Plot Would Thicken, if the Writers Remembered It
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One returning Hollywood writer asked, âCan anyone remember what we were working on three months ago?â
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Ronald Harwood, a screenwriter skilled in the art of adapting complicated books for the screen, defies the numbers by keeping busy.
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Wednesday nightâs episode of this PBS mini-series has one sequence that could be particularly helpful, or perhaps just frustrating, for current late-night talk show hosts.
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TV studio executives  might try to nip the potential threat of a writers strike later  this year by tucking away scripts or even shooting extra  episodes of hit dramas and sitcoms.
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Letâs not lose the plot. In defense of âbadâ words in childrenâs books.
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On the eve of a major Test series, with the eyes of the cricketing world focused on it, one would have liked to write about the subtle intricacies of a five-day game that enthrall a sports fan.
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LOS ANGELES  Â It's never been a secret that when people die after long and distinguished careers, those detailed stories about their passing that major news organizations seem to produce almost instantaneously in fact were written well in advance.
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Can computers get along fine without writers? Word is they just might. In an essay in the New York Times...
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Your past can be changed--or at least your recollection of it.
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The trio will make an interesting combination on screen.
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This story can make you money -- if it's true.
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Plot twists in Lauren Groffâs book are certainly intriguing enough to captivate readers. The trouble with âThe Monsters of Templetonâ is that its complications seem nonstop.
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His inner sanctum faces one of the biggest turnovers since Nixon. But with an agenda already set, the cast of characters may matter less.
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The âBlack Listâ has become the kind of underground document that writers with projects in development pray will mention their script.
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Set at a small Catskills  resort in the 1950s, when writers were blacklisted for alleged  Communist sympathies, Michael Elias&#39; play is shot through with  the kind of nostalgia that signals deep personal involvement.  But it leaves out the details of why this means something to  him, and so it fails to engage the audience with an emotional  back story.
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One of the interesting and unusual things about writing a book like this, in serial form, is that you really never know what you&#39;re going to write about along the`way.
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History looks primed to repeat itself.