Where can I find The Significance of the Dream of Being Attacked written by Calvin S. Hall, Western Reserve?
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There are a number of books written by Calvin S. Hall.\nIt is probably contained in one of these.\n\n"The Meaning of Dreams" 1953\n"The Content Analysis of Dreams" 1966\n"THe Individual and his Dreams" 1972\n\nAlso try the reference/information librarian at the nearest college or university.
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try this \nwww.books.com.tw
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And!\n\nAsk the Army for a copy, it should be in your records, or in his.\nWestmoreland is dead I am pretty sure so he isn't a source.
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Try www.sparknotes.com
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Try contacting Jack Canfield:\n\nhttp://www.jackcanfield.com/\n\nHe wrote the book her story appears in:\n\n"Chicken Soup for the Military Wives Soul"
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Go to Yahoo or Google and do a search for the title.  You'll get a lot of hits.  This one is really good, from an online review at amazon.com:\n\n "Black Dogof Fate" Is a Fuzzy Grey Beast at Best , May 24, 2005\nReviewer:Bedros Afeyan "Bedros Afeyan" (Pleasanton, CA) - See all my reviews\n(REAL NAME)   \nPeter Balakian's book, "Black Dog of Fate," tries to be too many things\nand sadly fails at many of them. In essence, it is an attempt to tell a\nsort of Armenian-American story which I find not overly interesting or\ncompelling. I wish the author had done a bit more in-depth work to learn\nabout his people and their rich heritage before embarking to represent it\nor explain it or share it with non-Armenians, for he has much more to absorb\nand understand himself first. I find the Armenianness in this book to be\ntentative, unengaged and unconvincing. Pity, since the author seems to\nhave a lot of passion in his pursuit of other aspects of his life such as\nfootball, the Yankees, modern poetry, and exposing Turkish attempts to\nbuy (among others) Princeton professors to act as mouthpieces giving\nlegitimacy to their vile historical revisionism, practiced by the\n"modern" Turkish state and its organs.\n\nIt seems to be all the rage these days to elevate personal histories and\nfamily testimonials into the realm of fiction and novels. The "I" and "we"\nand "us" occupy center stage and the reader is invited to enjoy the\nintimacy that must surely be in place via this artifice. But is it realy?\nSince in order to make this legitimate, the writer must distance himself,\nat least initially, from all this old world exotica, and like the reader,\nquestion their validity or relevance in present day North American\nsociety. What are all these old world, old fashioned ghosts and traditions?,\nis the first cry of writer and reader alike, only, ofcourse, to be followed\nby a sharp bank turn where the writer steers the satisfied and in-place\nreader towards the opposite viewpoint wherein *this* culture and *this*\nlifestyle become suspect in light of some tentative spotting of cultural\nwealth that has been traded in or abandoned in order to swim swiftly towards\nmaterialistic, memory-free, self-redefining, "comfort" seeking and buying\nmores.\n\nIn the Balakian tale, one encounters suburbia instead of substance,\nworldly goods acquisition instead of deep roots that steady the soul,\nimmediate family and relatives running away from their true identities either\ntowards surrealism, the abstract and unemotional, or else towards medicine,\nrespectability and detachment. Young Balakian observes but never\nunderstands "the grandmother" for she is shielded culturally from being\nable to reach him by her very offsprings who can not and will not instill\nthe Armenian identity he will eventually seek but never quite find. Their\ncrime is self-denial and a march to the tune of America's mixmaster\npiper. "Be unlike your past and your future will be brighter," seems to be\nwhat America promises, at the very least. The intermediate generation listens\nand adopts this credo and Peter is left to find out but never quite\nunderstand just what cost his ancestors have paid to remain Armenian and\nto preserve our culture before the final denials on New Jersey pateos while\nenjoying, as if to serve sweet irony, full course Armenian meals and the\nmixing aromas of delicacies from the old country every Sunday.\n\nPeter is lost alright, but as the book sadly shows, he remains lost.\nParaphrasing or quoting Ambassador Morgenthau does not an Armenian genocide\nexpert make. Personal family testimonials of the Turkish atrocities does\nnot a genocide history make (For that, read Vahakn Dadrian's "The History\nof the Armenian Genocide" Berghahn Books, 1995). Episodic accounts can be\ndismissed by the Turks as hear-say and as mere isolated incid
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I suggest trying find it the "old school" way - find a local library that has copies of "Vital Speeches of the Day".  It is a publication that has published influential speeches (likely determined by its publisher/editors).  Since they began publishing in 1934, it's likley they may have published some of Og Mandino's speeches.  If so, the library may have a copy on microfiche.\n\nI also found a good list of other sources at SUNY Albany.
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Finnegan`s Wake is a book (if it might be called this way) by James Joyce,presumably the most important writer of all time.The book is full of associations,wordgames,allegories and archetypal interweaving,so as to present the course of the Dream in which we all live in.The book ends with its beginning(the first sentence of the book is a continuation of the last sentence) and it also represents the Giant Cycle of history,containing the most important figures of our history and also the images of the Father and the Mother of Humanity.\nTry and read it,if you still haven`t.It is very hard at the beginning,but when you begin to see/sea you will suck seed.
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http://www.bookstory.com
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http://www.sparknotes.com\n\nEdit: My bad, this is the right one.
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I have a dream.  My dream is that one day Thomas Jefferson will rise up out of his grave and p!mpslap GW Bush.  Then he shall spit in the president's face and say, "Listen up, moron.  The end does not justify the means.  Your day-to-day actions add up and affect the big picture.  Sacrifice small liberties today and you're closer to killing freedom tomorrow.  Now go get yourself the complete works of Aristotle and don't come out of your room till you've finished reading them cover to cover."
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Interesting. Where did you find the quote?
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Was it "Indian Reservation" by Paul Revere and the Raiders?
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There is no book.  It's a purported speech from a slave owner named Willie Lynch, on how to ensure your slaves stay enslaved.  It is of dubious authenticity.  The source I mention deconstructs this speech.
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I believe this might help you a bit.. if not sorry!!!\n\n~~Meranda\n\nIntroduction\nAlthough he was born more than six years after the end of the American Civil War, Stephen Crane's novel The Red Badge of Courage depicted that war so vividly, and rendered the fears of men in battle so intensely, that many veterans who read the book were convinced that he was one of them. In a career of less than ten years, Crane produced a body of work that, in its striking and concise phrasing and its unflinching confrontation of smugness and hypocrisy, helped set the course of American fiction and poetry in the twentieth century.\n\n\n\n\nEarly Years\nBorn in Newark, New Jersey, on November 1, 1871, Stephen Crane was his parents' fourteenth (and last) child. His father, Dr. Jonathan Townley Crane, was a Methodist minister, as were his maternal grandfather and other relatives on both sides of his family. Dr. Crane's successive ecclesiastical appointments led the family to move in 1876 to Paterson, New Jersey, and in 1878 to Port Jervis, a town in upstate New York that, with its surrounding countryside, would become the setting for a number of Crane's works, including Whilomville Stories, the novel The Third Violet, and one of his greatest short stories, "The Monster." After Dr. Crane's death in 1880, his widow moved the family to Asbury Park, New Jersey. \n\nCrane attended the Hudson River Institute in Claverack, New York, from 1888 to 1890, where he was taught history by John B. Van Petten, who had been an officer in the Civil War. In September 1890, he enrolled at Lafayette College to study mining engineering, but left without completing his first semester. He entered Syracuse University in January 1891, where he showed more interest in catching for the varsity baseball team than in his studies. In his single semester at Syracuse, he passed only one course of six—English literature, for which he received an A. He had also begun to write for the New York Tribune, and even though he was to lose that position the following year for writing a satirical account of a parade by the Junior Order of United American Mechanics, journalism would remain one of his principal means of support and avenues to fame for the rest of his brief life.\n\n\n\n\nLiterary Career\nCrane later maintained that he wrote his first major work of fiction, Maggie: A Girl of the Streets, in two days just before Christmas of 1891. He borrowed money from one of his brothers to have it printed, since he was unable to publish it commercially because of its bleak and uncompromising presentation of life in the slums of New York City: the title character is forced to turn to prostitution after being self-righteously rejected by everyone she has loved and trusted. The book appeared early in 1893 under the pseudonym Johnston Smith, and, while very few copies were sold, it won favorable attention from the influential novelists Hamlin Garland and William Dean Howells.\n\nAlso in early 1893, Crane wrote a first version of what would become The Red Badge of Courage. This novel, his masterpiece, was published in 1895 in both the United States, where it became a bestseller, and England, where it also attracted a great deal of positive notice. In vivid and impressionistic prose, studded with the kinds of striking similes that were a hallmark of Crane's style, the novel relates the experiences of "the youth" Henry Fleming and his comrades as they test themselves on the field of battle. Also in 1895 appeared The Black Riders, the first of Crane's two collections of free verse. These often fable-like little poems, with their stripped-down lines and stark phrasing concentrated on the rendering of a single effect, were to influence the Imagist movement in Anglo-American poetry in the second decade of the twentieth century.\n\nCrane was himself a dashing figure, whose life was often as much of a story as anything that came from his pen. One night
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Goto \nwww.sparknotes.com
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I like the poem entitled Family by Mark Spencer.  You can find it at  http://www.dreamersreality.com/poems/read/11910/Mark_Spencer/Family/Family/.  Also, there is a poem called The Family Castle by Nancy Rakovszky you can find at netpoets.com.  Best of luck.