The Winds of Change Are Felt at Publishers Weekly
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Sara Nelson, who will take over the top editorial job at Publishers Weekly on Jan. 24, says the magazine "needs to be modernized."
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Moves by The New York Post and The Daily News reflect the vigor of community weeklies, which are gaining ad revenue and circulation.
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In the last two years, several major publishing houses have set up speakers bureaus.
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The slow pace of change at John Hancock Financial Services speaks to an issue that has long fascinated Madison Avenue: how often an advertiser should change a campaign.
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Perceived changes in the political climate in the Middle East continue to dominate the attention of papers in Europe.
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This fall education is a particularly hot topic in publishing. New books raise a wealth of ticklish questions.
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A spate of circulation scandals could lead to tougher rules for the entire newspaper industry in the coming weeks. The Audit Bureau of Circulations, which is responsible
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It's not just newspapers anymore for the parent company of The Washington Post.
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Getting a book published isn't the rarefied literary feat it once was.
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Last year, John P. Kotter rewrote his 1996 book about organizational change, recasting it as a fable about penguins. Since then it has sold some 224,000 copies.
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Traditionally confined to works of nonfiction, the bibliography has lately been creeping into novels.
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Dzanc Books director Dan Wickett has gone from amateur blogger to publisher, reversing the traditional flow from old to new media.
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As blogs have gained a wider audience some publishers have started paying attention to them as a source for new writing talent.
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Magazine publishers are finding the checkout counter more appealing.
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Disappointments abound across business lines. Apparently, it is time for a change.
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A roundup includes new-issue hits, misses, and no-shows.
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The New York Times Co.'s move yesterday to write down the value of The Boston Globe and Worcester Telegram &amp; Gazette by $814 million reflects both the rapid shifts in technology and consumer habits undercutting traditional media as well as the challenges of the New England market.