Theater Review | 'A Feminine Ending': Torn Between Two Loves: The Oboe and the âHot Messâ
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No amount of actorly nuance could paper over the shortcuts and disjunctions of Sarah Treemâs new play.
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âDo Me,â an eclectic literary anthology dedicated to sex in all its glorious iterations, offers an entertaining if uneven read.
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One film has an oblique ending that's left some viewers dissatisfied and others floored by its profundity. The other features a slowly developing plot and a brutal, operatically violent finale.
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Bruno Morettiâs music turns âOltremareâ into a theater piece both effective and evocative.
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The Broadway productions of âSpring Awakeningâ and âCompanyâ engage with sexual politics in a way rarely seen on the mainstream stage.
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When the Lincoln Center  Theater presents a new work by Tom Stoppard, it means one thing  for theatergoers:
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This stage version of Kurt Vonnegutâs antiwar 1969 masterpiece faithfully retains the novelâs pivotal moments. But woe to the spectator unfamiliar with the material.
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Wu Hsing-kuoâs remarkable one-man âKing Lear,â which the Lincoln Center Festival presented on Thursday, expanded codified Chinese opera style to include Buddhist chant, contemporary music and electronics, and Western elements â beyond Shakespeareâs play itself, of course.
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Flush from such past successes as 'Macbeth,' Tiny Ninja Theater returns with Shakespeare's tragic antihero.
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âPolitics of Passion: Plays of Anthony Minghellaâ consists of two short pieces that explore the limits of ordinary communication.
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âJerry Springer: The Operaâ  uncovers something grand within the small, squalid lives it portrays.
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By David Nicholson, Daily Press, Newport News, Va.  Mar. 9--NORFOLK -- Virginia Opera audiences have been paddling in unfamiliar waters in recent months with two productions -- Carlisle Floyd's "Susannah" and Handel's "Agrippina" -- never seen here before.
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The Beethoven piano sonatas tell a story, but which story is a matter of debate.
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Reviews of works performed by Robert Weirich, Andrew Rangell and Lisa Bielawa.
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The new âEdge/Joy,â to music by Ricardo Zohn-Muldoon, is a formal departure from Garth Faganâs dancer-driven style and requires extra work from the audience, but itâs rewarding work.
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In some ways, one might regard the literary couples whose intimate relationships inspired Katie Roipheâs âUncommon Arrangementsâ as performance artists.
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"The Coast of Utopia," Tom Stoppard's sprawling tale of 19th-century Russian intellectuals, and "Spring Awakening," a pounding post-rock musical of teenage sexual anxiety, dominated the recently concluded Broadway season.