3-night &#39;Broadway&#39; is one classy act
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For three nights, succumb to the lullaby of Broadway, as PBS devotes six buoyantly entertaining hours to Broadway: The American Musical.
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'Jerry Springer - The Opera' inflates talk-show emotions into red-hot song-and-dance numbers.
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It&#39;s a rare show in the  legitimate theater when the performance is not preceded by a  sepulchral voice reminding you to turn off your cell phone.
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When the Lincoln Center  Theater presents a new work by Tom Stoppard, it means one thing  for theatergoers:
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The orchestraâs performances at Carnegie Hall this week reminded listeners that character and distinctiveness in classical music have not been obliterated entirely.
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On Sunday at City Center, two of the seasonâs revivals offered richly nuanced performances by both established and rising stars.
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&quot;The history of the Broadway musical is the history of surprises,&quot; Michael Kantor says. &quot;Every single great, long-running show was not anticipated: Cats, a show about people pretending to be
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Let&#39;s just amend the Bard&#39;s quote a smidge: The play&#39;s the thing that Mike Nichols possibly understands better than any other film director.
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Between January and June there will be 12 plays opening on Broadway. For those who like their words unsung, itâs a beautiful thing.
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Michael Kidd was an award-winning choreographer of exuberant dance numbers for Broadway and Hollywood.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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From Hollywood to Dollywood, Motown to Broadway, a select group of stars from the film, stage and music worlds received recognition on Sunday for a lifetime of achievement in the performing arts.
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Ascending the throne has never been more of a struggle for the title character of &quot;Richard III&quot; than it is in the production that opened last night at the Public Theater.
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The musicals that have played at the Hilton Theater, including Mel Brooks's forthcoming âYoung Frankenstein," should give pause even to a producer confident of his showâs superiority.
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At Tuesday nightâs opening performance âNight Journeyâ was in fresh enough shape to show us why Graham, 16 years after her death, remains one of the great choreographers.
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Playbill - With the success of Contact and Movin' Out, three other dance-driven shows may be headed to the New York stage.
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Its newest Broadway show gets the usual kiss-off from the critics. What's their problem?