Music Review: Stanzas of Sin With a 21st-Century Spin
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The Clerksâ Group, a British vocal ensemble specializing in early music, offered an updated version of "The Roman de Fauvelâ with colorful, witty poems by Ian Duhig, on Sunday.
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The old and the new go head to head in the music of Charles Ives, but conflict may not be the right word to describe it.
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Can one orchestraâs audacious experiment save classical music?
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The old music industry is dead. It just doesn't know it yet.
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Opera is revolutionary. It thrills the elite and masses alike, bops to Indian drums and grooves to glass-shattering Wagnerian arias in a mosh pit filled with British rockers.
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During the past two years, old tunes have breathed new life into the careers of Rod Stewart and Michael McDonald. Both artists return to the musical well this month for a new round of classics.
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The Manhattan Sinfonietta, a flexible new-music ensemble led by Jeffrey Milarsky , took over Merkin Concert Hall last weekend for two concerts that explored competing notions of contemporary musical language.
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A songwriter composes a tune inspired by our very own medical/technology blog. Sing along with us now, won't you? In Bodyhack. <img
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It is an enjoyable album which tempts you to press the rewind button.
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A decade ago Paula Westâs dark, clotted vocal sound was her main calling card. Today the power of that sound is matched by a probing musical intelligence.
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The Seattle Symphony Orchestraâs recent history serves as a cautionary tale on how, in an artistic hothouse, a tangle of emotion and politics can veer out of control and take on a life of its own.
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The release of their latest album is a test of the band that is determined not to fade.
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Legal debate and lyricism in âMargaret Garner,â an opera imbued with gospel and spirituals.
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For all of the talk of him playing weird music, Peel played Status Quo&#39;s &quot;Whatever you want&quot; the other week. He played music as it actually is: an unholy mess, a mixture of old and new, some bands having sold
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Mal e i Primitive, New Trolls, Procol Harum e Creedence
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Comment is free: Daniel Levitin: Yes, they were the greatest songwriters since Schubert - and now we're beginning to understand why.
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Roll over Sid, and tell Joe Strummer the news: whereas the kind of British musicians who attracted words like &quot;alternative&quot; were once duty-bound to affect a mixture of rage, debauchery and indolence, their modern heirs are a terrifyingly well-adjusted