Movie Review | 'The Aura': An Argentine DirectorÂs Unsettling Oeuvre
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With the exacting ruthlessness of a novel by Georges Simenon, "The Aura" tells the story of an ordinary man caught up in a web of crime, accident and mistaken identity.
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Tender and sad, Aaron Katzâs film âQuiet Cityâ is a fully realized work of mumblecore poetry.
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Aa Dinagalu captures the terrifying world of Bangalore Underworld with utmost sincerity and transparency.  The film is sensible, frightening, and yet cool. Ilayaraja's camera work and Venu's camera work are the highlights.
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Visually and aurally stylish, âBeckett Shortsâ offers a lovely frame for a study in human frustration that only occasionally comes to life.
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After Khel, which he directed for Suniel Shetty three years ago, thereÂs plenty of  ÂconfusionÂ in director Yusuf KhanÂs mind and life. And why not? ThatÂs the title of YusufÂs next film.
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Michel Gondry's beguiling new film is so profoundly idiosyncratic, and so confident in its oddity, that any attempt to describe it is bound to be misleading.
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Understanding director David Lynch's  films is never easy.
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The events recounted in the World War II drama âMiriamâ are horrific, and the story behind it is moving. Unfortunately, the finished product feels like exploitation.
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The Canadian Opera CompanyÂs decision to assign each opera in WagnerÂs ÂRingÂ to a different director creates a sequence of imagery and ideas that alternately baffled and dazzled.
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Mira Nairâs âThe Namesakeâ conveys a palpable sense of people as living, breathing creatures who are far more complex than their words might indicate.
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The current of intellectual energy snapping through the ferociously engaging screen adaptation of Alan BennettÂs Tony Award-winning play feels like electrical brain stimulation.
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The enduring theme of William Friedkinâs 1980 film âCruisingâ is the reality of evil and its uncomfortable proximity to sex.
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The experimental film The Harder They Come has made a remarkable journey from reggae-infused cult classic to modern day musical
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âChildren of Men,â the superbly directed political thriller by Alfonso CuarÃ³n, may be something of a bummer, but itâs the kind of glorious bummer that lifts you to the rafters.
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Even when director Werner Herzog turns his hand to an action movie based on true events, the results are more than a little strange
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A fantastically grotesque retrospective of an influential-yet-overlooked filmmaker. By Jason Silverman.
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âRails & Tiesâ is so self-consciously unadorned that it feels as if its director didnât want us to think that she was trying to make a cinematic statement. She hasnât.