title: The Summit, Queensland

abstract: The Summit is a rural town and locality in the Southern Downs Region, Queensland, Australia. In the 2021 census, the locality of The Summit had a population of 436 people. The locality borders New South Wales.

text:
# The Summit, Queensland

**The Summit** is a rural town and locality in the Southern Downs Region, Queensland, Australia. In the 2021 census, the locality of The Summit had a population of 436 people.

The locality borders New South Wales.

## Geography

The Summit is predominantly farmland with some urban development surrounding the railway station. The New England Highway passes north-south through the town, running close to and parallel with the Southern railway line. Originally the highway was the main street of the town, but now the highway bypasses the town to the east. Cannon Creek forms the south-western border of the locality.

## History

The town takes its name from The Summit railway station, which was so named because it was the highest point (923.5 metres (3,030 ft)) on the Southern railway line from Warwick to Wallangarra.

The Summit State School opened on 29 August 1921.

The Summit Methodist Church opened on Wednesday 18 August 1915. Following the amalgamation of the Methodist Church into the Uniting Church in Australia in 1977, it became The Summit Uniting Church. It closed on 18 November 2017. It was at 9 Church Road (28°34′38″S 151°56′57″E / 28.5773°S 151.9491°E / -28.5773; 151.9491 (The Summit Methodist Church (former))). The church building is still extant, but has been converted into a house.

On Sunday 28 November 1926, St John's Anglican Church was officially opened and dedicated by Reverend Canon David Garland.

The Seventh-Day Adventist Church opened in 1989.

## Demographics

In the 2011 census, the locality of The Summit had a population of 484 people.

In the 2016 census, the locality of The Summit had a population of 409 people.

In the 2021 census, the locality of The Summit had a population of 436 people.

## Education

The Summit State School is a government primary (Prep-6) school for boys and girls at Taggart's Road (28°34′44″S 151°57′19″E / 28.5790°S 151.9552°E / -28.5790; 151.9552 (The Summit State School)). In 2018, the school had an enrolment of 31 students with 3 teachers (2 full-time equivalent) and 7 non-teaching staff (3 full-time equivalent).

There is no secondary school in The Summit. The nearest government secondary school is Stanthorpe State High School in Stanthorpe to the south.

## Amenities

The Summit Public Hall is at 101 Granite Belt Drive (28°34′28″S 151°56′56″E / 28.5745°S 151.9490°E / -28.5745; 151.9490 (The Summit Public Hall)) opposite the railway station.

St John's Anglican Church is at 7 Teale Road (28°34′27″S 151°56′54″E / 28.5741°S 151.9484°E / -28.5741; 151.9484 (St John's Anglican Church)). It is part of the Stanthorpe Parish within the Anglican Diocese of Brisbane.

The Summit Seventh Day Adventist Church is at 25 Church Road (28°34′38″S 151°56′51″E / 28.5773°S 151.9475°E / -28.5773; 151.9475 (Seventh Day Adventist Church)).

## Further reading

## InfoBox

| The Summit
Queensland | |
| --- | --- |
| Granite Belt Drive (main street), The Summit, 2015 | |
| The Summit | |
| Coordinates | 28°34′32″S 151°57′03″E / 28.5755°S 151.9508°E / -28.5755; 151.9508 (The Summit (town centre)) |
| Population | 436 (2021 census) |
| • Density | 26.42/km2 (68.44/sq mi) |
| Postcode(s) | 4377 |
| Elevation | 923.5 m (3,030 ft) |
| Area | 16.5 km2 (6.4 sq mi) |
| Time zone | AEST (UTC+10:00) |
| Location |  |
| LGA(s) | Southern Downs Region |
| State electorate(s) | Southern Downs |
| Federal division(s) | Maranoa |
| **Localities around The Summit:**  Pozieres Thulimbah *Maryland (NSW)*  Pozieres The Summit Glen Niven  Cannon Creek Applethorpe Applethorpe | |


title: WFI – Ingolstadt School of Management

abstract: The WFI – Ingolstadt School of Management is a leading German business school and the faculty of business administration and economics of the Catholic University of Eichstätt-Ingolstadt. The WFI is one of Germany's foremost business schools and the modern successor of Bavaria's first university, i.e. the ancient University of Ingolstadt. It is also Germany's only catholic business school and specifically marked with compulsory courses in economic and business ethics and an obligatory choice of a foreign commercial language course.

text:
# WFI – Ingolstadt School of Management

The **WFI – Ingolstadt School of Management** (or **WFI Ingolstadt**) is a leading German business school and the faculty of business administration and economics of the Catholic University of Eichstätt-Ingolstadt. The WFI (meaning "**W**irtschaftswissenschaftliche **F**akultät **I**ngolstadt" ) is one of Germany's foremost business schools and the modern successor of Bavaria's first university, i.e. the ancient University of Ingolstadt. It is also Germany's only catholic business school and specifically marked with compulsory courses in economic and business ethics and an obligatory choice of a foreign commercial language course.

## History

From 1472 to 1800 the University of Ingolstadt had its seat in Ingolstadt before it moved to Landshut and later to Munich and is still existing as the Ludwig Maximilian University of Munich. In the early 1980s, in order to continue the city's tradition of higher education combined with the ambitions of the Catholic University of Eichstaett to diversify the offered portfolio of courses, the city and the University started negotiations about the establishment of a faculty of economics on a second campus of the University in Ingolstadt. The negotiations culminated in the start of teaching in the autumn of 1989 at the new founded business faculty which from then on made public appearance as *WFI - Ingolstadt School of Management*.

The main cluster of campus buildings of the faculty, including the library (which is a European Documentation Centre) and the big lecture hall, were in former times a monastery of the Divine Word Missionaries, but it was soon to small for the increasing numbers of students. Therefore the decision was made to expand the existing faculty with a new building on campus, which was finished in 1995, when already around 750 students were enrolled at the WFI.

In 1997 the first chair of Service Management in Germany was introduced at the WFI – Ingolstadt School of Management.

## Reputation

The WFI has a reputation of being one of the best academic institutions for management education in Germany as its corporate relations and major rankings (9th nationally, 2nd in Bavaria) confirm.

## Selection process

Since 1996 the WFI uses a double-stage selection process for university applicants in order to assess their potential. Applicants are preselected on the basis of their academic and personal achievements as well as their extracurricular activities and social commitment. During an interview day potential students have to put their intellectual skills to the test and are asked to explain their motivation to become a part of the WFI academic community. This takes place in front of a jury of professors, research fellows and further members of the school.

## Degree programmes

The WFI offers the following degree programmes:

## International partner universities

As internationality is one of the major aspirations of the WFI – Ingolstadt School of Management, it has own partner universities in addition to the partners of the Catholic University of Eichstätt-Ingolstadt. A small selection:

| University | City | Nation |
| --- | --- | --- |
| St. Edward's University | Austin, Texas | United States |
| Stellenbosch University | Stellenbosch | South Africa |
| Tongji University | Shanghai | PRC |
| Sun Yat-sen University | Guangzhou | PRC |
| Xiamen University | Xiamen | PRC |
| Loyola Institute of Business Administration | Chennai | India |
| ITESO | Guadalajara | Mexico |
| Rajagiri Centre for Business Studies | Kochi | India |
| Saint Petersburg State University of Economics and Finance | St. Petersburg | Russia |
| Higher School of Economics | Moscow | Russia |
| Katholieke Universiteit Leuven | Leuven | Belgium |
| Hanken School of Economics | Helsinki / Vaasa | Finland |
| ESC Toulouse | Toulouse / Barcelona | France / Spain |
| EDHEC Business School | Lille / Nice | France |
| Regent's College London | London | United Kingdom |
| University College Dublin | Dublin | Ireland |
| Freie Universität Bozen | Bolzano | Italy |
| Università Cattolica del Sacro Cuore | Milan | Italy |
| Università degli Studi di Modena e Reggio nell’Emilia | Modena / Reggio Emilia | Italy |
| Vilnius Gediminas Technical University | Vilnius | Lithuania |
| Warsaw School of Economics | Warsaw | Poland |
| Comenius University | Bratislava | Slovakia |
| Universidad de Salamanca | Salamanca | Spain |
| Universidad de Sevilla | Seville | Spain |
| Corvinus University | Budapest | Hungary |

1. "Mission".
2. "Katholische Universität Eichstätt-Ingolstadt, WFI Ingolstadt School of Management". *https://studieren.de*. `{{cite journal}}`: External link in ``|journal=`` (help)
3. "Testimonials".
4. "Rankings".
5. "History of the WFI".
6. "WFI - Catholic University of Eichstätt-Ingolstadt, Ingolstadt school of management". *http://www.masterstudies.com*. `{{cite journal}}`: External link in ``|journal=`` (help)
7. "WFI: Partner - Katholische Universität Eichstätt-Ingolstadt". *www.ku.de*.
8. "Ranking: Die besten Unis und Fachhochschulen 2013". *www.wiwo.de*.
9. "BWL (B.Sc.): Bewerbung - Katholische Universität Eichstätt-Ingolstadt". *www.ku.de*.
10. "BWL – MARKT (M.Sc.): Bewerbung - Katholische Universität Eichstätt-Ingolstadt". *www.ku.de*.
11. "WFI: Studienangebot - Katholische Universität Eichstätt-Ingolstadt". *www.ku.de*.
12. "Faculty of Business Administration (WFI) - Katholische Universität Eichstätt-Ingolstadt". *www.ku.de*.
13. "Partner Universities".

48°45′54″N 11°24′58″E / 48.765°N 11.416°E / 48.765; 11.416

## InfoBox

WFI - Ingolstadt School of Management
| Motto | "klein - fein - anspruchsvoll" |
| --- | --- |
| Type | Private University, Private Business School |
| Established | 1989 |
| Dean | Prof. Dr. Jörg Althammer |
| Administrative staff | ca. 100; 23 Professors |
| Students | ca. 900 |
| Location | Ingolstadt, Bavaria, Germany |
| Colours |  |
| Website | www.wfi.edu |
|  | |


title: Hey Girl (Anne Wilson song)

abstract: "Hey Girl" is a song by American contemporary Christian music singer Anne Wilson. It was released to Christian radio in the United States on September 16, 2022, as the third single from her debut studio album, My Jesus (2022). Wilson co-wrote the song with Jeff Pardo and Matthew West. "Hey Girl" peaked at number 26 on the US Hot Christian Songs chart.

text:
# Hey Girl (Anne Wilson song)

"**Hey Girl**" is a song by American contemporary Christian music singer Anne Wilson. It was released to Christian radio in the United States on September 16, 2022, as the third single from her debut studio album, *My Jesus* (2022). Wilson co-wrote the song with Jeff Pardo and Matthew West.

"Hey Girl" peaked at number 26 on the US Hot Christian Songs chart.

## Background

"Hey Girl" was released as the first promotional single from the album on March 4, 2022, concurrently launching the album's pre-order. The song impacted Christian radio in the United States on September 16, 2022, becoming the third single from the album. On September 23, 2022, Anne Wilson released a multi-track single of "Hey Girl" containing three new versions of the song.

## Writing and development

Anne Wilson had an interview with Kevin Davis, lead contributor at NewReleaseToday about the song and the inspiration behind it. Davis asked about the personal story behind the song, to which Wilson responded, saying:

> Over the past year and a half, I've struggled a lot with putting my identity in what the world says about me, instead of who the Lord has called me to be. I wanted to write a song that would speak to women walking through the same struggles. I hope this song reminds you of your worth in Jesus!
>
> – Anne Wilson, NewReleaseToday

## Critical reception

Jonathan Andre of 365 Days of Inspiring Media gave a positive review of "Hey Girl", describing it as "an anthem for girls everywhere as the track reminds each of us, especially girls, about who they are and their identity in Christ" and compared it to the song "Overwhelming Child of God" by Carman. Jesus Freak Hideout's Josh Balogh wrote a favourable review of the song, calling it "a playful earworm calling women to see themselves as God does."

## Composition

"Hey Girl" is composed in the key of  with a tempo of 75 beats per minute and a musical time signature of **4**
**4**.

## Commercial performance

"Hey Girl" debuted at number 30 on the US Hot Christian Songs chart dated May 7, 2022.

"Hey Girl" made its debut at number 45 on the US Christian Airplay chart dated October 1, 2022.

## Music videos

On March 3, 2022, Anne Wilson released the official lyric video for the song. On September 8, 2022, Anne Wilson released the official music video for "Hey Girl".

## Track listing

All tracks were produced by Jeff Pardo except where stated.

"Hey Girl" — EP
| No. | Title | Producer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Hey Girl" |  | 3:09 |
| 2. | "Hey Girl" (Kentucky Version) |  | 3:10 |
| 3. | "Hey Girl" (Live from Rock the South) | * Mitch Parks * Dan Alber | 3:38 |
| 4. | "Hey Girl" (Radio Version) |  | 3:04 |
| Total length: | | | 13:01 |

## Charts

Chart performance for "Hey Girl"
| Chart (2022) | Peak
position |
| --- | --- |
| US Christian Songs (*Billboard*) | 26 |
| US Christian Airplay (*Billboard*) | 21 |
| US Christian AC (*Billboard*) | 19 |
|

## Release history

Release dates and formats for "Hey Girl"
| Region | Date | Format | Label | Ref. |
| --- | --- | --- | --- | --- |
| United States | September 16, 2022 | Christian radio |  |  |
| Various | September 23, 2022 | | (EP) |  |

## InfoBox

| "Hey Girl" | |
| --- | --- |
|  | |
| Single by Anne Wilson | |
| from the album  *My Jesus* | |
| Released | September 16, 2022 (2022-09-16) |
| Genre | CCM |
| Length | 3:08 |
| Label |  |
| Songwriter(s) |  |
| Producer(s) | Jeff Pardo |
| Anne Wilson singles chronology | |
| "Behold"
(2022) "**Hey Girl**"
(2022) "Living Water"
(2023) | |
|  | |
| Music videos | |
| "Hey Girl" on YouTube | |
| "Hey Girl" (Lyrics) on YouTube | |
|  | |


title: Godoli

abstract: Godoli is a census town in Satara district in the Indian state of Maharashtra.

text:
# Godoli

**Godoli** is a census town in Satara district in the Indian state of Maharashtra.

## Demographics

As of 2001 India census, Godoli had a population of 16,751. Males constitute 52% of the population and females 48%. Godoli has an average literacy rate of 83%, higher than the national average of 59.5%: male literacy is 85%, and female literacy is 81%. In Godoli, 11% of the population is under 6 years of age.

## InfoBox

| Godoli | |
| --- | --- |
| Census town | |
| GodoliLocation in Maharashtra, India | |
| Coordinates: 17°40′16″N 74°00′50″E / 17.6711°N 74.0138°E / 17.6711; 74.0138 | |
| Country | India |
| State | Maharashtra |
| District | Satara |
| Population (2001) | |
| Total | 16,751 |
| Languages | |
| Official | Marathi |
| Time zone | UTC+5:30 (IST) |


title: ISRO Pad Abort Test

abstract: The ISRO Pad Abort Test was an Indian Space Research Organisation launch escape system test of its crew module as part of Indian Human Spaceflight Programme. The successful test took place on 5 July 2018. A Pad Abort Test is a trial run for the spacecraft's launch abort system. This system is designed to quickly get the crew and spacecraft away from the rocket in the event of a potential failure. It is similar to an ejection seat for a fighter pilot, but instead of ejecting the pilot out of the spacecraft, the entire spacecraft is "ejected" away from the launch vehicle. The technology developed is expected to be applied to the first Indian crewed spacecraft called Gaganyaan, scheduled to be launched no earlier than 2024.

text:
# ISRO Pad Abort Test

The **ISRO Pad Abort Test** was an Indian Space Research Organisation launch escape system test of its crew module as part of Indian Human Spaceflight Programme. The successful test took place on 5 July 2018.

A Pad Abort Test is a trial run for the spacecraft's launch abort system (sometimes called a launch escape system). This system is designed to quickly get the crew and spacecraft away from the rocket in the event of a potential failure. It is similar to an ejection seat for a fighter pilot, but instead of ejecting the pilot out of the spacecraft, the entire spacecraft is "ejected" away from the launch vehicle. The technology developed is expected to be applied to the first Indian crewed spacecraft called *Gaganyaan*, scheduled to be launched no earlier than 2024.

## Flight

The countdown for the test started at 2:00 am (IST) on 5 July 2018. At 7:00 am (IST) The Crew Escape System with crew module successfully lifted-off from Satish Dhawan Space Centre. The crew module was accelerated to 10  and reached a highest altitude of 2.75 km (1.71 mi), it later safely parachuted down and floated in the Bay of Bengal 2.9 km (1.80 mi) away from its launch site. It was carried skyward using seven solid-fueled rocket motors keeping within the safe g-force limits. Later recovery boats were sent to recover the crew module. The total duration of the test mission was 259 seconds. The test launch process was recorded by around 300 sensors. Main objectives of test were nominal 20 second ascent and 200 seconds of descent, not including the splashdown. Chute detachment was a scheduled event occurring around 259.4 seconds after launch as intended.

Sequence of flight events.
| Time | Event |
| --- | --- |
| T0 - 30 minutes | Grid fins deployed |
| T0 - 8 seconds | Separation from launchpad |
| T0 | Ignition of High Altitude Escape Motor (HEM) and Low Altitude Escape Motor (LEM) |
| T0 + 0.9 seconds | Ignition of Pitch Motor (PM) |
| T0 + 2 seconds | Burnout of Pitch Motor (PM) |
| T0 + 5 seconds | Burnout of High Altitude Escape Motor (HEM) |
| T0 + 8 seconds | Burnout of Low Altitude Escape Motor (LEM) |
| T0 + 18 seconds | Crew Escape System/Crew Module aft link separation |
| T0 + 20 seconds | Crew Escape System/Crew Module separation, jettisoning motor ignition |
| T0 + 29 seconds | Parachute deployment |
| T0 + 265 seconds | Crew Module Splashdown. |

## InfoBox

ISRO Pad Abort Test
|  | |
| --- | --- |
|  | |
| Mission type | Launch escape system |
| Operator | ISRO |
| Mission duration | 4 minutes, 25 seconds |
| Apogee | 2.75 km (1.71 mi), |
|  | |
|  | |
| Spacecraft properties | |
| Spacecraft type | Gaganyaan's boilerplate vehicle |
| Manufacturer | ISRO |
| Launch mass | 12.6 ton |
|  | |
|  | |
| Start of mission | |
| Launch date | 5 July 2018 |
| Launch site | Satish Dhawan Space Centre |
|  | |
| IHSP | |


title: Potton & Burton

abstract: Potton & Burton, formerly Craig Potton Publishing, is a book publishing company based in Nelson, New Zealand, and is one of the largest independent book publishers in New Zealand.

text:
# Potton & Burton

**Potton & Burton**, formerly **Craig Potton Publishing**, is a book publishing company based in Nelson, New Zealand, and is one of the largest independent book publishers in New Zealand.

## History

Potton & Burton was first established in 1987 as **Craig Potton Publishing** by conservationist Craig Potton, who initially founded it to publish books of his photography. It publishes a diverse range of non-fiction books focused on New Zealand, as well as a range of photographic calendars. Potton (born 1952) is a photographer and prominent environmentalist.

The company changed its name to Potton & Burton in March 2015, to more accurately reflect the role of Robbie Burton, who has been the publisher since 1990, and who has been a co-owner for many years. In 2019 the company out-sourced its sales and distribution to Bateman Books in Auckland, but continues to publish new books and calendars from its Nelson office, while also maintaining a strong backlist of New Zealand books.

## InfoBox

Potton & Burton
| Founded | 1987 (1987) |
| --- | --- |
| Founder | Craig Potton |
| Country of origin | New Zealand |
| Headquarters location | Nelson |
| Distribution | Bateman Books |
| Publication types | Books and calendars |
| Official website | www.pottonandburton.co.nz |


title: Weidmannsche Buchhandlung

abstract: Weidmannsche Buchhandlung is a German book publisher established in 1680 that remained independent until it was acquired by Verlag Georg Olms in 1983.

text:
# Weidmannsche Buchhandlung

**Weidmannsche Buchhandlung** is a German book publisher established in 1680 that remained independent until it was acquired by Verlag Georg Olms in 1983.

## History

Weidmannsche Buchhandlung was established in 1680 in Frankfurt by Moritz Georg Weidmann (1658–1693), who moved to Leipzig in 1681. Johann Ludwig Gleditsch, brother of Johann Friedrich Gleditsch, married Weidmann's widow in 1694 and built up the business of the house, while training the younger Moritz Georg Weidmann (1686–1743) to take over the business. Gleditsch published authors such as Wieland, Gellert, Lessing, Lavater and Heyne. The most significant achievement of the Gleditsch brothers was to persuade the leading Dutch booksellers to send their works to the Leipzig fair instead of to Frankfurt.

Weidmannsche Buchhandlung continued to publish in Leipzig until 1854, reaching its height under Philipp Erasmus Reich, called the "nation's bookseller".

The firm moved to Berlin in 1854, and continued publishing in Berlin, Dublin and Zürich under the Reimer publishing family. In 1983 the firm was taken over by Verlag Georg Olms. Books printed in Berlin bore the Latin imprimatur "apud Weidmannos, Berolini".

## Leadership

The publishing house was led by:

## Published writers

The publisher has published writings of:

## Further reading

* Buchner, Karl: *Wieland und die Weidmannsche Buchhandlung: Zur Geschichte deutscher Literatur und deutschen Buchhandels*. Berlin: Weidmann 1871.
* Kurtze, Gerhard: Philipp Erasmus Reich. Erster Buchhändler der Nation. In: *Die großen Leipziger: 26 Annäherungen*. Vera Hauschild (Hrsg.). Frankfurt/Main & Leipzig: Insel Verlag 1996. pp. 144–154.
* Lehmstedt, Mark: *Philipp Erasmus Reich (1717-1787). Verleger der Aufklärung und Reformer des deutschen Buchhandels*. (Ausstellungskatalog). Leipzig: Karl-Marx-Universität 1989.
* Jauernig, Erich (eds.): 250 Jahre Weidmannsche Buchhandlung. In: *Monatsschrift für Höhere Schulen*. Beilage/ Heft 4. Berlin: 1930.


title: Oxalophagus

abstract: Oxalophagus is a genus of bacteria belonging to the Bacillota. Up to now, only one species of this genus is known, Oxalophagus oxalicus

text:
# Oxalophagus

***Oxalophagus*** is a genus of bacteria belonging to the Bacillota. Up to now, only one species of this genus is known, *Oxalophagus oxalicus*

## InfoBox

| *Oxalophagus* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Bacteria |
| Phylum: | Bacillota |
| Class: | Bacilli |
| Order: | Bacillales |
| Family: | Paenibacillaceae |
| Genus: | ***Oxalophagus***<br>Collins et al. 1994 |
|


abstract: The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.

text:
# The Smithsonian Collection of Classic Jazz

***The Smithsonian Collection of Classic Jazz*** is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.

## Release and reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Tom Hull | A |

Praised from the time of its release as "by far the best anthology of jazz recordings ever issued," it "became part of the jazz curriculum at colleges throughout the country." and over time it was a best-selling, double platinum record.

This collection has been criticized for a number of shortcomings and idiosyncrasies; e.g., Paul de Barros, jazz critic for the *Seattle Times*, wrote, "Williams also favored black musicians over white (common to his critical generation), overlooked Latin, female and most hard-bop instrumentalists and, as most male jazz critics still do, disdained vocals." However, the collection has also long been widely and highly praised in terms similar to those of Dan Morganstern of *The New York Times*, who in 1987 referred to it as "by far the best available survey of the recorded history of jazz on concise form."

Critic Gary Giddins posited in 1998 that these traits, its idiosyncratic nature and its esteemed stature, were two sides of a coin: "One key reason Martin Williams's epochal 1973 Smithsonian Collection of Classic Jazz had the impact it did (and went double platinum, not bad for mail order) is that he trusted his own eccentricity, though he would have used a, ahem, different term, like maybe critical judgment."

In 1987 the Smithsonian issued a revised, seven-LP, five-CD, or five-cassette edition of the collection, accompanied by a paperback book by Williams under the same title, with the revised collection including some different tracks, ending with "Steppin'" by the World Saxophone Quartet. The collection was reissued as a five-CD boxed set in 1997 by Sony Music Special Projects, digitally remastered and with some tracks restored to full-length.

In 2011, with this collection out of print, the Smithsonian issued a new 6-CD set Intended to take its place, called *Jazz: The Smithsonian Anthology*, about which Ben Ratliff of *The New York Times* wrote, "what the new anthology might make you miss the most is the object it has been designed to replace: *The Smithsonian Collection of Classic Jazz*, compiled in 1973 and revised in 1987 by the critic Martin Williams." One critic opined that the 2011 anthology's selection by committee, rather than by a single person, "while admirable in principle, guarantees that *The Smithsonian Anthology* has no point of view." Other critics had similar reactions.

## Track list

**Side one**

1. Scott Joplin – "Maple Leaf Rag" (Joplin) – 3:16
2. Jelly Roll Morton – "Maple Leaf Rag" (Joplin) – 2:37
3. Robert Johnson – "Hellhound on My Trail" (Johnson) – 2:39
4. Bessie Smith – "St. Louis Blues" (W. C. Handy) – 3:12
5. Bessie Smith – "Lost Your Head Blues" (Bessie Smith) – 2:57
6. King Oliver's Creole Jazz Band – "Dippermouth Blues" (Joe "King" Oliver) – 2:22
7. Jelly Roll Morton's Red Hot Peppers – "Grandpa's Spells" (F. J. Morton) – 2:55
8. Jelly Roll Morton's Red Hot Peppers – "Dead Man Blues" (Morton) – 3:00

**Side two**

1.
2. Jelly Roll Morton's Red Hot Peppers – "Black Bottom Stomp" (Morton) – 3:14
3. The Red Onion Jazz Babies– "Cake Walking Babies (From Home)" (B. Smith, A. Troy, and C. Williams) – 3:28
4. Sidney Bechet and His Blue Note Jazzmen – "Blue Horizon" (Bechet) – 4:26
5. James P. Johnson – "Carolina Shout" (Johnson) – 2:47
6. Louis Armstrong and His Hot Five – "Struttin' with Some Barbeque" (Lil Hardin Armstrong, Don Raye) – 3:04
7. Louis Armstrong and His Hot Seven – "S.O.L. Blues" (Excerpt) (Louis Armstrong) – 1:05
8. Louis Armstrong and His Hot Seven – "Potato Head Blues" (Excerpt) (Louis Armstrong) – 1:14
9. Louis Armstrong and His Hot Five – "Hotter Than That" (Lil Hardin Armstrong) – 3:02
10. Louis Armstrong and His Hot Five – "West End Blues" (Joe "King" Oliver) – 3:17

**Side three**

1.
2. Louis Armstrong and Earl Hines – "Weather Bird" (Louis Armstrong) – 2:46
3. Louis Armstrong and His Sebastian New Cotton Club Orchestra – "Sweethearts on Parade" (C. Lombardo and C. Newman) – 3:15
4. Louis Armstrong and His Orchestra – "I Gotta Right to Sing the Blues" (Harold Arlen and Ted Koehler) – 2:59
5. Frankie Trumbauer and His Orchestra – "Riverboat Shuffle" (Hoagy Carmichael, Irving Mills, and Mitchell Parish) – 3:15
6. Frankie Trumbauer and His Orchestra – "Singin' the Blues" (Dorothy Fields and Jimmy McHugh) – 3:02
7. Fletcher Henderson and His Orchestra – "The Stampede" (Henderson) – 3:18
8. Fletcher Henderson and His Orchestra – "Wrappin' It Up" (Henderson) – 2:48
9. Bennie Moten's Kansas City Orchestra – "Moten Swing" (Bennie Moten and Buster Moten) – 3:26

**Side four**

1.
2. Fats Waller – "I Ain't Got Nobody" (Roger A. Graham and Spencer Williams) – 3:09
3. Meade Lux Lewis – "Honky Tonk Train" (Lewis) – 3:01
4. Benny Goodman Trio – "Body and Soul" (Frank Eyton, Johnny Green, Edward Heyman, and Robert Sour) – 3:30
5. Coleman Hawkins and His Orchestra – "Body and Soul" (Eyton, Green, Heyman, and Sour) – 3:02
6. Coleman Hawkins Quartet – "The Man I Love" (George Gershwin and Ira Gershwin) – 5:10
7. Billie Holiday and Her Orchestra – "He's Funny That Way" (Neil Morret and Richard A. Whiting) – 2:41
8. Billie Holiday and Eddie Heywood and His Orchestra – "All of Me" (Gerald Marks and Seymour Simons) – 2:59
9. Ella Fitzgerald – "You'd Be So Nice to Come Home To" (Cole Porter) – 2:56

**Side five**

1.
2. Art Tatum – "Willow Weep for Me" (Ann Ronnell) – 2:58
3. Art Tatum – "Too Marvelous for Words" (Johnny Mercer and Richard A. Whiting) – 2:25
4. Jimmie Lunceford and His Orchestra – "Lunceford Special" (Eddie Durham) – 2:51
5. Gene Krupa and His Orchestra – "Rockin' Chair" (Carmichael) – 3:02
6. Roy Eldridge and Benny Carter – "I Can't Believe That You're in Love with Me" (Excerpt) (Clarence Gaskill and McHugh) – 3:02
7. Lionel Hampton – "When Lights Are Low" (Benny Carter) – 2:15
8. Count Basie and His Orchestra – "Doggin' Around" (Edgar Battle and Herschel Evans) – 2:57
9. Count Basie – "Taxi War Dance" (Basie and Lester Young) – 2:55

**Side six**

1.
2. Count Basie's Kansas City Seven – "Lester Leaps In" (Young) – 3:14
3. Benny Goodman Sextet – "I Found a New Baby" (Jack Palmer and Spencer Williams) – 2:57
4. Benny Goodman Sextet and Charlie Christian – "Blues Sequence" (From *Breakfast Feud*) (Goodman) – 2:24
5. Duke Ellington and His Orchestra – "East St. Louis Toodle-Oo" (Ellington and Bubber Miley) – 3:38
6. Duke Ellington and His Famous Orchestra – "New East St. Louis Toodle-Oo" (Ellington and Miley) – 3:04
7. Duke Ellington and His Famous Orchestra – "Creole Rhapsody" (Ellington) – 6:00
8. Duke Ellington and His Orchestra – "Harlem Air Shaft" (Ellington) – 3:00
9. Duke Ellington and His Orchestra – "Concerto for Cootie" (Ellington) – 3:22

**Side seven**

1.
2. Duke Ellington and His Orchestra – "In a Mellotone" (Ellington) – 3:19
3. Duke Ellington and His Orchestra – "Ko-Ko" (Ellington) – 2:42
4. Duke Ellington and His Orchestra – "Blue Serge" (Mercer Ellington) – 3:22
5. Don Byas – "I Got Rhythm" (George Gershwin and Ira Gershwin) – 5:07
6. Dizzy Gillespie Sextet – "I Can't Get Started" (Vernon Duke and Ira Gershwin) – 3:08
7. Dizzy Gillespie's All Star Quintet – "Shaw 'Nuff" (Gillespie and Parker) – 2:57
8. Charlie Parker's Re-Boppers – "KoKo" (Parker) – 2:57
9. Charlie Parker – "Embraceable You" (Excerpt) (George Gershwin and Ira Gershwin) – 2:14
10. Charlie Parker – "Embraceable You" (Alternate Version) (Excerpt) (George Gershwin and Ira Gershwin) – 2:01

**Side eight**

1.
2. Charlie Parker Quintet – "Klacktoveedsedsteen" (Parker) – 3:02
3. Charlie Parker Sextet – "Little Benny" (Benny Harris) – 3:30
4. Charlie Parker's All Stars – "Parker's Mood" (Parker) – 3:01
5. Erroll Garner – "Fantasy On 'Frankie and Johnny" (Garner) – 2:55
6. Bud Powell Trio – "Somebody Loves Me" (Buddy DeSylva, George Gershwin, and Ballard MacDonald) – 2:48
7. Sarah Vaughan – "Dancing in the Dark" (Howard Dietz and Arthur Schwartz) – 2:37
8. Sarah Vaughan – "Ain't No Use" (Leroy Kirkland and Sidney J. Wyche) – 3:55
9. Lennie Tristano – "Crosscurrent" (Lennie Tristano) – 2:52

**Side nine**

1.
2. Miles Davis and His Orchestra – "Boplicity" (Gil Evans and Cleo Henry) – 3:02
3. Tadd Dameron's Sextet – "Lady Bird" (Tadd Dameron) – 2:54
4. Dexter Gordon Quartet – "Bikini" (Gordon) – 3:32
5. Thelonious Monk Quartet – "Misterioso" (Monk) – 3:22
6. Thelonious Monk Quintet – "Criss-Cross" (Monk) – 3:00
7. Thelonious Monk – "Evidence" (Monk) – 2:35
8. Thelonious Monk Quintet – "Smoke Gets in Your Eyes" (Otto Harbach and Jerome Kern) – 4:32
9. Thelonious Monk – "I Should Care" (Sammy Cahn, Axel Stordahl, and Paul Weston) – 3:16

**Side ten**

1.
2. Thelonious Monk – "Blues Improvisation" (Excerpt from "Bags' Groove") (Milt Jackson) – 2:54
3. Miles Davis with Gil Evans' Orchestra – "Summertime" (George Gershwin) – 3:22
4. Sonny Rollins Quartet – "Blue 7" (Rollins) – 11:22
5. Modern Jazz Quartet – "Django" (John Lewis) – 5:34
6. Charles Mingus and His Orchestra – "Hora Decubitus" (Mingus) – 4:44

**Side eleven**

1.
2. Sonny Rollins Plus 4 – "Pent-Up House" (Excerpt) (Rollins) – 7:32
3. Cecil Taylor – "Enter Evening" (Taylor) – 11:05
4. Miles Davis Sextet – "So What" (Davis) – 9:11

**Side twelve**

1.
2. Ornette Coleman – "Lonely Woman" (Coleman) – 5:02
3. Ornette Coleman – "Congeniality" (Coleman) – 6:45
4. Ornette Coleman – "Free Jazz" (Excerpt) (Coleman) – 10:14
5. John Coltrane – "Alabama" (Coltrane) – 5:07

## Personnel

"Maple Leaf Rag" (Joplin recording) Scott Joplin – piano Recorded in New York City in April 1916 and released on Biograph Records as BLP 1006Q "Maple Leaf Rag (Morton recording) Jelly Roll Morton – piano Recorded in Washington, D.C., in May 1938 for the Library of Congress and released on Riverside Records as Riverside 9003 and 140 "Hellhound on My Trail" Robert Johnson – vocals, guitar Recorded in Dallas, Texas on June 20, 1937, for American Record Co. and released on CBS Columbia Records as Columbia CL 1654 "St. Louis Blues" Louis Armstrong cornet Fred Longshaw reed organ Bessie Smith – vocals Recorded in New York City on January 14, 1925, for Columbia Records and released on Columbia CBS Records as Columbia G 30818 "Lost Your Head Blues" Fletcher Henderson – piano Bessie Smith – vocals Joe Smith – cornet Recorded in New York City on March 18, 1926, for Columbia Records and released as Columbia G 31093 "Dippermouth Blues" Lil Hardin Armstrong – piano Louis Armstrong – cornet Baby Dodds – drums Johnny Dodds – clarinet Honoré Dutrey – trombone Joe "King" Oliver – cornet Bud Scott banjo, vocals Recorded in Chicago, Illinois on June 23, 1923, for Okeh Records and released as Epic LN 16003 and Swaggie ST1257 "Grandpa's Spells" Andrew Hilaire – drums John Lindsay – double bass George Mitchell – trumpet Jelly Roll Morton – piano Kid Ory – trombone Johnny St. Cyr – guitar, banjo Omer Simeon – clarinet Recorded in Chicago, Illinois on December 16, 1926, for RCA Victor Records and released as RCA Victor LPM 1649 "Dead Man Blues" Barney Bigard – clarinet Andrew Hilaire – drums Darnell Howard – clarinet John Lindsay – double bass George Mitchell – trumpet Jelly Roll Morton – piano Kid Ory – trombone Johnny St. Cyr – banjo Omer Simeon – clarinet solo Recorded in Chicago, Illinois on September 21, 1926, for RC Victor Records and released as RCA Victor LPM 1649 "Black Bottom Stomp" Andrew Hillaire – drums John Lindsay – double bass George Mitchell – trumpet Jelly Roll Morton – piano Kid Ory – trombone Johnny St. Cyr – banjo Omer Simeon – clarinet Recorded in Chicago, Illinois on September 15, 1926, for RCA Victor Records and released as RCA Victor LPM 1649 "Cake Walking Babies (From Home)" Louis Armstrong – cornet Sidney Bechet soprano saxophone Buddy Christian – banjo Alberta Hunter – vocals Charlie Irvis – trombone Clarence Todd – vocals Clarence Williams – piano Recorded in New York City on December 22, 1924, for Gennett Records and released on Milestone Records as Milestone 47017 "Blue Horizon" Sidney Bechet – clarinet Vic Dickenson – trombone Pops Foster – double bass Art Hodes – piano Manzie Johnson – drums Sidney De Paris – trumpet Recorded in New York City on December 20, 1944, for Blue Note Records and released as Blue Note BSP 81201 "Carolina Shout" James P. Johnson – piano Recorded in New York City on October 18, 1921, for Okeh Records and released on Columbia Records as CL 1780 "Struttin' with Some Barbeque" Lil Armstrong – piano Louis Armstrong – cornet Johnny Dodds – clarinet Kid Ory – trombone Johnny St. Cyr – banjo Recorded in Chicago, Illinois on December 9, 1927, for Okeh Records and released on Columbia Records as Columbia CL 852 "S.O.L. Blues" Lil Armstrong – piano Louis Armstrong – cornet, vocals Pete Briggs bass brass Baby Dodds – drums Johnny Dodds – clarinet Johnny St. Cyr – banjo John Thomas – trombone Recorded in Chicago, Illinois on May 14, 1927, for Okeh Records and released on Columbia Records as Columbia CL 852 "Potato Head Blues" Lil Armstrong – piano Louis Armstrong – cornet, vocals Pete Briggs – bass brass Baby Dodds – drums Johnny Dodds – clarinet Johnny St. Cyr – banjo John Thomas – trombone Recorded in Chicago, Illinois on May 13, 1927, for Okeh Records and released on Columbia Records as Columbia G 30416 "Hotter Than That" Lil Armstrong – piano Louis Armstrong – cornet, vocals Johnny Dodds – clarinet Lonnie Johnson – guitar Kid Ory – trombone Johnny St. Cyr – banjo Recorded in Chicago, Illinois on December 13, 1927, for Okeh Records and released on Columbia Records as Columbia CL 851 "West End Blues" Louis Armstrong – trumpet, vocals Mancy Carr – banjo, vocals Earl Hines – piano, vocals Fred Robinson – trombone Zutty Singleton – drums Jimmy Strong – clarinet Recorded in Chicago, Illinois on June 28, 1928, for Okeh Records and released on Columbia Records as Columbia G 30416 "Weather Bird" Louis Armstrong – trumpet Earl Hines – piano Recorded in Chicago, Illinois on December 5, 1928, for Okeh Records and released on Columbia Records as Columbia CL 853 "Sweethearts on Parade" Louis Armstrong – trumpet, vocals Harvey Brooks – piano Lawrence Brown – trombone Ceele Burke – banjo, steel guitar L. Z. Cooper – piano Leon Elkins – trumpet William Franz tenor saxophone Lionel Hampton – drums Leon Herriford alto saxophone Reggie Jones – tuba Willie Stark – alto saxophone Recorded in Los Angeles, California on December 23, 1930, for Okeh Records and released on Parlophone as PMC 7098 and Biograph Records as BLPC-5 "I Gotta Right to Sing the Blues" Louis Armstrong – trumpet, vocals Scoville Brown – alto saxophone, clarinet Budd Johnson – tenor saxophone, clarinet Keg Johnson – trombone Mike McKendrick – banjo, guitar Bill Oldham – double bass George Oldham – alto saxophone, clarinet Yank Porter – drums Zilner Randolph – trumpet Elmer Whitlock – trumpet Teddy Wilson – piano Recorded in Chicago, Illinois on January 26, 1933, for RCA Victor Records and released as RCA Victor LPM 2322 "Riverboat Shuffle" Bix Beiderbecke – cornet Red Ingle – alto saxophone Eddie Lang – banjo, guitar Chaunsey Morehouse – drums Don Murray – clarinet, baritone saxophone Bill Rank – trombone Itzy Riskin – pirano Frankie Trumbauer – C-melody saxophone Recorded in New York City on May 9, 1927, for Okeh Records and released on CBS Columbia Records as Columbia CL 845 "Singin' the Blues" Bix Beiderbecke – cornet Jimmy Dorsey – alto saxophone, clarinet Eddie Lang – guitar Chaunsey Morehouse – drums Bill Rank – trombone Itzy Riskin – piano Frankie Trumbauer – C-melody saxophone Recorded in New York City on February 4, 1927, for Okeh Records and released on CBS Columbia Records as Columbia CL 845 "The Stampede" Buster Bailey – alto saxophone, clarinet Ralph Escudiro – tuba Coleman Hawkins – clarinet, tenor saxophone Kaiser Marshall – drums Don Redman – alto saxophone, arrangement, clarinet Joe Smith – cornet Russell Smith – trumpet Rex Stewart – cornet \[Unknown\] – banjo \[Unknown\] – trombeone Recorded in New York City on May 14, 1926, for Columbia Records and released on CBS Columbia Records as Columbia C4L 19 "Wrappin' It Up" Red Allen – trumpet Buster Bailey – alto saxophone, clarinet Fletcher Henderson – arrangement Horace Henderson – piano Elmer James – string bass Hilton Jefferson – alto saxophone, clarinet Keg Johnson – trombone Walter Johnson – drums Claude Jones – trombone Lawrence Lucie – guitar Russell Procope – double bass Irving Randolph – trumpet Russell Smith – trumpet Ben Webster – tenor saxophone Recorded in New York City on September 12, 1934, for Brunswick Records and released on Decca Records as Decca DL 79228 "Moten Swing" Eddie Barefield – alto saxophone, clarinet Count Basie – piano Leroy Berry – guitar Eddie Durham – alto saxophone, guitar, and trombone Joe Keys – trumpet Willie McWashington – drum Dan Minor – trombone Hot Lips Page – trumpet Walter Page – double bass Dee Stewart – trumpet Jack Washington – alto and baritone saxophone Ben Webster – tenor saxophone Recorded in Camden, New Jersey on December 13, 1932, for RCA Victor Records and released as RCA Victor Vintage LPV-514 "I Ain't Got Nobody" Fats Waller – piano Recorded in New York City on June 11, 1937, for RCA Victor Records and released as RCA 730.570 in France "Honky Tonk Train" Meade Lewis – piano Recorded in Chicago, Illinois on March 7, 1937, for RCA Victor Records and released on RCA Victor Records as LPM 2321 and RCA Camden as Camden CA L 328 "Body and Soul" (Goodman recording) Benny Goodman – clarinet Gene Krupa – drums Teddy Wilson – piano Recorded in New York City on July 13, 1935, for RCA Victor Records and released as RCA Victor LPM 226 "Body and Soul" (Hawkins recording) Jackie Fields – alto saxophone Joe Guy – trumpet Earl Hardy – trombone Coleman Hawkins – tenor saxophone Arthur Herbert – drums Tommy Lindsay – trumpet Eustis Moore – alto saxophone Gene Rodgers – piano William Oscar Smith – double bass Recorded in New York City on October 11, 1939, for RCA Victor Records and released as RCA Victor LPV 501 "The Man I Love" Coleman Hawkins – tenor saxophone Eddie Heywood – piano Shelly Manne – drums Oscar Pettiford – double bass Recorded in New York City on December 23, 1943, for Flying Dutchman Records and released as Flying Dutchman FD-10146 "He's Funny That Way" Buster Bailey – clarinet Buck Clayton – trumpet Freddy Greene – guitar Billie Holiday – vocals Jo Jones – drums Walter Page – double bass Claude Thornhill – piano Lester Young – tenor saxophone Recorded in New York City on September 13, 1937, for Okeh Records and released on CBS Columbia Records as Columbia K9 32127 "All of Me" Eddie Barefield – alto saxophone Kenny Clarke – drums John Collins – guitar Shad Collins – trumpet Eddie Heywood – piano Billie Holiday – vocals Leslie Johnakins – alto saxophone Ted Sturgis – double bass Lester Young – tenor saxophone Recorded in New York City on March 21, 1941, for Okeh Records and released on CBS Columbia Records as Columbia K9 32124 and Columbia 32060 "You'd Be So Nice to Come Home To" Roy Eldridge – trumpet Ella Fitzgerald – vocals Tommy Flanagan – piano Gus Johnson – drums Bill Yancey – double bass Recorded in Antibe, Provence-Alpes-Côte d'Azur, France in July 1964 for Verve Records and released as Verve V/V6-4065 "Willow Weep for Me" Art Tatum – piano Recorded in New York City on July 13, 1949, for Capitol Records and released as Capitol M-11028 "Too Marvelous for Words" Art Tatum – piano Recorded in Hollywood, California in late 1956 for 20th Century Fox Records and released as 20th Century-Fox TCF 102-2 and Movietone 72021

## InfoBox

| The Smithsonian Collection of Classic Jazz | |
| --- | --- |
|  | |
| Compilation album by Various | |
| Released | 1973 (1973) |
| Genre | Avant-garde jazz, free jazz, bebop, hard bop, modal jazz, ragtime, swing |
| Length | 369:38 |
| Label | Smithsonian Institution, Columbia |
| Producer | Various |
| Compiler | Martin Williams |
| Smithsonian Institution jazz compilations chronology | |
| ***The Smithsonian Collection of Classic Jazz***<br>(1973) *The Smithsonian Collection of Big Band Jazz*<br>(1985) | |


title: Hey Girl (Small Faces song)

abstract: "Hey Girl" was the fourth song release by popular British R&B group Small Faces. The song reached number ten on the UK Singles Charts in 1966.

text:
# Hey Girl (Small Faces song)

"**Hey Girl**" was the fourth song release by popular British R&B group Small Faces. The song reached number ten on the UK Singles Charts in 1966.

## Song profile

"Hey Girl" was released on 6 May 1966 with the B-side "Almost Grown". The song was written by Steve Marriott and Ronnie Lane and was a compromise between the band and their manager, Don Arden, as Arden wanted a very commercial sounding song. A week later the group's debut album on Decca *Small Faces* hit the UK charts reaching number 3.

After the success of "Hey Girl" an employee of Robert Stigwood's management company contacted the band to see where they stood. When Don Arden found out, he, along with four "heavies," visited Stigwood's London offices and Arden hung Stigwood by his legs from a balcony window and threatened violence if he interfered with his bands ever again. The story would become common knowledge around the music industry, cementing Arden's tough man reputation.

## Personnel

Small Faces

## InfoBox

| "Hey Girl" | |
| --- | --- |
| Dutch picture sleeve | |
| Single by Small Faces | |
| B-side | "Almost Grown" |
| Released | 6 May 1966 |
| Recorded | 21–25 February 1966 |
| Studio | IBC, London |
| Genre | Rock, rhythm and blues, beat |
| Length | 2:18 |
| Label | Decca (US Press Records) |
| Songwriter(s) | Steve Marriott
Ronnie Lane |
| Producer(s) | Don Arden |
| Small Faces singles chronology | |
| "Sha-La-La-La-Lee"
(1966) "**Hey Girl**"
(1966) "All or Nothing"
(1966) | |


title: Monkton and Came Halt railway station

abstract: Monkton and Came Halt was a railway station between Weymouth and Dorchester in the county of Dorset in England. It was on what is now the Heart of Wessex Line and South West Main Line.

text:
# Monkton and Came Halt railway station

**Monkton and Came Halt** was a railway station between Weymouth and Dorchester in the county of Dorset in England. It was on what is now the Heart of Wessex Line and South West Main Line.

## History

Opened by the Great Western Railway (GWR) in 1905, it was part of a scheme by the railway company to counter road competition. Served by local Weymouth to Dorchester rail motor trains, the station had GWR pagoda shelters and wooden platforms. The platforms were later replaced with brick built structures but the pagodas remained until road competition saw the closure of the halt in 1957. The halt was called Came Bridge when opened but the name was changed shortly afterward. There is little habitation nearby and the halt existed mainly to serve an adjacent Golf Course as well as visitors to the nearby Maiden Castle. The settlement of Winterborne Monkton is west of the former halt, and Winterborne Came to the east.

| Preceding station | Historical railways | | | Following station |
| --- | --- | --- | --- | --- |
| Dorchester West
Line Open, Station Open
 |  | Great Western Railway
Wilts, Somerset and Weymouth Railway |  | Upwey Wishing Well Halt
Line Open, Station Closed
 |

## Present day

A few remains of the platforms of the halt can be seen by walking up the field adjacent to the railway in the direction of Dorchester. Trains still pass on the Heart of Wessex Line and the South West Main Line.

50°41′37″N 2°27′01″W / 50.6935°N 2.4503°W / 50.6935; -2.4503

## InfoBox

| Monkton and Came Halt | |
| --- | --- |
| General information | |
| Location | Winterborne Monkton, Dorset
England |
| Platforms | 2 |
| Other information | |
| Status | Disused |
| History | |
| Original company | Great Western Railway |
| Post-grouping | Great Western Railway |
| Key dates | |
| 1 July 1905 | Opened as **Came Bridge Halt** |
| 1 October 1905 | Renamed **Monkton and Came (Golf Links) Halt** |
| 7 January 1957 | Closed |
|  | |
|  | |
|  | |


title: Otto Petschek

abstract: Otto Petschek was a European industrialist known for building the Petschek Villa in Prague.

text:
# Otto Petschek

**Otto Petschek** (17 October 1882 – 2 July 1934) was a European industrialist known for building the Petschek Villa in Prague.

## Early life

He was the eldest of four sons of Isidor Petschek and Camilla (née Robitschek) Petschek, who were German speaking Jews. His younger brothers were Paul (1886–1946), Friedrich (1890–1940) and Hans (1895–1968), who later served as president of the family's investment firm, United Continental Corporation.

Among his family were uncles Julius Petschek and Ignaz Petschek, all of whom were originally from Kolín. Among his first cousins was Frank C. Petschek, a son of his uncle Ignaz.

## Career

The Petschek family founded various international mining and chemical enterprises in Prague, Czechoslovakia (now Czech Republic). Their concern controlled also 30% of the German and, in total, almost 50% of the European brown coal mining industry in the years after World War I. In 1920, his uncle Julius founded the Petschek Brothers Bank (Bankhaus Petschek & Co.). Between 1923 and 1929, the family built Petschek Palace. His cousin Walter (Julius' son) and Otto's brother Hans Petschek ran the company until 1938 when they moved to New York as a consequence of the Munich Agreement.

After the death of his uncle, Ignatz Petschek, Otto was considered the head of the Petschek family.

## Personal life

Petschek was married to Magda "Martha" Popper, the daughter of JUDr. Julius Popper. An optimist, Otto built the Petschek Villa in Prague in the early 1920s between the two World Wars. Today it is home to the U.S. Ambassador to the Czech Republic. Together, they were the parents of four children:

* Viktor Petschek (1914–2005), who married Miriam Rachel "Mary" Fogelman.
* Eva Petschek (1920–2014), who married the journalist Robert B. Goldmann, an immigrant from Germany. She lived in New York City.
* Rita Petschek (1922–2006), who married Alexandre Kafka, son of Bruno Kafka, a member of the parliament of Czechoslovakia .
* Ina Louise Petschek (b. 1922), who married Adolf Schlesinger.

Petschek died on 2 July 1934 in Vienna, Austria. He was buried at the New Jewish Cemetery in Prague. His widow died on 9 May 1940 in Toronto, Canada.

### Descendants

In December 1966, Otto's granddaughter, Angela Conway Petschek, was married to Alain Patrick Maze-Sencier of Paris and New York, the Count de Brouville. Alain was a son of Jean Maze-Sencier and the late Nicole Maze-Sencier, Countess de Brouville.

## InfoBox

| Otto Petschek | |
| --- | --- |
| *Photograph of Petschek with his wife, Martha* | |
| Born | (1882-10-17)17 October 1882 |
| Died | 2 July 1934(1934-07-02) (aged 51)
Vienna, Austria |
| Resting place | New Jewish Cemetery, Prague |
| Occupation | Industrialist |
| Spouse | Martha Popper |
| Children | 4 |
| Parent(s) | Isidor Petschek
Camilla Robitschek |
| Relatives | Frank C. Petschek (cousin)
Julius Petschek (uncle) |


abstract: "One More Mountain to Climb" is a song written by Neil Sedaka and Howard Greenfield, originally released by Sedaka on his album Emergence in 1970. Two hit records came from cover versions of the song, one in Canada and the other in New Zealand, both of which hit #14 in their respective country's chart in 1971. The Canadian hit was recorded and released Dr. Music. The song was featured on their 1971 album, Dr. Music. Dr. Music's recording of the song was produced and arranged by Doug Riley. The New Zealand hit was recorded and released by Craig Scott. It is not to be confused with the Ronnie Dove song, which reached #45 on the Billboard Hot 100 in 1967.

text:
# One More Mountain to Climb (Neil Sedaka song)

"**One More Mountain to Climb**" is a song written by Neil Sedaka and Howard Greenfield, originally released by Sedaka on his album *Emergence* in 1970.

Two hit records came from cover versions of the song, one in Canada and the other in New Zealand, both of which hit #14 in their respective country's chart in 1971. The Canadian hit was recorded and released Dr. Music. The song was featured on their 1971 album, *Dr. Music*. Dr. Music's recording of the song was produced and arranged by Doug Riley. The New Zealand hit was recorded and released by Craig Scott.

It is not to be confused with the Ronnie Dove song, which reached #45 on the *Billboard* Hot 100 in 1967.

## Other versions

* Skylark released a version of the song on their 1974 album, *2*.
* David Soul released a version of the song on his 1976 album, *David Soul*.

## InfoBox

| "One More Mountain to Climb" | |
| --- | --- |
| Single by Dr. Music | |
| from the album  *Dr. Music* | |
| B-side | "I Can Hear Her Calling Him" |
| Released | 1971 |
| Genre | Pop rock, Judeo-Christian rock |
| Length | 2:40 |
| Label | GRT 1233 |
| Songwriter(s) | Neil Sedaka, Howard Greenfield |
| Producer(s) | Doug Riley |
| Dr. Music singles chronology | |
| "Try a Little Harder"
(1971) "**One More Mountain to Climb**"
(1971) "Sun Goes By"
(1971) | |


title: Potton–Hayden House

abstract: The Potton–Hayden House is a historic house in Big Spring, Texas, USA. It was built in 1901. It has been listed on the National Register of Historic Places since April 14, 1975. The house is owned by the Heritage Museum of Big Spring and open for tours by appointment.

text:
# Potton–Hayden House

The **Potton–Hayden House** is a historic house in Big Spring, Texas, USA. It was built in 1901. It has been listed on the National Register of Historic Places since April 14, 1975.

The house is owned by the Heritage Museum of Big Spring and open for tours by appointment.

## InfoBox

|  | |
| --- | --- |
| Potton–Hayden House | |
| U.S. National Register of Historic Places | |
| Texas State Antiquities Landmark | |
| Recorded Texas Historic Landmark | |
|  | |
|  | |
| Potton–Hayden HousePotton–Hayden House | |
| Location | SW corner Gregg and 2nd Sts., Big Spring, Texas |
| Coordinates | 32°15′0″N 101°28′42″W / 32.25000°N 101.47833°W / 32.25000; -101.47833 |
| Area | 0.5 acres (0.20 ha) |
| Built | 1901 (1901) |
| Architectural style | Queen Anne |
| NRHP reference No. | 75001992 |
| TSAL No. | 370 |
| RTHL No. | 4100 |
| Significant dates | |
| Added to NRHP | April 14, 1975 |
| Designated TSAL | May 28, 1981 |
| Designated RTHL | 1976 |


title: Weidmann Cottage

abstract: Weidmann Cottage is a heritage-listed former retail building, residence and town house and now unused building located at 132 Bridge Street, Muswellbrook in the Muswellbrook Shire local government area of New South Wales, Australia. It was built from 1840 to 1845. The property is owned by Muswellbrook Shire Council and was added to the New South Wales State Heritage Register on 2 April 1999.

text:
# Weidmann Cottage

**Weidmann Cottage** is a heritage-listed former retail building, residence and town house and now unused building located at 132 Bridge Street, Muswellbrook in the Muswellbrook Shire local government area of New South Wales, Australia. It was built from 1840 to 1845. The property is owned by Muswellbrook Shire Council and was added to the New South Wales State Heritage Register on 2 April 1999.

## History

Weidman Cottage lies on a Crown grant given to David Brown on 27 November 1838. He sold the property to Henry Richard Clovell McAlpin, a store and innkeeper. The year of this transaction is not known.

Stafford sold the property to Albert Weidman, whom the cottage is named after, in 1891. The property remained in Weidman family hands until 1977 when it was purchased by Muswellbrook Council. However, in 1935 the property was transferred into the name of A.Weidman & Company Ltd, passing out of individual private ownership.

The cottage was constructed sometime between 1840 and 1850, and quite probably before 1845, by the original owner David Brown. The building was erected as one of a pair of semi-detached town cottages. The other cottage has since been demolished to make way for the council public library. Brown appears to have erected the buildings as a speculative venture or as a town residence. An inspection of the building suggested that part of the ground floor served as a shop. It is also possible that Brown was the designer, there being no record of an architect having been employed.

The property was purchased by another storekeeper, William Corby Thompson in 1867 who sold it to David Stafford in 1882.

An adjoining building sharing a common south wall with Weidmann Cottage was later built as a semi detached two storey dwelling similar in all respects to the cottage. Photographs support the possibility that this building was an exact copy of Weidmann Cottage.

Albert Weidmann, who purchased both properties in 1891 used the adjoining residence as his butcher shop. Prior to being demolished in 1977, the second cottage was used as a cakeshop.

Albert Weidmann was born in Muswellbrook and contributed significantly to the local community over a 50-year period in commercial, pastoral and sporting interests. In addition to his contribution to the Upper Hunter community, his brother Alexander was one of the founders of the Muswellbrook Colliery and his eldest son, Leslie Albert Weidmann left sufficient funds on his death to facilitate construction of the Weidmann Memorial Wing at Muswellbrook District Hospital.

## Description

Weidman Cottage is located on gently rising ground on the western side of Bridge Street, the town's main thoroughfare and has been incorporated within the precinct of the public library, which is at its rear.

The two-storey stone section of the building and its projecting top verandah contribute greatly to the streetscape of Bridge Street and in particular, their relationship to nearby Loxton House.

The building consists of a predominately symmetrically designed monolithic structure constructed of sandstone, probably quarried from "Ravensworth". The building comprises a 2-storey main structure of four rooms with the remains of an original one room stone wing extending on the west side at the south end.

A typical colonial middle / working-class house of the period - a merchant's townhouse.

The building has a colonnaded verandah along the east facade, a light timber framed outbuilding on the western side at the northern end and a cellar. All these appear to be original except for the ground floor terrace brick coping walls which were built in the 1920s.

The building is constructed of quarried sandstone and fieldstone and the south wall of quarried rubble. Internal walls are of similar rubble masonry finished with hair plaster and painted. The roof is corrugated galvanised iron. The double storeyed verandah and posts had a simple infill balustrade at first floor level, evident today.

### Condition

As at 13 August 1997 the physical condition of the building was fair; and the archaeological potential assessed as medium.

Externally the building has not been substantially altered except for the rear western elevation and removal of the semi-detached building at the south end. Internally, apart from general deterioration, the cottage generally remains as it would have bee,

### Modifications and dates

Modifications to the structure include:

* c.1900–1914 – Large timber framed and weatherboard sheeted extension added.
* c.1910 – Verandah altered
* Post 1910 – Back wing reconstructed
* Back skillion possibly contemporary.

## Heritage listing

As at 28 September 2009, Weidmann cottage was a sturdy, monolithic structure of symmetrical proportions and reflects the type of architecture and design of a typical colonial middle/working-class house of the period - a merchant's townhouse. The two storey stone section of the building and its verandah contribute greatly to the streetscape of Bridge Street and in particular, their relationship to nearby Loxton House.

Weidmann Cottage was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria.

**The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales.**

The building is a good example of a typical merchant class townhouse and as such is an important element in both the streetscape of Bridge Street and the ongoing social history of the community.

**The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales.**

The building is a well proportioned, symmetrically designed middle-era colonial town residence typical of the reasonably affluent middle/working class merchant housing. It exhibits an interesting and very broad use of solid masonry walls devoid of moulding and utilising stone lintels in otherwise rough hewn stone walls.

**The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales.**

The building is a typical merchant class townhouse.

### Bibliography

* H. O. Woodhouse & Danks Pty Ltd, Architects (1984). *Historical Report and Conservation Plan for Weidman Cottage, Muswellbrook, NSW*.
* John Carr Heritage Design (2016). *Muswellbrook Council's Weidman Cottage Maintenance Repairs - Proposed works under standard exemption 7 - minor activities with little or no advser impact on heritage significance and standard exemption 2 - repairs and 3 - painting* (letter).
* Rappoport P/L (2010). *Conservation Management Plan*.

### Attribution

This Wikipedia article was originally based on Weidmann Cottage, entry number 00260 in the New South Wales State Heritage Register published by the State of New South Wales (Department of Planning and Environment) 2018 under CC-BY 4.0 licence, accessed on 1 June 2018.

## InfoBox

| Weidmann Cottage | |
| --- | --- |
| Heritage boundaries | |
| Location | 132 Bridge Street, Muswellbrook, Muswellbrook Shire, New South Wales, Australia |
| Coordinates | 32°15′42″S 150°53′20″E / 32.2618°S 150.8888°E / -32.2618; 150.8888 |
| Built | 18401845 |
| Owner | Muswellbrook Shire Council |
|  | |
| New South Wales Heritage Register | |
| Official name | Weidmann Cottage |
| Type | State heritage (built) |
| Designated | 2 April 1999 |
| Reference no. | 260 |
| Type | Cottage |
| Category | Residential buildings (private) |
|  | |
|  | |
| Location of Weidmann Cottage in New South Wales | |


title: The Sugar Man

abstract: The Sugar Man is an album by Stanley Turrentine. The recording is a compilation of four separate dates, each with different conductors, arrangers and other personnel. The album was recorded in 1971 after his successful debut, Sugar for the CTI label, but not released until 1975 after Turrentine had left for Fantasy Records.

text:
# The Sugar Man

***The Sugar Man*** is an album by Stanley Turrentine. The recording is a compilation of four separate dates, each with different conductors, arrangers and other personnel. The album was recorded in 1971 after his successful debut, *Sugar* for the CTI label, but not released until 1975 after Turrentine had left for Fantasy Records.

## Track listing

1. "Pieces of Dreams" (Michel Legrand) - 6:50 (rec. 6/73)
2. "The Stretch" (Stanley Turrentine) - 5:56 (rec. 3/71)
3. "Vera Cruz" (Milton Nascimento) - 5:04 (rec. 4/71)
4. "More (Theme from Mondo Cane)" (Riz Ortolani) - 6:11 (rec. 2/71)
5. "Make Me Rainbows (from Fitzwilly)" (John Williams) - 6:03 (rec. 3/71)
6. "Just As I Am" (Stanley Turrentine) - 5:25 (rec. 2/71)

## Personnel

Flutes on track 3:

* Hubert Laws, George Marge, Romeo Penque, Jerome Richardson

## Production

## InfoBox

| The Sugar Man | |
| --- | --- |
|  | |
| Studio album by Stanley Turrentine | |
| Released | 1975 |
| Recorded | February – June 1971 |
| Studio | Van Gelder Studio, Englewood Cliffs, NJ |
| Genre | Jazz |
| Length | 35:29 |
| Label | CTI Records |
| Producer | Creed Taylor |
| Stanley Turrentine chronology | |
| *Sugar*
(1971) ***The Sugar Man***
(1975) *Salt Song*
(1971) | |


title: WGTO

abstract: WGTO, branded as "97.1 & 96.7 & 910 MeTV FM", is a radio station broadcasting a soft oldies format. It is licensed to Cassopolis, Michigan and is under ownership of Langford Broadcasting. Much of the programming comes from MeTV FM.

text:
# WGTO

**WGTO** (910 AM), branded as "97.1 & 96.7 & 910 MeTV FM", is a radio station broadcasting a soft oldies format. It is licensed to Cassopolis, Michigan and is under ownership of Langford Broadcasting. Much of the programming comes from MeTV FM.

## History

WGTO was designed and built by longtime Chicago radio personality Larry Langford in 1987 as WLLJ and originally featured an urban contemporary format. WGTO was the last station to be built under the AM daytime rules of the Federal Communications Commission. After the construction permit for this station was authorized in 1986 no further applications were accepted for stations wanting to operate daytime only. WGTO uses two towers in a directional pattern. The station now operates with 35 watts of nighttime power.

In 2007, Langford purchased a competing radio station in the same county and now became the owner of both WGTO and WDOW, which has since gone silent to allow a station in Kalamazoo to broadcast on its frequency.

On October 30, 2009, WGTO began broadcasting on 101.1 FM (translator W266BS licensed to Cassopolis, Michigan) as "Classic Hits 101". They continue to broadcast their AM signal as well. In June 2016, the FM translator moved to a new frequency of 96.3 MHz with call sign W242CN. The new translator broadcasts with an ERP of 250 watts, the maximum allowed for translators, and extends WGTO's FM coverage from the immediate Cassopolis/Dowagiac area to include a larger portion of southwestern Michigan as well as the Elkhart, Indiana, area. Effective January 25, 2018, the translator moved to 96.7 MHz, as W244DS. The translator was moved in fall of 2018 to 97.1 with tower located to provide local coverage of South Bend Indiana and Niles Michigan. The South Bend location gives Larry Langford a second South Bend opportunity as he was the original owner and founder of WUBU in South Bend known as Mix 106. He transferred those call letters from Portage, Michigan, where he owned WUBU (96.5 FM), before bringing in partner Abe Thompson and moving WUBU to South Bend. Kool FM now resides on a tower owned by Federated Media.

On July 4, 2020, the station was changed over to the MeTV FM radio format from Weigel Broadcasting; the station is cross-promoted on Weigel's three area television stations, including WBND-LD2, an owned-and-operated MeTV station. The shift was made in an effort to differentiate its playlist from higher-rated classic hits stations while still maintaining a familiar format to the station's loyal listeners, along with bringing a station with a cult following from the area's Chicago area commuters into the South Bend market.

Since the summer of 2021 WGTO has also been heard on a second translator, W248AP (97.5 FM) in Valparaiso, Indiana.

## Translators

| Call sign | Frequency | City of license | FID | ERP () | HAAT | Class | Transmitter coordinates | FCC info |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| W244EO | 96.7 FM | Dowagiac, Michigan | 152865 | 250 | 51.8  (170 ft) | D | 41°57′14.17″N 86°0′59.03″W / 41.9539361°N 86.0163972°W / 41.9539361; -86.0163972 (W244EO) | LMS |
| W246DV | 97.1 FM | South Bend, Indiana | 89020 | 250 | 0 m (0 ft) | D | 41°44′16.2″N 86°15′10″W / 41.737833°N 86.25278°W / 41.737833; -86.25278 (W246DV) | LMS |
| W248AP | 97.5 FM | Valparaiso, Indiana | 143899 | 250 | 0 m (0 ft) | D | 41°31′22″N 87°1′28″W / 41.52278°N 87.02444°W / 41.52278; -87.02444 (W248AP) | LMS |

## InfoBox

WGTO
|  | |
| --- | --- |
|  | |
| Broadcast area | Michiana |
| Frequency | 910 kHz |
| Branding | *97.1 FM / 96.7 FM / 910 AM MeTV FM* |
| Programming | |
| Format | Soft oldies |
| Affiliations |  |
| Ownership | |
| Owner | * Larry Langford * (Langford Broadcast) |
| History | |
| First air date | 1987 (as WLLJ) |
| Former call signs | WLLJ (1986–1995) |
| Call sign meaning | "Good Time Oldies" |
| Technical information | |
| Licensing authority | FCC |
| Facility ID | 36612 |
| Class | D |
| Power | * 1,000 watts day * 35 watts night |
| Transmitter coordinates | 41°57′14.17″N 86°0′59.03″W / 41.9539361°N 86.0163972°W / 41.9539361; -86.0163972 |
| Translator(s) |  |
| Links | |
| Public license information |  |
| Webcast | Listen live |
| Website | www.971.fm |


title: Heroes (role-playing game)

abstract: Heroes is a role-playing game published by Tabletop Games (U.K.) in 1979.

text:
# Heroes (role-playing game)

***Heroes*** is a role-playing game published by Tabletop Games (U.K.) in 1979.

## Description

*Heroes* is set in Europe in the Dark Ages, oriented more toward campaigns than individual characters; the systems draw heavily on miniatures rules. It is a historic game without fantasy elements.

## Publication history

*Heroes* was designed by Dave Millward and published by Tabletop Games in 1979 as an 80-page book. It has been republished in 2012 by ECW Role Play Games.

## Reception


title: Monkwearmouth railway station

abstract: Monkwearmouth is a former railway station that served Monkwearmouth in the English city of Sunderland, from 1848 to 1967. It was built in 1848 to a design by Thomas Moore. and was once the main railway station in the city. The railway station closed in March 1967 and featured a restored booking office dating from the Edwardian period. The station was opened as a museum in 1973. The Tyne and Wear Metro and mainline trains still pass through the station without stopping, but the Metro calls at St. Peter's station a few hundred yards south of the old station, due to the platforms at Monkwearmouth being too narrow to serve as a Metro station. The former station is a Grade II* listed building. As well as the ticket office, visitors could explore the Wagon Shed, Journeys Gallery and Children's Gallery. The museum was temporarily closed from August 2005 until 2007 to allow repairs and refurbishment to take place. The museum was closed on 23 May 2017 because the roof, footbridge and platforms were claimed to be in a very poor condition, despite a major two-year refurbishment programme in 2005–07. The station has since reopened as the Fans Museum, which houses a collection of football memorabilia from Sunderland and around the world. The museum was closed in March 2020 during the COVID-19 pandemic but reopened in August 2021.

text:
# Monkwearmouth railway station

**Monkwearmouth** is a former railway station that served Monkwearmouth in the English city of Sunderland, from 1848 to 1967. It was built in 1848 to a design by Thomas Moore. and was once the main railway station in the city. The railway station closed in March 1967 and featured a restored booking office dating from the Edwardian period. The station was opened as a museum in 1973.

The Tyne and Wear Metro and mainline trains still pass through the station without stopping, but the Metro calls at St. Peter's station a few hundred yards south of the old station, due to the platforms at Monkwearmouth being too narrow to serve as a Metro station.

The former station is a Grade II\* listed building. As well as the ticket office, visitors could explore the Wagon Shed, Journeys Gallery and Children's Gallery.

The museum was temporarily closed from August 2005 until 2007 to allow repairs and refurbishment to take place.

The museum was closed on 23 May 2017 because the roof, footbridge and platforms were claimed to be in a very poor condition, despite a major two-year refurbishment programme in 2005–07. The station has since reopened as the Fans Museum, which houses a collection of football memorabilia from Sunderland and around the world. The museum was closed in March 2020 during the COVID-19 pandemic but reopened in August 2021.

## InfoBox

Monkwearmouth Station Museum
| Monkwearmouth Station Museum | |
| --- | --- |
| Monkwearmouth Station Museum shown within Tyne and Wear<br>grid reference NZ39605768 | |
| Location | Sunderland, County Durham, England |
| Coordinates | 54°54′44″N 1°23′02″W / 54.9122°N 1.3839°W / 54.9122; -1.3839 |
| Website | seeitdoitsunderland.co.uk/monkwearmouth-station-museum |


title: Ramy Romany

abstract: Ramy Romany is an Egyptologist, documentarian, TV host and Directors Guild of America (DGA) director, active since 2011. He has filmed, produced, directed, and been featured in more than a hundred documentaries, and has worked with networks such as The Discovery Channel, The History Channel, and National Geographic.

text:
# Ramy Romany

**Ramy Romany** is an Egyptologist, documentarian, TV host and Directors Guild of America (DGA) director, active since 2011. He has filmed, produced, directed, and been featured in more than a hundred documentaries, and has worked with networks such as The Discovery Channel, The History Channel, and National Geographic.

## Biography

Romany was born in Cairo, Egypt. He moved to Los Angeles in 2011 due to the political situation in Egypt. Between 2013 and 2018, he won 9 EMMY Awards for his work on *Esperanza* (2013), *Visioneer* (2015), *Return to Esperanza* (2016), *A New Leash on Life: The K9s for Warriors Story* (2018), and *Rudy Ruettiger: The Walk On* (2018).

Romany has directed multiple productions in different genres, including: *The Contender*, a boxing competition series for MGM on EPIX; *Unprotected Sets*; *Operation Toussaint*, which follows a former U.S. special agent who goes undercover to rescue victims of sex trafficking; and several commercials.

While working on *The Contender*, Romany, colorist Dean Perme, and Jason Hafer  created a custom 3D LUT to give the show a "period feel that felt like film", which supported the cinematic approach that Romany took with his directing. In March 2019, it was announced that Romany would serve as executive producer and host of the new Discovery Channel series *Mummies Unwrapped*. The series featured Romany traveling to ancient Egyptian tombs, Mayan mass graves, and hidden crypts to uncover the legends, myths, curses and cover-ups of the ancient past. He used cutting-edge technologies to introduce new theories about how ancient civilizations lived and died, and to uncover the origin of each mummy.

## Works (TV, film, and books)

* *Making The Cut* for Amazon Network
* *Destination Truth* for the SyFy Network
* *Conspired: The Evil One Shall Not Live Again*
* *Brew Masters* for The Discovery Channel
* *Ancient Aliens* for The History Channel
* *What Lies Beneath* for BBC TV
* *Long Way Down* for National Geographic
* *The Contender* for MGM on EPIX
* *Operation Toussaint* for Amazon Prime
* *Expedition Unknown: Egypt Live* for The Discovery Channel
* *Mummies Unwrapped* for the Discovery Channel
* *Unprotected Sets* for MGM on EPIX
* *Esperanza*
* *Visioneer*
* *Return to Esperanza*
* *A New Leash on Life: The K9s for Warriors Story*
* *Rudy Ruettiger: The Walk On*
* *Patterns of Evidence*

## InfoBox

| Ramy Romany | |
| --- | --- |
| Romany standing in front of the Sphinx in 2013 | |
| Born | Cairo, Egypt |
| Occupations |  |


title: International gateway

abstract: An International Gateway is a telephone number through which calls are routed to get cheaper rates on international long distance charges, or to make calls through voice over IP (VOIP) networks internationally. They also are effective in making an international call into the US appear as if it is originating from a local number rather than the real location. Although there are numerous legitimate uses, they are also frequently used by scammers and con artists of all sorts, ranging from international fraudsters to lottery fraud as well as fake money order overpayment fraud. On some occasions the caller ID will display the call as INTL GATEWAY; at other times, anonymous or unknown. Frequently when calling the number back it will appear as if it is a disconnected number. Unknown phone numbers may be researched through many sites on the Internet.

text:
# International gateway

An **International Gateway** is a telephone number through which calls are routed to get cheaper rates on international long distance charges, or to make calls through voice over IP (VOIP) networks internationally. They also are effective in making an international call into the US appear as if it is originating from a local number rather than the real location.

Although there are numerous legitimate uses, they are also frequently used by scammers and con artists of all sorts, ranging from international fraudsters to lottery fraud as well as fake money order overpayment fraud. On some occasions the caller ID will display the call as INTL GATEWAY; at other times, anonymous or unknown. Frequently when calling the number back it will appear as if it is a disconnected number. Unknown phone numbers may be researched through many sites on the Internet.


abstract: Our Lady of Grace Catholic Church is a Roman Catholic church in the Sunset Hills neighborhood of Greensboro, North Carolina. The church was erected as a memorial to Ethel Clay Price, a Catholic whose husband donated funds to build the church. The church was designed to resemble Our Lady of Refuge in Brooklyn, New York. The church is also host of Our Lady of Grace Catholic School, serving children from grades pre-k through 8.

text:
# Our Lady of Grace Catholic Church (Greensboro, North Carolina)

**Our Lady of Grace Catholic Church** is a Roman Catholic church in the Sunset Hills neighborhood of Greensboro, North Carolina. The church was erected as a memorial to Ethel Clay Price, a Catholic whose husband donated funds to build the church. The church was designed to resemble Our Lady of Refuge in Brooklyn, New York. The church is also host of **Our Lady of Grace Catholic School**, serving children from grades pre-k through 8.

## History

Before the 1950s, there was a small Catholic population in Greensboro, so a traveling priest would come and hold Mass at what is now St. Benedict's Church in downtown Greensboro. Our Lady of Grace was conceived of, and funded as, a memorial by Julian Price, a Baptist, to his deceased Catholic wife, Ethel Clay Price. Price first approached Vincent Waters, Bishop of Raleigh with his idea in 1946, which Price wished to model on the Church of Our Lady of Refuge in Brooklyn, New York. Price donated $400,000 for construction but died in a car accident before construction began.

World War II delayed construction, and costs rose; but the Price's children, Kathleen Price Bryan and Ralph Clay Price, donated an additional $300,000, permitting completion. The church's exterior walls are made of pink granite from Salisbury with Indiana limestone trim. The stained glass windows, 30,000 separate pieces, were imported from Belgium.

The first Mass was celebrated at Our Lady of Grace on July 13, 1952. The church was dedicated on September 14, 1952 by Cardinal Amleto Giovanni Cicognani, the Apostolic Delegate to the United States. Charles H. Helmsing, Auxiliary Bishop of St. Louis, preached the dedication sermon.

The Jubilee Pipe Organ, a 2,226 pipe Kleuker organ, was dedicated on the 25th anniversary of the church, in October 1977.

## Notable parish staff

36°04′25″N 79°49′19″W / 36.0735°N 79.8219°W / 36.0735; -79.8219

## InfoBox

| Our Lady of Grace Catholic Church | |
| --- | --- |
|  | |
| Religion | |
| Affiliation | Roman Catholic Church |
| District | Roman Catholic Diocese of Charlotte |
| Rite | Latin Rite |
| Leadership | Bishop Peter Joseph Jugis |
| Location | |
| Location | 2201 West Market Street, Greensboro, North Carolina, United States |
| State | North Carolina |
| Architecture | |
| Architect(s) | Henry V. Murphy |
| Style | Gothic Revival |
| Groundbreaking | 1952 |
| Website | |
|  | |


title: The Sufis

abstract: The Sufis is one of the best known books on Sufism by the writer Idries Shah. First published in 1964 with an introduction by Robert Graves, it introduced Sufi ideas to the West in a format acceptable to non-specialists at a time when the study of Sufism had largely become the reserve of Orientalists. Shortly before he died, Shah stated that his books form a complete course that could fulfil the function he had fulfilled while alive. As such, The Sufis can be read as part of a whole course of study.

text:
# The Sufis

***The Sufis*** is one of the best known books on Sufism by the writer Idries Shah. First published in 1964 with an introduction by Robert Graves, it introduced Sufi ideas to the West in a format acceptable to non-specialists at a time when the study of Sufism had largely become the reserve of Orientalists.

Shortly before he died, Shah stated that his books form a complete course that could fulfil the function he had fulfilled while alive. As such, *The Sufis* can be read as part of a whole course of study.

## Summary

Eschewing a purely academic approach, Shah gave an overview of Sufi concepts, with potted biographies of some of the most important Sufis over the ages, including Rumi and Ibn al-Arabi, while simultaneously presenting the reader with Sufi teaching materials, such as traditional stories or the jokes from the Mulla Nasrudin corpus. The book also gave details of previously unsuspected Sufic influences on Western culture. According to Shah, the Freemasons, Miguel de Cervantes, Western chivalry, alchemy and Saint Francis of Assisi, amongst others, were all influenced directly or indirectly by Sufis and Sufi ideas, often as a result of contact between East and West in the Middle Ages in places such as Spain or Sicily.

## Reception

The book had a powerful impact on many thinkers and artists when it appeared, including the Nobel Prize winning author Doris Lessing, the poet Ted Hughes, and the writers Geoffrey Grigson and J. D. Salinger. Doris Lessing described it as "the best introduction to the body of Shah's work", adding that by reading it one was "forced to use one's mind in a new way". She went on to call it "a seminal book of the century, even a watershed."

Richard Smoley and Jay Kinney, writing in *Hidden Wisdom: A Guide to the Western Inner Traditions* (2006), pronounced *The Sufis* an "extremely readable and wide-ranging introduction to Sufism", adding that "Shah's own slant is evident throughout, and some historical assertions are debatable (none are footnoted), but no other book is as successful as this one in provoking interest in Sufism for the general reader."

Richard C. Munn, reviewing the book in the *Journal of the American Oriental Society*, concluded that "One cannot approach this book either in the role of scholar or in the role of seeker (nut), for the author has cleverly blocked both these 'postural' approaches, much in the same way, one suspects, as a Sufi shaikh would. If the Sufi essence is untranslatable into book form, it naturally remains so, but Idries Shah, by 'playing' with the reader, and 'scattering' his points of information, has perhaps given the reader an inkling of Sufi 'experience'."

German orientalist Annemarie Schimmel commented that *The Sufis*, along with Shah's other books, "should be avoided by serious students".

## Fiftieth anniversary (1964–2014)

2014 marked the fiftieth anniversary of the publication of *The Sufis*. New paperback and ebook editions of the work were published that year by the newly-formed ISF Publishing, in association with The Idries Shah Foundation, to coincide with that event.

Part of a wider initiative, The Idries Shah Foundation had begun to make available new paperback and ebook editions of Shah's many books in English, along with translations into other Western languages, and also into Arabic, Persian, Urdu and Turkish.

In an article on the Al Jazeera web site, John Bell and John Zada write about the wave of intolerant militance and extremism in the East and in Africa and about the destruction of many cultural resources such as libraries and UNESCO World Heritage shrines and mosques in places like Timbuktu.

Explaining the historical, rich and diverse background of the tolerant Sufi tradition, the authors suggest that the material in Shah's book provides a useful and most-timely counterpoint and antidote to such extremism in the East; to consumerism in the West; and to intolerance, dogmatism and closed thinking, which they and Shah see as material, mental and emotional "prisons".

In an article in *The Guardian*, Jason Webster is also of the opinion that the Sufi Way, as it is known, is a natural antidote to fanaticism.

Webster states that classical Islamic Sufis include (amongst many others) the poet and Persian polymath Omar Khayyám, the Andalusian polymath Avërroes, the Persian poet and hagiographer Fariduddin Attar, and the Persian poet and theologian Jalāl ad-Dīn Rumi. The reviewer also notes that when *The Sufis* first appeared, *The Washington Post* declared the book "a seminal book of the century", and that the work attracted writers such as Doris Lessing, J. D. Salinger and Geoffrey Grigson. The poet Ted Hughes also described it as "astonishing" and wrote that "The Sufis must be the biggest society of sensible men on Earth." According to the reviewer, others in the West drawn to or influenced by Sufism include St Francis of Assisi, the novelist, poet and playwright Miguel de Cervantes, the poet and diplomat Sir Richard Burton, the leading British politician Winston Churchill, and the diplomat and economist Dag Hammarskjöld.

## Reviews

## InfoBox

The Sufis
| First edition (US) | |
| --- | --- |
| Author | Idries Shah |
| Language | English |
| Publisher | Doubleday |
| Publication date | 1964 |
| Publication place | United Kingdom |
| Media type | Print (Paperback & eBook). Audiobook |
| OCLC | 222708997 |
| Preceded by | *Destination Mecca* |
| Followed by | *The Way of the Sufi* |


title: WMJO

abstract: WMJO is a radio station licensed to Essexville, Michigan and broadcasting at 97.3 MHz with an effective radiated power of 3,000 watts. Known on the air as Joe-FM, WMJO has a variety hits format targeted to Saginaw, Bay City, and Midland. The station is one of four locally owned MacDonald Broadcasting radio stations. It first began broadcasting in 1991 under the WIXC call sign. The station switched from country when it was purchased by MacDonald in 1998. Since MacDonald owned then competitor WKCQ, the station's format was flipped to classic rock and was known as Eagle 97.3 with the call sign WEEG. In 2004, the station became Joe-FM, a variety hits format modeled after Jack FM, and changed its call signs once again to WMJO. The station originally had the same playlist and shared personalities with sister station WHZZ 101.7 FM Mike FM in Lansing, Michigan. WMJO eventually evolved into a more gold-based Classic Hits format and is considered a hybrid Adult and Classic Hits station rather than a true variety hits station like WHZZ. However both stations continue to use the same imaging. WMJO 97.3 was the exclusive radio broadcaster of the OHL's Saginaw Spirit ice hockey team. Spirit games are now broadcast on WSGW (100.5).

text:
# WMJO

**WMJO** (97.3 FM, "Joe FM") is a radio station licensed to Essexville, Michigan and broadcasting at 97.3 MHz with an effective radiated power of 3,000 watts. Known on the air as *Joe-FM*, WMJO has a variety hits format targeted to Saginaw, Bay City, and Midland. The station is one of four locally owned MacDonald Broadcasting radio stations.

It first began broadcasting in 1991 under the WIXC call sign (now used by a sports radio station in Titusville, Florida). The station switched from country when it was purchased by MacDonald in 1998. Since MacDonald owned then competitor WKCQ, the station's format was flipped to classic rock and was known as *Eagle 97.3* with the call sign WEEG. In 2004, the station became *Joe-FM*, a variety hits format modeled after Jack FM, and changed its call signs once again to WMJO. The station originally had the same playlist and shared personalities with sister station WHZZ 101.7 FM *Mike FM* in Lansing, Michigan. WMJO eventually evolved into a more gold-based Classic Hits format and is considered a hybrid Adult and Classic Hits station rather than a true variety hits station like WHZZ. However both stations continue to use the same imaging.

WMJO 97.3 was the exclusive radio broadcaster of the OHL's Saginaw Spirit ice hockey team. Spirit games are now broadcast on WSGW (100.5).

## Sources

## InfoBox

WMJO
|  | |
| --- | --- |
|  | |
| Broadcast area | Greater Tri-Cities |
| Frequency | 97.3 MHz |
| Branding | *97.3 Joe FM* |
| Programming | |
| Format | Variety hits |
| Ownership | |
| Owner | MacDonald Broadcasting |
| Sister stations | WKCQ, WSAM, WSAG |
| History | |
| First air date | circa 1991 (as WIXC) |
| Former call signs | WEEG (1/5/99-6/24/04)<br>WIXC (9/6/91-1/5/99) |
| Call sign meaning | **W M** **JO**e FM |
| Technical information | |
| Licensing authority | FCC |
| Facility ID | 73111 |
| Class | A |
| ERP | 3,000 watts |
| HAAT | 100 meters |
| Transmitter coordinates | 43°30′51″N 83°45′51″W / 43.51417°N 83.76417°W / 43.51417; -83.76417 |
| Links | |
| Public license information |  |
| Website | 973joefm.com |


title: Monster Games

abstract: Monster Games, Inc. is an American video game developer in Northfield, Minnesota, United States that specializes in racing games and ports in action, platform, and action role-playing games. The company was founded in 1996, and was acquired by iRacing.com Motorsport Simulations in 2022.

text:
# Monster Games

**Monster Games, Inc.** is an American video game developer in Northfield, Minnesota, United States that specializes in racing games and ports in action, platform, and action role-playing games. The company was founded in 1996, and was acquired by iRacing.com Motorsport Simulations in 2022.

## Games developed

List of games developed by Monster Games
| Year | Title | Platform(s) | Publisher(s) |
| --- | --- | --- | --- |
| 1998 | *Viper Racing* | Microsoft Windows | Sierra On-Line |
| 2000 | *NASCAR Heat* | Microsoft Windows
PlayStation | Hasbro Interactive |
| 2001 | *NASCAR Heat 2002* | PlayStation 2
Xbox | Infogrames |
| 2002 | *NASCAR: Dirt to Daytona* | GameCube
PlayStation 2 | |
| 2004 | *Test Drive: Eve of Destruction* | PlayStation 2
Xbox | Atari |
| 2006 | *Excite Truck* | Wii | Nintendo |
| 2009 | *Excitebots: Trick Racing* | | |
| | *Excitebike: World Rally* | WiiWare | |
| 2011 | *Pilotwings Resort* | Nintendo 3DS | |
| 2013 | *Donkey Kong Country Returns 3D* | | |
| 2014 | *Donkey Kong Country: Tropical Freeze* (Co-developed with Retro Studios) | Wii U | |
| 2015 | *Xenoblade Chronicles 3D* | New Nintendo 3DS | |
| 2016 | *NASCAR Heat Evolution* | PlayStation 4
Xbox One
Microsoft Windows | Dusenberry Martin Racing |
| 2017 | *NASCAR Heat 2* | | 704Games |
| 2018 | *NASCAR Heat 3* | |
| 2019 | *NASCAR Heat 4* | |
| 2020 | *Tony Stewart's Sprint Car Racing* | | Monster Games |
| | *Tony Stewart's All American Racing* | |
| 2021 | *SRX: The Game* | | GameMill Entertainment |
| 2022 | *World of Outlaws: Dirt Racing* | PlayStation 4
PlayStation 5
Xbox One
Xbox Series S/X | iRacing |

## InfoBox

Monster Games, Inc.
|
|  |
| Company type | Subsidiary |
| Industry | Video games |
| Founded | November 1996 (1996-11) |
| Founder | Richard Garcia, David Pollatsek, David Broske |
| Headquarters | Northfield, Minnesota, U.S. |
| Key people | David Broske, John Schneider |
| Parent | iRacing.com Motorsport Simulations |