The World of Black Theater Becomes Ever Bigger
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The word in the industry is that urban theater â or what has been called over the years inspirational theater, black Broadway, gospel theater and the chitlin circuit â is about to go mainstream.
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Will Eno's play, starring James Urbaniak, is one of those treasured nights in the theater that can leave you both breathless with exhilaration and in a puddle of tears.
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With the global spread of high-speed Internet connections and the relative anonymity afforded by the world's biggest and busiest sites, extremists have found a new theatre to display violence and anti-American ...Comment
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Pain, alienation and the thousand varieties of loneliness that flesh is heir to: these are the topics that Abi Morganâs âTender,â a British play being given its New York premiere by Thirteenth Night Theater, means to address.
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The Metropolitan Opera is vastly expanding its broadcast presence, transmitting six live performances to movie theaters in North America and Europe this season and broadcasting more than 100 live over the Internet or on digital radio.
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ItÂs Black on Black this weekÂ preceding the big Black Bhansali opus which opens next week.
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Theater that invites the audience to get in on the act may be poised to become a more prominent component of the theatrical scene.
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This ferocious drama, a poetic examination of one manâs obsession, is, among other things, a celebration of the stage.
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Audiences of mostly black women crowded theaters throughout New York City to see âTyler Perryâs Why Did I Get Married?â on the day of its nationwide release.
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ThereÂs a strange sublime and stupendous stir of echoes reverberating across the universe. ItÂs the sound of Sanjay Leela BhansaliÂs Black.
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J.T. Rogers packs so much into âThe Overwhelming,â his honorable and aptly titled new play about blundering Americans in Rwanda in 1994, that it takes awhile to realize what heâs left out.
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The density of billboards advertising tobacco products is more than twice as high in black neighborhoods as in white.
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Keeping opera alive in the age of the  Internet and hip hop is no easy task, so when Donna  Walker-Kuhne seeks to convince black Americans to come to a  show, she dares not open conversation with the &quot;O&quot; word.
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Moviegoers are most likely to associate the Newark Museum with the annual Black Film Festival it has hosted for the past 30 years.
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Of the two collection shows now running, the one in Boston offers a far truer, newer and more surprising vision of Africa.
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Welcome to the Theater for a New Audienceâs smackdown between two of the most notorious villains of the Elizabethan stage, both starring F. Murray Abraham.
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These days the production houses have started a new trend of striking film deals with big actors.