Dance Review | 'The Other Here': An Order of Absurdity With Carp on the Side
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The directors of this hourlong work by the Big Dance Theater toss in absurdly dissimilar sensibilities that undermine as much as they augment each other.
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Reviews of works performed by Robert Weirich, Andrew Rangell and Lisa Bielawa.
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By Munz, Tania  LORRAINE DASTON and GREGG MITMAN (eds.), Thinking with Animals: New Perspectives on Anthropomorphism. New York: Columbia University Press, 2005. Pp. vii+230. ISBN 0-2311.3038-4. Pounds 32.00, $49.50 (hardback).
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Is the mainstream finally ready for the unsettling art of this perennial outsider?
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âCaught,â a short work for one dancer and one heck of a strobe effect, is featured in both programs of Parsons Danceâs current stint at the Joyce Theater, which covers 20 years of company repertory.
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At Performa 07, New York Cityâs performance art biennial, most of the events fall somewhere in between dance and theater, in the vast, anarchic ocean of blarney and bliss that is contemporary art.
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CAMBRIDGE -- In a movement class at the American Repertory Theatre, the professor gave her students a basic command -- touch your toes -- and everyone lunged forward on the floor. The class overachiever, a petite brunette seated in the front row, extended her fingers, then wrists, then entire forearms past her ankles. Torso folded against the floor, she looked ...
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The approach of having a speaking cast and a signing cast on the stage simultaneously may not be best for Nick Grossoâs absurdist British comedy.
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Sam Kim presents a persuasive choreographic metaphor for the loss of self.
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Despite some flaws, the Times Square Ripleyâs Believe It or Not! Odditorium is so entertaining and provocative that itâs worth special attention.
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Either/Or, a new and first-rate new-music ensemble, returned to the self-absorbed world of the 1960s avant-garde on Friday night.
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It seems entirely blasphemous to open a review of Americaâs oldest dance company by commenting on something other than the choreography.
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Not since Spinal Tap has there been a sharper satire of cinematic mythomania
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Now hereÂs another interesting development that is sure to catch you
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No major choreographer has yet emerged from Greece, but thereâs a reasonably active contemporary dance scene here.
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This stage version of Kurt Vonnegutâs antiwar 1969 masterpiece faithfully retains the novelâs pivotal moments. But woe to the spectator unfamiliar with the material.
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John Jesurunâs updated version of Sophoclesâ âPhiloktetesâ is like an unintended satire of avant-garde theater mixed with the television series âLost.â