Architecture Review | 'Clip/Stamp/Fold': Such Cheek! Those Were the Days, Architects
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The exhibit âClip/Stamp/Fold: The Radical Architecture of Little Magazinesâ is a piercing critique, intended or not, of the smoothness of our contemporary design culture.
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Hot off the press is a book called Place, and it may turn out to be British architecture's most earthily significant wake-up call since the start of the millennium.
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Luckily, designers still recognize the need for volume.
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In the old days, before so much time was eaten up by time-saving gadgets, you could check all your communications in one place -- your mailbox.
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A grinding floppy, a screeching modem, a clacking dot-matrix printer ... these nostalgic computing sounds bring back memories of simple, nerdy pleasures. Commentary by Lore Sj&#246;berg.
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New urban architecture applies its art to self-defense, in the face of fears of attack.
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Sharp designs and colors fight the impression made by older devices.
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An art project's platform curb kickers give streetwalkers high-tech tools to make the world's oldest profession a little less dangerous.
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Innocent by todayâs standards, the humor of âLove American Styleâ is typical of a show that titillated in its day but now plays like a mildly randy glimpse of a more promiscuous, less cynical era.
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A cadre of unknown designers shapes everyday human-machine interactions. By Andrew Blum from Wired magazine.
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Throughout this month the library has been collecting e-mail notes that ordinary Britons and others have sent as a way of capturing a sense of life in the 21st century.
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TIME.comix on a pair of outstanding showcases
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Yesterday's technology designs are becoming popular among those in their teens and 20's eager to usher back a time they experienced only barely, if at all.
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The Museum of Modern Artâs show is a touching, sometimes melancholy portrayal of Russiaâs architectural ferment and the brutality with which it was ultimately suppressed.
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ÂTeam 10: A Utopia of the Present,Â at the Yale School of Architecture, weaves a portrait of European architects who built a sense of community identity into their works.
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Some designers are so influential that high street chains copy their every move. One such style-setter is Marc Jacobs, whose edict for next spring is: party like it's 1945!
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Designers who stuck close to their patriotic toots have produced some standout collections