Dance Review | Christopher Wheeldon: A Ballet Company Debuts
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If you want to know why Christopher Wheeldon, only 34, has become such a big deal in ballet, just check out which dancers are appearing with Morphoses, especially which female dancers.
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Since I fell for ballet during the 1970s, I find it gratifying once in a while to see what the master choreographers of that era were making by way of new ballets.
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Covent Gardenâs purchase of a for-profit maker and producer of performance DVDs is unheard of in the performing-arts world.
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Juilliard School's dance division presented four robust premieres by Janis Brenner, Susan Marshall, Ronald K. Brown and Robert Battle on Saturday.
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The musical is based on the stories of dancers who question whether they have been fairly compensated.
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One of the choreographers associated with the New Dance Group and the children of two others are embroiled in a very modern court battle over who has the right to perform their dances.
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The DancenOw/NYC Festival may now be confined to a single theater, but the range of artists in Tuesdayâs opening program at Dance Theater Workshop was just about as wide as ever.
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The New York City Balletâs âAmerican Songs and Dancesâ is an odd collection of dances.
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While major ballet companies wring their hands over how to attract and build younger audiences, George Steel, the executive director of the Miller Theater, proposes a simple solution.
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Both of the works premiered by American Ballet Theater on Friday were filled with possibilities only partly realized.
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American Ballet Theater staged two world premieres by different choreographers : Benjamin Millepiedâs âFrom Here on Outâ and Jorma Eloâs âC. to C.â
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After more than 15 years with New York City Ballet, Nikolaj HÃ¼bbe danced his farewell performance on Sunday not as if he were delivering the last word on his roles, but as if they were brave new worlds he was still exploring.
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Alessandra Ferri and Kyra Nichols, beloved ballerinas with more than a half-century of performing between them, are as different in style and temperament as they come.
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Your endorphins give a little jump just looking at the set of David Neumannâs âfeedforward,â which opened on Tuesday at Dance Theater Workshop.
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From downtown to Brooklyn and beyond, dance is evolving into a myriad of hybrids, as seen in recent performances.
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Via Dance Collaborative expresses a sweetly optimistic belief in group exploration.
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In a brilliantly enterprising program at the Juilliard School, the conductor James Conlon, the Juilliard Orchestra and Juilliard Dance presented three world premieres choreographed to long-forgotten scores.