Something New for the Mostly Mozart Festival: A Composer in Residence
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Osvaldo Golijov, one of the most sought-after composers around, will be something of a programming guru for the 2007 version of the summer festival at Lincoln Center.
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The noteworthy Caracas chorus demonstrated its range during the final program of the Mostly Mozart Festival, with works by Alberto Ginastera and Antonio Lotti on Friday.
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A two-keyboard piano from the late 1920âs allows a pianist to provide a visual and aural experience for Bachâs âGoldbergâ Variations.
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Andras Schiff is showing in his Carnegie Hall traversal of the sonatas is that a handful of relatively small but decisive steps lead from the Haydnesque playfulness of Beethovenâs earliest works to the grand proclamations of the mature ones.
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Mozart is now just a mouse-click away. Mozart maniacs, enthusiasts, students and scholars can now access the immortal composer's entire catalog through a free online database with some 24,000 pages.
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Carnegie Hall and the New York Philharmonic are collaborating on an upcoming festival celebrating the late composer and conductor Leonard Bernstein.
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After almost a decade, the famed music composer is back doing what he does best -- making beautiful music.
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Italian composer Antonio Salieri has long been famed as Mozart's mean-spirited rival but Milan's La Scala is determined to set the record straight, giving him pride of place when the opera house reopens.
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Concert violinist David Juritz has performed in many of the world's greatest halls as a soloist, guest artist and concertmaster of London's famed Mozart Players.
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The orchestra offered a sublime program of Schubert and Bruckner, a weird but instructive all-Bartok program and a collection of Wagnerâs greatest hits over the weekend.
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New music is always plentiful in New York, if you look beyond the New York Philharmonic and the two big opera companies. But even that qualification may change soon.
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The Danish National Symphony Orchestra are bringing works by composer Rued Langgaard to the fore.
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There is a rough science to choosing performance-enhancing music.
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Arts & entertainment: Visionary choreographer Mark Morris used to think Mozart and dance didn't mix. Not any more, finds Judith Mackrell.
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Can one orchestraâs audacious experiment save classical music?
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The symphony has taken up a prominent residency in a Maryland suburb in an attempt to find new audiences and plow new fund-raising territory.
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A secret of Keith JarrettÂs triumph last year at Carnegie Hall sounds like a punch line: practice.