Theater Review | 'Câest Duckie!': Iâll Have the Raunchy Cabaret Act for Two, Please
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âCâest Duckie!â is, if nothing else, aggressively, brashly different, even before the interactive antics begin.
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In London, new productions of âOthelloâ and âMuch Ado About Nothingâ reveal a common theme: loveâs susceptibility to deception.
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âOffenbach Cabaret: Jacques in the Big Apple,â presented by OpÃ©ra FranÃ§ais de New York and the French Institute Alliance FranÃ§aise, promised a satirical and âsaucy musical review.â
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Harley Granville Barker's play, in a canny new adaptation by David Mamet, has received a crisply acted, largely engrossing revival at the Atlantic Theater Company.
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Comment is free: David Edgar: The Arts Council intends to promote street theatre and circus skills instead of new plays, but people want text-based work
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Oren Safdieâs new play about playwriting and generational conflict is sweetly amusing, if dramatically limp.
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Cuckoldry is rarely as tedious or as raucous as it is in the East River Commediaâs revival of Fernand Crommelynckâs 1920 play.
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A RubikÂs Cube of shifting sexual orientation and elaborate sex fantasies, ÂSloppy SecondsÂ gathers all the accouterments of soft pornography into a plot of stunning imbecility.
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A look at engagements at the CafÃ© Carlyle, and a new show for Jackie Hoffman.
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By Evans, Alex  Replete with modernist tropes, Chuck Jones's 1953 cartoon, Duck Amuck, dramatizes that most pressing of modern preoccupations-the often-threatening relationship between the body and its environment.
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It seems fitting that this  revival of Harold Pinter's classic play should arrive on the  40th anniversary of both its original Broadway production and  the first (and ridiculously, only) Broadway appearance by its  star, Ian McShane.
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You'll need more than good looks to weasel your way into these soirees.
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Lest anyone think that a play with three ethnic slurs in its title is going to dance around the subject of race and the limits of tolerable discourse, be advised that the bombshells are hurled from its opening moments.
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âMy First Timeâ is a new Off Broadway play in which four actors recount stories about peopleâs first sexual experiences.
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The new show from the creators of the long-running âDe La Guardaâ is another entry in a dependable if not exactly venerable genre: theater for people who donât really like theater.
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When the BBC recently announced it would air "Jerry Springer: The Opera," the West End hit famous for its vulgarity and a cast of characters including transsexuals and a man wearing a diaper, no one batted an eye.
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Broadway has two terrific  new comedies on the boards to chase away the winter blues.