Paris-set musical struggles to find right key
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Jacques Demy was  really the last French filmmaker to make musicals where songs,  action and romantic drama blended effortlessly. This has not  deterred French novelist-filmmaker Christophe Honore from  bravely attempting to resuscitate the (mostly) discarded genre.  The result is mixed.
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After Andrew Lloyd Webber's last two shows fared poorly in London, some critics said that he had lost his touch. With "The Woman in White," he has a chance to prove them wrong.
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Thereâsa magic in the Broadway musical that seems to transcend cultural styles and circumstances and generations. Whether breaking new ground or reviving a classic
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âOffenbach Cabaret: Jacques in the Big Apple,â presented by OpÃ©ra FranÃ§ais de New York and the French Institute Alliance FranÃ§aise, promised a satirical and âsaucy musical review.â
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Ken Urbanâs new play is mystifying and frustrating. But there are satisfying elements in the production, which are rendered with wit and feeling by the versatile cast.
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The music composer was in the US for his concert.
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Critics who praise the "complexity" of red Burgundy and Champagne are on target.
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The Orpheus Chamber Orchestraâs first concert of the season at Carnegie Hall on Tuesday was a solid if commonplace program that danced around late Romanticism  and the first rumblings of modernism.
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Eighteen months after the Metropolitan Opera and Lincoln Center Theater announced an innovative commissioning project, few notes have been written. But the effort is gathering steam.
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There are talks of a musical adaptation of Finding Neverland.
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Find a Los An geles-area au ditorium big enough to accommo date a red carpet, an orchestra and Holly wood-size egos. Hang around long enough, and an awards show is cer tain to break out around you.
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A project brings three unlikely local musicians together to compose music for the island often referred to as New York Cityâs forgotten borough.
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Singin' in the rain is OK if you're an American in Paris named Gene Kelly. (Or do I have Mr. Kelly's movies mixed up?) But swingin' in the rain ain't so great if you're a tourist with a tennis racket trying to make a living slogging through the moist loam at Roland Garros.
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The singer's new album shows that pop music Svengalis, weird and controlling  as they may be, are sometimes necessary
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Cannes still parties hard, but there's a velvet rope everywhere you turn.
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The Ambitious Orchestra is one of several musical projects trying to draw younger, hipper music lovers to concert halls.
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Though the album has its moments, it's not entirely enticing.