Michael Keaton Never Expected to Be the Director
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Movie actors making their directorial debuts often do it as a labor of love. For Michael Keaton, directing âThe Merry Gentlemanâ was a bit of a daredevil adventure.
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To see something they have never seen before should be every moviegoer&#39;s greatest hope. It&#39;s one of the chief reasons why true movie buffs are constantly seeking out new kinds of films; it can be entertaining
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I don&#39;t suppose I was expecting much from this movie &#39;Exorcist: The Beginning&#39;, considering how unexceptional the other two &#39;Exorcist&#39; sequels were, but I didn&#39;t expect that it would make them suddenly seem like classics by comparison.
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and it surely is not -- it isn&#39;t for lack of a great story, compelling characters, and a capable director. Really, the
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Biography has never been Hollywoodâs greatest strength. Too often, directors figure that an amazing life and a solid impersonation in the lead role is all you need.
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Because I Said So  doesn't have much of a premise but Keaton is ferocious and, therefore, funny
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In the history of motion pictures not many women directors have made an impressionable mark during the last one hundred-plus years.
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The new Soderbergh movie is unspectacular but quite a ride.
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Robert Altman was one of the most adventurous and influential American directors of the late 20th century.
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Ronald Harwood, a screenwriter skilled in the art of adapting complicated books for the screen, defies the numbers by keeping busy.
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The Hindu epics never had it so good. Some of our most powerful filmmakers are reinterpreting the   classics.
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Oscar-winning director Woody Allen does not believe he has influenced other filmmakers.
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Most directors do not go on to make one of their best films after receiving their lifetime achievement Oscars. But most directors do not have the stamina of Sidney Lumet.
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You don't find too many  dogs on "Masterpiece Theater," and "The Ruby in the Smoke"  certainly isn't one, either. It's a mystery yarn that fairly  crackles in the greatest tradition of the franchise, unraveling  its tangled web with unhurried brilliance in telling a story  based on the 1985 novel by Philip Pullman that introduced teen  sleuth Sally Lockhart to the world.
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It is hard to  imagine the hugely successful career trajectories of either  Jane Campion or Clint Eastwood without the crucial involvement  of Pierre Rissient, the most important person in the film  business you have never heard of.
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LONDON: British director Alfred Hitchcock is the best film-maker never to have been handed an Oscar, according to a poll of British movie viewers released yesterday, a day before the 2005 nominations come out.
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The nominal thriller "White Noise" is worthy neither of Michael Keaton's talents nor even a desperate horror fan's attention.