The Media Equation: An Obsession With Leaks and Plugs
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Events of the past few weeks have shown that leaks tend to afflict ships that arenÂt seaworthy to begin with, and tend to bring out the panicky worst in people.
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Tycho:  After seeing Chore Wars mentioned yesterday, the opportunities for manipulating people seemed...  rich.  The possibilities for mashups based on this data are also rich - I wonder if it could be exposed, somehow.  When my charge is old enough to manipulate in this way, my crib is going to fucking sparkle.
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The core business of Internet search engines is being threatened by the evolution of new generation of content providers. The search engines like Google or Yahoo make money by indexing the web sites all over
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Anonymous sources feed the rumor mill with tales of an upgraded input device. In Gear Factor.
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Restrictive hardware and convoluted rights management crimp consumer choices.
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A media sting operation gone awry revives a debate on media regulation
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Blog: As the ground shifts underneath, why is it taking the media industry so long to get out ahead of a game-changing technology curve?
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How bad is the Monster.com data breach? Bad enough. Did the crooks get their hooks in deep? Remarkably deep. Gregg Keizer has the details on what has gone wrong so far in the Infostealer.Monstres attack.
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Can small variations in the UK news search engine market produce large variations in the long-term behavior of the worldwide search engine market?
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Blog: Media files like those hosted on YouTube are becoming popular vectors for malware writers.
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Digital media is the future. Here's one way to cash in.
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One great way to determine whether your digital product is destined for greatness is how many people want to steal it. The same goes for open source.
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Ladies and gentlemen, boys and girls... It's with much anticipation that I say this. I have a new product that may be familiar to those of you who used Radio 8, and in other ways may be completely new.  The idea is simple.  There's a convergence between big screen high-definition televisions, and photography as an Internet based activity. The purpose of this product is to smooth that convergence, to make it easy to set up a connection between the Internet and your television. To allow photography to come into your living room in new, powerful and easy ways. Think of it as the networked living room and you'll understand the vision. Some of the work I've done is technical, some is user interface, and some is working with media organizations to try to create a comfort level, or at least a spirit of Let's Give This A Try. In the latter case, it's much like working with the NY Times to get their news headlines and summaries to flow through Radio's RSS aggregator in 2002. Only this time we're working with photographs, and we think, the best news photographers in the world. And the pictures are beautifully high-def, they look really great when displayed on LCD and plasma screens. I use it with my 52-inch Samsung and 46-inch Sony. Of course what looks great on a wall, also looks great on a 15-inch Macbook or 24-inch iMac.   And while we connect those pros with your TV, it's equally important that we connect your friends and families too. One of the early testers found the pictures that Doc Searls uploads to Flickr a great revelation. Me too. That's because Doc is not only a great photographer, he's also a great story-teller. I find that I can follow the lives of far more friends visually than I can through text messages (which I love to do too!). Viewing great photos on bigscreen TVs, desktops and laptops -- that's one focus, but not the only one.  I wanted to provide a complete two-way tool for people who love Flickr, as I do.  Why Flickr? Well, they've got this great thing called an API. It makes it possible for people like me to make software that runs on a desktop computer that does things like automatically backing up your new photos every night, and providing a drop-folder on your desktop for quick uploads. (It understands tags too, it's incredibly simple.) We also made it easy to post pictures you like to Twitter. Why Twitter? It's that API thing again. They made it easy for us to love them. I wish more network service developers understood how powerful this outstretched hand is.  But that's not all! Not by a long shot. The reason all this will be so familiar to Radio 8 users is that it builds on the same engine, the one that was released as open source in 2004. So I've been working on other tools to drop into this base platform and once we have a good-sized base of people using it for "really simple photos" on the desktop, there will be other tools. And because it's an open platform, other developers can do the same. Not saying they will, but they can.  Anyway, I'm in the last stages, preparing the download site, and a FAQ, and tweaking the installer. One caveat, the first beta release is Mac only. That's because I'm doing all my work on the Mac, and this is a one-man show. Later we will work it out for Windows too, and with a bit more work and a bit more luck, for Linux.  It should be ready before the sun goes down today.
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A new product from Swarmcast monitors data flow to optimize video quality.
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Plus: File sharing growing like a Weed. [News.com Extra]
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Digital technology changes from workhorse to entertainer.
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Reports of corporate data leaks, lost laptops, and misplaced backup tapes are so commonplace that many no longer warrant a mention in the press. So common are corporate data leaks of one form or another that only the multimegaton events -- TJX, the Veterans Administration, or DuPont -- get covered.