I'm looking for a book or article by Jacques Lacan. It is about how the camera distorts a picture.?
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Jacques Lacan, "A Materialist Definition of the Phenomenon of Consciousness," The Seminar of Jacques Lacan. Book II: The Ego in Freud’s Theory and in the Technique of Psychoanalysis 1954-1955, trans. S. Tomaselli (London: Cambridge University Press, 1988).
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Photos capture an image of light.  And mirrors essentially reflect photons. We know that photons, particles of light, have wave/particle properties and when they are reflected off of an object, they are affected by the surface of the object of mirror. Look at your self on both side of a spoon.  The concave part, the one that is curved in, should have an upside down version of you, and on the otherside, convex, you will have an elongated version of yourself.  \nIf you look at the queston from a quantum phsyics perspective.  Every time you look in the mirror, you will see a different you. This is because you are actually seeing different light reflecting off a different surface.  \nI really dont know much about cameras, but thank God for photo shop.  Mirrors are a bad invention in my opinion.  People get caught up in having to maintain an external image that the rest of the world sees, when in reality the image of ourselves that we should really work on is the one inside our heads.  Anyways, I hope I answered your question to some extent.
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http://www.amazon.com/Media-Society-Industries-Images-Audiences/dp/0761987738/sr=8-8/qid=1162860827/ref=sr_1_8/103-7911074-4702230?ie=UTF8&s=books
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dear kdjags,\n\nif you are referring to the following article:\n\n"Memory: Luba art and the making of history" by Mary Nooter Roberts and Allen F Roberts.\n\nYes it begins at page 22 and runs till page 35 (a total of 14 pages) in the Winter Issue of African Arts volume 29, 1996.\n\nThe 9c and 9 bw behing refers to photographs, apparently this article comes with 9 color and 9 black and white photographs.
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The Complete Idiot's Guide to Independent Filmmaking \n • Josef Steiff \nhttp://search.barnesandnoble.com/booksearch/isbnInquiry.asp?z=y&isbn=1592573908&itm=5
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So Much Water So Close To Home\nBy Raymond Carver\n\n"Significant changes occur between Raymond Carver’s first publication of So Much Water So Close To Home"
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here is the picture\nhttp://www.chiots-france.com/Trouver-votre-chiot/Cao%20Fila%20de%20Sao%20Miguel-1.jpg
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try here\nhttp://www.chiots-france.com/Trouver-votre-chiot/Cao%20Fila%20de%20Sao%20Miguel-1.jpg
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Is this the one you're looking for?  (there are 2 in this gallery)\n\nhttp://www.annegeddes.com/home/galleries/book/untilnow.aspx\n\nAnne Geddes has several images of this- her photos are amazing.
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I believe the story went something like this... Leonardo Da Vinnci began making a self portrait, and then didn't like the way it turned out, therefore he put several different layers over the features to change it until it was a piece of art that he felt he could display.  Whether this is true or not, I can not say, but I remember hearing there were MANY layers found within the picture from the original it had intended to be.
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Read "The Singular is Near" by Kurzwiel. Non Fiction You will be amazed at the speed of technological advancement. Good reading if your interested in this stuff.
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They are both done optically, it is just how it is processed that is different.  By that I mean one is on film and the other is stored digitally, however it is still the movement of the lens that increases or decreases power of the image for the picture.
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http://www.lacancha.com/mufccoll.html\n\nhttp://shopping.msn.com/results/shp/?bCatId=6216
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http://en.wikipedia.org/wiki/Stephen_Gaghan
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This book is a classic enthnographic text that needs to be read by all those who are interested in revealling the social forces that shapes our lives as a people living under this last state of Capitalism, that others call a Globalised world. Even though Paul Willis was looking at Working class kids in England, I have found the application of his methodology applicable even in the context of a post Apartheid state like South Africa where we talk of the "historically disadvantaged learner" as an eupermism for the same phenomenon that Willis has studies.\n\nNice light reading matter there.
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I have come up with these sites on cinematography. Are you looking for info about the discipline in general or how it is applied in individual films?
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I don't know but there's some interesting stuff in a book called "Take Off Your Glasses and See" by Jacob Lieberman about how there are people who are "blind" who can "see", even to describe the trees on the road they are walking on, if you are interested in other aspects of blindness.