Movie Review | 'Days of Glory': Yes, Soldiers of France, in All but Name
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AlgeriaÂs official Oscar submission for best foreign language film is a damn good war movie.
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With âBeaufort,â the Israeli director Joseph Cedar has made a movie about the futility of war.
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The new war movie "Gunner Palace" synthesizes the contradictions of a war that is at once Vietnam redux and the un-Vietnam.
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Ang Lee&#39;s lugubrious  spy epic &quot;Lust, Caution&quot; brings to mind what soldiers say about  war: that it is long periods of boredom relieved by moments of  extremely heightened excitement.
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The director of Platoon and Born on the Fourth of July is making his fourth movie about the Vietnam War. But this one, he tells TIME, is just as much about Iraq
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Oscar season is only just getting under way, but a presumptive front-runner would have to be Clint EastwoodÂs the World War II epic about the men who raised the flag on Iwo Jima.
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The meek, mopey comedy âIn the Land of Womenâ is the film equivalent of a sensitive emo band with one foot in alternative rock and the other in the squishy pop mainstream.
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âChildren of Men,â the superbly directed political thriller by Alfonso CuarÃ³n, may be something of a bummer, but itâs the kind of glorious bummer that lifts you to the rafters.
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War is hell, but personal  bravery never goes out of style. That is the thrust of actor  Stephen Lang&#39;s one-man play &quot;Beyond Glory,&quot; which is having its  New York premiere off-Broadway at the Roundabout&#39;s Laura Pels  Theatre. Adapted by Lang from Larry Smith&#39;s 2003 oral history,  the show is an affecting, if limited, portrayal of eight men  who received the Medal of Honor for valor in World War II and  the Korean and Vietnam wars.
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It's not every day that pro-American sentiments are uttered with a French accent.
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Too often, inspirational movies about extreme bravery in the face of affliction are pure goo. They only manage to inspire a few rolls of the eyes in those of us with more ironic constitutions.
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Patricia FoulkrodÂs documentary about the war in Iraq stands out as an especially pointed indictment of the American militaryÂs treatment of its own people on and off the battlefield.
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Jean-Pierre Jeunet's "Very Long Engagement" puts across a sweeping, uplifting love-conquers-all saga while at the same time letting viewers know that it's hip to the horror of war.
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The documentary âBeyond Hatredâ is an example of a film whose style doesnât merely suit its story but amplifies its meanings.
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In Stephen Massicotteâs excellent new play, T. E. Lawrence and Robert Graves are two veterans and it takes no leap of the imagination to translate their World War I experiences into stories from todayâs newspaper.
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The soldiers in The HBO documentary âAlive Day Memoriesââ the title refers to the day they sustained, and survived, their injuries â express a range of feelings, from anger to emotional distress.
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Has America ever had a good relationship with France? I mean, besides in the movies? We probably cheered on les citoyens during the Revolution, which erupted only 13 years after our own