How much money does a music video director make?
916894
a lot....depending on the talent and artist
319677
I wish I knew, but it depends on the type of performer and all, but I guess they're well paid.
728966
it depends on where they are in their career and what they offer in terms of looks \n\n\nfor an average male model -\nshowing abs, chest, face say for  a shorts ad nets about $1000 for a days work, fitness type shoots about $1500\n\nanything with a hint of nudity or bum shot can get you about $3000 for a days work\n\n\nmost decent guys get about 12-15 gigs per year - more is over exposure
604138
go here for a bunch of free music video codes http://www.discoverclips.com/
152914
like 80.per hour or less.  I know they made about $12-28 a year.
6028
Well, To judge a music video, various factors have to be considered including the accompanying song, creativity of the director, the money involved and the overall theme. Here's my pick:\n\n1.Michael Jackson - Thriller. I salute this classic song, The most popular video till date.\n\n2.Aha - Take on Me. The most technically challenging video of its time(1984). The video shows part of the person in sketch and other parts of the real person.\n\n3.Enigma - Return To Innocence, a really creative theme, where the story rewinds from death to birth depicting the life of a person. Coldplay's Scientist  is based on the same theme too.\n\n4.Red Hot Chilli Peppers - Californication, an extreme creative concept, revolving around the character of a game. An intresting fact to know, is that no two lines in the song have any correlation or make any sense, but the song is simply excellent\n\n5.Coldplay - Speed Of Sound, the video shows a huge light display unit behind the performers, showing mysitc colours moving consistant with the beats. The artists are also put slightly out of focus. The first time I saw the video, I mistook the song as "Speed Of Light' because of the vivid use of colours\n\n6.Linkin Park - All songs are great. To appreciate their creativity, it would take me an hour to write\n\nThe Most Creative Artists - Fat Boy Slim, Coldplay, Moby, Weezer, Linkin Park, ATB\n\nThe Most Expensive Music Video Maker - Michael Jackson, always using the top of the line technology, always going in millions\n\nThe most downloaded music video on Internet and P2Ps - Madonna, Britney and Christine aguilera. Even though it was a live performance, I would simply describe it as pure entertainment. I don't need to explain why its popular.
300155
the guy above is right, not all of that money goes to the artist, some of it goes to the people at the record company. And not all of them make good money. But, I do think it is stupid that music costs so much. I don't like the fact that you have to pay $20 for one CD that has maybe twelve songs on it.
775246
In all actuality, artists don't really make as much money as you would be led to believe. At least not off of album sales. Most of the revenue off the average CD purchase goes right back to the label, not to mention managers, tour managers, A&R Reps, producers, mixers, engineers, publicists, PR people and anyone else involved in the making of the disc. Artists aren't losing as much money as the RIAA would like people to think. \n\nA substantial amount of the money that artists make comes from merch and touring. Consequently, if I enjoy a band, I'll make sure to do so while I'm at a show, where I know more money will actually go into the bands' collective pockets.
397455
Depends on the show and time slot. During MTV's most sucessful show Laguna Beach, it was about $30,000-$40,000 per 30 second commercial during the first run.
497456
well, I know at the TV Station I work at it I think our current producer started around $30,000.  But just so you know, this tv station isn't a very high paying place.  So probably anywhere else, you'll find they get paid higher.
149616
Videographer, I think...
442229
there are plenty of audio editing programs out there, but they get pretty pricey.  Cake walk starts at about $400 and it's not to user friendly, but you're set to start a band with it in hand.
697256
Now 32, George has directed two feature films, a TV pilot, and guest spots on episodic TV shows. Which should mean he's rolling in the proverbial dough. Or maybe not. "One of the toughest parts of the job is the financial instability," George said matter-of-factly. "You don't know what you'll be making year to year." In 1998, he cleared a whopping mid-six figures. Last year, however, he only made $10,000. "It all depends. You could be making $50,000 a week on one show, then the next you're doing for free because you really want to do the project. The philosophy is, if you keep doing what you love, eventually it will pay off."
354518
For music videos try YouTube.com; however, for music you'll most likely need your own server. There are a lot of them around the internet, the trick is finding one with enough space to hold your file. I haven't looked at the free ones for a while; but try geocities, angelfire, tripod, etc. I wish I knew more, sorries!
656941
Not much. To tell the truth the song sucks. But the video its ok. Did you see the hair Madonna had?
779042
easy. use your free resources. use that $75 for your tapes to record on. and the rest. well find friends that will act, find cool places to shoot (for  free) and basically make up your storyline, wich doesnt cost you money only your time.\ntake a look at the 'blair witch project' probably made on LESS than $75 and that movie made millions and millions
404620
Well, a lot of that depends on if that EP is also a creator.  I'm sorry, but the question has no easy answer.\n\nI'd say a believable range for an EP is anywhere from $50,000 a year (for a series creator who's just selling his license and taking the EP credit) to maybe $4-6 million or more for a major network series creator who's actively involved in the day-to-day workings of a show.\n\nYep.  It's that broad.  Most basic cable guys I've worked with make maybe $50k on the initial sale of a series and $8-15k a week while in production.  Not exactly a salary of Spielbergian proportions given the usual production periods, which usually don't surpass 22 weeks.\n\nThe superstars with multiple series, like Dick Wolf and Steve Bochco make much more, I'm sure.  And don't forget the bonanza that happens when you sell into syndication.  Larry David's payday on Seinfeld's syndication was something like $250 million.