title: Scot Shields

abstract: Robert Scot Shields is an American former professional baseball relief pitcher. He played his entire baseball career with the Los Angeles Angels of Anaheim of Major League Baseball (MLB). He was the last member of the Anaheim Angels' 2002 World Series Championship team remaining on the team's roster when he announced his retirement in 2011.

text:
# Scot Shields

**Robert Scot Shields** (born July 22, 1975) is an American former professional baseball relief pitcher. He played his entire baseball career with the Los Angeles Angels of Anaheim of Major League Baseball (MLB). He was the last member of the Anaheim Angels' 2002 World Series Championship team remaining on the team's roster when he announced his retirement in 2011.

## Minor league career

He graduated from Fort Lauderdale High School and attended Lincoln Memorial University while majoring in kinesiology. He was drafted by the then-Anaheim Angels in the 38th round (1137th overall) of the 1997 MLB draft.

He began his career as a reliever in 1997 with Low-A Boise, earning a 7-2 record with two saves and a 2.94 ERA. The next year, he moved to Single-A Cedar Rapids, compiling a 6-5 record, seven saves and a 3.65 ERA. In 1999, he split his time as a starter and a reliever at High-A Lake Elsinore, gaining a 10-3 record with a 2.52 ERA and one save. In nine starts, he pitched two complete games and one shutout. For his efforts that year, he was named Angels Minor League Pitcher of the Year. He was promoted to Triple-A Edmonton in 2000, where he struggled with a 7-13 record and a 5.41 ERA.

## Major league career

Though he started the 2001 season with the Triple-A Salt Lake Stingers, Shields was called up to MLB on May 25, making his debut against Tampa Bay Rays on May 26, pitching one-plus innings and allowing one hit and one walk. He was optioned back to Salt Lake, but was recalled on June 27. In eight relief appearances with the Angels, Shields allowed eight hits and seven walks before being optioned back to Salt Lake, where he stayed for the remainder of the season.

Though he began 2002 with the Stingers, Shields was recalled to the major leagues on June 14, this time for good. In his final 38 relief appearances, he allowed only seven earned runs, only allowing opponents a .176 average, the best in the league. He also started for the club on September 27 against the Seattle Mariners, receiving a no-decision and allowing four hits and two earned runs while striking out two.

Shields was a fixture in the Angels bullpen after the 2002 campaign. He was a member of the 2002 World Series Championship team, but did not fare well in the postseason—he allowed 2 home runs in 123 innings in Game 5 of the Series, his only appearance in the playoffs that year.

Shields began 2003, his first full year in the majors, in the bullpen. He posted a 1.68 ERA, working at least three innings twelve times. He led the American League with 69.2 innings of relief before moving into the Angels' starting rotation to end the season in August. As a starter, Shields was 4-6 with a 3.89 ERA, pitching at least seven innings in six of his thirteen starts. He ended the season with a 5-6 record and a 2.85 ERA.

For the 2004 campaign, Shields returned to the Angels bullpen. He pitched 22 consecutive shutout innings from May 9 to June 11, and worked three scoreless innings five times during the season. With fellow reliever Francisco Rodríguez, he was part of the first pair of relievers to post 100 strikeouts in one season since 1997, and was third in the American League in strikeouts with 109. In the post-season that year, he struggled in two appearances during the ALDS, pitching three innings and allowing two earned runs with a 6.00 ERA.

When Rodríguez replaced veteran Troy Percival as the Angels' closer in 2005, Shields emerged as the club's trusted setup man, pitching the eighth inning as the bridge to Francisco. In this capacity, he led the American League with 91.2 innings of relief pitching, and ranked second with 98 strikeouts and 32 holds. When Francisco was placed on the disabled list from May 15 to May 31, Shields stood in as the club's closer, earning five saves in six save opportunities. Overall, Shields posted a 10-11 record with a 2.75 ERA.

Shields represented the United States in the 2006 World Baseball Classic, the only member of the Angels to play for the USA squad. Shields finished the 2006 season with a 7-7 record, an ERA of 2.87 and 84 strikeouts. He led the league in holds with 31, and was second among American League relief pitchers in innings pitched with 87.2 innings.

Shields' 2007 season saw his ERA rise to 3.86 as he also failed to surpass 80 innings. He finished 4-5 in 71 games.

In 2008, Shields had a career low 2.70 ERA in 64 games.

Early in the 2009 season, he had to receive surgery on his left leg which forced him onto the disabled list for the remainder of the season. He finished with only 20 appearances on the season.

Shields was the team's setup man for the Angels prior to his surgery, holding the lead if necessary in the 8th and sometimes both 7th and 8th innings until the Angels go to closer Brian Fuentes.

After the surgery, Shields was not the same for the 2010 season. He pitched in 43 games while also starting a game for the first time since 2003. His ERA rose to 5.28 while also walking 34 in only 46 innings. His control issues were due to the injury he sustained in the previous year.

Shields retired after the end of the 2010 season. In 2011, he was named by *Sports Illustrated* as the "Setup Man of the Decade."

## Pitches and abilities

He is highly praised not only for the quality of his performance, but for his versatility. In his career with the Angels, he has served as a starter, long reliever, middle reliever, setup man, and closer, depending on the needs of the team at the time. Shields is known to have a "rubber arm", meaning he has excellent endurance and does not need to ice his arm after pitching. During college, he once pitched a game of 16 innings, throwing 261 pitches. He throws a hard, sinking fastball that clocks anywhere between 92 and 95 MPH, and a slurve. He is most famous though for throwing his 2-seam/No-seam fastball with tremendous movement.

## InfoBox

| Scot Shields | |
| --- | --- |
| Shields in 2007 | |
| **Pitcher** | |
| **Born:**  (1975-07-22) July 22, 1975<br>Fort Lauderdale, Florida, U.S. | |
| **Batted:** Right**Threw:** Right | |
| MLB debut | |
| May 26, 2001, for the Anaheim Angels | |
| Last MLB appearance | |
| September 7, 2010, for the Los Angeles Angels of Anaheim | |
| MLB statistics | |
| Win–loss record | 46–44 |
| Earned run average | 3.18 |
| Strikeouts | 631 |
|  | |
| Teams | |
|  | |
| Career highlights and awards | |
|  | |


title: Scopula natalensis

abstract: Scopula natalensis is a moth of the family Geometridae. It is found in South Africa.

text:
# Scopula natalensis

***Scopula natalensis*** is a moth of the family Geometridae. It is found in South Africa.

## InfoBox

| *Scopula natalensis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Geometridae |
| Genus: | *Scopula* |
| Species: | ***S. natalensis*** |
| Binomial name | |
| ***Scopula natalensis***<br>(Prout, 1915) | |
|
| Synonyms | |
| * *Glossotrophia natalensis* Prout, 1915 | |


title: Candida zemplinina

abstract: Candida zemplinina is a yeast species that is osmotolerant, psychrotolerant and ferments sweet botrytized wines. Its type strain is 10-372T.

text:
# Candida zemplinina

***Candida zemplinina*** is a yeast species that is osmotolerant, psychrotolerant and ferments sweet botrytized wines. Its type strain is 10-372T (=CBS 9494T =NCAIM Y016667T).

## Further reading

## InfoBox

| *Candida zemplinina* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Fungi |
| Division: | Ascomycota |
| Class: | Saccharomycetes |
| Order: | Saccharomycetales |
| Family: | Saccharomycetaceae |
| Genus: | *Candida* |
| Species: | ***C. zemplinina*** |
| Binomial name | |
| ***Candida zemplinina***
Sipiczki (2003) | |
|


title: Candidate (band)

abstract: Candidate are an indie band from the United Kingdom, whose music has been described as folk rock, "full of gentle, dark soundscapes" and an "overflowing sink".

text:
# Candidate (band)

**Candidate** are an indie band from the United Kingdom, whose music has been described as folk rock, "full of gentle, dark soundscapes" and an "overflowing sink".

## Members

* Joel Morris \- vocals, acoustic guitar
* Alex Morris - electric and acoustic guitars, vocals
* Ian Painter - bass guitar, vocals, production

Brothers Joel and Alex Morris are the co-writers of The Framley Examiner website, and the book *Bollocks to Alton Towers*.

## Discography

### Albums

* *Taking on the Enemy's Sound* (2000)
* *Tiger Flies* (2002)
* *Nuada* (2002)
* *Under the Skylon* (2005)
* *Oxengate* (2007)
* *Point Clear* (2023)

## InfoBox

| Candidate | |
| --- | --- |
| Origin | United Kingdom |
| Genres | Folk rock |
| Years active | 1998 (1998)–present |
|  | |
| Members | Joel Morris
Alex Morris
Ian Painter
Alex Donohoe
 |
|  | |
| Website | www.candidatesite.co.uk |


abstract: Scooby Doo! Mystery of the Fun Park Phantom is a 1999 mystery computer game developed by Engineering Animation, Inc. (EAI) and published by SouthPeak Interactive. The game was released for Microsoft Windows and was the first commercial Scooby-Doo game for the Windows operating system. It is intended for young children up to young teens.

text:
# Scooby-Doo! Mystery of the Fun Park Phantom

***Scooby Doo! Mystery of the Fun Park Phantom*** is a 1999 mystery computer game developed by Engineering Animation, Inc. (EAI) and published by SouthPeak Interactive. The game was released for Microsoft Windows and was the first commercial Scooby-Doo game for the Windows operating system. It is intended for young children up to young teens.

## Plot

The "Mystery Inc." gang find themselves stranded near an old farmhouse adjacent to an apparently abandoned amusement park. Approaching the farmhouse for help with the Mystery Machine (their van), the gang learns that the Gobs, the residents of the home, own the adjacent park, Gobs O' Fun. However, the park is being haunted by a phantom, scaring customers away. Without any customers, the Gobs are on the brink of bankruptcy, which will force them to sell the park. The gang agrees to help the Gobs find the culprit in exchange for help getting their van repaired.

## Gameplay

The player or players can take on the role of any of the members of the Mystery Inc. gang, except for Scooby-Doo himself. Scooby instead helps each member of the gang from time to time. Players wander the park looking for clues that might pinpoint who the culprit is. The park is divided into nine sections, each with a different theme or main attraction, such as a Ferris wheel or a roller coaster. Each player may explore a different area or the same one. Some areas also contain neighbors and employees wandering in the deserted park, all of whom have motives for wanting the park closed. For example, the banker wants to build a shopping mall on the park site and the neighboring farmer wants to expand his farmland.

In addition to finding clues, the players can acquire trap pieces to help in finally trapping the suspect. There are two types of trap pieces: rare and common. There is only one instance of rare trap pieces in the park; common pieces are located in several places. Each trap requires one rare piece and two common pieces. Each trap is tailored for one of the nine areas. Also scattered about the park are a number of Scooby Snacks. Using these, the player can coax Scooby into helping them by baiting the trap, assigning a "Wheel of Chaos" spin for other players or use them to spin the "Wheel of Fun" for themselves.

A minimum of two of the Scooby gang must participate in attempting to solve the mystery. If a single player is playing, the computer can be assigned to play an opposing character. Turns proceed in a hotseat fashion, where players take turns moving their characters. Each player gets three "action points" per turn and may use them for a variety of actions. Each action costs a certain number of points. For example, picking up a clue or Scooby snack costs one point, moving from one area to another costs all three, or taking the manhole (a shortcut to another random area) takes two points. Just walking about an area, not picking up anything, is free.

The "Wheel of Chaos" is assigned from one player to an opposing player. It costs one Scooby Snack. Spinning the wheel, much like a fortune teller's wheel, results in an unfortunate event for the receiving player, such as losing a turn, Scooby snacks or trap pieces. The receiving player may block the wheel by sacrificing a Scooby Snack. Meanwhile, the "Wheel of Fun" is the opposite of the "Wheel of Chaos". Spinning it gives some kind of bonus to the spinning player. It costs one Scooby snack to spin the wheel. Whenever a player has any Scooby snacks, he is given the option of spinning the wheel at the beginning of their turn.

Once the player finds three clues, they know who the culprit is and must set up a trap for them. The player must have three pieces to one trap and be in the correct area for the trap. The player must also bribe Scooby to be the bait for the trap with Scooby snacks. The number of snacks the player uses affects how likely the trap will work. Three snacks will *always* result in a successful trapping; one has a high failure rate. A player may attempt to trap the phantom before getting three clues, but this will always result in a bungled trap attempt. Once the suspect is trapped, they are unmasked and a Full motion video (FMV) clip describes their motive. Since the culprit is different from game to game, it has high replay value.

## Development

Designed by Rick Raymer, the game was originally slated to be called *Scooby Doo: Mystery of the Gobs O' Fun Ghoul*, but was changed by SouthPeak during development. SouthPeak, with an arrangement with Time-Warner, provided the team with videotapes of all 25 original half-hour episodes of *Scooby-Doo* to help them inject the game with an authentic feel.

After the initial video game design was complete, Raymer designed a full board game of the proposed computer game. An entire game board complete with game pieces representing the Scooby characters was produced by the art team. The development team brought in a group of the target demographic, children between the ages of seven and eleven, in order to test the game. Raymer acted as the gamemaster, performing the management of the game that would eventually be handled by the computer. One member of the development team paired up with each player and acted as a mentor, helping them know what could and couldn't be done each turn. The focus group loved the gameplay, the rewards and the general feel of the game. Only minor modifications were needed before executing the proposed design.

Though the characters for the game were derived from rendered 3D models, the game is 2D, using sprites derived from renderings of the 3D models. The models were also used to generate the game's FMV sequences. A major feature for the game was dynamic lighting for the park. With this feature enabled, the game evokes a mysterious, creepy tone authentic to the cartoon series.

The development team for *Mystery of the Fun Park Phantom* was almost identical to that for *Clue*, also by EAI, but published by Hasbro Interactive. The one addition to the team was Romalus Taylor, who programmed some AI and network code for the game. In addition, the game used the same in-house game engine for *Mystery*, EAGLE. It was heavily modified and enhanced over the year of development to support the new game.

The game includes extensive credits, however, some of the more notable contributors include:

Most of the development team (McArthur, Raymer, Nash and Thompson) went on to work for Hasbro Interactive when EAI closed their game development studio after this game was completed.

## Reception

In the United States, *Mystery of the Fun Park Phantom* appeared on PC Data's computer game sales rankings at #20 for June 2000, with an average retail price of $17. After dropping out of the top 20 in July, it rose to #18 for August. According to PC Data, its domestic sales in August alone were 18,979 units, for revenues of $309,879. The game was absent from the top 20 in September. By 2006, *Mystery of the Fun Park Phantom* had sold between 100,000 and 290,000 units in the United States.

## InfoBox

| Scooby Doo! Mystery of the Fun Park Phantom | |
| --- | --- |
|  | |
| Developer(s) | Engineering Animation, Inc. |
| Publisher(s) | SouthPeak Interactive |
| Designer(s) | Rick Raymer |
| Engine | Proprietary |
| Platform(s) | Microsoft Windows |
| Release | December 28, 1999 |
| Genre(s) | Mystery/Puzzle |
| Mode(s) | Single player, multiplayer |


title: Schwarzberg (Vogtland)

abstract: Schwarzberg is a mountain of Saxony, southeastern Germany.

text:
# Schwarzberg (Vogtland)

**Schwarzberg** is a mountain of Saxony, southeastern Germany.

50°06′N 11°05′E / 50.100°N 11.083°E / 50.100; 11.083

## InfoBox

| Schwarzberg | |
| --- | --- |
| View from the run of the large hill towards the Schneckensteinhalden. | |
| Highest point | |
| Elevation | 802 m (2,631 ft) |
| Geography | |
|  | |
| Location | Saxony, Germany |


title: Scott Holroyd

abstract: Scott Powell Holroyd is an American actor.

text:
# Scott Holroyd

**Scott Powell Holroyd** (born June 5, 1975) is an American actor.

## Biography

### Early life and education

Holroyd was born and raised in Columbia, South Carolina. He graduated from the University of South Carolina in 1998, receiving a B.A. in Mass Communications and Journalism.

In September 1999, he moved to New York City to study at the School for Film and Television in Manhattan.

### Career

Holroyd received a small role in the film *The Program* (for which he was uncredited) and made a guest appearance on the television show *Matlock*, playing a teenager (both in 1993).

On July 10, 2001, he was cast in the role of Paul Ryan in the CBS daytime soap opera *As the World Turns*; he was the fifth actor to play the role of Paul Ryan. On May 13, 2003, he made his last appearance on *ATWT*. He left the show to pursue other acting opportunities and was replaced by soap opera actor Roger Howarth.

He relocated to Los Angeles in 2004 and has made guest appearances on numerous television shows, including *Law & Order: Special Victims Unit*, *That '70s Show*, *In Justice*, *Without a Trace*, and *Ghost Whisperer*. He was also featured in the second season of *Dirty Sexy Money* as Patrick Darling's brother-in-law Chase Alexander. In 2009 he played Quinn's husband David Fletcher on the seventh season of *One Tree Hill*, and in 2010, villain spy Justin Sullivan on the third season of *Chuck*.

## Personal life

Holroyd began dating his childhood friend, actress Allison Munn, in 2004. They became engaged in December 2006 in Paris and married on November 17, 2007 at the French Huguenot Church in Charleston, South Carolina. They reside in Los Angeles with their pet terrier, Buster Keaton. In November 2011, Munn and Holroyd had a son. In 2015, they had a daughter.

## InfoBox

| Scott Holroyd | |
| --- | --- |
| Born | Scott Powell Holroyd
(1975-06-05) June 5, 1975
Columbia, South Carolina, U.S. |
| Occupation | Actor |
| Years active | 1993-present |
| Spouse | Allison Munn (m. 2007) |
| Children | 2 |


title: Cannery Ballroom

text:
# Cannery Ballroom

Cannery Hall is the largest independent music venue in Nashville. Anchoring Cannery Row, just outside of downtown Nashville’s lower Broadway and “The Gulch,” Cannery Hall is located in the Station District. The historic building dates to 1883 and has been a music venue for over 40 years. Highlighting music across all genres, Cannery Hall’s three stages include the Mainstage (1,275), The Mil (550), and Row One Stage (300). On the top floor of Cannery Hall sits Amaranth, an event center with beautiful views of downtown Nashville.

The listed hours of operation are Box Office Hours only. Doors open for most shows one hour before the scheduled event time.

Built in 1883, the Cannery was originally a flour mill and later a place to grind coffee. The building earned its name when the Dale Food company bought it in 1957 and began processing food such as jams, jellies, mustard, mayonnaise, and peanut butter. eventually opening a restaurant called "The Cannery" in the early 1970s. The building housed a country music theatre in the late 1970s and evolved into one of Nashville's primary music venues in the 1980s and early 1990s. Rival Sons, Jane's Addiction, Iggy Pop, Lenny Kravitz, Biffy Clyro, Gregg Allman, Arkells, Robin Trower among other touring acts of the time played the Cannery.

*

## InfoBox

Cannery Hall
|  | |
| --- | --- |
| Address | One Cannery Row |
| Location | Nashville, Tennessee |
| Coordinates | 36°09′11″N 86°46′50″W / 36.1529535°N 86.7805384°W / 36.1529535; -86.7805384 |
| Type | Live Music Venue |
| Capacity | Cannery Hall: Mainstage (1,275), The Mil (550), and Row One Stage (300). |
| Website | |
| canneryhall.com | |


title: Schwarzer Graben (Elbe)

abstract: The Schwarzer Graben is a river of Saxony, Germany. It springs east of Böhlitz, a district of Thallwitz; its upper course is called Schwarzer Bach. The lower course of the Schwarzer Graben is called Weinske; it is a left tributary of the Elbe, which it joins near Dommitzsch.

text:
# Schwarzer Graben (Elbe)

The **Schwarzer Graben** is a river of Saxony, Germany.

It springs east of Böhlitz, a district of Thallwitz; its upper course is called **Schwarzer Bach**.

The lower course of the Schwarzer Graben is called **Weinske**; it is a left tributary of the Elbe, which it joins near Dommitzsch.

## InfoBox

| Schwarzer Graben | |
| --- | --- |
|  | |
| Location | |
| Country | Germany |
| State | Saxony |
| Physical characteristics | |
|  | |
| Source |  |
| location | East of Böhlitz as Schwarzer Bach |
| coordinates | 51°26′17″N 12°45′51″E / 51.4380°N 12.7642°E / 51.4380; 12.7642 |
|  | |
| Mouth |  |
| location | As Weinske near Dommitzsch into the Elbe |
| coordinates | 51°38′46″N 12°54′30″E / 51.6460°N 12.9082°E / 51.6460; 12.9082 |
| Basin features | |
| Progression | ElbeNorth Sea |


title: Scott Group Ltd v McFarlane

abstract: Scott Group Ltd v McFarlane is a New Zealand case where it was held that an auditor was liable for damages for negligence to a 3rd party which later relied on the audit report.

text:
# Scott Group Ltd v McFarlane

**Scott Group Ltd v McFarlane** is a New Zealand case where it was held that an auditor was liable for damages for negligence to a 3rd party which later relied on the audit report.

## Background

G M McFarlane, a chartered accountant, audited the 1970 John Duthie Holdings Ltd financial statements, and through a simple mathematical error, resulted in John Duthie Holdings net worth being overstated by $38,000.

At the same time, Scott Group Limited were considering making a takeover offer, and after reading the audited reports in question, valued the company at over $1 million, and offered to take over the company on the basis of two shares for every one share.

However, just as the takeover was finalised, the mistake was discovered. As a result, Scott Group argued that it paid $38,000 too much for the shares, and sought compensation from the auditors for this amount.

The auditors in response denied any liability for this mistake, on the basis there was no contractual relationship between the auditors and the takeover company, and neither did they owe Scott Group a duty of care for the mistake.

## Decision

The Court of Appeal ruled that as J D Holdings financial position was so poor, it made a takeover by another company a strong possibility, and that as a result, the auditors owed Scott Group a duty of care. No money for damages was awarded, as the court ruled that it had not suffered any financial loss.

Whilst the financial statements were overstated by $38,000, evidence suggested that the shareholders of John Duthie Holdings were unlikely to have accepted any offer lower than the two for one share swap that was offered. Furthermore, the evidence on hand was that Scott Group paid $263,885 less than what the company was worth.

The auditor's disclaimer did not exclude liability to the general public, which Scott Group was, and presumably since this case, most auditors disclaimers now exclude liability to members of the public.

## InfoBox

| Scott Group Ltd v McFarlane | |
| --- | --- |
|  | |
| Court | Court of Appeal of New Zealand |
| Full case name | *Scott Group Ltd v Gordon Munro McFarlane, George Hamish MacMorran & George Ewen Scott* |
| Decided | 18 November 1977 |
| Citation | \[1978\] 1 NZLR 553 |
| Transcript | Court of Appeal judgment |
| Court membership | |
| Judges sitting | Richardson P, Woodhouse J, Cooke J |


title: Canon EF 35–350mm lens

abstract: The EF 35–350mm f/3.5–5.6L USM lens is a discontinued telephoto zoom lens manufactured by Canon. This lens has an EF type mount, that fits the Canon EOS line of cameras. It was introduced in January 1993. Featuring the highest zoom ratio (10x) of any interchangeable SLR lens at the time, the lens was and is popular among photojournalists. It has now been superseded by the Canon EF 28–300mm lens. When used on a digital EOS body with a field of view compensation factor of 1.6x, such as the Canon EOS 7D, it provides a narrow field of view, equivalent to a 56–560mm lens mounted on a 35mm frame body. The lens contains 21 elements in 15 groups. As an L-series lens, it features two ultra-low dispersion (UD) elements, and utilizes Canon's ring USM for fast and silent focusing. It has a push-pull zoom design with the possibility to lock the lens at the desired focal length. The lens exhibits strong barrel distortion and chromatic aberration at the wide end. On an APS-C body, the lens shows almost no vignetting, even at its maximum aperture, f/5.6, at 350mm.

text:
# Canon EF 35–350mm lens

The **EF 35–350mm f/3.5–5.6L USM** lens is a discontinued telephoto zoom lens manufactured by Canon.

This lens has an EF type mount, that fits the Canon EOS line of cameras. It was introduced in January 1993. Featuring the highest zoom ratio (10x) of any interchangeable SLR lens at the time, the lens was and is popular among photojournalists. It has now been superseded by the Canon EF 28–300mm lens. When used on a digital EOS body with a field of view compensation factor of 1.6x, such as the Canon EOS 7D, it provides a narrow field of view, equivalent to a 56–560mm lens mounted on a 35mm frame body.

The lens contains 21 elements in 15 groups. As an L-series lens, it features two ultra-low dispersion (UD) elements, and utilizes Canon's ring USM for fast and silent focusing. It has a push-pull zoom design with the possibility to lock the lens at the desired focal length. The lens exhibits strong barrel distortion and chromatic aberration at the wide end. On an APS-C body, the lens shows almost no vignetting, even at its maximum aperture, f/5.6, at 350mm.

## InfoBox

EF 35–350mm f/3.5–5.6L USM
| The Canon EF 35-350mm f/3.5-5.6L USM | |
| --- | --- |
| Maker | Canon |
| Technical data | |
| Type | Zoom |
| Focus drive | Ultrasonic motor |
| Focal length | 35–350mm |
| Crop factor | 1.0 |
| Aperture (max/min) | f/3.5–5.6 – f/22–32 |
| Close focus distance | 0.6 m |
| Max. magnification | 0.25 |
| Diaphragm blades | 8 |
| Construction | 21 elements in 15 groups |
| Features | |
| Lens-based stabilization | No |
| Unique features | L-Series |
| Application | Telephoto zoom |
| Physical | |
| Max. length | 167.4 mm |
| Diameter | 85 mm |
| Weight | 1,385 g |
| Filter diameter | 72 mm |
| Accessories | |
| Lens hood | EW-78 / EW-78 II |
| Case | LH-D22 |
| Angle of view | |
| Horizontal | 54° - 6° |
| Vertical | 38° - 4° |
| Diagonal | 63° - 7° |
| History | |
| Introduction | January 1993 |
| Discontinuation | June 2004 |
| Successor | Canon EF 28–300mm |


title: Scott Myers

abstract: Scott Myers is an American painter and sculptor who lives and works in Texas. He graduated Texas A&M University in 1984 with a doctorate in veterinary medicine. He studied sculpture throughout Italy focusing on Florence, Venice and Rome. Sculpting in Tuscany, he cast his work in bronze at the prestigious Fonderia d'Arte Massimo Del Chiaro in Pietrasanta. In 1994, Myers became an elected member of the National Sculpture Society. On February 12, 2011, Myers was featured in the popular television show Texas Country Reporter. Myers was inducted in the inaugural class of the Haltom City High School Hall of Fame on March 10, 2011. Myers has sculpted busts for the Pro Football Hall of Fame, including Chris Doleman, Chris Hanburger, Rickey Jackson, Russ Grimm, Bob Hayes, Randall McDaniel, Fred Dean, Emmitt Thomas, Bruce Matthews, Rayfield Wright, Elvin Bethea, Curley Culp, Claude Humphrey, Drew Pearson, Johnny Robinson, Cliff Harris, Bobby Dillon, Robert Brazile, Gil Brandt, Bobby Beathard, Kenny Easley, LaDainian Tomlinson, Charles Haley, Chuck Howley, Bryant Young, and Kevin Greene. Myers' paintings focus mostly on ranch life and western landscapes, with horses and cowboys figuring prominently in his subject matter. His paintings combine bold color with a Monet-like layering of color and texture that makes him unique in the western art genre.

text:
# Scott Myers

**Scott Myers** (born 1958) is an American painter and sculptor who lives and works in Texas. He graduated Texas A&M University in 1984 with a doctorate in veterinary medicine. He studied sculpture throughout Italy focusing on Florence, Venice and Rome. Sculpting in Tuscany, he cast his work in bronze at the prestigious Fonderia d'Arte Massimo Del Chiaro in Pietrasanta. In 1994, Myers became an elected member of the National Sculpture Society. On February 12, 2011, Myers was featured in the popular television show *Texas Country Reporter*. Myers was inducted in the inaugural class of the Haltom City High School Hall of Fame on March 10, 2011.

Myers has sculpted busts for the Pro Football Hall of Fame, including Chris Doleman, Chris Hanburger, Rickey Jackson, Russ Grimm, Bob Hayes, Randall McDaniel, Fred Dean, Emmitt Thomas, Bruce Matthews, Rayfield Wright, Elvin Bethea, Curley Culp, Claude Humphrey, Drew Pearson, Johnny Robinson, Cliff Harris, Bobby Dillon, Robert Brazile, Gil Brandt, Bobby Beathard, Kenny Easley, LaDainian Tomlinson, Charles Haley, Chuck Howley, Bryant Young, and Kevin Greene.

Myers' paintings focus mostly on ranch life and western landscapes, with horses and cowboys figuring prominently in his subject matter. His paintings combine bold color with a Monet-like layering of color and texture that makes him unique in the western art genre.

## Selected museum collections

Pro Football Hall of Fame – Canton, Ohio

Museo dei Bozzetti – Pietrasanta, Italy

Bosque Conservatory of Fine Arts – Clifton, Texas

Nita Stewart Haley Memorial Library & J. Evetts Haley History Center-Midland, Texas

## Selected exhibitions

Panhandle-Plains Invitational Western Art Show – Panhandle-Plains Historical Museum – Canyon, Texas 2005, 2006, 2007, 2008

Mountain Oyster Club Annual Contemporary Western Art Show – Tucson, Arizona 2004, 2005, 2006

“Memories in Bronze", one-man exhibition, Clyde H. Wells Fine Arts Center Gallery, Tarleton State University – Stephenville, Texas

“Gallery Night Under the Stars", Schaefer Art Bronze Foundry – Arlington, Texas

One-man Sculpture Exhibition, Soderberg/Stevenson Sculpture Gallery – Sedona, Arizona

## Selected awards

Voted "Best of the Hall of Fame" by Sports Illustrated for the bust of Bruce Matthews in the Pro Football Hall of Fame

Conservatory Art Patrons Purchase Award and silver medal for oil painting- For oil painting "Tanner's Pride" at the 2005 Conservatory Art Classic, Clifton, Texas

Joyce and Eliot Liskin Foundation Award – 1994 Young Sculptors Award sponsored by National Sculpture Society, New York

First place Sculpture Award – For sculpture "Cuttin’ Loose" at 1995 "Strokes of Genius", SAS Competition, Scottsdale, Arizona

James Boren Artist's Choice Award for sculpture "Serenity" at 1993 8th Annual Bosque Conservatory of Fine Arts Competition

"Artists". Archived from the original on May 15, 2006. Retrieved December 8, 2010. http://www.delchiaro.com/

"Elected Members of NSS". Retrieved December 8, 2010. http://www.nationalsculpture.org/

"TCR Episode Guide". Retrieved May 27, 2011. http://www.texascountryreporter.com/

Brown, Jessamy (March 10, 2011), "Birdville's Haltom High inducts 10 in new Hall of Fame", *Fort Worth Star-Telegram*, Fort Worth, archived from the original on March 18, 2011

Reagan, Matthew (August 3, 2010), "Granbury sculptor leaves everlasting mark on NFL", *Fort Worth Star-Telegram*, Fort Worth, pp. D1 Alt URL

Young, Michael (August 8, 2009), "Granbury sculptor carves Hall of Fame busts …", *The Dallas Morning News*, Dallas

Mussari, Mark (May 2010), "Scott Myers, Cowboy at Heart", *Southwest Art*, pp. 68–71

## InfoBox

| Scott Myers | |
| --- | --- |
| Scott Myers, painter and sculptor | |
| Nationality | American |
| Education | Texas A&M University |
|  | |
| Elected | National Sculpture Society |
|  | |
| Website | http://www.scottmyersstudio.com |


title: Canteen Brewhouse

abstract: Canteen Brewhouse is an American craft brewery founded in 1994 in Albuquerque, New Mexico.

text:
# Canteen Brewhouse

35°7′13.6″N 106°37′4.5″W / 35.120444°N 106.617917°W / 35.120444; -106.617917

**Canteen Brewhouse** (formerly **Il Vicino Brewing Company**) is an American craft brewery founded in 1994 in Albuquerque, New Mexico.

## History

Originally housed in the Albuquerque Nob Hill location of Il Vicino Wood Oven Pizza restaurant, founding partners Greg Atkin, Rick Post and Thomas White, along with former partner Tom Hennessy, currently the founder of Colorado Boy Brewing, recognized restaurant customer wishes for craft beer to go with their pizza. They created their first beer, Old Route 66 Golden Ale, in December 1993.

After a few months, Hennessy needed help with the growing brewing endeavor, recruiting Brady McKeown, then a University of New Mexico student. McKeown studied under Hennessy, receiving ground-up education in craft brewing, eventually becoming Il Vicino's Head Brewer. In 1995, Il Vicino's Wet Mountain IPA earned the young brewers their first Great American Beer Festival medal, starting a nearly two-decade progression of achievements for the brewery and McKeown.

In 2011, the partners opened the Il Vicino Brewery (IVB) Canteen taproom in Albuquerque's Brewery District. The 6,500-square-foot brewing facility also features an outdoor patio, food menu and live music.

## Awards

Canteen Brewhouse/Il Vicino Brewing Company has garnered 13 Great American Beer Festival medals, seven World Beer Cup medals, and is a six-time winner of the New Mexico IPA Challenge.

In all, the brewery has won over 115 local, national and international awards, and is the oldest Albuquerque brewery still in business.

Most recently, Canteen Brewhouse won two awards at the 2014 Great American Beer Festival - Gold Medal in the American-Style Amber/Red Ale category for Dougie Style Amber Ale, and Silver Medal in the Aged Beer category for Saint Bob's Imperial Stout '07.

## Name change

In September 2014, Il Vicino Brewing Company changed their name to Canteen Brewhouse.

## InfoBox

Canteen Brewhouse
| Industry | Alcoholic beverage |
| --- | --- |
| Founded | 1994 |
| Founders | Greg Atkin, Tom Hennessy, Richard Post, Thomas White |
| Headquarters | 2381 Aztec NE<br>Albuquerque, New Mexico, United States |
| Products | Beer |
| Website | canteenbrewhouse.com |


title: Cantleya

abstract: Cantleya is a genus of plant in the family Stemonuraceae. The sole species is Cantleya corniculata, found in Indonesia and Malaysia.

text:
# Cantleya

***Cantleya*** is a genus of plant in the family Stemonuraceae. The sole species is ***Cantleya corniculata***, found in Indonesia and Malaysia.

## InfoBox

| *Cantleya* | |
| --- | --- |
| Conservation status | |
|
Vulnerable  (IUCN 2.3) | |
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Asterids |
| Order: | Aquifoliales |
| Family: | Stemonuraceae |
| Genus: | *Cantleya*
Ridl. |
| Species: | ***C. corniculata*** |
| Binomial name | |
| ***Cantleya corniculata***
(Becc.) Howard | |
|


title: Canton of Talmont-Saint-Hilaire

abstract: The canton of Talmont-Saint-Hilaire is an administrative division of the Vendée department, western France. Its borders were modified at the French canton reorganisation which came into effect in March 2015. Its seat is in Talmont-Saint-Hilaire. It consists of the following communes:

text:
# Canton of Talmont-Saint-Hilaire

The **canton of Talmont-Saint-Hilaire** is an administrative division of the Vendée department, western France. Its borders were modified at the French canton reorganisation which came into effect in March 2015. Its seat is in Talmont-Saint-Hilaire.

It consists of the following communes:

1. Les Achards
2. Avrillé
3. Beaulieu-sous-la-Roche
4. Le Bernard
5. La Chapelle-Hermier
6. Le Girouard
7. Grosbreuil
8. L'Île-d'Olonne
9. Jard-sur-Mer
10. Longeville-sur-Mer
11. Martinet
12. Nieul-le-Dolent
13. Poiroux
14. Sainte-Flaive-des-Loups
15. Sainte-Foy
16. Saint-Georges-de-Pointindoux
17. Saint-Hilaire-la-Forêt
18. Saint-Julien-des-Landes
19. Saint-Mathurin
20. Saint-Vincent-sur-Jard
21. Talmont-Saint-Hilaire
22. Vairé

46°28′N 1°37′W / 46.47°N 1.62°W / 46.47; -1.62


title: Canton of Sées

abstract: The canton of Sées is an administrative division of the Orne department, northwestern France. Its borders were modified at the French canton reorganisation which came into effect in March 2015. Its seat is in Sées. It consists of the following communes:

text:
# Canton of Sées

The **canton of Sées** is an administrative division of the Orne department, northwestern France. Its borders were modified at the French canton reorganisation which came into effect in March 2015. Its seat is in Sées.

It consists of the following communes:

1. Almenêches
2. Aunou-sur-Orne
3. Belfonds
4. La Bellière
5. Boissei-la-Lande
6. Boitron
7. Le Bouillon
8. Le Cercueil
9. Chailloué
10. La Chapelle-près-Sées
11. Le Château-d'Almenêches
12. La Ferrière-Béchet
13. Francheville
14. Macé
15. Médavy
16. Montmerrei
17. Mortrée
18. Neauphe-sous-Essai
19. Saint-Gervais-du-Perron
20. Sées
21. Tanville

48°36′N 0°10′E / 48.60°N 0.17°E / 48.60; 0.17


title: Canton of Tain-l'Hermitage

abstract: The canton of Tain-l'Hermitage is an administrative division of the Drôme department, southeastern France. Its borders were modified at the French canton reorganisation which came into effect in March 2015. Its seat is in Tain-l'Hermitage. It consists of the following communes:

text:
# Canton of Tain-l'Hermitage

The **canton of Tain-l'Hermitage** is an administrative division of the Drôme department, southeastern France. Its borders were modified at the French canton reorganisation which came into effect in March 2015. Its seat is in Tain-l'Hermitage.

It consists of the following communes:

1. Beaumont-Monteux
2. Chanos-Curson
3. Chantemerle-les-Blés
4. Châteauneuf-sur-Isère
5. Crozes-Hermitage
6. Érôme
7. Gervans
8. Granges-les-Beaumont
9. Larnage
10. Mercurol-Veaunes
11. Pont-de-l'Isère
12. La Roche-de-Glun
13. Serves-sur-Rhône
14. Tain-l'Hermitage

45°04′N 4°50′E / 45.07°N 4.84°E / 45.07; 4.84


title: Cap Edwards

abstract: William Howard "Cap" Edwards was a National Football League (NFL) coach and player in American football's earliest years. In the early 20th century, football in America was just beginning to catch on, with professional teams popping up in numerous cities, and at the time college football was more popular. Edwards attended and graduated from the University of Notre Dame, where he played football as an guard. His professional coaching career was short-lived, but nonetheless noteworthy as he coached in the pioneering days of football with such greats as Jim Thorpe and Guy Chamberlin. He first coached the Canton Bulldogs in 1921, which ended in a 5–2–3 record. In 1923 Edwards coached the Cleveland Indians, with a 3–1–3 record, followed by a 5–8–1 record as coach of the Cleveland Bulldogs. Edwards also served as the head football coach at West Virginia Wesleyan College in Buckhannon, West Virginia from 1910 to 1911.

text:
# Cap Edwards

**William Howard "Cap" Edwards** (September 5, 1888 – November 23, 1944) was a National Football League (NFL) coach and player in American football's earliest years. In the early 20th century, football in America was just beginning to catch on, with professional teams popping up in numerous cities, and at the time college football was more popular.

Edwards attended and graduated from the University of Notre Dame, where he played football as an guard. His professional coaching career was short-lived, but nonetheless noteworthy as he coached in the pioneering days of football with such greats as Jim Thorpe and Guy Chamberlin. He first coached the Canton Bulldogs in 1921, which ended in a 5–2–3 record. In 1923 Edwards coached the Cleveland Indians, with a 3–1–3 record, followed by a 5–8–1 record as coach of the Cleveland Bulldogs.

Edwards also served as the head football coach at West Virginia Wesleyan College in Buckhannon, West Virginia from 1910 to 1911.

## Head coaching record

### College

| Year | Team | Overall | Conference | Standing | Bowl/playoffs |
| --- | --- | --- | --- | --- | --- |
| **West Virginia Wesleyan Bobcats** *(Independent)* (1910–1911) | | | | | | | | |
| 1910 | West Virginia Wesleyan | 4–3–1 |  |  |  |
| 1911 | West Virginia Wesleyan | 1–4–1 |  |  |  |
| **West Virginia Wesleyan:** | | 5–4–2 |  |  | | | | |
| **Total:** | | 5–4–2 |  | | | | | | |

## InfoBox

Cap Edwards
| No. 7, 12, 22 | |
| --- | --- |
| Position: | Guard |
| Personal information | |
| Born: | (1888-09-05)September 5, 1888
St. Joseph, Missouri, U.S. |
| Died: | November 23, 1944(1944-11-23) (aged 56)
South Bend, Indiana, U.S. |
| Height: | 6 ft 0 in (1.83 m) |
| Weight: | 207 lb (94 kg) |
| Career information | |
| High school: | South Bend (IN) Central |
| College: | Notre Dame |
| Career history | |
| As a player: | |
|  | |
| As a coach: | |
|  | |
|  | |
| Career highlights and awards | |
|  | |
|  | |
|  | |
| Player stats at **PFR** | |
| Coaching stats at **PFR** | |
|  | |


title: Scot Dapp

abstract: Scot Dapp is a former American football and baseball coach. He served as the head football coach at Moravian College in Bethlehem, Pennsylvania from 1987 to 2010, compiling a record of 144–103–1. Dapp was also the head baseball coach at Susquehanna University in Selinsgrove, Pennsylvania from 1980 to 1985, tallying a mark of 74–66. He was the president of the American Football Coaches Association in 2005. Dapp is a 1973 graduate of West Chester University of Pennsylvania. He earned a master's degree from the University of North Carolina at Chapel Hill. Prior to coming to Moravian he was an assistant coach at Kutztown University of Pennsylvania, Delaware State College, and Susquehanna. Dapp was MAC Commonwealth League Coach-of-the-Year three times.

text:
# Scot Dapp

**Scot Dapp** (born September 27, 1951) is a former American football and baseball coach. He served as the head football coach at Moravian College in Bethlehem, Pennsylvania from 1987 to 2010, compiling a record of 144–103–1. Dapp was also the head baseball coach at Susquehanna University in Selinsgrove, Pennsylvania from 1980 to 1985, tallying a mark of 74–66. He was the president of the American Football Coaches Association in 2005.

Dapp is a 1973 graduate of West Chester University of Pennsylvania. He earned a master's degree from the University of North Carolina at Chapel Hill.

Prior to coming to Moravian he was an assistant coach at Kutztown University of Pennsylvania, Delaware State College, and Susquehanna.

Dapp was MAC Commonwealth League Coach-of-the-Year three times.

## Head coaching record

### Football

| Year | Team | Overall | Conference | Standing | Bowl/playoffs |
| --- | --- | --- | --- | --- | --- |
| **Moravian Greyhounds** *(Middle Atlantic Conference)* (1987–2006) | | | | | | | | |
| 1987 | Moravian | 6–4 | 6–3 | T–4th |  |
| 1988 | Moravian | 10–2 | 7–1 | T–1st | **L** NCAA Division III Quarterfinal |
| 1989 | Moravian | 8–2 | 6–2 | T–3rd |  |
| 1990 | Moravian | 6–4 | 4–4 | 5th |  |
| 1991 | Moravian | 7–3 | 5–3 | T–3rd |  |
| 1992 | Moravian | 6–4 | 4–4 | 4th |  |
| 1993 | Moravian | 8–3 | 4–1 | 1st (Commonwealth) | **L** NCAA Division III Quarterfinal |
| 1994 | Moravian | 6–4 | 3–2 | T–2nd (Commonwealth) |  |
| 1995 | Moravian | 7–2–1 | 2–2–1 | 3rd (Commonwealth) |  |
| 1996 | Moravian | 6–4 | 2–3 | 4th (Commonwealth) |  |
| 1997 | Moravian | 7–3 | 4–1 | 2nd (Commonwealth) |  |
| 1998 | Moravian | 3–7 | 2–3 | T–4th (Commonwealth) |  |
| 1999 | Moravian | 2–8 | 1–4 | 6th (Commonwealth) |  |
| 2000 | Moravian | 6–4 | 3–2 | 2nd (Commonwealth) |  |
| 2001 | Moravian | 5–5 | 3–5 | 8th |  |
| 2002 | Moravian | 7–4 | 7–2 | 3rd | **L** ECAC Southeast Bowl |
| 2003 | Moravian | 3–7 | 3–6 | T–8th |  |
| 2004 | Moravian | 7–4 | 7–2 | 2nd | **L** ECAC Southwest Bowl |
| 2005 | Moravian | 7–4 | 5–4 | T–4th | **W** ECAC Southwest Bowl |
| 2006 | Moravian | 4–6 | 4–5 | T–6th |  |
| **Moravian Greyhounds** *(Centennial Conference)* (2007–2010) | | | | | | | | |
| 2007 | Moravian | 6–4 | 4–4 | T–5th |  |
| 2008 | Moravian | 8–3 | 6–2 | T–2nd | **L** ECAC Southwest Bowl |
| 2009 | Moravian | 2–8 | 2–6 | T–7th |  |
| 2010 | Moravian | 7–4 | 6–3 | 4th | **W** ECAC Southeast Bowl |
| **Moravian:** | | 144–103–1 | 100–74–1 |  | | | | |
| **Total:** | | 144–103–1 |  | | | | | | |

## InfoBox

Scot Dapp
| Biographical details | |
| --- | --- |
| Born | (1951-09-27)September 27, 1951 |
| Coaching career (HC unless noted) | |
| Football | |
| 1987–2010 | Moravian |
| Baseball | |
| 1980–1985 | Susquehanna |
|  | |
| Head coaching record | |
| Overall | 144–103–1 (football)
74–66 (baseball) |
| Bowls | 2–3 |
| Tournaments | Football
1–2 (NCAA D-III playoffs) |
| Accomplishments and honors | |
| Championships | |
| Football
1 Middle Atlantic (1987)
1 MAC Commonwealth (1993) | |
|  | |
|  | |


title: Cape la Hune

abstract: Cape la Hune was a settlement in Newfoundland and Labrador. The community was part of the provincial governments resettlement program, beginning in the 1950's, that saw the residents of many isolated communities relocated to larger communities to reduce costs from ferry and infrastructure services. The former site of Cape la Hune is completely abandoned, with few remnants of the previous buildings remaining. The community was settled in the early 19th century by West Country English families.

text:
# Cape la Hune

Cape la Huneclass=notpageimage|Location of Cape la Hune in Newfoundland and Labrador

**Cape la Hune** was a settlement in Newfoundland and Labrador. The community was part of the provincial governments resettlement program, beginning in the 1950's, that saw the residents of many isolated communities relocated to larger communities to reduce costs from ferry and infrastructure services. The former site of Cape la Hune is completely abandoned, with few remnants of the previous buildings remaining.

The community was settled in the early 19th century by West Country English families.


title: Cao Lang province

abstract: Cao Lang was a former province of Vietnam.

text:
# Cao Lang province

***Cao Lang*** was a former province of Vietnam.

## Geography

Cao Lang province has the following geographical location:

* The North borders on the Choang ethnic autonomous region Guangxi ( China)
* The South borders on the province Ha Bac
* The East borders on the province Quang Ninh
* The West borders on the province Bac Thai and the province Ha Tuyen.

## History

Cao Lang province was formed by the resolution of the National Assembly of the Democratic Republic of Vietnam on December 27-year 1975 on the basis of the merger of the two provinces Cao Bang and Lang Son.

Cao Lang province was officially incorporated from December year 1976, with a population of 871,000 people and an area of 13,781 km².

Cao Lang province consists of 2 Cao Bang town and Lang Son\], the provincial capital is located in Cao Bang town, not included district Dinh Lap at that time belonged to the province Quang Ninh.

At the end of the year 1978, GDP of Cao Lang province reached 383 million VND, of which the value of agriculture-forestry output reached 120 million VND, food production reached 114 thousand tons.

In May 1977, Cao Lang Radio was started construction in Cao Bang. On September 2-year 1977, Cao Lang Radio officially broadcast the first program, on 2 electric waves 48m and 312m, including 4 languages: Vietnamese, TayNung, Mong, Dao.

Cao Lang province has 20 administrative units including: town Cao Bang (provincial capital), town Lang Son, town Tinh Tuc and 18 districts: Bac Son, Bao Lac, Binh Gia, Cao Loc, Chi Lang, Ha Quang, Hoa An, Huu Lung, Loc Binh, Nguyen Binh, Quang Hoa, Thach An, Thong Nong, Tra Linh, Trang Định, Trung Khanh, Van Lang, Van Quan.

On December 29, 1978, the 4th session of the 6th National Assembly issued a resolution to divide Cao Lang province to re-establish the province Cao Bang and the province Lang Son. In the same year, the two districts Ngan Son, Cho Ra (now Ba Be district) of the province Bac Thai were moved to Cao Bang province to manage (from five) in the same year. 1996, these two districts returned to the province Bac Kan) and moved the district Dinh Lap of the province Quang Ninh to Lang Son province to manage:


title: Sean Fine

abstract: Sean Fine is an American cinematographer, producer and film director whose film Inocente won the 2013 Academy Award for Best Documentary. He directs his films with his wife, Andrea Nix Fine. The Fines' first feature-length film War/Dance about child soldiers was nominated for an Academy Award for Best Documentary Feature in 2007. In 2013 their film, Life According to Sam won both a Peabody Award and an Emmy Award for Exceptional Merit in Documentary filmmaking. The Fines launched a boutique film studio Change Content to develop documentaries that affect way audiences feel about critical issues. Change Content's first film LFG premiered at the Tribeca Film Festival and was instrumental in the U.S. Women's National Soccer Team achieving equal pay.

text:
# Sean Fine

**Sean Fine** is an American cinematographer, producer and film director whose film *Inocente* won the 2013 Academy Award for Best Documentary (Short Subject). He directs his films with his wife, Andrea Nix Fine. The Fines' first feature-length film *War/Dance* about child soldiers was nominated for an Academy Award for Best Documentary Feature in 2007. In 2013 their film, Life According to Sam won both a Peabody Award and an Emmy Award for Exceptional Merit in Documentary filmmaking. The Fines launched a boutique film studio Change Content to develop documentaries that affect way audiences feel about critical issues. Change Content's first film *LFG* premiered at the Tribeca Film Festival and was instrumental in the U.S. Women's National Soccer Team achieving equal pay.

## Life and career

Fine grew up around filmmaking. His parents co-directed award-winning documentary programs for CBS and 60 Minutes, with his father also being the cinematographer and his mother the film editor. Fine's grandfather was the photographer for the Washington Redskins for over 50 years, making Fine a 3rd generation photographer. He attributes his eye to learning from his father and grandfather, and his editing skills to watching his mother work throughout his childhood. He attended Georgetown Day School in Washington, D.C., and is a 1996 graduate of Connecticut College, where he earned a degree in Zoology. It was not until he took a summer film course at NYU Tisch School of the Arts that he realized he wanted to make films for a living. After graduating from college, he went to work for *National Geographic*, where he met his wife, Andrea Nix.

Within a year after starting to work for *National Geographic*, he was directing his first documentary, which won two national Emmy Awards. During his time at *National Geographic*, Fine traveled to over 30 countries and gained experience shooting in very difficult and remote locations. In 2004, Fine and his wife left *National Geographic* to start their own production company, *Fine Films*. They decided to make a documentary about the twenty-year-old civil war in northern Uganda after having been contacted by a non-profit, Shine Global. Their son was a year old at the time of filming, causing them to stay in separate parts of Uganda during filming due to the dangers involved.

He was nominated for an Academy Award for Best Documentary Feature in 2007 for *War/Dance*, which he produced with his wife, Andrea Nix. They also collaborated on the 2013 documentary, *Life According to Sam*, produced by HBO and the 2021 documentary *LFG* about the U.S. Women's National Soccer Team's fight for equal pay.

## Filmography

## InfoBox

| Sean Fine | |
| --- | --- |
| Fine at the 73rd Peabody Awards | |
| Born | United States |
| Education | Connecticut College (BA)<br>New York University |
| Occupation(s) | Filmmaker, cinematographer |
| Spouse | Andrea Nix Fine (m. 2003) |


title: Surviving Sid

abstract: Surviving Sid is a 2008 animated short film from Blue Sky Studios, starring Sid the Sloth of Ice Age and a cameo appearance by Scrat. It is the third in the series of Ice Age short films, the other two being Gone Nutty and No Time for Nuts. Unlike the first two Ice Age short films, Surviving Sid focuses on Sid and a small animal group of camping children. Directed by Galen Tan Chu and Karen Disher, the short premiered on December 9, 2008, on the Horton Hears a Who! DVD and Blu-ray.

text:
# Surviving Sid

***Surviving Sid*** is a 2008 animated short film from Blue Sky Studios, starring Sid the Sloth of *Ice Age* and a cameo appearance by Scrat. It is the third in the series of *Ice Age* short films, the other two being *Gone Nutty* and *No Time for Nuts*. Unlike the first two *Ice Age* short films, *Surviving Sid* focuses on Sid and a small animal group of camping children. Directed by Galen Tan Chu and Karen Disher, the short premiered on December 9, 2008, on the *Horton Hears a Who!* DVD and Blu-ray.

## Plot

One day, Sid, working as a camp counselor, takes a school of children out on a camping trip; however, he doesn't have good guide skills, and the children are unimpressed, from when he gets them lost in the woods, he becomes swollen from poison oak when he uses it as a badge on the beaver, and attempts to teach them how to fish in a proper way, only to get swallowed by a big fish.

That night, he serves the kids s'mores made from unappetizing materials; one s'more is even alive, and runs away. Sid then tells the kids a scary story about a monster that eats children. However, he and the kids are chased off by a large shadow on the walls resembling the monster in the story, only it turned out to be Scrat, in a cameo appearance, with an acorn stuck in his throat. Once he gets it out, the living s'more comes back and steals the acorn from Scrat.

The next day, the kids berate Sid for his terrible leadership, but Sid insists that he is a professional nature guide. But when Sid picks a flower, it causes a chain reaction that results in a piece of an iceberg breaking off and creating a giant chasm in the ground. Fed up with Sid's recklessness, the kids tie him up, and carry him down to the chasm; while the kids march, Sid marvels at the chasm, calling it a "grand canyon".

20,000 years later, in the present day, a father and son beaver are looking over the Grand Canyon. The son beaver asks his father who made the canyon, to which the father beaver says that either nature or "a being of infinite wisdom" might have created it. An image of Sid etched in fossilized wood lies near the beavers.

## Cast

## Release

The short film was released with the *Horton Hears a Who!* Blu-ray and DVD, which was released on December 9, 2008.

As of July 2009, it is also available as a free "Video Podcast" in the USA iTunes Store, and on the PlayStation Network.

## InfoBox

| Surviving Sid | |
| --- | --- |
|  | |
| Directed by | Galen Tan Chu
Karen Disher |
| Written by | Jon Vitti
Mike Reiss
Yoni Brenner |
| Produced by | John C. Donkin
Lori Forte |
| Starring |  |
| Edited by | Erin Crackel |
| Music by | Michael A. Levine |
| Production
companies | Blue Sky Studios
20th Century Animation |
| Distributed by | 20th Century Home Entertainment |
| Release date | * December 9, 2008 (2008-12-09) |
| Running time | 7 minutes |
| Language | English |


title: Philipp van Limborch

abstract: Philipp van Limborch was a Dutch Remonstrant theologian.

text:
# Philipp van Limborch

**Philipp van Limborch** (19 June 1633 – 30 April 1712) was a Dutch Remonstrant theologian.

## Biography

Limborch was born on 19 June 1633 in Amsterdam, where his father was a lawyer. He received his education at Utrecht, at Leiden, in his native city, and finally at Utrecht University, which he entered in 1652. In 1657 he became a Remonstrant pastor at Gouda, and in 1667 he was transferred to Amsterdam, where, in the following year, the office of professor of theology in the Remonstrant seminary was added to his pastoral charge. He was a friend of John Locke, whose A Letter Concerning Toleration was likely addressed to, and first published by, Philipp van Limborch. He died in Amsterdam on 30 April 1712.

## Theology

In theology, Limborch diverged radically from Jacobus Arminius and Arminianism. He embraced Rationalism and Semi-Pelagianism. Practically he didn't believe in total depravity, and assimilated prevenient grace to common grace.

## Works

His most important work, *Institutiones theologiae christianae, ad praxin pietatis et promotionem pacis, christianae unice directae* (Amsterdam, 1686, 5th ed., 1735), is a full and clear exposition of the system of Simon Episcopius and Stephan Curcellaeus. The fourth edition (1715) included a posthumous *Relatio historica de origine et progressu controversiarum in foederato Belgio de praedestinatione*.

Limborch also wrote:

* *De veritate religionis Christianae amica collatio cum erudito Judaeo* (Gouda, 1687) (the "erudite Jew" in question was Isaac Orobio de Castro)
* *Historia Inquisitionis* (1692), in four books prefixed to the *Liber Sententiarum Inquisitionis Tolosanae* (1308–1323)
* *Commentarius in Acta Apostolorum et in Epistolas ad Romanos et ad Hebraeos* (Rotterdam, 1711)

An English translation of the *Theologia* was published in 1702 by William Jones (*A Complete System or Body of Divinity, both Speculative and Practical, founded on Scripture and Reason*, London, 1702); and a translation of the *Historia Inquisitionis*, by Samuel Chandler, with a large introduction concerning the rise and progress of persecution and the real and pretended causes of it prefixed, appeared in 1731. See Herzog-Hauck, *Realencyklopädie*.

## Editorial work

In 1689 Limborch edited the compilation of Socinian Samuel Przypkowski's works in the last volume of the *Bibliotheca antitrinitariorum* or *Bibliotheca Fratrum Polonorum* of the Polish Brethren. Previous volumes had been edited after the death of Christopher Sandius by Benedykt Wiszowaty in 1684.

His editorial labors included the publication of various works of his predecessors, and of *Epistolae ecclesiasticae praestantum ad eruditorum virorum* (Amsterdam, 1684), chiefly, by Jacobus Arminius, Joannes Uytenbogardus, Konrad Vorstius (1569–1622), Gerhard Vossius (1577–1649), Hugo Grotius, Simon Episcopius (his grand-uncle) and Caspar Barlaeus; they are of great value for the history of Arminianism.

His edition of the *Liber Sententiarum Inquisitionis Tolosanae* is still considered important nowadays for its meticulous transcription of a manuscript by the Dominican inquisitor Bernard Gui long regarded as lost forever, but rediscovered in London (British Library, ms. Add. 4697). Recently a new edition has appeared (*Le Livre des sentences de l'inquisiteur Bernard Gui (1308-1323)* edited by Annette Palès-Gobillard (2 volumes, Paris 2003).

## Notes and references

This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911b). "Limborch, Philipp van". *Encyclopædia Britannica*. Vol. 16 (11th ed.). Cambridge University Press. p. 691.

### Citations

### Sources

* Chisholm, Hugh, ed. (1911). "Limborch, Philipp van". *Encyclopædia Britannica*. Vol. 16 (11th ed.). Cambridge University Press. p. 691.
* Hicks, John Mark (1985). *The Theology of Grace in the Thought of Jacobus Arminius and Philip van Limborch: A Study in the Development of Seventeenth-Century Dutch Arminianism* (Ph.D thesis). Westminster Theological Seminary.
* Olson, Roger E. (2009). *Arminian Theology: Myths and Realities*. Downers Grove: InterVarsity Press.

## InfoBox

| Philipp van Limborch | |
| --- | --- |
|  | |
|  | |
| Born | 19 June 1633
Amsterdam |
| Died | 30 April 1712  (aged 78)
Amsterdam |
| Occupation | University teacher |


title: 1925 All-Eastern football team

abstract: The 1925 All-Eastern football team consists of American football players chosen by various selectors as the best players at each position among the Eastern colleges and universities during the 1925 college football season. The undefeated 1925 Dartmouth Indians football team had four players who received first-team All-Eastern honors from at least one selector: halfback Andy Oberlander; end George Tully; tackle Nathan Parker; and guard Carl Diehl. Five players received first-team All-Eastern honors and were also consensus first-team All-Americans: Oberander, Tully, and Diehl of Dartmouth; center Ed McMillan of Princeton; and tackle Ralph Chase of Pittsburgh. Six of the All-Eastern honorees were later inducted into the College Football Hall of Fame: Oberlander; halfback Eddie Tryon of Colgate; fullback Andy Gustafson of Pittsburgh; end Vic Hanson of Syracuse; tackle Bud Sprague of Army; and guard Herbert Sturhahn of Yale.

text:
# 1925 All-Eastern football team

The **1925 All-Eastern football team** consists of American football players chosen by various selectors as the best players at each position among the Eastern colleges and universities during the 1925 college football season.

The undefeated 1925 Dartmouth Indians football team had four players who received first-team All-Eastern honors from at least one selector: halfback Andy Oberlander; end George Tully; tackle Nathan Parker; and guard Carl Diehl.

Five players received first-team All-Eastern honors and were also consensus first-team All-Americans: Oberander, Tully, and Diehl of Dartmouth; center Ed McMillan of Princeton; and tackle Ralph Chase of Pittsburgh.

Six of the All-Eastern honorees were later inducted into the College Football Hall of Fame: Oberlander; halfback Eddie Tryon of Colgate; fullback Andy Gustafson of Pittsburgh; end Vic Hanson of Syracuse; tackle Bud Sprague of Army; and guard Herbert Sturhahn of Yale.

## All-Eastern selections

### Quarterbacks

* Jim Foley, Syracuse (AP-1, CM)
* Earl "Zev" Graham, Fordham (NEB, HM)
* George Pease, Columbia (AP-2)
* Marion "Dolph" Cheek, Harvard (GD)

### Halfbacks

### Fullbacks

### Ends

* George Tully, Dartmouth (AP-1, NEB, HM, CM)
* Vic Hanson, Syracuse (AP-1, CM)
* Charles F. Born, Army (CDD, TJ)
* Korn, Swarthmore (GD)
* George Thayer, Penn (AP-2, GD)
* Ford, Lafayette (HM)
* Ray Wagner, Columbia (TJ)
* Edwards, Washington & Jefferson (NEB)
* Madison Sayles, Harvard (CDD)
* Henry Sage, Dartmouth (AP-2)

### Tackles

### Guards

### Centers

## Key


title: The Miser's Child

abstract: The Miser's Child is a 1910 American silent film produced by Kalem Company and directed by Sidney Olcott.

text:
# The Miser's Child

***The Miser's Child*** is a 1910 American silent film produced by Kalem Company and directed by Sidney Olcott.

## Production notes

The film was shot in Jacksonville, Florida.

* The Moving Picture World, vol 6, p 314; p 339
* The New York Dramatic Mirror, March 5, 1910, p 18.

## InfoBox

| The Miser's Child | |
| --- | --- |
| Directed by | Sidney Olcott |
| Produced by | Sidney Olcott |
| Production
company | Kalem Company |
| Distributed by | General Film Company |
| Release date | * February 23, 1910 (1910-02-23) |
| Running time | 940 ft |
| Country | United States |
| Languages | Silent film
(English intertitles) |


title: Data publishing

abstract:
Data publishing is the act of releasing research data in published form for use by others. It is a practice consisting in preparing certain data or data set(s) for public use thus to make them available to everyone to use as they wish. This practice is an integral part of the open science movement. There is a large and multidisciplinary consensus on the benefits resulting from this practice. The main goal is to elevate data to be first class research outputs. There are a number of initiatives underway as well as points of consensus and issues still in contention. There are several distinct ways to make research data available, including:
  - publishing data as supplemental material associated with a research article, typically with the data files hosted by the publisher of the article
  - hosting data on a publicly available website, with files available for download
  - hosting data in a repository that has been developed to support data publication, e.g. figshare, Dryad, Dataverse, Zenodo. A large number of general and specialty data repositories exist. For example, the UK Data Service enables users to deposit data collections and re-share these for research purposes.
  - publishing a data paper about the dataset, which may be published as a preprint, in a regular journal, or in a data journal that is dedicated to supporting data papers. The data may be hosted by the journal or hosted separately in a data repository. Publishing data allows researchers to both make their data available to others to use, and enables datasets to be cited similarly to other research publication types, thereby enabling producers of datasets to gain academic credit for their work. The motivations for publishing data may range for a desire to make research more accessible, to enable citability of datasets, or research funder or publisher mandates that require open data publishing. The UK Data Service is one key organisation working with others to raise the importance of citing data correctly and helping researchers to do so. Solutions to preserve privacy within data publishing has been proposed, including privacy protection algorithms, data ”masking” methods, and regional privacy level calculation algorithm.

text:
# Data publishing

**Data publishing** (also **data publication**) is the act of releasing research data in published form for use by others. It is a practice consisting in preparing certain data or data set(s) for public use thus to make them available to everyone to use as they wish. This practice is an integral part of the open science movement. There is a large and multidisciplinary consensus on the benefits resulting from this practice.

The main goal is to elevate data to be first class research outputs. There are a number of initiatives underway as well as points of consensus and issues still in contention.

There are several distinct ways to make research data available, including:

* publishing data as supplemental material associated with a research article, typically with the data files hosted by the publisher of the article
* hosting data on a publicly available website, with files available for download
* hosting data in a repository that has been developed to support data publication, e.g. figshare, Dryad, Dataverse, Zenodo. A large number of general and specialty (such as by research topic) data repositories exist. For example, the UK Data Service enables users to deposit data collections and re-share these for research purposes.
* publishing a data paper about the dataset, which may be published as a preprint, in a regular journal, or in a data journal that is dedicated to supporting data papers. The data may be hosted by the journal or hosted separately in a data repository.

Publishing data allows researchers to both make their data available to others to use, and enables datasets to be cited similarly to other research publication types (such as articles or books), thereby enabling producers of datasets to gain academic credit for their work.

The motivations for publishing data may range for a desire to make research more accessible, to enable citability of datasets, or research funder or publisher mandates that require open data publishing. The UK Data Service is one key organisation working with others to raise the importance of citing data correctly and helping researchers to do so.

Solutions to preserve privacy within data publishing has been proposed, including privacy protection algorithms, data ”masking” methods, and regional privacy level calculation algorithm.

## Methods for publishing data

### Data files as supplementary material

A large number of journals and publishers support supplementary material being attached to research articles, including datasets. Though historically such material might have been distributed only by request or on microform to libraries, journals today typically host such material online. Supplementary material is available to subscribers to the journal or, if the article or journal is open access, to everyone.

### Data repositories

There are a large number of data repositories, on both general and specialized topics. Many repositories are disciplinary repositories, focused on a particular research discipline such as the UK Data Service which is a trusted digital repository of social, economic and humanities data. Repositories may be free for researchers to upload their data or may charge a one-time or ongoing fee for hosting the data. These repositories offer a publicly accessible web interface for searching and browsing hosted datasets, and may include additional features such as a digital object identifier, for permanent citation of the data, and linking to associated published papers and code.

### Data papers

**Data papers** or **data articles** are “scholarly publication of a searchable metadata document describing a particular on-line accessible dataset, or a group of datasets, published in accordance to the standard academic practices”. Their final aim is to provide “information on the what, where, why, how and who of the data”. The intent of a data paper is to offer descriptive information on the related dataset(s) focusing on data collection, distinguishing features, access and potential reuse rather than on data processing and analysis. Because data papers are considered academic publications no different than other types of papers, they allow scientists sharing data to receive credit in currency recognizable within the academic system, thus "making data sharing count". This provides not only an additional incentive to share data, but also through the peer review process, increases the quality of metadata and thus reusability of the shared data.

Thus data papers represent the scholarly communication approach to data sharing. Despite their potentiality, data papers are not the ultimate and complete solution for all the data sharing and reuse issues and, in some cases, they are considered to induce false expectations in the research community.

### Data journals

Data papers are supported by a rich array of **data journals**, some of which are "pure", i.e. they are dedicated to publish data papers only, while others – the majority – are "mixed", i.e. they publish a number of articles types including data papers.

A comprehensive survey on data journals is available. A non-exhaustive list of data journals has been compiled by staff at the University of Edinburgh.

Examples of "pure" data journals are: *Earth System Science Data*, *Journal of Open Archaeology Data*, *Open Health Data*, *Polar Data Journal*, and *Scientific Data*.

Examples of "mixed" journals publishing data papers are: *Biodiversity Data Journal*, *F1000Research*, *GigaScience*, *GigaByte*, *PLOS ONE*, and *SpringerPlus*.

### Data citation

**Data citation** is the provision of accurate, consistent and standardised referencing for datasets just as bibliographic citations are provided for other published sources like research articles or monographs. Typically the well established Digital Object Identifier (DOI) approach is used with DOIs taking users to a website that contains the metadata on the dataset and the dataset itself.

#### History of development

A 2011 paper reported an inability to determine how often data citation happened in social sciences.

2012-13 papers reported that data citation was becoming more common but the practice for it was not standard.

In 2014 FORCE 11 published the Joint Declaration of Data Citation Principles covering the purpose, function and attributes of data citation.

In October 2018 CrossRef expressed its support for cataloging datasets and recommending their citation.

A popular data-oriented journal reported in April 2019 that it would now use data citations.

A June 2019 paper suggested that increased data citation will make the practice more valuable for everyone by encouraging data sharing and also by increasing the prestige of people who share.

Data citation is an emerging topic in computer science and it has been defined as a computational problem. Indeed, citing data poses significant challenges to computer scientists and the main problems to address are related to:

* the use of heterogeneous data models and formats – e.g., relational databases, Comma-Separated Values (CSV), Extensible Markup Language (XML), Resource Description Framework (RDF);
* the transience of data;
* the necessity to cite data at different levels of coarseness – i.e., deep citations;
* the necessity to automatically generate citations to data with variable granularity.


title: Financial management advisor

abstract: The financial management advisor (FMA) is a professional designation of the Canadian Securities Institute (CSI), the official educator of the Canadian securities industry. The FMA is a personal financial planning designation which is usually a precursor to the certified financial planner (CFP) designation. There are over three thousand FMA holders in Canada. The FMA designation is not recognized in the province of Quebec. The FMA is awarded by the CSI automatically upon the completion of the required coursework with an average of 60% or better consisting of three courses and six exams ranging in length from two to three hours: the Canadian Securities Course (CSC), the Professional Financial Planning Course (PFPC), and the Wealth Management Techniques Course (WMTC). Unlike the CFP, there is no vocational experience requirement to qualify for the FMA. However, the second exam of the PFPC and the WMTC tests the student in applied comprehension of the theoretical material. The FMA designation is public information and the CSI will confirm whether any particular person claiming the FMA has actually qualified for the designation. It can also be revoked by the CSI for misconduct. These courses are offered by independent study, primarily through the print medium. In addition, optional online tutorials are available to assist the student in working through the material, consisting of educational exercises and quizzes similar to the multiple-choice format of the actual exams. Students may also submit questions concerning the course content directly via email to the CSI. Many community and vocational colleges also offer exam preparation courses for registered CSI students, which enable them to experience the benefits of classroom learning in addition to the distance education format. The exams themselves are proctored by the CSI. Successful completion of the PFPC entitles the graduate to write the CFP exam. Dalhousie University accepts these and other courses offered by the CSI as credits towards qualifying to receive its MBA degree in financial management, provided the student maintain an average grade of 70% or better. Thus, these courses may be regarded as postgraduate equivalent credits in financial management. Completion of the CSI's FMA program does not constitute registration with the securities commission of the province in which the FMA holder resides, and does not qualify the FMA holder to provide recommendations or advice with respect to the buying or selling of specific securities. Although the Ontario Securities Act requires financial advisors to be registered, the Ontario Securities Commission (OSC) has not yet implemented a registration protocol for financial advisors in Ontario; thus, currently registration as a financial advisor in Ontario is not mandated. Financial management advisors, like personal financial planners, wealth managers, are not registered to provide investment advice but provide general financial counselling and advice to clients on a fee, percentage of assets, or commission basis or some hybrid of these. A typical fee for a fee-only planner might range from CDN$80 to CDN$180 per hour. The body of knowledge underlying personal financial planning is becoming increasingly well codified. A typical program might include a best practices approach, establishing the engagement, data gathering, clarifying financial status, financial management, risk management, tax planning, education planning, retirement planning, estate planning, asset management, planning for the closely held business, developing and presenting the financial plan, implementation and monitoring, modular planning and special planning goals, and regulatory, ethical, and legal issues, as well as marketing and practice management.

text:
# Financial management advisor

The **financial management advisor** (FMA) is a professional designation of the Canadian Securities Institute (CSI), the official educator of the Canadian securities industry. The FMA is a personal financial planning designation which is usually a precursor to the certified financial planner (CFP) designation. There are over three thousand FMA holders in Canada. The FMA designation is not recognized in the province of Quebec.

The FMA is awarded by the CSI automatically upon the completion of the required coursework with an average of 60% or better consisting of three courses and six exams ranging in length from two to three hours: the Canadian Securities Course (CSC), the Professional Financial Planning Course (PFPC), and the Wealth Management Techniques Course (WMTC). Unlike the CFP, there is no vocational experience requirement to qualify for the FMA. However, the second exam of the PFPC and the WMTC tests the student in applied comprehension of the theoretical material. The FMA designation is public information and the CSI will confirm whether any particular person claiming the FMA has actually qualified for the designation. It can also be revoked by the CSI for misconduct.

These courses are offered by independent study, primarily through the print medium. In addition, optional online tutorials are available to assist the student in working through the material, consisting of educational exercises and quizzes similar to the multiple-choice format of the actual exams. Students may also submit questions concerning the course content directly via email to the CSI. Many community and vocational colleges also offer exam preparation courses for registered CSI students, which enable them to experience the benefits of classroom learning in addition to the distance education format. The exams themselves are proctored by the CSI.

Successful completion of the PFPC entitles the graduate to write the CFP exam. Dalhousie University accepts these and other courses offered by the CSI as credits towards qualifying to receive its MBA degree in financial management, provided the student maintain an average grade of 70% or better. Thus, these courses may be regarded as postgraduate equivalent credits in financial management.

Completion of the CSI's FMA program does not constitute registration with the securities commission of the province in which the FMA holder resides, and does not qualify the FMA holder to provide recommendations or advice with respect to the buying or selling of specific securities. Although the Ontario Securities Act requires financial advisors to be registered, the Ontario Securities Commission (OSC) has not yet implemented a registration protocol for financial advisors in Ontario; thus, currently registration as a financial advisor in Ontario is not mandated.

Financial management advisors, like personal financial planners, wealth managers, are not registered to provide investment advice but provide general financial counselling and advice to clients on a fee, percentage of assets, or commission basis or some hybrid of these. A typical fee for a fee-only planner might range from CDN$80 to CDN$180 per hour. The body of knowledge underlying personal financial planning is becoming increasingly well codified. A typical program might include a best practices approach, establishing the engagement, data gathering, clarifying financial status, financial management, risk management, tax planning, education planning, retirement planning, estate planning, asset management, planning for the closely held business, developing and presenting the financial plan, implementation and monitoring, modular planning and special planning goals, and regulatory, ethical, and legal issues, as well as marketing and practice management.

## Canadian Securities Course

The Canadian Securities Course is the universal prerequisite for enrolling in any other CSI course or program. It consists of two volumes of instructional material plus a workbook. The following is a synopsis of the course content of the CSC:

* The Capital Markets and Financial Services
* The Canadian Economy
* Financing, Listing and Regulation
* Corporations and Their Financial Statements
* Fixed-Income Securities
* Equities
* Managed Products
* Segregated Funds
* Derivative Securities
* Analyzing Markets and Products
* Financial Planning and Taxation
* The Portfolio Approach
* Building the Relationship with the Client

## Professional Financial Planning Course

The Professional Financial Planning Course is the first course in the CSI's FMA program, consisting of two volumes of instructional material. The following is a synopsis of the course content of the PFPC:

* Financial Planning Practice
* Budget and Savings Planning
* Residential Mortgages
* Business Law
* Family Law
* Insurance
* Tax Planning
* Retirement Planning
* Estate Planning
* Investment Management
* Financial Planning Case
* Financial Math

PFPC graduates are qualified by the CSI to provide personal financial planning services to persons whose net worth is less than $300,000.

## Wealth Management Techniques

The WMTC is the final course in the CSI's FMA program, consisting of one volume of instructional material. The following is a synopsis of the course content of the WMTC:

* The Wealth Management Process
* Understanding the Client
* Communication and Education
* Ethical Issues
* Retirement Planning
* Insurance Planning
* Tax Planning
* Estate Planning
* Risk and Return
* Asset Allocation
* Basic Managed Products
* Managed Products for the High-Net-Worth Client
* Performance Appraisal
* Formalizing and Implementing the Investment Plan
* Market Research and Business Planning
* Marketing Your Wealth Management Business

WMTC graduates are qualified by the CSI to provide personal financial planning services to high-net-worth clients.


abstract: Feminist post-structuralist discourse analysis (FPDA) is a method of discourse analysis based on Chris Weedon's theories of feminist post-structuralism, and developed as a method of analysis by Judith Baxter in 2003. FPDA is based on a combination of feminism and post-structuralism. While it is still evolving as a methodology, FPDA has been used by a range of international scholars of gender and language to analyse texts such as: classroom discourse, teenage girls' conversation, and media representations of gender. FPDA is an approach to analysing the discourse of spoken interaction principally. The poststructualist part of FPDA views language as social practice and considers that people's identities and relationships are 'performed' through spoken interaction. FPDA analyses the ways in which speakers are 'positioned' by different and often competing 'discourses' according to Michel Foucault's definition as 'practices that systematically form the objects of which they speak'. According to this, speakers constantly move between powerful and powerless 'subject positions' as they talk and interact. FPDA is influenced by a poststructuralist rather than a Critical Discourse Analysis (CDA) perspective: that is, the method is informed by the view that no speaker is wholly a victim and powerless, nor wholly dominant and powerful. Rather, speakers are constantly shifting their subject positions according to the interplay of discourses within specific settings. The feminist part of FPDA considers gender difference to be a dominant discourse among competing discourses when analysing all types of text. According to Baxter (2003), FPDA does not have an 'emancipatory' agenda for women but a 'transformative' one. This means that it aims to represent women's voices that have been 'silenced' or marginalised since FPDA considers that these have been historically absent in many cultures. For example, Kamada uses FPDA to show how a friendship group of half-Japanese girls, who are seen by their culture as 'less than whole', draw upon competing discourses to negotiate more positive versions of their 'hybrid' ethnic and gender identities.

text:
# Feminist post-structuralist discourse analysis

**Feminist post-structuralist discourse analysis** (**FPDA**) is a method of discourse analysis based on Chris Weedon's theories of feminist post-structuralism, and developed as a method of analysis by Judith Baxter in 2003. FPDA is based on a combination of feminism and post-structuralism. While it is still evolving as a methodology, FPDA has been used by a range of international scholars of gender and language to analyse texts such as: classroom discourse (Castañeda-Peña 2008; Sauntson 2012), teenage girls' conversation (Kamada 2008; 2010), and media representations of gender (Baker 2013). FPDA is an approach to analysing the discourse of spoken interaction principally.

The poststructualist part of FPDA views language as social practice and considers that people's identities and relationships are 'performed' through spoken interaction. FPDA analyses the ways in which speakers are 'positioned' by different and often competing 'discourses' according to Michel Foucault's (1972: 49) definition as 'practices that systematically form the objects of which they speak'. According to this, speakers constantly move between powerful and powerless 'subject positions' as they talk and interact. FPDA is influenced by a poststructuralist rather than a Critical Discourse Analysis (CDA) perspective: that is, the method is informed by the view that no speaker is wholly a victim and powerless, nor wholly dominant and powerful. Rather, speakers are constantly shifting their subject positions according to the interplay of discourses within specific settings. The feminist part of FPDA considers gender difference to be a dominant discourse among competing discourses when analysing all types of text. According to Baxter (2003), FPDA does not have an 'emancipatory' agenda for women but a 'transformative' one. This means that it aims to represent women's voices that have been 'silenced' or marginalised since FPDA considers that these have been historically absent in many cultures. For example, Kamada (2008a; 2008b and 2010) uses FPDA to show how a friendship group of half-Japanese girls, who are seen by their culture as 'less than whole', draw upon competing discourses to negotiate more positive versions of their 'hybrid' ethnic and gender identities.

## Background

The above definition of FPDA developed from the ideas of the formalist, Mikhail Bakhtin (1981)\] and the poststructuralist thinkers Jacques Derrida (1987)\] and Michel Foucault (1972) in relation to power, knowledge and discourses. It is also based on the feminist work of Victorial Bergvall (1998)\], Judith Butler (1990), Bronwyn Davies (1997), Valerie Walkerdine (1990)\] and especially Chris Weedon (1997). Adopters of FPDA include Judith Baxter in the analysis of classroom talk and business meeting interactions; Laurel Kamada (2008; 2008; 2010) in the analysis of 'hybrid' identities of half-Japanese girls, Harold Castañeda-Peña (2008) in the examination of pupils in an EFL classroom in Brazil; Helen Sauntson in the analysis of UK secondary school classroom talk; and Paul Baker(2013) in the study of newspaper representations of predatory women. FPDA is based on the following principles, which continue to be discussed and debated by scholars:

* Discourse as social practice (rather than, or additional to, 'language above the sentence' or as 'language in use' (Cameron, 2001)
* The performative (rather than the essentialist or possessive) nature of speakers' identities; gender is something people enact or do, not something they are or characterise (Butler 1990)
* The diversity and multiplicity of speakers' identities: thus, gender is just one of many cultural variables constructing speakers' identities (e.g. regional background, ethnicity, class, age), though it is still viewed as potentially highly significant
* The construction of meaning within localised or context-specific settings or communities of practice such as classrooms, board meetings, TV talk shows
* An interest in deconstruction: working out how binary power relations (e.g. males/females, public/private, objective/subjective) constitute identities, subject positions and interactions within discourses and texts, and challenging such binaries
* Inter-discursivity: recognising ways in which one discourse is always inscribed and inflected with traces of other discourses, or how one text is interwoven with another
* The need for continuous self-reflexivity: being continuously explicit and questioning about the values and assumptions made by discourse analysis.

## Further reading

* Bakhtin, M. (1981), *The Dialogic Imagination: Four Essays*. Austin, Texas: The University of Texas.
* Baxter, J. (2007), 'Post-structuralist analysis of classroom discourse', in M. Martin-Jones and A.M. de Mejia (eds), *Encyclopaedia of Language and Education: Discourse and Education, Vol 3*. New York: Springer, pp. 69 – 80.
* Baxter, J. (2010) *The Language of Female Leadership*. Basingstoke: Palgrave Macmillan.
* Baxter, J. (2008), 'FPDA – a new theoretical and methodological approach?' in K. Harrington, L.
* Litosseliti, H. *Sauntson, and J. Sunderland (eds.) Gender and Language Research Methodologies*. Palgrave: Macmillan, pp. 243 – 55.
* Bergvall, V. L. (1998) 'Constructing and enacting gender through discourse: negotiating multiple roles as female engineering students.' In V.L. Bergvall, J.M. Bing and A.F.Fredd (eds.) *Rethinking Language and Gender Research*. Harlow: Penguin.
* Butler, J. (1990) *Gender Trouble, Feminism and the Subversion of Identity*. New York: Routledge.
* Davies, B.(1997)*The subject of poststructuralism: A reply to Alison Jones. Gender and Education*, 9, pp. 271–83.
* Derrida, J. (1987), *A Derrida Reader: Between the Blinds. Brighton: Harvester Wheatsheaf*.
* Foucault, M. (1972), *The Archaeology of Knowledge and the Discourse on Language*. New York: Pantheon.
* Harré, R. (1995) 'Agentive discourse', in R. Harré and P. Stearns (eds.), *Discursive Psychology in Practice*. London: Sage, pp. 120 – 29.
* Kamada, L. (2008), 'Discursive "embodied" identities of "half" girls in Japan: a multi-perspectival approach within Feminist Poststructuralist Discourse Analysis', in K. Harrington, L. Litosseliti, H. Sauntson, and J. Sunderland (eds.), Gender and Language Research Methodologies. Palgrave: Macmillan, pp. 174 – 90.
* Litosseliti, L. and Sunderland, J. (2002), Gender Identity and Discourse Analysis. Amsterdam: John Benjamins.
* Potter, J. and Reicher, S. (1987), 'Discourses of community and conflict: the organisation of social categories in accounts of a 'riot'.' British Journal of Social Psychology, 26: 25 – 40.
* Potter, J. and Edwards, D. (1990), 'Nigel Lawson's tent: discourse analysis, attribution theory and social psychology of fact'. European Journal of Psychology, 20, 405 – 24.
* Potter, J. and Wetherell, M. (1987), *Discourse and Social Psychology: Beyond Attitudes and Behaviour*. London: Sage.
* Sunderland, J. (2004) *Gendered Discourses*. Basingstole: Palgrave.
* Walkerdine, V. (1990) *Schoolgirl Fictions*. London: Verso.
* Warhol, T. (2005), 'Feminist Poststructuralist Discourse Analysis and biblical authority'. Paper delivered at BAAL/CUP Seminar: Theoretical and Methodological Approaches to Gender and Language Study, Nov 18–19, 2005, University of Birmingham, UK.
* Weedon, C. (1997) *Feminist Practice and Post-structuralist Theory*. 2nd edn. Oxford: Blackwell.
* Wetherell, M. (1998), 'Positioning and interpretative repertoires: conversation analysis and poststructuralism in dialogue.' Discourse and Society, 9 (3), 387–412.
* Wodak, R. (1996), *Disorders of Discourse*. London: Longman.


title: Fearnley award

abstract: The Fearnley Olympic Award is a Norwegian Athletics Award. The award is given for outstanding achievements by a Norwegian Olympic participant. No competitor may win the award more than once. In 2021, it was decided that the prize would also be awarded for achievements at the Paralympics.

text:
# Fearnley award

The **Fearnley Olympic Award** (*Fearnleys olympiske ærespris*) is a Norwegian Athletics Award. The award is given for outstanding achievements by a Norwegian Olympic participant. No competitor may win the award more than once. In 2021, it was decided that the prize would also be awarded for achievements at the Paralympics.

## History

The award was initiated by Norwegian ship owner Thomas Fearnley (1880–1961) in connection with the 1952 Winter Olympics in Oslo. Thomas Fearnley was a member of the International Olympic Committee from 1927 until 1948 and an honorary member from 1948 until 1950.

The Fearnley Olympic Award includes a statue in bronze by sculptor Per Palle Storm (1910–1994). It is modeled after the *Discobolus of Myron*, the Hellenic statue dating from ca. 460–450 BC.

The Fearnley Olympic Award has been awarded for every Olympic Games since 1952, with the exception of the 1964 Summer Olympics in Tokyo (where no medals were awarded to Norway) and the 1980 Summer Olympic Games at Moscow (which was boycotted by Norway and other countries). The first prizes went to speed skater Hjalmar Andersen (1923–2013) at the 1952 Winter Olympics at Oslo and to shooter Erling Kongshaug (1915–1993), who won a very close competition in the 1952 Summer Olympic Games at Helsinki.

In 1991, the prize was awarded to Norwegian sports official Arne Mollén (1913–2000). Mollén was the president of the Norwegian Athletics Association from 1953 to 1955, vice chairman of the Norwegian Olympic Committee )*Norges idrettsforbund*) 1965 to 1969 and chairman from 1969 to 1985. Mollén is so far the only person to have received the award other than for participation in an Olympic event. The award extended to Mollén was also the only one made outside of Olympic years.

## Past winners