title: Cinderella (Fitinhof-Schell)

abstract: Cinderella is a ballet-féerie in three acts, with the choreography of Enrico Cecchetti and Lev Ivanov supervised by Marius Petipa. Music is by Baron Boris Fitinhoff-Schell; the libretto is by Lidia Pashkova and Ivan Vsevolozhsky. It was first presented by the Imperial Ballet on 17 December [O.S. 5 December] 1893 at the Imperial Mariinsky Theatre in St. Petersburg, Russian Empire.

text:
# Cinderella (Fitinhof-Schell)

***Cinderella*** (ru. «Золушка», *Zolushka*) (fr. *Cendrillon*) is a *ballet-féerie* in three acts, with the choreography of Enrico Cecchetti (Acts I and III) and Lev Ivanov (Act II) supervised by Marius Petipa. Music is by Baron Boris Fitinhoff-Schell; the libretto is by Lidia Pashkova (ru: Лидия Александровна Пашкова) and Ivan Vsevolozhsky. It was first presented by the Imperial Ballet on 17 December \[O.S. 5 December\] 1893 at the Imperial Mariinsky Theatre in St. Petersburg, Russian Empire.

## Roles and original cast

| Role | St Petersburg 1893 |
| --- | --- |
| Cinderella | Pierina Legnani |
| Prince Charming | Pavel Gerdt |
| The Fairy Godmother/Good Fairy | Anna Johansson |
| Cavalier Pignarole, Cinderella's father | Timofei Stukolkin |
| Henrietta, the Stepmother | Giuseppina Cecchetti |
| Aloise, the Stepsister | Maria Anderson |
| Odette, the Stepsister | Mathilde Kschessinskaya |
| The King | Nikolai Aistov |
| The Queen | Alexandra Ogoleit |
| Chamberlain | Alexei Bulgakov |
| *Grand Pas* soloist | Claudia Kulichevskaya |
| The Master of Ceremonies | Ivan Voronkov |
|

## History

The libretto of *Cinderella* was criticized for putting more emphasis on spectacle than on drama and story-telling. Nevertheless, the production was an enormous success due to the ovation given to the Italian ballerina Pierina Legnani in the title role. On opening night she caused a sensation in the Mariinsky Theatre, and was universally praised by the St. Petersburg critics, with a critic of the *Peterbugskaya gazeta* reporting that her dancing reached a level of *"...unprecedented perfection."* The theatre critic for the *Peterburgskii lpistok* reported that Legnani executed *"...the most dizzying difficulties of ballet technique with absolute ease, without the least tension or fatigue..."*, and that she *"...revealed such perfection of technique and such strength as are difficult to imagine."* He went on to state that Legnani *"...must unquestionably be counted among the greatest virtuosas of choreography which Petersburg had ever seen."*

The most celebrated scene of *Cinderella* was the ball in the throne room of the castle in the second act, which included an elaborate *Grand Pas d'action* for the characters Cinderella, the Prince, soloists and the *corps de ballet*. Also successful was the spectacular *Night tableaux* of Act III, representing the Nile, Granada and Paris with each number beginning by the dancers and scenery rising out of a lake at the back of the stage with the wave of the Good Fairy's wand.

The premiere of *Cinderella* has the distinction of being the first performance of a ballet in Russia to feature a ballerina performing 32 consecutive fouettés en tournant, which was executed by Pierina Legnani in the title role. The ballet historian Konstantin Skalkovsky, who served as dance critic for the *Peterburgskaya gazeta* at the turn of the 20th century, reported on Legnani's feat: *"...in the last act Legnani positively outdid herself. When Emma Bessone danced the lead in "The Haarlem Tulip" she did 14 fouettés. In her variation Legnani performed 32 of them without stopping, and without traveling one inch! The public delightedly applauded the Ballerina and compelled her to repeat this variation as well. On the repetition she nevertheless did 28 fouettés. To count them became the favorite occupation of the public."*

*Cinderella* was later staged for the Bolshoi Theatre of Moscow by Lev Ivanov, with the first performance given on 31 July \[O.S. 19 July\] 1898. Ivanov supervised a revival of the second act for the farewell benefit performance of Pierina Legnani on 5 February \[O.S. 23 January\] 1901. This would prove to be the last performance of any part of the ballet.

Fitinhof-Schell's score for *Cinderella* was never published in any form. The only part of the score that is still heard is the female variation in polka rhythm danced in the Mariinsky Theatre's version of the so-called *"Le Corsaire Pas de Deux"*.

## Résumé of scenes and dances

Taken from the original printed libretto of 1893.

**Act I**

* № 01 *Jeu dansant des marmitons*
* № 02 *Scène dansante*
* № 03 *Scène mimique de Cendrillon*
* № 04 *Pas des étincelles*
* № 05 *Apparition de la fée bienfaisante*
* № 06 *Leçon de maintien*
* № 07 *Cortège et départ de Cendrillon pour le bal*

**Act II**

* № 08 *L'arrivée des invités*
* № 09 *Entrée du roi et de la reine*
* № 10 *Réception des ambassadeurs*
* № 11 *Apparition de Cendrillon*
* № 12 *Danse russe*
* № 13 *Danse polonaise*
* № 14 *Grand pas d'action*
* № 15 *Fuite de Cendrillon*

**Act III**

* № 16 *Scène mimique de Cendrillon et la fée bienfaisante*
* № 17 *Marche et entrée des invités*
* № 18 *Apparition de Cendrillon, la fée bienfaisante et les princesses de la nuit*
* № 19 *Pas de princesses de la nuit et de la fée du soleil*
* № 20 *La nuit du Nil*
* № 21 *La nuit de Grenade*
* № 22 *La nuite Parisienne*
* № 23 *Danse des quatres élémentsTerre, eau, air et feu*
* № 24 *Grand pas*
* № 25 *Apothéose*

## Synopsis

**ACT I***A large kitchen*

**Scene 1**

At the rise of the curtain, Gianna the cook and her scullery maids are busy preparing dinner, but Gianna no sooner leaves the kitchen than the scullery maids abandon their duties and begin to dance and play with saucepans and skillets. Gianna returns, sees their mischief and sternly orders them back to business; they pay her no heed and Gianna, drawn into their merriment, begins to dance with them. A bell is heard. Gianna now emphatically orders her helpers to calm down; in confusion, they rush back to their places.

**Scene 2**

Aloisa and Odette enter hurriedly, hunting for their little sister to help them dress for the ball. Seeing that Cinderella is not there, they order the scullery maids to find her at once. The sisters are in a frightful worry. The hour of their departure for the royal celebration is approaching and their toilettes are not yet finished; they begin to smarten themselves up, angry and astonished at Cinderella's absence.

**Scene 3**

Cinderella runs in holding a sheaf of straw; her sisters rush over to push and pinch her and make their poor sister suffer, then they order her to set right their toilettes, which Cinderella willingly tries to do. The sisters, now content, begin to dream and boast to one another of their successes at the ball. Making fun of Cinderella, they dance and force her to dance as well. Their parents enter and press their daughters to get ready to leave. In vain, Cinderella begs her parents and sisters to take her along. Her sisters laugh and her father orders her sternly to stay at home and tend to her chores.

**Scene 4**

Alone and sad, Cinderella dreams about the pleasures of the ball, imagining the dances, but realising that she cannot go, and hurries about her work. The hearth flares up; Cinderella watches astonished as living sparks fly out of the fireplace. They surround her; delighted, she admires them and dances with them.

**Scene 5**

The Good Fairy appears; Cinderella's godmother and protector. Amazed by the good will and patience with which Cinderella bears her undeserved debasement, she promises to grant her any wish. Cinderella asks to go to the royal ball. With pleasure the Fairy agrees, but on the condition that she stay no later than midnight: with the last stroke of twelve o'clock, all the luxuries granted her will disappear. Cinderella happily thanks the Good Fairy, at a wave of whose hand a brilliant cortège appears. Servant-fairies assist Cinderella in completing her toilette for the ball and putting on magnificent slippers. The Fairy, when Cinderella is properly dressed, gives her a lesson in deportment and hurries her off, reminding her of the condition she set.

**ACT II***The Throne Room of the Castle*

**Scene 1**

Courtiers have gathered to greet the King, and promenade in expectation of his arrival; a few make lively conversation about the celebration. The Master of Ceremonies announces the royal family; the courtiers hurry to their places.

**Scene 2**

The royal couple enters and take their places, Prince Charming standing next to them. The guests, including the Pignarole family, pay their profound respects to the Queen and King. The King, enraptured by the prettiness of Cavalier Pignarole's daughters, invites them to take a place next to the throne.

**Scene 3**

Just then the herald's trumpets sound, announcing guests from Moscow and Poland, who, charmed by their welcome, pay their respects to the King and take their places. The Chamberlain rushes in and announces the arrival of an unknown princess, accompanied by a brilliant retinue. General excitement; the Prince hastens to meet the stranger.

**Scene 4**

Cinderella enters; Prince Charming, respectfully offering his arm, presents her to the King, Queen and court. The onlookers are struck by the unknown princess's beauty and brilliant toilette. The Pignaroles are amazed at the stranger's striking likeness to their youngest daughter, who was left at home. The Prince lavishes his attentions on the newly arrived princess and the King and Queen invite her to take a place next to them; this causes Aloisa and Odette to bear her malice and to envy the unknown guest. The Prince orders the Master of Ceremonies to begin the ball; the Prince takes part, dancing only with the Princess, delighted by her beauty. Odette and Aloisa also take part in the dances and try to attract the Prince's attention, but he is charmed by Cinderella's beauty.

**Scene 5**

The clock begins to strike midnight. Cinderella, enchanted by the Prince's attentions, completely forgets the Good Fairy's condition. With the last stroke of twelve, she suddenly remembers and quickly retires at the moment her mother walks up to the Prince and engages him in conversation. Cinderella, whose rich attire has turned simple, tries to leave the royal palace unnoticed. The Prince, observing the beautiful stranger's disappearance, orders his chamberlain to follow her, but just then, a page enters and gives the Prince the slipper which the Princess lost. The Prince, admiring the slipper, orders it to be announced throughout the land that he will choose for his bride the woman whose foot the slipper fits.

**ACT III***A Fantastic Garden in the Prince's Castle*

**Scene 1**

Servants and pages, preparing for the Prince's celebration, walk through the garden from time to time. The Prince enters with his retinue, wanting to know if his wishes have been met and if the beautiful stranger has turned up. The chamberlain calms the Prince, adding that the Princess is probably there. Contended with the chamberlain's assurances, the Prince invites the King and Queen into the ball.

**Scene 2**

On the day after the ball, Cinderella, wishing to see the Prince again and to look for her lost slipper, comes to the royal garden. Hearing footsteps, she hides in the bushes, frightened, falls to her knees in despair and prays for her godmother to help her.

**Scene 3**

The Good Fairy appears, and wishing to help her favourite again, still reproaches her for disobeying and not coming home in time. Cinderella begs the Good Fairy's forgiveness and asks her to help. Trumpets sound; the herald announces that Prince Charming will choose as his bride the woman whose foot fits the slipper which was found. Cinderella wants to be at the celebration to see him again and begs the Fairy to let her go to the ball. The Fairy gladly agrees; they withdraw.

**Scene 4**

The King and Queen enter with the Prince and the others invited to the celebration. The Prince asks the assembled beauties to try on the slipper, but their efforts are in vain; the slipper does not fit any of them. The herald now announces the Good Fairy with Cinderella. The Prince suggests that Cinderella also try the slipper and, to the astonishment of all, the slipper fits and stays on her foot. The onlookers are struck by Cinderella's beauty and the Prince, delighted, declares his love to her; her sisters beg forgiveness for treating her badly. She forgives them and the heralds announce Cinderella as the Prince's bride. The entire court congratulates them.

## InfoBox

| Cinderella | |
| --- | --- |
| The Italian ballerina Pierina Legnani in her costume for act I of the Imperial Ballet's production of *Cinderella*. St. Petersburg, 1893. | |
| Choreographer | Enrico Cecchetti (Acts I and III)
Lev Ivanov (Act II)
Supervised by Marius Petipa |
| Music | Baron Boris Fitinhoff-Schell |
| Libretto | Countess Lidiya Pashkova and Ivan Vsevolozhsky |
| Premiere | 17 December \[O.S. 5 December\] 1893
Imperial Mariinsky Theatre, St. Petersburg, Russia |
| Design | Heinrich Legovt (act I)
Matvey Shishkov (act II)
Mikhail Bocharov (act III) |
| Genre | Ballet-féerie |


title: Cat agility

abstract: Cat agility is a sport in which trained cats are lured through timed obstacle courses by their handlers. Cat agility contests, like similarly themed dog agility contests, are modeled after the equestrian sport of show jumping. Under the rules, cats must complete a course in under 270 seconds, completing each obstacle in a prescribed manner. Lures such as laser pointers and toys on string may be used, but food treats are not allowed. The obstacles are arranged in a circle and include tunnels, steps, and poles. For a typical contest, there are between six and fourteen obstacles, and the winning cats complete the course in about ten seconds. The first known cat agility contest was held in Albuquerque, New Mexico by Vickie Shields and three friends in 2003. By the late 2000s, the contests were popular worldwide, with approximately 40 held each year in connection with cat shows. In the US, the two largest cat fancy organizations, The Cat Fanciers Association (CFA) and The International Cat Association (TICA), both hold feline agility competitions which have been met with mixed success and popularity. CFA awarded its first National Agility Win in the 2006-07 season, with the top cat in Agility competition being Zehnder's Twyla Mooner of Hitails, a blue Abyssinian female. Twyla was born in 2005 and competed in--and won--her first agility competition as a five-month-old kitten, without ever having any prior training, or practice in, running an obstacle course.

text:
# Cat agility

**Cat agility** is a sport in which trained cats are lured through timed obstacle courses by their handlers.

Cat agility contests, like similarly themed dog agility contests, are modeled after the equestrian sport of show jumping. Under the rules, cats must complete a course in under 270 seconds, completing each obstacle in a prescribed manner. Lures such as laser pointers and toys on string may be used, but food treats are not allowed. The obstacles are arranged in a circle and include tunnels, steps, and poles. For a typical contest, there are between six and fourteen obstacles, and the winning cats complete the course in about ten seconds.

The first known cat agility contest was held in Albuquerque, New Mexico by Vickie Shields and three friends in 2003. By the late 2000s, the contests were popular worldwide, with approximately 40 held each year in connection with cat shows. In the US, the two largest cat fancy organizations, The Cat Fanciers Association (CFA) and The International Cat Association (TICA), both hold feline agility competitions which have been met with mixed success and popularity. CFA awarded its first National Agility Win in the 2006-07 season, with the top cat in Agility competition being Zehnder's Twyla Mooner of Hitails, a blue Abyssinian female. Twyla was born in 2005 and competed in--and won--her first agility competition as a five-month-old kitten, without ever having any prior training, or practice in, running an obstacle course.

http://agility.cfa.org/twylas-story.shtml Archived 2014-10-29 at the Wayback Machine


title: Rock My Heart (film)

abstract: Rock My Heart is a 2017 German drama film directed by Hanno Olderdissen and written by Clemente Fernandez-Gil and Hanno Olderdissen. The plot revolves around the 17-year-old girl Jana, with a congenital heart condition. Despite her illness, she is recruited by the racehorse trainer Paul Brenner to be his next prospective jockey.

text:
# Rock My Heart (film)

***Rock My Heart*** is a 2017 German drama film directed by Hanno Olderdissen and written by Clemente Fernandez-Gil and Hanno Olderdissen. The plot revolves around the 17-year-old girl Jana (Lena Klenke), with a congenital heart condition. Despite her illness, she is recruited by the racehorse trainer Paul Brenner (Dieter Hallervorden) to be his next prospective jockey.

## Plot summary

17-year-old Jana (Lena Klenke) suffers from a congenital heart condition. Jana forms an unlikely bond with an unruly black stallion, and is recruited by racehorse trainer Paul Brenner (Dieter Hallervorden) to be his next prospective jockey.

## Cast

## Release and reception

*Rock My Heart* was released in theatres on September 28, 2017 in Germany, and was later released on June 6, 2019 on Netflix streaming but was removed in June 2024.

### Awards

| Award winner | Year | Award | Category | Result |
| --- | --- | --- | --- | --- |
| Hanno Olderdissen | 2017 | Int. Filmfestival Schlingel | Blickpunkt Deutschland | Nominated |
| Hanno Olderdissen | 2018 | Berlin & Beyond Festival | Youth 4 German Cinema Runner-up | Won |
| Hanno Olderdissen | 2018 | Goldener Spatz | Wettbewerb Kino-/Fernsehfilm | Nominated |
| Hanno Olderdissen | 2018 | Shanghai Int. Film Festival | Focus Germany | Nominated |
| Hanno Olderdissen | 2018 | Metropolis - Deutscher Regiepreis | Beste Regie Kinderfilm | Nominated |
| Emilio Sakraya | 2018 | Bunte New Faces Award Film | Bester Nachwuchsschauspieler | Nominated |
|

## InfoBox

| Rock My Heart | |
| --- | --- |
| Directed by | Hanno Olderdissen |
| Written by | Clemente Fernandez-Gil
Hanno Olderdissen |
| Produced by | Boris Schönfelder |
| Starring | Lena Klenke
Emilio Sakraya
Milan Peschel |
| Edited by | Claudia Wolscht |
| Production
companies | Neue Schönhauser Filmproduktion GmbH
ARD Degeto Film GmbH
Senator Film Produktion GmbH |
| Distributed by | Wild Bunch Germany
Netflix |
| Release dates | * September 26, 2017 (2017-09-26) (Schlingel Film Festival) * September 28, 2017 (2017-09-28) |
| Running time | 105 minutes |
| Country | Germany |
| Language | German |


title: Vezneciler (Istanbul Metro)

abstract: Vezneciler is a station on the M2 line of the Istanbul Metro. The station is located under Şehzadebaşı Street and 16 Mart Şehitleri Street in the historical Fatih district of Istanbul. Opened on 16 March 2014, Vezneciler is the most recently opened station on the M2 line. During the inauguration the station was dedicated to Ottoman police officers who were killed during a conflict with British forces during the Occupation of Constantinople in 1920. Istanbul University's main campus, Beyazıt Square and the Şehzade Mosque are a few landmarks in the vicinity of the station. On 7 June 2016, a bomb reportedly targeting a police bus struck around this station.

text:
# Vezneciler (Istanbul Metro)

**Vezneciler** is a station on the M2 line of the Istanbul Metro. The station is located under Şehzadebaşı Street and 16 Mart Şehitleri Street in the historical Fatih district of Istanbul. Opened on 16 March 2014, Vezneciler is the most recently opened station on the M2 line. During the inauguration the station was dedicated to Ottoman police officers who were killed during a conflict with British forces during the Occupation of Constantinople in 1920. Istanbul University's main campus, Beyazıt Square and the Şehzade Mosque are a few landmarks in the vicinity of the station. On 7 June 2016, a bomb reportedly targeting a police bus struck around this station.

## Layout

|  | **Southbound** | toward Yenikapı |
| --- | --- | --- |
| | Island platform | |
| | **Northbound** | toward Hacıosman |

## InfoBox

| Vezneciler | |
| --- | --- |
| Istanbul Metro rapid transit station | |
|  | |
| General information | |
| Location | Şehzadebaşı Cd., Kalenderhane Mah., 34134
Fatih |
| Coordinates | 41°00′45″N 28°57′34″E / 41.0124°N 28.9595°E / 41.0124; 28.9595 |
| Owned by | Istanbul Metropolitan Municipality |
| Line(s) | M2 |
| Platforms | 1 island platform |
| Tracks | 2 |
| Connections | **Istanbul Tram:**  T1 at Laleli-Üniversite
**İETT Bus:** 36A, 36V, 37Y, 38B, 39A, 39Y, 50V, 55V, 77A, 86V |
| Construction | |
| Structure type | Underground |
| Accessible | Yes |
| History | |
| Opened | 16 March 2014 |
| Electrified | 750V DC Third rail |
|  | |
| Services | |
| Preceding station Istanbul Metro Following station  YenikapıTerminus  M2 Line  Haliçtowards Hacıosman | |
|  | |
|  | |
|  | |


title: Diodora canariensis

abstract: Diodora canariensis is a species of sea snail, a marine gastropod mollusk in the family Fissurellidae, the keyhole limpets.

text:
# Diodora canariensis

***Diodora canariensis*** is a species of sea snail, a marine gastropod mollusk in the family Fissurellidae, the keyhole limpets.

## Description

The size of the shell reaches 8 mm.

## Distribution

This species occurs in the Atlantic Ocean off the Canary Islands.

* "*Diodora canariensis*". *Gastropods.com*. Retrieved 16 January 2019.

## InfoBox

| *Diodora canariensis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Gastropoda |
| Subclass: | Vetigastropoda |
| Order: | Lepetellida |
| Family: | Fissurellidae |
| Genus: | *Diodora* |
| Species: | ***D. canariensis*** |
| Binomial name | |
| ***Diodora canariensis***<br>Verstraeten & Nolf, 2007 | |
|


title: Slavné historky zbojnické

abstract: Slavné historky zbojnické is a Czechoslovak adventure historical television series filmed in 1985. Six 59 minute episodes were filmed. The series was directed by Hynek Bočan. Every episode tells a story of famous bandit. It shows harsh reality of bandit life. Every episode started with the narrator introducing the main character's personality to the audience.

text:
# Slavné historky zbojnické

***Slavné historky zbojnické*** (**Famous Bandit Stories**) is a Czechoslovak adventure historical television series filmed in 1985. Six 59 minute episodes were filmed. The series was directed by Hynek Bočan.

Every episode tells a story of famous bandit. It shows harsh reality of bandit life. Every episode started with the narrator introducing the main character's personality to the audience.

## Cast

## Episodes

The names of the episodes are also the names of the bandit main characters. The actor who portrayed the main character is listed in parentheses.

1. Václav Babinský, premiered on 18 October 1986
2. Šobri Jožka, premiere on 19 July 1986
3. Jan Jiří Grasel, premiered on 17 October 1987
4. Schinderhannes, premiered on 9 July 1988
5. Róža Šándor, premiered on 18 June 1988
6. Trestanec Salvador, premiered on 8 March 1986

The listed order has only stabilized since the replay in 1997.

## InfoBox

| *Slavné historky zbojnické* | |
| --- | --- |
|  | |
| Directed by | Hynek Bočan |
| Starring | Miloš Kopecký |
| Country of origin | Czechoslovakia |
| Original language | Czech |
| No. of seasons | 1 |
| No. of episodes | 6 |
| Production | |
| Running time | 59 minutes |
| Original release | |
| Network | Czechoslovak Television |
| Release | 1986 (1986) <br>1988 (1988) |


title: 2022–23 Torino FC season

abstract: The 2022–23 season was the 112th season in the history of Torino Football Club and their 11th consecutive season in the top flight. The club participated in Serie A and the Coppa Italia.

text:
# 2022–23 Torino FC season

The **2022–23 season** was the 112th season in the history of Torino Football Club and their 11th consecutive season in the top flight. The club participated in Serie A and the Coppa Italia.

## Players

*As of 31 January 2023*

Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

| No. Pos. Nation Player  1 GK  ALB Etrit Berisha  2 MF  FRA Brian Bayeye  3 DF  NED Perr Schuurs  4 DF  ITA Alessandro Buongiorno  5 DF  GLP Andreaw Gravillon *(on loan from Reims)*  6 DF  CZE David Zima  7 FW  FRA Yann Karamoh  8 MF  SRB Ivan Ilić *(on loan from Hellas Verona)*  9 FW  PAR Antonio Sanabria  11 FW  ITA Pietro Pellegri  13 DF  SUI Ricardo Rodriguez *(Captain)*  14 MF  ENG Ronaldo Vieira *(on loan from Sampdoria)*  16 MF  CRO Nikola Vlašić *(on loan from West Ham United)*  17 DF  CIV Wilfried Singo  19 MF  AUT Valentino Lazaro *(on loan from Inter Milan)*  21 MF  FRA Michel Ndary Adopo | No. Pos. Nation Player  23 MF  SEN Demba Seck  26 DF  CIV Koffi Djidji  27 DF  KOS Mërgim Vojvoda  28 MF  ITA Samuele Ricci  32 GK  SRB Vanja Milinković-Savić  33 DF  ENG Sebas Wade  34 DF  NGA Ola Aina  49 FW  SRB Nemanja Radonjić *(on loan from Marseille)*  59 MF  RUS Aleksei Miranchuk *(on loan from Atalanta)*  66 MF  LTU Gvidas Gineitis  73 GK  ITA Matteo Fiorenza  77 MF  POL Karol Linetty  78 DF  ROU Andrei Anton  89 GK  ITA Luca Gemello  94 DF  FRA Ange Caumenan N'Guessan |
| --- | --- |

### Out on loan

*As of 31 January 2023*

Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

| No. Pos. Nation Player  DF  ITA Christian Celesia *(at Messina until 30 June 2023)*  DF  ITA Armando Izzo *(at Monza until 30 June 2023)*  MF  ITA Tommaso Di Marco *(at Virtus Francavilla until 30 June 2023)*  MF  NZL Matthew Garbett *(at NAC Breda until 30 June 2023)*  MF  TUR Emirhan İlkhan *(at Sampdoria until 30 June 2023)*  MF  HUN Krisztofer Horváth *(at Kecskemét until 30 June 2023)* | No. Pos. Nation Player  MF  CIV Ben Lhassine Kone *(at Frosinone until 30 June 2023)*  MF  ITA Simone Verdi *(at Hellas Verona until 30 June 2023)*  MF  DEN Magnus Warming *(at Darmstadt 98 until 30 June 2023)*  FW  MDA Lado Akhalaia *(at Swift Hesperange until 30 June 2023)*  FW  ITA Nicola Rauti *(at SPAL until 30 June 2023)*  FW  ITA Samuele Vianni *(at Piacenza until 30 June 2023)* |
| --- | --- |

## Pre-season and friendlies

Win   Draw   Loss

| 23 December 2022 Friendly | **Torino** | **0–0** | **Cremonese** | Torino, Italy |
| --- | --- | --- | --- | --- |
| 14:30 CET (UTC+1) |  |  |  | Stadium: Stadio Olimpico Grande Torino |

## Competitions

### Overall record

| Competition | First match | Last match | Starting round | Final position | Record | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | | | | Pld | W | D | L | GF | GA | GD | Win % |
| Serie A | 13 August 2022 | 3 June 2023 | Matchday 1 | 10th | 38 | 14 | 11 | 13 | 42 | 41 | +1 | 036.84 |
| Coppa Italia | 6 August 2022 | 1 February 2023 | Round of 64 | Quarter-finals | 4 | 3 | 0 | 1 | 9 | 2 | +7 | 075.00 |
| Total | | | | | 42 | 17 | 11 | 14 | 51 | 43 | +8 | 040.48 |

Source: Soccerway

### Serie A

#### League table

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Qualification or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 8 | Fiorentina | 38 | 15 | 11 | 12 | 53 | 43 | +10 | 56 | 0Qualification for the Εuropa Conference League play-off round |
| 9 | Bologna | 38 | 14 | 12 | 12 | 53 | 49 | +4 | 54 |  |
| 10 | Torino | 38 | 14 | 11 | 13 | 42 | 41 | +1 | | 53 |
| 11 | Monza | 38 | 14 | 10 | 14 | 48 | 52 | 4 | | 52 |
| 12 | Udinese | 38 | 11 | 13 | 14 | 47 | 48 | 1 | | 46 |

Source: Serie A
Rules for classification: 1) Points; 2) Tiebreaker for Champions team and third relegated team; 3) Head-to-head points; 4) Head-to-head goal difference; 5) Goal difference; 6) Goals scored; 7) Draw. (Note: Head-to-head record is used only after all the matches between the teams in question have been played)

#### Results summary

| Overall | | | | | | | | Home | | | | | | Away | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |

| Pld | W | D | L | GF | GA | GD | Pts | W | D | L | GF | GA | GD | W | D | L | GF | GA | GD |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 38 | 14 | 11 | 13 | 42 | 41 | +1 | 53 | 5 | 7 | 7 | 15 | 19 | −4 | 9 | 4 | 6 | 27 | 22 | +5 |

Source: Serie A

#### Results by round

| Round | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Ground | A | H | A | A | H | A | H | A | H | H | A | H | A | H | A | H | A | H | A | A | H | A | H | A | H | A | H | A | H | H | A | H | A | H | A | H | A | H |
| Result | W | D | W | L | W | L | L | L | D | L | W | W | L | W | D | D | D | L | W | D | W | L | D | L | W | W | L | D | L | D | W | L | W | D | W | D | W | L |
| Position | 6 | 9 | 5 | 8 | 6 | 9 | 9 | 10 | 10 | 11 | 10 | 9 | 11 | 9 | 9 | 9 | 10 | 9 | 8 | 8 | 7 | 8 | 9 | 10 | 9 | 8 | 11 | 11 | 11 | 11 | 11 | 12 | 11 | 11 | 10 | 10 | 8 | 10 |

Source: Serie A
A = Away; H = Home; W = Win; D = Draw; L = Loss

#### Matches

The league fixtures were announced on 24 June 2022.

### Coppa Italia

## InfoBox

Torino
| 2022–23 season | |
| --- | --- |
| Owner | Urbano Cairo |
| Chairman | Urbano Cairo |
| Head coach | Ivan Jurić |
| Stadium | Stadio Olimpico Grande Torino |
| Serie A | 10th |
| Coppa Italia | Quarter-finals |
| Top goalscorer | League:
Antonio Sanabria (12)
All:
Antonio Sanabria (12) |
|  | |
|  | |
|  | |
|  | |


title: Cheiridopsis denticulata

abstract: Cheiridopsis denticulata is a species in the genus Cheiridopsis native to South Africa. It has yellow flowers, and distinctive foliage with a narrow, upward curving shape. Commonly called "pink fingers", the leaves grow in opposite pairs and are light blue with sun exposure blushing them shades of pink and purple.

text:
# Cheiridopsis denticulata

***Cheiridopsis denticulata*** is a species in the genus *Cheiridopsis* native to South Africa. It has yellow flowers, and distinctive foliage with a narrow, upward curving shape. Commonly called "pink fingers" (*pienkvingers* in Afrikaans), the leaves grow in opposite pairs and are light blue with sun exposure blushing them shades of pink and purple.

## InfoBox

| *Cheiridopsis denticulata* | |
| --- | --- |
|  | |
| *C. denticulata* growing in Richtersveld National Park | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| Order: | Caryophyllales |
| Family: | Aizoaceae |
| Genus: | *Cheiridopsis* |
| Species: | ***C. denticulata*** |
| Binomial name | |
| ***Cheiridopsis denticulata***<br>(Haw.) N.E.Br. | |
|


title: Thermo galvanometer

abstract: The thermo-galvanometer is an instrument for measuring small electric currents. It was invented by William Duddell about 1900. The following is a description of the instrument taken from a trade catalog of Cambridge Scientific Instrument Company dated 1905: For a long time the need of an instrument capable of accurately measuring small alternating currents has been keenly felt. The high resistance and self-induction of the coils of instruments of the electro-magnetic type frequently prevent their use. Electro-static instruments as at present constructed are not altogether suitable for measuring very small currents, unless a sufficient potential difference is available. The thermo-galvanometer designed by Mr W. Duddell can be used for the measurement of extremely small currents to a high degree of accuracy. It has practically no self-induction or capacity and can therefore be used on a circuit of any frequency and currents as small as twenty micro-amperes can be readily measured by it. It is equally correct on continuous and alternating currents. It can therefore be accurately standardized by continuous current and used without error on circuits of any frequency or wave-form. The principle of the thermo-galvanometer is simple. The instrument consists of a resistance which is heated by the current to be measured, the heat from the resistance falling on the thermo-junction of a Boys radio-micrometer. The rise in temperature of the lower junction of the thermo-couple produces a current in the loop which is deflected by the magnetic field against the torsion of the quartz fibre.

text:
# Thermo galvanometer

The **thermo-galvanometer** is an instrument for measuring small electric currents. It was invented by William Duddell about 1900. The following is a description of the instrument taken from a trade catalog of Cambridge Scientific Instrument Company dated 1905:

> For a long time the need of an instrument capable of accurately measuring small alternating currents has been keenly felt. The high resistance and self-induction of the coils of instruments of the electro-magnetic type frequently prevent their use. Electro-static instruments as at present constructed are not altogether suitable for measuring very small currents, unless a sufficient potential difference is available.
>
> The thermo-galvanometer designed by Mr W. Duddell can be used for the measurement of extremely small currents to a high degree of accuracy. It has practically no self-induction or capacity and can therefore be used on a circuit of any frequency (even up to 120,000~ per sec.) and currents as small as twenty micro-amperes can be readily measured by it . It is equally correct on continuous and alternating currents. It can therefore be accurately standardized by continuous current and used without error on circuits of any frequency or wave-form.
>
> The principle of the thermo-galvanometer is simple. The instrument consists of a resistance which is heated by the current to be measured, the heat from the resistance falling on the thermo-junction of a Boys radio-micrometer. The rise in temperature of the lower junction of the thermo-couple produces a current in the loop which is deflected by the magnetic field against the torsion of the quartz fibre.

* Vladimir Karapetoff, *Experimental Electrical Engineering and Manual for Electrical Testing for Engineers and for Students in Engineering Laboratories*. Volume. 1 John Wiley & Sons, Inc. 1910. page 70
* Cambridge Scientific Instrument Company Ltd. 1905 trade catalog.


title: Catorex

abstract: Cattin & Cie SA, Montres CATOREX is a Swiss watch manufacturer founded in 1858 by Constant Cattin, in Les Breuleux, Switzerland.

text:
# Catorex

**Cattin & Cie SA, Montres CATOREX** is a Swiss watch *manufacturer* founded in 1858 by Constant Cattin, in Les Breuleux, Switzerland.

## History

In the early 19th century, farmer Georges Ignace Cattin (born 1785) started manufacturing pocket watches with Cabinotiers in the canton of Jura, Switzerland. Cattin became the first of six generations of watchmakers. His son, Constant Cattin (born in 1818), founded Cattin & Cie SA in 1858 in Les Breuleux, where the company is based today.

The company was then owned by Numa Cattin (born in 1861) Armand and Maurice Cattin (born in 1885 and 1887 respectively), and Guy Cattin (born in 1932). Guy Albert Cattin is the current owner of Cattin & Cie SA.

CATOREX was created and registered as a trademark in 1957 by Guy Cattin. In 1979, CATOREX developed the smallest ever skeleton watch and, in 1985, the world’s smallest pendant watch. The company has since extended its product range to include clothing, bags, glasses, and jewellery.

## Further reading

* *2016 Watch & Clock Brands*. Japan Watch Importors’ Association. 2015-11-30.

## InfoBox

Cattin & Cie SA, Montres CATOREX
| Company type | Private |
| --- | --- |
| Industry | Watchmaking |
| Founded | 1858 (1858) |
| Founder | Constant Cattin |
| Headquarters | Les Breuleux, Switzerland |
| Area served | Worldwide |
| Products | Watches |
| Owner | Guy Albert Cattin |


title: Roberto Mogrovejo

abstract: Roberto Mogrovejo is a former Argentine football player that plays as a right winger. He was part of the Argentina squad in the 1991 World Youth Championship in Lisbon. He played for several Argentine teams including Argentinos Juniors and Defensa y Justicia. He also played abroad in Hapoel Kfar Saba of Israel and for Portuguese champions FC Porto for which he never made any official appearance.

text:
# Roberto Mogrovejo

**Roberto Mogrovejo** (born 19 June 1972 in Buenos Aires) is a former Argentine football player that plays as a right winger. He was part of the Argentina squad in the 1991 World Youth Championship in Lisbon. He played for several Argentine teams including Argentinos Juniors and Defensa y Justicia. He also played abroad in Hapoel Kfar Saba of Israel and for Portuguese champions FC Porto for which he never made any official appearance.

## InfoBox

Roberto Mogrovejo
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Roberto Arturo Mogrovejo | | |
| Date of birth | (1972-06-19) June 19, 1972 | | |
| Place of birth | Bahía Blanca, Argentina | | |
| Height | 1.72 m (5 ft 8 in) | | |
| Position(s) | Winger | | |
| Team information | | | |
| Current team | Club Ferrocarril Urquiza | | |
| Youth career | | | |
|  | Chacarita Juniors | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1989–1993 | Argentinos Juniors | 69 | (6) |
| 1994 | FC Porto | 0 | (0) |
| 1994 | Deportivo Español | 2 | (0) |
| 1995–1996 | Tigre |  |  |
| 1997–1998 | Defensa y Justicia |  |  |
| 1998–1999 | Berazategui |  |  |
| 2000–2002 | Hapoel Kfar Saba FC |  |  |
| 2002–2003 | J.J. Urquiza |  |  |
| International career | | | |
| 1991 | Argentina U20 | 2 | (0) |
| \*Club domestic league appearances and goals, correct as of 31 July 2008 | | | |


title: Smuglere

abstract: Smuglere is a Norwegian crime film from 1968 directed by Rolf Clemens. The screenplay was written by Liv Clemens, who based it on Arthur Omre's 1935 novel of the same name.

text:
# Smuglere

***Smuglere*** (The Smugglers) is a Norwegian crime film from 1968 directed by Rolf Clemens. The screenplay was written by Liv Clemens, who based it on Arthur Omre's 1935 novel of the same name.

## Plot

In the 1920s, the unemployed architect Ernst accidentally enters a smuggling ring, and his gray and desolate existence is replaced by a lush, brazen, and colorful world. He is in love with Klara, but she leaves him. Jenny becomes his close friend. Together with Hugo and Elsa, the pair make several smuggling trips by car, with a large—but not sufficient—profit. It is only when Ernst invests in boats that the smuggling really takes off. He operates along the entire Oslo Fjord and all the way down to Rotterdam. He is constantly pursued by police and customs officials in their infamous torpedo boats. The viewers follow Ernst to the "Battle of Bygdøy," where smugglers and police officers collide in a brutal clash.

## Cast

## InfoBox

| Smuglere | |
| --- | --- |
| Directed by | Rolf Clemens |
| Written by | Liv Clemens |
| Based on | Arthur Omre's novel *Smuglere* |
| Produced by | Alan Ousbey |
| Starring | Elsa Lystad
Baard Owe
Arne Aas |
| Cinematography | Dag Klippenberg |
| Edited by | Rolf Clemens |
| Distributed by | Teamfilm A/S |
| Release date | * September 5, 1968 (1968-09-05) |
| Running time | 127 minutes |
| Country | Norway |
| Language | Norwegian |


title: 2022–23 Toto Cup Al

abstract: The 2022–23 Toto Cup Al is the 38th season of the third-important football tournament in Israel since its introduction and the 16th tournament involving Israeli Premier League clubs only. Maccabi Haifa were the defending champions.

text:
# 2022–23 Toto Cup Al

The **2022–23 Toto Cup Al** is the 38th season of the third-important football tournament in Israel since its introduction and the 16th tournament involving Israeli Premier League clubs only.

Maccabi Haifa were the defending champions.

## Format

The four clubs playing in the UEFA competitions (Maccabi Haifa, Hapoel Be'er Sheva, Maccabi Tel Aviv and Maccabi Netanya) will not take part in the group stage, while the remaining ten clubs were divided into two groups of five, at the end of the group stage each of the group winners will qualify to the semi-finals. Maccabi Haifa and Hapoel Be'er Sheva will play in the 2022 Israel Super Cup match for a place in one of the semi-finals (meeting the group winner with the least points accumulated), while Maccabi Tel Aviv and Maccabi Netanya will play for a place in the other semi-final (meeting the group winner with the most points accumulated) . All clubs will participate in classification play-offs to determine their final positions.

## Group stage

Groups were allocated according to geographic distribution of the clubs, with the northern clubs allocated to Group A, and the southern clubs allocated to Group B. Each club will play the other clubs once.

The matches were scheduled to start on 30 July 2022.

### Group A

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Qualification |  | HHD | BnS | IKS | MBR | HHA |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Hapoel Hadera | 4 | 4 | 0 | 0 | 7 | 2 | +5 | 12 | Semi-finals |  |  |  | 1–0 | 1–0 |  |
| 2 | Bnei Sakhnin | 4 | 2 | 1 | 1 | 7 | 5 | +2 | 7 | 5–8th classification play-offs |  | 1–2 |  |  | 2–1 |  |
| 3 | Ironi Kiryat Shmona | 4 | 1 | 2 | 1 | 4 | 4 | 0 | 5 | 9–10th classification play-offs |  |  | 2–2 |  |  | 0–0 |
| 4 | Maccabi Bnei Reineh | 4 | 1 | 0 | 3 | 5 | 6 | 1 | 3 | 11–12th classification play-offs |  |  |  | 1–2 |  | 3–1 |
| 5 | Hapoel Haifa | 4 | 0 | 1 | 3 | 2 | 8 | 6 | 1 | 13–14th classification play-offs |  | 1–3 | 0–2 |  |  |  |

Source: Israel Football Association, One.co.il
Rules for classification: 1) points; 2) goal difference; 3) number of wins; 4) goals scored; 5) head to head; 6)higher position in the last season.

### Group B

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Qualification |  | HTA | HJE | BEI | ASH | SNZ |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Hapoel Tel Aviv | 4 | 3 | 0 | 1 | 10 | 6 | +4 | 9 | Semi-finals |  |  |  | 2–0 | 2–3 |  |
| 2 | Hapoel Jerusalem | 4 | 2 | 0 | 2 | 4 | 4 | 0 | 6 | 5–8th classification play-offs |  | 1–3 |  |  |  | 2–0 |
| 3 | Beitar Jerusalem | 4 | 1 | 2 | 1 | 5 | 5 | 0 | 5 | 9–10th classification play-offs |  |  | 1–0 |  |  | 1–1 |
| 4 | F.C. Ashdod | 4 | 1 | 1 | 2 | 5 | 6 | 1 | 4 | 11–12th classification play-offs |  |  | 0–1 | 2–2 |  |  |
| 5 | Sektzia Ness Ziona | 4 | 1 | 1 | 2 | 3 | 6 | 3 | 4 | 13–14th classification play-offs |  | 1–3 |  |  | 1–0 |  |

Source: Israel Football Association, One.co.il
Rules for classification: 1) points; 2) goal difference; 3) number of wins; 4) goals scored; 5) head to head; 6)higher position in last season.

## European qualification route

### Israel Super Cup

| Maccabi Haifa | 1–1 | Hapoel Be'er Sheva |
| --- | --- | --- |
| * Atzili  1',  76' * Haziza  41' | Report |  |
| Penalties | | |
|  | 3–4 |  |

Sammy Ofer Stadium, HaifaReferee: Roi Reinshreiber

### UEFA qualifiers match

| Maccabi Tel Aviv | 0–0 | Maccabi Netanya |
| --- | --- | --- |
|  | Report |  |
| Penalties | | |
|  | 4–5 |  |

Bloomfield Stadium, Tel AvivAttendance: 10,061Referee: Snir Levi

## Classification play-offs

### 13–14th classification match

| 7 December 2022 13–14 place | **Sektzia Ness Ziona** | **5–4** | Hapoel Haifa | Petah Tikva |
| --- | --- | --- | --- | --- |
| 19:00 |  | Report |  | Stadium: HaMoshava Stadium |

### 11–12th classification match

| 8 December 2022 11–12 place | F.C. Ashdod | **0–1** | **Maccabi Bnei Reineh** | Ashdod |
| --- | --- | --- | --- | --- |
| 19:00 |  | Report |  | Stadium: Yud-Alef Stadium |

### 9–10th classification match

| 7 December 2022 9–10 place | Beitar Jerusalem | **1–3** | **Ironi Kiryat Shmona** | Jerusalem |
| --- | --- | --- | --- | --- |
| 19:45 |  | Report |  | Stadium: Teddy Stadium |

### 7–8th classification match

| 7 December 2022 7–8 place | **Maccabi Tel Aviv** | **2–0** | Hapoel Jerusalem | Tel Aviv |
| --- | --- | --- | --- | --- |
| 20:00 |  | Report |  | Stadium: Bloomfield Stadium |

### 5–6th classification match

## Semi-finals

| 7 December 2022 Semi final | **Maccabi Netanya** | **0–0**
(**5–4** ) | Hapoel Hadera | Netanya |
| --- | --- | --- | --- | --- |
| 20:15 |  | Report |  | Stadium: Netanya Stadium |

| 8 December 2022 Semi final | **Hapoel Be'er Sheva** | **3–3**
(**4–3** ) | Hapoel Tel Aviv | Be'er Sheva |
| --- | --- | --- | --- | --- |
| 20:00 |  | Report |  | Stadium: Turner Stadium |

## Final

| 18 January 2023 Final | **Maccabi Netanya** | **0–0**
(**5–4** ) | Hapoel Be'er Sheva | Petah Tikva |
| --- | --- | --- | --- | --- |
| 20:00 |  | Report |  | Stadium: HaMoshava Stadium
Attendance: 8,830 |

## Final rankings

| R | Team |
| --- | --- |
|  | Maccabi Netanya |
|  | Hapoel Be'er Sheva |
|  | Hapoel Hadera |
| | Hapoel Tel Aviv |
| 5 | Maccabi Haifa |
| 6 | Bnei Sakhnin |
| 7 | Maccabi Tel Aviv |
| 8 | Hapoel Jerusalem |
| 9 | Hapoel Ironi Kiryat Shmona |
| 10 | Beitar Jerusalem |
| 11 | Maccabi Bnei Reineh |
| 12 | F.C. Ashdod |
| 13 | Sektzia Ness Ziona |
| 14 | Hapoel Haifa |

## InfoBox

2022–23 Toto Cup Al
| Tournament details | |
| --- | --- |
| Country | Israel |
| Teams | 14 |
| Defending champions | Maccabi Haifa |
| Final positions | |
| Champions | Maccabi Netanya (1st title) |
| Runner-up | Hapoel Be'er Sheva |
| Semifinalists |  |
| Tournament statistics | |
| Matches played | 30 |
| Goals scored | 81 (2.7 per match) |
|
All statistics correct as of 21 May 2023 (2023-05-21). | |


title: Cheiridopsis pilosula

abstract: Cheiridopsis pilosula is a species of succulent plant from Namaqualand in the Northern Cape of South Africa.

text:
# Cheiridopsis pilosula

***Cheiridopsis pilosula*** is a species of succulent plant from Namaqualand in the Northern Cape of South Africa.

## Description

This succulent subshrub becomes raggedly clumped and lank with age. It grows up to 15 cm (5.9 in) tall, with a diameter of 25 cm (9.8 in). The pale blue-grey leaves are slender and densely covered in hairs. They do not have teeth and are prominently keeled.

Flowers are preset in August and September. They are yellow in colour and are borne solitarily. While some populations have unicoloured petaloid staminodes, other populations have bi-coloured staminodes, in which the bottom third is white and the remaining two-thirds are yellow. The fruits are 10-locular and cylindrical below. They are covered in papillae, giving them a rough or velvety texture. The seeds are also covered in papilae.

## Distribution and habitat

*Cheiridopsis pilosula* is endemic to the Northern Cape of South Africa, where it grows on quartzite flats and slopes. It grows in the Richtersveld region, where it grows on the Stinkfontein Mountains and Klipbok.

## Conservation

This species is considered to be of least concern by the South African National Biodiversity Institute.

## InfoBox

| *Cheiridopsis pilosula* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| Order: | Caryophyllales |
| Family: | Aizoaceae |
| Genus: | *Cheiridopsis* |
| Species: | ***C. pilosula*** |
| Binomial name | |
| ***Cheiridopsis pilosula***<br>L.Bolus | |
|


abstract: The Third Kohl cabinet was the state government of the German state of Rhineland-Palatinate from 20 May 1975 until 2 December 1976. The Cabinet was headed by Minister President Helmut Kohl and was formed by the Christian Democratic Union. On 20 May 1975 Kohl was elected and sworn in as Minister President by the Landtag of Rhineland-Palatinate. The reason for the short term was that Kohl switched to federal politics: he was the Union’s candidate for chancellor in the 1976 West German federal election, was elected to the Bundestag for the first time and then resigned as Minister President of Rhineland-Palatinate.

text:
# Third Kohl cabinet (Rhineland-Palatinate)

The **Third Kohl cabinet** was the state government of the German state of Rhineland-Palatinate from 20 May 1975 until 2 December 1976. The Cabinet was headed by Minister President Helmut Kohl and was formed by the Christian Democratic Union. On 20 May 1975 Kohl was elected and sworn in as Minister President by the Landtag of Rhineland-Palatinate.

The reason for the short term was that Kohl switched to federal politics: he was the Union’s candidate for chancellor in the 1976 West German federal election, was elected to the Bundestag for the first time and then resigned as Minister President of Rhineland-Palatinate.

## Composition

| Portfolio | Minister | Tookoffice | Leftoffice | Party | |
| --- | --- | --- | --- | --- | --- |
| Minister President | Helmut Kohl | 20 May 1975 | 2 December 1976 |  | CDU |
| Deputy Minister President
Agriculture, viticulture and environmental protection | Otto Meyer | 20 May 1975 | 2 December 1976 |  | CDU |
| Minister of the Interior | Heinz Schwarz | 20 May 1975 | 2 December 1976 |  | CDU |
| Minister of Justice | Otto Theisen | 20 May 1975 | 2 December 1976 |  | CDU |
| Minister of Finance | Johann Wilhelm Gaddum | 20 May 1975 | 2 December 1976 |  | CDU |
| Minister of Culture | Bernhard Vogel | 20 May 1975 | 2 December 1976 |  | CDU |
| Minister of Economy and Transport | Heinrich Holkenbrink | 20 May 1975 | 2 December 1976 |  | CDU |
| Minister of Social Affairs, Health and Sports | Heiner Geißler | 20 May 1975 | 2 December 1976 |  | CDU |

## InfoBox

| Third Cabinet of Helmut Kohl
Kohl III | |
| --- | --- |
|
11th Cabinet of Rhineland-Palatinate | |
| 19 May 1969 – 20 May 1975 | |
|  | |
| Date formed | 20 May 1975 |
| Date dissolved | 2 December 1976
(1 year, 6 months, 1 week and 5 days) |
| People and organisations | |
| Chancellor | Helmut Schmidt |
| Minister President | Helmut Kohl |
| Deputy Minister President | Otto Meyer |
| Member party | Christian Democratic Union |
| Opposition party | Social Democratic Party
Free Democratic Party |
| Opposition leader | Social Democratic Party |
| History | |
| Election | 1975 Rhineland-Palatinate state election |
| Legislature term | 8th Landtag of Lower Saxony |
| Predecessor | Cabinet Kohl I |
| Successor | Cabinet Vogel I |


title: Refer (software)

abstract: refer is a program for managing bibliographic references, and citing them in troff, nroff, and groff documents. It is implemented as a preprocessor. refer was written by Mike Lesk at Bell Laboratories in or before 1978, and is now available as part of most Unix-like operating systems. A free reimplementation exists as part of the groff package. As of 2015, refer sees little use, primarily because troff itself is not used much for longer technical writing that might need software support for reference and citation management. As of 2016, some reference management software will import refer data.

text:
# Refer (software)

**refer** is a program for managing bibliographic references, and citing them in troff, nroff, and groff documents. It is implemented as a preprocessor.

refer was written by Mike Lesk at Bell Laboratories in or before 1978, and is now available as part of most Unix-like operating systems. A free reimplementation exists as part of the groff package.

As of 2015, refer sees little use, primarily because troff itself is not used much for longer technical writing that might need software support for reference and citation management. As of 2016, some reference management software (for instance, RefWorks) will import refer data.

## Example

refer works with a "reference file", a text file where the author lists works to which they might want to refer. One such reference, to an article in a journal in this case, might look like:

```
%A Brian W. Kernighan
%A Lorinda L. Cherry
%T A System for Typesetting Mathematics
%J J. Comm. ACM
%V 18
%N 3
%D March 1978
%P 151-157
%K eqn
```

The author then can refer to it in their troff, groff, or nroff document by listing keywords which uniquely match this reference:

```
.[
kernighan cherry eqn
.]
```

## Database fields

A refer bibliographic database is a text file consisting of a series of records, separated by one or more blank lines. Within each record, each field starts with a %-sign at the beginning of the line and one character immediately after. The name of the field should be followed by exactly one space, and then by the contents of the field. Empty fields are ignored. The conventional meaning of each field is shown in the table below. Compare this scheme with the newer EndNote scheme which uses a similar syntax.

Database fields
| Field | Meaning |
| --- | --- |
| %A | The name of an author. If the name contains a title such as Jr. at the end, it should be separated from the last name by a comma. There can be multiple occurrences of the %A field. The order is significant. It is a good idea always to supply an %A field or a %Q field. |
| %B | For an article that is part of a book, the title of the book. |
| %C | The place (city) of publication. |
| %D | The date of publication. The year should be specified in full. If the month is specified, the name rather than the number of the month should be used, but only the first three letters are required. It is a good idea always to supply a %D field; if the date is unknown, a value such as in press or unknown can be used. |
| %E | For an article that is part of a book, the name of an editor of the book. Where the work has editors and no authors, the names of the editors should be given as %A fields and , (ed) or , (eds) should be appended to the last author. |
| %G | US Government ordering number. |
| %I | The publisher (issuer). |
| %J | For an article in a journal, the name of the journal. |
| %K | Keywords to be used for searching. |
| %L | Label. |
| %N | Journal issue number. |
| %O | Other information. This is usually printed at the end of the reference. |
| %P | Page number. A range of pages can be specified as m-n. |
| %Q | The name of the author, if the author is not a person. This will only be used if there are no %A fields. There can only be one %Q field. |
| %R | Technical report number. |
| %S | Series name. |
| %T | Title. For an article in a book or journal, this should be the title of the article. |
| %V | Volume number of the journal or book. |
| %X | Annotation. |
| * For all fields except %A and %E, if there is more than one occurrence of a particular field in a record, only the last such field will be used. * A field with no value given is simply ignored. | |

**Data schemes**

**Other**

## InfoBox

refer
| Original author(s) | Mike Lesk |
| --- | --- |
| Operating system | Unix-like |
| Type | Reference management |
| License | depends on implementation |


title: Sphingobacterium alimentarium

abstract: Sphingobacterium alimentarium is a Gram-negative and rod-shaped bacterium from the genus of Sphingobacterium which has been isolated from a dairy environment in Germany.

text:
# Sphingobacterium alimentarium

***Sphingobacterium alimentarium*** is a Gram-negative and rod-shaped bacterium from the genus of Sphingobacterium which has been isolated from a dairy environment in Germany.

## InfoBox

| *Sphingobacterium alimentarium* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Bacteria |
| Phylum: | Bacteroidota |
| Class: | Sphingobacteriia |
| Order: | Sphingobacteriales |
| Family: | Sphingobacteriaceae |
| Genus: | *Sphingobacterium* |
| Species: | ***S. alimentarium*** |
| Binomial name | |
| *****Sphingobacterium alimentarium*****<br>Schmidt et al. 2012 | |
|
| Type strain | |
| DSM 22362, DSM 22632, LMG 25273, WCC 4521 | |


title: Catopyrops kokopona

abstract: Catopyrops kokopona is a species of butterfly belonging to the lycaenid family described by Carl Ribbe in 1899. It is endemic to New Britain.

text:
# Catopyrops kokopona

***Catopyrops kokopona***  is a species of butterfly belonging to the lycaenid family described by Carl Ribbe in 1899. It is endemic to New Britain.

## InfoBox

| *Catopyrops kokopona* | |
| --- | --- |
|  | |
| Plate accompanying the original description (figure 7, male) | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Lycaenidae |
| Genus: | *Catopyrops* |
| Species: | ***C. kokopona*** |
| Binomial name | |
| ***Catopyrops kokopona***<br>(Ribbe, 1899) | |
|


title: Roberto Minuta

abstract: Roberto Antonio Minuta is a tattoo artist and a member of the Oath Keepers, who in 2023 was found guilty of seditious conspiracy after forcing his way into the United States Capitol building during the January 6 United States Capitol attack in 2021. Minuta organized a 2021 rally and defied New York State COVID-19 public health regulations.

text:
# Roberto Minuta

**Roberto Antonio Minuta** is a tattoo artist and a member of the Oath Keepers, who in 2023 was found guilty of seditious conspiracy after forcing his way into the United States Capitol building during the January 6 United States Capitol attack in 2021.

Minuta organized a 2021 rally and defied New York State COVID-19 public health regulations.

## Personal and work life

Minuta was born 1983 or 1984. He is a member of the Oath Keepers and a key ally of Stewart Rhodes, the leader of the far-right group. He lived in Newburgh, New York, and ran the Casa Di Dolore tattoo shop before relocating to Prosper, Texas.

In 2020, Minuta opened his tattoo shop, deliberately breaching COVID-19 public health rules. On May 30, 2020, he organized a rally to protest against the rules.

## January 6 United States Capitol attack

During the January 6 United States Capitol attack Minuta "clashed with police", entered the United States Capitol building, and used social media to broadcast videos. In his video broadcasts he stated "You know what? Millions will die. So what? ... Get your fucking soul ready. Get right with God." Earlier in the day, Minuta had been part of a team providing security services to Roger Stone. He was photographed with armored gloves, goggles and bear spray on January 6.

Minuta was arrested on March 8, 2021. In January 2023, he was tried with co-defendants Joseph Hackett, David Moerschel and Edward Vallejo, each of whom were charged with seditious conspiracy. On January 23, 2023, he was found guilty of seditious conspiracy, conspiracy to obstruct an official proceeding, obstruction of an official proceeding and aiding and abetting, and conspiracy to prevent a member of Congress from discharging their official duties. He was found not guilty of tampering with documents or proceedings. On June 1, US District Judge Amit Mehta sentenced Minuta to 54 months.

## InfoBox

| Roberto Minuta | |
| --- | --- |
| Born | 1983 or 1984 |
| Nationality | American |
| Occupation | Tattoo artist |
| Organization | Oath Keepers |
|  | |
| Criminal charge | Seditious conspiracy, conspiracy to obstruct an official proceeding, obstruction of an official proceeding and aiding and abetting, and conspiracy to prevent a member of Congress from discharging their official duties. |
| Penalty | 54-months imprisonment |
|  | |


title: Joyo Theatre

abstract: The Joyo Theater is a historic theater in Lincoln, Nebraska. It is a single-screen movie theater adapted to also host acts on stage such as musicians and movies with a stage-show component. Constructed in 1926 as the New Lyric Theatre, the marquee and ticket booth date from the 1930s.

text:
# Joyo Theatre

The **Joyo Theater** is a historic theater in Lincoln, Nebraska. It is a single-screen movie theater adapted to also host acts on stage such as musicians and movies with a stage-show component. Constructed in 1926 as the **New Lyric Theatre**, the marquee and ticket booth date from the 1930s.

## Showings

The theater is most well known for a long run of *The Rocky Horror Picture Show*. The Joyo began screening it as a midnight movie in 1998. At one time the theater showed *Rocky Horror* every Saturday night; more recently it has screened the movie only near Halloween.

The film is combined with a stage show and audience participation in which attendees act out parts of the film, shout extra lines, use squirt guns and throw rice. Audience participation is often so loud that viewers cannot hear the movie. Lines shouted at the Joyo differ noticeably from those heard at showings of *Rocky Horror* elsewhere.

The Joyo has screened other films with stage components, such as *Mortified Nation*, a 2013 documentary paired with adults reading on stage from their childhood journals. In 2020 a play about Charles Starkweather performed at the Joyo was livestreamed because of the COVID-19 pandemic.

## InfoBox

Joyo Theatre
| The Joyo Theatre in 2021 | |
| --- | --- |
|  | |
| Former names | New Lyric Theatre |
| Location | 6102 Havelock Ave<br>Lincoln, Nebraska, USA |
| Coordinates | 40°51′26″N 96°38′13″W / 40.857175°N 96.636986°W / 40.857175; -96.636986 |
| Type | Indoor theater |
| Capacity | 300 |
| Opened | 1926 |


title: Dissen-Bad Rothenfelde station

abstract: Dissen-Bad Rothenfelde is a railway station located in Dissen am Teutoburger Wald and close to Bad Rothenfelde, Germany. It was originally built as Hildesheim station in 1846, but was taken down and re-erected in Dissen-Bad Rothenfelde in the 1880s. The station is on the Osnabrück–Brackwede railway. The train services are operated by NordWestBahn.

text:
# Dissen-Bad Rothenfelde station

**Dissen-Bad Rothenfelde** is a railway station located in Dissen am Teutoburger Wald and close to Bad Rothenfelde, Germany. It was originally built as Hildesheim station in 1846, but was taken down and re-erected in Dissen-Bad Rothenfelde in the 1880s. The station is on the Osnabrück–Brackwede railway. The train services are operated by NordWestBahn.

## Train services

The station is served by the following services:

* Local services RB 75 *Osnabrück - Halle (Westf) - Bielefeld*

## InfoBox

| Dissen-Bad Rothenfelde | |
| --- | --- |
| Through station | |
| Dissen-Rothenfelde station in 1996 | |
| General information | |
| Location | Dissen am Teutoburger Wald, Lower Saxony<br>Germany |
| Coordinates | 52°06′43″N 8°11′05″E / 52.1119°N 8.1848°E / 52.1119; 8.1848 |
| Line(s) |  |
| Platforms | 1 |
| Other information | |
| Station code | 1227 |
| DS100 code | HDBR |
| Category | 6 |
| Fare zone |  |
| Website | www.bahnhof.de |
|  | |
| Services | |
| Preceding station NordWestBahn Following station  Hiltertowards Osnabrück Hbf  RB 75  Westbarthausentowards Bielefeld Hbf | |
|  | |
|  | |
|  | |


title: Chen Hao (footballer, born 1993)

abstract: Chen Hao is a Chinese footballer.

text:
# Chen Hao (footballer, born 1993)

**Chen Hao** (simplified Chinese: 陈灏; traditional Chinese: 陳灝; pinyin: *Chén Hào*; born 29 January 1993 in Chao'an) is a Chinese footballer.

## Club career

Chen Hao played for Shandong Youth in the China League Two in 2011, scoring six goals in fourteen appearances that season. Wu was promoted to Shandong Luneng Taishan's first team by Henk ten Cate in the 2012 season. However, he couldn't establish himself in the club and mainly played in the reserve league. Chen was linked with Chinese Super League side Shanghai Shenxin in the summer of 2014 but two clubs didn't reach an agreement on his transfer. Chen was the highest goalscorer with sixteen goals in the 2014 Chinese Super League reserve league.

On 9 February 2015, Chen moved to Shanghai Shenxin on a one-year loan deal. He made his Super League debut on 8 March 2015, in a 6–2 defeat against Shanghai Greenland Shenhua, coming on as a substitute for Zé Eduardo in the 68th minute. Chen played nine matches for Shanghai in the 2015 season without scoring as Shanghai finished the bottom of the league and relegated to the second tier.

On 26 February 2016, Chen transferred to fellow Chinese Super League side Henan Jianye. On 9 March 2016, he made his debut for Henan in a 1–0 home defeat against Jiangsu Suning. Chen scored his first Super League goal on 6 May 2016 in a 4–3 away defeat against Hebei China Fortune. He scored the other goal of the season at their home against Hebei China Fortune on 21 August 2016, which ensured Henan's 1–0 victory. Chen suffered a knee injury on 12 March 2017 in a league match against Liaoning FC. On 26 April 2017, he was diagnosed as posterior cruciate ligament tear of left knee, ruling him out for the rest of four months. He returned to the field on 10 September 2017, playing the whole match as a converted centre-back in a 2–1 away win against Shanghai Shenhua.

## Career statistics

*Statistics accurate as of match played 31 December 2020.*

| Club | Season | League | | | National Cup | | Continental | | Other | | Total | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | Division | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| Shandong Youth | 2011 | China League Two | 14 | 6 | - | | - | | - | | 14 | 6 |
| Shandong Luneng Taishan | 2012 | Chinese Super League | 0 | 0 | 0 | 0 | - | | - | | 0 | 0 |
| | 2013 | | 0 | 0 | 0 | 0 | - | | - | | 0 | 0 |
| | 2014 | | 0 | 0 | 0 | 0 | 0 | 0 | - | | 0 | 0 |
| | **Total** | | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Shanghai Shenxin (loan) | 2015 | Chinese Super League | 9 | 0 | 1 | 0 | - | | - | | 10 | 0 |
| Henan Jianye | 2016 | | 21 | 2 | 3 | 0 | - | | - | | 24 | 2 |
| | 2017 | | 7 | 0 | 0 | 0 | - | | - | | 7 | 0 |
| | 2018 | | 25 | 1 | 1 | 0 | - | | - | | 26 | 1 |
| | 2019 | | 28 | 1 | 0 | 0 | - | | - | | 28 | 1 |
| | 2020 | | 18 | 0 | 0 | 0 | - | | - | | 18 | 0 |
| | **Total** | | 99 | 4 | 4 | 0 | 0 | 0 | 0 | 0 | 103 | 4 |
| Career total | | | 122 | 10 | 5 | 0 | 0 | 0 | 0 | 0 | 127 | 10 |

## Honours

### Club

**Shandong Luneng Taishan**

## InfoBox

Chen Hao
陈灏
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Chen Hao | | |
| Date of birth | (1993-01-28) 28 January 1993 | | |
| Place of birth | Chao'an, Guangdong, China | | |
| Height | 1.85 m (6 ft 1 in) | | |
| Position(s) | Forward, Centre-back | | |
| Youth career | | | |
| 2005–2011 | Shandong Luneng | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 2011 | Shandong Youth | 14 | (6) |
| 2012–2015 | Shandong Luneng | 0 | (0) |
| 2015 | Shanghai Shenxin (loan) | 9 | (0) |
| 2016–2022 | Henan Songshan Longmen | 118 | (4) |
| International career | | | |
| 2008–2010 | China U-17 |  |  |
| 2011–2012 | China U-20 |  |  |
| \*Club domestic league appearances and goals, correct as of 17 February 2023 | | | |


title: 2021 Strømsgodset Toppfotball season

abstract: The 2021 season was Strømsgodset Toppfotball's 114th season in existence and the club's 15th consecutive season in the top flight of Norwegian football. In addition to the domestic league, Strømsgodset Toppfotball participated in this season's edition of the Norwegian Football Cup.

text:
# 2021 Strømsgodset Toppfotball season

The **2021** season was **Strømsgodset Toppfotball's** 114th season in existence and the club's 15th consecutive season in the top flight of Norwegian football. In addition to the domestic league, Strømsgodset Toppfotball participated in this season's edition of the Norwegian Football Cup.

## Players

### First team squad

*As of 1 September 2021*

Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

| No. Pos. Nation Player  1 GK  NOR Viljar Myhra  2 DF  ISL Ari Leifsson  3 DF  NOR Jonathan Parr  4 DF  NOR Thomas Grøgaard  5 DF  NOR Niklas Gunnarsson  6 MF  NGA Ipalibo Jack  7 MF  NOR Herman Stengel *(vice-captain)*  8 MF  NOR Johan Hove  9 FW  NGA Fred Friday  11 MF  NOR Kristoffer Tokstad  16 FW  NGA Jordan Attah Kadiri *(on loan from Lommel)*  17 MF  NOR Tobias Fjeld Gulliksen  19 MF  NOR Halldor Stenevik | No. Pos. Nation Player  23 MF  ISL Valdimar Þór Ingimundarson  26 DF  NOR Lars-Christopher Vilsvik  30 DF  NOR Fabian Holst-Larsen  40 GK  NOR Morten Sætra  50 GK  NOR Daniel Skretteberg  51 FW  NOR Aleksander Biermann Stenseth  58 FW  NOR Simen Hammershaug  70 DF  NOR Sondre Fosnæss Hanssen  71 DF  NOR Gustav Valsvik *(captain)*  80 DF  NOR Andreas Rosendal Nyhagen  84 MF  NOR Ole Enersen  88 FW  NOR Lars-Jørgen Salvesen  92 MF  KOS Kreshnik Krasniqi |
| --- | --- |

### Out on loan

Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

| No. Pos. Nation Player  56 FW  NOR Mustapha Fofana *(at Ørn Horten until 31 December 2021)*  64 MF  NOR Sebastian Pop *(on load to Fram Larvik until 31 December 2021)* | No. Pos. Nation Player  DF  NOR Daniel Kubrom Hamde *(at Florø until 31 July 2021)* |
| --- | --- |

## Transfers

### Winter

### Summer

## Competitions

### Eliteserien

#### Results summary

| Overall | | | | | | | | Home | | | | | | Away | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |

| Pld | W | D | L | GF | GA | GD | Pts | W | D | L | GF | GA | GD | W | D | L | GF | GA | GD |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 30 | 9 | 9 | 12 | 43 | 43 | 0 | 36 | 8 | 4 | 3 | 33 | 12 | +21 | 1 | 5 | 9 | 10 | 31 | −21 |

Last updated: 12 December 2021.
Source:

#### Results by round

| Round | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Ground | H | A | H | A | H | A | H | A | H | A | H | A | H | A | A | H | A | H | A | H | A | H | H | A | H | A | H | A | H | A |
| Result | W | L | W | L | D | L | W | D | W | L | D | D | W | L | L | W | W | L | D | W | L | L | D | L | W | D | L | L | D | D |
| Position | 1 | 8 | 3 | 4 | 9 | 10 | 8 | 9 | 8 | 8 | 9 | 10 | 8 | 10 | 11 | 9 | 9 | 9 | 9 | 7 | 8 | 9 | 9 | 9 | 8 | 9 | 10 | 10 | 11 | 9 |

Source:
A = Away; H = Home; W = Win; D = Draw; L = Loss

#### Results

| 16 May 2021 3 | **Strømsgodset** | **3–1** | **Lillestrøm** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Ogbu  6' (o.g.)
Stengel  17' (pen.)
Friday  86' | Report | Ogbu  74' | Stadium: Marienlyst Stadion
Attendance: 0
Referee: Espen Eskås |

| 24 May 2021 4 | **Kristiansund** | **1–0** | **Strømsgodset** | Kristiansund |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Bye  34' | Report |  | Stadium: Kristiansund Stadion
Attendance: 600
Referee: Ola Hobber Nilsen |

| 27 May 2021 5 | **Strømsgodset** | **1–1** | **Tromsø** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Hove  72' | Report | E. Kitolano  38' | Stadium: Marienlyst Stadion
Attendance: 200
Referee: Sivert Øksnes Amland |

| 30 May 2021 6 | **Brann** | **3–0** | **Strømsgodset** | Bergen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Heggebø  14'
Valsvik  29' (o.g.)
Simba  85' | Report |  | Stadium: Brann Stadion
Attendance: 600
Referee: Svein Oddvar Moen |

| 13 June 2021 7 | **Strømsgodset** | **2–1** | **Rosenborg** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Stengel  62' (pen.)
Stenevik  87' | Report | Wiedesheim-Paul  2' | Stadium: Marienlyst Stadion
Attendance: 600
Referee: Kristoffer Hagenes |

| 16 June 2021 14 | **Bodø/Glimt** | **7–2** | **Strømsgodset** | Bodø |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Saltnes  6', 15'
Solbakken  29'
Botheim  44'
Vetlesen  71'
Nordås  82'
Lindahl  84' | Report | Maigaard  79'
Valsvik  89' | Stadium: Aspmyra Stadion
Attendance: 600
Referee: Sivert Øksnes Amland |

| 20 June 2021 8 | **Mjøndalen** | **1–1** | **Strømsgodset** | Mjøndalen |
| --- | --- | --- | --- | --- |
| 15:00 CEST (UTC+2) | Ovenstad  57' | Report | Stenevik  67' | Stadium: Consto Arena
Attendance: 1,350
Referee: Espen Eskås |

| 24 June 2021 9 | **Strømsgodset** | **4–0** | **Sandefjord** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Tchamba  16'
Hove  25'
Friday  33', 48' | Report |  | Stadium: Marienlyst Stadion
Attendance: 2,000
Referee: Sigurd Smestad Kringstad |

| 30 June 2021 10 | **Molde** | **3–0** | **Strømsgodset** | Molde |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Gregersen  7'
Omoijuanfo  27', 29'
Andersen  70' | Report |  | Stadium: Aker Stadion
Attendance: 2,000
Referee: Tore Hansen |

| 4 July 2021 11 | **Strømsgodset** | **1–1** | **Vålerenga** | Drammen |
| --- | --- | --- | --- | --- |
| 20:00 CEST (UTC+2) | Friday  19' | Report | Bjørdal  67' | Stadium: Marienlyst Stadion
Attendance: 2,000
Referee: Tom Harald Hagen |

| 10 July 2021 12 | **Viking** | **1–1** | **Strømsgodset** | Stavanger |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Tripić  90' | Report | Jack  13' | Stadium: Viking Stadion
Attendance: 5,134
Referee: Sigurd Smehus Kringstad |

| 18 July 2021 13 | **Strømsgodset** | **2–1** | **Stabæk** | Drammen |
| --- | --- | --- | --- | --- |
| 20:00 CEST (UTC+2) | Hove  37'
Friday  80' | Report | Edvardsen  35' | Stadium: Marienlyst Stadion
Attendance: 2,000
Referee: Svein Oddvar Moen |

| 21 July 2021 1 | **Strømsgodset** | **3–0** | **Odd** | Drammen |
| --- | --- | --- | --- | --- |
| 19:00 CEST (UTC+2) | Gulliksen  58'
Jack  49'
Stengel  61' | Report |  | Stadium: Marienlyst Stadion
Attendance: 2,000
Referee: Christian Moen |

| 28 July 2021 2 | **Haugesund** | **2–1** | **Strømsgodset** | Haugesund |
| --- | --- | --- | --- | --- |
| 19:00 CEST (UTC+2) | Velde  26'
Wadji  60' | Report | Friday  69' | Stadium: Haugesund Stadion
Attendance: 2,000
Referee: Kristoffer Hagenes |

| 14 August 2021 15 | **Sarpsborg 08** | **1–0** | **Strømsgodset** | Sarpsborg |
| --- | --- | --- | --- | --- |
| 20:00 CEST (UTC+2) | Koné  72' | Report |  | Stadium: Sarpsborg Stadion
Attendance: 2,526
Referee: Kai Erik Steen |

| 21 August 2021 16 | **Strømsgodset** | **3–1** | **Brann** | Drammen |
| --- | --- | --- | --- | --- |
| 20:00 CEST (UTC+2) | Stengel  60'
Valsvik  74'
Gulliksen  86' | Report | Heggebø  23' | Stadium: Marienlyst Stadion
Attendance: 2,000
Referee: Svein Oddvar Moen |

| 29 August 2021 17 | **Odd** | **0–1** | **Strømsgodset** | Skien |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) |  | Report | Stengel  9' | Stadium: Skagerak Arena
Attendance: 3,208
Referee: Marius Hansen Grøtta |

| 12 September 2021 18 | **Strømsgodset** | **1–2** | **Kristiansund** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Tokstad  54' | Report | Bye  20' (pen.)
Coly  90+3' | Stadium: Marienlyst Stadion
Attendance: 2,522
Referee: Sivert Øksnes Amland |

| 25 September 2021 20 | **Strømsgodset** | **5–0** | **Sarpsborg 08** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Valsvik  26'
Jack  40'
Gulliksen  45+1'
Leifsson  60'
Kadiri  75' | Report |  | Stadium: Marienlyst Stadion
Attendance: 2,589
Referee: Espen Eskås |

| 29 September 2021 19 | **Stabæk** | **0–0** | **Strømsgodset** | Bærum |
| --- | --- | --- | --- | --- |
| 19:00 CEST (UTC+2) |  | Report |  | Stadium: Nadderud Stadion
Attendance: 2,306
Referee: Sivert Øksnes Amland |

| 3 October 2021 21 | **Vålerenga** | **3–0** | **Strømsgodset** | Oslo |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Kjartansson  9'
Christensen  42'
Zuta  47' | Report |  | Stadium: Intility Arena
Attendance: 6,430
Referee: Christian Moen |

| 17 October 2021 22 | **Strømsgodset** | **0–1** | **Viking** | Drammen |
| --- | --- | --- | --- | --- |
| 17:00 CEST (UTC+2) |  | Report | Løkberg  29' | Stadium: Marienlyst Stadion
Attendance: 6,404
Referee: Kai Erik Steen |

| 24 October 2021 23 | **Strømsgodset** | **1–1** | **Bodø/Glimt** | Drammen |
| --- | --- | --- | --- | --- |
| 17:00 CEST (UTC+2) | Krasniqi  75' | Report | Solbakken  13' | Stadium: Marienlyst Stadion
Attendance: 3,906
Referee: Ola Hobber Nilsen |

| 27 October 2021 24 | **Sandefjord** | **2–0** | **Strømsgodset** | Sandefjord |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Ruud Tveter  49'
Jónsson  51' | Report |  | Stadium: Release Arena
Attendance: 1,655
Referee: Kristoffer Hagenes |

| 31 October 2021 25 | **Strømsgodset** | **6–0** | **Molde** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CET (UTC+1) | Friday  37'
Hove  41'
Stengel  45' (pen.)
Gulliksen  75', 90+3'
Tokstad  90' | Report |  | Stadium: Marienlyst Stadion
Attendance: 3,335
Referee: Sivert Øksnes Amland |

| 7 November 2021 26 | **Tromsø** | **1–1** | **Strømsgodset** | Tromsø |
| --- | --- | --- | --- | --- |
| 17:00 CET (UTC+1) | Ebiye  83' | Report | Hove  62' | Stadium: Alfheim Stadion
Attendance: 2,040
Referee: Marius Hansen Grøtta |

| 20 November 2021 27 | **Strømsgodset** | **1–2** | **Mjøndalen** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CET (UTC+1) | Tokstad  88' | Report | Eriksen  12'
Brustad  78' | Stadium: Marienlyst Stadion
Attendance: 7,150
Referee: Tom Harlad Hagen |

| 27 November 2021 28 | **Lillestrøm** | **4–1** | **Strømsgodset** | Lillestrøm |
| --- | --- | --- | --- | --- |
| 18:00 CET (UTC+1) | Lehne Olsen  21', 44', 61'
Dragsnes  45+1' | Report | Hove  86' | Stadium: Åråsen Stadion
Attendance: 3,797
Referee: Sivert Øksnes Amland |

| 5 December 2021 29 | **Strømsgodset** | **0–0** | **Haugesund** | Drammen |
| --- | --- | --- | --- | --- |
| 17:00 CET (UTC+1) |  | Report |  | Stadium: Marienlyst Stadion
Attendance: 3,284
Referee: Christian Moen |

| 12 December 2021 30 | **Rosenborg** | **2–2** | **Strømsgodset** | Trondheim |
| --- | --- | --- | --- | --- |
| 17:00 CET (UTC+1) | Vecchia  70' (pen.)
Wiedesheim-Paul  85' | Report | Vilsvik  13'
Hovland | Stadium: Lerkendal Stadion
Attendance: 6,697
Referee: Kai Erik Steen |

#### Table

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 7 | Vålerenga | 30 | 11 | 12 | 7 | 46 | 37 | +9 | 45 |
| 8 | Sarpsborg 08 | 30 | 11 | 6 | 13 | 39 | 44 | 5 | 39 |
| 9 | Strømsgodset | 30 | 9 | 9 | 12 | 43 | 43 | 0 | 36 |
| 10 | Sandefjord | 30 | 10 | 6 | 14 | 38 | 52 | 14 | 36 |
| 11 | Haugesund | 30 | 9 | 8 | 13 | 46 | 45 | +1 | 35 |

Source: Football Association of Norway (in Norwegian)
Rules for classification: 1) Points; 2) Goal difference; 3) Goals scored; 4) Head-to-head points; 5) Head-to-head goal difference; 6) Head-to-head away goals scored (only if between two teams); 7) Head-to-head goals scored; 8) Play-off (only used to decide champions or relegation).

### Norwegian Football Cup

| 25 July 2021 First round | **Hønefoss** | **0–2** | **Strømsgodset** | Hønefoss |
| --- | --- | --- | --- | --- |
| 16:00 CEST (UTC+2) |  | Report | Maigaard  21' (pen.)
Hove  78' | Stadium: Hønefoss Idrettspark
Referee: Marius Lien |

| 1 August 2021 Second round | **Ready** | **0–1** | **Strømsgodset** | Oslo |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) |  | Report | Gunnarsson  70' | Stadium: Gressbanen
Referee: Johan William Grundt |

| 22 September 2021 Third round | **Strømsgodset** | **5–1** | **Stabæk** | Drammen |
| --- | --- | --- | --- | --- |
| 18:00 CEST (UTC+2) | Stenevik  13'
Valsvik  44'
Kadiri  65', 69', 72' | Report | Ottesen  5' | Stadium: Marienlyst Stadion
Attendance: 1,700
Referee: Kristoffer Hagenes |

*Fourth round* took place during the 2022 season.

## InfoBox

Strømsgodset
| 2021 season | |
| --- | --- |
| Chairman | Ivar Strømsjordet |
| Manager(s) | Bjørn Petter Ingebretsen
Håkon Wibe-Lund |
| Stadium | Marienlyst Stadion |
| Eliteserien | 9th |
| Norwegian Cup | *Fourth round* |
| Top goalscorer | League:
Fred Friday (7)
All:
Fred Friday
Johan Hove (7) |
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|  | |


title: Chen Ruifeng

abstract: Chen Ruifeng is a Chinese politician who is the current director of the National Religious Affairs Administration and deputy head of the United Front Work Department, in office since March 2023. Chen is a representative of the 20th National Congress of the Chinese Communist Party and an alternate member of the 20th Central Committee of the Chinese Communist Party.

text:
# Chen Ruifeng

**Chen Ruifeng** (Chinese: 陈瑞峰; born May 1966) is a Chinese politician who is the current director of the National Religious Affairs Administration and deputy head of the United Front Work Department, in office since March 2023.

Chen is a representative of the 20th National Congress of the Chinese Communist Party and an alternate member of the 20th Central Committee of the Chinese Communist Party.

## Early life and education

Chen was born in Qingdao, Shandong, in May 1966. In 1983, he entered Qingdao Normal School, where he majored in political history. He transferred to the Department of Politics, Qufu Normal University two years later. He went to receive his master's degree from the Department of Political Science and Administration, Peking University in 1990. He joined the Chinese Communist Party (CCP) in April 1989, upon graduation.

## Career

After graduating in January 1990, Chen became an official in the Propaganda Department of the CCP Beijing Computer Second Factory Committee.

In November 1990, Chen was despatched to the Party Member Education Department of the Propaganda Bureau of the Publicity Department of the Chinese Communist Party, and finally became director in July 2014.

Chen was appointed deputy party secretary of Wuhan in August 2016, concurrently serving as president of the Party School, secretary of the Political and Legal Affairs Commission, vice mayor, and secretary of the Wuhan Changjiang New City Working Committee. He was party secretary of Suizhou in November 2018, in addition to serving as chairman of Suizhou Municipal People's Congress.

Chen was appointed head of the Publicity Department of Qinghai Provincial Committee of the Chinese Communist Party in July 2020 and was admitted to member of the CCP Qinghai Provincial Committee, the province's top authority. In January 2021, he was chosen as party secretary of the capital city Xi'ning, secretary of the Party Working Committee of Xining (National) Economic and Technological Development Zone, and secretary of the Party Working Committee of Qinghai National High-tech Industrial Development Zone.

In March 2023, Chen was transferred back to Beijing to succeed Cui Maohu as director of the National Religious Affairs Administration and deputy head of the United Front Work Department.

## InfoBox

| Chen Ruifeng | |
| --- | --- |
| 陈瑞峰 | |
|  | |
| Director of the National Religious Affairs Administration | |
| **Incumbent** | |
| **Assumed office**
20 March 2023 | |
| Preceded by | Cui Maohu |
|  | |
| Personal details | |
| Born | May 1966 (age 58)
Qingdao, Shandong, China |
| Political party | Chinese Communist Party |
| Alma mater | Qingdao Normal School
Qufu Normal University
Peking University |
|  | |
|  | |
| Chinese name | |
| Simplified Chinese |  |
| Traditional Chinese |  |
| Transcriptions  Standard Mandarin  Hanyu Pinyin Chén Ruìfēng | |
|  | |
|  | |
|  | |


title: Thomas Burke (tenor)

abstract: Thomas Burke was a British operatic tenor. He trained in Britain and Italy and sang at the Royal Opera House in 1919 and 1920. Burke appeared in several films and had a long recording career.

text:
# Thomas Burke (tenor)

**Thomas Burke** (2 March 1890 – 13 September 1969) was a British operatic tenor. He trained in Britain and Italy and sang at the Royal Opera House in 1919 and 1920. Burke appeared in several films and had a long recording career.

## Early life

Thomas Aspinall Burke was born on 2 March 1890 in Leigh of Irish descent on his father's side. He was the eldest of nine children. The family grew up in poor circumstances. Burke's father was a labourer in the coal mines and his mother stayed at home to look after the family who lived at 7 Mather Lane. Burke, as an Irish Catholic boy, was educated by Jesuit priests at St Joseph's School. He left school at age 12 to work part-time in Courtauld's Silk Mill. In 1904, at age 14, he started working in a coal mine.

Burke was a member of Leigh Borough Brass Band where he learnt to play the cornet and was promoted to first cornet player. The band competed at The Crystal Palace where Burke won the silver medal for the best individual cornet soloist.

During his teenage years Burke learnt to play the piano and joined the local church choir.

## Early career

Burke's first professional opportunity happened when a local music society was presenting Handel's *Messiah*. The tenor they had engaged fell ill at the last minute and Burke substituted. He received a good review and was paid. Around this time Burke had received some tuition from a local teacher of voice.

Burke attended the Manchester College of Music. In 1913, when he was 23 he was contracted by Hugo Gorelitz, a London-based impresario. The contract provided for Burke to study under Edgardo Levi at the Royal Academy of Music in London, whilst giving paid singing engagements at various venues in the capital. Eventually the contract provided for Burke to go to Italy to continue his studies.

Burke studied with maestro Colli in Milan where he debuted at the Teatro Dal Verme as the Duke in *Rigoletto*. Burke had a subsequent engagement in Palermo but before he was able to make his mark on Italian opera he was recalled home to be conscripted. Burke did not join the services but embarked on a series of charity concerts until the war ended.

## Post-war career

Burke debuted at a performance before King George V at the Royal Opera House in Covent Garden, as Rodolfo to Nellie Melba's Mimì in *La bohème* when the opera house re-opened in 1919 after World War I. He also sang the Duke of Mantua, Pinkerton, and Count Almaviva in the same season. Burke performed at the Royal Albert Hall.

In 1920 Burke continued singing at the Royal Opera House where he performed in several roles including the first English performances of Puccini's *Gianni Schicchi* and *Il tabarro* when he performed the parts of Rinuccio and Luigi respectively.

Burke embarked on a North American career during the 1920s after accepting an offer from William Morris, a theatrical manager. He was billed as *The Irish Tenor* from his arrival and his first recital at the National Theatre (Washington, D.C.) on Tuesday 5 October 1920 was a varied program of operatic arias, ballads and Irish folk songs that received good reviews. He continued performing similar material until at least 1922 in a variety of locations including Washington D.C., Omaha and South Bend, Indiana.

From 1923 to 1927 Tom appeared at Keith's Theatre, Washington D.C. where he often topped the bill of a variety performance.

Burke returned to perform at the Royal Opera House, Covent Garden in 1927 and 1928 performing as the Duke in *Rigoletto* and Turiddu in Pietro Mascagni's *Cavalleria rusticana*. Burke continued singing in non-opera performances and sang in his home town, Leigh, in November 1927 and January 1928. Through the late 1920s and early 1930s Burke made recordings and appeared at live concerts such as the National Advertising Benevolent Society's Annual Festival.

## Recording career

He had a significant recording career which included popular song, such as "The Minstrel Boy" as well as opera arias. His recording career began with Columbia Records in 1920 and continued with Dominion Records, Electric Imperial, American Columbias and other companies.

A limited discography is available at Discogs and includes the following albums:

* The Last Of The Great - Tom Burke,
* Encore - Tom Burke, The Lancashire Caruso,
* A Toast To Tom Burke, and
* The Minstrel Boy.

From 1932 to 1938 Burke appeared in four films, *Gipsy Blood*, a film version of *Carmen* in which he starred as Don José, *Father O'Flynn* in which he played the title role, *Kathleen Mavoureen* in which he played the leading male, Mike Rooney, and *My Irish Molly* in which he played Danny Gallagher.

## Later life

In February 1932 Burke filed for voluntary bankruptcy from which he was released in July 1932.

He was the husband of, and subsequently divorced from, actress Marie Rosa Burke (née Altfuldisch) and the father of actress Patricia Burke who was born in Milan, Italy on 23 March 1917. He was subsequently married in December 1935 to Pauline Steele-Dixon with whom he had another daughter Jenifer J.A.B. Burke in June 1937. Tom Burke died in Carshalton, Surrey on 13 September 1969, aged 79.

Thomas Burke is remembered in Leigh with the naming of the local Wetherspoon's public house in the former Leigh Grand Theatre and Hippodrome building.