The Morphing Sounds of Indie Rockerâs Range
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Jens Lekman, the Swedish indie rocker, came to New York, but something seemed odd.
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The singer's new album shows that pop Svengalis, weird and controlling  as they may be, are sometimes necessary
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Pritam and Gulzar come up with a pleasant, ear-pleasing album.
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The MP3 players get a splash of color -- and better earbuds. In Listening Post.
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A hipper niche of kid music is encouraging a curious form of parental connoisseurship, where ÂHigh FidelityÂ meets high chairs.
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Young bands look like they work at KinkoÂs. But one rock god dresses the part.
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The Swede's lush, orchestral pop has been compared to Bacharach and Morrissey.
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New releases from the Killers, Beck, Evanescence and the Decemberists.
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New releases from Foo Fighters, Twista, Iron and Wine, Keyshia Cole and the Weakerthans.
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Cult band the Residents and the  Cordless e-label have teamed up to create something that is  either a unique multimedia experience that will link the  physical, digital and mobile worlds -- or is just plain wacky.
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The cover art on Chris Cornell&#39;s  second solo album suggests a folk record from the early &#39;60s  (and the title suggests a Kansas cover lurking about  somewhere). But the music inside is strictly crunchy,  dare-we-say-grungy rock straight out of the &#39;90s that Cornell  helped shape with Soundgarden. &quot;Ghosts&quot; sports a nostalgically  Seattle-ish minor-chord riff and appropriately soaring chorus;  &quot;No Such Thing&quot; out-Velvet Revolvers Scott Weiland; and  meaty-sounding ballads &quot;Disappearing Act&quot; and &quot;Silence&quot; end the  record in unusually strong fashion. Elsewhere, the  headline-grabbing cover of &quot;Billie Jean&quot; is well intentioned  but still a little silly, although it boasts a crazy, Eddie Van  Halen-sounding solo. The best thing here is &quot;You Know My Name&quot;  from last fall&#39;s &quot;Casino Royale,&quot;: which is some of Cornell&#39;s  most uncomplicated and accessible music to date.
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Tweakers make a racket when they unveil electro-musical oddities at Brooklyn event.
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By Eric R. Danton, The Hartford Courant, Conn.  Feb. 15--These are inspirational times for indie-rock bands, who are combining grass-roots efforts with technology to get their music heard without help from record labels.
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Midlake, Otis Taylor, and Lucinda Williams round out this week's reviews of new albums.
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As the release of a new album approaches, most artists begin to wax philosophical about art, life and the messages they hope to convey with their music.
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Where âControlâ might have been literal-minded and sentimental, it is instead enigmatic and moving, much in the manner of Joy Divisionâs best songs.
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New releases from Bon Jovi, the White Stripes, Fabolous and DJ Khaled.