Film director seeks art fans for sex-filled "bus"
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Since its debut at the Cannes film  festival in May, director John Cameron Mitchell's film  "Shortbus" has been labeled many things for its full on  depictions of sex including porn for everyday audiences.
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Jim McBride has made it his life's work to know how much naked female flesh appears in movies -- an obsession apparently shared by millions of people.
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The director, his muse, her fake bottom and one triumphant role
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The BBC is looking for videos and photos of people commuting to work, all over the world. We'll be using these pictures to create a special short film.
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Films use artwork the way they have long used music: to set a mood.
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The influential filmmakers create a $285 million fund for Asian films, hoping to expand audiences and maybe save some money too
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An interview with the master filmmaker about his new films.
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The London Film Festival is launched with a plea from its artistic director for more government funding.
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Sex is easy in the world of John Cameron Mitchell's "Shortbus," where the deed is as explicit as many hardcore porn flicks. It's emotional connections that are tough to come by.
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There is no shortage of documentaries about mentally ill artists, but âMy Name Is Alan and I Paint Picturesâ finds a fresh way into the subject.
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A quirky teen-pregnancy yarn and a love story involving a life-sized sex doll have won over critics at the Toronto International Film Festival, stealing the spotlight from darker films on war and politics.
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Woody Allen aims on making the erotic scenes one of the biggest in movie history.
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The director of an Indian movie dealing with the 1984 massacre of Sikhs by angry Hindu mobs hopes to drive debate about the killings and force legal authorities to renew investigations.
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The documentary âShowBusinessâ makes one marvel at the stamina of artists who devote themselves to a world of many miseries and few rewards.
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Director Selvaraghavan talks about his new film.
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A filmmaker contends that the Andy Warhol Foundation for the Visual Arts has waged a 20-year conspiracy to bend the art world to its will.
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The actor and head jackass talks about his new film, when stunts go right and why he reaches out to gay audiences