Theater Review | 'The Sheik': Take an 18th-Century Farce, Then Add a Modern Flavor
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Deloss Brownâs new comedy comes out of the Restoration stage world of rakes and cuckolds and sexual misalliances.
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Pavol Liska's pared-down adaptation of Anton Chekhov's "Three Sisters" exposes the play's absurdist humor and howling sadness.
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Flush from such past successes as 'Macbeth,' Tiny Ninja Theater returns with Shakespeare's tragic antihero.
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The naughty new puppet action-musical from the creators of "South Park" is more satisfying as a straight-ahead blow 'em up than as a satire.
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The new show from the creators of the long-running âDe La Guardaâ is another entry in a dependable if not exactly venerable genre: theater for people who donât really like theater.
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Mike Leighâs play âTwo Thousands Yearsâ is enjoyable, but oddly conceived and structured.
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Broadway inspires a morbid fascination. Ever since vaudeville went respectable, a century or so ago, everyone from social critics and city planners to choreographers and doormen has predicted the imminent
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It's not without faults, but the film scores higher than its stage version
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Thereâs nothing sophisticated about the comedy in âSydney White,â a peppy, ultra-P.C. variation on âSnow White.â
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Genre-bending, time-straddling adaptation has become an exceptionally lively art on Londonâs stages this season.
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Horton Footeâs âDividing the Estateâ is among the most acute analyses of flaws in the American psyche in the 21st century that the theater has come up with to date.
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In this age of âShrekâ and âEnchantedâ comes âThe City That Cried Wolf,â a theatrical take on fairy tales that conjures its own magic.
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Anna Deavere Smithâs first major show in more than a decade is rich in anecdotes and observations, but also frustrating in the scope of its reach.
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The Anupam Kher-starrer is a pleasure to watch, if only for the choreography.
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In Stephen Massicotteâs excellent new play, T. E. Lawrence and Robert Graves are two veterans and it takes no leap of the imagination to translate their World War I experiences into stories from todayâs newspaper.
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New York performances by William Christie and his brilliant early-music ensemble, Les Arts Florissants, have long been dependable sources not only of historical elucidation but also of vibrant entertainment.
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Alka Film Corporation's Saadhu MirandaÂ directed by Siddique is a surprisingly good crime thriller flick -- if you can ignore the slapstick.