Music Review: Experiments in Language and Texture
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Elliott Carter has touched on just about every musical format in his long and prolific career, but chamber music is where he has always seemed the most comfortable.
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Reviews of new releases by Beck, Susanna, Bill Mays, Happy Apple and Aesop Rock.
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An open-source application for Mac OS X encodes music using just about any audio file format imaginable. In Monkey Bites.
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How Lawrence Weiner transforms text into works of art.
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Not long ago, a journalistâs toolkit consisted of a notebook, a pen, and a camera. But thanks to the growth of rich media in online news sources, journalists can now complement the words and images in their articles. âTelling Stories with Sound,â the first in a series of such articles, explores the growing role audio plays in journalism, helping writers craft richer and more dynamic stories for their readersâand listeners.
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Famed neurologist riffs about music and how the brain experiences it. It's all here in a longer version of the interview from the October issue of Wired magazine.
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Several new online services  have emerged with their own takes on digital music discovery.
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Reviews of new releases by Manu Chao, Yung Joc, Christian Scott, Just Jack and Chiodos.
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The classical music critics of The New York Times list their favorite recordings of the year. Includes audio samples and links to related reviews.
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By editing Perl programs on-the-fly, in real-time, Alex Mclean is producing some really interesting computer music. He talks to perl.com about how it all works.
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There is a rough science to choosing performance-enhancing music.
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Reg review Mobile phone styling comes to the MP3 world
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Language Implimentation Pack, that is
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Blog: Taking a look at a new entrant into the online music scene.
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Rui Capela's software has appeared in this column many times. I've written about it directly (see At the Sounding Edge: Using QSynth and QJackCtl and HDRs and DAWs For Linux: The New Breed) and it shows up in almost every article I write. I'm not exaggerating when I state that Rui's programs have become indispensable components here at Studio Dave, so naturally I'm interested in the mind behind it all. In this entry I'll recap the nature and state of Rui's software, after which we'll meet the man himself in another lively interview here at the sounding edge.
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In this second and final part I'll demonstrate some of the loop-specific tools I've found in Ardour, Reaper, and Audacity. Tutorials and links to project demos are included, so warm up your headphones and let's get loopy. read more
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Readers sound off on the joys of sticking to the formula, the history of digital music, and who needs saving. Plus: Links to our most commented blog posts.