title: Seven Faces

abstract: Seven Faces is a 1929 American pre-Code drama film with fantasy elements that was released by Fox Film Corporation in the Fox Movietone sound-on-film system on December 1, 1929. Based upon the piece of short fiction "A Friend of Napoleon" which was published in the June 30, 1923, issue of The Saturday Evening Post magazine by popular writer Richard Connell, it was directed by Berthold Viertel and stars Paul Muni in his second screen appearance. Seven Faces is a lost film, with no excerpts from its footage known to exist.

text:
# Seven Faces

***Seven Faces*** is a 1929 American pre-Code drama film with fantasy elements that was released by Fox Film Corporation in the Fox Movietone sound-on-film system on December 1, 1929. Based upon the piece of short fiction "A Friend of Napoleon" which was published in the June 30, 1923, issue of *The Saturday Evening Post* magazine by popular writer Richard Connell (whose best known work, *The Most Dangerous Game*, was filmed three years later), it was directed by Berthold Viertel and stars Paul Muni in his second screen appearance. *Seven Faces* is a lost film, with no excerpts from its footage known to exist.

## Plot

A common convention in the early decades of newspaper and magazine film reviews was to describe in the write-up the entire storyline including, in a substantial number of instances, the ending, thus unintentionally enabling subsequent generations of readers to reconstruct a lost film's contents. True to form, those who evaluated *Seven Faces*, such as Mordaunt Hall of *The New York Times*, did go into considerable detail regarding plot twists, as related herein below.

Papa Chibou (Paul Muni), the elderly caretaker of Musée Pratouchy, a Parisian wax museum, feels a strong kinship with the figures, particularly with that of Napoleon. He spots at the waxworks a romantic young couple, Georges (Russell Gleason), a lawyer, and Helene (Marguerite Churchill), the daughter of a stern judge (Lester Lonergan) who disapproves of his daughter's choice and forbids her to see Georges. Papa Chibou suggests to them that they can still stay in touch, without disobeying her father's directive not to speak with each other, by placing secret personal messages in the pockets of Napoleon's uniform. However, a missing letter and confusion in communication causes Georges to arrive at the mistaken conclusion that Helene has redirected her affections towards a foolish young man (Walter Rogers), who is unworthy of her and excessively preoccupied with his stylish personal appearance and elegant clothing.

Seeing their lovers' quarrel, Papa Chibou attempts to mollify the heated language, but George and Helene rebuff his soothing words by telling him not to interfere, since as an old man he knows nothing of love. Saddened by this rejection, he dreamily imagines that seven of the museum's waxworks come to life and offer philosophical advice on the intricacies of courtship and love. Don Juan, the legendary 17th-century libertine, Napoleon (1769–1821), Franz Schubert (1797–1828), African American boxer Joe Gans (1874–1910), Willie Smith, a Cockney costermonger who became a music hall attraction after winning a lottery-auction known as Calcutta Sweepstakes and a Parisian hypnotist whose purported mastery of dark arts earned him the stage name Diablero (all portrayed by Muni) as well as Catherine the Great (1729–1796) (portrayed by Salka Stenermann) speak to Papa Chibou, each in his or her own unique manner and accent, providing insight and personal experience in their reflections on this very intimate topic.

The wax museum is unable to support itself and has to close. The owner, Monsieur Pratouchy (Gustav von Seyffertitz) puts the figures up for auction and Papa Chibou bids his life savings to acquire Napoleon, but is outbid. He then decides to take the waxwork and, while struggling to carry the heavy and unwieldy life-size figure in his arms through Paris streets, attracts public attention and is arrested for theft.

At his trial, the judge is Helene's father, while the defense attorney is Georges, the young romantic, who delivers an impassioned summation vividly describing how the defendant was overcome by patriotic fervor over Napoleon's victories and his contributions to the glory and grandeur of his beloved France. Although the judge finds Papa Chibou guilty, as required by law, he is so impressed that he suspends the punishment and contributes towards the purchase price of the figure which is given to Papa Chibou who then confesses that as an uneducated man he never knew that Napoleon had accomplished all those great deeds and that he simply formed a close attachment to him. "Then who did you think Napoleon was", he is asked. "A sort of murderer", he replies. At that point, as he straightens Napoleon's pockets, Papa Chibou discovers the overlooked letter which explains and resolves Georges' and Helene's misunderstanding, thus allowing the young lovers an opportunity to declare their true feelings, with her father's blessing.

## Cast

## Production details

The female lead, 18-year-old Marguerite Churchill, was also Muni's co-star, six months earlier, in his first film, Fox's *The Valiant*, although they were not cast as a romantic couple in either production. Their sole scene together in *The Valiant* comes at the end of the film and consists of an extended dialogue sequence in which condemned prisoner Muni, in reality Churchill's long-lost older brother, seeks to protect her and their mother, who was too infirm to make the long trip to the prison, from anguish at his execution by attempting to convince her that even though he is not who they may believe him to be, he does recollect, upon hearing her say the brother's name, witnessing his heroic final moments as a fellow soldier during the Great War.

Before filming started, the early working title for *Seven Faces* was *"Lover Come Back"* and a full color poster was created using that appellation, with a note stating "(Temporary Title)" appended directly underneath. Additionally, while the poster was already intended, even in the film's pre-production stage, to highlight, in fonts smaller than those reserved for Muni's billing, the name of second-billed ingenue Marguerite Churchill, the listing for her male counterpart, playing young lawyer Georges, is indicated beneath her name as Owen Davis, Jr., thus pointing out the fact that subsequent unspecified casting revisions led to the 22-year-old actor's replacement with another 22-year-old, Russell Gleason.

Impressed by Paul Muni's gift for characterization under makeup, which led a number of critics to designate him "a young Lon Chaney", Fox prepared another such vehicle for him — two years before MGM's opulent 1932 production, *Rasputin and the Empress*, with studio contractee Lionel Barrymore as "The Mad Monk", Muni was set to portray the character in a production, helmed by top director Raoul Walsh, with a title which intended to utilize another of Rasputin's nicknames, *The Holy Devil*. A full color poster, similar to the one for *Lover Come Back* *(Seven Faces)*, was produced, but creative disagreements between Muni and the studio caused him to cancel plans for any future projects with Fox. Going back to the Broadway stage, he starred in brief runs of *This One Man* (1930) and *Rock Me, Julie* (1931), as well as in the hit play, *Counsellor-at-Law* (1931–32 and 1932–33), with the in-between time enabling him to star in two 1932 hit films, Howard Hughes' *Scarface* and Warner Bros.' *I Am a Fugitive from a Chain Gang*. As an example of how prolific the output of actors who worked exclusively in film during this era could be, in the same four years (1929–32) that gave Muni the opportunity to complete four films, his co-star in two of those, Marguerite Churchill, had leading or co-starring roles in fourteen features and two comedy shorts.

## InfoBox

| Seven Faces | |
| --- | --- |
| Directed by | Berthold Viertel
Lester Lonergan (dialogue director) |
| Screenplay by | Dana Burnet |
| Based on | original story
by Richard Connell |
| Produced by | William Fox (president)
George E. Middleton (associate producer) |
| Starring | Paul Muni
Marguerite Churchill |
| Cinematography | Joseph H. August
Al Brick |
| Edited by | Edwin Robbins |
| Production
company | Fox Film Corporation |
| Distributed by | Fox Film Corporation |
| Release dates | * November 15, 1929 (1929-11-15) (New York City) * December 1, 1929 (1929-12-01) |
| Running time | 78 minutes |
| Country | United States |
| Language | English |


title: Post-congregational narrative

abstract: Post-congregational narrative is a term used by some who describe themselves as followers of Christ (Christians) to refer to the experience of intentionally pursuing their faith outside the traditional congregational setting. The word "narrative" in this sense refers to their stories or journeys, both individually and collectively. Likewise, "congregational narrative" had become a term that many of these people had used to describe traditional church life in their assertions that it wasn't necessarily the only way to follow Christ.

text:
# Post-congregational narrative

**Post-congregational narrative** is a term used by some who describe themselves as followers of Christ (Christians) to refer to the experience of intentionally pursuing their faith outside the traditional congregational setting. The word "narrative" in this sense refers to their stories or journeys, both individually and collectively. Likewise, "congregational narrative" had become a term that many of these people had used to describe traditional church life in their assertions that it wasn't necessarily the only way to follow Christ.

## Description

Adherents believe they are no less intentional about following Christ and connecting to other Christians, and in many cases, have created other ways of connecting, sometimes functioning over long distances through the internet. Some of the good works of the traditional congregation are replicated in these more loose associations. Meetings, when they occur are more often impromptu. They also claim that personal relationships are the starting point of their connection to the church, rather than personal relationships being a product of a connection with a traditional congregation.

Historically, the church has been doubtful of the possibility of being a follower of Christ and not connecting to a community of believers. This begins with the biblical injunction "Let us not give up meeting together, as some are in the habit of doing" (Hebrews 10:25). The Nicene Creed, makes the statement "I believe in one, holy catholic, apostolic church." Cyprian of Carthage's well known phrase Extra Ecclesiam nulla salus and the thought "he cannot have God for his father who has not the church for his mother" both combine to make the same point. More recently Lesslie Newbigin said "The New Testament knows nothing of a relationship with Christ which is purely mental and spiritual, unembodied in any of the structures of human relationship."

There is some overlap between people identifying with the post-congregational narrative and other movements, especially the emerging church and what gets loosely referred to as "post-modern" Christianity. Some shared areas of concern between these two groups are spiritual transformation, community, social justice and the environment. Many of these Christians have grown up in theologically conservative evangelical churches that were also politically conservative and have concluded that the former kind of conservatism does not necessarily require the latter.

Some authors who have struck a nerve in this community are Dallas Willard, author of *The Divine Conspiracy* and *Renovation of the Heart*; George Barna, author of *Revolution*; Wayne Jacobsen, co-author of *So You Don't Want to Go to Church Anymore* and Jim Wallis, author of *God's Politics: Why the Right Gets It Wrong and the Left Doesn't Get It*.

## Selected articles

## Selected publications

* Jamieson, Alan. *A Churchless Faith.* London: SPCK, 2002.
* Jamieson, Alan et al. *Church Leavers: Faith Journeys Five Years On.* London: SPCK, 2006.
* Colsen, Jake. *So You Don't Want to Go to Church Anymore.* Moorpark, CA: Lifestream Press, 2006.

1. Lesslie Newbigin *The Finality of Christ* (London: SCM, 1969) 106


title: The Scenics

abstract: The Scenics are a band from Toronto, Ontario, Canada, active from 1976 to 1982, and from 2008 to the present.

text:
# The Scenics

**The Scenics** are a band from Toronto, Ontario, Canada, active from 1976 to 1982, and from 2008 to the present.

## History 1976-1982

The Scenics were among the first Toronto punk bands, started when Ken Badger answered Andy Meyers music store ad in July 1976. Their style incorporates punk rock, post-punk, and art punk and features compositions by both Meyers and Badger.

"The most creative, the most original, and the most daring band in that original Toronto scene" Colin Brunton, director, The Last Pogo.

"These underground icons merged Television's guitar work, Big Star's pop prowess, Pere Ubu's dementia, & the Ramones’ urgency.” Jonathon Cummins, Montreal Mirror

Their first two shows, with drummer Mike Cusheon, were in December 1976 and May 1977, both for audiences of young teens. When Cusheon left in spring 1977, Andy's High School friend Mark French agreed to play drums on a studio demo. French later went on to record and tour with Canadian Roots Music band Blue Rodeo.

The trio recorded 10 originals at Mushroom Sound, in Toronto's Annex, a four track studio run by Barry Steinburg. In 2016, five of these recordings were released on the LP “In The Summer: Studio recordings 1977/78”.

### First Lineup

After finishing this recording, an ad placed in a music store found them drummer Brad Cooper, who stayed in the band till 1980. They began practicing four nights a week, a habit that would continue throughout that time.

In the summer of 1977, Meyers dropped off a cassette for promoter Gary Topp at the New Yorker Theatre. The New Yorker was a rep cinema, and Gary and his partner Gary Cormier ("The Garys") had recently built a stage and begun to book bands, including the Ramones. Topp was excited by their recording and booked the Scenics to open for Talking Heads at The New Yorker on September 16, 1977.

The Scenics began to play shows around town in August- at the Beverly Tavern, David's Discotheque, and a private party for a film producer. After the Talking Heads show, the Scenics returned to Mushroom Sound to record 6 songs with drummer Cooper's more robust style. Three of these songs were later released on “In The Summer”.

The Scenics continued to play shows at Toronto Punk venues. They played with the Viletones, Simply Saucer, The Demics, The Government, Telephone (punk from France) among others. In the spring of 1978 a live set and interviews were filmed for “Mystery Train”, a 30 minute Cable TV show. In the summer of 1978 The Scenics opened for The Troggs. In the fall of 1978 they recorded six songs at Kincke Sound, an 8 track studio. Four of these surfaced on “In The Summer”.

#### The Last Pogo

In December 1978 The Scenics played “The Last Pogo”, two nights that marked the end of promoters “The Garys” run at the Horseshoe Tavern. The first night was filmed by Colin Brunton, and both nights were recorded by Toronto label Bomb Records. Brunton's 30 minute film “The Last Pogo”, featuring footage of seven bands from the concert (The Scenics perform Badger's “I Wanna Touch”) as well as interview footage, was premiered in September 1979 at a Toronto concert by The Gang of Four and the Buzzcocks. A live album of “The Last Pogo’, produced by Keith Elshaw, came out on Bomb Records in 1979. Two Scenics songs, “I Killed Marx”, and “In The Summer” are featured.

In March 1979 The Scenics went into Comfort Sound to record their first LP, produced by Elshaw. They recorded 10 originals and two covers. Seduced by hearing more fleshed-out arrangements recorded in an eight track studio, The Scenics decided to add a second guitarist. Mike Young, who they had played with once very early in their run, joins the band.

### Second Lineup

In January 1980 Brad Cooper leaves. Mark Perkell, who Meyers first played music with when they were 14, comes in on drums. Young switches to bass and Badger and Meyers become full-time guitarists.

#### First LP and 45

In the summer of 1980 the “Underneath the Door” LP comes out on Bomb Records. Young, dissatisfied with playing bass, quits. Ken Fox, later of Jason and the Scorchers and now longtime Fleshtones bassist, comes in. In September The Scenics take part in the “Bomb Tour 80”. Over a series of weekends 4 bands play one nighters at eight universities throughout southern Ontario. Many of these are the first “Punk” shows booked in these venues.

In October 1980 the Scenics go into Captain Audio studio and record 6 songs. Two of them, Meyers’ “Karen” and Badger's “See Me Smile”, are pressed onto a 45 on their own "Scenic Route" label. Most of the other songs recorded have been lost. The "Karen/See Me Smile" 45 comes out in early 1981. By then Ken and his wife are living three hours out of Toronto, where she is working as a teacher. The Scenics continue to write songs and play shows in Toronto, London Ontario, and Buffalo NY, but with the Badgers starting a family, the band breaks up in the fall of 1981. They get together and do one last set opening for Ken Fox's band The Raving Mojos in the spring of 1982.

With Ken Badger raising his family north of Toronto, and Andy Meyers soon married and with children of his own, Ken and Andy remain in very sporadic contact, especially when Andy and his family move to Canada's West Coast in 1988.

## History- 2007-Present

In 2007 Ken Badger mails a dozen Scenics cassettes recorded live and in rehearsal in the late 70s to Meyers in British Columbia. (The Scenics have 300 hours of live and basement recordings that had remained in Ken's possession.) Meyers hadn't heard the Scenics for years. He played through several of the tapes one weekend and was moved by what he heard. Badger and he started talking on the phone. In 2008, The Scenics released a CD of 1977-1981 live material called "How Does It Feel to Be Loved? The Scenics play the Velvet Underground". The album was distributed by Scratch and Sonic Unyon and made the top 30 in National Canadian Campus radio, and “Year's Best” lists in the Village Voice and Detroit Metro Times, among others. The group reformed with Mark Perkell on drums and Mike Young on bass and played their first show in 26 years at the Horseshoe Tavern, opening for Carla Bozulich in April 2008. They played another handful of shows around a NXNE festival show in June of that year. The NXNE film festival ended with double bill of “The Last Pogo” film (first screening since 1979) & Scenics’ “Waiting for my Man” video (by Quebecois filmmaker Chet Lebeaux).

In September 2008 "The Last Pogo" film (featuring Toronto bands the Scenics, Viletones, Teenage Head, the Ugly, Cardboard Brains, Mods and the Secrets) is released on DVD by the Scenics’ label Dream Tower Records. The “Special Feature” is 7 unreleased Scenics performances on video from the “Mystery Train” filming of 1978.

In December 2008 The Scenics played at the Last Pogo's 30th anniversary at the Horseshoe Tavern with several other bands. The event is filmed by Colin Brunton. As well, the band went into #9 Studio and recorded 14 songs.

In October 2009, the band released another compilation from their vaults, "Sunshine World (Studio Recordings 1977-78)" on CD. The CD had limited distribution, but to promote the release the band performed dates in Ontario and Quebec.\[4\] “Do The Wait” was pulled from the album to be featured in May 2010's Protopunk themed cover CD from the UK music mag UNCUT, along with music by the New York Dolls, MC5, The Flamin’ Groovies and the Stooges.

### Dead Man Walks Down Bayview

In 2012 the 2008 recordings from #9 Studio were finished and released on LP as Dead Man Walks Down Bayview on DreamTower Records. The album featured songs written over the last 20 years, including 5 that the Scenics had often played live in 1980 and 81.The band got together for shows in Southern Ontario and Quebec.

In 2013 directors Colin Brunton and Kire Papputts release “The Last Pogo Jumps Again” a full length doc on the Toronto punk scene then and now. Badgers’ song “O Boy” is featured, as well as interviews with Badger and Meyers.

In 2014 the CD “Talking Songs” is released by “Scattered Bodies” (Andy Meyers with composer/vocalist Susheela Dawne and celebrated poet, Brian Brett). Funded by a Canada Council for the Arts grant, the album sets Brett's texts to music. The musical beds were created by Meyers from a wide array of samples pulled from Scenics cassettes 1976-81. The album is recorded at Meyers' Allowed Sound Studio, which he opened in 1999.

### In The Summer

Dissatisfied with the sound of 2009's Sunshine World CD, The Scenics remaster that material with BC Producer Joby Baker, who had mixed “Dead Man” and mastered “How Does It Feel”. In 2016 the refurbished tracks are released as the “In The Summer: Studio Recordings 1977/78” LP by Rave Out in Europe, and DreamTower, distributed by Light In The Attic, in North America.

The Scenics reconvene in Toronto in July 2016 to celebrate this release with dates in Canada and the US. However, their Visa is delayed and they are unable to play half a dozen shows in the US. Instead, they go into Toronto's Baldwin Sound and record seven songs. The shows are re-booked for the fall. The Scenics decide to go out as a trio, revisiting their first, more open ended sound, and tour Buffalo, Beacon NY, New York City, Jersey City NJ, Boston, Montreal, Detroit, Chicago, and Cleveland. Meyers then flies back to the west coast and does four solo shows in Seattle, Eugene, Ashland, and Portland.

In 2019 Meyers writes music included in the soundtrack for the documentary “Dosed”.

In Mar 2021 Meyers releases “Deeper Into the Forest”, an album that sets poet/publisher Diana Hayes' performances to his music, with wordless vocals by Susheela Dawne.

In Spring 2022 Meyers releases “Bones”, an album of post rock ambient music he creates with Simon Millerd, pianist/trumpeter from Montreal.

In 2023 “In The Summer” is picked up for distribution by Supreme Echo Records in Canada and Revolver/Midheaven in the USA.

## Members

Andy Meyers (guitar, bass, vocals, sax, keyboards, songwriter)

Ken Badger (guitar, bass vocals, songwriter)

Mark Perkell (drums from 1980 on.)

### Former members

Mike Young

Ken Fox

Brad Cooper

Mark French

Mike Cusheon

## Discography

### Albums

*Underneath the Door* (LP 1980, Bomb/Rio Records)

*How Does It Feel to Be Loved? The Scenics Play the Velvet Underground* (CD 2008, Dream Tower Records)

*Sunshine World - Studio Recordings 1977-78* (CD 2009, Dream Tower Records)

*Dead Man Walks Down Bayview* (LP/CD/Digital 2012, Dreamtower Records)

*In The Summer- Studio Recordings 1977-78* (LP/CD/Digital 2016, Dream Tower Records and Rave Up Records)

### Singles

*Karen b/w See Me Smile* (1981, Scenic Route Records)

### Compilations

*And Now Live from Toronto The Last Pogo* (LP 1979, Bomb Records)

#### Albums by Andy Meyers

*Talking Songs* (Scattered Bodies, CD/Digital 2014, Dream Tower Records)

*Deeper Into The Forest* (Diana Hayes/Andy Meyers, CD/Digital 2021, Dream Tower Records)

*Bones* (Millerd Meyers, CD/Digital 2022, Dream Tower Records)

## InfoBox

| The Scenics | |
| --- | --- |
| The Scenics on stage in Hamilton, Ontario
April 2008 | |
| Background information | |
| Origin | Toronto, Ontario, Canada |
| Genres | post punk, art rock |
| Years active | 1976–1982
2008–present |
| Labels | Dream Tower |
|  | |
| Members | Andy Meyers
Ken Badger
Mark Perkell |
|  | |
| Website | www.thescenics.bandcamp.com |


title: Pleocoma fimbriata

abstract: Pleocoma fimbriata is a species of rain beetle in the family Pleocomidae. It is found in North America.

text:
# Pleocoma fimbriata

***Pleocoma fimbriata*** is a species of rain beetle in the family Pleocomidae. It is found in North America.

## Further reading

* Lobl, I.; Smetana, A., eds. (2006). *Catalogue of Palaearctic Coleoptera, Volume 3: Scarabaeoidea - Scirtoidea - Dascilloidea - Buprestoidea - Byrrhoidea*. Apollo Books. ISBN 978-90-04-30914-2.

## InfoBox

| *Pleocoma fimbriata* | |
| --- | --- |
|  | |
| *Pleocoma fimbriata*, California | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Pleocomidae |
| Genus: | *Pleocoma* |
| Species: | ***P. fimbriata*** |
| Binomial name | |
| ***Pleocoma fimbriata***<br>Leconte, 1856 | |
|


title: Dahanu Thermal Power Station

abstract: Dahanu Thermal Power Station (DTPS) is a coal based thermal power plant located at coastal Dahanu town in Palghar district in the Indian state of Maharashtra It was constructed by BSES Limited. The power plant operated by Adani Electricity is located on Mumbai-Ahmedabad rail line and is 120 km away from Mumbai and 20 km away from Mumbai-Ahmedabad-Delhi National Highway 8 (India).

text:
# Dahanu Thermal Power Station

**Dahanu Thermal Power Station** (**DTPS**) is a coal based thermal power plant located at coastal Dahanu town in Palghar district in the Indian state of Maharashtra It was constructed by BSES Limited (now Reliance Infrastructure). The power plant operated by Adani Electricity is located on Mumbai-Ahmedabad rail line and is 120 km away from Mumbai and 20 km away from Mumbai-Ahmedabad-Delhi National Highway 8 (India).

## Capacity

It has an installed capacity of 500 MW (2x250 MW). The power plant was commissioned in 1995 and is commercially producing power since 1996.

| Unit No. | Capacity | Commissioned on | Status |
| --- | --- | --- | --- |
| 1 | 250 MW | 1995 January | Running |
| 2 | 250 MW | 1995 March | Running |
|

19°57′16″N 72°44′54″E / 19.9545°N 72.7484°E / 19.9545; 72.7484


title: Pomaderris myrtilloides

abstract: Pomaderris myrtilloides is a species of flowering plant in the family Rhamnaceae and is endemic to near-coastal areas of southern Western Australia. It is an erect shrub with many branches, narrowly egg-shaped elliptic or wedge-shaped leaves with the narrower end towards the base, and cream-coloured to pale pink flowers.

text:
# Pomaderris myrtilloides

***Pomaderris myrtilloides*** is a species of flowering plant in the family Rhamnaceae and is endemic to near-coastal areas of southern Western Australia. It is an erect shrub with many branches, narrowly egg-shaped elliptic or wedge-shaped leaves with the narrower end towards the base, and cream-coloured to pale pink flowers.

## Description

*Pomaderris myrtilloides* is an erect shrub that typically grows to a height of 0.3–2 m (1 ft 0 in – 6 ft 7 in). The leaves are elliptic, wedge-shaped, or egg-shaped with the narrower end towards the base, 10–26 mm (0.39–1.02 in) long and 7–15 mm (0.28–0.59 in) wide with narrowly triangular stipules 1–4 mm (0.039–0.157 in) long at the base but that fall off as the leaf develops. The upper surface of the leaves is more or less glabrous and the lower surface is covered with minute, star-shaped hairs. The flowers are cream-coloured to pale pink and are borne in groups 15–35 mm (0.59–1.38 in) wide, each flower on a pedicel 3–8 mm (0.12–0.31 in) long. The sepals are 2–3 mm (0.079–0.118 in) long and the petals narrowly lance-shaped and 1.3–2 mm (0.051–0.079 in) long. Flowering mainly occurs from July to October and the fruit is an oval capsule 4.0–4.5 mm (0.16–0.18 in) long.

## Taxonomy

*Pomaderris myrtilloides* was first formally described in 1837 by Eduard Fenzl in *Enumeratio plantarum quas in Novae Hollandiae ora austro-occidentali ad fluvium Cygnorum et in sinu Regis Georgii collegit Carolus Liber Baro de Hügel* from specimens collected by Ferdinand Bauer. The specific epithet (*myrtilloides*) means "myrtillus-like", referring to a similarity to *Vaccinium myrtillus*.

## Distribution and habitat

This pomaderris grows in near-coastal vegetation on limestone ridges or deep sand on dunes between Albany and Eucla in the south of Western Australia.

## Conservation status

*Pomaderris myrtilloides* is listed as "not threatened" by the Government of Western Australia Department of Biodiversity, Conservation and Attractions.

## InfoBox

| *Pomaderris myrtilloides* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Rosids |
| Order: | Rosales |
| Family: | Rhamnaceae |
| Genus: | *Pomaderris* |
| Species: | ***P. myrtilloides*** |
| Binomial name | |
| ***Pomaderris myrtilloides***<br>Fenzl | |
|


title: Pleurobema troschelianum

abstract: Pleurobema troschelianum, the Alabama clubshell, was a species of freshwater mussel, an aquatic bivalve mollusk in the family Unionidae, the river mussels. This species was endemic to the United States. It is now extinct.

text:
# Pleurobema troschelianum

***Pleurobema troschelianum***, the **Alabama clubshell**, was a species of freshwater mussel, an aquatic bivalve mollusk in the family Unionidae, the river mussels.

This species was endemic to the United States. It is now extinct.

## InfoBox

| *Pleurobema troschelianum* | |
| --- | --- |
| Conservation status | |
|
Extinct  (IUCN 2.3) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Bivalvia |
| Order: | Unionida |
| Family: | Unionidae |
| Genus: | *Pleurobema* |
| Species: | ***P. troschelianum*** |
| Binomial name | |
| ***Pleurobema troschelianum***
(I. Lea, 1852) | |
|


title: Carposina euphanes

abstract: Carposina euphanes is a moth in the Carposinidae family. It was described by John David Bradley in 1956. It is found on Lord Howe Island in the Tasman Sea.

text:
# Carposina euphanes

***Carposina euphanes*** is a moth in the Carposinidae family. It was described by John David Bradley in 1956. It is found on Lord Howe Island in the Tasman Sea.

Carposinidae genus list at *Butterflies and Moths of the World* of the Natural History Museum

## InfoBox

| *Carposina euphanes* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Carposinidae |
| Genus: | *Carposina* |
| Species: | ***C. euphanes*** |
| Binomial name | |
| ***Carposina euphanes***<br>Bradley, 1956 | |
|


title: Pasi Patokallio

abstract: Pasi Patokallio is a Finnish diplomat. He has served as the Ambassador of Finland to Israel, Canada and Australia, and led Finland's campaign for a seat on the United Nations Security Council in 2012. An expert on arms proliferation, Patokallio served as the Director for Arms Control and Disarmament at the Finnish Ministry for Foreign Affairs, the Chairperson of the 2nd Biennial Meeting of States for the United Nations Conference on the Illicit Trade in Small Arms, the Chairman of the Nuclear Suppliers Group and the Chair of two sessions of the Preparatory Committee of the Nuclear Non-Proliferation Treaty. Patokallio was a candidate to head the United Nations Monitoring, Verification and Inspection Commission (UNMOVIC) weapons inspection organisation in Iraq, a role that eventually went to Swedish diplomat Hans Blix. He is also a noted critic of the Ottawa Treaty banning anti-personnel mines, which Finland joined in 2012 during the presidency of Tarja Halonen. Patokallio argues that given Finland's lengthy border with Russia, unilaterally signing the treaty when Russia did not caused “irreparable harm” to Finland's defence posture.

text:
# Pasi Patokallio

**Pasi Patokallio** (born 29 September 1949) is a Finnish diplomat. He has served as the Ambassador of Finland to Israel, Canada and Australia, and led Finland's campaign for a seat on the United Nations Security Council in 2012.

An expert on arms proliferation, Patokallio served as the Director for Arms Control and Disarmament at the Finnish Ministry for Foreign Affairs, the Chairperson of the 2nd Biennial Meeting of States for the United Nations Conference on the Illicit Trade in Small Arms, the Chairman of the Nuclear Suppliers Group and the Chair of two sessions of the Preparatory Committee of the Nuclear Non-Proliferation Treaty. Patokallio was a candidate to head the United Nations Monitoring, Verification and Inspection Commission (UNMOVIC) weapons inspection organisation in Iraq, a role that eventually went to Swedish diplomat Hans Blix.

He is also a noted critic of the Ottawa Treaty banning anti-personnel mines, which Finland joined in 2012 during the presidency of Tarja Halonen. Patokallio argues that given Finland's lengthy border with Russia, unilaterally signing the treaty when Russia did not caused “irreparable harm” to Finland's defence posture.


title: Vesterbrogade

abstract: Vesterbrogade is the main shopping street of the Vesterbro district of Copenhagen, Denmark. The 1.5 km long street runs from the City Hall Square in the east to Pile Allé in Frederiksberg in the west where it turns into Roskildevej. On its way, it passes Copenhagen Central Station as well as the small triangular square Vesterbros Torv. It is one of four such -bro streets, the other being Nørrebrogade, Østerbrogade and Amagerbrogade.

text:
# Vesterbrogade

**Vesterbrogade** (Danish pronunciation: \[vestɐˈpʁoˌkɛːðə\]) is the main shopping street of the Vesterbro district of Copenhagen, Denmark. The 1.5 km long street runs from the City Hall Square in the east to Pile Allé in Frederiksberg in the west where it turns into Roskildevej. On its way, it passes Copenhagen Central Station as well as the small triangular square Vesterbros Torv. It is one of four such *-bro streets*, the other being Nørrebrogade, Østerbrogade and Amagerbrogade.

## History

### Early history

Vesterbroghade originates in the 12th-century country road that led in and out of Copenhagen's Western City Gate. The road passed Sankt Jørgens Bæk (St. George's Stream) on its way to Valby and often changed course. On 20 August 1624, Christian IV ordered that the road be cobbled, first to Vernedamsvej and later all the way to Valby. The road was at this point called Alvejen "The Public Road"= or Adelvejen ("The Nobility Road") but in 1650 the name was changed to Roskildegaden ("The Roskilde Street").

Only buildings that could easily be burned down in the event of an enemy attack could be built outside the city's fortification ring and buildings along the road were therefore limited to a few inns and windmills until the middle of the 19th century when the city's old fortifications were finally decommissioned. It is one of four such *-bro streets*.

### 19th-century urbanization

New buildings began to appear long the street in the 1850s. The Bing & Grøndahl porcelain manufactury opened on the street in 1853,

In 1857, the Western City Gate was demolished and the road was widerned considerably at the site which became known as Vesterports Hab ("The West Gate's Gap"). In 186667, Vesterbrogade was extended in a straight line from Tivoli to the Haymarket (now City Hall Square). The first section of the street, between the City Hall Square and the new Central Station, was laid out as a broad, tree-lined promenade. Among the buildings that were built along it, including Industriforeningen's new Exhibition Building from 1872 and National Scala from 1882.

### 20th century

At the turn of the 20th century, Vesterbros Passage was the backbone in a westward expansion of Copenhagen's city centre. Most of the old buildings were replaced by new and larger ones over the course of the next decades.

## Notable buildings and residents

### City Centre: Vesterbros Passage

Industriens Hus is the headquarters of the Confederation of Danish Industries. An expansion and complete make-over of the building was completed in 2013. Next to the building is the main entrance of Tivoli Gardens. Saxo Towers, a mixed-use complex consisting of four interconnected cylinders, is currently under construction on the other side of the street. Axelborg, originally a bank building, now contains the headquarters of the Danish Agriculture and Food Council. The former SAS Royal Hotel, now operated by Radison Blu, was designed by Arne Jacobsen. His Egg and Swan chairs were designed for the building. AArbejdernes Landsbank has their headquarters in the so-called Panoptikon Building at No. 5.

### Vesterbro: Vester Farimagsgade to Platanvej

The small Savoy Hotel (No. 34), also known as Løvenborg, is one of the earliest examples of the Art Nouveau style in Copenhagen. The building was designed by Anton Rosen who a few years later also designed the two buildings that flank thDet Ny Teater (No. 4042) in the same style. The Association of Danish Law Firms is based at No. 32.

The Royal Copenhagen Shooting Society's former main building at No. 59 is from 1780s. It now houses the Museum of Copenhagen.

A passageway in No. 65-67 opens the street Westend.

The former Vesterbro Pharmacy (No. 72A) was built in 1853 to design by P.C. Hagemann. It also comprises two buildings in the courtyard from 1883. One of them, a former laboratory building, now contains the cocktail bar Lidkoeb.

Sorte Hest (No. 148A) is the only surviving inn of the "four horses". The building is from 1771.

The buildings at No. 144 is the former Tvedes Bryggeri, a brewery founded in 1852. The two buildings facing the street are from the 1880s and were listed in 1980 while the production buildings to the rear are not listed.

### Frederiksberg: Platanvej to Pile Allé

Bing & Grøndahl's former premises (No. 149), now called Bing's, has been converted into an office complex. It consists of 12 buildings and has a total floor area of approximately 35,000 square metres. It is owned by Aberdeen Asset Management and was most recently renovated in 2015.

## Public art

The Liberty Memorial dates from 1797 and commemorates the abolishment of "Stavnsbåndet". Ole Christensen's sculpture The Flower of Vesterbro from 1990 stands on the corner of Vesterbrogade and Helgolandsgade.

55°40′18″N 12°32′48″E / 55.67167°N 12.54667°E / 55.67167; 12.54667

## InfoBox

Vesterbrogade
|  | |
| --- | --- |
| Length | 2,450 m (8,040 ft) |
| Location | Copenhagen, Denmark |
| Quarter | Vesterbro |
| Postal code | 1620, 1800 |
| Nearest metro station | Copenhagen Central Station |
| Coordinates | 55°40′18″N 12°32′48″E / 55.67167°N 12.54667°E / 55.67167; 12.54667 |
| East end | City Hall Square |
| Major<br>junctions | Enghavevej |
| West end | Roskildevej |


title: Verneda Rodriguez

abstract: Verneda G. Rodriguez McLean was an American aviator and served in the Women Airforce Service Pilots (WASP) during World War II. She is the first WASP to be buried with full military honors in Arlington National Cemetery.

text:
# Verneda Rodriguez

**Verneda G. Rodriguez McLean** (January 11, 1918 – March 19, 1982) was an American aviator and served in the Women Airforce Service Pilots (WASP) during World War II. She is the first WASP to be buried with full military honors in Arlington National Cemetery.

## Biography

Rodriguez McLean was born in a South Chicago *colonia* on January 11, 1918 to Danish and British Guyanese parents. Rodriguez McLean attended a teacher's college in Chicago after she graduated high school.

Rodriguez McLean began flying in the summer of 1943. Prior to joining the Women Airforce Service Pilots (WASP) in 1944, she worked as a meteorologist at the Chicago Municipal Airport. She graduated in WASP class 44-W-6. She was assigned to Moore Field in Mission, Texas after her WASP graduation where she worked towing flight targets. After the WASP was disbanded in December 1944, she went back to Chicago where she again worked in the weather service for some time. Later, she was hired to do data analysis on aircraft accidents at Langley. It was at Langley where she met and later married her husband, Edward Ridley McLean, who had also been a pilot in WWII. She traveled the world with her husband and became a proficient Oriental brush painting artist, showing her work in the United States. In the 1970s, she worked to fight for veterans rights for former WASP pilots.

Rodriguez McLean died on March 19, 1982. She was the first WASP to be buried in Arlington National Cemetery.

### Sources


title: Ricaurte Municipality

abstract: The Ricaurte Municipality is one of the nine municipalities (municipios) that makes up the Venezuelan state of Cojedes and, according to the 2011 census by the National Institute of Statistics of Venezuela, the municipality has a population of 12,657. The town of Libertad is the municipal seat of the Ricaurte Municipality. The municipality is named for Venezuelan independence hero Antonio Ricaurte.

text:
# Ricaurte Municipality

The **Ricaurte Municipality** is one of the nine municipalities (municipios) that makes up the Venezuelan state of Cojedes and, according to the 2011 census by the National Institute of Statistics of Venezuela, the municipality has a population of 12,657. The town of Libertad is the municipal seat of the Ricaurte Municipality. The municipality is named for Venezuelan independence hero Antonio Ricaurte.

## Demographics

The Ricaurte Municipality, according to a 2007 population estimate by the National Institute of Statistics of Venezuela, has a population of 12,340 (up from 10,883 in 2000). This amounts to 4.1% of the state's population. The municipality's population density is 13.64 inhabitants per square kilometre (35.3/sq mi).

## Government

The mayor of the Ricaurte Municipality is Ramón A Peralta Ruíz, elected on October 31, 2004, with 54% of the vote. He replaced Violeta Montoya shortly after the elections. The municipality is divided into two parishes; Libertad de Cojedes and El Amparo.

## InfoBox

| Ricaurte Municipality Municipio Ricaurte | |
| --- | --- |
| Municipality | |
|  | |
| Location in Cojedes | |
| Ricaurte MunicipalityLocation in Venezuela | |
| Coordinates: 9°17′16″N 68°39′05″W / 9.2878°N 68.6514°W / 9.2878; -68.6514 | |
| Country | Venezuela |
| State | Cojedes |
| Municipal seat | Libertad de Cojedes\[\*\] |
| Government | |
| Mayor | Ramón A Peralta Ruíz (MVR) |
| Area | |
| Total | 754.5 km2 (291.3 sq mi) |
| Population (2011) | |
| Total | 12,657 |
| Density | 17/km2 (43/sq mi) |
| Time zone | UTC−4 (VET) |
| Area code(s) | 0258 |
| Website | Official website |
| \[edit on Wikidata\] | |


title: 1945–46 FC Basel season

abstract: The FC Basel 1945–46 season was the fifty-third season since the club's foundation on 15 November 1893. FC Basel played their home games in the Landhof in the district Wettstein in Kleinbasel. Emil Junker was the club's chairman. It was his second year as president of the club.

text:
# 1945–46 FC Basel season

The **FC Basel 1945–46 season** was the fifty-third season since the club's foundation on 15 November 1893. FC Basel played their home games in the Landhof in the district Wettstein in Kleinbasel. Emil Junker was the club's chairman. It was his second year as president of the club.

## Overview

Max Barras was first team manager for the second season. Basel played a total of 42 games in their 1945–46 season. Of these 26 in the Nationalliga B, three in the Swiss Cup and 13 were test games. The test games resulted with seven victories, one draw and five defeats. In total, they won 28 games, drew six and lost eight times. In total, including the test games and the cup competition, they scored 141 goals and conceded 55.

Basel had suffered relegation the previous season and their clear aim was to obtain immediate promotion. The Nationalliga B was contested by 14 teams. The two teams that finished at the top of the division were to be promoted and the two teams that finished in last and second last position in the league table would be relegated. Basel played a good season, winning 19 league matches, drawing five, losing only two matches. Thus they ended the season with 43 points in 1st position four points ahead of Urania Genève Sport in 2nd position and these two clubs won promotion.

In the Swiss Cup Basel started in the 3rd principal round with an away tie against lower tier local side SC Schöftland this ended with a 5–1 victory. In the round of 32 Basel had an away game against Nationalliga B team Fribourg which ended with a 4–0 win. In the round of 16 Basel had a home game at the Landhof against higher tier Servette and were knocked out of the competition.

## Players

Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

| No. Pos. Nation Player  GK  SUI Kurt Imhof  GK  SUI Walter Müller  DF  SUI Werner Bopp  DF  SUI Louis Favre  DF  SUI Ernst Grauer  DF  SUI Ernst Hufschmid  MF  SUI Paul Bader  MF  SUI Alexander Ebner  MF  SUI Heinz Elsässer  MF  SUI Rodolfo Kappenberger  MF  SUI Kurt Maurer  MF  SUI Willy Monigatti  MF  SUI Traugott Oberer | No. Pos. Nation Player  MF  SUI Guglielmo Spadini  MF  SUI Tschüppeli  MF  SUI Hans Vonthron  MF  SUI Werner Wenk  MF  SUI Rudolf Wirz  MF  SUI Willy Zingg  FW  SUI René Bader  FW  SUI Kurt Bertsch  FW  SUI Fritz Eckert *(from FC Kleinhüningen)*  FW  SUI Werner Martin  FW  SUI Alex Mathys  FW  SUI Paul Stöcklin  FW  SUI Hermann Suter |
| --- | --- |

Players who left the squad

Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

| No. Pos. Nation Player  GK  SUI H. Müller  GK  SUI Paul Wechlin  MF  SUI Alberto Losa *(to Locarno)* | No. Pos. Nation Player  MF  SUI Fritz Schmidlin  FW  SUI Max Gloor  FW  SUI Hans Nyffeler  FW  SUI Alfred Weisshaar |
| --- | --- |

## Results

### Legend

Win   Draw   Loss   Postponed

### Friendly matches

#### Pre-season

| August 1945 Pre-season | **Basel** | **2–4** | **RC Bruxelles** | Landhof, Basel |
| --- | --- | --- | --- | --- |
|  |  | Summary |  |  |

| 12 August 1945 Pre-season | **Basel** | **4–2** | **FC Bern** | Spiegelfeld, Binningen |
| --- | --- | --- | --- | --- |
|  | Stöcklin  (1:1)
Stöcklin  (2:1)
Oberer  (3:2)
Bader  (pen. 4:2) | Summary | (0:1) Spühler
(2:2) Jundt | Attendance: 2,500
Referee:  Hans Vogt Schweizerhalle |

| 19 August 1945 Pre-season | **FC Liestal** | **0–8** | **Basel** | Liestal |
| --- | --- | --- | --- | --- |
|  |  | Summary |  |  |

| 26 August 1945 Pre-season | **SC Schöftland** | **2–4** | **Basel** | Gemeindesportplatz, Schöftland |
| --- | --- | --- | --- | --- |
|  | Lüthy  20' (1:1)
Lüthy  (2:2) | Summary | 10' (0:1) Oberer
(1:2) Eckert
75' (2:3) Oberer
(o.g. 2;4) | Attendance: 400
Referee:  Huber Zürich |

| 2 September 1945 Pre-season | **Basel** | **1–3** | **Grenchen** | Landhof, Basel |
| --- | --- | --- | --- | --- |
|  | Stöcklin | Summary | (0:1) Tschudy
(0:2) Righetti (II)
(0:3) Righetti (II) | Attendance: 2,500 |

#### Winter break to end of season

| 10 February 1946 Winter break | **Bellinzona** | **6–1** | **Basel** | Campo Granata, Bellinzona |
| --- | --- | --- | --- | --- |
|  | Frigerio  16' (1:0)
Rossetti  (2:0)
Rossetti  57' (3:0)
Rossetti  (4:1)
Rossetti  (5:1)
Rossetti  (6:1) | Summary | (3:1) Maurer | Attendance: 1,200
Referee:  E. Guidi Bellinzona |

| 21 April 1946 Mid-season | **Basel** | **2–3** | **First Vienna** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 20:00 | Stöcklin  40' (1:0)
Suter  66' (2:2) | Summary | 42' (1:1) Fischer
59' (1:2) Lechner
80' (2:3) Decker | Attendance: 4,200
Referee:  Tschopp Delémont |

| 16 May 1946 Mid-season | **SR Colmar** | **0–4** | **Basel** | Freiburg im Breisgau |
| --- | --- | --- | --- | --- |
|  |  | Summary | 3' (0:1) Stöcklin
23' (0:2) Oberer
(0:3) Oberer
63' (0:4) Bader | Attendance: 3,000 |

| 10 June 1946 Mid-season | **Basel** | **3–1** | **SC Wacker Wien** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 17:15 | Bertsch  21' (1:1)
Bertsch  24' (2:1)
Bader  37' (3:1) | Summary | 20' (0:1) Wagner | Attendance: 3,200
Referee:  Schaub Basel |

| 13 June 1946 Mid-season | **Basel** | **2–3** | **Chelsea** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 18:30 | Bertsch  12' (1:0)
Stöcklin  41' (2:2) | Summary | 15' (1:1) Lawton
29' (1:2) Machin
77' (2:3) Lawton | Attendance: 7,000
Referee:  Scherz Bern |

| 29 June 1946 End of season | **Copenhagen XI** | **1–1** | **Basel** | Copenhagen |
| --- | --- | --- | --- | --- |
|  | Präst  31' (1:1) | Summary | 26' (0:1) Oberer | Attendance: 7,000 |

| 1 July 1946 End of season | **Copenhagen XI** | **2–4** | **Basel** | Copenhagen |
| --- | --- | --- | --- | --- |
|  | Ziegler  2' (1:0)
Rasmussen  (2:3) | Summary | 50' (1:1) Suter
60' (1:2) Bertsch
75' (1:3) Suter
(2:4) Oberer | Attendance: 6,000
Referee:  Pettersen Oslo |

| 3 July 1946 End of season | **Nykøbing Falster BK 1901** | **2–6** | **Basel** | Nykøbing Falster |
| --- | --- | --- | --- | --- |
| 19:30 |  | Summary |  |  |

### Nationalliga

#### League matches

| 9 September 1945 Round 1 | **Basel** | **2–1** | **SC Derendingen** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 15:00 | Oberer  40' (1:1)
Bader  85' (2:1) | Summary | 7' (0:1) Bernhard
44' Strähl | Attendance: 2,000
Referee:  Schürch Winterthur |

| 23 September 1945 Round 2 | **Basel** | **2–0** | **Brühl St. Gallen** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 15:00 | Ebner  88' (1:0)
Monigatti  89' (2:0) | Summary |  | Attendance: 2,700
Referee:  Grassi Balerna |

| 20 September 1945 Round 3 | **Aarau** | **1–1** | **Basel** | Stadion Brügglifeld, Aarau |
| --- | --- | --- | --- | --- |
|  | Stettler  5' (1:0) | Summary | 26' (1:1) Ebner | Attendance: 2,500
Referee:  Tschopp Delémont |

| 7 October 1945 Round 4 | **Basel** | **1–1** | **Schaffhausen** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 14:30 | Bader  75' (pen. 1:1) | Summary | 54' (0:1) Furrer | Attendance: 3,000
Referee:  Iseli Biel/Bienne |

| 14 October 1945 Round 5 | **Étoile-Sporting** | **1–2** | **Basel** | Stade des Eplatures, La Chaux-de-Fonds |
| --- | --- | --- | --- | --- |
| 15:00 | Monnier  25' (1:0) | Summary | 35' (1:1) Oberer
61' (1:2) Ebner | Attendance: 2,000
Referee:  Georges Craviolini Chippis |

| 21 October 1945 Round 6 | **Basel** | **3–1** | **Luzern** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 14:30 | Bader  65' (1:0)
Suter  80' (2:0)
Bader  89' (3:1) | Summary | 87' (2:1) Hug | Attendance: 3,500
Referee:  Wittwer Geneva |

| 28 October 1945 Round 7 | **Fribourg** | **0–3** | **Basel** | Stade Universitaire, Freiburg |
| --- | --- | --- | --- | --- |
|  |  | Summary | 23' (0:1) Bader
60' (0:2) Oberer
90' (pen. 0:3) Bader | Attendance: 1,500
Referee:  Sally Rosenbaum Zürich/St. Gallen |

| 4 November 1945 Round 8 | **Basel** | **8–0** | **Nordstern Basel** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 14:30 | Bertsch  12' (1:0)
Oberer  16' (2:0)
Bader  23' (3:0)
Bader  28' (4:0)
Martin  35' (5:0)
Bertsch  40' (6:0)
Oberer  63' (7:0)
Kaltenbrunner  71' (o.g. 8:0) | Summary |  | Attendance: 7,500
Referee:  Tschopp Delémont |

| 18 November 1945 Round 9 | **St. Gallen** | **3–1** | **Basel** | Espenmoos, St. Gallen |
| --- | --- | --- | --- | --- |
|  | Luchsinger  18' (1:0)
Luchsinger  76' (pen. 2:1)
W. Müller  85' (3:1) | Summary | 23' (1:1) Suter | Attendance: 1,500
Referee:  Schmoll Zug |

| 2 December 1945 Round 10 | **Basel** | **2–0** | **Urania Genève Sport** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 14:30 | Bader  48' (1:0)
Bader  88' (2:0) | Summary |  | Attendance: 4,500
Referee:  Jaggi Bern |

| 9 December 1945 Round 11 | **CS International Genève** | **2–1** | **Basel** | Stade de Frontenex, Geneva |
| --- | --- | --- | --- | --- |
|  | Peyla  20' (1:0)
Morier  58' (2:1) | Summary | 32' (1:1) Oberer | Attendance: 1,200
Referee:  Tschopp Delémont |

| 16 December 1945 Round 12 | **Basel** | **10–0** | **FC Helvetia Bern** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 14:30 | Wenk  20' (1:0)
Bader  25' (2:0)
Oberer  30' (3:0)
Bader  35' (4:0)
Oberer  40' (5:0)
Bader  48' (6:0)
Bader  60' (7:0)
Oberer  70' (8:0)
Oberer  75' (9:0)
Oberer  80' (10:0) | Summary |  | Attendance: 3,000
Referee:  Schürch Winterthur |

| 23 December 1945 Round 13 | **SC Zug** | **0–6** | **Basel** | Herti Allmend Stadion, Zug |
| --- | --- | --- | --- | --- |
|  | Richenberger  33′ | Summary | 35' (0:1) Bader
58' (0:2) Wenk
58' (0:3) Suter
65' (0:4) Suter
82' (0:5) Martin
87' (0:6) Suter | Attendance: 800
Referee:  A. Sandoz Lausanne |

| February 1946 Round 14 | **SC Derendingen** | **P–P** | **Basel** | Heidenegg, Derendingen |
| --- | --- | --- | --- | --- |
|  |  | \[ Summary\] |  |  |

| 3 March 1946 Round 15 | **Brühl St. Gallen** | **0–0** | **Basel** | Paul-Grüninger-Stadion, St. Gallen |
| --- | --- | --- | --- | --- |
| 14:30 |  | Summary |  | Attendance: 1,000
Referee:  Schmoll Zug |

| 10 March 1946 Round 16 | **Basel** | **1–1** | **Aarau** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 15:00 | Oberer  47' (1:1) | Summary | 17' (0:1) Stirnemann | Attendance: 3,500
Referee:  Wittwer Geneva |

| 24 March 1946 Round 17 | **Schaffhausen** | **2–7** | **Basel** | Emmersberg, Schaffhausen |
| --- | --- | --- | --- | --- |
|  | Barchetti  (1:0)
Furrer  (2:2) | Summary | (1:1) Grauer
(1:2) Maurer
(2:3) Bader
(2:4) Bertsch
47' (2:5) Bader
(2:6) Bertsch
(2:7) Oberer | Attendance: 2,700
Referee:  Schmidsberger Zürich |

| 31 March 1946 Round 18 | **Basel** | **7–0** | **Étoile-Sporting** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 15:00 | Bader  5' (1:0)
Bader  10' (2:0)
Bertsch  47' (3:0)
Bader  48' (4:0)
Oberer  50' (5:0)
Bertsch  55' (6:0)
Bader  57' (7:0) | Summary |  | Attendance: 3,500
Referee:  Tschopp Delémont |

| 7 April 1946 Round 14 | **SC Derendingen** | **0–1** | **Basel** | Heidenegg, Derendingen |
| --- | --- | --- | --- | --- |
|  |  | Summary | 40' (o.g.) Leist | Attendance: 1,500
Referee:  Merlotti Neuchâtel |

| 14 April 1946 Round 19 | **Luzern** | **0–2** | **Basel** | Stadion Allmend, Luzern |
| --- | --- | --- | --- | --- |
|  |  | Summary | 48' (1:0) Stöcklin
88' (0:2) Bertsch | Attendance: 2,600
Referee:  M. Tasca Geneva |

| 28 April 1946 Round 20 | **Basel** | **6–1** | **Fribourg** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 15:00 | Stöcklin  1' (1:0)
Oberer  10' (2:0)
Stöcklin  65' (3:0)
Stöcklin  71' (4:0)
Suter  73' (5:0)
Stöcklin  90' (6:1) | Summary | (5:1) Dietrich | Attendance: 4,000
Referee:  W. Rufli Bremgarten |

| 5 May 1946 Round 21 | **Nordstern Basel** | **3–5** | **Basel** | Stadion Rankhof, Basel |
| --- | --- | --- | --- | --- |
| 15:15 | Hartmann  55' (pen. 1:3)
Keller  72' (2:4)
Scholl  75' (3:4) | Summary | 21' (0:1) Oberer
31' (0:2) Bertsch
40' (0:3) Stöcklin
67' (1:4) Suter
86' (3:5) Stöcklin | Attendance: 7,000
Referee:  E. Ruefer Bern |

| 19 May 1946 Round 22 | **Basel** | **2–1** | **St. Gallen** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 15:00 | Stöcklin  50' (1:1)
Bader  80' (2:1) | Summary | 33' (0:1) Deriaz | Attendance: 6,000
Referee:  Schmidsberger Zürich |

| 26 May 1946 Round 23 | **Urania Genève Sport** | **1–1** | **Basel** | Stade de Frontenex, Geneva |
| --- | --- | --- | --- | --- |
|  | Berloz  15' (1:0) | Summary | 42' (1:1) Grauer | Attendance: 3,000
Referee:  Iseli Biel/Bienne |

| 2 June 1946 Round 24 | **Basel** | **4–0** | **CS International Genève** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 15:00 | Bertsch  44' (1:0)
Suter  67' (2:0)
Oberer  72' (3:0)
Bader  74' (4:0) | Summary |  | Attendance: 4,500
Referee:  Merlotti Neuchâtel |

| 16 June 1946 Round 25 | **FC Helvetia Bern** | **1–6** | **Basel** | Spitalacker, Bern |
| --- | --- | --- | --- | --- |
|  | Huck  74' (1:3) | Summary | 20' (0:1) Bader
30' (0:2) Bader
65' (0:3) Suter
77' (1:4) Oberer
80' (1:5) Oberer
83' (1:6) Oberer | Attendance: 1,300
Referee:  Georges Craviolini Chippis |

| 22 June 1946 Round 26 | **Basel** | **3–1** | **SC Zug** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 18:30 | Bader  49' (1:1)
Bader  73' (2:1)
Bader  98' (3:1) | Summary | 30' (o.g. 0:1) Wirz | Attendance: 1,100
Referee:  E. Ruefer Bern |

#### League table

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Basel | 26 | 19 | 5 | 2 | 87 | 21 | +66 | 43 | Champion Nationalliga B, promoted |
| 2 | Urania Genève Sport | 26 | 17 | 5 | 4 | 53 | 30 | +23 | 39 | Promoted |
| 3 | St. Gallen | 26 | 16 | 3 | 7 | 58 | 32 | +26 | 35 |  |
| 4 | CS International Genève | 26 | 12 | 6 | 8 | 41 | 37 | +4 | | 30 |
| 5 | Aarau | 26 | 10 | 8 | 8 | 46 | 38 | +8 | | 28 |
| 6 | Nordstern Basel | 26 | 12 | 4 | 10 | 54 | 55 | 1 | | 28 |
| 7 | Fribourg | 26 | 11 | 5 | 10 | 50 | 53 | 3 | | 27 |
| 8 | Brühl St. Gallen | 26 | 8 | 6 | 12 | 31 | 33 | 2 | | 22 |
| 9 | Luzern | 26 | 8 | 6 | 12 | 44 | 48 | 4 | | 22 |
| 10 | Schaffhausen | 26 | 8 | 6 | 12 | 44 | 50 | 6 | | 22 |
| 11 | FC Helvetia Bern | 26 | 8 | 4 | 14 | 26 | 57 | 31 | | 20 |
| 12 | SC Zug | 26 | 6 | 6 | 14 | 28 | 63 | 35 | 18 | Play-off winners |
| 13 | SC Derendingen | 26 | 6 | 6 | 14 | 38 | 53 | 15 | 18 | Play-off losers, relegated |
| 14 | Étoile-Sporting | 26 | 2 | 8 | 16 | 27 | 57 | 30 | 12 | Relegated |

Source: rsssf.com

### Swiss Cup

| 25 November 1945 3rd principal round | **SC Schöftland** | **1–5** | **Basel** | Gemeindesportplatz, Schöftland |
| --- | --- | --- | --- | --- |
|  | Lüthy  7' (1:0) | Summary | 12' (1:1) Suter
40' (o.g. 1:2)
44' (1:3) Bertsch
(1:4) Bader
(pen. 1:5) Bader | Attendance: 900
Referee:  Schmidsberger Zürich |

| 13 January 1946 Round of 32 | **Fribourg** | **0–4** | **Basel** | Stade Universitaire, Freiburg |
| --- | --- | --- | --- | --- |
|  | Thomet  69′ | Summary | 75' (0:1) Oberer
80' (0:2) Wenk
84' (0:3) Wenk
86' (0:4) Bader | Attendance: 2,500
Referee:  Scherz Bern |

| 3 February 1946 Round of 16 | **Basel** | **3–4** | **Servette** | Landhof, Basel |
| --- | --- | --- | --- | --- |
| 14:30 | Bertsch  12' (1:0)
Suter  27' (2:0)
Bader  29' (3:0) | Summary | 50' (3:1) Fatton
62' (3:2) Tamini
66' (3:3) Facchinetti
90' (3:4) Tamini | Attendance: 7,000
Referee:  DörflingerGrenchen |

## Sources

## InfoBox

FC Basel
| 1945–46 season | |
| --- | --- |
| Chairman | Emil Junker |
| First team coach | Max Barras |
| Ground | Landhof, Basel |
| Nationalliga B | 1st |
| Swiss Cup | Round of 16 |
| Top goalscorer | League: René Bader (27)
All: René Bader (31) |
| Highest home attendance | 7,500 on 4 November 1945
vs Nordstern Basel |
| Lowest home attendance | 1,100 pn 22 June 1946
vs SC Zug |
| Average home league attendance | 3,753 |
|  | |


title: Fermanagh Area B

abstract: Fermanagh Area B was one of the five district electoral areas in Fermanagh, Northern Ireland which existed from 1973 to 1985. The district elected four members to Fermanagh District Council, and formed part of the Fermanagh and South Tyrone constituencies for the Northern Ireland Assembly and UK Parliament. It was created for the 1973 local elections, and contained the wards of Brookeborough, Lisbellaw, Maguire's Bridge and Tempo. It was abolished for the 1985 local elections and divided between the Enniskillen and Erne East DEAs.

text:
# Fermanagh Area B

**Fermanagh Area B** was one of the five district electoral areas in Fermanagh, Northern Ireland which existed from 1973 to 1985. The district elected four members to Fermanagh District Council, and formed part of the Fermanagh and South Tyrone constituencies for the Northern Ireland Assembly and UK Parliament.

It was created for the 1973 local elections, and contained the wards of Brookeborough, Lisbellaw, Maguire's Bridge and Tempo. It was abolished for the 1985 local elections and divided between the Enniskillen and Erne East DEAs.

## Councillors

| Election | Councillor
(Party) | | Councillor
(Party) | | Councillor
(Party) | | Councillor
(Party) | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| **1981** |  | Roy Coulter
(DUP) |  | Cecil Noble
(UUP) |  | Norman Brown
(UUP) |  | Anthony Cox
(IIP) |
| **1977** |  | | | | | Hugh Buchanan
(UUUP) |  | Damien Campbell
(SDLP) |
| **1973** |  | | | | | James Nethercott
(UUP) |  | James Breen
(Unity) |

## 1981 Election

**1977:** 2 x UUP, 1 x UUUP, 1 x SDLP

**1981:** 2 x UUP, 1 x IIP, 1 x DUP

**1977-1981 Change:** IIP and DUP gain from UUUP and SDLP

Fermanagh Area B - 4 seats
| Party | | Candidate | FPv% | Count | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | 1 | | | 2 | 3 | 4 | 5 | 6 |
|  | UUP | **Cecil Noble*** | 29.30% | **1,660** |  |  |  |  |  |
|  | Irish Independence | **Anthony Cox** | 21.47% | **1,216** |  |  |  |  |  |
|  | UUP | **Norman Brown*** | 15.75% | 892 | **1,181.85** |  |  |  |  |
|  | DUP | **Roy Coulter** | 9.44% | 535 | 583.05 | 583.14 | 826.68 | 828.3 | **1,136.3** |
|  | SDLP | Thomas Doherty | 6.97% | 395 | 395.93 | 437.06 | 437.06 | 746.36 | 749.36 |
|  | UUP | Cyril Crozier | 6.99% | 396 | 551 | 551.99 | 575.71 | 580.8 |  |
|  | SDLP | Seamus Carson | 5.47% | 310 | 310.93 | 348.01 | 350.01 |  |  |
|  | DUP | Margaret Veitch | 4.61% | 261 | 276.5 | 276.5 |  |  |  |
| **Electorate:** 6,582   **Valid:** 5,665 (86.07%)   **Spoilt:** 109   **Quota:** 1,134   **Turnout:** 5,774 (87.72%) | | | | | | | | | |

## 1977 Election

**1973:** 3 x UUP, 1 x Unity

**1977:** 2 x UUP, 1 x UUUP, 1 x SDLP

**1973-1977 Change:** UUUP and SDLP gain from UUP and Unity

Fermanagh Area B - 4 seats
| Party | | Candidate | FPv% | Count | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| | 1 | | | 2 | 3 | 4 | 5 | 6 | 7 |
|  | UUP | **Cecil Noble*** | 22.09% | **1,202** |  |  |  |  |  |  |
|  | UUUP | **Hugh Buchanan** | 19.86% | 1,081 | **1,100.35** |  |  |  |  |  |
|  | UUP | **Norman Brown*** | 11.65% | 634 | 678.01 | 735.73 | 737.73 | 737.82 | 737.82 | **1,270.82** |
|  | SDLP | **Damien Campbell** | 14.19% | 772 | 772.27 | 790.36 | 933.36 | 985.36 | 1,034.36 | **1,036.99** |
|  | Unity | Patrick Martin | 6.63% | 361 | 361 | 362 | 393 | 467 | 804 | 808 |
|  | UUP | Cyril Crozier | 10.16% | 553 | 594.58 | 618.76 | 619.76 | 621.85 | 622.94 |  |
|  | Unity | Vera Cleary | 5.07% | 276 | 276.09 | 277.18 | 280.18 | 407.18 |  |  |
|  | Unity | Patrick McKenna | 4.65% | 253 | 253.18 | 255.18 | 263.18 |  |  |  |
|  | SDLP | Margaret Traynor | 3.51% | 191 | 191 | 196 |  |  |  |  |
|  | Alliance | James Henderson | 2.19% | 119 | 120.35 |  |  |  |  |  |
| **Electorate:** 6,755   **Valid:** 5,442 (80.56%)   **Spoilt:** 179   **Quota:** 1,089   **Turnout:** 5,621 (83.21%) | | | | | | | | | | |

## 1973 Election

**1973:** 3 x UUP, 1 x Unity

Fermanagh Area B - 4 seats
| Party | | Candidate | FPv% | Count | | | |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | 1 | | | 2 | 3 | 4 |
|  | Unity | **James Breen** | 27.49% | **1,584** |  |  |  |
|  | UUP | **Cecil Noble** | 25.13% | **1,448** |  |  |  |
|  | UUP | **Norman Brown** | 18.48% | 1,065 | 1,068.51 | **1,167.51** |  |
|  | UUP | **James Nethercott** | 12.83% | 739 | 741.43 | 910.23 | **1,251.23** |
|  | Unity | Margaret Traynor | 5.73% | 330 | 727.71 | 727.91 | 838.67 |
|  | DUP | Irene Hughes | 5.38% | 310 | 311.35 | 327.75 |  |
|  | Alliance | James Henderson | 4.96% | 286 | 302.2 | 306.8 |  |
| **Electorate:** 6,666   **Valid:** 5,762 (86.44%)   **Spoilt:** 88   **Quota:** 1,153   **Turnout:** 5,850 (87.76%) | | | | | | | |

1. "Local Government Results 1981". *EONI*. Retrieved 17 August 2021.
2. "Local Government Results 1977". *EONI*. Retrieved 18 August 2021.
3. "Local Government Results 1973". *EONI*. Retrieved 18 August 2021.


title: Fermanagh & Western Intermediate Cup

abstract: The Fermanagh & Western Intermediate Cup was an intermediate soccer competition in Northern Ireland run by the Fermanagh & Western Football Association. It was introduced in 2009 as the first-ever intermediate competition within the Fermanagh & Western area, but discontinued after the 2011/12 season, the Fermanagh & Western Association citing a "general lack of interest by clubs".

text:
# Fermanagh & Western Intermediate Cup

The **Fermanagh & Western Intermediate Cup** was an intermediate soccer competition in Northern Ireland run by the Fermanagh & Western Football Association. It was introduced in 2009 as the first-ever intermediate competition within the Fermanagh & Western area, but discontinued after the 2011/12 season, the Fermanagh & Western Association citing a "general lack of interest by clubs".

## List of finals

| Season | Winners | Runners-up |
| --- | --- | --- |
| 2009/10 | Dergview | Fivemiletown United |
| 2010/11 | Ballinamallard United | Mountjoy United |
| 2011/12 | Fivemiletown United
v Lisbellaw United | *not played* |

## Summary of winners

| Team | Wins |
| --- | --- |
| Ballinamallard United | 1 |
| Dergview | 1 |

## InfoBox

Fermanagh & Western Intermediate Cup
| Organising body | Fermanagh & Western Football Association |
| --- | --- |
| Founded | 2009 |
| Abolished | 2012 |
| Region | Northern Ireland |
| Most successful club(s) | Dergview
Ballinamallard United
(1 title each) |


abstract: Vere Essex Cromwell, 4th Earl of Ardglass PC (I), was an English nobleman, son of Thomas Cromwell, 1st Earl of Ardglass and Elizabeth Meverell. He was the last direct male descendant of Henry VIII's chief minister, and key architect of the English reformation, Thomas Cromwell.

text:
# Vere Essex Cromwell, 4th Earl of Ardglass

**Vere Essex Cromwell, 4th Earl of Ardglass** PC (I), (2 October 1625  26 November 1687) was an English nobleman, son of Thomas Cromwell, 1st Earl of Ardglass and Elizabeth Meverell. He was the last direct male descendant of Henry VIII's chief minister, and key architect of the English reformation, Thomas Cromwell.

## Life

Vere Essex Cromwell was born at Throwleigh, Staffordshire and was educated at Trinity College, Dublin. He succeeded his nephew Thomas Cromwell as Earl of Ardglass and Viscount Lecale in the Peerage of Ireland in 1682, as well as Baron Cromwell in the Peerage of England. He died 26 November 1687 at his home in Booncastle, County Down and was buried 29 November at Downpatrick Abbey, County Down. On his death without male issue, all of his titles became extinct.

## Marriage and issue

He married in 1672 Catherine Hamilton, widow of Richard Price, of, Greencastle, Kilkeel, County Down, daughter of James Hamilton, of Newcastle Kilcoo, County Down and Margaret Kynaston, of Saul, County Down, and by her, had an only daughter:

## Bibliography

## InfoBox

| Vere Essex Cromwell, 4th Earl of Ardglass | |
| --- | --- |
| Arms of Cromwell, Earl of Ardglass: *Quarterly, per fess, indented, azure and or, four lions passant* | |
| Tenure | 1682–1687 |
| Successor | All titles extinct |
| Other titles | 4th Viscount Lecale
7th Baron Cromwell |
| Known for | English nobleman |
| Born | Vere Essex Cromwell
2 October 1625
Ilam, Staffordshire, England |
| Died | 26 November 1687(1687-11-26) (aged 62)
Booncastle, County Down |
| Buried | Down Cathedral, Downpatrick
54°19′37″N 5°43′21″W / 54.327061°N 5.722547°W / 54.327061; -5.722547 |
| Nationality | English |
| Spouse(s) | Catherine Hamilton (m. 1672) |
| Issue | Elizabeth |
| Parents | Thomas Cromwell, 1st Earl of Ardglass
Elizabeth Meverell |


title: 1934 in South Africa

abstract: The following lists events that happened during 1934 in South Africa.

text:
# 1934 in South Africa

The following lists events that happened during **1934 in South Africa**.

## Incumbents

## Events

February June July December * 3  The Status of the Union Act and the Royal Executive Functions and Seals Act come into operation: i.a. they make Parliament the sovereign legislative power in the Union; adopt parts of the Statute of Westminster; vest the executive government in the king, acting on the advice of the South African ministers only; and institute the Royal Great Seal of the Union and the Royal Signet of the Union.

Unknown date * The Slums Act is passed, giving municipalities and the government the authority to acquire slum properties.

## Births

## Deaths

## Railways

### Railway lines opened

* 26 February  Transvaal  Northam to Thabazimbi, 28 miles 72 chains (46.5 kilometres).
* 29 July  Transvaal  Germiston to Elsburg, 2 miles 49 chains (4.2 kilometres).
* 21 September  Transvaal  Tuinplaas to Marble Hall, 36 miles 36 chains (58.7 kilometres).
* 15 October  Cape  Kleinstraat to Matroosberg, 8 miles 48 chains (13.8 kilometres).

## InfoBox

|  | |
| --- | --- |
| Decades: |  |
| See also: |  |


title: Fernando Abrantes

abstract: Fernando Fromm-Abrantes is a German-Portuguese producer and musician.

text:
# Fernando Abrantes

**Fernando Fromm-Abrantes** (born 1960) is a German-Portuguese producer and musician.

## Background

He has been a temporary member/keyboardist of the electronic/experimental pop band Kraftwerk.

He went to the German school in Lisbon. After finishing school he moved to Germany and studied music and electronics in Düsseldorf together with Kraftwerk members Fritz Hilpert and Henning Schmitz. Afterwards he returned to Portugal. He lives in Lisbon, where he owns a music production studio. He is fluent in German, Portuguese and English.

In 1985-1986 he performed a few shows as keyboardist of Sandra and her world hit "Maria Magdalena".

Abrantes joined Kraftwerk in winter 1990-1991 during production of the album *The Mix*, shortly after the departure of electronic percussionist and songwriter Karl Bartos. Abrantes performed in *The Mix* UK-tour (10 concerts) in 1991. He can be seen in robotic form in promotional pictures from this period and in the booklet of the album *The Mix*, in addition to the music video for the updated version of "The Robots", made the same year. He also performed "The Robots" live with the band in the popular German TV show *Mensch Meier*.

Due to divergences about the band's artistic direction with the band's co-founder Ralf Hütter, Abrantes left Kraftwerk soon thereafter and was replaced by Kling Klang studio engineer Henning Schmitz, who remains in the band to this day. Abrantes is one of the producers of the official music of the Expo '98.

## InfoBox

| Fernando Abrantes | |
| --- | --- |
|  | |
| Background information | |
| Birth name | Fernando Fromm-Abrantes |
| Born | 1960 (age 6364)<br>Lisbon, Portugal |
| Origin | Germany |
| Genres |  |
| Years active | 1991 (with Kraftwerk) |
| Formerly of | Kraftwerk |


title: Fernando Acevedo Quero

abstract: Fernando Acevedo Quero, also known as Acevedismos, is a Spanish writer, actor, and screenwriter, known for his work in shorts, films, series, and television programs.

text:
# Fernando Acevedo Quero

**Fernando Acevedo Quero** (Madrid, May 29, 1973), also known as **Acevedismos**, is a Spanish writer, actor, and screenwriter, known for his work in shorts, films, series, and television programs.

## Biography

Fernando Acevedo Quero was born in the city of Madrid, where he pursued his higher education at the Universidad Politécnica de Madrid, earning a degree in Telecommunications Engineering. He has authored various books on technology and has worked as a television and film scriptwriter, also showcasing his talents as an actor.

### Career

As a writer, Fernando Acevedo Quero published several technology-related books between 1996 and 2005, including: "Montaje configuración reparación PC" (1996), "Netscape Communicator" (1997), "Guía rápida buscadores Internet" (1998), "Guía rápida Internet" (1998), "Guía visual montar y ampliar el PC multimedia" (2000), and "NT Internet UD" (2005). His most recent literary work is "Guía para calvos," co-authored with Jandro, published in 2012.

He has worked as a scriptwriter since 2006 on the television program *El Hormiguero* where he serves as the script coordinator and is also part of the cast. He has also worked as a scriptwriter for the television series "Feliz Año Neox" in 2011 and "Hipnotízame" in 2017 and 2018.

In the field of cinema, he acted in the short film *Summer Is Crazy* in 2012 and co-wrote, alongside David Zurdo and Hugo Stuven, the feature film e *Anomalous*, a suspenseful police thriller directed by Hugo Stuven. The film was shot in Barcelona and New York and was released in 2016.

### Published Books

| Year | Title | Author(s) | Reissue |
| --- | --- | --- | --- |
| 1996 | *Montaje configuración reparación PC (Assembly, Configuration, and Repair of PCs)* | Fernando Acevedo Quero, David Zurdo Saiz, Ángel Ronda Corrochano | 1999, 2003 |
| 1997 | *Netscape Comunicator* | Fernando Acevedo Quero, David Zurdo Saiz, Ángel Ronda Corrochano |  |
| 1998 | *Guía rápida buscadores Internet (Quick Guide to Internet Search Engines)* | Fernando Acevedo Quero, David Zurdo Saiz, Alejandro Sicilia Burgoa |  |
| 1998 | *Guía rápida Internet (Quick Internet Guide)* | Fernando Acevedo Quero, Alejandro Sicilia Burgoa, David Zurdo Saiz | 2000, 2002 |
| 2000 | *Guía visual montar y ampliar el PC multimedia (Visual Guide to Building and Expanding Multimedia PCs)* | Fernando Acevedo Quero, Ángel Gutiérrez Tapia, David Zurdo Saiz |  |
| 2005 | *NT Internet UD* | Fernando Acevedo Quero, David Zurdo Saiz, Alejandro Sicilia Burgoa | 2005 |
| 2012 | *Guía para calvos (Guide for Bald People)* | Fernando Acevedo Quero, Jandro |  |

### TV programs and series, short films and movies

| Year | Title | Credits |
| --- | --- | --- |
| 2006–2023 | *El Hormiguero* (TV Program) | Screenwriter, actor, script coordinator |
| 2011 | *Feliz Año Neox* (TV Serie) | Screenwriter |
| 2012 | *Summer Is Crazy* (Shortfilm) | Actor (Mariano Rajoy) |
| 2016 | *Anomalous* (Largometraje) | Screenwriter |
| 2017–2018 | *Hipnotízame* (TV Serie) | Screenwriter |

1. "Fernando Acevedo | Writer, Actor, Director". *IMDb*. Retrieved April 4, 2023.
2. "Fernando Acevedo - Biografía, mejores películas, series, imágenes y noticias". April 15, 2022. Retrieved April 4, 2023.
3. "Acevedo%20quero%20fernando: Libros - Iberlibro". Retrieved April 4, 2023.
4. "Hugo Stuven Casasnovas cumple con 'Anomalous' su sueño de rodar un largometraje". *www.noticiasdenavarra.com*. August 3, 2014. Retrieved April 27, 2021.

Fernando Acevedo Quero on Instagram

## InfoBox

| Fernando Acevedo Quero | |
| --- | --- |
|  | |
| Born | (1973-05-29) May 29, 1973<br>Madrid |
| Alma mater | Universidad Politécnica de Madrid |
| Occupations | * Writer * Actor * Screenwriter |
| Television | El Hormiguero |


title: Fernando Aenlle-Rocha

abstract: Fernando Lazaro Aenlle-Rocha is a United States district judge of the United States District Court for the Central District of California and former California state court judge.

text:
# Fernando Aenlle-Rocha

**Fernando Lazaro Aenlle-Rocha** (born 1961) is a United States district judge of the United States District Court for the Central District of California and former California state court judge.

## Early life and career

Aenlle-Rocha earned his Bachelor of Arts from Princeton University in 1983 and his Juris Doctor from the UC Berkeley School of Law in 1986. He began his career as a deputy district attorney in the Los Angeles County District Attorney's office. From 1990 to 1994, he was an Assistant United States Attorney for the Southern District of Florida. In 1994, he moved back to California and became an Assistant United States Attorney for the Central District of California.

In 1999, Aenlle-Rocha entered private practice as an associate with Stephan, Oringher, Richman & Theodora in Los Angeles. In 2000, he became a partner at McDermott Will & Emery. From 2005 to 2017, Aenlle-Rocha was a partner at White & Case, where he focused on business litigation, white collar criminal defense, and business crimes investigations. He was appointed by California Governor Jerry Brown to the Los Angeles County Superior Court in 2017, where he served until becoming a federal judge.

### Federal judicial service

On August 28, 2019, President Donald Trump announced his intent to nominate Aenlle-Rocha to serve as a United States district judge of the United States District Court for the Central District of California. On October 17, 2019, his nomination was sent to the Senate. President Trump nominated Aenlle-Rocha to the seat vacated by Judge S. James Otero, who assumed senior status on December 30, 2018. A hearing on his nomination before the Senate Judiciary Committee was held on December 4, 2019. On January 3, 2020, his nomination was returned to the President under Rule XXXI, Paragraph 6 of the United States Senate. On January 9, 2020, he was renominated to the same seat. On March 5, 2020, his nomination was reported out of committee by voice vote.

On December 20, 2020, the Senate invoked cloture on his nomination by an 82–7 vote. On December 20, 2020, his nomination was confirmed by an 80–8 vote. He received his judicial commission on December 22, 2020.

## InfoBox

| Fernando Aenlle-Rocha | |
| --- | --- |
|  | |
|  | |
| Judge of the United States District Court for the Central District of California | |
| **Incumbent** | |
| **Assumed office**
December 22, 2020 | |
| Appointed by | Donald Trump |
| Preceded by | S. James Otero |
| Judge of the Los Angeles County Superior Court | |
| **In office**
May 22, 2017  December 22, 2020 | |
| Appointed by | Jerry Brown |
| Preceded by | Jane L. Johnson |
| Succeeded by | Tara L. Newman |
|  | |
| Personal details | |
| Born | Fernando Lazaro Aenlle-Rocha
1961 (age 6263)
Havana, Cuba |
| Political party | Republican |
| Education | Princeton University (AB)
University of California, Berkeley (JD) |
|  | |


title: 1948–51 Nordic Football Championship

abstract: The 1948–51 Nordic Football Championship was the fifth Nordic Football Championship staged. Four Nordic countries participated: Denmark, Finland, Norway and Sweden. Sweden won the tournament, its third Nordic Championship win. The tournament was arranged by the Danish Football Association and the trophy was named DBU's Vase. The tournament had three occasions of a team playing two games on the same day, including two times for Sweden and one time for Denmark.

text:
# 1948–51 Nordic Football Championship

The **194851 Nordic Football Championship** was the fifth Nordic Football Championship staged. Four Nordic countries participated: Denmark, Finland, Norway and Sweden. Sweden won the tournament, its third Nordic Championship win. The tournament was arranged by the Danish Football Association and the trophy was named *DBU's Vase*.

The tournament had three occasions of a team playing two games on the same day, including two times for Sweden and one time for Denmark.

## Results

### 1948

| Denmark | 1-2 | Norway |
| --- | --- | --- |
| Jensen  24' | Report | Sørdahl  37', 50' |

Idrætsparken, CopenhagenAttendance: 41,000Referee: Gunnar Dahlner (Sweden)

| Finland | 0-3 | Denmark |
| --- | --- | --- |
|  | Report | J. Hansen  11' (pen.)
Christiansen  56'
Lyngsaa  88' |

Olympic Stadium, HelsinkiAttendance: 22,000Referee: Ivan Eklind (Sweden)

| Norway | 2-0 | Finland |
| --- | --- | --- |
| Sørensen  2', 50' | Report |  |

Ullevaal, OsloAttendance: 24,349Referee: Ivan Eklind (Sweden)

| Finland | 2-2 | Sweden |
| --- | --- | --- |
| Lehtovirta  37'
Rytkönen  43' | Report | Tapper  36' (pen.)
Mårtensson  70' |

Olympic Stadium, HelsinkiAttendance: 15,407Referee: Ludvig Jørkov (Denmark)

| Norway | 3-5 | Sweden |
| --- | --- | --- |
| Dahlen  11'
Thoresen  33'
Sørdahl  84' | Report | Nordahl  24', 44', 62', 74', 80' |

Ullevaal, OsloAttendance: 35,306Referee: Aksel Asmussen (Denmark)

| Sweden | 1-0 | Denmark |
| --- | --- | --- |
| Liedholm  23' | Report |  |

Råsunda Stadium, StockholmAttendance: 37,801Referee: George Reader (England)

### 1949

| Finland | 1-1 | Norway |
| --- | --- | --- |
| Vaihela  33' | Report | Sørensen  89' |

Olympic Stadium, HelsinkiAttendance: 11,264Referee: Aksel Asmussen (Denmark)

| Norway | 0-2 | Denmark |
| --- | --- | --- |
|  | Report | Reckendorff  28'
J. Hansen  84' |

Ullevaal, OsloAttendance: 38,085Referee: Karni Wolf (Finland)

| Denmark | 0-2 | Finland |
| --- | --- | --- |
|  | Report | Asikainen  14'
Rytkönen  25' |

Idrætsparken, CopenhagenAttendance: 25,700Referee: Gunnar Dahlner (Sweden)

| Sweden | 8-1 | Finland |
| --- | --- | --- |
| Jönsson  7', 9', 17'
Rydell  24', 75', 83'
Palmér  41'
Jacobsson  89' | Report | Vaihela  4' |

Malmö IP, MalmöAttendance: 18,247Referee: Ludvig Jørkov (Denmark)

| Sweden | 3-3 | Norway |
| --- | --- | --- |
| Lindskog  60'
Jeppson  76'
Simonsson  79' | Report | Bredesen  15', 89'
Hennum  75' |

Råsunda Stadium, SolnaAttendance: 37,750Referee: Valdemar Laursen (Denmark)

| Denmark | 3-2 | Sweden |
| --- | --- | --- |
| Petersen  62'
J. Hansen  65'
E. Hansen  85' (pen.) | Report | Jeppson  27'
Mellberg  79' |

Idrætsparken, CopenhagenAttendance: 25,700Referee: Gunnar Dahlner (Sweden)

### 1950

| Denmark | 4-0 | Norway |
| --- | --- | --- |
| Petersen  21'
E. Hansen  38'
J. Hansen  48'
Jensen  58' | Report |  |

Idrætsparken, CopenhagenAttendance: 35,500Referee: Thore Sjöberg (Sweden)

| Finland | 1-2 | Denmark |
| --- | --- | --- |
| Asikainen  72' | Report | Petersen  20'
Seebach  73' |

Olympic Stadium, HelsinkiAttendance: 20,062Referee: Johan Narvestad (Norway)

| Norway | 4-1 | Finland |
| --- | --- | --- |
| Bredesen  10'
Andersen  50', 52'
Thoresen  81' | Report | Lilja  87' |

Ullevaal, OsloAttendance: 28,935Referee: Ludvig Jørkov (Denmark)

| Finland | 0-1 | Sweden |
| --- | --- | --- |
|  | Report | Rosén  82' |

Olympic Stadium, HelsinkiAttendance: 25,784Referee: Aksel Asmussen (Denmark)

| Norway | 1-3 | Sweden |
| --- | --- | --- |
| Karlsen  88' (pen.) | Report | Jönsson  53', 79'
Palmér  55' |

Ullevaal, OsloAttendance: 35,552Referee: Folke Nyberg (Finland)

| Sweden | 4-0 | Denmark |
| --- | --- | --- |
| Granqvist  28'
Jönsson  29'
Bengtsson  36'
Ek  39' | Report |  |

Råsunda Stadium, StockholmAttendance: 38,000Referee: Edvin Pedersen (Norway)

### 1951

| Finland | 1-1 | Norway |
| --- | --- | --- |
| Vaihela  41' | Report | Bredesen  64' |

Olympic Stadium, HelsinkiAttendance: 22,415Referee: John Nilsson (Sweden)

| Sweden | 3-2 | Finland |
| --- | --- | --- |
| Lundqvist  33', 70'
Eriksson  88' | Report | Vaihela  11'
Lehtovirta  29' |

Råsunda Stadium, StockholmAttendance: 19,202Referee: Johan Narvestad (Norway)

| Norway | 2-0 | Denmark |
| --- | --- | --- |
| Thoresen  26'
Jørgensen  40' (o.g.) | Report |  |

Ullevaal, OsloAttendance: 35,000Referee: John Nilsson (Sweden)

| Denmark | 1-0 | Finland |
| --- | --- | --- |
| Staalgaard  39' | Report |  |

Idrætsparken, CopenhagenAttendance: 32,000Referee: Ivan Eklind (Sweden)

| Sweden | 3-4 | Norway |
| --- | --- | --- |
| Rydell  13', 52'
Lind  23' (pen.) | Report | Karlsen  5' (pen.), 71' (pen.)
Dahlen  6'
Bredesen  64' |

Ullevi Stadion, GothenburgAttendance: 29,790Referee: Valdemar Laursen (Denmark)

| Denmark | 3-1 | Sweden |
| --- | --- | --- |
| Rasmussen  25'
Lundberg  34'
Staalgaard  35' | Report | Jönsson  72' |

Idrætsparken, CopenhagenAttendance: 41,000Referee: Edvin Pedersen (Norway)

## Table

*The table is compiled by awarding two points for a victory, one point for a draw, and no points for a loss.*

|  | Team | Pld | W | D | L | GF | GA | GD | Pts |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Sweden | 12 | 7 | 2 | 3 | 36 | 22 | +14 | 16 |
| 2 | Denmark | 12 | 7 | 0 | 5 | 19 | 15 | +4 | 14 |
| 3 | Norway | 12 | 5 | 3 | 4 | 23 | 24 | –1 | 13 |
| 4 | Finland | 12 | 1 | 3 | 8 | 11 | 28 | –17 | 5 |

## Winners

| 1948–51 Nordic Football Championship winners |
| --- |
| **
Sweden
Third title** |

## Statistics

### Goalscorers

There were 89 goals scored in 24 matches, for an average of 3.71 goals per match.

**7 goals**

**5 goals**

**4 goals**

**3 goals**

**2 goals**

**1 goal**

**1 own goal**

Balkan Cup
Baltic Cup
Central European International Cup
Mediterranean Cup

## Sources

## InfoBox

1948–51 Nordic Football Championship
| Tournament details | |
| --- | --- |
| Host countries | Denmark
Finland
Norway
Sweden |
| Dates | 12 June 1948 – 21 October 1951 |
| Teams | 4 |
| Final positions | |
| Champions | Sweden (3rd title) |
| Runners-up | Denmark |
| Third place | Norway |
| Fourth place | Finland |
| Tournament statistics | |
| Matches played | 24 |
| Goals scored | 89 (3.71 per match) |
| Top scorer(s) | Egon Jönsson (7 goals) |
|


title: Vestfjorddalen

abstract: Vestfjorddalen is a valley in Tinn Municipality in Telemark county, Norway. The 30-kilometre (19 mi) long valley stretches from the lake Tinnsjå westwards past Rjukan, Vemork, and Rjukan Falls to the lake Møsvatn in the west. The Måna River runs through the entire valley. The west end of the valley begins at the lake Møsvatn where the valley is quite wide. The river Måna is dammed in this area, creating the Skardfoss lake. Just below the dam lies the Rjukan Falls and the Vemork power plant. Just before the falls, the valley narrows considerably and forms a gorge. After the power plant, the valley remains very narrow, with mountains on both sides reaching 700–800 metres (2,300–2,600 ft) in height. The mountain Gaustatoppen lies along the south side of the valley. Due to the steep mountainsides along the south side of the valley, the sun is unable to reach much of the valley floor throughout the winter.

text:
# Vestfjorddalen

**Vestfjorddalen** is a valley in Tinn Municipality in Telemark county, Norway. The 30-kilometre (19 mi) long valley stretches from the lake Tinnsjå westwards past Rjukan, Vemork, and Rjukan Falls to the lake Møsvatn in the west. The Måna River runs through the entire valley. The west end of the valley begins at the lake Møsvatn where the valley is quite wide. The river Måna is dammed in this area, creating the Skardfoss lake. Just below the dam lies the Rjukan Falls and the Vemork power plant. Just before the falls, the valley narrows considerably and forms a gorge. After the power plant, the valley remains very narrow, with mountains on both sides reaching 700–800 metres (2,300–2,600 ft) in height. The mountain Gaustatoppen lies along the south side of the valley. Due to the steep mountainsides along the south side of the valley, the sun is unable to reach much of the valley floor throughout the winter.

## InfoBox

| Vestfjorddalen | |
| --- | --- |
| View looking eastwards down to Rjukan | |
| VestfjorddalenLocation of the valleyVestfjorddalenVestfjorddalen (Norway) | |
| Length | 30 kilometres (19 mi) E-W |
| Width | 1 kilometre (0.62 mi) |
| Geology | |
| Type | River valley |
| Geography | |
| Location | Telemark, Norway |
| Population centers | Rjukan, Miland |
| Coordinates | 59°53′57″N 8°43′11″E / 59.8992°N 8.7197°E / 59.8992; 8.7197 |
| River | Måna |


title: Joyous

abstract: Joyous is the third album by Portland, Oregon-based R&B group Pleasure. It was released in 1977 and produced by jazz legend Wayne Henderson of The Crusaders.

text:
# Joyous

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |

***Joyous*** is the third album by Portland, Oregon-based R&B group Pleasure. It was released in 1977 and produced by jazz legend Wayne Henderson of The Crusaders.

## Track listing

1. "Joyous" 6:26
2. "Let Me Be The One" 5:11
3. "Only You" 3:20
4. "Can't Turn You Loose" 4:14
5. "Sassafras Girl" 6:46
6. "Tune In" 6:37
7. "Dance to the Music" 4:50
8. "Selim" 3:48

## Personnel

* Marlon "The Magician" McClain – Guitar, Backing Vocals
* Sherman Davis – Lead and Backing Vocals
* Bruce Carter – Drums
* Nathaniel Phillips – Bass, Backing Vocals
* Dan Brewster – Trombone
* Donald Hepburn, Michael Hepburn – Keyboards, Backing Vocals
* Dennis Springer – Soprano Saxophone, Tenor Saxophone
* Bruce Smith – Tambourine, Bell Tree, Cowbell, Congas, Cuica, Drums (Flexitone), Backing Vocals
* Mayo Tiano – Trombone
* Dennis Christianson, Steve Madaio – Trumpet
* Robert Carr – Baritone Saxophone
* Herman Riley – Alto Saxophone, Tenor Saxophone, Flute
* Armand Kaproff, Nathan Gershman – Cello
* Paul Shure – Violin, Concertmaster
* Alex Neiman, Allan Harshman, Pamela Goldsmith – Viola
* Betty LaMagna, Bonnie Douglas, Dorothy Wade, Israel Baker, Janet Lakatos, Nathan Kaproff, Nathan Ross, Robert Sushel, Stanley Plummer – Violin

## Charts

| Chart (1977) | Peak
position |
| --- | --- |
| *Billboard* Pop Albums | 113 |
| *Billboard* Top Soul Albums | 34 |
|

### Singles

| Year | Single | Chart positions |
| --- | --- | --- |
| | | US
R&B |
| 1977 | "Joyous" | 35 |
|

## InfoBox

| Joyous | |
| --- | --- |
|  | |
| Studio album by Pleasure | |
| Released | 1977 |
| Recorded | 1976 |
| Genre | Soul
Funk |
| Label | Fantasy Records |
| Producer | Wayne Henderson |
| Pleasure chronology | |
| *Accept No Substitutes*
(1976) ***Joyous***
(1977) *Get to the Feeling*
(1978) | |


title: 1948 in Venezuela

abstract: Events in the year 1948 in Venezuela

text:
# 1948 in Venezuela

Events in the year **1948 in Venezuela**

## Incumbents

* President: Revolutionary Junta until February 15, Rómulo Gallegos after February 15 until November 24, Military Junta after November 24

## Events

## Births

## Deaths

## InfoBox

|  | |
| --- | --- |
| Centuries: |  |
| Decades: |  |
| See also: | Other events of 1948
Years in Venezuela
Timeline of Venezuelan history |


# 1945 French legislative election in Gabon–Moyen Congo

Elections to the French National Assembly were held in Gabon and French Congo on 21 October 1945, with a second round of voting on 18 November. Gabriel d'Arboussier and Jean-Félix Tchicaya were elected.

## Electoral system

The two seats allocated to the constituency were elected on two separate electoral rolls; French citizens elected one MP from the first college, whilst non-citizens elected one MP in the second college.

## Campaign

The election campaign was largely a contest between three large ethnic groups; the Fang of Gabon, the Mbochi in the north of Congo and the Vili from the Pointe-Noire coastal area. One other large group, the Kongo, refused to vote or wrote the name of the religious figure André Matsoua (who had died in prison in 1942) on the ballot paper.

The Fang candidate was Jean-Hilaire Aubame, whilst the Vili candidate was Jean-Félix Tchicaya.

## Results

### First college

| Candidate | | Party | Votes | % |
| --- | --- | --- | --- | --- |
|  | Gabriel d'Arboussier | Republican Resistance | 817 | 50.81 |
|  | Henri Seignon | French Section of the Workers' International | 604 | 37.56 |
|  | Jean Puytoroc | Popular Republican Movement | 187 | 11.63 |
| Total | | | 1,608 | 100.00 |
|  | | | | |
| Valid votes | | | 1,608 | 81.09 |
| Invalid/blank votes | | | 375 | 18.91 |
| Total votes | | | 1,983 | 100.00 |
| Registered voters/turnout | | | 2,803 | 70.75 |
| Source: Sternberger *et al.* | | | | |

### Second college

| Candidate | First round | | Second round | |
| --- | --- | --- | --- | --- |
| | Votes | % | Votes | % |
| Jean-Hilaire Aubame | 912 | 20.22 | 987 | 23.62 |
| Jean-Félix Tchicaya | 800 | 17.74 | 1,334 | 31.93 |
| Emile Issembe | 800 | 17.74 | 855 | 20.46 |
| Jacques Opangault | 633 | 14.04 | 956 | 22.88 |
| Emmanuel Damongo-Dadet | 588 | 13.04 |  | |
| René Dzonza | 209 | 4.63 |  | |
| Aubert Lounda | 179 | 3.97 |  | |
| Jean Rigo | 130 | 2.88 |  | |
| Pierre Tchicaya | 85 | 1.88 |  | |
| Jean Boudet | 72 | 1.60 |  | |
| François-Moussa Simon | 66 | 1.46 | 46 | 1.10 |
| Louis Bigmann | 36 | 0.80 |  | |
| Total | 4,510 | 100.00 | 4,178 | 100.00 |
|  | | | | |
| Valid votes | 4,510 | 96.59 | 4,178 | 96.80 |
| Invalid/blank votes | 159 | 3.41 | 138 | 3.20 |
| Total votes | 4,669 | 100.00 | 4,316 | 100.00 |
| Registered voters/turnout | 5,873 | 79.50 | 5,871 | 73.51 |
| Source: Sternberger *et al.*, Outre-mers | | | | |

## Aftermath

Following the elections, Senegalese MP Lamine Guèye attempted to persuade all the African MPs to form an African Bloc, which would be affiliated with the SFIO. However, the attempt failed, and although Tchicaya did sit with the SFIO, d'Arboussier joined the MUR.


title: João Zero

abstract: João Zero is a Brazilian cartoonist and illustrator journalist. He was the son of an old family newsstand owner from Italy. Zero was born in São Paulo, in the area called "Bixiga" Bela Vista, on August 7, 1950. His paternal grandfather was Italian Polignano a Mare and his maternal grandfather was Japanese from Hiroshima. He started drawing in a serious way in a newspaper called Movimento in the 1970s, together with the twin brothers Chico and Paulo Caruso, Angeli, Bruno Liberati, Jayme Leao, Alcy, Laerte, Jota, Maringoni, Geandre and Luis Ge. These people used to sit by a big wooden table in one of the writing offices of the newspaper to wait for the texts to be illustrated. Censorship was widespread in Brazil when Zero started. In order to publish a newspaper's complete edition, it was necessary to have two editions because the censorship, used to cut a lot of articles and pictures, which was almost equivalent to half of the edition. This forced the editor to use the material remains for the final edition. The censorship cut the equivalent to a one newspaper and with the rest was made the other.

text:
# João Zero

**João Zero** (born August 7, 1950, in São Paulo) is a Brazilian cartoonist and illustrator journalist. He was the son of an old family newsstand owner from Italy.

Zero was born in São Paulo, in the area called "Bixiga" Bela Vista, on August 7, 1950. His paternal grandfather was Italian Polignano a Mare and his maternal grandfather was Japanese from Hiroshima. He started drawing in a serious way in a newspaper called *Movimento* in the 1970s, together with the twin brothers Chico and Paulo Caruso, Angeli, Bruno Liberati, Jayme Leao, Alcy, Laerte, Jota, Maringoni, Geandre and Luis Ge. These people used to sit by a big wooden table in one of the writing offices of the newspaper to wait for the texts to be illustrated.

Censorship was widespread in Brazil when Zero started. In order to publish a newspaper's complete edition, it was necessary to have two editions because the censorship, used to cut a lot of articles and pictures, which was almost equivalent to half of the edition. This forced the editor to use the material remains for the final edition. The censorship cut the equivalent to a one newspaper and with the rest was made the other.

## InfoBox

| João Zero | |
| --- | --- |
| Born | (1950-08-07) August 7, 1950<br>São Paulo |
| Occupation(s) | Cartoonist and illustrator |


title: Fernando Bustamante Huerta

abstract: Fernando Bustamante Huerta is an accountant, businessman, consultant and Chilean socialist politician, had a close collaboration with Salvador Allende the presidents of Chile and Ricardo Lagos.

text:
# Fernando Bustamante Huerta

**Fernando Bustamante Huerta** (January 17, 1940) is an accountant, businessman, consultant and Chilean socialist politician, had a close collaboration with Salvador Allende the presidents of Chile and Ricardo Lagos.

## Background

Huerta studied at the Liceo José Victorino Lastarria in the capital and at a commercial institute.

Huerta when he was very young joined the oil company Royal Dutch Shell, company. He remained with the company for eleven years. During this period he used to pursue the career of an auditor, accountant at the University of Chile in evening classes.

He left the Company in 1970, after Joining in an active union work. It happened then to the state Enap at the beginning of the Government of Salvador Allende, who recognized him as one of the most qualified technicians in the Socialist Party.

## the coup d'état

After the coup d'état of September 11, 1973, he refused to leave Chile despite being detained and tortured, when he voluntarily reported the Intendency of Rancagua, in the central zone. The aftermath of that episode they forced him to exercises daily.

During Military dictatorship of Chile (1973–1990) he exploited his Academic term, took courses in tax management and business administration at the University of Chile. At the same time, he began consulting companies in various sectors, that in some cases he became a shareholder, like the Coppelia tea room in the capital (he left this business in 1998).

Ricardo Froilán Lagos who served as President of Chile from 2000 to 2006, met Fernando in the 80s when he returned to Chile, from his own-exile, and their relationship became so close and Lagos considered one of his closest and most influential friends.

He later joined the presidential campaign of Ricardo Lagos, contributing and managing the campaign of Concertación presidential primary, 1999.

Lagos appointed him president of the directory of Santiago Metro Line 4, where he led the implementation of the Line 4 to High Bridge, in the South zone of the capital.

In parallel, he served as director of Telefónica Chile.

After assuming the government, Michelle Bachelet left her position at the company to Blas Tomić and concentrated on the private world as an Entrepreneurial economics and consultant.

## InfoBox

| Fernando Bustamante Huerta | |
| --- | --- |
|  | |
|  | |
| Socialist Party | |
|  | |
| Personal details | |
| Born | Fernando Bustamante Huerta
(1940-01-17) January 17, 1940
Chile |
| Nationality | Chilean,  Chile |
|  | |