title: Pamicogrel

abstract: Pamicogrel is a cyclooxygenase inhibitor that was under development for its anti-platelet-aggregation effects.

text:
# Pamicogrel

**Pamicogrel** is a cyclooxygenase inhibitor that was under development for its anti-platelet-aggregation effects.

## InfoBox

Pamicogrel
|  | |
| --- | --- |
| Names | |
| Preferred IUPAC name Ethyl {2-\[4,5-bis(4-methoxyphenyl)-1,3-thiazol-2-yl\]-1*H*-pyrrol-1-yl}acetate | |
| Other names KB 3022, Paminate | |
| Identifiers | |
| CAS Number |  |
| 3D model (JSmol) |  |
| ChemSpider |  |
| PubChem CID |  |
| UNII |  |
| CompTox Dashboard (EPA) |  |
| InChI * InChI=1S/C25H24N2O4S/c1-4-31-22(28)16-27-15-5-6-21(27)25-26-23(17-7-11-19(29-2)12-8-17)24(32-25)18-9-13-20(30-3)14-10-18/h5-15H,4,16H2,1-3H3Key: ISCHOARKJADAKJ-UHFFFAOYSA-N * InChI=1/C25H24N2O4S/c1-4-31-22(28)16-27-15-5-6-21(27)25-26-23(17-7-11-19(29-2)12-8-17)24(32-25)18-9-13-20(30-3)14-10-18/h5-15H,4,16H2,1-3H3Key: ISCHOARKJADAKJ-UHFFFAOYAC | |
| SMILES * CCOC(=O)CN1C=CC=C1C2=NC(=C(S2)C3=CC=C(C=C3)OC)C4=CC=C(C=C4)OC | |
| Properties | |
| Chemical formula | C25H24N2O4S |
| Molar mass | 448.54 g·mol−1 |
| Except where otherwise noted, data are given for materials in their standard state (at 25 °C \[77 °F\], 100 kPa).  Infobox references | |


title: Jim Morrissey (hurler)

abstract: James Morrissey was an Irish hurler. At club level he played with Young Irelands and St Martin's and was a three-time All-Ireland Championship winner with the Wexford senior hurling team.

text:
# Jim Morrissey (hurler)

**James Morrissey** (1927 – 10 November 1997) was an Irish hurler. At club level he played with Young Irelands and St Martin's and was a three-time All-Ireland Championship winner with the Wexford senior hurling team.

## Honours

Wexford

## InfoBox

Jim Morrissey
| Personal information | | | |
| --- | --- | --- | --- |
| Irish name | *Séamus Ó Muireasa* | | |
| Sport | Hurling | | |
| Position | Midfield | | |
| Born | 1927 (1927)
Piercestown, County Wexford, Ireland | | |
| Died | 10 November 1997 (aged 6970)
Enniscorthy, County Wexford, Ireland | | |
| Height | 5 ft 11 in (1.80 m) | | |
| Occupation | Truck driver | | |
| Club(s) | | | |
| Years | **Club** | | |
|  | Young Irelands
St Martin's | | |
| Club titles | | | |
| Kilkenny titles | 0 | | |
| Inter-county(ies) | | | |
| Years | **County** | | |
| 1946–1961 | Wexford | | |
| Inter-county titles | | | |
| Leinster titles | 5 | | |
| All-Irelands | 3 | | |
| NHL | 2 | | |


title: Peugeot Type 25

abstract: The Peugeot Type 25 is an early motor car produced by the French auto-maker Peugeot at their Audincourt plant and listed between 1898 and 1902. Only 2 were produced, probably both in 1898. Peugeots had previously been powered by Daimler designed engines, but the Type 25 was propelled using Peugeot's own newly developed parallel-twin-cylinder four stroke engine, mounted underneath and behind the driver. A maximum of between 6 and 7 hp of power was delivered to the rear wheels by means of a chain-drive mechanism. The car was closely related to the commercially far more successful Type15, but at 2800 mm it was longer, with a 1900 mm wheelbase. The carriage style coupé de ville body provided space for three, with a single seat at the front for the driver and a two-person bench seat positioned between the driver and the engine.

text:
# Peugeot Type 25

The **Peugeot Type 25** is an early motor car produced by the French auto-maker Peugeot at their Audincourt plant and listed between 1898 and 1902. Only 2 were produced, probably both in 1898.

Peugeots had previously been powered by Daimler designed engines, but the Type 25 was propelled using Peugeot's own newly developed parallel-twin-cylinder four stroke engine, mounted underneath and behind the driver. A maximum of between 6 and 7 hp of power was delivered to the rear wheels by means of a chain-drive mechanism.

The car was closely related to the commercially far more successful Type15, but at 2800 mm it was longer, with a 1900 mm wheelbase. The carriage style coupé de ville body provided space for three, with a single seat at the front for the driver and a two-person bench seat positioned between the driver and the engine.

## Sources and further reading

* Wolfgang Schmarbeck: *Alle Peugeot Automobile 1890-1990*. Motorbuch-Verlag. Stuttgart 1990. ISBN 3-613-01351-7

## InfoBox

| Peugeot Type 25 | |
| --- | --- |
| Overview | |
| Manufacturer | Peugeot |
| Production | 1898 |
| Body and chassis | |
| Class | mid-sized car |
| Layout | RR layout |


title: Panchito Gómez Toro

abstract: Francisco "Panchito" Gómez Toro was a Cuban lieutenant and war hero in the Cuban War of Independence. He was known for being the son of Máximo Gómez and for his death at the Battle of San Pedro at the young age of 20.

text:
# Panchito Gómez Toro

**Francisco "Panchito" Gómez Toro** was a Cuban lieutenant and war hero in the Cuban War of Independence. He was known for being the son of Máximo Gómez and for his death at the Battle of San Pedro at the young age of 20.

## Early years

On the afternoon of March 11, 1876, the La Reforma farm in Jatibonico saw the birth of Panchito, the fourth son of Máximo Gómez Báez and Bernarda Toro or Manana. His father couldn't be close with his son in the first months of his life due to his participation in the Ten Years War, which Cuba had already become his homeland. He couldn't even be there when Manana and his children had to leave for Jamaica and it was not until March 1878 that the whole family managed to reunite. Still an infant, Panchito, by assuming simple household chores, showed his sense of responsibility, which was distributed daily in the midst of the family's economic hardship. Together with his admiration for his father, whom he sometimes imitated in his childhood games, he reciprocally highlighted his sensitivity and love for his mother and siblings.

## Exile

In 1878 a difficult period began for the Gómez family, as with the end of the Ten Years War, they fled to Jamaica, Honduras and finally, to the United States. In 1888, they arrived at Santo Domingo which was where his father was originally from. They settled at La Reforma, a farm with the same name as Jatibonico.

Several members of their family was riddled with disease as some of the boys died, the crops were ruined, they suffered financial hardships, but they never gave up. In 1892, in Montecristi, Panchito worked at the Jiménez house, and José Julian Martí Pérez went there to look for him to take him to La Reforma where his father was. This first meeting of the young man with José Martí would mark the beginning of a friendship that would continue until Martí's death. Marti described Panchito as:

> He stands out for his discretion and tenderness, I don't think I've ever had him by my side, a creature with fewer imperfections, his heart so attached to mine that I feel he was born of me.

Panchito was fully aware with the current situation in Cuba and the need to initiate actions again to achieve definitive independence for Cuba. On several occasions, he participated together with Martí, Antonio Maceo Grajales, his father and other revolutionaries in several conspiracies. Despite his youth, he was mature, hard-working, responsible and Máximo Gómez fully trusted him and when leaving for Cuba, he leaves in his hands and those of his brother, son Maxito, the guardianship of family affairs. Panchito assumed a great responsibility but he would gladly exchange that for being able to be fighting in the jungles of Cuba.

In September 1896, he embarked on the steamer *Tres Amigos* with an expedition headed by General Juan Ruis Rivera, destined to land in the West. There she hopes to put herself under Maceo's orders.

## Cuban War of Independence

General Antonio Maceo welcomed Panchito like a son and always kept him close to him as he knew that by incorporating him into his troops, he would make a great commitment to Gómez. Towards the autumn of 1896, the contradictions between the government of the Republic in Arms and the general in chief of the Mambí Army, Máximo Gómez had become more acute. The petulance of Rafael M. Portuondo Tamayo, interim Secretary of War, brought the conflict to a point of no return and Gómez summoned Maceo to meet in Las Villas. He had a determination: to resign.

With impassive indifference the government observed the sacrifice in the Battle of Las Taironas, without help or any other help than its own efforts; but Maceo gave General Valeriano Weyler no respite or room for the United States which was waiting for the revolutionary thrust to weaken. In the second semester, the Bronze Titan had managed to supply the campaign after the landings of Leyte Vidal, with 200 rifles and 300,000 cartridges, and Juan Rius Rivera, with 920 rifles, 450,000 cartridges and a pneumatic cannon. Among the expeditionaries was Panchito Gómez Toro, Gómez's son that Martí took with him on his trip to Costa Rica, the one who, at just 14 years old, impressed the Apostle during his stay in La Reforma with his deep Bolivarian vocation and Quixotic sense of Justice and was 20 years old around the beginning of the campaign.

On November 2, Maceo received the note from Gómez. Two letters from Eusebio Hernández Pérez and Colonel Juan Masó Parra allowed him to understand the seriousness of the situation. He couldn't believe it. Concerned, he immediately responded to the call of the Generalissimo despite the fact that his stay in Pinar del Río was vital.

To get to Las Villas, he repeatedly tried to cross the 32 km long Mariel-Majana trail. In one of his attempts, he collapsed from his horse before regaining consciousness a few moments later. He stated that “he had been dizzy, and blamed it on the humidity of the night since he had fallen asleep a few minutes after having sucked a cane." Some have speculated that the reason was a precognitive dream in which he had seen his wife covered by a veil and all his brothers killed in the war.

He got a boat to cross the mouth of the Mariel River with 20 soldiers on December 4. He left behind his escort and 150 men who accompanied him to the trail Sullen y taciturn. It never seemed like such a short night to him, nor did he imagine that Commander Francisco Cirujeda, chief of 7th battalion, was waiting for him on the other side of the San Quintín River, who operated between Punta Brava and the route for Vueltabajo, on the border with Mariel, stated: "They have just assured me that Maceo intends to pass only by the immediate trail to Mariel \[…\]”. Gómez had then notified his superior on December 1.

## Battle of San Pedro

Around 9:00 am on December 7, 1896, Maceo arrived at the San Pedro de Punta Brava farm, in Bauta, where some five hundred Havanans were waiting for him but Maceo arrived sick and had a fever. From his hammock, he outlined a plan aimed at attacking Marianao and other Havanan suburbs. Around 2:55 pm they were surprised to the voices of "Fire, fire in San Pedro!" as a large shootout followed one another that caused total disorder in the camp. Enraged, Maceo tried to get up from the hammock and, unable to do so, asked his assistant to hold out his hand. Given the confusion observed, he asked for a bugle to order the slaughter call and raise combat morale but no one appeared. He took 10 minutes to get dressed and saddled his horse, just as he used to do on the eve of a fight.

The Spanish forces took cover behind stone fences that dominated the area with their rifle fire. Maceo decided to carry out an encircling movement on both flanks to dislodge them from the parapet and beat them in the nearby paddock. A wire fence was in the way and they began to cut it. The maneuver was discovered and a downpour of projectiles did not let them finish the job. As he leaned over his horse, a bullet hit the right side of Maceo's face and severed his carotid artery near his chin. A stream of blood gushed from his wound and stained his jacket; He remained upright for two or three seconds, released the bridles, the machete fell off and he collapsed.

They were approached by Division General Pedro Díaz Molina, the highest-ranking officer in San Pedro, Brigadier José Miró Argenter, Chief of Staff of the 6th Corps, Colonels Máximo Zertucha, a physician to the lieutenant general, Alberto Nodarse Bacallao, his aide-de-camp during the invasion, and Commander Juan Manuel Sánchez Amat, head of the General Headquarters escort, who, seeing him collapsed, held his lifeless body and asked him in dismay: “What's wrong with you, general?".

Maceo didn't answer as had lost his speech and was pale without blood on his face with the deadly condition of the wound that took his life in just a minute. Miró Argenter left the place propelled, without looking back, ignoring Zertucha's cries asking for help to carry the corpse. After a few seconds of uncertainty, the doctor made the same decision and left scared, demoralized. Three days later, he would take advantage of the Spanish pardon; then he would request to rejoin the contest. Pedro Díaz also left with the three having same argument that they were waiting for reinforcements that never arrived.

Alberto Nodarse, an engineer and architect, who had already received seven gunshot wounds, together with Juan Manuel Sánchez led the resistance that the escort from the General Headquarters planted in the open field to try to remove Maceo's corpse that weighed 209 pounds. His movements drew Spanish fire and the place became an inferno. After great effort, they put him on a horse that was shot in the enemy camp. Sánchez brought his own and they tried to lift Maceo's corpse but a closed discharge hit both knees of the brave commander and he was neutralized. Bathing in blood from the copious bleeding caused by two projectiles that fractured his humerus and ribs, Nodarse had to give up, almost fainting. All the Cuban resources were used up after more than two hours of combat with the position becoming untenable and the last Mambises withdrew seriously wounded.

During the battle, Panchito got wounded during the fighting and was ordered to stay at the camp. Upon learning of the tragedy however, Panchito, with one arm in a sling, went as he put it to "...die next to the general." He went out to the battlefield once again to search for Maceo's corpse, making himself an open target for the Spanish soldiers despite the warns of the other Cuban soldiers. Weakened from blood loss, Panchito tried to commit suicide in order to prevent his capture but while writing his suicide note, a Spanish soldier caught him and stabbed him with a machete. After the battle, Juan Delgado González as well as eighteen other men managed to retrieve both Panchito's and Maceo's corpses after rigorous fighting against the Spanish and gave both proper burials.

His father Máximo was devastated as added to the outrageous effect of the Government Council's attitude was the death of his own son and his old companion with his skin weathered by so much fighting. Suddenly, he began to cry stating{ “Another great misfortune, the most terrible that could befall me. How much truth he expressed when he had the idea to say: 'Evils never come alone'" he recorded on December 16 in his diary. And on the 28th, in the privacy of his hammock, he poured out his pain: “Sad, very sad, more than sad, the year 96 has been for me! It leaves me heartbroken and battered. \[…\] today, on this day, in these moments, I feel in my soul the deepest sorrow and I almost feel overwhelmed by a sorrow that I make an effort to bear”.

Panchito hadn't even turn 21 and his blood flooded the fields of the country. Days later the news of his death would reach his father, plunging him into a deep depression that lead him to express:

> My beloved Panchito died far away from me; my arms remained open, waiting for him, because that is how destiny arranged it (...) Rest in peace, happy hero, flower of a day that spread its perfumes among his own (... ) we will always be crying to you (...) in the home that your eternal absence has left desolate and sad, your mourning will be eternal.

## InfoBox

| Panchito Gómez Toro | |
| --- | --- |
|  | |
| Born | (1876-03-11)March 11, 1876
Jatibonico, Santa Clara, Cuba, Spain |
| Died | December 7, 1896(1896-12-07) (aged 20)
San Pedro, La Habana Province, Cuba |
| Allegiance | Cuba |
| Branch | Cuban Liberation Army |
| Years of service | 1896 – 1898 |
| Rank | Lieutenant |
| Battles/wars | Cuban War of Independence |
| Relations | Máximo Gómez (father)
Bernarda Toro (mother) |


title: Phalonidia plicana

abstract: Phalonidia plicana is a species of moth of the family Tortricidae. It is found in North America in Sonora and California. Adults have been recorded on wing in April and August.

text:
# Phalonidia plicana

***Phalonidia plicana*** is a species of moth of the family Tortricidae. It is found in North America in Sonora and California.

Adults have been recorded on wing in April and August.

## InfoBox

| *Phalonidia plicana* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Tortricidae |
| Genus: | *Phalonidia* |
| Species: | ***P. plicana*** |
| Binomial name | |
| ***Phalonidia plicana***<br>(Walsingham, 1884) | |
|
| Synonyms | |
| * *Conchylis plicana* Walsingham, 1884 * *Platphalonidia plicana* | |


title: Peter Paul Pugin

abstract: Peter Paul Pugin was an English architect. He was the son of Augustus Pugin by his third wife, Jane Knill, and the half-brother of architect and designer Edward Welby Pugin.

text:
# Peter Paul Pugin

**Peter Paul Pugin** (1851  March 1904) was an English architect. He was the son of Augustus Pugin by his third wife, Jane Knill, and the half-brother of architect and designer Edward Welby Pugin.

## Life and career

Peter Paul Pugin was only a year old when his father died. He later began practice as the junior partner in Pugin & Pugin, the family architectural firm. The senior partner was his half-brother Edward Welby Pugin.

When Edward Welby Pugin died suddenly on 5 June 1875 as a result of overwork and 'injudicious use of chloral hydrate', the main responsibility for the practice passed to Peter Paul Pugin. Although Peter Paul's offices remained in London, England and Liverpool, England, his practice was largely Scottish, and he also maintained an office in Glasgow, Scotland.

Whereas Peter Paul's earlier churches were strongly influenced by his father and brother, by the 1880s, he had developed a recognisable curvilinear Gothic style, usually in red sandstone with elaborate altarpieces in coloured marbles. Apart from his own works, such as St Mary's Church, Stirling, Peter Paul Pugin completed several of the works of Edward Welby Pugin after the latter's death, in particular the church of Our Lady Star of the Sea in Workington, Cumbria, Sacred Heart Church, Kilburn, London and English Martyrs Church, Tower Hill, London.

In 1886, Peter Paul Pugin married Agnes Bird, the third daughter of the Catholic builder John Bird of Hammersmith. They had five children, but none entered the practice. In 1889, Peter Paul Pugin was made a Knight of the Order of St. Sylvester, one of the Papal Orders of Chivalry.

Peter Paul died in Bournemouth in March 1904, the firm being continued by his nephew Sebastian Pugin Powell, born in 1886, the son of John Hardman Powell. Peter Paul Pugin was buried in Ramsgate.

## InfoBox

| Peter Paul Pugin | |
| --- | --- |
| Born | 1851 |
| Died | March 1904<br>Bournemouth, Dorset, England |
| Burial place | Ramsgate |
| Occupation | architect |
| Employer | Pugin & Pugin |
| Style | Gothic |
| Father | Augustus Pugin |
| Relatives | Augustus Charles Pugin (grandfather), Edward Welby Pugin (half-brother), Cuthbert Welby Pugin (half-brother) |
| Honours | Knight of the Order of St. Sylvester |


title: Jiangsu Performing Arts Group

abstract: The Jiangsu Performing Arts Group, or JPAG, is a theater company established in 2001 and based in Nanjing, Jiangsu, China. It is one of the largest performing arts groups in China and has won eighteen Plum Blossom Prizes and twenty-one Wen Hua Awards. It has also been named "National Key Enterprise for Cultural Export" six times. The group participates in the Chinese Cultural System Reformation.

text:
# Jiangsu Performing Arts Group

The **Jiangsu Performing Arts Group** (Chinese: 江苏省演艺集团; pinyin: *Jiāngsū Shěng Yǎnyì Jítuán*), or JPAG, is a theater company established in 2001 and based in Nanjing, Jiangsu, China. It is one of the largest performing arts groups in China and has won eighteen Plum Blossom Prizes and twenty-one Wen Hua Awards. It has also been named "National Key Enterprise for Cultural Export" six times. The group participates in the Chinese Cultural System Reformation.

## Genres and affiliates

The company performs in many genres, including opera, pantomime, folk music, symphony, vaudeville, Peking Opera, Kun Opera, Wuxi Opera, Yangzhou Opera, modern drama, Suzhou-dialect storytelling and ballad singing, and puppet show.

The group owns three theaters: the Zijin Grand Theater, the People's Theater, and Jiang Nan Theater. Its subsidiaries, the Jiangsu Performing Company and the Jiangsu Cultural Audio and Visual Publishing House, engage in research, education, marketing, and the publishing and distribution of audio-visual products, art design, costumes, and light and sound equipment.

### Peking opera

The Jingju Theater Troupe was founded by the merger of the Southern Jiangsu Peking Opera Troupe and the Northern Jiangsu Experimental Peking Opera Group. In 1953, it was renamed the Jiangsu Peking Opera Troupe. Seven years later, the Nanjing and Yangzhou Peking opera troupes combined with it to form the Jiangsu Province Peking Opera Institute. It has operated for more than fifty years and was named "National Key Peking Opera Troupe" by China's Ministry of Culture in 2005.

Participants have included followers of multiple traditions, such as the Cheng School, Tan School, Wang Qinsheng, Lin School and Zhao Yunhe. As of 2011, there are more than 120 staff members.

The theater has supported the development of many plays that interpret traditional classical works. Examples include *The Young Lady Died for Love*, *Give Bread on Hongqiao*, *Rickshaw Boy*, *Wang Xifeng and the Strike in Ningguo Mansion* and *Tale of the Green Snake*.

In 1991 *Treasure Candle* won the first Cultural New Play Award. *Tale of Green Snake* won the third Cultural New Play Award in 1993, and in 1995 *Xishi Returns to the Country of Yue* won the Cheng Changgeng bronze medal at the first Chinese Peking Opera Art Festival. In 2002 the author of *The World to the Heart* won the outstanding playwright award at the third Peking Opera Art Festival.

### Kunqu

Six members of the Kunqu troupe have won the Plum Blossom Award: Zhang Jiqing, Shi Xiaomei, Hu Jinfang, Huang Xiao Wu, and Zhang Jidie. These performers graduated in three different generations (1967, 1985, and 2004) from the Jiangsu Opera School.

Two kinds of performances are presented: selections from the classics, which are performed every week; and full productions adapted for one-, two-, or three-evening performances, which are produced several times a year. Some of the full operas have included *The Peony Pavilion* and *The White Silk Shirt*, which won the national prize for Best New Opera.

### Other troupes

## Works

The group has a wide repertoire, including the Peking opera *The Rickshaw Boy* by Lao She; the Kunqu opera *Peony Pavilion*; *What a Beautiful Jasmine*, a large song and dance show; the Yangzhou dialect opera *Wang Zhaojun*; the Wuxi dialect opera *Pearl Pagoda*; the modern drama *Rainbow of the Century*; and a series of ancient Suzhou ballads performed as *Recollecting Jiangnan in the Ancient Tune of Tang and Song Dynasties*.

Starting on 16 February 2016, at Shaw Park Scarborough, Tobago, the JPAG staged a free, two day long cultural exchange event in collaboration with the Chinese Embassy. In 2017, performers from the group staged productions of Peking opera, Kunqu opera, and pipa playing, among others, at the Windhoek.

## Achievements

The JPAG has successfully hosted or produced large song and dance shows on both the provincial and national level, including at the 1st China Culture Industry Forum, the opening and closing ceremonies of the 8th Sports Meeting of Chinese Middle School Students, the opening ceremony of the 6th National Paralympics, the exhibition *Into the Pyramid - An Exhibition of Ancient Egypt Treasure*, and at the Nanjing Ming Dynasty Mausoleum, a World Cultural Heritage site.


title: Jim Snowden

abstract: James John Snowden is a former American football offensive tackle in the National Football League (NFL) for the Washington Redskins. He played college football at the University of Notre Dame and was drafted in the fifth round of the 1964 NFL draft. Snowden was also selected in the fifteenth round of the 1964 AFL Draft by the Kansas City Chiefs.

text:
# Jim Snowden

**James John Snowden** (born January 12, 1942) is a former American football offensive tackle in the National Football League (NFL) for the Washington Redskins. He played college football at the University of Notre Dame and was drafted in the fifth round of the 1964 NFL draft. Snowden was also selected in the fifteenth round of the 1964 AFL Draft by the Kansas City Chiefs.

## InfoBox

Jim Snowden
| No. 74 | |
| --- | --- |
| Date of birth | (1942-01-12) January 12, 1942 |
| Place of birth | Youngstown, Ohio, U.S. |
| Career information | |
| Position(s) | Tackle |
| US college | Notre Dame |
| AFL draft | 1964 / round: 15 / pick: 114<br>(by the Kansas City Chiefs) |
| NFL draft | 1964 / round: 5 / pick: 59 |
| Career history | |
| As player | |
| 1965–1971 | Washington Redskins |
|  | |
| Career stats | |
|  | |
|  | |


abstract: The Grand Lodge of Newfoundland and Labrador of Ancient Free & Accepted Masons is the regular Grand Lodge with authority over Freemasons in the Canadian province of Newfoundland and Labrador. It was consecrated on November 1, 1997, with 32 lodges, of which 28 are still extant as of 2020, by the United Grand Lodge of England. Its current Grand Master is Most Worshipful Brother W. Donald Vokey. The Grand Lodge used to be headquartered in the historic Masonic Temple in St. John's, which it shared with the other regular body of craft masonry in Newfoundland and Labrador, the District Grand Lodge of Newfoundland and Labrador of the Grand Lodge of Scotland, in addition to several appendant bodies. Since 2009, the headquarters is now located in Freemason's Hall, in the city of Mount Pearl.

text:
# Grand Lodge of Newfoundland and Labrador

The **Grand Lodge of Newfoundland and Labrador of Ancient Free & Accepted Masons** is the regular Grand Lodge with authority over Freemasons in the Canadian province of Newfoundland and Labrador. It was consecrated on November 1, 1997, with 32 lodges, of which 28 are still extant as of 2020, by the United Grand Lodge of England. Its current Grand Master is Most Worshipful Brother W. Donald Vokey.

The Grand Lodge used to be headquartered in the historic Masonic Temple in St. John's, which it shared with the other regular body of craft masonry in Newfoundland and Labrador, the District Grand Lodge of Newfoundland and Labrador of the Grand Lodge of Scotland, in addition to several appendant bodies. Since 2009, the headquarters is now located in Freemason's Hall, in the city of Mount Pearl.


title: Peter Sarkisian

abstract: Peter Sarkisian is an American new media artist based in Santa Fe, New Mexico. He combines video projection and sculpture to create hybrid-format, multi-media installations. Sarkisian has exhibited at several museums around the globe, including the San Francisco Museum of Modern Art, the Picasso Museum in Antibes, France and the Whitney Museum of American Art.

text:
# Peter Sarkisian

**Peter Sarkisian** (born 1965) is an American new media artist based in Santa Fe, New Mexico. He combines video projection and sculpture to create hybrid-format, multi-media installations.

Sarkisian has exhibited at several museums around the globe, including the San Francisco Museum of Modern Art, the Picasso Museum in Antibes, France and the Whitney Museum of American Art.

## Overview

Peter Sarkisian's art lies at the intersection of film, video and sculpture. He began his career as a filmmaker in the late 1980s, studying direction at the California Institute of the Arts and the American Film Institute before working in the film industry in Los Angeles. By 1994, his interests had grown to include video sculpture, and in 1996 he began working with video projection, producing a number of spatial installations in order to challenge the moving image, as well as its standardized format.

Sarkisian is known for producing multi-media installations that blur the line between what is tangible and what is imagined. His video installations are designed to create perceptual conflicts between image, contour and surface, thereby allowing the viewer to draw multiple visual conclusions while reconsidering the medium of video itself. The relationship between viewer and viewed, and ultimately the dynamic between the two, is the focal point of Sarkisian's art.

## Major works and exhibition highlights

In 1997 Sarkisian had his first solo museum exhibition at Site Santa Fe, in which curator Louis Grachos included an installation by Sarkisian with works by Bill Viola, Gary Hill, Tony Oursler and others. The piece exhibited, titled "I don’t want it; take it back", featured multiple projections of a large hand intertwined with a ball in physical space.

In 1998, Sarkisian premiered one of his seminal works, "Dusted", at I-20 Gallery in New York. In this piece, five conjoined projections unfold around the sides of a 33-inch cube, inside of which a man and woman appear to move slowly about. The opacity of the cube gradually yields to transparency as their bodies brush away a layer of soot from its inner surface, thereby revealing a murky view of the interior. This process in turn soils the figures inside and causes them to disappear proportionally.

In 1999 "Dusted’’ was shown at the Edinburgh College of Art as part of the Edinburgh International Festival in Scotland. The cube has since traveled to numerous museums throughout the world, and multiples of the installation have been added to the permanent collections of the San Francisco Museum of Modern Art, the Ulrich Museum of Art, Wichita, and the Contemporary Art Museum in Kumamoto, Japan.

In 2000 the Picasso Museum in Antibes, France held a solo exhibition of Sarkisian’s installations in concurrence with a show of Pablo Picasso's work. That same year, Italian art critic and curator Achille Bonito Oliva included Sarkisian’s ‘’Dusted’’ along with installations by Yoko Ono, Peter Greenaway, Robert Wilson and others in his exhibition titled ‘’Stanze é Segreti’’, which took place at the Rotonda della Besana in Milan.

In 2001, Sarkisian exhibited along with Douglas Gordon, Bruce Nauman, Andy Warhol, John Baldessari and others in the exhibition titled ‘’Making Time: Considering Time as a Material in Contemporary Film and Video.’’ Curated by Amy Cappellazzo, the show was presented at the Palm Beach Institute of Contemporary Art in Lake Worth, Florida, then traveled to the Armand Hammer Museum in Los Angeles.

In 2002, Sarkisian was included in the Whitney Museum of American Art Biennale exhibition, curated by Lawrence Rinder. His contribution to the biennial was titled ‘’Hover’’, the second in a series of installations involving conjoined projections unfolding around the sides of a 33-inch cube. Also that year, Sarkisian exhibited work at the Contemporary Art Museum in Kumamoto, Japan, as well as in Mexico City at ‘’Vidarte 2002, Festival Internacional de Video y Artes Electrónicas’’.

In 2003, Sarkisian’s work was included by curator Dan Cameron as part of the Eighth International Istanbul Biennial in Istanbul, Turkey. Sarkisian’s installation, titled ‘’Bohr’s Atom’’, was commissioned for the biennial and explored Niels Bohr’s early observations concerning the quantum state of atoms.

In 2004, Sarkisian was tapped by Albright-Knox Art Gallery curator Louis Grachos to appear in ‘’Bodily Space: New Obsessions in Figurative Sculpture’’. His work was also exhibited at the Foundazione Ragghianti in Lucca, Italy as part of a traveling show titled ‘’Journey of the Motionless Man’’, which had originated at the Villa Croce Museum of Contemporary Art in Genova the previous year.

In 2005-2006, Sarkisian’s ‘’Dusted’’ was paired with Steve McQueen’s ‘’Drum Roll’’ in a two-person exhibition at the San Francisco Museum of Modern Art.

In 2007, Sarkisian debuted a new series titled ‘’Extruded Video Engine’’, in which the elements of video projection and three-dimensional vacuum formed screens were combined.

In 2008, works from the ‘’Extruded Video Engine’’ series were exhibited in solo shows at the Museum of Fine Arts (St. Petersburg, Florida) and the Contemporary Art Center, New Orleans. For the New Orleans show, Sarkisian used his video engines as a temporal mechanism through which to examine a one-year American media cycle, at whose exact midpoint Hurricane Katrina tore through the Gulf Coast.

In 2010, a retrospective of Sarkisian's work titled *Peter Sarkisian: Video Works, 1996-2008* was shown at the University of Wyoming Art Museum, and traveled to the National Taiwan Museum of Fine Arts, Taipei.

## Cultural references

Sarkisian's 1999 work *White Water* was referenced in the season 2 premiere of *True Detective*.


title: House at 218 Dearborn Street

abstract: House at 218 Dearborn Street is a historic home located in the Black Rock neighborhood of Buffalo in Erie County, New York. It was built about 1880, and is a one-story, wood-frame shotgun-style workers cottage on a limestone foundation. It is three bays wide and has a low pitched gable roof. It features a hipped roof front porch with decorative spandrels, added about 1890. Also on the property is a shed dated to about 1890. It was listed on the National Register of Historic Places in 2011.

text:
# House at 218 Dearborn Street

**House at 218 Dearborn Street** is a historic home located in the Black Rock neighborhood of Buffalo in Erie County, New York. It was built about 1880, and is a one-story, wood-frame shotgun-style workers cottage on a limestone foundation. It is three bays wide and has a low pitched gable roof. It features a hipped roof front porch with decorative spandrels, added about 1890. Also on the property is a shed dated to about 1890.

It was listed on the National Register of Historic Places in 2011.

## InfoBox

|  | |
| --- | --- |
| House at 218 Dearborn Street | |
| U.S. National Register of Historic Places | |
|  | |
| House at 218 Dearborn Street, July 2011 | |
|  | |
| Location | 218 Dearborn Street, Buffalo, New York |
| Coordinates | 42°56′07″N 78°54′07″W / 42.93528°N 78.90194°W / 42.93528; -78.90194 |
| Area | under one acre |
| Built | c. 1880 |
| MPS | Historic Resources of the Black Rock Planning Neighborhood MPS |
| NRHP reference No. | 11000741 |
| Added to NRHP | October 18, 2011 |


title: Virginia State Route 694

abstract: State Route 694 in the U.S. state of Virginia is a secondary route designation applied to multiple discontinuous road segments among the many counties. The list below describes the sections in each county that are designated SR 694.

text:
# Virginia State Route 694

**State Route 694** (**SR 694**) in the U.S. state of Virginia is a secondary route designation applied to multiple discontinuous road segments among the many counties. The list below describes the sections in each county that are designated SR 694.

## List

| County | Length
(mi) | Length
(km) | From | Via | To | Notes |
| --- | --- | --- | --- | --- | --- | --- |
| Accomack | 3.20 | 5.15 | SR 692 (Chesser Road) | Sand Street

Jeruselem Road | US 13 (Lankford Highway) |  |
| Albemarle | 1.90 | 3.06 | Dead End | Miller Lake Road | SR 693 (Stillhouse Creek Road) |  |
| Alleghany | 0.07 | 0.11 | SR 18 (Potts Creek Road) | Old Mill Road | Dead End |  |
| Amelia | 0.80 | 1.29 | SR 616 (Genito Road) | Bland Lane | Dead End |  |
| Amherst | 1.00 | 1.61 | SR 665 (Warrick Barn Road) | Warrick Barn Road

Central Church Lane | SR 778 (Lowesville Road) |  |
| Appomattox | 3.78 | 6.08 | SR 727 (Red House Road) | Robinson Road

Central Church Road | SR 604 (Promise Land Road) | Gap between segments ending at different points along SR 727 |
| Augusta | 8.36 | 13.45 | SR 712 (Haytie Road) | Virginia Institute Way

Mount Tabor Road

Stone Branch Road

Chestnut Ridge Road

Swartzel Shop Road | US 340 (Stuarts Draft Highway) | Gap between segments ending at different points along SR 252

Gap between segments ending at different points along US 11 |
| Bath | 2.45 | 3.94 | Dead End | Little Valley Road | Highland County line |  |
| Bedford | 2.00 | 3.22 | SR 695 (Goose Creek Valley Road) | Walnut Grove Church Road | Dead End |  |
| Botetourt | 0.64 | 1.03 | US 220 (Botetourt Road) | Gala Loop Road

Sinking Creek Road | Dead End | Gap between segments ending at different points along SR 622 |
| Brunswick | 1.51 | 2.43 | SR 46 (Christanna Highway) | Twin Ponds Road

Cattail Road | US 58 Bus/SR 46 |  |
| Buchanan | 1.00 | 1.61 | Dead End | Mill Creek Road | SR 697 (Knox Creek Road/Cedar Branch Road) |  |
| Buckingham | 0.90 | 1.45 | Cumberland County line | Henderson Road | SR 613 (Petersville Church Road) |  |
| Campbell | 1.40 | 2.25 | SR 682 | Langdon Road | SR 696 (Dearborn Road) |  |
| Caroline | 4.00 | 6.44 | SR 651 (Old Dawn Road) | Courtney Road | SR 601 (Edgar Road) |  |
| Carroll | 0.70 | 1.13 | SR 753 (Double Cabin Road) | Old Wildcat Trail | Dead End |  |
| Charlotte | 0.10 | 0.16 | SR 672 (Midway Road) | Pillow Road | SR 617 (Old Well Road) |  |
| Chesterfield | 0.10 | 0.16 | SR 664 (Coalboro Road) | Coalboro Road | SR 655 (Beach Road) |  |
| Craig | 0.61 | 0.98 | SR 689 | Unnamed road | Dead End |  |
| Culpeper | 1.58 | 2.54 | US 15 Bus/US 29 Bus | Ira Hoffman Highway | SR 229 (Rixeyville Road) |  |
| Cumberland | 0.60 | 0.97 | SR 672 (Sportslake Road) | Henderson Road | Buckingham County line |  |
| Dickenson | 1.10 | 1.77 | SR 626 (Phillips Hollow Road) | Unnamed road | Russell County line |  |
| Dinwiddie | 0.70 | 1.13 | Dead End | Old Pine Road | SR 622 (Baltimore Road) |  |
| Essex | 0.25 | 0.40 | SR 653 (Tuscarora Road) | Boaters Way | Dead End |  |
| Fairfax | 6.42 | 10.33 | SR 7 (Leesburg Pike) | Lewinsville Road

Great Falls Street | Falls Church city limits |  |
| Fauquier | 3.00 | 4.83 | SR 628 (Blantyre Road) | Old Bust Head Road | SR 674 (Georgetown Road) |  |
| Floyd | 0.85 | 1.37 | US 221 (Main Street) | East Oxford Street

Newtown Road | SR 693 (Needmore Lane) |  |
| Fluvanna | 0.82 | 1.32 | SR 654 (Cloverdale Road) | Deer Lane | Dead End |  |
| Franklin | 0.90 | 1.45 | Dead End | House Rock Road | SR 693 (Green Level Road) |  |
| Frederick | 3.90 | 6.28 | SR 734 (Sleepy Creek Road) | Dick Ridge Road

Cumberland Trail Road

Reynolds Road | SR 600 (Frederick Grade) |  |
| Giles | 0.50 | 0.80 | SR 615 (Kow Camp Road) | Elder Hollow Road | Dead End |  |
| Gloucester | 1.28 | 2.06 | SR 3 (John Clayton Memorial Highway) | Waverley Lane | Dead End |  |
| Goochland | 0.48 | 0.77 | Cul-de-Sac | Proffitt Road | SR 621 (Manakin Road) |  |
| Grayson | 2.00 | 3.22 | SR 654 (Peach Bottom Road) | Birdsong Road

Pine Mountain Road | SR 691 (Pine Mountain Road/Doe Run Road) |  |
| Greensville | 1.00 | 1.61 | SR 627 (Brink Road) | Hobbs Road | Dead End |  |
| Halifax | 1.55 | 2.49 | US 58/SR 119 | Medley Road | Dead End |  |
| Hanover | 0.65 | 1.05 | SR 738 (Old Ridge Road) | Breedens Road | US 1 (Washington Highway) |  |
| Henry | 3.45 | 5.55 | SR 695 (George Taylor Road) | Wagon Trail Road | SR 692 (Horsepasture Prince Road) |  |
| Highland | 0.10 | 0.16 | Bath County line | Little Valley Road | SR 607 |  |
| Isle of Wight | 0.78 | 1.26 | SR 612 (Outland Drive) | Farmland Road | Dead End |  |
| James City | 0.31 | 0.50 | SR 695 (Ware Road) | Lake Drive | SR 31 (Jamestown Road) |  |
| King and Queen | 0.24 | 0.39 | SR 609 (New Hope Road) | New Beginning Road | Dead End |  |
| King George | 3.80 | 6.12 | SR 3 (Kings Highway) | Lambs Creek Church Road | SR 218 (Caledon Road) |  |
| Lancaster | 0.50 | 0.80 | Dead End | Peake Road | SR 630 (Taylors Creek Road) |  |
| Lee | 0.10 | 0.16 | Tennessee state line | Unnamed road | US 58 |  |
| Loudoun | 4.01 | 6.45 | Dead End | John Wolford Road

The Narrows Road | Dead End |  |
| Louisa | 2.50 | 4.02 | SR 600 (Campbell Road) | Loving Road | SR 615 (Columbia Road) |  |
| Lunenburg | 5.85 | 9.41 | SR 623 (Plantersville Road) | Shelton Road

Bibleway Road | Dead End |  |
| Madison | 0.70 | 1.13 | SR 638 (Hebron Church Road) | Hoffman Chapel Lane | Dead End |  |
| Mathews | 0.40 | 0.64 | SR 198 | Waverly Lane | Dead End |  |
| Mecklenburg | 0.65 | 1.05 | Dead End | Wooton Road | SR 688 (Skipwith Road) |  |
| Middlesex | 0.52 | 0.84 | SR 663 (Plainview Road) | Eubank Landing Road | Dead End |  |
| Montgomery | 0.72 | 1.16 | Blacksburg town limits | Clay Street | Dead End |  |
| Nelson | 0.90 | 1.45 | SR 649 (Lonesome Pine Road) | Naked Mountain Road | Dead End |  |
| Northampton | 0.10 | 0.16 | Dead End | Terry Lane | SR 603 (Willis Wharf Road) |  |
| Northumberland | 0.20 | 0.32 | SR 604 (Sydnors Millpond Road) | Avalon Lane | SR 636 (Newmans Neck Road/Avalon Lane) |  |
| Nottoway | 0.15 | 0.24 | US 460 Bus (Old Nottoway Road) | Three Oaks Road | Dead End |  |
| Orange | 0.20 | 0.32 | SR 642 (Madison Run Court/Hicks Lane) | Madison Run Court | Dead End |  |
| Page | 0.40 | 0.64 | Dead End | Hawksbill Pines Road | SR 626 (Hawksbill Park Road) |  |
| Patrick | 10.43 | 16.79 | US 58 (Jeb Stuart Highway) | Campbell Farm Loop

Animal Clinic Road

Providence Drive

Dogwood Road

Hardin Reynolds Road | SR 701 (Stella Road) | Gap between a dead end and US 58 |
| Pittsylvania | 6.09 | 9.80 | SR 825 (Carter Lodge Road) | David Giles Lane

Dairy View Road

Davis Road

Woodland Heights Road | Dead End | Gap between segments ending at different points along SR 718

Gap between segments ending at different points along SR 703

Gap between dead ends

Gap between segments ending at different points along US 29 Bus |
| Prince Edward | 1.00 | 1.61 | SR 696 (Green Bay Road) | Cheatham Road | US 360 |  |
| Prince George | 0.40 | 0.64 | SR 645 (River Road) | Irwin Road

Juniper Drive | Dead End |  |
| Prince William | 0.58 | 0.93 | SR 234 (Dumfries Road) | Coles Drive | SR 234 (Dumfries Road)/SR 688 |  |
| Pulaski | 0.47 | 0.76 | SR 611 | Wurno Road | Dead End |  |
| Richmond | 0.19 | 0.31 | SR 635 (Grove Mount Road) | Burnt House Road | Dead End |  |
| Roanoke | 7.72 | 12.42 | US 221 (Bent Mountain Road) | Twelve O'Clock Knob Road | Salem city limits |  |
| Rockbridge | 0.10 | 0.16 | Dead End | County Line Road | SR 610 (Plank Road) |  |
| Rockingham | 0.35 | 0.56 | US 11 (Lee Highway) | Contentment Lane | Dead End |  |
| Russell | 1.73 | 2.78 | US 58 Alt | Quarry Road | SR 615 (Red Oak Ridge Road) |  |
| Scott | 5.92 | 9.53 | Tennessee state line | Unnamed road

New Hurland Church Lane

Copperhead Lane | SR 696 | Gap between segments ending at different points along SR 618 |
| Shenandoah | 5.00 | 8.05 | SR 703 (Conicville Road) | Wolverton Road | Dead End |  |
| Smyth | 1.65 | 2.66 | SR 622 (Old Rich Valley Road/Bear Creek Road) | Crawfish Road | Dead End |  |
| Southampton | 1.26 | 2.03 | Dead End | Old Lamb Road | SR 653 (Pinopolis Road) |  |
| Spotsylvania | 0.85 | 1.37 | SR 3 (Plank Road) | Heatherstone Drive | Dead End |  |
| Stafford | 0.36 | 0.58 | SR 1016 (Ficklen Road) | Julian Drive | SR 626 (Leeland Road) |  |
| Tazewell | 1.20 | 1.93 | Bluefield town limits | High Street | SR 102 |  |
| Washington | 6.10 | 9.82 | SR 706 (Rivermont Road) | Greenway Road

Stonybrook Road

Northridge Road | SR 779 (Hillandale Road) | Gap between segments ending at different points along SR 609 |
| Westmoreland | 0.45 | 0.72 | SR 676 (Poor Jack Road) | Willis Place | Dead End |  |
| Wise | 0.30 | 0.48 | Dead End | Unnamed road | SR 626 |  |
| Wythe | 1.00 | 1.61 | SR 94 (Ivanhoe Road) | Slab Town Road | Dead End |  |
| York | 0.10 | 0.16 | Dead End | Court Road | SR 634 (Old York Hampton Highway) |  |

## InfoBox

| State Route 694 | |
| --- | --- |
| Route information | |
| Maintained by VDOT | |
| Location | |
| Country | United States |
| State | Virginia |
|  | |
| Highway system | |
|  | |


title: Panching

abstract: Panching is a state constituency in Pahang, Malaysia, that is represented in the Pahang State Legislative Assembly.

text:
# Panching

**Panching** is a state constituency in Pahang, Malaysia, that is represented in the Pahang State Legislative Assembly.

## Demographics

Ethnic breakdown of Panching's electorate as of 2022

Malay (85.02%)  Chinese (9.98%)  Indian (2.51%)  Other ethnicities (2.49%)

## History

### Polling districts

According to the federal gazette issued on 30 October 2022, the Panching constituency is divided into 8 polling districts.

| State constituency | Polling districts | Code | Location |
| --- | --- | --- | --- |
| Panching (N19) | Bukit Rangin | 084/19/01 | SMK Bukit Rangin |
| | Kampung Permatang Badak | 084/19/02 | SK Permatang Badak |
| | Pandan Permai | 084/19/03 | SMK Padang Garuda |
| | Taman Tas | 084/19/04 | SMK Pandan |
| | FELDA Sungai Panching Selatan | 084/19/05 | SK LKTP Sungai Panching Selatan |
| | FELDA Sungai Panching Timur | 084/19/06 | SK LKTP Sungai Panching Timur |
| | FELDA Sungai Panching Utara | 084/19/07 | SK LKTP Sungai Panching Utara |
| | Kampung Panching | 084/19/08 | SK Panching |

### Representation history

| Members of the Legislative Assembly for Panching | | | |
| --- | --- | --- | --- |
| Assembly | Years | Name | Party |
| *Constituency created from Penur* | | | |
| 11th | 2004-2008 | Abdul Manan Ismail | **BN** (**UMNO**) |
| 12th | 2008-2013 | Mohd Zaili Besar | |
| 13th | 2013-2018 | | |
| 14th | 2018-2020 | Mohd Tarmizi Yahaya | **PAS** |
| | 2020-2022 | | **PN** (**PAS**) |
| 15th | | | 2022–present |

## Election results

Pahang state election, 2022: Panching
| Party | | Candidate | Votes | % | ∆% |
| --- | --- | --- | --- | --- | --- |
|  | PN | Mohd Tarmizi Yahaya | 15,167 | 54.43 | 54.43 |
|  | BN | Fauziah Abd Wahab | 8,031 | 28.82 | 8.69 |
|  | PH | Haslindalina Hashim | 4,243 | 15.23 | 8.80 |
|  | GTA | Afif Syairol | 130 | 0.47 | 0.47 |
| Total valid votes | | | 27,571 | 100.00 |
| Total rejected ballots | | | 252 |
| Unreturned ballots | | | 41 |
| Turnout | | | 27,864 | 79.87 | 3.55 |
| Registered electors | | | 34,886 |
| Majority | | | 7,136 | 25.61 | 24.89 |
|  | PN **hold** | | Swing | |  |
| Source(s) https://lom.agc.gov.my/ilims/upload/portal/akta/outputp/1753280/PUB%20623%20DUN%20PAHANG.pdf | | | | | | |

Pahang state election, 2018: Panching
| Party | | Candidate | Votes | % | ∆% |
| --- | --- | --- | --- | --- | --- |
|  | PAS | Mohd Tarmizi Yahaya | 7,143 | 38.23 | 8.59 |
|  | BN | Mohd Zaili Besar | 7,008 | 37.51 | 15.67 |
|  | PH | Kamarzaman Mohamed Yunus | 4,490 | 24.03 | 24.03 |
|  | Independent | Benzin Dagok | 42 | 0.22 | 0.22 |
| Total valid votes | | | 18,683 | 100.00 |
| Total rejected ballots | | | 255 |
| Unreturned ballots | | | 103 |
| Turnout | | | 19,041 | 83.42 | 2.23 |
| Registered electors | | | 22,824 |
| Majority | | | 135 | 0.72 | 5.64 |
|  | PAS **gain** from BN | | Swing | | ? |
| Source(s) https://lom.agc.gov.my/ilims/upload/portal/akta/outputp/pub\_20180530\_P.U.%20(B)%20328.pdf | | | | | | |

Pahang state election, 2013: Panching
| Party | | Candidate | Votes | % | ∆% |
| --- | --- | --- | --- | --- | --- |
|  | BN | Mohd Zaili Besar | 8,657 | 53.18 | 2.72 |
|  | PAS | Yusof Embong | 7,621 | 46.82 | 2.72 |
| Total valid votes | | | 16,278 | 100.00 |
| Total rejected ballots | | | 161 |
| Unreturned ballots | | | 67 |
| Turnout | | | 16,506 | 85.65 | 6.93 |
| Registered electors | | | 19,272 |
| Majority | | | 1,036 | 6.36 | 5.44 |
|  | BN **hold** | | Swing | |  |

Pahang state election, 2008: Panching
| Party | | Candidate | Votes | % | ∆% |
| --- | --- | --- | --- | --- | --- |
|  | BN | Mohd Zaili Besar | 6,844 | 55.90 | 10.67 |
|  | PAS | Yusof Embong | 5,400 | 44.10 | 44.10 |
| Total valid votes | | | 12,244 | 100.00 |
| Total rejected ballots | | | 199 |
| Unreturned ballots | | | 21 |
| Turnout | | | 12,464 | 78.72 | 0.28 |
| Registered electors | | | 15,833 |
| Majority | | | 1,444 | 11.80 | 21.34 |
|  | BN **hold** | | Swing | |  |

Pahang state election, 2004: Panching
| Party | | Candidate | Votes | % | ∆% |
| --- | --- | --- | --- | --- | --- |
|  | BN | Abdul Manan Ismail | 7,527 | 66.57 |  |
|  | PAS | Yusof Embong | 3,780 | 33.43 |  |
| Total valid votes | | | 11,307 | 100.00 |
| Total rejected ballots | | | 149 |
| Unreturned ballots | | | 31 |
| Turnout | | | 11,487 | 79.00 |
| Registered electors | | | 14,540 |
| Majority | | | 3,747 | 33.14 |
| This was a new constituency created. | | | | | | |

## InfoBox

Panching (N19)
| Pahang constituency | |
| --- | --- |
| State constituency | |
| Legislature | Pahang State Legislative Assembly |
| MLA |
     Mohd Tarmizi Yahaya
PN |
| Constituency created | 2003 |
| First contested | 2004 |
| Last contested | 2022 |
| Demographics | |
| Electors (2022) | 34,886 |


title: Pamela Yates

abstract: Pamela Yates is an American documentary filmmaker and human rights activist. She has directed films about war crimes, racism, and genocide in the United States and Latin America, often with emphasis on the legal responses.

text:
# Pamela Yates

**Pamela Yates** is an American documentary filmmaker and human rights activist. She has directed films about war crimes, racism, and genocide in the United States and Latin America, often with emphasis on the legal responses.

## Biography

Pamela Yates was born and raised in the Appalachian coal-mining region of Pennsylvania but left at a young age to live in New York City. She earned a Bachelor's degree from the University of Massachusetts, Amherst in 1976.

She is a Guggenheim Fellow, the Director of the Sundance Award winning When the Mountains Tremble, the Producer of the Emmy Award\- winning *Loss of Innocence*, and the Executive Producer of the Academy Award winning "Witness to War." She most recently directed the film *Granito: How to Nail a Dictator*, which served as key evidence in the Ríos Montt genocide trial in Guatemala. Previously Yates directed, *The Reckoning: The Battle for the International Criminal Court*," a feature-length film and educational initiative and *State of Fear*, a feature-length documentary that tells the epic story of Peru's 20-year war on terror based on the findings of the Peruvian Truth and Reconciliation Commission. Pamela is a co-founder and partner of Skylight Pictures, a company committed to producing artistic, challenging and socially relevant independent media and media strategies on issues of human rights and the quest for justice.

## Work

Her 2006 film, *State of Fear: The Truth about Terrorism*, about the findings of Truth and Reconciliation Commission concerning the internal conflict in Peru, was translated into 44 languages and broadcast in 157 countries.

*The Reckoning: The Battle for the International Criminal Court,* released in 2009, is about the work of the International Criminal Court. In 2010, Yates was nominated for two Emmys for it – Best Documentary Film and Outstanding Investigative Journalism in a Long Form Documentary. *The Reckoning* was nominated for a Grand Jury Prize at the Sundance Film Festival.

Her 2011 film, *Granito: How to Nail a Dictator*, is a sequel to *When the Mountains Tremble*. In it, Yates uses her archives to provide evidence for a war crimes tribunal set in Spain (using the concept of universal jurisdiction) in its efforts to prosecute the genocide in Guatemala. The film was an official selection included in the Premiere Documentary Section of the 2011 Sundance Film Festival, and was also nominated for an Emmy for Outstanding Investigative Journalism in a Long Form Documentary. Yates received a Guggenheim Fellowship for her work on the film, which served as key evidence in the Ríos Montt genocide trial in Guatemala. On May 3, 2015, the film won the White Camel award at the FiSahara.

## Accolades

Four of Yates' films — *When the Mountains Tremble*, *Poverty Outlaw*, *Takeover*, and *Teatro!* — were nominated for the Grand Jury Prize at the Sundance Film Festival, and *When The Mountains Tremble* won the award in 1984.

Her film, *State of Fear: The Truth about Terrorism*, won the 2006 Overseas Press Club Award for "Best Reporting in Any Medium on Latin America".

Awards and nominations for her 2011 Documentary, Granito: How to Nail A Dictator include: Official Selection, Sundance Film Festival, 2011; Emmy Nomination, Outstanding Investigative Journalism: Long Form, 2013; Opening Night Film, Human Rights Watch International Film Festival, 2011; Grand Prix for Best Creative Documentary, Paris International Human Rights Film Festival; Peace & Reconciliation Prize, The Geneva International Human Rights Festival, 2011 Jury Grand Prize, The Politics on Film Festival, 2011; Honorable Mention, Overseas Press Club Award; 2012 Founder's Award, Traverse City Film Festival, 2011

## Selected filmography


title: Pam Foley

abstract: Pam Nugent is an Australian Paralympic swimmer. She was studying to be a nurse at Mater Hospital in Townsville, when she became paralysed from the waist down at the age of 19 after her new motorbike crashed over Castle Hill. She took up swimming after the accident to strengthen her arms. At the 1972 Heidelberg Paralympics, she won two silver medals in the Women's 25 m Freestyle 2 and Women's 3x25 m Medley 2 events. She married Paralympic athlete and wheelchair manufacturer Mike Nugent in 1975; who died in May 2024.

text:
# Pam Foley

**Pam Nugent** (née **Foley**) is an Australian Paralympic swimmer. She was studying to be a nurse at Mater Hospital in Townsville, when she became paralysed from the waist down at the age of 19 after her new motorbike crashed over Castle Hill. She took up swimming after the accident to strengthen her arms. At the 1972 Heidelberg Paralympics, she won two silver medals in the Women's 25 m Freestyle 2 and Women's 3x25 m Medley 2 events. She married Paralympic athlete and wheelchair manufacturer Mike Nugent in 1975; who died in May 2024.

## InfoBox

Pam Foley
| Personal information | |
| --- | --- |
| Nationality | Australia |
| Medal record      Swimming  Paralympic Games  1972 Heidelberg Women's 25 m Freestyle 2  1972 Heidelberg Women's 3x25 m Medley 2 | |


title: Pam Fraser Solomon

abstract: Pam Fraser Solomon FRSA is a British producer/director of Guyanese heritage, whose work spans four decades in theatre, radio, film, television and education, winning prizes such as the Commission for Racial Equality "Race in the Media Award" in 1999. She worked for 16 years with BBC Radio, where she was a senior producer. Her career in fringe and repertory theatre includes working for venues such as the Sheffield Crucible and the Theatre Royal Stratford East, and she is currently the Head of Creative Producing at Mountview drama school.

text:
# Pam Fraser Solomon

**Pam Fraser Solomon** FRSA is a British producer/director of Guyanese heritage, whose work spans four decades in theatre, radio, film, television and education, winning prizes such as the Commission for Racial Equality "Race in the Media Award" in 1999. She worked for 16 years with BBC Radio, where she was a senior producer. Her career in fringe and repertory theatre includes working for venues such as the Sheffield Crucible and the Theatre Royal Stratford East, and she is currently the Head of Creative Producing at Mountview drama school.

## Background

Born in Guyana and raised in London, England, Pam Fraser Solomon holds a master's degree from Middlesex University. Her early career included work in fringe and repertory theatre, with venues such as the Sheffield Crucible, the Theatre Royal Stratford East and the Haymarket Theatre, and as a director for theatre companies Temba and BTC (Black Theatre Co-operative) in the 1980s. Bonnie Greer quoted Fraser Solomon in a 2006 *Guardian* article as saying: "In those days, black theatre was the new kid on the block, surviving from production to production or, if you were very lucky, season to season....The difference between black theatre and the rest was that many of us had degrees in drama or English, even physics – but we didn't dress the stage with it. You didn't have to be into theatre to make black theatre, and black theatre didn't always happen in black theatre spaces. But oddly, everyone knew exactly what they were talking about when they said 'black theatre'. Often we were expected to be 'black' and produce something alternative, preferably 'ghetto'. Funding bodies could ask you to be 'theatre' today and 'black' tomorrow. It was shifting sands."

Speaking of how her Guyanese heritage and the experience of growing up in London as a Black woman has impacted her work, Fraser Solomon has said: "People like me with experiences that can inform characterisation and storytelling, subtly changing the emphasis, can lead drama away from comfort zones. This doesn't make me better than others, but it makes my contribution equally valid. I see the world through the eyes of a Black woman, so in that sense all my intuition eventually leads back to that fact."

From 1991, Fraser Solomon was for 16 years a senior producer with BBC Radio, where she directed more than a hundred hours of audio dramas, and she was involved in major arts events such as the Africa95 and Africa '05 festivals, as well as the 2007 Abolition commemoration season. She wrote and produced for BBC Radio 4 in January 2001 the programme *Stealing the Glory*, about the Arctic explorer Matthew Henson, presented by Colin Salmon.

Her television drama work encompasses producing several episodes of *EastEnders* and *Holby City*, and she was the development producer for the BBC short film *One Night In White Satin*. She was an executive producer of the 2007 BBC2 television documentary *In Search of Wilberforce*, presented by Moira Stuart.

Also in 2007, Fraser Solomon produced on BBC Radio 3 *The Lamplighter*, by Jackie Kay, who has written about the commissioning of the work for the season marking the bicentenary of the Slave Trade Act 1807: "After we had finished recording The Lamplighter, we sat around talking about the complex business of what we remember and what we forget. Pam Fraser Solomon said that her great grandmother, whose mother had been born enslaved, often had an enigmatic expression on her face. She'd say: 'I'm just listening to where the breeze is coming from.' I thought of all the silences - the silences from African people who do not want their children to hear about slavery, and from white people who do not want to discuss the family tree with its roots in a plantation in the Caribbean."

Continuing her career as a freelance producer, director and script editor, Fraser Solomon was involved in projects including the production of the documentary film *Divided by Race, United in War and Peace*, about Caribbean war veterans and their struggles against colour prejudice and racism. She took up the position of Head of MA Creative Producing at Mountview Academy of Theatre Arts in 2018. She is also Co-Chair of Theatre Deli. Addressing the "\[m\]ismatch between BAME stories and performances when compared to presence in the boardroom, she has written: "Organisations should examine internal structures that block gateways to leadership reflective of ethos and mission statement."

Among her awards as a producer/director are a 1999 Commission for Racial Equality "Race in the Media Award" (RIMA) for Radio Drama as director of Margaret Busby's play based on C. L. R. James's 1936 novel *Minty Alley*, first broadcast on BBC Radio 4 in June 1998, featuring Geff Francis, Vivienne Rochester and Burt Caesar.

Fraser Solomon has served as a judge for prizes including The Whickers Radio & Audio Funding Award (RAFA) in 2020.

## Selected work

### Theatre

* 1990: Zindika, *Paper and Stone* — director (Black Theatre Co0operative, at the Albany Empire)

### Radio

### Television

* 2006: *One Night in White Satin* — development producer (BBC TV)
* 2007: *In Search of Wilberforce*, presented by Moira Stuart, documentary examining the role of anti-slavery campaigner William Wilberforce — executive producer (BBC 2)

## InfoBox

| Pam Fraser Solomon | |
| --- | --- |
| Born | Guyana |
| Nationality | British |
| Alma mater | Middlesex University |
| Occupation | Producer/director |
| Organization | Mountview Academy of Theatre Arts |


title: Goračići

abstract: Goračići is a village in the municipality of Lučani, Serbia. According to the 2011 census, the village has a population of 1,082 people.

text:
# Goračići

**Goračići** is a village in the municipality of Lučani, Serbia. According to the 2011 census, the village has a population of 1,082 people.

43°46′41″N 20°19′11″E / 43.77806°N 20.31972°E / 43.77806; 20.31972

## InfoBox

| Goračići | |
| --- | --- |
| Village | |
| Goračići | |
| Coordinates: 43°46′41″N 20°19′11″E / 43.77806°N 20.31972°E / 43.77806; 20.31972 | |
| Country | Serbia |
| District | Moravica District |
| Municipality | Lučani |
| Area | |
| Total | 29.77 km2 (11.49 sq mi) |
| Elevation | 471 m (1,545 ft) |
| Population (2011) | |
| Total | 1,082 |
| Density | 36/km2 (94/sq mi) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |


title: Pamilacan

abstract: Pamilacan is an island barangay in the Philippines, situated 12.5 kilometres (7.8 mi) south of Bohol island and surrounded by the Bohol Sea. It is one of the 17 barangays that compose the municipality of Baclayon. According to the 2015 census, it has a population of 1,418, comprising about 240 families whose main livelihoods now concentrate on dolphin- and whale-watching tours and subsistence fishing, but in the past also included whale, dolphin and manta ray hunting. Pamilacan perhaps means "resting place of the mantas", but it can also be considered to derive from the word pamilac, or harpoon, a device that was historically used to capture the mantas, dolphins and whales. On the northeast part of the island is a 200‑year‑old Spanish fort, which in the past served as a watchtower for the Spaniards to look out for intruders, such as pirates and other enemies, particularly those coming from the south. Along with the other watchtowers in Dauis, Panglao, Maribojoc, Loay and Balilihan, the island's watchtower was declared by the National Museum of the Philippines as a National Cultural Treasure under the collective group of Bohol Watchtowers on August 29, 2011 Aside from being famous for the whaleshark and dolphin-watching activities, the island is also known for its white sand beaches and renowned for its snorkeling and dive sites, such as Dakit-Dakit. Snake Island or Cervera Shoal is a sunken plateau about 18 metres (59 ft) deep, to the west of Pamilacan. It is covered with coral but lies in the middle of the ocean, which is why there usually is a very strong current. Here one can see black-white banded sea snakes, sea turtles, moray eels, nudibranchs and bucket sponges.

text:
# Pamilacan

**Pamilacan** is an island barangay in the Philippines, situated 12.5 kilometres (7.8 mi) south of Bohol island and surrounded by the Bohol Sea (also called Mindanao Sea). It is one of the 17 barangays that compose the municipality of Baclayon. According to the 2015 census, it has a population of 1,418, comprising about 240 families whose main livelihoods now concentrate on dolphin- and whale-watching tours and subsistence fishing, but in the past also included whale, dolphin and manta ray hunting.

Pamilacan perhaps means "resting place of the mantas", but it can also be considered to derive from the word *pamilac*, or harpoon, a device that was historically used to capture the mantas, dolphins and whales.

On the northeast part of the island is a 200yearold Spanish fort, which in the past served as a watchtower for the Spaniards to look out for intruders, such as pirates and other enemies, particularly those coming from the south. Along with the other watchtowers in Dauis, Panglao, Maribojoc, Loay and Balilihan, the island's watchtower was declared by the National Museum of the Philippines as a National Cultural Treasure under the collective group of *Bohol Watchtowers* on August 29, 2011

Aside from being famous for the whaleshark and dolphin-watching activities, the island is also known for its white sand beaches and renowned for its snorkeling and dive sites, such as Dakit-Dakit. *Snake Island* or *Cervera Shoal* is a sunken plateau about 18 metres (59 ft) deep, to the west of Pamilacan. It is covered with coral but lies in the middle of the ocean, which is why there usually is a very strong current. Here one can see black-white banded sea snakes, sea turtles, moray eels, nudibranchs and bucket sponges.

## Further reading

## InfoBox

Pamilacan
| Satellite image of Pamilacan Island | |
| --- | --- |
| PamilacanLocation within the Philippines | |
| Geography | |
| Location | Bohol Sea |
| Coordinates | 9°29′35″N 123°55′26″E / 9.493°N 123.924°E / 9.493; 123.924 |
| Area | 1.75 km2 (0.68 sq mi) |
| Length | 1.6 km (0.99 mi) |
| Width | 1.25 km (0.777 mi) |
| Coastline | 4.50 km (2.796 mi) |
| Administration | |
| **Philippines** | |
| Region | Central Visayas |
| Province | Bohol |
| Municipality | Baclayon |
| Demographics | |
| Population | 1,418 (2015) |
| Pop. density | 810/km2 (2100/sq mi) |
| 1. estimated from satellite photo 2. long side of right containing rectangle 3. short side of right containing rectangle | |


title: Pamillia

abstract: Pamillia is a genus of plant bugs in the family Miridae. There are about five described species in Pamillia.

text:
# Pamillia

***Pamillia*** is a genus of plant bugs in the family Miridae. There are about five described species in *Pamillia*.

## Species

These five species belong to the genus *Pamillia*:

Data sources: i = ITIS, c = Catalogue of Life, g = GBIF, b = Bugguide.net

## Further reading

## InfoBox

| *Pamillia* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Hemiptera |
| Suborder: | Heteroptera |
| Family: | Miridae |
| Tribe: | Ceratocapsini |
| Genus: | *Pamillia*<br>Uhler, 1887 |
|


title: Grace Frank

abstract: Grace Mayer Frank was an American medievalist and lecturer. Frank, along with her spouse, the classicist Tenney Frank, was primarily associated with Bryn Mawr College, first as a graduate student, and later as a Lecturer and Associate Professor of Romance Philosophy and Old French. Beginning in 1919, Frank lived in Baltimore, Maryland, where she would reside for the majority of her life, serving also as a Visiting Professor of Romance Philology at Johns Hopkins University in that city. A specialist in French medieval theatre and poetry, Frank produced numerous critical editions and over 40 scholarly articles in the field. Her best-known work was the monograph The Medieval French Drama (1954), a survey of French drama to the 15th century, considered "an authoritative reference work" for the subject. Her influence on her field was such that a 2005 essay claimed that "it seem[ed] almost impossible to read an article or a book on the subject of medieval French drama without finding a reference to her scholarship."

text:
# Grace Frank

**Grace Mayer Frank** (born **Grace Edith Mayer**; June 28, 1886 – March 22, 1978) was an American medievalist and lecturer. Frank, along with her spouse, the classicist Tenney Frank, was primarily associated with Bryn Mawr College, first as a graduate student, and later as a Lecturer and Associate Professor of Romance Philosophy and Old French. Beginning in 1919, Frank lived in Baltimore, Maryland, where she would reside for the majority of her life, serving also as a Visiting Professor of Romance Philology at Johns Hopkins University in that city.

A specialist in French medieval theatre and poetry, Frank produced numerous critical editions and over 40 scholarly articles in the field. Her best-known work was the monograph *The Medieval French Drama* (1954), a survey of French drama to the 15th century, considered "an authoritative reference work" for the subject. Her influence on her field was such that a 2005 essay claimed that "it seem\[ed\] almost impossible to read an article or a book on the subject of medieval French drama without finding a reference to her scholarship."

## Early life

Born June 28, 1886, in New Haven, Connecticut, Grace Edith Mayer, the daughter of Murray C. and Fannie N. Mayer, was raised in Chicago, Illinois. In 1902, she graduated from Drexel Institute, and matriculated to the University of Chicago, where she was a member of Phi Beta Kappa and obtained her Bachelor of Arts degree in December 1906. She married classical scholar Tenney Frank on May 28 of the same year. Tenney Frank would soon become an influential academic, author of twelve books and 150 articles, and much of Grace Frank's travel after marriage was determined by the academic postings of her husband.

In 1908, Frank moved with her husband to Bryn Mawr, Pennsylvania, where Tenney Frank was a Professor of Latin at Bryn Mawr College until 1919. Her first published work was during this period, an English translation from German of Hermann Sudermann's *Roses, four one-act plays* in 1909. Grace Frank continued her graduate studies at Bryn Mawr, followed by studies at University of Göttingen and University of Berlin in 1910–1911.

## Academic career

In the mid-1920s, Frank and her husband conducted research in Tunisia, studying Roman ruins near Tunis, Carthage, Medjez-el-Bab, Sfax and Sousse. At this time, the couple had been residing in Rome due to Tenney Frank's appointment as professor in charge at the American Academy in Rome. During her time in Rome, Grace Frank was able to edit a recently discovered French manuscript from the Vatican Library, the **Passion du Palatinus*,* the critical edition of which she would publish in 1922. The text was a 14th-century copy of a play believed to have dated to the 13th or early 14th century. In her introduction, Frank claimed that this manuscript was the "oldest known integral French example of the Passion." Three years later, she published another critical edition, this time of Rutebeuf's play *Le Miracle de Théophile*, an edition which became the standard text of the play.

Grace Frank was made a lecturer in Romance philosophy at Bryn Mawr College in 1926. However, beginning in 1919, Tenney Frank was made professor of Latin at Johns Hopkins University in Baltimore, which required the couple to relocate there. As a result, for the next 25 years, Grace Frank commuted weekly from the couple's home in Baltimore to the campus of Bryn Mawr in Pennsylvania.

In the 1930s, Frank published another three critical editions of French texts, two of which were Passions. Her edition of **Le Livre de la Passion, Poème narratif du XIVe siècle** (1930), analyzed five 15th-century manuscripts based on a 14th-century narrative. Her edition of **La Passion d'Autun** (1934) analyzed the relationship between two closely related 13th or early 14th-century poems (**Passion de Biard** & **Passion de Roman**), distinguished by their copyists. In 1937, she worked with art historian Dorothy Miner to publish **Proverbes en rimes*. Text and Illustrations of the Fifteenth Century from a French manuscript in the Walters Art Museum,* which photographically reproduced 186 eight-line rhymed proverbs, each with accompanying pen-and-ink illustration, from a 15th-century manuscript. Miner provided a study of the work's iconography, while Frank's introduction and notes speculated on the provenance, author and date of the work. Apart from her monographs, Frank's academic output was prolific: she published at least 43 journal articles, and a further 84 reviews of academic books. In addition to her journal output, she published an additional 138 reviews of more popular works (such as those of Edith Wharton and Arnold Bennett) in the Saturday Review of Literature between 1926 and 1947.

Frank became professor emerita of Old French at Bryn Mawr in 1952. In 1954, she published her principal monograph *The Medieval French Drama,* which was promoted as "the first history in English of the medieval French drama." According to a critical bibliography of her work, the book was "warmly received by nearly all reviewers." Since its release, the work has had a large influence on the field, being described in a 1980 review of Frank's life as "the standard treatment of the subject." Frank's final scholarly publication was a review of *The Production of Medieval Church Music-Drama* in 1972.

## Life outside academia

Outside of the academy, Frank was an accomplished pianist, and also enjoyed mountain climbing and studying the migration of birds.

During the First World War, Frank first worked in Washington, D.C., for the office of censorship and wrote war propaganda. Later in the war, she volunteered in Italy as a Red Cross nurse. After the outbreak of World War II, Frank was a member of the Committee to Defend America by Aiding the Allies, a group which favored the military support of the United Kingdom by the United States. She publicly opposed the anti-interventionist Charles Lindbergh in the pages of the Baltimore Sun. After the United States joined the war, Frank served as a civilian volunteer with the Army Air Forces Aircraft Warning Service in Baltimore. In her later curriculum vitae, Frank also listed an affiliation with the wartime Office of Strategic Services.

Frank was active in society life at Bryn Mawr and Baltimore, as well as a participant in several professional organizations. She served as the Chairman of the scholarship committee and vice-president of the Bryn Mawr College Club of Baltimore. She was a patron of the Homewood Playshop of the Johns Hopkins University, as well as the JHU Glee Club and Johns Hopkins Band. She was a member of JHU's Philological Society, History of Ideas Club & Faculty Club. She served on the committee to host the Archaeological Institute of America and American Philological Association in the city. She also gave lectures open to the public at Bryn Mawr. A founding member of the Medieval Academy of America, Frank was the organization's third Vice-President from 1948 to 1951. She became a Fellow of the organization in 1950. She was also made a vice-president of the Modern Language Association in 1957.

In later life, Frank was a frequent author of letters to the editor of the Baltimore Sun. In one such letter she defended the "humanistic studies" against a perceived overemphasis on the technical sciences. Frank valued her adopted home of Baltimore, but criticized what she saw as the city's neglect of funding for the arts in favor of "throughways and skyscrapers alone." She was an advocate of increased rail service into the city core, in opposition to highway projects then under consideration. A Democrat, Frank was a supporter of the presidential candidacies of Adlai Stevenson II in 1960 and Hubert Humphrey in 1968.

Frank moved from her Roland Park home to a retirement home in Hightstown, New Jersey, in the spring of 1977, where she died following a heart attack on March 22, 1978.

## Legacy

Frank's primary work, *The Medieval French Drama,* has been reprinted several times since its initial publication. The text continues to be a relevant survey of the subject in 21st century English and French-language scholarship, that, in the words of one contemporary scholar, "remains today an authoritative reference work, admired and appreciated by all who use it."

Grace Frank supervised several doctoral dissertations despite never having achieved a PhD herself. Among the academics she supervised as students were Ruth Whittredge, Barbara M. Craig and Margaret Louise Switten.

In 2000, the Medieval Academy of America established an annual dissertation grant in honor of Frank.

## Partial bibliography

### Books

* (Trans.) Hermann Sudermann, *Roses, four one-act plays*, New York 1909, London/New York 1912
* (Ed.) **La passion du Palatinus. Mystère du XIVeme siècle**, Paris 1922, 1972, présenté et traduit par Jacques Ribard, Paris 1992
* (Ed.) **Le miracle de Théophile. Miracle du XIIIe siècle**, Paris 1925, 1949, 1967, 1975, 1986
* (Ed.) **Le livre de la passion. Poème narratif du XIVe siècle**, Paris 1930
* (Ed.) **La Passion d’Autun**, Paris 1934
* (Ed. with Dorothy Miner) **Proverbes en rimes*. Text and illustrations of the fifteenth century from a French manuscript in the Walters Art Museum*, Baltimore 1937
* *The Medieval French Drama*, Oxford 1954, 1960, 1972

### Journal articles

* Baldwin, John W.; Dean, Ruth J.; Lane, Frederic C.; Roach, William (1979). "Memoirs of Fellows and Corresponding Fellows of the Mediaeval Academy of America: Grace Frank". *Speculum*. **54** (3): 651–652. doi:10.1017/S0038713400171945. ISSN 0038-7134. JSTOR 2855832. S2CID 225089360.
* "MAA Dissertation Grant Honorees". *The Medieval Academy of America*. Retrieved 2019-08-22.
* Maddox, Donald (1981). "An Analytic Bibliography of the Writings of Grace Frank". *Romance Philology*. **34** (4): 417–433. ISSN 0035-8002. JSTOR 44942337.
* Malkiel, Yakov (1980). "Necrology: Grace Frank (1886–1978)". *Romance Philology*. **33** (4): 544–550. ISSN 0035-8002. JSTOR 44942125.
* Mueller-Loewald, Sharon (2003). "Quatre figures féminines apocryphes dans certains Mystères de la Passion en France". In Edelgard E. DuBruck; Barbara I. Gusick (eds.). *Fifteenth-Century Studies*. Camden House. ISBN 978-1-57113-273-4.
* Nelson-Campbell, Deborah (2005). "Grace Frank (1886–1978) and Medieval French Drama". In Jane Chance (ed.). *Women Medievalists and the Academy*. Univ of Wisconsin Press. pp. 273–283. ISBN 978-0-299-20750-2.

## InfoBox

| Grace Frank | |
| --- | --- |
| Born | Grace Edith Mayer
(1886-06-28)June 28, 1886
New Haven, Connecticut |
| Died | March 22, 1978(1978-03-22) (aged 91)
Hightstown, New Jersey |
| Education | University of Chicago (BA)
Bryn Mawr College, University of Göttingen, University of Berlin (Graduate) |
| Occupation(s) | Medievalist and Lecturer |
| Known for | Study of medieval theatre |
| Notable work | *The Medieval French Drama* (1954) |
| Spouse | Tenney Frank |


title: Pan y Circo

abstract: Pan y Circo is a Mexican Spanish-language talk show TV series that premiered on Amazon Video on August 7, 2020. The show is hosted by actor Diego Luna and was produced by La Corriente del Golfo, a production company run by Luna and fellow Mexican actor Gael García Bernal. In each episode, Luna and six guests sit for a meal prepared by a notable Mexican chef and discuss some sociopolitical issue. The guests include politicians, activists, academics, artists and celebrities. The show's first episode was filmed last, during the COVID-19 pandemic, and shows Luna and his guests all sitting at home, eating while videoconferencing together.

text:
# Pan y Circo

***Pan y Circo*** (Spanish for "Bread and Circus") is a Mexican Spanish-language talk show TV series that premiered on Amazon Video on August 7, 2020. The show is hosted by actor Diego Luna and was produced by La Corriente del Golfo, a production company run by Luna and fellow Mexican actor Gael García Bernal. In each episode, Luna and six guests sit for a meal prepared by a notable Mexican chef and discuss some sociopolitical issue. The guests include politicians, activists, academics, artists and celebrities. The show's first episode was filmed last, during the COVID-19 pandemic, and shows Luna and his guests all sitting at home, eating while videoconferencing together.

## Episodes

| Season | Episodes | | Originally aired | |
| --- | --- | --- | --- | --- |
| | | First aired | Last aired |
|  | 7 | | August 7, 2020 (2020-08-07) | August 14, 2020 (2020-08-14) |
|  | 3 | | October 8, 2021 (2021-10-08) | January 24, 2022 (2022-01-24) |

### Season 1 (2020)

| No.
overall | No. in
season | Title | Directed by | Original release date |
| --- | --- | --- | --- | --- |
| 1 | 1 | "Chronicles of the Pandemic: Covid-19 and its Consequences" | Gregory Allen | August 7, 2020 (2020-08-07) |
| Guests: Julia Carabias, Daptnhe Cuevas, Emiliano Monge, Samuel Ponce de León. Chef: Jair Téllez. Additional interviews with: Elena Reygadas, Carlos Martínez, Yásnaya Aguilar, Dayra Fyah, Hugo López-Gatell. | | | | | |
| 2 | 2 | "#NotOneMore: Gender Violence" | Gregory Allen | August 7, 2020 (2020-08-07) |
| Guests: Andrea Medina Rosas, Dayra Fyah, Dilcya Samantha García, Araceli Osorio Martínez, María Candelaria Ochoa, Marion Reimers. Chef: Alexander Suástegui. | | | | | |
| 3 | 3 | "Failures of Prohibition: Drug Legalization" | Gregory Allen | August 7, 2020 (2020-08-07) |
| Guests: Miguel Ángel Osorio Chong, Dení Álvarez Icaza, Gael García Bernal, Juan Manuel Santos, Zara Snapp. Chef: Enrique Olvera. | | | | | |
| 4 | 4 | "The Future is Here: Climate Change" | Gregory Allen | August 14, 2020 (2020-08-14) |
| Guests: Rubén Albarrán, Ruth Buendía, Julia Carabias, José M. Hernández, Ninfa Salinas Sada, Liliana Saumet. Chef: Elena Reygadas. | | | | | |
| 5 | 5 | "My Body is Mine: Abortion" | Gregory Allen | August 14, 2020 (2020-08-14) |
| Guests: Daptnhe Cuevas, Ana de la Reguera, Fr. Julián Cruzalta, Martha Lucía Mícher, Nadine Flora Gasman, Olga Sánchez Cordero. Chef: Alejandra Barbabosa. | | | | | |
| 6 | 6 | "No One is Illegal: Immigrants and Emigrants" | Gregory Allen | August 14, 2020 (2020-08-14) |
| Guests: Alberto Capella, Arturo Sarukhán, Carlos Martínez, Marisoul Hernández, Irma Mendoza, Odilia Romero. Chef: Javier Plascencia. | | | | | |
| 7 | 7 | "Looking Ourselves in the Mirror: Identity and Racism" | Gregory Allen | August 14, 2020 (2020-08-14) |
| Guests: Yásnaya Aguilar, Pedro Cayuqueo, Eugenia Iturriaga, Rogelio Jiménez Pons, Eduardo López. Chef: Jair Téllez. | | | | | |

### Season 2 (2021–22)

| No.
overall | No. in
season | Title | Directed by | Original air date |
| --- | --- | --- | --- | --- |
| 8 | 1 | "Acceso a la salud" | Diego Luna | October 8, 2021 (2021-10-08) |
| The first special, Access to health, questions how the pandemic is just one more problem that came to overload a deficient health system, highlighting its shortcomings. It is put on the table what has been done in Mexico to save lives, vaccination policies, the participation of civil society; what are the actions that the government would need to take to adapt to the cultural, social and genetic needs of the population and where is the limit of what is public and what is private. | | | | | |
| 9 | 2 | "Crisis de la democracia" | Diego Luna | November 25, 2021 (2021-11-25) |
| Democracy is questioned through the relationship between the state and the citizens: why does democracy constantly lead to the triumph of leaders who do not fulfill their campaign promises? How to live in a democracy when violence is a constant? What alternatives can citizens build? The autocracy lurks behind this worldwide crisis. | | | | | |
| 10 | 3 | "Discriminar en español" | Diego Luna & Santiago Maza | January 24, 2022 (2022-01-24) |
| Bread and Circus travels to Madrid to try to find an answer to a question equally uncomfortable for Latin America and Spain: why is the Conquest hailed as a symbol of glory for some, and as an unanswered grievance for others? The third special of the second season turns to and gathers a plurality of Spanish-American voices to talk about Discrimination in Spanish. | | | | | |

## Reception

Inkoo Kang of *The Hollywood Reporter* criticized the choice of guests as leading to tepid conversations, giving as an example the episode on abortion, which did not include anyone opposed to abortion. She did single out two episodes for praise: the episode on the drug war, and especially the episode on immigration, in which she wrote it was "truly fascinating" to hear Mexicans wrestle with their own country's anti-immigrant attitudes.

## InfoBox

| *Pan y Circo* | |
| --- | --- |
|  | |
| Presented by | Diego Luna |
| No. of seasons | 2 |
| No. of episodes | 10 |


title: Grammoechus javanicus

abstract: Grammoechus javanicus is a species of beetle in the family Cerambycidae. It was described by Stephan von Breuning in 1938. It is known from Java and Borneo.

text:
# Grammoechus javanicus

***Grammoechus javanicus*** is a species of beetle in the family Cerambycidae. It was described by Stephan von Breuning in 1938. It is known from Java and Borneo.

## InfoBox

| *Grammoechus javanicus* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Cerambycidae |
| Tribe: | Pteropliini |
| Genus: | *Grammoechus* |
| Species: | ***G. javanicus*** |
| Binomial name | |
| ***Grammoechus javanicus***<br>Breuning, 1938 | |
|


title: Grajaú (district of São Paulo)

abstract: Grajaú is one of 96 districts in the city of São Paulo, Brazil. Grajaú is a district of the municipality of São Paulo, located in the South Zone. It is administered by the subprefecture of Capela do Socorro, within the administrative region of the South Zone of São Paulo. Its limits are the districts of Pedreira, Cidade Dutra, Parelheiros and the municipalities of São Bernardo do Campo and Diadema. It is 26 km from Praça da Sé and 14 km from the main neighborhoods of the south zone of the city such as Santo Amaro and Jabaquara. Currently, it has a population of approximately 445 thousand inhabitants, being the most populous district of the capital.

text:
# Grajaú (district of São Paulo)

23°46′26″S 46°40′09″W / 23.7738°S 46.6693°W / -23.7738; -46.6693

**Grajaú** is one of 96 districts in the city of São Paulo, Brazil.

**Grajaú** is a district of the municipality of São Paulo, located in the South Zone. It is administered by the subprefecture of Capela do Socorro, within the administrative region of the South Zone of São Paulo. Its limits are the districts of Pedreira, Cidade Dutra, Parelheiros and the municipalities of São Bernardo do Campo and Diadema. It is 26 km from Praça da Sé and 14 km from the main neighborhoods of the south zone of the city such as Santo Amaro and Jabaquara. Currently, it has a population of approximately 445 thousand inhabitants, being the most populous district of the capital.

## Neighborhoods of Grajaú

## InfoBox

| Grajaú | |
| --- | --- |
| District of the city of São Paulo | |
| Country | Brazil |
| State | São Paulo |
| Municipality | São Paulo |
| Subprefecture | Capela do Socorro |
| Area | |
| Total | 92.00 km2 (35.52 sq mi) |
| Population (2007) | |
| Total | 360,787 |
| Density | 3,922/km2 (10,160/sq mi) |
| Website | Subprefecture of Capela do Socorro |


title: Pandji Pragiwaksono

abstract: Pandji Pragiwaksono Wongsoyudo is an Indonesian stand-up comedian, actor, radio broadcaster, television presenter, book writer, and rap singer.

text:
# Pandji Pragiwaksono

**Pandji Pragiwaksono Wongsoyudo** (born 18 June 1979) is an Indonesian stand-up comedian, actor, radio broadcaster, television presenter, book writer, and rap singer.

## Early life and education

Pandji was born in Singapore, and attended SMP Negeri 29 Jakarta (Jakarta 29 Public Junior High School). He is also an alumnus of Kolese Gonzaga, Jakarta.

He studied product design at the Design Department, Faculty of Fine Arts and ITB in 1997.

## Career

He began his career as a radio broadcaster at Hard Rock FM Bandung with Tike Priatnakusumah for two years until 2003, before moving to Jakarta and becoming a Hard Rock broadcaster in Jakarta for another three years. He was also known for his collaboration with Steny Agustaf.

He presented the reality show *Kena Deh* on Trans 7, which originally aired on ANTV in 2008. He also hosted movie review program *Kok Bisa?* and broadcast programs on NBA matches on Jak TV due to his interest in basketball.

### Kolam Komik

Pandji is an illustrator and writer at *KolamKomik.com*, a comic publisher that he owns with Shani Budi Pandita. The comic, *Degalings,* is published every Wednesday. A special edition titled "H2O" was released in September 2011 at Plaza Indonesia.

### Music

In 2008, he released his first rap album entitled *Provocative Proactive,* which featured the artists Tompi, Steny Agustaf and his own wife, Gamila Arief.

A year later, he released his second album, *You'll Never Know When Someone Comes in and Press Play On Your Paused Life*.

On 21 January 2010, Pandji contributed his voice to the album *This is Me*, which is a charity album. The proceeds from the sales of the album were given to the Indonesian Child Oncology Foundation.

He has appeared on several music shows such as *Soulnation*.

His 2010 album, *Merdesa*, reaped a big advantage by implementing a free lunch method recognized by Hermawan Kertajaya.

On 21 May 2012, he launched his 4th hip hop album, *Album 32,* to coincide with the 14th anniversary of Soeharto's downfall. Songs such as "Demokrasi Kita" and "Indonesia Free" contain speeches from Mohammad Hatta. *Album 32* also features songs such as "GR" featuring Abenk Ranadireksa (Soulvibe), and "For Sahabatku" featuring Davinaraja (the Extralarge) which he wrote as a social critic.

### Stand-up comedy

He started his career as a comedian in 2010, beginning with the Twivate Concert Pertama in April.

On 28 December 2011, he produced his own comedy show at the Usmar Ismail Theater, Bhinneka Tunggal Tawa. He appeared in two shows opening for comedians Ernest Prakasa, Sam D. Putra and Luqman Baihaqi.

He was also the originator of the idea of a competition *Stand Up Comedy Indonesia* (SUCI) on Kompas TV. After Kompas TV found his comedy videos on YouTube, Kompas TV invited him to be the host of the competition.

On 8 December, he held a special performance under the name *INDONESIA*: (read: Indonesia colon), a combination of hip hop concerts, stand-up comedy, the launch of the book *Berani Mengubah*, and the launch of his fourth album, *Album 32*.

He started as a world tour in 2018 which originally began in Manila, taking in 13 cities, and including China, the Netherlands and Germany.

### Politics

In 2016, he became the speaker for Anies Baswedan's campaign team for the 2017 Jakarta gubernatorial election.

## Discography

* *Provocative Proactive* (2008)
* *You'll Never Know When Someone Comes in and Press Play On Your Paused Life* (2009)
* *Merdesa* (2010)
* *Album 32* (2012)
* *Pemanasan* (2015)

## Filmography

* *Make Money* (2013) as Aris
* *Comic 8* (2014)
* *Marmut Merah Jambu* (2014) as Guru 1 SMA
* *Dibalik 98* (2015) as Susilo Bambang Yudhoyono
* *Youtubers* (2015)
* *Comic 8: Casino Kings part 1* (2015)
* *Single* (2015) as Wawan
* *Comic 8: Casino Kings part 2* (2016)
* *Rudy Habibie* (2016) as Peter Manumasa
* *Stip & Pensil* (2017) as Pak Adam
* *Insya Allah Sah* (2017) as Raka
* *The Underdogs* (2017) as Presenter Talkshow
* *Ayat-Ayat Cinta 2* (2017) as Hulusi
* *Partikelir* (2018) as Adri
* *Insya Allah Sah 2* (2018) as Raka
* *DOA - Doyok Otoy Ali Oncom: Cari Jodoh* as Otoy

## Bibliography

* *Nasional.Is.Me*
* *How I Sold 1000 CDs in 30 Days*
* *Menghargai Gratisan*
* *Merdeka Dalam Bercanda*
* *Berani Mengubah*
* *Indiepreneur*
* *Menemukan Indonesia*
* *Juru Bicara*

## InfoBox

| Pandji Pragiwaksono | |
| --- | --- |
| Pandji Pragiwaksono in 2023 | |
| Born | Pandji Pragiwaksono Wongsoyudo
(1979-06-18) 18 June 1979
Singapore |
| Alma mater | Institut Teknologi Bandung |
| Occupation(s) | Rapper, radio broadcaster, comedian, presenter, actor, writer |
| Years active | 2003–present |
| Signature | |
|  | |


title: Grace Paul

abstract: Grace Jecks Paul was a Tamil Christian educator from Sri Lanka. She was principal at three girls' schools in Sri Lanka, and a founding member of the Ceylon Federation of University Women in 1941.

text:
# Grace Paul

**Grace Jecks Paul** (born 1901 – died after 1972) was a Tamil Christian educator from Sri Lanka. She was principal at three girls' schools in Sri Lanka, and a founding member of the Ceylon Federation of University Women in 1941.

## Early life

Paul was born in Jaffna, to Tamil Christian parents, Rev. Isaac Paul and Elizabeth Holsington Paul. Her grandfather, father, and uncles were pastors, connected with the American Ceylon Mission. She graduated from Uduvil Seminary and Madras Christian College before attending Mount Holyoke College in 1920. At Mount Holyoke, she was president of the Cosmopolitan Club. She graduated from Mount Holyoke in 1924, and pursued further studies at Teachers College, Columbia University.

While a student in the United States, she attended the 19th Conference of Women's Foreign Missionary Societies in 1922, in Massachusetts. In 1924, she spoke at the Fourth Congress of the Women's International League for Peace and Freedom in Washington.

## Career

Paul taught science at Uduvil Girls' School, and was eventually principal of the school's bilingual program. From 1947 to 1955, she was principal at Girls' High School, Kandy, the school's first Sri Lankan head. From 1958 to 1964, she was principal of St. Paul's Girls School, Milagiriya. She was known for requiring laboratory work in her classes.

In 1941 she was a founding member of the Ceylon Federation of University Women, along with Doreen Young Wickremasinghe, Hilda Kularatne, Susan George Pulimood, Marjorie Westrop, and Clara Motwani. She was the only native-born founder of the organization, and its first Sri Lankan president, leading the federation from 1944 to 1946 and from 1958 to 1959.

## Personal life

In 1932, she visited one of her brothers, clergyman and educator Charles Blackshear Paul, in Singapore and spoke on her experiences in the United States. She survived her brother Charles when he died in 1973.

*

## InfoBox

| Grace Paul | |
| --- | --- |
| Grace Paul, from the 1924 Mount Holyoke College yearbook | |
| Born | 1901<br>Jaffna |
| Nationality | Sri Lankan |
| Occupation | Educator |


title: Mike McKibben

abstract: Mike McKibben is a former American football linebacker. He played for the New York Jets from 1979 to 1980.

text:
# Mike McKibben

**Mike McKibben** (born September 3, 1956) is a former American football linebacker. He played for the New York Jets from 1979 to 1980.

## InfoBox

Mike McKibben
| No. 53 | |
| --- | --- |
| Position: | Linebacker |
| Personal information | |
| Born: | (1956-09-03) September 3, 1956<br>Mount Carmel, Illinois, U.S. |
| Height: | 6 ft 3 in (1.91 m) |
| Weight: | 228 lb (103 kg) |
| Career information | |
| High school: | Weston (WV) Lewis County |
| College: | Kent State |
| Undrafted: | 1979 |
| Career history | |
|  | |
|  | |
| Career NFL statistics | |
| Interceptions: 1 | |
|  | |
| Player stats at **PFR** | |
|  | |