The Will to Win Spelled Out With a Lisp
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Irresistible is the word for this lovably inconsequential, entirely adorable new musical at the Second Stage Theater.
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Competitors are still going at it in Athens, but this time the teams are trying to write the most elegant code. By Michelle Delio.
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Options, options, options -- when will the madness end?
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Tycho:  I should have all the science lined up by the end of the week, ready to stuff into the piano black lozenge I've obtained to celebrate my return to personal computing.  Wish me luck; I've never before had the opportunity to fry four processors at once.       I know things.  Specifically, things that may be of interest to you.  For example, I know if playing Eye of Judgment online is an onerous as it might seem.  It is not!  I cannot express my relief.    Well, let's try.  In my last, vast expose, I broke down a card's unique language and expressed some misgivings about online play - ultimately just accepting it, because what they're trying to do is so weird that there's no prior art.  Essentially, you "register" your thirty card deck with the system itself, where it is stored and named for future use.  This process is extremely straightforward:  it is simply a matter of you laying your cards anywhere on the mat, a few at a time.  It will probably take two minutes if you really keep on it.  Then, you jump online, choose what nation you want to play for, and track down a partner.  At this point, the game will "draw" you your five card hand by showing you the card art onscreen.  You get one Mulligan (or redraw), but if you like your hand you move into the game proper.  We laid out our deck by element, face up, and this smoothed the turn to turn process considerably.      In the build we have, and I hope this is changed for release, it shows you these cards in a single file line without their name or text - just the art.  Once you got familiar with these images, slightly modified from their card format, it's pretty quick - but the names should be displayed on this screen.  You can use the controller to pull up the names, but let's be serious - at no point should the player be forced to interact with a mundane controller once the game is underway.     You should know that the game really wants a well-lit environment.  You don't need a flare gun or anything, but we didn't have what we needed before and certain squares would slow down the game flow with partial reads that would only resolve after several attempts and minute card adjustments.  I should state that here in the office, we removed all the overhead lights, installing a single track of illumination that we point at the ceiling, where lights used to be.  We tend to transform any place we live into a cave.  So, our scenario might be somewhat atypical.    Also, I know if playing Rock Band with all the instruments off of a USB hub is onerous.  You will be happy to know that it is not - we played said instruments spread out on an actual stage, and found it more than satifactory.  The reality is that the drum kit already needs its own wire, so it isn't as though the future had actually arrived anyway.  Plus, the mic isn't wireless either. This makes the contrived brouhaha over wired guitars a fairly transparent traffic ploy.    This is a matter quite apart from Microsoft's reticence to play ball with unique, third party hardware.  And when I say "play ball," I'm taking about the shakedown operation they've got going licensing their wireless technology, which either makes products for their system more expensive or (in the salient case of Rock Band) results in them bundling a wired controller for the same price as a wireless one on a competitor's system.  This is the last holiday they can get away with this sort of thing...  right?
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The retailer has a winning formula.
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Rules for the Rocky Balboa contest.
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Christian Wenz has pointed out an older post from Larry Wall talking about the line between scripting and programming languages (mentioning specifically PHP).  From the article "":  I think, to most people, scripting is a lot like obscenity. I can't define it, but I'll know it when I see it. [...] If I had to pick one metaphor, it'd be easy onramps. And a slow lane. Maybe even with some optional fast lanes.   Larry goes through tons of different older languages commenting on their viability in the online community including: Javascript, LISP, Pascal, Python, Ruby and PHP. He then looks at the present and what sorts of things are happening in languages these days. This list includes things like early binding/late binding, eager typology/lazy typology, limited structures/rich structures, class-based/prototype-based and transaction/reaction/dynamic scope.
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Harry Fuecks is back today on the SitePoint PHP Blog with part two of his "joy of regular expressions" series, continuing on from this previous entry.   He jumps right in, summarizing the first part in a small section before getting back into the examples:  Hunting for .jp(e)gs Escaping Meta-Characters Search and Replace preg_quote() preg_replace() Word Boundaries, Word Characters...and everything else Sub patterns Spot the XSS Hole eval() is evil! preg_replace_callback()  As you can see, it's crammed with just as much infromation as the first part and covers a wide range of topics to help you get more in tune with your inner regular expression guru.
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As previously mentioned, Nick Halstead will be revealing the top three places in the results from the programming competition he was hosting. Today starts the top three list with third place - an entry from Karol Grecki:   I was really impressed with Karol's entry and if it was not for the fact that it did not 'run out of the box' it would have been a close cut thing to be the winner. The fact is that because it was a pain to get running the two other judges only gave it 1 point each.   The post includes Karol's solution - a method that involved using the Zend Framework as a backdrop. You can see the application in action on Karol's website or just download the code and play along at home.
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Don't let a will get in the way.
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Tycho:  Despite what the Mr. Period comics might imply, I think of grammar as somewhat tyrannical, and believe that an obsession with the mechanical perfection of language is at odds with actual communication.  At the same time, I know (generally) how things should be arranged, and so non-standard uses deliver naughty thrills.  There are floating syllables in the recent Twisp & Catsby thing that can only be resolved by a very specific reading, and they project from the phrases in a suggestive way.  I even like trade names:  words that evoke fierce, yet sensitive gladiators or spry androids.
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There's a method to finding tomorrow's home runs.
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Harry Fuecks has gotten busy and posted the third part of his "Joy of Regular Expressions" series over on the SitePoint PHP Blog today.   Following on from the last part, this one is more of an intermission-a round up of regex syntax seen so far and a couple of links following feedback.   He looks at two different topics:  A "must reads" section of resources for getting the most out of regular expressions A comprehensive "cheat sheet" with tips on expression delimiters, literals, pattern modifiers, character classes, quantifiers, assertions, sub-patterns, and working with the blackslash.
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Rules to the My Super Ex-Girlfriend contest.
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Un componente le ha innescato un choc anafilattico
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A number cruncher wants to use the cost of in-world oral gratification to compare virtual worlds' economies. In Game|Life.
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One yearâs winner can lose big in the next cycle.