title: Joseph and Esther Phillips Plantation

abstract: The Joseph and Esther Phillips Plantation, also known as The Old Ritter Farm, is an historic American home and farm located in West Fallowfield Township, Chester County, Pennsylvania. It was added to the National Register of Historic Places in 1985.

text:
# Joseph and Esther Phillips Plantation

The **Joseph and Esther Phillips Plantation**, also known as The Old Ritter Farm, is an historic American home and farm located in West Fallowfield Township, Chester County, Pennsylvania.

It was added to the National Register of Historic Places in 1985.

## History and architectural features

This plantation was established in 1813 when the house was built. The house is a 2½-story, five-bay, stuccoed limestone structure. It was built in the Georgian "I"-plan, and has a Gothic Revival-style porch that was added during the 1850s. Other contributing buildings are two stone and frame bank barns, a stone octagonal smokehouse, a frame carriage house and workshop, and a two-story, stone spring house.

It was added to the National Register of Historic Places in 1985.

## InfoBox

|  | |
| --- | --- |
| Joseph and Esther Phillips Plantation | |
| U.S. National Register of Historic Places | |
|  | |
| Phillips Plantation, Home, March 2011 | |
|  | |
| Location | Bailey's Crossroads, south of Glen Run Road and south of Atglen, West Fallowfield Township, Pennsylvania |
| Coordinates | 39°55′36″N 75°58′25″W / 39.92667°N 75.97361°W / 39.92667; -75.97361 |
| Area | 8 acres (3.2 ha) |
| Built | 1813 |
| Architectural style | Gothic Revival, Georgian |
| NRHP reference No. | 90001414 |
| Added to NRHP | September 5, 1990 |


title: Journal of Computer Assisted Tomography

abstract: The Journal of Computer Assisted Tomography, abbreviated JCAT, is a bimonthly peer-reviewed medical journal covering medical imaging, with a particular focus on CT scans and magnetic resonance imaging. It was established in 1977 and is published by Wolters Kluwer Health. It is the official journal of SABI, the Society for Advanced Body Imaging. The editor-in-chief is Eric P. Tamm, MD. According to the Journal Citation Reports, the journal has a 2020 impact factor of 1.826. The journal's title has often been mistakenly represented as "Journal of Computed Assisted Tomography".

text:
# Journal of Computer Assisted Tomography

The ***Journal of Computer Assisted Tomography***, abbreviated ***JCAT***, is a bimonthly peer-reviewed medical journal covering medical imaging, with a particular focus on CT scans and magnetic resonance imaging. It was established in 1977 and is published by Wolters Kluwer Health. It is the official journal of SABI, the Society for Advanced Body Imaging.

The editor-in-chief is Eric P. Tamm, MD (University of Texas and MD Anderson Cancer Center). According to the *Journal Citation Reports*, the journal has a 2020 impact factor of 1.826.

The journal's title has often been mistakenly represented (in mentions and citations) as "Journal of Computed Assisted Tomography".

## InfoBox

*Journal of Computer Assisted Tomography*
| Discipline | Medical imaging |
| --- | --- |
| Language | English |
| Edited by | Eric P. Tamm, MD |
| Publication details | |
| History | 1977–present |
| Publisher | Wolters Kluwer Health |
| Frequency | Bimonthly |
| Impact factor | 1.826 (2020) |
| Standard abbreviations
 | |
| ISO 4 | *J. Comput. Assist. Tomogr.* |
| Indexing
 | |
| CODEN | JCATD5 |
| ISSN | 0363-8715 (print)
1532-3145 (web)
 |
| LCCN | 77641852 |
| OCLC no. | 231040304 |
| Links | |
|  | |


title: Potton railway station

abstract: Potton was a railway station on the Varsity Line which served the small town of the same name in Bedfordshire. Opened in 1857 as part of Sir William Peel's Sandy and Potton Railway, the station was initially situated further south near the Biggleswade Road. Upon being taken over by the Bedford and Cambridge Railway in 1862 a new station was opened which remained in service for over one hundred years before closing in 1968. The station building has survived and is now a private house.

text:
# Potton railway station

**Potton** was a railway station on the Varsity Line which served the small town of the same name in Bedfordshire. Opened in 1857 as part of Sir William Peel's Sandy and Potton Railway, the station was initially situated further south near the Biggleswade Road. Upon being taken over by the Bedford and Cambridge Railway in 1862 a new station was opened which remained in service for over one hundred years before closing in 1968. The station building has survived and is now a private house.

## History

### Sandy and Potton Railway

Following the opening of Sandy railway station by the Great Northern Railway in 1850, local landowner Captain William Peel, third son of former Prime Minister Sir Robert Peel, saw the benefits of a connecting link to Potton and added his voice to those of local traders who were calling for the construction of a line. Peel, the owner of an estate of around 1,400 acres (5.7 km2) between Potton and Sandy, offered to give permission for the line to cross his land and, furthermore, to construct it at his own expense. Construction began in May 1856 and by 25 June 1857 was ready for opening to goods traffic. The line, 3 miles (4.8 km) and 2 furlongs long and built at a cost of £15,000, did not require an Act of Parliament as it ran through private land owned by Captain Peel.

The Sandy and Potton Railway was worked by a small 0-4-0 well-tank engine built at a cost of £800 by George England and Co. in Hatcham. Captain Peel named the engine *Shannon* after HMS *Shannon*, a frigate which he had commanded in the Far East in the year it was built. The outlay in constructing the railway was soon recovered through the fruit and vegetable traffic carried from Peel's estate and the manure and fertiliser transported in, turning a £70 per annum profit for his estate in 1853 to one of £500 per annum in 1858. Passenger traffic commenced in November 1857 after an inspection from the Board of Trade. The initial station at Potton was equipped with very basic facilities; there was no booking office or passenger waiting room. A goods shed, small staff office and locomotive shed were however provided. The station was sited in a field to the west of the Biggleswade Road.

### Station buildings

The Sandy and Potton Railway was acquired by the Bedford and Cambridge Railway in 1860, which intended to make the route part of a longer line to Cambridge. Track was relaid and Potton station was resited north to its current position. A more substantial two-platformed station was provided with a cast-iron glass canopy supported by stanchions on the Up platform bearing the Bedford and Cambridge's initials in script letters. The majority of the station's buildings were situated on the Up side, including the goods shed, cattle pens and water tank with steam pump (the only one between Sandy and Cambridge). A small waiting shelter was provided on the Down side, linked by a footbridge, for passengers. The station saw much outward traffic in agricultural goods, such as potatoes and onions, and inward traffic of manure and fertiliser, much coming from stables in London and the London Zoo. A siding led to the south of the station where it served a sandpit used by Beart's Brick Company from October 1870.

### Closure

Although the arrival of the railway had helped boost the town's population to around 2,000 by 1937, the line found itself proposed for closure first in 1959 and then again in 1963, before eventually closing in 1968. The idea of preserving the line between Sandy and Potton was discussed at a public meeting at Sandy which resulted in the formation of the *Sandy & Potton Steam Railway Society*. The organisation was, however, unable to raise outright the purchase price asked for by British Railways and the scheme failed despite the support of Sandy Urban District Council. Track removal began in July 1969 and the society was eventually wound-up.

| Preceding station |  | Disused railways |  | Following station |
| --- | --- | --- | --- | --- |
| Sandy |  | British Railways
Varsity Line |  | Gamlingay |

## Post-closure

The station was purchased by George Howe, a former railwayman, who restored the yellow gault brick main passenger building as a private residence.\</ref\> The goods shed from the first Potton station survives as a vegetable store. The locomotive known as "Shannon", which was later used on the Wantage Tramway, is now a stationary exhibit at the Didcot Railway Centre.

## Bibliography

* Butt, Raymond V. J. (1995). *The Directory of Railway Stations*. Sparkford: Patrick Stephens. ISBN 1-85260-508-1.
* Clinker, C. R. (October 1978). *Clinker's Register of Closed Passenger Stations and Goods Depots in England, Scotland and Wales 1830-1977*. Bristol: Avon-Anglia Publications & Services. ISBN 0-905466-19-5.
* Davies, Reginald; Grant, M. D. (1984). *Forgotten Railways: Chilterns and Cotswolds*. Newton Abbot, Devon: David St John Thomas. ISBN 0-946537-07-0.
* Mitchell, Vic; Smith, Keith (February 2007). *Bletchley to Cambridge featuring Bedford St. Johns*. Midhurst, West Sussex: Middleton Press. ISBN 978-1-904474-94-4.
* Oppitz, Leslie (2000). *Lost Railways of the Chilterns*. Lost Railways Series. Newbury, Berkshire: Countryside Books. ISBN 978-1-85306-643-6.
* Simpson, Bill (1981). *Oxford to Cambridge Railway*. Vol. 2. Poole, Dorset: Oxford Publishing Co. ISBN 0-86093-121-8.
* Simpson, Bill (2000). *The Oxford to Cambridge Railway: Forty Years On 1960-2000*. Witney, Oxford: Lamplight Publications. ISBN 1-899246-05-3.

52°07′41″N 0°13′15″W / 52.1281°N 0.2207°W / 52.1281; -0.2207

## InfoBox

| Potton | |
| --- | --- |
|  | |
| General information | |
| Location | Potton, Central Bedfordshire
England |
| Grid reference | TL219493 |
| Platforms | 2 |
| Other information | |
| Status | Disused |
| History | |
| Original company | Sandy and Potton Railway |
| Pre-grouping | Bedford and Cambridge Railway
London and North Western Railway |
| Post-grouping | London, Midland and Scottish Railway
London Midland Region of British Railways (1948-1958)
Eastern Region of British Railways (1958-1968) |
| Key dates | |
| November 1857 | Opened |
| January 1862 | Closed |
| 31 July 1862 | Reopened |
| 1 January 1966 | Closed to goods |
| 1 January 1968 | Closed to passengers |
|  | |
|  | |
|  | |


title: Potamocarcinus

abstract: Potamocarcinus is a genus of crabs in the family Pseudothelphusidae.

text:
# Potamocarcinus

***Potamocarcinus*** is a genus of crabs in the family Pseudothelphusidae.

## InfoBox

| *Potamocarcinus* | |
| --- | --- |
|  | |
| *Potamocarcinus falcatus* | |
|
| Scientific classification | |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Subphylum: | Crustacea |
| Class: | Malacostraca |
| Order: | Decapoda |
| Infraorder: | Brachyura |
| Family: | Pseudothelphusidae |
| Genus: | ***Potamocarcinus***
H. Milne-Edwards, 1853 |
|
| Type species | |
| *Potamocarcinus armatus*
H. Milne-Edwards, 1853 | |


title: Potamochoerus

abstract: Potamochoerus is a genus in the pig family (Suidae). The two species are restricted to sub-Saharan Africa, although the bushpig, possibly due to introduction by humans, also occurs in Madagascar and nearby islands. Early in the 20th century, there were considered to be as many as five different species within the genus. These were gradually consolidated, until, in the 1970s, it was generally agreed that all were representatives of just a single species. The bushpig was again recognised as a separate species from about 1993. The oldest fossils that can be assigned to the genus date from the mid Pliocene in Europe, and are first seen in Africa from least the mid Pleistocene, suggesting that it originally evolved in somewhere in Eurasia. However, molecular phylogenetic evidence suggests that the genus first diverged from the line leading to the giant forest hog and the warthogs much earlier, in the late Miocene, between 11.9 and 5.6 million years ago. The same studies suggest that the two living species diverged from one another between 4.8 and 0.2 million years ago.

text:
# Potamochoerus

***Potamochoerus*** (meaning "river pig") is a genus in the pig family (Suidae). The two species are restricted to sub-Saharan Africa, although the bushpig, possibly due to introduction by humans, also occurs in Madagascar and nearby islands. Early in the 20th century, there were considered to be as many as five different species within the genus. These were gradually consolidated, until, in the 1970s, it was generally agreed that all were representatives of just a single species (*P. porcus*). The bushpig was again recognised as a separate species from about 1993.

The oldest fossils that can be assigned to the genus date from the mid Pliocene in Europe, and are first seen in Africa from least the mid Pleistocene, suggesting that it originally evolved in somewhere in Eurasia. However, molecular phylogenetic evidence suggests that the genus first diverged from the line leading to the giant forest hog and the warthogs much earlier, in the late Miocene, between 11.9 and 5.6 million years ago. The same studies suggest that the two living species diverged from one another between 4.8 and 0.2 million years ago.

## Species

### Extant species

| Image | Scientific name | Common Name | Distribution |
| --- | --- | --- | --- |
|  | *Potamochoerus larvatus* (F. Cuvier, 1822) | Bushpig | East and Southern Africa. |
|  | *Potamochoerus porcus* (Linnaeus, 1758) | Red river hog | Guinean and Congolian forests |
|

### Fossils

## InfoBox

| *Potamochoerus* | |
| --- | --- |
|  | |
| Bushpig (*Potamochoerus larvatus*) | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Mammalia |
| Order: | Artiodactyla |
| Family: | Suidae |
| Subfamily: | Suinae |
| Genus: | *Potamochoerus*
Gray, 1854 |
|
| Type species | |
| *Choiropotamus pictus*
Linnaeus, 1758 | |
| Species | |
| *Potamochoerus larvatus* (F. Cuvier, 1822)
*Potamochoerus magnus* (A. Arribas & G. Garrido, 2008)
*Potamochoerus porcus* (Linnaeus, 1758) | |


title: José Adiak Montoya

abstract:
Jose Adiak Montoya is a Nicaraguan writer. He was born in Managua in 1987. He is the author of several books, among them:
  - Eclipse: prosa & poesía (2007)
  - El sótano del angel
  - Un rojo aullido en el bosque (2016)
  - Lennon bajo el sol
  - Aunque nada perdure
  - El país de las calles sin nombre He has won several awards for his work. In 2016, he was recognized by the Guadalajara International Book Fair in its Ochenteros program, a selection of twenty of the best Latin American writers born in the 1980s. In a similar vein, Granta magazine named him as one of the best young writers in the Spanish language in 2021. He lives in Mexico City.

text:
# José Adiak Montoya

**Jose Adiak Montoya** is a Nicaraguan writer. He was born in Managua in 1987.

He is the author of several books, among them:

* Eclipse: prosa & poesía (2007)
* El sótano del angel (novel, 2010)
* Un rojo aullido en el bosque (2016)
* Lennon bajo el sol (Tusquets, 2017)
* Aunque nada perdure (Seix Barral, 2020)
* El país de las calles sin nombre (Seix Barral, 2021)

He has won several awards for his work. In 2016, he was recognized by the Guadalajara International Book Fair in its Ochenteros program, a selection of twenty of the best Latin American writers born in the 1980s. In a similar vein, *Granta* magazine named him as one of the best young writers in the Spanish language in 2021.

He lives in Mexico City.


title: Portrait of a Young Man (Masaccio)

abstract: Portrait of a Young Man is a painting attributed to the Italian Renaissance painter Masaccio, although this attribution is disputed. The identity of the chaperon-wearing subject of this painting is unknown. The portrait is currently displayed in the National Gallery of Art in Washington, D.C.

text:
# Portrait of a Young Man (Masaccio)

***Portrait of a Young Man*** is a painting attributed to the Italian Renaissance painter Masaccio, although this attribution is disputed. The identity of the chaperon-wearing subject of this painting is unknown. The portrait is currently displayed in the National Gallery of Art in Washington, D.C.

## InfoBox

| Portrait of a Young Man | |
| --- | --- |
|  | |
| Artist | Masaccio |
| Year | circa 1425 |
| Type | Wood |
| Location | National Gallery of Art, Washington, D.C. |


title: Joseph Tepper

abstract: Joseph Tepper 1886-1977 was a Russian, Jewish, American portrait painter and artist. He was born in Mezhirichi, but grew up and was educated in Odessa. In about 1905, he moved to Paris where he got his first formal training as an artist. He returned to Russia about the time of the start of the first World War and was living in Moscow during the Russian Revolution. He left Russia for good in 1921 and moved first to what was then the British Mandate of Palestine, then to Egypt, and finally to the United States where he lived in Boston, New Orleans, and Honolulu before retiring in Mexico. He was an active portrait painter well into his 70s and many famous people were among his subjects including Justices Brandeis and Frankfurter of the US Supreme Court, Professors George Lyman Kittredge and Paul Freund of Harvard University, Cardinal Stritch, Yitzhak Ben-Zvi, Hayim Bialik, Ahad Ha-Am, Henrietta Szold, and many more.

text:
# Joseph Tepper

**Joseph Tepper** 1886-1977 was a Russian, Jewish, American portrait painter and artist. He was born in Mezhirichi, but grew up and was educated in Odessa. In about 1905, he moved to Paris where he got his first formal training as an artist. He returned to Russia about the time of the start of the first World War and was living in Moscow during the Russian Revolution. He left Russia for good in 1921 and moved first to what was then the British Mandate of Palestine, then to Egypt, and finally to the United States where he lived in Boston, New Orleans, and Honolulu before retiring in Mexico.

He was an active portrait painter well into his 70s and many famous people were among his subjects including Justices Brandeis and Frankfurter of the US Supreme Court, Professors George Lyman Kittredge and Paul Freund of Harvard University, Cardinal Stritch, Yitzhak Ben-Zvi, Hayim Bialik, Ahad Ha-Am, Henrietta Szold, and many more.


title: José Landazabal

abstract: José Landazábal Uriarte, nicknamed Lakatos, was a Spanish footballer who played as a forward. He earned his nickname Lakatos for his resemblance to the Hungarian international footballer Schlosser-Lakatos.

text:
# José Landazabal

**José Landazábal Uriarte** (7 January 1899 - 5 February 1970), nicknamed **Lakatos**, was a Spanish footballer who played as a forward. He earned his nickname Lakatos for his resemblance to the Hungarian international footballer Schlosser-Lakatos.

## Club career

Born in Durango, Biscay, he began to play football in the youth ranks of local clubs such as Irala-Barri FC and Hispania, and with the latter he won the Children's championship at the age of 14, doing it so while playing "with espadrilles in every game". He then joined New Club, where he played a crucial role in helping them win the North second category in the 1916–17 season. At New Club, he stood out for his adapting and physical qualities, which eventually drew the attention of Athletic Club, who signed him in 1917 to replace the great Félix Zubizarreta. A year later, in 1918, he joined FC Barcelona, after a very brief unsuccessful experience with another Barcelona team, Canadienses FC, which he had joined on the advice of Paco Bru. He made his debut with Barça on 15 September 1918, in a tribute match to Pere Monistrol that ended in a 2-1 win over CE Sabadell FC. Lakatos formed a great attacking front with Vicente Martínez and Paulino Alcántara, which was pivotal in Barcelona's back-to-back Catalan championships and Copa del Rey finals between 1918 and 1920. Oddly, Barcelona won the 1920 final in which he did not play, but lost the 1919 final in which he played and scored in a 2-5 loss to Arenas de Getxo, courtesy of a hat-trick from Félix Sesúmaga, who then joined Barcelona, which prompted his dismissal from the club in 1920, leaving the club with 53 matches and 33 goals, thirty of them in his first season.

His next club was FC Martinenc of the Catalan second category, and played with them for 5 seasons (1920–23 and 1924–26), becoming the greatest figures of the club in the 1920s. He helped Martinenc achieve promotion to the main category at the end of the 1922-23 season, and he then helped the club win the championship for the winners of the second category after beating Esperanza de San Sebastián 4-2 in the final on 13 May 1923 at Atotxa, with Lakatos closing the scoring in the 85th minute. In August 1922 he played two friendlies with Athletic Club against Real Sociedad, in which he scored two goals, and on 27 May 1923 he reappeared with Barcelona, netting in a 5-0 win over Bishop Auckland at Les Corts, in the same match Hungarian goalkeeper Ferenc Plattkó made his debut for the Catalan club. He played a second match with Barça in June, but Lakatos would develop that campaign in the ranks of RCD Espanyol. Martinenc granted him a tribute match on 30 June 1926, in which they faced a Barcelona team that had the likes of Piera, Samitier and Alcántara, and shockingly, the local team thrashed the visitors 6-1, with 'Laka' scoring his last two goals as a Martinenc footballer.

He left Catalonia in 1927 to join Gimnástico de Valencia, before signing for Patria Aragón in Zaragoza, with whom he faced his former club Barcelona in the 1928 Copa del Rey; in a tie in which Lakatos scored his side's consolation goal. After a couple of short spells at Plentzia, Getxo and Hospitalenc SC, he hung up his boots in 1931. He was found dead of natural causes in the pension where he lived.

## International career

He earned only one cap for the Catalonia national team, which was held on 24 February 1924 against Avenç del Sport as a tribute match to Gabriel Bau.

## Honours

### Club

Barcelona

**Catalan football championship:**

* **Champions (2)**: 1918-19 and 1919-20

**Copa del Rey:**

## InfoBox

José Landazábal
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | José Landazábal Uriarte | | |
| Date of birth | (1899-01-07)7 January 1899 | | |
| Place of birth | Durango, Biscay, Spain | | |
| Date of death | 5 February 1970(1970-02-05) (aged 71) | | |
| Place of death | Bilbao, Spain | | |
| Position(s) | Forward | | |
| Youth career | | | |
| 1909–1912 | Irala-Barri FC | | |
| 1912–1916 | Hispania | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1916–1917 | New Club |  |  |
| 1917–1918 | Athletic Club |  |  |
| 1918–1920 | FC Barcelona | 53 | (33) |
| 1920–1923 | FC Martinenc |  |  |
| 1923–1924 | RCD Espanyol |  |  |
| 1924–1926 | FC Martinenc |  |  |
| 1926–1927 | Gimnástico FC |  |  |
| 1927–1928 | Patria Aragón |  |  |
| 1928–1929 | SD Plentzia |  |  |
| 1929–1930 | CD Getxo |  |  |
| 1930–1931 | Hospitalenc SC |  |  |
| International career | | | |
| 1924 | Catalonia | 1 | (0) |
| \*Club domestic league appearances and goals | | | |


title: Joshilyn Jackson

abstract: Joshilyn Jackson is an American author born February 27, 1968, in Fort Walton Beach, Florida. She was graduated from Booker T. Washington High School in Pensacola, Florida, in 1986. She attended several colleges before getting a two-year degree from Georgia Perimeter College and a BA in English literature from Georgia State University. She received an MA in creative writing from the University of Illinois Chicago in 1997. She has written eight novels, which in order of publication date are: A Grown-Up Kind of Pretty; Backseat Saints; The Girl Who Stopped Swimming; Between, Georgia; Gods in Alabama; Someone Else's Love Story; The Opposite of Everyone; The Almost Sisters; and Never Have I Ever. She has also written the novella My Own Miraculous. Jackson describes her writing style as "Weirdo Fiction with a Shot of Southern Gothic Influence for Smart People Who Can Catch the Nuances but Who Like Narrative Drive, and Who Have a Sense of Humor but Who Are Willing to Go Down to Dark Places" Jackson is a member of the board of Reforming Arts, a nonprofit which provides liberal arts classes to women in Georgia prisons. She herself teaches creative writing classes inside Lee Arrendale State Prison.

text:
# Joshilyn Jackson

**Joshilyn Jackson** is an American author born February 27, 1968, in Fort Walton Beach, Florida. She was graduated from Booker T. Washington High School in Pensacola, Florida, in 1986. She attended several colleges before getting a two-year degree from Georgia Perimeter College and a BA in English literature from Georgia State University. She received an MA in creative writing from the University of Illinois Chicago in 1997. She has written eight novels, which in order of publication date are: *A Grown-Up Kind of Pretty*; *Backseat Saints*; *The Girl Who Stopped Swimming; Between, Georgia; Gods in Alabama*; *Someone Else's Love Story*; *The Opposite of Everyone;* *The Almost Sisters; and Never Have I Ever*. She has also written the novella *My Own Miraculous*. Jackson describes her writing style as "Weirdo Fiction with a Shot of Southern Gothic Influence for Smart People Who Can Catch the Nuances but Who Like Narrative Drive, and Who Have a Sense of Humor but Who Are Willing to Go Down to Dark Places"

Jackson is a member of the board of Reforming Arts, a nonprofit which provides liberal arts classes to women in Georgia prisons. She herself teaches creative writing classes inside Lee Arrendale State Prison.

## InfoBox

| Joshilyn Jackson | |
| --- | --- |
| Born | (1968-02-27) February 27, 1968
Fort Walton Beach, Florida, U.S. |
| Occupation | Author |
| Education | Georgia State University (BA)
University of Illinois Chicago (MA) |
| Website | |
| www.joshilynjackson.com | |


title: Poslovni dnevnik

abstract: Poslovni dnevnik is a Croatian daily business newspaper published in Zagreb. The newspaper, billed as the first Croatian business daily, was originally launched in March 2004. The print edition is published five times a week, Monday through Friday, and each issue is printed on peach-colored paper, in imitation of the Financial Times. The paper also runs the Poslovni.hr website, which re-publishes feature articles from the print edition along with shorter breaking news items and a full overview of daily stock market indices from the Zagreb Stock Exchange and other stock exchanges from the region. The newspaper was acquired by the Austrian-based Styria Medien AG media company in March 2008, one of the two largest media groups operating in Croatia which also owns the Večernji list daily and 24sata tabloid. At the time, the paper's main competitor on the local market was Business.hr, which folded in 2014. Since May 2010 the newspaper also includes the Croatian-language edition of The International Weekly, a weekly selection of articles from The New York Times'. It also won several graphic design accolades: for Best Typography in the 2008 European Newspaper Awards, and in 2009 for Best Front Page in the national newspaper category, for two front pages published in May 2009.

text:
# Poslovni dnevnik

***Poslovni dnevnik*** (lit.'The Business Daily') is a Croatian daily business newspaper published in Zagreb. The newspaper, billed as the first Croatian business daily, was originally launched in March 2004. The print edition is published five times a week, Monday through Friday, and each issue is printed on peach-colored paper, in imitation of the *Financial Times*.

The paper also runs the **Poslovni.hr** website, which re-publishes feature articles from the print edition along with shorter breaking news items and a full overview of daily stock market indices from the Zagreb Stock Exchange and other stock exchanges from the region.

The newspaper was acquired by the Austrian-based Styria Medien AG media company in March 2008, one of the two largest media groups operating in Croatia which also owns the *Večernji list* daily and *24sata* tabloid. At the time, the paper's main competitor on the local market was *Business.hr*, which folded in 2014.

Since May 2010 the newspaper also includes the Croatian-language edition of *The International Weekly*, a weekly selection of articles from *The New York Times'*.

It also won several graphic design accolades: for Best Typography in the 2008 European Newspaper Awards, and in 2009 for Best Front Page in the national newspaper category, for two front pages published in May 2009.

* *Business.hr* (the only other business daily published in Croatia 2005–2014)
* *Privredni vjesnik* (the oldest business publication in Croatia, established in 1953 and published weekly)

## InfoBox

Poslovni dnevnik
|  | |
| --- | --- |
| Type | Daily newspaper
(published on workdays) |
| Owner(s) | Styria Media Group
(since March 2008) |
| Publisher | 24 sata d.o.o. |
| Founded | March 2004 |
| Language | Croatian |
| Headquarters | Oreškovićeva 6H/1,
Zagreb, Croatia |
| ISSN | 1845-8246 |
| Website | poslovni.hr |


title: Josip Mišić (footballer, born 1986)

abstract: Josip Mišić is a Croatian footballer currently playing for Sloga Jaruge.

text:
# Josip Mišić (footballer, born 1986)

**Josip Mišić** (born 14 July 1986 in SR Croatia) is a Croatian footballer currently playing for Sloga Jaruge.

## InfoBox

Josip Mišić
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Josip Mišić | | |
| Date of birth | (1986-07-14) 14 July 1986 | | |
| Place of birth | , SR Croatia, SFR Yugoslavia | | |
| Height | 1.78 m (5 ft 10 in) | | |
| Position(s) | Left-back | | |
| Team information | | | |
| Current team | Sloga Jaruge | | |
| Youth career | | | |
|  | NK Osijek | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 2004–2006 | Osijek | 25 | (3) |
| 2006 | Bjelovar | 11 | (0) |
| 2007–2008 | Kamen Ingrad | 8 | (2) |
| 2008–2009 | Međimurje | 24 | (1) |
| 2009 | Universitatea Craiova | 0 | (0) |
| 2010–2011 | MV Croatia | 15 | (0) |
| 2011-2013 | Vinogradar | 29 | (1) |
| 2013–2017 | Đakovo Croatia |  |  |
| 2017–2020 | Ratar |  |  |
| 2020-2021 | Sloga Jaruge |  |  |
| 2022 | Ratar |  |  |
| 2022- | Sloga Jaruge |  |  |
| International career | | | |
| 2004 | Croatia U-21 | 6 | (0) |
| \*Club domestic league appearances and goals | | | |


title: Morgan Arboretum

abstract: The Morgan Arboretum is a 245-hectare (610-acre) forested reserve, on the McGill University Macdonald Campus in Sainte-Anne-de-Bellevue, on the western tip of the Island of Montreal, Quebec, Canada. It is a mixed-use woodland and recreational area, with an extensive network of walking, skiing and snowshoeing trails totaling some 25 km (16 mi).

text:
# Morgan Arboretum

The **Morgan Arboretum** is a 245-hectare (610-acre) forested reserve, on the McGill University Macdonald Campus in Sainte-Anne-de-Bellevue, on the western tip of the Island of Montreal, Quebec, Canada. It is a mixed-use woodland and recreational area, with an extensive network of walking, skiing and snowshoeing trails totaling some 25 km (16 mi).

## History

McGill University acquired the property in 1945. Through the work of Robert Watson and his son John, the arboretum has remained a managed mixed-used area for conservation, academic study, recreation and forestry management.

## Flora and fauna

The Morgan Arboretum contains 40 native species of tree, including the American beech, sugar maple, butternut, bitternut hickory, American elm and black cherry. It is also home to more than 170 species of migratory and overwintering birds, 15 species of reptiles or amphibians and 30 species of mammals.

## Management

The Morgan Arboretum is supported by visitor admission fees, McGill University and a charity, the Morgan Arboretum Association. An active member's organisation, the Friends of the Morgan Arboretum, had 2000 members in 2010.

## InfoBox

| Morgan Arboretum | |
| --- | --- |
| An autumn day at the Morgan Arboretum | |
|  | |
| Type | Arboretum |
| Location | Sainte-Anne-de-Bellevue, Quebec, Canada |
| Coordinates | 45°25′50.1″N 73°57′8.2″W / 45.430583°N 73.952278°W / 45.430583; -73.952278 |
| Area | 245 hectares (610 acres) |
| Operated by | McGill University |
| Open | 1945 |


# Ukraine in the Eurovision Song Contest 2017

Ukraine participated in the Eurovision Song Contest 2017 with the song "Time" written by Yevhen Halych and Yevhen Kamenchuk. The song was performed by the band O.Torvald. In addition to participating in the contest, the Ukrainian broadcaster National Television Company of Ukraine (NTU) also hosted the Eurovision Song Contest after winning the competition in 2016 with the song "1944" performed by Jamala. NTU organised a national final in collaboration with commercial broadcaster STB in order to select the Ukrainian entry for the 2017 contest in Kyiv. The national selection consisted of three semi-finals, held on 4, 11 and 18 February 2017, and a final, held on 25 February 2017; eight entries competed in each semi-final with the top two from each semi-final advancing to the final. In the final, "Time" performed by O.Torvald was selected as the winner following the combination of votes from a three-member jury panel and a public televote.

As the host country, Ukraine qualified to compete directly in the final of the Eurovision Song Contest. Ukraine's running order position was determined by draw. Performing in position 22 during the final, Ukraine placed twenty-fourth out of the 26 participating countries with 36 points.

## Background

Prior to the 2017 contest, Ukraine had participated in the Eurovision Song Contest fourteen times since its first entry in 2003, winning it in 2004 with the song "Wild Dances" performed by Ruslana and in 2016 with the song "1944" performed by Jamala. Following the introduction of semi-finals for the 2004 contest, Ukraine had managed to qualify to final in every contest they participated in thus far. Ukraine had been the runner-up in the contest on two occasions: in 2007 with the song "Dancing Lasha Tumbai" performed by Verka Serduchka and in 2008 with the song "Shady Lady" performed by Ani Lorak. Ukraine's least successful result had been 19th place, which they achieved during the 2005, with the song "Razom nas bahato" performed by GreenJolly.

The Ukrainian national broadcaster, National Television Company of Ukraine (NTU), broadcasts the event within Ukraine and organises the selection process for the nation's entry. In the past, UA:PBC had alternated between both internal selections and national finals in order to select the Ukrainian entry. Between 2011 and 2014, NTU had set up national finals with several artists to choose both the song and performer to compete at Eurovision for Ukraine, with both the public and a panel of jury members involved in the selection. In September 2014, the Ukrainian broadcaster announced that the country would not participate in the 2015 because of the unstable financial and political situation caused by the war in east Ukraine. Along with the announcement of their withdrawal, NTU revealed that it had discussed the matter with the organising body of the contest, the European Broadcasting Union (EBU), and that their absence would be limited to one year only with an expected return in 2016. In 2016, NTU in collaboration with the commercial broadcaster STB had set up a national final with several artists and shows to choose both the song and performer to compete at Eurovision for Ukraine, with both the public and a panel of jury members involved in the selection. NTU's collaboration with STB continued in 2017.

## Before Eurovision

### *Vidbir* *2017*

*Vidbir 2017* was the second edition of *Vidbir* which selected the Ukrainian entry for the Eurovision Song Contest 2017. The competition took place at the Palace of Culture "KPI" in Kyiv and consisted of three semi-finals held on 4, 11 and 18 February 2017 and a final on 25 February 2017. All shows in the competition were hosted by Serhiy Prytula and broadcast on both UA:Pershyi and STB as well as online via NTU's YouTube broadcasts.

#### Format

The selection of the competing entries for the national final and ultimately the Ukrainian Eurovision entry took place over three stages. In the first stage, artists and songwriters had the opportunity to apply for the competition either through an online submission form or by attending a scheduled audition during designated dates. Applicants also had the option of entering an online wildcard selection, the winner of which was to gain direct entry into the competition's final. However, it was later announced that the winner would compete in the competition's semi-finals instead. Twenty-four acts were selected and announced on 17 January 2017. The second stage consisted of the televised semi-finals which took place on 4, 11 and 18 February 2017 with eight acts competing in each show. Two acts were selected to advance from each semi-final based on the 50/50 combination of votes from a public televote and an expert jury. Both the public televote and the expert jury assigned scores ranging from 1 (lowest) to 8 (highest) and the two entries that had the highest number of points following the combination of these scores advanced to the final. The third stage was the final, which took place on 25 February 2017 and featured the six acts that qualified from the semi-finals vying to represent Ukraine in Kyiv. The winner was selected via the 50/50 combination of votes from a public televote and an expert jury. Both the public televote and the expert jury assigned scores ranging from 1 (lowest) to 6 (highest) and the entry that had the highest number of points following the combination of these scores was declared the winner. Viewers participating in the public televote during the four live shows had the opportunity to submit a single vote per phone number for each of the participating entries via SMS or the Teleportal mobile application. In the event of a tie during the semi-finals and final, the tie was decided in favour of the entry that received the highest score from the public televote.

The jury panel that voted during the four shows consisted of:

#### Competing entries

Artists and composers had the opportunity to submit their entries via an online submission form which accepted entries between 1 September 2016 and 15 January 2017. Interested performers could also attend auditions that were held between 6 November and 11 December 2016 in the following cities and locations:

* 6 November 2016: Odesa (Hotel "Marenero")
* 13 November 2016: Dnipro (Hotel "Dnipropetrovsk")
* 4 December 2016: Lviv (Hotel "Reikartz")
* 11 December 2016: Kyiv (STB Headquarters)

In addition to the online submission and auditions, artists and composers also had the option of submitting their entries for the wildcard selection at STB's official website which accepted entries between 1 September 2016 and 10 January 2017. The entries were then published online and users were able to cast one vote per day. Composer and producer Konstantin Meladze was assigned as the music producer of the show and was the lead in reviewing the submissions received from the online submission and auditions, of which twenty-three entries were shortlisted to compete in the national final. On 17 January 2017, the twenty-four selected competing acts, including the online wildcard winner, "Deep Shivers" performed by Kuznetsov, were announced. The twenty-four acts were allocated to one of three semi-finals during a draw that took place on 20 January, which was hosted by Konstantin Meladze.

Top 10 of the wildcard round – 1 September 2016–10 January 2017
| Artist | Song | Votes | Place |
| --- | --- | --- | --- |
| Kuznetsov | "Deep Shivers" | 11,820 | 1 |
| Denis Povaliy | "Written On Your Heart" | 10,311 | 2 |
| Katya Syvun | "Pryvyd" (Привід) | 2,479 | 3 |
| Legenda Folium | "My Space" | 2,199 | 4 |
| One Light Inside | "Stay" | 1,920 | 5 |
| Kseniya Popova | "Let it Fall" | 1,919 | 6 |
| Litvinkovich | "Nasha lyubov" (Наша любов) | 1,375 | 7 |
| Alex Angel and Lady Gala | "Running for Love" | 1,296 | 8 |
| Nataliya Pylyponyuk and Dzhoan Sereso | "Serenada Ukrayini" (Серенада Україні) | 1,293 | 9 |
| Oksana Pryimak | "Za krai" (За край) | 1,077 | 10 |

| Artist | Song | Songwriter(s) |
| --- | --- | --- |
| Aghiazma | "Synthetic Sun" | Kora Rex, Aghiazma |
| Anastasia Prudius | "Flow" | Anastasia Prudius, Anton Karskiy |
| Arsen Mirzoyan | "Geraldine" | Arsen Mirzoyan, Paul Manandise |
| Detach | "Distance" | Oleksiy Verenchik, Evhen Astafiev |
| Green Grey | "Future Is On" | Green Grey |
| Illaria | "Thank You for My Way" | Ivan Rozin, Anna Rozina, Illaria |
| Kadnay | "Freedom in My Mind" | Dmytro Kadnay, Pylyp Kolyadenko, Anton Karskiy |
| Kuznetsov | "Deep Shivers" | Ruslan Kuznetsov |
| Laliko | "Sugar Whisper" | Lali Ergemlidze |
| Letay | "Svit chekaye" (Світ чекає) | Ilya Reznikov |
| MamaRika | "We Are One" | Anastasiya Kochetova, Ivan Klymenko, Very the Jerry |
| Mélovin | "Wonder" | Kostyantyn Bocharov, Mickey Mic |
| Mila Nytych | "Mystery" | Yulia Hashevskaya |
| Monochromea | "Blue Bird" | Kristina Hromyak |
| O.Torvald | "Time" | Yevhen Halych, Yevhen Kamenchuk |
| Panivalkova | "Dokuchayu" (Докучаю) | Panivalkova |
| Payushchie Trusy | "Singing Pants" | Volodymyr Bebeshko, Olga Stepura |
| Roma Veremeychik and Lumiere | "Make It Real" | Roman Veremeychik |
| Rozhden | "Saturn" | Panos Liassi, Rafael Ishman, Rozhden Anusi |
| Salto Nazad | "O, mamo!" (О, мамо!) | Ivan Klymenko |
| Skai | "All My Love for You" | Oleh Sobchuk, John Hill |
| Tayanna | "I Love You" | Max Barskih, Tetiana Reshetniak |
| Vitaly Kozlovsky | "I'm Your Light" | Dmytro Bananov, Maryna Skomorokhova |
| Vivienne Mort | "Iniy" (Іній) | Daniela Zayushkina |

#### Shows

##### Semi-finals

The three semi-finals took place on 4, 11 and 18 February 2017. In each semi-final eight acts competed and the top two entries determined following the combination of votes from a public televote and an expert jury advanced to the final of the competition, while the remaining six entries were eliminated.

In addition to the performances of the competing entries, guests in the first semi-final included 2017 Belarusian Eurovision entrant Naviband performing the 2017 Belarusian entry "Historyja majho žyccia" and a Belarusian version of the Eurovision 2016 winning song "1944" by Jamala, and 2017 Georgian Eurovision entrant Tamara Gachechiladze performing the 2017 Georgian entry "Keep the Faith", while 2017 Spanish Eurovision entrant Manel Navarro performed the 2017 Spanish entry "Do It for Your Lover" as a guest in the second semi-final.

Semi-final 1 – 4 February 2017
| Draw | Artist | Song | Jury | Televote | | Total | Place |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | Percentage | Points | | |
| 1 | Skai | "All My Love for You" | 6 | 9.54% | 5 | 11 | 4 |
| 2 | Roman Veremeychik and Lumiere | "Make It Real" | 2 | 6.30% | 3 | 5 | 6 |
| 3 | Monochromea | "Blue Bird" | 3 | 4.35% | 2 | 5 | 7 |
| 4 | Laliko | "Sugar Whisper" | 1 | 4.29% | 1 | 2 | 8 |
| 5 | Salto Nazad | "O, mamo!" | 8 | 11.82% | 6 | 14 | 2 |
| 6 | MamaRika | "We Are One" | 5 | 8.76% | 4 | 9 | 5 |
| 7 | Tayanna | "I Love You" | 7 | 30.05% | 8 | 15 | 1 |
| 8 | Arsen Mirzoyan | "Geraldine" | 4 | 24.90% | 7 | 11 | 3 |

Semi-final 2 – 11 February 2017
| Draw | Artist | Song | Jury | Televote | | Total | Place |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | Percentage | Points | | |
| 1 | Letay | "Svit chekaye" | 1 | 5.76% | 1 | 2 | 8 |
| 2 | Mila Nytych | "Mystery" | 3 | 7.66% | 3 | 6 | 7 |
| 3 | Kuznetsov | "Deep Shivers" | 2 | 18.08% | 7 | 9 | 5 |
| 4 | Aghiazma | "Synthetic Sun" | 5 | 7.66% | 2 | 7 | 6 |
| 5 | Detach | "Distance" | 4 | 17.71% | 6 | 10 | 3 |
| 6 | Rozhden | "Saturn" | 8 | 11.18% | 5 | 13 | 2 |
| 7 | Panivalkova | "Dokuchayu" | 6 | 10.37% | 4 | 10 | 4 |
| 8 | Illaria | "Thank You for My Way" | 7 | 21.59% | 8 | 15 | 1 |

Semi-final 3 – 18 February 2017
| Draw | Artist | Song | Jury | Televote | | Total | Place |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | Percentage | Points | | |
| 1 | Payushchie Trusy | "Singing Pants" | 2 | 3.48% | 1 | 3 | 8 |
| 2 | O.Torvald | "Time" | 7 | 19.70% | 7 | 14 | 1 |
| 3 | Anastasia Prudius | "Flow" | 3 | 7.71% | 3 | 6 | 6 |
| 4 | Vitaly Kozlovsky | "I'm Your Light" | 1 | 5.27% | 2 | 3 | 7 |
| 5 | Kadnay | "Freedom in My Mind" | 8 | 14.50% | 5 | 13 | 3 |
| 6 | Mélovin | "Wonder" | 5 | 23.84% | 8 | 13 | 2 |
| 7 | Green Grey | "Future Is On" | 4 | 10.15% | 4 | 8 | 5 |
| 8 | Vivienne Mort | "Iniy" | 6 | 15.36% | 6 | 12 | 4 |

##### Final

The final took place on 25 February 2017. The six entries that qualified from the semi-finals competed. The winner, "Time" performed by O.Torvald, was selected through the combination of votes from a public televote and an expert jury. Ties were decided in favour of the entries that received higher scores from the public televote. 193,622 votes were registered by the televote during the show. In addition to the performances of the competing entries, guests included 2017 French Eurovision entrant Alma performing the 2017 French entry "Requiem" and 2017 Polish Eurovision entrant Kasia Moś performing the 2017 Polish entry "Flashlight". O.Torvald and Tayanna were tied at 10 points each at the end of the show but since O.Torvald received a higher score from the public they were declared the winners.

Detailed Jury Votes
| Draw | Song | K. Meladze | Jamala | A. Danylko | Total | Points |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | "O, mamo!" | 1 | 1 | 1 | 3 | 1 |
| 2 | "Wonder" | 3 | 2 | **6** | 11 | 2 |
| 3 | "Time" | 2 | **6** | 5 | 13 | 5 |
| 4 | "Thank You for My Way" | 4 | 4 | 4 | 12 | 4 |
| 5 | "I Love You" | **6** | 5 | 2 | 13 | 6 |
| 6 | "Saturn" | 5 | 3 | 3 | 11 | 3 |

Final – 25 February 2017
| Draw | Artist | Song | Jury | Televote | | Total | Place |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | Votes | Points | | |
| 1 | Salto Nazad | "O, mamo!" | 1 | 21,978 | 3 | 4 | 6 |
| 2 | Mélovin | "Wonder" | 2 | 60,455 | 6 | 8 | 3 |
| 3 | O.Torvald | "Time" | 5 | 49,514 | 5 | 10 | 1 |
| 4 | Illaria | "Thank You for My Way" | 4 | 14,388 | 1 | 5 | 5 |
| 5 | Tayanna | "I Love You" | 6 | 32,319 | 4 | 10 | 2 |
| 6 | Rozhden | "Saturn" | 3 | 14,968 | 2 | 5 | 4 |

### Promotion

O.Torvald made several appearances across Europe to specifically promote "Time" as the Ukrainian Eurovision entry. On 2 April, O.Torvald performed during the *London Eurovision Party*, which was held at the Café de Paris venue in London and hosted by Nicki French and Paddy O'Connell. On 8 April, O.Torvald performed during the *Eurovision in Concert* event which was held at the Melkweg venue in Amsterdam, Netherlands and hosted by Cornald Maas and Selma Björnsdóttir.

## At Eurovision

All countries except the "Big Five" (France, Germany, Italy, Spain and the United Kingdom) and the host country, are required to qualify from one of two semi-finals in order to compete for the final; the top ten countries from each semi-final progress to the final. As the host country, Ukraine automatically qualified to compete in the final on 13 May 2017. In addition to their participation in the final, Ukraine is also required to broadcast and vote in one of the two semi-finals. During the semi-final allocation draw on 25 January 2016, Ukraine was assigned to broadcast and vote in the second semi-final on 11 May 2017.

In Ukraine, both the semi-finals and the final were broadcast on UA:Pershyi with commentary by Tetyana Terekhova and Andriy Horodyskyi. The three shows were also broadcast via radio on Radio Ukraine with commentary by Olena Zelinchenko and Roman Kolyada. The Ukrainian spokesperson, who announced the top 12-point score awarded by the Ukrainian jury during the final, was 2013 Ukrainian representative Zlata Ognevich.

### Final

O.Torvald took part in technical rehearsals on 5 and 7 May, followed by dress rehearsals on 10, 12 and 13 May. This included the semi-final jury show on 10 May where an extended clip of the Ukrainian performance was filmed for broadcast during the live show on 11 May and the jury final on 12 May where the professional juries of each country watched and voted on the competing entries. As the host nation, Ukraine's running order position in the final was decided through a random draw that took place during the Heads of Delegation meeting in Kyiv on 14 March 2017. Ukraine was drawn to perform in position 22. Following the second semi-final, the shows' producers decided upon the running order of the final rather than through another draw, so that similar songs were not placed next to each other. While Ukraine had already been drawn to perform in position 22, it was determined that Ukraine would perform following Germany and before the entry from Belgium.

The Ukrainian performance featured the members of O.Torvald performing on stage in a band set-up in black costumes together with a backing vocalist. The stage featured a head that transitioned from grey to blue colours, with its eyes lit up in light blue and changed to red towards the end of the performance. The LED screens displayed predominately turquoise colours that turned into black at points, accompanied by a mountainous imagery that extended upwards showing a sunrise before the conclusion of the song. The backing vocalist that joined O.Torvald on stage was Dasha Mineyeva. Ukraine placed twenty-fourth in the final, scoring 36 points: 24 points from the televoting and 12 points from the juries.

### Voting

Voting during the three shows involved each country awarding two sets of points from 1-8, 10 and 12: one from their professional jury and the other from televoting. Each nation's jury consisted of five music industry professionals who are citizens of the country they represent, with their names published before the contest to ensure transparency. This jury judged each entry based on: vocal capacity; the stage performance; the song's composition and originality; and the overall impression by the act. In addition, no member of a national jury was permitted to be related in any way to any of the competing acts in such a way that they cannot vote impartially and independently. The individual rankings of each jury member as well as the nation's televoting results were released shortly after the grand final.

Below is a breakdown of points awarded to Ukraine and awarded by Ukraine in the second semi-final and grand final of the contest, and the breakdown of the jury voting and televoting conducted during the two shows:

#### Points awarded to Ukraine

|
|  |
Points awarded to Ukraine (Final)
| Score | Televote | Jury |
| --- | --- | --- |
| 12 points |  |  |
| 10 points |  |  |
| 8 points |  |  |
| 7 points |  | Azerbaijan |
| 6 points |  |  |
| 5 points |  |  |
| 4 points | Georgia | Israel |
| 3 points | Portugal |  |
| 2 points | Poland |  |
| 1 point | Belarus | Bulgaria |

#### Points awarded by Ukraine

#### Detailed voting results

The following members comprised the Ukrainian jury:

* Yurii Rybchynsky (jury chairperson)  poet, dramatist, scriptwriter
* Sergii Grachov  composer, arranger
* Yana Pryadko  producer
* Sergii Gagarin (Serzh Gagarin)  radio presenter, producer
* Kateryna Sereda (Illaria)  singer, songwriter

|
|  |
Detailed voting results from Ukraine (Semi-final 2)
| Draw | Country | Jury | | | | | | | Televote | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | Y. Rybchynsky | S. Grachov | Y. Pryadko | S. Gagarin | Illaria | Rank | Points | Rank | Points |
| 01 | Serbia | 11 | 11 | 15 | 13 | 12 | 15 |  | 18 |  |
| 02 | Austria | 12 | 12 | 9 | 17 | 11 | 14 |  | 12 |  |
| 03 | Macedonia | 13 | 13 | 8 | 3 | 3 | 8 | 3 | 13 |  |
| 04 | Malta | 14 | 14 | 5 | 7 | 16 | 12 |  | 17 |  |
| 05 | Romania | 15 | 3 | 3 | 8 | 9 | 7 | 4 | 6 | 5 |
| 06 | Netherlands | 6 | 5 | 7 | 4 | 6 | 5 | 6 | 14 |  |
| 07 | Hungary | 16 | 4 | 4 | 1 | 2 | 4 | 7 | 5 | 6 |
| 08 | Denmark | 17 | 15 | 12 | 10 | 7 | 13 |  | 15 |  |
| 09 | Ireland | 3 | 6 | 14 | 9 | 10 | 9 | 2 | 11 |  |
| 10 | San Marino | 18 | 16 | 18 | 18 | 18 | 18 |  | 16 |  |
| 11 | Croatia | 1 | 2 | 11 | 6 | 8 | 6 | 5 | 8 | 3 |
| 12 | Norway | 5 | 9 | 1 | 5 | 4 | 2 | 10 | 7 | 4 |
| 13 | Switzerland | 7 | 8 | 13 | 14 | 14 | 11 |  | 9 | 2 |
| 14 | Belarus | 4 | 7 | 2 | 2 | 1 | 1 | **12** | 1 | **12** |
| 15 | Bulgaria | 2 | 1 | 6 | 11 | 5 | 3 | 8 | 2 | 10 |
| 16 | Lithuania | 8 | 18 | 17 | 15 | 17 | 17 |  | 10 | 1 |
| 17 | Estonia | 10 | 17 | 16 | 16 | 15 | 16 |  | 3 | 8 |
| 18 | Israel | 9 | 10 | 10 | 12 | 13 | 10 | 1 | 4 | 7 |

|
|  |
Detailed voting results from Ukraine (Final)
| Draw | Country | Jury | | | | | | | Televote | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | Y. Rybchynsky | S. Grachov | Y. Pryadko | S. Gagarin | Illaria | Rank | Points | Rank | Points |
| 01 | Israel | 23 | 18 | 18 | 17 | 19 | 20 |  | 17 |  |
| 02 | Poland | 4 | 16 | 24 | 19 | 24 | 18 |  | 14 |  |
| 03 | Belarus | 3 | 3 | 1 | 2 | 3 | 1 | **12** | 3 | 8 |
| 04 | Austria | 22 | 20 | 21 | 24 | 13 | 24 |  | 22 |  |
| 05 | Armenia | 8 | 11 | 12 | 20 | 7 | 13 |  | 16 |  |
| 06 | Netherlands | 9 | 4 | 14 | 11 | 9 | 8 | 3 | 23 |  |
| 07 | Moldova | 2 | 1 | 16 | 5 | 20 | 7 | 4 | 1 | **12** |
| 08 | Hungary | 10 | 8 | 3 | 1 | 2 | 3 | 8 | 7 | 4 |
| 09 | Italy | 24 | 25 | 11 | 13 | 23 | 21 |  | 13 |  |
| 10 | Denmark | 11 | 24 | 15 | 16 | 16 | 16 |  | 20 |  |
| 11 | Portugal | 5 | 2 | 2 | 6 | 1 | 2 | 10 | 2 | 10 |
| 12 | Azerbaijan | 12 | 6 | 5 | 12 | 6 | 5 | 6 | 11 |  |
| 13 | Croatia | 6 | 5 | 8 | 4 | 14 | 4 | 7 | 15 |  |
| 14 | Australia | 13 | 13 | 10 | 10 | 4 | 9 | 2 | 19 |  |
| 15 | Greece | 7 | 14 | 23 | 18 | 17 | 15 |  | 21 |  |
| 16 | Spain | 18 | 23 | 25 | 25 | 22 | 25 |  | 25 |  |
| 17 | Norway | 21 | 10 | 9 | 8 | 10 | 12 |  | 10 | 1 |
| 18 | United Kingdom | 14 | 19 | 20 | 14 | 15 | 17 |  | 18 |  |
| 19 | Cyprus | 16 | 12 | 19 | 21 | 21 | 19 |  | 12 |  |
| 20 | Romania | 17 | 9 | 4 | 15 | 11 | 11 |  | 8 | 3 |
| 21 | Germany | 15 | 22 | 22 | 22 | 18 | 23 |  | 24 |  |
| 22 | Ukraine |  |  |  |  |  |  |  |  |  |
| 23 | Belgium | 19 | 21 | 6 | 3 | 5 | 10 | 1 | 6 | 5 |
| 24 | Sweden | 20 | 15 | 13 | 7 | 12 | 14 |  | 4 | 7 |
| 25 | Bulgaria | 25 | 7 | 17 | 23 | 25 | 22 |  | 9 | 2 |
| 26 | France | 1 | 17 | 7 | 9 | 8 | 6 | 5 | 5 | 6 |

## InfoBox

| Eurovision Song Contest 2017 | |
| --- | --- |
| Country | Ukraine |
| National selection | |
| Selection process | Vidbir 2017 |
| Selection date(s) | **Semi-finals:**<br>4 February 2017<br>11 February 2017<br>18 February 2017<br>**Final:**<br>25 February 2017 |
| Selected artist(s) | O.Torvald |
| Selected song | "Time" |
| Selected songwriter(s) |  |
| Finals performance | |
| Final result | 24th, 36 points |
| Ukraine in the Eurovision Song Contest | |
| ◄2016 **2017** 2018► | |


abstract: The University of Pennsylvania Journal of Business Law is a scholarly journal focusing on issues of business law, corporate governance, securities regulation, capital markets regulation, the law of mergers and acquisitions, and employment law. The Journal is published four times annually by an organization of second and third year law students at the University of Pennsylvania Law School. The journal is one of six major scholarly journals at the University of Pennsylvania Law School and one of the top five most cited business law journals in the United States.

text:
# University of Pennsylvania Journal of Business Law

The ***University of Pennsylvania Journal of Business Law*** is a scholarly journal focusing on issues of business law, corporate governance, securities regulation, capital markets regulation, the law of mergers and acquisitions, and employment law. The *Journal* is published four times annually by an organization of second and third year law students at the University of Pennsylvania Law School. The journal is one of six major scholarly journals at the University of Pennsylvania Law School and one of the top five most cited business law journals in the United States.

## History

The *Journal of Business Law* is an expansion of the *Journal of Labor and Employment Law*, which has published focused and cutting-edge scholarship since 1997. Building upon more than a decade of successful contribution to legal academia, the *Journal* now also provides a forum for scholarly analysis addressing all aspects of business law. Now on its 21st Volume, the Journal has become one of the premier destinations for business-related legal scholarship. The *Journal of Business Law* is published in four standard issues each year.

## Member selection

Positions on the journal are filled based in part on students' grades during first year of law school and in part on students' performance during a writing competition conducted at the end of each school year. The writing competition has two major parts: an editing portion and a writing portion. During the 20-hour editing portion, contestants are required to correct a sample portion of a fake law review article. Contestants have at their disposal a copy of the Bluebook and a packet of source materials provided by the journal. During the writing portion, contestants are required to create a cohesive, thesis-driven essay using only these source materials. The sources cover a variety of topics, and the essay does not need to be law-related.

## Notable citations

In 2013, the Journal was cited in an opinion by the United States Court of Appeals for the Third Circuit. The case *In re K.B. Toys*, 736 F.3d 247, 249 (3d Cir. 2013), cited Tally M. Wiener & Nicholas B. Malito, *On the Nature of the Transferred Bankruptcy Claim*, 12 U. Pa. J. Bus. L. 35 (2009).

In 2012, the Journal was cited by both the Delaware Supreme Court and the Maine Supreme Judicial Court. In *PHL Variable Ins. Co.* v. *Price Dawe 2006 Ins. Trust, ex rel. Christiana Bank and Trust Co.*, 28 A.3d 1059, 1069 n.27, 1070 n.33 (Del. 2012), the Delaware Supreme Court twice cited Susan Lord Martin, *Betting on the Lives of Strangers: Life Settlements, STOLI and Securitization*, 134 U. Pa. J. Bus. L. 173 (2010). In *Fuhrmann* v. *Staples Office Superstore East, Inc.*, 58 A.3d 1083, 1095 (Me. 2012), the Maine Supreme Judicial Court cited Mitchell H. Rubinstein, *Employees, Employers, and Quasi–Employers: An Analysis of Employees and Employers Who Operate in the Borderland Between an Employer–and–Employee Relationship*, 14 U. Pa. J. Bus. L. 605 (2012).

In addition, the Journal has been regularly cited in briefs before the United States Supreme Court in some of the most important business law cases in the last decade, including: *Harris* v. *Quinn*, *Halliburton* v. *Erica P. John Fund* (*Halliburton II*), *Petrella* v. *Metro Goldwyn-Mayer, Inc.*, *Amgen Inc.* v. *Connecticut Retirement Plans & Trust Funds*, and *Morrison* v. *National Australia Bank*.

## Volume 20 (2017-2018) Masthead

| Title | Name |
| --- | --- |
| Editor In-Chief | Mary Maginnis |
| Managing Editor | Jill Settlemyer |
| Production Editor | Brittany Taylor |
| Articles Editors | Madeline Jolles Laura Pettinelli |
| Comments Editor | Anne Bracaglia |
| Research Editor | Emma Kolesar |
| Technology Editor | Emily Mondry |
| Symposium Editor | Timothy Walker |
| Executive Editors | Al Lucia Ron Moore
Mia Rendar
Jenna Weinblatt
Alexis Wiseley |
| Senior Editors | Joshua Abraham Brendan Counihan
Kaitlin Gottlieb
Zachary Greene
Sarah Hughes
Skylar Kalin
Jane Komsky
Tu Le
Ryan Lowery
Adam Neuman
Altumash Mufti
Shelby Rokito
Charles Rosenthal
Danielle Sekerak
Jonathan Sorger |

## InfoBox

*University of Pennsylvania Journal of Business Law*
| University of Pennsylvania Law School | |
| --- | --- |
| Discipline | Business law |
| Language | English |
| Edited by | Nicolle Stracar |
| Publication details | |
| Former name(s) | University of Pennsylvania Journal of Labor and Employment Law; University of Pennsylvania Journal of Business and Employment Law |
| History | 1997-present |
| Publisher | University of Pennsylvania Law School (United States) |
| Frequency | Quarterly |
| Standard abbreviations
 | |
| Bluebook | *U. Pa. J. Bus. L.* |
| ISO 4 | *Univ. Pa. J. Bus. Law* |
| Indexing
 | |
| ISSN | 1945-2934
 |
| Links | |
|  | |


title: Next Time (Marie Wilson song)

abstract: "Next Time" is a song by Australian singer Marie Wilson, released in 1998 as the lead single from her debut studio album, Real Life (1998). The song peaked at number 21 on the Australian Singles Chart. At the ARIA Music Awards of 1998, the song was nominated for Best New Talent and Breakthrough Artist – Single.

text:
# Next Time (Marie Wilson song)

"**Next Time**" is a song by Australian singer Marie Wilson, released in 1998 as the lead single from her debut studio album, *Real Life* (1998). The song peaked at number 21 on the Australian Singles Chart. At the ARIA Music Awards of 1998, the song was nominated for Best New Talent and Breakthrough Artist – Single.

## Background and release

"Next Time" was co-written by Jim Vallance, Mark Hudson, and Marie Wilson at Miles Copeland's castle (Chateau de Marouatte) in France in September 1997. Released in early 1998, "Next Time" debuted on the Australian ARIA Singles Chart at number 30 for the week ending 15 March 1998. After rising and falling within the top 40 for the next four weeks, the song entered the top 30 and ascended to its peak of number 21 on 10 May 1998. Afterwards, the song fell down the chart, spending four more weeks in the top 50 and logging 13 weeks on the chart altogether. In June 1999, the song was serviced to hot adult contemporary, modern adult contemporary, and contemporary hit radio in the United States.

## Track listing

**Australian CD single**

1. "Next Time" – 4:24
2. "Searching" – 4:27
3. "Next Time" (live/acoustic) – 4:25

* Track three was recorded live on tour with k.d. lang in Sydney, December 1997

## Credits and personnel

Credits are lifted from the Australian CD single liner notes and the *Real Life* album booklet.

**Studios**

* Produced and engineered at Joe's Garage (Memphis, Tennessee)
* Mixed at Southbeach Studios (Miami, Florida)
* Mastered at Sterling Sound (New York City)

**Personnel**

* Marie Wilson – writing, vocals, backing vocals, rhythm guitar, keyboards and programming
* Mark Hudson – writing, backing vocals
* Jim Vallance – writing
* Joe Hardy – backing vocals, lead guitar, bass guitar, keyboards and programming, production, engineering
* Greg Morrow – drums
* Tom Lord-Alge – mixing
* Ted Jensen – mastering

## Charts

| Chart (1998) | Peak
position |
| --- | --- |
| Australia (ARIA) | 21 |

## Release history

| Region | Date | Format(s) | Label(s) | Ref(s). |
| --- | --- | --- | --- | --- |
| Australia | 1998 | CD | EastWest |  |
| United States | 7 June 1999 |  | Atlantic |  |
| | 8 June 1999 | | Contemporary hit radio |  |

## InfoBox

| "Next Time" | |
| --- | --- |
|  | |
| Single by Marie Wilson | |
| from the album  *Real Life* | |
| B-side | "Searching" |
| Written | September 1997 |
| Released | 1998 (1998) |
| Length | 4:24 |
| Label |  |
| Songwriter(s) |  |
| Producer(s) | Joe Hardy |
| Marie Wilson singles chronology | |
| "**Next Time**"
(1998) "Won't Keep a Good Girl Down"
(1998) | |


title: Francis Evelyn Anderson

abstract: Francis Evelyn Anderson (1752–1821) was a British Army officer and politician who sat in the House of Commons from 1774 to 1784.

text:
# Francis Evelyn Anderson

**Francis Evelyn Anderson** (1752–1821) was a British Army officer and politician who sat in the House of Commons from 1774 to 1784.

## Early life and army

Anderson was the second son of Francis Anderson of Manby and his wife Eleanor Carter, daughter of Thomas Carter of Bathavern, Denbighshire, and was born on 8 April 1752. He was educated at Eton College from 1763 to 1769. His father had died in 1758 and in 1768 his mother remarried to Robert Vyner who was an MP. Anderson joined the army and was a cornet in the 15th Light Dragoons in 1770. He remained in the army in parallel with his Parliamentary career and was Lieutenant in 1779. In 1780 he was a lieutenant and captain in the 1st Foot Guards and in 1783 became major in the 85th Foot.

## Political career

Anderson’s brother Charles had changed his name to Anderson-Pelham when he succeeded to the estates of an uncle in 1763. He also had an interest in the parliamentary seats at Grimsby and at Beverley. On the strength of his brother’s interest, Anderson was returned unopposed as Member of Parliament for Great Grimsby in the 1774 general election. He was at the time 22 years old and at the start of his military career. He followed his brother in voting with the Opposition. In the 1780 general election he was returned for Beverley. Anderson was defeated at the 1784 general election which was predicted by King George III when he wrote to Pitt on 30 March. ‘I understand ... Beverley is so offended with Major Anderson, that any fresh man would probably succeed there’. Anderson does not appear to have spoken in Parliament and he did not stand again.

## Later life and legacy

Anderson became lieutenant-colonel in 1794. He married Caroline Johnstone, daughter of General James Johnstone in 1795 but had no children. He died on 12 September 1821.


title: Madonna di Pompei, Vigevano

abstract: The Church of Madonna di Pompei is a religious building located in Vigevano, in province of Pavia and diocese of Vigevano, Italy.

text:
# Madonna di Pompei, Vigevano

The **Church of Madonna di Pompei** is a religious building located in Vigevano, in province of Pavia and diocese of Vigevano, Italy.

## Description and history

The church-sanctuary of Madonna di Pompei stands on the west side of Piazza Volta. The devotion to the Madonna of Pompeii in Vigevano was started by Don Ambrogio Ceriotti on 8 May 1897, taking advantage of a large room used as a wood and lime warehouse in the then suburb of the fair, at the entrance to the road to Mortara. The humble original building, a much smaller church than the current one, was replaced by a new one whose first stone was laid on 6 June 1920. The current Sanctuary, large and imposing, with three naves, was built based on the design of engineer Spirito Maria Chiappetta from Milan, who later became a priest, and is the only one completed among all his works. The church was opened for worship on 30 April 1922, being still partly rustic and of unfinished construction. The completion of the façade was carried out by Mons. Carlo Dell'Orbo, based on a design by the same architect Mons. Chiappetta and inaugurated in this beautiful art form on the evening of 7 May 1940 with the blessing of the bishop Mons. Giovanni Bargiggia.

Don Ceriotti died in 1925, but as early as 1922 he had asked for and obtained collaboration with the church of the Somaschi Fathers; these remained there until the end of 1926 when they had to abandon Vigevano; Don Carlo Dell'Orbo was then appointed to take over the rectorship of the church and began his work in February 1927. He immediately got in touch with the architect Mons. Chiappetta, had all the cement from which the sanctuary was invaded and removed all the false constructions, and gave the desired design to the stairs, which constitute a distinctive element of the entrance.

Based on drawings by the Vigevano painters Luigi Bocca and Carlo and Casimiro Ottone, the internal decoration was created with images of the fifteen mysteries of the Rosary (mysteries of joy, pain and glory). The stained glass windows donated by benefactors and representing figures of saints appear there.

The consecration of the church (1 May 1931) coincided with the 15th centenary of the proclamation of the divine motherhood of the Most Holy Mary in the Council of Ephesus (431).

In the following years the original building underwent a heavy architectural intervention, which gave the exterior its current appearance. The façade of the original building was extensively modified, if not almost completely rebuilt, to the point of radically changing its appearance, in particular with the insertion, as the most evident element of the intervention, of a front bell tower which stands out directly in the center of the facade on the access stairs to the sanctuary.

Attached to the church was the Pio Istituto dei derelitti, now disappeared, opened on 24 December 1903, equipped with an active typography school. Finally, in the churchyard, in the center of a large niche on the façade, there is a bronze statue of Don Ceriotti, the work of the sculptor Secchi (1926).

The church was built on the ruins of an ancient church, once dedicated to San Rocco.

1. *Guida di Vigevano*. Vigevano: Rotaract. 1981.
2. Barni, Luigi (1951). *Vigesimum*. Vigevano.`{{cite book}}`: CS1 maint: location missing publisher (link)

45°18′52″N 8°51′04″E / 45.31458°N 8.85115°E / 45.31458; 8.85115


title: Peeter Jalakas

abstract: Peeter Jalakas is an Estonian theatre director, producer, playwright and restaurateur. In 1987, he established Estonia's first independent theatre company: VAT Theatre. In 1989 he established the theatre group Ruto Killakund. He is also the founder of theatre festival Baltoscandal. In 1992 he established Von Krahl Theatre. In 2015, he was awarded with Order of the White Star, IV class.

text:
# Peeter Jalakas

**Peeter Jalakas** (born 5 January 1961 in Tallinn) is an Estonian theatre director, producer, playwright and restaurateur.

In 1987, he established Estonia's first independent theatre company: VAT Theatre. In 1989 he established the theatre group Ruto Killakund. He is also the founder of theatre festival Baltoscandal. In 1992 he established Von Krahl Theatre.

In 2015, he was awarded with Order of the White Star, IV class.

## InfoBox

| Peeter Jalakas | |
| --- | --- |
|  | |
| Born | (1961-01-05) January 5, 1961<br>Tallinn, Estonia |
| Nationality | Estonian |
| Occupation(s) | Theatre director, producer, playwright, restaurateur |
| Known for | Establishing VAT Theatre, Ruto Killakund, and Von Krahl Theatre |
| Awards | Order of the White Star, IV class (2015) |


title: Pellasimnia brunneiterma

abstract: Pellasimnia brunneiterma is a species of sea snail, a marine gastropod mollusc in the family Ovulidae. This species appears to be a cryptic species triad..

text:
# Pellasimnia brunneiterma

***Pellasimnia brunneiterma*** is a species of sea snail, a marine gastropod mollusc in the family Ovulidae.

This species appears to be a cryptic species triad..

## InfoBox

| *Pellasimnia brunneiterma* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Gastropoda |
| Subclass: | Caenogastropoda |
| Order: | Littorinimorpha |
| Family: | Ovulidae |
| Genus: | *Pellasimnia* |
| Species: | ***P. brunneiterma*** |
| Binomial name | |
| ***Pellasimnia brunneiterma***<br>(Cate, 1969) | |
|
| Synonyms | |
| * *Hiata brunneiterma* (Cate, 1969) * *Volva brunneiterma* Cate, 1969 | |


title: Pendidikan Stadium

abstract: Pendidikan Stadium is a multi-use stadium in Wamena, Indonesia. It is currently used mostly for football matches and is used as the home stadium for Persiwa Wamena. The stadium has a capacity of 15,000 people.

text:
# Pendidikan Stadium

**Pendidikan Stadium** (Wamena Education Stadium) is a multi-use stadium in Wamena, Indonesia. It is currently used mostly for football matches and is used as the home stadium for Persiwa Wamena. The stadium has a capacity of 15,000 people.

## Tournament

4°05′58″S 138°56′54″E / 4.099473°S 138.948319°E / -4.099473; 138.948319

## InfoBox

Pendidikan Stadium
|  | |
| --- | --- |
|  | |
| Location | Wamena, Jayawijaya Regency, Highland Papua, Indonesia |
| Coordinates | 4°05′58″S 138°56′54″E / 4.099473°S 138.948319°E / -4.099473; 138.948319 |
| Owner | Government of Jayawijaya Regency |
| Operator | Government of Jayawijaya Regency |
| Capacity | 15,000 |
| Surface | Grass field |
| Tenants | |
| Persiwa Wamena | |


title: Pendetide

abstract: Pendetide (GYK-DTPA) is a chelating agent. It consists of pentetic acid (DTPA) linked to the tripeptide glycine (G) – L-tyrosine (Y) – L-lysine (K).

text:
# Pendetide

**Pendetide** (**GYK-DTPA**) is a chelating agent. It consists of pentetic acid (DTPA) linked to the tripeptide glycine (G) – L-tyrosine (Y) – L-lysine (K).

## Use

The following monoclonal antibodies are linked to pendetide to chelate a radionuclide, indium-111. The antibodies selectively bind to certain tumour cells, and the radioactivity is then used for imaging of the tumours.

## InfoBox

Pendetide
|  | |
| --- | --- |
| Names | |
| IUPAC name *N6*-\[*N*-\[2-\[\[2-\[Bis(carboxymethyl)amino\]ethyl\](carboxymethyl)amino\]ethyl\]-*N*-(carboxymethyl)glycyl\]-*N2*-(*N*-glycyl-L-tyrosyl)-L-lysine | |
| Identifiers | |
| CAS Number |  |
| 3D model (JSmol) |  |
| ChemSpider |  |
| PubChem CID |  |
| UNII |  |
| CompTox Dashboard (EPA) |  |
| InChI * InChI=1S/C31H47N7O14/c32-14-24(40)34-23(13-20-4-6-21(39)7-5-20)30(50)35-22(31(51)52)3-1-2-8-33-25(41)15-37(17-27(44)45)11-9-36(16-26(42)43)10-12-38(18-28(46)47)19-29(48)49/h4-7,22-23,39H,1-3,8-19,32H2,(H,33,41)(H,34,40)(H,35,50)(H,42,43)(H,44,45)(H,46,47)(H,48,49)(H,51,52)/t22-,23-/m0/s1 NKey: ZMEWRPBAQVSBBB-GOTSBHOMSA-N N * InChI=1/C31H47N7O14/c32-14-24(40)34-23(13-20-4-6-21(39)7-5-20)30(50)35-22(31(51)52)3-1-2-8-33-25(41)15-37(17-27(44)45)11-9-36(16-26(42)43)10-12-38(18-28(46)47)19-29(48)49/h4-7,22-23,39H,1-3,8-19,32H2,(H,33,41)(H,34,40)(H,35,50)(H,42,43)(H,44,45)(H,46,47)(H,48,49)(H,51,52)/t22-,23-/m0/s1Key: ZMEWRPBAQVSBBB-GOTSBHOMBD | |
| SMILES * c1cc(ccc1CC(C(=O)NC(CCCCNC(=O)CN(CCN(CCN(CC(=O)O)CC(=O)O)CC(=O)O)CC(=O)O)C(=O)O)NC(=O)CN)O | |
| Properties | |
| Chemical formula | C31H47N7O14 |
| Molar mass | 741.318 g/mol |
| Except where otherwise noted, data are given for materials in their standard state (at 25 °C \[77 °F\], 100 kPa). N verify (what is YN ?)  Infobox references | |


title: Peggy Rea

abstract: Peggy Jane Rea was an American actress known for her many roles in television, often playing matronly characters.

text:
# Peggy Rea

**Peggy Jane Rea** (March 31, 1921  February 5, 2011) was an American actress known for her many roles in television, often playing matronly characters.

## Life and career

Before she became an actress, Rea left UCLA to attend business school. She landed a job as a production secretary at Metro-Goldwyn-Mayer in the 1940s. Later, she was an assistant to writer-musician Kay Thompson until Thompson dropped her in April 1948. Some of the points of discord apparently included Rea's insistence on staying at the Algonquin Hotel (rather than Essex House, where Thompson was staying), and disappearing, on at least one occasion, on the eve of their New York opening to see *Born Yesterday* on Broadway without telling Thompson. Although Thompson had severed ties with Rea, the younger woman kept in touch with other members of Thompson's family, including Thompson's mother, brother and younger sister, with whom she enjoyed cordial relations. Rea quickly landed on her feet with a supporting role in the National Road Company production of Tennessee Williams' *A Streetcar Named Desire* (as Eunice Hubbell, 1948–1949) starring Anthony Quinn.

She appeared in such television shows as *I Love Lucy*; *The Wild Wild West*; *Hazel*; *Bonanza*; *Have Gun – Will Travel*; *Gunsmoke*; *The Phil Silvers Show*; *Ironside*; *Burke's Law*; *Marcus Welby, M.D.*; *All in the Family*; *Maude*; *Hunter*; *The Odd Couple*; *Gidget*; *Busting Loose*; *MacGyver*; and *The Golden Girls*.

She appeared in feature films, including Norman Lear's *Cold Turkey* and *In Country*.

Rea is probably best known for her role as Lulu Coltrane Hogg in *The Dukes of Hazzard* (1979). Throughout the series' seven-year run Rea appeared in 19 episodes as the wife of Hazzard County Commissioner Jefferson Davis "Boss" Hogg (played by Sorrell Booke).

After portraying a landlady in an earlier episode of *The Waltons*, Rea permanently joined the cast in 1979 in the role of Rose Burton, a cousin of Olivia Walton, a surrogate parental figure replacing Ellen Corby (Grandma), Michael Learned (Olivia), and the following year, Ralph Waite (John).

Rea remained with the series until the spring of 1981 when her character of Rose was proposed to by her beau Stanley Perkins (played by William Schallert) shortly before the show's cancellation. Rea's character of Rose appeared in the Walton's Thanksgiving Reunion in 1993. Rea later appeared as a regular on the first season of *Step By Step* from 1991 to 1992 and *Grace Under Fire* during the 1990s.

## Credits

Her recurring roles included:

## Death

Rea died in Toluca Lake, California, aged 89, from heart failure on February 5, 2011.

## Filmography

| Year | Title | Role | Notes |
| --- | --- | --- | --- |
| 1964 | *7 Faces of Dr. Lao* | Mrs. Peter Ramsey |  |
| | *Looking for Love* | Relative | Uncredited |
| 1965 | *Strange Bedfellows* | Mavis Masters |  |
| 1966 | *Walk, Don't Run* | Ukrainian Shot Putter | Uncredited |
| 1967 | *Valley of the Dolls* | Neely O'Hara's Vocal Coach | |
| 1968 | *Here's Lucy* | Maude |
| 1969 | *The Learning Tree* | Miss McClintock |  |
| 1971 | *Cold Turkey* | Mrs. Proctor |  |
| | *What's the Matter with Helen?* | Mrs. Schultz |  |
| 1974 | *Win, Place or Steal* | Josephine |  |
| 1976 | *Lipstick* | Reporter |  |
|
| 1979 | *All In The Family* | Martha Birkhorn | Season 9, Ep 16 |
| 1979–1981 | *The Waltons* | Cousin Rose Burton | seasons 8–9; 38 episodes |
| 1979 | *The Dukes of Hazzard* | Lulu Coltrane Hogg |  |
| 1986 | *Hamburger: The Motion Picture* | Mrs. Cratchmatter |  |
| 1987 | *The Golden Girls* | Mrs. Contini |  |
| 1989 | *Curfew* | Mrs. Mary Cox |  |
| | *In Country* | Mamaw |  |
| 1992 | *Love Field* | Mrs. Heisenbuttel |  |
| 1993 | *Made in America* | Alberta |  |
| | *Grace Under Fire* | Jean Kelly | 51 episodes |
| | *A Waltons Thanksgiving Reunion* | Rose Burton | TV movie |
| 1995 | *Devil in a Blue Dress* | Carter's Secretary |  |

## InfoBox

| Peggy Rea | |
| --- | --- |
| Peggy Rea in *I Love Lucy*, 1953 | |
| Born | Peggy Jane Rea
(1921-03-31)March 31, 1921
Los Angeles, California, U.S. |
| Died | February 5, 2011(2011-02-05) (aged 89)
Los Angeles, California, U.S. |
| Occupation | Actress |
| Years active | 19531998 |


abstract: The Pennsylvania Department of Environmental Protection (DEP) is the agency in the U.S. state of Pennsylvania responsible for protecting and preserving the land, air, water, and public health through enforcement of the state's environmental laws. It was created by Act 18 of 1995, which split the Department of Environmental Resources into the Department of Environmental Protection and the Department of Conservation and Natural Resources. Its current secretary is Jess Shirley. The Department of Environmental Resources was created by Act 275 of 1970, which abolished the Department of Forest and Waters. The Department of Forest and Waters was created by the General Assembly in 1901. The Department of Environmental Protection is charged with the responsibility for development of a balanced ecological system incorporating social, cultural, and economic needs of the commonwealth through development and protection. The department is responsible for the state's land, air, and water management programs, all aspects of environmental protection, and the regulation of mining operations.

text:
# Pennsylvania Department of Environmental Protection

The **Pennsylvania Department of Environmental Protection** (**DEP**) is the agency in the U.S. state of Pennsylvania responsible for protecting and preserving the land, air, water, and public health through enforcement of the state's environmental laws. It was created by Act 18 of 1995, which split the Department of Environmental Resources into the Department of Environmental Protection and the Department of Conservation and Natural Resources. Its current secretary is Jess Shirley.

The Department of Environmental Resources was created by Act 275 of 1970, which abolished the Department of Forest and Waters. The Department of Forest and Waters was created by the General Assembly in 1901.

The Department of Environmental Protection is charged with the responsibility for development of a balanced ecological system incorporating social, cultural, and economic needs of the commonwealth through development and protection. The department is responsible for the state's land, air, and water management programs, all aspects of environmental protection, and the regulation of mining operations.

## Structure

### Office of the Secretary

The secretary of Environmental Protection, appointed by the governor and confirmed by the state Senate, heads the department. The secretary is ultimately responsible for all policy and resource allocation decisions. The secretary represents DEP before the legislative branch, those affected by DEP action, and the general public. The secretary also manages the Policy Office, Office of Pollution Prevention and Energy Assistance, the Citizens Advisory Council, Office of Communications, the Environmental Education & Information Center, the Legislative Office, the director of External Affairs, and the Office of Environmental Justice.

### Executive Deputy Secretary for Administration and Management

The executive deputy secretary for Administration and Management provides all Department support services. This executive deputy secretary oversees the bureaus of Office Services, Human Resources, Information Technology, and Laboratories, and the DEP Grants Center and Small Businesses Ombudsman's Office.

### Executive Deputy Secretary for Programs

The executive deputy secretary for Programs is responsible for coordinating department-wide programmatic priorities, policies, and actions within the Office of Waste, Air, Radiation, and Remediation; the Office of Water Management; the Office of Active and Abandoned Mine Operations; the Office of Field Operations; and the Office of Oil and Gas Management. It also oversees the Office of Program Integration and the Environmental Emergency Response Program.

### Field Operations

The six regional offices located in Norristown, Harrisburg, Williamsport, Wilkes-Barre, Pittsburgh, and Meadville provide permitting, inspection, enforcement, and other field services for environmental protection programs. The regional offices are responsible for implementing Department programs through permitting, inspection, enforcement, and other field services for environmental and public health protection; program and technical support to Pennsylvania's 66 conservation districts; and compliance assistance to the regulated community.

### Oil and Gas Management

The deputy secretary for Oil and Gas Management directs, coordinates, and oversees the permitting and regulation of the oil and gas industry within the Commonwealth, and is responsible for the development and administration of the regulation of statewide oil and gas conservation and environmental management programs to facilitate the safe exploration, development, and recovery of Pennsylvania's oil and gas reserves in a manner that will protect the commonwealth's natural resources and the environment. This office regulates oil and gas development and production; plugs abandoned and orphaned wells causing health, safety, and environmental problems; oversees the oil and gas permitting and inspection programs; develops statewide regulations and standards; and conducts training programs for industry. The Bureau of Oil and Gas Planning and Program Management is housed here.

### Water Management

The deputy secretary for Water Management plans, directs, and coordinates departmental programs associated with the management and protection of the commonwealth's water resources; coordinates policies, procedures, and regulations that influence public water supply withdrawals and quality, sewage facilities planning, point source municipal and industrial discharges, encroachments upon waterways and wetlands, dam safety, earth disturbance activities, and control of stormwater and non-point source pollution; and coordinates the planning, design, and construction of flood protection and stream improvement projects. The bureaus of Conservation and Restoration, Waterways Engineering and Wetlands, Point and Non-Point Source Regulation, and Safe Drinking Water and the Office of Interstate Waters are housed here.

### Active and Abandoned Mine Operations

The deputy secretary for Active and Abandoned Mine Operations is responsible for developing and implementing Pennsylvania's policies and programs for surface and underground coal and industrial mineral mining, mine safety, and the reclamation of abandoned mines. This deputy secretary oversees the bureaus of Mining Programs, District Mining Operations, Mine Safety, and Abandoned Mine Reclamation.

### Waste, Air, Radiation, and Remediation

The deputy secretary for Waste, Air, Radiation, and Remediation plans, directs and coordinates the department's programs related to air quality, waste management, radiation protection, and environmental cleanup. The bureaus of Waste Management, Radiation Protection, Air Quality, and Environmental Cleanup & Brownfields are housed here.

### Chief Counsel

The chief counsel provides legal representation for all of the department's programs. The chief counsel oversees the bureaus of Regulatory Counsel, Regional Counsel, General Law, and Investigation.

## Secretaries

| Name | Dates served | Appointed by |
| --- | --- | --- |
| James Seif * | 1995–2001 | Tom Ridge |
| David Hess | 2001–2003 | |
| Kathleen McGinty | 2003–2008 | Edward Rendell |
| John Hanger | 2008–2011 | |
| Michael Krancer | 2011–2013 | Tom Corbett |
| E. Christopher Abruzzo | 2013 – October 2, 2014 | |
| Dana Ankust (acting) | October 2, 2014 – 2015 | |
| John Quigley | 2015–2016 | Tom Wolf |
| Patrick McDonnell | 2016–July 2, 2022 | |
| Ramez Ziadeh (acting) | July 2, 2022–2023 | |
| Rich Negrin | 2023 – December 9, 2023 | Josh Shapiro |
| Jessica Shirley (acting) | October 25, 2023 – Present | |

* James Seif was also the last Secretary of the Department of Environmental Resources before it was split.
* Rich Negrin announced his resignation, effective December 9, on October 25, 2023 for medical reasons.

## Bibliography

## InfoBox

Pennsylvania Department of Environmental Protection
| Logo of the DEP | |
| --- | --- |
| Agency overview | |
| Formed | July 1, 1995 (1995-07-01) |
| Preceding agency | * Department of Environmental Resources |
| Jurisdiction | State government of Pennsylvania |
| Headquarters | Rachel Carson State Office Building, Harrisburg, Pennsylvania, U.S.<br>40°15′45″N 76°52′46.5″W / 40.26250°N 76.879583°W / 40.26250; -76.879583 |
| Agency executive | * Jess Shirley, Secretary of Environmental Protection |
| Website | www.dep.pa.gov |


title: Japanese escort ship CD-190

abstract: CD-190 or No. 190 was a Type D escort ship of the Imperial Japanese Navy during World War II.

text:
# Japanese escort ship CD-190

***CD-190*** or ***No. 190*** was a Type D escort ship of the Imperial Japanese Navy during World War II.

## History

She was laid down on 20 November 1944 at the Nagasaki shipyard of Mitsubishi Heavy Industries for the benefit of the Imperial Japanese Navy and launched on 16 January 1945. On 21 February 1945, she was completed and commissioned. On 28 July 1945, she was attacked by planes from Task Force 38 and heavily damaged in the Yura Straits off Tomogashima. On 15 August 1945, Japan announced their unconditional surrender and she was turned over to the Allies in September 1945 at Shiminoseki. On 30 November 1945, she was struck from the Navy List and scrapped on 31 March 1948.

## InfoBox

|  | |
| --- | --- |
| History | |
| Empire of Japan | |
| Name | *CD-190* |
| Builder | Mitsubishi Heavy Industries, Nagasaki |
| Laid down | 20 November 1944 |
| Launched | 16 January 1945 |
| Sponsored by | Imperial Japanese Navy |
| Completed | 21 February 1945 |
| Commissioned | 21 February 1945 |
| Out of service | September 1945 |
| Stricken | 30 November 1945 |
| Fate | Scrapped, 31 March 1948 |
| General characteristics | |
| Class and type | Type D escort ship |
| Displacement | 740 long tons (752 t) standard |
| Length | 69.5 m (228 ft) |
| Beam | 8.6 m (28 ft 3 in) |
| Draught | 3.05 m (10 ft) |
| Propulsion | 1 shaft, geared turbine engines, 2,500 hp (1,864 kW) |
| Speed | 17.5 knots (20.1 mph; 32.4 km/h) |
| Range | 4,500 nmi (8,300 km) at 16 kn (18 mph; 30 km/h) |
| Complement | 160 |
| Sensors and <br>processing systems | * Type 22-Go radar * Type 93 sonar * Type 3 hydrophone |
| Armament |  |


title: Jatinder Shah

abstract: Jatinder Shah is an Indian music composer and record producer. He is primarily recognized for his compositions in Punjabi music and film industry. He has also composed for many Hindi films like Second Hand Husband and Dilliwali Zaalim Girlfriend. His works are notable for integrating pop, and Sufi music with modern music sounds, world music genres and traditional music. In August 2015, he performed live at MTV Coke Studio along with Gurdas Maan and Diljit Dosanjh on the song "Ki Banu Duniya Da" which was widely appreciated allover the world.

text:
# Jatinder Shah

**Jatinder Shah** is an Indian music composer and record producer. He is primarily recognized for his compositions in Punjabi music and film industry. He has also composed for many Hindi films like Second Hand Husband and Dilliwali Zaalim Girlfriend. His works are notable for integrating pop, and Sufi music with modern music sounds, world music genres and traditional music. In August 2015, he performed live at MTV Coke Studio along with Gurdas Maan and Diljit Dosanjh on the song "Ki Banu Duniya Da" which was widely appreciated allover the world.

## Music Album

| Year | Name | Singer | Tracks | Label |
| --- | --- | --- | --- | --- |
| 2008 | Virse De Waris | Raj Ranjodh, Jaspinder Narula | 9 | Saregama |
| | Ni Goriye | Kabir, Preet Khetala | 8 | Speed Records |
| 2009 | Nakhra | Kabir | 10 | Speed Records |
| | Jattan De Putt Talli | Jai Deep | 8 | Speed Records |
| | Qaid Bol Gayi (Mulaqat) | Ashok Prince | 8 | Speed Records |
| 2010 | Weapon | Gitta Bains, Bohemia | 9 | Speed Records |
| 2011 | Talwar | Gippy Grewal, Yo Yo Honey Singh | 12 | Speed Records |
| 2012 | Shukraana | Siddharth Mohan | 7 | Speed Records |
| 2013 | Afsaaney Sartaaj De | Satinder Sartaaj | 10 | Firdaus Production |
| | Roti | Gurdas Mann | 8 | Speed Records |
| 2014 | Replay - The Return Of Melody | Jassi Gill | 9 | Speed Records |
| 2016 | Hazaarey Wala Munda | Satinder Sartaaj | 8 | Shemaroo Entertainment |
| 2017 | Punjab | Gurdas Mann | 7 | Saga Music |
| 2018 | Seasons of Sartaaj | Satinder Sartaaj | 7 | Saga Music |
| | Roar | Diljit Dosanjh | 10 | Famous Studios |
|

## Filmography

| Year | Film | Music Composer | Background Score |
| --- | --- | --- | --- |
| 2023 | *Carry On Jatta 3* | No | Yes |
| 2022 | *Phatte Dinde Chakk Punjabi* | Yes | TBA |
| 2021 | *Shava Ni Girdhari Lal* | Yes | TBA |
| 2021 | *Paani Ch Madhaani* | Yes | TBA |
| 2019 | *Daaka* | Yes | Yes |
| | *Nikka Zaildar 3* | No | Yes |
| | *Ardaas Karaan* | Yes | Yes |
| | *Laiye Je Yaarian* | Yes | No |
| | *Chandigarh Amritsar Chandigarh* | Yes | Yes |
| | *Manje Bistre 2* | No | Yes |
| | Kala Shah Kala (Title Song) | Yes | No |
| 2018 | Bhajjo Veero Ve | Yes | Yes |
| | Laatu | Yes | Yes |
| | Mar Gaye Oye Loko | No | Yes |
| | Ashke | Yes | No |
| | Vadhayiyaan Ji Vadhayiyaan | Yes | Yes |
| | Nankana | Yes | Yes |
| | Golak Bugni Bank Te Batua | Yes | Yes |
| | Sajjan Singh Rangroot | Yes | No |
| 2017 | Firangi | Yes | Yes |
| | Sat Shri Akaal England | Yes | Yes |
| | Bailaras | Yes | No |
| | Vekh Baraatan Challiyan | Yes | No |
| | Thug Life | Yes | No |
| | Super Singh | Yes | No |
| | Lahoriye | Yes | Yes |
| | Sarvann | Yes | Yes |
| | Saab Bahadar | Yes | No |
| 2016 | Nikka Zaildar | Yes | Yes |
| | Bambukat | Yes | Yes |
| | Sardaar Ji 2 | Yes | No |
| | Ambarsariya | Yes | No |
| | Ardaas | Yes | Yes |
| | Love Punjab | Yes | Yes |
| | Channo Kamli Yaar Di | Yes | No |
| 2015 | Dildariyaan | Yes | No |
| | Faraar | Yes | No |
| | Angrej | Yes | Yes |
| | Second Hand Husband | Yes | No |
| | Sardaar Ji | Yes | No |
| | Hero Naam Yaad Rakhi | Yes | No |
| | Dharam Sankat Mein | Yes | No |
| | Oh Yaara Ainvayi Ainvayi Lut Gaya | Yes | No |
| 2014 | Punjab 1984 | Yes | No |
| | Double Di Trouble | Yes | Yes |
| | Jatt James Bond | Yes | No |
| | Happy Go Lucky | Yes | No |
| | Goreyan Nu Daffa Karo | Yes | Yes |
| | Aa Gaye Munde U.K. De | Yes | No |
| | Romeo Ranjha | Yes | Yes |
| | Dil Vil Pyaar Vyaar | Yes | Yes |
| | Disco Singh | Yes | No |
| 2013 | Bhaji in Problem | Yes | Yes |
| | Jatts In Golmaal | Yes | No |
| | Jatt & Juliet 2 | Yes | No |
| | Best of Luck | Yes | Yes |
| | Lucky Di Unlucky Story | Yes | Yes |
| | Singh vs Kaur | Yes | Yes |
| | Sadda Haq | Yes | No |
| 2012 | Carry On Jatta | Yes | Yes |
| | Jatt and Juliet | Yes | No |
| | Sirphire | Yes | No |
| | Pinky Moge Wali | Yes | No |
| | Mirza: The Untold Story | Yes | Yes |
| 2011 | Jihne Mera Dil Luteya | Yes | No |
|  |

*
*
*
*

## InfoBox

| Jatinder Shah | |
| --- | --- |
| Origin | Mumbai, India |
| Genres | Bollywood, Bhangra, Punjabi, Folk |
| Occupations | * Composer * musician |
| Instrument(s) | Tumbi, Dhol, Tabla |
| Labels | Rhythm Boyz, Speed Records, Saga Music |


title: Jason Koon

abstract: Jason Koon is an American professional poker player from Weston, West Virginia, known for his accomplishments in live and online poker tournaments.

text:
# Jason Koon

**Jason Koon** (born August 14, 1985) is an American professional poker player from Weston, West Virginia, known for his accomplishments in live and online poker tournaments.

## Early life

Koon graduated from Lewis County High School in 2003 and then attended West Virginia Wesleyan College in Buckhannon. There he received his Masters in Business Administration and Finance. He declared he started to play poker following an injury. To avoid boredom, his roommate taught him Texas Hold'Em, and Jason Koon realized he could make a lot of money.

## Poker career

Koon began playing poker in 2006 during college. He played online under the alias *JAKoon1985* on PokerStars and *NovaSky* on Full Tilt Poker. In April 2009, he won a tournament in the Spring Championship of Online Poker earning over $300,000 prize money. Since 2008, Koon has participated in live tournaments.

Koon played in his first WSOP in 2009 where he cashed twice. In 2010, Koon finished 4th in the World Poker Tour main event at the Bellagio for $225,000.

In 2011, Koon chopped a Full Tilt Poker "FTOPS" event that had 11,343 runners for $458,550.

In 2012, Koon played in the high roller event at the Bahamas EPT event earning over $270,000. At the 2012 WSOP Koon finish 2nd in the $3,000 No Limit Hold'em/Pot Limit Omaha - Heads-Up event earning $128,660.

In 2013, Koon finished runner up to David Peters in the $10,000 Bellagio Cup earning $316,000.

In 2015, Koon turned $100 into $110,820 after 18 hours of play finishing third in a low buy in event at the SCOOP.

In 2016, Koon won Seminole Hard Rock Poker Open for $1,000,000. He defeated Seth Davies in heads up.

Koon won a large pot off Doug Polk in the hybrid cash game on *Poker After Dark*.

Koon's most lucrative tournament win to date was in Triton Poker's 2018 Super High Roller Series Montenegro in Budva. In a short-deck ante-only tournament with a HK$1 million buy-in (US$127,000 at tournament time) and 103 entrants, he won HK$28,102,000 (US$3,579,914), defeating Xuan Tan in heads-up play.

In August 2019 He finished 2nd in the Event 3 of London Triton Poker Super High Roller Series (£50,000 No Limit Hold'em - 8 Handed) for £907,000.

On January 13, 2021, Koon made his debut on *High Stakes Poker* after filling the seat left empty by Jean-Robert Bellande in Episode 5 of Season 8. Koon bought in for $300,000 and the game was $400/$800 No-Limit Hold'em.

During the 2021 WSOP, Koon won Event #11, the $25,000 Heads-Up No-Limit Hold’em Championship for his first WSOP bracelet.

In October 2022, Koon won Event #10: $50,000 No-Limit Hold'em of the 2022 Poker Masters. Koon topped a 37-entrant field to win $666,000.

In December 2022, Koon faced off with Phil Hellmuth in Round 5 of High Stakes Duel 3. Koon defeated Hellmuth and won the $1,600,000 prize while advancing to Round 6 where he will await his next opponent.

In December 2022, Koon finished third overall on the 2022 PGT leaderboard with 2,833 PGT points. Koon was one of the 21-eligible players that were able to participate in the season-ending PGT Championship. Koon finished Day 1 as the overwhelming chip leader before winning the event after defeating Sean Winter heads-up for $500,000.

In January 2023, no challenger stepped up to take on Koon in Round 6 of High Stakes Duel 3, and he was declared the champion.

On February 18, 2023, Koon won the 3rd annual World Series of Art Poker in Los Angeles, CA. The unique artist based tournament is put on by Stussy, Casinola, and Wood Kusaka Studio every year coinciding with LA's art fair week. Later that year, on May 22, Koon triumphed against Sam Greenwood, winning the $100,000 Triton Main Event in Cyprus and taking home $2,451,082.

As of March 2024, Koon's total live tournament earnings exceed $56,000,000. He stands 4th in the world all-time money list.

## Personal life

Koon became engaged to Bianca Armstrong after three years of dating. The couple first met while on the track and field team at West Virginia Wesleyan College. They married on October 26, 2019, at the Redwood Cathedral at Ventana Big Sur, California. They welcomed their first child in September 2021.

## Sponsorships

In October 2017, Jason Koon was announced as a member of partypoker’s team pro. In August 2021, Koon left partypoker.

He also works as a coach on RunItOnce.

In October 2021 at the 2021 World Series of Poker, Koon was announced as a GGPoker Global Ambassador.

## InfoBox

| Jason Koon | |
| --- | --- |
| Jason Koon in 2018 | |
| Nickname(s) | JAKoon1985
NovaSky |
| Residence | Las Vegas, Nevada, U.S. |
| Born | (1985-08-14) August 14, 1985
Weston, West Virginia |
| World Series of Poker | |
| Bracelet(s) | 1 |
| Final table(s) | 9 |
| Money finish(es) | 60 |
| Highest ITM
Main Event finish | 202nd, 2021 |
| World Poker Tour | |
| Title(s) | *None* |
| Final table(s) | 2 |
| Money finish(es) | 12 |
| European Poker Tour | |
| Title(s) | *None* |
| Money finish(es) | 3 |
|