title: The Summer Slaughter Tour

abstract: The Summer Slaughter Tour is an annual heavy metal music tour held every year since 2007. It originated in North America in 2007 and has toured in Canada in 2008, Europe in 2008, and Australia and New Zealand in 2009. Billed as "The Most Extreme Tour of the Year", Summer Slaughter has earned a reputation as being one of the few summer tours to cater exclusively to fans of extreme forms of metal music. Starting in 2012, Summer Slaughter began to add more progressive metal bands to their lineups, seeing Between the Buried and Me co-headline with Cannibal Corpse. Periphery also played Summer Slaughter 2012, and came back during Summer Slaughter 2013, along with progressive metal bands Animals as Leaders and The Ocean. The focus on progressive metal that year was controversial and many people were "into" heavy metal music, and death metal focused lineups returned in 2014, seeing Morbid Angel headline.

text:
# The Summer Slaughter Tour

**The Summer Slaughter Tour** is an annual heavy metal music tour held every year since 2007. It originated in North America in 2007 and has toured in Canada in 2008, Europe in 2008, and Australia and New Zealand in 2009. Billed as "The Most Extreme Tour of the Year", Summer Slaughter has earned a reputation as being one of the few summer tours to cater exclusively to fans of extreme forms of metal music. Starting in 2012, Summer Slaughter began to add more progressive metal bands to their lineups, seeing Between the Buried and Me co-headline with Cannibal Corpse. Periphery also played Summer Slaughter 2012, and came back during Summer Slaughter 2013, along with progressive metal bands Animals as Leaders and The Ocean. The focus on progressive metal that year was controversial and many people were "into" heavy metal music, and death metal focused lineups returned in 2014, seeing Morbid Angel headline.

## 2007

**Headliner:**

**Supporting bands:**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| June 1, 2007 | Clifton Park | United States | Northern Lights |
| June 2, 2007 | Allentown | | Crocodile Rock Cafe (Infest Festival 2007) |
| June 3, 2007 | Springfield | | Jaxx |
| June 4, 2007 | Spartanburg | | Ground Zero |
| June 5, 2007 | Louisville | | Headliner's |
| June 6, 2007 | Atlanta | | The Masquerade |
| June 8, 2007 | Houston | | Meridian |
| June 9, 2007 | San Antonio | | White Rabbit |
| June 10, 2007 | Fort Worth | | Ridglea Theater |
| June 11, 2007 | Odessa | | Dos Amigos |
| June 13, 2007 | Tucson | | The Rock |
| June 14, 2007 | Las Vegas | | Cheyenne Saloon |
| June 15, 2007 | San Diego | | Soma |
| June 16, 2007 | Los Angeles | | House of Blues |
| June 17, 2007 | Orangevale | | The Boardwalk |
| June 19, 2007 | Portland | | Hawthorne Theater |
| June 20, 2007 | Seattle | | Studio Seven |
| June 21, 2007 | Bend | | Midtown Ballroom |
| June 22, 2007 | Ogden | | Country Club Theatre |
| June 23, 2007 | Denver | | Cervantes |
| June 24, 2007 | Lawrence | | The Bottleneck |
| June 26, 2007 | Sauget | | Pop's |
| June 27, 2007 | Mokena | | The Pearl Room |
| June 28, 2007 | Detroit | | Majestic Theatre |
| June 30, 2007 | Hartland | | Skateworld (Robot Mosh Fest V) |
| July 1, 2007 | Cleveland | | Peabody's |
| July 2, 2007 | Toronto | Canada | The Opera House |
| July 3, 2007 | Montreal | | Café l'inconditionnel |
| July 4, 2007 | | | Les Foufounes Électriques |
| July 5, 2007 | Quebec City | | L'Anti |
| July 6, 2007 | Worcester | United States | Palladium |
| July 7, 2007 | Baltimore | | Sonar |
| July 8, 2007 | New York City | | B.B. King Blues Club |

## 2008

**Headliner:**

**Supporting bands:**

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| June 20, 2008 | Detroit | United States | Majestic Theatre |
| June 21, 2008 | Cleveland | | Peabody's |
| June 22, 2008 | Louisville | | Headliner's Music Hall |
| June 24, 2008 | Albany | | Northern Lights |
| June 25, 2008 | Philadelphia | | The Trocadero |
| June 26, 2008 | New York City | | Irving Plaza |
| June 27, 2008 | Worcester | | The Palladium |
| June 28, 2008 | Sayreville | | Starland Ballroom |
| June 29, 2008 | Richmond | | The National |
| June 30, 2008 | Spartanburg | | Ground Zero |
| July 1, 2008 | Atlanta | | The Masquerade |
| July 2, 2008 | St. Petersburg | | Jannus Landing |
| July 4, 2008 | San Antonio | | White Rabbit |
| July 5, 2008 | Houston | | Meridian |
| July 6, 2008 | Dallas | | House of Blues |
| July 8, 2008 | Albuquerque | | Sunshine Theater |
| July 9, 2008 | El Paso | | Club 101 |
| July 10, 2008 | Phoenix | | Marquee Theater |
| July 11, 2008 | Los Angeles | | House of Blues |
| July 12, 2008 | Bakersfield | | The Dome |
| July 13, 2008 | San Diego | | SOMA |
| July 15, 2008 | San Francisco | | The Fillmore |
| July 17, 2008 | Portland | | Hawthorne Theater |
| July 18, 2008 | Seattle | | Studio Seven |
| July 19, 2008 | Spokane | | Big Easy Concert House |
| July 20, 2008 | Boise | | Big Easy Concert House |
| July 21, 2008 | Salt Lake City | | Avalon Theatre |
| July 23, 2008 | Denver | | Cervantes Ballroom |
| July 24, 2008 | Omaha | | Sokol Underground |
| July 25, 2008 | Minneapolis | | First Avenue |
| July 26, 2008 | Milwaukee | | The Rave |
| July 27, 2008 | St. Louis | | Pop's |
| July 28, 2008 | Chicago | | House of Blues |

## 2008 (Canada)

**Headliner:**

**Support bands:**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| August 14, 2008 | Quebec City | Canada | Imperial |
| August 15, 2008 | Montreal | | Club Soda |
| August 16, 2008 | Toronto | | Opera House |
| August 18, 2008 | Thunder Bay | | Kilroys |
| August 19, 2008 | Winnipeg | | Garrick Center |
| August 20, 2008 | Regina | | Riddell Center |
| August 21, 2008 | Calgary | | Warehouse |
| August 22, 2008 | Edmonton | | Starlite |
| August 23, 2008 | Prince George | | Roll-a-Dome |
| August 25, 2008 | Vancouver | | Commodore Ballroom (no Common Grave, Divinity) |

## 2008 (Europe)

**Headliner:**

**Supporting bands:**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| August 29, 2008 | Liverpool | England | Barfly |
| August 30, 2008 | Glasgow | Scotland | The Garage |
| August 31, 2008 | Wrexham | Wales | Central Station |
| September 2, 2008 | Sheffield | England | The Corporation |
| September 3, 2008 | Nottingham | | Rescue Rooms |
| September 4, 2008 | Wolverhampton | | Wulfrun Hall |
| September 5, 2008 | Oxford | | The Zodiac |
| September 6, 2008 | London | | Islington Academy |
| September 7, 2008 | Brighton | | Concorde 2 |
| September 8, 2008 | Newport | Wales | TJ's |
| September 10, 2008 | Stuttgart | Germany | Röhre |
| September 11, 2008 | Vienna | Austria | Arena |
| September 12, 2008 | Jena | Germany | F-Haus |
| September 13, 2008 | Berlin | | Kato |
| September 14, 2008 | Bochum | | Matrix |
| September 15, 2008 | Aarschot | Belgium | Jeugdcentrum De Klinker |

## 2009 (Australia/New Zealand)

**Headliner:**

**Supporting bands:**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| March 13, 2009 | Sydney | Australia | The Manning Bar |
| March 14, 2009 | Brisbane | | The Red Room |
| March 15, 2009 | Adelaide | | Fowlers Live |
| March 16, 2009 | Perth | | Club Capitol |
| March 17, 2009 | Melbourne | | The Corner Hotel |
| March 20, 2009 | Auckland | New Zealand | Transmission Room |

## 2009

**Headliners:**

**Supporting bands:**

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| June 5, 2009 | Baltimore | United States | Sonar |
| June 6, 2009 | Richmond | | The National |
| June 7, 2009 | Philadelphia | | TLA |
| June 8, 2009 | Hartford | | Webster Theater |
| June 10, 2009 | Charlotte | | Amos Southend |
| June 12, 2009 | Louisville | | Headliners |
| June 13, 2009 | Atlanta | | The Masquerade |
| ~~June 14, 2009~~ | ~~St. Petersburg~~ | | ~~Jannus Landing~~ |
| June 15, 2009 | Jacksonville | | Plush |
| June 16, 2009 | Orlando | | Club Firestone |
| June 18, 2009 | San Antonio | | White Rabbit |
| June 19, 2009 | Houston | | Java Jazz |
| June 20, 2009 | San Antonio | | White Rabbit |
| June 21, 2009 | Dallas | | House of Blues |
| June 23, 2009 | Denver | | Gothic Theatre |
| June 24, 2009 | Albuquerque | | Sunshine Theater |
| June 26, 2009 | Phoenix | | The Marquee Theatre |
| June 27, 2009 | San Diego | | Soma |
| June 28, 2009 | Anaheim | | The Grove |
| June 29, 2009 | Las Vegas | | House of Blues |
| June 30, 2009 | Los Angeles | | House of Blues |
| July 1, 2009 | San Francisco | | The Grand Ballroom |
| July 2, 2009 | Portland | | Roseland Theater |
| July 3, 2009 | Seattle | | King Cat Theater |
| July 5, 2009 | Edmonton | Canada | The Starlite Room |
| July 6, 2009 | Calgary | | The Whiske |
| July 7, 2009 | Spokane | United States | Knitting Factory |
| July 9, 2009 | Minneapolis | | First Ave |
| July 10, 2009 | Milwaukee | | The Rave |
| July 11, 2009 | Birch Run | | DirtFest |
| July 12, 2009 | Lakewood | | Phantasy Concert Club |
| July 13, 2009 | Chicago | | House of Blues |
| July 14, 2009 | Cincinnati | | Bogart's |
| July 15, 2009 | Toronto | Canada | Sound Academy |
| July 16, 2009 | Montreal | | Medley |
| July 17, 2009 | Albany | United States | Northern Lights |
| July 18, 2009 | Worcester | | The Palladium |
| July 19, 2009 | New York City | | Irving Plaza |
| July 20, 2009 | | |

## 2010

**Headliner:**

**Supporting bands:**

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 17, 2010 | San Diego | United States | Soma |
| July 18, 2010 | Los Angeles | | House of Blues |
| July 19, 2010 | Tempe | | Marquee |
| July 20, 2010 | El Paso | | Club 101 |
| July 21, 2010 | San Antonio | | White Rabbit |
| July 22, 2010 | Austin | | Emo's |
| July 23, 2010 | Fort Worth | | Ridglea Theatre |
| July 24, 2010 | Houston | | Warsaw Ballroom |
| July 26, 2010 | Fort Lauderdale | | Revolution |
| July 27, 2010 | Atlanta | | The Masquerade |
| July 28, 2010 | Raleigh | | Volume 11 |
| July 29, 2010 | Philadelphia | | TLA (Theatre of Living Arts) |
| July 30, 2010 | Baltimore | | Sonar |
| July 31, 2010 | Worcester | | The Palladium |
| August 1, 2010 | New York City | | Irving Plaza |
| August 2, 2010 | Quebec City | Canada | Imperial |
| August 3, 2010 | Montreal | | Club Soda |
| August 4, 2010 | Toronto | | Opera House |
| August 5, 2010 | Cleveland | United States | Peabody's |
| August 6, 2010 | Cincinnati | | Bogart's |
| August 7, 2010 | Detroit | | Harpos |
| August 8, 2010 | Milwaukee | | The Rave |
| August 9, 2010 | Chicago | | House of Blues |
| August 10, 2010 | Minneapolis | | First Ave |
| August 11, 2010 | Indianapolis | | Emerson Theatre |
| August 13, 2010 | Denver | | Summit Music Hall |
| August 14, 2010 | Salt Lake City | | Club Sound |
| August 16, 2010 | Calgary | Canada | Republik |
| August 17, 2010 | Edmonton | | The Starlite Room |
| August 19, 2010 | Vancouver | | Rickshaw Theatre |
| August 20, 2010 | Seattle | United States | Studio Seven |
| August 21, 2010 | Portland | | Roseland Theatre |
| August 23, 2010 | San Francisco | | The Fillmore |

## 2010 (Mexico)

**Headliners**

**Support bands**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| August 27, 2010 | Monterrey | Mexico | Cafe Iguana |
| August 28, 2010 | Mexico City | | Circo Volador |
| August 29, 2010 | Tijuana | | El Foro |

## 2011

**Headliners:**

**Supporting bands:**

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 22, 2011 | Los Angeles | United States | House of Blues |
| July 23, 2011 | Anaheim | | The Grove |
| July 25, 2011 | Portland | | Roseland Theatre |
| July 26, 2011 | Seattle | | King Cat Theatre |
| July 27, 2011 | Boise | | The Knitting Factory |
| July 28, 2011 | Sacramento | | Ace of Spades |
| July 29, 2011 | San Francisco | | The Fillmore |
| July 30, 2011 | San Diego | | House of Blues |
| July 31, 2011 | Scottsdale | | Venue of Scottsdale |
| August 1, 2011 | Albuquerque | | Sunshine Theater |
| August 2, 2011 | Denver | | Summit Music Hall |
| August 4, 2011 | Louisville | | Expo Five |
| August 5, 2011 | Detroit | | St. Andrews |
| August 6, 2011 | Milwaukee | | The Rave |
| August 7, 2011 | Cleveland | | House of Blues |
| August 8, 2011 | Chicago | | House of Blues |
| August 9, 2011 | Toronto | Canada | Sound Academy |
| August 10, 2011 | Montreal | | Olympia |
| August 11, 2011 | New York City | United States | Irving Plaza |
| August 12, 2011 | Worcester | | The Palladium |
| August 13, 2011 | Philadelphia | | Theatre of Living Arts |
| August 14, 2011 | Sayreville | | Starland Ballroom |
| August 15, 2011 | Washington, D.C. | | 9:30 Club |
| August 16, 2011 | Atlanta | | The Masquerade |
| August 17, 2011 | Fort Lauderdale | | Revolution |
| August 19, 2011 | Houston | | House of Blues |
| August 20, 2011 | San Antonio | | Backstage Live |
| August 21, 2011 | Dallas | | House of Blues |

## 2012

**Headliners:**

**Supporting bands:**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 20, 2012 | Los Angeles | United States | House of Blues |
| July 21, 2012 | San Diego | | SOMA |
| July 22, 2012 | Las Vegas | | House of Blues |
| July 23, 2012 | Scottsdale | | Venue of Scottsdale |
| July 25, 2012 | Dallas | | House of Blues |
| July 26, 2012 | San Antonio | | White Rabbit |
| July 27, 2012 | Mission | | Pharr Events Center |
| July 28, 2012 | Houston | | House of Blues |
| July 30, 2012 | Tampa | | The Ritz |
| July 31, 2012 | Fort Lauderdale | | Revolution |
| August 1, 2012 | Atlanta | | The Masquerade |
| August 2, 2012 | Knoxville | | The Valarium |
| August 3, 2012 | Charlotte | | Amos Southend |
| August 4, 2012 | Richmond | | The National |
| August 5, 2012 | Philadelphia | | The Trocadero |
| August 7, 2012 | Sayreville | | Starland Ballroom |
| August 8, 2012 | New York City | | Irving Plaza |
| August 9, 2012 | Albany | | Northern Lights |
| August 10, 2012 | Worcester | | The Palladium |
| August 11, 2012 | Montreal | Canada | Heavy Montreal |
| August 12, 2012 | Toronto | | Heavy Toronto |
| August 14, 2012 | Cleveland | United States | House of Blues |
| August 15, 2012 | Detroit | | St. Andrew's |
| August 16, 2012 | Chicago | | House Blues |
| August 17, 2012 | Milwaukee | | The Rave |
| August 18, 2012 | Saint Paul | | Station 4 |
| August 20, 2012 | Denver | | Summit Music Hall |
| August 22, 2012 | Seattle | | The Showbox Sodo |
| August 23, 2012 | Portland | | Roseland Theater |
| August 24, 2012 | San Francisco | | The Fillmore |
| August 25, 2012 | Anaheim | | The Grove |

## 2013

**Headliner:**

**Supporting bands:**

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 19, 2013 | San Francisco | United States | The Regency |
| July 20, 2013 | Los Angeles | | House of Blues |
| July 21, 2013 | Santa Ana | | The Observatory |
| July 24, 2013 | Oklahoma City | | Diamond Ballroom |
| July 25, 2013 | Austin | | Historic Scoot Inn |
| July 26, 2013 | Dallas | | House of Blues |
| July 27, 2013 | Houston | | House of Blues |
| July 29, 2013 | Orlando | | House of Blues (w/o Cattle Decapitation and Thy Art Is Murder) |
| July 30, 2013 | Atlanta | | The Masquerade |
| July 31, 2013 | Knoxville | | NV Nightclub |
| August 1, 2013 | Myrtle Beach | | House of Blues |
| August 2, 2013 | Silver Spring | | The Fillmore |
| August 3, 2013 | Worcester | | The Palladium (w/o Norma Jean) |
| August 4, 2013 | Philadelphia | | The Trocadero |
| August 7, 2013 | New York City | | Best Buy Theater |
| August 8, 2013 | Toronto | Canada | Sound Academy |
| August 9, 2013 | Montreal | | Metropolis |
| August 10, 2013 | Albany | United States | Upstate Concert Hall |
| August 11, 2013 | Detroit | | Majestic Theatre |
| August 12, 2013 | Chicago | | House of Blues |
| August 13, 2013 | Milwaukee | | The Rave |
| August 14, 2013 | Minneapolis | | The Cabooze |
| August 16, 2013 | Denver | | Ogden Theatre |
| August 17, 2013 | Salt Lake City | | The Complex |
| August 19, 2013 | Seattle | | Studio Seven |
| August 20, 2013 | Portland | | Roseland Ballroom |

## 2014

**Headliner:**

**Supporting bands:**

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 17, 2014 | San Francisco | United States | The Regency Ballroom (no Morbid Angel due to bus breakdown) |
| July 18, 2014 | Santa Ana | | The Observatory |
| July 19, 2014 | Los Angeles | | House of Blues |
| July 20, 2014 | Phoenix | | Nile Theater |
| July 21, 2014 | El Paso | | Tricky Falls |
| July 22, 2014 | Albuquerque | | Sunshine Theater |
| July 23, 2014 | Denver | | Summit |
| July 25, 2014 | Houston | | House of Blues |
| July 26, 2014 | Austin | | Scoot Inn |
| July 27, 2014 | Dallas | | GMBG |
| July 29, 2014 | St. Petersburg | | State Theater |
| July 30, 2014 | Atlanta | | The Masquerade |
| July 31, 2014 | Knoxville | | The International |
| August 1, 2014 | Cleveland | | Agora Theatre |
| August 2, 2014 | Chicago | | Mojoes |
| August 3, 2014 | Minneapolis | | Skyway Theatre |
| August 5, 2014 | Milwaukee | | The Rave |
| August 6, 2014 | Detroit | | Crofoot Ballroom |
| August 7, 2014 | Niagara Falls | | Rapids Theatre |
| August 8, 2014 | New York City | | Irving Plaza |
| August 9, 2014 | Worcester | | The Palladium |
| August 10, 2014 | Philadelphia | | The Trocadero |
| August 12, 2014 | Springfield | | Empire (no Morbid Angel) |

## 2014 (Canada)

**Headliner:**

**Supporting bands:**

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| August 14, 2014 | Quebec City | Canada | Dagobert |
| August 15, 2014 | Montreal | | Les Foufounes Electriques |
| August 16, 2014 | Toronto | | Mod Club |
| August 17, 2014 | Jonquière | | Salle Nikitoutagan |
| August 18, 2014 | Trois-Rivières | | Rock Cafe |
| August 19, 2014 | Sherbrooke | | Le Magog |
| August 20, 2014 | Ottawa | | Babylon Nightclub |
| August 23, 2014 | Edmonton | | Pawn Shop |
| August 24, 2014 | Kelowna | | Sapphire Nightclub |
| August 25, 2014 | Vancouver | | Rickshaw Theater |
| August 26, 2014 | Seattle | United States | Studio Seven |
| August 27, 2014 | Portland | | Hawthorne Theater |
| August 28, 2014 | Santa Cruz | | The Catalyst |

## 2015

**Headliner:**

**Supporting bands:**

Obscura and After the Burial were originally scheduled to appear on the tour. Obscura dropped off due to visa issues and After the Burial dropped off due to the death of their guitarist Justin Lowe.

**Tour dates:**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 28, 2015 | Denver | United States | Summit Music Hall |
| July 30, 2015 | Des Moines | | Val Air Ballroom |
| July 31, 2015 | Minneapolis | | Skyway Theater |
| August 1, 2015 | Joliet | | Mojoes |
| August 2, 2015 | Cleveland | | The Agora Theater |
| August 5, 2015 | Philadelphia | | Electric Factory |
| August 6, 2015 | Hamilton | Canada | Club 77 |
| August 7, 2015 | Montreal | | Heavy MTL |
| August 8, 2015 | Worcester | United States | The Palladium |
| August 9, 2015 | Sayreville | | Starland Ballroom |
| August 11, 2015 | Winston-Salem | | Ziggys |
| August 12, 2015 | New York City | | Webster Hall w/The All Stars Tour |
| August 13, 2015 | Baltimore | | Rams Head Live |
| August 15, 2015 | Knoxville | | The International |
| August 17, 2015 | Dallas | | Gas Monkey Live! |
| August 18, 2015 | Austin | | Empire Control Room & Garage |
| August 20, 2015 | Tempe | | The Marquee |
| August 21, 2015 | San Diego | | House of Blues |
| August 22, 2015 | Anaheim | | City National Grove of Anaheim |
| August 23, 2015 | San Francisco | | The Regency Ballroom |

## 2016

**Headliner:**

**Supporting bands:**

## 2017

**Headliners:**

**Supporting bands:**

The Black Dahlia Murder will play their 2007 album *Nocturnal* in its entirety for their 10th anniversary.

AngelMaker was voted in by fans during the Summer Slaughter Poll.

Slaughter to Prevail were initially announced on the bill, but their travel plans were delayed and they could not make the tour.

## 2018

**Headliner:**

**Supporting bands:**

Soreption only played a few tour dates and then dropped off due to unforeseen circumstances.

## 2019

**Co-Headliners**

**Support bands:**

## The Slaughter Survivors Tour 2011 (North America)

**Headliner:**

**Support bands:**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 22, 2011 | Tucson | United States | The Rock |
| July 23, 2011 | Gallup | | The Juggernaut |
| July 24, 2011 | Lubbock | | Jake's |
| July 25, 2011 | Austin | | Emo's |
| July 27, 2011 | Orlando | | Firestone |
| July 28, 2011 | St. Petersburg | | State Theatre |
| July 29, 2011 | Atlanta | | Masquerade |
| July 30, 2011 | Springfield | | Jaxx |
| July 31, 2011 | Trenton | | Backstage at Champs |
| August 3, 2011 | Wilmington | | Mojo 13 |
| August 4, 2011 | Amityville | | Broadway Bar |
| August 5, 2011 | Holyoke | | Waterfront Tavern |
| August 6, 2011 | Amsterdam | | Elks Hall 101 |
| August 7, 2011 | Jermyn | | Eleanor Rigby's |
| August 8, 2011 | Covington | | Mad Hatter |
| August 10, 2011 | Indianapolis | | Emerson Theater |
| August 11, 2011 | Steger | | Another Hole in the Wall |
| August 12, 2011 | Saint Paul | | Station 4 |
| August 13, 2011 | Des Moines | | People's Court |
| August 14, 2011 | Omaha | | Sokol Underground |
| August 15, 2011 | Denver | | Marquis Theater |
| August 16, 2011 | Salt Lake City | | In The Venue |
| August 18, 2011 | Anaheim | | Chain Reaction |
| August 19, 2011 | Sacramento | | The Boardwalk |
| August 20, 2011 | Sparks | | The Alley |

## The Slaughter Survivors Tour 2012 (North America)

**Headliner:**

**Support bands:**

**Tour dates**

| Date | City | Country | Venue |
| --- | --- | --- | --- |
| July 21, 2012 | Santa Cruz | United States | The Atrium |
| July 22, 2012 | Portland | | Branx |
| July 23, 2012 | Seattle | | Studio Seven |
| July 24, 2012 | Boise | | The Venue |
| July 26, 2012 | Denver | | Marquis Theater |
| July 27, 2012 | Salina | | The Factory |
| July 28, 2012 | Des Moines | | Vaudeville Mews |
| July 29, 2012 | Saint Paul | | Station 4 |
| July 30, 2012 | Green Bay | | The Hideout |
| July 31, 2012 | Joliet | | Mojoes |
| August 1, 2012 | Cleveland | | Peabody's |
| August 2, 2012 | Danbury | | Heirloom Arts |
| August 3, 2012 | Smithtown | | Masonic Temple |
| August 4, 2012 | Trenton | | Backstage at Champs |
| August 5, 2012 | Wilmington | | Mojo 13 |
| August 6, 2012 | New York City | | Studio at Webster Hall |
| August 7, 2012 | Springfield | | Empire |
| August 8, 2012 | Richmond | | Kingdom |
| August 9, 2012 | Wilmington | | Soapbox Laundro-Lounge |
| August 11, 2012 | Tampa | | Brass Mug |
| August 13, 2012 | Houston | | Warehouse Live |
| August 14, 2012 | San Antonio | | Korova |
| August 15, 2012 | Albuquerque | | El Rey Theater |
| August 17, 2012 | Tempe | | Rocky Point |
| August 18, 2012 | Temecula | | The Vault |
| August 19, 2012 | Los Angeles | | The Whisky |

## Fan-voted openers

In 2011, the Summer Slaughter Tour offered their fans the opportunity to vote on who would open the tour. The choices for 2011 were Dawn of Ashes, Revocation, Neuraxis, Conducting From The Grave, The Contortionist, Within The Ruins, Volumes, Augury, 7 Horns 7 Eyes, Rings of Saturn, and Struc/tures. Within the Ruins ultimately received the most votes and thus won the opening spot for the tour. That same year Conducting From The Grave, The Contortionist, Rings of Saturn, Volumes, and Struc/tures all toured together on what was billed as the Slaughter Survivors Tour. This tour also included Scale the Summit, who had not been part of the voting.

For the 2012 edition of the Summer Slaughter Tour, fans were once again given the chance to vote on the opening act. The choices for 2012 were Aegaeon, Battlecross, Cerebral Bore, Enfold Darkness, Fallujah, Fit for an Autopsy, Hour of Penance, I Declare War, Pathology, and Vildhjarta. The opening slot for the 2012 tour went to Cerebral Bore, and Pathology, Enfold Darkness, Fallujah, Fit for an Autopsy, and Aegaeon also joined the 2012 Slaughter Survivors Tour.

The choices for the 2013 tour were Abiotic, As They Burn, Dark Sermon, Erra, Fit for an Autopsy, Howl, Intervals, Into the Flood, King Conquer, Last Chance To Reason, My Bitter End, Nekrogoblikon, Rings of Saturn, Syqem, Soreption, Today I Caught the Plague, and Thy Art Is Murder. Thy Art Is Murder was the chosen band. However, since they were nearly tied with Rings of Saturn by a few votes, the organizers decided to put both Rings of Saturn and Thy Art Is Murder on the bill. Vektor were put on the initial ballot by their record label without the band's knowledge or approval, and upon discovering this, had to withdraw due to incompatible scheduling. The Slaughter Survivors Tour did not occur in 2013, and did not return in 2014 either.

Summer Slaughter 2014 didn't see the tour offer an opportunity to vote on openers; rather, the opener was chosen by Headbang for the Highway showcase, and Boreworm was selected. Mayhem Festival also uses the Headbang for the Highway showcase to select bands.

## Most appearances at The Summer Slaughter Tour

## InfoBox

| The Summer Slaughter Tour | |
| --- | --- |
| Genre | Death metal, metalcore, progressive metal, heavy metal |
| Location(s) | * United States (2007–present) * Mexico (2010) * Canada (2008, 2009, 2014–2015) * Europe (2008) * Australia/New Zealand (2009) |
| Years active | 2007–present |
| Founders | Ash Avildsen |
| Website | sumerianrecords.com/summerslaughter |


title: Fogars de Montclús

abstract:
Fogars de Montclús is a municipality in the province of Barcelona and autonomous community of Catalonia, Spain.
The municipality covers an area of 39.02 square kilometres (15.07 sq mi) and the population in 2014 was 482.

text:
# Fogars de Montclús

**Fogars de Montclús** (Catalan pronunciation: \[fuˈɣaz ðə ˌmoŋˈklus\]) is a municipality in the province of Barcelona and autonomous community of Catalonia, Spain. The municipality covers an area of 39.02 square kilometres (15.07 sq mi) and the population in 2014 was 482.

## InfoBox

| Fogars de Montclús | |
| --- | --- |
| Municipality | |
|  | |
|  | |
| Fogars de MontclúsLocation in CataloniaFogars de MontclúsFogars de Montclús (Spain) | |
| Coordinates: 41°43′43″N 2°26′40″E / 41.72861°N 2.44444°E / 41.72861; 2.44444 | |
| Country | Spain |
| Community | Catalonia |
| Province | Barcelona |
| Comarca | Vallès Oriental |
| Government | |
| Mayor | Albert Rovira Rovira (2015) |
| Area | |
| Total | 39.7 km2 (15.3 sq mi) |
| Population (2018) | |
| Total | 466 |
| Density | 12/km2 (30/sq mi) |
| Website | fogarsdemontclus.cat |


title: The Sun of Tiphareth

abstract: The Sun of Tiphareth is the second full-length studio album by black metal band Absu. It was released on Osmose Productions in 1995.

text:
# The Sun of Tiphareth

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |

***The Sun of Tiphareth*** is the second full-length studio album by black metal band Absu. It was released on Osmose Productions in 1995.

## Track listing

* All music by Absu. Lyrics by Proscriptor and Equitant, with additional lyrics by Trent White. Copyright Osmose Productions.

1. "Apzu" – 11:18
2. "Feis Mor Tir Na N'Og (Across the North Sea of Visnech)" – 8:05
3. "Cyntefyn's Fountain" – 3:46
4. "A Quest Into the 77th Novel" – 5:48
5. "Our Lust for Lunar Plains (Nox Luna Inlustris)" – 1:49
6. "The Coming of War" (Trent White) – 5:15
7. "The Sun of Tiphareth" – 7:06

## Personnel

* Proscriptor – all percussives, synthesizers, flute and voice
* Equitant Ifernain Dal Gais – electric lead guitar and electric bass guitar
* Shaftiel (Lord of Shadows) – electric lead guitar, electric bass guitar, acoustic guitar and voice
* Lynette Mitchell – additional vocals on "Apzu", "A Quest Into the 77th Novel" and "The Coming of War"

### Production

* Arranged & produced by Absu
* Executive production by Osmose Productions
* Engineered by Danny Brown at Goodnight Studios, Dallas, Texas

## InfoBox

| The Sun of Tiphareth | |
| --- | --- |
|  | |
| Studio album by Absu | |
| Released | March 1, 1995 |
| Genre | Black metal, thrash metal |
| Length | 43:09 |
| Label | Osmose |
| Producer | Absu |
| Absu chronology | |
| *Barathrum: V.I.T.R.I.O.L.*
(1993) ***The Sun of Tiphareth***
(1995) *The Third Storm of Cythraul*
(1997) | |


title: Martin S. Fox

abstract: Martin Stanford Fox was an American publisher who served as President of the Jewish Telegraphic Agency, the oldest and largest international news agency and wire service serving Jewish community newspapers and media around the world.

text:
# Martin S. Fox

**Martin Stanford Fox** (June 7, 1924 – April 8, 2020) was an American publisher who served as President of the Jewish Telegraphic Agency, the oldest and largest international news agency and wire service serving Jewish community newspapers and media around the world.

## Early life and education

Fox was born in Newark, New Jersey in June 1924, the oldest son of Mae Fox and of Jacob Fox (1898–1992), who was the longtime attorney for the Newark Board of Education. He attended Weequahic High School, was a graduate of Amherst College and received his law degree from Harvard Law School in 1949. He served as a lieutenant in the U.S. Army during World War II. He served as vice chairman of the Essex County, New Jersey Chapter of Americans for Democratic Action. He was a partner at the Newark firm of Fox and Fox, with his father and brother.

## Career

### Politics

In 1952, at age 28, Fox won the Democratic nomination for the U.S. House of Representatives in New Jersey's 12th congressional district. President Harry Truman's low approval ratings and the election of Dwight Eisenhower as the first Republican president in twenty years, helped Republicans win control of the House. Given the national political climate, Fox surprised local Democrats with a stronger than expected showing. He lost by 14,903 votes to the seven-term incumbent, Republican Robert Kean, 84,949 (54.81%) to 70,046 (45.19%).

Democrats viewed their chances as better in 1954, Eisenhower's mid-term election. Republicans were facing a fallout from the McCarthy hearings. Fox was again nominated as Kean's Democratic opponent. He ran as an unabashed liberal, calling himself "essentially New Dealish." He attacked Kean for voting against "socially important measures," and called for the repeal of the Taft-Hartley Act. While Democrats regained control of the House, picking up 18 seats, Kean beat Fox in a close race, 59,151 (53.07%) to 52,314 (46.93%), a margin of just 6,837 votes.

Governor Robert B. Meyner appointed him to serve as a member of the New Jersey State Board of Education in 1960. He was reappointed by Governor Richard J. Hughes and served until his replacement by Governor William Cahill in 1970.

### Writing career

In 1979, he was elected President of the Jewish Telegraphic Agency. Fox was President of the Jewish Community Federation of Metropolitan New Jersey, and after his term as president continued to be active with its charities into his nineties. He served as a United Jewish Appeal campaign chairman, and on the Board of the Council of Jewish Federations. He also served as a board member on HIAS.

## Personal life and death

Fox's wife is Muriel Kaplan Fox. They have two daughters. Fox was an avid fisherman and won first place in the Martha's Vineyard Fishing Derby for shore Albacore in 1991 and came in second place twice for shore Bonito.

Fox died from COVID-19 complications in Millburn, New Jersey, on April 8, 2020, during the COVID-19 pandemic in New Jersey. He was 95 years old.


title: Fore River Sanctuary

abstract: The Fore River Sanctuary is an 85-acre (34 ha) protected area in Portland, Maine. Located in the Stroudwater neighborhood, the sanctuary is home of Jewell Falls, Portland's only natural waterfall and the former home of the Cumberland and Oxford Canal. It also includes a salt water marsh which attracts a number of different species of birds and small mammals. It is named after the nearby Fore River and was protected by the National Audubon Society prior to being given to Portland Trails. The land was donated to Portland Trails by Tom Jewell, one of the founders of Portland Trails, a non-profit urban land trust preserving lands throughout Greater Portland.

text:
# Fore River Sanctuary

The **Fore River Sanctuary** is an 85-acre (34 ha) protected area in Portland, Maine. Located in the Stroudwater neighborhood, the sanctuary is home of Jewell Falls, Portland's only natural waterfall and the former home of the Cumberland and Oxford Canal. It also includes a salt water marsh which attracts a number of different species of birds and small mammals. It is named after the nearby Fore River and was protected by the National Audubon Society prior to being given to Portland Trails. The land was donated to Portland Trails by Tom Jewell, one of the founders of Portland Trails, a non-profit urban land trust preserving lands throughout Greater Portland.

43°39′58″N 70°19′01″W / 43.666°N 70.317°W / 43.666; -70.317


title: Marty McLeary

abstract: Marty Lee McLeary is a former Major League Baseball pitcher. McLeary stands at 6' 5", and weighs 210 pounds. He attended Mount Vernon Nazarene University in Ohio. He made his major league debut on August 22, 2004, with the San Diego Padres. From 2006 to 2007, McLeary pitched in the Pittsburgh Pirates organization, appearing in nine major league games. On August 31, 2006, McLeary allowed two runs in the top 11th inning against the Chicago Cubs and had the bases loaded when he finished the inning; however, the Pirates scored three runs in the bottom of the inning, giving McLeary his first major league win in their 10–9 victory. "He's worked his tail off," teammate Freddy Sanchez said of his teammate, calling his first win "awesome." McLeary signed with the Lotte Giants in South Korea on January 6, 2008. In August 2008, McLeary signed with the Toronto Blue Jays and was assigned to Double-A New Hampshire. After playing for New Hampshire and the Triple-A Las Vegas 51s in early 2010, McLeary was released and signed by the Milwaukee Brewers organization in June 2010. He retired after the 2010 season.

text:
# Marty McLeary

**Marty Lee McLeary** (born October 26, 1974) is a former Major League Baseball pitcher.

McLeary stands at 6' 5", and weighs 210 pounds. He attended Mount Vernon Nazarene University in Ohio. He made his major league debut on August 22, 2004, with the San Diego Padres. From 2006 to 2007, McLeary pitched in the Pittsburgh Pirates organization, appearing in nine major league games. On August 31, 2006, McLeary allowed two runs in the top 11th inning against the Chicago Cubs and had the bases loaded when he finished the inning; however, the Pirates scored three runs in the bottom of the inning, giving McLeary his first major league win in their 10–9 victory. "He's worked his tail off," teammate Freddy Sanchez (who'd played with McLeary in the Red Sox organization as well) said of his teammate, calling his first win "awesome." McLeary signed with the Lotte Giants in South Korea on January 6, 2008. In August 2008, McLeary signed with the Toronto Blue Jays and was assigned to Double-A New Hampshire. After playing for New Hampshire and the Triple-A Las Vegas 51s in early 2010, McLeary was released and signed by the Milwaukee Brewers organization in June 2010. He retired after the 2010 season.

## InfoBox

| Marty McLeary | |
| --- | --- |
| McLeary with the Pirates in 2006 | |
| **Pitcher** | |
| **Born:**  (1974-10-26) October 26, 1974<br>Kettering, Ohio | |
| **Batted:** Right**Threw:** Right | |
| Professional debut | |
| **MLB:** August 22, 2004, for the San Diego Padres | |
| **KBO:** March 30, 2008, for the Lotte Giants | |
| Last appearance | |
| **MLB:** May 19, 2007, for the Pittsburgh Pirates | |
| **KBO:** July 22, 2008, for the Lotte Giants | |
| MLB statistics | |
| Win–loss record | 2–0 |
| Earned run average | 5.28 |
| Strikeouts | 17 |
| KBO statistics | |
| Win–loss record | 5–5 |
| Earned run average | 4.60 |
| Strikeouts | 43 |
|  | |
| Former teams | |
|  | |


abstract: For the First Time is the second album by Stephanie Mills. Released in 1975 on the Motown label. Produced by Burt Bacharach and Hal David; directed by Phil Ramone. The arrangements were by Burt Bacharach, Bill Eaton, Dave Matthews and Kenny Asher. After a fallout during the recording of the soundtrack to the remake of Lost Horizon, Bacharach and David split before briefly reuniting for this album. After this album project that featured eight new songs plus two covers of songs that Dionne Warwick had previously recorded, the famous songwriting duo would not work together until they wrote three unrecorded songs in 1978. They then did not write together again until a reunion in 1989, when they wrote two songs - "How Can I Love You" which remains unrecorded, and "Sunny Weather Lover" which was eventually recorded by Dionne Warwick for her 1993 album Friends Can Be Lovers.

text:
# For the First Time (Stephanie Mills album)

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |

***For the First Time***  is the second album by Stephanie Mills. Released in 1975 on the Motown label. Produced by Burt Bacharach and Hal David; directed by Phil Ramone. The arrangements were by Burt Bacharach, Bill Eaton, Dave Matthews and Kenny Asher. After a fallout during the recording of the soundtrack to the remake of *Lost Horizon*, Bacharach and David split before briefly reuniting for this album. After this album project that featured eight new songs plus two covers of songs that Dionne Warwick had previously recorded, the famous songwriting duo would not work together until they wrote three unrecorded songs in 1978. They then did not write together again until a reunion in 1989, when they wrote two songs - "How Can I Love You" which remains unrecorded, and "Sunny Weather Lover" which was eventually recorded by Dionne Warwick for her 1993 album *Friends Can Be Lovers*.

## Track listing

All songs written by Burt Bacharach and Hal David

1. "I Took My Strength from You" 3:50
2. "Living on Plastic" 2:48
3. "No One Remembers My Name" 3:22
4. "If You Can Learn How to Cry" 3:23
5. "Loneliness Remembers (What Happiness Forgets)" 2:30
6. "This Empty Place" 3:10
7. "The Way I Feel About You" 3:05
8. "I See You for the First Time" 3:06
9. "All the Way to Paradise" 3:19
10. "Please Let Go" 3:49

## Production

* All songs arranged by Burt Bacharach, except track 4 (Bill Eaton), 5 (Dave Matthews), and 6 & 8 (Kenny Asher).
* Produced by Burt Bacharach and Hal David

## InfoBox

| For the First Time | |
| --- | --- |
|  | |
| Studio album by Stephanie Mills | |
| Released | October 11, 1975 |
| Recorded | 1975 |
| Genre | Soul |
| Label | Motown |
| Producer |  |
| Stephanie Mills chronology | |
| *Movin' in the Right Direction*
(1974) ***For the First Time***
(1975) *What Cha Gonna Do with My Lovin'*
(1979) | |


title: For the First Time in Forever

abstract: "Umarete Hajimete" "For the First Time in Forever" is a song from Disney's 2013 animated feature film Frozen, with music and lyrics composed by Kristen Anderson-Lopez and Robert Lopez. It is reprised later in the musical. Both versions are sung by American actresses Kristen Bell and Idina Menzel who provide the speaking and the singing voices of Princess Anna and Queen Elsa, respectively.

text:
# For the First Time in Forever

"**For the First Time in Forever**" is a song from Disney's 2013 animated feature film *Frozen*, with music and lyrics composed by Kristen Anderson-Lopez and Robert Lopez. It is reprised later in the musical. Both versions are sung by American actresses Kristen Bell and Idina Menzel who provide the speaking and the singing voices of Princess Anna and Queen Elsa, respectively.

## Production

The song was composed relatively late in the production process in June 2013. This was only five months before the film's November 27, 2013, release date, when the filmmakers were scrambling to make the film work after realizing in February it still wasn't working.

The original version of the song contained a line about "I hope that I don't vomit in his face," which was deemed unacceptable by Disney as a reference to bodily fluids. The Lopezes' daughter, Katie, came up with the replacement line that ended up in the film: "I wanna stuff some chocolate in my face."

As for the reprise, there was originally a different confrontation lyric for the scene where Elsa strikes Anna with her powers entitled "Life's Too Short" (the premise being that life is too short to waste it with someone who doesn't understand them), which itself would have been reprised later when the sisters realize that life's too short to live life alone. As the characters evolved throughout the writing process (specifically Elsa was turned from a villain to a tragic hero), the song was deemed too vindictive and was instead replaced with a reprise of this song, to create a motif. "Life's Too Short" survives as a demo track on the Deluxe Edition of the movie soundtrack, and part of the melody was reused in *Frozen Fever* for the song "Making Today A Perfect Day".

When the necessity of a reprise dawned upon Anderson-Lopez, she wrote it in only about 20 minutes, and then successfully pitched it on her own to the Disney production team, as Lopez was already with the team in Los Angeles trying to fix "Do You Want to Build a Snowman?"

## Synopsis

### Original

In the first version, the song shows Anna's happiness and naive optimism when preparing for Elsa's coronation. During the third verse, Elsa sings a counterpoint melody (with some of the same lyrics that are later used as the first verse of "Let it Go"), in which she expresses her fear of accidentally revealing her ice powers and her anxiety about opening the gates. During her solo, Elsa practices her role in the coronation on a box and candlestick in her room. Elsa orders the guards to open the gates, and Anna joyfully wanders down a causeway into the town against the flow of guests arriving. The song is cut off mid-note when Anna crashes into Hans's horse, and subsequently falls into a rowboat. This version goes up a half-step with each verse, starting in F major and ending in G major for the final.

#### Musical

In the Broadway musical version of the song, a pair of lines in the first verse are changed due to staging limitations. Anna's line "Who knew we had eight thousand salad plates" is changed to "And there's two nice ladies helping me get dressed," and the line it rhymes with, "Finally they're opening up the gates!" is changed to "Coronation day is just the best!" In addition, after the last key change, there is an additional verse sung by a chorus of townspeople. Anna's run-in with Hans also involves them falling into Kristoff's ice-cart, rather than a rowboat.

#### Frozen Jr.

In the Frozen Jr. version, in the second verse, the line "A beautiful stranger, tall and fair" is changed to "A beautiful stranger, tall and rare". The fourth verse was also omitted. This version goes up a half-step with each verse, starting in E flat major and ending in F major for the final.

#### Frozen Kids

In the Frozen Kids version, the song was shortened with the second verse being omitted.

### Reprise

In the reprise, Anna arrives at Elsa's ice palace to try to get her to unfreeze the kingdom, after she unknowingly sparked an eternal winter. She also wants Elsa to come back so that they can rekindle their once close relationship as sisters. However, Elsa refuses because she feels she cannot control her powers and that she is better off alone where she can't hurt anyone. As Anna tries to reason with her sister, Elsa's fear intensifies, resulting in her being covered in a blizzard of ice particles as a physical manifestation of her emotions, and she blocks out Anna's calming words. At one point, Elsa turns her back to her sister to form a two shot west, a blocking technique normally used in American soap operas. Finally, paranoid and lost, Elsa lets out a yell, and accidentally blasts Anna in the heart with the accumulated ice particles, thereby freezing it (an act which Pabbie and the trolls note to be fatal); causing her to fall to the floor and Kristoff and Olaf to rush to her side, to make sure she's okay.

The reprise uses a different melody from the original. Namely, Anna's parts are in a major key while Elsa's counterpoint is in a minor key, highlighting the opposite emotions the two characters have at this point in time. After Anna is inadvertently struck by Elsa's magic, the percussion includes part of the music from "Frozen Heart".

#### Musical version

In the reprise, Elsa tells Anna about how she hurt her with her magic when they were kids, and sings the bridge verse from Demi Lovato's version of "Let It Go", albeit with slightly modified lyrics to reflect Elsa's character, before the reprise starts.

Later after the North American tour in 2019, the reprise was replaced with a new duet titled "I Can't Lose You", which was eventually added to subsequent productions of the musical, while the "Let it Go" stanza remains unchanged.

## International versions

Italian actresses and singers Serena Rossi and Serena Autieri and the Italian cast of *Frozen* were awarded the best foreign dubbing worldwide

Several other language versions of the song have been successful. The Japanese-language version called "Umarete Hajimete" (生まれてはじめて, "For the first time in life") was sung by Takako Matsu and Sayaka Kanda, who played Elsa and Anna respectively. It appeared on the *Billboard* Japan Hot 100 in between April and June 2014, peaking at number 19, and was popular enough to be certified platinum for 250,000 digital downloads by the RIAJ in September 2014. The Korean-language version, sung by Park Ji-Yun and Park Hyena, reached 129 on the Gaon Singles Chart being downloaded 14,000 times, while the reprise version peaked at 192 with 8,000 downloads. The Italian version, along with the whole Italian adaptation of the movie, was awarded the best foreign dubbing worldwide by Disney.

## Charts

| Chart (2013–14) | Peak
position |
| --- | --- |
| Australia (ARIA) | 62 |
| Canada (Canadian Hot 100) | 70 |
| Ireland (IRMA) | 54 |
| Japan (*Billboard* Japan Hot 100) | 14 |
| Scotland (OCC) | 37 |
| South Korea (Gaon International Chart) | 4 |
| South Korea (Gaon Chart) | 19 |
| Sweden Heatseeker (Sverigetopplistan)
*"För första gången nånsin" by Annika Herlitz and Mimmi Sandén* | 19 |
| UK Singles (OCC) | 38 |
| US *Billboard* Hot 100 | 57 |
|

## Critical reception

Both iterations have received very positive reviews. NeonTommy described it as "A classic "I Want" song (think *Part of Your World* or *When Will My Life Begin?*) with a sprinkle of self-awareness", and said "this song puts a nice new spin on a familiar form...Lopez and Anderson-Lopez keep the tune fresh, and Kristen Bell’s charming and bright delivery of the peppy lyrics is endearing." GeeksOfDoom said "Who would have guessed that Kristen Bell and Idina Menzel would make such a nice duo? Bell adds some humor with her effervescent spirit and amusing lyrics, whereas Menzel lends the signature Broadway voice. You know a song provides further significance when it moves the story, as opposed to stops the film completely, and this one perfectly represents the former. “First Time” conveys Anna’s hopefulness and openness, contrasting with Elsa’s close-minded and fearful vibe." In a negative review, SputnikMusic said "“For the First Time in Forever,” with its lyrical clunkers like “Don't know if I'm elated or gassy / But I'm somewhere in that zone” and poor performance decisions like the ham-fisted pause before Elsa “opens the gates” and Anna’s meaningless harmonization shortly thereafter, represents the downhill slide and subsequent face-first mud landing of the soundtrack over the course of its runtime". *The Hollywood Reporter* described it as a "big number", and "the centerpiece of the original songs". StitchKingdom said: "The ‘I Want’ song, the composition and lyrics feed off Anna’s frenetic and anxious energy and awkwardness, a classic example of mixing sophistication with silliness". *Rochester City Newspaper* wrote "*For the First Time in Forever* suffers from a fairly run-of-the-mill chorus tune, but smartly makes up for it with catchy verses, amusing lyrics (“Don’t know if I’m elated or gassy / But I’m somewhere in that zone!”) and a great performance from Kristen Bell, showing off protagonist Princess Anna’s quirky side while still longing for a ball, a man, and some basic human interaction."

### Reprise

| "For the First Time in Forever (Reprise)" | |
| --- | --- |
| Song by Kristen Bell & Idina Menzel | |
| from the album  *Frozen* | |
| Published | Wonderland Music Company |
| Released | November 25, 2013 |
| Recorded | 2013 |
| Genre | Show tune |
| Length | 2:30 |
| Label | Walt Disney |
| Songwriter(s) |  |
| Producer(s) |  |

NeonTommy wrote, "This song balances really well between long, powerful phrases and banter-like recitative, and is a great illustration of the dynamic between Anna and Elsa. It’s also the first time where we get to hear Anna and Elsa sing as equals (the earlier version of this song is more about Anna than it is about Elsa), so it’s quite fun to hear this song between two sisters." GeeksOfDoom wrote "The reoccurrence of the “sister song” signifies how Elsa has changed, much unlike Anna, who still sees the potential of their relationship. The song incorporates polyphony and intensifies their emotions as it builds to a crescendo. While it’s not a substantial addition – the scene could have played out just as well without music – it’s still entertaining". StitchKingdom wrote, "The words and melody are just about the only thing this song has in common with its namesake. Anna’s desperate plea to Elsa, this song also features one of the most complex arrangements found on the soundtrack, giving it a haunting and to a professional effect in a way seldom seen on the stage, let alone in family films. The song also treads dangerously along the operetta line at times which puts a unique spin on it."

### Certifications

| Region | Certification | Certified units/sales |
| --- | --- | --- |
| Australia (ARIA) | Gold | 35,000^ |
| United Kingdom (BPI) | Platinum | 600,000 |
| United States (RIAA) | 3× Platinum | 3,000,000 |
| ^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.
 | | |

## Performances

Kristen Bell and Idina Menzel performed both songs together at the Vibrato Grill Jazz Club in Los Angeles to celebrate the film. During the first ever Rose Parade Halftime performance, the North American tour cast of the Broadway show performed the first rendition, with Anna interacting with the spectators.

## InfoBox

| "For the First Time in Forever" | |
| --- | --- |
| Song by Kristen Bell & Idina Menzel | |
| from the album  *Frozen* | |
| Published | Wonderland Music Company |
| Released | November 25, 2013 |
| Recorded | 2013 |
| Genre | Show tune |
| Length | 3:46 |
| Label | Walt Disney |
| Songwriter(s) |  |
| Producer(s) |  |


title: Form book

abstract: A form book is a tool used by attorneys in the United States to aid in the filing of pleadings, motions and other legal documents with a court or similar decision-making body. A form book may be a bound volume or binder containing loose-leaf pages, containing forms, clauses and model documents that the attorney might use when preparing a legal document or court pleading.

text:
# Form book

A **form book** is a tool used by attorneys in the United States to aid in the filing of pleadings, motions and other legal documents with a court or similar decision-making body. A form book may be a bound volume or binder containing loose-leaf pages, containing forms, clauses and model documents that the attorney might use when preparing a legal document or court pleading.

## Purpose

Due to the exacting nature of legal forms and the time and effort required to prepare legal documents, form books were created as an aid in the drafting process. These books conserve time and serve as a reference to attorneys and law students seeking to use them in their practice. The importance of these books is not to be underestimated, as a form lacking proper language or information may jeopardize court proceedings.

Forms can contain standard language to be used in court proceedings, or may more closely resemble a template which is to be filled in based on case specifics. Forms found in form books are often used as a reference, as the document that will be used must be tailored specifically to the court and situation in which it will be presented. In some cases, such as patent and bankruptcy, certain forms are legally required.

Form books may be arranged chronologically, alphabetically, by subject, or by jurisdiction. They may also include additional resources such as outlines, research references, annotations, state considerations, and law practice checklists in addition to the forms.

The style, format, and information required in court documents differs from one jurisdiction to another, between different levels of courts in a system, and between different areas of law. Therefore, the companies that publish casebook and other legal materials often publish form books as well, offering selections specific to the location and type of practice in which their customers are engaged. Many publishers offer the forms in their books on computer discs. Some books may be accompanied by CD-ROMs or DVD-ROMs.

The advent of the Internet has lessened demand for printed form books. Many forms are now distributed freely by various courts, and others are available for free or online purchase. Forms online may be offered with drafting tools and other resources.

## Types of Form Books

There are several different categories of form books available. These differ in their organization, subject, and the nature of the information contained.

### General Form Books

General form books usually fall into one of two categories: transactional, or covering pleading and practice processes. Transactional (or legal) forms give examples of contracts, wills, leases, deeds, mortgages, and other substantive matters. Pleading and practice forms provide formatting and examples for legal language to be used in various court motions such as complaints, answers, and motions to dismiss. General form books are not state specific, and are annotated and cross-referenced. They are usually arranged alphabetically or encyclopedically and may provide a topical index to aid researchers in finding specific forms.

### Form Books for Specific Subjects or Proceedings

Publishers can provide form books that discuss a specific type of practice. Topics which might have their own form books include real estate, business law, and tax.

### Form Books Specific to Geographic Jurisdictions

Most states have form books containing state-specific forms. These can be published by various entities such as state courts or individual state bar association organizations. Other court systems may publish their own materials as well.

### Other Types of Form Books

Another type of form book is designed for those seeking legal forms but not trained as lawyers, commonly referred to as a “self-help” form book. Topics included could be leases, wills, and contracts.

## Topics Covered in Form Books

Typical forms included in a form book are a model complaint, answer, motion to compel discovery, motion for summary judgment, and request for permission to appeal. Other types of forms include: Transactional forms used to draft wills, contracts, and documents

* Procedural Forms used to draft pleadings, motions, and complaints
* Real estate
* General legal topics like partnerships, contracts, and leases
* Bankruptcy
* Business Forms
* Taxes and securities
1. https://www.irs.gov/formspubs Internal Revenue Service
2. http://www.taxadmin.org/fta/link/FORMS.html Archived 2009-08-05 at the Wayback Machine Federation of Tax Administrators
3. http://www.washlaw.edu/legalforms/ Archived 2009-04-15 at the Wayback Machine WashLaw Legal Forms


title: Mary Becker Greene

abstract: Captain Mary Becker Greene, was steamboat captain of the Greene Line of river steamboats. She was the only female steamboat captain in Ohio.

text:
# Mary Becker Greene

Captain **Mary Becker Greene** (1867 - April 22, 1949), was steamboat captain of the Greene Line of river steamboats. She was the only female steamboat captain in Ohio.

## Biography

She was born in 1867. She married Gordon Christopher Greene in 1890 and they had as their children Thomas Rea Greene, Henry Wilkens Greene, and Christopher Becker Greene. Greene earned her captain's license in 1897.

She died on Fri., April 22, 1949 aboard her boat, *Delta Queen*, after leaving New Orleans. Her spirit is said to still haunt the ship.

In 1988, Greene was inducted into the National Rivers Hall of Fame. Folk musician Jake Speed's "Captain Mary" (2003) was inspired by Greene's life.


title: Mary Beckett

abstract: Mary Beckett (1926–2013) was an Irish author.

text:
# Mary Beckett

**Mary Beckett** (1926–2013) was an Irish author.

## Biography

She was born in Belfast. She attended St. Dominic's High School and then proceeded to St. Mary's Teacher Training College. She married and moved to Dublin where she worked as a teacher. She had five children.

## Writing career

In the 1950s, she wrote radio plays for BBC Northern Ireland and had several short stories published.

It was not until she was in her fifties that she began publish again. Her first was a collection of her earlier short stories entitled *A Belfast Woman* (1980). This was followed by *A Literary Woman* (1990). She also wrote a novel entitled *Give them Stones* (1987), and several children's books including *Orla was Six*, *Orla at School*, *A Family Tree*, and *Hannah, or the Pink Balloons*.

## InfoBox

| Mary Beckett | |
| --- | --- |
|  | |
| Born | 1926
Belfast, Northern Ireland |
| Died | 2013(2013-00-00) (aged 86–87)
Dublin, Ireland |
| Occupation | Author |
| Nationality | Irish |
| Alma mater | St. Mary's Teacher Training College |
| Notable works | *Give Them Stones*
*A Belfast Woman*
*A Literary Woman* |
| Notable awards | 1987 The Sunday Tribute Arts Award for Literature |
| Children | 5 |


title: Mary Beckman

abstract: Mary Esther Beckman is a Professor Emerita of Linguistics at the Ohio State University.

text:
# Mary Beckman

**Mary Esther Beckman** (born September 1953) is a Professor Emerita of Linguistics at the Ohio State University.

## Career

Beckman received her PhD from Cornell University in 1984. She was a Postdoctoral member of the technical staff in "Linguistics and Artificial Intelligence Research" at AT&T Bell Laboratories, Murray Hill, NJ, before joining the linguistics faculty at Ohio State University in 1985. She has directed at least twenty-five PhD dissertations to completion at Ohio State University.

Her early research focused on prosody and the development of the Tones and Boundary Indexes (ToBI) system of intonation transcription. More recently her work has focused on phonological disorders and child language acquisition.

Perhaps her most significant contribution to linguistics is the fact that in 1987, together with John Kingston, she organized the first Laboratory Phonology conference at Columbus, Ohio. She served with Kingston as series editor for the Cambridge University Press series *Papers in Laboratory Phonology* from 1987 through 2004. The laboratory phonology movement was one of the two most important developments during the 1990s in the linguistic subdisciplines that study language sound systems, and gave rise to the Association for Laboratory Phonology. (The other important development was Optimality Theory.)

## Honors and awards

In 1988 she won a Presidential Young Investigator Award from the National Science Foundation.

She edited the Journal of Phonetics from 1990 to 1994.

Beckman was inducted as a Fellow in the Linguistic Society of America in 2011. In 2015, she received the Scientific Achievement Medal of the International Speech Communication Association.

## Personal life

Beckman was married to John S. Cikoski, a specialist for Classical Chinese. Cikoski died in 2022.

## Selected publications

* Beckman, Mary E. (1986). *Stress and Non-Stress Accent*. Netherlands Phonetic Archives Series. Walter de Gruyter. ISBN 978-3-11-013729-3.
* Pierrehumbert, Janet B.; Mary E. Beckman (1988). *Japanese Tone Structure*. MIT Press. ISBN 978-0-262-16109-1.
* Kingston, John; Beckman, Mary (1990). *Papers in Laboratory Phonology I: Between the Grammar and Physics of Speech*. Cambridge University Press. ISBN 978-0-521-36238-2.
* Beckman, Mary, Ken de Jong, Sun-Ah Jun, & Sook-hyang Lee (1992) “The Interaction of Coarticulation and Prosody in Sound Change,” Language and Speech 35 (1, 2). pp. 45–58. doi:10.1177/002383099203500205

## InfoBox

| Mary Esther Beckman | |
| --- | --- |
| Born | September 1953 (age 71) |
|  | |
| Academic background | |
| Education | Cornell University (PhD) |
| Academic work | |
| Discipline | linguistics |
| Sub-discipline | phonetics |
| Institutions | Ohio State University |
| Doctoral students | Keith Allan Johnson, Mariapaola D'Imperio |
|  | |


title: Fontainebleau et du Gâtinais

abstract: Fontainebleau et du Gâtinais is a biosphere reserve located in the Ile de France region, some 70 km south-east of Paris, first designated in 1998 and extended in 2010. The biosphere reserve is composed of temperate deciduous forest, heathlands, open rock areas and several wetlands. In total, the reserve protects 150,544 hectares. The center of the biosphere, is located at 48°22′N 2°33′E. The biosphere reserve contains two habitats of community interest listed in the European Union's Habitats, Flora and Fauna Directive: Northern Atlantic wet heaths with Erica tetralix, and forests of slopes, screes and ravines (Polystico-Corylenion). These are included in the 20 core areas of 3,874 hectares. The core and the buffer zones correspond to the administrative unit of the Forest of Fontainebleau, managed by the Office National des Forêts. The transition area lies essentially in the Parc naturel régional du Gâtinais français but also includes villages and towns with a total of 60,000 inhabitants, including the town of Fontainebleau (1998). The biosphere reserve encompasses forest lies upon an ancient marine sand-bank which is occasionally overlaid by sandstone. The sandbank lies on a layer of Brie limestone and green marl, where springs arise. The soils within the forest area are highly diverse, which also is one explanation for the high plant diversity, as more than 5,800 plant species have been identified so far. The biosphere reserve contains two habitats of community interest listed in the European Union's Habitats, Flora and Fauna Directive: Northern Atlantic wet heaths with Erica tetralix, and forests of slopes, screes and ravines (Polystico-Corylenion).

text:
# Fontainebleau et du Gâtinais

**Fontainebleau et du Gâtinais** is a biosphere reserve located in the Ile de France region, some 70 km south-east of Paris, first designated in 1998 and extended in 2010. The biosphere reserve is composed of temperate deciduous forest (mainly oak, Scots pine and beech), heathlands, open rock areas and several wetlands. In total, the reserve protects 150,544 hectares. The center of the biosphere, is located at 48°22′N 2°33′E / 48.367°N 2.550°E / 48.367; 2.550.

The biosphere reserve contains two habitats of community interest listed in the European Union's Habitats, Flora and Fauna Directive: Northern Atlantic wet heaths with Erica tetralix, and forests of slopes, screes and ravines (Polystico-Corylenion). These are included in the 20 core areas of 3,874 hectares. The core and the buffer zones correspond to the administrative unit of the Forest of Fontainebleau, managed by the Office National des Forêts. The transition area lies essentially in the Parc naturel régional du Gâtinais français but also includes villages and towns with a total of 60,000 inhabitants, including the town of Fontainebleau (1998).

The biosphere reserve encompasses forest lies upon an ancient marine sand-bank which is occasionally overlaid by sandstone. The sandbank lies on a layer of Brie limestone and green marl, where springs arise. The soils within the forest area are highly diverse, which also is one explanation for the high plant diversity, as more than 5,800 plant species have been identified so far. The biosphere reserve contains two habitats of community interest listed in the European Union's Habitats, Flora and Fauna Directive: Northern Atlantic wet heaths with Erica tetralix, and forests of slopes, screes and ravines (Polystico-Corylenion).

## Socio-economic characteristics

Since the 10th century, the forest has been a royal domain and the Chateau de Fontainebleau was built at the beginning of the 16th century by Francois I.

The forest has been studied by well known naturalists (Linné, Jussieu and Buffon) since the 17th century and painters were also attracted to the forest (e.g. Millet, Rousseau, Corot), and created the Barbizon school in the 19th century.

Due to its proximity to the capital, the area receives exceptionally high number of visitors, which is a major management concern.

## Sources

This article incorporates text from a free content work. Licensed under CC BY-SA IGO 3.0 (license statement/permission). Text taken from *UNESCO - MAB Biosphere Reserves Directory*, UNESCO.


title: The Turn of a Card

abstract: The Turn of a Card is a 1918 American silent comedy film directed by Oscar Apfel and starring J. Warren Kerrigan, Lois Wilson and Eugene Pallette. The film is considered lost.

text:
# The Turn of a Card

***The Turn of a Card*** is a 1918 American silent comedy film directed by Oscar Apfel and starring J. Warren Kerrigan, Lois Wilson and Eugene Pallette. The film is considered lost.

## Cast

## Bibliography

* Rainey, Buck. *Sweethearts of the Sage: Biographies and Filmographies of 258 actresses appearing in Western movies*. McFarland & Company, 1992.

## InfoBox

| The Turn of a Card | |
| --- | --- |
|  | |
| Directed by | Oscar Apfel |
| Written by | Frederick Chapin
Thomas J. Geraghty |
| Starring | J. Warren Kerrigan
Lois Wilson
Eugene Pallette |
| Cinematography | Henry Bredesen
L. Guy Wilky |
| Production
company | Paralta Plays |
| Distributed by | Hodkinson Pictures |
| Release date | * February 15, 1918 (1918-02-15) |
| Running time | 70 minutes |
| Country | United States |
| Languages | Silent
English intertitles |


title: The Turn (Live album)

abstract: The Turn is the ninth studio album by American rock band Live, released on October 28, 2014. It is their only release with lead singer Chris Shinn and is their final album with guitarist Chad Taylor, bassist Patrick Dahlheimer, and drummer Chad Gracey who were all fired from the band in 2022.

text:
# The Turn (Live album)

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic |  |
| *Classic Rock* |  |
| Laut.de |  |
| Plattentests.de | 6/10 |
| *Rock Hard* | 8.5/10 |

***The Turn*** is the ninth studio album by American rock band Live, released on October 28, 2014. It is their only release with lead singer Chris Shinn and is their final album with guitarist Chad Taylor, bassist Patrick Dahlheimer, and drummer Chad Gracey who were all fired from the band in 2022.

## History

The band announced that they would be taking a two-year hiatus in June 2009, but in November, guitarist Chad Taylor revealed that lead singer Ed Kowalczyk had left the band. Kowalczyk (who has since rejoined Live) released a solo album *Alive* in June 2010, while the remaining three members of Live formed a new band, The Gracious Few, with singer Kevin Martin and guitarist Sean Hennesy, both of Candlebox. Their self-titled album was released in September 2010.

On March 12, 2012 Chris Shinn, former lead singer of the band Unified Theory, was revealed to have joined Live when he played with them at a show at the Strand-Capitol Performing Arts Center in York. Live's first major tour with Shinn was as part of the Summerland Tour 2013, playing 35 shows across the US.

The first single from *The Turn*, "The Way Around Is Through" was released on September 16, 2014. Live have also released full versions of the tracks "Siren's Call", "We Open the Door", "Natural Born Killers" and "Don't Run to Wait" via YouTube, each with an introduction by Chad Taylor.

The music on *The Turn* is jointly credited to all four members of Live, however none of the three remaining original band members receives a lyric writing credit. Shinn is credited as lyricist on all songs, with producer Jerry Harrison receiving a co-writing credit on seven tracks, his daughter Aishlin on three and songwriter Bruce Wallace on five.

## Track listing

| No. | Title | Lyrics | Music | Length |
| --- | --- | --- | --- | --- |
| 1. | "Siren's Call" | J Harrison, C Shinn, A Harrison, B Wallace | Live | 4:10 |
| 2. | "Don't Run to Wait" | J. Harrison, Shinn | Live | 3:47 |
| 3. | "Natural Born Killers" | Shinn, J. Harrison, A. Harrison | Live | 4:36 |
| 4. | "6310 Rodgerton Dr." | J. Harrison, Shinn | Live | 4:09 |
| 5. | "By Design" | Shinn, Wallace | Live | 4:20 |
| 6. | "The Way Around Is Through" | Shinn, J. Harrison | Live | 4:52 |
| 7. | "Need Tonight" | Shinn, Wallace | Live | 4:11 |
| 8. | "The Strength to Hold On" | Shinn, Wallace | Live | 5:32 |
| 9. | "We Open the Door" | Shinn, Wallace | Live | 4:52 |
| 10. | "He Could Teach the Devil Tricks" | J. Harrison, Shinn | Live | 4:09 |
| 11. | "Till You Came Around" | J. Harrison, Shinn, A. Harrison | Live | 4:42 |

## Personnel

Live Additional personnel * Dana Alexandra  – backing vocals
* Aishlin Harrison  – backing vocals
* Jerry Harrison – production
* Alexander LeFever – backing vocals

## Charts

### Album

| Chart | Peak |
| --- | --- |
| Belgium (Flanders) Albums Chart | 139 |
| US *Billboard* 200 | 133 |
|

### Singles

| Song | Peak chart positions |
| --- | --- |
| | US Main. |
| "The Way Around Is Through" | 30 |
| "—" denotes releases that did not chart | | | | | | | |

## InfoBox

| The Turn | |
| --- | --- |
|  | |
| Studio album by Live | |
| Released | October 28, 2014 (2014-10-28) |
| Genre | Alternative rock, post-grunge, hard rock |
| Length | 49:10 |
| Label | Think Loud Recordings |
| Producer | Jerry Harrison, Live |
| Live chronology | |
| *Live at the Paradiso – Amsterdam*
(2008) ***The Turn***
(2014) *Local 717*
(2018) | |
|  | |
| Singles from  *The Turn* | |
| 1. "The Way Around Is Through"
Released: September 16, 2014 | |
|  | |


title: Football Mania

abstract: Football Mania is a Lego-themed sports game released in 2002 for the PlayStation 2, Microsoft Windows and Game Boy Advance. It was developed by Silicon Dreams and published by Electronic Arts and Lego Interactive, and was the first Lego game to be co-published by Electronic Arts, as well as the first to lack the "Lego" branding in the name. The game features a simplified version of association football, with six players per side and no offsides, throw-ins, or fouls. There are many different maps for the game all with music and sounds. Teams and stadia within the game are based upon existing Lego themes. Power-ups, such as speed boosts and shields, spawn randomly on the pitch during play. The game features a number of modes, such as quick match, exhibition, a knock-out tournament, and training, which doubles as a series of minigames. In Lego Cup mode, the World Cup is played and there are 32 national teams to choose from.

text:
# Football Mania

***Football Mania*** (known as ***Soccer Mania*** outside Europe) is a Lego-themed sports game released in 2002 for the PlayStation 2, Microsoft Windows and Game Boy Advance. It was developed by Silicon Dreams and published by Electronic Arts and Lego Interactive, and was the first Lego game to be co-published by Electronic Arts, as well as the first to lack the "Lego" branding in the name.

The game features a simplified version of association football, with six players per side and no offsides, throw-ins, or fouls. There are many different maps for the game all with music and sounds. Teams and stadia within the game are based upon existing Lego themes. Power-ups, such as speed boosts and shields, spawn randomly on the pitch during play. The game features a number of modes, such as quick match, exhibition, a knock-out tournament, and training, which doubles as a series of minigames. In Lego Cup mode, the World Cup is played and there are 32 national teams to choose from.

## Reception

The PlayStation 2 version received "mixed" reviews according to the review aggregation website Metacritic.

## InfoBox

| Football Mania | |
| --- | --- |
| North American cover art | |
| Developer(s) |  |
| Publisher(s) |  |
| Platform(s) | PlayStation 2
Microsoft Windows
Game Boy Advance |
| Release | * NA: 18 June 2002 * EU: 21 June 2002 (GBA) * EU: 5 July 2002 (PC) * EU: 2 August 2002 (PS2) |
| Genre(s) | Sports |
| Mode(s) | Single-player, multiplayer |


title: Football Mundial

abstract:
Football Mundial is a private company running five-a-side and six-a-side football leagues in England, Wales, and Scotland. It is registered with the Football Association. Founded in 1989, Football Mundial now runs more than 28 leagues all over the UK, in which over 2,000 people take part. As well as administering the leagues, the group also supplies qualified referees for matchplay, as well as arranging venues for matches. Football Mundial have new leagues starting all the time and they run all year round.
Games are mainly played outdoors on Astroturf Pitches on midweek evenings between 6-10pm.

text:
# Football Mundial

**Football Mundial** is a private company running five-a-side and six-a-side football leagues in England, Wales, and Scotland. It is registered with the Football Association.

Founded in 1989, Football Mundial now runs more than 28 leagues all over the UK, in which over 2,000 people take part. As well as administering the leagues, the group also supplies qualified referees for matchplay, as well as arranging venues for matches.

Football Mundial have new leagues starting all the time and they run all year round. Games are mainly played outdoors on Astroturf Pitches on midweek evenings between 6-10pm.