Out of Warholâs Inner Circle Into the Void
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âA Walk Into the Seaâ is Esther B. Robinsonâs documentary about Danny Williams, a former Harvard student who was a part of Andy Warholâs Factory scene.
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United Artists in its new incarnation is a basket of contradictions and question marks.
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American photographer Stephen Shore has  spent the last two decades being quietly ignored by the  international art world clique.
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The New Museum's incomplete but remarkable exhibition showcases the roiling, polymorphous East Village art scene of the 1980's.
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The famous painting isn&#39;t exactly the type most people want in their home. The image is too grim and full of existential angst.
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The art world is wondering how volatile financial markets might affect its own specialized market.
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The daring theft of Edvard Munch&#39;s masterpiece &quot;The Scream&quot; has left the international art world in a state of shock.
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The selection of works at the National Gallery of Art look every bit as radical and mysterious as they surely did in New York in the 1950s.
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The illustrator Norman Rockwell has often been mocked for creating an America that never was and never will be. But Kevin Rivoli, a photojournalist in upstate New York, will tell you thatâs just not true.
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This week the Metropolitan Museum confirmed that a work by Damien Hirst will go on view in its modern and contemporary art galleries by Labor Day weekend. It will be there for two to three years.
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Richard Prince blurs the distinctions between life and art, truth and fiction, and even automaking and sculpture.
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Peter Max, the artist whose  psychedelic style embodied the wild spirit of the 1960s, still  is amazed and bemused by the impact of his works.
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A relatively rousing close to MoMAÂs sterile display of contemporary works &#151; touching on desolation, waste, abuse of power, injustice, loss and death &#151; makes a trip to the current exhibition worthwhile.
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In assembling some of the strangest personalities in show business, "The Surreal Life" exercises a Warholian door policy: only freaks allowed.
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For a growing number of churches, the boundary between sacred space and marketplace is coming down.
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A silent cinema revival glories in black-and-white imagery and rich live music for postmodern tales. It makes an "unfilmable" Lovecraft classic a piece of cake. By John Brownlee.
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There are those who argue that most modern art is rubbish, but few critics take the view as literally as a cleaner at one of Britain's most prestigious galleries.