The Phantom of the Opera
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Though all involved do good work, Phantom isn&#39;t really a great filmâWeber&#39;s show is all spectacle, no substance, a pop opera for the massesâbut it&#39;s great entertainment.
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After Andrew Lloyd Webber's last two shows fared poorly in London, some critics said that he had lost his touch. With "The Woman in White," he has a chance to prove them wrong.
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In a Dec. 15 review of the opera "La Traviata," The Associated Press erroneously reported the roles performed by Joseph Calleja and Vladimir Stoyanov. Calleja, a tenor, sang the role of Alfredo Germont, and Stoyanov, a baritone, sang the role of Giorgio Germont in the Vienna State Opera production.
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WELSH National Opera has introduced a new marketing idea - posting tissues to audiences who have recently seen its tear-jerker La Bohme.   The tissues, containing information on future operas, has been encouraging opera- lovers to book seats for future performances.
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With Andrew Lloyd Webber&#39;s musical &quot;The Phantom of the Opera&quot; finally coming to movie theatres this week, fans of the original will anxiously be waiting to see if Michael Crawford&#39;s replacement will have the presence and the voice to continue in his
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Andrew Lloyd Webber, whose blockbuster  musicals once ruled the theatrical world, could argue he has  nothing to prove after "Cats" and "Phantom of the Opera."
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Legal debate and lyricism in âMargaret Garner,â an opera imbued with gospel and spirituals.
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Adapting Philip Glass' Barbarians opera for its U.S. debut requires overcoming significant technological limitations. By Theresa Everline.
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Andrew Lloyd Webberâs latest production of Gaston Lerouxâs immensely popular musical turned out to be a huge disappointment. It appears more like a personal showcase for Webberâs music rather than the esthetic execution of director Joel Schumacher.
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La pellicola rappresentata al Theater an der Wien di Vienna
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Picky opera fans are getting a vote. Online balloting will determine which segments will air during a December telecast on PBS to mark the 30th anniversary of Metropolitan Opera telecasts.
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If an opera is written and sung in English, why the need for titles?
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The question at this point is whether ``The Phantom of the Opera&#39;&#39; is even intended to be frightening. The tale has become such a product of modern popular art that its original inspiration, ``the
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IT has taken Andrew Lloyd Webber years to finally bring his musical version of The Phantom Of The Opera to the big screen. Judging by the early reviews in the bigger US newspapers, he may now be wondering why he bothered.
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The screen version of Andrew Lloyd Webber's musical lacks both authentic romance and the thrill of memorable spectacle.
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Rumors had been spreading among hard-core devotees of Andrew Lloyd Webber&#39;s musical &quot;The Phantom of the Opera&quot; that the famous chandelier scene would not appear in the lavish movie adaptation of the popular production.
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Il 'Barbiere di Siviglia' da mercoledi' al teatro Regio