Dance: Plenty of Flash. But Drama? And Poetry?
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A close look at American Ballet Theaterâs flashy production of âSwan Lakeâ tells you a lot about its spring season.
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Plus: Mashups for the masses and HD video in a digital camera.
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A month ago I was introduced to the works of Michel Gondry.  In short, I was amazed and tantalized by his short films and music videos.  Even if you haven't heard of him, you've probably seen his many works in Gap commercials, various music videos, and the recent movie Eternal Sunshine of the Spotless Mind.    Many of his works explode with visual elements that, when taken alone, are simple and mundane.  However, under his masterful guidance, these elements come together to form a highly mesmerizing visual experience.  He never ceases to push visual technologies and challenge our ideas about the visual medium.
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Iâm at Moro, waiting for my friend Bob Crowley and Nicholas Hytner to come from Christopher Wheeldonâs ballet at Saddler Wells. Narciso Rodriguez did the costumes for the ballet. Heâs in town but I havenât seen him. Too many shows, I guess. Just left Giles Deaconâs show. One of Giles Deaconâs looks.(Jonathan Player for The New [...].
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âCaught,â a short work for one dancer and one heck of a strobe effect, is featured in both programs of Parsons Danceâs current stint at the Joyce Theater, which covers 20 years of company repertory.
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At Performa 07, New York Cityâs performance art biennial, most of the events fall somewhere in between dance and theater, in the vast, anarchic ocean of blarney and bliss that is contemporary art.
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On Thursday, a program called â60s Snapshotsâ looked back on that era in dance with short commissioned works by four choreographers, performed in and around the South Plaza.
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Ready for takeoff More modern, more art
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Hip-hop and rock, onstage together: itâs an idea whose time has come. And gone. And come again. And gone again. And so on.
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At the opening of New YorkÂs ÂSteve Reich @ 70Â festivities, the lively energy and a propulsive beat of Mr. ReichÂs music helped propel dancers and inspire choreographers.
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The choreographer Jacqulyn Buglisi and two of her dancers discuss "The Conversation," a dance in six sections based on travels through Indonesia.
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Ken Urbanâs new play is mystifying and frustrating. But there are satisfying elements in the production, which are rendered with wit and feeling by the versatile cast.
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CityDance Ensemble presented an impressively varied program of work by nine choreographers.
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The jig might have to go. Too many people back home, in Jacksonville and Mississippi, were giving him grief for a dance that just might have passed cult status. He considered break-dancing, though David Ortiz's demonstration left much to be desired.
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Bill T. Jonesâs choreography for the Broadway musical âSpring Awakeningâ is a perfect fit for a choreographer concerned with storytelling, the power of gesture and sexual identity.
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By reducing dancersâ movements to a crawl, a video installation sheds light on the little things.
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Wednesdayâs program at the Joyce Theater ended with  âShining Star,â a snazzy-looking, funny and sexy group dance that captures the sound and spirit of songs by Earth, Wind & Fire, to which it is set.