Theater Review | 'Offending the Audience': What Were You Expecting, Mr. Milquetoast, a Plot?
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In Jim Simpsonâs glossy production of what might be called an anti-play, the attractive and casually postured actors look about as shocking as a Benetton ad.
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When you&#39;re making an R-rated puppet movie with controversial marionette-on-marionette sex scenes, you&#39;d think you&#39;d have all the controversy they can stomach.
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Seeing motion pictures exhibited in film projection theatres is a dying tradition which we will one day tell our grandchildren about in order to bore them.    The causes of this death are obvious to many consumers, but mystify movie studios and exhibitors alike.    What follows is an open letter to the proprietors of Cineplex Entertainment LP, carbon copied here to you, the K5 community, in order that you may share in my vitriol.
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A business course on cutthroat capitalism disguised as a slacker comedy: Thatâs the kindest way to describe Michael Lehmannâs âFlakes.â
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The name of the New York Baroque Dance Companyâs new program is âPoints of Departure.â But how can an audience tell just what those points are?
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âBorder Postâ is a profane and playful military drama about boredom, duty and the consequences of reckless lust.
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Theater that invites the audience to get in on the act may be poised to become a more prominent component of the theatrical scene.
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It&#39;s a rare show in the  legitimate theater when the performance is not preceded by a  sepulchral voice reminding you to turn off your cell phone.
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All kinds of controversy is coming soon to a theater near you.
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The naughty new puppet action-musical from the creators of "South Park" is more satisfying as a straight-ahead blow 'em up than as a satire.
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The Broadway productions of âSpring Awakeningâ and âCompanyâ engage with sexual politics in a way rarely seen on the mainstream stage.
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Luridly earnest and laughably immoral, âIllegal Tenderâ is an old genre movie with a new look. Call it Hispanixploitation.
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John Waters is darned entertaining as he delivers a monologue that annotates his scandalous movies and encompasses assorted other subjects that interest or annoy him.
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As Hollywood goes nuts, maybe the audience needs to examine itself too
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âPolitics of Passion: Plays of Anthony Minghellaâ consists of two short pieces that explore the limits of ordinary communication.
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Revolutionary or unreadable? The long, strange afterlife of David Foster Wallace's Infinite Jest
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âWristcutters: A Love Storyâ has an offbeat, absurdist charm that turns a potentially creepy conceit into an odd, touching adventure.