Theater Review: the Good Body
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Eve Ensler, whose "Vagina Monologues" became a worldwide theatrical juggernaut, has followed up with an equally canny and insightful examination of the female body and psyche.
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Jonathan Marc Shermanâs play, while agreeably acted and directed, feels like an internal monologue distributed among four characters.
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Reviews of works performed by Robert Weirich, Andrew Rangell and Lisa Bielawa.
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Itâs no disgrace that âAlmost an Evening,â the new bill of bite-size plays by Ethan Coen, lives up to the modesty of its title.
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Andrew J. Nemrâs disciplined, likable ensemble manage  to be appealing without being particularly engaging in âWhere the Music Livesâ at the Julia Miles Theater.
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The Old Vic's revival of  Eugene O'Neill's 1947 drama "A Moon for the Misbegotten" is a  powerful demonstration of how superlative acting -- in this  case by Kevin Spacey, Eve Best and Colm Meaney -- can elevate a  flawed play so that the whole thing resembles a masterpiece.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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The new Nathan Lane play is strong on politics, light on entertainment
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Miro Magloireâs New Chamber Ballet Company presented an intimate, homey program.
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The Martha Graham Dance Companyâs current season at the Joyce Theater gives New York audiences a chronological survey of Grahamâs astonishing career.
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At Performa 07, New York Cityâs performance art biennial, most of the events fall somewhere in between dance and theater, in the vast, anarchic ocean of blarney and bliss that is contemporary art.
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Bill T. Jonesâs choreography for the Broadway musical âSpring Awakeningâ is a perfect fit for a choreographer concerned with storytelling, the power of gesture and sexual identity.
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Eve Best on what it means to be self-conscious and vulnerable, qualities she has been praised for bringing to her character in the Broadway show, âThe Homecoming.â
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In person, thereÂs a quality of indomitable exuberance about Sushmita Sen which renders itself well to the roles that she does.
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Andrew J. Nemrâs disciplined, likable ensemble manage to be appealing without being particularly engaging in âWhere the Music Livesâ at the Julia Miles Theater.
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If ever a play required a reading list, Tom Stoppard's ÂCoast of Utopia" is it. So letÂs get started.
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A number of recent pieces showed how dance can powerfully focus attention on the essentials: the body, movement, human existence in a mysterious and unknowable world.