title: Song for Shelter/Ya Mama

abstract: "Song for Shelter"/"Ya Mama" is a song by British big beat musician Fatboy Slim, released as a double A-side single in September 2001. Both songs are on his 2000 album Halfway Between the Gutter and the Stars. "Ya Mama" is on the Charlie's Angels soundtrack and film and in a trailer for Spy Kids. The single peaked at No. 30 on the UK singles chart. Both songs were omitted from his 2006 greatest hits compilation Why Try Harder. The CD2 single is led by the Chemical Brothers' remix of "Song for Shelter".

text:
# Song for Shelter/Ya Mama

"**Song for Shelter**"/"**Ya Mama**" is a song by British big beat musician Fatboy Slim, released as a double A-side single in September 2001. Both songs are on his 2000 album *Halfway Between the Gutter and the Stars*. "Ya Mama" is on the *Charlie's Angels* soundtrack and film and in a trailer for *Spy Kids*. The single peaked at No. 30 on the UK singles chart. Both songs were omitted from his 2006 greatest hits compilation Why Try Harder.

The CD2 single is led by the Chemical Brothers' remix of "Song for Shelter".

## "Song for Shelter"

"Song for Shelter" is the first song on the single and the final and longest song on the album *Halfway Between the Gutter and the Stars*, lasting over 11 minutes, with the last two and a half minutes being the hidden track, "Talkin' bout My Baby (Reprise)". "Song for Shelter" features Roger Sanchez and Roland Clark. A remix for the song by The Chemical Brothers was made and released as a separate single.

The song's vocals are sampled from Roland Clark's song "I Get Deep". "Star 69" from the same album also prominently contains elements of Clark's song. The song was featured over the credits on several episodes of *Green Wing*.

When reviewing follow-up album *Palookaville*, *Stylus Magazine* said the song was "undoubtedly" Fatboy Slim's "finest moment to date", noting "the ten-minute house anthem “Song for Shelter”, whose redemptive power was so awesome that it almost saved Larry Clark’s inconceivably atrocious film *Bully* simply by gracing the last scene."

## "Ya Mama"

"Ya Mama", often mistitled "Push the Tempo", is the second song in the single and is featured on the soundtrack of *Charlie's Angels*.

The song contains various samples; the guitar riffs are sampled from "The Kettle" by Colosseum from their 1969 album Valentyne Suite. The "*Push the tempo*" vocals are taken "Let the Rhythm Pump" by Doug Lazy. The "*Shake what ya mama gave ya*" vocals are sampled from "Shake Whatcha Mama Gave Ya" by Stik E & The Hoodz produced by platinum producer Frankie Cutlass.

Sometimes, the single is known as **"Ya Mama/Song for Shelter"** instead of the titles appearing the other way around. This title is given to several import editions.

### Music video

The music video of "Ya Mama" was produced by Traktor, a collective also known for producing Basement Jaxx' "Where's Your Head At?" video and Madonna's music video for "Die Another Day". The song's music video is centered on a tape of the song which makes its listeners unwillingly enter into chaotic uncontrolled arm movements, trembling, dancing, to their own amazement as well as the other persons'. *Tom and Jerry* shorts *Baby Puss* and *Jerry and Jumbo*, predominantly the audio of the girl from the former, can be heard in the background inbetween breaks in the song, airing on Cartoon Network. It was filmed in Carriacou, Grenada, where a complete town market was built and destroyed.

## Track listing

CD

CD1
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Ya Mama" | 5:40 |
| 2. | "Song for Shelter" (original) | 7:18 |
| 3. | "Illuminati" (from the film *Tomb Raider*) | 3:13 |
| 4. | "Ya Mama" (video) | 4:51 |

CD2
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Song for Shelter (Chemical Brothers remix)" | 7:03 |
| 2. | "Song for Shelter (The 20:20 Vision Rollin' Mix)" | 9:40 |
| 3. | "Ya Mama" (edit) | 3:15 |

12"

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Ya Mama" |  |
| 2. | "Song for Shelter" (original) |  |
| 3. | "Song for Shelter (Chemical Brothers remix)" |  |

## Charts

| Chart (2001) | Peak
Position |
| --- | --- |
| Hungary (Mahasz) | 10 |
| Scotland (OCC) | 36 |
| UK Dance (OCC) | 10 |
| UK Singles (OCC) | 30 |
|

## InfoBox

| "Song for Shelter" / "Ya Mama" | |
| --- | --- |
|  | |
| Single by Fatboy Slim | |
| from the album  *Halfway Between the Gutter and the Stars* | |
| Released | 3 September 2001 (2001-09-03) |
| Recorded | 2000 |
| Genre | Big beat, house ("Song for Shelter")
Big beat, rave, electronic rock ("Ya Mama") |
| Length | 11:26 ("Song for Shelter")
5:38  ("Ya Mama") |
| Label | Skint |
| Songwriter(s) | Fatboy Slim |
| Producer(s) | Fatboy Slim |
| Fatboy Slim singles chronology | |
| "Star 69" / "Weapon of Choice"
(2001) "Song for Shelter" / "Ya Mama"
(2001) "Drop the Hate"
(2001) | |


abstract:
The Ridge Avenue Historic District in Galesville, Wisconsin is a 5 acres (2.0 ha) historic district which was added to the National Register of Historic Places in 1984. The district contains eleven contributing properties; they are primarily located on Ridge Avenue between 4th and 6th Streets. The district was added for its architectural importance; it features buildings with Italian, Queen Anne, and other architectural styles dated between 1859 and 1934. The John F. Cance House is located near the district at 807 West Ridge Avenue. The finest three Queen Anne-style houses in the district are:
  - W.S. Wadleigh House (1908), 625 W. Ridge Ave., a two-story asymmetrical house with a round turret with a conical roof, with two octagonal bay windows, and with a wraparound porch. It was built for W.S. Wadleigh, a lawyer and nine-times mayor of Galesville.
  - Ole F. Myhre House, 612 W. Ridge Ave., a two and one-half story house, also with a turret having a conical roof, with gable ends with bargeboards, with a contributing carriage house. It was built for Ole F. Myhre, co-founder of the successful Gilbertson-Myhre department store downtown.
  - John A. Berg House (1914), 524 W. Ridge Ave., a two-and-a-half-story red brick Queen Anne-eclectic style house with Craftsman and Jacobean influences. This was built for John A. Berg, "founder of the Galesville Building and Realty Company, Director of the Farmer's and Merchant's Bank, local politician, and one-time president of the Gale College Board of Trustees."

text:
# Ridge Avenue Historic District (Galesville, Wisconsin)

The **Ridge Avenue Historic District** in Galesville, Wisconsin is a 5 acres (2.0 ha) historic district which was added to the National Register of Historic Places in 1984. The district contains eleven contributing properties; they are primarily located on Ridge Avenue between 4th and 6th Streets. The district was added for its architectural importance; it features buildings with Italian, Queen Anne, and other architectural styles dated between 1859 and 1934. The John F. Cance House is located near the district at 807 West Ridge Avenue.

The finest three Queen Anne-style houses in the district are:

* W.S. Wadleigh House (1908), 625 W. Ridge Ave., a two-story asymmetrical house with a round turret with a conical roof, with two octagonal bay windows, and with a wraparound porch. It was built for W.S. Wadleigh, a lawyer and nine-times mayor of Galesville.
* Ole F. Myhre House, 612 W. Ridge Ave., a two and one-half story house, also with a turret having a conical roof, with gable ends with bargeboards, with a contributing carriage house. It was built for Ole F. Myhre, co-founder of the successful Gilbertson-Myhre department store downtown.
* John A. Berg House (1914), 524 W. Ridge Ave., a two-and-a-half-story red brick Queen Anne-eclectic style house with Craftsman and Jacobean influences. This was built for John A. Berg, "founder of the Galesville Building and Realty Company, Director of the Farmer's and Merchant's Bank, local politician, and one-time president of the Gale College Board of Trustees."

## InfoBox

|  | |
| --- | --- |
| Ridge Avenue Historic District | |
| U.S. National Register of Historic Places | |
| U.S. Historic district | |
|  | |
| Ralph Myhre house at 5th and West Ridge in the district | |
|  | |
| Location | primarily Ridge Avenue between 4th and 6th Streets, Galesville, Wisconsin |
| Coordinates | 44°05′01″N 91°21′18″W / 44.08361°N 91.35500°W / 44.08361; -91.35500 (Ridge Avenue Historic District) |
| Area | 5 acres (2.0 ha) |
| Architect | Multiple |
| Architectural style | Queen Anne, Italianate, Stick |
| MPS | Galesville MRA |
| NRHP reference No. | 84003792 |
| Added to NRHP | September 18, 1984 |


abstract: The Chamberlain Bridge, is a historic bridge connecting the towns of Chamberlain and Oacoma across the Missouri River and Lake Francis Case in Brule County, South Dakota. The bridge was originally completed in 1925 and carried U.S. Route 16 (US 16) over the Missouri River. In 1953, Lake Francis Case was created by the new Fort Randall Dam and the bridge became obsolete. The Wheeler Bridge, also completed in 1925, was floated up the river 70 miles (110 km) and the two bridges were joined to span the new lake. The bridge now carries Interstate 90 Business. The main path of I-90 crosses the lake on a modern bridge 1 mile (1.6 km) south of the Chamberlain Bridge and a railroad bridge crosses about 300 yards (270 m) south of I-90. Chamberlain Bridge is designated South Dakota Department of Transportation bridge no. 08-068-084 and was listed on the National Register of Historic Places in 2001.

text:
# Chamberlain Bridge (Chamberlain, South Dakota)

The **Chamberlain Bridge**, is a historic bridge connecting the towns of Chamberlain and Oacoma across the Missouri River and Lake Francis Case in Brule County, South Dakota. The bridge was originally completed in 1925 and carried U.S. Route 16 (US 16) over the Missouri River.

In 1953, Lake Francis Case was created by the new Fort Randall Dam and the bridge became obsolete. The Wheeler Bridge, also completed in 1925, was floated up the river 70 miles (110 km) and the two bridges were joined to span the new lake. The bridge now carries Interstate 90 Business (I-90 Bus.). The main path of I-90 crosses the lake on a modern bridge 1 mile (1.6 km) south of the Chamberlain Bridge and a railroad bridge crosses about 300 yards (270 m) south of I-90.

Chamberlain Bridge is designated South Dakota Department of Transportation bridge no. 08-068-084 and was listed on the National Register of Historic Places in 2001.

## 1925 bridge

In 1923 South Dakota's bridge fund had a balance of $4 and groups from Rosebud, Chamberlain, Pierre, Forest City and Mobridge asked the state legislature to fund a bridge in their location to cross the Missouri River. State bridge engineer John Edward Kirkham promised that he could build all five bridges for $2 million, even though a single bridge at Bismarck, North Dakota across the Missouri had recently cost $1.3 million. Kirkham later fulfilled his promise, building all five bridges for a total of $2.1 million.

The original Chamberlain Bridge was composed of four 336-foot riveted Pennsylvania through truss spans laid end to end. It was built by the Missouri Valley Bridge & Iron Works of Leavenworth, Kansas and completed in September 1925 at an estimated cost of $303,623.

The Wheeler Bridge, originally known as the Rosebud Bridge, was composed of six 256-foot pin-connected Pennsylvania through truss spans. It was built by the Kansas City Bridge Company with steel provided by the American Bridge Co. and also completed in September 1925. Its estimated cost was $771,080. This bridge with its pin-connections, was designed to be disassembled because Kirkham thought that it might be replaced with a combined railroad-highway bridge.

## 1953 bridge

As the waters of Lake Francis Case began to rise in 1953, sections of the Wheeler Bridge were floated northward to construct the new Chamberlain Bridge. The new bridge site was slightly south of the old bridge site and the bridge was in effect widened by using two parallel bridge spans to replace one span on the old bridge. The four spans of the old Chamberlain bridge formed the easternmost two double-spans of the new bridge. The six smaller spans from the Wheeler Bridge formed the westernmost three double-spans of the new bridge. The cost of construction was $4.5 million and the new bridge was dedicated on December 7, 1953.

## InfoBox

|  | |
| --- | --- |
| Chamberlain Bridge | |
| U.S. National Register of Historic Places | |
|  | |
|  | |
|  | |
| Location | I-90 BL over the Missouri River, Chamberlain, South Dakota |
| Coordinates | 43°48′41″N 99°20′14″W / 43.81139°N 99.33722°W / 43.81139; -99.33722 |
| Area | less than one acre |
| Built | 1925 (1925) |
| Built by | State Highway Commission |
| Architectural style | Pennsylvania through truss |
| MPS | Historic Bridges in South Dakota MPS |
| NRHP reference No. | 01000999 |
| Added to NRHP | September 14, 2001 |


title: Ray Weishaar

abstract: Lawrence Ray Weishaar was a Class A Racing Champion in the 1910s and 1920s. He rode for the Harley-Davidson 'Wrecking Crew,' and helped to popularize the nickname 'hog' in reference to Harley-Davidson by carrying the team's mascot, a small pig, around on victory laps.

text:
# Ray Weishaar

**Lawrence Ray Weishaar** (September 9, 1890 – April 13, 1924) was a Class A Racing Champion in the 1910s and 1920s. He rode for the Harley-Davidson 'Wrecking Crew,' and helped to popularize the nickname 'hog' in reference to Harley-Davidson by carrying the team's mascot, a small pig, around on victory laps.

## Early life

Lawrence Ray Weishaar was born on September 9, 1890, in Oklahoma; he grew up in Wichita, Kansas. His father died when he was only nine years old, leaving him and his mother with little to live on. Weishaar sought work to help support his family, and as a teenager he got a job with Bell Telephone. He eventually saved up enough money to buy himself a motorcycle which was, at the time, the most cost-effective form of transportation.

## Career

Weishaar began racing the half-mile circuits of various county fairs around Kansas between 1908 and 1910. He earned the nickname "Kansas Cyclone," and subsequently won the Kansas State Championship two years in a row. The second time around on the championship race, one of the handlebars on his motorcycle broke off, yet he still won the race (but he did not break his previous record).

Weishaar was racing on the national circuit by 1914, with the national event in Savannah, Georgia being his first big race. He was forced to drop out of the race on the 24th lap when his gas tank began leaking; at the time he was vying for the first-place position. In 1915, at the Dodge City 300, a malfunctioning spark plug caused him to lose, and he also lost a 300-mile race at the Chicago Speedway due to his helmet strap coming loose, but that same year he claimed a victory in a 100-mile race in Pratt, Kansas. The following article appeared in the September 1915 issue of *The Harley-Davidson Dealer*:

***Ray Weishaar Hung on to his Helmet Four Laps With his Teeth***

*(Chicago Speedway, September 12, 1915)* *"In the 13th lap, however, his helmet became unfastened, Weishaar* *hung on to the strings with his teeth for four laps and then threw the* *helmet into the pits.*

*Chairman John L. Donovan of the F.A.M. copetition \[*sic*\] committee and* *Referee Frank E. Yates saw the helmet go into the pits and insisted*  *on knowing to whom it beloged \[*sic*\]. There was considerable dispute for* *several laps as a result of their determination to make Weishaar stop* *and put on his helmet again.*

*As Weishaar came around each lap in the lead, those of us who were in* *the pits did out best to argue the officials out of their idea of forcing*  *Weishaar to make an extra stop but they were determined in their course* *and as a result we had to call Weishaar into the pits in the 27th lap. This* *undoubtedly cost Weishaar the race."* (The Harley-Davidson Dealer September 1915)

Weishaar was made a part of the Harley-Davidson factory team in 1916. That year he came in third place at Dodge City, and he won the FAM 100-Mile Championship in Detroit. He became a dealer of Harley-Davidson motorcycles for three years after being given a dealership, but he returned to racing in 1919.

His greatest victory was in Indiana, in the Marion Cornfield Classic Road Race, which took place in 1920. He won the race, as well as beating the standing race record by 18 minutes.

The Harley-Davidson team's mascot was a small pig, which they would take around the track with them on victory laps. Weishaar was particularly fond of it, and many photographs exist of him and the pig. It is because of this mascot that Harley-Davidson motorcycles are called "hogs."

Weishaar had a reputation as a cautious rider who often succumbed to the forces of bad luck. Many times he would be leading national events only to be forced to drop out to equipment malfunction. In 1923 he moved to Los Angeles after signing a contract to race at the newly built Legion Ascot Speedway Speedway.

## Death

On April 13, 1924, Weishaar was battling Gene Walker (who rode for the Indian factory). Johnny Seymour had drafted past both Walker and Weishaar, which sent Weishaar's motorcycle into a high-speed wobble. The motorcycle went into a skid; Weishaar fought to save it, but before he could do so he hit the outside fence. Weishaar went through the wooden fence and wrecked. He was still conscious and no one thought him to be seriously injured. His wife, Emma, drove him to the Los Angeles General Hospital, where he died in a matter of hours from his internal injuries. He was 33 years old.

## Response from the racing industry

Weishaar's death, along with the death of Gene Walker two months later, caused the motorcycle racing industry to slow down the speeds of the bikes at the time. Smaller engine classes were created, but as with most racing sports the speeds began to climb again.

## Recognition

Weishaar was inducted into the Motorcycle Hall of Fame in 1998.

1. "Ray Weishaar". Archived from the original on 2006-06-14. Retrieved 2006-05-18.
2. "Harleyson's Homepage Hauptfenster". Archived from the original on 2005-03-21. Retrieved 2006-05-18.; The Harley-Davidson Dealer; September 1915

Media related to Lawrence Ray Weishaar at Wikimedia Commons


title: The Rides

abstract: The Rides are an American blues supergroup, featuring guitarists Stephen Stills and Kenny Wayne Shepherd and keyboardist Barry Goldberg. The group formed in 2013 following a performance by the trio at a benefit led by Stills. Stills called the band “the blues band of my dreams”. The band toured in support of their debut album Can't Get Enough in fall 2013 backed by bassist Kevin McCormick and Shepherd's longtime drummer Chris Layton. Their second album Pierced Arrow followed in 2016; it peaked at number one in the Billboard Top Blues Albums Chart.

text:
# The Rides

**The Rides** are an American blues supergroup, featuring guitarists Stephen Stills and Kenny Wayne Shepherd and keyboardist Barry Goldberg. The group formed in 2013 following a performance by the trio at a benefit led by Stills. Stills called the band “the blues band of my dreams”. The band toured in support of their debut album *Can't Get Enough* in fall 2013 backed by bassist Kevin McCormick (who played with Crosby, Stills and Nash in 2012) and Shepherd's longtime drummer Chris Layton. Their second album *Pierced Arrow* followed in 2016; it peaked at number one in the *Billboard* Top Blues Albums Chart.

## Band members

Main members Touring musicians

## Discography

### Studio albums

List of albums, with selected details and chart positions
| Title | Album details | Peak chart positions | | | | | | | | | | | | Sales |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | | US
 | US
Blues
 | AUT | BEL WAL
 | BEL FLA
 | GER
 | FRA
 | NLD
 | NOR
 | SWE
 | SWI
 | UK
 | |
| *Can't Get Enough* |  | 42 | 1 | 54 | 144 |  | 15 |  | 69 | 17 | 43 | 88 | 87 |  |
| *Pierced Arrow* |  | 152 | 1 |  | 143 | 114 | 35 | 161 | 91 |  |  | 51 |  |  |
| "—" denotes a recording that did not chart or was not released in that territory. | | | | | | | | | | | | | | | | | | |

## InfoBox

| The Rides | |
| --- | --- |
| Stephen Stills and Kenny Wayne Shepherd; The Rides in 2016 | |
| Background information | |
| Genres | Blues |
| Years active | 2013–present |
| Labels | 429 Records, Provogue Records |
|  | |
| Members | Stephen Stills
Kenny Wayne Shepherd
Barry Goldberg |


title: Derana Film Awards

abstract: Derana Film Awards is an award bestowed to distinguished individuals involved with the Sri Lanka's silver screen, each year by the TV Derana, Sri Lanka in recognition of the contributions made by them to the Sri Lankan cinema industry and cinema achievements. The Derana Film Awards ceremony is one of the most popular cinema award events in Sri Lanka. The awards were first introduced in 2012 with Unilever Sri Lanka has been the main sponsors of this Film festival.

text:
# Derana Film Awards

***Derana Film Awards*** (Sinhala:**දෙරණ සිනමා සම්මාන**) is an award bestowed to distinguished individuals involved with the Sri Lanka's silver screen, each year by the TV Derana, Sri Lanka in recognition of the contributions made by them to the Sri Lankan cinema industry and cinema achievements. The Derana Film Awards ceremony is one of the most popular cinema award events in Sri Lanka. The awards were first introduced in 2012 with Unilever Sri Lanka has been the main sponsors of this Film festival.

## 2012 Derana Film Awards

**Main Competition**

**Cinema of Tomorrow**

* Best Film - Ini Avan by Asoka Handagama
* Most Promising Director - Aruna Jayawardhana for Nikini Wassa
* Special Jury Mention Nino Live and Karma

**Popular category**

## 2013 Derana Film Awards

The second Derana Film Awards ceremony was held at the Musaeus College Auditorium. 33 awards were given at the ceremony.

**Main Competition**

* Best Film - Ini Avan by Asoka Handagama
* Best Direction – Asoka Handagama *(Ini Avan)*
* Best Actor - Darshan Dharmaraj *(Ini Avan)*
* Best Actress - Nirajani Shanmugaraja *(Ini Avan)*
* Best Actor in supporting role – Raja Ganeshan *(Ini Avan)*
* Best Actress in supporting role – Veena Jayakodi *(Kusa Pabha)*
* Best Actor in negative role – Buddhika Jayaratne *(Senasuru Maruwa)*
* Best Stunt Coordination – Teddy Vidyalankara *(Senasuru Maruwa)*
* Best Child Actor – K.M Pavithra *(Matha)*
* Best Background Music - Rohana Weerasinghe *Kusa Pabha*
* Best Original Music score - Rohana Weerasinghe *Kusa Pabha*
* Best Singer (male) - Kasun Kalhara *(Madhu Chandra Yame)*
* Best Singer (female) - Nirosha Virajini *(Premaye Mandire)*
* Best Film Song - *Jala Dharawe* of *Kusa Pabha*
* Best Cinematic Song - *Madhura Wasanthe* of *Kusa Pabha*
* Best Lyrics – Sunil Wimalaweera *(Senasuru Maruwa)*
* Best Cinematography – Miton Kan, Donald Karunarathne and K A Darmasena *(Matha)*
* Best Picture - *(Ini Avan)*
* Best Screenplay - Asoka Handagama *(Ini Avan)*
* Best Editing - Stephen Philipson *(Matha)*
* Best Sound - Lionel Gunarathne and Sashika Ruwan *(Karma)*
* Best Visual Effects - Boodee Keerthisena *(Matha)*
* Best Sound Effects - Lionel Gunaratne & Sajitha Ruwan *(Karma)*
* Best Choreography - Chandana Wickramasinghe *(Kusa Pabha)*
* Best Art Director - Henatigala Premadasa *(Kusa Pabha*)
* Best Make-up - Wasantha Vittachchi & Upul Mahanama *(Matha)*
* Best Costume Design - Wenuka Wickramaratne *(Kusa Pabha)*

**Cinema of Tomorrow**

* Best Film *Samanala Sandwaniya* by Jayantha Chandarsiri
* Most Promising Director - Udaya Dharmawardena for Miles of a Dream
* Special Jury Prize - Vimkthi Jayasundara for Ahasin Wateyi
* Best Short Film - Ilam Hussain for *Chavos*

Special Jury Prize - Between Two Worlds by Vimukthi Jayasundara

Special Jury Award for future hopes on Film Direction - Isuru Weerasinghe Mudali

**Popular category**

* Most Popular Actress - Pooja Umashankar
* Most Popular Actor - Roshan Ranawana
* Most Popular Film - 'Kusa Pabha'

**Derana Lifetime Award**

## 2015 Derana Film Awards

The third Derana Film Awards ceremony was held at the Nelum Pokuna Theatre. 26 awards were given at the ceremony.

**Main Competition**

* Best Film - *Thanha Rathi Ranga* by Nilendra Deshapriya
* Best Best Direction - Parakrama Jayasinghe *(Que Sera)*
* Best Actress - Michelle Harft *(Que Sera)*
* Best Actor – Sarath Kothalawala *(Thanha Rathi Ranga)*
* Best Supporting Actor - Hans Billimoria *(Que Sera)*
* Best Supporting Actress – Sulochana Weerasinghe *(Thanha Rathi Ranga)*
* Best Negative Role – Damith Fonseka *(Que Sera)*
* Best Comedy Role – Sando Harris *(Que Sera)*
* Best Script – Sarath Kothalawala & Kumara Thirimadura *(Thanha Rathi Ranga)*
* Best Editor – Ravindra Guruge *(Thanha Rathi Ranga)*
* Best Cinematography - Dhanushka Gunatilake *(Thanha Rathi Ranga)*
* Best Music - Gayathri Khemadasa & Anupa Khemadasa *(Thanha Rathi Ranga)*
* Best Playback singer (male) – Lelum Rathnayake *(Que Sera)*
* Best Playback singer (female) – Uresha Ravihari *(Wariga Pojja)*
* Best Audio Visual – Chamith Paranavitana *(Ranja)*
* Best Costume Design – Methnuwan Wijesinghe & Niluka Wanigaratne *(Thanha Rathi Ranga)*
* Best Editor – Narada Thotagamuwa *(Thanha Rathi Ranga)*
* Best Art Director – Roshan Warnakulasuriya *(Que Sera)*
* Best Stunt Director – Wasantha Kumaravila *(Ranja)*
* Best Promising Film – Shameera Rangana Naotunna *(Motor Bicycle)*

**Cinema of Tomorrow**

* Best Film *Motor Bicycle* by Shameera Rangana Naotunna
* Most Promising Director - Indika Udugampola for The Night Is Still Young
* Best Short Film – Viraj Liyanarchchi *(Therkovski Meets Godot)*

**Popular category**

**Derana Lifetime Award**

## 2016 Derana Film Awards

18 awards were given at the Fourth Derana Sunsilk Film Awards.

**Main Competition**

**Cinema of Tomorrow**

* Best Film - Sarath Dharmasiri *(Suwisi Vivaranaa )*
* Most Promising Director - Malith Hegoda *(Dekala Purudu Kenek)*
* Best Short Film Director - Krishan Kodithuwakku *(Wiggle Room)*

**Popular category**

**Derana Lifetime Award**

* Swarna Mallawarachchi

## 2017 Derana Film Awards

30 awards were given at the Fifth Derana Sunsilk Film Awards.

**Main Competition**

* Best Picture - Asoka Handagama *(Let Her Cry)*
* Best Direction - Sameera Rangana Naotunna - *(Motor Bicycle)*
* Best Actress - Swarna Mallawarachchi *(Let Her Cry)*
* Jury PrizeSamanalee Fonseka for *(Motor Bicycle)'*
* Best Actor - Dasun Pathirana *(Frangipani)*
* Best Actor in Supporting Role - Gayan Wickramathilaka *(Sakkarang)*
* Best Actress in Supporting Role - Aruni Rajapaksha *(Paththini)*
* Best Actor / Actress in a Negative Role - Pubudu Chathuranga *(Sakkarang)*
* Best Upcoming Actress - Rithika Kodithuwakku *(Let Her Cry)*
* Best Actor / Actress in a Comedy Role - Sarath Kothalawala *(Sakkarang)*
* Best Script - Ashoka Handagama (Let Her Cry)
* Best Playback singer (male) - Ajith Kumarasiri *(Motor Bicycle)*
* Best Playback singer (female) - Nirosha Virajini *(Paththini)*
* Best Lyrics - Asoka Handagama *(Let Her Cry)*
* Best Cinematography - Wishwajith Karunaratne *(Motor Bicycle)*
* Best Editor - Tissa Surendra *(Motor Bicycle)*
* Best Sound Effects - Aruna Priyantha Kaluarachchi *(Motor Bicycle)*
* Best Playback Music Direction - Ajith Kumarasiri *(Motor Bicycle)*
* Best Visual Effects - Kasun Malinda & Greshan Kularatne *(Sarigama)*
* Best Art Direction - Lal Hevindranath *(Sakkarang)*
* Best Costume Design - Venuka Wickramarchchi *(Paththini)*
* Best Make-up - Priyantha Wanninayake *(Sayapethi Kusuma)*
* special Jury Prize Prasanna Vithanage for *Silence in the Courts*

**Cinema of Tomorrow**

**Popular category**

* Most Popular Song - *Ahasin Eha* *(Adaraneeya Kathawak)*
* Most Popular Actress - Pooja Umashankar
* Most Popular Actor - Ranjan Ramanayake
* Blockbuster Movie of the Year –*Paththini*

**Derana Lifetime Award**

## 2018 Derana Film Awards

30 awards were given at the Sixth Derana Sunsilk Film Awards.

**Main Competition**

* Best Picture - *28* by Prasanna Jayakody
* Best Direction - Prasanna Jayakody (*28*)
* Best Screenplay - Prasanna Jayakody (*28*)
* Best Actor - Jackson Anthony (*Dharmayuddhaya*)
* Best Actress - Dilhani Ekanayake (*Dharmayuddhaya*)
* Best Actor In a Supporting Role - Kumara Thirimadura (*Dharmayuddhaya*)
* Best Actress In a Supporting Role - Umali Thilakarathne (*A Level*)
* Best Comedian - Tennison Cooray (*Kota Uda Express*)
* Best Cinematography - Prabath Roshan (*Aloko Udapadi*)
* Best Editing - Rangana Sinharage (*28*)
* Best Sound Design - Aruna Priyantha Kaluarachchi (*Sulanga Gini Aran*)
* Best Visual Effects - Chathra Weeramana / Baratha Hettiarachchi (*Aloko Udapadi*)
* Best Art Direction - Sunil Wijerathne (*Aloko Udapadi*)
* Best Makeup - Jayantha Ranawaka (*Aloko Udapadi*)
* Best Costume - Kumara Karandeniya (*Aloko Udapadi*)
* Best Original Music Score - Milinda Tennakoon (*Aloko Udapadi*)
* Best Choreography - Chandana Wikramasinhe (*Ali Kathawa*)
* Best Lyric - Rambukkana Siddhartha Thero (*Aloko Udapadi*)
* Best Singing - Amarasiri Peiris (*Aloko Udapadi*)
* Best Jury Mention - Sachira Wijesinghe / Lahiruka Ekanayake (*A Level*)

**Cinema of Tomorrow**

* Best Film - *Ikka* by Kaushalya Madhawa Pathirana
* Most Promising Director - Chinthana Dharmadasa for *Avilena Sului*
* Best Short Film - Thisara Mangala Bandara *Ganan Gannethi Kathawak*
* Special Jury Prize - Visakesa Chandrasekaram for "Panshu"

**Popular Award category**

**Derana Lifetime Award**

## 2019 Derana Film Awards

30 awards were given at the Sixth Derana Sunsilk Film Awards.

**Main Competition**

**Popular Award category**

**Derana Lifetime Award**

## 2022 Derana Film Awards

29 awards were given at the Seventh Derana Film Awards.

**Main Competition**

* Best Film: *Alborada* \- H.D. Premasiri
* Best Film Director: Asoka Handagama (*Alborada*)
* Best Screenplay: Asoka Handagama (*Alborada*)
* Best Actor: Tray Hicks (*Praana*)
* Best Actress: Yureni Noshika (*Night Rider*)
* Best Best Actor In a Supporting Role: Wasantha Kumaravila (*The Game*)
* Best Best Actress In a Supporting Role: Rithika Kodithuwakku, Anne Solen Hatte and Nimaya Harris (*Alborada*)
* Best Cinematography: Stryner Adams (*Praana*)
* Best Editing: Ravindra Guruge (*Alborada*)
* Best Music Direction: Ajith Kumarasiri and Namini Panchala (*Alborada*)
* Best Costume: Priyan Arunasiri (*The Game*)
* Best Makeup: Samarasiri Kandanage (*Alborada*)
* Best Art direction: Dhammika Hewaduwatta (*Praana*)
* Best Sound management: Sashin Gimhan (*Praana*)
* Best VFX: Buddhika Wijeratne and Saminda Wathawanavithanage (*Praana*)
* Best Upcoming cinema: *Munel* (Visakesa Chandrasekara)
* Best Upcoming director: Jagath Manuwarna (*Rahas Kiyana Kandu*)
* Best Short film: *Distance Director* (Thisen Umagiliya)
* Special Jury award: *Marcus* (Keniston John)

**Popular Award category**

## InfoBox

| Derana Film Awards | |
| --- | --- |
| *Current: The Seventh Derana Film Awards* | |
| Trophy | |
| Awarded for | Excellence in cinematic achievements |
| Country | Sri Lanka |
| Presented by | TV Derana Festival Director Keerthi Pathirana |
| First awarded | 2012 |
| Last awarded | 26 May 2018 (2018-05-26) |
| Website | http://cinema.lk/DFA/ |


title: Carl Michael von Hausswolff

abstract: Carl Michael von Hausswolff is a composer, visual artist, and curator based in Stockholm, Sweden. His main tools are recording devices used in an ongoing investigation of electricity, frequency, architectural space, and paranormal electronic interference. Major exhibitions include Manifesta (1996), documenta X (1997), the Johannesburg Biennial (1997), Sound Art - Sound as Media at ICC in Tokyo (2000), the Venice Biennale, and Portikus, Frankfurt (2004). Von Hausswolff received a Prix Ars Electronica award for Digital Music in 2002. Von Hausswolff was born in Linköping. He is an expert in the work of Friedrich Jürgenson, an electronic voice phenomenon (EVP) researcher who claimed to have detected voices of the dead hidden in radio static. Von Hausswolff's own sound works are pure, intuitive studies of electricity, frequency, and tone. Collaborators include Erik Pauser, with whom he worked as Phauss (1981-1993), Leif Elggren, and John Duncan (artist). He also collaborates with EVP researcher Michael Esposito, filmmaker Thomas Nordanstad, and with Graham Lewis (Wire) and Jean-Louis Huhta in the band OSCID. Von Hausswolff is noted for creating sound works that "charge the air with subliminal force" using "drones, radio signals, and sonic frequencies". Von Hausswolff is co-monarch of the conceptual art project The Kingdoms of Elgaland-Vargaland (KREV): all areas of no-man's land, territories between national boundaries on both land and sea, and digital and mental spaces. This nation has its own national anthem, flag, coat of arms, currency, citizens, and ministers. Recent audio works include "800 000 Seconds in Harar" (Touch), "Matter Transfer" (iDeal), "The Wonderful World of Male Intuition" (Oral), "There Are No Crows Flying Around the Hancock Building" (Lampo), "Rats", "Maggots", and "Bugs", "Three Overpopulated Cities...", "A Lecture on Disturbances in Architecture", and "Ström" and "Leech". Other visual works include "Red Pool", "Red Night", "Red Code", "Red Empty", and "Red Mersey". He is also the curator and producer of the sound-installation "freq out", shown at Moderna Museet (Stockholm), Henie-Onstad Center (Oslo), Sonambiente (Berlin), and other places. Around the year 1986, he formed the Swedish independent label Radium 226.05 and in 1990 he formed the label Anckarström. In 2012, Von Hausswolff was heavily criticized for allegedly using ashes of Holocaust victims from the Majdanek concentration camp in a painting. As of 12 December 2012, the Martin Bryder Gallery in Lund had pulled the painting from exhibition. In 2019, von Hausswolff formed a new musical collaboration with the Icelandic musician Jónsi, which they named Dark Morph. On 10 May 2019, they released their first album, also titled Dark Morph. The project "promises to explore the ramifications of ongoing environmental collapse to the oceans and its inhabitants." The album consists mainly of ambient sounds, often simulating the sounds of animals and nature, and contains very few actual melodies. Carl Michael is the father of musician/composer Anna von Hausswolff.

text:
# Carl Michael von Hausswolff

**Carl Michael von Hausswolff** (born 1956) is a composer, visual artist, and curator based in Stockholm, Sweden. His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space, and paranormal electronic interference. Major exhibitions include Manifesta (1996), documenta X (1997), the Johannesburg Biennial (1997), Sound Art - Sound as Media at ICC in Tokyo (2000), the Venice Biennale (2001, 2003, and 2005), and Portikus, Frankfurt (2004). Von Hausswolff received a Prix Ars Electronica award for Digital Music in 2002.

Von Hausswolff was born in Linköping. He is an expert in the work of Friedrich Jürgenson, an electronic voice phenomenon (EVP) researcher who claimed to have detected voices of the dead hidden in radio static. Von Hausswolff's own sound works are pure, intuitive studies of electricity, frequency, and tone. Collaborators include Erik Pauser, with whom he worked as Phauss (1981-1993), Leif Elggren, and John Duncan (artist). He also collaborates with EVP researcher Michael Esposito, filmmaker Thomas Nordanstad, and with Graham Lewis (Wire) and Jean-Louis Huhta in the band OSCID.

Von Hausswolff is noted for creating sound works that "charge the air with subliminal force" using "drones, radio signals, and sonic frequencies".

Von Hausswolff is co-monarch (with Elggren) of the conceptual art project The Kingdoms of Elgaland-Vargaland (KREV): all areas of no-man's land, territories between national boundaries on both land and sea, and digital and mental spaces. This nation has its own national anthem, flag, coat of arms, currency, citizens, and ministers.

Recent audio works include "800 000 Seconds in Harar" (Touch), "Matter Transfer" (iDeal), "The Wonderful World of Male Intuition" (Oral), "There Are No Crows Flying Around the Hancock Building" (Lampo), "Rats", "Maggots", and "Bugs" (all three on Laton), "Three Overpopulated Cities ..." (Sub Rosa), "A Lecture on Disturbances in Architecture" (Firework Editions), and "Ström" and "Leech" (both on Raster-Noton).

Other visual works include "Red Pool" (Cities on the Move, Bangkok, 1999), "Red Night" (SITE Santa Fe, 1999), "Red Code" (CCA Kitakyushu, 2001), "Red Empty" (Lampo/WhiteWalls, Chicago, 2003), and "Red Mersey" (Liverpool Biennial, 2004).

He is also the curator and producer of the sound-installation "freq out", shown at Moderna Museet (Stockholm), Henie-Onstad Center (Oslo), Sonambiente (Berlin), and other places.

Around the year 1986, he formed the Swedish independent label Radium 226.05 and in 1990 he formed the label Anckarström.

In 2012, Von Hausswolff was heavily criticized for allegedly using ashes of Holocaust victims from the Majdanek concentration camp in a painting. As of 12 December 2012, the Martin Bryder Gallery in Lund had pulled the painting from exhibition.

In 2019, von Hausswolff formed a new musical collaboration with the Icelandic musician Jónsi (Sigur Rós), which they named Dark Morph. On 10 May 2019, they released their first album, also titled *Dark Morph*. The project "promises to explore the ramifications of ongoing environmental collapse to the oceans and its inhabitants." The album consists mainly of ambient sounds, often simulating the sounds of animals and nature, and contains very few actual melodies.

Carl Michael is the father of musician/composer Anna von Hausswolff.

## InfoBox

| Carl Michael von Hausswolff | |
| --- | --- |
| von Hausswolff in 2008 | |
| Born | 1956 (age 6768)<br>Linköping, Sweden |
| Website | cmvonhausswolff.net |


title: Reunion (Odyssey the Band album)

abstract: Reunion is an album by Odyssey the Band featuring guitarist James Blood Ulmer, violinist Charlie Burnham and drummer Warren Benbrow which was recorded in 1997 and released on the Knitting Factory label. This album reunites the musicians who originally recorded Odyssey in 1983 for the Columbia label.

text:
# Reunion (Odyssey the Band album)

***Reunion*** is an album by Odyssey the Band featuring guitarist James Blood Ulmer, violinist Charlie Burnham and drummer Warren Benbrow which was recorded in 1997 and released on the Knitting Factory label. This album reunites the musicians who originally recorded *Odyssey* in 1983 for the Columbia label.

## Reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic |  |
| Robert Christgau | (A-) |

The Allmusic review by Tom Schulte awarded the album 4 stars, and stated, "The themes build slowly, transform and return in a delivery that is emotional and intimate. It may take several listens to get used to Ulmer's nasal, narrow range, but the album is solid and worth repeated listens, and the tracks are well-arranged". Robert Christgau said it was "a record that starts atmospheric, turns songful, and ropes you in with a sound either way"

## Track listing

All compositions by James Blood Ulmer

1. "No Other Option" – 5:16
2. "Channel 1" – 6:09
3. "Running Man" – 2:58
4. "I Believe in You" – 6:24
5. "Online Junkie" – 5:41
6. "I Am" – 6:21
7. "Love Dance" – 6:45
8. "Where Did All the Girls Come From" – 8:00
9. "Alham du Allah" – 6:58

## Personnel

## InfoBox

| Reunion | |
| --- | --- |
|  | |
| Studio album by Odyssey the Band: Charlie Burnham, James Blood Ulmer, Warren Benbrow | |
| Released | March 21, 1998 |
| Recorded | 1997 |
| Studio | Knitting Factory Studios, NYC |
| Genre | Jazz |
| Length | 54:32 |
| Label | Knitting Factory
KFR 220 |
| Producer | James Blood Ulmer |
| James Blood Ulmer chronology | |
| *Cross Fire*
(1997) ***Reunion***
(1998) *Blue Blood*
(2001) | |


title: Lavandula canariensis

abstract: Lavandula canariensis is a species of flowering plant in the family Lamiaceae, native to the Canary Islands. It was first described by Philip Miller in 1768.

text:
# Lavandula canariensis

***Lavandula canariensis*** (common name, **Canary Island lavender**) is a species of flowering plant in the family Lamiaceae, native to the Canary Islands. It was first described by Philip Miller in 1768.

## Description

*Lavandula canariensis* is a half-hardy, woody, evergreen shrub. The leaves are bipinnate, rich green, and covered in fine, downy hairs. Flowers appear in spikes of small, fragrant blue, opening from dark purple buds, and are borne on branching stems in summer.

## InfoBox

| *Lavandula canariensis* | |
| --- | --- |
|  | |
| In habitat, Playa Blanca, Lanzarote | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Asterids |
| Order: | Lamiales |
| Family: | Lamiaceae |
| Genus: | *Lavandula* |
| Species: | ***L. canariensis*** |
| Binomial name | |
| ***Lavandula canariensis***<br>Mill. | |
|


title: Chinatown, Kuching

abstract: Chinatown is located at Padungan road, Kuching, Sarawak, Malaysia. The most notable streets in the Chinatown are Main Bazaar and Carpenter Street.

text:
# Chinatown, Kuching

**Chinatown** is located at Padungan road, Kuching, Sarawak, Malaysia. The most notable streets in the Chinatown are Main Bazaar and Carpenter Street.

## History

Early transportation in South East Asia were heavily dependent on rivers. Therefore, Chinese settlers usually named the first street near the river as "Hai Gan Street" (海乾街) which means "at the edge of river/sea". However, Hai Chun Street (海唇街, meaning lips of the sea) was given for the first street in Kuching (now popularly known as "Main Bazaar") near Sarawak River. It is the oldest street in Kuching. Wharves and jetties can be found nearby the street for loading and unloading of goods. Hong San Si Temple (鳳山寺) is located in the east while the Old Court House is located in the western part of the street. In 1839, while Sarawak was still under the Bruneian Empire administration, the area was inhabited by only a few households while the surroundings were covered by forests. According to official Chinese documents, there were about 20 Chinese pioneers managing vegetable farms at Satok area. After James Brooke took Sarawak (present day Kuching) from the Bruneian Empire, security in the area improved. This has attracted an influx of Chinese immigrants into this place. The earliest settlers in the area were the Hokkien businessmen who stayed near the Tua Pek Kong temple (古晉大伯公廟). Teochew businessmen later built more shophouses along the street and named the western part of the street as "Shun Feng Street" (顺丰街) which means "smooth and abundant". Shophouses at the Hai Chun Street were made of wood and attap dwellings. Near the present day Chinese History Museum was the first market in Kuching selling fish, meat, and vegetables. Therefore, the Hai Chun Street is also known as Main Bazaar. In 1863, Frederick Bayle described the Hai Chun Street as follows:

> To the right of the Court House is Chinese merchant area, while road on the front is muddy. There are different sizes, shapes, and patterns of shophouses and goods. The five-foot store in front is filled with various types of goods.
>
> Reported by Frederick Bayle in 1863.

By 1872, when the name "Sarawak" was changed to "Kuching", Hai Chun Street shophouses were rebuilt by using red bricks and clay tiles. However, Shun Feng Street retained its wooden attap shophouses. On 20 January 1884 at 1:05 am, a big fire started from the intersection between Attap Street (present day Carpenter Street) and China Street. The fire continued to spread and consumed much of the shophouses on the Shun Feng Street. Only at 6:00 am, the fire was put out by rain. A total of 160 shophouses were burnt. After the fire, Rajah Charles Brooke announced that all the new shophouses should be rebuilt with non-flammable brick walls and grey tiles. Many of the rebuilt shophouses still retained their old architectures. Nowadays, grocery stores, large trading companies, banks, and coffee shops has become a rare sight on the street. They are replaced by shophouses specialised in selling handicrafts to tourists. In the 1880s, Rajah Charles Brooke built a new market at Gambier Street while trying to shift traders from the old market at Hai Chun Street to here. In 1898, Charles Brooke through a Chinese Xin'an pastor, encouraged Xin'an people to migrate from Guangdong, China to plant rice and vegetables at Kuching. Therefore, Xin'an people become a majority of traders in this new market. To ensure Chinese labourers remained healthy and productive, Charles Brooke ordered a cannon to be fired from the Astana at 5 am and 8 pm every day to remind them to ensure their hygiene by taking a bath.

Hainanese people came later than Hokkien and Teochew people. Since businesses were already dominated by other ethnic groups, the Hainanese people left with little choices but to become helpers of colonial officers and doing household work. They mastered skills of making coffee, kaya, bread, curry, and chicken rice. At first, they sell the food items as mobile vendors but later set up coffee shops at Carpenter Street. The first Siang Ti Temple (上帝廟) was built by the Teochews at the Carpenter Street but was razed to the ground in 1884. A new temple was built in 1889 with Chinese opera theatre (named Yang Choon Tai) built directly opposite the temple. The Chinese Opera was built to hold thanksgiving ceremonies to the deities on the first day and the middle of every month. The theatre is still used to stage Chinese opera to this day especially on the birthday of the deity "Hiang Thian Siang Ti" (玄天上帝). In the olden days, the Chinese opera was also used as a sanctuary for the homeless who arrived from mainland China. The homeless people could sleep under the stage until they find their own lodging. Back alleys of Carpenter Street was once a warm bed for brothels, opium dens, and gambling houses. The British eventually clear up the illegal activities here.

## Present day Chinatown

In the present day, several families staying in Main Bazaar still pursue tin-smithing, carpentry and petty trading while majority of the shops here are antique and handicraft shops with a few coffee shops. Several notable outlets in Main Bazaar are: Native Arts, Nelson's Gallery, Rainforest, Sarawak House, Atelier Gallery and Arts of Asia. Carpenter Street is lying parallel to Main Bazaar. The street is considered backstreet to the Main Bazaar. The street was formerly known as "Attap Street" (亚答街) because shophouses there were once covered by attap dwellings. There were also carpenters working in their workshops here, thus giving the street its name.

The Tua Pek Kong temple is located at Jalan Tunku Abdul Rahman. Built in 1876, it is oldest Chinese temple in Kuching. The Chinese History Museum is located near the waterfront, opposite the Tua Pek Kong temple. The museum shows the history of Chinese community in Sarawak. The Chinese shophouses at Jalan Padungan were built between 1920 and 1930s when rubber plantation businesses flourished at the time.

1°33′31.93″N 110°20′48.59″E / 1.5588694°N 110.3468306°E / 1.5588694; 110.3468306

## InfoBox

| Chinatown, Kuching | |
| --- | --- |
|  | |
| Chinese-style welcome gate at Jalan Padungan, Kuching | |
| Traditional Chinese | 唐人街 |
| Simplified Chinese | 唐人街 |
| Transcriptions  Standard Mandarin  Hanyu Pinyin Tángrén Jiē | |
|  | |


title: Chambers v. Maroney

abstract: Chambers v. Maroney, 399 U.S. 42 (1970), was a United States Supreme Court case in which the Court applied the Carroll doctrine in a case with a significant factual difference—the search took place after the vehicle was moved to the stationhouse. The search was thus delayed and did not take place on the highway as in Carroll. After a gas station robbery, a vehicle fitting the description of the robbers' car was stopped. Inside were people wearing clothing matching the description of that worn by the robbers. They were arrested, and the car was taken to the police station where it was later searched.

text:
# Chambers v. Maroney

***Chambers v. Maroney***, 399 U.S. 42 (1970), was a United States Supreme Court case in which the Court applied the *Carroll* doctrine in a case with a significant factual difference—the search took place after the vehicle was moved to the stationhouse. The search was thus delayed and did not take place on the highway (or street) as in Carroll. After a gas station robbery, a vehicle fitting the description of the robbers' car was stopped. Inside were people wearing clothing matching the description of that worn by the robbers. They were arrested, and the car was taken to the police station where it was later searched.

## Opinion of the Court

The Court first held that the search could not be sustained as a search incident to arrest (SITA). It quoted at length from Carroll that a search of a movable vehicle is treated differently under the Fourth Amendment because the mobility of the vehicle alone can easily defeat the warrant requirement. If there is probable cause to believe the vehicle contains criminal evidence and there exist exigent circumstances where the vehicle can be removed from the jurisdiction, a warrantless search would be reasonable. It made no constitutional difference here that the search followed the seizure because the probable cause which developed on the street still existed at the station house (where the vehicle was impounded). For this purpose, it is significant to note that the automobile exception and the SITA doctrine are quite different.

## Aftermath

Companion cases, including *Perini v. Colosimo*, *Crouse v. Wood*, *Hocker v. Heffley*, and *Kelley v. Arizona*, were vacated in *per curiam* opinions and respectively remanded to the Sixth Circuit, Tenth Circuit, Ninth Circuit, and Arizona Supreme Court, "for further consideration in light of *Chambers v. Maroney*". In each case the *per curiam* opinion noted that Justice Harlan would have remanded "for the reasons stated in his separate opinion in *Chambers*".

## Further reading

Chambers is discussed in:

* Note, 75 Dick L Rev 511 (1971);
* Note, 46 Ind L J 257 (1971);
* Comment, 47 Notre Dame Law 668 (1972);
* Note, 7 Tulsa L J 197 (1971);
* Note, 23 Vand L Rev 1370 (1970).
* Heisse, Warrantless Automobile Searches and Telephonic Search Warrants: Should the *Automobile Exception* be Redrawn?, 7 Hast Const L Q 1031 (1980).

## InfoBox

| Chambers v. Maroney | |
| --- | --- |
| Supreme Court of the United States | |
| Argued April 27, 1970
Decided June 22, 1970 | |
| Full case name | *Chambers v. Maroney, Correctional Superintendent* |
| Citations | 399 U.S. 42 (*more*)90 S. Ct. 1975; 26 L. Ed. 2d 419 |
| Case history | |
| Prior | 408 F.2d 1186 (3d Cir. 1969) (affirmed) |
| Court membership | |
| Chief Justice Warren E. Burger  Associate Justices Hugo Black **·**  William O. Douglas
John M. Harlan II **·**  William J. Brennan Jr.
Potter Stewart **·**  Byron White
Thurgood Marshall **·**  Harry Blackmun | |
| Case opinions | |
| Majority | White, joined by Burger, Black, Douglas, Brennan, Stewart, Marshall |
| Concurrence | Stewart |
| Concur/dissent | Harlan |
| Blackmun took no part in the consideration or decision of the case. | |
| Laws applied | |
| U.S. Const. amend. IV | |


title: Simplicial depth

abstract: In robust statistics and computational geometry, simplicial depth is a measure of central tendency determined by the simplices that contain a given point. For the Euclidean plane, it counts the number of triangles of sample points that contain a given point.

text:
# Simplicial depth

In robust statistics and computational geometry, **simplicial depth** is a measure of central tendency determined by the simplices that contain a given point. For the Euclidean plane, it counts the number of triangles of sample points that contain a given point.

## Definition

The simplicial depth of a point $p$ in $d$-dimensional Euclidean space, with respect to a set of sample points in that space, is the number of $d$-dimensional simplices (the convex hulls of sets of $d+1$ sample points) that contain $p$. The same notion can be generalized to any probability distribution on points of the plane, not just the empirical distribution given by a set of sample points, by defining the depth to be the probability that a randomly chosen $(d+1)$-tuple of points has a convex hull that contains $p$. This probability can be calculated, from the number of simplices that contain $p$, by dividing by $\tbinom {n}{d+1}$ where $n$ is the number of sample points.\[L88\]\[L90\]

Under the standard definition of simplicial depth, the simplices that have $p$ on their boundaries count equally much as the simplices with $p$ in their interiors. In order to avoid some problematic behavior of this definition, Burr, Rafalin & Souvaine (2004) proposed a modified definition of simplicial depth, in which the simplices with $p$ on their boundaries count only half as much. Equivalently, their definition is the average of the number of open simplices and the number of closed simplices that contain $p$.\[BRS\]

## Properties

Simplicial depth is robust against outliers: if a set of sample points is represented by the point of maximum depth, then up to a constant fraction of the sample points can be arbitrarily corrupted without significantly changing the location of the representative point. It is also invariant under affine transformations of the plane.\[D\]\[ZS\]\[BRS\]

However, simplicial depth fails to have some other desirable properties for robust measures of central tendency. When applied to centrally symmetric distributions, it is not necessarily the case that there is a unique point of maximum depth in the center of the distribution. And, along a ray from the point of maximum depth, it is not necessarily the case that the simplicial depth decreases monotonically.\[ZS\]\[BRS\]

## Algorithms

For sets of $n$ sample points in the Euclidean plane ( $d=2$), the simplicial depth of any other point $p$ can be computed in time $O(n\log n)$,\[KM\]\[GSW\]\[RR\] optimal in some models of computation.\[ACG\] In three dimensions, the same problem can be solved in time $O(n^{2})$.\[CO\]

It possible to construct a data structure using ε-nets that can approximate the simplicial depth of a query point (given either a fixed set of samples, or a set of samples undergoing point insertions) in near-constant time per query, in any dimension, with an approximation whose error is a small fraction of the total number of triangles determined by the samples.\[BCE\] In two dimensions, a more accurate approximation algorithm is known, for which the approximation error is a small multiple of the simplicial depth itself. The same methods also lead to fast approximation algorithms in higher dimensions.\[ASS\]

Spherical depth, $SphD(q;F)$ is defined to be the probability that a point $q$ is contained inside a random closed hyperball obtained from a pair of points from $F\in \mathbb {R} ^{n}$. While the time complexity of most other data depths grows exponentially, the spherical depth grows only linearly in the dimension $d$ – the straightforward algorithm for computing the spherical depth takes $O(dn^{2})$. Simplicial depth (SD) is linearly bounded by spherical depth ( $SphD\geq {\frac {2}{3}SD}$).\[BS\]


title: Exosphaeroma laeviusculum

abstract: Exosphaeroma laeviusculum is a species of isopod in the family Sphaeromatidae, native to the west coast of southern Africa.

text:
# Exosphaeroma laeviusculum

***Exosphaeroma laeviusculum*** is a species of isopod in the family Sphaeromatidae, native to the west coast of southern Africa.

## Description

*E. laeviusculum* has a flattened body with speckled pattern of black and white, or pink. The pleon consists of a single segment, although the original fused segments are still discernible by lateral grooves. The telson is triangular, bears two small ridges near the base and a semicircle of tiny tubercles. Average body length is 10 mm.

## Distribution and habitat

The species occurs on the west coast of southern Africa, from Lüderitz in Namibia to Cape Point in South Africa. It inhabits the intertidal zone or shallow water, where it may be found among weeds or under stones.

For unknown reasons, the original description by Camill Heller reports the type locality as "Java".

## InfoBox

| *Exosphaeroma laeviusculum* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Subphylum: | Crustacea |
| Class: | Malacostraca |
| Order: | Isopoda |
| Family: | Sphaeromatidae |
| Genus: | *Exosphaeroma* |
| Species: | ***E. laeviusculum*** |
| Binomial name | |
| ***Exosphaeroma laeviusculum***<br>(Heller, 1868) | |
|
| Synonyms | |
| *Sphaeroma laevisculum* Heller, 1868 | |


title: The Astronauts (band)

abstract: For the UK band, see Astronauts (band) The Astronauts were an American rock band, who had a minor hit in 1963 with "Baja" and remained successful for several years, especially in Japan. They have been described as being, "along with...(the) Trashmen, the premier landlocked Midwestern surf group of the '60s." For most of their career, the band members were Rich Fifield, Jon "Storm" Patterson, Bob Demmon, Dennis Lindsey, and Jim Gallagher.

text:
# The Astronauts (band)

For the UK band, see Astronauts (band)

**The Astronauts** were an American rock band, who had a minor hit in 1963 with "Baja" and remained successful for several years, especially in Japan. They have been described as being, "along with...(the) Trashmen, the premier landlocked Midwestern surf group of the '60s." For most of their career, the band members were Rich Fifield, Jon "Storm" Patterson, Bob Demmon, Dennis Lindsey, and Jim Gallagher.

## Career

The Astronauts developed out of a group, The Stormtroupers, which was originally formed at Boulder High School, Boulder, Colorado in 1956 by Jon "Storm" Patterson (vocals, guitar), Robert Graham "Bob" Demmon (guitar; born February 11, 1939), and Brad Leach (drums). In 1961, they became The Astronauts after adding Richard Otis "Rich" Fifield (vocals, guitar) and Dick Sellars (guitar), the change of band name recognising the fascist connotations of the previous name (despite the different spelling) and to pay tribute to local hero, astronaut Scott Carpenter. Patterson switched to bass, Leech was replaced on drums by Jim Gallagher, and soon afterwards Sellars left to join the US Navy, being replaced by Dennis Lindsey. With a line-up of Demmon, Patterson, Fifield, Lindsey and Gallagher, the band gained a strong local reputation, toured as far as Chicago and Dallas, Texas, and released their first single, "Come Along Baby", in 1962, on the small Palladium label. They were signed to RCA Records after a record company executive was impressed by their performance at a local night club, the Tulagi.

Their first single on RCA was "Baja", an instrumental written by Lee Hazlewood originally for his friend, guitarist Al Casey. Released by The Astronauts in early 1963, the track was described as "a typical surf instrumental with a reverberation-heavy twangy guitar and driving drumbeat", and reached # 94 on the *Billboard* Hot 100 for just one week, the pinnacle of their US chart career. However, they released a succession of further singles on RCA, in an attempt by the record company to emulate the success of the Beach Boys and other surf music-related groups in the charts at the time. According to reviewer Richie Unterberger, "the group shone brightest on their instrumentals, which used mounds of Fender reverb and two rhythm guitars; when they sang, the results were much less successful." Patterson and Fifield shared lead vocals, and the band recorded songs by Roger Christian, Gary Usher, Dick Dale and Henry Mancini, among others. Fifield, the lead guitarist, used a Fender Jazzmaster on the recordings, with an early prototype reverb unit personally loaned to the group by Leo Fender. Their 1965 song "Tomorrow's Gonna Be Another Day" was covered by The Monkees in 1966.

As well as a succession of singles and EPs, the band released four LPs over nine months, starting in May 1963: *Surfin' with The Astronauts* – which reached # 61 on the *Billboard* 200 album chart*Everything Is A-OK!* (recorded live at the Club Baja in Denver, Colorado), *Competition Coupe*, and *The Astronauts Orbit Campus* (recorded live in Boulder).

They appeared several times on the *Hullabaloo* TV show, and have the distinction of appearing in more beach party movies than any other surf band: *Surf Party,* *Wild on the Beach,* *Wild Wild Winter* and *Out of Sight.* Regarding the band's performance in 1964's *Surf Party,* the book *Pop Surf Culture* states “The Astronauts bang out a thick, reverb-laden instrumental called ‘Firewater,’ and their theme song ‘Surf Party’ happens to be one of the best surf instrumentals ever recorded.” *(See Filmography, below)*

In 1964, their record company discovered that they had a growing fan base in Japan, where they outsold The Beach Boys and toured with The Ventures. Five albums and three singles made the top 10 there, with "Movin'" – retitled as "Over The Sun" – reaching number one in the country.

In all, they recorded nine albums. Gallagher and Lindsey were drafted for the Vietnam War before the last album, *Travelin' Men* in 1967, and were replaced by Mark Bretz and Rod Jenkins respectively. Demmon also left, being replaced by Robert Carl McLerran, before Fifield and Patterson finally decided to end the band name after a tour of Asia in 1968.

## Associated acts

For a while, the same band – Fifield, Patterson, McLerran, Bretz and Jenkins – performed in the US under the name **SunshineWard**, who released one single, "Sally Go Around The Roses", in 1967. Patterson then left the band and music business, and Fifield and McLerran formed a new band, **Hardwater**, with Tony Murillo and Peter M. Wyant. In 1968, the band released two singles and an album, *Hardwater*, on Capitol Records, produced by David Axelrod. Fifield also had a role in assisting Axelrod and record engineer David Hassinger, who owned the rights to the group name of The Electric Prunes, to find a new group of musicians to take on that group's name for their record, *Mass in F Minor*. Fifield contacted fellow Colorado musicians, Richard Whetstone, John Herron and Mark Kincaid, who then agreed to form one of the final line-ups of The Electric Prunes.

## Reunion

The Astronauts reunited temporarily to perform in Boulder, Colorado, in 1974, 1988 and 1989.

## Later years

A four-CD box set of the group's recordings, *The Complete Astronauts Collection*, was issued on the Collectables label in 1997.

Dennis Lindsey died in Boulder, Colorado, on May 4, 1992. Mark Bretz died August 15, 1999, aged 54. Robert "Bob" Demmon worked as a teacher in Coronado, California, whose students included George Sanger. He died of cardiac arrest on December 18, 2010, at the age of 71.

Rich Fifield died on November 18, 2021. Jim Gallagher died on November 20, 2021, at the age of 78. John 'Storm" Patterson died May 24, 2022 at 81.

## Members

Classic line-up in bold
| Group name | The Stormtroupers | The Astronauts | The Astronauts | **The Astronauts** | The Astronauts | SunshineWard | Hardwater |
| --- | --- | --- | --- | --- | --- | --- | --- |
| Years | 1956-1961 | 1961-? | ? | **?-1967 (Certainly the line-up from 1962-1967)** | 1967 | 1967 | 1967-1969 |
| Jon "Storm" Patterson | vocals, guitar | vocals, guitar | vocals, bass | **vocals, bass** | vocals, bass | vocals, bass |  |
| Richard Otis "Rich" Fifield |  | vocals, guitar | vocals, guitar | **vocals, lead guitar** | vocals, lead guitar | vocals, lead guitar | vocals, lead guitar |
| Robert Graham "Bob" Demmon | guitar | guitar | guitar | **guitar** |  |  |  |
| Dick Sellars |  | guitar | guitar |  |  |  |  |
| Dennis Lindsey |  |  |  | **guitar** |  |  |  |
| Mark Bretz |  |  |  |  | guitar | guitar |  |
| Robert Carl McLerran |  |  |  |  | guitar | guitar | bass |
| Peter M. Wyant |  |  |  |  |  |  | guitar |
| Brad Leach | drums | drums |  |  |  |  |  |
| Jim Gallagher |  |  | drums | **drums** |  |  |  |
| Rod Jenkins |  |  |  |  | drums | drums |  |
| Tony Murillo |  |  |  |  |  |  | drums |

## Discography

### Singles (US releases)

#### The Astronauts

* "Come Along Baby" / "Tryin' To Get To You" (Palladium, 1962)
* "Baja" / "Kuk" (RCA Victor, 1963) #94 on the Billboard Hot 100
* "Hot-Doggin'" / "Every One But Me" (RCA Victor, 1963)
* "Competition Coupe" / "Surf Party" (RCA Victor, 1963) #124 on Billboard's Bubbling Under Chart
* "Swim, Little Mermaid" / "Go Fight For Her" (RCA Victor, 1964)
* "Main Title From 'Ride The Wild Surf'" / "Around And Around" (RCA Victor, 1964)
* "I'm A Fool" / "Can't You See I Do?" (RCA Victor, 1964)
* "Almost Grown" / "My Sin Is Pride" (RCA Victor, 1965)
* "Tomorrow's Gonna Be Another Day" / "Razzamatazz" (RCA Victor, 1965)
* "It Doesn't Matter Anymore" / "The La La Song" (RCA Victor, 1965)
* "Main Street" / "In My Car" (RCA Victor, 1966)
* "I Know You, Rider" / "Better Things" (RCA Victor, 1967)

#### SunshineWard

* "Sally Go Around The Roses" / "Pay The Price" (RCA Victor, 1968)

#### Hardwater

* "City Sidewalks" / "Not So Hard" (Capitol, 1968)
* "Plate Of My Fare" / "Good Old Friends" (Capitol, 1969)

### EPs (US Releases)

* *The Astronauts* (Wurlitzer Disco EP Vol I WLP-9-100) 33 Stereo Jukebox EP
* *The Astronauts* (Wurlitzer Disco EP Vol II WLP-10-100) 33 Stereo Jukebox EP

### Singles (Japan releases)

* "Che Che Che" (RCA Victor, 45 RPM)
* "Unchain My Heart"/"Twist and Shout" (Victor SS-1568
* "Movin'"/"Unchain My Heart" (Victor spv-12)
* "Koi O Surunara"/"Che Che Che" (Victor 1254)
* "James Bond Theme"/"Goldfinger" (Victor 1526)
* "Taste of Honey"/"Thunderball" (Victor 1647)
* "Pipeline"/"Movin'" (VictorSS-3310)
* "Heartbreak Hotel"/"A Big Hunk of Love" (Victor SS-1640)
* "Swim Little Mermaid"/"Go Fight Fight for Her" (Victor Ss-1547)
* "Main Title Theme 'Ride The Wild Surf'"/"Around and Around" (Victor SS-1503)
* "El Aguila (The Eagle)"/"Happy Ho-Daddy" (Victor SS-1467)
* "Surf Party"/"Kuk" (written by the Astronauts) (Victor SS-1444)
* "Let's Play House"/"Movin'" (Victor SS1428)
* "Pipeline"/"Movin'"(Gold Standard Series; Victor SS-2563)
* "What'd I Say"/"Money" (Victor SS-1483)
* "Movin'"/"Pipeline" (RCA SS-3316)
* "My Sin Is My Pride"/"Almost Grown" (Victor SS1538)
* "Pyramid Stomp"/"Little Speedy Gonzales" (Victor SS-1697)

### EPs (Japan releases)

* *Hit Parade* Victor SCP-1209 33 Stereo EP
* *Movin'* (Victor SRS-13) 33 Stereo EP with gatefold cover
* *The Astronauts* (Victor SCP-1111) 33 Stereo EP
* *Surfin'* (Victor CP-1128) 33 Stereo EP
* *Go Fight!!* (Victor SCP 1191) Stereo EP

### Albums (US releases)

#### The Astronauts

* *Surfin' With The Astronauts* (1963)
    + Mono LPM-2760/Stereo LSP-2760
    + Producer - Al Schmitt, Recording Engineer - Dave Hassinger
    + Rating: Week of August 25-31,1963 album reached # 61 on the *Billboard* 200 album chart
* *Everything Is A-OK!* (1963) (live)
* *Competition Coupe* (1963)
* *Astronauts Orbit Kampus* (1964) (live)
    + Recorded at The Tulagi in Boulder, CO, February 27 - March 1, 1964)
    + US and UK release.
* *Go...Go...Go!!* (1965)
* *Rockin' With The Astronauts* (1965) – limited edition promo LP available with Lipton's Iced Tea (compilation)
    + Mono PRM-183 (SNRM-3465)
* *(Favorites) For You, (Our Fans), From Us* (1965)
* *Down The Line* (1966)
* *Travelin' Men* (1967)

#### Hardwater

* *Hardwater* (1968)

### CD albums

#### The Astronauts

* *Rarities* (1991, Germany release)
* *The Complete Astronauts Collection* (1997. US release)

## Filmography

### Appearing as themselves and as soundtrack artists

#### 1964

* *Surf Party* (performing "Fire Water," and "Surf Party")

#### 1965

* *Wild on the Beach* (performing "Rock This World," "Little Speedy Gonzalez," "Pyramid Stomp," and "Snap It," also shown as performing back-up for Sonny & Cher on "It's Gonna Rain")

#### 1966

## Bibliography

* Chidester, Brian & Priore, Domenic (2008). *Pop Surf Culture: Music, Design, Film, and Fashion from the Bohemian Surf Boom* US: Santa Monica Press pg 171-172. ISBN 1-59580-035-2

## InfoBox

| The Astronauts | |
| --- | --- |
| The band in 1966 | |
| Background information | |
| Origin | Boulder, Colorado, U.S. |
| Genres | Surf |
| Years active | 1961–1968 |
| Labels | Palladium, RCA Victor |
|  | |
| Past members | Rich Fifield
Jon "Storm" Patterson
Bob Demmon
Dennis Lindsey
Jim Gallagher
Dick Sellars
Mark Bretz
Rod Jenkins
Robert Carl McLerran |