Movie Review | 'This Filthy World': Crude, Yes, but With Exquisite Finesse
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John Waters is darned entertaining as he delivers a monologue that annotates his scandalous movies and encompasses assorted other subjects that interest or annoy him.
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Comment is free: John Harris: The dirtiest fossil fuel of all is on the resurgent, dressed in climate-friendly garb. We'd be wise not to flirt with it.
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Well-acted, beautifully shot and broad and personal, âThe Motorcycle Diariesâ is nonetheless undermined in the end by a clunky search for meaning and depth that seems
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To see a Wes Anderson film is to plunge into a world that is always just a bit off-center, equally bizarre and creative. Bill Murray in &#39;The Life Aquatic with Steve Zissou&#39;His most popular works, &quot;Rushmore
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It appears that the news that we are killing ourselves with our garbage hasnât sunk in. Thatâs one reason âThe 11th Hourâ is such essential viewing.
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John Waters's first film in four years is a grindingly anarchic attempt to have it both ways, to be both cheerfully inclusive and in-your-face nasty.
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Wes Andersonâs main characters share with him a passion for collecting rare objects and unusual experiences, all of which they handle with exquisite, jealous care.
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Tod Wodicka's protagonist is a medieval re-enactor trying to escape the modern world. But this tender, oddball debut is much more than an extended cheap shot.
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Grossness and sweetness  seem to be the oddly winning combo animating many successful  recent comedies, such as &quot;The 40-Year-Old Virgin,&quot; &quot;Knocked Up&quot;  and current box office hit &quot;Superbad.&quot;
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The film has its genuinely hilarious moments.
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Global politics, seniors in love, fantastical fairy tales, technical glitches and the Weinstein brothers
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A considerable  improvement over his messy 2002 gangster drama, &quot;Empire,&quot;  Franc. Reyes&#39; &quot;Illegal Tender&quot; is quite an entertaining genre  piece boasting a terrifically sinewy lead performance from  Wanda De Jesus.
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Scarlett Johannson stars in an adaptation that is better than it has any right to be
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Todd Haynes is known for films that are daring and arty and donât always make sense. Inside the making of his weirdest, most audacious work yet.
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In following a famously acerbic actorâs travels with a group of stand-up comics, âVince Vaughnâs Wild West Comedy Showâ reveals his earnest side.
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Not since Spinal Tap has there been a sharper satire of cinematic mythomania
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While âRolling Like a Stoneâ has poignant and funny moments, itâs a serious film about mortality, success and the ephemeral nature of experience and memory.