what happens in the end of "phantom of the opera"?
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The phantom waits in the secret tunnel, it is secret because no one else discovered it and he waits years composing love songs for Christine. Raoel and her have a good life but he passes, one day when she is at his grave, she sees the music box on his grave stone. She opens it and there is a note inside from the Phantom who asks her if she will have him for the rest of his life, he will wait at the top of the old opera house near the rearing horses for her answer. \nAs she deliberates at home whether to go, a message arrives from her late Raoel. He tells her that if she is reading this, he is gone and that he has been helping the Phantom to exist because the Phantom relinquished her to him so long ago.\nRaoel tells her to go to him.\nWith the same gown he first saw her perform in, she arrives on the roof with the music box and the ring, now on her finger forever..................\nThat is my ending. Everyone got to be loved and love in return
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Beginning Of The End\n\nSpineshank
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Present tense, past characters.  Present style, past show.  Present violence, past ideas.\n\nI heard the final scene will blow your socks off!
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I wish I could answer your question, but there have been so many different endings.  I can think of 2 off the top of my head, Ayumi Hamasaki and Do As Infinity.
330902
it's Raoul. The actual story are his memories of what happened. some people actually think it is the phantom!!! come on ! the guy says "the viconte de Chagny" it's clear he is Raoul!
1025583
That's old!  She dies!\n\nDo you want me to tell you the finale?\n\nAs Libby clings to life, Michael must deal with the awful truth of what he has done. While Jack treats his gunshot wound, Michael knows that she is the only person who can say what really happened in the Hatch. This has him on edge more than ever. And while his guilt is profound, his desire to rescue his son is much, much stronger.\n\nBut what to do about Henry? It looks like he shot three of our people on his way out of the Hatch and two of them are likely to die. He's on the run and Jack wants some payback, but is once again handcuffed by his value to the group as a doctor and therefore must pass the responsibility of going after him to someone else.\n\nEko finds himself drawn to Locke like never before and the two form an uneasy alliance as they set off in pursuit of the man who has wrought so much havoc in the camp. But as they make their way into the jungle, we get the sense this journey is about much more than revenge.\n\nIn FLASHBACK we see Eko as he once was, resplendent in his robes and taking confession in an Australian church. But when one of his "customers" makes a reference to Eko's past we learn that he still trying to free himself of the man he once was. It seems Eko is trying to make his way to the USA and he's finally got the papers to get him there, but his Monsignor informs him that his trip will have to wait -- at least long enough for him to investigate something. It seems one of the parishioners has reported a miracle.\n\nBack on the island, Libby continues to hold on as Michael sweats it out in the background and Kate has the unenviable job of informing Hurley the terrible news. Despondent, Hurley races to the Hatch to sit at Libby's side in a desperate attempt to save her life. \n\nMeanwhile, in the jungle, Locke and Eko share a haunting connection in their dreams that leads them to the discovery of a new Hatch. And the information they discover within is enough to shake all of us to the core. It seems that, for these two men, their feelings and beliefs about the island have switched places. Whereas Locke was the believer for so long, this new discovery has convinced him he was being a fool. But Eko's belief in the importance of what they are doing has never ever been stronger. And on this island, the stakes are as high as they get.\n\nPeople see what they want to. And while one person sees nothing but smoke and mirrors, the next believes he has been witness to an honest-to-goodness miracle. Thing is, who among us is in a position to decide which one is correct? \n\nAir Date: 05/17/2006 \nIn the aftermath of the tragedy at the Hatch, a few things are becoming clear. Michael is willing to wait no longer in order to get his son back. And Jack will never again allow his people to be terrorized by the Others. Hippocratic Oath aside, if there is to be war, let it come. And may it be -- finally -- the last battle for life on this island.\n\nFor some the war has already begun and more than one of our survivors has blood on their hands. Some just have an easier time wiping it off. So while preparations are made to bury Libby and Ana Lucia, a plan is hatched to go and end things once and for all. And it's Michael who is intent on leading the charge. \n\nBut there's a catch -- not everyone is invited to come. Just five people will be making this journey and all have been chosen by Michael himself, whether they are aware of that fact or not. And some of his choices might be surprising.\n\nBut IN FLASHBACK we get to experience the things that led Michael to this place. And when we learn the details surrounding what happened to Walt, as much as we don't want to, we can almost understand why Michael had to do what he…well, did. \n\nWhat would you do to save your child's life? How far would you be willing to go? How thin could you stretch your belief in what is right vs. what is wrong? How much do th
687009
I love Phantom of the Opera also! My fave besides that is Singin' in the Rain and Chicago! oops cant forget Moulin Rouge!
63181
everything has an end
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It's a while since I read Romeo and Juliet. If you would like to explain what happens in Act 2 Scene 2 then I might be able to help...
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I am not 100% sure but the end of the movie it says it is true
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Trivia for \nThe Phantom of the Opera (2004) \nBoth Gerard Butler and Patrick Wilson hated filming the water scenes.\n\n\nThe sweeping camera angles during "All I Ask of You" made it necessary to shoot multiple takes of the kiss between Emmy Rossum and Patrick Wilson. Emmy Rossum had to ice her lips between takes to prevent them from swelling.\n\n\nEven though in the Andrew Lloyd Webber version the Phantom doesn't have a name, in the original book he's called Erik.\n\n\nAll of the principal actors sang in the film except for Minnie Driver. Most of the actors have a background in musicals or opera, but Minnie Driver (a skilled singer) had no experience in opera and was dubbed by Margaret Preece, a singing teacher from Solihull, UK. Driver does however contribute the film's end title song, "Learn To Be Lonely," written specifically for the film by Andrew Lloyd Webber.\n\n\nThe Phantom's white half-mask prop that Gerard Butler wore for the film sold for £6,350 on eBay.\n\n\nThe most expensive independent film ever made.\n\n\nGerard Butler's first days of filming were five weeks into production, where he and Emmy Rossum did "Past the Point of No Return" which took three days to film.\n\n\nEmmy Rossum was only 16 when this movie was filmed, the same age as her character Christine when the movie is set.\n\n\nThe project was ready to begin filming in 1990 and was set to star Michael Crawford and Sarah Brightman (the original stars of the stage version). Just before filming began, Andrew Lloyd Webber divorced Brightman and the project was put on hold.\n\n\nShekhar Kapur was set to direct at one point.\n\n\nJohn Travolta and Antonio Banderas were both considered for the role of the Phantom. Banderas actually spent several years in vocal preparation, and sang the role of the Phantom in Andrew Lloyd Webber: The Royal Albert Hall Celebration (1998) (TV).\n\n\nKeira Knightley auditioned for the role of Christine Daaé.\n\n\nCharlotte Church and 'Anne Hathaway' were considered for the role of Christine Daaé.\n\n\nWhile others have been mentioned through the years, Joel Schumacher was Andrew Lloyd Webber's choice for director since the movie project was conceived in the early '90s.\n\n\nIt took four hours for Gerard Butler to be fitted with full makeup and prosthetics.\n\n\nFilming of the final lair scene took a week to complete.\n\n\nKatie Holmes was almost cast as Christine but the director said she was too old for the part.\n\n\nThe movie was dubbed into Spanish by the actors and singers from the Madrid stage version. The main roles are played by Juan Carlos Barona (The Phantom), Julia Möeller (Christine), Paco Arrojo (Raoul), Yolanda Pérez Segoviano (Mme. Giry), Belén Marcos (Carlotta), Tony Cruz (Firmin), David Venancio Muro (André), Enrique Ferrer (Piangi) and Ana Esther Alborg (Meg Giry). The Spanish lyrics, however, are different from the Madrid version because of the need of lyrics that can be lip-synced with the screen actors.\n\n\nIn April 2004 an audience of the stage version of "The Phantom of the Opera" in London were asked to stay behind at the end and record the sound effects for the movie. The sounds will be played during the chandelier crash.\n\n\nThe same lead sculptors were used for the making of the film sets and for the original stage show in London.\n\n\nNeither Gerard Butler nor Emmy Rossum had seen the musical prior to receiving their roles.\n\n\nJoel Schumacher was chosen by Andrew Lloyd Webber after he saw The Lost Boys (1987) and was impressed by Joel Schumacher's use of music.\n\n\nWhen the Phantom is taking Christine to his lair, he places her on a black horse for a while. This is not part of the show, but is a nod to the original book, where the Phantom uses a horse named Cesar to transport Christine part of the way.\n\n\nAndrew Lloyd Webber composed 15 minutes of new music for the film.\n\n\nAndrew Lloyd Webber only insisted
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I'm not familiar with the movie, but a quick look for the soundtrack brings up the following possibilities:\n\nSome Enchanted Evening, by Rogers and Hammerstein\nOver the Rainbow, by Arlen and Harburg\nChariots of Fire, by Vangelis\nOverture to William Tell, by Rossini
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at the end --- it stops
418959
It's from one of his oratorios....The Messiah. It's the chorus that ends part two (there are three parts)
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til you get to the end
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Madame Giry advises people to keep their hand at the level of their eyes because the Phantom uses the punjab lasso as a weapon, with which he is lethal. (This makes a little more sense in the stage show, where he has travelled widely rather than growing up under the opera house.)\n\nIf you keep your hand up by your eyes, a lasso will probably go around your hand and arm as well as your head, enabling you to prevent yourself from being strangled. Of course Raoul forgets this, and ends up lassoed.
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Everything that has a beginning has an end. - The Matrix.\n\nThe only questions are when and how.  The rest is just details.