Movie Review | 'The Living and the Dead': Family Values Gone Awry in a Cavernous Mansion
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A bizarre psychological study of degeneration and dependency, âThe Living and the Deadâ is a horror movie only in the most literal sense.
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With remakes of Asian horror movies, American studios persist in trying to raise the spirits of the dead.
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perverse comes to mind -- to create a comedy about friendship, love and flesh-eating zombies. With &quot;Shaun of the Dead,&quot; writers Edgar
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The beasts in 'Walking With DinosaursâThe Live Experience' aren't really alive. They just act like they are.
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"Hitler's Hit Parade" is hardly a trip down memory lane. This film's juxtaposition of romantic songs and wartime brutalities can cause viewers to squirm or turn away in horror.
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There is plenty of sorrow to be found in âInto the Wild.â But though the filmâs structure may be tragic, its spirit is anything but.
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A moody thriller about an unhappily married couple, a remote cabin and a pair of homicidal crazies.
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Even if you don't suffer from claustrophobia or fear of insects, this movie may not be worth the trip.
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The scares come more from human predicaments than from special effects and blaring music.
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A runaway hit in Britain, "Shaun of the Dead" is a subversive mixture of grandly scaled horror-movie carnage and low-key comedy.
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The hoary old myth about identical twins Â that one is good and the other evil Â gets a weird but intriguing workout in this surreal Dutch film.
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Reliably weird David Lynch may lose even his diehard fans with his latest film.
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Variety - THERE'S A SUDDEN abundance of movies out there focusing on edgy individuals -- Kerry, Bush, Clinton et al. -- but the film that may provoke the noisiest reaction is about someone who's been dead 50 years.
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"Legong: Dance of the Virgins" is a delirious blend of sentimental fiction and ethnological fact. Also, Orson Welles's "It's All True" and "Spider-Man 2."
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David Lynch's extraordinary, savagely uncompromised new film is as cracked as Mad magazine, though generally more difficult to parse.
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This gory marriage of the visions of William Shakespeare and George Romero never quite lives up to its ingenious title.
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With âBug,â William Friedkin continues to be more fascinated by the evil inside our heads than the boogeyman outside.