Arts, Briefly: Oops!
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The virtuoso instrumentalist and sometime model known as âthe David Beckham of the classical violinâ couldnât have done more damage if he had kicked his Stradivarius past a goalkeeper. The musician, David Garrett, was leaving the Barbican Center in London after a concert at Christmastime when he fell down a flight of stairs and landed on his violin case. Inside was his 290-year-old Stradivarius, an instrument known as the San Lorenzo. Mr. Garrett, 26, who was 14 when he became the youngest artist ever signed by Deutsche Grammophon, opened the case. Inside, he told The Independent, the London newspaper: âThe violin was in pieces. I couldnât speak, and I couldnât get up. I didnât even know if I was hurt â I didnât care. Iâve had that violin for eight years. It was like losing a friend.â Repairs will take eight months and cost close to $120,000, and the violin may never sound the same. Mr. Garrett is scheduled to perform a Bruch violin concerto on Thursday night at the Barbican on a borrowed Stradivarius. A three-member security team will be helping him watch his step.
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The computer company recalls nearly a 1 million power adapters that could start fires. Also: Microsoft continues pursuit towards the computer television & hellip;. Nextel & rsquo;s phone is a mapquest in your hand & hellip;. and more.
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Tycho: Gabe had to watch the other Gabe today, so we made the comic a day in advance. It's about the guy who wrote that ridiculous Mass Effect article. We decided to put it up a day early because, just as we predicted in the strip, he's taken a swipe at gamers. The young man quoted in his piece did not represent our community well, but locking horns with a professional liar would bring out the worst in anyone. (CW)TB
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Gabe: I had planned on making a couple posts last week but I ended up getting some kind of devil virus. It was the sort of sick where you don't really sleep. You just curl up in the bathroom and hallucinate that wolves are encircling you. I'm feeling better now though.I had wanted to talk about some stuff but I forgot almost all of it during my spirit quest. Let me see if I can remember anything. Sorry if this is sort of scattershot.I did go to the Pokemon Tournament and I ended up taking fourth. It was my first tourney and I was using a pretty crazy deck I'd built just a few days prior. Kiko also went and he took fifth even though we had the same win loss record during the day. They used some special Pokemon math to push me in to the final four and give him fifth. I pretty proud of both of us. It was a new level of competition that we'd never seen before and I think we played really well.If you're a fan of Transformers I highly recommend the new animated series on Cartoon Network. Some people might be turned off by the look but I think it's incredible. It's got a very Teen Titans look which makes sense seeing as it's by the same people. Even in vehicle mode these transformers are expressive and full of character. I read Amulet over the weekend (don't believe the date on his site, it is already in stores) and if you are a fan of comics I suggest you do the same. I don't want to say too much about it. I think that Kazu is one of the most talented individuals working in comics today. With Amulet he has created something timeless. I've collected all your Dickerdoodle pictures and there's some pretty great stuff in there. Give me some time to sort through them and I'll start posting my favorites soon. I'll get Tycho to help me pick a winner and we'll find something cool here in the office as a prize.-Gabe out
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Queue submissions being scarce, I suggest we all submit limericks for consideration.  Mod up your favorites.    I'm no poet, so I'll submit a favorite of my childhood:    There was a young woman named Bright,  Who traveled much faster than light    She set out one day  In a relative way    And returned on the previous night.    I'm afraid I don't remember the author.
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Plus: Gateway trims loss in third quarter...EDS delays earnings...Amazon outlook disappoints...PeopleSoft exceeds targets.
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I just woke up in Paris, it's 5:34AM here, but back in California, it still never ceases to amaze me, the day hasn't yet flipped. You guys haven't even gone to bed yet! Now that's amazing to me. What perseverence! Keep up the good work everybody.  I just started posting a couple of twits that really should be a blog post, so let's get started. First at some point, after a suitable period of mourning, I'd like to rasie the issue of what's to happen with Marc Orchant's web presence. Which of course is a way of focusing attention on all of our web presences.  None of us like to think of it, but truth is none of us are going to live forever. Yet if you read this, it's likely that you're creating a digital body that can and imho should continue to exist even after your physical body stops existing. People are humble, no one wants to come out and say their work has any value that's worth preserving past their death, but come on, we know that's not true. If Shakespeare were alive today, he'd be writing on the web. As would Hemingway or Faulkner, Vonnegut or Mailer, John Lennon or Dylan Thomas, Carl Sandberg or Robert Frost. Mozart, Bach and Beethoven. You think there isn't any great literature out there on the web? I wouldn't be so sure about that. What if there is? And what if a baby born today becomes a great creative force? Or what if there's a social disaster like the Holocaust? Did you know that there are preserved diaries from pre-revolutionary America? Writings of ordinary people can be of enormous help to historians. And if we believe in citizen journalism (I do) why not citizen historians? Shouldn't we be thinking out into the future? We should! With all possible humility, I'd like to tell you that a few days after I die my entire web presence will likely disappear. My servers require some attention from me from time to time. The first time that happens, poof, there goes 10-plus years of Scripting News, and all the docs for the OPML Editor and the OPML spec, the XML-RPC site, to name just a few. Anyway, within a couple of months it will all certainly disappear, unless someone pays my hosting and DSL bills. Maybe someone will, but isn't it ridiculous that that's what it depends on? And when my sites disappear so will my uncle's. He died in 2003. His site is still accessible because I keep it that way. When I die, who will will take over for me? I'm sure the world will survive without his writing, but why? If I love the memory of my uncle, and I do, what can I do to reserve a place for him in the archive of the future. It seems such a small thing, but it's most of what remains of his life.  And what of academics, Nobel Laureates and others? I know for a fact that a great university (Harvard) has no plan to protect their web-based work after they pass. It's so ironic that the web offers an archival solution for non-digital work, yet the web information is more fragile than the physical stuff. Preserving our digital heritage is going to require some foresight, some planning, but it seems possible and we surely can do much better. Marc's fate awaits us all. While we're still alive, there's still time to solve this problem. When we're gone, it will be too late. Part of his legacy can be that he helped focus us on this issue, and his life work could be a great test case. Do we want to see his work preserved? And if so, how will it be done? PS: The RSS 2.0 site will likely persist, because I gave it to Berkman, and then used it as a test case to learn about future-safing. It seems likely to continue to exist, knock wood, praise Murphy, as long as Harvard exists.
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Opera CTO HÃ¥kon Wium Lie gives us a video tour of his OLPC prototype. Can you guess which browser it's running? In Monkey Bites. In Monkey Bites.
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The Gazette corrects errors of fact in this space. If you find mistakes, please call 636-0266 during business hours.   The Page 2 calendar in Monday's Gazette had the wrong day for events occurring today, June 26.
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Tycho: This podcast covers the writing process for today's comic (and a number of other tangents). Of course, it's entirely possible you had already subscribed to the feed and are currently listening to it. In which case, I apologize profusely.   (CW)TB
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A month after its unpopular price hikes, the auction site seeks to smooth some ruffled business feathers. Also: Kuwait blocks radical websites to combat terrorism.... Google loses a legal round in France.... and more.
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A few notes on the NY Times outline... 1. I switched it back to the frequency sort, having tried it as an alphabetized list for about 18 hours. Now I want to see what happens with it flipped around so the most frequent keyword bins appear first. 2. Not sure, but I think it will empty out later this afternoon, as yesterday's stories expire, and before tomorrow's stories ship.  3. It seems that at least some people have bookmarked the site and are refreshing it. If so, I'm glad -- because that's the way these pages are most useful, they tell you something about what changed. Remember this is "news" not olds. 4. The outline view is something like TechMeme for the Times news flow. Not exactly because the keywords are assigned by people. Unseen news mavens. Where do they reside? Are they on the upper floors or in the basement of the NY Times skyscraper on 8th Ave, or somewhere inbetween? Maybe they work out of their homes. My mind wants to visualize these people, but I have nothing to cling to. It's not an algorithm that's determining where things sort out, it's people. Otherwise known as editors? Or are they librarians? 5. Do you bookmark the outline or the river? I'm a river guy for sure. I wonder about other people. 6. Francine Hardway twitted at me: "Times River is awesome on my iPhone! Was reading it while waiting for eye surgery and it was very distracting." Amen. That's the big secret. I wish there were a way to get everyone to look at the river on their cell phone. Eyes would open. 7. Thinking about integrating the two views, cross-relating them. Not sure exactly what I'll try first. That's why I wanted to let it settle in for a bit before moving in a other directions. 8. Of course, I know that if this ever becomes a "real" product, the user is going to control the view he or she wants to be the default. But for right now I'm experimenting. I want to see what people think. Enough people were asking for an alpha view that I wanted to see what would happen when I gave it to them, and if anyone would scream. Screaming isn't a bad thing, it's data.
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An article last week about inexpensive dresses misstated the name of a clothing store on Broadway. It is Yellow Rat Bastard, not Dirty Yellow Bastard.
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roundup Plus: Siebel moves toward self-repairing software...Monster says it could enter Japan by mid-2005...Novell to release Open Enterprise Server.
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F-bombs away! Fans of open-mic celebrity blunders rejoice!â¦
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Tycho:  I should have all the science lined up by the end of the week, ready to stuff into the piano black lozenge I've obtained to celebrate my return to personal computing.  Wish me luck; I've never before had the opportunity to fry four processors at once.       I know things.  Specifically, things that may be of interest to you.  For example, I know if playing Eye of Judgment online is an onerous as it might seem.  It is not!  I cannot express my relief.    Well, let's try.  In my last, vast expose, I broke down a card's unique language and expressed some misgivings about online play - ultimately just accepting it, because what they're trying to do is so weird that there's no prior art.  Essentially, you "register" your thirty card deck with the system itself, where it is stored and named for future use.  This process is extremely straightforward:  it is simply a matter of you laying your cards anywhere on the mat, a few at a time.  It will probably take two minutes if you really keep on it.  Then, you jump online, choose what nation you want to play for, and track down a partner.  At this point, the game will "draw" you your five card hand by showing you the card art onscreen.  You get one Mulligan (or redraw), but if you like your hand you move into the game proper.  We laid out our deck by element, face up, and this smoothed the turn to turn process considerably.      In the build we have, and I hope this is changed for release, it shows you these cards in a single file line without their name or text - just the art.  Once you got familiar with these images, slightly modified from their card format, it's pretty quick - but the names should be displayed on this screen.  You can use the controller to pull up the names, but let's be serious - at no point should the player be forced to interact with a mundane controller once the game is underway.     You should know that the game really wants a well-lit environment.  You don't need a flare gun or anything, but we didn't have what we needed before and certain squares would slow down the game flow with partial reads that would only resolve after several attempts and minute card adjustments.  I should state that here in the office, we removed all the overhead lights, installing a single track of illumination that we point at the ceiling, where lights used to be.  We tend to transform any place we live into a cave.  So, our scenario might be somewhat atypical.    Also, I know if playing Rock Band with all the instruments off of a USB hub is onerous.  You will be happy to know that it is not - we played said instruments spread out on an actual stage, and found it more than satifactory.  The reality is that the drum kit already needs its own wire, so it isn't as though the future had actually arrived anyway.  Plus, the mic isn't wireless either. This makes the contrived brouhaha over wired guitars a fairly transparent traffic ploy.    This is a matter quite apart from Microsoft's reticence to play ball with unique, third party hardware.  And when I say "play ball," I'm taking about the shakedown operation they've got going licensing their wireless technology, which either makes products for their system more expensive or (in the salient case of Rock Band) results in them bundling a wired controller for the same price as a wireless one on a competitor's system.  This is the last holiday they can get away with this sort of thing...  right?
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Tycho:  With PAX coming up this weekend (!!!), we didn't really have time on Friday to invest in Virgil's Wikiscanner - that mystical oracle that takes a raw IP range and then excretes a list of that organization's Wikipedia edits.  This is the pulsing, possibly Martian device that dished up last week's awesome Electronic Arts edits.    I wasn't sure if we should feel sorry for them or not - now that EA is situated in the number two slot, does that make them the scrappy underdog? - but I quickly realized it probably doesn't matter.  They can come right out and say "Yes, we edit it all the time," mischaracterize the nature of the edits, and by the time it's on the second page the events in question never happened.  People don't remember anything these days that isn't on the first page of their feed aggregators. In any case, the entire affair is talking place  on Wikipedia.  Kudzu will grow over the propaganda soon enough.    Though time was indeed in short supply, we did fritter some portion of it pawing through ancient email headers, scraping for filth on old enemies.  Or enemies with whom we have resumed talks.  Or enemies who are now friends!  Even people I hope to make enemies in the future by my careless commentary must fall beneath the scanner's baleful eye.    Like a chugging trawler, we hauled up net after net of treasure onto the deck, sifting it on hands and knees.  I'd never expose it, of course - sparking a desperate arms race to find self-serving commentary is a conflict I'm likely to lose.  And with the deep catalogue of nemeses we've inspired worldwide (and even below the world, in the warrens of the pale Gambrya, where hate is eternal) it's not what I'd call a fabulous scenario.  For us, at least; no doubt, our foes have already begun their malevolent harvest.