Movie Review | 'Turistas': Ugly Americans, Young, Attractive and Tormented
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If stupidity were a crime, the nitwits in the cheap horror flick ÂTuristasÂ would be doing time in Attica.
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With âDescent,â first-time feature filmmaker Talia Lugacy explores the psychic aftershocks of a rape. The movie is hard to watch but essential to see.
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Tony GoldwynÂs remake of a popular Italian film is thin and clumsy, but nonetheless unusually candid in its treatment of human sexual misbehavior
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A TIME critic's take on the cantankerous director of MASH and other sprawling social comedies
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The meek, mopey comedy âIn the Land of Womenâ is the film equivalent of a sensitive emo band with one foot in alternative rock and the other in the squishy pop mainstream.
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âThe Year My Parents Went on Vacationâ is most seductive when it focuses on the details of daily life in the lower-middle-class SÃ£o Paulo neighborhood Bom Retiro.
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Snarky, self-referential and exhibitionist: That's my generation. Why are we so willing to bare our private lives and, well, our skin? It's just business.
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Watch what happens when horror movies find themselves trying to appeal to feminists and misogynists at the same time.
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A PBS documentary suggests that while Europeans speak about American culture with great disdain, they consume it with a bottomless appetite.
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A frenetic remake of a cult classic shows how each film generation finds its own tone and terrors
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"Machuca," which is Chile's submission to this year's Academy Awards, is both sweet and stringent, attuned to the wonders of childhood as well as its cruelty and terror.
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Townspeople had a hard time squaring an unsavory past with their wholesome self-image.
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Everyone has revenge fantasies now and then. Writer-director Jacob Aaron Estes' "Mean Creek" offers a decent lesson about the dangers of acting on those impulses.
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Even charming, chiseled-faced actors can have it tough.
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Three New York theater productions offer contrasting coming-of-age tales.
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A box-office surprise, the movie jabs hard at Americans' biases.
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To describe âThe Boss of It All,â Lars von Trierâs acidic corporate comedy, as â âThe Officeâ Viewed Through the Looking Glassâ only scratches the surface.