title: Carlos Albert

abstract: Carlos Albert Andrés is a Spanish sculptor. He was one of the Group 99, whose manifesto intends to exalt the traditional values art. Albert works mainly with wrought iron and weathering steel. He considers Sculpture to share many of the features of drawing, and emphasizes in his work, skill and handling of these materials, especially iron, making drawings of his pieces "three-dimensional" creating empty spaces in the masses from tracks that seem to come alive. In his artistic creations is more important what he evokes and suggests to the viewer that what is represented. His career is part of abstract art.

text:
# Carlos Albert

**Carlos Albert Andrés** (born 24 February 1978) is a Spanish sculptor. He was one of the *Group 99*, whose manifesto intends to exalt the traditional values art. Albert works mainly with wrought iron and weathering steel. He considers Sculpture to share many of the features of drawing, and emphasizes in his work, skill and handling of these materials, especially iron, making drawings of his pieces "three-dimensional" creating empty spaces in the masses from tracks that seem to come alive. In his artistic creations is more important what he evokes and suggests to the viewer that what is represented. His career is part of abstract art.

## Biography

Albert was born on 24 February 1978 in Madrid. His artistic drive started very young. In 1996 he joined the Faculty of Fine Arts at the Complutense University of Madrid and four years later, the university granted a stay of studies at Camberwell College of Arts (University of the Arts London), also enriching his artistic training. This year was key for his career, because it was exposed for the first time in an art gallery participating in the project entitled Collective Will of Iron.

In 2001 he obtained a degree in Fine Arts, also winning the First Prize in the Visual Arts awarded by the Faculty. That same year, he obtained a grant from the Ministry of Culture of Luxembourg to take part in European Circle courses for the Propagation of the Arts, which served to expand their knowledge in the field.

After his studies of fine art, two years later he obtained the Diploma of Advanced Studies at the same university which represents the Art Fair Madrid, being awarded that year with several awards.

During his college days, Albert began with diverse materials, until he met the wrought iron that marked his artistic evolution. His current work comes from iron complex networks, whose hallmark is the balance of forms that fold by resounding losses in the material and the search for movement in most parts.

A significant moment in his artistic beginnings, was the meeting in Santander with the sculptor Martin Chirino, thanks to a grant from the Marcelino Botin Foundation in 1999. Along with this artist, he began special training in working with forging and sculptural conception.

During these years, Albert began to enter fully into the exhibition circuit by grants from entities such as Elsa Peretti Foundation and various competitions that in 2001, among others, awarded him the First Prize for Sculpture at the University of Seville. This same year he also participated in a group exhibition in the presence of his teacher Martin Chirino and was a breakthrough year for the artist that marked a before and after in his professional beginnings to the creation of the first monumental works, this time for the City Council of Móstoles. This was the beginning of his work as a sculptor of large pieces that soon after, in 2005, after receiving a number of awards and commissions from various public and private Spanish banks, his role was strengthened as a monumental sculptor to the present, we can see his work at various public spaces of several Spanish cities.

A significant example in this regard is the Door of Tolerance sculpture, which is 15 meters high and 20 meters wide, at the entrance of the town of Parla.

His way of working is guided by traditional values of composition and drawing, values that apply in all of his sculptures. Albert is an artist attached to the classics. Defend the traditional fundamental principle and basis of artistic creation.

Amazed at the ease with which he shapes the iron, as if shaping mud with waves and straight lines. The smoothness of the curves and the lightness of the forms denote an absolute master at manipulating the wrought iron.

An inspiration for his works will be cut up sections of the ship yards in Bueu Nodosa (Pontevedra), which also produced two of his monumental sculptures located in Cangas de Morrazo and Parla.

This will be the beginning of a series of naval-themed pieces, under the title of Marine Architecture, presented later in several solo exhibitions. The first was shown at the Gallery Four Seventeen of Madrid in 2006 as part of a larger project called Forged Spaces I, with works produced in sheets of steel, where the search space harmonic built was a constant.

Along with the search for traditional values, another important feature that stands out in the creation process of this sculptor, is intuition. This feature of the way he works can be perceived especially in small works, some of them leaving a clear footprint manifested as almost sketches of preparatory pieces that would seem to build the final work. However, there is a perfect calculation of all the weights. They are pieces that despite their apparent instability, maintain a great harmony as a whole.

Sketches seem to be also the series of collages that the artist made in refined style, with contrasting colors and lines. His compositions also reveal gaps, sometimes occupied by fields of color. They also present the intuitive nature that permeates many of his sculptures and you can guess a spontaneity in the execution of his strokes.

Combinations of different forms on paper that also have their counterpart in other materials such as steel cut on which Albert constructed reliefs, from the union of several plates worked with extreme softness and elegance.

At the same time, Albert continues to receive commissions for the creation of various memorials like the one held in 2007 to commemorate the victims of the March 11 attacks in Madrid in 2004, at the railway station of Santa Eugenia, coinciding with the third anniversary.

This year will also be important in his career, because he has started his collaboration with the Alberto Cornejo BAT Gallery in Madrid which represents the sculptor's work in the Art Fair Art Madrid. Also in this gallery, Carlos Albert, shown later among others, are two major individual exhibition projects like Spaces Forged II in 2010, with a great reception by the public and critics and Spaces Forged III in 2012, in which you can see a shift in his work from the technical perspective and composition with different pieces. However, at the same time they are related to each other, giving them all a link that makes clear the trademark of this sculptor.

2008 continued on one hand to be the year of recognition for the artist, who won first prize in competitions such as the consolidated Victorio Macho Award from the City of Palencia and the Manuel Martinez Bragagnolo Sculpture Competition of the City Council of Majadahonda. On the other hand, regarding his exhibitions, he presented the solo exhibition, Close Encounters of the Four Seventeen Gallery of Madrid, which he had previously exhibited.

In 2010 and 2011 he participated in several group exhibitions, such as the Youth Exchange titled Contemporary Art at the Van Dyck Art Gallery in Gijón, where the work of Carlos Albert achieved recognition and importance within the current art scene.

His presence in the arts sector has increased as time has passed and not only in the Spanish field but also abroad, in such renowned art fairs like Karlshruhe Art Fair and in German art galleries, such as 100KUBIK of Cologne, which in 2013 we will see a selection of works, in order to create greater awareness of his work internationally.

From the beginning of his career, Albert's effort to make visible his work was reflected in numerous solo and group exhibitions in which he participated and in the many events in which his presence has not been unnoticed by the public or by the organizations, earning numerous awards.

Also, Carlos Albert currently is committed to showcasing his work over the Internet and does so through the online art gallery Plastiké Art Gallery.

His career from 1999 until 2012 appears in a collection in a publication of 240 pages, entitled Carlos Albert, sculptor, which includes an interesting essay by the President of the Spanish Association of the Critics of Art, Tomás Paredes. In this book you can see the evolution of his work from the beginning, marked by clear influences of others, and finally evolving to compositions which Albert shows his own personality and personal code, a career that continues to this day to surprise anyone contemplates his sculptures.

As some of the sculptures of Carlos Albert, diaphanous horizon, beginning to chart the direction of its path, its heterodox work, his instincts, his elegant style, his singing Ferruginous radiant...

Tomás Paredes. President of the Spanish Association of Art Critics (Sculpture fragment test (gender, instinct, style) present in the book Carlos Albert, sculptor).

## Artistic career

### Formación

**1999-2000**

**2001**

* Bachelor's degree in Fine Arts (U.C.M.) Madrid.

**2003**

* Diploma of Advanced Studies for the PhD (DEA). Faculty of Fine Arts in Madrid. (U.C.M.).

### Solo exhibitions

**2016**

* *Kunst Zurich Fair*”. Solo project; 100 Kubik Gallery. Zurich, Switzerland.
* *Forged Reality*”. Bat Alberto Cornejo Gallery. Madrid.
* *Sculptures in Freedom*”. Outdoors exhibition. Segovia.
* *Albert: 2012-2016*”. Contemporary Art Museum Infanta Elena. Tomelloso. Spain.
* Art Angler Gallery. New York City. USA.
* *Forged thoughts*”. Jordi Pascual Gallery. Barcelona. Spain.

**2015**

**2014**

**2013**

**2012**

**2011**

* *Forged Spaces III*”. Bat Alberto Cornejo Gallery. Madrid. Spain.

**2010**

* *Forged Spaces II*”. Bat Alberto Cornejo Gallery. Madrid. Spain.

**2008**

**2006**

* *Forged Spaces*”. Cuatro Diecisiete Gallery. Madrid. Spain.

### Group exhibitions and fairs (selection)

**2017**

**2016**

* MDA Gallery, Stockholm, Sweden.
* *Masters of Contemporary Art*". Fermín Echauri Gallery. Pamplona.
* "*Albano and Carlos Albert*". Aurora Vigil-Escalera Gallery. Gijón.

**2015**

* *Realität ist nicht genug*”. 100 Kubik Gallery. Cologne.
* Art Madrid. Bat Alberto Cornejo Gallery. Madrid.
* *Half a century of Cultural Patronage*”. Sevillana Endesa Foundation. Real Alcazar de Sevilla.
* *One Artist*”, Karlsruhe Art Fair. 100 Kubik Gallery.

**2014**

* Kunst 14. Zurich Art Fair. 100 Kubik Gallery.
* Art Hamptons. New York City. Art Angler Gallery.
* Feriarte. Alfonso XIII Gallery. Madrid.
* Rodrigo Juarranz Gallery. Aranda de Duero.
* Karlsruhe Art Fair. 100 Kubik.
* Art Madrid. Bat Alberto Cornejo Gallery. Madrid.

**2013**

* Art Fair Cologne.100 Kubik Gallery. Cologne.
* *Black & White*”. Ignacio Lassaletta Gallery. Barcelona.
* Van Dyck Art Gallery. Gijón.
* Rodrigo Juarranz Gallery. Aranda de Duero.
* Karlsruhe Art Fair. 100 Kubik Gallery.
* Art Madrid. Bat Alberto Cornejo Gallery. Madrid.

**2012**

* *Carlos Albert & Koyama*”. Born Art Gallery. Barcelona.
* Van Dyck Art Gallery. Gijón.
* Art Madrid. Bat Alberto Cornejo Gallery. Madrid.

**2011**

**2010**

* *Small Formats*”. Fermín Echauri Gallery. Pamplona.
* Reales Atarazanas. Valencia.
* Luis de Morales Museum. Badajoz.

**2009**

* *White on Black*”. Fermín Echauri Gallery. Pamplona.

**2008**

**2007**

**2005**

* *Díaz Caneja Foundation*” Museum. Palencia.
* Sculpture Museum Center. Candas. Asturias.

**2004**

**2003**

* *Noventaynueve*”. Agustí Massana Hall, P. Espanyol. Barcelona.

**2002**

* Botanical Garden “*Alfonso XII*”. Madrid.
* *Around Chirino*”, Atlántica Gallery. A Coruña.
* Luis de Ajuría Exhibition Hall, Caja Vital Kutxa. Vitoria-Gasteiz.
* *Sport in Fine Arts*”, Centro Cultural Conde Duque. Madrid.
* Exhibitions Hall of the Faculty of Fine Arts in Seville.

**2001**

**2000**

* Old Contemporary Art Museum of Madrid.
* “Ferreous Wills”. Raquel Ponce Gallery. Madrid.
* Guest at the Graduation Exhibition of the “*Camberwell College of Arts*” (The London Institute). London.

**1999**

* *La Forja en Villa Iris*”. Marcelino Botín Foundation. Santander.

### Grants

## Awards (selection)

* Gold Medal of the Autumn Exhibition of the Royal Academy of Fine Arts, Santa Isabel de Hungría delivered by La Real Maestranza de Caballería de Sevilla. **2016**.
* *Sevillana Endesa Foundation*” Award in the LXI National Autumn Exhibition of the “Santa Isabel de Hungría Royal Academy of Fine Arts”. Seville. **2012**.
* First prize in the Sculpture Competition of “*AguaGranada Foundation*”. Granada, **2011**.
* First Prize en el National Sculpture Competition “*Ciudad de Melilla*”. **2008 and 2010**.
* First Prize in the XII Sculpture Competition “*Manuel Martínez Bragagnolo*”. Majadahonda, Madrid, **2008**.
* First Sculpture Prize “*Victorio Macho*” of the Awards “*Ciudad de Palencia*”, **2008**.
* Prize “*Cajasol*” of “*XV Iberian Prize of Sculpture*” “*Ciudad de Punta Umbría*”. Huelva, **2008**.
* First Sculpture Prize “*Ciudad De Atarfe*”. Granada, **2007**.
* First Prize of Santander Council for 2 monuments of 3 and 4 meters respectively, **2006**.
* First “*Sculpture International Prize*” of San Fernando Henares. Madrid. **2005**.
* First Prize for the design of a sculpture for the Malaga Council. **2005**.
* First Prize of the International Sculpture Competition on the street “*Urban Culture*” of San Fernando. Cádiz, **2005**.
* First Prize in the Sculpture Competition “*Inves-Morrazo*”, to execute a public sculpture of 6 x 6 x 3,5 m. Pontevedra, **2005**.
* Prize “*Fundación El Monte*” of XIII Iberian Prize of Sculpture “*Ciudad de Punta Umbría*”. Huelva, **2005**.
* First Sculpture Prize of the “*XVI Fine Arts Competition, Miguel González Sandoval*”. Excmo. Ayuntamiento de Lora del Río. Seville. **2003**.
* First Sculpture Prize of the “*IV National Competition Fernando Quiñones*”. Excmo. Ayuntamiento de Cádiz. **2003**.
* First Prize of the “*XXII Sculpture Competition Villa de Parla*”. **2002**.
* First Sculpture Prize of the “*VIII National Prize of the University of Seville*”, **2002**.
* First Prize of the “*Fine Arts Competition of the Faculty of Fine Arts of Madrid*”, **2001**.

## Public works museums and collections (selection)

## Bibliography

Albert Andrés, Carlos (2012). *Carlos Albert, sculptor*. Editorial Godoy. Madrid. ISBN 978-84-85995-39-4

BAT Gallery Alberto Cornejo

Plastiké Art Gallery

Carlos Albert at Born Art Gallery Barcelona

Carlos Albert at Four Seventeen Gallery

Carlos Albert; Art Gallery Wanson

Carlos Albert Escultor; Naos Arquitectura & Libros

Carlos Albert, Sevilla Foundation Award - Endesa

## InfoBox

| Carlos Albert | |
| --- | --- |
| Carlos Albert in his studio | |
| Born | Carlos Albert Andrés
(1978-02-24) 24 February 1978
Madrid, Spain |
| Nationality | Spanish |
| Known for | sculpture |


title: Samsung Galaxy Ace Plus

abstract: The Samsung Galaxy Ace Plus (GT-S7500[L/T/W]) is a smartphone model of the Samsung Galaxy Ace (S5830), released by Samsung in 2012. The phone weighs 115 grams (4.1 oz), has a display size of 3.65 inches (93 mm), and retains the same 320x480 resolution as the original Ace. Various new technologies and features were introduced with the Ace Plus.

text:
# Samsung Galaxy Ace Plus

The **Samsung Galaxy Ace Plus** (GT-S7500\[L/T/W\]) is a smartphone model of the Samsung Galaxy Ace (S5830), released by Samsung in 2012. The phone weighs 115 grams (4.1 oz), has a display size of 3.65 inches (93 mm), and retains the same 320x480 resolution as the original Ace. Various new technologies and features were introduced with the Ace Plus.

## Software and hardware

The Ace Plus contains a 1 GHz Qualcomm S1 processor, paired with 512 MB of RAM. It features a single camera on the back equipped with autofocus. The device also includes GPS, microUSB 2.0, Bluetooth, Wi-Fi, an FM radio, 3 GB of internal memory, and a microSD slot capable of supporting up to 32 GB of external memory. The Galaxy Ace Plus runs Android Ice Cream Sandwich.

### Instant messaging service

The Ace Plus incorporates Samsung’s ChatON. Users can text each other, start multi-person conversations, and share multimedia files using their phone numbers. ChatON is similar to the iPhone’s iMessage and BlackBerry’s BlackBerry Messenger.

### System and screen control

The Ace Plus features the upgraded GUI and TouchWiz 4.0 interface. The lock screen and menus are designed backgrounds. Users can have up to 7 unique home screens. They can be rearranged, deleted, or added at any point as the user wishes.

### Phone book and social hub

The Ace Plus features a phone book with a cloud syncing feature. It also offers a "quick contacts" feature in which the users can quickly access specific contacts.

Social Hub combines the users' email accounts with social networking platforms so that all incoming emails are collected in one list. Users can mark them as favorites and have shortcuts to reply to emails.

### A-GPS navigation app

The Ace Plus has an app called A-GPS, which offers similar functionality to Google Maps. It offers voice-guided navigation in certain countries and displays instructions elsewhere.

## InfoBox

Samsung Galaxy Ace Plus
GT-S7500
|  | |
| --- | --- |
| Manufacturer | Samsung Electronics |
| Series | Galaxy |
| Compatible networks | **GSM** 850/900/1800/1900
**HSDPA** 7.2 Mbps 900/2100 (Canada **HSPA** 850/1900) |
| First released | 28 February 2012 (2012-02-28) |
| Availability by region | **UK** 17 March 2012 (2012-03-17) |
| Predecessor | Samsung Galaxy Ace |
| Successor | Samsung Galaxy Ace 2 |
| Type | Smartphone |
| Form factor | Slate |
| Dimensions | 114.7 x 62.5 x 11.2 mm |
| Weight | 115 g (4.1 oz) |
| Operating system | Android 4.0.4 "Ice Cream Sandwich" with TouchWiz **Current:** Android 4.1.2 Jelly Bean" |
| CPU | Qualcomm S1 MSM7227A 1 GHz Cortex A5 processor |
| GPU | Adreno 200 GPU, 200 MHz |
| Memory | 512 MB |
| Storage | 3 GB |
| Removable storage | microSD (supports up to 32 GB) |
| Battery | 1,300 mAh, 5.0 Wh, 3.7 , internal rechargeable Li-ion, user replaceable |
| Display | TFT LCD, 3.65 in (93 mm) diagonal.
320x480 px (158ppi) HVGA
16M colors |
| Rear camera | 5.0-megapixel 2592x1944 max, 3x digital zoom, autofocus, LED flash, VGA video recording 640x480 px MPEG4 at 30 fps max. |
| Connectivity | 3.5 mm jack
Bluetooth v3.0 with A2DP
DLNA
Stereo FM radio with RDS
Micro-USB 2.0
Wi-Fi 802.11 b/g/n |
| Data inputs | Multi-touch, capacitive touchscreen
Accelerometer
A-GPS
Digital compass
Proximity sensor
Push buttons
Capacitive touch-sensitive buttons |
| Other | Swype keyboard |
| SAR | 0.84 W/kg |


title: Queen Elizabeth II Jubilee Stakes

abstract: The Queen Elizabeth II Jubilee Stakes is a Group 1 flat horse race in Great Britain open to horses aged four years or older. Three-year-olds foaled in the Southern Hemisphere are also eligible. It is run at Ascot over a distance of 6 furlongs, and it is scheduled to take place each year in June.

text:
# Queen Elizabeth II Jubilee Stakes

Diamond Jubilee Stakes
| 2022 | | |
| --- | --- | --- |
|  |  |  |
| Naval Crown | Creative Force | Campanelle |

| Previous years | | |
| --- | --- | --- |
| 2021 | | |
|  |  |  |
| Dream Of Dreams | Glen Shiel | Art Power |

| 2020-2011 | | |
| --- | --- | --- |
| 2020 | | |
|  |  |  |
| Hello Youmzain | Dream Of Dreams | Sceptical |
| 2019 | | |
|  |  |  |
| Blue Point | Dream Of Dreams | Kachy |
| 2018 | | |
|  |  |  |
| Merchant Navy | City Light | Bound For Nowhere |
| 2017 | | |
|  |  |  |
| The Tin Man | Tasleet | Limato |
| 2016 | | |
|  |  |  |
| Twilight Son | Gold-Fun | Signs Of Blessing |
| 2015 | | |
|  |  |  |
| Undrafted | Brazen Beau | Astaire |
| 2014 | | |
|  |  |  |
| Slade Power | Due Diligence | Aljamaaheer |
| 2013 | | |
|  |  |  |
| Lethal Force | Society Rock | Krypton Factor |
| 2012 | | |
|  |  |  |
| Black Caviar | Moonlight Cloud | Restiadargent |
| 2011 | | |
|  |  |  |
| Society Rock | Monsieur Chevalier | Star Witness |

| 2010-2001 | | |
| --- | --- | --- |
| 2010 | | |
|  |  |  |
| Starspangledbanner | Society Rock | Kinsale King |
| 2009 | | |
|  |  |  |
| Art Connoisseur | Cannonball | Lesson In Humility |
| 2008 | | |
|  |  |  |
| Kingsgate Native | War Artist | Sir Gerry |
| 2007 | | |
|  |  |  |
| Soldier's Tale | Takeover Target | Asset |
| 2006 | | |
|  |  |  |
| Les Arcs | Balthazaar's Gift | Takeover Target |
| 2005 | | |
|  |  |  |
| Cape Of Good Hope | Galeota | Balmont |
| 2004 | | |
|  |  |  |
| Fayr Jag | Crystal Castle | Cape Of Good Hope |
| 2003 | | |
|  |  |  |
| Choisir | Airwave | Baron's Pit |
| 2002 | | |
|  |  |  |
| Malhub | Danehurst | Three Points |
| 2001 | | |
|  |  |  |
| Harmonic Way | Three Points | Freud |

| 2000-1991 | | |
| --- | --- | --- |
| 2000 | | |
|  |  |  |
| Superior Premium | Sampower Star | Lend A Hand |
| 1999 | | |
|  |  |  |
| Bold Edge | Russian Revival | Vision of Night |
| 1998 | | |
|  |  |  |
| Tomba | Dyhim Diamond | Andreyev |
| 1997 | | |
|  |  |  |
| Royal Applause | Blue Goblin | Catch The Blues |
| 1996 | | |
|  |  |  |
| Atraf | Catch The Blues | Watch Me |
| 1995 | | |
|  |  |  |
| So Factual | Lake Coniston | Nuriva |
| 1994 | | |
|  |  |  |
| Owington | So Factual | Catrail |
| 1993 | | |
|  |  |  |
| College Chapel | Keen Hunter | Dolphin Street |
| 1992 | | |
|  |  |  |
| Shalford | Amigo Menor | Spanish Storm |
| 1991 | | |
|  |  |  |
| Polish Patriot | Chicarica | Montendre |

| 1990-1988 | | |
| --- | --- | --- |
| 1990 | | |
|  |  |  |
| Great Commotion | Dead Certain | La Grange Music |
| 1989 | | |
|  |  |  |
| Danehill | Nabeel Dancer | Savahra Sound |
| 1988 | | |
|  |  |  |
| Posada | Wing Park | Point Of Light |
|  | | |

The **Queen Elizabeth II Jubilee Stakes** is a Group 1 flat horse race in Great Britain open to horses aged four years or older. Three-year-olds foaled in the Southern Hemisphere are also eligible. It is run at Ascot over a distance of 6 furlongs (1,207 metres), and it is scheduled to take place each year in June.

## History

The event was established in 1868, and it was originally called the All-Aged Stakes. It was renamed the Cork and Orrery Stakes in 1926, in honour of the 9th Earl of Cork, who served as the Master of the Buckhounds in the 19th century.

The present system of race grading was introduced in 1971, and the Cork and Orrery Stakes was initially classed at Group 3 level. It was promoted to Group 2 status in 1998.

The race was renamed to commemorate the Golden Jubilee of Queen Elizabeth II in 2002. From this point it held Group 1 status. In 2012 the race was named the Diamond Jubilee Stakes, to commemorate the Queen's Diamond Jubilee and in 2022 it was again renamed to the Platinum Jubilee Stakes, to commemorate the Queen's Platinum Jubilee. In 2023 the race was given its present title, to honour the memory of the Queen and retain the connection with the three jubilees celebrated since 2002.

The Platinum Jubilee Stakes became part of a new international race series, the Global Sprint Challenge, in 2005.

The race is now contested on the final day of the five-day Royal Ascot meeting. Prior to 2015 the race was also open to three-year-olds. It was restricted to four-year-olds and up when a new six furlong Group One race, the Commonwealth Cup, was created at the meeting for three-year-olds only in 2015.

## Records

**Most successful horse (3 wins):**

* Prince Charlie – *1872, 1873, 1874*

**Leading jockey (10 wins):**

* Lester Piggott*Right Boy (1958, 1959), Tin Whistle (1960), El Gallo (1963), Mountain Call (1968), Welsh Saint (1970), Saritamer (1974), Swingtime (1975), Thatching (1979), College Chapel (1993)*

**Leading trainer (5 wins):**

* Vincent O'Brien*Welsh Saint (1970), Saritamer (1974), Swingtime (1975), Thatching (1979), College Chapel (1993)*

**Leading owner (3 wins):**

* Joseph Dawson – *Prince Charlie (1872, 1873, 1874)*
* Jack Joel*Sunflower II (1912), Hamlet (1923, 1924)*

## Winners since 1971

| **Year**
 | **Winner**
 | **Age**
 | **Jockey**
 | **Trainer**
 | **Owner**
 | **Time**
 |
| --- | --- | --- | --- | --- | --- | --- |
| 1971 | King's Company | 3 | Freddy Head | Willie Robinson |  |  |
| 1972 | Parsimony | 3 | Willie Carson | Fulke Johnson Houghton |  |  |
| 1973 | Balliol | 4 | Brian Taylor | John Winter | Daniel Prenn |  |
| 1974 | Saritamer | 3 | Lester Piggott | Vincent O'Brien | Charles St George |  |
| 1975 | Swingtime | 3 | Lester Piggott | Vincent O'Brien |  |  |
| 1976 | Gentilhombre | 3 | Paul Cook | Neil Adam |  |  |
| 1977 | He Loves Me | 3 | Joe Mercer | Jeremy Hindley |  |  |
| 1978 | Sweet Mint | 4 | Wally Swinburn | Noel Meade | M. Wright |  |
| 1979 | Thatching | 4 | Lester Piggott | Vincent O'Brien | Robert Sangster |  |
| 1980 | Kearney | 3 | Walter Swinburn | Willie Robinson | Mrs Dermot McGillycuddy |  |
| 1981 | The Quiet Bidder | 3 | Walter Swinburn | Reg Hollinshead | Heathavon Stables |  |
| 1982 | Indian King | 4 | Greville Starkey | Guy Harwood | J. Levy |  |
| 1983 | Sylvan Barbarosa | 4 | Brian Rouse | Philip Mitchell | Johnson / Wade |  |
| 1984 | Committed | 4 | Brent Thomson | Dermot Weld | Robert Sangster | 1:14.12 |
| 1985 | Dafayna | 3 | Willie Carson | Michael Stoute | HH Aga Khan IV |  |
| 1986 | Sperry | 3 | Paul Eddery | Peter Walwyn | Yahya Nasib |  |
| 1987 | Big Shuffle | 3 | Michael Kinane | Dermot Weld | Moyglare Stud Farm | 1:18.57 |
| 1988 | Posada | 3 | Michael Roberts | Fulke Johnson Houghton | Tim Holland-Martin | 1:13.20 |
| 1989 | Danehill | 3 | Willie Carson | Jeremy Tree | Khalid Abdullah | 1:12.95 |
| 1990 | Great Commotion | 4 | Pat Eddery | Alex Scott | Maktoum Al Maktoum | 1:14.42 |
| 1991 | Polish Patriot | 3 | Ray Cochrane | Guy Harwood | Dick Kirstein | 1:13.73 |
| 1992 | Shalford | 4 | Michael Roberts | Richard Hannon Sr. | D. F. Cock | 1:12.53 |
| 1993 | College Chapel | 3 | Lester Piggott | Vincent O'Brien | Jacqueline O'Brien | 1:19.15 |
| 1994 | Owington | 3 | Michael Hills | Geoff Wragg | Baron G. von Ullmann | 1:13.18 |
| 1995 | So Factual | 5 | Frankie Dettori | Saeed bin Suroor | Godolphin | 1:12.99 |
| 1996 | Atraf | 3 | Willie Carson | David Morley | Hamdan Al Maktoum | 1:14.07 |
| 1997 | Royal Applause | 4 | Michael Hills | Barry Hills | Maktoum Al Maktoum | 1:15.33 |
| 1998 | Tomba | 4 | Michael Tebbutt | Brian Meehan | John Good | 1:16.99 |
| 1999 | Bold Edge | 4 | Dane O'Neill | Richard Hannon Sr. | Lady Whent & Friends | 1:13.80 |
| 2000 | Superior Premium | 6 | Johnny Murtagh | Richard Fahey | Jim Parsons | 1:14.83 |
| 2001 | Harmonic Way | 6 | Steve Drowne | Roger Charlton | Alexandra Chandris | 1:13.45 |
| 2002 | Malhub | 4 | Kevin Darley | John Gosden | Hamdan Al Maktoum | 1:14.34 |
| 2003 | Choisir | 4 | Johnny Murtagh | Paul Perry | Terry Wallace & Partners | 1:12.23 |
| 2004 | Fayr Jag | 5 | Willie Supple | Tim Easterby | Jonathan Gill | 1:13.35 |
| 2005 | Cape of Good Hope \[a\] | 7 | Michael Kinane | David Oughton | Exors of Ron Carstairs | 1:08.58 |
| 2006 | Les Arcs | 6 | John Egan | Tim Pitt | Willie McKay | 1:13.12 |
| 2007 | Soldier's Tale | 6 | Johnny Murtagh | Jeremy Noseda | Budget Stable | 1:14.51 |
| 2008 | Kingsgate Native | 3 | Seb Sanders | John Best | John Mayne | 1:13.33 |
| 2009 | Art Connoisseur | 3 | Tom Queally | Michael Bell | Richard Green | 1:14.90 |
| 2010 | Starspangledbanner | 4 | Johnny Murtagh | Aidan O'Brien | Michael Tabor *et al.* | 1:12.57 |
| 2011 | Society Rock | 4 | Pat Cosgrave | James Fanshawe | Simon Gibson | 1:17.22 |
| 2012 | Black Caviar | 5 | Luke Nolen | Peter Moody | G. J. Wilkie, K. J. Wilkie *et al* | 1:14.10 |
| 2013 | Lethal Force | 4 | Adam Kirby | Clive Cox | Alan G. Craddock | 1:13.36 |
| 2014 | Slade Power | 5 | Wayne Lordan | Edward Lynam | Sabena Power | 1:12.40 |
| 2015 | Undrafted | 5 | Frankie Dettori | Wesley Ward | Wes Welker & Sol Kumin | 1:12.69 |
| 2016 | Twilight Son | 4 | Ryan Moore | Henry Candy | Godfrey Wilson & Cheveley Park Stud | 1:13.84 |
| 2017 | The Tin Man | 5 | Tom Queally | James Fanshawe | Fred Archer Racing - Ormonde | 1:12.02 |
| 2018 | Merchant Navy | 3 | Ryan Moore | Aidan O'Brien | Merchant Navy Synd, Tabor, Smith , Magnier | 1:12.09 |
| 2019 | Blue Point | 5 | James Doyle | Charlie Appleby | Godolphin | 1:11.42 |
| 2020 | Hello Youmzain | 4 | Kevin Stott | Kevin Ryan | Haras d'Etreham and Cambridge Stud | 1:13.42 |
| 2021 | Dream of Dreams | 7 | Ryan Moore | Michael Stoute | Saeed Suhail | 1:14.87 |
| 2022 | Naval Crown | 4 | James Doyle | Charlie Appleby | Godolphin | 1:12.17 |
| 2023 | Khaadem | 7 | Jamie Spencer | Charles Hills | Mrs Fitri Hay | 1:12.42 |
| 2024 | Khaadem | 8 | Oisin Murphy | Charles Hills | Mrs Fitri Hay | 1:12.25 |

## Earlier winners

### As the All-Aged Stakes

* 1868: Laneret
* 1869: *no race*
* 1870: Normanby
* 1871: Cymbal
* 1872: Prince Charlie
* 1873: Prince Charlie
* 1874: Prince Charlie
* 1875: Lowlander
* 1876: Lowlander
* 1877: Ecossais
* 1878: Trappist
* 1879: Hackthorpe
* 1880: Valentino
* 1881: Charibert
* 1882: Marden
* 1883: Despair
* 1884: Geheimniss
* 1885: Energy
* 1886: Whitefriar
* 1887: Whitefriar
* 1888: Deuce of Clubs
* 1889: Napoleon
* 1890: Mephisto
* 1891: Bel Demonio
* 1892: Peter Flower
* 1893: Schemer
* 1894: Northshampton
* 1895: Grey Leg
* 1896: Speed
* 1897: Red Heart
* 1898: St Lucia
* 1899: Oria
* 1900: Nattie
* 1901: Bridge
* 1902: Reine des Fleurs
* 1903: Lord Bobs
* 1904: Cossack
* 1905: Delaunay
* 1906: Queen's Holiday
* 1907: Rocketter
* 1908: Llangwm
* 1909: Hillside III
* 1910: New Castle II
* 1911: Golden Rod
* 1912: Sunflower II
* 1913: Hornet's Beauty
* 1914: Hornet's Beauty
* 1915–18: *no race*
* 1919: Freesia
* 1920: Diadem
* 1921: Tete a Tete
* 1922: Pharmacie
* 1923: Hamlet
* 1924: Hamlet
* 1925: Drake

### As the Cork and Orrery Stakes

* 1926: Diomedes
* 1927: Highborn II
* 1928: Zaretta
* 1929: Royal Minstrel
* 1930: Costaki Pasha
* 1931: Grindleton
* 1932: Slipper
* 1933: The Divot
* 1934: Solenoid
* 1935: Winandermere
* 1936: Bellacose
* 1937: Pherozshah
* 1938: Ipsden
* 1939: Old Reliance
* 1940–45: *no race*
* 1946: Honeyway
* 1947: The Bug
* 1948: Delirium
* 1949: Solonaway
* 1950: Abadan
* 1951: Bob Cherry
* 1952: Royal Serenade
* 1953: Blood Test
* 1954: Key
* 1955: Trouville
* 1956: Grass Court
* 1957: Matador
* 1958: Right Boy
* 1959: Right Boy
* 1960: Tin Whistle
* 1961: Bun Penny
* 1962: Compensation
* 1963: El Gallo
* 1964: *no race*
* 1965: Majority Blue
* 1966: Current Coin
* 1967: Siliconn
* 1968: Mountain Call
* 1969: Tudor Music
* 1970: Welsh Saint

---

* galopp-sieger.de*Golden Jubilee Stakes (ex Cork and Orrery / All-Aged Stakes).*
* horseracingintfed.com*International Federation of Horseracing Authorities – Diamond Jubilee Stakes (2018).*
* pedigreequery.com*Golden Jubilee Stakes – Ascot.*
* Abelson, Edward; John Tyrrel (1993). *The Breedon Book of Horse Racing Records*. Breedon Books. pp. 87–88. ISBN 1-873626-15-0.

## InfoBox

Queen Elizabeth II Jubilee Stakes
| Group 1 race | |
| --- | --- |
| Location | Ascot Racecourse
Ascot, England |
| Inaugurated | 1868 |
| Race type | Flat / Thoroughbred |
| Website | Ascot |
| Race information | |
| Distance | 6f (1,207 metres) |
| Surface | Turf |
| Track | Straight |
| Qualification | Four-years-old and up
(Southern Hemisphere 3yo allowed) |
| Weight | 9 stone 3 lb
**Allowances**
3 lb for fillies and mares |
| Purse | 1,000,000 *(2022)*
**1st:** £567,100 |
| Bonuses | see Global Sprint Challenge |


title: John Evans (publisher)

abstract: John Evans (1753–1820) was a London publisher who specialized in Street literature, popular prints, religious tracts, and children's literature. He also sold patent medicines in association with William Howard. John Evans was notable as one of the printers and publishers of the Cheap Repository Tracts 1797–1820. He was based in Long Lane, London where he printed The Black Prince an account of the life of John Naimbanna.

text:
# John Evans (publisher)

**John Evans** (1753–1820) was a London publisher who specialized in Street literature, popular prints, religious tracts, and children's literature. He also sold patent medicines in association with William Howard. John Evans was notable as one of the printers and publishers of the Cheap Repository Tracts 1797–1820. He was based in Long Lane, London where he printed The Black Prince an account of the life of John Naimbanna.

## Life

John Evans was baptised 18 November 1753 in the parish church of St Giles without Cripplegate, London, the second son of Thomas. He married Mary Roberts at St Sepulchre's church 5 February 1778. They had five children, all of whom were baptized in St Sepulchre's church: John Edward, 20 February 1785; Mary, 20 June 1786; James, 27 April 1788, Charles 3 January 1790, Elizabeth 10 January 1791. Following the death of his first wife, he married Mary Dawes 30 August 1793, at St Giles without Cripplegate, London. They had, William, baptised 7 April 1793 and Benjamin Evans, baptized 14 December 1794. He died 13 March 1820 and was buried in Bunhill Fields, London 13 March 1820.

## Career

In June 1779 Evans was employed by Richard Marshall, printer and publisher, of No. 4, Aldermary Churchyard, and was a witness to his will. Following Richard's death later that same year he continued working for Richard Marshall's successors, the firm of John Marshall and Co. In 1783 the partners employed Evans to manage their wholesale bookshop at 42 Long Lane, West Smithfield on their behalf. In November 1795 Evans entered a list of twelve small books he had published in the Stationers Register.

### 42 Long Lane

In 1787 the partners agreed to let Evans operate the shop in his own name, “to avoid being liable to serve parish and other offices,” although they continued to pay the operating costs, his salary, and provide the stock. A further 10-year contract from 1 January 1790 was signed by Evans with John Marshall (publisher) following the dissolution of the partnership. In March 1791, Evans received a proposal to become the London agent for a Dr. Waite in the sale of his “Worm Medicine.” At this time Marshall raised no objection to his employee doing so. However, following the death of Dr. Waite a year later, Evans and another agent, William Howard of Reading, jointly purchased the rights to manufacture and sell the medicine. Marshall became concerned with his employee's side-lines and following a dispute he dismissed Evans and sought to regain possession of his shop, only to find that Evans had secretly renegotiated the renewal of the lease in his own name. The matter was taken to the Court of Chancery by Marshall and was decided in his favour, forcing Evans and his new partner to leave. At first Evans refused to move and occupied half of the shop and set up a press where he printed copies of several of Marshall's publication. However Marshall obtained a writ of execution and he did eventually move into small premises next door to 41 Long Lane 29 September 1793, taking with him Marshall's business records. Marshall also retaliated by marketing his own counterfeit version of Dr Waite's Worm medicine which was advertised in the London press. Marshall also made further complaint to the court regarding Evans’ conduct.

### 41 Long Lane

John Evans was in business at 41 Long Lane, in opposition to John Marshall next door between September 1793 and March 1796, where he printed a range of street literature publications and cheap books for children. Evans was eventually forced to return Marshall's business records and pay him compensation.

### 41 & 42 Long Lane

John Marshall gave up the lease of 42 Long Lane at Easter 1796 in order to concentrate on publishing Hannah More's Cheap Repository Tracts, to which he had been appointed the sole printer in February 1796. Following a dispute with Hannah More in the autumn of 1797 John Marshall resigned his post of Printer to the Cheap Repository and John Evans was appointed in his place. Evans and Howard took up the vacant lease and thereafter operated from both premises. Initially the publishing business used the imprint J. Evans or John Evans, but during 1799 a formal partnership with Howard was formed and the imprint became J. Evans & Co. (1799–1801) and then Howard and Evans. The business continued to print new tract titles until December 1797, and thereafter reprints of the existing titles until the 1830s. William Howard died 11 April 1811, and for a brief period the business reverted to using the imprint ‘John Evans’. before becoming ‘John Evans and Son,’ in 1812, and ‘John Evans and Sons between 1818 and 1820.

## Death

John Evans died in March 1820 and his business was continued by his two elder sons, John Edward and Charles Evans. until c. 1828. Thereafter, John Edward continued alone at 42 Long Lane until 1839, the following year moving to 62 Snowhill where he continued until 1844.

* Jonathan Cooper, ‘Alphabet Pies, Animal Quacks, and Ugly Sisters: John Evans and the Growth of Cheap Books for Children’, Cheap Print and Street Literature of the Long Eighteenth Century, David Atkinson and Steve Roud (editors), Open Book Publishers, 2023,)
* Leslie Shepard, *John Pitts, Ballad Printer of Seven Dials, London, 1765-1844,* Private Libraries Association, 1970.
* David Stoker, 'John Marshall, John Evans and the Cheap Repository Tracts', Papers of the Bibliographical Society of America, 107: 1, (2013), 81–115.
* David Stoker, ‘The later years of the Cheap Repository’, Papers of the Bibliographical Society of America, 111: 3, (2017), 317–344.

## InfoBox

| John Evans (publisher) | |
| --- | --- |
| Born | Baptized 18 November 1753,
London, St Giles Cripplegate |
| Died | Buried 13 March 1820
London, Bunhill Fields |
| Occupation(s) | Publisher, printer, printseller, medicine seller |
| Spouse(s) | 1. Mary Roberts (m.1778); 2. Mary Dawes (m.1793) |
| Children | John Edward, Mary, James, Charles, Elizabeth, William & Benjamin Evans. |
| Parent(s) | Thomas Evans, Silversmith and Elizabeth Evans. |


title: Cardiel Lake

abstract: Lago Cardiel is a lake in Patagonia, Argentina, between the Andean Cordillera and the South Atlantic.

text:
# Cardiel Lake

**Lago Cardiel** (Spanish pronunciation: \[kaɾˈðjel\]) is a lake in Patagonia, Argentina, between the Andean Cordillera and the South Atlantic.

## InfoBox

| Lago Cardiel | |
| --- | --- |
| Lago Cardiel | |
| Location | Río Chico Department, Santa Cruz Province, Patagonia |
| Coordinates | 48°57′S 71°13′W / 48.950°S 71.217°W / -48.950; -71.217 |
| Primary inflows | Rio Cardiel |
| Primary outflows | *none* |
| Basin countries | Argentina |
|  | |
| Surface area | 370 km2 (140 sq mi) |
| Average depth | 49.1 m (161 ft) |
| Max. depth | 76 m (249 ft) |
| Surface elevation | 276 m (906 ft) |


title: The Allure of Tears

abstract: The Allure of Tears is a 2011 Chinese romance drama film co-written and directed by Wong Chun-chun and starring Zhou Dongyu, Aarif Rahman, Gigi Leung, Richie Jen, Joe Chen, and Shawn Dou. The film consists of three love stories. The film premiered in China on December 22, 2011.

text:
# The Allure of Tears

***The Allure of Tears*** (Chinese: 倾城之泪) is a 2011 Chinese romance drama film co-written and directed by Wong Chun-chun and starring Zhou Dongyu, Aarif Rahman, Gigi Leung, Richie Jen, Joe Chen, and Shawn Dou. The film consists of three love stories. The film premiered in China on December 22, 2011.

## Cast

## Release

*The Allure of Tears* was released on December 22, 2011 in mainland China, and on March 1, 2012 in Hong Kong.

## Reception

The film was accused of plagiarizing the plot of several Korean films and duplicating the poster concept of the 2005 South Korean film *Sad Movie*.

## InfoBox

| The Allure of Tears | |
| --- | --- |
| Film poster | |
|  | |
| Traditional Chinese | 傾城之淚 |
| Simplified Chinese | 倾城之泪 |
|
| Hanyu Pinyin | Qīngchéng Zhī Leì |
|  | |
|  | |
| Directed by | Wong Chun-chun |
| Written by | Lawrence Cheng
Wong Chun-chun
Silver Hau
Skipper Cheng |
| Produced by | Lawrence Cheng
Daniel Feng
Guang Yuan Fu
Grace Song |
| Starring | Zhou Dongyu
Aarif Rahman
Gigi Leung
Richie Jen
Joe Chen
Shawn Dou |
| Cinematography | Yu Jing-pin |
| Edited by | Wong Hei
Kwong Chi-leung |
| Music by | Chiu Tsang-hei |
| Production
company | Cayie Movie & Video Communication |
| Distributed by | Fu Jian Heng ye Film Distribution |
| Release date | * 22 December 2011 (2011-12-22) (China) |
| Running time | 111 minutes |
| Country | China |
| Language | Mandarin |


title: Unrestricted submarine warfare

abstract: Unrestricted submarine warfare is a type of naval warfare in which submarines sink merchant ships such as freighters and tankers without warning. The use of unrestricted submarine warfare has had significant impacts on international relations in regards to both the First World War and the Second World War. Its history has been dominated by German decision making. There have been attempts to limit the use of unrestricted naval warfare, with some dating back to before the turn of the 20th century as an extension of rules for surface raiders. While initially submarines operated successfully by attacking on the surface using deck guns, attacking without warning while submerged reduces the opportunity for the target to escape or defend itself if armed.

text:
# Unrestricted submarine warfare

**Unrestricted submarine warfare** is a type of naval warfare in which submarines sink merchant ships such as freighters and tankers without warning. The use of unrestricted submarine warfare has had significant impacts on international relations in regards to both the First World War and the Second World War. Its history has been dominated by German decision making.

There have been attempts to limit the use of unrestricted naval warfare, with some dating back to before the turn of the 20th century as an extension of rules for surface raiders. While initially submarines operated successfully by attacking on the surface using deck guns, attacking without warning while submerged reduces the opportunity for the target to escape or defend itself if armed.

## History

Customary naval law (specifically, so called cruiser rules) specified that while enemy warships may be attacked freely, civilian and neutral ships can only be interfered with if carrying contraband (announced previously in a contraband list), and the lives of the crew should be protected. Formal limitations on warfare at sea date back to the 1899 Hague Convention.

However, the Imperial German navy was heavily criticised internally by high level officials for their relative inactivity at the start of WWI. To boost the role of the navy, and buoyed by early successes of U-boat warfare, Admiral Tirpitz and Admiral von Pohl suggested a plan whereby U-boats, given a free hand to attack shipping, could potentially force Britain into a "concillatory mood" in as few as six weeks. The admirals appealed to public opinion through press interviews, posing the submarines as "miracle weapons", despite the extremely small number of vessels available. It was believed that a "shock effect" would cause shipping to cease, and that neutrals would judge the campaign a reasonable reprisal for the British naval blockade. Chancellor Bethmann Hollweg accepted this strategy on February 1, 1915, and a directive issued the next day, with a public announcement on the 4th.

This first campaign was not fully unrestricted as it was aimed at Allied vessels, with neutral shipping officially not to be targeted. Many submarine commanders also chose to adhere to cruiser rules anyway. However, the German Admiralty encouraged the U-boats to attack without warning and minimise efforts at identifying targets, as "accidental" sinking of neutral vessels was viewed to have a useful deterrent effect. In the end, the German campaign did not have a significant impact on Britain's goods traffic, but took a heavy civilian toll, including to neutrals. In the most dramatic episode they sank *Lusitania* in May 1915 in a few minutes, killing over a hundred American passengers. In the face of US anger, German Chancellor Bethmann Hollweg obtained a secret directive to exclude passenger vessels from being targeted and to make strenuous measures to avoid striking neutral vessels, a measure made into a formal and public suspension of unrestricted warfare after the sinking of *Arabic* in August 1915. Submarines operated under prize rules for 1916 - indeed even during 1915 the majority of attacks were made on the surface.

Admiral Henning von Holtzendorff, chief of the Imperial Admiralty staff, argued successfully in early 1917 to resume unrestricted attacks, at a greater scale than 1915 and thus hopefully successfully starve the British into surrender. The German high command realized the resumption of unrestricted submarine warfare meant war with the United States but calculated that American mobilization would be too slow to stop a German victory on the Western Front. The decision made by Germany became one of the "trigger mechanisms" causing the United States, who were previously neutral, to join the war in favour of the British. While initially successful, the U-boats would once again fall short of the hopes of the German Admiralty.

After World War I, there was a strong push to construct international rules prohibiting submarine attacks on merchant ships. In 1922 the United States, the United Kingdom, Japan, France and Italy signed the Washington Treaty on Poison Gas and Submarines, to so restrict the use of submarines as to make them useless as commerce raiders. France did not ratify, so the treaty did not go into effect.

In 1936, states signed the London Protocol on Submarine Warfare. To be deemed acceptable, naval attacks needed to follow prize rules, which called for warships to search merchantmen and place crews in "a place of safety" before sinking them.

Interwar prohibitions on unrestricted submarine warfare have been described as being too unspecified, thus leading to disagreements over how to interpret the rules and agreements. For example, it was unclear what differentiated merchant ships from military ships, in particular given that Britain wanted to retain the rights to arm its merchants. Furthermore, it was considered impractical for small submarines to take on the crews of noncombatant ships due to a lack of space. Crews could be placed in emergency boats, but there was disagreement as to how safe that was.

Prior to World War II, 48 states had accepted the prohibitions on unrestricted submarine warfare, including the great power combatants during World War II. However states rapidly abandoned these restrictions: Mostly significantly Germany with War Order No. 154, and the US from the start of the War in the Pacific.

## Instances

There have been four campaigns of unrestricted submarine warfare, one in World War I and three in World War II:

1. The U-boat campaign of World War I, waged intermittently by Germany between 1915 and 1918 against Britain and her allies. One of the most infamous acts was on May 7, 1915, when U-boat *U-20* deliberately torpedoed the British Cunard luxury liner RMS *Lusitania*. Germany's resumption of unrestricted submarine warfare in February 1917, together with the Zimmermann Telegram, brought American entry into World War I on the British side.
2. The Battle of the Atlantic during World War II. Between 1939 and 1945, it was waged between Nazi Germany and the Allies and also from 1940 to 1943 between Fascist Italy and the Allies.
3. The Baltic Sea Campaigns on the Eastern Front, during World War II. Between 1941 and 1945, especially from 1942, it was waged between Nazi Germany and the Soviet Union, primarily in the Baltic Sea.
4. The Pacific War during World War II, between 1941 and 1945, waged between the Allies (especially the US Navy) and the Japanese Empire.

The four cases were attempts to impose a naval blockade on countries, especially those heavily dependent on merchant shipping to supply their war industries and feed their populations (such as Britain and Japan). Of these, the US submarine effort was by far the most successful, working together with mines to reduce the Japanese merchant fleet to less than a quarter its initial tonnage.

## Sources


abstract: South Bend Central High School is a historic high school complex located at 303 West Colfax Avenue in South Bend, St. Joseph County, Indiana, USA. It was built between 1911 and 1913, and is a two- to three-story, eclectic red brick building with limestone trim. It sits on a raised foundation. Located behind the main building is a two-story former Vocational Building, built about 1918, that was incorporated into the main building in 1928. The school closed as a high school in 1970. The building was later used for middle school classes and adult education programs. The school was known for strong academics, top athletic teams and school spirit. The Central Bears basketball team won two Indiana state championships, four semi-state championships, 12 regional championships, and 28 sectional championships. Famed UCLA basketball coach John Wooden coached basketball and baseball teams for nine years at Central, before entering the United States Navy. The school's basketball team was featured in the 1986 film Hoosiers as the fictional team that lost the 1952 Indiana state championship basketball game to the fictional Hickory High School, which in the film had an enrollment of 64 students. The film was based on the 1954 Milan High School basketball team, which did win the Indiana High School Boys Basketball Tournament championship in 1954. With an enrollment of only 161, Milan was the smallest school ever to win a single-class state basketball title in Indiana, beating a team from the much larger Muncie Central High School in a classic game known as the Milan Miracle. The South Central school building was listed on the National Register of Historic Places in 1985. In 1995, the building was converted into 106 apartments, each with a unique floor plan containing features preserved from the original building, including a part of the old school gym that still bears the original painted floor lines in one apartment; another has a sunken living room which was a part of the school's indoor pool with depth markings intact. Several other apartments have original classroom chalkboards on the walls. The complex, which is privately owned, is known as Central High Apartments.

text:
# Central High School & Boys Vocational School

**South Bend Central High School** (originally called South Bend High School) is a historic high school complex located at 303 West Colfax Avenue in South Bend, St. Joseph County, Indiana, USA. It was built between 1911 and 1913, and is a two- to three-story, eclectic red brick building with limestone trim. It sits on a raised foundation. Located behind the main building is a two-story former Vocational Building, built about 1918, that was incorporated into the main building in 1928. The school closed as a high school in 1970. The building was later used for middle school classes and adult education programs.

The school was known for strong academics, top athletic teams and school spirit. The Central Bears basketball team won two Indiana state championships, four semi-state championships, 12 regional championships, and 28 sectional championships. Famed UCLA basketball coach John Wooden coached basketball and baseball teams for nine years at Central, before entering the United States Navy. The school's basketball team was featured in the 1986 film *Hoosiers* as the fictional team that lost the 1952 Indiana state championship basketball game to the fictional Hickory High School, which in the film had an enrollment of 64 students. The film was based on the **1954 Milan High School basketball team**, which did win the Indiana High School Boys Basketball Tournament championship in 1954. With an enrollment of only 161, Milan was the smallest school ever to win a single-class state basketball title in Indiana, beating a team from the much larger Muncie Central High School in a classic game known as the **Milan Miracle**.

The South Central school building was listed on the National Register of Historic Places in 1985.

In 1995, the building was converted into 106 apartments, each with a unique floor plan containing features preserved from the original building, including a part of the old school gym that still bears the original painted floor lines in one apartment; another has a sunken living room which was a part of the school's indoor pool with depth markings intact. Several other apartments have original classroom chalkboards on the walls. The complex, which is privately owned, is known as Central High Apartments.

## InfoBox

|  | |
| --- | --- |
| Central High School & Boys Vocational School | |
| U.S. National Register of Historic Places | |
|  | |
| Central High School & Boys Vocational School, July 2012 | |
|  | |
| Location | 115 N. James Court, South Bend, Indiana |
| Coordinates | 41°40′37″N 86°15′17″W / 41.67694°N 86.25472°W / 41.67694; -86.25472 |
| Area | 4 acres (1.6 ha) |
| Built | 1911 (1911)-1913, c. 1918, 1928 |
| Architect | Ittner, William B. |
| MPS | Downtown South Bend Historic MRA |
| NRHP reference No. | 85001206 |
| Added to NRHP | June 5, 1985 |


title: Carpathonesticus paraavrigensis

abstract: Carpathonesticus paraavrigensis is a species of araneomorph spider of the family Nesticidae. It occurs in Romania, where it was discovered in a narrow gorge, on the overhanging side.

text:
# Carpathonesticus paraavrigensis

***Carpathonesticus paraavrigensis*** is a species of araneomorph spider of the family Nesticidae. It occurs in Romania, where it was discovered in a narrow gorge, on the overhanging side.

## Description

No male specimens have yet been described. Female specimens resemble *Carpathonesticus avrigensis*, from which it can be distinguished by the epigyne. The colouring and patterning are similar to those of other *Carpathonesticus* species. The prosoma has a length of 2.6 mm; the full body-length is 6.2 mm.

## Original publication

* Weiss, I.; Heimer, S. (1982). "Zwei neue Carpathonesticus-Arten aus Rumänien nebst Betrachtungen über Kopulationsmechanismen und deren Evolution (Arachnida, Araneae, Nesticidae)". *Reichenbachia*. **20**: 167–174.

## InfoBox

| *Carpathonesticus paraavrigensis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Subphylum: | Chelicerata |
| Class: | Arachnida |
| Order: | Araneae |
| Infraorder: | Araneomorphae |
| Family: | Nesticidae |
| Genus: | *Carpathonesticus* |
| Species: | ***C. paraavrigensis*** |
| Binomial name | |
| ***Carpathonesticus paraavrigensis***<br>Weiss & Heimer, 1982 | |
|


title: 2015–16 Paksi FC season

abstract: The 2015–16 season was Paksi Futball Club's 10th competitive season, 10th consecutive season in the Nemzeti Bajnokság I and 63rd year in existence as a football club. In addition to the domestic league, Paks participated in this season's editions of the Magyar Kupa.

text:
# 2015–16 Paksi FC season

The **2015–16 season** was Paksi Futball Club's 10th competitive season, 10th consecutive season in the Nemzeti Bajnokság I and 63rd year in existence as a football club. In addition to the domestic league, Paks participated in this season's editions of the Magyar Kupa.

## First team squad

*The players listed had league appearances and stayed until the end of the season.*

Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

| No. Pos. Nation Player  1 GK  HUN Péter Molnár  5 DF  HUN Zsolt Gévay  6 MF  HUN Kristóf Papp  7 MF  HUN Tamás Báló *(captain)*  8 MF  HUN Tamás Kecskés  9 FW  HUN János Hahn  12 FW  HUN Richárd Nagy  17 MF  HUN Dénes Szakály  19 MF  HUN Barna Kesztyűs  20 DF  HUN István Rodenbücher  24 GK  HUN Norbert Csernyánszki  25 GK  HUN György Székely | No. Pos. Nation Player  26 MF  HUN Lajos Bertus  27 MF  HUN Róbert Kővári  28 DF  HUN Dávid Asztalos  29 FW  HUN Tamás Koltai  30 DF  HUN János Szabó  32 DF  HUN Dávid Kelemen  39 MF  HUN László Bartha  44 FW  HUN Bálint Bajner  77 MF  HUN Dávid Kulcsár  92 FW  HUN Zsolt Balázs  96 DF  HUN Bence Lenzsér |
| --- | --- |

## Transfers

### Transfers in

|
|  |
| Transfer window | Pos. | No. | Player | From |
| Summer | MF | 3 | Roland Frőhlich | Pécs |
| | MF | 6 | Kristóf Papp | Gyirmót |
| | FW | 15 | Antal Péter | Free agent |
| | MF | 17 | Dénes Szakály | Puskás Akadémia |
| | GK | 25 | György Székely | Újbuda |
| | MF | 27 | Róbert Kővári | Pécs |
| | DF | 32 | Dávid Kelemen | Hapoel Tel Aviv |
| | FW | 44 | Bálint Bajner | Free agent |
| Winter | MF |  | Áron Fejős | Youth team |
|

### Transfers out

| Transfer window | Pos. | No. | Player | To |
| --- | --- | --- | --- | --- |
| Summer | FW |  | Dániel Tóth | Kozármisleny |
| | MF | 21 | Zsolt Tamási | Mezőkövesd |
| | FW | 42 | Norbert Könyves | Vasas |
| | FW | 46 | András Simon | Released |
| | GK | 54 | Roland Máté | Ferencváros |
| | MF | 88 | Zsolt Haraszti | Ferencváros |
| Winter | MF | 3 | Roland Frőhlich | Mezőkövesd |
| | MF | 10 | Tamás Kiss | Paks II |
|

1. Joined Gyirmót.

### Loans in

| Transfer window | Pos. | No. | Player | From | End date |
| --- | --- | --- | --- | --- | --- |
| Summer | DF | 28 | Dávid Asztalos | MTK Budapest | End of season |
| | FW | 29 | Tamás Koltai | Videoton | End of season |
|

### Loans out

| Transfer window | Pos. | No. | Player | To | End date |
| --- | --- | --- | --- | --- | --- |
| Summer | MF | 23 | Tamás Szekszárdi | Siófok | January 2016 |
| Winter | DF | 14 | Dávid Bor | Balmazújváros | End of season |
| | DF | 22 | András Vági | Mezőkövesd | End of season |
|

Source:

## Competitions

### Overview

| Competition | First match | Last match | Starting round | Final position | Record | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | | Pld | W | D | L | GF | GA | GD | Win % |
| Nemzeti Bajnokság I | 18 July 2015 | 30 April 2016 | Matchday 1 | 7th | 33 | 12 | 7 | 14 | 41 | 40 | +1 | 036.36 |
| Magyar Kupa | 12 August 2015 | 14 October 2015 | Round of 128 | Round of 32 | 3 | 2 | 0 | 1 | 11 | 5 | +6 | 066.67 |
| Total | | | | | 36 | 14 | 7 | 15 | 52 | 45 | +7 | 038.89 |

Source: Competitions

### Nemzeti Bajnokság I

#### League table

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 5 | Haladás | 33 | 13 | 11 | 9 | 33 | 37 | 4 | 50 |
| 6 | Újpest | 33 | 11 | 13 | 9 | 42 | 37 | +5 | 46 |
| 7 | Paks | 33 | 12 | 7 | 14 | 41 | 40 | +1 | 43 |
| 8 | Honvéd | 33 | 12 | 7 | 14 | 40 | 39 | +1 | 43 |
| 9 | Diósgyőr | 33 | 10 | 8 | 15 | 37 | 47 | 10 | 38 |

Source: Soccerway
Rules for classification: 1) Points; 2) Matches won; 3) Goal difference; 4) Goals scored; 5) Head-to-head points; 6) Head-to-head goal difference; 7) Head-to-head away goals scored; 8) Fairplay; 9) Draw.

#### Results summary

| Overall | | | | | | | | Home | | | | | | Away | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |

| Pld | W | D | L | GF | GA | GD | Pts | W | D | L | GF | GA | GD | W | D | L | GF | GA | GD |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 33 | 12 | 7 | 14 | 41 | 40 | +1 | 43 | 9 | 3 | 5 | 29 | 18 | +11 | 3 | 4 | 9 | 12 | 22 | −10 |

Source: Hungarian Football Federation

#### Results by round

| Round | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Ground | A | H | A | H | A | H | A | H | H | H | A | H | A | H | A | H | A | H | A | A | A | H | H | A | H | A | H | H | A | H | A | H | A |
| Result | D | W | L | W | L | D | L | W | D | D | W | W | W | W | D | W | D | L | L | L | L | W | L | L | W | L | L | W | L | L | D | L | W |
| Position | 6 | 3 | 5 | 4 | 6 | 6 | 7 | 5 | 6 | 6 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 4 | 7 | 7 | 7 | 7 | 7 | 6 | 6 | 7 | 7 | 7 | 7 | 8 | 8 | 7 |

Source: Matches
A = Away; H = Home; W = Win; D = Draw; L = Loss

#### Matches

| 19 September 2015 9 | **Paks** | **0–0** | **MTK Budapest** | Paks |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) |  | Report |  | Stadium: Fehérvári úti Stadion
Attendance: 1,141
Referee: József Erdős |

### Magyar Kupa

## Statistics

### Overall

*Appearances (Apps) numbers are for appearances in competitive games only, including sub appearances.*
Source: Competitions

| No. | Player | Pos. | Nemzeti Bajnokság I | | | | Magyar Kupa | | | | Total | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | Apps |  |  |  | Apps |  |  |  | Apps |  |  |  |
| 1 | Péter Molnár | GK | 26 |  | 1 |  |  |  |  |  | 26 |  | 1 |  |
| 1 | Krisztián Pámer | GK |  |  |  |  |  |  |  |  |  |  |  |  |
| 2 | Patrik Bagó | DF |  |  |  |  | 1 |  |  |  | 1 |  |  |  |
| 3 | Roland Frőhlich | FW | 6 |  |  |  | 2 | 3 |  |  | 8 | 3 |  |  |
| 5 | Zsolt Gévay | DF | 31 | 3 | 8 | 1 |  |  |  |  | 31 | 3 | 8 | 1 |
| 6 | Kristóf Papp | MF | 27 | 4 | 8 |  | 2 |  |  |  | 29 | 4 | 8 |  |
| 7 | Tamás Báló | MF | 4 |  | 2 |  | 1 | 1 |  |  | 5 | 1 | 2 |  |
| 8 | Tamás Kecskés | MF | 23 | 1 | 9 |  | 2 |  |  |  | 25 | 1 | 9 |  |
| 9 | János Hahn | FW | 29 | 7 | 5 |  | 1 |  |  |  | 30 | 7 | 5 |  |
| 10 | Tamás Kiss | MF | 1 |  |  |  | 1 | 2 |  |  | 2 | 2 |  |  |
| 12 | Richárd Nagy | FW | 3 |  |  |  | 3 | 1 | 1 |  | 6 | 1 | 1 |  |
| 14 | Dávid Bor | DF | 1 |  |  |  | 3 | 3 |  |  | 4 | 3 |  |  |
| 15 | Antal Péter | FW |  |  |  |  | 1 |  |  |  | 1 |  |  |  |
| 17 | Dénes Szakály | MF | 25 | 5 | 5 |  |  |  |  |  | 25 | 5 | 5 |  |
| 19 | Barna Kesztyűs | MF | 19 |  | 2 |  | 2 |  | 1 |  | 21 |  | 3 |  |
| 20 | István Rodenbücher | DF | 5 |  | 2 |  | 3 |  | 1 |  | 8 |  | 3 |  |
| 21 | Zsolt Rácz | MF |  |  |  |  | 1 |  |  |  | 1 |  |  |  |
| 22 | András Vági | DF | 6 |  | 1 |  | 3 |  |  |  | 9 |  | 1 |  |
| 23 | Tamás Szekszárdi | MF |  |  |  |  | 1 |  |  |  | 1 |  |  |  |
| 24 | Norbert Csernyánszki | GK | 1 |  |  |  | 1 |  |  |  | 2 |  |  |  |
| 25 | György Székely | GK | 6 |  |  |  | 2 |  |  |  | 8 |  |  |  |
| 26 | Lajos Bertus | MF | 33 | 3 | 3 | 1 | 1 |  | 1 |  | 34 | 3 | 4 | 1 |
| 27 | Róbert Kővári | MF | 10 |  |  |  | 3 |  |  |  | 13 |  |  |  |
| 28 | Dávid Asztalos | DF | 4 |  |  |  | 3 |  |  | 1 | 7 |  |  | 1 |
| 29 | Tamás Koltai | FW | 25 | 1 | 1 |  | 1 |  |  |  | 26 | 1 | 1 |  |
| 30 | János Szabó | DF | 30 | 1 | 4 | 2 |  |  |  |  | 30 | 1 | 4 | 2 |
| 32 | Dávid Kelemen | DF | 1 |  |  |  |  |  |  |  | 1 |  |  |  |
| 39 | László Bartha | MF | 31 | 5 | 10 |  |  |  |  |  | 31 | 5 | 10 |  |
| 42 | Norbert Könyves | FW | 3 |  |  |  |  |  |  |  | 3 |  |  |  |
| 42 | Milán Varga | DF |  |  |  |  | 2 |  | 1 |  | 2 |  | 1 |  |
| 44 | Bálint Bajner | FW | 14 | 1 | 4 |  |  |  |  |  | 14 | 1 | 4 |  |
| 77 | Dávid Kulcsár | MF | 32 | 1 | 8 |  | 1 |  |  |  | 33 | 1 | 8 |  |
| 92 | Zsolt Balázs | FW | 31 | 4 | 2 | 1 | 2 | 1 |  |  | 33 | 5 | 2 | 1 |
| 96 | Bence Lenzsér | DF | 27 | 2 | 9 |  |  |  |  |  | 27 | 2 | 9 |  |
|
| **Own goals** | | | | 3 |  | | |  |  | | | 3 |  | |
| **Totals** | | | | **41** | **84** | **5** |  | **11** | **5** | **1** |  | **52** | **89** | **6** |

### Clean sheets

|  | | | Clean sheets | | | |
| --- | --- | --- | --- | --- | --- | --- |
| No. | Player | Games Played | Nemzeti Bajnokság I | Magyar Kupa | Total |
| 1 | Péter Molnár | 26 | 10 |  | **10** |
| 25 | György Székely | 8 | 0 | 1 | **1** |
| 24 | Norbert Csernyánszki | 2 | 0 | 0 | **0** |
| 1 | Krisztián Pámer | 0 |  |  | **0** |
| **Totals** | | | **10** | **1** | **11** |

1. "Paks: megérkezett a külföldről hazatérő futballista". *nso.hu* (in Hungarian). 19 October 2015.
2. "Nyári Átigazolások, 2015". *nso.hu* (in Hungarian). 23 November 2015.
3. "Téli Átigazolások, 2016". *nso.hu* (in Hungarian). 8 April 2016.
4. "NB I. férfi felnőtt nagypályás labdarúgó bajnokság versenykiírása 2015 – 2016" (PDF) (in Hungarian). Hungarian Football Federation. p. 6. Archived from the original (PDF) on 6 March 2016. Retrieved 19 August 2015.
5. "Újpest – Paks | 0-0 | (0-0) | OTP Bank Liga | 1. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
6. "Paks – Békéscsaba | 4-0 | (1-0) | OTP Bank Liga | 2. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
7. "Puskás Akadémia – Paks | 1-0 | (1-0) | OTP Bank Liga | 3. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
8. "Paks – Budapest Honvéd | 3-1 | (2-0) | OTP Bank Liga | 4. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
9. "Haladás – Paks | 1-0 | (1-0) | OTP Bank Liga | 5. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
10. "Paks – Diósgyőr | 1-1 | (0-0) | OTP Bank Liga | 6. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
11. "Ferencváros – Paks | 2-0 | (2-0) | OTP Bank Liga | 7. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
12. "Paks – Videoton | 2-0 | (1-0) | OTP Bank Liga | 8. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
13. "Paks – MTK Budapest | 0-0 | (0-0) | OTP Bank Liga | 9. forduló". *magyarfutball.hu* (in Hungarian). Retrieved 5 September 2023.
14. "Paks – Debrecen | 1-1 | (1-0) | OTP Bank Liga | 10. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
15. "Vasas – Paks | 1-2 | (0-2) | OTP Bank Liga | 11. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
16. "Paks – Újpest | 1-0 | (0-0) | OTP Bank Liga | 12. forduló". *magyarfutball.hu*. Retrieved 5 September 2023.
17. "Békéscsaba – Paks | 2-3 | (2-0) | OTP Bank Liga | 13. forduló". *magyarfutball.hu* (in Hungarian). Retrieved 5 September 2023.
18. "Paks – Puskás Akadémia | 4-2 | (1-1) | OTP Bank Liga | 14. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
19. "Paks – Haladás | 2-0 | (0-0) | OTP Bank Liga | 16. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
20. "Diósgyőr – Paks | 1-1 | (0-1) | OTP Bank Liga | 17. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
21. "Budapest Honvéd – Paks | 0-0 | (0-0) | OTP Bank Liga | 15. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
22. "Elhalasztották az NB I 15. fordulóját". *beol.hu* (in Hungarian). 26 October 2015.
23. "Paks – Ferencváros | 0-5 | (0-1) | OTP Bank Liga | 18. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
24. "Videoton – Paks | 1-0 | (0-0) | OTP Bank Liga | 19. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
25. "Debrecen – Paks | 2-0 | (2-0) | OTP Bank Liga | 21. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
26. "Paks – Vasas | 3-0 | (1-0) | OTP Bank Liga | 22. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
27. "Paks – Békéscsaba | 0-2 | (0-1) | OTP Bank Liga | 23. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
28. "Puskás Akadémia – Paks | 2-1 | (0-0) | OTP Bank Liga | 24. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
29. "Paks – Vasas | 2-0 | (1-0) | OTP Bank Liga | 25. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
30. "Budapest Honvéd – Paks | 2-0 | (1-0) | OTP Bank Liga | 26. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
31. "Paks – MTK Budapest | 4-1 | (2-0) | OTP Bank Liga | 28. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
32. "Ferencváros – Paks | 5-2 | (2-1) | OTP Bank Liga | 29. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
33. "Paks – Debrecen | 0-1 | (0-1) | OTP Bank Liga | 27. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
34. "Hétvégére kerül át a 27. forduló". *mlsz.hu* (in Hungarian). 19 March 2016.
35. "MTK Budapest – Paks | 1-0 | (0-0) | OTP Bank Liga | 20. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
36. "NB I: tovább csúszik – újra elhalasztották az MTK–Paksot!". *nso.hu* (in Hungarian). 24 February 2016.
37. "Paks – Videoton | 0-1 | (0-0) | OTP Bank Liga | 30. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
38. "Újpest – Paks | 1-1 | (0-1) | OTP Bank Liga | 31. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
39. "Paks – Haladás | 2-3 | (1-0) | OTP Bank Liga | 32. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
40. "Diósgyőr – Paks | 0-2 | (0-1) | OTP Bank Liga | 33. forduló". *magyarfutball.hu*. Retrieved 10 September 2023.
41. "Magyar Kupa: Kabát Péter – 4, Újpest – 9, DVTK – 7". *nso.hu* (in Hungarian). 24 September 2015.
42. "MK: a Fradi tízet hintett, Kabát mentette meg az Újpestet". *nso.hu* (in Hungarian). 15 October 2015.

## InfoBox

Paks
| 2015–16 season | |
| --- | --- |
| Chairman | János Süli |
| Manager | Aurél Csertői |
| Stadium | Fehérvári úti Stadion |
| Nemzeti Bajnokság I | 7th |
| Magyar Kupa | Round of 32 |
| Top goalscorer | League:
János Hahn (7)
All:
János Hahn (7) |
| Highest home attendance | 4,113 (vs Ferencváros, 5 December 2015) |
| Lowest home attendance | 743 (vs Debrecen, 26 September 2015) |
|  | |
|  | |
|  | |
|  | |


title: Samuel Douglas

abstract: Samuel Douglas was an American lawyer who served as the Pennsylvania Attorney General.

text:
# Samuel Douglas

**Samuel Douglas** (1781  July 8, 1833) was an American lawyer who served as the Pennsylvania Attorney General.

## Personal life and career

Douglas was born in Ireland, the son of Henry Douglas and Jane Blair, a descendant of the Scottish warlord known as the "Black Douglas". He was educated in Scotland, and came to America when he was about seventeen. He joined his older brother, the Reverend Joseph Douglas, who was living in Pittsburgh. Douglas studied law and was admitted to the bar in 1804.

In 1817, Douglas ran for Congress against Henry Baldwin and lost. That year he moved to Harrisburg, where he met Louisa Wyeth, whom he married shortly afterwards.

In 1819, Douglas was appointed Deputy Attorney General for Dauphin County. He was appointed Attorney General in 1830. His term ended in 1833, and he died that summer.

## Further reading

## InfoBox

| Samuel Douglas | |
| --- | --- |
|  | |
| 15th Attorney General of Pennsylvania | |
| **In office**
February 10, 1830  January 29, 1833 | |
| Governor | George Wolf |
| Preceded by | Philip Markley |
| Succeeded by | Ellis Lewis |
|  | |
| Personal details | |
| Born | 1781
County Londonderry, Ireland |
| Died | July 8, 1833
Harrisburg, Pennsylvania |
| Spouse | Louisa Wyeth |
| Profession | Attorney |
|  | |


title: Ralph Block

abstract: Ralph J. Block was an American film producer in the 1920s and became a full-time screenwriter in 1930. He is most famous for being President of the Screen Writers Guild from 1934 to 1935. He received an Honorary Academy Award in 1940 for his dedicated work for the Motion Picture Relief Fund.

text:
# Ralph Block

**Ralph J. Block** (June 21, 1889, Cherokee, Iowa – January 2, 1974, Wheaton, Maryland) was an American film producer in the 1920s and became a full-time screenwriter in 1930. He is most famous for being President of the Screen Writers Guild from 1934 to 1935. He received an Honorary Academy Award in 1940 for his dedicated work for the Motion Picture Relief Fund.

## Biography

Block was born in the City of Cherokee in the Cherokee County of Iowa to E.S. and Doris Block (née Chraplewski).

## Filmography

### As producer

Film
| Year | Title | Notes |
| --- | --- | --- |
| 1926 | *The Quarterback* | Producer |
| 1928 | *Let 'Er Go Gallegher* | Associate producer |
| | *Stand and Deliver* | Associate producer |
| | *The Blue Danube* | Associate producer |
| | *Skyscraper* | Associate producer |
| | *The Cop* | Producer |
| | *Man-Made Women* | Producer |
| | *Power* | Producer |
| | *Celebrity* | Producer |
| | *Show Folks* | Producer |
| 1929 | *High Voltage* | Associate producer |
| | *Big News* | Producer |
| | *The Racketeer* | Producer |
| | *Rich People* | Associate producer |
| | *This Thing Called Love* | Associate producer |
| | *His First Command* | Associate producer |
| 1930 | *Officer O'Brien* | Associate producer |
| | *Scotland Yard* | Producer |
|

### As Writer

Film
| Year | Title | Notes |
| --- | --- | --- |
| 1930 | *The Arizona Kid* | Story and screenplay |
| | *The Sea Wolf* |  |
| 1931 | *A Holy Terror* | Adaptation, in collaboration with Alfred A. Cohn and Myron C. Fagan |
| 1933 | *Before Dawn* | Screenplay (uncredited) |
| 1934 | *Massacre* | Screenplay / story |
| | *Dark Hazard* | Screenplay |
| | *Gambling Lady* | Screenplay |
| | *I Am a Thief* | Story and screenplay |
| 1935 | *The Right to Live* | Screenplay |
| | *In Caliente* | Story and adaptation |
| | *The Melody Lingers On* |  |
| 1936 | *Boulder Dam* | Screenplay |
| | *Nobody's Fool* |  |
| 1940 | *It's a Date* | Original story |
| | *Spy for a Day* | Screenplay collaboration with Anatole de Grunwald, Emeric Pressburger, and Hans Wilhelm |
| 1945 | *Patrick the Great* | Story |
| 1950 | *Nancy Goes to Rio* | Movie based on Block's novel |
|

## InfoBox

| Ralph J. Block | |
| --- | --- |
| From a 1920 magazine | |
| Born | (1889-06-21)June 21, 1889
Cherokee, Iowa, United States |
| Died | January 2, 1974(1974-01-02) (aged 84)
Wheaton, Maryland, United States |
| Alma mater | University of Michigan |
| Occupation(s) | Journalist
Film producer/director
Screenwriter
Editor
Public official |
| Known for | President of Screen Writers Guild (1934–35) |
| Spouse | Mary Greenacre |
| Children | Bridget Block |
| Parent(s) | E. S. Block
Doris Chraplewski |
| Awards | Honorary Academy Award |


title: Queen Elizabeth II Island

abstract: Queen Elizabeth II Island, formerly Aspen Island, is an artificial island located within Lake Burley Griffin, in Canberra, Australian Capital Territory, Australia. It lies within the Parliamentary Triangle. The island is located on the south-eastern side of the Central Basin of Lake Burley Griffin and is linked by a footbridge to the mainland at Kings Park. The Australian National Carillon is situated on the island, and the footbridge is named after John Douglas Gordon, who played the inaugural recital. Queen Elizabeth II Island is the largest of three islands at the south-eastern end of the Central Basin. The two smaller adjacent islands are unnamed.

text:
# Queen Elizabeth II Island

**Queen Elizabeth II Island**, formerly **Aspen Island**, is an artificial island located within Lake Burley Griffin, in Canberra, Australian Capital Territory, Australia. It lies within the Parliamentary Triangle.

The island is located on the south-eastern side of the Central Basin of Lake Burley Griffin and is linked by a footbridge to the mainland at Kings Park. The Australian National Carillon is situated on the island, and the footbridge is named after John Douglas Gordon, who played the inaugural recital. Queen Elizabeth II Island is the largest of three islands at the south-eastern end of the Central Basin. The two smaller adjacent islands are unnamed.

## History

The island was originally gazetted as *Aspen Island* on 21 November 1963, and named after the aspen tree, of which some are classified by botanists in the section *Populus*, of the poplar genus.

On 1 January 2022, prime minister Scott Morrison announced that Aspen Island would be renamed *Queen Elizabeth II Island* in June 2022 as part of the Australian celebrations of the Platinum Jubilee of Elizabeth II, Queen of Australia. The island was renamed on 4 June in a ceremony presided over by the newly elected prime minister Anthony Albanese.

## InfoBox

Queen Elizabeth II Island
| Aerial view with Kings Avenue Bridge, behind (pictured in 2007 as Aspen Island). | |
| --- | --- |
|  | |
| Etymology | Named after Elizabeth II |
| Geography | |
| Location | Lake Burley Griffin, Canberra (Map) |
| Coordinates | 35°17′56″S 149°08′32″E / 35.29889°S 149.14222°E / -35.29889; 149.14222 |
| Total islands | 1 |
| Highest elevation | 578 m (1896 ft)*(approx.)* |
| Administration | |
| **Australia** | |
| Demographics | |
| Population | 0 |


title: Unripe Fruit

abstract: Unripe Fruit is a 1934 Italian comedy film directed by Carlo Ludovico Bragaglia and starring Lotte Menas, Nino Besozzi and Maria Wronska. A German-language version of the same story was made in Austria as A Precocious Girl.

text:
# Unripe Fruit

***Unripe Fruit*** (Italian: ***Frutto acerbo***) is a 1934 Italian comedy film directed by Carlo Ludovico Bragaglia and starring Lotte Menas, Nino Besozzi and Maria Wronska. A German-language version of the same story was made in Austria as *A Precocious Girl*.

## Cast

1. Piemontese p.372

## Bibliography

* Pietro Piemontese. *Remake: il cinema e la via dell'eterno ritorno*. Castelvecchi, 2000.

## InfoBox

| Unripe Fruit | |
| --- | --- |
| Directed by | Carlo Ludovico Bragaglia |
| Written by |  |
| Produced by | Roberto Dandi |
| Starring |  |
| Cinematography |  |
| Edited by | Fernando Tropea |
| Music by |  |
| Production<br>company | Industrie Cinematografiche Italiane |
| Distributed by | Variety Distribution |
| Release date | * 1934 (1934) |
| Country | Italy |
| Language | Italian |


title: Denis Simonet

abstract: Denis Simonet a.k.a. "SciFi" from Ipsach is a Swiss politician, and was the first president of the Pirate Party Switzerland (PPS). In April 2012 he was elected as a board member of Pirate Parties International. He also is the chairman of the court of arbitration of PPS and the spokesman of his party.

text:
# Denis Simonet

**Denis Simonet** a.k.a. "SciFi" (b. Biel/Bienne, May 21, 1985) from Ipsach is a Swiss politician, and was the first president of the Pirate Party Switzerland (PPS). In April 2012 he was elected as a board member of Pirate Parties International. He also is the chairman of the court of arbitration of PPS and the spokesman of his party.

## Functions at the pirates

At the foundation of Pirate Party Switzerland in Zurich, Simonet was elected the first chairman. In March 2012 at the Assembly in Visperterminen he didn't run for this function again. Instead he became the chairman of the new court of arbitration. The board also elected him spokesman. From 15 April 2012 till 13 April 2014 he also was a member of the board of the Pirate Parties International.

## Biography

Simonet, a founding member of his party, studied Computer Science at the Swiss Federal Institute of Technology Zurich and switched to the Bern University of Applied Sciences. He is also a founding member of the Swiss Privacy Foundation. One of his hobbies is playing the piano. He released his two compositions on last.fm and composed the jingle for the independent podcast parrot.fm. His composition «Move on» was rearranged and produced by MG Rizzello, the song is available for free on Bandcamp. He also acts as a reporter for parrot.fm and he is a member of the Swiss association of specialized journalists.

## Politics

Simonet participated in the cantonal elections of Bern 2010 on first position on the list "PIRATEN" in district Biel-Seeland and got 726 votes, which wasn't enough to gain a seat. At those elections Pirate Party Switzerland got 0.7% of all votes. At the national elections 2011 he was on list place 3 and got 4904 votes. Again Pirate Party Switzerland got 0.7% of all votes in the canton of Bern. Simonet owns a lobbyist passport for the federal parliament building which he got from Lukas Reimann, a national council of the political party "SVP".

From December 13, 2010 to December 24, 2010 Simonet wrote about digital policy for the well known newspaper *Neue Zürcher Zeitung* and for the IT Magazine *Netzwoche* he was interviewed as an expert on surveillance and privacy. In his own blog he often writes about digital policy, some posts were already overtaken by the students portal students.ch and the newspaper *Tages-Anzeiger*. He is a member of the committee for more transparency in politics and fought against the reintroduction of fixed book prizes as a member of the committee against expensive books.

Because of his nearness to music Simonet advocates a liberal copyright law which allows the free exchange of culture. Therefore, the Swiss rapper Gimma attacked him in an open letter. Simonet answered in a blog post with the title «Das Internet ist kein Nazi-Regime» (the internet is not a nazi regime).

## Others

Simonet is the contact person of the domain name wikileaks.ch on which the wikileaks website has been transferred on December 3, 2010. The domain and redirection have been set up by Pirate Party Switzerland due to a board decision on June 8, 2010. At the founding assembly of Pirate Parties International he represented PPS as a delegate, together with Pascal Gloor.


title: Tabernaemontana alternifolia

abstract: Tabernaemontana alternifolia is a species of plant in the family Apocynaceae. It is endemic to India.

text:
# Tabernaemontana alternifolia

***Tabernaemontana alternifolia*** is a species of plant in the family Apocynaceae. It is endemic to India.

## Taxonomy

The name *Tabernaemontana heyneana* Wall. has often been used for this species, and a proposal was made to conserve that name so that it would be used instead of *T. alternifolia*. Arguments made for conservation were that the type of the species was not a specimen but an illustration, and that the plant has opposite leaves, not alternate leaves as *alternifolia* implies. However, the proposal was rejected, and the correct name of this species is the original name, *T. alternifolia*.

## InfoBox

| *Tabernaemontana alternifolia* | |
| --- | --- |
|  | |
| Leaves and flowers | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Asterids |
| Order: | Gentianales |
| Family: | Apocynaceae |
| Genus: | *Tabernaemontana* |
| Species: | ***T. alternifolia*** |
| Binomial name | |
| ***Tabernaemontana alternifolia***<br>L. | |
|
| Synonyms | |
| * *Ervatamia alternifolia* (L.) S.M.Almeida * *Ervatamia heyneana* (Wall.) T.Cooke * *Pagiantha crispa* (Roxb.) Markgr. * *Pagiantha heyneana* (Wall.) Markgr. * *Tabernaemontana crispa* Roxb. * *Tabernaemontana heyneana* Wall. * *Tabernaemontana intercedens* Van Heurck & Müll.Arg. * *Tabernaemontana oblonga* Wall. | |


title: Second Colijn cabinet

abstract: The Second Colijn cabinet was the cabinet of the Netherlands from 26 May 1933 until 31 July 1935. The cabinet was formed by the political parties Roman Catholic State Party (RKSP), Anti-Revolutionary Party (ARP), Christian Historical Union (CHU), Liberal State Party (LSP) and the Free-thinking Democratic League (VDB) after the election of 1933. The centre-right cabinet was a majority government in the House of Representatives. It was the second of five cabinets of Hendrikus Colijn, the Leader of the Anti-Revolutionary Party as Prime Minister.

text:
# Second Colijn cabinet

The **Second Colijn cabinet** was the cabinet of the Netherlands from 26 May 1933 until 31 July 1935. The cabinet was formed by the political parties Roman Catholic State Party (RKSP), Anti-Revolutionary Party (ARP), Christian Historical Union (CHU), Liberal State Party (LSP) and the Free-thinking Democratic League (VDB) after the election of 1933. The centre-right cabinet was a majority government in the House of Representatives. It was the second of five cabinets of Hendrikus Colijn, the Leader of the Anti-Revolutionary Party as Prime Minister.

## Cabinet Members

| Ministers | | | Title/Ministry | | Term of office | Party |
| --- | --- | --- | --- | --- | --- | --- |
|  |  | Dr.
Hendrikus Colijn
(1869–1944) | Prime Minister |  | 26 May 1933 –
10 August 1939 | Anti-Revolutionary Party |
| | | | Minister | Colonial Affairs | 26 May 1933 –
24 June 1937 | |
|  |  | Jacob Adriaan
de Wilde
(1879–1956) | Minister | Interior | 26 May 1933 –
24 June 1937 | Anti-Revolutionary Party |
|  |  | Jonkheer
Andries Cornelis
Dirk de Graeff
(1872–1957) | Minister | Foreign Affairs | 26 May 1933 –
24 June 1937 | Independent
Liberal
(Classical Liberal) |
|  |  | Pieter Oud
(1886–1968) | Minister | Finance | 26 May 1933 –
24 June 1937 | Free-thinking
Democratic League |
|  |  | Josef van Schaik
(1882–1962) | Minister | Justice | 26 May 1933 –
24 June 1937 | Roman Catholic
State Party |
|  |  | Timotheus Verschuur
(1886–1945) | Minister | Economic Affairs and
Labour | 1 May 1932 –
8 June 1933
\[Retained\] | Roman Catholic
State Party |
| | | | | Economic Affairs | 8 June 1933 –
17 April 1934
\[Res\] | |
| |  |  | | Dr.
Hendrikus Colijn
(1869–1944) | 17 April 1934 –
25 June 1934
\[*Ad interim*\] | Anti-Revolutionary Party |
| |  |  | | Max Steenberghe
(1899–1972) | 25 June 1934 –
6 June 1935
\[Res\] | Roman Catholic
State Party |
| |  |  | | Dr.
Henri Gelissen
(1895–1982) | 6 June 1935 –
2 September 1935 | Roman Catholic
State Party |
|  |  | Dr.
Laurentius Nicolaas
Deckers
(1883–1978) | Minister | Defence | 10 August 1929 –
2 September 1935
\[Retained\] | Roman Catholic
State Party |
|  |  | Dr.
Jan Rudolph Slotemaker
de Bruïne
(1869–1941) | Minister | Social Affairs | 8 June 1933 –
31 July 1935 | Christian Historical Union |
|  |  | Henri Marchant
(1869–1956) | Minister | Education, Arts
and Sciences | 26 May 1933 –
18 May 1935
\[Res\] | Free-thinking
Democratic League |
|  |  | Dr.
Jan Rudolph Slotemaker
de Bruïne
(1869–1941) | | | 18 May 1935 –
25 July 1939 | Christian Historical Union |
|  |  | Jacob Kalff
(1869–1935) | Minister | Water Management | 26 May 1933 –
13 January 1935
\[Died\] | Liberal State Party |
|  |  | Dr.
Hendrikus Colijn
(1869–1944) | | | 13 January 1935 –
15 March 1935
\[*Ad interim*\] | Anti-Revolutionary Party |
|  |  | Jonkheer
Otto van Lidth
de Jeude
(1881–1952) | | | 15 March 1935 –
24 June 1937 | Liberal State Party |
| Source: (in Dutch) Parlement & Politiek | | | | | | |

Retained  Retained this position from the previous cabinet. Res  Resigned. *Ad interim*  Served *ad interim*. Died  Died in office.   Official

## InfoBox

| Second Colijn cabinet | |
| --- | --- |
|
Cabinet of the Netherlands | |
| The first meeting of the Second Colijn cabinet on 26 May 1933 | |
| Date formed | 26 May 1933 (1933-05-26) |
| Date dissolved | 31 July 1935 (1935-07-31)
(Demissionary from 23 July 1935 (1935-07-23)) |
| People and organisations | |
| Head of state | Queen Wilhelmina |
| Head of government | Hendrikus Colijn |
| Deputy head of government | Josef van Schaik (Unofficially) |
| No. of ministers | 11 |
| Ministers removed | 4 |
| Total no. of members | 13 |
| Member party | Roman Catholic
State Party
(RKSP)
Anti-Revolutionary Party
(ARP)
Christian Historical Union
(CHU)
Liberal State Party
(LSP)
Free-thinking
Democratic League
(VDB) |
| Status in legislature | Centre-right Majority government |
| History | |
| Election | 1933 |
| Legislature terms | 1933–1937 |
| Predecessor | Third Ruijs de
Beerenbrouck cabinet |
| Successor | Third Colijn cabinet |


title: Sergius of Cyrrhus

abstract: Sergius I of Cyrrhus was a bishop of Cyrrhus, a Roman city in what is today Syria. He lived at a time when Cyrrhus was the center of a number of theological controversies, that birthed the Nestorian and Jacobite churches. He was a late 5th century Nestorian bishop and was deposed by Byzantine Emperor Justin I in the theological controversies following the first four ecumenical councils. Sergius I of Cyrrhus was replaced by another bishop called Sergius II, who was of the directly opposite theological opinion, being a Jacobite. This bishop was subsequently expelled in 522 and replaced by an Orthodox bishop.

text:
# Sergius of Cyrrhus

**Sergius I of Cyrrhus** was a bishop of Cyrrhus, a Roman city in what is today Syria. He lived at a time when Cyrrhus was the center of a number of theological controversies, that birthed the Nestorian and Jacobite churches.

He was a late 5th century Nestorian bishop and was deposed by Byzantine Emperor Justin I in the theological controversies following the first four ecumenical councils. Sergius I of Cyrrhus was replaced by another bishop called Sergius II, who was of the directly opposite theological opinion, being a Jacobite. This bishop was subsequently expelled in 522 and replaced by an Orthodox bishop.