Symphonies Go High Tech for New Audience
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The Boston Symphony Orchestra, hoping to attract a younger audience, is taking its music and performances online with state-of-the-art technology.
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The music of Grieg, Mozart and J.S. Bach is enough to attract most classical music lovers.
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Hard drive-based audio player will get a new look and a lower price.
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New technologies wirelessly transmit high-definition video.
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Musicians will perform in the homes of fans in a Radio 3 bid to make orchestras more accessible.
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Some computers can beat grandmasters at chess. Others can compose music.
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The orchestra offered a sublime program of Schubert and Bruckner, a weird but instructive all-Bartok program and a collection of Wagnerâs greatest hits over the weekend.
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A Russian revolution has shaken up Wagner's "Die Walkuere" at the Metropolitan Opera this season, with a new conductor and leading singers infusing fresh life into the company's 18-year-old production.
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Digital technology changes from workhorse to entertainer.
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By Tim Cornwell Arts Correspondent  SCOTLAND'S national orchestra is to broadcast its recordings and sell thousands of tracks across the internet, in a move believed to be a world first.
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The organization New Music for Young Ensembles continues its 30-year-old mission at its concert on Monday: to promote accessible new music to a wider audience.
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To draw fresh crowds, installations offer hands-on interactivity that turns visitors into spies or CSI investigators.
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Ambitious new string quartets seem to be appearing on the classical landscape faster than condos on the Manhattan skyline. Many of them, like the vigorous Attacca Quartet, are embracing contemporary music.
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The deep bass sound vibrates your breastbone as you meander through a corner of the massive International Consumer Electronics Show. Someone is simply showing off car audio systems, but it feels like the vehicles themselves are announcing their beefy presence.
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SamsungÂs new YP-K5 music player has a very big ace up its sleeve: built-in speakers.
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The orchestraâs performances at Carnegie Hall this week reminded listeners that character and distinctiveness in classical music have not been obliterated entirely.
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There is a rough science to choosing performance-enhancing music.