title: Death Valley Gunfighter

abstract: Death Valley Gunfighter is a 1949 American Western film directed by R. G. Springsteen and written by Robert Creighton Williams. The film stars Allan Lane, Eddy Waller, James Nolan, Gail Davis, William "Bill" Henry, Harry Harvey, Sr. and Mauritz Hugo. The film was released on March 29, 1949, by Republic Pictures.

text:
# Death Valley Gunfighter

***Death Valley Gunfighter*** is a 1949 American Western film directed by R. G. Springsteen and written by Robert Creighton Williams. The film stars Allan Lane, Eddy Waller, James Nolan, Gail Davis, William "Bill" Henry, Harry Harvey, Sr. and Mauritz Hugo. The film was released on March 29, 1949, by Republic Pictures.

## Plot

A wagonload of quicksilver on its way from the Lucky Brothers Mine to Panamint Wells is raided by the Death Valley Gang, the third shipment to be stolen in two months. At the mine the 2 remaining brothers, ailing Les and crotchety Nugget, are about to tell the miners their pay is ready when the bandits arrive. When Les starts to cough he reaches for a handkerchief and is shot and killed. Sheriff Keith Ames, who is courting the brothers' niece Trudy, whose father was also murdered by outlaws, sends for Rocky Lane, who was a friend of Keith's father, to help sort out the trouble.

Nugget arranges for a loan from banker Vinson McKnight, who only agrees when Keith tells him Rocky is on his way, unbeknownst to Nugget, who won't accept help from anyone. McKnight tells Shad, leader of the gang, about the loan and Rocky. Shad tells his lieutenant Tony Richards to send for his brother Snake, who has a grudge against Rocky, to kill Rocky and then impersonate him when he gets to town. He tells Tony to get out of town so that he and Snake are not seen together. Snake ambushes Rocky but Rocky escapes and then kills Snake and finds the letter from Tony.

In town, Rocky gets a job at the mine. He then finds a note from Shad who thinks he is Snake. When the replacement payroll arrives, Nugget sends Rocky ahead to the mine, and takes the payroll in a buckboard with mine worker Sam riding shotgun. Nugget is ambushed but Rocky and Keith intervene. Nugget is knocked out when the horses get loose from the buckboard and drag him along the ground. Rocky tells Sam not to tell Nugget that he and Keith saved him.

Shad tells McKnight that Snake is helping the sheriff and he didn't get the payroll. When he goes to find Tony to tell him get Snake back on their side, McKnight panics and gets ready to steal the bank's money and run away. He is interrupted by Shad and Tony who are about to go to the mine to stop the quicksilver from bring used to pay off the loan. Rocky arrives in town to see Nugget and Tony recognizes him. Rocky's plan, though he tells Trudy it is Nugget's, is to send the quicksilver across the desert and for Keith to drive a decoy wagon along the road. The next morning, Keith arrives and is talking to Trudy when Tony visits and tells Keith that Rocky is really his brother Snake and that anything Rocky/Snake does is nothing to do with him. Trudy lets slip that the quicksilver wagons will be going across the desert. When Rocky arrives, Keith disarms him and finds the letter. Rocky then disarms Keith, confirms with him that Tony knows about the quicksilver and races off to find Nugget and the wagons.

He arrives just in time to detour them before they are ambushed. The gang starts to follow them but Keith and a posse arrive. Keith shows Nugget the letter and asks him if he saw any outlaws. Nugget is convinced. He arrives at the bank and tells McKnight he has the quicksilver. McKnight says he can't accept the quicksilver and needs cash. Nugget says he has a buyer arriving the next day and wants to store the quicksilver in the bank. Shad, who is watching through a door, indicates to McKnight to accept. Shad's plan is to steal the quicksilver and blame Rocky, whom he intends to break out of jail. The gang surprises Keith in the jail, pistol-whip him and tie him up. They take Rocky out of town to a deserted homestead. When they get there Rocky escapes, leaving 2 of he gang dead, and rides back to town and frees Keith.

Rocky tells Keith the whole story about him and snake but Keith is not convinced until Rocky tell's him detail's about his father only someone who knew him would know. Rocky goes to fetch Nugget and tells Keith to fetch Tony. They hide in the vault and when Shad forces McKnight to open it they leap out but Shad escapes. After a shootout Rocky captures Shad.

## Cast

## InfoBox

| Death Valley Gunfighter | |
| --- | --- |
| Theatrical release poster | |
| Directed by | R. G. Springsteen |
| Screenplay by | Robert Creighton Williams |
| Produced by | Gordon Kay |
| Starring | Allan Lane
Eddy Waller
James Nolan
Gail Davis
William "Bill" Henry
Harry Harvey, Sr.
Mauritz Hugo |
| Cinematography | Ernest Miller |
| Edited by | Arthur Roberts |
| Music by | Stanley Wilson |
| Production
company | Republic Pictures |
| Distributed by | Republic Pictures |
| Release date | * March 29, 1949 (1949-03-29) |
| Running time | 60 minutes |
| Country | United States |
| Language | English |


title: Deborah Warren (actress)

abstract: Deborah Warren was an Argentine theater, television and film actress. She made her television debut in 1979 in Mañana puedo morir. Her later television credits included comedy series like Las comedias de Darío Vittori (1989) and Matrimonios y algo más (1990), as well as telenovelas, including La extraña dama (1989) and Franco Buenaventura, el profe. Warren died from cancer in Buenos Aires on October 13, 2014, at the age of 55.

text:
# Deborah Warren (actress)

**Deborah Warren** (1959 – October 13, 2014) was an Argentine theater, television and film actress. She made her television debut in 1979 in *Mañana puedo morir*. Her later television credits included comedy series like *Las comedias de Darío Vittori* (1989) and *Matrimonios y algo más* (1990), as well as telenovelas, including *La extraña dama* (1989) and *Franco Buenaventura, el profe*.

Warren died from cancer in Buenos Aires on October 13, 2014, at the age of 55.


title: Deanna Morse

abstract: Deanna Morse is an independent American experimental filmmaker and media artist. Her work is included in collections at the Metropolitan Museum of Art. For the period of 2022–2024, she is president of the International Animated Film Association. She has been a member of the Academy of Motion Picture Arts and Sciences since 2020.

text:
# Deanna Morse

**Deanna Morse** is an independent American experimental filmmaker and media artist. Her work is included in collections at the Metropolitan Museum of Art.

For the period of 2022–2024, she is president of the International Animated Film Association. She has been a member of the Academy of Motion Picture Arts and Sciences since 2020.

## Early life and education

Morse graduated from Iowa State University with a degree in telecommunicative arts and distributed studies in 1972. She received an M.A. in film and teaching at Goddard College, and in 1992 received a Master of Fine Arts (art and technology), with a merit scholarship from the School of the Art Institute of Chicago. In 1995, she was awarded an outstanding alumni award by Iowa State University.

## Career

After graduation she became an assistant editor at WGBH-TV in Boston, and also worked as a scriptwriter for the Virginia Department of Education, and on a series about desegregation for Virginia PBS. She was then hired as an artist in residence for the South Carolina Arts Commission, where she taught for four years, and was filmmaker-in-schools in 1975–1976.

She taught at the College of Charleston, at Regis College, and then at Grand Valley State University in Allendale, Michigan, for thirty-three years, retiring as an Emerita Professor in 2013. During her time at GVSU, she released the retrospective and interactive DVD *Move Click Move* in 2001 and used the proceeds to fund scholarships. There she also created, together with some of her students, a Flash animation for the international participatory project Flag Metamorphoses

Her film *Lost Ground* was part of the 1992 SIGGRAPH Art Show. She was chair of the SIGGRAPH 1994 Art and Design Show, and a juror for the art show in 1998.

She has judged festivals and computer graphics competitions including the Hiroshima International Animation Festival in Japan and the Ann Arbor Film Festival.

She has published articles in Animation World Network.

## Filmography

She has made several films for *Sesame Street*, including *Dogs* (1991), *Monkey's T-Shirt* (1991), and *Night Sounds* (1992).

*Hyperallergic* wrote about her 1989 animated film *Plants* that "The play of light, color, line, and shape can be mesmerizing ... vegetal patterns move and spin to evoke plants". *Plants* was also reviewed by the *Chicago Reader*, which noted that she " ... creates still-life portraits of flowers using rudimentary (but then-sophisticated) computer drawing tools".

| Year | Film | Format |
| --- | --- | --- |
| 2017 | *Clear, Deep, Quiet* | Video installation |
| 2015 | *Angels in Maui* | DVD |
| 2015 | *Bird Dreams* | DVD |
| 2014 | *Animation Collaboration* | DVD |
| 2014 | *Perch* | DVD |
| 2013 | *Mindful* | DVD |
| 2013 | *Whispers of the Prairie* | DVD |
| 2013 | *This present moment* | DVD |
| 2012 | *Skin* | DVD |
| 2012 | *Kindred* | DVD |
| 2012 | *Skies of Mist* | DVD |
| 2011 | *Wish you were here* | DVD |
| 2010 | *Traces of Light* | DVD |
| 2009 | *Breathing Room* | Video installation |
| 2009 | *Ancient Woodland* | DVD |
| 2007 | *Forced Perspective: Odessa* | DVD |
| 2007 | *Time Flights* | Video installation |
| 2007 | *Postcards from my backyard* | DVD |
| 2002 | *Kitchen Creature Feature* | Film |
| 2001 | *Move Click Move: a DVD Compilation* | DVD |
| 2000 | *A Mother's Advice* | Film |
| 1993 | *Digital Aquarium* | Video installation |
| 1992 | *Lost ground* | Computer animation |
| 1992 | *Sandpaintings* | Film |
| 1991 | *Self Portrait: Artist With Pets* | Film |
| 1991 | *Dogs* | Film |
| 1991 | *Night Sounds: Imagination* | Film |
| 1991 | *From The Sand* | Video installation |
| 1990 | *The A.M. Dream* | Computer animation |
| 1990 | *Monkey's T-Shirt* | Film |
| 1989 | *Plants* | Film |
| 1991 | *Artist In The Schools* | Film |
| 1988 | *Main Street M* | Film |
| 1987 | *The Lumberyard* | Film |
| 1985 | *August Afternoons* | Film |
| 1984 | *Camera People* | Film |
| 1982 | *Hand* | Film |
| 1981 | *Reality Check* | Film |
| 1981 | *Recycle* | Film |
| 1981 | *Help!...I'm Stranded...* | Film |
| 1980 | *Charleston Home Movie* | Film |
| 1978 | *Starcycle* | Film |
| 1978 | *Jimmy Brown The Newsboy* | Film |
| 1978 | *Ranky Tanky* | Film |
| 1978 | *Cats At The Door* | Film |
| 1975 | *The Midnight Dance* | Film |
| 1972 | *Marriages* | Film |
| 1972 | *Dejeunez, Mon Amour* | Film |

## Awards

* 1993 - Named a distinguished professor by the Michigan Association of Governing Boards of State Universities.
* 1995 - Outstanding Alumni Award from Iowa State University
* 2002 - Addy Award for Move Click Move DVD
* 2003 - Omni Award for Move Click Move DVD
* 2005 - Selected as an outstanding woman in the arts by the YWCA
* 2015 - Hyperion Award, 9th Eclipse Awards honoring Michigan's filmmakers and television creators
* Honored in the Plaza of Heroines at Carrie Chapman Catt Hall at Iowa State University.

## Further reading

* Giannalberto Bendazzi: *ANIMATION: A World History*, Volume 3, Contemporary Times, 2015. P. 46: *Women in the Limelight, Deanna Morse*
* Karen Sullivan, Kate Alexander, Aubry Mintz and Ellen Besen: *Ideas for the Animated Short: Finding and Building Stories*, Focal Press, 2013, pages 139–141
* Juliet Davis: Review of MOVE-CLICK-MOVE by Deanna Morse, Journal of Film and Video, winter 2006.
* Pilling, Jayne, ed: *Women and Animation: a Compendium*. British Film Institute, 1992. ISBN 0-85170-377-1
* Russett, Robert; Starr, Cecile: *Experimental Animation, origins of a new art*. Da Capo Press, New York, N.Y., 1988. ISBN 0306803143 (p. 22-23)

1. *ANIMATION: A World History*, Volume 3 at Google Books
2. Karen Sullivan, Kate Alexander, Aubry Mintz, Ellen Besen: *Ideas for the Animated Short: Finding and Building Stories*, Focal Press, 2013, ISBN 9780240818726
3. Journal of Film and Video, Vol. 58, No. 4 (winter 2006), University of Illinois Press, pp. 46-48

## InfoBox

| Deanna Morse | |
| --- | --- |
| Born | (1950-02-26) February 26, 1950<br>Sioux City, Iowa, U.S. |
| Nationality | American |
| Known for | Animation |


abstract: The Deck Roof Hi-V was a New York City Subway car class built from 1907 to 1908 by the American Car and Foundry for the IRT and its successors, the New York City Board of Transportation and the New York City Transit Authority.

text:
# Deck Roof Hi-V (New York City Subway car)

The **Deck Roof Hi-V** was a New York City Subway car class built from 1907 to 1908 by the American Car and Foundry for the IRT and its successors, the New York City Board of Transportation and the New York City Transit Authority.

## Description

A total of 50 Deck Roofs were built, numbered 3650–3699. These cars were in service from 1907 to 1958. These cars were nicknamed the Battleships because of their paint scheme where the siding was painted Battleship Grey.

When these cars were delivered, they had two doors on each side until the early 1910s, when they received another door in the middle on each side. The facing cross seats in the center, typical of el cars, were removed to accommodate the added center doors.

At the same time, as with the Gibbs cars, these Deck Roof cars were retrofitted with the more advanced type couplers and AMRE triple valve braking system introduced in the later Hedley High-V motors.

As with the Gibbs cars, many of these Deck Roof cars received motors originally in the Composites which were converted to trailers, but a small number received brand new motors, to speed these cars into service faster. Just like the Gibbs cars, the Deck Roofs sent 600 volts into the controller, which was hazardous. Otherwise, these cars proved to be reliable throughout their career.

In 1923 and 1936, the High-V fleet was being converted to multiple-unit door control, with the exception of all 50 of the Deck Roofs and some Gibbs and Hedley cars. The Deck Roofs were often placed at either end of the train so that ten car trains of High-Vs could run.

The Deck Roof cars served mostly in Broadway services, both Express and Local, throughout their lives. A number of trains served both rush hour Lexington Ave. Express services: Jerome Ave. and White Plains Rd., during the period that the regular Steinways were being used in Broadway Express service for a brief period from 1950 to 1952. These were returned to Broadway in 1952 as part of an equipment swap to save on crews.

The first 4 of these cars were held aside for the Bowling Green–South Ferry Shuttle and had the center door cutout feature, indicated by the white line outside under the number.

Until the late 1950s and early 1960s, the IRT platforms could not handle a full ten car train. Thus, the manual door controls of the Deck Roof were reliable, as the side vestibule doors at either end of the train can be opened manually even if the entire car isn't on the platform. However, two conductors were required for the operation of trains with manual door-controlled cars. Unlike the BMT and IND Divisions, full length trains of all older types of IRT cars always used two conductors.

### Retirement

When all the platforms on the IRT were eventually lengthened to support ten car trains, the High-Vs were being phased out by the then new R17, R21, and R22 subway cars. The last of the High-Vs was retired in 1958.

Car 3662 is preserved by the Shore Line Trolley Museum, modified with trolley poles. It was previously operational, but a flood at the museum site damaged the car's electrical underfloor components. It is currently out of service awaiting restoration.

## InfoBox

| Deck Roof Hi-V | |
| --- | --- |
| A Deck Roof Hi-V car as it appeared in 1908. | |
| In service | 1907–1958 |
| Manufacturer | American Car and Foundry |
| Constructed | 1907–1908 |
| Number built | 50 |
| Number preserved | 1 |
| Number scrapped | 49 |
| Successor | R17
R21
R22 |
| Formation | Singles |
| Fleet numbers | 3650–3699 |
| Operators | Interborough Rapid Transit Company
NYC Board of Transportation
New York City Transit Authority |
| Specifications | |
| Car body construction | Riveted Steel |
| Car length | 51 ft 1.5 in (15.58 m) |
| Width | 8 ft 10 in (2,692 mm) |
| Height | 12 ft 0 in (3,658 mm) |
| Doors | **Up until the early 1910s:** 4
**After the 1910s:** 6 |
| Maximum speed | 55 mph (89 km/h) |
| Weight | **Motor car:**
~83,780 lb (38,002 kg) |
| Traction system | **Motor car:** GE212 2 motors per car. |
| Power output | 200 hp (149 kW) per traction motor |
| Electric system(s) | 600  DC Third rail |
| Current collector(s) | Contact shoe |
| Braking system(s) | **Before 1910:** WABCO Schedule AM(P) with 'P' type triple valve and M-2 brake stand
**After 1910:** WABCO Schedule AMRE with 'R' type triple valve and ME-21 brake stand |
| Track gauge | 4 ft 8+12 in (1,435 mm) |


title: Deck of Magical Items

abstract: Deck of Magical Items is an accessory for the 2nd edition of the Advanced Dungeons & Dragons fantasy role-playing game, published in 1993.

text:
# Deck of Magical Items

***Deck of Magical Items*** is an accessory for the 2nd edition of the *Advanced Dungeons & Dragons* fantasy role-playing game, published in 1993.

## Publication history

The deck was published by TSR.

## Contents

The deck contains 439 cards with magic items from the *Dungeon Master's Guide* and *Tome of Magic*.

## Reception

Keith H. Eisenbeis reviewed the accessory in issue No. 38 of *White Wolf* magazine. He noted that the deck's purpose was to provide a card with a magical item to a player when identified, but Eisenbeis noted various problems with the concept, including duplicate and nonstandard items. He concluded that the "cards represent some of the worst of the 'all flash but little substance' trend in gaming. Simply put, they are a gimmick, and an expensive one at $20.00". Eisenbeis gave the accessory an overall rating of a 1 out of a possible 5.

## InfoBox

Deck of Magical Items
|  | |
| --- | --- |
| Genre | Role-playing games |
| Publisher | TSR |
| Publication date | 1993 |


title: Deck Park Tunnel

abstract: The Dean Lindsey Memorial Tunnel, better known to Phoenix residents as the Deck Park Tunnel, is a vehicular underpass built underneath Downtown Phoenix. It was built as part of Interstate 10 in Phoenix, Arizona.

text:
# Deck Park Tunnel

The **Dean Lindsey Memorial Tunnel**, better known to Phoenix residents as the **Deck Park Tunnel**, is a vehicular underpass built underneath Downtown Phoenix. It was built as part of Interstate 10 in Phoenix, Arizona.

## Route

The underpass extends from approximately North 3rd Avenue to North 3rd Street. At 2,887 feet (880 m), it ranks as the 42nd longest vehicular tunnel in the United States. The underpass was the last section of Interstate 10 to be completed nationwide. There is a plaque dedicated to the commemoration of the tunnel in Margaret T. Hance Park, which sits above the structure.

## History

Voters in Arizona voted down a similar plan to build the tunnel in 1975, after voting down a proposal for a raised highway through Downtown Phoenix in 1973. Plans for the Deck Park Tunnel were finally approved by voters in 1979, and construction began in 1983.

The tunnel was opened to traffic on August 10, 1990, following a three-day open house that attracted 100,000 people.

The tunnel was originally named the Papago Freeway Tunnel, but was renamed the Dean Lindsey Memorial Tunnel on May 7, 2024 in honor of the late civil engineer who oversaw the project.

## Design

ADOT officials concede the term "tunnel", in this case, is a misnomer, because it is actually a series of 19 side-by-side bridge overpasses. The term, however, is now deeply rooted in local vocabulary.

The bridges over the tunnel are about 150 feet (46 m) to 250 feet (76 m) long.

The tunnel is divided into two tubes, each carrying five lanes of one-way traffic flanked by two emergency lanes. Each of the two tubes can carry up to 16,000 vehicles per hour.

### Unused bus lanes

Between the two tubes exists a tube containing two lanes, designed as an express transit terminal for city buses. The terminal was originally planned to be built next to the Central Avenue bridge over Margaret T. Hance Park. Passengers disembarking at the terminal will take an escalator or an elevator to the surface, and continue their journey.

While the bus lanes were built, the City of Phoenix was unable to secure the over $20 million needed in Federal Government funds to complete the project.

The tube is currently unused, and the approaches on both sides of the tunnel are gated off.

## Ventilation and equipment

In times of heavy traffic or in the event of a fire in the tube, fans can be started up to provide ventilation, in order to prevent the dangerous buildup of carbon monoxide.

There are eight fans and four fan rooms, and each fan can run anywhere from 250 to 700 horsepower. The fans are automatically turned on when air sensors in the tunnel are triggered, and can replace the tunnel's air in less than five minutes.

The underpass has a large diesel generator approximately 160 feet (50 m) east of the westbound entrance to the tunnel, ensuring that the lighting, video surveillance, and intercoms have continuous power even during an outage.

For the safety of motorists, emergency telephone cabinets are located every 150 feet (46 m) within the tunnel.

## InfoBox

Deck Park Tunnel
| Eastbound lanes near tunnel exit | |
| --- | --- |
| Overview | |
| Official name | Dean Lindsey Memorial Tunnel |
| Other name(s) | Papago Freeway Tunnel |
| Location | Margaret T. Hance Park, Phoenix, Arizona |
| Coordinates | 33°27′43″N 112°04′21″W / 33.462058°N 112.07252°W / 33.462058; -112.07252 |
| Route | I-10 |
| Operation | |
| Opened | August 10, 1990 |
| Operator | Arizona Department of Transportation |
| Vehicles per day | 225,000 |
| Technical | |
| Length | 2887 feet (879.95 m) |
| No. of lanes | 10 (5 westbound, 5 eastbound) plus 1 unused gated tunnel for city buses / emergency vehicles |


title: Ter Aard

abstract: Ter Aard is a hamlet in the Netherlands and is part of the Assen municipality in Drenthe. Ter Aard is a statistical entity, and has its own postal code, however it is considered a part of Zeijen. It was first mentioned in 1335 as "in Arth" and means "near the farmland". In 1840, it was home to 25 people.

text:
# Ter Aard

**Ter Aard** is a hamlet in the Netherlands and is part of the Assen municipality in Drenthe.

Ter Aard is a statistical entity, and has its own postal code, however it is considered a part of Zeijen. It was first mentioned in 1335 as "in Arth" and means "near the farmland". In 1840, it was home to 25 people.

## InfoBox

| Ter Aard | |
| --- | --- |
| Hamlet | |
| Farm in Ter Aard | |
| Ter AardLocation in province of Drenthe in the NetherlandsTer AardTer Aard (Netherlands) | |
| Coordinates: 53°01′30″N 6°32′41″E / 53.0251°N 6.5446°E / 53.0251; 6.5446 | |
| Country | Netherlands |
| Province | Drenthe |
| Municipality | Assen |
| Area | |
| Total | 2.67 km2 (1.03 sq mi) |
| Elevation | 13 m (43 ft) |
| Population (2021) | |
| Total | 100 |
| Density | 37/km2 (97/sq mi) |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 9487 |
| Dialing code | 0592 |


title: Deer Island (Mississippi)

abstract: Deer Island is an island off the coast of Biloxi, Mississippi that was once part of the mainland and is not a barrier island. It is the closest island to the Mississippi Gulf Coast, and consists of approximately 400 acres (1.6 km⁲). In 2011, TITANTubes, sometimes referred to as geotubes, were utilized as low profile dune cores to protect the island.

text:
# Deer Island (Mississippi)

**Deer Island** is an island off the coast of Biloxi, Mississippi that was once part of the mainland and is not a barrier island. It is the closest island to the Mississippi Gulf Coast, and consists of approximately 400 acres (1.6 km2). In 2011, TITANTubes, sometimes referred to as geotubes, were utilized as low profile dune cores to protect the island.

## Debate

For several years, local casinos tried to develop the island. However, the majority of the island was acquired by the State of Mississippi on May 24, 2002, which intends to preserve its current undeveloped state.

## Wildlife

Deer island is home to 10 endangered species of plants and animals.

## Further reading

Deer Island becomes Coastal Preserve Retrieved 2-2-2009.

30°22′33″N 88°50′57″W / 30.37583°N 88.84917°W / 30.37583; -88.84917


title: Terrortory

abstract: Terrortory is the fifth studio album from the Detroit-based heavy metal band Halloween. It was released in February 2012.

text:
# Terrortory

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| DangerDog |  |
| Hard Rock Haven | (8/10) |
| Metal-Rules.com |  |
| Sea of Tranquillity |  |
| The Rocktologist | (19/20) |

***Terrortory*** is the fifth studio album from the Detroit-based heavy metal band Halloween. It was released in February 2012.

## History

Most of the songs on *Terrortory* were written around the same time as the songs from the group's previous studio album *Horror Fire*. However, a few tracks are older. The songs "Not One", "Say Your Prayers", and "Images Quite Horrible" were written in 19901991, and "Caught In The Webs" was written in 1983 before the band's debut, *Don't Metal With Evil*. The song titled "Darkside, Inside" was originally recorded for the 2003 compilation *Tricks, Treats And Other Tales From The Crypt*. The song titled "Where's Michael?" was originally written for *Rob Zombie's Halloween* movie, but it did not make it on to the soundtrack.

## Track listing

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Traipsing Through the Blood" | 5:29 |
| 2. | "At the Gates" (Instrumental) | 1:27 |
| 3. | "Terrortory" | 4:46 |
| 4. | "Images Quite Horrible" | 3:52 |
| 5. | "Her Ghost Comes Out to Play" | 4:28 |
| 6. | "Caught in the Webs" | 4:12 |
| 7. | "Scare You" | 4:08 |
| 8. | "Not One" | 8:35 |
| 9. | "Darkside, Inside" | 3:36 |
| 10. | "Re-Inventing Fear" | 4:49 |
| 11. | "I Lie Awake" | 5:15 |
| 12. | "Hands Around My Throat" | 4:36 |
| 13. | "Say Your Prayers" | 3:55 |
| 14. | "Where Is Michael?" | 6:30 |
| 15. | "Dead on..." | 4:23 |
| 16. | "Into the Afterlife" (Instrumental) | 2:10 |

## Personnel

* Brian Thomas  vocals
* Donny Allen  guitars
* Don Guerrier  guitars
* George Neal  bass
* Rob Brug  drums

## InfoBox

| Terrortory | |
| --- | --- |
|  | |
| Studio album by Halloween | |
| Released | February 25, 2012 |
| Genre | Heavy metal |
| Length | 72:11 |
| Label | Motor City Metal Records, Pure Steel Records |
| Halloween chronology | |
| *Horror Fire*
(2006) ***Terrortory***
(2012) | |


title: Debbie Marti

abstract: Deborah Jane Marti is a former high jumper from England, who was born in Switzerland. She represented Great Britain at the Olympic Games in Barcelona 1992 and Atlanta 1996, finishing ninth in the 1992 final. She set her outdoor personal best of 1.94 metres, on 9 June 1996 at a meet in Tallinn. On 23 February 1997 in Birmingham, she cleared 1.95 metres to set a British indoor record, which stood for 17 years (1997–2014). She also won bronze medals at the 1983 European Junior Championships and the 1994 Commonwealth Games.

text:
# Debbie Marti

**Deborah Jane Marti** (born 14 May 1968) is a former high jumper from England, who was born in Switzerland. She represented Great Britain at the Olympic Games in Barcelona 1992 and Atlanta 1996, finishing ninth in the 1992 final. She set her outdoor personal best of 1.94 metres, on 9 June 1996 at a meet in Tallinn. On 23 February 1997 in Birmingham, she cleared 1.95 metres to set a British indoor record, which stood for 17 years (1997–2014). She also won bronze medals at the 1983 European Junior Championships and the 1994 Commonwealth Games.

## Career

Marti was born in Zofingen, Aargau, Switzerland and from the age of two, was raised in England. She was a member of Bromley Ladies Athletics Club. A prodigious talent, Marti cleared 1.81 m at the age of fourteen in 1982 before achieving 1.88 m at 15 in 1983 to win a European Junior Championships bronze medal. This still stands as a UK age 15 best. The following year she improved to 1.89 m and was unlucky not to earn selection for the 1984 Olympic Games. Her 1.89 m stood as a UK Under 17 record for 29 years until Morgan Lake cleared 1.90 m in 2013.

Marti's career was then slowed by the debilitating illness ME. She withdrew from the 1985 World Indoor Games. In 1986, she finished ninth in the final of the World Junior Championships. From 1985 – 1990, her best result was 1.86 m.

Marti returned to top form in 1991, when she improved her 6+12-year-old PB to 1.94 during the indoor season, to equal Diana Davies's UK indoor record. She went on to clear 1.91 m to finish a fine fifth in the final at the World Indoor Championships in Seville. At the 1991 World Championships in Tokyo, she failed to reach the final, clearing 1.86 m in the qualifying round. In 1992, she competed at her first Olympic Games in Barcelona, where she achieved an outdoor PB of 1.92 m in the qualifying round before clearing 1.91 m for ninth in the final. She remained the last British woman to reach an Olympic high jump final until Morgan Lake qualified for the 2016 final in Rio. Shortly after the 1992 Games, she improved her outdoor best to 1.93 m.

Marti would continue as the UK's most consistent jumper for several years, although she was forced to withdraw from the 1993 World Championships due to injury. In 1994 she cleared 1.91 m to win a bronze medal at the Commonwealth Games in Victoria, Canada. In 1996, she achieved her lifetime outdoor best of 1. 94 m. She cleared this height in both Tallinn in June, then again in Birmingham in July, at the British Olympic Trials. At the Atlanta Olympics, she failed to reach the final with a best of 1.85 m, for 19th overall in qualification.

Marti reached her peak indoors in 1997, by clearing 1.95 m at the Birmingham indoor Grand Prix, to add one centimetre to the UK indoor record that she held jointly with Diana Davies and Jo Jennings. This height was also equal to the UK outdoor record. The record stood for 17 years, until Katarina Johnson-Thompson cleared 1.96 m on 8 February 2014. Also that year she reached the World Indoor Championship final in Paris and competed at the World Championships in Athens.

After a few low key years, Marti concluded her international career by finishing sixth at the 2002 Commonwealth Games in Manchester.

## National titles

## International competitions

| Year | Competition | Venue | Position | Notes |
| --- | --- | --- | --- | --- |
| Representing  Great Britain /  England | | | | | |
| 1983 | European Junior Championships | Schwechat, Austria | 3rd | 1.88 m |
| 1986 | World Junior Championships | Athens, Greece | 9th | 1.75 m (1.82) |
| 1991 | World Indoor Championships | Seville, Spain | 5th | 1.91 m |
| | European Cup | Frankfurt, Germany | 4th | 1.90 m |
| | World Championships | Tokyo, Japan | 14th (q) | 1.86 m |
| 1992 | European Indoor Championships | Genoa, Italy | 18th | 1.80 m |
| | Olympic Games | Barcelona, Spain | 9th | 1.91 m (1.92) |
| 1993 | World Indoor Championships | Toronto, Canada | 22nd (q) | 1.79 m |
| | World Championships | Stuttgart, Germany | dns |  |
| 1994 | European Championships | Helsinki, Finland | 29th (q) | 1.85 m |
| | Commonwealth Games | Victoria, Canada | 3rd | 1.91 m |
| | World Cup | London, England | 6th | 1.85 m |
| 1996 | European Indoor Championships | Stockholm, Sweden | 17th | 1.80 m |
| | Olympic Games | Atlanta, United States | 19th (q) | 1.85 m |
| 1997 | World Indoor Championships | Paris, France | 13th | 1.85 m (1.90) |
| | European Cup | Munich, Germany | 6th | 1.84 m |
| | World Championships | Athens, Greece | 19th (q) | 1.89 m |
| 1998 | European Indoor Championships | Valencia, Spain | 9th | 1.85 m |
| 2002 | Commonwealth Games | Manchester, United Kingdom | 6th | 1.79 m |
| **(q) Indicates overall position in qualifying round (#) Indicates height achieved in qualifying round (dns) = did not start** | | | | | |

## InfoBox

Debbie Marti
| Personal information | |
| --- | --- |
| Nationality | English |
| Born | (1968-05-14) 14 May 1968<br>Zofingen, Aargau, Switzerland |
| Sport | |
| Sport | Athletics |
| Event | High jump |
| Medal record      Women's athletics  Representing  England  Commonwealth Games  1994 Victoria High jump  Representing  Great Britain  European Junior Championships  1983 Schwechat High jump | |


title: Debbie Massey

abstract: Debbie Massey is an American professional golfer. Before joining the LPGA Tour, Massey worked as a skiing instructor. She was LPGA rookie of the year in 1977. Massey won three events on the LPGA Tour, not including back-to-back victories in the Women's British Open, which is now one of the LPGA's major championships.

text:
# Debbie Massey

**Debbie Massey** (born November 5, 1950) is an American professional golfer.

Before joining the LPGA Tour, Massey worked as a skiing instructor. She was LPGA rookie of the year in 1977.

Massey won three events on the LPGA Tour, not including back-to-back victories in the Women's British Open, which is now one of the LPGA's major championships.

## Amateur wins

## Professional wins

### LPGA Tour wins (3)

| No. | Date | Tournament | Winning score | Margin of
victory | Runner(s)-up |
| --- | --- | --- | --- | --- | --- |
| 1 | Nov 3, 1977 | Mizuno Japan Classic | −2 (72-73-75=220) | 6 strokes | Hollis Stacy |
| 2 | Oct 7, 1979 | Wheeling Classic | +3 (75-71-73=219) | Playoff | Betsy King |
| 3 | Nov 4, 1990 | Mazda Japan Classic | −11 (69-64=133) | 3 strokes | Danielle Ammaccapane
Caroline Keggi |

**LPGA Tour playoff record (1–3)**

| No. | Year | Tournament | Opponent(s) | Result |
| --- | --- | --- | --- | --- |
| 1 | 1979 | Wheeling Classic | Betsy King | Won with par on first extra hole |
| 2 | 1980 | Coca-Cola Classic | Donna White | Lost to par on first extra hole |
| 3 | 1983 | West Virginia LPGA Classic | Lori Garbacz
Alice Miller | Miller won with birdie on fourth extra hole
Massey eliminated by birdie on third hole |
| 4 | 1986 | Lady Keystone Open | Cindy Hill
Juli Inkster | Inkster won with par on first extra hole |

### Ladies European Tour wins (2)

## U.S. national team appearances

**Amateur**

## InfoBox

| Debbie Massey | |
| --- | --- |
| Personal information | |
| **Born** | (1950-11-05) November 5, 1950
Grosse Pointe, Michigan, U.S. |
| **Height** | 5 ft 8 in (1.73 m) |
| **Sporting nationality** | United States |
| **Residence** | Indian River, Michigan, U.S. |
| Career | |
| **College** | University of Denver |
| **Status** | Professional |
| **Current tour(s)** | Legends Tour |
| **Former tour(s)** | LPGA Tour (1977–95) |
| **Professional wins** | 5 |
| Number of wins by tour | |
| LPGA Tour | 3 |
| Ladies European Tour | 2 |
| Best results in LPGA major championships
 | |
| Chevron Championship | T10: 1988 |
| Women's PGA C'ship | 3rd: 1983 |
| U.S. Women's Open | T2: 1979 |
| du Maurier Classic | 2nd: 1991 |
| Achievements and awards | |
| LPGA Rookie of the Year 1977 | |


title: Debbie Martin (cricketer)

abstract: Deborah Leila Martin is an Australian former cricketer who played as a right-handed batter and right-arm medium bowler. She appeared in three Test matches for Australia, all during their series against New Zealand in 1979, scoring 73 runs at an average of 18.25. She played domestic cricket for New South Wales.

text:
# Debbie Martin (cricketer)

**Deborah Leila Martin** (born 23 February 1955) is an Australian former cricketer who played as a right-handed batter and right-arm medium bowler. She appeared in three Test matches for Australia, all during their series against New Zealand in 1979, scoring 73 runs at an average of 18.25. She played domestic cricket for New South Wales.

## InfoBox

Debbie Martin
| Personal information | |
| --- | --- |
| Full name | Deborah Leila Martin |
| Born | (1955-02-23) 23 February 1955<br>Sydney, Australia |
| Batting | Right-handed |
| Bowling | Right-arm medium |
| Role | All-rounder |
| International information | |
| National side |  |
| Test debut (cap 89) | 12 January 1979 v New Zealand |
| Last Test | 26 January 1979 v New Zealand |
|  | |
| Domestic team information | |
| Years | Team |
| 1976/77–1980/81 | New South Wales |
|  | |
| Career statistics | |
| Competition WTest WFC WLA  Matches 3 22 10  Runs scored 73 567 154  Batting average 18.25 21.80 19.25  100s/50s 0/0 0/1 1/0  Top score 36 78 100  Balls bowled 16 852 258  Wickets 0 17 10  Bowling average  13.17 7.80  5 wickets in innings 0 0 0  10 wickets in match 0 0 0  Best bowling  4/26 3/21  Catches/stumpings 0/– 2/– 1/– | |
|  | |
| Source: CricketArchive, 10 November 2023 | |


title: Dela (song)

abstract: "Dela" is the fourth song from the 1989 album Cruel, Crazy, Beautiful World by South African band Savuka. It is a "straightforward love song", featuring Johnny Clegg singing of waiting for his love, and of being content in her presence. An uptempo song with lyrics in both English and Zulu, it was played commonly at wedding receptions. Discussing the song in an interview with National Public Radio, Clegg stated: "It's about wholeness. Dela in Zulu means - to dela means to be complete and satisfied." Clegg often ended concerts with Dela. It was used in the 1997 movie George of the Jungle, and has been described as Clegg's best-known song among western audiences.

text:
# Dela (song)

"**Dela**" is the fourth song from the 1989 album *Cruel, Crazy, Beautiful World* by South African band Savuka. It is a "straightforward love song", featuring Johnny Clegg singing of waiting for his love, and of being content in her presence. An uptempo song with lyrics in both English and Zulu, it was played commonly at wedding receptions. Discussing the song in an interview with National Public Radio, Clegg stated: "It's about wholeness. Dela in Zulu means - to dela means to be complete and satisfied." Clegg often ended concerts with *Dela*. It was used in the 1997 movie *George of the Jungle*, and has been described as Clegg's best-known song among western audiences.

## InfoBox

| "Dela" | |
| --- | --- |
| Song by Savuka | |
| from the album  *Cruel, Crazy, Beautiful World* | |
| Language | Zulu, English. |
| Released | 1989 |
| Length | 4:15 |
| Label | Capitol |
| Songwriter(s) | Johnny Clegg |


title: Terengganu Amateur League

abstract: Terengganu Amateur League is a football league held in Terengganu, Malaysia. It is the 4th-5th tier in Malaysia football league system. It was established in 2015 by Terengganu Football Association to provide an alternative entry point for young players.

text:
# Terengganu Amateur League

**Terengganu Amateur League** is a football league held in Terengganu, Malaysia. It is the 4th-5th tier in Malaysia football league system.

It was established in 2015 by Terengganu Football Association to provide an alternative entry point for young players.

## Champions

### League

#### Super League

* 2018 : Besut United
* 2019 : Besut United

#### Premier League

#### TAL Cup

| No. | Season | Champions | Runners-up | Score in final |
| --- | --- | --- | --- | --- |
| 1 | 2015 | **Delima Warriors** | Kebilal FC | 2–1 |
| 2 | 2017 | **Real Chukai** | PBSMT-Lanjerket | 3–2 |
| 3 | 2018 | **Banggol Tokku** | MD Besut | 2–2 (a.e.t.) 5–4 (PSO) |
| 4 | 2019 | **Kerteh F.C.** | Markless ST | 0–0 (a.e.t.) 4–3 (PSO) |
|

### Performance by club (2015–present)

| Club | Winners | Runners-up |
| --- | --- | --- |
| Kerteh F.C. | 1 (2019) |  |
| Banggol Tokku | 1 (2018) |  |
| Delima Warriors | 1 (2015) |  |
| Real Chukai | 1 (2017) |  |
| Kebilal FC |  | 1 (2015) |
| PBSMT-Lanjerket |  | 1 (2017) |
| MD Besut |  | 1 (2018) |
| Markless ST |  | 1 (2019) |
|

## Sponsorship

For 2017 season

* Norlan United
* Semuanya Bola
* Matt Barbershop
* Kaki Jersi
* FLN Enterprise
* Power Mania Gym
* Visit Terengganu

## InfoBox

Terengganu Amateur League
| Founded | 2015 (2015) |
| --- | --- |
| Country | Malaysia |
| Confederation | AFC |
| Divisions | Super League
Premier League |
| Number of teams | **Super League:** 10
**Premier League:** 10 |
| Feeder to | Malaysia A2 Amateur League |
| Domestic cup(s) | Malaysia FA Cup
TAL Cup |
| Most championships | Kerteh F.C. |


title: Terengganu Hockey Team

abstract: Terengganu Hockey Team, is a professional hockey club based in Kuala Terengganu, Terengganu, Malaysia, that competes in Malaysia Premier League, the first division of the Malaysian Hockey League. The club was founded as Terengganu Hockey Team in 2013.

text:
# Terengganu Hockey Team

**Terengganu Hockey Team** (Malay: Pasukan Hoki ***Terengganu***), is a professional hockey club based in Kuala Terengganu, Terengganu, Malaysia, that competes in Malaysia Premier League, the first division of the Malaysian Hockey League. The club was founded as Terengganu Hockey Team in 2013.

## Players

### Current squad

*As of January 2020*

| No. Pos. Nation Player  1   MAS Nabil Abdullah  4   MAS Izzudin Shamsuri  5   MAS Firdaus Omar  6   MAS Shazwi Rani  7 MF  MAS Fitri Saari  8   MAS Ismat Rohulamin  9   MAS Luqman Ahmad Shukran  10 FW  MAS Faizal Saari  11   KOR Jung Man-jae  12   MAS Azlan Wan Rozaimi  13   MAS Khalid Hamirin | No. Pos. Nation Player  14 MF  PAK Muhammad Umar Bhutta  15 MF  MAS Nabil Fiqri  16 DF  PAK Ammad Butt  17   MAS Matma Nathan  19   MAS Azri Hassan  20   MAS Ardillah Saifullah  21 GK  MAS Hafizuddin Othman  23   MAS Sufian Mat Ruslee  25   KOR Jang Jong-hyun  27   MAS Rashid Baharom  32 GK  MAS Faiz Ahmad Sobri |
| --- | --- |

## Honours

### Malaysia Hockey League

*Winners (3):* 2014, 2015, 2016 *Winners (4):* 2014, 2015, 2016, 2017

## InfoBox

Terengganu Hockey Team
|  | |
| --- | --- |
| Full name | Terengganu Hockey Team |
| League | Malaysia Hockey League |
| Founded | 2013 (2013) |
| Home ground | MBKT Hockey Stadium, Kuala Terengganu |
|  | |
|  | |
|  | |


title: Terry Lyons (mathematician)

abstract: Terence John Lyons FLSW is a British mathematician, specialising in stochastic analysis. Lyons, previously the Wallis Professor of Mathematics, is a fellow of St Anne's College, Oxford and a Faculty Fellow at The Alan Turing Institute. He was the director of the Oxford-Man Institute from 2011 to 2015 and the president of the London Mathematical Society from 2013 to 2015. His mathematical contributions have been to probability, harmonic analysis, the numerical analysis of stochastic differential equations, and quantitative finance. In particular he developed what is now known as the theory of rough paths. Together with Patrick Kidger he proved a universal approximation theorem for neural networks of arbitrary depth.

text:
# Terry Lyons (mathematician)

**Terence John Lyons** FRSE FRS FLSW is a British mathematician, specialising in stochastic analysis. Lyons, previously the Wallis Professor of Mathematics, is a fellow of St Anne's College, Oxford and a Faculty Fellow at The Alan Turing Institute. He was the director of the Oxford-Man Institute from 2011 to 2015 and the president of the London Mathematical Society from 2013 to 2015. His mathematical contributions have been to probability, harmonic analysis, the numerical analysis of stochastic differential equations, and quantitative finance. In particular he developed what is now known as the theory of rough paths. Together with Patrick Kidger he proved a universal approximation theorem for neural networks of arbitrary depth.

## Education

Lyons obtained his B.A. at Trinity College, Cambridge and his D.Phil at the University of Oxford.

## Career

Lyons has held positions at UCLA, Imperial College London, the University of Edinburgh and since 2000 has been Wallis Professor of Mathematics at the University of Oxford. He was the Director of the Oxford-Man Institute at the University of Oxford from 15 June 2011 to 15 December 2015. He also held a number of visiting positions in Europe and North America.

Together with Zhongmin Qian he wrote the monograph *System Control and Rough Paths*, and together with Michael J. Caruana and Thierry Lévy the book *Differential Equations Driven by Rough Paths*.

## Honours and awards

In 1985 he was awarded the Rollo Davidson Prize. In 1986 he was awarded the Whitehead Prize of the London Mathematical Society. In 2000 he was awarded the Pólya Prize of the London Mathematical Society.

He was elected a fellow of the Royal Society of Edinburgh in 1988, and elected a Fellow of the Royal Society in 2002; he was made a fellow of the Institute of Mathematical Statistics, in 2005 and a fellow of the Learned Society of Wales in 2011. In 2013, he was elected president of the London Mathematical Society.

In 2007 he was awarded a Doctor Honoris Causa from the University of Toulouse, he was made an Honorary Fellow of Aberystwyth University in 2010 and Cardiff University in 2012. In 2017 he was awarded an honorary Doctor of Mathematics from the University of Waterloo.

## InfoBox

| Terry LyonsFRSE FLSW FRS | |
| --- | --- |
| Lyons in 2008 | |
| Born | Terence John Lyons<br>(1953-05-04) 4 May 1953 |
| Alma mater |  |
| Awards |  |
| **Scientific career** | |
| Institutions |  |
| Thesis | *Some problems in harmonic analysis and probabilistic potential theory*  (1981) |
| Doctoral advisor | Richard Haydon |
|  | |
| Website | www.maths.ox.ac.uk/people/terry.lyons |


title: Deborah R. Malac

abstract: Deborah Ruth Malac is an American diplomat, who served as the United States Ambassador to Uganda. She was nominated by President Barack Obama and was confirmed by the Senate Nov. 19, 2015. She previously served as United States Ambassador to Liberia.

text:
# Deborah R. Malac

**Deborah Ruth Malac** (born 1955) is an American diplomat, who served as the United States Ambassador to Uganda. She was nominated by President Barack Obama and was confirmed by the Senate Nov. 19, 2015. She previously served as United States Ambassador to Liberia.

## Early life and education

Malac is the daughter of Marian Bartak Malac and Barry Forrest Malac, a Czech immigrant. In 1977 Malac earned a B.A. in international studies magna cum laude and Phi Beta Kappa from Furman University. She also received an M.A. in foreign affairs from the University of Virginia in 1981. She later studied at the Industrial College of the Armed Forces (now Dwight D. Eisenhower School for National Security and Resource Strategy) and received an M.S. in national resources strategy there in 2002. Malac spent a year studying international law at the University of Basel on a Fulbright Foundation fellowship.

## Career

Malac joined the Department of State in 1981. She has spent most of her career focusing on Africa. Her assignments included serving as desk officer for Laos and South Africa. Overseas assignments brought her to Bangkok, Pretoria, and Yaoundé, Cameroon, Senegal and Ethiopia.

In 2012 Malac became U.S. Ambassador to Liberia. In 2014, a major Ebola outbreak started there, and Malac helped coordinate the U.S. response to the medical and humanitarian crisis. Liberia's president, Ellen Johnson Sirleaf, joined Malac in a tour of the Liberian capital and implored U.S. President Barack Obama to assist the country. When aid was forthcoming, Malac assured Liberians that American military assistance (which became Operation United Assistance) were not there to organize a coup against Ellen Johnson-Sirleaf. Malac later noted that coordinated efforts helped to curb the epidemic.

On September 19, 2015, President Obama nominated Malac to become the U.S. Ambassador to Uganda to replace Scott DeLisi, who announced he was retiring. The Senate confirmed the nomination in November 2015. When elections took place shortly after her arrival, the government of Uganda issued statements critical of Malac for her admonition not to sacrifice democratic processes in the country for the sake of security. Her mission terminated on January 26, 2020.

## Personal life

In addition to English, Malac speaks French, German and Thai. Malac and her husband, Ron Olson, have three children.

## InfoBox

| Deborah Ruth Malac | |
| --- | --- |
| Official portrait, 2012 | |
|  | |
| United States Ambassador to Uganda | |
| **In office**
February 27, 2016  January 26, 2020 | |
| President | Barack Obama
Donald Trump |
| Preceded by | Scott DeLisi |
| Succeeded by | Natalie E. Brown |
| United States Ambassador to Liberia | |
| **In office**
July 26, 2012  December 18, 2015 | |
| President | Barack Obama |
| Preceded by | Linda Thomas-Greenfield |
| Succeeded by | Mark Boulware (acting) |
|  | |
| Personal details | |
| Born | Deborah Ruth Malac
1955 (age 6869) |
| Nationality | American |
| Education | Furman University (B.A.)
University of Virginia (M.A.)
Dwight D. Eisenhower School for National Security and Resource Strategy (M.S.) |
|  | |


title: Tessier Lake

abstract: The Tessier Lake is a freshwater body located on the south side of the southwestern part of the Gouin Reservoir, in the territory of the town of La Tuque, in the region of Mauricie, in the province of Quebec, in Canada. This lake straddles the townships of Faucher and Achintre. Recreotourism activities are the main economic activity of the sector. Forestry comes second. The Forest Road R1009 passes on the west side of Mattawa Bay serving the lower Flapjack River, passing in the northern part of Tessier Lake and the southern part of Bureau Lake. This R1009 road joins the Southeast route 404 which serves the northern part of the Canadian National Railway. The surface of Tessier Lake is usually frozen from mid-November to the end of April, however safe ice circulation is generally from early December to the end of March.

text:
# Tessier Lake

The **Tessier Lake** is a freshwater body located on the south side of the southwestern part of the Gouin Reservoir, in the territory of the town of La Tuque, in the region of Mauricie, in the province of Quebec, in Canada.

This lake straddles the townships of Faucher (southern part) and Achintre (northern part).

Recreotourism activities are the main economic activity of the sector. Forestry comes second.

The Forest Road R1009 passes on the west side of Mattawa Bay serving the lower Flapjack River, passing in the northern part of Tessier Lake and the southern part of Bureau Lake (Gouin Reservoir). This R1009 road joins the Southeast route 404 which serves the northern part of the Canadian National Railway.

The surface of Tessier Lake is usually frozen from mid-November to the end of April, however safe ice circulation is generally from early December to the end of March.

## Geography

The main hydrographic slopes near Lake Tessier are:

With a length of 18.4 kilometres (11.4 mi), Lake Tessier is made along the length (North-South direction). Its southwestern part is connected to Tourigny Lake thanks to a short strait formed by the narrowing of the banks. Lake Tessier is mainly fed by the Faucher River which empties on its west shore (southern part of Lake Tessier) in a bay which has a length in the North-South direction of 2.9 kilometres (1.8 mi); this bay is bordered on the west by a peninsula stretching to the south.

The mouth of Tessier Lake is located northeast to:

From the mouth of Lake Tessier, the current flows over 147.8 kilometres (91.8 mi) to Gouin Dam, according to the following segments:

* 9.8 kilometres (6.1 mi) northward in Achintre township by taking the Lake Tessier outlet, including crossing Arcand Lake (length: 5.3 kilometres (3.3 mi); altitude: 403 metres (1,322 ft)) on its full length, to the southern limit of the canton of Evanturel;
* 7.7 kilometres (4.8 mi) northwesterly in the canton of Evanturel, still following the Tessier Lake outlet, forming a northward curve at the beginning of the segment and then crossing the northern part of Kaotoskonakamak Lake (length: 1.4 kilometres (0.87 mi); altitude: 402 metres (1,319 ft)) over 0.8 kilometres (0.50 mi), to a bay on the south shore of the Saraana Bay;
* 14.3 kilometres (8.9 mi) to the North crossing the Saraana Bay;
* 34.1 kilometres (21.2 mi) to the northeast, crossing the Du Mâle Lake and the western part of Gouin Reservoir to the middle of Toussaint Lake located at South of village Obedjiwan, Quebec;
* 81.9 kilometres (50.9 mi) to the East, crossing the Marmette Lake, then to the South-East crossing in particular the Brochu Lake then to the East crossing the Kikendatch Bay until Gouin Dam.

From this dam, the current flows along the Saint-Maurice River to Trois-Rivières.

## Toponymy

The term "Tessier" is a family name of French origin.

The toponym "Lac Tessier" was formalized on December 5, 1968, by the Commission de toponymie du Québec, when it was created.

## Notes and references

## InfoBox

| Tessier Lake | |
| --- | --- |
| Watershed of Saint-Maurice River | |
| Tessier Lake | |
| Location | La Tuque |
| Coordinates | 48°12′27″N 75°14′30″W / 48.20750°N 75.24167°W / 48.20750; -75.24167 |
| Type | Baie of dam |
| Primary inflows | * (clockwise) * Outlet of a set of lakes such « Des Neiges Lake » and « Du Brouillard Lake »; Faucher River; outlet of lake Clairville; outlet of a set of unidentified lakes; outlet of an unidentified lake. |
| Primary outflows | Outlet of Tessier Lake |
| Basin countries | Canada |
|  | |
| Max. length | 18.4 kilometres (11.4 mi) |
| Max. width | 3.2 kilometres (2.0 mi) |
| Surface elevation | 407 metres (1,335 ft) |


title: Deep Sea Arcade

abstract: Deep Sea Arcade is a psychedelic Indie rock band from Sydney, Australia. The group began as a home recording project for founding members, Nic McKenzie and Nick Weaver while in their mid-teens, using four-track tape recorders, broadcast microphones, analog synths and unconventional computer programs. Their debut album Outlands, received a worldwide release in 2012 through Ivy League Records. The band have played sold-out tours across venues in Australia, UK and Europe In 2013, Deep Sea Arcade signed to Australian music veteran, Michael Chugg's newest business division, Chugg Music. On 26 October 2018, their second album Blacklight was released. McKenzie called the album "a fusion of soul, electronic and disco". Former founder and co-creator of Deep Sea Arcade, Nick Weaver left in 2018. In 2022 he had a posthumous solo album published of his own compositions entitled Won’t Let Go. In 2021, Nick Weaver died of bowel cancer at the age of 37.

text:
# Deep Sea Arcade

**Deep Sea Arcade** is a psychedelic Indie rock band from Sydney, Australia.

The group began as a home recording project for founding members, Nic McKenzie (lead singer, songwriter, lyricist) and Nick Weaver (co-composer, bassist, and guitarist) while in their mid-teens, using four-track tape recorders, broadcast microphones, analog synths and unconventional computer programs.

Their debut album *Outlands*, received a worldwide release in 2012 through Ivy League Records. The band have played sold-out tours across venues in Australia, UK and Europe

In 2013, Deep Sea Arcade signed to Australian music veteran, Michael Chugg's newest business division, Chugg Music.

On 26 October 2018, their second album *Blacklight* was released. McKenzie called the album "a fusion of soul, electronic and disco".

Former founder and co-creator of Deep Sea Arcade, Nick Weaver left in 2018. In 2022 he had a posthumous solo album published of his own compositions entitled *Won’t Let Go*. In 2021, Nick Weaver died of bowel cancer at the age of 37.

## Members

* Nic McKenzie – lead vocals/synthesizer;

### Touring members

* Nic McKenzie – lead vocals/synthesizer;
* Brendan O' Mahony – synthesizer;
* Mason Lewtas – bass guitar;
* Rob Turner – drums;

## Former Members

* Nick Weaver – co-composer, guitar, bass guitar, co-writer/composer/aranger

### Former touring members

* Mody Grant – guitar (2013–2016);
* James Booker – bass guitar (2013–2016);
* Xavier Diekman – drums (2013–2016);
* Simon Relf – guitar (2010–2013);
* Carlos Adura – drums (2010–2013);
* Tim Chamberlain – guitar (2010–2013);

## Discography

### Albums

List of albums, with selected details
| Title | Details |
| --- | --- |
| *Outlands* |  |
| *Blacklight* |  |

## Performances

### International tours

* Blacklight South American Tour(2018);
* Embassy Tour Abu Dhabi (2016);
* Granite City Tour – England, Germany, France, Belgium (2013);
* Outlands Tour – Switzerland, Germany, France, Belgium (2012);
* Girls Tour – England (2011);
* Lonely in Your Arms 7" Tour – Spain, England (2011);

### National tours

* Learning To Fly Tour – October 2016;
* Spoon Tour – February 2015;
* Black Cat Tour – September 2013;
* Granite City Tour – November 2012;
* Outlands Album Tour – June 2012;
* Girls Single Tour – November 2011;
* Co-headline with Surf City – February 2011.

## InfoBox

| Deep Sea Arcade | |
| --- | --- |
|  | |
| Background information | |
| Origin | Sydney, New South Wales, Australia |
| Genres | Neo-psychedelia, Indie rock, psychedelic pop, pop rock |
| Years active | 2010–present |
| Labels | Chugg Music, Speak N Spell, Ivy League Records, Universal Music Australia |
|  | |
| Members | Nic Mckenzie |
|  | |
| Past members | Nick Weaver |


title: Deep Sea Diver

abstract: Deep Sea Diver is a indie rock band based in Seattle, Washington. The band consists of Jessica Dobson, Peter Mansen (drums), Elliot Jackson and Garrett Gue (bass).

text:
# Deep Sea Diver

**Deep Sea Diver** is a indie rock band based in Seattle, Washington. The band consists of Jessica Dobson (vocals, guitar, keys), Peter Mansen (drums), Elliot Jackson (guitar, synthesizer) and Garrett Gue (bass).

## Biography

In 2009, Dobson recorded and released EP *New Caves* under the name Deep Sea Diver, accompanied by drummer and husband Peter Mansen.

The band's first full-length debut album, *History Speaks*, was self-released under their label High Beam Records in 2012 while Dobson was a touring member of The Shins. A second full-length album, *Secrets*, was self-published in 2016.

In April 2020, while under the COVID-19 lockdown, the band recorded and released a new single, "Stop Pretending".

The band's third full-length album, *Impossible Weight*, was voted KEXP Seattle Listeners' Top Album of 2020.

On July 10, 2023, it was announced the band will support fellow Seattle band Pearl Jam on several dates on the band's Fall 2023 North American tour.

## Discography

### Albums

* *History Speaks* – 2012
* *Secrets* – 2016
* *Impossible Weight* – 2020

### EP

* *New Caves* – 2009
* *Always Waiting* – 2014

### Singles

| Title | Year | Peak chart positions | Album |
| --- | --- | --- | --- |
| | | US
AAA
 | |
| "Impossible Weight"
(featuring Sharon Van Etten) | 2020 | 29 | *Impossible Weight* |

## Further reading


title: Debravation

abstract: Debravation is the fourth solo album by American singer Deborah Harry, released in July 19, 1993. It was the final album Harry made whilst signed to the Chrysalis label, thus ending a successful partnership that began with her time as a member of Blondie and had endured for over 15 years. The album reached No. 24 in the UK Albums Chart. The US version of the album contains two additional tracks, including "My Last Date", which features instrumental backing from R.E.M. Debravation was re-issued in 2005 by Wounded Bird Records.

text:
# Debravation

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| Robert Christgau |  |
| *Music Week* |  |
| *NME* | 5/10 |
| *Philadelphia Inquirer* |  |
| *Rolling Stone* |  |
| *Select* |  |

***Debravation*** is the fourth solo album by American singer Deborah Harry, released in July 19, 1993. It was the final album Harry made whilst signed to the Chrysalis label, thus ending a successful partnership that began with her time as a member of Blondie and had endured for over 15 years. The album reached No. 24 in the UK Albums Chart.

The US version of the album contains two additional tracks, including "My Last Date (With You)", which features instrumental backing from R.E.M.

*Debravation* was re-issued in 2005 by Wounded Bird Records.

## Background

Speaking of the album, Harry told *Melody Maker* in 1993, "The album I originally wanted to make was quite different from the one that came out in the end. There were lots of people involved in producing and arranging it and it became perhaps a bit too polished. It was supposed to be a lot more raw. It's come out kind of interesting, though."

## Single releases

The first single from the album was the dance track "I Can See Clearly", which reached No. 23 in the UK. The second single, ballad "Strike Me Pink", had a controversial promotional video that was banned for being too disturbing – it featured a man in a glass tank filled with water, as Harry sits and watches him drown.

## Critical reception

In the UK, Chris Roberts of *Melody Maker* considered *Debravation* to be a "sensible attempt to consolidate fields ploughed" by Harry's previous album *Def, Dumb & Blonde* (1989), but also noted the lack of cohesion, calling it "something of a Jill of all trades – rock, pop, dance, rap etc". He felt the album's "great moments" were "as good as anything in the history of pop" and selected "Communion" as the album's "zenith", noting it boasts the "most irresistible chorus" since the Bee Gees' "Tragedy". He also praised "Stability", calling it the "Nineties kid sister" to Blondie's "Rapture", and "Strike Me Pink", with its "hovering 'Brite Side' haze". Stephen Dalton of *NME* described the album as a "saddening affair" on which Harry "too often seems to be imitating her imitators". He felt it is "poorly stocked with effortless techno gliders" such as the "svelte" "Lip Service" and "top-heavy with rock-funk chuggers" like the "middling, could-do-better first single", "I Can See Clearly". He noted that the "sweet pop-rap confection" "Stability" recalls Blondie's "Rapture", but added that the song, along with "a handful of New Wave guitar gushers" are "all stamped with a desperate longing for past glory", and that "even potentially oddball experiments like the William Gibson collaboration \["Dog Star Girl"\] sound graceless and mechanical".

## Track listing

| No. | Title | Writer(s) | Producer(s) | Length |
| --- | --- | --- | --- | --- |
| 1. | "I Can See Clearly" | Arthur Baker, Tony McIlwaine | Arthur Baker | 3:52 |
| 2. | "Stability" | Deborah Harry, Chris Stein, Franne Golde, Allee Willis | Chris Stein | 4:59 |
| 3. | "Strike Me Pink" | Harry, Anne Dudley, Johnathan Bernstein | Anne Dudley | 4:02 |
| 4. | "Rain" | Leigh Foxx | Jon Astley, Stein | 4:13 |
| 5. | "Communion" | Harry, Guy Pratt | Guy Pratt | 6:35 |
| 6. | "Lip Service" | Harry, Toni C. | Toni C. | 3:32 |
| 7. | "Mood Ring" | Harry, Stein | Dudley | 4:30 |
| 8. | "Keep On Going" | Astley | Astley | 4:16 |
| 9. | "Dancing Down the Moon" | Harry, Stein | Stein | 3:10 |
| 10. | "Standing In My Way" | Harry, Foxx | John Williams | 4:10 |
| 11. | "The Fugitive" | Harry, Stein | Stein | 4:55 |
| 12. | "Dog Star Girl" | Stein, William Gibson | Stein | 5:34 |

### Additional tracks

The following tracks also appear on the US CD release
| No. | Title | Writer(s) | Producer(s) | Length |
| --- | --- | --- | --- | --- |
| 13. | "My Last Date (With You)" | Boudleaux Bryant, Floyd Cramer, Skeeter Davis | R.E.M., Andy Paley | 2:57 |
| 14. | "Tear Drops" | Calhoun, Golden | Andy Paley | 2:27 |

## Personnel

### Production

* Arthur Bakerproducer on "I Can See Clearly"
* Chris Stein – producer on "Stability", "Rain", "Dancing Down the Moon", "The Fugitive" and "Dog Star Girl",
* Anne Dudley – producer on "Strike Me Pink" and "Mood Ring"
* Jon Astley – producer on "Rain" and "Keep On Going"
* Guy Pratt – producer on "Communion"
* Adam Yellin – producer/recording engineer/mixing engineer
* Toni C. – producer on "Lip Service"
* John Williams – producer on "Standing In My Way"
* R.E.M. – producers on "My Last Date With You"
* Andy Paley – producer on "My Last Date With You", "Tear Drops"
* Chris Lord-Alge – additional production and mixing on "Communion"
* Kennan Keating – sound engineer
* Louis Scalise – sound engineer
* Andy Cardenas – sound engineer
* Neil McLellan – sound engineer
* Mike O'Hora – sound engineer
* Roger Dudley – sound engineer
* Glenn Skinner – sound engineer
* Bill Esses – sound engineer
* Darrin Tidsey – sound engineer
* Geoff Foster – sound engineer
* Rich Travali – sound engineer
* Dean Chamberlain – art direction, photography
* Gary Kurfirst – art direction, management

## Debravation Producer's Cut

In 1994, Harry released independently a different version of the album, entitled *Debravation (8½) Producer's (Director's) Cut*. According to her official website, this was the original version of the album, which was presented to Sire and rejected. When they opted for a different track listing and different mixes, Harry had a limited number of copies of *Debravation (8½) Producer's (Director's) Cut* pressed and sold them at her concerts and through her website. It contained two identical tracks to the official release, but also included alternate versions, as well as tracks that were used as B-sides, and some previously unreleased material.

The musicians for the Producer's Cut were Chris Stein (guitar and programming), Pete Min (guitar), Leigh Foxx (bass) and Geoff Dugmore (drums). On the live version of "Black Dog", the musicians were Steve Barnacle (bass); Carrie Boothe (keyboards); Geoff Dugmore (drums); Karl Hyde (guitar); and Melissa Poole-Stein (backing vocals). This version was engineered and mixed by Adam Yellin and produced by Chris Stein.

| No. | Title | Writer(s) | Notes | Length |
| --- | --- | --- | --- | --- |
| 1. | "8½ Rhumba" | Nino Rota | not included on *Debravation*, b-side to *Strike me Pink* |  |
| 2. | "Rain" | Leigh Foxx | alternate version |  |
| 3. | "Dog Star Girl" | Chris Stein, William Gibson |  |  |
| 4. | "Stability" | Deborah Harry, Stein, Franne Golde, Allee Willis | alternate version |  |
| 5. | "Standing in My Way" | Harry, Foxx | alternate version with additional vocals by Joey Ramone |  |
| 6. | "Dancing Down the Moon" | Harry, Stein | alternate version |  |
| 7. | "Black Dog" | Jimmy Page, Robert Plant, John Paul Jones | recorded live at the Hammersmith Odeon, London on July 23, 1991; not included on *Debravation* |  |
| 8. | "Mood Ring" | Harry, Stein | alternate version |  |
| 9. | "The Fugitive" | Harry, Stein |  |  |
| 10. | "The Date" | Harry, Stein | not included on *Debravation* |  |
| 11. | "On a Breath" | Foxx | not included on *Debravation*, b-side to *Strike me Pink* |  |

## InfoBox

| Debravation | |
| --- | --- |
|  | |
| Studio album by Deborah Harry | |
| Released | July 19, 1993 |
| Genre | Pop rock |
| Length | 59:20 (UK: 53:56) |
| Label | Sire Records/
Reprise Records (U.S.)
Chrysalis Records (UK) |
| Producer |  |
| Deborah Harry chronology | |
| *The Complete Picture: The Very Best of Deborah Harry and Blondie*
(1989) ***Debravation***
(1993) *Deborah Harry Collection*
(1998) | |


abstract: The Defense Centers of Excellence for Psychological Health and Traumatic Brain Injury (DCoE) is a United States Department of Defense (DoD) organization that provides guidance across DoD programs related to psychological health (PH) and traumatic brain injury (TBI) issues. The organization's official mission is to "improve the lives of our nation’s service members, families and veterans by advancing excellence in psychological health and traumatic brain injury prevention and care."

text:
# Defense Centers of Excellence for Psychological Health and Traumatic Brain Injury

The **Defense Centers of Excellence for Psychological Health and Traumatic Brain Injury** (**DCoE**) is a United States Department of Defense (DoD) organization that provides guidance across DoD programs related to psychological health (PH) and traumatic brain injury (TBI) issues. The organization's official mission is to "improve the lives of our nation’s service members, families and veterans by advancing excellence in psychological health and traumatic brain injury prevention and care."

## History

Eight different blue ribbon panels and commissions were established in 2007 to examine PTSD, TBI and other combat-related health issues. Policy makers, federal agency representatives, war veterans, academics, health care experts and medical scientists from a number of disciplines convened to address the care of warriors and their families. DCoE was created in response to several of 300-plus key recommendations that were generated, as well as recommendations from the 2008 National Defense Authorization Act. Deputy Secretary of Defense, Gordon England, announced the opening of DCoE in November 2007.

## Overview

DCoE focuses on education and training; clinical care; prevention; research; and service member, family and community outreach. In collaboration with the Department of Veterans Affairs, the organization supports the Department of Defense’s commitment of caring for service members from the time they enter service and throughout the completion of their service. DCoE also seeks to mitigate the stigma that still deters some from reaching out for help for problems such as post-traumatic stress disorder and TBI.

The organization has a leadership role in collaborating with a national network of external entities including non-profit organizations, other DoD agencies, academia, Congress, military services and other federal agencies. Public health service and civil service workers, including personnel from the Department of Veterans Affairs and individuals from all the military services, as well as contract personnel comprise the staff of DCoE.

DCoE offers a variety of services to benefit service members, families and veterans. The organization maintains a 24/7 outreach center staffed by health resource consultants who provide psychological health and TBI information, resources and referrals for service members, veterans and their families. According to an official summary of the organization, "the outreach center also supports the Real Warriors Campaign, an initiative launched by DCoE to promote the processes of building resilience, facilitating recovery and supporting reintegration of returning service members, veterans and their families. The campaign promotes help-seeking behavior among service members and veterans with invisible wounds and encourages the awareness and use of available resources."

DCoE is composed of three centers: Defense and Veterans Brain Injury Center (DVBIC), Deployment Health Clinical Center (DHCC), and the National Center for Telehealth & Technology (T2).


title: Dekatron

abstract: In electronics, a Dekatron is a gas-filled decade counting tube. Dekatrons were used in computers, calculators, and other counting-related products during the 1950s and 1960s. "Dekatron" was the brand name used by Ericsson Telephones Limited (ETL), of Beeston, Nottingham and has since become a generic trademark. The device was invented by John Reginald Acton, with the patent assigned to Ericsson. The dekatron was useful for computing, calculating, and frequency-dividing purposes because one complete revolution of the neon dot in a dekatron usually means 10 pulses on the guide electrode(s), and a signal can be derived from one of the cathodes in a dekatron to send a pulse, possibly for another counting stage. Dekatrons usually have a maximum input frequency in the high kilohertz (kHz) range – 100 kHz is fast, 1 MHz is around the maximum possible. These frequencies are obtained in hydrogen-filled fast dekatrons. Dekatrons filled with inert gas are inherently more stable and have a longer life, but their counting frequency is limited to 10 kHz.

text:
# Dekatron

In electronics, a **Dekatron** (or **Decatron**, or generically **three-phase gas counting tube** or **glow-transfer counting tube** or **cold cathode tube**) is a gas-filled decade counting tube. Dekatrons were used in computers, calculators, and other counting-related products during the 1950s and 1960s. "Dekatron" was the brand name used by Ericsson Telephones Limited (ETL), of Beeston, Nottingham (not to be confused with the Swedish TelefonAB Ericsson of Stockholm) and has since become a generic trademark. The device was invented by John Reginald Acton, with the patent assigned to Ericsson.

The dekatron was useful for computing, calculating, and frequency-dividing purposes because one complete revolution of the neon dot in a dekatron usually means 10 pulses on the guide electrode(s), and a signal can be derived from one of the cathodes in a dekatron to send a pulse, possibly for another counting stage. Dekatrons usually have a maximum input frequency in the high kilohertz (kHz) range – 100 kHz is fast, 1 MHz is around the maximum possible. These frequencies are obtained in hydrogen-filled fast dekatrons. Dekatrons filled with inert gas are inherently more stable and have a longer life, but their counting frequency is limited to 10 kHz (1–2 kHz is more common).

## Design and operation

Internal designs vary by the model and manufacturer, but generally, a dekatron has ten cathodes and one or two guide electrodes plus a common anode. The cathodes are arranged in a circle with a guide electrode (or two) between each cathode. When the guide electrode(s) is pulsed properly, the neon gas will activate near the guide pins and then "jump" to the next cathode. Pulsing the guide electrodes (negative going pulses) repeatedly will cause the neon dot to move from cathode to cathode.

Hydrogen dekatrons require high voltages ranging from 400 to 600 volts on the anode for proper operation; dekatrons with inert gas usually require ~350 volts. When a dekatron is first powered up, a glowing dot appears at a random cathode; the tube must then be reset to zero state, by driving a negative pulse into the designated starting cathode. The color of the dot depends on the type of gas that is in the tube. Neon-filled tubes display a red-orange dot; argon-filled tubes display a purple dot (and are much dimmer than neon).

*Counter* (common-cathode) dekatrons have only one carry/borrow cathode wired to its own socket pin for multistage cascading and the remaining nine cathodes tied together to another pin; therefore they don't need bases with more than 9 pins.

*Counter/Selector* (separate-cathode) dekatrons have each cathode wired to its own pin; therefore their bases have at least 13 pins. *Selectors* allow for monitoring the status of each cathode or to divide-by-n with the proper reset circuitry. This kind of versatility made such dekatrons useful for numerical division in early calculators.

Dekatrons come in various physical sizes, ranging from smaller than a 7-pin miniature vacuum tube to as large as an octal base tube. While most dekatrons are decimal counters, models were also made to count in base-5 and base-12 for specific applications.

The dekatron fell out of practical use when transistor-based counters became reliable and affordable. Today, dekatrons are used by electronic hobbyists in simple "spinners" that run off the mains frequency (50 Hz or 60 Hz) or as a numeric indicator for homemade clocks.

* Sandor, Nagy, "A Dekatron tube display", *Asimov Teka* (interactive stochastic simulation), EU.

## InfoBox

Dekatron
| Octal-base dekatron | |
| --- | --- |
| Working principle | Cold cathode |
| Invented | 1949 |


title: Deer Valley Petroglyph Preserve

abstract: The Deer Valley Petroglyph Preserve, formerly known as the Deer Valley Rock Art Center, is a 47-acre nature preserve featuring over 1500 Hohokam, Patayan, and Archaic petroglyphs visible on 500 basalt boulders in the Deer Valley area of Phoenix, Arizona. In 1980, the US Army Corps of Engineers contracted J. Simon Bruder to conduct an archaeological investigation prior to the construction of the Adobe Dam at the Hedgpeth Hills. The petroglyphs are between 500 and 5,000 years old. The site was listed on the National Register of Historic Places in 1984, and it was also listed with the Phoenix Points of Pride. The preserve and museum are operated by the ASU College of Liberal Arts and Sciences's School of Human Evolution and Social Change. The museum was designed by Will Bruder and was constructed on the site in 1994.

text:
# Deer Valley Petroglyph Preserve

The **Deer Valley Petroglyph Preserve**, formerly known as the **Deer Valley Rock Art Center**, is a 47-acre nature preserve featuring over 1500 Hohokam, Patayan, and Archaic petroglyphs visible on 500 basalt boulders in the Deer Valley area of Phoenix, Arizona. In 1980, the US Army Corps of Engineers contracted J. Simon Bruder to conduct an archaeological investigation prior to the construction of the Adobe Dam at the Hedgpeth Hills. The petroglyphs are between 500 and 5,000 years old. The site was listed on the National Register of Historic Places in 1984, and it was also listed with the Phoenix Points of Pride. The preserve and museum are operated by the ASU College of Liberal Arts and Sciences's School of Human Evolution and Social Change.

The museum was designed by Will Bruder and was constructed on the site in 1994.

## Archaeological history

In 1980, the US Army Corps of Engineers contracted the Museum of Northern Arizona to conduct an archaeological investigation prior to the construction of the Adobe Dam at the Hedgpeth Hills. The Museum of Northern Arizona and in a project directed by J. Simon Bruder conducted extensive fieldwork and they discovered a wide variety of features and artifacts. Their fieldwork lasted three months and an archaeological report was published. Some significant findings include: 1,571 petroglyphs on 579 boulders, ground stone and chipped stone quarries, cobble hammerstones, shells and bones, a single pithouse with 10 cooking pits and two trash deposits, a possible canal, agriculture evidence, several small stone masonry rooms, and a check dam. These findings along with excavation reports, maps, images, were published in the Digital Antiquity and then most recently posted in the Digital Archaeological Record. The site was listed on the National Register of Historic Places in 1984, and it was also listed with the Phoenix Points of Pride.

Bruder concluded that there were 37 different types of design elements with 143 varieties present at the site. The majority of the designs were linear along with curvilinear abstractions. These designs were photographed, drawn, and later digitally documented which allows for close examination and research that continues today.

The investigation ultimately concluded that the petroglyphs present relate to three archaeological traditions. These include the Western Archaic Tradition dating from about 5000 BC to 300 AD, the Hohokam tradition from 300 to 1450 AD, and the Patayan tradition from about 700–1550 AD. The artifacts present indicate that the site was primarily visited as people through the area on their way to settlements in the vicinity. People stopped here briefly to manufacture tools, perform rituals, and stay temporarily.

The preserve was created via a partnership between the federal, state, county, and city levels. After this establishment and the archaeological excavations, the Adobe Dam was given the clearance to be built as its purpose was to be stop flooding from the Skunk Creek located nearby. Today, the dam, land, and building are all the property of the Flood Control District of Maricopa County while the actual site is operated by the School of Human Evolution and Social Change at Arizona State University.

## The petroglyphs

The petroglyphs are the most famous finds of the excavation were dated to be made between 500 and 5,000 years old. Rock art, such as these petroglyphs, is considered a meaningful social practice and provides extensive evidence of life and cultural values in the past. This is the only form of visual symbolism or mediums still left today as many other materials have perished with time. Because these petroglyphs are so visible throughout the site, they are frequently examined and studied still today. These petroglyphs were used for various religious and cultural practices primarily during the Hohokam Preclassic era c. 700–1100 AD and likely ceased during the Hohokam Classic Period, c. 1100–1450 AD.

Throughout the Phoenix Basin, many other petroglyphs sites are present, indicating a rich history of the Hohokam and strong connections with the land. The petroglyphs in the South Mountain and Phoenix area were used for ritual practices including South Mountain, Deer Valley, and Hayden Butte. The Leonard Monti Trail in the Hayden Butte Preserve near Arizona State University features a large panel of Hohokam rock that visitors can easily see today. Along with this, individuals can schedule guided tours of the petroglyphs visible at South Mountain as they are located off the traditional trail and not as visible

## Arizona State University's presence

The preserve and museum are operated by Arizona State University's School of Human Evolution and Social Change. Since 1994, the university has taken extensive measures to preserve the site as well as protect and operate it on a daily basis. They provide the public with numerous ways to explore and learn about the site. Along with this, they offer education about the indigenous cultures associated with the site through a variety of mediums including publications, guided tours, and lectures.

### Community engagement

Since Arizona State University has taken control in 1994, they have made the site a community focus in six main focuses:

1. **Canyon Records**: Canyon Records is a Phoenix, Arizona-based music store that has produced and distributed Native American music since 1994. Their partnership with the university began in 2017 with the goal to provide educational materials for the site. Canyon Records promotes Native American cultural and heritage and the site. They provide and continue to update many forms of expression including art, music, and writing sources
2. **Act One**: Act One is an Arizona-based organization that provides meaningful experiences to Title 1 schools that have funds for both educational culture and arts field trips and free museum admission with the Culture Pass program. The preserve participates in both of these programs and also offers specific days each month for Title 1 school field trips.
3. **Archaeology Southwest**: Archaeology Southwest is one of the most popular organizations that explores the past through a holistic, conservation-based approach, something that Arizona State University and the organization strive for. The organization's magazine is sold at the preserve and lectures are held by members of their team on topics of archaeology and research methods. The organization is also consulted by ASU when local research needs to be conducted.
4. **Arizona Master Naturalist**: The Arizona Master Naturalist Association (AZMN) provides natural resource volunteers who are skilled and knowledgeable about sites across the state. They provide the preserve with these skilled volunteers who provide education, stewardship, and information to the daily visitors. This furthers the preserve and the university's mission of education.
5. **Osher Lifelong Learning Institute**: The Osher Lifelong Learning Institute is based out of Arizona State University and gives university-quality, non-credit classes for students 50 and up. Themed lecture classes are offered at the preserve and are specialized in a variety of cross-disciplinary studies including anthropology, global health, archaeology, and life sciences. These courses are led by graduate students and faculty during the fall semesters.
6. **Girl Scouts of the USA**: The preserve is an official partner with the Arizona Cactus-Pine Council. They work with the organization to provide badge and patch workshops that focus on topics of archaeology, preservation, and desert wildlife. The main goal is to provide valuable, engaging, and unique learning experiences for girls in the Phoenix area.

## Exhibits

Arizona State University and SHESC have worked together to provide numerous exhibits at the site that further enhance the educational mission of the site. The permanent exhibit, Leaving Marks: The Rock Art and Archaeology of Deer Valley, seeks to provide a detailed history of the site and the significance it has to the surrounding areas. This exhibit was made possible due to a grant from the Arizona Humanities Council. Some other exhibits that have been at the preserve include Legacy of Landscapes: The Art and Archaeology of Perry Mesa, One World, Many Voices: The Artistry of Canyon Records, Fragments: Piecing Together Southwest Archaeology, and Pieces of the Puzzle: New Perspectives on the Hohokam.

## Deer Valley Petroglyph Preserve

The Deer Valley Petroglyph Preserve museum building was designed by architect Will Bruder and landscape architect Christy Ten Eyck and was constructed in 1994. The museum was designed to represent unique architectural solutions combining design elements of steel and concrete. It is shaped like a boomerang as it is meant to symbolize connecting the city of Phoenix to the sanctuary of the preserve. It has space for ongoing exhibits, teaching, research, and presentation. Serving as a focal point at the preserve, thousands of visitors pass through it each year. It also attracts those interested in architectural design and landscape architecture from across the globe.

Hohokam petroglyphs and other items at the Deer Valley Petroglyph Preserve

## InfoBox

|  | |
| --- | --- |
| Deer Valley Petroglyph Preserve | |
| U.S. National Register of Historic Places | |
| Hedgpeth Hills Petroglyph Site | |
|  | |
| The entrance in 2013 | |
| Location in ArizonaLocation in United States | |
| Location | 3711 West Deer Valley Drive<br>Phoenix, Arizona |
| Coordinates | 33°41′01″N 112°08′30″W / 33.68361°N 112.14172°W / 33.68361; -112.14172 |
| Area | 47 acres (19 ha) |
| NRHP reference No. | 84000718 |
| Added to NRHP | February 16, 1984 |


title: Tetraketopiperazine

abstract: Tetraketopiperazine is a chemical compound with a molecule containing a six member heterocyclic ring with two nitrogen atoms. Each carbon is doubly bonded to oxygen.

text:
# Tetraketopiperazine

**Tetraketopiperazine** is a chemical compound with a molecule containing a six member heterocyclic ring with two nitrogen atoms. Each carbon is doubly bonded to oxygen.

## Production

Reacting sodium oxamate (the sodium salt of oxamic acid) with hydrochloric acid yields some tetraketopiperazine. A higher yield result from reacting ethyl oxalate with sodium ethoxide. Yet another way to make tetraketopiperazine is a condensation of oxamide with ethyl oxalate with sodium ethoxide present.

Excessive nitration of 2,6-diaminopyrazine ends up with tetraketopiperazine.

## Reactions

The nitrogen atoms in tetraketopiperazine are slightly acidic losing their hydrogen atoms as ions. Salts of tetraketopiperazine exist. Tetraketopiperazine reacts with sodium bicarbonate to yield a monosodium salt. A disodium salt results from reaction with sodium hydroxide or sodium alkoxide. These are likely to be tautomeric with a hydrogen moving to an oxygen atom. Potassium salts also exist. A monosilver salt can be made from a silver compound and a dissolved tetraketopiperazine potassium salt. Ammonia and mercury salts of tetraketopiperazine also exist. Tetraketopiperazine also can form a monohydrazone.

Reduction of tetraketopiperazine yields trikeopiperazine and then 2,5-diketopiperazine. Glyoxalic acid and oxamide are side products.

## Properties

When heated tetraketopiperazine does not melt, but turns black at 250°C.

Tetraketopiperazine is slightly soluble in water and more so in boiling acetic acid. The solid form has monoclinic prismatic crystals.

*pKa* is 4.8 and the second *pKa2* is 8.2.

## InfoBox

Tetraketopiperazine
|  | |
| --- | --- |
| Names | |
| Preferred IUPAC name Piperazinetetrone | |
| Other names 2,3,5,6-Piperazinetetrone | |
| Identifiers | |
| CAS Number |  |
| 3D model (JSmol) |  |
| ChemSpider |  |
| PubChem CID |  |
| UNII |  |
| CompTox Dashboard (EPA) |  |
| InChI * InChI=1S/C4H2N2O4/c7-1-2(8)6-4(10)3(9)5-1/h(H,5,7,9)(H,6,8,10)Key: IXRCBQCSNZKFHS-UHFFFAOYSA-N | |
| SMILES * C1(=O)C(=O)NC(=O)C(=O)N1 | |
| Properties | |
| Chemical formula | C4H2N2O4 |
| Molar mass | 142.070 g·mol−1 |
| Except where otherwise noted, data are given for materials in their standard state (at 25 °C \[77 °F\], 100 kPa).  Infobox references | |


title: Tetu Lake

abstract: Tetu Lake is a lake in Kenora District in northwestern Ontario, Canada. It is approximately 8 kilometres (5.0 mi) from the border with Manitoba.

text:
# Tetu Lake

**Tetu Lake** is a lake in Kenora District in northwestern Ontario, Canada. It is approximately 8 kilometres (5.0 mi) from the border with Manitoba.

## InfoBox

| Tetu Lake | |
| --- | --- |
| Tetu Lake | |
| Location | Ontario |
| Coordinates | 50°11′00″N 95°02′18″W / 50.18333°N 95.03833°W / 50.18333; -95.03833 |
| Primary inflows | English River, Winnipeg River |
| Primary outflows | Winnipeg River |
| Basin countries | Canada |


title: December (The Waterboys song)

abstract: "December" is a song by British band the Waterboys, released on 14 October 1983 as the second and final single from their debut studio album The Waterboys. The song was written and produced by Mike Scott, with additional production by Rupert Hine. A music video was filmed to promote the single.

text:
# December (The Waterboys song)

"**December**" is a song by British band the Waterboys, released on 14 October 1983 as the second and final single from their debut studio album *The Waterboys*. The song was written and produced by Mike Scott, with additional production by Rupert Hine. A music video was filmed to promote the single.

## Background

"December" was written in Ayr, Scotland, and recorded at Redshop in December 1981 and Farmyard in June 1982. It was one of the first songs recorded by Scott for what went on to become the Waterboys. At the time, Scott was a member of the band Funhouse and wished to leave and pursue a new musical path. He recorded three of his own tracks at Redshop in December 1981, including "December", with the engineer Jim Preen. Using pre-recorded drum loops available at the studio, Scott performed all instrumentation himself. Scott revealed to *Sounds* in 1983, "'December' was done in an eight track studio. It was just a Linn drum track and I played guitar and piano over the top and sang. There's no bass guitar on it, just the bottom end of the piano. That's all there is, yet it sounds massive because we mixed it using a 24 track studio."

Scott recorded the song's rhythm and two lead parts using his Danelectro "Bellzouki" 12-string guitar. In his autobiography, he said of the song's recording process with the guitar, "I laid it down in about thirty minutes - seven minutes for each overdub, and just about time to breathe in between. As the multiple-Bellzouki sound took shape, I was astonished at its breadth, and also at my own playing: the Bellzouki had inspired me beyond my limits, and the sound of my inner imagination was coming out of a pair of speaks in front of me." Additional recording on the track was carried out at Farmyard Studios in June 1982, with Rupert Hine providing additional production.

## Critical reception

On its release as a single, Betty Page of *Record Mirror* commented, "Whimper, whimper. This week's 90th moody, tremulous ballad with lashings of tearful vibrato and acoustic twelve-strings. A record to sit down and listen to as the leaves fall, it informs us that 'December is the cool month'. Oh really?" Barney Hoskyns of *New Musical Express* gave the single a rating of six out of ten. He described it as a "big acoustic anatomy of melancholy" and added that it was "too long and involved for a single, but nice all the same". Jim Whiteford of the *Kilmarnock Standard* described the song as a "mid-tempo number" which is "heavily but effectively produced to give a rich sound around the slightly muffled vocal lead" and added that "the Bible story is there if you listen". He concluded that the song was "very hummable" and could have top 40 potential.

Allan Jones of *Melody Maker* wrote, "The Waterboys continue to wallow in a senseless melodrama. They expect the world to be too traumatic, are disappointed when their daily dramas don't match the sketches in their imagination: they exaggerate, and so they're unbelievable." Sunie of *Number One* considered "December" to be "a dispiriting little thing" and added, "The Waterboys have a singer who can't sing but clearly thinks he can. Their music is drippy modern rock, like U2 with the fire put out, and the song is an early bid for the religious Christmas hit." In 1984, U2 singer Bono included "December" in a list of his top ten records of 1983 for *Rolling Stone*.

In a review of the mini-album edition of *The Waterboys*, Diana Valois of *The Morning Call* considered the song to be "about coming of age" and noted the "fat and flavorful guitar work". Parke Puterbaugh of *Rolling Stone* described "December" as a "longish song, more meditative though no less inquisitive, as Scott, like Van Morrison, goes looking for the proverbial lion in the soul".

## Formats

7" single
| No. | Title | Length |
| --- | --- | --- |
| 1. | "December" | 4:28 |
| 2. | "Where Are You Now That I Need You" | 5:02 |

12" single
| No. | Title | Length |
| --- | --- | --- |
| 1. | "December" | 6:48 |
| 2. | "The Three Day Man" | 3:32 |
| 3. | "Red Army Blues" | 8:05 |

12" single (US promo)
| No. | Title | Length |
| --- | --- | --- |
| 1. | "December" | 6:48 |
| 2. | "December" (Edit) | 4:28 |

## Personnel

**December**

* Mike Scott – vocals, rhythm guitar, lead guitar
* Rupert Hine, Steven Tayler – bass drum and cymbal programming

**The Three Day Man**

**Red Army Blues**

* Mike Scott – vocals, piano, guitar, bass
* Anthony Thistlethwaite – saxophone, mandolin
* Kevin Wilkinson – drums
* Ingrid Schroeder – vocals

**Production**

* Mike Scott – producer of "December" and "Red Army Blues"
* Rupert Hine – additional production on "December"
* Jim Preen – engineer on "December" and "Red Army Blue"
* Steven Tayler – engineer on "December"
* Harry Parker – producer of "The Three Day Man"
* Richard Digby Smith – engineer on "Red Army Blue"

## Charts

| Chart (1983) | Peak
position |
| --- | --- |
| UK Singles Chart (OCC) | 113 |

## InfoBox

| "December" | |
| --- | --- |
|  | |
| Single by The Waterboys | |
| from the album  *The Waterboys* | |
| B-side | "Where Are You Now That I Need You" |
| Released | 14 October 1983 |
| Length | * 6:48 (album version) * 4:28 (single version) |
| Label | Ensign |
| Songwriter(s) | Mike Scott |
| Producer(s) |  |
| The Waterboys singles chronology | |
| "A Girl Called Johnny"
(1983) "**December**"
(1983) "The Big Music"
(1984) | |


title: Defensio pro Populo Anglicano

abstract: Defensio pro Populo Anglicano is a Latin polemic by John Milton, published in 1651. The full title in English is John Milton an Englishman His Defence of the People of England. It was a piece of propaganda, and made political argument in support of what was at the time the government of England.

text:
# Defensio pro Populo Anglicano

***Defensio pro Populo Anglicano*** is a Latin polemic by John Milton, published in 1651. The full title in English is *John Milton an Englishman His Defence of the People of England.* It was a piece of propaganda, and made political argument in support of what was at the time the government of England.

## Background

This work was commissioned by Parliament during Oliver Cromwell's protectorate of England, as a response to a work by Claudius Salmasius entitled *Defensio Regia pro Carolo I* ("Royal Defence on behalf of Charles I"). Salmasius argued that the rebels led by Cromwell were guilty of regicide for executing King Charles. Milton responded with a detailed justification of the parliamentary party.

## Style

The work includes invective against Salmasius and accusations of that scholar's inconsistency for taking contradictory positions. Milton also claims Salmasius wrote his work only due to being bribed with a "hundred Jacobuses" by the exiled son of Charles, who would later become King Charles II of England. The level of *ad hominem* attack is high and much unlike what one would expect from a serious contemporary debater even on a controversial topic. Here is an excerpt from the beginning of Chapter VIII, where Milton sarcastically asks Salmasius what concern the latter has with what the English do among themselves:

> ...It were better for you to return to those illustrious titles of yours in France: first to that hungerstarved Seigneurie of St. Loup, and next to that *sacré* Council of the Most Christian King; you are too far abroad from your own country for a counsellor. But I see full well that France desires not either you or your counsel, and did not, even when you were back a few years ago, and were beginning to smell out and hunt after a Cardinal's kitchen. She is right, by my troth, she is right, and can willingly allow you, you French capon, with your mankind wife and your desks chock-full of emptiness, to wander about, till somewhere in creation you light upon a dole bountiful enough for a grammarian-cavalier or illustrious hippo-critic,--always supposing any king or state has a mind to bid highest for a vagabond pedant that is on sale....

Despite the level of insult employed, Milton's polemic provided an effective response, both rhetorically and argumentatively, to Salmasius' volume. As John Alvis notes, Milton "ridicule\[s\] his adversary for having changed sides in a controversy, for meddling in the affairs of a nation foreign to him, and for having written in the pay of the son of the king he champions." At the same time, some critics such as George Saintsbury in the *Cambridge History of English and American Literature* have condemned this work and Milton's later *Defensio Secunda,* asserting that they show, in Saintbury's words, "a good deal of bandying of authority and of wearisome rebutting on particular points."

## Further controversy

Salmasius published no response during his lifetime, but a fragment of a reply was printed posthumously. A long anonymous reply, *Pro Rege et Populo Anglicano,* appeared later, in 1651 at Antwerp; this was authored by a royalist clergyman, John Rowland. It was answered on Milton's behalf by his nephew John Phillips, although Milton is reported to have given his nephew's work "Examination and Polishment" before publication.

## Further reading

* The *Defensio* is accessible in English translation in the Columbia University Press edition of Milton's works:
    + Frank Allen Patterson *et al.,* eds., *The Works of John Milton,* 18 vols., New York: Columbia University Press, 1931–38.
* A recent reprint of this text can be found in:
    + John Alvis, ed., *Areopagitica and Other Political Writings of John Milton,* Indianapolis: Liberty Fund, 1999. ISBN 0-86597-197-8.