In the Studios' Shadow, an Avant-Garde Eye
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Pat O'Neill, whose virtuosic films engage with Los Angeles as a subject but eschew Hollywood blood sport, is the subject of a retrospective at the Santa Monica Museum of Art.
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An entertaining new exhibition at the China Institute explores the rich folk art tradition of Chinese shadow theater.
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Robert and Shana ParkeHarrison stretch the boundaries of photography with eerie, beautiful images.
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Art imitates life, and  life imitates art, and sometimes it's hard to tell which is  which.
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Photographer Matthew Pillsbury uses extremely long exposures to create eerie, ambient-light images that juxtapose technology's permanence with human transience. By Sharon Mizota.
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The minimalist work of Dan Flavin and his use of light, as seen at the National Gallery in Washington, has lasted because he is a gifted formalist.
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Cinematographer Ayananka Bose shares the tricks of his trade.
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As first light spread across Hollywood, the spin machine hummed to life.
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A rebel of Chinaâs avant-garde reinvents himself as a painter, sculptor and installation artist.
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PHOTOGRAPHS may correspond to the way things actually look in the world, but optical precision is not the same thing as reality.
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A museum displays the surrealist's celluloid endeavors and delves into his relationship with the film industry.
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In this space I will be looking for the avant-garde, the change of heart that always signals a change of form.
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Stuart Davisâs drawings, as seen at Hollis Taggart Galleries, are prosaic but precious elements arranged in an ordered alternate world.
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Films use artwork the way they have long used music: to set a mood.
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Valerie Steele's "Glamour: Fashion, Film, Fantasy" at the Fashion Institute of Technology lends particular importance to the golden age of Hollywood.
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Sharp designs and colors fight the impression made by older devices.
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A brand is transformed on the silver screen.