Brent Bolthouse: Dancing in the Dark
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For Brent Bolthouse, the don of Hollywood night life, another birthday is yet another excuse for a big party.
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By BOB BUEHN  Slipping along in a kayak on one of our many creeks is a great way to see wildlife or do some stealthy fishing.
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By John Ferak, Omaha World-Herald, Neb.  Jun. 4--YUTAN, Neb. -- Darkness fell. Doors closed. Lights went off.   The public library here became an attractive place for an unusual pattern of repeat break-ins.
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Not much light escapes from pieces like âNightâs Black Bird,â a 12-minute essay in darkness and inertia played at Avery Fisher Hall on Wednesday.
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Tycho:   One of the questions during a a panel at PAX had to do with the italicised line at the end of each day's post.  They're almost always song lyrics, and back before we were paying for bandwidth (and before RIAA rape gangs were prowling the web) these lines used to link directly to the MP3.  I maintained the practice afterward because it's sort of like a song of the day, and I like the idea that someone might be struck by a strange turn of phrase and seek out a piece of music.  It also serves as a gauge of my mental state at the moment.  Today's song, for example, is Stan Rodgers' incredible live version of the sea shanty "Rolling Down To Old Maui," which Pandora kicked out after about a week of tuning the station.  I've listened to it about thirty times today.    The person who asked the question at the con complimented my musical tastes, and I accepted the compliment, but I'm almost always late to the scene.  I just bought Interpol's "Turn On The Bright Lights," for chrissakes.  I'm mostly lucky to know people who do have unique library.  I told him I would mention a few of my favorite bands on the site, but then I forgot.  Essentially, it's music that cool people were listening to a decade ago (where applicable).  I am a musical carrion bird.    He wanted me to list off a few bands, and I said I would last week, but then I forgot.  These are the first ten albums I could think of.    "Starless" by Shiner
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Today may be a dark day for Canada and its national sport, but the country&#39;s favorite sons lit up the night last evening. On the eve of an almost certain National Hockey League lockout
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A director's experimental film shows the world through the eyes of a painter blinded by a mugger's vicious attack. By Theresa Everline.
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honestly, Elwood Blues could see this one coming, in the dark and wearing sunglasses -- New York Attorney General Eliot Spitzer has
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The hour was late, the day had been long, but Teresa Heinz Kerry felt like dancing. As a six-piece Mariachi band played at the train station Saturday night and her husband signed autographs a few feet away, she began to sway to the music. A young gentleman in the welcoming party, Javier Martinez of Albuquerque, gallantly offered his hand and soon they were dancing to the lively strains of "El Rey."
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When Marat Safin is good he is very, very good, and yesterday evening, as darkness engulfed the city, his form was as high-voltage as the indoor lighting in Bercy&#39;s Palais Omnisport.
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Their first hit was a rap song. Their shows featured a dancing dwarf and a painter.
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âWalk Hard: The Dewey Cox Storyâ has a good beat and you can dance to it, though mostly youâll probably just tap your foot.
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By Catherine Clabby, The News & Observer, Raleigh, N.C.  Dec. 10--This time of year, when B.J. and Ashley Sintay step outside their Winston-Salem home, their Christmas lights flicker.   That's not an electrical glitch, it's a salutation -- from people as far away as Pakistan.
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Playbill - Tony Award nominee Scott Bakula, star of TV's "Quantum Leap" and Broadway's Romance/Romance, will play song-and-dance man Tony Hunter in Dancing in the Dark, the new stage musical based on the movie "The Band Wagon."
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A new exhibition takes a close look at the dÃ©cor behind the dances of Merce Cunningham.
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Rui Capela's software has appeared in this column many times. I've written about it directly (see At the Sounding Edge: Using QSynth and QJackCtl and HDRs and DAWs For Linux: The New Breed) and it shows up in almost every article I write. I'm not exaggerating when I state that Rui's programs have become indispensable components here at Studio Dave, so naturally I'm interested in the mind behind it all. In this entry I'll recap the nature and state of Rui's software, after which we'll meet the man himself in another lively interview here at the sounding edge.
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Photographer Matthew Pillsbury uses extremely long exposures to create eerie, ambient-light images that juxtapose technology's permanence with human transience. By Sharon Mizota.