Is learning necessary before you can perform a reflex action? Explain.?
354493
No. Reflexes are a subconscious action (of course learning can be too).
826773
Knowing is only half the battle, because you can be the smartest person in the world but be 100% useless if you don't use it for something constructive or productive.  \nYou can be WILLING to do somethin, hell everyone at one point is willing to make some effort on some sort of goal, but if no initiative to act on that will is apparent, then you can will all you want but it won't mean SHEEIT...to anyone nor yourself.  \nIt all boils down to good works are nothing without action.  Nuff sed.
115671
Yeah, well you're consciously doing that with your body.  If you don't believe that you are actually controling those movements, there are only two posibilities:  1.  You have a serious neurological disorder that may have physiological causes and you should seek help immediately.  This is very, very unlikely.  2.  You have a dissociative pyschological disorder, some sort of schizophrenia.  You should seek help immediately.
1018650
To learn the basic moves and strikes, a short time, but armed with this level of skill, you are more of a danger to yourself, than to your opponent. To get proficient at it, where you can defend yourself, a year to two years, depending on your god given talents.
105323
You really cant unless you want to learn. Try to take away distrations and calm your nerves before you do.
1129988
dont kick it, push it up. move your foot up quickly then pull it back down and around, you'll get the hang of it. my biggest problem while learning it was catching soft enough on the way down, make sure you go pretty straight upwards.
185990
It depends on the individual.\n\nSome learn better by seeing.\n\nSome learn better by hearing.\n\nSome learn better by doing. This means applying the knowledge that one wants to remember.\n\nIt can also depends on what it is that one is learning.\n\nAnd certain things might be better learned in a certain way regardless of who is learning them.
462235
Depends on the function. For example, voluntary movement requires central nervous system and musculo-skeletal system working together, i.e. impulse arises from the motor cortex in the brain, travels through the central/peripheral nervous system to the muscle(s) needed to allow for specific movement, feedback from sensory receptors go back to brain to finetune movement accordingly. (a very basic explanantion!)
452302
use it as an opportunity to work on your endurance and control. you might even increase the frequency to practice your technique. i hope all these answers help you feel more comfortable with what you are doing. self-pleasure is a wonderful thing. classes should be offered at the Y. seriously.
550782
Not sure, but practice before taking it.
15014
This may be related to Ivan Pavlov's studies.\n\n"'conditional reflexes' — i.e., reflex responses, like salivation, that only occurred conditional upon specific previous experiences"\n\ntry the link below.
302977
Do you mean like moving your arm or something?  Becuase sometimes it's before the conscious brain knows about it (like when you are burnt) and sometimes it's when you consciously choose to move it.
257937
I'm only an 8th Kup but I've seen other students practice Joon-gun and I know the move you're talking about, they bring the hands up slow with a loud drawn out exhale don't they? I can't remember anyone ever asking but remember that all Tul represent something as well as incorporate moves, and i know talking to the 2nd Kup students that i've seen practice it that when they are graded the instructors look for your control, switching speed ect. You have to really know the routine, at the lower levels you can memorise a routine and go through it without thinking, but when you have to slow down your stance is very visible, and if it's not good it notices. So all before the change in speed your stances need to be correct and you have to know what you're doing. That however is a practical consequence, instructors take advantage of it to look for things, i don't think it's the real reason. You can ask your instructor about it and see what he says.
555117
Slowly.  Your body can't do the things it could 10 years ago.  It also breaks a little easier.  Start small and don't expect your skill level to be the same.  But yeah, I see no reason why you wouldn't if that's something you want to do.
802294
It may seem to go in one ear and fly out the other, but observe how you learn a little closer. You will find that you learn very slowly, perhaps, but once you "get" something, it's in there forever. So the way you are actually learning new skills and techniques is very important, and you are already on the right track. Do not rush. Because you learn very slowly and meticulously, take your time and get all the details and spend a lot of time with those details until you master them. There is absolutely no need to rush. When you rush, you gloss over the important stuff, (like the centering presence of gravity) and it simply does not sink in. When you get involved and go slower, the material you wish to master will go much deeper into your consciousness until it all becomes part of your instincts, and from your instincts you will manifest a knowledge which will surpass book or surface knowledge, and it will even surpass the instruction of your teacher, because you are you and not him. Let your mind become very quiet inside and you yourself become very deliberate when someone is showing you something new. Do not be concerned at all whether the learning is happening or not, just give the new lessons your absolute and undivided attention. Concentrate on active listening, and just do your best to stay focused on what is being shown to you. Stay very alert. Very soon you will look back and begin to notice you have absorbed far more than you thought you did. When I was studying how to drive a car I felt I was hopeless, and then I later found myself quoting the instruction manual almost verbatim. I was noticing things like proper lane usage, distances to follow based upon the speed traveled, and a million other little things I never thought I had learned. The bottom line is to get focused on being quiet inside when something new is being shown to you and do not create an attitude about your learning processes which will only slow down the whole thing even further. Become ALL EARS AND EYES and you will become like a sponge and begin to absorb everything you are shown. You will also begin to get a little bolder and start to demand of your teacher to reinforce the parts you do not understand. If he is any good at all you will find he has infinite patience to stop the world and show you even how to balance on the front of one foot for ten minutes. Feel the strength in your legs. Walk in the woods often to strength ALL the muscles in your legs for keener balance. Close your eyes and stand on one foot and do not hold your breath. Now, do you see how quickly you are learning? Well, it is because of how quiet you have become with me while we were chatting... sent to you with good energies from Chris in South Portland, Maine, U.S.A.  (I am 63 years old and when I studied classical ballet, my teacher was 81 years old. She was still doing triple beats in the air with perfect balance and strength and she easily tired me to the point of almost giving up. I will never forget the value she had to me. She is now in Spirit. She is no longer with me in this world. But she taught me one thing: you can sneak up on the greatest knowledge a little bit at a time until it opens its arms and embraces you. I wish you total success in everything you undertake and direct your attention upon, and do not be concerned about mastering your art. You will. It is not a question of if. It is a question of when.   - C.
1145585
practice....you can force your body to learn just about anything
696986
It's like watching your favorite ballet on TV but with more action. The better you act the more money you make & the better your position becomes. BUT they still have to be schooled. They have to learn how to hit to make the most noise, how to take a hit, how to fall all with the least amount of injury. Basically your an actor doing all your own stunt work. It might be choreographed but it is still very physically demanding.