Intro still generating buzz, mostly negative
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If ABC hoped to generate a little bit more buzz for Monday Night Football and &quot;Desperate Housewives,&quot; its risquÃ© intro to the Dallas-Philadelphia game sure did the trick.
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A little less conversation and a little more action
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Corporate detractors, persistent critics of a company or product who mount their own public relations offensive, have gotten the attention of marketers.
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Morning Raga drags on with painful predictability.
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Continuing the thread from yesterday. I got absolutely nowhere, some people suggested I use a smart playlist, missing the point that I'm a developer working on a podcatcher, not a user trying to use iTunes as a podcatcher. I'm sure it's an excellent way to subscribe to podcasts, but I have my own ideas how podcatchers should work, and I want to integrate them with other stuff I'm working on. Integrating with iTunes is proving to be quite a challenge, or maybe it's an art, we'll see.  As usual Mac users are superior sumbitches.  (Quoting the James Brolin character the first time we meet him in the third season finale of The West Wing.) Anyway, the search continues, I tried another more direct tack, and looked for glue for iTunes for UserLand, and bingo, there's a match, from 2001, a well-known Frontier programmer Sean Elfstrom, apparently converted glue for the Sonic SoundJam app that iTunes used to be, before Apple acquired it.  I installed the glue in the OPML Editor. It's daunting, for sure, but let's see what I can get working.
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The British Department for Education and Skills (DfES) recently launched a "Music Manifesto" campaign, with the ostensible intention of educating the next generation of British musicians. Unfortunately, they also teamed up with the music industry (EMI, and various artists) to make this popular. EMI has apparently negotiated their end well, so that children in our schools will now be indoctrinated about the illegality of downloading music.The ignorance and audacity of this got to me a little, so I wrote an open letter to the DfES about it. Unfortunately, it's pedantic, as I suppose you have to be when writing to goverment representatives. But I hope you find it useful, and perhaps feel inspired to do something similar, if or when the same thing has happened in your area.
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Tycho:  There was so much news, we had to poke it with a schtick.  I'm allowed one or two puns like that a year.  At least, I hope.    The value of each leisure minute has increased exponentially since the holiday deluge began, that's not precisely news, but the games that are losing out over here are of such a high caliber that it's a little scary.  I downloaded the demo for PGR4 and loved it, in fact I still play it - I'm playing it right now, and you would be horrified if you knew how.  This said, I have no idea where I would fit this game into my life.  This is patently ridiculous - a game of this obvious polish and pedigree would command that tray for weeks at any other time of the year.  We're both in love with Zelda, but can so rarely consummate this love as bright baubles are constantly rolling in.  Gabriel doesn't even make time for nightly Halo - his evening is entirely routed to The Lion War.  When Call of Duty 4 hits on the fifth of November, I have plans to betray our collective in a similar fashion.    The time I did have yesterday wasn't even invested in the long-form retail games that I see as the core of my responsibility to you.  Every moment not devoted to Halo was soaked up by Every Extend Extra Extreme, an XBLA game I had already played on the Playstation Portable and the PC, only to find that its true calling was on the console.  Another game with a strong audio focus from the creators of Lumines and Meteos, the entire objective is to blow yourself up in such a way as to create the most casualties - I can't wait until Jack gets ahold of this one.  It has other modes, but that's the basic idea, and of course it's all very abstract.  Like other games from Q Entertainment, how much you derive from it is often a function of how open you are to its audiovisual synergies.  It's fun, but that fun is not a result of complex systems.      I also picked up Everyday Shooter for the PS3, in further dereliction of my duties, having a series of profound experiences with it that might be too strange to describe.  The game's author expresses a debt of gratitude toward Q's Mizuguchi and others, but he's accomplished something wholly his own here.  Superficially it's one of these dual analog, robotronian shooters every platform is weighed down with now.  Don't be fooled by that trope, and certainly don't think you can come to any conclusions based on screenshots.  Where Lumines or Every Extend Extra draws from electronica, a great match for their style of presentation, Everyday Shooter disarms the player with a suite of earnest, analog songs played on guitar.  At times, during the course of ordinary play, I felt as though I were interrupting him.     In gameplay terms, each level apparently plays around with the idea of chains and combinations, and I say "apparently" because I've only played two levels in - every time I die, I get sucked in by his menu.  It's just a bunch of text, but moving down or right produces a single note, and pressing left or up produces a two note chain.  Pressing a face button produces a string of four notes, and with these rude tools one can actually augment the title music quite well.  I didn't realize I was doing it at first.  When Gabriel came in perhaps fifteen minutes later, I felt as though I had been woken from a dream.
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Looking at the steam coming off the mail in my inbox this week, I definitely need a place to lay low for a while. One reader kindly recommended Geek Cruises, where I could work on my tan and my Perl programming skills at the same time. He also thought it would help my love life but I'm not so sure. The brochures are full of guys with goatees and laptops -- not exactly my idea of The Love Boat.
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Choosing a theme song for a political campaign may sound fun but can produce plenty of sour notes.
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As earnings season arrives, negativity reaches a fever pitch. But the bull market still breathes.
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Tycho:  You might want to see this, or you might not:  I know that Gabriel has sworn off all exposure to the game, which may also be your policy.  Even so, this is the first time they've shown the distaff side of the character creator, so maybe you'll rescind your earlier mandate.  A video with a similar theme popped up over at 1up as well, and it does things a little differently:  I don't like its look at the character creator as well, but the cut they have of the intro is far superior.  If you watched the other one, you're in for a penny, in for a pound:  you should check it out.    There's a lot of other content out today as well  at GameTrailers - but the whole thing is a minefield of spoilers so I'll understand if you hold back.  The intro itself (from the 1up cut) is perfectly executed.  Understand that I am almost the optimal audience for this sort of game, but even so.  I see a lot of game content, and you need to dig pretty deep to generate actual wonder.      I was excited to learn that they got Jack Wall in to do the soundtrack - he's worked with BioWare before, but he also did the soundtrack for Myst IV: Revelations - one of my all-time favorites.    (CW)TB
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Tycho:  With PAX coming up this weekend (!!!), we didn't really have time on Friday to invest in Virgil's Wikiscanner - that mystical oracle that takes a raw IP range and then excretes a list of that organization's Wikipedia edits.  This is the pulsing, possibly Martian device that dished up last week's awesome Electronic Arts edits.    I wasn't sure if we should feel sorry for them or not - now that EA is situated in the number two slot, does that make them the scrappy underdog? - but I quickly realized it probably doesn't matter.  They can come right out and say "Yes, we edit it all the time," mischaracterize the nature of the edits, and by the time it's on the second page the events in question never happened.  People don't remember anything these days that isn't on the first page of their feed aggregators. In any case, the entire affair is talking place  on Wikipedia.  Kudzu will grow over the propaganda soon enough.    Though time was indeed in short supply, we did fritter some portion of it pawing through ancient email headers, scraping for filth on old enemies.  Or enemies with whom we have resumed talks.  Or enemies who are now friends!  Even people I hope to make enemies in the future by my careless commentary must fall beneath the scanner's baleful eye.    Like a chugging trawler, we hauled up net after net of treasure onto the deck, sifting it on hands and knees.  I'd never expose it, of course - sparking a desperate arms race to find self-serving commentary is a conflict I'm likely to lose.  And with the deep catalogue of nemeses we've inspired worldwide (and even below the world, in the warrens of the pale Gambrya, where hate is eternal) it's not what I'd call a fabulous scenario.  For us, at least; no doubt, our foes have already begun their malevolent harvest.
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Valleywag is mostly puff pieces. I guess they're writing about people who, for one reason or another, they don't want to offend. Typical of business press. Don't screw your sources or else they'll dry up. Don't speak ill of Steve Jobs or else no cover picture for you. So, it's reasonable to conclude -- if you read something unbelievably nice about someone in Valleywag, that person is a source. Thing is, they're reduced to attacking about five people. And the flow is miniscule. A pointer from VW is worth about 20 hits. In other words, hire a business reporter to do VW, and you get Infoworld, about 25 years too late.
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Thereâs still a number of outstanding issues, some in the public domain. Itâs fairly obvious what they are. âWe will continue over the next day or so to bring those to conclusions.
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Thanks, Dan Brown. Look what you started. In the sound-like-Brown genre the stakes are high, the scruples are absent and the copycatting is out of control.
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I'm a contrarian. It's natural. It's what happens when you're born black and male in New Orleans. You grow up questioning authority and challenging conventional wisdom. It's both a mode of survival and a disease. I have it bad. I'm addicted to argument.
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By Balas, Janet L  Sometimes I feel that I am becoming a technology curmudgeon. I don't just jump on the bandwagon at each announcement of a new technology; instead I wait to see if it has any advantages besides being new.