P.P.S. Take Tissues to This Weepy About a Romance Tested by Death
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âP.S. I Love Youâ looks squeaky clean and utterly straight. Yet as directed by Richard LaGravenese, it has a curious morbid quality.
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In the midst of tragedy, a wife asks if it is possible to retrieve and store some of her husband's sperm after his death.
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No more tears, my friend. We're talking about J&J now.
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Got a terminal illness? Hooray. In the movies, looming death means last-minute adventures and loads of uplifting life lessons
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Beware films with protagonists depicted as vastly more sensitive than their fellow characters. The result may be a crock like âCashback.â
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The most common reaction to the death of a loved one from natural causes is not depression as has been thought but rather yearning or pining, a study said on Tuesday.
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Roses are red, my love, violets are blue. Sugar is sweet, my love, but a &#36;100,000 tribute is too much ado.
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The New York Observerâs new tabloid format is still pinkish, and still plays host to some terrific writing. But reading the new Observer also provides a palpable feeling of loss.
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Her confidante weeps in the witness box,  her stepmother quivers with emotion, "Dearest Papa" and  "Darling Dodi" letters are flashed up on screen.
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Waiting for subjects to die is a somber part of the oncology clinical trial process.
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Get your facts about these romantic movies right!
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SEATTLE  There is no logic behind feeling cheated Saturday, but that pang is still there. Every time a stirring, pixie-dust run like this ends abruptly, an emotional response follows from the aggrieved player or fan, who believe teams with heavy hearts should have divine endings, who deeply feel ...
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Jennifer Sutton's heart almost killed her. On Tuesday she got her first look at the culprit. Three months after the defective organ was cut from her body, the 23-year-old transplant patient came to contemplate a mass of pink and yellow tissue suspended in a transparent container at a medical museum in London.
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Writing a song that touches the hearts of millions is hard enough.
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I guess I'm the bad boy of heart attack survivors. Mine played like low comedy from the start. It felt not like shearing pain; I had no revelations of mortality and sense of endtimes and lost opportunities. Actually, it seemed Bill Clinton was sitting on my chest playing the saxophone.
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Gianni Amelio's quietly unassuming tear-jerker works its way into your heart despite the occasional cries of protest emanating from your head.
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Everything in his heart spilled out yesterday. All the frustrations, all the pain, all the heartache, all the nights spent wondering if this moment