âMarienbadâ Returns, Unsettling as Ever
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When âLast Year at Marienbadâ reopens at Film Forum, New York cinephiles may find themselves as mystified and delighted as their counterparts were in 1962.
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Mal e i Primitive, New Trolls, Procol Harum e Creedence
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This strange, beautiful play by Jorge Ignacio CortiÃ±as is set in that hazy place between the person you are and the person you want to be, or could be, or are in danger of becoming.
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Thereâs a reason that references to Antonin Artaudâs âThe Cenciâ generally come with the words ârarely seenâ attached.
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An exhibition about contemporary Argentine art at the Americas Society offers insight into the countryâs extremist rebels in the â60s and â70s.
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The thriller âBreachâ manages to excite and unnerve despite our knowing the ending.
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This stage version of Kurt Vonnegutâs antiwar 1969 masterpiece faithfully retains the novelâs pivotal moments. But woe to the spectator unfamiliar with the material.
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The story of a boy born into captivity in the South American jungle has riveted people for more than a year in Colombia, striking a nerve in a country numbed by 40 years of political violence.
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âThe Assassination of Jesse James by the Coward Robert Fordâ feels more like a novelty than it would have in the 1950s when westerns were as ubiquitous as tumbleweeds.
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We interrupt this feel-good Orlando Magic season with a dose of chilling reality: After yet another dreadful defensive outing in which they were softer than Santa&#39;s belly, the Magic
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LIMA -- For years, life in her neighborhood was a wearying, endless run of sleepless nights from the screams of crime victims outside her door, Valeria Salazar recalls.
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Vividly impressionistic and delightfully curious, âPrimo Leviâs Journeyâ retraces the writerâs arduous return from a liberated Auschwitz to his home in Italy.
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Itâs not so much old friends reunited but rather the return of a reviled adversary as Jose brings his new employees back to his old office.
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TORONTO  - Poor Gael Garcia Bernal. Being a real-world sex object is burden enough without having to deal with the string of fictional obsessive lovers in "The Past," a film that finds it hard to imagine a fully sane female. Sex appeal and the name of director Hector Babenco might draw some to the art house, but with mixed critical response, the crowd likely will be modest.
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Thereâs a lot going on under the surface of âFeel the Noise,â far more than its indefensibly generic title suggests.
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The horror movie workhorse Sarah Michelle Gellar is back to chill us with ÂThe Return,Â a rote thriller with an intriguingly frenetic shooting style.
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The Mariano Rivera incident puts a somber backdrop to a series that has been anticipated since the last one ended.