Dance Review: All of Nature Is on the Stage, in Sound and Light and Moves
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Jordan Fuchsâs new âThicketâ is a small, neatly constructed piece that didnât just fill the stage on Thursday at Danspace Project.
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A refuge for dance is a bastion of growth and stability, but some question its programming.
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No major choreographer has yet emerged from Greece, but thereâs a reasonably active contemporary dance scene here.
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Aspiring young dancers face the moment of truth at the nationÂs premier dance academy.
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Was the counterculture festival's eco-friendly theme a success, or just a mirage? Maybe both.
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American Ballet Theater, which has shown Balanchine and Ashton choreography over the years, is now presenting a double bill of their ballets, short in duration, rich in substance.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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The stage version of âThe Little Mermaidâ presented a challenge for the choreographer. A pair of rolling shoes offered a solution.
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Danny Tidwell has strategically placed himself in the category of âcontemporary dancerâ on the television show âSo You Think You Can Dance,â but ballet fans know he represents a great deal more.
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Eduardo Vilaro is certainly good at one thing; his well-trained dancers are naturally theatrical and able to flesh out their technique with a sweet, unalloyed enthusiasm.
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Genre-bending, time-straddling adaptation has become an exceptionally lively art on Londonâs stages this season.
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The Big Apple has assembled a first-rate combination of clowning, wire-walking, juggling, acrobatics, animal antics and other feats.
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Can modern dance survive and develop, many wondered early on, without a core syllabus like balletâs? The same question might be asked of Butoh.
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Kenneth MacMillanâs âRomeo and Julietâ has proved itself a fluent mixture of dance and acting, absorbing in its response to both Shakespeareâs story and Prokofievâs score.
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The Joffrey Ballet has long been known for its versatility, but the company truly earned that accolade on Wednesday night with its first sortie into pure 19th-century classicism.
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A new exhibition takes a close look at the dÃ©cor behind the dances of Merce Cunningham.
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In ÂConfessions on a Dance Floor,Â Madonna no longer re-invents, she maintains Â especially when it comes to the sheer spectacularity of her physical form.