In Jane Austen's Persuasion, what transformation does Anne take.?
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She becomes more confident and decides not to be persuaded by others.
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Jane Austen Biography  \n... novel-writing, obsessively aristocratic Kentish squire, Sir Samuel Egerton Brydges. ... Prose fiction was the major but not the only object of Austen's parody. ...people.brandeis.edu/~teuber/austenbio.html
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That was a movie starring Aishwarya Rai and Martin Henderson. Don't think there's a show by that name. the movie was a spoof of the original story by Jane Austen.
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anastasia and drizella
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First you need to think about how you are defining these types of love before you can look for examples of them in the text.\n\nRomantic love is probably the easiest to define; I would say this sort of love is evident in the story between Jane and Bingley; they are attracted to each other but there is no other element involved.\n\nPatriarchal love is quite different; Erich Frohmm points out that patriarchal love establishes principles and laws, and makes demands. It is thus dependent upon these laws being kept and demands being fulfilled. I would describe the relationship between Lady Catherine and Mr. Collins as being patriarchal in this sense because before Lady Catherine bestows her 'love' she expects everyone she comes into contact with to do what she wants.\n\nFinally, we come to heroic love, which for me is the highest on the scale. As Mortimer Adler points out, it always involves an element of self sacrifice; being willing to give up something or put ones own interests aside for the sake of the loved one. I would say that Darcy has this sort of love for Lizzie; he is prepared to do something he absolutely hates (find and bribe Wickham to marry Lydia) for Lizzie's sake alone.\n\nHope this helps!
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The book tells the story of Mary Lennox, a spoiled, contrary orphan, who is sent to live in her uncle's manor in Yorkshire. She is left to herself by her uncle, Mr. Craven, who travels trying to escape from being haunted by the death of his wife, and the only one who has any time for her is the chambermaid Martha. It is Martha who tells Mary about the walled garden, Mrs. Craven's favourite garden, which nobody has seen the inside of since she died; Mr. Craven locked it and buried the key.Exploring the grounds, Mary discovers the key to the secret garden, which has been turned up by a dog digging for moles, then the door. When she is inside the garden, she discovers that although the roses seem lifeless some of the other flowers have survived; she decides to work on the garden herself, but to keep it a secret, in case her uncle should find out and fit another lock for it. Through Martha, she recruits the assistance of Martha's brother Dickon, who is known for being good with plants and wild animals. Dickon begins by providing gardening implements, bought with money Mary gives him, and demonstrating that the roses, though neglected, are not dead. When Mary's uncle visits the house briefly (for the first time since she arrived), Mary asks him if she may have a bit of earth to make a flower garden in, and he agrees.
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Emma\nGender: Feminine \nUsage: English, French, Italian, Finnish \nPronounced: EM-a   \nDerived from Germanic ermen meaning "whole" or "universal". This was the name of the mother of Edward the Confessor. This is also the name of the central character in Jane Austen's novel 'Emma'.
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transmogrify \n\nverb\n\nTo change into a different form, substance, or state: convert, metamorphose, mutate, transfigure, transform, translate, transmute, transpose, transubstantiate.
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Pride and Prejudice. That'd be a GOOD one to watch.
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This is kind of Calvin and Hobbes-esque, but it'll work.\n\nOur heroine is shackled to a wall by a psycho scientist and his lackey. He laughs manically as he holds up a syringe. "This will make you obey me! Muwahahahaaaa!" Our heroine is shocked and attempts to kick the psycho scientist in the face. The lackey holds her down. Suddenly a suppressed power emerges and she is able to melt the metal shackles! She promptly begins to round-house kick the psycho scientist to the ground and drop kicks the lackey into a window shattering his skull. She promptly manipulates the metal shackles that bound her to the psycho scientist. She does not kill him, she merely gives him a dose of his own medicine.
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Point out the change in the character\nProvide evidence of this change\nExplain why you feel this way
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The basic character is probably a good reflection, not least as many of the dramatic peaks were partly auto-biographical by Charlotte Bronte. Miss Bronte was a govnerness like Jane Eyre and it is almost certain that her traumatising loss of two siblings who fell ill whilst at an infernal bording school affected the early chapters of the book. In other words, the author knew what she was writing about: it was her own past and present. \n\nThat said, we have to ask ourselves where the reality stops and where the dreams begin. Young Jane Eyre is almost certainly more rebellious than your average young girl of her time (those were days of submissive females - in public, at least...). And, Jane's innate resolution to be the mistress of Mr. Rochester if an only if it can be done from a position of relative strength may rely on Miss Bronte's daydreams rather than the upstairs-downstairs relations of those days. \n\nIn other words, yes, I think the descriptions of British life and the role of pennyless girl and a hapless governess in this reality can be relied upon. But, I don't necessarily think Jane Eyre's more fanciful pursuits can be seen as very representative.
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I saw Pretty Persuasion last weekend and I found it entertaining, but I had expected more from it. It is a black comedy about a clever, sexually precocious student (Evan Rachel Wood) at a ritzy private school in Beverly Hills who frames her teacher for sexual harassment, persuading two friends to go with her, resulting in a huge scandal. And she does it all for the fame. I think Evan Rachel Wood does a great job playing the cool, calculating Kimberly Joyce, who seems to care about nobody but herself.\n\nThe cast:\nEvan Rachel Wood as Kimberly Joyce\nRon Livingston as accused teacher Percy Anderson\nJames Woods as Kimberly´s dad, Hank Joyce\nJane Krakowski as lesbian reporter Emily Klein\nElisabeth Harnois as Kimberly´s friend, Brittany Wells\nAdi Schnall as Kimberly´s Muslim friend Randa Azzouni\nSelma Blair as Percy Anderson´s wife Grace Anderson\nDanny Comden as teacher Roger Nicholl\nStark Sands as Brittany´s boyfriend and Kimberly´s ex boyfriend Troy\nMichael Hitchcock as Headmaster Meyer\nRobert Joy as lawyer Larry Horowitz\n\nIt´s good fun watching it, but in my opinion not a master piece.
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Well since Shakespere has a play out there called Henry V how about:\n\nTo Manipulate or Not to Manipulate, That is the question...
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Let her do the seduceing
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immortality. She led French troops to victory. Although she burned at the stake for it as a teen ager, 14 I think. She was the original hot chick.
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The answer is B.\n\nThe expectations that cause Pip's character to become less likable are those that he develops after being introduced to Miss Havisham and Estella. During his first visit to the Satis House, Estella, who considers herself much too refined and well-bred to associate with a common boy, scorns Pip. On the other hand, Pip seems to fall in love with Estella during that first meeting. He even admits to Miss Havisham that he thinks her adopted daughter is not only "very proud" and "very insulting," but also "very pretty" and that he should "like to see her again" (p. 59). After just one afternoon at the Satis House, Pip develops a desire to become more acceptable to Estella, in hopes that her callous attitude toward him would change.