All the Worldâs a Soundstage for the Writer-Director-Star
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âSlipstreamâ is Anthony Hopkinsâs third film as a director and his first as a quasi-avant-garde filmmaker working well outside the mainstream.
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The multi-talented actor talks about his latest film, a children's film and  why he would love to do an action film.
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Japan's Takeshi Kitano pokes fun at himself, fellow film-makers and the cinema industry in his latest work, the surreal tale of a director on a quest to shoot the ultimate movie that everyone will love.
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In conversation with the talented Malayalam scriptwriter on the Mammootty starrer.
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By compelling audiences to listen more closely, âNo Country for Old Menâ has had the effect of calling attention to an underappreciated aspect of filmmaking: the use of sound.
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The music of director Saran's new film sounds good.
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As writers negotiate with producers for a bigger slice of online-distribution revenues, the possibility of actors and directors joining with disgruntled scribes for a megastrike rears its ugly head. It could simultaneously shutter the production of movies, TV and videogames.
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Playing a living, universally known figure has to be one of the biggest challenges an actor can face.
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Amitabh Bachchan on his films and Hollywood.
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Numerous breakthrough directors from the 1990s have taken breaks between films â long ones.
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The Toronto International Film Festival offered a snapshot of the variety of styles and sensibilities that characterize world cinema today.
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The director, his muse, her fake bottom and one triumphant role
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He is a star in a land of stars, a nice Hollywood mix of Knute Rockne and Bob Barker.
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all of them -- in the limelight. He&#39;s been on stage and on camera, acting in television and movies, as well as behind the cameras directing.
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To describe âThe Boss of It All,â Lars von Trierâs acidic corporate comedy, as â âThe Officeâ Viewed Through the Looking Glassâ only scratches the surface.
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Dev Anand is at a peak in his life where everything and everyone seems a speck. So many memories and so much of the life-force squeezed into one large miscroscopic view of the entire universe that it becomes impossible to tell the dancer apart from the dance.
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An annotated interview with the cryptic auteur about his new film, "Notre Musique," and other things.