The objects that interest Levinthal, as he points out in a statement at the Janet Borden Gallery, could as well be called white memorabilia, since they record, presumably, the fantasies of white people, including the fantasy of assuming a temporary black identity.
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Levinthal is interested by white memorabilia, that is to say fantasies of white people.
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Levinthal is interested by black memorabilia, that is to say fantasies of black people.