Theater Review: Danny and the Deep Blue Sea
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In 1984, "Danny and the Deep Blue Sea" premiered off-Broadway. Even then the premise was a familiar one -- two troubled souls seeking love and redemption.
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A profound and affecting old play about World War I offers a portrait of men in combat, without polemics
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The premise and the actors in this dark two-hander are strong enough that you wish the playwright, Daniel Talbott, had taken things further.
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Blue Man Group is on the move. The show's new home will be a custom-built, 1,750-seat theater at The Venetian hotel-casino, officials announced Thursday.
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Ian McKellen is a great--and famous--actor. âKing Learâ is great Shakespeare. Together theyâre the hottest ticket in the country.
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Style trumps content in this beautifully staged and acted production of August Wilson's new play, the ninth in his 10-play cycle of works dealing with black life in the 20th century.
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The playwright explains how his new production, 'Gem of the Ocean,' tackles how elusive the American dream is for blacks.
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The literature of the American theater is chockablock with dysfunctional-family dramas, stories about fathers loathing mothers, wives resenting husbands, brothers and sisters who care too much
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The South Coast Repertory in Los Angeles, one of the most successful regional theaters in the nation, serves as a springboard to Broadway and Off Broadway.
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âTerminus,â Mark OâRoweâs drama of interlocking monologues, adds an unusual twist to the playwrightâs already distinctive style: rhyme.
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âOut of the Blue,â by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it.
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John Patrick Shanley  spins a pretty decent yarn in "Doubt," his Pulitzer  Prize-winning play about, in the words of one character: What  do you do when you're not sure?
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Craig Lucasâs blue-hued romantic fantasy has returned to haunt Broadway in a moody, touching revival.
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There are talks of a musical adaptation of Finding Neverland.
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Ken Urbanâs new play is mystifying and frustrating. But there are satisfying elements in the production, which are rendered with wit and feeling by the versatile cast.
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Wednesdayâs performance of âWhat if Saori Had a Party?,â about dreams versus reality, is surprisingly intricate but more artful than engrossing.
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When the Lincoln Center  Theater presents a new work by Tom Stoppard, it means one thing  for theatergoers: