title: Näfels

abstract: Näfels is a former municipality in the canton of Glarus in Switzerland. Effective from 1 January 2011, Näfels is part of the municipality of Glarus Nord.

text:
# Näfels

**Näfels** is a former municipality in the canton of Glarus in Switzerland. Effective from 1 January 2011, Näfels is part of the municipality of Glarus Nord.

## History

Näfels is first mentioned in 1240 as *Nevels*.

In 1388, the Swiss Confederates beat the Habsburgs at the Battle of Näfels, a victory that proved to be decisive in the series of Swiss-Austrian conflicts that stretched through most of the 14th Century as, in 1389, a peace treaty was signed at Vienna. The losses were much higher on the Austrian side, with 2,500 Austrians killed and 54 Swiss. The town's *Slachtkapelle* was created as a memorial to the men who fell in battle, and the *Näfelser Fahrt*, a pilgrimage to the site of the battle, has been held in April every year since the battle.

## Geography

Näfels has an area, as of 2006, of 36.9 km2 (14.2 sq mi). Of this area, 35.9% is used for agricultural purposes, while 37.6% is forested. Of the rest of the land, 4.4% is settled (buildings or roads) and the remainder (22.1%) is non-productive (rivers, glaciers or mountains).

Näfels is located in the *Glarner Unterland* on the left side of the valley, across from Mollis. It consists of the village of Näfels and the scattered settlements that make up the *Näfelser Berg* and the *Oberseetal*.

## Demographics

Näfels had a population (as of 2010) of 4,021. As of 2007, 19.3% of the population was made up of foreign nationals. Over the last 10 years the population has decreased at a rate of −0.6%. Most of the population (as of 2000) speaks German (86.9%), with Italian being second most common (5.2%) and Albanian being third (2.9%).

In the 2007 federal election the most popular party was the SPS which received 48.6% of the vote. Most of the rest of the votes went to the SVP with 40.2% of the vote.

In Näfels about 64% of the population (between age 25 and 64) have completed either non-mandatory upper secondary education or additional higher education (either university or a *Fachhochschule*).

Näfels has an unemployment rate of 1.59%. As of 2005, there were 94 people employed in the primary economic sector and about 39 businesses involved in this sector, while 1,399 people are employed in the secondary sector and there are 62 businesses in this sector. There are 918 people employed in the tertiary sector, with 140 businesses in this sector.

The historical population is given in the following table:

| year | population |
| --- | --- |
| 1777 | 533 |
| 1850 | 1,869 |
| 1870 | 2,513 |
| 1900 | 2,557 |
| 1950 | 3,327 |
| 2000 | 3,947 |
|

## Transport

Näfels-Mollis railway station is on the Weesen to Linthal railway line. It is served by the Zürich S-Bahn service S25 between Linthal and Zürich, and by the St. Gallen S-Bahn service S6 between Rapperswil and Schwanden. As of the December 2023 timetable change, both services operate once per hour, combining to provide two trains per hour between Ziegelbrücke and Schwanden.

## Notable residents

## InfoBox

| Näfels | |
| --- | --- |
| Former municipality | |
|  | |
|  | |
| Location of Näfels | |
| NäfelsNäfels | |
| Coordinates: 47°06′N 9°04′E / 47.100°N 9.067°E / 47.100; 9.067 | |
| Country | Switzerland |
| Canton | Glarus |
| District | n.a. |
| Area | |
| Total | 36.93 km2 (14.26 sq mi) |
| Elevation | 437 m (1,434 ft) |
| Highest elevation (Rautispitz) | 2,283 m (7,490 ft) |
| Population (December 2020) | |
| Total | 4,021 |
| Density | 110/km2 (280/sq mi) |
| Time zone | UTC+01:00 (Central European Time) |
| Summer (DST) | UTC+02:00 (Central European Summer Time) |
| Postal code(s) | 8752 |
| SFOS number | 1619 |
| ISO 3166 code | CH-GL |
| Surrounded by | Glarus, Innerthal (SZ), Mollis, Netstal, Oberurnen |
| Twin towns | Bad Säckingen (Germany) |
| Website | www.naefels.ch
SFSO statistics |


title: One Africa Television

abstract: One Africa Television is a Namibian free-to-air television station that was established in November 2003. It was founded by Paul van Schalkwyk in 2003, marking the country's inaugural private television network. The channel replaced the local affiliate of TVAfrica that entered a period of limbo after its parent company in South Africa was put into liquidation. In 2020, the TribeFire Studios Group acquired One Africa Television. Paul van Schalkwyk, the founder and group chairman of One Africa Television, died in a plane crash on March 10, 2014.

text:
# One Africa Television

**One Africa Television** is a Namibian free-to-air television station that was established in November 2003. It was founded by Paul van Schalkwyk in 2003, marking the country's inaugural private television network. The channel replaced the local affiliate of TVAfrica that entered a period of limbo after its parent company in South Africa was put into liquidation.

In 2020, the TribeFire Studios Group acquired One Africa Television.

Paul van Schalkwyk, the founder and group chairman of One Africa Television, died in a plane crash on March 10, 2014.

## Programming

The channel presents various segments including:

* TodayOnOne (featuring community news and current affairs, broadcast daily)
* LearnOnOne (providing educational content for both school and adult audiences, offering extra classes and daytime TV, available at www.learnononbe.org)
* It's A Wrap (offering commentary on current affairs)
* The Tribe (showcasing local music)

Additionally, foreign programs like 7de Laan and BBC are also part of the broadcasting lineup.

## Distribution

From launch to 2017, it broadcast on UHF channel 48 in Windhoek. Aligned with Namibia's Digital Terrestrial Television Policy, One Africa Television ceased analog transmission via antenna on October 20, 2017.

## InfoBox

One Africa Television
| Logo for One Africa Television | |
| --- | --- |
| Country | Namibia |
| Broadcast area | Namibia |
| Headquarters | Windhoek, Namibia |
| Programming | |
| Language(s) | English |
| Picture format | 1080i (16:9 HDTV) |
| History | |
| Launched | 2003 (2003) |
| Links | |
| Website | www.oneafrica.tv |


title: One More Song (song)

abstract: "One more song" is a song by European-American pop group The Kelly Family and was written by Paddy Kelly. It was produced by Kathy and Paddy Kelly for their eleventh studio album Growin' Up (1997) and features lead vocals by Paddy Kelly. The song served as the second album's single. The single includes two bonus tracks. First the song "Say That You Love Me", written and sung by Maite Kelly. The song was released later on the album The Bonus-Tracks Album in 1999. And second the song "Leave It to the Spirits", written and sung by Barby and Jimmy Kelly.

text:
# One More Song (song)

**"One more song"** is a song by European-American pop group The Kelly Family and was written by Paddy Kelly. It was produced by Kathy and Paddy Kelly for their eleventh studio album *Growin' Up* (1997) and features lead vocals by Paddy Kelly. The song served as the second album's single. The single includes two bonus tracks. First the song "Say That You Love Me", written and sung by Maite Kelly. The song was released later on the album *The Bonus-Tracks Album* in 1999. And second the song "Leave It to the Spirits", written and sung by Barby and Jimmy Kelly.

## Track listings

Maxi single
| No. | Title | Length |
| --- | --- | --- |
| 1. | "One More Song" | 4:20 |
| 2. | "Say That You Love Me" | 3:57 |
| 3. | "Leave It to the Spirits" | 2:56 |

## Charts

| Chart (1998) | Peak
position |
| --- | --- |
| Austria (Ö3 Austria Top 40) | 23 |
| Germany (Official German Charts) | 19 |
| Switzerland (Schweizer Hitparade) | 32 |
| Netherlands (Single Top 100) | 37 |
|

## InfoBox

| "One More Song" | |
| --- | --- |
|  | |
| Single by The Kelly Family | |
| from the album  *Growin' Up* | |
| Released | 1998 |
| Recorded | 1997 |
| Genre |  |
| Length | 4:20 |
| Label | KEL-Life |
| Songwriter(s) | The Kelly Family |
| Producer(s) |  |
| The Kelly Family singles chronology | |
| "Red Shoes"
(1997) "**One More Song**"
(1998) "I Will Be Your Bride"
(1998) | |


title: RREB1

abstract: Ras-responsive element-binding protein 1 is a protein that in humans is encoded by the RREB1 gene.

text:
# RREB1

**Ras-responsive element-binding protein 1** is a protein that in humans is encoded by the *RREB1* gene.

## Clinical significance

Mutations in RREB1 are associated to type 2 diabetes associated end-stage kidney disease.

## Further reading

## InfoBox

| RREB1 | | | |
| --- | --- | --- | --- |
|  | | | |
| Identifiers | | | |
| Aliases | RREB1, FINB, HNT, LZ321, RREB-1, Zep-1, ras responsive element binding protein 1 | | |
| External IDs | OMIM: 602209; MGI: 2443664; HomoloGene: 2218; GeneCards: RREB1; OMA:RREB1 - orthologs | | |
|  | | | |
|  | | | |
|  | | | |
|  | | | |
| Orthologs  Species **Human** **Mouse**  Entrez   Ensembl   UniProt   RefSeq (mRNA)     NM\_001003698
NM\_001003699
NM\_001003700
NM\_001168344
NM\_002955   NM\_001013392
NM\_001039188
NM\_001177868
NM\_001177869
NM\_026830   RefSeq (protein)    Location (UCSC) Chr 6: 7.11 – 7.25 Mb Chr 13: 37.96 – 38.14 Mb  PubMed search | | | |
| Wikidata | | | |
| View/Edit Human View/Edit Mouse | | | |


title: Heinz Lüning

abstract: Heinz August Adolf Sirich Lüning was an espionage agent who spied for the Abwehr in Cuba during World War II and was later executed by Cuba. It is unclear whether Lüning was incompetent or if he was on a personal mission to sabotage the Nazi war effort in the Caribbean and Latin America, but the result is that his work as an Abwehr intelligence officer was described by the British Secret Services (MI6) as mediocre and subpar. The Cuban government at the time maintained that his incompetence was a ruse, and that the Cuban intelligence apparatus had captured a genuine master spy. After his discovery by the government of Fulgencio Batista, Lüning was publicly executed. His decision to join the Abwehr was motivated primarily by his desire to avoid dying on the frontline in Europe as a soldier, and the fact that he was an avowed anti-Nazi, and came from a family of anti-Nazis. Ultimately, this decision led to him becoming the only German spy executed on espionage charges in all of Latin America during World War II.

text:
# Heinz Lüning

**Heinz August Adolf Sirich Lüning** was an espionage agent who spied for the Abwehr in Cuba during World War II and was later executed by Cuba. It is unclear whether Lüning was incompetent or if he was on a personal mission to sabotage the Nazi war effort in the Caribbean and Latin America, but the result is that his work as an Abwehr intelligence officer was described by the British Secret Services (MI6) as mediocre and subpar. The Cuban government at the time maintained that his incompetence was a ruse, and that the Cuban intelligence apparatus had captured a genuine master spy.

After his discovery by the government of Fulgencio Batista, Lüning was publicly executed. His decision to join the Abwehr was motivated primarily by his desire to avoid dying on the frontline in Europe as a soldier, and the fact that he was an avowed anti-Nazi, and came from a family of anti-Nazis. Ultimately, this decision led to him becoming the only German spy executed on espionage charges in all of Latin America during World War II.

## Early life

Lüning was born on March 28, 1911, in Bremen, Germany, to a German father and an Italian mother. His father was a tobacco merchant and came from a family of tobacco merchants. He did not perform well in school. In 1924, when he was 13 years old, his mother died after a long battle with illness.

In 1929, during the Great Depression, his father committed suicide. Lüning was adopted by his uncle Gustav, who lived in Hamburg and was married to an American Chicagoan woman named Olga Bartholomae. Gustav owned the Dominican Tobacco Company in the Dominican Republic. His aunt and uncle raised him in Hamburg until he finished school and got a job with an American businessman named Albert Schilling at Classen Berger & Co.

In 1936, Lüning married his stepsister Helga - who he had gotten pregnant - and they moved to New York City. While in New York, they lived with Olga's brother, Philip Bartholomae, the famous American Broadway director and playwright. Briefly in 1936, Gustav sent Lüning to Santo Domingo to learn the business of the Dominican Tobacco Company, and to learn Spanish. When Helga was close to expecting the birth of her son, Lüning and Helga returned to Hamburg, where Adolf Bartholomae was born in November 1936. In 1937, he returned to Santo Domingo for a brief time.

Lüning did not enjoy the rise of Hitler, and applied for citizenship in the Dominican Republic in an attempt to escape. However, from 1937 to 1941, Lüning remained in Hamburg and worked for the B. Schoenfeld Company. His Spanish language lessons continued with a coworker at the company.

## World War II

### Abwehr agent

In 1939, Lüning did not want to be drafted into the German army. He used his status as a Resident of the Dominican Republic to avoid conscription into the Wermacht in 1939, 1940, and 1941. He decided to join the Abwehr instead so that he could avoid fighting on the frontline. In June 1941, Lüning was recruited into the organization by Alfred Hartmann, who was connected to a friend of Lüning's uncle Gustav. As for language skills, with an Italian mother Lüning could already speak Italian. After having lived in New York, Lüning could speak English. After being tutored, Lüning could now speak Spanish, and was at that time learning some Portuguese. These languages were in addition to his native German.

Lüning's cover name became "Lumann." Lüning was then sent for training at the Abwehr training school (AST) at Klopstockstrasse 2-8 in Hamburg. His training lasted for six weeks, and he was given special training assignment under the direction of Hartmann. He learned how to communicate using Morse code, Invisible ink, Wireless telegraphy and Radio. He also learned basic Tradecraft. Lüning was a mediocre student at this school and his ability with a radio was not optimal for an intelligence officer.

### Stationed in Cuba

On September 10, 1941, Lüning boarded the ship *Villa de Madrid* in Barcelona, and arrived in Havana on September 29, 1941. One of the other men on this ship was an Abwehr agent named Ricardo Dotres, but the two men would not maintain contact. His first residence in Havana was the Siboney Hotel, down the street from the ***Wonder Bar**,* where he would attempt to gain information from locals and pick up women. By all accounts, he was a prolific womanizer throughout most of his life.

Later, he went into partnership with a Cuban in the management of **La Estampa**, a women's fashion store in Old Havana at 314 Industria Street.

At the Wonder Bar and other bars and taverns around the city, he also plied information from off-duty drunken sailors while their ships were docked in the port of Havana.

His alias in Havana was "Enrique Augusto Luni," a Jewish refugee who had fled the Nazis. In his letters back to headquarters, his alias was sometimes "Rafael Castillo," but he also used many other names.

Rolando Ancieto at *Habana Radio* writes that while he was living in Old Havana, those who knew him described him as "...a man of fine manners, well dressed and kind... a perfect gentleman, of few words and a hurried walk."

The British station in Bermuda intercepted 44 of Lüning's letters addressed to his handler in Lisbon, Portugal, who went by the name of "Mr. Mutz." His letters were sent with innocuous text, and additional text in invisible ink which the British had chemical methods to expose. MI6 and the FBI noted that most of the information Lüning sent in these secret letters was from the local newspaper, and could have been obtained by anyone. None of this information was timely or relevant to the Abwehr, they noted, because most of the events he mentioned in his letters had already happened.

Due to the dangers posed to the allied supply line to Europe from the Americas by Abwehr activity in Latin America, the Allied intelligence agencies were extremely concerned with Lüning's presence in Cuba. Their suspicion was that he might be involved in feeding shipping information to German U-Boats.

However, Thomas D. Schoonover writes that Lüning could not figure out how to use his radio, so he never communicated with any German naval forces while in Cuba. He states that Lüning was also given specific directions not to initiate any contact with Abwehr agents located in the Caribbean, and was not given access to the standard radio code book.

Modern Cuban sources question Schoonover on this: they point to a telegram that was sent to Lüning from Argentina instructing him to change frequencies on his radio "in which he transmitted and received messages." These Cuban sources note that Schoonover did not perform any of his research inside of Cuba, due to Cuban travel restrictions on American citizens.

One letter was of particular interest to the Bermuda station. The letter was from the Falangist businessman Bienvenido Alegría in Gijón, in which Bienvenido used Lüning's real name and address in Havana.

After reading this letter, MI6 officers and FBI agents flew to Havana and began coordinating with the Cuban authorities, and especially with General Manuel Benitez.

## Arrest and execution

On 5 September, 1942, Lüning was arrested by Captain Mariano Faget at a guest house by where he was staying in Old Havana, on Teniente Rey Street. The police seized two inoperable shortwave radio transmitters, radio tubes, invisible ink, a false passport, letters, maps, documents, and a specially designed pistol.

That special pistol - a pistol in the shape of an ink pen that fired a single 12 mm caliber shot - is currently in the Museo Oscar María de Rojas in Cárdenas, Cuba. It was featured on display in 2018.

Lüning was taken to the Castillo del Príncipe, where he remained as an inmate until his death.

For J. Edgar Hoover, Fulgencio Batista, and General Manuel Benitez, the capture of Lüning proved to be a press field day, and they used this event each to provide legitimacy for their organizations in the media. However, most of the officials in these organizations might have known that Lüning had no value as an intelligence asset to the Germans.

After his capture, Lüning was subjected to interrogation by the Batista regime on over 30 separate occasions. Most of his information was reliable, because he did not like the Nazis, so he gave the Cubans everything that he could think of to provide.

The CIA officer assigned to serve with General Benitez wrote of Lüning:

> "I was assigned to act as the cryptographer for a notorious spy, Heinz August Luning, who had a radio set he had built from parts purchased in Habana and who operated by 1#01 to Hamburg. He was caught, through his own ineptness; and the FBI Wished to run him as a double agent, and they had hopes of getting data on assignments given him by Abwehrste lIV Hamburg; and they hoped to feed a few items of deception through him to the Nazis. This did not last very long, however, for the Cubans decided that they would shoot this known spy. They had little patience and could not be convinced that a double agent could be run to advantage so, with the approval of President Fulgencio Batista, Agusto Luni, who was in reality Heinz August Luning, was put against the wall and shot. This ended my second job in Habana."

### Wrapping up the PYL

The greatest impact that his interrogations had on the war is the fact that he had knowledge of German spies operating in Chile, and confessed to receiving a wire transfer for $1,500 that originated there. The Chilean Minister of Foreign Affairs at the time, Ernesto Barros Jarpa, was reluctant to move on this information because he had consistently denied the existence of German agents in Chile, and had actually arrested the journalist Benjamín Subercaseaux only the month prior for printing a story that stated such.

Chilean Interior Minister Raúl Morales Beltramí moved on Lüning's information, arresting a large number of members of what had previously been known only as PYLREW or the PyL Network, which is what the network would sign their communiques with. Prior to Lüning's arrest, American intelligence officials were aware of the PyL, but could not locate them in Chile. They were known only to operate somewhere to the east of Valparaiso. "PyL," in Spanish is an abbreviation for "*Patria y Libertad,"* or in English "Fatherland and Liberty."

Foreign Minister Jarpa resigned as a result of the backlash and scandal surrounding the arrest of the PYL.

### Trial and execution

In a closed-door trial, five judges unanimously sentenced Lüning to death.

On November 10, 1942, Lüning was executed by firing squad, only hours after he discovered that his request for pardon had been rejected.

The journalists present at his execution noted that he remained calm, did not say a word, and did not even flinch as the soldiers took aim and fired.

## InfoBox

| Heinz Lüning | |
| --- | --- |
|  | |
| Nickname(s) | * Lumann * Enrique Augustino Lunin * Rafael Castillo |
| Born | March 28, 1911
Bremen, German Empire |
| Died | November 10, 1942(1942-11-10) (aged 31)
Havana, Cuba |
| Cause of death | Execution by firing squad |
| Service/branch | Abwehr |
| Service number | A-3779 |
| Known for | The only German spy executed in Latin America during World War II |
| Battles/wars |  |
| Spouse(s) | Helga Lüning |


title: Pinxit

abstract: Pinxit is a stylized amendment added to the signature depiction of the name of the person responsible for a work of art, found conventionally in the Late Middle Ages and the Renaissance. It is sometimes abbreviated P, PIN, or PINX, as in some paintings by Raphael. The locution me pinxit is found on a 12th-century crucifix, not in a sense connected to individual authorship but rather as a more impersonal devotional statement, a "pious [formula] appropriate for liturgical gifts". Its use by Duccio c. 1255–1260 – c. 1318–1319) on the Maestà in Siena Cathedral is seen as an "audacious" claim by the author, who asserts an individual status on a par with that of the city. By the Late Middle Ages in Venice and elsewhere pinxit had become customary, and was often found on a cartellino, "any form of fictive paper carrying an inscription", established in Venice by the 1440s. Other verbs used to establish authorship include conjugations of facere or fingere. In 18th century New Spain, artists increasingly included pinxit Mexici on works bound for the European market as a sign of pride in their artistic tradition.

text:
# Pinxit

***Pinxit*** (from Latin: 'one painted') is a stylized amendment added to the signature depiction of the name of the person responsible for a work of art, found conventionally in the Late Middle Ages and the Renaissance. It is sometimes abbreviated ***P***, ***PIN***, or ***PINX***, as in some paintings by Raphael. The locution *me pinxit* is found on a 12th-century crucifix, not in a sense connected to individual authorship but rather as a more impersonal devotional statement, a "pious \[formula\] appropriate for liturgical gifts".

Its use by Duccio c.1255–1260c.1318–1319) on the *Maestà* in Siena Cathedral is seen as an "audacious" claim by the author, who asserts an individual status on a par with that of the city. By the Late Middle Ages in Venice and elsewhere *pinxit* (or other forms of *pingere*, in Gothic lettering) had become customary, and was often found on a *cartellino*, "any form of fictive paper carrying an inscription", established in Venice by the 1440s. Other verbs used to establish authorship include conjugations of *facere* ("to make"; *fecit* ("made by") was frequently used by Titian) or *fingere* ("to conceive").

In 18th century New Spain, artists increasingly included *pinxit Mexici* (painted in Mexico) on works bound for the European market as a sign of pride in their artistic tradition.

## Latin

*pinxit* is the third-person singular perfect active indicative of pingō, with the meanings: I decorate or embellish; I paint, tint or colour; I portray.


title: Valdosta 1989

abstract: Valdosta 1989 is a complete concert by Athens, Georgia's Widespread Panic on CD. The 2 disc set is the second release from the Widespread Panic archives. The performance was recorded live at The Armory in Valdosta, Georgia on April 8, 1989. The live to two track recordings feature all original band members including late guitarist Michael Houser.

text:
# Valdosta 1989

**Valdosta 1989** is a complete concert by Athens, Georgia's Widespread Panic on CD. The 2 disc set is the second release from the Widespread Panic archives. The performance was recorded live at The Armory in Valdosta, Georgia on April 8, 1989. The live to two track recordings feature all original band members including late guitarist Michael Houser.

## Track listing

### Disc 1

1. "Porch Song" (Widespread Panic) – :44
2. "Space Wrangler" (Widespread Panic) – 7:51
3. "Travelin' Light" (J.J. Cale) – 4:47
4. "Heaven" (David Byrne / Jerry Harrison) – 5:39
5. "Machine" (Widespread Panic) – 3:45
6. "Conrad" (Widespread Panic) – 7:41
7. "Holden Oversoul" (Widespread Panic) – 3:49
8. "Stop-Go" (Widespread Panic) – 6:53
9. "Cream Puff War" (Jerry Garcia/Hunter) – 4:08
10. "Pigeons" (Widespread Panic) – 5:57
11. "C. Brown" (Widespread Panic) – 6:53
12. "Coconut" (Widespread Panic) – 7:00

### Disc 2

1. "Jam" (Widespread Panic) – 2:28
2. "LA" (Widespread Panic) – 3:48
3. "A of D" (Widespread Panic) – 3:06
4. "B of D" (Widespread Panic) – 5:04
5. "Impossible" (Widespread Panic) – 5:52
6. "I'm Not Alone" (Widespread Panic) – 4:28
7. "Barstools and Dreamers" (Widespread Panic) – 10:34
8. "Driving Song" (Widespread Panic) – 4:20
9. "Disco" (Widespread Panic) – 5:52
10. "Driving Song" (Widespread Panic) – 7:28
11. "The Last Straw" (Widespread Panic) – 5:42
12. "Jack" (Widespread Panic) – 6:38
13. "Chilly Water" (Widespread Panic) – 9:54
14. "Can't Find My Way Home" (Steve Winwood) – 4:33

## Personnel

### Widespread Panic

### Production

* Mixed by John Keane/Keane Recording, Ltd, Athens, GA.
* Live 2 Track Mix by Doug Oade
* Live Recording by Bill "Gomer" Jordan and Doug Oade
* Packaging by Chris Bilheimer

## InfoBox

| Valdosta 1989 | |
| --- | --- |
|  | |
| Live album by Widespread Panic | |
| Released | February 24, 2009 |
| Recorded | April 8, 1989 |
| Genre | Rock, southern rock, jam |
| Label | Widespread Records |
| Widespread Panic chronology | |
| *Carbondale 2000*
(2008) ***Valdosta 1989***
(2009) | |


abstract: HKUST Institute for Emerging Market Studies is a university-level institute under the Office of the Vice-President for Research and Graduate Studies of The Hong Kong University of Science and Technology (HKUST). It is launched on May 27, 2013, with 5 years of financial support from Ernst & Young. Over 30 faculty associates have joined the conversation about the challenges and opportunities facing businesses and policy-makers in emerging markets via HKUST IEMS. They mainly come from Division of Social Science in the School of Humanities and Social Science, and Departments of Economics, Finance, Management, Marketing, Accounting and ISOM of the School of Business and Management Archived 2013-09-05 at the Wayback Machine.

text:
# HKUST Institute for Emerging Market Studies

**HKUST Institute for Emerging Market Studies** (**HKUST IEMS**) is a university-level institute under the Office of the Vice-President for Research and Graduate Studies of The Hong Kong University of Science and Technology (HKUST). It is launched on May 27, 2013, with 5 years of financial support from Ernst & Young. Over 30 faculty associates have joined the conversation about the challenges and opportunities facing businesses and policy-makers in emerging markets via HKUST IEMS. They mainly come from Division of Social Science in the School of Humanities and Social Science, and Departments of Economics, Finance, Management, Marketing, Accounting and ISOM of the School of Business and Management Archived 2013-09-05 at the Wayback Machine.

## InfoBox

HKUST Institute for Emerging Market Studies
(HKUST IEMS)
| Established | 2013 |
| --- | --- |
| Director | Donald Low |
| Location | Lo Ka Chung Building
The Hong Kong University of Science and Technology
Clear Water Bay, Kowloon, Hong Kong |
| Website | http://iems.ust.hk/ |


title: S. W. Schmitthenner

abstract: Samuel William Schmitthenner was a Lutheran who served as the President of the Protestant Andhra Evangelical Lutheran Church Society in Guntur District, Andhra Pradesh, India from 1969 to 1981. S. W. Schmitthenner initially served as a missionary to India from 1952 onwards.

text:
# S. W. Schmitthenner

**Samuel William Schmitthenner** (February 23, 1928  May 17, 2015) was a Lutheran who served as the President of the Protestant Andhra Evangelical Lutheran Church Society in Guntur District, Andhra Pradesh, India from 1969 to 1981.

S. W. Schmitthenner initially served as a missionary to India from 1952 onwards.

## Studies

S. W. Schmitthenner studied at the Kodaikanal International School in Tamil Nadu and in 1944 moved on to Gettysburg College, Gettysburg, Pennsylvania, where he earned a graduate degree in 1948. He continued his studies and earned a Master of Divinity (M. Div.) degree from the Lutheran Theological Seminary at Gettysburg in 1951.

While serving as a Pastor of the Andhra Evangelical Lutheran Church Society in Andhra Pradesh, India from 1952 onwards, Schmitthenner returned twice to America to upgrade his academics. In 1958-1959 he attended the Kennedy School of Missions at Hartford, Connecticut, and again in 1966 he joined the University of Pennsylvania for studying Indian Sociology.

## Contribution

## Further reading

* Kolluri Luther Richardson (2003). "*Towards Self-Reliance : A historical survey of the programmes and efforts of Andhra Evangelical Lutheran Church from 1927–1969*, Published by Christopher and Kanakaiah, Vijayawada". `{{cite journal}}`: Cite journal requires `|journal=` (help)
* Michael Bergunder (1999). *Die südindische Pfingstbewegung im 20. Jahrhundert: eine historische und systematische Untersuchung*. 113. Vol. of Studien zur interkulturellen Geschichte des Christentums. ISBN 978-3-631-33771-4.
* R. Joseph and B. Suneel Bhanu (1993). "Bibliography of Original Christian Writings in India in Telugu". `{{cite journal}}`: Cite journal requires `|journal=` (help)
* Martin Senftleben (1992). "*Influences of Hinduism on Christianity in Andhra Pradesh.* Unpublished PhD thesis, Sri Venkateshwara University, Tirupati" (PDF). **I**. `{{cite journal}}`: Cite journal requires `|journal=` (help)
* \______________ (1992). "*Influences of Hinduism on Christianity in Andhra Pradesh.* Unpublished PhD thesis, Sri Venkateshwara University, Tirupati" (PDF). **II**. `{{cite journal}}`: Cite journal requires `|journal=` (help)
* M. Victor Paul (1990). "Parish Renewal in Reflections on Theology Today – Papers presented by the ACTC faculty during the academic year 1988–1989 on Theology and Mission and Ministry of the Church". `{{cite journal}}`: Cite journal requires `|journal=` (help)
* B. C. Paul (1984). "The Emergence of a Church in South India: A Study of the Growth and Development of the Andhra Evangelical Lutheran Church: 1905–1927. Unpublished Th. D. thesis submitted to the Lutheran School of Theology at Chicago". Archived from the original on July 12, 2011. `{{cite journal}}`: Cite journal requires `|journal=` (help)

## InfoBox

| Samuel William Schmitthenner, AELC | |
| --- | --- |
| The Reverend | |
| Church | Lutheran |
| Diocese | Synods of East Godavari, West Godavari, East Guntur, West Guntur, Central Guntur |
| See | Andhra Evangelical Lutheran Church (AELC) |
| In office | 1969–1981 |
| Predecessor | K. Devasahayam |
| Successor | K. Nathaniel |
| Previous post(s) | Pastor, Andhra Evangelical Lutheran Church Society |
| Orders | |
| Ordination | May 23, 1951
by Central Pennsylvania Synod, United Lutheran Church in America |
| Personal details | |
| Born | February 23, 1928
Rajahmundry, Andhra Pradesh, India |
| Died | May 17, 2015
Gettysburg, Pennsylvania, United States |


title: Hägglunds Arena

abstract: Hägglunds Arena is an indoor sporting arena located in Örnsköldsvik, Sweden. The capacity of the arena is 7,265 for ice hockey games and 9,800 for concerts. The arena was opened on 26 August 2006.

text:
# Hägglunds Arena

**Hägglunds Arena** (formerly **Swedbank Arena** and **Fjällräven Center**) is an indoor sporting arena located in Örnsköldsvik, Sweden. The capacity of the arena is 7,265 for ice hockey games and 9,800 for concerts. The arena was opened on 26 August 2006.

## History

Ground was broken for the arena on 14 September 2004. The arena is located in downtown Örnsköldsvik, by the harbor, and is surrounded by water on three sides. It contains three spectator levels: one suite level, and two general seating levels. Other features include a restaurant and six bars. The atrium features a light display called *Active Light Field*, which makes the atrium change colors.

A number of small capacity reductions were made between 2008 and 2015, including expanding the restaurant area and later also building a VIP bar on parts of the standing area, which lowered the original maximum capacity for ice hockey from 7,600 to at least 7,049 spectators. In October 2021, however, a new extended standing section was inaugurated, raising the capacity again to 7,115 spectators.

In November 2009, it was announced that Fjällräven acquired the naming rights, and from January 1, 2010 until August 31, 2021 the arena was called Fjällräven Center. The naming rights were then purchased by BAE Systems Hägglunds and the Swedish Bosch Rexroth subsidiary, who renamed the venue to Hägglunds Arena for a period of five or ten years, starting September 1, 2021.

## Events

It replaced the older Kempehallen as the home arena of the Modo Hockey ice hockey team. It also hosted the 2008 European Curling Championships and the 2019 IIHF World U18 Championships.

The third heat of Melodifestivalen 2007, the first heat of Melodifestivalen 2010, the fourth heat of Melodifestivalen 2014 and of Melodifestivalen 2018, as well as the semi-final of Melodifestivalen 2023 were all hosted at the arena. Other notable music acts include Takida, Tomas Ledin, Alice Cooper, Thin Lizzy, Michael W. Smith and Kent. The arena also unsuccessfully applied to host the Eurovision Song Contest in 2016 and 2024.

## InfoBox

Hägglunds Arena
|  | |
| --- | --- |
|  | |
| Former names | Swedbank Arena (2006–2009)
Fjällräven Center (2010–2021) |
| Location | Örnsköldsvik, Sweden |
| Coordinates | 63°17′02″N 18°43′30″E / 63.28389°N 18.72500°E / 63.28389; 18.72500 |
| Owner | Evenemangsarenan i Örnsköldsvik AB (subsidiary of Modo Hockey) |
| Capacity | Ice hockey: 7,265
Concerts: 9,800 |
| Construction | |
| Broke ground | 14 September 2004 |
| Opened | 26 August 2006 |
| Tenants | |
| Modo Hockey (SHL) (2006–present) | |


title: Indilimma

abstract: Indilimma, previously read Indilimgur, was likely the last king of Ebla, in modern Syria, reigning around 1600 BCE.

text:
# Indilimma

**Indilimma**, previously read **Indilimgur**, was likely the last king of Ebla, in modern Syria, reigning around 1600 BCE.

## Reign

Indilimma was the son of Sir-Damu according to a seal of his discovered in Cilicia. He is also known from several jars bearing the impression of a cylinder seal of his son, the crown prince Maratewari. The seal impressions are of high quality and show inspirations from the art of the kingdom of Yamhad. On the seals, Indilimma's son is depicted while receiving life (in the form of an ancient Egyptian *ankh* symbol) by the Yamhadite deities Hadad and Hebat.
The fact that these jars were found within the archaeological context of the final destruction of Ebla, which occurred around 1600 BCE by the hands of the Hittite king Mursili I, suggested to Paolo Matthiae that Maratewari had no time to become king and that his father Indilimma was indeed the last ruler of palaeosyrian Ebla. Alfonso Archi argued that Maratewari (whose name reading is not certain and Archi gives it as *Memal...arri*) was the last king and noted that Maratewari was not mentioned as king on his seal but neither was Indilimma on his seal from Cilicia. For Archi, the lack of the royal title does not mean that both father and son were not kings, but it is just a sign of subordination to Yamhad, the hegemonic kingdom of Northern Syria during the seventeenth century BCE. Indilimma's name also appears on a legal document found in the western palace at Ebla.

## InfoBox

| Indilimma | |
| --- | --- |
| Indilimma's son Maratewari (left) receiving an *ankh* from a Yamhadite god | |
| King of Ebla | |
| Reign | around 1600 BCE |
| Successor | office abolished |
|  | |
| Issue | Maratewari |


title: One More Saturday Night (film)

abstract: One More Saturday Night is a 1986 American comedy film written by Al Franken and Tom Davis and directed by Dennis Klein.

text:
# One More Saturday Night (film)

***One More Saturday Night*** is a 1986 American comedy film written by Al Franken and Tom Davis and directed by Dennis Klein.

## Plot

The film is about life on a Saturday night in St. Cloud, Minnesota. Russ Cadwell is ready to have sex with his girlfriend, Diane Lundahl. Doug, a petty thief, decides to become a burglar, and his friend Traci suggests they burglarize a nearby house. Mr. Lundahl, father of Diane, Karen, and Kevin, goes on a date with a woman named Peggy. They have sex in a car at the park.

Karen is babysitting for Bill and Lynn Neal as they go out to eat. Karen's boyfriend comes over to the house and talks her into having a party there. Russ gets into an argument with Diane. She and her friend, Tobi, go to the local bar, drink, and watch Bad Mouth, the band playing there. The lead band members, Larry Hays and Paul Flum, are both hoping to score. Things get crazier but also better as time goes by.

## Cast

Wynton Harris as Jason Neal (baby)

## Critical reception

*TV Guide* says the film "suffers from trying to explore a variety of situations, and ultimately gets nothing said at all. The situations are routine, lacking wit or originality. Director Dennis Klein's pacing is slack and reveals no flare \[*sic*\] for comedy."

## Trivia

Franken appeared on the 1985-1986 season finale of *Saturday Night Live* during *Weekend Update* and announced that Columbia Pictures was test-marketing the film in Sacramento, California in June 1986; he also displayed a map depicting the locations of movie theaters showing the film, and provided directions to the nearest theater for viewers in the San Francisco Bay Area.

The movie's title is taken from the Grateful Dead song of the same name. Franken and Davis were big Grateful Dead fans.

## Production

Portions of the movie were filmed in Glenview, Illinois and at the Chateau Louise Resort in West Dundee, Illinois.

1. IMDb
2. One More Saturday Night Review | TVGuide.com

## InfoBox

| One More Saturday Night | |
| --- | --- |
| Theatrical release poster | |
| Directed by | Dennis Klein |
| Written by | Al Franken
Tom Davis |
| Produced by | Jonathan Bernstein
Robert Kosberg
Tova Laiter |
| Starring | Tom Davis
Al Franken
Moira Harris
Frank Howard
Bess Meyer
Meshach Taylor |
| Cinematography | James Glennon |
| Edited by | Gregory Prange |
| Music by | David McHugh |
| Distributed by | Columbia Pictures |
| Release date | * August 22, 1986 (1986-08-22) |
| Running time | 95 minutes |
| Country | United States |
| Language | English |
| Box office | $32,279 (USA) |


title: RRE Ventures

abstract: RRE Ventures is an American Venture capital firm based in New York City. The firm primarily invests in seed, series A and series B rounds and focuses on companies operating in the software, internet, communications, aerospace, robotics, 3D printing and financial services sectors.

text:
# RRE Ventures

**RRE Ventures** is an American Venture capital firm based in New York City. The firm primarily invests in seed, series A and series B rounds and focuses on companies operating in the software, internet, communications, aerospace, robotics, 3D printing and financial services sectors.

## Background

Stuart Ellman and James D. Robinson IV were classmates at Harvard Business School where they came up with the idea of starting a venture capital firm.

In 1994 they founded RRE Ventures with Robinson's father, James D. Robinson III who was the Chairman and CEO of American Express from 1977 until his retirement in 1993. The name of the firm is derived from the first letter of each co-founder's surname.

The firm focuses on investing in early stage companies.

As of 2020, RRE ventures has raised $2 billion in capital. It has made over 400 investments across 26 states in the US and Canada with over 60 exits. Notable investments include Business Insider, BuzzFeed, Datadog, Giphy and Venmo.

## Funds

| Fund | Vintage Year | Committed Capital ($m) |
| --- | --- | --- |
| RRE Ventures I | 1997 | USD 95 |
| RRE Ventures II | 1998 | USD 225 |
| RRE Ventures III | 2001 | USD 225 |
| RRE Ventures IV | 2006 | USD 300 |
| RRE Ventures V | 2011 | USD 230 |
| RRE Ventures VI | 2014 | USD 280 |
| RRE Leaders I | 2015 | USD 102 |
| RRE Ventures VII | 2017 | USD 265 |
| RRE Leaders II | 2018 | USD 57 |

## InfoBox

RRE Ventures
|
|  |
| Company type | Private |
| Industry | Venture Capital |
| Founded | 1994 (1994) |
| Founder | James D. Robinson III
James D. Robinson IV
Stuart Ellman |
| Headquarters | New York City, New York, U.S. |
| Products | Investments |
| AUM | US$2 billion (2020) |
| Website | www.rre.com |
| **Footnotes / references**
 | |


title: Heinz Manchen

abstract: Heinz Joachim Manchen was a German rower who competed in the 1952 Summer Olympics. In 1952 he was a crew member of the German boat which won the silver medal in the coxed pair event.

text:
# Heinz Manchen

**Heinz Joachim Manchen** (2 May 1931 – 20 March 1978) was a German rower who competed in the 1952 Summer Olympics. In 1952 he was a crew member of the German boat which won the silver medal in the coxed pair event.

* Evans, Hilary; Gjerde, Arild; Heijmans, Jeroen; Mallon, Bill; et al. "Heinz Manchen". *Olympics at Sports-Reference.com*. Sports Reference LLC. Archived from the original on 13 October 2012.

## InfoBox

Heinz Manchen
| Personal information | |
| --- | --- |
| Born | 2 May 1931
Bremen, Germany |
| Died | 20 March 1978(1978-03-20) (aged 46)
Bremen, West Germany |
| Sport | |
| Sport | Rowing |
| Medal record      Men's rowing  Representing  Germany  Olympic Games  1952 Helsinki Coxed pair  European Rowing Championships  1953 Copenhagen  Coxed pair | |


title: Mirjana Karanović

abstract: Mirjana Karanović is a Serbian actress, film director and screenwriter. Considered one of the best Serbian and Yugoslavian actresses of all time, she is probably the best known for her performance in her debut film Petria's Wreath, as well as for her frequent collaborations with film directors Emir Kusturica and Jasmila Žbanić. Karanović received international acclaim and a nomination for European Film Award for Best Actress for her role in Žbanić's Grbavica. Karanović's directorial debut, A Good Wife, had its world premiere at the 2016 Sundance Film Festival.

text:
# Mirjana Karanović

**Mirjana Karanović** (Serbian Cyrillic: Мирјана Карановић; born 28 January 1957) is a Serbian actress, film director and screenwriter. Considered one of the best Serbian and Yugoslavian actresses of all time, she is probably the best known for her performance in her debut film *Petria's Wreath* (*Petrijin venac*), as well as for her frequent collaborations with film directors Emir Kusturica and Jasmila Žbanić. Karanović received international acclaim and a nomination for European Film Award for Best Actress for her role in Žbanić's *Grbavica*.

Karanović's directorial debut, *A Good Wife* (*Dobra žena*), had its world premiere at the 2016 Sundance Film Festival.

## Early life

Mirjana Karanović was born on 28 January 1957 in Belgrade. Her father Miloje was a soldier, and her mother Radmila (1932 — 2023) was a tailor.

## Acting career

She made her screen debut in the 1980 film *Petrijin venac* ("Petrija's Wreath"), earning accolades for her portrayal of an illiterate Serbian woman. She is best known to international audiences for her portrayal of the mother in the 1985 film *When Father Was Away on Business*.

In 1995, she appeared in the film *Underground*, directed by famous Serbian director Emir Kusturica.

In 2003, Mirjana Karanović again made history by appearing in Croatian film *Svjedoci* (*Witnesses*). She was the first actor from Serbia to appear in a Croatian film since the breakup of Yugoslavia. In the film, she played a Croatian war widow.

In 2005, she appeared in the film *Grbavica* by the Bosnian director Jasmila Žbanić, in which she played a Muslim woman who had to come to terms with her teenage daughter regarding the nature of her birth. In this film, she portrays a rape victim abused by Serbs during the Bosnian War.

## Activism

Karanović has been an active supporter of LGBT rights. She is one of the founders of Incest Trauma Center, which provides psychological assistance to child and adult survivors of sexual violence and their supportive persons.

In 2017, Karanović has signed the Declaration on the Common Language of the Croats, Serbs, Bosniaks and Montenegrins.

## Personal life

Karanović was never married and she doesn't have children. She is an atheist.

In 2004, she dated Bosnian actor Ermin Bravo, who is 22 years her junior.

## Filmography

| Title | Translated title | Year | Role | Notes |
| --- | --- | --- | --- | --- |
| *Petrijin venac* | *Petria's Wreath* | 1980 | Petrija |  |
| *Majstori, majstori* | *All That Jacks* | 1980 | Dunja |  |
| *Pad Italije* | *The Fall of Italy* | 1981 | Mare |  |
| *Topola s terase* |  | 1981 | Ana | TV film |
| *Stari Beograd* |  | 1981 | Girl | TV film |
| *Slučaj Bogoljuba Savkovića Livca* |  | 1981 | Girl | Short film |
| *Bila jednom ljubav jedna* |  | 1981 | Rich lady | TV film |
| *Dvije polovine srca* |  | 1982 | Mother |  |
| *Kazivanja* |  | 1982 |  | TV short |
| *Beograd, nekad i sad* |  | 1982 | Ljuba / Buba / Ingrid | TV film |
| *Imenjaci* |  | 1983 |  | TV series, 1 episode |
| *Kamiondžije opet voze* |  | 1984 | Alapača | TV series, 1 episode |
| *Provincija u pozadini* |  | 1984 |  | TV film |
| *Bele udovice* |  | 1984 |  | TV film |
| *Otac na službenom putu* | *When Father Was Away on Business* | 1985 | Senija |  |
| *Život je lep* | *Life Is Beautiful* | 1985 | Auto-stopper |  |
| *Tombola* |  | 1985 | Olga | TV film |
| *Rodoljupci* |  | 1986 | Zelenićka | TV film |
| *Pokondirena tikva* |  | 1986 | Fema | TV film |
| *Obećana zemlja* | *The Promised Land* | 1986 | Marta |  |
| *Uvek spremne žene* |  | 1987 | Majstor |  |
| *Marjuča ili smrt* | *Marjuča, or Death* | 1987 | Marjuča |  |
| *Na putu za Katangu* | *On the Road to Katanga* | 1987 | Žana |  |
| *The Fortunate Pilgrim* |  | 1988 | Clara | TV miniseries |
| *Dom Bergmanovih* |  | 1988 | Ana | TV film |
| *Srce i njena deca* |  | 1988 | Srce | Also known as *Jednog lepog dana* |
| *Vreme čuda* | *Time of Miracles* | 1989 | Marta |  |
| *Sabirni centar* | *The Meeting Point* | 1989 | Jelena Katić |  |
| *The Legendary Life of Ernest Hemingway* |  | 1989 |  |  |
| *Seobe 2* |  | 1989 | Evdokija Božić |  |
| *Vreme čuda* | *Time of Miracles* | 1989 | Marta | TV miniseries |
| *Stremnicka* |  | 1989 | Isidora Sekulić | TV film |
| *Holivud ili propast* |  | 1990 |  | TV film |
| *Mala* | *The Little One* | 1991 | Božidarka |  |
| *Bolje od bekstva* | *Better Than Escape* | 1993 | Radmila |  |
| *Fazoni i fore* |  | 1993 | Alapača | TV series |
| *Buket* |  | 1993 |  | Short film |
| *Otvorena vrata* | *Open Door* | 1994 | Žana | TV series, 1 episode |
| *Podzemlje* | *Underground* | 1995 | Vera Popara |  |
| *Bila jednom jedna zemlja* | *Underground* | 1996 | Vera Popara | TV miniseries |
| *Tri letnja dana* | *Three Summer Days* | 1997 | Landowner |  |
| *Kod lude ptice* |  | 1998 | Guest | TV series, 1 episode |
| *Tri palme za dve bitange i ribicu* | *Three Palms for Two Punks and a Babe* | 1998 | Headmistress |  |
| *Bure baruta* | *Cabaret Balkan* | 1998 | Natalija |  |
| *Porodično blago* |  | 1998 | Suzana | TV series, 1998–99 |
| *Forma formalina* |  | 1999 | Mother | Short film |
| *Fazoni i fore 2* |  | 2002 | Alapača | TV series |
| *Netaknuti sunce* |  | 2002 | Mother | Short film |
| *Jagoda u supermarketu* | *Strawberries in the Supermarket* | 2003 | The owner of the supermarket |  |
| *Svjedoci* | *Witnesses* | 2003 | Mother |  |
| *Tragom Karađorđa* |  | 2004 | Marica | TV miniseries |
| *Život je čudo* | *Life Is a Miracle* | 2004 | Nada |  |
| *Stižu dolari* | *The Dollars Are Coming* | 2004 | Nevenka Krstić | TV series, 2004–06 |
| *Go West* |  | 2005 | Ranka |  |
| *Grbavica* |  | 2006 | Esma |  |
| *Das Fräulein* |  | 2006 | Ruža |  |
| *Blodsbånd* | *Mirush* | 2007 | Hava |  |
| *Tegla puna vazduha* |  | 2007 | Ljubica | TV film |
| *Ono naše što nekad bejaše* |  | 2007 | Atanasov's wife | TV series |
| *Bela lađa* | *White Ship* | 2008 | Luja Pantić | TV series |
| *Vratiće se rode* | *The Storks Will Return* | 2007 | Radmila Švabić | TV series, 2007–08 |
| *Tamo i ovde* | *Here and There* | 2009 | Olga |  |
| *Neko me ipak čeka* |  | 2009 | Mother | TV film |
| *Čekaj me, ja sigurno neću doći* | *Wait for Me and I Will Not Come* | 2009 | Anđa |  |
| *Na putu* | *On the Path* | 2010 | Nađa |  |
| *Torta sa čokoladom* | *Chocolate Cake* | 2010 | Višnja | Short film |
| *1000 Gramm* |  | 2011 | Damil's mother | Short film |
| *Crna Zorica* | *Loveless Zorica* | 2012 | Petrana |  |
| *Smrt čoveka na Balkanu* | *Death of a Man in the Balkans* | 2012 | Buyer |  |
| *Vir* | *The Whirl* | 2012 | Inspector |  |
| *To dentro kai i kounia* | *A Place Called Home* | 2013 | Nina |  |
| *Spomenik Majklu Džeksonu* | *Monument to Michael Jackson* | 2014 | Darinka |  |
| *Kosac* | *The Reaper* | 2014 | Mirjana |  |
| *Cure: The Life of Another* |  | 2014 | Grandmother |  |
| *Jednaki* |  | 2014 | Nina | Segment: "Katarina" |
| *Tri Dritare dhe një Varje* | *Three Windows and a Hanging* | 2014 | Maria / The journalist |  |
| *Urgentni centar* | *ER* | 2015 | Jasmina Ilić | TV series, 1 episode |
| *Pored mene* | *Next to Me* | 2015 | Headmistress |  |
| *Dobra žena* | *A Good Wife* | 2016 | Milena | Also director and writer |
| *Herostrat* |  | 2016 |  | Short film |
| *Sumnjiva lica* |  | 2016 | Tina | TV series |
| *Dnevnik mašinovođe* | *Train Driver's Diary* | 2016 | Jagoda |  |
| *Ubice mog oca* |  | 2016 | Chief Inspector Obradović | TV series |
| *Rekvijem za gospođu J.* | *Requiem for Mrs. J.* | 2017 | Mrs. J |  |

## Awards and nominations

| Award | Year | Category | Nominated work | Result |
| --- | --- | --- | --- | --- |
| Art Film Fest | 2007 | Actor's Mission Award |  | Won |
| Brussels Film Festival | 2006 | Best Actress | *Grbavica* | Won |
| Cairo International Film Festival | 2016 | Golden Pyramid | *A Good Wife* | Nominated |
| Chlotrudis Awards | 2008 | Best Actress | *Grbavica* | Nominated |
| Cleveland International Film Festival | 2016 | Best Film in the Eastern European Competition | *A Good Wife* | Won |
| European Film Awards | 2006 | Best Actress | *Grbavica* | Nominated |
| FEST Belgrade International Film Festival | 2016 | Best Actress | *A Good Wife* | Won |
| | 2017 | | *Requiem for Mrs. J.* | Won |
| Gothenburg Film Festival | 2016 | International Debut Award | *A Good Wife* | Nominated |
| Hellenic Film Academy Awards | 2014 | Best Supporting Actress | *A Place Called Home* | Nominated |
| Motovun Film Festival | 2016 | FIPRESCI Award | *A Good Wife* | Won |
| Pula Film Festival | 1980 | Best Actress | *Petria's Wreath* | Won |
| | 1985 | | *When Father Was Away on Business* | Won |
| Skopje Film Festival | 2016 | Best Film in the Balkan Selection | *A Good Wife* | Nominated |
| SOFEST Sopot Film Festival | 2013 | Best Actress | *The Whirl* | Won |
| Sundance Film Festival | 2016 | Grand Jury Prize (World Cinema – Dramatic) | *A Good Wife* | Nominated |
| Trophées Francophones du Cinema | 2015 | Best Supporting Actress | *A Place Called Home* | Nominated |
| Žanka Stokić Award | 2011 | Outstanding Contribution to Film, Television and Theatre |  | Won |
| Dobričin Prsten Award | 2019 | Outstanding Contribution to Theatre | Lifetime achievement | Won |

## InfoBox

| Mirjana Karanović | |
| --- | --- |
| Мирјана Карановић | |
| Mirjana Karanović at 2017 Berlinale | |
| Born | (1957-01-28) 28 January 1957<br>Belgrade, PR Serbia, Yugoslavia |
| Nationality | Serbian |
| Education | Faculty of Dramatic Arts |
| Alma mater | University of Arts in Belgrade |
| Occupation(s) | Actress, film director, screenwriter, activist |
| Years active | 1980–present |


title: Pinxton Castle

abstract: Pinxton Castle, Derbyshire, is a scheduled monument in Castle Wood that straddles Pinxton and South Normanton. In its designation as a scheduled monument, Historic England describes it as having been a motte and fortified manor, with a moated site and five fishponds. Unlike most of the approximately 6000 moated sites in England, a large, fortified enclosure surrounded the moat.

text:
# Pinxton Castle

**Pinxton Castle**, Derbyshire, is a scheduled monument in Castle Wood that straddles Pinxton and South Normanton. In its designation as a scheduled monument, Historic England describes it as having been a motte and fortified manor, with a moated site and five fishponds. Unlike most of the approximately 6000 moated sites in England, a large, fortified enclosure surrounded the moat.

## History

The castle is believed to have been built in the early 12th century CE. It is also known locally as Wynn's Castle, although no known documentary references survive to link anyone to the site. The manors of Pinxton and South Normanton were granted by the De Alfreton family to Ralph le Poer (who was still living in 1242). A marriage to his heiress brought them under the control of several generations of the De Wynn or Le Wyne family. Around 1340, John le Wyne was involved in a legal battle to recover fines levied upon him by the officers of Sherwood Forest for grazing cattle in Fulwood, just over the Nottinghamshire border. The manors were sold by William le Wyne in 1342.

In the late 19th century, a coal mine, South Normanton Colliery, was developed neighbouring the site to the east. It was served by a branch from the old Great Central Railway line, which ended directly next to the castle.

The history and purpose of the site are uncertain. The earliest coverage of the site is an article, dated 1918, in the *Derbyshire Archaeological Journal* by William Stevenson. It was listed as a scheduled monument by Historic England in 1994. In 2022 the site was included on the organisation's Heritage at Risk Register. The report concluded that the general condition of the site was "unsatisfactory" due to threats from unconstrained vegetation growth, although it noted that the overall position was improving. The castle site remained on the register in 2023.

## Description

The Pinxton site consists of a motte about 3 metres (9.8 ft) high; perimeter earthworks; some evidence, likely of a later date, of the walls and floors of a number of small buildings; the remains of a moat; and five fish ponds. Historic England suggests that the motte was the keep of a "12th century earthwork castle" and that the site was subsequently repurposed as a "medieval fortified manor". The motte would have been encircled by an outer bailey, with ancillary buildings including pens for livestock, and the whole surrounded by a defensive ditch and a palisade. Such castles were favoured by the Normans, as their use of natural, readily available materials – earth, timber, and some stone – and their simple design allowed them to be constructed quickly and cheaply by a relatively unskilled labour force.

Archaeological evidence suggests that later builders reused the motte and some of its surrounding features as part of a defensive system around a medieval fortified manor house. The motte site itself may have been converted to a gatehouse. A wall, which may have been crenellated, would have surrounded part of the site. The moated area consists of a platform, roughly 30 by 40 metres (98 by 131 ft) square, encircled by a moat which is 8 metres (26 ft) wide and between 1 and 2 metres (3.3 and 6.6 ft) deep. The positioning is unusual, in that the moat sits within the outer fortifications, rather than itself forming the outer perimeter. Five fishponds, ranging in size up to 40 metres (130 ft) long and 1.5 metres (4.9 ft) deep, were created as a source of food. Some of the ponds, along with the moat, remain partially filled with water.

## Archaeology and excavations

Lidar map of Castle Wood

Stevenson describes as oblong what he calls "a castle or earthwork" shown on an Ordnance Survey map. He suggests that its bailey was defended by a wet ditch and that long residence explained the ground disturbance. He also suggests that a "hastily made" first and second bailey might have existed. The motte itself is described as an imperfect cone, the core of which was meant to be a motte or mound built to protect the castle. He considered the site to be part of a line of forts constructed by King John before he became king.

G. E. Monk described excavations conducted by the Pinxton Archaeological Society in 1950 and 1951, remarking that Stevenson's 1918 description was "somewhat inconclusive". The 1950 excavation dug a trench on the western side of the inner bailey. A stone wall was uncovered with a corner stone at the north end, and digging continued at right angles. There were post holes along the wall, indications of a timber building. Ground conditions made them discontinue the dig in 1952. An eastern, less well-defined wall had been located by trenches, and plans were made to finish the outside excavations by 1952.

A building about 9 by 7 metres (30 by 23 ft) was tentatively identified, accompanied by late-14th-century pottery and tiles found in the trenches. A variety of roofing stone was found, including glazed and unglazed tiles. The ridge tiles that were found were serrated and were in several glaze colours, two shades of brown and grey-green. Every trench had fragments of pottery, but no complete pots. Glazing was found both inside and outside the pots. A 2.34 metres (7.7 ft) by 1.5 metres (4.9 ft) stone platform was found on the northeast side of the inner bailey. One side had no clear boundary, with the other sides being made of neatly laid bevelled stones. Trenches held roofing tiles, pottery, and a sandstone capital dated to around 1150. Tree roots made stratification impossible, although the pottery was found at more or less the same levels, with roofing tiles inside and outside the wall found at varying depths. No floor level was found.

In 1959, an inspector described the excavations by the Pinxton Archaeological Society as "not of a scientific nature", and also remarked that Sir Mortimer Wheeler looked at some potsherds during a casual visit to the site, identifying them as 14th century. The inspector further noted the lack of any documentary evidence for the site and suggested that it was "the residence of a local officer of Sherwood Forest as it is strategically placed at the edge of the forest".

In 1993, examination of four fields south of Pinxton Castle retrieved a disappointing number of finds. Of the 80 objects collected, only 20 were medieval. None of these was found within 100 metres (330 ft) of Pinxton Castle.

1. "Pinxton Castle". Gatehouse Gazetteer. Retrieved 4 April 2024.
2. University of Nottingham (1959). "The Spicers and apothecaries of the royal household...". *Nottingham Mediaeval Studies*. **3**: 27.
3. Cox, John Charles (1875). *Notes on the Churches of Derbyshire. The Hundred of Scardale*. Vol. 1. Bemrose and Sons. p. 283. ISBN 978-3-385-38287-9. Archived from the original on 16 July 2024. Retrieved 6 July 2024.
4. G. G. Bonser (1948). "A History of Sutton-in-Ashfield". *www.nottshistory.org.uk*. Retrieved 2 October 2024.
5. "MDR9631 - South Normanton Colliery (site of) and branch line (route of), Castle Wood, South Normanton". *Derbyshire Historic Environment Record*. Derbyshire County Council. Retrieved 24 September 2024.
6. Stevenson, William (1918). "Pinxton Castle". *Archaeologydataservice.ac.uk*. **40**: 78–84. doi:10.5284/1065737. Archived from the original on 16 July 2024. Retrieved 6 June 2024.
7. Historic England. "Pinxton Castle motte and fortified manor with moated site and five fishponds (Grade SM) (1010025)". *National Heritage List for England*. Retrieved 22 April 2024.
8. "Pinxton Castle motte and fortified manor with moated site and five fishponds". Historic England. 2022. p. 5. Retrieved 20 July 2024.
9. "Pinxton Castle motte and fortified manor with moated site and five fishponds". Historic England. 2023. p. 5. Retrieved 20 July 2024.
10. "Pinxton Castle Motte and Fortified Manor with Moated Site and Five Fish Ponds". *Derbyshire Historic Environment Record*. Derbyshire County Council. Retrieved 20 July 2024.
11. Montagu, Michael (7 September 2023). "Hastings Castle immortalised in tapestry". *Rye News*. Archived from the original on 7 September 2023. Retrieved 2 July 2024.
12. Pounds 1994, p. 18.
13. "Motte and bailey castles". History Learning. Archived from the original on 16 July 2024. Retrieved 2 July 2024.
14. Monk, G. E. (1951). "Excavations at Castle Wood, Pinxton" (PDF). *The Derbyshire Archaeological Journal*. **71**: 68–69. doi:10.5284/1066097. Retrieved 19 July 2024.
15. Historic England. "Pinxton Castle (315821)". *Research records (formerly PastScape)*.
16. "Monument record MDR11172 – Pottery scatter south of Pinxton Castle, Pinxton". *Derbyshire Historic Environment Record*. Derbyshire County Council. Retrieved 29 June 2024.

## Sources

Media related to Pinxton Castle at Wikimedia Commons

## InfoBox

| Pinxton Castle | |
| --- | --- |
| Remnants of the moat | |
| Type | Archaeological site |
| Location | Between Pinxton and South Normanton, Derbyshire |
| Coordinates | 53°6′26″N 1°18′54″W / 53.10722°N 1.31500°W / 53.10722; -1.31500 |
|  | |
| Scheduled monument | |
| Official name | Pinxton Castle motte and fortified manor with moated site and five fishponds |
| Designated | 25 February 1994 |
| Reference no. | 1010025 |
|  | |
|  | |
| Location of Pinxton Castle in Derbyshire | |


title: Vampire (2011 film)

abstract: Vampire is a 2011 dramatic film written, directed and produced by Shunji Iwai, who also serves as the film's editor, composer and cinematograher and starring Kevin Zegers as a teacher who believes himself to be a blood-drinking vampire. It was first released at the Sundance Film Festival on January 22, 2011, and is the first film he has directed in English.

text:
# Vampire (2011 film)

***Vampire*** is a 2011 dramatic film written, directed and produced by Shunji Iwai, who also serves as the film's editor, composer and cinematograher and starring Kevin Zegers as a teacher who believes himself to be a blood-drinking vampire. It was first released at the Sundance Film Festival on January 22, 2011, and is the first film he has directed in English.

## Synopsis

Simon is a seemingly ordinary biology teacher that spends much of his spare time caring for his Alzheimers-ridden mother Helga. This ends up not being the case, as Simon believes himself to be a vampire and spends much of his time looking at online sites for suicidal women who would make for easy prey. One such woman, Jellyfish, is tricked into believing that she and Simon will both be killing one another, only for Simon to drink her blood after he administers sleeping pills and draws blood from her. Along with his vampiric hobby, Simon tries to keep his mother indoors by putting her in a straitjacket-esque contraption tied to several large balloons. It is when Simon meets Laura that things begin to unravel, as she grows obsessed with him to the point where she breaks into his home. Things begin to further devolve when Renfield, a man who also believes himself to be a vampire, emerges onto the scene and is far more violent than Simon ever dared to be.

## Cast

## Production

Iwai was inspired to create *Vampire* after he "got the idea about a serial killer who was more like a friend to his victims" and liked the question of "if the victims are working with the killer in helping kill themselves, would it be considered murder or aided suicide?". While further developing the idea for *Vampire* Iwai wanted to "strip away the romantic idea behind vampirism", but also wanted to explore the idea of a vampire that is "not a supernatural creature but rather a real human being". He based the character of Simon partially on "the strange habits that we all have" and stated that if he had not come up with the idea of Simon, he would have likely passed on *Vampire's* theme. Iwai penned the script for *Vampire* himself. However, as Iwai had difficulty with spoken English dialogue, asked the performers to "not follow the script too closely and try to be more spontaneous so that the dialogue would be natural."

Actor Kevin Zegers was asked to perform in the film after Iwai met Zegers while dining with friends. Zegers immediately accepted and was one of the first actors brought in. Filming for *Vampire* took place in Vancouver, British Columbia, Canada during spring of 2010, and Zegers later stated that the process was very taxing due to the film's nature. Iwai confirmed this, saying that the weather was "always gray and rainy, which can bring the mood down" and that he "gave a lot of freedom to Kevin with his character, Simon, so he really took on the sadness and troubles Simon’s character was going through."

## Reception

Critical reception for *Vampire* has been mixed. Much of the film's criticism stemmed from its length, as media outlets such as *Screen Daily* and the *Montreal Gazette* felt that it detracted from the film's overall story. *Variety* praised Iwai’s "fastidiously composed scenes of ritual bloodletting" as one moment where the film "springs to life", but remarked that the film had a limited appeal. *The Hollywood Reporter* had a similar opinion in their review, with the bottom line reading "Artsy but alienating quasi-horror film offers a non-supernatural alternative to Count Dracula." *io9* was more positive in their review, stating "Fans of more traditional vampire fare may not find what they’re looking for in this piece, but anyone who has seen Iwai’s other work, especially his masterpiece of oddball suspense *Pikunikku (Picnic)*, will be right at home with his American debut." Reviewers for *Twitch Film* gave predominantly positive reviews, echoing *io9'*s sentiments and stating that "for those not turned off by some graphic violence and a whole lot of artistic license, there is a lot to like about this portrait of a killer more empathetic than psychopathic."

### Awards

* *Grand Jury Prize for World Cinema - Dramatic* at the Sundance Film Festival (2011, nominated)
* *Festival Prize* at the Strasbourg International Film Festival (2011, won)
* *Special Mention for Feature Film* at the Fantasia Film Festival (2011, won)

## InfoBox

| Vampire | |
| --- | --- |
|  | |
| Directed by | Shunji Iwai |
| Written by | Shunji Iwai |
| Produced by | Shunji Iwai
Tim Kwok |
| Starring | Kevin Zegers
Keisha Castle-Hughes
Amanda Plummer
Trevor Morgan
Adelaide Clemens
Yū Aoi
Rachael Leigh Cook |
| Cinematography | Shunji Iwai |
| Edited by | Shunji Iwai |
| Music by | Shunji Iwai |
| Production
companies | Convergence Entertainment, Rockwell Eyes, V Project Canada Productions |
| Release date | * January 22, 2011 (2011-01-22) (Sundance) |
| Running time | 118 minutes |
| Countries | United States
Japan |
| Language | English |


title: HDMS Jylland

abstract: Jylland is a Danish frigate, and is both a screw-propelled steam frigate and a sailship. It took part in the Battle of Heligoland on 9 May 1864, and is preserved as a museum ship in the small town of Ebeltoft, located on the Djursland peninsula in Denmark.

text:
# HDMS Jylland

***Jylland*** is a Danish frigate, and is both a screw-propelled steam frigate and a sailship. It took part in the Battle of Heligoland on 9 May 1864, and is preserved as a museum ship in the small town of Ebeltoft, located on the Djursland peninsula in Denmark.

## Design

She was built for the Royal Danish Navy in 1860 as a sailing frigate with an auxiliar screw-drive steam engine and a wooden hull. The figurehead was carved by the sculptor Julius Magnus Petersen and represents the region of Jutland in the form of the shepherd's rod and the fishing net.

## History

During the Second War of Schleswig in 1864, she participated in the naval action against the Austrian-Prussian fleet in the Battle of Heligoland on 9 May 1864. *Jylland* along with *Niels Juel* and *Heimdall* bested two Austrian frigates and three small Prussian gunboats, but was unable to maintain the blockade of the Prussian North Sea ports. *Jylland* sustained considerable damage during the battle.

By 1874, she was in use as a training ship for naval cadets. In the 1890s she was reduced to stationary use and barely escaped scrapping in 1908. She served as a barracks and training ship between 1892 and 1908. It was, however, decided to preserve her and she was towed to Ebeltoft in 1960. The hulked frigate further deteriorated until she was placed in dry dock in 1984. Restoration proved to be a major task; over 60% of the timber had to be replaced in addition to the rigging, armament, engines and loose gear.

In Danish, she is known as simply ***Fregatten Jylland***, although several ships have used this name. The restoration efforts were completed in 1994 and she is on permanent display in dry dock at the town of Ebeltoft, Denmark. A commemorative coin was issued by the National Bank of Denmark.

*Jylland* is the last surviving screw frigate.

Notes Citations  1. Lincoln P. Paine (2000). *Warships of the World to 1900*. Houghton Mifflin Harcourt. pp. 87–88. ISBN 0-395-98414-9.
2. Leggett, Don (2016-05-16), "List of figures", *Shaping the Royal Navy*, Manchester University Press, doi:10.7765/9781526111876.00003, ISBN 9781526111876
3. Michael Embree (2007). *Bismarck's First War: The Campaign of Schleswig and Jutland 1864*. Helion & Company Limited. pp. 281–286. ISBN 978-1-906033-03-3.
4. "Shipping Intelligence". *Western Mail*. No. 1520. Cardiff. 14 March 1874.
5. "The Frigate Jylland". National Bank of Denmark. 15 September 2011. Archived from the original on 16 October 2013. Retrieved 15 October 2013.

## Bibliography

* Brouwer, Norman J. *The International Register of Historic Ships*. 3rd ed. London: Chatham Publishing, 1999.
* Robert J Gardiner (ed.). *Conway's All the World's Fighting Ships 1860–1905*. London: Conway Maritime Press, 1979.

56°11′57″N 10°40′26″E / 56.19917°N 10.67389°E / 56.19917; 10.67389

## InfoBox

| *Jylland* in the museum dedicated to it, Ebeltoft, Denmark 2005. | |
| --- | --- |
| History | |
| Denmark | |
| Name | *Jylland* |
| Builder | Naval War Yard, Copenhagen |
| Laid down | June 11, 1857 |
| Launched | November 20, 1860 |
| Commissioned | May 15, 1862 |
| Decommissioned | 1908 |
| Status | Museum ship in Ebeltoft, Denmark |
| Notes | Designed by Dock Master O. F. Suenson |
| General characteristics | |
| Class and type | *Niels Juel*-class sail- and screw propelled steam frigate |
| Displacement | 2456 tons |
| Length | 102 m (335 ft) |
| Beam | 13.5 m (44 ft) |
| Draft | 6 m (20 ft) |
| Propulsion |  |
| Sail plan | square-rigged ship |
| Speed | * 11 kn (20 km/h) on steam * 12 kn (22 km/h) on sail |
| Complement | 405–437 |
| Armament |  |


title: Réunion Rugby Committee

abstract: The Réunion Rugby Committee is a committee under the umbrella of the French Rugby Federation which is the governing body for rugby union within Réunion. The organisation was previously Ligue Régionale de Rugby de la Réunion, but was upgraded to committee status in 2008. It is affiliated with the Confederation of African Rugby (CAR), which is the regional governing body for rugby union in Africa, but it is not affiliated with the International Rugby Board (IRB) in its own right.

text:
# Réunion Rugby Committee

The **Réunion Rugby Committee** (French: *Comité de Rugby de la Réunion*, —or officially: *Comité Territorial de Rugby de la Réunion*) is a committee under the umbrella of the French Rugby Federation which is the governing body for rugby union within Réunion.

The organisation was previously *Ligue Régionale de Rugby de la Réunion*, but was upgraded to committee status in 2008. It is affiliated with the Confederation of African Rugby (CAR), which is the regional governing body for rugby union in Africa, but it is not affiliated with the International Rugby Board (IRB) in its own right.

## National teams

As an overseas department of France, Réunion can participate in international competition, but not for the Rugby World Cup. Réunion has thus far competed in the south section of the CAR Development Trophy along with African nations.

## Reference list

## InfoBox

Réunion Rugby Committee
| *Comité Territorial de Rugby de la Réunion* | |
| --- | --- |
|  | |
| Sport | Rugby union |
| Founded | () |
| Website | rugby-reunion.fr |


title: In the Heart of the Country

abstract: In the Heart of the Country (1977) is an early novel by South African-born writer J. M. Coetzee. The book is one of Coetzee's more experimental novels and is narrated through 266 numbered paragraphs rather than chapters.

text:
# In the Heart of the Country

***In the Heart of the Country*** (1977) is an early novel by South African-born writer J. M. Coetzee. The book is one of Coetzee's more experimental novels and is narrated through 266 numbered paragraphs rather than chapters.

## Plot

The novel is narrated from the point of view of Magda, the white daughter of a widowed farmer in the Karoo semi-desert of the Western Cape. Much of the novel is narrated from within the claustrophobic confines of Magda's bedroom and throughout the narrative the unreliability of Magda's narration means the reader cannot be certain what is actually taking place and what is occurring within Magda's imagination. At the beginning of the novel Magda fantasizes about her father unexpectedly bringing home a young bride and the violent way that she would kill them both. A short while later the black farm worker Hendrik really does bring a young bride named Anna to the farm. Magda's father seduces Anna and when Magda hears her father and Anna fornicating in the farmhouse bedroom, she takes her father's rifle and shoots him in the stomach. He slowly dies of his injuries and Magda buries him in a makeshift crypt on the farmland. Gradually, without her father to manage the land, the food begins to run out and Hendrik, who is owed wages, demands to be paid. Magda pays him in kind by offering him certain items from her father's former possessions. Hendrik and Anna move into the farmhouse and the power balance begins to tip in their favour. After a series of altercations, Hendrik rapes Magda and begins to visit her room every night for sexual intercourse. When white men from nearby farms turn up looking for Magda's father, Hendrik and Anna flee fearing that they will blamed for his death. The novel ends with Magda isolated on the farm, slowly starving and seemingly going mad, as she tries to communicate with the planes that are beginning to fly over the desert every day.

## Development history

Coetzee has stated that the 'brief sequences' that narrate the novel are fundamentally influenced by filmic and photographic modes of representation. He cites Chris Marker's La Jetée and Andrzej Munk's Passenger as particular influences. Moreover, Coetzee explains that the numbered paragraphs should act like film scenes in that they point to 'what is not there between them'.

There are three versions of the novel in existence: the 1977 British version, the 1977 American version which was the same but published under the title *From The Heart Of The Country*, and the 1978 South African version. In the South African version the novel's dialogue is in Afrikaans.

## Awards and nominations

The novel was awarded the 1977 CNA Prize.

## Adaptations

Marion Hänsel directed a motion picture adaptation, *Dust,* in 1985.

## Further reading

## InfoBox

In the Heart of the Country
| First US edition | |
| --- | --- |
| Author | J. M. Coetzee |
| Language | English |
| Publisher | Harper & Row (US)<br>Secker & Warburg (UK) |
| Publication date | 1977 |
| Publication place | South Africa |
| Media type | Print (Hardback & Paperback) |
| Pages | 139 |
| ISBN | 0-09-946594-9 |
| OCLC | 56467689 |


title: One Heart (film)

abstract: One Heart (2017) is India's first concert film about A. R. Rahman and his music, directed by YM Movies Team. Nazeef Mohammad was the show director of the film, while additional arrangements and music direction was handled by Ranjit Barot respectively.

text:
# One Heart (film)

***One Heart*** (2017) is India's first concert film about A. R. Rahman and his music, directed by YM Movies Team. Nazeef Mohammad was the show director of the film, while additional arrangements and music direction was handled by Ranjit Barot respectively.

## Cast

## Critical reception

Sudhir Srinivasan from The New Indian Express said, "As he sings Mahi Ve and sees the love in the eyes of every member of the audience, his eyes almost well up. These little, precious moments, if you care enough to look, add a lot of value to the film." and more he rated it 3/5. Srinivasa Ramanujam from The Hindu said, "For those who've never gone to a concert, *One Heart* is ideal – it gives you a sense of the atmosphere and sounds. And for those who have, it gives them a chance to undergo a musically-rich experience minus the constant cheering and varied distractions." and more.

1. "One Heart review: The music almost makes this concert movie worthwhile". *The New Indian Express*. Archived from the original on April 18, 2018. Retrieved 2018-04-17.
2. Ramanujam, Srinivasa (2017-09-07). "'One Heart' review: Filled with music". *The Hindu*. ISSN 0971-751X. Retrieved 2018-04-17.

## InfoBox

| One Heart | |
| --- | --- |
| Official Poster | |
| Directed by | YM Movies Team |
| Produced by | YM Movies
Saira Rahman
Grape Ventures Pvt. Ltd. |
| Edited by | Nasreen Munni Kabir
Amith Krishnan |
| Production
companies | YM Movies
Grape Ventures Pvt. Ltd. |
| Distributed by | Sunshine Studios |
| Release date | * September 8, 2017 (2017-09-08) |
| Running time | 87 minutes |
| Country | India |
| Languages | Hindi
English
Tamil |


title: Annalee Jefferies

abstract: Annalee Jefferies is an American stage actress.

text:
# Annalee Jefferies

**Annalee Jefferies** is an American stage actress.

## Early years

Jefferies' father was a ranch manager, and her mother was artistically inclined. She lived in Texas her first 11 years, then moved with her family to Australia. They returned to the United States when she was 15. She was active in drama in high school and college before refining her talent at the Royal Academy of Dramatic Art in London.

## Career

Jefferies was in the nine-hour trilogy of Horton Foote's *Orphan’s Home Cycle* in New York, directed by Michael Wilson, which won the Drama Desk Award for Theatrical Event of the Season of 2010. She played Blanche in *Streetcar Named Desire*, Violet in *Suddenly Last Summer*, Hannah in *Night of the Iguana*, Carol in *Orpheus Descending*, and Amanda in *The Glass Menagerie*, which was among the *Wall Street Journal*’s best 10 productions of 2009.

She toured England in John Barton’s ten hour epic *Tantalus*, directed by Sir Peter Hall. She spent 20 years as a resident company member at the Alley Theatre (1986–2007) and 3 years as a resident company member at the Arena Stage (1978–1981). Her film credits include *Hellion*, *Arlo and Julie*, *The Sideways Light*, *The Girl*, *Monsters*, *Violets Are Blue*, and *No Mercy*.

On television, Jefferies appeared in *Dallas*, and *War of The Worlds*.

She currently lives on a farm in Brenham, Texas.

## Film and television

## New York stage

### Playwrights Horizons

## Regional stage

### Royal Shakespeare Company, Denver Performing Arts Complex

### Hartford Stage Company

### Hartford Theatreworks

### Williamstown Theatre

### Alley Theatre, Houston, Texas

1 woman play - Bad Dates

Dir: Gregory Boyd

Dir: Michael Wilson

Dir: Misc

### Great Lakes Theatre Festival

### Long Wharf Theatre

### Arena Stage, Washington D.C.

## Public theatre

## InfoBox

| Annalee Jefferies | |
| --- | --- |
| Born | Houston, Texas |
| Alma mater | Royal Academy of Dramatic Art |


title: Nealcidion cristulatum

abstract: Nealcidion cristulatum is a species of beetle in the family Cerambycidae. It was described by Monné and Delfino in 1986.

text:
# Nealcidion cristulatum

***Nealcidion cristulatum*** is a species of beetle in the family Cerambycidae. It was described by Monné and Delfino in 1986.

## InfoBox

| *Nealcidion cristulatum* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Cerambycidae |
| Genus: | *Nealcidion* |
| Species: | ***N. cristulatum*** |
| Binomial name | |
| ***Nealcidion cristulatum***<br>Monné & Delfino, 1986 | |
|


title: Mirjana Isaković

abstract: Mirjana Isaković is a Serbian sculptor and ceramist.

text:
# Mirjana Isaković

**Mirjana Isaković** is a Serbian sculptor and ceramist.

## Personal life

She was born in Serbia in 1936. She is married to Halil Tikvesa, a Bosnian painter and graphic designer with whom she has a daughter Lana Tikvesa.

## Education

Isaković graduated from the Academy of Applied Arts of University of Arts in Belgrade in 1963, the same year she became a member of "The Applied Artists and Designers Association of Serbia" (ULUPUDS).

## Career

In 1971, she was elected professor at the Academy of Applied Arts. She established the important "Belgrade School". She mentored fourteen MA students who matriculated from the Academy of Applied Arts.

In 1972 she became a professor at the Academy where she chaired the departmental studio for ceramics and ceramic sculpture. She retired in 2002.

## Exhibitions

### Solo exhibitions

* 1964 Gallery "Savremeni dom", Belgrade
* 1966 Gallery "Nadežda Petrović" Čačak
* 1969 Gallery "Grafički kolektiv", Belgrade
* 1976 Gallery of Cultural Center, Belgrade
* 1978 "Homage to Ivan Tabaković" (with Rosić and Stajević), Arandjelovac
* 1985 "Galerija likovnih stvaralaca", Arandjelovac
* 1985 "Mali likovni salon", Novi Sad
* 1985 Gallery "Singidunum", Belgrade
* 1986 Cultural Center, Banjaluka
* 1989 Pavilion Cvijeta Zuzorić, as the laureate of Grand Prix of May Salon
* 1990 City Museum "Bassano del Grappa", Italy (five Central European ceramic artists, each with an individual show: Polgar, Spurej, Vikova, Sramel, Isaković)

### Group exhibitions

Over 150 in the country and abroad

### Juried group exhibitions in Serbia (a selection)

* October Salon: 1967, 1968, 1969, 1970, 1974, 1975, 1976, 1977, 1979, 1980, 1986, 1995, 1997, 1999, 2001
* May Salon: 1969, 1970, 1975, 1976, 1977, 1979, 1980, 1986, 1993
* *Biennale of Belgrade Ceramics*: 1978, 1980
* *Triennial of Yugoslav Ceramics*: 1968, 1974, 1977, 1980, 1983, 1986, 1989, 1996, 1999, 2003
* 1965 Yugoslav Ceramics, Museum of Applied Art, Belgrade
* 1972 Contemporary Art of Ceramics and Glass, Galerija Kulturnog centra, Belgrade
* 1972 Contemporary Art of Ceramics and Glass, Museum of Arts and Crafts, Zagreb
* 1978 The First Sarajevo Triennial of Art, Sarajevo
* 1978 Contemporary Tapestry and ceramics of Yugoslavia, Belgrade
* 1981 NOB (The People's Liberation Movement) in the Works of Yugoslav Artists, Belgrade, Ljubljana, Sarajevo

### Juried international exhibitions (with international juries)

## Prizes and awards

* 1968 Likovni Susret Subotice prize at First Triennial of Yugoslav Ceramics
* 1970 Ceramics prize, May Salon, Belgrade
* 1970 "Diploma d'onore", International Exhibition of Ceramics, Cervi, Italy
* 1977 May Salon Prize, Belgrade
* 1977 Grand Prix, at Third Triennial of Yugoslav Ceramics
* 1977 Annual ULUPUDSPrize (for 1976/1977)
* 1981 Exhibition NOB (The People's Liberation Movement) Prize in the Works of Yugoslav Artists, Belgrade
* 1984 Honorary Diploma at First International Triennial of Small Ceramics, Zagreb
* 1986 Grand Prix of May Salon, Belgrade
* 1986 Grand Prix at Sixth Triennial of Yugoslav Ceramics, Subotica, Belgrade
* 1986 ULUPUDS Prize at October Salon
* 1986 Honorable mention at International Competition "Mino'86", Nagoya, Japan
* 1986 Grand Plaque of the University of Arts, Belgrade, for pedagogical work
* 1998 Award for Life's Work from ULUPUDS
* 1998 Plaque with Silver Medal from Professorial and Art Assembly of Faculty of Applied Arts "for extraordinary contribution to the development of this institution for high education"

## Works in public spaces (ceramic sculptures)

* Gordana Popovic-Vasic; Dragoslav Stojanovic Sip; Mila Rajkovic; Svetlana Isakovic; Mirjana Isakovic; Ljiljana Cinkul (2010). *Mirjana Isakovic: Retrospective Exhibition Ceramic Sculpture, Museum of Applied Art*. Museum of Applied Art. ISBN 978-86-7415-141-9.

## Sources


title: Piota

abstract: The Piota is an Apennine torrent in the Province of Alessandria, north-west Italy.

text:
# Piota

The **Piota** is an Apennine torrent in the Province of Alessandria, north-west Italy.

## Geography

The Piota passes through the territory of the communes of Bosio, Casaleggio Boiro, Lerma, Tagliolo Monferrato, Silvano d'Orba and Rocca Grimalda. As a tributary of the Orba, the Piota falls within the Po basin.

The river's source is on the Piedmontese flank of Monte Pracaban and its course takes it through the wild landscapes of the Ligurian Apennine that form the Parco Regionale delle Capanne di Marcarolo. Having been joined by the Gorzente, the Piota enters the Orba near Silvano d'Orba.

## Fishing

Trout are fished for in the river and it is possible to pan flecks of gold.

Media related to Piota at Wikimedia Commons

## InfoBox

| Piota | |
| --- | --- |
| Upper course winter view | |
| Location within the SE Piedmont | |
| Location | |
| Country | Italy |
| Physical characteristics | |
|  | |
| Source |  |
| location | Monte Pracaban |
| elevation | 948 m (3,110 ft) |
|  | |
| Mouth |  |
| location | Orba at Silvano d'Orba |
| coordinates | 44°40′58″N 8°39′50″E / 44.6827°N 8.6640°E / 44.6827; 8.6640 |
| elevation | 196 m (643 ft) |
| Length | 32.1 km (19.9 mi) |
| Basin size | 113.34 km2 (43.76 sq mi) |
|  | |
| Discharge |  |
| average | 3.4 m3/s (120 cu ft/s) |
|  | |
| Basin features | |
| Progression | OrbaBormidaTanaroPoAdriatic Sea |
| Tributaries |  |
| right | Gorzente |


title: Valea lui Iovan

abstract: The Valea lui Iovan is a river in Romania, right tributary of the Cerna. Its source is in the Godeanu Mountains. It discharges into the Valea lui Iovan Reservoir. Its length is 11 km (6.8 mi) and its basin size is 31 km⁲ (12 sq mi).

text:
# Valea lui Iovan

The **Valea lui Iovan** is a river in Romania, right tributary of the Cerna. Its source is in the Godeanu Mountains. It discharges into the Valea lui Iovan Reservoir. Its length is 11 km (6.8 mi) and its basin size is 31 km2 (12 sq mi).

## InfoBox

| Valea lui Iovan | |
| --- | --- |
|  | |
| Location | |
| Country | Romania |
| Counties | Gorj County |
| Physical characteristics | |
| Mouth | Cerna |
| coordinates | 45°09′50″N 22°43′55″E / 45.164°N 22.732°E / 45.164; 22.732 |
| Length | 11 km (6.8 mi) |
| Basin size | 31 km2 (12 sq mi) |
| Basin features | |
| Progression | CernaDanubeBlack Sea |
| Tributaries |  |
| right | Godeanu |
| River code | VI.2.3 |


title: Wakugawa Chōkyō

abstract: Wakugawa Ueekata Chōkyō also known by his Chinese style name Shō Hōten, was a bureaucrat of Ryukyu Kingdom. Wakugawa was born to an aristocrat family called Shō-uji Wakugawa Dunchi (向氏湧川殿内); later, he became the eleventh head of this family, and was given Goeku magiri as a hereditary fief. He was also a descendant of King Shō Sen'i. Wakugawa was dispatched together with Prince Yuntanza Chōkō in 1764 to celebrate Tokugawa Ieharu succeeded as shōgun of the Tokugawa shogunate. They sailed back in the next year. He served as a member of sanshikan from 1765 to 1778. He put forward a proposal for the first statutory law in Ryukyuan history, together with his two colleagues, Miyahira Ryōtei and Yonabaru Ryōku, and the sessei Yuntanza Chōkō in 1775. This proposal was approved by King Shō Boku. The law was completed in 1786.

text:
# Wakugawa Chōkyō

**Wakugawa *Ueekata* Chōkyō** (湧川 親方 朝喬, 24 March 1712  16 April 1785) also known by his Chinese style name **Shō Hōten** (向 邦鼎), was a bureaucrat of Ryukyu Kingdom.

Wakugawa was born to an aristocrat family called *Shō-uji Wakugawa Dunchi* (向氏湧川殿内); later, he became the eleventh head of this family, and was given Goeku *magiri* (越来間切, modern part of Okinawa, Okinawa) as a hereditary fief. He was also a descendant of King Shō Sen'i.

Wakugawa was dispatched together with Prince Yuntanza Chōkō (also known by Yuntanza Chōken) in 1764 to celebrate Tokugawa Ieharu succeeded as *shōgun* of the Tokugawa shogunate. They sailed back in the next year.

He served as a member of *sanshikan* from 1765 to 1778. He put forward a proposal for the first statutory law in Ryukyuan history, together with his two colleagues, Miyahira Ryōtei and Yonabaru Ryōku, and the *sessei* Yuntanza Chōkō in 1775. This proposal was approved by King Shō Boku. The law was completed in 1786.

## InfoBox

| Wakugawa Chōkyō | |
| --- | --- |
| 湧川 朝喬 | |
|  | |
| *sanshikan* of Ryukyu | |
| **In office**<br>1765–1778 | |
| Preceded by | Kochinda Chōei |
| Succeeded by | Fukuyama Chōki |
|  | |
| Personal details | |
| Born | (1712-03-24)March 24, 1712 |
| Died | April 16, 1785(1785-04-16) (aged 73) |
| Chinese name | Shō Hōten (向 邦鼎) |
| Rank | Ueekata |
|  | |


title: SCORE Stock Mini

abstract: SCORE Class Stock Mini is a stock production class that competes in the SCORE off-road race series including the Baja 1000, Baja 500, Baja Sur 500, San Felipe 250 and the SCORE Desert Challenge. The vehicle must have been series produced in quantities greater than 5000 over a 12-month period and be readily available to the general public in the U.S.A. Vehicle must be marketed as mini or mid-sized pickup or sport utility vehicle.

text:
# SCORE Stock Mini

**SCORE** **Class Stock Mini** is a stock production class that competes in the SCORE off-road race series including the Baja 1000, Baja 500, Baja Sur 500, San Felipe 250 and the SCORE Desert Challenge.

The vehicle must have been series produced in quantities greater than 5000 over a 12-month period and be readily available to the general public in the U.S.A. Vehicle must be marketed as mini or mid-sized pickup or sport utility vehicle.

## Vehicle description

Stock Mini vehicles can be two-wheel or four-wheel drive, truck or SUV. Manufacturer's body, engine, transmission, differentials and chassis combinations must be retained.

## Class requirements

### Engine

Any engine may be used, provided it is listed and delivered by the manufacturer. Displacement must be less than 4300cc in size and have no-more than six-cylinders. Additional modification limitations exist.

### Suspension

Suspension is mostly stock with minor allowances to accommodate larger tires.

### Body

Body must maintain the original shape, size, configuration and appearance. Additional stock limitations exist for this class.


title: Nyamdashiin Batsüren

abstract: Nyamdashiin Batsüren is a Mongolian boxer. He competed in the men's flyweight event at the 1972 Summer Olympics.

text:
# Nyamdashiin Batsüren

**Nyamdashiin Batsüren** (Нямдашийн Батсүрэн, born 21 December 1945) is a Mongolian boxer. He competed in the men's flyweight event at the 1972 Summer Olympics.

## InfoBox

| Nyamdashiin Batsüren | |
| --- | --- |
| Born | (1945-12-21) 21 December 1945 |
| Nationality | Mongolian |
| **Statistics** | |
| Weight class | Flyweight |
| Weight(s) | 51 kg (112 lb) |
| Height | 167 cm (5 ft 6 in) |
|  | |