Death Of A Salesman Play Written By Arthur Miller.?
955647
http://www.gradesaver.com/classicnotes/titles/salesman/fullsumm.html
1008962
Gone With the Wind is truely my favorite. You have to stick with it though, because Margaret Mitchell moves the story at a sometimes-slow pace... It is a classic! My very favorite. Another great older book would be basically, anything by Mark Twain, John Steinbeck, or, another one of my favorites, Arthur Miller. (Arthur Miller is a playwright, but his plays are amazing.) \n\nEnjoy reading!!!
950582
Herschel Burke Gilbert, an Oscar- and Emmy-nominated composer who wrote the memorable music for "The Rifleman" and a string of other TV shows, has died. He was 85. \n\nGilbert, who later produced classical chamber music recordings on his own labels, died Sunday at Cedars-Sinai Medical Center in Los Angeles after having a stroke in March. \n\nA onetime viola player and arranger for the Harry James Orchestra, Gilbert began his Hollywood career in 1944 when he was hired as an arranger and orchestrator for Columbia Pictures. Working at Columbia and other studies, Gilbert composed, arranged, or orchestrated the music scores for 62 movies. \n\nIn the early 1950s, he earned three successive Academy Award nominations: "The Thief" (best score, 1952), "The Moon is Blue" (best song, with lyrics by Silvia Fine, 1953), and "Carmen Jones" (best scoring of a musical picture, 1954). \n\nA pioneer of background music scoring for television, Gilbert's theme and music for "The Rifleman" led to his being hired as executive music director for Four Star Television. From 1959 to 1964, he composed music for numerous Four Star series, including "The Dick Powell Theater" (for which he received two Emmy nominations), "The Detectives, Starring Robert Taylor," "The Rogues," "The DuPont Show," "Burke's Law," and "The Loretta Young Show." \n\nFrom 1965 to 1966, Gilbert was executive music director for the CBS Television Network, serving as composer, conductor, and music supervisor for 300 CBS TV show episodes. His score for "Damon's Road," a two-hour episode of "Rawhide," received a Western Heritage Award from the Cowboy Hall of Fame. \n\nA former president of Screen Composers of America, Gilbert was active in helping film composers become members of ASCAP (the American Society of Composers, Authors, and Publishers) and receive film royalties. And while at Four Star, he successfully developed a policy that eliminated "ghost writing without proper credit" for composers. \n\n"How can you hear the theme music today, much less remember it, when at the end of every show the theme is virtually shut down while an announcer shouts at you to stay tuned in for whatever is coming next, or the star of the following show is berating you with the same message?" he asked. \n\nBefore the practice began four years earlier, Gilbert said, TV fans would write in by the thousands for theme titles of shows and buy recordings of them. After the promos began, he said, viewers were hardly aware that a show even had a theme music. \n\nNetworks seem to have forgotten how valuable a popular theme can be to a TV series, he said, citing the famous "da-de-da-dum" chorus of "Dragnet," which as parodied by comics and other shows. \n\n"Just imagine," he said, "how many free plugs 'Dragnet' has received in this way." \n\nAfter retiring from television in 1966, Gilbert formed his own record company, Laurel Records, which produces chamber music of primarily contemporary American composers in addition to some jazz. Gilbert, joined in recent years by his son John, produced more than 60 LPs and 28 CDs featuring the music of Ernest Bloch, Henri Lazarof, Paul Hindemith, David Baker, Robert Muczynski and others. \n\nBorn in Milwaukee in 1918, Gilbert began studying violin at age 9. At 15, he formed his own dance orchestra. He attended Milwaukee State Teachers College and in 1939 was accepted at the Juilliard School of Music in New York, where he received a graduate school fellowship in conducting and studied composition. \n\nGilbert was active in numerous community organizations, including the West Hollywood and Hollywood Rotary Clubs, where he ran the District 5280 Music Scholarship Awards; and the Hollywood Community Mental Health Foundation. \n\nHe also was a past president and head garden
683533
Go on google and type the seach terms - catcher in the rye laurence olivier -   \nYou'll find the exact quote in one of the results.
694190
last name, first name. name of play-underlined. Ed-editor. city of publication: publisher, year. pages.\n\nexample- Simmons, Alexander. (underlined)Sherlock Holmes and the Hands of Othello. (underlined)Black Thunder: An Anthology of Contemporary African American Drama. Ed. William B. Branch. New York: Mentor, 1992. 359-415\n\nhope that helps
791524
Memorize the Solique in Act Three (I think its act three)\nCalled the "advice to actors speech." It is quite striking.\nAnd everyone is tired of to be or not to be....\nSpeak the speech I pray you as I pronounced it to you trippingly on the tounge.\nDo not mouth it as many of our players do and do not saw the air too much with your hands thus.!\netc... etc... Striking verbage. \nGod he could write!\nInteresting premise also ... A play within a play....\nI love that stuff... He was soooooo clever...
472563
honey,that's a bit too hard.Is that really your homework?? gee..who wrote it? John Ashberry.Please tell us who wrote it.
591770
He was a playwright. He was married to Marilyn Monroe. Now go and do some research of your own, because the reason for your homework is not to learn about Arthur Miller, but to learn how to find information on your own.
81002
Farhenheit (misspelled) 451\n\nBy Ray Bradbury
289287
Sonnet 18, "Shall I Compare Thee To A Summers Day" is a good starting place. If you like that passage, try "A Midsummer Night's Dream". \n\nhttp://www-tech.mit.edu/Shakespeare/midsummer/full.html\n\nBe warned. Shakespeare seemed to hide a lot in his writings. The Bard is bawdy.\n\nhttp://observer.guardian.co.uk/uk_news/story/0,,1739819,00.html\n\nAlso, for an easier read that is full of wit, sarcasm and humor, try Samuel Clemens aka Mark Twain. "Life On The Mississippi" is one of my favorite reads.
434216
a lot of shakespeares plays are examples. they are plays written in the middle ages (medieval times) that have a hidden moral adn your suposed to learn something from them
299843
I just completed a research paper for my 1002 class on MND. (Got a 98% on it, btw).  I used Puck as my subject.  Just think of it this way:  if Oberon had not asked Puck to go get the love juice out of the flower, and had done it all himself, then we would not have had the comic aspect of the play at all.  It would have been just another boring old play.  What I liked best about it was the ending scene when Puck addressed the audience.  He was basically telling them that if they did not like the play, not to worry about it because it was all just a dream.  Great play.
848543
You're right -- pick something classic and short.  How about Dickens' "Tale of Two Cities" or Oscar Wilde's "Picture of Dorian Gray" or Crane's "Red Badge of Courage" or a play like "School for Scandal" or "The Critic" (both by Richard Brindsley Sheridan)?
647301
Robert Frost:  "The Road Not Taken"\nRobert Browning:  "Porphyria's Lover" "My Last Dutchess"\nLangston Hughes:  "Harlem" "Dreams"\nWalt Whitman:  "O Captain my Captain\nEdgar allen Poe:  "Anabelle Lee"  "The Raven" "To Mother"
56684
Do your own homework. If you had a question about one quote where I could believe that you read the play but forgot the context of a single line, I would help you. As it is, you need to do your own work. Them's the rules. \n\nFurther, your questions should read: Can I get what these quotes mean and WHO is speaking to WHOM? \n\nClearly, English is not your favorite subject. But suck it up. You deserve no credit for work you ask others to do for you.
1153660
The play, a three-act farce, amused everyone.\n\nc'mon. i'm a sophmore.
1107116
It’s funny nobody knows what is a mystery play...\nAnyway, the oldest English one is the Harrowing of Hell