The Media Equation: An Obsession With Leaks and Plugs
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Events of the past few weeks have shown that leaks tend to afflict ships that arenÂt seaworthy to begin with, and tend to bring out the panicky worst in people.
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Editors: Shlomo Reifman and Samantha N. Wong Researchers: Joshua Brandt, Fei Mei Chan,  Andrew T. Gillies, Soo Jeong, Edward Knudsen,  Artie Kwok, John Ray and Jody Yen Programmer: Carl Subick
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The Fine Print: The following comments are owned by whoever posted them. We are not responsible for them in any way. Nobody&#39;s exactly sure why or how the FBI got warrants to take Indymedia&#39;s HDs, but their
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The rapid growth of online videos, music and games has created a new Internet sin: using it too much.
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Plus: File sharing growing like a Weed. [News.com Extra]
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What the Internet tells us about how the media, advertising and awareness months spread information on diseases and illnesses
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It's no secret that the internet threatens the newspaper business. But there's increasing evidence that young people are dumping print in favor of screens at a faster clip than anyone suspected. Commentary by Adam L. Penenberg.
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Google leads the charge of indexing information outside the web as it turns to TV. Also: Video-game maker Take Two buys a chunk of Sega & hellip;.  Google hiring practices raise eyebrows and speculations on future projects & hellip;. and more.
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Can small variations in the UK news search engine market produce large variations in the long-term behavior of the worldwide search engine market?
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When the social discovery site turns members' most trivial actions into unfolding "News Feeds," users rebel, and the company races to quiet their anger. Both sides learn a hard lesson about the illusory nature of online privacy. Commentary by Bruce Schneier.
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We have some big news today for FlickrFan users, a major new source of high-def photography for the networked living room. They come from Agence France-Presse, one of the world's great news organizations, and a fantastic source of high-resolution news photography. I met with Agence France-Presse when I was in Paris in December, introduced them to FlickrFan and explained what we were doing with the Associated Press. They got excited, it took a little while to work out the technical details, but now we're ready to go. The updates are all out, here's the howto for FlickrFan users. Change #30: Agence France-Presse photos in FlickrFan. There were unique challenges in this project because their flow is huge. Yesterday we got over 3000 new photos. Because there are so many, I asked my friend Matt Mullenweg, if his company Automattic could help us out with server space and bandwidth, and he said yes. The AFP pictures are hosted on wordpress.com. Many thanks to Matt and his company for helping us out. To the extent we're bootstrapping a new use of the net, which I hope is what we're doing, Matt's company has made the kind of contribution we'd like to see more companies make. Usually the companies are happy to make the money, but not willing to help out with the bootstrap, which often costs money. Matt has always been a great guy and a visionary. I thank him and hope that FlickrFan users find an appropriate way to thank him too. And also, please consider the generosity of Associated Press and Agence France-Presse. We all hope that there's a market here, a way to monetize the flow of high-resolution photography to enrich and inform. Other content companies have been reluctant to take a chance on the Internet, we saw that in the early days of RSS and podcasting. I feel that these two media companies are playing the same pioneering role that the New York Times played with RSS 2.0 and NPR played in podcasting. Associated Press and Agence France-Presse deserve our respect and admiration for steping out, for going first, this is how new Internet activities get going. This is what we call market leadership, the real kind. Bravo!! And this couldn't come at a better time, with tomorrow being Super Tuesday here in the USA. Think of all the great photographs we're going to get in the next few days! Kevin Tofel helped test the feed over the weekend.
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Here's an interesting Howto on connecting FlickrFan to the Mac desktop. I love this stuff.  Here's a movie that demonstrates this coolest of hacks.
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New chapters in the portal's quest for user-generated content.
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Restrictive hardware and convoluted rights management crimp consumer choices.
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Over the last week, I've been writing about the disconnect between flow and rank. Paradoxically, sites that are ranked high don't always deliver a lot of hits when they link to you. On the flipside, there are some sites that are rarely on Top 100 lists, or talked about very much, that deliver substantial flow. Two of them stand out, one a veteran site, and the other a relative newcomer. 1. Daring Fireball is a thoughtful blog written by John Gruber that focuses on the Macintosh. Since I've returned to the Mac in 2005, and have been writing more about Mac issues, I've started getting links from this site, and when I do, they usually send between 1000 and 2000 readers my way. And they're generally interesting people with useful information and ideas. I follow Gruber on Twitter and have learned that he is a Phillies fan and therefore disappointed this year. His posts are interesting there too, and irreverent, which I like of course.  2. A Digg-like memetracker, news.ycombinator.com is in the same league as TechMeme, about 1000 hits for a highly ranked piece. I don't know much about the site, I'm not a regular reader, and I don't know much about the people who visit from this site.
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There's been a mostly fantastic discussion about fair use in this neighborhood for the last few days.  It started when a photograph of Lane Hartwell's was used in a video spoof of the Billy Joel song "We Didn't Start the Fire."  The first I heard of this was in a Twitter post of hers where she said she was turning off access to her entire Flickr collection because this picture was used without permission. A series of communications with the people who did the video resulted in the video being taken down. Later Mike Arrington, who is a lawyer, wrote a piece saying she didn't have right on her side, and that the video's use of her picture was probably fair use. I found Mike's piece compelling. Others took offense. It thought it was a useful part of the discussion. I understand Ms Hartwell's point of view. I hate it when people copy a whole post of mine and paste it into theirs. But then I grab bits of images and put them on my blog and people rarely complain. The blogosphere is built on being loose about copyright and fair use.  I'm doing a deal with a content company and all these issues are coming up. We haven't been able to write a contract that covers all the things they want covered and make it possible for me to do what I need to do, and they want my product to work. It's a real mess we're in. Bloggers are supposed to be radicals when it comes to fair use and copyright, but that generalization doesn't work with many creative people. Hartwell's position in some ways is like the RIAA or MPAA, who bloggers often dismiss as clueless. How can we have it both ways? How can some defend her position yet not defend the entertainment industry? There's a lot to discuss here, and a lot of the discussion on the blogs has been informative and respectful. Not all of it, but to an unusually high degree.  So, I am interested in doing an in person "flash conference" on the subject of fair use in a few weeks. I'd say next week if it weren't Christmas. Most conferences are so boring. I want to do a conf on a hot subject when it's still hot in the blogosphere. This may be a good subject for such a quickly organized conference. What do you think of the flash conference idea for this??
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Ladies and gentlemen, boys and girls... It's with much anticipation that I say this. I have a new product that may be familiar to those of you who used Radio 8, and in other ways may be completely new.  The idea is simple.  There's a convergence between big screen high-definition televisions, and photography as an Internet based activity. The purpose of this product is to smooth that convergence, to make it easy to set up a connection between the Internet and your television. To allow photography to come into your living room in new, powerful and easy ways. Think of it as the networked living room and you'll understand the vision. Some of the work I've done is technical, some is user interface, and some is working with media organizations to try to create a comfort level, or at least a spirit of Let's Give This A Try. In the latter case, it's much like working with the NY Times to get their news headlines and summaries to flow through Radio's RSS aggregator in 2002. Only this time we're working with photographs, and we think, the best news photographers in the world. And the pictures are beautifully high-def, they look really great when displayed on LCD and plasma screens. I use it with my 52-inch Samsung and 46-inch Sony. Of course what looks great on a wall, also looks great on a 15-inch Macbook or 24-inch iMac.   And while we connect those pros with your TV, it's equally important that we connect your friends and families too. One of the early testers found the pictures that Doc Searls uploads to Flickr a great revelation. Me too. That's because Doc is not only a great photographer, he's also a great story-teller. I find that I can follow the lives of far more friends visually than I can through text messages (which I love to do too!). Viewing great photos on bigscreen TVs, desktops and laptops -- that's one focus, but not the only one.  I wanted to provide a complete two-way tool for people who love Flickr, as I do.  Why Flickr? Well, they've got this great thing called an API. It makes it possible for people like me to make software that runs on a desktop computer that does things like automatically backing up your new photos every night, and providing a drop-folder on your desktop for quick uploads. (It understands tags too, it's incredibly simple.) We also made it easy to post pictures you like to Twitter. Why Twitter? It's that API thing again. They made it easy for us to love them. I wish more network service developers understood how powerful this outstretched hand is.  But that's not all! Not by a long shot. The reason all this will be so familiar to Radio 8 users is that it builds on the same engine, the one that was released as open source in 2004. So I've been working on other tools to drop into this base platform and once we have a good-sized base of people using it for "really simple photos" on the desktop, there will be other tools. And because it's an open platform, other developers can do the same. Not saying they will, but they can.  Anyway, I'm in the last stages, preparing the download site, and a FAQ, and tweaking the installer. One caveat, the first beta release is Mac only. That's because I'm doing all my work on the Mac, and this is a one-man show. Later we will work it out for Windows too, and with a bit more work and a bit more luck, for Linux.  It should be ready before the sun goes down today.