Coppola: No 2nd, 3rd takes in this life
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Francis Ford Coppola says little would change if he were given a chance to do his life over, like the central character in his new movie, "Youth Without Youth."
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The odds are against this trio.
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With a massive  bloodletting at the climax of "The Departed" that left almost  no one standing, you'd think it would be hard to make a sequel.  A domestic take of $125.2 million is making Warner Bros.  Pictures and director Martin Scorsese think otherwise.
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Filmmaker Sofia Coppola, who won a screenwriting Oscar for "Lost in Translation," has given birth to a baby girl with her boyfriend, French singer Thomas Mars, Coppola's representative said on Wednesday.
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Sofia Coppola has given birth to her first child, a daughter named Romy, the filmmaker's spokesman, Robert Garlock, confirmed Wednesday.
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Martin Scorsese won the Academy Award for best director on Sunday.
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After a 10-year absence from the silver screen, US director Francis Ford Coppola returned Saturday with a world premiere of "Youth Without Youth," a philosophical musing on the myth of eternal youth.
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Francis Ford Coppola's first movie in 10 years is likely to be the top attraction at the Rome film festival next month.
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Lars von Trier&#039;s new experimental follow-up to Dogma: Three directors each film a movie starring the same characters, played by the same actors, in the same location.
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Martin Scorsese's cubistic entertainment about men divided by power, loyalty and their own selves finds the director back on the mean streets where he belongs.
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Depp. Clooney. I fratelli Coen. I grandi assenti Ang Lee e Julian Schnabel. PiÃ¹ polemiche e proteste. Si avvicina la notte piÃ¹ attesa di Hollywood. Mai cosÃ¬ tanto criticata
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Sceneggiatrice ed ex compagna di Massimo Troisi, ha raccontato in un libro la sua vita assieme al grande attore scomparso
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If ever a movie had a case of the blues and the blahs, itâs âSpider-Man 3,â a sequel that is fizzled rather than fizzy.
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The combativeness of Brian De PalmaÂs committed admirers often reveals more about the nature of cinephilic ardor than it does about the filmmaker himself.
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Lifetimeâs two-hour movie is an uneasy combination of crime thriller, romantic melodrama and snuff film that doesnât ask us to suspend our disbelief so much as overcome our gag reflex.
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Sofia Coppola sees far beyond the perky persona Kirsten Dunst shows on the surface. Dunst feels more like herself on screen when Coppola directs her.
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In the realm of derivative filmmaking, the double- lift - that is, a scene that steals from two other movies at once - is the equivalent of a pickpocket cleaning two victims at the same time.