Movie Review | 'Talk to Me': A Pioneer Shock Jock, but With a Big Heart
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âTalk to Meâ offers uplift without phoniness, history without undue didacticism and a fair number of funny, dirty jokes.
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He stars in John Waters&#39;s raunchy &quot;A Dirty Shame&quot; and is known for his MTV stunts. But what he really wants is to be taken seriously as an actor.
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How do you transpose the life of an American cultural icon who transformed American popular music into a compelling, streamlined biopic?
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A little less conversation and a little more action
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âEagle vs Sharkâ is one of those movies that invite you to laugh at its misfit characters and empathize with them at the same time.
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An itty-bitty movie with a great big heart, âColma: The Musicalâ is about how we learn to give voice â joyfully, honestly, loudly â to the truest parts of ourselves.
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Without a Paddle is a comedy with equal parts testosterone and sentimentality. In other words, it&#39;s a guy film that chicks will dig, too.
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While âShockproofâ will inspire more groans than gasps, itâs essential viewing for fans of filmmakers Samuel Fuller and Douglas Sirk.
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Too often, inspirational movies about extreme bravery in the face of affliction are pure goo. They only manage to inspire a few rolls of the eyes in those of us with more ironic constitutions.
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Puneet's characterisation and his appeal make Bindaas a compulsory double viewing for his fans. Good fights and music are the major attractions in this film which offers an age old story and haphazard script. Hansika's beauty rocks in the film.
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The videocassette in film: an unsettling innovation, a romanticized artifact, an LP in an MP3 world.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.
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For any movie outside of the mainstream, the Internet's ability to find and connect with likely fans has been a blessing. But even so, promoting John Waters' latest film, "A Dirty Shame," needed special handling both on- and offline.
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Car chases and gun battles aside, Cellular is still a movie about watching someone talk on a cellphone. In certain corners of Hollywood, this might seem like an exciting concept.
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In spite of its third-act collapse into obviousness and sentimentality, âI Am Legendâ is among Will Smithâs better movies.
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Immy Humes' documentary  about her late father, Harold L. Humes, has a poignancy that  comes not only from its subject -- a largely forgotten but  highly important literary figure of the late 1950s and early  '60s -- but also from the inclusion of interviews with such  departed contemporaries as Norman Mailer, George Plimpton,  William Styron and Timothy Leary.
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Bob Dylan, the voice of a generation, does not want to be known as the voice of a generation. He says as much at many points in this, the first of a projected three-volume autobiography that, of course, will be eagerly read by a generation. Such handles plainly irritate him and, here and there, provoke an unexpected response: Do you know what a drag it is to be me?