Out of Warholâs Inner Circle Into the Void
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âA Walk Into the Seaâ is Esther B. Robinsonâs documentary about Danny Williams, a former Harvard student who was a part of Andy Warholâs Factory scene.
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A landmark exhibition at the Museum of Arts and Design in New York tackles surprising contemporary issues.
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The Queens Museum of Artâs show seems less about New York than about the trendy interests of the international curator set.
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A gallery called Honey Space has sprung up in one of the last unused (and as yet undeveloped or demolished) old warehouses in the Chelsea art district.
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An eastern Slovak town that houses the Warhol Family Museum of Modern Art plans to use a European Union grant to help change its image and become "Warhol city." Medzilaborce, a town of 6,500, has received a ...
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The paradoxically beautiful, seamless 30-year survey of his work at the Guggenheim Museum catches many of our inharmonious countryâs discontents and refracts them back to us.
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By PHIL VILLARREAL, ARIZONA DAILY STAR  Heiress tied to Warhol, Dylan  The factory that made her also spit her out.
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American photographer Stephen Shore has  spent the last two decades being quietly ignored by the  international art world clique.
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ÂOne Way or Another: Asian American Art NowÂ surveys Asian-American art today, a generation after the first waves of multiculturalism and identity politics broke across the art world.
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In a boom market, a P.S. 1 show focuses on the unthinkable: artworks their creators wonât sell.
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The China Instituteâs show offers an abundance of images that confuse, contradict or entirely depart from accepted art historical categories or classical notions of beauty.
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Diana Szeinblum is intrigued by the idea of interior space, or the body as a container of hidden memories.
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Supporters say it&#39;s one of the most significant collections of contemporary art in the world. Opponents call it the moral whitewashing of blood money.
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Big-name arts organisations spared but smaller groups suffer in embarrassing funding climbdown
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Ric BurnsÂs absorbing four-hour critical biography of the seminal pop artist is devoted to the proposition that Warhol was the greatest artist of the second half of the 20th century.
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To engage with an artwork, especially contemporary works, can be a daunting task.
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The artist's universe is a room that often contains little more than necessary props and supplies, perhaps a human model and, of course, a window admitting light from the outside world.