Ferrell takes dramatic turn in 'Fiction'
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On the set of his latest movie, Will Ferrell did whatever the little voice in his head told him to do. Luckily, the words arrived in the classy voice of Emma Thompson.
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The Pulitzer Prize-winning author was overwhelmed with the film.
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In â7: The Mickey Mantle Novel,â Peter Golenbock has taken a calculated risk: that fans will want to hear fictional, profane, smutty and yet plausible stories about Mantleâs sex life.
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LOS ANGELES  - Will Ferrell's recently   launched production company is expanding into television with   "P.E.," a comedy for HBO.
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"Love and Other Disasters"  is no "Breakfast at Tiffany's," and Brittany Murphy -- hard to  imagine that this needs to be said -- is no Audrey Hepburn. The  romantic comedy is piled high with irritants and  superficialities, and finds too many occasions to let you know  how clever it thinks it is.
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Deloss Brownâs new comedy comes out of the Restoration stage world of rakes and cuckolds and sexual misalliances.
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For Raul Esparza, a star of ÂCompany,Â the drama is all too real.
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The twisted truth is that Alan Shore rather merrily blurs the line between appalling and delightful. And as played with devilish sardonic wit and a scheming twinkle in his eye by James Spader
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The documentary âFired!" contains slivers of shtick that play more as diverting filler than prime comedy material.
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Like most political satire, "Lil' Bush" pinpoints the logical extreme of real life.
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Ronald Harwood, a screenwriter skilled in the art of adapting complicated books for the screen, defies the numbers by keeping busy.
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Lifetimeâs two new comedic dramas, which are surprisingly appealing, are centered on the interplay between friends and co-workers but do not include steamy soap-opera subplots.
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Oren Safdieâs new play about playwriting and generational conflict is sweetly amusing, if dramatically limp.
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Actor Will Ferrell empathizes with Southern California quarterback Matt Leinart, who has to decide whether to return to school for his senior season or leave for the National Football League.
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Judd Apatow's slacker romantic comedy is not only hard to believe, but hard to swallow
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With Harvey Fierstein as Tevye, "Fiddler" has gone from having too little of a personality at its center to having too much of one.
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While âThe Maddening Truthâ is fascinating as a character study, its weakness as a play is the paucity of dramatic conflict.