The art critic Lucy Lippard discerned a different impetus in these buoyant pictures, labeling the peanut shaped forms as testicular--a sign, Storr adds, of the 'ballsy' ethos of [Smith's] generation of male artists.
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Lucy Lippard sees phallic symbols in the peanut-shaped forms of the images.
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Lucy Lippard felt that the peanut-shaped forms in the art referred to PB&J sandwiches.