Dance: One Manâs Jury Duty Is Another Manâs Inspiration to Make Choreography
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Young members of Dance Theater of Harlemâs Dancing Through Barriers Ensemble and students from its school will perform in the rotunda of the courthouse at 60 Centre Street on Thursday.
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Mr. Kidd was the award-winning choreographer of exuberant dance numbers for Broadway shows like âGuys and Dollsâ and Hollywood musicals including âThe Band Wagon.â
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Aspiring young dancers face the moment of truth at the nationÂs premier dance academy.
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âArea 51,â a new dance by Yvonne Meier and Aki Sasamoto, was a wittily imaginative exploration of how much can be communicated almost entirely by movement.
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In ÂConfessions on a Dance Floor,Â Madonna no longer re-invents, she maintains Â especially when it comes to the sheer spectacularity of her physical form.
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The dance theater of Trisha Brown consists of happy paradoxes, and so does my reaction to it, not least to her current program at the Joyce Theater.
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A company strives to persuade dancers and audiences alike that Baroque dance has an appeal that is broader than its historical niche.
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Four choreographers were represented in the program presented by New York City Ballet on Thursday night at the New York State Theater.
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In the past year dance has finally carved out a space for itself online as dancers, choreographers and institutions embraced the Internet with video, blogs and new Web sites.
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Mr. Kidd was the award-winning choreographer of exuberant dance numbers for Broadway shows like âFinianâs Rainbowâ and âGuys and Dollsâ and Hollywood musicals including âThe Band Wagonâ and âSeven Brides for Seven Brothers.â
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The problem with being in the spotlight dance is a basic one. You had better know how to dance.
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In âBreakthrough?â you see the bones of a dance based on inscrutable gestures and tasks, with the lone man, set against a society of playful, seductive women.
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Peterson case shows that jurors can make decisions based on personal demeanor.
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Cyril Blanc is credited with originating the dance that grew out of the Paris club scene and mixes a variety of styles.
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ÂChapel/Chapter,Â shown on Tuesday at the Gatehouse, is the least overtly political dance from the Bill T. Jones/Arnie Zane Dance Company in some time. It is also the most affecting.
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Eliot Feld, whose new chamber dance group debuted Friday night at the Joyce Theater, is a choreographer reborn since he was forced to disband Ballet Tech last year.
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A choreographer from London wins a major dance prize for a work which 'conveys the hurly-burly of commerce'.