title: Faithless Street

abstract: Faithless Street is the debut studio album by alternative country band Whiskeytown, released in 1995 on Mood Food Records. The album was re-issued by Outpost Recordings in 1998 with several bonus tracks added, and the track "Oklahoma" omitted. Pitchfork Media has called the album "an alt-country touchstone".

text:
# Faithless Street

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic | link |

***Faithless Street*** is the debut studio album by alternative country band Whiskeytown, released in 1995 on Mood Food Records. The album was re-issued by Outpost Recordings in 1998 with several bonus tracks added, and the track "Oklahoma" omitted. Pitchfork Media has called the album "an alt-country touchstone".

## Recording

In July 1995, Whiskeytown convened at the Funny Farm in Apex, North Carolina, with Greg Woods and began tracking their debut album. According to the band's principal singer-songwriter Ryan Adams, the band worked very fast and recorded the album in a week and a half. At least one song ("Hard Luck Story") was written in the studio and laid to tape just minutes later. As guitarist Phil Wandscher noted: "Oh yeah, it was always, how much can you do in this little time? It’s all basically live recording, and then it’s like, 'Overdubs? We don’t have time to overdub, man!' And a lot of times, that worked out better, because you don’t have time to mill around and think about it and then fuck stuff up." Wandscher would be the de facto producer of the sessions, although he's not specifically listed as such in the album credits.

Despite the intensity of the sessions, the band still found time to goof off. Violinist Caitlin Cary remembers getting drunk and riding a horse bareback across a nearby field, while other band members played around with firecrackers - which inspired Adams to later remark: "Out in the parking lot across the street... the Roman candles and Black Cats sounded a lot like I'd hope we'd one day sound - pretty little things all set on fire waiting to get destroyed."

## Whiskeytown moves to a major label

Following the release of *Faithless Street*, the band was the subject of a record label bidding war, which came to a head at Whiskeytown's appearance at the 1996 SXSW Music Festival in Austin, Texas. In what Adams later called a "turning point" for the band, Whiskeytown played to a packed Austin club where even festival badge holders were turned away at the door. During the band's (reportedly sloppy) set, Adams noticed record label representatives in the crowd. But when he tried to avoid the label reps by retreating to the band's van after the show, they simply followed him there and surrounded the van - some even placing their business cards on the windshield.

At almost every show after the SXSW gig, the band would be approached by someone from a record label. Finally, after playing an industry showcase at Spaceland in Los Angeles, the band signed with Outpost Recordings, a subsidiary of Geffen Records. The contract allowed the young band almost total autonomy.

In a 1997 interview with *The Austin Chronicle*, Adams commented on the record industry hype surrounding the band following their appearance at SXSW: "After all was said and done, the labels wanting to sign us was probably more detrimental than it was positive." In the months following the SXSW show, the band's bassist, Steve Grothmann, and drummer, Skillet Gilmore, left Whiskeytown. Said Adams: "I think they \[Grothmann and Gilmore\] felt like it had gone to a place where they weren't comfortable... I know that at the time, Skillet didn't like the idea that it had turned into a lot of phone calls, managers, and lawyers. I can see how he felt that way, because we were hardly ever playing."

## Music and lyrics

Unlike subsequent Whiskeytown releases, *Faithless Street* features other band members besides Adams on lead vocals - Wandscher sings two songs ("What May Seem Like Love" and "Top Dollar") and Cary sings one ("Matrimony"). Lyrically, a few of Adams' songs on the album were influenced by his hometown of Jacksonville, North Carolina. "Faithless Street" is the figurative name that Adams gave a low-rent housing area of Raleigh where he once lived.

The opening guitar figure on the album's first track ("Midway Park") was inspired by the guitar playing of Peter Buck.

The origin of the song "Lo-Fi Tennessee Mountain Angel (for Kathy Poindexter)" came from a conversation Adams had with Kathy Poindexter, who fronted a local Raleigh punk band named Picasso Trigger. Poindexter had recently written a song about Dolly Parton called "Lo-Fi Tennessee Mountain Angel". Adams loved the idea of someone writing a punk song about Parton so much that he wrote his own song about Poindexter.

Adams' verdict on *Faithless Street*: "I think it’s a strong youth album. It’s crazy. It loves what it borrows from musically: It tips its hat to Gram Parsons, it tips its hat to the Stones, it’s shaking hands with Uncle Tupelo on some levels." The young songwriter, in fact, loved the album so much that he talked Geffen Records into buying it from Mood Food Records so that it could be reissued on Outpost three years later.

## Track listing

Original version
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Midway Park" | Ryan Adams, Skillet Gilmore, Phil Wandscher | 3:19 |
| 2. | "Drank Like a River" | Ryan Adams, Caitlin Cary, Phil Wandscher | 2:58 |
| 3. | "Too Drunk To Dream" | Ryan Adams, Robert E. Rickers Jr. | 2:41 |
| 4. | "What May Seem Like Love" | Phil Wandscher | 3:45 |
| 5. | "Faithless Street" | Ryan Adams, Caitlin Cary | 3:55 |
| 6. | "Mining Town" | Ryan Adams | 2:37 |
| 7. | "If He Can't Have You" | Ryan Adams, Skillet Gilmore | 3:50 |
| 8. | "Black Arrow, Bleeding Heart" | Ryan Adams | 2:21 |
| 9. | "Matrimony" | Caitlin Cary, Steve Grothmann | 3:48 |
| 10. | "Hard Luck Story" | Ryan Adams | 2:04 |
| 11. | "Top Dollar" | Phil Wandscher | 2:38 |
| 12. | "Oklahoma" | Ryan Adams, Phil Wandscher, Eric Gilmore, Steve Grothman, Caitlin Cary | 10:46 |
| 13. | "Revenge" (hidden track, begins 5:14 after "Oklahoma") | Ryan Adams, Phil Wandscher |  |

Reissued version
| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Midway Park" | Ryan Adams, Skillet Gilmore, Phil Wandscher | 3:24 |
| 2. | "Drank Like a River" | Ryan Adams, Caitlin Cary, Phil Wandscher | 2:57 |
| 3. | "Too Drunk To Dream" | Ryan Adams, Robert E. Rickers Jr. | 2:53 |
| 4. | "Tennessee Square" (bonus track) | Ryan Adams | 2:50 |
| 5. | "What May Seem Like Love" | Phil Wandscher | 3:47 |
| 6. | "Faithless Street" | Ryan Adams, Caitlin Cary | 3:55 |
| 7. | "Mining Town" | Ryan Adams | 2:35 |
| 8. | "If He Can't Have You" | Ryan Adams, Skillet Gilmore | 3:52 |
| 9. | "Black Arrow, Bleeding Heart" | Ryan Adams | 2:20 |
| 10. | "Matrimony" | Caitlin Cary, Steve Grothmann | 3:49 |
| 11. | "Excuse Me While I Break My Own Heart Tonight" (bonus track) | Ryan Adams | 3:21 |
| 12. | "Desperate Ain't Lonely" (bonus track) | Ryan Adams, Caitlin Cary | 2:16 |
| 13. | "Hard Luck Story" | Ryan Adams | 2:07 |
| 14. | "Top Dollar" | Phil Wandscher | 2:39 |
| 15. | "Lo-Fi Tennessee Mountain Angel (for Kathy Poindexter)" (bonus track) | Ryan Adams, Caitlin Cary | 4:32 |
| 16. | "Revenge" | Ryan Adams, Phil Wandscher | 2:43 |
| 17. | "Empty Baseball Park" (Baseball Park Sessions) | Ryan Adams | 2:55 |
| 18. | "Here's To The Rest Of The World" (Baseball Park Sessions) | Ryan Adams | 3:08 |
| 19. | "16 Days" (Baseball Park Sessions) | Ryan Adams | 3:46 |
| 20. | "Yesterday's News" (Baseball Park Sessions) | Ryan Adams, Phil Wandscher | 2:53 |
| 21. | "Factory Girl" (Baseball Park Sessions) | Ryan Adams, Phil Wandscher | 4:50 |

## Personnel and production credits

* Ryan Adams — guitar, vocals, producer, photography (trains, back cover)
* Caitlin Cary — violin, vocals, producer, photography (small car)
* Eric "Skillet" Gilmore — drums, producer
* Steve Grothmann — bass, producer
* Phil Wandscher — guitar, vocals, producer
* Bob Ricker — pedal steel ("Faithless Street")
* Chris Stamey — producer, mixing (1998 version)
* Greg Woods — recording
* Tim Harper — mixing (1998 version), recording (Baseball Park Sessions)
* Nicholas Petti — accordion, banjo, pedal steel (Baseball Park Sessions)
* Greg Calbi — mastering
* Chris Billheimer — design
* Melanie Bryan — cover photography, angel photography
* Ray Duffy — band photography
* Faithless Street sessions: recorded at the Funny Farm, Apex, NC
* Baseball Park sessions: recorded at Captured Live!, Durham, NC
* Reissue mixed at Modern Recording, July 1998
* Mastered at Masterdisk

## InfoBox

| Faithless Street | |
| --- | --- |
|  | |
| Studio album by Whiskeytown | |
| Released | 1995 (1995) |
| Recorded | July 1995 at the Funny Farm, Apex, NC |
| Genre | Alternative country |
| Length | 44:36 |
| Label | Mood Food (Outpost Reissue) |
| Producer | Whiskeytown, Chris Stamey (Reissue) |
| Whiskeytown chronology | |
| *Angels*
(1995) ***Faithless Street***
(1995) *Theme for a Trucker*
(1997) | |


title: Faithless 2.0

abstract: Faithless 2.0 is a remix album by British electronica band Faithless. It features remixes of many of their previous songs, as mixed by Avicii, Eric Prydz and Armin van Buuren. It was released in 2015, five years after their sixth album, The Dance. 2.0 was followed up with Faithless' seventh studio album, All Blessed in 2020.

text:
# Faithless 2.0

***Faithless 2.0*** is a remix album by British electronica band Faithless. It features remixes of many of their previous songs, as mixed by Avicii, Eric Prydz and Armin van Buuren. It was released in 2015, five years after their sixth album, The Dance. 2.0 was followed up with Faithless' seventh studio album, All Blessed in 2020.

## Chart performance

The album debuted at number 1 on the UK Albums Chart after selling 12,098 copies, the second-lowest for a UK number-one album in the 21st century, beaten only by Rihanna's album *Talk That Talk*, which sold just 9,578 copies when it returned to number one in August 2012.

## Track listing

Side one
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Insomnia 2.0" (Avicii Extended Remix) | 6:13 |
| 2. | "We Come 1 2.0" (Armin van Buuren Remix) | 5:26 |
| 3. | "God Is a DJ 2.0" (Tiësto Remix) | 4:27 |
| 4. | "Muhammad Ali 2.0" (High Contrast Remix) | 4:43 |
| 5. | "Salva Mea 2.0" (Above & Beyond Remix) | 7:02 |
| 6. | "Not Going Home 2.0" (Eric Prydz Remix) | 8:56 |
| 7. | "Music Matters 2.0" (Axwell Remix) | 8:23 |
| 8. | "I Was There" | 6:42 |
| 9. | "Miss U Less, See U More 2.0" (Purple Disco Machine Remix) | 6:40 |
| 10. | "Tarantula 2.0" (Booka Shade Remix) | 7:40 |
| 11. | "Bombs 2.0" (featuring Harry Collier) (Claptone Remix) | 6:58 |
| 12. | "Drifting Away 2.0" (Autograf Remix) | 5:50 |
| 13. | "Don't Leave 2.0" (Until the Ribbon Breaks Remix) | 3:33 |
| 14. | "Insomnia 2.0" (Avicii Remix) (radio edit) | 3:04 |

Side two
| No. | Title | Length |
| --- | --- | --- |
| 1. | "Insomnia" (Monster Mix) | 8:38 |
| 2. | "Mass Destruction" (single version) | 3:31 |
| 3. | "God Is a DJ" | 7:55 |
| 4. | "Don't Leave" | 3:59 |
| 5. | "Muhammad Ali" (radio edit) | 3:29 |
| 6. | "We Come 1" (radio edit) | 3:42 |
| 7. | "Reverence" | 7:37 |
| 8. | "Salva Mea" | 10:40 |
| 9. | "One Step Too Far" (featuring Dido) (radio edit) | 3:23 |
| 10. | "Bring My Family Back" | 6:15 |
| 11. | "Tarantula" | 6:38 |
| 12. | "Bombs" (featuring Harry Collier) | 4:55 |
| 13. | "Feelin' Good" (featuring Dido) | 3:13 |
| 14. | "Not Going Home" (radio edit) | 3:12 |

## Charts

## InfoBox

| Faithless 2.0 | |
| --- | --- |
|  | |
| Remix album by Faithless | |
| Released | 9 October 2015 |
| Genre | Trip hop, trance, dance, electronica |
| Label | Nates Tunes, PIAS, Ultra |
| Producer | Avicii, Eric Prydz, Armin van Buuren, Rollo Armstrong, Sister Bliss |
| Faithless chronology | |
| *The Dance*
(2010) ***Faithless 2.0***
(2015) *All Blessed*
(2020) | |


title: Family aggregation

abstract: Family aggregation, also known as familial aggregation, is the clustering of certain traits, behaviours, or disorders within a given family. Family aggregation may arise because of genetic or environmental similarities.

text:
# Family aggregation

**Family aggregation**, also known as **familial aggregation**, is the clustering of certain traits, behaviours, or disorders within a given family. Family aggregation may arise because of genetic or environmental similarities.

## Schizophrenia

The data from the family aggregation studies have been extensively studied to determine the mode of inheritance of schizophrenia. Studies to date have shown that when numerous families are studied, simple modes of inheritance are not statistically supported. The majority of studies analyzing for the mode of inheritance have concluded that a multifactorial threshold mode is most likely.

## Cardiovascular problems

The most consistent and dramatic evidence of family influences on cardiovascular disease (CVD) is family aggregation of physiological factors. In several studies the parent-child and sibling-sibling correlations of blood pressure are approximately .24. Genetic determination of blood pressure is strong, but does not explain all of the variance.

## Parkinson's disease

Familial Parkinson's disease (PD) exists but is infrequent. Early investigations failed to show substantial family aggregation for PD.


title: Fan Kuan

abstract: Fan Zhongzheng, courtesy name Zhongli, better known by his pseudonym Fan Kuan, was a Chinese landscape painter of the Song dynasty. He was both a Daoist and a Neo-Confucianist. Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work, possibly his only surviving one, and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration. The classic Chinese perspective of three planes is evident - near, middle, and far. Unlike earlier examples of Chinese landscape art, the grandeur of nature is the main theme, rather than merely providing a backdrop. A packhorse train can barely be seen emerging from a wood at the base of a towering precipice. The painting's style encompasses archaic conventions dating back to the Tang dynasty. The historian Patricia Ebrey explains her view on the painting that the:...foreground, presented at eye level, is executed in crisp, well-defined brush strokes. Jutting boulders, tough scrub trees, a mule train on the road, and a temple in the forest on the cliff are all vividly depicted. There is a suitable break between the foreground and the towering central peak behind, which is treated as if it were a backdrop, suspended and fitted into a slot behind the foreground. There are human figures in this scene, but it is easy to imagine them overpowered by the magnitude and mystery of their surroundings. Fan's masterpiece Travellers among Mountains and Streams bears a lost half-hidden signature rediscovered only in 1958.

text:
# Fan Kuan

**Fan Zhongzheng** (c. 960 – c. 1030), courtesy name **Zhongli**, better known by his pseudonym **Fan Kuan** (Chinese: 范寬; pinyin: ***Fàn Kuān***; Wade–Giles: ***Fan K’uan***), was a Chinese landscape painter of the Song dynasty. He was both a Daoist and a Neo-Confucianist.

*Travelers among Mountains and Streams*, a large hanging scroll, is Fan Kuan's best known work, possibly his only surviving one, and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration. The classic Chinese perspective of three planes is evident - near, middle (represented by water and mist), and far. Unlike earlier examples of Chinese landscape art, the grandeur of nature is the main theme, rather than merely providing a backdrop. A packhorse train can barely be seen emerging from a wood at the base of a towering precipice. The painting's style encompasses archaic conventions dating back to the Tang dynasty.

The historian Patricia Ebrey explains her view on the painting that the:

> ...foreground, presented at eye level, is executed in crisp, well-defined brush strokes. Jutting boulders, tough scrub trees, a mule train on the road, and a temple in the forest on the cliff are all vividly depicted. There is a suitable break between the foreground and the towering central peak behind, which is treated as if it were a backdrop, suspended and fitted into a slot behind the foreground. There are human figures in this scene, but it is easy to imagine them overpowered by the magnitude and mystery of their surroundings.

Fan's masterpiece *Travellers among Mountains and Streams* bears a lost half-hidden signature rediscovered only in 1958.

* Liu, Pingheng (1989). Shui mo yin yun, qi yun sheng dong de Zhongguo hui hua (水墨絪縕, 氣韻生動的中國繪畫) = Misty and Lively Chinese Painting. Taibei Shi: Guo li li shi bo wu guan (國立歷史博物館).
* Ebrey, Patricia Buckley. *The Cambridge Illustrated History of China*. Cambridge: Cambridge University Press, 1999.

## InfoBox

| Fan Kuan | |
| --- | --- |
| *Travelers among Mountains and Streams* (谿山行旅), ink and slight color on silk, dimensions of 6¾ ft x 2½ ft. National Palace Museum, Taipei | |
| Born | c. 960<br>Hua-yuan (Today: Yaozhou District), Shaanxi Province |
| Died | c. 1030 |
| Nationality | Chinese |
| Known for | Landscapes |
| Movement | Northern Landscape style |


title: Falseunidia

abstract: Falseunidia albosignata is a species of beetle in the family Cerambycidae, and the only species in the genus Falseunidia. It was described by Breuning in 1943.

text:
# Falseunidia

***Falseunidia albosignata*** is a species of beetle in the family Cerambycidae, and the only species in the genus ***Falseunidia***. It was described by Breuning in 1943.

## InfoBox

| *Falseunidia* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Suborder: | Polyphaga |
| Family: | Cerambycidae |
| Genus: | ***Falseunidia*** |
| Species: | ***F. albosignata*** |
| Binomial name | |
| ***Falseunidia albosignata***<br>Breuning, 1943 | |
|


title: Falkirk Community Hospital

abstract: Falkirk Community Hospital is a community hospital in Falkirk, Scotland. It is managed by NHS Forth Valley.

text:
# Falkirk Community Hospital

**Falkirk Community Hospital** is a community hospital in Falkirk, Scotland. It is managed by NHS Forth Valley.

## History

The hospital has its origins in a cottage hospital completed in 1882. A new hospital designed by William John Smith Gibson was built and opened by Prince George, Duke of Kent as the Falkirk Royal Infirmary in 1932. Emergency medical scheme huts were built on the site during the Second World War. Additions included the Falkirk Ward completed in 1966 and the Windsor Unit completed in the late 1980s. After many of the services were transferred to the Forth Valley Royal Hospital, the Falkirk Royal Infirmary was downgraded to the status of community hospital in 2010. The minor injury unit, which treated emergency cases of a non life-threatening nature, closed in July 2011.

## InfoBox

| Falkirk Community Hospital | |
| --- | --- |
| NHS Forth Valley | |
| Original building, Falkirk Royal Infirmary | |
| Location within Falkirk | |
| Geography | |
| Location | Falkirk, Scotland |
| Coordinates | 55°59′52″N 3°47′30″W / 55.9977°N 3.7917°W / 55.9977; -3.7917 |
| Organisation | |
| Care system | NHS Scotland |
| Funding | Scottish Government |
| Type | Public hospital |
| Services | |
| Emergency department | No |
| History | |
| Opened | 1882 |
| Links | |
| Lists | Hospitals in Scotland |


title: Fareva

abstract: Fareva is a French pharmaceutical company, with annual revenues of $1.6 billion in 2018, founded and 100% owned by Bernard Fraisse, a French billionaire businessman.

text:
# Fareva

**Fareva** is a French pharmaceutical company, with annual revenues of $1.6 billion in 2018, founded and 100% owned by Bernard Fraisse, a French billionaire businessman.

## History

It was founded in 1985, and the company now employs 12,500 people. Fareva is the largest contract manufacturing organization (CMO) in France, and of the top five pharmaceutical contract manufacturing organizations in the world. It has over 12,500 employees working in 40 different production sites.

In 2020 the company acquired two biologics facilities from Pierre Fabre; an oncology injectable plant in Pau, Southwest France and a monoclonal antibody (mAb) production facility in Saint-Julien-en-Genevois on the French-Swiss border.

The company is headquartered in Tournon-sur-Rhône, Ardèche, France.

## InfoBox

Fareva
|
|  |
| Company type | Private |
| Founded | 1985 |
| Headquarters | Tournon-sur-Rhône, France |
| Key people | Bernard Fraisse, chairman, founder and 100% owner |
| Operating income | €1.6 billion (2018) |
| Number of employees | 12,500 |


title: Fareway

abstract: Fareway Stores, Inc. is a Midwest grocery store chain based in Boone, Iowa. It operates 131 grocery store locations in Iowa, Illinois, Minnesota, Nebraska, South Dakota, Kansas, and Missouri. Fareway provides service and food distribution in the Midwest. Some Fareway stores open as early as 7:00 a.m. and stay open as late as 9:00 p.m., but all are closed on Sundays and open until 5:00 p.m. on major holidays.

text:
# Fareway

**Fareway Stores, Inc.** is a Midwest grocery store chain based in Boone, Iowa. It operates 131 grocery store locations in Iowa, Illinois, Minnesota, Nebraska, South Dakota, Kansas, and Missouri.

Fareway provides service and food distribution in the Midwest.

Some Fareway stores open as early as 7:00 a.m. and stay open as late as 9:00 p.m., but all are closed on Sundays and open until 5:00 p.m. on major holidays.

## History

On May 12, 1938, Paul S. Beckwith opened the first Fareway store in Boone, Iowa located at 624 Story Street. Beckwith chose the name "Fareway" as he emphasized treating customers and employees fairly.

In December 2018, Fareway announced a new plan to help eligible full-time employees pay off their student loan debt. This benefit gives $100 a month with an upper limit of $5,000 total. This adds Fareway Stores, Inc. to the roughly four percent of companies across the nation that offer employee benefits concerning student loan debt.

## InfoBox

Fareway Stores, Inc.
|
|  |
| Trade name | Fareway Meat & Grocery |
| Company type | Private |
| Industry | Retail |
| Founded | 1938 (1938) in Boone, Iowa, U.S. |
| Founder | Paul S. Beckwith |
| Headquarters | Boone, Iowa, U.S. |
| Number of locations | 131 (2021) |
| Key people | P. Sue Beckwith, MD, Chairman of the Board
Reynolds W. Cramer, CEO
Garrett S. Piklapp, President |
| Products | Bakery, dairy, delicatessen, frozen foods, grocery, lottery, pharmacy, produce, meats, snack food, liquor, flowers, and Western Union |
| Revenue | US$1.5 billion (2021) |
| Owner | Beckwith family |
| Number of employees | 12,000+ |
| Subsidiaries | FarewayMeatMarket.com
Midwest Quality Wholesale
McGonigle's KC BBQ + Catering
Brewer Foods |
| Website | fareway.com |


title: Faerie Stories

abstract: Faerie Stories is the second album by Scottish Celtic fusion group Peatbog Faeries, released in 2001 on Greentrax Recordings. The album was reissued in 2008 as a digipack. The album is large departure from the sound of their début album Mellowosity (1996), and sees the band explore a largely electronic sound mixed with their traditional Celtic fusion sound. Influences of electronic genres such as electronica, house, dubtronica and trip hop, in addition to even dub music and African music can be heard on the album fused with traditional Scottish Celtic music. Co-produced between the band's percussionist Iain Copeland and Calum MacLean, working under the pseudonym Jason Famous, the album was recorded in 1999 across three Scottish studios but was not released until June 2001 as the original record label intended to release the album, the New York-based Astor Place Recordings, went bankrupt and closed. Despite the delays, the album was released to a very positive critical response, and became one of Greentrax Recordings' best ever selling albums. It was re-released in 2008 on the band's own label Peatbog Records.

text:
# Faerie Stories

***Faerie Stories*** is the second album by Scottish Celtic fusion group Peatbog Faeries, released in 2001 on Greentrax Recordings. The album was reissued in 2008 as a digipack. The album is large departure from the sound of their début album *Mellowosity* (1996), and sees the band explore a largely electronic sound mixed with their traditional Celtic fusion sound. Influences of electronic genres such as electronica, house, dubtronica and trip hop, in addition to even dub music and African music can be heard on the album fused with traditional Scottish Celtic music.

Co-produced between the band's percussionist Iain Copeland and Calum MacLean, working under the pseudonym Jason Famous, the album was recorded in 1999 across three Scottish studios but was not released until June 2001 as the original record label intended to release the album, the New York-based Astor Place Recordings, went bankrupt and closed. Despite the delays, the album was released to a very positive critical response, and became one of Greentrax Recordings' best ever selling albums. It was re-released in 2008 on the band's own label Peatbog Records.

## Background

Peatbog Faeries formed in 1994 on the Isle of Skye and signed to Greentrax Recordings for the release of their début album *Mellowosity* (1996). Originally working with both instrumental and vocal tracks, they had settled being on a purely instrumental band by the point of *Mellowosity*, with both fans and the band preferring this stance. Peter Morrison said that "obviously, as a band you normally gravitate to the stuff people are enjoying the most. You go by the crowd. We started mixing a bit of reggae and funk with pipe tunes. That was really popular. So we kind of started moving towards that. By the time we released our first album \[*Mellowosity*\], we almost moved completely away from songs." *Mellowosity* was released in December 1996, blended a wide spectrum of musical ideas into the band's repertoire. The general sound of the album included tinges of jazz, dub and a progressive sound compared to Pink Floyd.

The album was released to a positive reception from fans and critics, and Craig Harris of Allmusic, later noted that with *Mellowosity*, the band "emerged as one of the funkiest tradition-rooted bands in Scotland." Nonetheless, after the release of *Mellowosity*, the band sought to continue in a new direction. With new instruments such as a Roland VS800 and VS1680 being acquired by the band, the band's sound became more electronic than before, and after lengthy touring in support of *Mellowosity*, the band began work on the new album in 1999.

## Recording and music

The tunes on the album were conceived and arranged on the band's native Isle of Skye and were demoed in keyboardist Nurudin's house on Cabana's Roland VS880 and a small Mac. Ben used his Roland VS1680 to record the majority of his parts in his Edinburgh cottage. Recording of the album took place at three Scottish studios; Lealt Falls in the band's native Isle of Skye, Apollo Recording in Glasgow and Mortonhall Cottage in Edinburgh. "Get Your Frets Off" was recorded in all three studios before, according to the liner notes, the band "sacked everything except the toilet and rebuilt it" for the listener's pleasure. "Cameronian Rant" was remixed in Abbey Road Studios, which also led to the "Beatles reverb" on the track.

The album is often seen as a more experimental album than *Mellowosity* (1996), their previous album. *Faerie Stories* is noted for its more electronic style, combining genres such as electronica, funk and dubtronica. One review noted that with this changes, "musically *Faerie Stories* is light years apart from their 1996 début album *Mellowosity*. Indeed, many of the album's tracks feature programming from both the album's production duo of Calum MacLean, working under the pseudonym "Famous", and the band's percussionist Iain Copeland, in addition to keyboard work from Nurudin.

Opening track "Martin Roachford's/The Oyster Woman's Rant" runs at over seven minutes. The opening sound of water is a recording of a small river in Glen Douglas. "The Folk Police" was written by the band's Peter Morrison during his youth, and was described as being given a "new name and a new lease of life" with its appearance on the album, whilst "Cptain Coull's Parrot" was written in honour of a parrot belonging to the band's manager's brother, a boat skipper, who taught the parrot "unrepeatable statements". The title track features briefly features a recording of birds in its intro that were recorded at Ronnie Rae Junior's house in Nice, France. The track was originally called "So You That That Was Mellow", in reference to the reaction from the band's record label Greentrax Recordings in reaction to the band's preceding album, *Mellowosity*. "Caberdrone" almost was not featured on the album until the band re-listened to it and thought "that's great". The closing track, "Alexander MacAskill of Berena, Harris" features a fusion of African music, dub music and pipes. The track which precedes it on the album, "Weirdness", is a minute long instrumental interlude which is described in the liner notes as simply "weird noises" created by the band.

## Release

Although the album was recorded in 1999, releasing the album became a problem when, as the band had signed to New York-based Astor Place Recordings, the label went bankrupt and closed. The band also credit "contractual hassles" and "remixes being called for" as also reasons for the delay. During the ongoing problems, the band had initially self-released the album as a "limited edition" in 2000, although after such problems were finished, the album was officially released with different artwork on 4 June 2001 on Greentrax Recordings, five years after their previous effort *Mellowosity*, also released on Greentrax. The Astor Place Recordings logo still features on the back cover nonetheless. *Faerie Stories* would be their last album on Greentrax, as the band would later set up their own record label, Peatbog Records, to release their albums, although Greentrax would continue to support the band, and included their early track "Lexy MacAskill" on an anniversary compilation album of songs from the label entitled *Scotland, The Music and the Song: 20 Year Profile of Greentrax* (2006). The meaning of the album title is described in the booklet as being "tunes which describe and commemorate notable faeie as an faerie events".

On 29 September 2008, the band's own label Peatbog Records re-released the album in a digipak. The copyright on the album is credited to Astor Place Recordings with the copyright year of 2000. Several other differences on this re-issue include the track lengths of certain tracks, and that the front cover features the Moon in the sky whereas the original Greentrax Recordings album cover did not. The re-release has replaced the Greentrax version in first hand retail and was probably created to do so.

## Critical reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| *The Living Tradition* | (positive) |

The album received very positive reviews from critics, and has been noted as the band's first album to bring the band some attention. Keith Whitham of *The Living Tradition* reviewed the album alongside the recent re-release of The Easy Club's 1984 album *The Easy Club*. He said that "with this CD they have stamped their place at the forefront of Celtic cool territory. Musically *Faerie Stories* is light years apart from their 1996 debut album *Mellowosity*. Gone is much of the dub style percussion and reflective tonality, in favour of more stirring urban styled rhythms. I don't have a problem with technology in traditional music as long as it's done with both character and respect, two attributes these six gentlemen from Skye have in abundance." Whitham also noted that with *Faerie Stories*, the band "have stamped their place at the forefront of Celtic cool territory" and "full of pulsating rhythms that are often purely the domain of Radio One on any chosen Friday night, this album gives the Celtic youth of today an opportunity to identify with their birthright. With no songs on the CD the band have ample chance to let the music speak for itself." Other reviews noted that the album still has a strong dub influence, such as on songs like "Mr Problematic", and that the most dance-orientated tracks are the first two tracks and "Caberdrone". Further comparisons were drawn with trip hop acts Massive Attack and UNKLE. *Faerie Stories* would be the band's only album in such an electronic style. The album remains one of Greentrax Recordings' best ever selling albums.

Several of the album's tracks remain staples in the band's live performances. Many of the songs had debuted several years before *Faerie Stories* was released due to the long time taken to release the album. "The Folk Police", whose title has more recently been shortened to "Folk Police" in subsequent appearances, has been played at almost every Peatbog Faeries performance since 1999. typically as the final track in the main set before the encore. One reviewer, upon watching the band perform it live in 2014, noted "the highlight of the gig is of course "Folk Police", with its heavy electronic influence and Morrison’s evocative performance on the bagpipes." A reviewer for *The Guardian*, seeing it close a live performance of the band later in the year, noted firstly that "this is a party band," and described "The Folk Police" as "yet another slick, high-energy dance workout". Festivals for All noted the track is a great favourite of theirs to which the band's bassist and sometime percussionist Innes Hutton noted that the track as being "one of those that’s developed and developed playing it live. \[They have\] been playing it a long time…. if there was a night \[they\] didn’t get an amazing reaction \[they would\] put it earlier in the set or not play it at all. That’s never happened… people love it so \[they\] keep it for the end of the show and once \[they\] added the brass to it a few years ago that’s added a different dimension too.” "Caberdrone" is also a track often played live by the band. The album's first track, "Martin Roachford's/The Oyster Woman's Rant", was also incorporated into the eighteen-minute set known as "The Dancing Feet Set" the band performed on their 2008 tour. "The Dancing Feet Set", alongside "Caberdrone" and "The Folk Police", appeared on their live album, *Live* (2009).

## Track listing

1. Martin Roachford's / The Oyster Woman's Rant (7:17)
2. The Folk Police (5:17)
3. Captain Coull's Parrot (6:07)
4. Namedropper / The Little Cascade (8:50)
5. Faerie Stories (6:31)
6. Cameronian Rant (6:05)
7. Get Your Frets Off (5:19)
8. Mr. Problematic (8:58)
9. Caberdrone (3:54)
10. Weirdness (1:00)
11. Alexander MacAskill of Bernera, Harris (7:48)

## InfoBox

| Faerie Stories | |
| --- | --- |
|  | |
| Studio album by Peatbog Faeries | |
| Released | 2000 (limited edition)
4 June 2001 (Greentrax version) |
| Recorded | 1999 |
| Studio |  |
| Genre |  |
| Length | 67:12 |
| Label |  |
| Producer | Jason Famous |
| Peatbog Faeries chronology | |
| *Mellowosity*
(1996) ***Faerie Stories***
(2000) *Welcome To Dun Vegas*
(2003) | |


title: Faiano

abstract: Faiano is an Italian town and hamlet (frazione) of the municipality of Pontecagnano Faiano in the province of Salerno, Campania region. Along with the main town of Pontecagnano it is de jure the secondary seat of its municipality.

text:
# Faiano

**Faiano** is an Italian town and hamlet (*frazione*) of the municipality of Pontecagnano Faiano in the province of Salerno, Campania region. Along with the main town of Pontecagnano it is *de jure* the secondary seat of its municipality.

## History

Town's name derives from the word *fajo*, meaning beech in Neapolitan, and is referred to a beechwood.

Located on an area rich of thermal waters, still known in Ancient Roman era, the town counts a spring named Sette Bocche (*Seven Mouths*). 1 km from its center, but in the municipal territory of Montecorvino Pugliano, there are located some ancient Thermae (40°39′51″N 14°55′10″E / 40.66412°N 14.91956°E / 40.66412; 14.91956) with a spring of sulphurous water.

## Geography

Faiano is a hilltown that lies on the road linking Pontecagnano (4 km) to Montecorvino Pugliano (5,5 km) and the village of Santa Tecla (3 km). It is located below the Picentini mountain range and the homonym regional park. The town is 1,5 km far from the nearby village of Baroncino, 12 from Salerno, 7,5 from Bellizzi, 10 from Battipaglia and 9 from Giffoni Valle Piana, with which it is connected by a road passing the village of Ornito.

## Transport

Faiano is not served by railways but the nearest station is Pontecagnano, on the Salerno-Reggio Calabria line. Nearest motorway exits are "Pontecagnano" and "Montecorvino Pugliano" on the A2 Motorway Salerno-Reggio Calabria. 7 km from the town is located the Salerno-Pontecagnano Airport *Costa d'Amalfi*.

## InfoBox

| Faiano | |
| --- | --- |
| *Frazione* | |
| View from the nearby village of Baroncino | |
| FaianoLocation of Faiano in Italy | |
| Coordinates: 40°39′45.20″N 14°54′03.91″E / 40.6625556°N 14.9010861°E / 40.6625556; 14.9010861 | |
| Country | Italy |
| Region | Campania |
| Province | Salerno (SA) |
| *Comune* | Pontecagnano Faiano |
| Elevation | 130 m (430 ft) |
| Population (2009) | |
| Total | 3,213 |
| Demonym | *Faiano* |
| Time zone | UTC+1 (CET) |
| Summer (DST) | UTC+2 (CEST) |
| Postal code | 84098 |
| Dialing code | (+39) 089 |
| Patron saint | St. Benedict |
| Website | Official website |


abstract: The Faculty of Geodesy at the University of Zagreb is the only Croatian institution providing high education in Geomatics engineering and the largest faculty in this domain in southeastern Europe.

text:
# Faculty of Geodesy, University of Zagreb

The **Faculty of Geodesy** at the **University of Zagreb** (Croatian: *Geodetski fakultet Sveučilišta u Zagrebu*) is the only Croatian institution providing high education in Geomatics engineering and the largest faculty in this domain in southeastern Europe.

## Education

Since the implementation of the Bologna process in the academic year 2005/06, Faculty of Geodesy offers one undergraduate programme (three years):

* Geodesy and Geoinformatics

which finishes with the title Bachelor of Science in Geodesy and Geoinformatics. After receiving the B.Sc. degree, the student can apply for the Master's degree in two programmes (two years):

* Geodesy
* Geoinformatics

which ends with the title Master of Science in Geodesy or Master of Science in Geoinformatics.

The Faculty offers also two postgraduate programmes:

* PhD (three years)
* spec. (one year)

## Organisation

The Faculty comprises 16 departments:

* Chair of State survey
* Chair of Geoinformation Science
* Chair of Hydrography
* Chair of Mathematics and Physics
* Chair of Analysis and processing of geodetic measurements
* Chair of Satellite geodesy
* Chair of Photogrammetry and Remote sensing
* Chair for Geoinformation
* Chair of Cartography
* Chair of Instrumental technology
* Chair of Engineering Geodesy
* Chair for Theory of Organisation and Management
* Chair of Spatial Information Management
* Chair of Land Surveying
* Laboratory of Measuring and Measuring technology
* Hvar Observatory

## Students

Students are organised in their student association (*Croatian: Studentski zbor*) and are participating in few sport activities. Also, they issue the professional magazine Ekscentar.

## Noted alumni

45°48′28.6″N 15°57′47.9″E / 45.807944°N 15.963306°E / 45.807944; 15.963306

## InfoBox

Faculty of Geodesy
| Geodetski fakultet | |
| --- | --- |
| Type | Public |
| Established | 1962 |
| Administrative staff | 80 |
| Students | 700 |
| Location | Zagreb, Croatia |
| Website | http://www.geof.hr/ |
|  | |


title: Every Hero Needs a Villain

abstract: Every Hero Needs a Villain is the second studio album by American hip hop trio Czarface, which consists of rapper and Wu-Tang Clan member Inspectah Deck and underground hip hop duo 7L & Esoteric. The album was released on June 16, 2015, by Brick Records. The album's lead single "Deadly Class" featuring Meyhem Lauren was released on April 7, 2015. The album features guest appearances from Method Man, Large Professor, JuJu, GZA, MF Doom, Meyhem Lauren and R.A. the Rugged Man.

text:
# Every Hero Needs a Villain

***Every Hero Needs a Villain*** is the second studio album by American hip hop trio Czarface, which consists of rapper and Wu-Tang Clan member Inspectah Deck and underground hip hop duo 7L & Esoteric. The album was released on June 16, 2015, by Brick Records. The album's lead single "Deadly Class" featuring Meyhem Lauren was released on April 7, 2015. The album features guest appearances from Method Man, Large Professor, JuJu, GZA, MF Doom, Meyhem Lauren and R.A. the Rugged Man.

## Critical reception

Professional ratings
| Aggregate scores | |
| --- | --- |
| Source | Rating |
| Metacritic | 79/100 |
| Review scores | |
| Source | Rating |
| *The Boston Globe* | (positive) |
| *Exclaim!* | 8/10 |
| HipHopDX |  |
| RapReviews | 7/10 |
| *Record Collector* |  |

*Every Hero Needs a Villain* received generally positive reviews from music critics. At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 5 reviews, which indicates "generally favorable reviews". Kyle Mullin of *Exclaim!* said, "7L handles the no-frills production, which is rife with early '90s RZA homages on 'Night Crawler' and the aforementioned 'World Premiere.' But the Bostonian beatsmith also experiments with crunchy classic rock style guitar riffing on 'Czartacus' and 'The Great (Czar Guitar).' Those beats prove to be a dynamic soundtrack for Esoteric and Deck's shameless, endlessly entertaining punch lines, which are bizarrely charming enough to leave you rooting for the bad guy." Justin Ivey of HipHopDX said, "*Every Hero Needs a Villain* is one of the rare sequels that matches the original in quality. The chemistry built on the first CZARFACE album carries over seamlessly to their second effort as Inspectah Deck, 7L & Esoteric seem tailor made to work with one another. 7L’s underrated production shines and perfectly complements the styles of Deck and Esoteric. CZARFACE may know they're playing to a niche audience who desires a return to glory days of the ‘90s, but the execution is where CZARFACE differs from most nostalgic acts."

## Commercial performance

The album debuted at number 15 on the US Billboard Top R&B/Hip-Hop Albums in the first week of its release.

## Track listing

All tracks are produced by The Czar-Keys

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Don the Armor" | 1:18 |
| 2. | "Czartacus" | 2:37 |
| 3. | "Lumberjack Match" | 2:46 |
| 4. | "Nightcrawler" (featuring Method Man) | 3:22 |
| 5. | "World Premier" (featuring Large Professor) | 2:50 |
| 6. | "The Great (Czar Guitar)" | 2:25 |
| 7. | "Red Alert" | 3:46 |
| 8. | "Junkyard Dogs" (featuring JuJu) | 3:33 |
| 9. | "Sgt. Slaughter" | 2:10 |
| 10. | "When Gods Go Mad" (featuring GZA) | 4:16 |
| 11. | "Ka-Bang!" (featuring MF Doom) | 2:52 |
| 12. | "Deadly Class" (featuring Meyhem Lauren) | 2:59 |
| 13. | "Escape from Czarkham Asylum" | 8:18 |
| 14. | "Sinister" | 2:59 |
| 15. | "Good Villains Go Last" (featuring R.A. the Rugged Man) | 3:52 |
| 16. | "Deviatin' Septums" (Digital Exclusive) | 2:49 |
| 17. | "Sinister (Revenge of Yorgo Remix)" (Digital Exclusive) | 2:11 |
| Total length: | | 55:03 |

## Charts

| Chart (2015) | Peak
position |
| --- | --- |
| US Top R&B/Hip-Hop Albums (*Billboard*) | 15 |
| US Top Tastemaker Albums (*Billboard*) | 15 |
| US Independent Albums (*Billboard*) | 19 |
| US Heatseekers Albums (*Billboard*) | 4 |

## InfoBox

| Every Hero Needs a Villain | |
| --- | --- |
|  | |
| Studio album by Czarface | |
| Released | June 16, 2015 |
| Recorded | 2014–2015 |
| Genre | Hip hop |
| Length | 55:03 |
| Label | Brick Records |
| Producer | The Czar-Keys |
| Czarface chronology | |
| *Czarface*
(2013) ***Every Hero Needs a Villain***
(2015) *A Fistful of Peril*
(2016) | |
|  | |
| Singles from  *Every Hero Needs a Villain* | |
| 1. "Deadly Class"
Released: April 7, 2015 | |
|  | |


title: Scott Holtzman

abstract: Scott Holtzman is an American former mixed martial artist Who most recently competed in the lightweight division of the Ultimate Fighting Championship. A professional from 2012 to 2022, he formerly competed for the Xtreme Fighting Championships, where he was the Lightweight Champion.

text:
# Scott Holtzman

**Scott Holtzman** (born September 30, 1983) is an American former mixed martial artist Who most recently competed in the lightweight division of the Ultimate Fighting Championship. A professional from 2012 to 2022, he formerly competed for the Xtreme Fighting Championships, where he was the Lightweight Champion.

## Background

Holtzman was born in Knoxville, Tennessee and spent his childhood in Fountain City. He attended Central High School, where he played football and baseball. During high school, he also played ice hockey with the Knoxville Amateur Hockey Association. After high school, Holtzman attended Hiwassee College, where he played baseball and earned an associate degree in Business Administration. He transferred from Hiwassee to the University of Tennessee, where he played club hockey and earned a bachelor's degree in sociology. In 2008–09, Holtzman enjoyed a brief stint playing for the Knoxville Ice Bears.

## Mixed martial arts career

Holtzman began his professional mixed martial arts career in 2009. He compiled an undefeated amateur record of 4–0, with his final match earning him a contract with the Xtreme Fighting Championships (XFC). In his professional debut, Holtzman defeated Brandon Demastes by rear-naked choke at XFC16: High Stakes in front of a home crowd in Knoxville, Tennessee. He would decidedly win his next two fights against Matt Metts (XFC 18: Music City Mayhem) and Chris Coggins (XFC 20: High Octane) each in the first round by KO/TKO stoppage respectively.

### XFC Lightweight Title

Holtzman opened up 2013 with a win by unanimous decision against Jason Hicks in a title eliminating match at XFC 22: Crossing The Line. After his match with Hicks, Holtzman was expected to face, then XFC Lightweight champion, Nick Newell for the Lightweight belt. In May 2013, it was reported that Newell had refused to fight Holtzman. According to XFC president, John Prisco, Newell was hoping to face former UFC fighters in order to make his claim to move up into the UFC. Prisco, however, felt that Holtzman had "earned the right" to face Newell for the title. Since Newell refused to fight Holtzman, Prisco stripped Newell of his belt and paired Holtzman against John Mahlow to compete for the vacated Lightweight belt at XFC 24: Collision Course. On June 14, 2013, Holtzman beat Mahlow by TKO (punches) in the second round to win the XFC Lightweight Title.

Holtzman quickly had the opportunity to defend his title at XFC 26: Night of Champions III, where he won by unanimous decision against Roger Carroll. After a hiatus due in part to a lack of reputable opponents and the XFC's focus on their new international partnerships, Holtzman secured a fight outside of the XFC against George Sheppard at the Premier Fighting Championships (PFC) 9: Unstoppable. Holtzman would go on to win by unanimous decision.

### Ultimate Fighting Championship

On August 14, 2014, Holtzman announced that he had signed a four-fight deal with the UFC.

Holtzman made his promotional debut against Anthony Christodoulou on August 8, 2015, at UFC Fight Night 73. He won the one-sided fight via submission in the third round.

In his second fight for the promotion, Holtzman faced Drew Dober on January 2, 2016, at UFC 195. He lost the fight by unanimous decision.

Holtzman next faced Cody Pfister on July 13, 2016, at UFC Fight Night 91. Holtzman won the fight via unanimous decision.

Holtzman faced Josh Emmett on December 17, 2016, at UFC on Fox 22. He lost the fight by unanimous decision.

Holtzman next faced Michael McBride April 22, 2017 at UFC Fight Night 108. He won the fight via unanimous decision.

Holtzman faced Darrell Horcher on December 9, 2017, at UFC Fight Night 123. He won the fight by unanimous decision.

On January 25, 2018, Holtzman announced that he had signed a new, four-fight deal with UFC.

Holtzman faced Alan Patrick on October 6, 2018, at UFC 229. He won the fight via knockout in the third round after dropping Patrick with a punch and eventually finishing the fight with elbows.

Holtzman faced Nik Lentz on February 17, 2019, at UFC on ESPN 1. He lost the fight by unanimous decision.

Holtzman faced Dong Hyun Ma on August 3, 2019, at UFC on ESPN 5. He won the fight via TKO due to a doctor stoppage between the second and third round as the swelling on Ma's right eye rendered him unable to continue.

Holtzman faced Jim Miller on February 15, 2020, at UFC Fight Night 167. He won the back-and-forth fight by unanimous decision. The bout also earned Holtzman his first *Fight of the Night* bonus award.

Holtzman faced Beneil Dariush on August 8, 2020, at UFC Fight Night 174. He lost the fight via knockout in round one.

Hotzman faced Mateusz Gamrot on April 10, 2021, at UFC on ABC 2. He lost the bout via knockout in the second round.

Hotzman faced Clay Guida on December 3, 2022, at UFC on ESPN 42. He lost the fight via split decision and Hotzman retired after the loss.

## Championships and achievements

## Mixed martial arts record

Professional record breakdown
| **20 matches** | **14 wins** | **6 losses** |
| --- | --- | --- |
| **By knockout** | 5 | 2 |
| **By submission** | 2 | 0 |
| **By decision** | 7 | 4 |

| Res. | Record | Opponent | Method | Event | Date | Round | Time | Location | Notes |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Loss | 14–6 | Clay Guida | Decision (split) | UFC on ESPN: Thompson vs. Holland | December 3, 2022 | 3 | 5:00 | Orlando, Florida, United States |  |
| Loss | 14–5 | Mateusz Gamrot | KO (punches) | UFC on ABC: Vettori vs. Holland | April 10, 2021 | 2 | 1:22 | Las Vegas, Nevada, United States |  |
| Loss | 14–4 | Beneil Dariush | KO (spinning backfist) | UFC Fight Night: Lewis vs. Oleinik | August 8, 2020 | 1 | 4:38 | Las Vegas, Nevada, United States | Catchweight (158 lb) bout; Dariush missed weight. |
| Win | 14–3 | Jim Miller | Decision (unanimous) | UFC Fight Night: Anderson vs. Błachowicz 2 | February 15, 2020 | 3 | 5:00 | Rio Rancho, New Mexico, United States | Fight of the Night. |
| Win | 13–3 | Dong Hyun Ma | TKO (doctor stoppage) | UFC on ESPN: Covington vs. Lawler | August 3, 2019 | 2 | 5:00 | Newark, New Jersey, United States | Catchweight (158 lb) bout; Ma missed weight. |
| Loss | 12–3 | Nik Lentz | Decision (unanimous) | UFC on ESPN: Ngannou vs. Velasquez | February 17, 2019 | 3 | 5:00 | Phoenix, Arizona, United States |  |
| Win | 12–2 | Alan Patrick | KO (elbows) | UFC 229 | October 6, 2018 | 3 | 3:42 | Las Vegas, Nevada, United States |  |
| Win | 11–2 | Darrell Horcher | Decision (unanimous) | UFC Fight Night: Swanson vs. Ortega | December 9, 2017 | 3 | 5:00 | Fresno, California, United States |  |
| Win | 10–2 | Michael McBride | Decision (unanimous) | UFC Fight Night: Swanson vs. Lobov | April 22, 2017 | 3 | 5:00 | Nashville, Tennessee, United States |  |
| Loss | 9–2 | Josh Emmett | Decision (unanimous) | UFC on Fox: VanZant vs. Waterson | December 17, 2016 | 3 | 5:00 | Sacramento, California, United States |  |
| Win | 9–1 | Cody Pfister | Decision (unanimous) | UFC Fight Night: McDonald vs. Lineker | July 13, 2016 | 3 | 5:00 | Sioux Falls, South Dakota, United States |  |
| Loss | 8–1 | Drew Dober | Decision (unanimous) | UFC 195 | January 2, 2016 | 3 | 5:00 | Las Vegas, Nevada, United States |  |
| Win | 8–0 | Anthony Christodoulou | Submission (rear-naked choke) | UFC Fight Night: Teixeira vs. Saint Preux | August 8, 2015 | 3 | 2:40 | Nashville, Tennessee, United States |  |
| Win | 7–0 | George Sheppard | Decision (unanimous) | PFC: Premier Fighting Challenge 9 | April 5, 2014 | 3 | 5:00 | Abingdon, Virginia, United States |  |
| Win | 6–0 | Roger Carroll | Decision (unanimous) | XFC 26 | October 18, 2013 | 5 | 5:00 | Nashville, Tennessee, United States | Defended the XFC Lightweight Championship. |
| Win | 5–0 | John Mahlow | TKO (punches) | XFC 24 | June 14, 2013 | 2 | 2:53 | Tampa, Florida, United States | Won the vacant XFC Lightweight Championship. |
| Win | 4–0 | Jason Hicks | Decision (unanimous) | XFC 22 | February 22, 2013 | 3 | 5:00 | Charlotte, North Carolina, United States |  |
| Win | 3–0 | Chris Coggins | TKO (punches) | XFC 20 | September 28, 2012 | 1 | 4:46 | Dallas, Texas, United States |  |
| Win | 2–0 | Matt Metts | KO (punches) | XFC 18 | June 22, 2012 | 1 | 4:13 | Nashville, Tennessee, United States |  |
| Win | 1–0 | Brandon Demastes | Submission (rear-naked choke) | XFC 16 | February 10, 2012 | 2 | 1:44 | Knoxville, Tennessee, United States | Lightweight debut. |

## InfoBox

| Scott Holtzman | |
| --- | --- |
| Born | Scott Holtzman
(1983-09-30) September 30, 1983
Knoxville, Tennessee, United States |
| Other names | Hot Sauce |
| Nationality | American |
| Height | 5 ft 9 in (1.75 m) |
| Weight | 156 lb (71 kg; 11.1 st) |
| Division | Lightweight |
| Reach | 70 in (178 cm) |
| Fighting out of | Knoxville, Tennessee, United States |
| Team | Shield Systems
MMA Lab |
| Rank | Black belt in Brazilian Jiu-Jitsu under Ben Harrison |
| Years active | 2012–2022 |
|  | |
| Mixed martial arts record | |
| **Total** | 20 |
| **Wins** | 14 |
| By knockout | 5 |
| By submission | 2 |
| By decision | 7 |
| **Losses** | 6 |
| By knockout | 2 |
| By decision | 4 |
|  | |
|  | |
| Amateur record | |
| **Total** | 4 |
| **Wins** | 4 |
| By knockout | 1 |
| By submission | 3 |
|  | |
| Other information | |
| University | University of Tennessee, Hiwassee College |
| Website | http://www.ufc.com/fighter/scott-holtzman |
| Mixed martial arts record from Sherdog | |


title: Diminutive woodrat

abstract:
The diminutive woodrat is a species of rodent in the family Cricetidae.
It is endemic to Mexico.

text:
# Diminutive woodrat

The **diminutive woodrat** (*Nelsonia neotomodon*) is a species of rodent in the family Cricetidae. It is endemic to Mexico.

* Musser, G. G. and M. D. Carleton. 2005. Superfamily Muroidea. pp. 894–1531 *in* Mammal Species of the World a Taxonomic and Geographic Reference. D. E. Wilson and D. M. Reeder eds. Johns Hopkins University Press, Baltimore.

## InfoBox

| Diminutive woodrat | |
| --- | --- |
| Conservation status | |
|
Least Concern  (IUCN 3.1) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Mammalia |
| Order: | Rodentia |
| Family: | Cricetidae |
| Subfamily: | Neotominae |
| Genus: | *Nelsonia* |
| Species: | ***N. neotomodon*** |
| Binomial name | |
| ***Nelsonia neotomodon***
Merriam, 1897 | |
|


title: Sarah Jones (freestyle wrestler)

abstract: Sarah Jones is a Scottish freestyle wrestler. Born in Edinburgh, Scotland, she represented Scotland at the 2010 Commonwealth Games, New Delhi in the 72 kg category placing 4th.

text:
# Sarah Jones (freestyle wrestler)

**Sarah Jones** (born 3 April 1983) is a Scottish freestyle wrestler.

Born in Edinburgh, Scotland, she represented Scotland at the 2010 Commonwealth Games, New Delhi in the 72 kg category placing 4th.

## Achievements

| Year | Tournament | Place | Weight class |
| --- | --- | --- | --- |
| 2011 | World Freestyle Wrestling Championships | 12th | 67 kg |
| 2010 | Commonwealth Games | 4th | 72 kg |

* on Commonwealth Games Scotland
* on The-Sports.org
* Scottishwrestling.org on Scottish Wrestling Association


title: Family literacy

abstract: Family literacy is a method of education. Relatively new, family literacy is being put into practice in the United States, Canada, and South Africa.

text:
# Family literacy

**Family literacy** is a method of education. Relatively new, family literacy is being put into practice in the United States, Canada, and South Africa.

## Philosophy

The roots of family literacy as an educational method come from the belief that “the parent is the child’s first teacher.” Studies have demonstrated that adults who have a higher level of education tend to not only become productive citizens with enhanced social and economic capacity in society, but their children are more likely to be successful in school. Literate parents are better able to support the learning of their children. Establishing family literacy programs is the most effective strategy to increase parental involvement and literacy development. The purpose of parental literacy curriculum is to increase students’ academic achievement. When family literacy programs are established parents become advocates for their child's literacy. Simultaneously students’ literacy excels as parents become empowered. When parents are empowered they become active lifelong participants in their child's education

## Overview

Comprehensive family literacy services provide a holistic, fully integrated, family-focused approach, providing parents and children most in need of improving their literacy skills with intensive, frequent, and long-term educational and non-educational services. Family literacy services make sustainable changes in a family by integrating all of the following activities:

* Adult Education: designed to extend basic academic level, think critically and creatively, solve problems, set and achieve goals, and acquire successful workplace and interpersonal skills.
* Childhood Education: designed to promote the growth and development of young children and to engage parents in their child's educational program in order to foster meaningful involvement that will be maintained throughout the child's educational career.
* Parent Education: provides instruction on how children grow, develop, and learn. It addresses issues critical to family well-being, connects parents with community resources, and provides opportunities for parents to network and develop mutual support systems.
* Interactive Parent/Child Activities: provides parents and children the opportunity to share their newly developed literacy experiences. Parents and children interact together, enriching their relationship through reciprocal learning that takes place, enabling them to become true partners in education.

## Examples

* Adult Education: The goal of educating parents is to empower and provide resources to parents who are a child's first teacher. Adult Education helps to rebuild relationships between parents and the school's faculty and staff. Some classes and activities provided for parents at the Prairie State College Family Literacy Project are English as Second Language classes, Adult Basic Education classes, General Education Development certifications, and vocational training.
* Building Family: The Leadership Program's nationally recognized Building Family program invites parents into school communities with workshops that are hands-on, informative, and fun. These successful workshops meet a wide variety of parent needs and interests: from personal health and professional growth to nurturing the creative spirit and parenting strategies for promoting children's academic achievement. Backed by The Leadership Program's decades of experience facilitating more than 2,000 Building Family workshops for over 20,000 public school parents, this inspiring guidebook includes thirty-three complete workshops with convenient step-by-step instructions. Use it to lead dynamic experiences that will inspire enduring parent engagement in your own school community.
* Childhood Education: Helping to involve parents can be done in a child's learning through play groups, sharing stories and books together, and child-directed play time that all help the child to bond with their parents.
* Parent Education: The family literacy program developed in Illinois at the Prairie State Family Literacy Program provides parental support about health issues, good nutrition, discipline, and takes parents and children on field trips to purchase books for children to read at home.
* Interactive Parent/Child Activities: The Prairie State Family Literacy Program has developed a special time for interactive activities that they call "P.A.C.T." time. During this P.A.C.T. time there are play groups that involve both parents and their children working together. They are separated by age groups to help guide the interaction and activities.
* Greenman Elementary in Illinois established the first family literacy project called P.A.L. Parents Advocating Literacy in district 129. Since 2010 over 100 parents have become members of P.A.L. (Parents Advocating Literacy.) P.A.L. is a family literacy project that teaches parents strategies that teachers use in the classroom every day. Establishing P.A.L. is the most effective approach to increase parental involvement in reading development. The purpose of family literacy curriculum is to increase students’ achievement by connecting school and home. When family literacy is established parents become advocates for their child's literacy. Through P.A.L. parents become empowered and become lifelong supporters of their child's education. P.A.L. was implemented district wide in 2013. P.A.L. is also in other districts throughout Illinois.
* F.R.E.D.:Fathers Reading Every Day is a family literacy program developed at Texas A&M University. In this program, fathers or father figures such as grandparents, uncles, or family friends are encouraged to read to their children every day for four weeks.


title: PSN Nunukan

abstract: Persatuan Sepakbola Nunukan is an Indonesian football club based in Nunukan Regency, North Kalimantan. They currently compete in the Liga 3. The club is located in the Nunukan Regency which is the Indonesia–Malaysia border and their homeground is the Sungai Bilal Stadium.

text:
# PSN Nunukan

**Persatuan Sepakbola Nunukan** (simply known as **PSN Nunukan**) is an Indonesian football club based in Nunukan Regency, North Kalimantan. They currently compete in the Liga 3. The club is located in the Nunukan Regency which is the Indonesia–Malaysia border and their homeground is the Sungai Bilal Stadium.

## Honours

## InfoBox

PSN Nunukan
| Full name | Persatuan Sepakbola Nunukan |
| --- | --- |
| Ground | Sungai Bilal Stadium <br>Nunukan, North Kalimantan |
| Capacity | 10,000 |
| Owner | Askab PSSI Nunukan |
| Manager | Irsan Humokor |
| Coach | Fadil |
| League | Liga 3 |
| 2019 | Group stage, (North Kalimantan zone) |
|  | |
|  | |
|  | |


title: Danielle Collobert

abstract: Danielle Collobert was a French author, poet and journalist.

text:
# Danielle Collobert

**Danielle Collobert** (French pronunciation: \[danjɛl kɔlɔbɛʁ\]) was a French author, poet and journalist.

## Biography

Danielle Collobert was born in Rostrenen, Côtes-d'Armor, on 23 July 1940.

Her mother, a teacher, was obliged to live in a neighbouring village, and Collobert thus grew up at her grandparents' house, where her mother and her aunt would return whenever they could. Both entered into the French Resistance.

In 1961, having abandoned her university studies, Collobert worked at the Galerie Hautefeuille in Paris, where she wrote "Totem" and many other texts that would three years later be part of her book *Meurtre* (*Murder*). In April of that year, she published, at her own expense, *Chants des Guerres* (*War Songs*) with publisher Pierre-Jean Oswald. Some years later, she destroyed the early editions of this, her first published book.

Collobert was active in the FLN and involved in missions in Algeria. After a self-imposed exile in Italy from May to August 1962, she returned to collaborate with the Algerian magazine *Révolution Africaine* until it stopped being published during the presidency of Ahmed Ben Bella. After rejection by Les Éditions de Minuit, her cause was supported by Raymond Queneau, which led to Gallimard publishing *Meurtre* in 1964.

After joining the Writers' Union in May 1968, and soon after turning up in Czechoslovakia during the Soviet backlash to the Prague Spring, Collobert traveled almost continuously from 1970 to 1976. Her travels strongly influenced her later writings. In 1978, she asked Uccio Esposito-Torrigiani to translate her last work, the ironically titled *Survie* (*Survival*), into Italian; reportedly, she wanted it published as quickly as possible. *Survie* came out at the end of April, and Collobert died by suicide on her birthday three months later, in a hotel on the rue Dauphine in Paris.

An experimental writer, Collobert wrote prose poems in a haunting, pessimistic, tense and stark style. Her work showed an obsession with death as the destination of humankind, the ambiguity of gender, travel and madness.

She died, by her own hand, in Paris on 23 July 1978.

## Bibliography

* Chants des guerres, Éditions P.-J. Oswald, 1961 (later by Éditions Calligrammes, Quimper, 1999).
* Meurtre, Gallimard (Lagny-sur-Marne, impr. É. Grevin et fils), \[Paris,\], 1964.
* Des nuits sur les hauteurs, Éditions Denoel (preface by Italo Calvino)
* Dire : I-II :+un-deux+, Paris, Seghers : Laffont, 1972, 27-Mesnil-sur-l'Estrée, impr. Firmin-Didot, 192 p., collection Change, série rouge.
* Il donc, Laffont, Paris, 1976.
* Survie, Éditions Orange Export Ltd., 1978.
* It Then, O Books, 1989 (trans. Norma Cole).
* Notebooks, 1956–1978, Litmus Press, 2003 (trans. Norma Cole)

*Murder*, translated from the French by Nathanaël (France; Litmus Press), was shortlisted for the 2014 Best Translated Book Award.

## InfoBox

| Danielle Collobert | |
| --- | --- |
| Born | 23 July 1940
Rostrenen, Brittany |
| Died | 23 July 1978 (aged 38)
Paris, Île-de-France |
| Occupation | poet, novelist, and short story writer |
| Nationality | French |
| Period | 1961-1978 |
| Subject | death, madness, schizophrenia, gender |
| Literary movement | prose poetry, experimental poetry |


title: Danielle Cuttino

abstract: Danielle Cuttino is an American volleyball player who plays as an opposite hitter for the United States women's national volleyball team and American professional team LOVB Atlanta.

text:
# Danielle Cuttino

**Danielle Cuttino** (born June 22, 1996) is an American volleyball player who plays as an opposite hitter for the United States women's national volleyball team and American professional team LOVB Atlanta.

## Early life

Cuttino is from Indianapolis, Indiana and attended high school at Ben Davis High School. She was a U.S. Junior National team member and was considered the tenth ranked recruit in her graduating class. She also played basketball in high school where she as an all-state honoree.

## Career

### College

Cuttino played as an outside hitter before moving to middle blocker at Purdue. She was named on the Big Ten All-Freshman team in 2014 and was an AVCA First Team All-American as a senior in 2017.

### Professional clubs

#### Galatasaray

She signed a 1-year contract with Galatasaray on June 20, 2023.

### USA National Team

Cuttino joined the national team in 2019 and won a gold medal at the 2019 Women's Pan-American Volleyball Cup. She was the captain and won a bronze medal at the 2021 Women's Pan-American Volleyball Cup, with a team leading 15 points in the bronze medal match.

She was named to the roster for the 2022 National League tournament. She had 10 kills, two blocks and seven digs in a win against Bulgaria. In a win vs. China, she tallied eight points on seven kills and one block.

## Awards and honors

### Clubs

### College

* AVCA First Team All-American (2017)

## InfoBox

| Danielle Cuttino | |
| --- | --- |
| Cuttino in 2019 | |
| Personal information | |
| Full name | Danielle Amina Cuttino |
| Nationality | United States |
| Born | (1996-06-22) June 22, 1996 |
| Hometown | Indianapolis, Indiana |
| Height | 194 cm (6 ft 4 in) |
| Weight | 79 kg (174 lb) |
| Spike | 325 cm (128 in) |
| Block | 306 cm (120 in) |
| College / University | Purdue |
| Volleyball information | |
| Position | Middle Blocker/Opposite |
| Current club | LOVB Atlanta |
| Career | |
| Years Teams  2014–2017  Purdue  2018–2020  Casalmaggiore  2020–2022  Minas  2022–2023  Toyota Auto Body Queenseis  2023–2024  Galatasaray  2024–  LOVB Atlanta | |
| National team | |
| 2019–  United States | |
| Honours      Volleyball  Pan-American Cup  Representing the  United States  2019 Trujillo/Chiclayo   2021 Santo Domingo | |


title: Darigold

abstract: Northwest Dairy Association is an American dairy agricultural marketing cooperative. Headquartered in Seattle, Washington, it is owned by about 350 dairy farm members of the association located in Washington, Oregon, Idaho, and Montana.

text:
# Darigold

**Northwest Dairy Association** (formerly the **Northwest Dairymen's Association**; trading as **Darigold, Inc.**) is an American dairy agricultural marketing cooperative. Headquartered in Seattle, Washington, it is owned by about 350 dairy farm members of the association located in Washington, Oregon, Idaho, and Montana.

## History

The cooperative was founded in 1918 as the **United Dairymen's Association**, and it bought the **Consolidated Dairy Products Company** in 1930. A contest among dairy families produced the cooperative's brand name, "**Darigold**" in 1920. In 1999, the cooperative, in an effort to improve its marketing position, changed its name to **Northwest Dairy Association**, while changing the corporate name to **WestFarm Foods**. In 2006, the corporate name returned to **Darigold**. In 2010, the cooperative merged with the Montana dairy cooperative **Country Classic**. The co-op's annual sales are over $2.0 billion, and production is over 8,600,000,000 pounds (3.9×109 kg) of milk a year. In August 2003, Darigold locked out their union in one production facility. Workers in that facility continue to be represented by a union, as are employees in most Darigold production facilities.

In June 2021, Darigold announced plans to build a multi-million production facility in Pasco, Washington, that represents significant investment in climate-friendly modernization. In 2022, the co-op shared details of a leadership transition with Stan Ryan, its CEO of six years, announcing his retirement and Darigold executive Joe Coote named CEO.

47°35′35″N 122°18′33″W / 47.593043°N 122.309199°W / 47.593043; -122.309199

## InfoBox

Northwest Dairy Association
|
|  |
| Trade name | Darigold |
| Company type | Agricultural marketing cooperative |
| Industry | Agriculture |
| Founded | 1918 |
| Headquarters | Seattle, Washington, US |
| Area served | Washington, Oregon, Idaho, California, Utah, Nevada, and Hawaii |
| Website | darigold.com |


title: Dannenfels

abstract: Dannenfels is a municipality in the Donnersbergkreis district, in Rhineland-Palatinate, Germany.

text:
# Dannenfels

**Dannenfels** is a municipality in the Donnersbergkreis district, in Rhineland-Palatinate, Germany.

## InfoBox

| Dannenfels | |
| --- | --- |
| Municipality | |
|  | |
| Location of Dannenfels within Donnersbergkreis district | |
| Dannenfels Dannenfels | |
| Coordinates: 49°37′42.10″N 7°56′34.60″E / 49.6283611°N 7.9429444°E / 49.6283611; 7.9429444 | |
| Country | Germany |
| State | Rhineland-Palatinate |
| District | Donnersbergkreis |
| Municipal assoc. | Kirchheimbolanden |
| Government | |
| Mayor (201924) | Ernst Ludwig Huy |
| Area | |
| Total | 15.79 km2 (6.10 sq mi) |
| Elevation | 400 m (1,300 ft) |
| Population (2022-12-31) | |
| Total | 868 |
| Density | 55/km2 (140/sq mi) |
| Time zone | UTC+01:00 (CET) |
| Summer (DST) | UTC+02:00 (CEST) |
| Postal codes | 67814 |
| Dialling codes | 06357 |
| Vehicle registration | KIB |
| Website | www.dannenfels.de |


title: Danzig (region)

abstract: The Danzig Region was a government region, within the Prussian Provinces of West Prussia and Prussia. The regional capital was Danzig (Gdańsk). Prussian government regions were not bodies of regional self-rule of the districts and cities comprised, but shear top-to-down government agencies to apply federal or state law and supervise local entities of self-rules, such as municipalities, rural and urban districts.

text:
# Danzig (region)

The **Danzig Region** (Regierungsbezirk Danzig) was a *government region*, within the Prussian Provinces of West Prussia and Prussia. The regional capital was Danzig (Gdańsk). Prussian government regions were not bodies of regional self-rule of the districts and cities comprised, but shear top-to-down government agencies to apply federal or state law and supervise local entities of self-rules, such as municipalities, rural and urban districts.

## History

Polish westerly Royal Prussia was annexed by the easterly Kingdom of Prussia during the late 18th century Partitions of Poland, with the city of Danzig becoming part of the Prussian Kingdom in 1793. The territory was administered in the new province of West Prussia (1772-1829, 1878-1920) and the new Province of Prussia (1829-1878).

In 1815, after the Napoleonic Wars, West Prussia was divided into the Regions of Marienwerder and Danzig. While the governor and provincial authorities were based in Danzig, the provincial court was in the town of Marienwerder in West Prussia (Kwidzyn).

West Prussia was reorganised into districts (Kreise) within each government region from 1815–18. The Danzig Region included the urban districts (*Stadtkreise*) of Danzig and Elbing (Elbląg) (since 1874), as well as the rural districts of Berent, Danzig-Land, Elbing-Land, Karthaus, Marienburg, Neustadt, and Preußisch Stargard.

In 1887 a number of districts changed in the Danzig Region. The rural district of Danzig was divided into the rural districts of Danziger Höhe (Danzig Heights) and Danziger Niederung (Danzig Lowlands); the seats of each district were in the city of Danzig. Two more new districts were formed, the southern parts of the former Danzig District became part of the new Dirschau District. The northern areas of the Neustadt District were partitioned off to form the new Putzig.

As a result of World War I, the Treaty of Versailles allocated most of West Prussia to the Second Polish Republic, and the Danzig Region was dissolved in 1920. The city of Danzig and its environs became the Free City of Danzig. A few eastern areas of the Danzig Region remained in the Free State of Prussia in Weimar Germany, however. In 1920 the rural districts of Elbing and Marienburg in West Prussia as well as the city of Elbing were added to the truncated Marienwerder Region, which in 1922 was renamed as *West Prussia Region* for reason of tradition when it was transferred from the defunct Province of West Prussia to the Province of East Prussia.

## Districts

### Urban districts

Danzig formed an urban district from the beginning, Elbing reached that status in 1874 and was thus partitioned from Elbing Rural District, and several times enlarged on the expense of the surrounding rural district.

1. 1818-1920: Stadtkreis Danzig (Gdańsk); thereafter persisting as urban district within Free Danzig
2. 1874-1920: Stadtkreis Elbing (Elbląg); thereafter persisting till 1945 as an urban district in Germany

### Rural districts

The period when a district formed part of the Danzig Region is indicated by the years before the district names.

1. 1818-1920: Berent, seated in Berent in West Prussia (Kościerzyna);
2. 1818-1887: Danzig-Land, seat: Russoschin (till 1828), Praust (till 1845), then Danzig; partitioned into the new districts of Danzig Heights, Lowlands and Dirschau
3. 1887-1920: Danziger Höhe (Heights), seat: Danzig; the district persisted till 1939 as part of Free Danzig
4. 1887-1920: Danziger Niederung (Lowlands), seat: Danzig; the district persisted till 1939 as part of Free Danzig
5. 1772–1818, 1887-1920: Dirschau, seat: Dirschau (Tczew)
6. 1818-1920: Elbing-Land, seat: Elbing; persisting till 1945 as a rural district in Germany, with its area west of the Nogat ceded to the new Großes Werder district in Free Danzig
7. 1818-1920: Karthaus, seat: Carthaus/Karthaus in West Prussia (Kartuzy)
8. 1818-1920: Marienburg, seat: Marienburg (Malbork); persisting till 1945 as a rural district in Germany, with its area west of the Nogat ceded to Großes Werder district in Free Danzig
9. 1818-1920: Neustadt, seat: Neustadt (Wejherowo)
10. 1772-1920: Preußisch Stargard, seat: Preußisch Stargard (Starogard Gdański)
11. 1887-1920: Putzig, seated in Putzig (Puck); the district was partitioned from the Neustadt District, northern part

## Demographics

The Danzig region had a German majority population with significant minorities of Poles and Kashubians.

Ethnolinguistic Structure of Regierungsbezirk Danzig (1910)
| District (Kreis) | Polish name | Population | German | % | Polish / Kashubian / Bilingual | % |
| --- | --- | --- | --- | --- | --- | --- |
| Berent | Kościerzyna | 55,976 | 23,682 | 42.3% | 32,287 | 57.7% |
| Danziger Höhe | Gdańsk | 53,506 | 47,397 | 88.6% | 6,071 | 11.3% |
| Danziger Niederung | Gdańsk | 36,345 | 36,008 | 99.1% | 327 | 0.9% |
| Stadtkreis Danzig | Gdańsk | 170,337 | 164,343 | 96.5% | 5,521 | 3.2% |
| Landkreis Elbing | Elbląg | 38,611 | 38,558 | 99.9% | 48 | 0.1% |
| Stadtkreis Elbing | Elbląg | 58,636 | 58,330 | 99.5% | 248 | 0.4% |
| Karthaus | Kartuzy | 69,891 | 19,319 | 27.6% | 50,568 | 72.4% |
| Marienburg | Malbork | 62,999 | 61,050 | 96.9% | 1,924 | 3.1% |
| Neustadt | Wejherowo | 61,620 | 30,932 | 50.2% | 30,661 | 49.8% |
| Putzig | Puck | 26,548 | 7,970 | 30.0% | 18,561 | 69.9% |
| Preußisch Stargard | Starogard Gdański | 65,427 | 17,165 | 26.2% | 48,250 | 73.7% |
| Dirschau | Tczew | 42,723 | 27,865 | 65.2% | 14,846 | 34.7% |
| **Total** | **-** | **742,619** | **532,619** | **71.7%** | **209,312** | **28.2%** |

**Demographic evolution of the Danzig Region (1837-1910)**
| Year | Population | German | % | Polish / Kashubian / Bilingual | % |
| --- | --- | --- | --- | --- | --- |
| **1837** | 341,975 | 217,582 | 63.6% | 124,393 | 36.4% |
| **1852** | 417,108 | 266,001 | 63.8% | 151,107 | 36.2% |
| **1890** | 589,176 | 421,125 | 71.5% | 167,642 | 28.5% |
| **1900** | 665,988 | 477,589 | 71.7% | 187,578 | 28.2% |
| **1905** | 709,312 | 511,423 | 72.1% | 197,295 | 27.8% |
| **1910** | 742,619 | 532,619 | 71.7% | 209,312 | 28.2% |

## District presidents

Each of the nineteen *Regierungsbezirke* featured a non-legislative governing body called a *Regierungspräsidium* or *Bezirksregierung* (district government) headed by a *Regierungspräsident* (district president), concerned mostly with administrative decisions on a local level for districts within its jurisdiction.

* Georg Hassel. *Vollständige und neueste Erdbeschreibung der Preußischen Monarchie und des Freistaates Krakau*. Weimar, 1819, pp. 577–586 (online).
* H. Oelrichs. *Statistische Mitteilungen über den Regierungsbezirk Danzig*. Danzig, 1867 (online).

54°10′N 19°00′E / 54.17°N 19.0°E / 54.17; 19.0

## InfoBox

| Danzig Regierungsbezirk Danzig | |
| --- | --- |
| Region | |
| Country | Prussia (since 1871 part of Germany) |
| Province | West Prussia (till 1829 and after 1878)<br>Province of Prussia (1829-1878) |
| Seat | Danzig |


title: Pacific Maritime Association

abstract: The Pacific Maritime Association (PMA) is a non-profit organization based in San Francisco, California that represents employers of the shipping industry on the Pacific coast.

text:
# Pacific Maritime Association

The **Pacific Maritime Association** (**PMA**) is a non-profit organization based in San Francisco, California that represents employers of the shipping industry on the Pacific coast.

## Background

The Pacific Maritime Association was founded in 1949 as a non-profit corporation. It represented a merger of the Waterfront Employers Association (WEA) and the American Shipowners Association (ASA). Its principal business is to negotiate and administer labor agreements with the International Longshore and Warehouse Union (ILWU). PMA's 72 members are cargo carriers, terminal operators, and stevedores that operate along the U.S. West Coast.

In 1960, it negotiated the Mechanization and Modernization Agreement.

As of December 2012, PMA members employed nearly 14,000 registered longshore, clerk and foreman workers at 29 west coast ports in California, Oregon, and Washington, and thousands more “casual” workers, who typically work part-time. Since the 2002 agreement that brought the widespread use of technology to the West Coast, the registered workforce has increased by 32 percent.

In 2015, it negotiated a five-year contract with the ILWU.

## InfoBox

Pacific Maritime Association
| Abbreviation | PMA |
| --- | --- |
| Legal status | Trade Association |
| Headquarters | San Francisco, California |
| Region served | Pacific Coast |
| President & CEO | James C. McKenna |
| Main organ | Board of Directors |
| Website | pmanet.org |


title: Paige Williams (footballer)

abstract: Paige Louise Williams is an English football defender who played for Birmingham City Ladies in FA WSL in England. She previously played for both AGSM Verona, ACF Brescia in Italy and Everton L.F.C. in England. Williams has represented England on the under-15, under-17, under-19, under-20, and under-23 national teams. Williams has been in a relationship with MMA fighter Molly McCann.

text:
# Paige Williams (footballer)

**Paige Louise Williams** (10 March 1995) is an English football defender who played for Birmingham City Ladies in FA WSL in England. She previously played for both AGSM Verona, ACF Brescia in Italy and Everton L.F.C. in England.

Williams has represented England on the under-15, under-17, under-19, under-20, and under-23 national teams.

Williams has been in a relationship with MMA fighter Molly McCann.

## Honours

**Brescia**

**Everton**

**England**

* UEFA Women's Under-19 Championship - Runners Up 2013

**Birmingham City**

## InfoBox

Paige Williams
|  | | | |
| --- | --- | --- | --- |
| Personal information | | | |
| Full name | Paige Louise Williams | | |
| Date of birth | (1995-03-10) 10 March 1995 | | |
| Place of birth | Liverpool, England | | |
| Height | 1.74 m (5 ft 9 in) | | |
| Position(s) | Defender | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 2013–2014 | Everton | 10 | (0) |
| 2015–2016 | ACF Brescia | 14 | (5) |
| 2016–2017 | AGSM Verona | 7 | (3) |
| 2017–2019 | Birmingham City | 31 | (0) |
| International career | | | |
| 2010 | England U15 | 2 | (1) |
| 2010–2012 | England U17 | 13 | (5) |
| 2012–2013 | England U19 | 11 | (2) |
| 2014 | England U20 | 1 | (0) |
| 2014 | England U23 | 8 | (1) |
| \*Club domestic league appearances and goals, correct as of 19:40, 20 November 2018 (UTC+1)<br>‡ National team caps and goals, correct as of 10:44, 23 May 2017 (UTC) | | | |


title: Dark bolo mouse

abstract: The dark bolo mouse or dark-furred akodont is a species of rodent in the family Cricetidae. There are two subspecies; one is found in eastern and central parts of Buenos Aires Province, Argentina, and the other in coastal areas of southern Uruguay.

text:
# Dark bolo mouse

The **dark bolo mouse** or **dark-furred akodont** (***Necromys obscurus***) is a species of rodent in the family Cricetidae. There are two subspecies; one (ssp. *scagliarum*) is found in eastern and central parts of Buenos Aires Province, Argentina, and the other (ssp. *obscurus*) in coastal areas of southern Uruguay.

## Description

The dark bolo mouse is the largest species in the genus, with a head-and-body length of about 110 mm (4.3 in) and a tail length of 75 mm (3.0 in). The fur is fairly long and glossy. The dorsal surface is dark brown to brownish-black, the individual hairs having black bases and tips and pale central portions, giving the pelage an "agouti" appearance. The cheeks and flanks are tinged with orange or buff and the underparts are greyish, the hairs having yellowish tips. The tail is deep brown above and grey underneath, and the upper surfaces of the hands are dark, with dark fur mixed with some buff hairs on the feet.

## Distribution and habitat

The dark bolo mouse is found in two separate locations; the coastal region of southern Uruguay, and the inland and coastal regions of eastern Buenos Aires Province in Argentina. The fossil record shows that at one time it had a wider distribution in Argentina. Its habitat includes grassland and the verges of cultivated fields, moist areas near streams, and rocky areas in hilly country.

## Ecology

The dark bolo mouse is mainly diurnal and normally lives on the ground surface although it sometimes undertakes some burrowing activity. It is an omnivore and feeds on small invertebrates such as crickets and beetles, as well as plant material.

## Status

The dark bolo mouse has a fragmented area of distribution. It is fairly common where it does occur, but seems not to tolerate disturbance to the meadows areas where it lives. The International Union for Conservation of Nature has assessed its conservation status as being "near threatened".

## InfoBox

| Dark bolo mouse | |
| --- | --- |
| Conservation status | |
|
Least Concern  (IUCN 3.1) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Mammalia |
| Order: | Rodentia |
| Family: | Cricetidae |
| Subfamily: | Sigmodontinae |
| Genus: | *Necromys* |
| Species: | ***N. obscurus*** |
| Binomial name | |
| ***Necromys obscurus***
(Waterhouse, 1837) | |
|
| Synonyms | |
| *Bolomys obscurus*
(Waterhouse, 1837) | |


title: PSME1

abstract: Proteasome activator complex subunit 1 is a protein that in humans is encoded by the PSME1 gene.

text:
# PSME1

**Proteasome activator complex subunit 1** is a protein that in humans is encoded by the *PSME1* gene.

## Function

The 26S proteasome is a multicatalytic proteinase complex with a highly ordered structure composed of 2 complexes, a 20S core and a 19S regulator. The 20S core is composed of 4 rings of 28 non-identical subunits; 2 rings are composed of 7 alpha subunits and 2 rings are composed of 7 beta subunits. The 19S regulator is composed of a base, which contains 6 ATPase subunits and 2 non-ATPase subunits, and a lid, which contains up to 10 non-ATPase subunits. Proteasomes are distributed throughout eukaryotic cells at a high concentration and cleave peptides in an ATP/ubiquitin-dependent process in a non-lysosomal pathway. An essential function of a modified proteasome, the immunoproteasome, is the processing of class I MHC peptides. The immunoproteasome contains an alternate regulator, referred to as the 11S regulator or PA28, that replaces the 19S regulator. Three subunits (alpha, beta and gamma) of the 11S regulator have been identified. This gene encodes the alpha subunit of the 11S regulator, one of the two 11S subunits that is induced by gamma-interferon. Three alpha and three beta subunits combine to form a heterohexameric ring. Two transcripts encoding different isoforms have been identified.

## Interactions

PSME1 has been shown to interact with:

## Further reading

## InfoBox

| PSME1 | | | |
| --- | --- | --- | --- |
|  | | | |
| Available structures  PDB Ortholog search: PDBe RCSB | | | |
| Identifiers | | | |
| Aliases | PSME1, IFI5111, PA28A, PA28alpha, REGalpha, HEL-S-129m, proteasome activator subunit 1 | | |
| External IDs | OMIM: 600654; MGI: 1096367; HomoloGene: 4560; GeneCards: PSME1; OMA:PSME1 - orthologs | | |
|  | | | |
|  | | | |
|  | | | |
|  | | | |
| Orthologs  Species **Human** **Mouse**  Entrez   Ensembl   UniProt   RefSeq (mRNA)     NM\_176783
NM\_001281528
NM\_001281529
NM\_006263   NM\_011189   RefSeq (protein)     NP\_001268457
NP\_001268458
NP\_006254
NP\_788955   NP\_035319   Location (UCSC) Chr 14: 24.14 – 24.14 Mb Chr 14: 55.82 – 55.82 Mb  PubMed search | | | |
| Wikidata | | | |
| View/Edit Human View/Edit Mouse | | | |


title: Packerton, Indiana

abstract: Packerton is an unincorporated community in Clay Township, Kosciusko County, in the U.S. state of Indiana.

text:
# Packerton, Indiana

**Packerton** is an unincorporated community in Clay Township, Kosciusko County, in the U.S. state of Indiana.

## History

Packerton was laid out as a town in 1882 by John C. Packer, when the railroad was extended to that point. A post office was established at Packerton in 1881, and remained in operation until it was discontinued in 1926.

The community is the namesake of the Packerton Moraine.

Indiana State FFA Vice President Lindsey O'Hara served the Indiana FFA Association in 2014–2015.

## InfoBox

| Packerton, Indiana | |
| --- | --- |
| Unincorporated community | |
| PackertonPackerton | |
| Coordinates: 41°06′59″N 85°47′51″W / 41.11639°N 85.79750°W / 41.11639; -85.79750 | |
| Country | United States |
| State | Indiana |
| County | Kosciusko |
| Township | Clay |
| Elevation | 919 ft (280 m) |
| Time zone | UTC-5 (Eastern (EST)) |
| Summer (DST) | UTC-4 (EDT) |
| ZIP code | 46510 |
| GNIS feature ID | 440823 |