter | 2:35 |
| 2. | "Ragin' Eyes" |  | 2:38 |
| 3. | "Cool Reaction" | Pete Marsh, Andy Howell | 2:35 |
| 4. | "Time Wounds All Heels" | Lowe, Carter, Simon Climie | 2:42 |
| 5. | "Man of a Fool" |  | 2:44 |
| 6. | "Tanque-Rae" |  | 2:48 |
| 7. | "Wish You Were Here" |  | 3:14 |
| 8. | "Chicken and Feathers" |  | 2:44 |
| 9. | "Paid The Price" | Moon Martin | 3:24 |
| 10. | "Mess Around With Love" |  | 3:05 |
| 11. | "Saint Beneath The Paint" |  | 2:48 |
| 12. | "How Do You Talk to an Angel" |  | 3:50 |
| Total length: | | | 35:07 |

2017 Reissue Bonus tracks
| No. | Title | Length |
| --- | --- | --- |
| 13. | "Pet You and Hold You" (live) | 3:22 |
| 14. | "Crackin' Up" (live) | 3:13 |
| 15. | "(What's So Funny 'Bout) Peace, Love, and Understanding?" (live) | 3:37 |

**Note:** The packaging of the YepRoc reissue omits mention of "Pet You and Hold You" as a bonus track.

## Personnel

### Other credits

## Production

The album was recorded at Rockfield Studios, Wales and Ampro Studio, London.

## Singles

Three songs off this album were released as singles:

* "Raging Eyes" / "Tanque-Rae" ("Raging Eyes" was recorded in October 1981)
* "Cool Reaction" (Promo only)
* "Wish You Were Here" / "How Do You Talk To An Angel"

## InfoBox

| The Abominable Showman | |
| --- | --- |
|  | |
| Studio album by Nick Lowe | |
| Released | March 1983 |
| Recorded | Rockfield, Wales; Ampro, London |
| Genre | Garage rock, pop, rock and roll |
| Length | 35:07 |
| Label | F-Beat (UK), Columbia (US) |
| Producer | Roger Bechirian, Nick Lowe |
| Nick Lowe chronology | |
| *Nick the Knife*
(1982) ***The Abominable Showman***
(1983) *Nick Lowe and His Cowboy Outfit*
(1984) | |


title: The Abominable Bride

abstract: "The Abominable Bride" is a special episode of the British television programme Sherlock. The episode was broadcast on BBC One, PBS and Channel One on 1 January 2016. It depicts the characters of the show in an alternative timeline: the Victorian London setting of the original stories by Arthur Conan Doyle. The title is based on the quote "Ricoletti of the club foot and his abominable wife" from "The Adventure of the Musgrave Ritual" (1893), which refers to a case mentioned by Holmes. The story also draws on elements of original Conan Doyle stories of Holmes such as "The Five Orange Pips" (1891) and "The Final Problem" (1893). The episode won the Primetime Emmy Award for Outstanding Television Movie, the first win of the series in that category.

text:
# The Abominable Bride

"**The Abominable Bride**" is a special episode of the British television programme *Sherlock*. The episode was broadcast on BBC One, PBS and Channel One on 1 January 2016. It depicts the characters of the show in an alternative timeline: the Victorian London setting of the original stories by Arthur Conan Doyle. The title is based on the quote "Ricoletti of the club foot and his abominable wife" from "The Adventure of the Musgrave Ritual" (1893), which refers to a case mentioned by Holmes. The story also draws on elements of original Conan Doyle stories of Holmes such as "The Five Orange Pips" (1891) and "The Final Problem" (1893).

The episode won the Primetime Emmy Award for Outstanding Television Movie, the first win of the series in that category.

## Plot

In the 19th century, Dr. John Watson has been medically discharged from the Army and moves to London. Watson is introduced to Sherlock Holmes by a fellow student of Bart's, and becomes interested in his investigative principles. Holmes invites Watson to share his new flat in Baker Street, which Watson accepts.

In 1895, Inspector Lestrade arrives and presents Holmes and Watson with a puzzling case: Emelia Ricoletti, a consumptive bride, had fired on by-passers in the street from a balcony before fatally shooting herself. Later that evening, Mr. Ricoletti was confronted by Emelia, who shot him dead before disappearing into the fog. Fascinated by Emelia's apparent survival, Holmes takes the case. At the morgue, Dr. Hooper informs Holmes that the woman who killed herself, the woman who murdered Mr. Ricoletti and the body on hand have all been positively identified as Emelia Ricoletti. When the bride apparently returns to murder other men, he deduces that these are copycat crimes.

Months later, Holmes' brother Mycroft refers a case to him: Lady Carmichael's husband, Sir Eustace Carmichael, received a threatening warning in the form of an envelope full of orange pips (seeds). Sir Eustace is uncooperative, describing his wife as "hysterical"; Holmes and Watson stake out the house for the evening. A ghostly-looking bride appears and disappears in front of them, and the pair hear the sound of breaking glass, followed by screams from both Sir Eustace and Lady Carmichael. They discover Sir Eustace, stabbed to death, by what appears to be Emelia, who then escapes through a broken window. Lestrade arrives and observes a note attached to the dagger, which Holmes says was not there when he found the body. The note reads, "*Miss me?*", a phrase used by the modern-day James Moriarty. After insisting that the case's solution is so simple that even Lestrade could solve it, Holmes meditates. Moriarty appears and insults Holmes about the mystery of Emelia's apparent post-suicide revival, alluding to his similar apparent death in the present. Moriarty appears to shoot himself in the head but remains alive.

In the present day, it is revealed that the events of Victorian England are actually occurring within Sherlock's drug-laden Mind Palace. The plane has returned to England minutes after taking off after Moriarty's broadcast, and Mycroft, John, and Mary enter the plane to find a frustrated Sherlock rambling about the unsolved Ricoletti case. Sherlock explains he had hoped to solve the case, believing it would prove crucial to solving Moriarty's return.

Victorian Holmes awakens, with an awareness of events of the present as a seeming hallucination induced by cocaine. He receives a telegram from Mrs Watson saying she has found Emelia's co-conspirators at a desanctified church. There, Holmes and Watson discover and interrupt a secret group of the Women's Rights Movement, whose members include Dr. Hooper, Janine Hawkins, and Watson's maidservant. Holmes explains that they used a double to fake Emelia's death, allowing her to kill her husband and create the persona of the avenging ghost bride. Already dying, she was later killed at her request by being shot through the mouth; the duplicate corpse was replaced by her actual corpse, the one Holmes and Watson saw at the morgue, for a positive identification. Since then, the women have used the persona of the bride to murder men who wronged them. Sherlock surmises that Lady Carmichael, being a member of the society, killed her husband. He makes his accusation to the approaching bride, assuming that it is Lady Carmichael. When he lifts the bride's veil, however, he finds that the "bride" is actually Moriarty.

Sherlock reawakens in the present, where he insists on finding Emelia's grave to prove that her body-double was buried under the coffin. While digging, he hears Emelia's corpse repeatedly whisper "Do not forget me". The corpse moves to attack him, leading Holmes to realize he is not actually awake. He then "awakens" in the past on a ledge next to the Reichenbach Falls. Moriarty appears and tells Holmes he is still trapped in his Mind Palace – Holmes realises that the incident at the grave was just another episode in the same dream. The men fight and Moriarty gains the upper hand, but Watson appears and holds Moriarty at gunpoint. Watson kicks Moriarty off the ledge and then asks Holmes how he can awaken into the present. Holmes decides to fall over the ledge, having confidence he will survive.

Sherlock wakes up in the present on the plane. Mycroft asks John to look after Sherlock, hoping he will not use drugs again. After John leaves the plane, Mycroft opens Sherlock's notebook, revealing the word "Redbeard". Sherlock concludes that, like Ricoletti, Moriarty did indeed die but arranged with others to carry out plans after his death. The episode ends with Victorian Holmes describing his visions of aeroplanes and mobile telephones to a cynical Watson, before looking out the window onto Baker Street in the present day.

## Filming

Filming took place at Tyntesfield House, a National Trust property at Wraxall, near Bristol. Scenes were also shot in the cellars of Colston Hall and at Arnos Vale Cemetery in Bristol, and other locations in Bath, Somerset. Tyntesfield was mainly used as Sir Eustace's house but also the Watsons' London home.

The final scene of the episode puts forth a possible concept that all of the series in its modern-day setting are actually playing out from within Victorian Holmes' Mind Palace. Mark Gatiss stated in *Sherlock: The Abominable Bride Post-Mortem*:

> By having that scene right at the end, where we go back to Victorian London – Victorian Baker Street – and Sherlock explicitly says, "It's an imagined version of what I think the future might be," we have really opened a ridiculous window that the entire series of Sherlock might be the drug-induced ravings of the Victorian Sherlock Holmes. Which means we can do absolutely anything.

## Cast

## Holmesian references

Moriarty's stating "There is nothing new under the sun. It has all been done before" comes from one of Arthur Conan Doyle's original Sherlock Holmes stories, *A Study in Scarlet*. But also refers to the Biblical book of Ecclesiastes (Ch1 Vs9): "What has been will be again, what has been done will be done again; there is nothing new under the sun."

Mycroft's mentioning of the Manor House Case references "The Greek Interpreter".

## Broadcast

In the UK, "The Abominable Bride" pulled in strong ratings overnight, scoring more than 8.4 million viewers on New Year's Day for BBC One. The final, official consolidated rating after seven days was 11.6m viewers making it the most watched programme of the week in the UK.

The episode was broadcast from 9 p.m. on BBC One, PBS and OTE Cinema 4 HD and in the United Kingdom it was simulcast in 100 cinemas nationwide.

In a special extended version featuring twenty minutes of additional footage, including a guided set-tour of 221B Baker Street with executive producer Moffat and a short making-of with Cumberbatch and Freeman, "The Abominable Bride" was granted a limited release in theatres in Hong Kong, Denmark and Australia on 2 January 2016, in Finland on 3 January 2016, a full release in China on 4 January and a limited release across the United Kingdom and the United States on 5–6 January 2016 and in Italy on 12–13 January 2016. It was released in Japan on 19 February 2016. it was also shown in cinemas in Russia, Armenia, Ukraine, Belarus and Kazakhstan.

In cinemas, the film (along with the bonus footage) held strong, particularly in China and South Korea bringing in $5.39 million (£3.68m) on its opening day alone (January 4) in China, according to Deadline, as 1.7 million people in the country saw the one-off episode. It grossed $5 million in the latter country, South Korea. It grossed a total of CN¥161.315 million in China, its largest territory by box office gross. On these successful ratings, BBC Worldwide's Sally de St Croix said, "Following on from a strong performance on BBC One, the show has now seen multi-million dollar success at the South Korean and Chinese box offices – an outstanding achievement for a British TV show." It grossed US$578,109 on its opening weekend in Japan. The special cinema showing has grossed an international total of $38,400,603.

## InfoBox

| "**The Abominable Bride**" | |
| --- | --- |
| *Sherlock* episode | |
| Promotional release poster | |
| Episode no. | Episode 10 |
| Directed by | Douglas Mackinnon |
| Written by |  |
| Featured music |  |
| Cinematography by | Suzie Lavelle |
| Editing by | Andrew McClelland |
| Original air date | 1 January 2016 (2016-01-01) |
| Running time | 93 minutes |
| Guest appearances | |
|  | |
|
|


title: Madonna di sant'Alessio

abstract: Madonna di Sant'Alessio (Madonna of St. Alexis; Madonna of Intercession) is an icon, probably of Byzantine origin, of the Blessed Virgin now in the Basilica of the Saints Bonifacio and Alexis on the Aventine Hill in Rome, Italy. It is one of the most venerated Christian icons, attracting many Christian pilgrims of different religious denominations from all over the world as it is considered to be miraculous, according to tradition. Like some other old icons it was believed to have been painted by St Luke the Evangelist from its living subjects.

text:
# Madonna di sant'Alessio

**Madonna di Sant'Alessio** *(Madonna of St. Alexis; Madonna of Intercession)* is an icon, probably of Byzantine origin, of the Blessed Virgin now in the Basilica of the Saints Bonifacio and Alexis on the Aventine Hill in Rome, Italy.

It is one of the most venerated Christian icons (dated at the 12-13th centuries), attracting many Christian pilgrims of different religious denominations from all over the world as it is considered to be miraculous, according to tradition. Like some other old icons it was believed to have been painted by St Luke the Evangelist from its living subjects.

## Art history

The *Madonna di Sant’Alessio* is a fine and early example of the iconography of the *Haghiosoritissa* type (Paraklesis). The Icon of the "*Madonna di Sant’Alessio"* is thought to have been painted in Byzantium. It was painted with tempera on canvas. The cloth was pasted on a wooden board (probably of cedar) measuring 70 x 40 cm.

Art and church historians disagree about when the icon was created. According to older church traditions, the icon dates to the Early Christian period. However, today most art historians believe the date of the *Madonna of St. Alexis* is either the 12th and the 13th century. In Italy this icon is known as ''*«Madonna di Edessa» ("Edessa Icon of Madonna"), «Madonna Avvocata» («Protectress»)''* and *''«Madonna dell'Intercessione» («Our Lady of Intercession" )* since it matches the poses of the Virgin in the common image of the Deesis, a Greek word that means "*supplication*"). In the Deesis the mercy of Christ as judge is invoked by figures of the Virgin and Saint John the Evangelist flanking Christ. More specifically: the icon of the *Madonna of St. Alexis* refers to the theme of the prayer of Intercession in a way that is different from the scenes in which the Lord is represented. It has a connection with a certain type of Marian imagery that can be found both in Constantinople and in Rome.

The *Madonna* on the icon is represented without *the Child*, turning to a side, with the upper body slightly inclined as though carrying a weight, with one hand extended forward and the other raised to indicate that she intercedes for those who have no other hope but in Her alone. The *Madonna of St. Alexis* reveals faithful adherence to the Byzantine pattern. One element is the dimness and softness of the colors, while some other details (asymmetric shape of the lengthened face, eyes with intense look, wide and thin mouth) reveal the search of a dramatic effect on the part of the artist.

The Icon must have undergone some renovations over the centuries. Probably there was some retouching on the occasion of its Canonical coronation that took place in 1645 by Pontifical decree granted from Pope Innocent X.

In 1952 the icon underwent restoration and cleaning on the Somascan Fathers' initiative. In 2014-2015 the High Institute for Conservation and Restoration (ISCR) in Rome carried out another restoration of the *"Madonna of St. Alexius"* after which it was returned to Basilica of St. Alexius.

## Legend

According to the legend, the icon was brought to Rome by the metropolitan Sergius Damascus in 977, after it had been kept in Edessa church of the Blessed Virgin for a long time. There had been many miracles from the icon so that it was known as a miraculous image. The history of the icon is closely related to the legend about St. Alexius, the only son of Euphemianus, a wealthy Christian Roman of the senatorial class. Alexius fled his arranged marriage to follow his holy vocation. Disguised as a beggar, he lived on the porch of the church in Edessa (Mesopotamia) for seventeen years. Eating only bread and drinking only water he prayed day and night near the icon of the Blessed Virgin, accepting alms, even from his own household slaves, who had been sent to look for him but did not recognize him, until a miraculous voice of the Blessed Virgin Mary from the Icon singled him out as a *"Man of God".*

Fleeing the resultant notoriety, he returned to Rome, so changed that his parents did not recognize him, but as good Christians took him in and sheltered him for seventeen years, which he spent in a dark cubbyhole beneath the stairs, praying and teaching catechism to children. After his death, his family found writings on his body which told them who he was and how he had lived his life of penance from the day of his wedding, for the love of God. So the icon from an Edessa church where Alexis had prayed daily for seventeen years, was called the "*Madonna of St. Alexis*".

When the icon was brought to Rome, it was placed in the church dedicated to St. Alexius (Basilica of the Saints Bonifacio and Alexis) where his holy relics could be found. According to another legendary version, the icon is thought to have been brought from the East by St. Alexius himself. The *"Madonna di Sant’Alessio"* is a wonderful object of interest and devotion to be seen in the *Chapel of the Most Holy Sacrament* on the right side of the south transept of the basilica. The Chapel was built by Abbot *Angelo Porro* in 1674, restructured in 1750-1755, modified in 1814 by *Charles IV of Spain* (during his exile in the monastery of St. Alexis). It was restored by *Antonio Munoz* in 1935. The icon can be found above the altar of this Chapel.

In Rome there is one other icon of this type – the *Madonna of Santa Maria in Ara Coeli* in the basilica beside the "Campidoglio".

## Bibliography

* Holweck, F. G., "A Biographical Dictionary of the Saints", St. Louis, Missouri: B. Herder Book Co., 1924.


title: MachineGames

abstract: MachineGames Sweden AB is a Swedish video game developer based in Uppsala. The studio was founded in 2009 by seven former employees of Starbreeze Studios, including founder Magnus Högdahl. After unsuccessfully pitching game ideas to several publishers, MachineGames agreed with Bethesda Softworks to develop an entry in the Wolfenstein series in July 2010 and was acquired by Bethesda's parent company, ZeniMax Media, in November. In the Wolfenstein series, MachineGames developed The New Order (2014), The Old Blood (2015), The New Colossus (2017), Youngblood (2019), and Cyberpilot (2019). The studio is developing Indiana Jones and the Great Circle (2024) as well as another Wolfenstein game.

text:
# MachineGames

**MachineGames Sweden AB** is a Swedish video game developer based in Uppsala. The studio was founded in 2009 by seven former employees of Starbreeze Studios, including founder Magnus Högdahl. After unsuccessfully pitching game ideas to several publishers, MachineGames agreed with Bethesda Softworks to develop an entry in the *Wolfenstein* series in July 2010 and was acquired by Bethesda's parent company, ZeniMax Media, in November. In the *Wolfenstein* series, MachineGames developed *The New Order* (2014), *The Old Blood* (2015), *The New Colossus* (2017), *Youngblood* (2019), and *Cyberpilot* (2019). The studio is developing *Indiana Jones and the Great Circle* (2024) as well as another *Wolfenstein* game.

## History

MachineGames' founding team—consisting of Kjell Emanuelsson, Jerk Gustafsson, Magnus Högdahl, Jim Kjellin, Fredrik Ljungdahl, Jens Matthies, and Michael Wynne—was previously employed by Swedish video game company Starbreeze Studios, of which Högdahl was also the founder. By mid-2009, while the team was working on the game *Syndicate*, Starbreeze had grown to more than 100 employees, and the seven-piece team wanted to start anew. All seven left the studio and set up MachineGames in Uppsala, Sweden. An alternative name considered for the company was "Tungsten". Matthies became the company's creative director, while Gustafsson became managing director and executive producer. Högdahl and Wynne left shortly thereafter for personal reasons. For the first one-and-a-half years, the MachineGames team brainstormed game ideas and pitched them to various publishers, including Bethesda Softworks, being rejected on all of them. Running out of funds, the team considered either selling their homes to finance the studio further or closing down the studio entirely.

Around this time, developer id Software and the rights to its *Wolfenstein* series of games were acquired by Bethesda's parent company, ZeniMax Media. Following this acquisition, Bethesda offered MachineGames to work on one of its intellectual properties, and when Matthies learned that no one was developing a *Wolfenstein* game at the time, he requested that MachineGames could develop one. Matthies, Gustafsson, and other MachineGames employees visited id Software in Mesquite, Texas, in July 2010 to discuss this prospect. Id Software was already impressed with the team's work while at Starbreeze and only requested that MachineGames use their id Tech 5 engine for the endeavour. By November, all necessary paperwork for MachineGames to develop a *Wolfenstein* game was completed, and the studio became a subsidiary of ZeniMax to pursue development on what would later become *Wolfenstein: The New Order*. MachineGames was incorporated as ZeniMax Sweden AB, which was later changed to MachineGames Sweden AB. After the acquisition, MachineGames resumed hiring. According to Gustafsson, around 70% of the company's employees at the time came from Starbreeze.

MachineGames developed *Wolfenstein: The New Order* (2014) and its prequel, *Wolfenstein: The Old Blood* (2015). In June 2016, they released *Dimension of the Past*, a free episode for id Software's 1996 game *Quake*, in celebration of the game's twentieth anniversary. At Electronic Entertainment Expo 2017, *Wolfenstein II: The New Colossus*, a sequel to *The New Order*, was announced with a release date of 27 October 2017 for Microsoft Windows, PlayStation 4 and Xbox One. MachineGames developed *Wolfenstein: Youngblood*, the follow-up to *The New Colossus* with a focus on co-operative gameplay, and *Wolfenstein: Cyberpilot*, a virtual reality game, both released in 2019. MachineGames created a further *Quake* episode, *Dimension of the Machine*, for the game's re-release in 2021, as well as *Call of the Machine* for *Quake II*'s re-release in 2023.

Microsoft acquired ZeniMax in March 2021. A third *Wolfenstein* game has been in development since at least September 2018. MachineGames announced in January 2021 that it was developing a game set in the *Indiana Jones* film franchise, which in January 2024 was revealed as *Indiana Jones and the Great Circle*. In November 2023, the studio announced plans to open a satellite studio in Sundsvall, Sweden; which is expected to be fully staffed in 2025.

## Games developed

| Year | Title | Platform(s) |
| --- | --- | --- |
| 2014 | *Wolfenstein: The New Order* | PlayStation 3, PlayStation 4, Windows, Xbox 360, Xbox One |
| 2015 | *Wolfenstein: The Old Blood* | PlayStation 4, Windows, Xbox One |
| 2016 | *Quake: Dimension of the Past* | Nintendo Switch, PlayStation 4, PlayStation 5, Windows, Xbox One, Xbox Series X/S |
| 2017 | *Wolfenstein II: The New Colossus* | Nintendo Switch, PlayStation 4, Windows, Xbox One |
| 2019 | *Wolfenstein: Youngblood* | Nintendo Switch, PlayStation 4, Stadia, Windows, Xbox One |
| | *Wolfenstein: Cyberpilot* | PlayStation 4, Windows |
| 2021 | *Quake: Dimension of the Machine* | Nintendo Switch, PlayStation 4, PlayStation 5, Windows, Xbox One, Xbox Series X/S |
| 2023 | *Quake II: Call of the Machine* | Nintendo Switch, PlayStation 4, PlayStation 5, Windows, Xbox One, Xbox Series X/S |
| 2024 | *Doom: Legacy of Rust* | Nintendo Switch, PlayStation 4, PlayStation 5, Windows, Xbox One, Xbox Series X/S |
| | *Indiana Jones and the Great Circle* | Windows, Xbox Series X/S, PlayStation 5 |

## InfoBox

MachineGames Sweden AB
|
|  |
| Company type | Subsidiary |
| Industry | Video games |
| Founded | 2009 (2009) |
| Founders | * Kjell Emanuelsson * Jerk Gustafsson * Magnus Högdahl * Jim Kjellin * Fredrik Ljungdahl * Jens Matthies * Michael Wynne |
| Headquarters | Uppsala, Sweden |
| Key people |  |
| Products | *Wolfenstein* (2014–present) |
| Number of employees | 162 (2024) |
| Parent | ZeniMax Media (2010–present) |
| Divisions | MachineGames Sundsvall |
| Website | machinegames.com |


title: Machine-tool dynamometer

abstract: A machine-tool dynamometer is a multi-component dynamometer that is used to measure forces during the use of the machine tool. Empirical calculations of these forces can be cross-checked and verified experimentally using these machine tool dynamometers. With advances in technology, machine-tool dynamometers are increasingly used for the accurate measurement of forces and for optimizing the machining process. These multi-component forces are measured as an individual component force in each co-ordinate, depending on the coordinate system used. The forces during machining are dependent on depth of cut, feed rate, cutting speed, tool material and geometry, material of the work piece and other factors such as use of lubrication/cooling during machining.

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# Machine-tool dynamometer

A **machine-tool dynamometer** is a multi-component dynamometer that is used to measure forces during the use of the machine tool. Empirical calculations of these forces can be cross-checked and verified experimentally using these machine tool dynamometers.

With advances in technology, machine-tool dynamometers are increasingly used for the accurate measurement of forces and for optimizing the machining process. These multi-component forces are measured as an individual component force in each co-ordinate, depending on the coordinate system used. The forces during machining are dependent on depth of cut, feed rate, cutting speed, tool material and geometry, material of the work piece and other factors such as use of lubrication/cooling during machining.

## Types

1. Lathe
2. Drill
3. Milling
4. Grinding

* Machining Technology, Machine Tools and Operations Helmi A. Youssef and Hassan El-Hofy CRC Press 2008 Pages 371–390 Print ISBN 978-1-4200-4339-6 eBook ISBN 978-1-4200-4340-2 doi:10.1201/9781420043402.ch10 Machine Tool Dynamometers

* DOI.org A book containing information on Machine Tool Dynamometers by Springer


title: Oil megaprojects (2016)

abstract: This page summarizes projects that propose to bring more than 20,000 barrels per day (3,200 m⁳/d) of new liquid fuel capacity to market with the first production of fuel beginning in 2016. This is part of the Wikipedia summary of Oil Megaprojects.

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# Oil megaprojects (2016)

This page summarizes projects that propose to bring more than 20,000 barrels per day (3,200 m3/d) of new liquid fuel capacity to market with the first production of fuel beginning in 2016. This is part of the Wikipedia summary of Oil Megaprojects.

| Overview | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |

## Detailed list of projects for 2016

**Terminology**

* **Year Startup**: year of first oil. put specific date if available.
* **Operator**: company undertaking the project.
* **Area**: onshore (LAND), offshore (OFF), offshore deep water (ODW), tar sands (TAR).
* **Type**: liquid category (i.e. Natural Gas Liquids, Natural gas condensate, Crude oil)
* **Grade**: oil quality (light, medium, heavy, sour) or API gravity
* **2P resvs**: 2P (proven + probable) oil reserves in giga barrels (Gb).
* **GOR**: The ratio of produced gas to produced oil, commonly abbreviated GOR.
* **Peak year**: year of the production plateau/peak.
* **Peak**: maximum production expected (thousand barrels/day).
* **Discovery**: year of discovery.
* **Capital investment**: expected capital cost; FID (Final Investment Decision) - If no FID, then normally no project development contracts can be awarded. For many projects, a FEED stage (Front End Engineering Design) precedes the FID.
* **Notes**: comments about the project (footnotes).
* **Ref**: list of sources.

| Country | Project Name | Year startup | Operator | Area | Type | Grade | 2P resvs | GOR | Peak Year | Peak | Discovery | Capital Inv. | Notes | Ref |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| **OPEC** | | | | | | | | | | | | | | |
| Angola | Kizomba Satellites Phase II | 2016 | ExxonMobil | ODW | Crude |  |  |  |  | 125 |  |  |  |  |
| Angola | Negage | 2016 | Chevron | ODW | Crude |  |  |  |  | 75 |  |  |  |  |
| Angola | Lucapa | 2016 | Chevron | ODW | Crude |  |  |  |  | 100 |  |  |  |  |
| Angola | East Hub project (Cabaca Norte, South-East) | 2016 | Eni | ODW | Crude |  |  |  |  | 80 |  |  |  |  |
| Angola | B31 SE | 2016 | BP | ODW | Crude |  |  |  |  | 200 |  |  |  |  |
| Iran | Azadegan Ph 1 | 2016 | CNPC | Land | Crude |  |  |  |  | 75 |  |  |  |  |
| Iran | South Pars Ph 11 | 2016 | CNPC | Offshore | Crude |  |  |  |  | 80 |  |  |  |  |
| Iran | South Pars Ph 17-18 | 2016 | PetroPars, OIEC, IOEC | Offshore | Crude |  |  |  |  | 80 |  |  |  |  |
| Iran | South Pars Ph 22-23-24 | 2016 | Petro Sina Arian, Sadra | Offshore | Crude |  |  |  |  | 77 |  |  |  |  |
| Iran | Yadavaran Ph 1 | 2016 | Sinopec | LAND | Crude | Heavy | 3.20 |  |  | 85 | 2000 |  |  |  |
| Nigeria | Bonga SW; Aparo | 2016 | Shell |  | Crude | Light | 0.600 |  |  | 225 | 1998/2001 |  |  |  |
| Nigeria | Dibi Long-Term Project | 2016 | Chevron |  | Crude |  |  |  |  | 70 |  |  |  |  |
| Nigeria | Sonam Field Development | 2016 | Chevron |  | Crude |  |  |  |  | 30 |  |  |  |  |
| Nigeria | Bosi | 2016 | ExxonMobil |  | Crude |  |  |  |  | 140 |  |  |  |  |
| Nigeria | Erha North Phase 2 | 2016 | ExxonMobil |  | Crude |  |  |  |  | 60 |  |  |  |  |
| Nigeria | Satellite Field Development Phase 2 | 2016 | ExxonMobil |  | Crude |  |  |  |  | 80 |  |  |  |  |
| Nigeria | Uge | 2016 | ExxonMobil |  | Crude |  |  |  |  | 110 |  |  |  |  |
| Nigeria | Bongo North | 2016 | Shell |  | Crude |  |  |  |  | 100 |  |  |  |  |
| Nigeria | Usan Future Phases | 2016 | Total |  | Crude |  |  |  |  | 50 |  |  |  |  |
| Saudi Arabia | Manifa Ph 2 | 2016 | Saudi Aramco | OFF | Crude | 28 API | 16.820 |  |  | 300 | 1957 |  |  |  |
| **Non-OPEC** | | | | | | | | | | | | | | |
| Canada | Hebron (Ben Nevis) | 2016 | ExxonMobil | OFF | Crude | Heavy | 0.730 |  |  | 140 | 1981 |  |  |  |
| Canada | Sunrise Ph 3 | 2016 | Husky Energy |  | Oil Sands | Bitumen | 1.0-2.2 |  |  | 0 |  | No FID, 50 kbd | SAGD |  |
| Canada | NAOSC Strathcona Ph 1 | 2016 | StatoilHydro | LAND | Bitumen | Oil Sands |  |  |  | 65 |  |  |  |  |
| Canada | Gregoire Lake (Phase 1) | 2016 | CNRL | LAND | Bitumen | Oil Sands |  |  |  | 30 |  |  | In-Situ, Announced |  |
| Canada | Joslyn Ph 2 | 2016 | CNRL | LAND | Bitumen | Oil Sands |  |  |  | 0 |  |  | Application No FID 50 kbd |  |
| Canada | Long Lake Upgrader Ph 3 | 2016 | OPTI /Nexen | LAND | Bitumen | Oil Sands |  |  |  | 0 |  |  | Mining, Upgrading, No FID, 60 kbd |  |
| Kazakhstan | Kashagan (Phase 2+, Satellites) | 2016 | ENI | OFF | Crude | 45 API | 7.8 |  | 2020 | 850 | 2000 | $136B, No FID |  |  |
| Malaysia | Malikai | 2016 | Shell | ODW | Crude |  |  |  |  | 150 | 2004 |  |  |  |
| United Kingdom Falkland Islands | Sea Lion | 2016 | Rockhopper | OFF | Crude |  | .3556 |  | 2016 | 70 |  |  |  |  |


title: Mike Rodak

abstract: Michael Rodak was an American football player. Rodak, born in Orient, PA, played high school football for the Weir High School in Weirton, WV. He then played his college football at Western Reserve from 1935 – 1938 where he greatly contributed to a number of undefeated teams under Coach Bill Edwards. His combined collegiate record was 36-2-1. Rodak played in the National Football League (NFL), two for the Cleveland Rams from 1939 and 1940, and one with the Pittsburgh Steelers in 1942. He was a member of the Detroit Lions in 1941, but missed the entire season due to a broken ankle suffered before the season. During World War II, Rodak was a paratrooper with the 187th Infantry Regiment of 11th Airborne Division in the Pacific theater. After the war, Rodak became the player-coach of the 11th Airborne Division football team. His team won the Pacific Championship going undefeated. He was discharged in 1946. In 1947, Rodak coached the Weirton Independent Union "Weiriters" semi-pro football team, earning a record of 9-1, and winning the Tri-State Area championship. He coached at Weir High School from 1948-1950, before ending up at Mingo High School for the remainder of his career.

text:
# Mike Rodak

**Michael Rodak** (February 11, 1917 – December 31, 1980) was an American football player.

Rodak, born in Orient, PA, played high school football for the Weir High School in Weirton, WV. He then played his college football at Western Reserve from 1935 – 1938 where he greatly contributed to a number of undefeated teams under Coach Bill Edwards. His combined collegiate record was 36-2-1.

Rodak played in the National Football League (NFL), two for the Cleveland Rams from 1939 and 1940, and one with the Pittsburgh Steelers in 1942. He was a member of the Detroit Lions in 1941, but missed the entire season due to a broken ankle suffered before the season.

During World War II, Rodak was a paratrooper with the 187th Infantry Regiment of 11th Airborne Division in the Pacific theater. After the war, Rodak became the player-coach of the 11th Airborne Division football team. His team won the Pacific Championship going undefeated. He was discharged in 1946.

In 1947, Rodak coached the Weirton Independent Union "Weiriters" semi-pro football team, earning a record of 9-1, and winning the Tri-State Area championship. He coached at Weir High School from 1948-1950, before ending up at Mingo High School for the remainder of his career.

## InfoBox

Mike Rodak
| Personal information | |
| --- | --- |
| Born: | (1917-02-11)February 11, 1917<br>Orient, Pennsylvania |
| Died: | December 31, 1980(1980-12-31) (aged 63) |
| Height: | 5 ft 10 in (1.78 m) |
| Weight: | 194 lb (88 kg) |
| Career information | |
| High school: | Weirton, WV |
| College: | Western Reserve |
| Position: | Halfback/Guard |
| Career history | |
|  | |
|  | |
|  | |


title: Murrayfield Racers (2018)

abstract: The Murrayfield Racers were an ice hockey team founded in 2018 and based in Edinburgh, Scotland who played in the Scottish National League (SNL).

text:
# Murrayfield Racers (2018)

The **Murrayfield Racers** were an ice hockey team founded in 2018 and based in Edinburgh, Scotland who played in the Scottish National League (SNL).

## History

The original Murrayfield Racers were founded in 1952 as the **Murrayfield Royals**, becoming the Racers in 1966. The team continued to represent the Scottish Capital until they fell into financial troubles and folded in 1996. They were replaced by the Edinburgh Capitals who were a member of the United Kingdom's premier ice hockey league, the EIHL, until they folded in 2018.

The second incarnation of the Murrayfield Racers was founded in 2018 and were awarded the Murrayfield Ice Rink contract in the April of that year. The Racers applied for entry in to the EIHL for the 2018–2019 season but were ultimately denied entry and the Capitals, now with no home venue, ceased operations at the end of the 2017–2018 EIHL season.

In June 2018, the Racers were accepted in to the Scottish National League to represent Edinburgh for the 2018–2019 season, while representing the city in the NIHL North Cup, playing their home games at the Murrayfield Ice Rink. Murrayfield withdrew from the SNL for the 2021-22 season.

In July 2022, the ice contract at Murrayfield Ice Rink was awarded to the revived Edinburgh Capitals, coached by Steven Lynch. The Capitals would take the spot vacated by the Racers, beginning with the 2022-23 Scottish National League season.

## Club roster 2020–21

| Netminders | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| No. | Nat. | Player | Catches | Date of birth | Place of birth | Acquired | **Contract** |
| **1** |  | Harry Elder | - | 2003 (17) | Scotland | 2019 from Kirkcaldy Kestrels | 20/21 |
| **35** |  | Craig Douglas | L | 17 September 1989 | Kirkcaldy, Scotland | 2019 from Fife Flyers | 20/21 |
| **TBA** |  | Euan Simpson | L | 16 February 2000 | Kirkcaldy, Scotland | 2020 from Kirkcaldy Kestrels | 20/21 |

| Defencemen | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| No. | Nat. | Player | Shoots | Date of birth | Place of birth | Acquired | **Contract** |
| **3** |  | Dean Walker |  | 3 January 1997 | Scotland | 2018 from Edinburgh Capitals (SNL) | 20/21 |
| **8** |  | Martyn Simpson | R | 27 July 1998 | Kirkcaldy, Scotland | 2019 from Kirkcaldy Kestrels | 20/21 |
| **16** |  | Liam Danskin | L | 19 July 2000 | Kirkcaldy, Scotland | 2019 from Kirkcaldy Kestrels | 20/21 |
| **21** |  | Alex Christian | L | 12 August 1993 | Dachau, Germany | 2019 from Unattached | 20/21 |
| **23** |  | Jack Wright | L | 18 April 1999 | Penrith, England | 2019 from HC Villars (Switzerland) | 20/21 |
| **33** |  | Scott Geddes | R | 11 July 1993 | Kirkcaldy, Scotland | 2018 from Dundee Tigers | 20/21 |
| **43** |  | Ethan Reid | R | 3 July 2002 | Scotland | 2015 from North Ayrshire Predators | 20/21 |
| **78** |  | Rihards Grigors | L | 20 January 1992 | Dobele, Latvia | 2019 from Milton Keynes Lightning | 20/21 |
| **TBA** |  | Aiden Paterson |  | 2004 (16) | Scotland | 2020 from Lanarkshire Lightning/Fife Falcons | 20/21 |

| Forwards | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| No. | Nat. | Player | Shoots | Date of birth | Place of birth | Acquired | **Contract** |
| **4** |  | Ross Borwick | - | 2000 (20) | Scotland | 2018 from Edinburgh Capitals (SNL) | 20/21 |
| **10** |  | Steven Clark | R | 20 March 1996 | Scotland | 2018 from Edinburgh Capitals (SNL) | 20/21 |
| **15** |  | Archie Holmes | - | 2 May 2003 | Longniddry, Scotland | 2017 from King's Edgehill School (Canada) | 20/21 |
| **19** |  | Lewis Gold | L | 8 January 1992 | Broxburn, Scotland | 2019 from Dundee Comets | 20/21 |
| **22** |  | Garry Simpson | L | 9 July 2000 | Kirkcaldy, Scotland | 2019 from Dundee Comets | 20/21 |
| **42** |  | Michael Ireland | R | 6 November 1996 | Edinburgh, Scotland | 2018 from Edinburgh Capitals | 20/21 |
| **88** |  | Kieran Black | R | 6 January 1995 | Edinburgh, Scotland | 2019 from Unattached | 20/21 |
| **89** |  | Callum Boyd | R | 16 November 1993 | Irvine, Scotland | 2018 from Edinburgh Capitals | 20/21 |
| **92** |  | Rolands Dietlavs | R | 30 January 1992 | Latvia | 2020 from HC Zemgale/LUA (Latvia) | 20/21 |
| **TBA** |  | Chad Smith | R | 18 March 1999 | Kirkcaldy, Scotland | 2020 from Glasgow Clan | 20/21 |

## 2020/21 Outgoing

| Outgoing | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| No. | Nat. | Player | Shoots | Date of birth | Place of birth | Leaving For |
| **29** |  | Mark McGill | L | 15 November 1991 | Broxburn, Scotland | To Be Announced |

## Season Record

| Season | League | GP |  | T | L | OT | OTL | Pts. | Rank | Post Season |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 2018-2019 | SNL | 16 | 14 | 2 | 0 | - | - | 30 | 1st | Final Loss |
| 2019-2020 | SNL | 15 | 13 | 0 | 1 | 0 | 1 | 29 | 2nd | Playoffs Cancelled |

## InfoBox

| Murrayfield Racers | |
| --- | --- |
|  | |
| City | Edinburgh, Scotland |
| League | Scottish National League (SNL) |
| Founded | 2018 |
| Operated | 2018–2022 |
| Home arena | Murrayfield Ice Rink
Capacity: 3800
Ice size: 200 ft × 97 ft |
| Owner(s) | Tony Hand / Willie Dunn |
| General manager | Martin Gill |
| Head coach | Martin Cingel
Jock Hay
Tony Hand |
| Website | http://www.mracers.com (website not under racers last archive under racers here: https://web.archive.org/web/20230410044416/http://www.mracers.com/ ) |


title: Oladélé Ajiboyé Bamgboyé

abstract: Oladélé Ajiboyé Bamgboyé is a Nigerian-born British artist and scientist known for his Unmasking series which innovated with early 3D technology in the 1990s. A founding member of the Street Level Gallery in Glasgow and curator at the Cambridge Darkroom Gallery, Bamgboyé has been exhibiting internationally since the mid-1990s. In 1997, he attended documenta X, where he won international acclaim for his work Paradigm Shift: African Stories. Currently, he is a civil servant and member of the UK Government Science & Engineering Profession.

text:
# Oladélé Ajiboyé Bamgboyé

**Oladélé Ajiboyé Bamgboyé** (born 1963) is a Nigerian-born British artist and scientist known for his Unmasking series which innovated with early 3D technology in the 1990s.

A founding member of the Street Level Gallery in Glasgow and curator at the Cambridge Darkroom Gallery, Bamgboyé has been exhibiting internationally since the mid-1990s. In 1997, he attended documenta X, where he won international acclaim for his work *Paradigm Shift: African Stories*.

Currently, he is a civil servant and member of the UK Government Science & Engineering Profession.

## Early life and education

Bamgboyé was born in Odo-Eku, Nigeria in 1963 as the second of seven children to Salome and Ezra Bamgboyé. In 1975, the family emigrated to Glasgow, Scotland. After 6 years in Scotland, the family moved back to Nigeria in 1981 while he remained in Scotland to continue his studies.

In 1985, he received a Bachelors of Science in Chemical & Process Engineering (BSc) from the University of Strathclyde. He later attended the Slade School of Fine Art, graduating with a Master of Arts in Digital Media & Philosophy of Art in 1998.

Bamgboyé was awarded three residencies: International Artist in Residence Awards at the Banff Centre and ArtPace in 1992 and 1999, respectively, and the Koninkrijk der Nederlanden Artist in Residence Scholarship from the V2\_Lab and Witte de Wit in 2000.

## The Unmasking series

The Unmasking series was developed and exhibited in three parts and, as noted in the Unmasking-3 Framework, was *"a logical development of the artist's general inquiry into the prevalent issues of cultural ethics, the role of a future art practice, and finally making sense of the artist's interest in the intersection of technology, culture, art, philosophy and politics".*

First conceptualised when Bamgboyé was at Slade in 1998, it continued during his residency at ArtPace in 2000 and finally culminated in 2001 at Witte de With. Utilising cutting edge technology for the era, Bamgboyé tested the boundaries of art ownership and commodification by scanning artefacts held in museums and notably the Queen Mother Head, a 16th-century bronze sculpture from Benin, Nigeria, held by the British Museum.

He developed the series with scholars, computer programmers and scientists, publishing the Unmasking 3 Framework with coauthors David England and Ming Tai. Unmasking 3, as a research project and framework, was a joint collaboration with the Foundation for Creative Technology and V2\_.

As a lecturer at Bridge the Gap, he focused on his interest in quantum physics and its potential applications in his Unmasking series, the influence of which can be seen in his Yokohama installation of Unmasking-3.

## Exhibitions

Solo exhibitions
| Year | Exhibition | Gallery | Location | Ref. |
| --- | --- | --- | --- | --- |
| 1985 | Photographs | Glasgow School of Art | Glasgow, Scotland |  |
| 1989 | ANIMA MUNDI: Still Life in Britain | The Stills Gallery | Edinburgh, Scotland |  |
| | | Maison de la Culture Parc Frontenac | Montreal, Canada |  |
| 1992 | Five Big Images | Kiek In de Kok | Tallinn, Estonia |  |
| 1995 | Well Without End | Künstlerhaus Bethanien Studio II | Berlin, Germany |  |
| 1998 | The Unmasking, Part I | Slade College of Art UCL | London, UK |  |
| | Movements | Städtische Galerie Bremen | Bremen, Germany |  |
| | Oladele Ajiboye Bamgboyé | Gallery One, Culturgest | Lisbon, Portugal |  |
| 1999 | Unmasking Part 2 | ArtPace | San Antonio TX, USA |  |
| 2000 | The Unmasking, Part II | Thomas Erben Gallery | New York NY, USA |  |
| | Strangers and Paradise | Witte de With | Rotterdam, Netherlands |  |
| | Videoworks | Helsinki Art Museum | Helsinki, Finland |  |
| 2001 | Unmasking 3 | Witte de With | Rotterdam, Netherlands |  |
| 2002 | The Hair or the Man (1994) and Blink (2001) | Thomas Erben Gallery | New York NY, USA |  |

Group exhibitions
| Year | Exhibition | Gallery | Location | Ref. |
| --- | --- | --- | --- | --- |
| 1986 | Nine Photographers at the Glasgow Print Studios | Glasgow Print Studio | Glasgow, Scotland |  |
| 1987 | New Light in Scottish Photography | The Stills Gallery | Edinburgh, Scotland |  |
| 1991 | The Problematics of Identity in Photography | Dazibao | Montreal, Canada |  |
| 1994 | Whitechapel Open | Whitechapel Gallery | London, UK |  |
| 1995 | Self-Evident | Foto Institut | Rotterdam, The Netherlands |  |
| | | Ikon Gallery | Birmingham, UK |  |
| | Sorak International Art Biennale | Sorak International Art Biennale | Sorak, South Korea |  |
| 1996 | Prospect 96 | Schirn Kunsthalle | Frankfurt, Germany |  |
| | In/Sight – African Photographers 1940 – Present | The Guggenheim | New York NY, USA |  |
| 1997 | Die Anderen Modernen: Zeitgenossische Kunst aus Afrika, Asien und Lateinamerika | Haus der Kulturen der Welt | Berlin, Germany |  |
| | Alternating Currents – as part of "Trades Routes: History and Geography – Africus | The 2nd Johannesburg Biennale | Johannesburg, South Africa |  |
| | documenta X | Fridericianum | Kassel, Germany |  |
| 1998 | Accrochage – Part II | Thomas Erben Gallery | New York NY, USA |  |
| | Transatlantico | Centro Atlantico de Arte Moderno | Las Palmas de Gran Canaria, Spain |  |
| | Afromedi@rt | Kunsthalle Krems | Krems an der Donau, Austria |  |
| | Interference | African Art Museum of Ifan Cheikh Anta Diop | Dakar, Senegal |  |
| | DAK'ART 98Biennial of Contemporary African Art | African Art Museum of Ifan Cheikh Anta Diop | Dakar, Senegal |  |
| 1999 | Summer Gallery Show | Thomas Erben Gallery | New York NY, USA |  |
| | Laboratorium | Museum voor Fotografie | Antwerp, Belgium |  |
| 2000 | Intelligence – 1st Tate Triennial of Contemporary British Art | Tate Britain | London, UK |  |
| | Mirror – as part of "Voila – le Monde dans la Tete" | Musée d'Art Moderne de Paris | Paris, France |  |
| | Mission Finland | Helsinki Art Museum | Helsinki, Finland |  |
| | Bodies of Resistance | Real Art Ways | Hartford CT, USA |  |
| | Mostra Africana de Arte Contemporânea | SESC Pompeia | São Paulo, Brazil |  |
| | South Meets West | Kunsthalle Bern | Bern, Switzerland |  |
| 2001 | The Short Century | Museum of Contemporary Art | Chicago IL, USA |  |
| | | House of World Cultures Martin-Gropius-Bau | Berlin, Germany |  |
| | | Museum Villa Stuck | Munich, Germany |  |
| | Animations | MoMA PS1 | Long Island City NY, USA |  |
| | Tirana Biennale 1 – Escape | National Museum of Fine Arts | Tirana, Albania |  |
| | Mega Wave: Towards a New Synthesis | Yokohama International Triennale of Contemporary Art | Yokohama, Japan |  |
| | Bridge the Gap | CCA Center for Contemporary Art Kitakyushu | Kita-Kyushu, Japan |  |
| 2002 | The Short Century | MoMA PS1 | Long Island City NY, USA |  |
| 2003 | Taipei Biennial | Taipei Biennial | Taipei, Taiwan, Republic of China |  |
| 2016 | Après Eden: The Walther Collection | La Maison Rouge | Paris, France |  |
| 2021 | 25 years | Thomas Erben Gallery | New York NY, USA |  |
| 2022 | Shifting Dialogues Photography from The Walther Collection | K21 | Düsseldorf, Germany |  |
| 2023 | Accrochage | Thomas Erben Gallery | New York NY, USA |  |

## Publications

* Bamgboyé, Oladélé Ajiboyé (1 April 2000). *Writings on Technology and Culture*. Kunstinstituut Melly.

* Bamgboyé, Oladélé Ajiboyé (15 December 2000). *Before & Beyond*. Center for Contemporary Art, CCA Kitakyushu Kitakyushu, Japan.

Collections and catalogues
| Year | Title | Description | ISBN |
| --- | --- | --- | --- |
| 1989 | Anima Mundi: Still Life in Britain | Canadian Museum of Contemporary Photography / National Gallery of Canada | 978-0-88884-555-9 |
| 1993 | Photofeis | Scottish International Festival of Photography catalogue |  |
| 1995 | Prospect 96 at Frankfurter Kunstverein | Exhibition catalogue | 978-3-908162-18-6, 978-3-908162-20-9 |
| | Self Evident catalogue | Ikon Gallery catalogue |  |
| | Freedom | An Amnesty International Glasgow Groups exhibition catalogue | 978-1-873328-13-2 |
| 1996 | In/Sight African Photographers, 1940 to the Present | Solomon Guggenheim Museum exhibition catalogue | 978-0-8109-6895-0, 978-0-89207-169-2 |
| 1997 | Die Anderen Modernen | Haus de Kulturen de Welt, Berlin exhibition catalogue | 978-3-89466-194-6 |
| | Trade Routes: History + Geography | Exhibition catalogue for 2nd Johannesburg Biennale | 978-0-620-21522-0 |
| | Documenta X | Short Guide, documenta und Museum Fredricianum | 978-3-89322-938-3 |
| | Crossing | Contemporary Art Museum, University of South Florida exhibition catalogue | 978-1-889195-24-7 |
| 1999 | Contemporary Photographers, 3rd edition | - | 978-1-55862-190-9 |
| | Dreams | A Fondazione Sandretto Re Rebaudengo per l'Arte event catalogue for the Venice Biennal of Visual Arts | 978-88-8210-155-8 |
| 2000 | Mostra Africana de Arte Contemporânea | Exhibition catalogue published by Associação Cultural Videobrasil |  |
| | More Works about Buildings and Food | Catalogue of internet livestream, Fundição de Oeiras, Hangar K7 | 978-972-98700-0-2 |
| 2001 | ARCO 02 | Ifema Feria de Madrid catalogues | 978-84-8215-202-8, 978-84-8215-203-5, 978-84-8215-201-1 |
| 2002 | Taipei Biennial – Great Theatre of the World | Exhibition catalogue | 978-957-01-2630-3 |
| 2003 | Revisitar Canarias / The Canary Islands Revisited | Collection by Government of Canary Islands | 978-84-7947-329-7, 978-84-7947-325-9 |

## Honours, awards and nominations

Awarded the *Richard Hough Prize for Photography* (1992), Scotland.

Awarded the *Gulbenkian Foundation Grant* (1993)

Nominated for *The Vincent van Gogh Biennial Award for Contemporary Art in Europe* (2000)

## Reviews and news

**Oladélé Ajiboyé Bamgboyé (review)**, Nka: Journal of Contemporary African Art

**Interview with Oladélé A. Bamgboyé**, Journal of Contemporary African Art

**ART IN REVIEW; Oladele Bamgboye**, NY Times

**Oladélé Bamgboyé, The Unmasking, Part II and Earlier Photoworks**, Time Out New York

**For a few euros more | Art and design**, The Guardian

**Thick and thin**, The Guardian

**Into Africa**, artnet.com Magazine

**Oladélé Bamgboyé, The Unmasking, Part II**, New York Arts Magazine

**From**, Witte de With, centrum voor hedendaagse kunst

**Exhibition Histories - The Short Century**, C&

**Oladele Bamgboye, Artist of the Month (article)**, New York Contemporary Art Report

**Anima Mundi (review)**, ETC

**Documenta X - Reclaiming the political project of the avant-garde**, Third Text

**Moving In. Eight contemporary African artists**, Flash Art International

**Oladélé Ajiboyé Bamgboyé**, BE Magazin

**The White Aesthetic Necessitated by the 'Glasgow Miracle'**

## InfoBox

| Ola Bamgboyé | |
| --- | --- |
| Interviewed at documenta X, 1997 | |
| Born | Oladélé Ajiboyé Bamgboyé
1963 (age 6061)
Odo-Eku, Nigeria |
| Citizenship | * British |
| Alma mater |  |
| Known for |  |


title: Frank Le Blond Kloeb

abstract: Frank Le Blond Kloeb, also known as Frank L. Kloeb, was a Democratic United States Representative from Ohio, serving two terms from 1933 to 1937. He was also a United States district judge of the United States District Court for the Northern District of Ohio.

text:
# Frank Le Blond Kloeb

**Frank Le Blond Kloeb** (June 16, 1890 – March 11, 1976), also known as **Frank L. Kloeb**, was a Democratic United States Representative from Ohio, serving two terms from 1933 to 1937. He was also a United States district judge of the United States District Court for the Northern District of Ohio.

## Education and career

Kloeb (grandson of Francis Celeste Le Blond) was born in Celina, Ohio. He attended the parochial and public schools, Ohio State University at Columbus and the University of Wisconsin–Madison. During the First World War, Kloeb enlisted as a seaman in the United States Navy, advanced to quartermaster, third class, and then to ensign, and served from September 1917 to March 1919. He graduated from the Ohio State University Moritz College of Law in 1917, was admitted to the bar the same year and commenced practice in Celina in April 1919. He served as prosecuting attorney of Mercer County, Ohio, from 1921 to 1925. He continued in private practice until 1933.

## Congressional service

Kloeb was elected as a Democrat to the 73rd United States Congress and reelected to the two succeeding Congresses. He served from March 4, 1933, until August 19, 1937, when he resigned to accept a federal judicial appointment.

## Federal judicial service

Kloeb was nominated by President Franklin D. Roosevelt on June 18, 1937, to a seat on the United States District Court for the Northern District of Ohio vacated by Judge George Philip Hahn. He was confirmed by the United States Senate on June 22, 1937, and received his commission on August 20, 1937. He served as Chief Judge from 1959 to 1960. He assumed senior status on September 30, 1964. His service terminated on March 11, 1976, due to his death in Toledo, Ohio. He was interred in Calvary Cemetery.

## Family

Kloeb and his wife, formerly Florence Root, had one daughter.

## Sources

## InfoBox

| Frank Le Blond Kloeb | |
| --- | --- |
|  | |
|  | |
| Senior Judge of the United States District Court for the Northern District of Ohio | |
| **In office**
September 30, 1964  March 11, 1976 | |
| Chief Judge of the United States District Court for the Northern District of Ohio | |
| **In office**
1959–1960 | |
| Preceded by | Paul Jones |
| Succeeded by | Charles Joseph McNamee |
| Judge of the United States District Court for the Northern District of Ohio | |
| **In office**
August 20, 1937  September 30, 1964 | |
| Appointed by | Franklin D. Roosevelt |
| Preceded by | George Philip Hahn |
| Succeeded by | Don John Young |
| Member of the U.S. House of Representatives
from Ohio's 4th district | |
| **In office**
March 4, 1933  August 19, 1937 | |
| Preceded by | John L. Cable |
| Succeeded by | Walter H. Albaugh |
|  | |
| Personal details | |
| Born | Frank Le Blond Kloeb
(1890-06-16)June 16, 1890
Celina, Ohio |
| Died | March 11, 1976(1976-03-11) (aged 85)
Toledo, Ohio |
| Resting place | Calvary Cemetery |
| Political party | Democratic |
| Relatives | Francis Celeste Le Blond |
| Education | Ohio State University
University of Wisconsin–Madison
Ohio State University Moritz College of Law |
|  | |


title: Tidal heating of Io

abstract: Tidal heating of Io occurs through the tidal friction processes between Jupiter and its moon. Orbital and rotational energy are dissipated as heat in the crust of the moon. Io has a similar mass and size as the Moon, but Io is the most geologically active body in the Solar System. This is caused by the heating mechanism of Io. The major heating source of Earth and the Moon is radioactive heating, but the heating source on Io is tidal heating. As Jupiter is very massive, the side of Io nearest to Jupiter has a slightly larger gravitational pull than the opposite side. This difference in gravitational forces cause distortion of Io’s shape. Differently from the Earth’s only moon, Jupiter has two other large moons that are in an orbital resonance with it. Io is the innermost of this set of resonant moons, and their interactions maintain its orbit in an eccentric (elliptical) state. The varying distance between Jupiter and Io continually changes the degree of distortion of Io's shape and flexes its interior, frictionally heating it. The friction-induced heating drives strong volcanic activities on the surface of Io. Although there is general agreement that the cause of the heat as manifested in Io's many volcanoes is tidal heating from the pull of gravity from Jupiter and its moon Europa, the volcanoes are not in the positions predicted with tidal heating. They are shifted 30 to 60 degrees to the East. A study published in 2015, explains the eastern shift by an ocean of molten rock under the surface. The movement of this magma would generate extra heat. Liquids, especially if they are sticky, can produce heat through friction. The team who wrote the paper believe that the subsurface ocean is a mixture of molten and solid rock. When the molten rock flows, it may swirl and rub against the surrounding rock, thus generating heat. Other moons in the Solar System undergo tidal heating, and they too may have more heat generated by this process, including heat from the movement of water. This ability to generate heat in a subsurface ocean increases the chance of life on bodies like Europa and Enceladus.

text:
# Tidal heating of Io

**Tidal heating of Io** (also known as tidal working) occurs through the tidal friction processes between Jupiter and its moon. Orbital and rotational energy are dissipated as heat in the crust of the moon. Io has a similar mass and size as the Moon, but Io is the most geologically active body in the Solar System. This is caused by the heating mechanism of Io. The major heating source of Earth and the Moon is radioactive heating, but the heating source on Io is tidal heating. As Jupiter is very massive, the side of Io nearest to Jupiter has a slightly larger gravitational pull than the opposite side. This difference in gravitational forces cause distortion of Io’s shape. Differently from the Earth’s only moon, Jupiter has two other large moons (Europa and Ganymede) that are in an orbital resonance with it. Io is the innermost of this set of resonant moons, and their interactions maintain its orbit in an eccentric (elliptical) state. The varying distance between Jupiter and Io continually changes the degree of distortion of Io's shape and flexes its interior, frictionally heating it. The friction-induced heating drives strong volcanic activities on the surface of Io.

Although there is general agreement that the cause of the heat as manifested in Io's many volcanoes is tidal heating from the pull of gravity from Jupiter and its moon Europa, the volcanoes are not in the positions predicted with tidal heating. They are shifted 30 to 60 degrees to the East. A study published in 2015, explains the eastern shift by an ocean of molten rock under the surface. The movement of this magma would generate extra heat. Liquids, especially if they are sticky (or viscous), can produce heat through friction. The team who wrote the paper believe that the subsurface ocean is a mixture of molten and solid rock. When the molten rock flows, it may swirl and rub against the surrounding rock, thus generating heat.

Other moons in the Solar System undergo tidal heating, and they too may have more heat generated by this process, including heat from the movement of water. This ability to generate heat in a subsurface ocean increases the chance of life on bodies like Europa and Enceladus.


title: Trechus conformis

abstract: Trechus conformis is a species of ground beetle in the subfamily Trechinae. It was described by Jeannel in 1927.

text:
# Trechus conformis

***Trechus conformis*** is a species of ground beetle in the subfamily Trechinae. It was described by Jeannel in 1927.

## InfoBox

| *Trechus conformis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Carabidae |
| Genus: | *Trechus* |
| Species: | ***T. conformis*** |
| Binomial name | |
| ***Trechus conformis***<br>Jeannel, 1927 | |
|


title: The Irish Felon

abstract: The Irish Felon was a nationalist weekly journal printed in Dublin in 1848. Only five issues were published before its suppression by the British Government.

text:
# The Irish Felon

**The Irish Felon** was a nationalist weekly journal printed in Dublin in 1848. Only five issues were published before its suppression by the British Government.

## History

The *United Irishman* was a republican journal printed and published by John Mitchel from February 1848. Mitchel had written for *The Nation*, which supported Daniel O'Connell's Repeal Association, but resigned to create his more radical paper, advocating sedition. Another member of Young Ireland, John Martin, contributed to Mitchel's paper. Mitchel was arrested, initially charged with sedition but was then charged with the new crime of treason felony and on 21 May was sentenced to 14 years in Van Diemen's Land.

Martin aimed to carry on Mitchel's political message. The gap for a more radical publication was first filled by *The Irish Tribune*, which appeared on 10 June and contained a memoir of Mitchel, however the first issue also contained an advertisement for Martin's new journal with a claim that it was the "successor to the *United Irishman*" and would be assisted by two other Young Irelanders, Thomas Devin Reilly and James Fintan Lalor. It was also stated that the journal would be "selected and compiled in the same manner as the *United Irishman*" and that "subscribers to the *United Irishman* will be supplied with "The Irish Felon" to the expiration of their respective Terms of Subscription." *The Irish Felon* duly appeared on 24 June. Martin also established The Felon Club, one of many nationalist clubs. Reilly had previously provided articles for the *United Irishman* and Lalor had been a regular contributor to *The Nation*. Articles continued to cover the revolutionary unrest in Europe of the period. Martin, like Mitchel, printed and published the paper himself from the same address, 12 Trinity Street.

Members of the House of Commons and the House of Lords debated concerns about the famine, failed prosecutions for sedition, so-called "monster meetings" and Irish revolutionary opinion in general, including its effect on Great Britain. The *Crown and Government Security Bill* had gone from its first reading to law in the month of April, mentioning Mitchel and resulting in the Act of Parliament under which he had been charged. A seditious article of Lalor's from *The Irish Felon* was quoted on 22 July by the prime minister, John Russell, who additionally referred to *The Nation*. Lalor was quoted by the Marquess of Lansdowne and Baron Kerry, Henry Petty-FitzMaurice, two days later in the House of Lords, after which the *Habeas Corpus Suspension (Ireland) Bill* was passed. Martin had handed himself in on 8 July 1848 after a warrant was issued for his arrest. Kevin Izod O'Doherty and Richard D'Alton Williams, two proprietors of The Irish Tribune, were arrested two days later. The press was stopped and the type and press seized on 28 July and future publication suspended.

Martin was charged with treason felony. Lalor wrote to the Under-Secretary saying that he had written the articles which had been used as evidence against Martin. His appeal was rejected and he himself was arrested. Martin was given a 10-year sentence in Van Diemen's Land on 18 August. Lalor suffered from ill health in prison and was released some months later. He died the following year from bronchitis. Reilly escaped arrest and fled to the US.

## InfoBox

The Irish Felon
|  | |
| --- | --- |
| Type | weekly newspaper |
| Founded | 24 June 1848 (1848-06-24) |
| Political alignment | Irish nationalism |
| Language | English |
| Headquarters | Dublin |


title: India Billie Jean King Cup team

abstract: The India Billie Jean King Cup team represents India in the WTA & ITF Billie Jean King Cup professional tennis competition and are governed by the All India Tennis Association.

text:
# India Billie Jean King Cup team

The **India Billie Jean King Cup team** represents India in the WTA & ITF Billie Jean King Cup professional tennis competition and are governed by the All India Tennis Association.

## Brief History

India competed in its first Fed Cup in 1977, but did not compete again until 1991. Since 1991, India has been competing annually (except 1993). India's best result was reaching the Asia/Oceania Group I final in 2006.

In 2004, Manisha Malhotra and Sania Mirza broke the record for playing the longest tiebreak (21-19) in their doubles match against Uzbekistan pair Vlada Ekshibarova and Ivanna Israilova.

## Current team

2022 Billie Jean King Cup
| Player | Win–loss | | | Years played | Ties | Ranking | |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | Singles | Doubles | Totals | | | Singles | Doubles |
| Riya Bhatia | 1–1 | 1–7 | 2–8 | 4 (2017, 2019–22) | 9 | 463 | 469 |
| Rutuja Bhosale | 9–6 | 2–2 | 11–8 | 5 (2012–13, 2021–22) | 18 | 477 | 270 |
| Ankita Raina | 18–15 | 8–6 | 26–21 | 10 (2013–2022) | 35 | 319 | 133 |
| Sowjanya Bavisetti | 0–0 | 1–6 | 1–6 | 2 (2020–2022) | 7 | 531 | 568 |
| Source | | | | | | | | | |

*Win–loss as of 16 April 2022, rankings as of 16 April 2022.*

## Players

| Name | Years | First | Ties | Win/Loss | | |
| --- | --- | --- | --- | --- | --- | --- |
| | | | | Singles | Doubles | Total |
| Sowjanya Bavisetti | 1 | 2020 | 2 | 0–0 | 1–1 | 1–1 |
| Ankita Bhambri | 5 | 2004 | 18 | 6–7 | 2–7 | 8–14 |
| Prerna Bhambri | 2 | 2012 | 7 | 4–2 | 1–1 | 5–3 |
| Sanaa Bhambri | 2 | 2009 | 7 | 0–2 | 3–2 | 3–4 |
| Riya Bhatia | 3 | 2017 | 4 | 0–0 | 1–3 | 1–3 |
| Rutuja Bhosale | 3 | 2012 | 13 | 7–5 | 1–1 | 8–6 |
| Rushmi Chakravarthi | 9 | 1994 | 26 | 3–7 | 11–11 | 14–18 |
| Shruti Dhawan | 1 | 1999 | 2 | 0–0 | 0–2 | 0–2 |
| Sheethal Goutham | 1 | 2002 | 2 | 0–0 | 1–1 | 1–1 |
| Tara Iyer | 1 | 2007 | 4 | 1–1 | 1–2 | 2–3 |
| Mahak Jain | 1 | 2019 | 1 | 0–1 | 0–0 | 0–1 |
| Sai Jayalakshmy Jayaram | 4 | 1996 | 13 | 3–1 | 3–6 | 6–7 |
| Uzma Khan | 3 | 1997 | 11 | 9–1 | 0–1 | 9–2 |
| Janaki Krishnamoorthy | 3 | 1991 | 6 | 2–4 | 2–2 | 4–6 |
| Sohini Kumari | 3 | 1991 | 5 | 0–0 | 2–3 | 2–3 |
| Isha Lakhani | 4 | 2003 | 13 | 3–2 | 6–2 | 9–4 |
| Manisha Malhotra | 7 | 1995 | 27 | 7–11 | 10–4 | 17–15 |
| Divya Merchant | 1 | 1991 | 2 | 0–2 | 0–1 | 0–3 |
| Sania Mirza | 11 | 2003 | 29 | 13–5 | 14–5 | 27–10 |
| Natasha Palha | 1 | 2015 | 3 | 0–0 | 2–0 | 2–0 |
| Jahnavi Parekh | 1 | 1997 | 4 | 0–2 | 0–4 | 0–6 |
| Sonal Phadke | 1 | 2002 | 2 | 0–1 | 0–1 | 0–2 |
| Arati Ponnappa | 4 | 1994 | 14 | 0–6 | 4–7 | 4–13 |
| Ankita Raina | 8 | 2013 | 29 | 15–11 | 8–6 | 23–17 |
| Sunitha Rao | 2 | 2007 | 8 | 2–4 | 3–2 | 5–6 |
| Aradhana Reddy | 2 | 1991 | 6 | 1–3 | 0–1 | 1–5 |
| Snehadevi Reddy | 1 | 2017 | 1 | 0–0 | 0–1 | 0–1 |
| Ashvarya Shrivastava | 1 | 2011 | 2 | 0–2 | 1–0 | 1–2 |
| Kyra Shroff | 1 | 2013 | 3 | 0–2 | 0–1 | 0–3 |
| Rishika Sunkara | 2 | 2013 | 5 | 1–2 | 1–2 | 2–4 |
| Karman Thandi | 3 | 2017 | 9 | 3–6 | 2–1 | 5–7 |
| Prarthana Thombare | 5 | 2014 | 17 | 7–2 | 6–6 | 13–8 |
| Radhika Tulpule | 1 | 2000 | 1 | 0–0 | 1–0 | 1–0 |
| Shikha Uberoi | 4 | 2005 | 15 | 9–3 | 5–4 | 14–7 |
| Nirupama Vaidyanathan | 8 | 1992 | 31 | 20–8 | 9–6 | 29–14 |
| Meghha Vakaria | 1 | 2003 | 3 | 0–0 | 2–0 | 2–0 |
| Poojashree Venkatesha | 2 | 2010 | 5 | 2–3 | 2–0 | 4–3 |
| Pranjala Yadlapalli | 1 | 2018 | 1 | 0–0 | 1–0 | 1–0 |

## Results

### 1970s

### 1990s

### 2000s

### 2010s

### 2020s

## InfoBox

| India | |
| --- | --- |
|  | |
| Captain | Vishal Uppal |
| Coach | Zeeshan Ali |
| ITF ranking | 32 (25 February 2024) |
| Colors | blue & white |
|  | |
| First year | 1991 |
| Years played | 32 |
| Ties played (W–L) | 128 (69–59) |
| Best finish | World Group play-offs (2020-21) |
|  | |
| Most total wins | Ankita Raina (33–29) |
| Most singles wins | Ankita Raina (21–21) |
| Most doubles wins | Sania Mirza (14–5) |
| Best doubles team | Manisha Malhotra /<br>Nirupama Vaidyanathan (6–0) |
| Most ties played | Ankita Raina (45) |
| Most years played | Sania Mirza (11) |
| Last updated on: 13 April 2024. | |


title: Indian Lake (Hamilton County, New York)

abstract: Indian Lake is a 12-mile (19 km) long, 4,255-acre (1,722 ha) reservoir with a southwest to northeast orientation in the towns of Indian Lake and Lake Pleasant in Hamilton County, in the Adirondack Park of New York State, in the United States. The hamlet of Indian Lake is located 2 miles (3.2 km) north of the north end of Indian Lake. New York State Route 30 runs along the west shore of the lake. Most of the shore is part of the Forest Preserve. Indian Lake is fed by the Jessup River, and drains through the Indian River into Lake Abanakee, and from there through the Indian River to the Hudson River. The State of New York operates a campground offering campsites in Indian Lake, most of which are on islands, that are accessible only by boat. The campground is 12 miles south of Indian Lake village on NY 30, and is open from mid-May until Columbus Day. The lake was made famous by the 1968 pop song "Indian Lake" performed by the Cowsills.

text:
# Indian Lake (Hamilton County, New York)

**Indian Lake** is a 12-mile (19 km) long, 4,255-acre (1,722 ha) reservoir with a southwest to northeast orientation in the towns of Indian Lake and Lake Pleasant in Hamilton County, in the Adirondack Park of New York State, in the United States. The hamlet of Indian Lake is located 2 miles (3.2 km) north of the north end of Indian Lake. New York State Route 30 runs along the west shore of the lake. Most of the shore is part of the Forest Preserve. Indian Lake is fed by the Jessup River, and drains through the Indian River into Lake Abanakee, and from there through the Indian River to the Hudson River.

The State of New York operates a campground offering campsites in Indian Lake, most of which are on islands, that are accessible only by boat. The campground is 12 miles south of Indian Lake village on NY 30, and is open from mid-May until Columbus Day.

The lake was made famous by the 1968 pop song "Indian Lake" performed by the Cowsills.

## Tributaries and locations

* **Camp Island**  An island located by the Indian Lakes Islands Campground. Has a campsite on the island.
* **Crotched Point Island**  An island located north of Camp Island. There is a campsite on the island.
* **Doherty Island**  An island located where the Doherty Brook enters the lake. There is a campground on the island.
* **Green Island**  An island located south of Doherty Island. There is a campground on the island.
* **John Mack Bay**  A bay of the lake that is located near Moose Island.
* **Kirpen's Island**  An island located in Norman's Cove.
* **Moose Island**  An island located at the mouth of the Jessup River bay. The largest island on the lake. There is a campsite on the island.
* **Norman's Cove**  A bay of the lake located on the east shore across from Sabael.
* **Poplar Point**  A point located between the mouths of Willow Brook and Forks Brook.

## Fishing

Fish species present in the lake are brook trout, lake trout, brown trout, landlocked salmon, smallmouth bass, northern pike, lake whitefish, black bullhead, yellow perch, smelt, pumpkinseed sunfish, and white sucker. There is a state owned hard surface ramp launch in the campground off NY-30, 14 miles north of Speculator, New York. There are also boat rentals available and a marina.

## InfoBox

| Indian Lake | |
| --- | --- |
|  | |
| Indian LakeLocation within New YorkIndian LakeIndian Lake (the United States) | |
| Location | Hamilton County, New York, United States |
| Coordinates | 43°41′09″N 74°19′48″W / 43.6857564°N 74.3298903°W / 43.6857564; -74.3298903 |
| Type | Reservoir |
| Primary inflows | Jessup River, Lewey Lake, Mc Ginn Brook, Woodland Brook, Falls Brook, Willow Brook, Forks Brook, Griffin Brook, Beaver Brook, Doherty Brook, Lawrence Brook, Squaw Brook |
| Primary outflows | Indian River |
| Basin countries | United States |
|  | |
| Max. length | 12 miles (19 km) |
| Max. width | 1 mile (1.6 km) |
| Surface area | 4,676 acres (1,892 ha) |
| Average depth | 39 feet (12 m) |
| Max. depth | 85 feet (26 m) |
| Surface elevation | 1,650 feet (500 m) |
|  | |
| Islands | **10** |
| Settlements | Indian Lake, New York |


title: Onye Nnorom

abstract: Onye Nnorom is a Canadian physician and public health specialist. She is an assistant professor and associate program director of the public health and preventative medicine residency program at the Dalla Lana School of Public Health. She is the Black health lead for University of Toronto's faculty of medicine, and is a former president of the Black Physicians’ Association of Ontario. Her research considers public health and health inequality for Black and other marginalized communities.

text:
# Onye Nnorom

**Onye Nnorom** is a Canadian physician and public health specialist. She is an assistant professor and associate program director of the public health and preventative medicine residency program at the Dalla Lana School of Public Health. She is the Black health lead for University of Toronto's faculty of medicine, and is a former president of the Black Physicians’ Association of Ontario. Her research considers public health and health inequality for Black and other marginalized communities.

## Early life and education

Nnorom was born in Montreal, Quebec. Her mother migrated to Canada from Trinidad and Tobago and her father migrated from Nigeria. Her father worked as a maintenance worker and her mother was a personal support worker. Nnorom took part in a summer camp for gifted students, during which she became interested in science.

Nnorom attended Concordia University, where she completed a bachelor's degree in molecular biology. In the second year of her degree, she was mentored by a physician, Dr. Eric Laryea, who was leading a program to recruit more Black medical students. Nnorom eventually applied to study medicine at McGill University, where she focused on the social determinants of health, graduating in 2007. During her time at McGill she volunteered with the YMCA, helping refugees access health services. She completed a master's degree in public health at the University of Toronto and completed her residency training at St. Michael's Hospital.

## Research and career

Upon graduating, Nnorom worked in various community health programs around Thunder Bay and Toronto, including the Women’s Health in Women’s Hands Community Health Centre and NorWest Community Health Centre. She then joined the TAIBU Community Health Centre as a Family Physician and chronic Disease Prevention Lead. She also works as a Clinical Consultant for the Nicotine Dependence Centre at the Centre for Addiction and Mental Health.

In 2013, she was made Associate Program Director at the Dalla Lana School of Public Health for the Public Health and Preventative Medicine Residency Program. Her research considers anti-Black racism and how it impacts health outcomes. She has worked with the University of Toronto to incorporate discussions on structural racism and public health into all four years of their medical school education. In 2020, Nnorom was appointed Director of Equity, Diversity, and Inclusion in the Department of Family and Community Medicine at the University of Toronto.

In 2020, Nnorom launched a podcast, *Race, Health & Happiness*, which discusses the impact of institutional racism on societal health. She is a former President of the Black Physicians’ Association of Ontario. In 2021, under Nnorom's leadership and in partnership with the Black Scientists’ Task Force on Vaccine Equity in Toronto, the Black Physicians' Association of Ontario launched the Black Health Vaccine Initiative, an effort aimed at providing culturally safe vaccine clinics to Black and other marginalized communities across the province.

In 2021, alongside fellow Black Canadian physicians, Nnorom cofounded and launched the Black Health Education Collaborative (BHEC), a project that has been in the works since 2019. The Collaborative is an education primer with several modules aimed at medical students and medical school faculties to provide information and resources on Black health and inequities in the Canadian healthcare system. Other healthcare professionals involved in the Collaborative include Dr. OmiSoore Dryden, Dr. Delia Douglas, Sume Ndumbe-Eyoh, Dr. Barbara Hamilton-Hinch, and Dr. Gaynor Watson-Creed.

## Awards and honours

* 2019 Honouree, Women of Purpose Awards
* 2020 Best Health Magazine's Women of the Year

## Selected publications

* "Correction to "Time to dismantle systemic anti-Black racism in medicine in Canada"". *Canadian Medical Association Journal*. **193** (7): E253. 2021-02-15. doi:10.1503/cmaj.210163. ISSN 0820-3946. PMC 8034335. PMID 33593960.
* Nnorom, Onye; Findlay, Nicole; Lee-Foon, Nakia K; Jain, Ankur A; Ziegler, Carolyn P; Scott, Fran E; Rodney, Patricia; Lofters, Aisha K (2019). "Dying to Learn: A Scoping Review of Breast and Cervical Cancer Studies Focusing on Black Canadian Women". *Journal of Health Care for the Poor and Underserved*. **30** (4): 1331–1359. doi:10.1353/hpu.2019.0100. ISSN 1548-6869.
* Mpalirwa, Joseph; Lofters, Aisha; Nnorom, Onye; Hanson, Mark D. (2020-10-27). "Patients, Pride, and Prejudice: Exploring Black Ontarian Physicians' Experiences of Racism and Discrimination". *Academic Medicine*. **95** (11S): S51–S57. doi:10.1097/acm.0000000000003648. ISSN 1040-2446.

## InfoBox

| Onyenyechukwu Nnorom | |
| --- | --- |
| Born | (1981-02-27) February 27, 1981
Montreal, Quebec, Canada |
| Alma mater | McGill University
Concordia University |
| **Scientific career** | |
| Institutions | Dalla Lana School of Public Health
University of Toronto |
|  | |


title: In the Heart of the World

abstract: Zai Shijie Zhongxin is the second album by Singaporean singer Kelly Poon, and her first to be released in Taiwan. It was released on September 28, 2007.

text:
# In the Heart of the World

***Zai Shijie Zhongxin*** (Chinese: 在世界中心) is the second album by Singaporean singer Kelly Poon, and her first to be released in Taiwan. It was released on September 28, 2007.

## Track listing

1. It's Not Ending
2. 完美的默契 (Perfect Chemistry)
3. 溺愛 (Spoiled)
4. 再聯絡 (Get In Touch Again)
5. Flying
6. 在世界中心 (In the Heart of the World)
7. Shakalaka Baby (music by A. R. Rahman)
8. 第二生命 (Second Life)
9. Action
10. 一秒鐘的永遠 (One Second of Eternity)
11. 印象派的愛情 (Impressionistic Love)
12. Message
13. 給前男友 (To My Ex-Boyfriend)
14. LIVE
15. 別說我購物狂 (Don't Say I'm a Shopaholic)

## InfoBox

| In the Heart of the World
在世界中心 | |
| --- | --- |
|  | |
| Studio album by Kelly Poon | |
| Released | September 28, 2007 |
| Label | Universal Music |
| Kelly Poon chronology | |
| *Love Me, Kelly*
(2006) ***In the Heart of the World
在世界中心***
(2007) | |


title: Oneco, Florida

abstract: Oneco is an unincorporated community in Manatee County, Florida, United States. It is a suburb of Bradenton, located just southeast of the city. The community is part of the North Port–Sarasota–Bradenton Metropolitan Statistical Area. In the 1920 Census it was enumerated as Precinct 6. The community reported as a census-designated place by the U.S. Census Bureau from 1960 to 1980.

text:
# Oneco, Florida

**Oneco** (/ˈˈnk/) is an unincorporated community in Manatee County, Florida, United States. It is a suburb of Bradenton, located just southeast of the city. The community is part of the North Port–Sarasota–Bradenton Metropolitan Statistical Area. In the 1920 Census it was enumerated as Precinct 6. The community reported as a census-designated place by the U.S. Census Bureau from 1960 to 1980.

## History

Historical population
| Census | Pop. | Note |  |
| --- | --- | --- | --- |
| 1920 | 772 |  |  |
| 1960 | 1,530 |  |  |
| 1970 | 3,246 |  | 112.2% |
| 1980 | 6,417 |  | 97.7% |
| source: | | | |

A post office has been in operation at Oneco since 1889. The origin of the name Oneco is unclear but two possible stories exist. One story suggests it has Indian origins and based on Oneka, the eldest son of Uncas, a Mohegan Indian chief. The second story suggests the Reasoner Nursery was the only company in town. Residents acknowledged the town was a "one company" town and made a contraction of the term (***one* *co***mpany) to give its current name.

## InfoBox

| Oneco, Florida | |
| --- | --- |
| Unincorporated community | |
| OnecoLocation within Manatee County, Florida | |
| Coordinates: 27°27′N 82°33′W / 27.450°N 82.550°W / 27.450; -82.550 | |
| Country | United States |
| State | Florida |
| County | Manatee |


title: Oonopinus angustatus

abstract: Oonopinus angustatus is a spider species found in Spain, France, Corsica and Algeria. It is the type species of the genus Oonopinus.

text:
# Oonopinus angustatus

***Oonopinus angustatus*** is a spider species found in Spain, France, Corsica and Algeria.

It is the type species of the genus *Oonopinus*.

## InfoBox

| *Oonopinus angustatus* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Subphylum: | Chelicerata |
| Class: | Arachnida |
| Order: | Araneae |
| Infraorder: | Araneomorphae |
| Family: | Oonopidae |
| Genus: | *Oonopinus* |
| Species: | ***O. angustatus*** |
| Binomial name | |
| ***Oonopinus angustatus***<br>(Simon, 1882) | |
|


title: Indobufen

abstract: Indobufen is a platelet aggregation inhibitor. It acts as a reversible cyclooxygenase inhibitor.

text:
# Indobufen

**Indobufen** is a platelet aggregation inhibitor. It acts as a reversible cyclooxygenase inhibitor.

## InfoBox

Indobufen
|  | |
| --- | --- |
|  | |
| Clinical data | |
| AHFS/Drugs.com | International Drug Names |
| ATC code |  |
| Identifiers | |
| IUPAC name * 2-(4-(1-Oxoisoindolin-2-yl)phenyl)butanoic acid | |
| CAS Number |  |
| PubChem CID |  |
| ChemSpider |  |
| UNII |  |
| KEGG |  |
| ChEMBL |  |
| CompTox Dashboard (EPA) |  |
| ECHA InfoCard | 100.058.496 |
| Chemical and physical data | |
| Formula | C18H17NO3 |
| Molar mass | 295.338 g·mol−1 |
| 3D model (JSmol) |  |
| SMILES * O=C(O)C(c1ccc(cc1)N3C(=O)c2ccccc2C3)CC | |
| InChI * InChI=1S/C18H17NO3/c1-2-15(18(21)22)12-7-9-14(10-8-12)19-11-13-5-3-4-6-16(13)17(19)20/h3-10,15H,2,11H2,1H3,(H,21,22) N * Key:AYDXAULLCROVIT-UHFFFAOYSA-N N | |
| NY (what is this?)  (verify) | |