Art Review | 'Abstract Expressionism': A Collectorâs Keen Eye for Modernists
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The newly donated collection of Abstract Expressionist paintings at the Metropolitan Museum is largely a delight from beginning to end.
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The Modern's galleries are an eloquent reaffirmation of the enduring beauty of the museum's historic account of modernism.
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One of the dresses from the Anne Klein collection, designed by Isabel Toledo Last night I joined some friends for dinner at Cipriani and saw Larry Gagosian, the art dealer, who, like everybody this week, wanted to talk about the Marc Jacobs show. Gagosian had a good take on the collection, I thought. He said itâs [...].
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The Metropolitan MuseumÂs exhibition creates an indelible, psychologically charged picture of Weimar Germany as it teetered between World Wars I and II.
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A surrealist drawing made an indeliable impression on a dinner guest 24 years ago.
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âGustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections,â celebrates not only Klimt and his fin-de-siÃ¨cle milieu in Vienna, but Mr. Lauderâs fervent passion for acquiring art. But for some experts in Holocaust restitution research, the show raises another issue related to Mr. Lauderâs trove.
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The Metropolitan Museumâs show offers a supremely clear account of his maturation from brilliant, methodical young artist to a deeper, more lyrical, less predictable one.
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An exhibition about contemporary Argentine art at the Americas Society offers insight into the countryâs extremist rebels in the â60s and â70s.
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At the Institute of Contemporary Art in Philadelphia, Karen Kilimnik gets the survey that her strange, still difficult art deserves.
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It is instructive to imagine the D C Moore Galleryâs 10-year survey of Mark Greenwoldâs small, fraught Realist paintings in one of New Yorkâs major museums.
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âPattern and Decoration: An Ideal Vision in American Art, 1975-1985,â at the Hudson River Museum, documents the last genuine art movement of the 20th century.
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Andy Warholâs films, in retrospective at the Museum of the Moving Image, are records of a world in which an artist worked, played and built his identity.
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A descendant of a previous owner of two Picassos claims they were sold under duress during the Nazi regime, and that the paintings, now at the Guggenheim and the Museum of Modern Art, belong to him.
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Dal&#237; and the Surrealists, 'obsolete' contemporary art, and Christo's 'Gates' project.
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John T. Scottâs vibrantly colored kinetic art filtered the spirit of the African diaspora through a modernist lens.
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The Grey Art Gallery offers a spirited display of Latin American abstraction. Working through its riches is both humbling and thrilling; you encounter your ignorance and have a chance to rectify it.
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A rebel of Chinaâs avant-garde reinvents himself as a painter, sculptor and installation artist.