what are modern short stories?
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In the literary sense, modernism refers to stories written in the late 1800's and continuing until at least the 1930's. ... The short stories on this page are modern in the informal sense, as in, they are fairly recent. They were all written after 1980.
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Word count. Broadly speaking, a short story is any work of narrative fiction from 1,000 to 10,000 words. Novels, by contrast, tend to be around 50,000 to 70,000 words, though of course there are plenty of examples of novels that are longer or shorter than those arbitrary guidelines.
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['The Story of Doctor Dolittle, by Hugh Lofting.', 'The Turn of the Screw, by Henry James.', 'P.S. I Still Love You, by Jenny Han.', 'Emma, by Jane Austen.', 'The Call of the Wild, by Jack London.', 'The Invisible Man, by H.G. Wells.', 'The Tale of Peter Rabbit, by Beatrix Potter.', 'David Copperfield, by Charles Dickens.']
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Are These Stories True? (Nope.) An informational text about fake news from the 15th century until today (with plenty of tips on how to recognize fake news) is paired with a Jewish folktale about a boy who learns a lesson about spreading false stories.
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Here's a bit of opinion: The main feature of modern poetry is freedom. Modern and Post-modern poets exercise the freedom to write in any structure they choose—rhymed verse, blank verse, free verse—and they have the freedom to experiment with new hybrid structures.
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['Gray Matter (1973) - In the short story, the narrator mentioned having a friend who once worked in the sewers near Bangor, Maine. ... ', 'The Tommyknockers (1987) - The main character, Tommy Jacklin, made a supply run in Derry during The Tommyknockers.']
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Ruskin Bond's short story “The Eyes Are Not Here” is very brief but is also intriguingly complex. Although most worthwhile stories cannot be easily paraphrased or reduced to a single theme, this story definitely seems to deal with issues of human perception.
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What is the theme of the story • Ruskin Bond's short story “The Eyes Are Not Here” is very brief but is also intriguingly complex. Although most worthwhile stories cannot be easily paraphrased or reduced to a single theme, this story definitely seems to deal with issues of human perception. 10.
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Before the 19th century the short story was not generally regarded as a distinct literary form. But although in this sense it may seem to be a uniquely modern genre, the fact is that short prose fiction is nearly as old as language itself.
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Modern media comes in many different formats, including print media (books, magazines, newspapers), television, movies, video games, music, cell phones, various kinds of software, and the Internet. Each type of media involves both content, and also a device or object through which that content is delivered.
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'Folktale' is a general term that can include a wide range of traditional narratives, such as myths, legends, fables and fairy tales. A fairy tale is a traditional folktale involving imaginary creatures such as fairies, wizards, elves, trolls, gnomes, goblins and fire-breathing dragons.
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['Reality-based stories with strong characters and a believable story;', 'Well-defined, realistic, highly developed characters in realistic, sometimes harsh environments;', 'Often the stories are character driven;', 'The literature is ironic and reflects current political, social and personal issues;']
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['Leonardo da Vinci by Walter Isaacson (2017)', 'Evicted: Poverty and Profit in the American City by Matthew Desmond (2017)', 'The Gene: An Intimate History by Siddhartha Mukherjee (2016)', 'The Man Who Could Be King by John Miller (2017)']
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REALISTIC FICTION is a genre consisting of stories that could have actually occurred to people or animals in a believable setting. These stories resemble real life, and fictional characters within these stories react similarly to real people.
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Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past.
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["Children's fiction.", 'Young adult fiction.', 'New adult fiction.', 'Adult fiction.']
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General rule of thumb is that a short story is around 3,000 to 10,000 or so words. You can get long short stories at the 15,000 to 20,000 word range, but eventually you're wading into novella territory. 3,000 words works out to around 10 pages, depending on your spacing, amount of dialogue, etc.