Book Review: the Big Show
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Getting actors to hit their marks and remember their lines can be a colossal challenge, as any director will tell you. And any director of the annual Academy Awards telecast might elaborate: Getting anyone in the film business to stick to a script -- or at least keep an eye on the clock -- is more challenging than herding a pack of feral cats.
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Bobbie Johnson gives you the long and the short of the Consumer Electronics Show
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The ever-growing number of information-hungry gastronomes in this country, which the writer David Kamp rather cunningly named âThe United States of Arugulaâ in a 2006 book, is evident in the detailed descriptions of dishes on restaurant menus, in the popularity of food-oriented shows on television. But itâs also reflected in the proliferation of books like Mr. [...].
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The world's biggest book fair is binding itself closer to the silver screen.
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If there is a truth in advertising award for books, specifically book titles, S. L. Price's "Far Afield" is on my short list for 2007 honors. It is literally all over the place, and that's meant as an unqualified compliment.
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The reality show Bigg Boss might have ended but the show has
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Don't miss the big picture when examining this crucial decade.
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Wired News is blinded by the flash of this year's biggest imaging and photography show. Don't miss David Becker's exhaustive coverage from the floor in Las Vegas. In Gadget Lab.
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Welcome to the big time, Mr. MacGoo.
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Recently two books,          by Peter Woit         and         by Lee Smolin,          have been published questioning whether the enormous theoretical        effort applied to the problems of string theory has been        fruitful.  Both books have been reviewed in           several        popular        publications,          and generated substantial discussion both inside and outside of        the physics community.                        One response was published several days ago           by Briane Greene          on the Op-Ed page of the New York Times (also        here).  A          famously grouchy observer          called the editorial a long, wistful plea for patience.  But        what struck me most as I read it was its similarity to the           crackpot index          maintained by John Baez.  So, for fun, I scored it.
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ThereÂs so much to look forward to at I.I.F.A. this year. The schedule received by this writer for this mega-event promise bigger and better events.
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Arts & entertainment: What's behind our sudden craving for big, bold works of public art?
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When everything gets an API then everything you can imagine will be possible if you can write a script.  And sometimes, to give you an idea, all that has to happen is that a wall come down. The latest, most intriguing such wall was the paywall at the NY Times. Now all of a sudden we find the wealth of information published by the NY Times over many decades is available without tariff. More important, we can point into the archive. We've gotten so accustomed to the wall, that you actually have to think when it may be possible to go in there, as if it left behind a wall in our minds, even after the wall on the web is gone. For example, the first episode of Ken Burns's The War, an epic series about World War II from the American perspective, cited several NY Times articles. If you looked carefully you could see the dates, and the actual headlines, and then if you have a browser handy, as I do (I have an iPhone) you can actually read the article while the narrative continues. Today this is mostly a gimick, but I suspect as we get used to having history so available (like having a library microfilm machine, which I used to spend whole days playing with when I was a kid) it will change our sense of information, perhaps as much as anything else that's ever been on the web. Take movie reviews for example. What a thrill to be able to read a review of a movie that I love that came out in 1932! The reviewers back then were more forgiving, less sarcasting, more enthusiastic. Consider their review of the Hollywood Revue of 1929, a favorite of mine that I've only seen once (I'd pay for a DVD, if it were available). They loved audible movies (that's what they called them) as if the term "talkie" was as elusive as "podcast" was in the summer of 2004. Again, we've just scratched the surface. Wouldn't you like to have NY Times movie reviews integrated with Netflix? Or have Yahoo's movie rating service available on the NY Times site. And I have to wonder whether they really have gone all the way. You can't see the reviews unless you're logged in. Can Google's robots, therefore, see the movie reviews? Unless the've made some special arrangements, it seems not.  It would be helpful to get a technical guide to the newly hatched NY Times on the Web, or (as in the old days of software) a reviewer's guide, so we get some ideas of what to look at. Clearly a lot of work went into opening up the Times archive. I'm going to be in NY the week of October 8 and will have some time toward the end of the week. If anyone at the Times would be willing to spend some time with me reviewing what's now open, that would be helpful. In any case, at least the Times today is somewhat more available to be integrated into the fabric of the web. That's some progress. How much, remains to be seen. Postscript: Kottke did a great job of skimming the surface of the newly opened Times when it first came online, just one week ago today.
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If there is one word to describe the annual Consumer Electronics Show, it is "big." Big convention center, big numbers of vendors, big crowds, big hotel bills, even big blisters. But every year, there's at least one company that gives a whole new meaning to the word "big."
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âVince Vaughnâs Wild West Comedy Showâ imagines itself a contemporary equivalent of rootinâ- tootinâ traveling entertainments like Buffalo Billâs Wild West Show. Thatâs a tall comparison to draw.
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By Munz, Tania  LORRAINE DASTON and GREGG MITMAN (eds.), Thinking with Animals: New Perspectives on Anthropomorphism. New York: Columbia University Press, 2005. Pp. vii+230. ISBN 0-2311.3038-4. Pounds 32.00, $49.50 (hardback).
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This year's BookExpo America will be a true variety show, with speakers ranging from Nobel laureate Muhammad Yunus to novelist Ian McEwan to comedian Stephen Colbert.