It All Comes Down to (or Looks Up to) Bach
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The jingling piano, the humming traffic and the prancing horse tap out separate if connecting songs in the beguiling nonnarrative film âThe Silence Before Bach.â
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English composers were once mere imitators. Then came a renaissance.
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The Metropolitan Operaâs affecting revival of its 1997 production of Tchaikovskyâs âEugene Oneginâ is all the more impressive because it might have turned out so differently.
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The ensemble is well tuned, reasonably together and certainly not lacking in enthusiasm. Its size was not right for the space.
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What has changed about classical music is not how much the tradition means to its devotees, but how little it means to everyone else.
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Droll, perceptive comments from composer Sir Harrison Birtwistle set up the experience of hearing his complex instrumental and vocal works.
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It&#39;s not often you hear talk of Beethoven, Bach and baseball in the same breath. But at Symphony Hall on Thursday, that&#39;s what happened when the Boston Symphony Orchestra introduced
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Legroom meets lebensraum in this Teutonic tie-up.
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James Levine's installation as the music director of the Boston Symphony Orchestra resembled a coronation.
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The Swede's lush, orchestral pop has been compared to Bacharach and Morrissey.
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Alison Krauss is a master at slipping into musical styles.
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The composer belts out an impressive concert.
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A virtuoso musician may seem to nail every note, but actually there are tiny variations in even the most skilled performance.
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In a program split between organ classics and audacious arrangements, Cameron Carpenter showed that the digital organ can produce the grand sound of a pipe organ.
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Being female and Chinese in the classical music business are helpful in getting yourself noticed, but careers are built â and this one is building fast â on substance. Xian  Zhang has it.
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In almost any ensemble organized by the drummer Paul Motian, reality gets scrambled slightly, just enough to sharpen the senses.
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Robert Bass has been the music director of the Collegiate Chorale since 1980 and is no stranger to the stage. But his new heart is.