Movie Review | 'Strange Wilderness': Attention, Slackers: Itâs a Jungle Out There
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Underachieving even by the standards of stoner comedies, âStrange Wildernessâ is so inert that it doesnât so much unreel on screen as loiter there.
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âWimbledonâ is a well-behaved movie about nice people who have good things happen to them. Thatâs kind of startling in a world where movie characters, especially in
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The meek, mopey comedy âIn the Land of Womenâ is the film equivalent of a sensitive emo band with one foot in alternative rock and the other in the squishy pop mainstream.
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Independent filmmaking allows for human-scaled productions that leave film formulas behind.
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In â4 Months, 3 Weeks and 2 Days,â a ferocious, unsentimental, often brilliantly directed film, the camera doesnât follow the action, it expresses consciousness itself.
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Jonathan Caouette's autobiographical film is one of the strangest and most interesting movies of the year.
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The biopic shows admirably how liberating, and threatening, the work of some scientists can be. It's a timely film, a reminder that scientists sometimes suffer in their efforts to reveal truths others would prefer remain hidden. Jason Silverman reviews Kinsey.
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Watch what happens when horror movies find themselves trying to appeal to feminists and misogynists at the same time.
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Part rockumentary, part howl of outrage, âScreamersâ is an invigorating and articulate film.
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As the fighting in Iraq drags on, a new genre of film is emerging and evolving into something vastly different from the classic war movie canon established by previous generations.
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Two disaster movies visit ancient history and the near future to tell disquietingly relevant stories
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Three young indie filmmakers have shown promise with strong, idiosyncratic debuts. Flouting conventions, however, may not be so easy on the road ahead.
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A TIME critic's take on the cantankerous director of MASH and other sprawling social comedies
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HERE was a time, not so long ago in my more carefree youth, when I was a dedicated backpacker. It went beyond the standard gapyear routine, and most summers I could be found in some distant corner of the globe, living the life of an adrenaline junkie.
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An indie darling and his longtime collaborators attempt a peculiar, watery, large-budget action film.
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Tod Wodicka's protagonist is a medieval re-enactor trying to escape the modern world. But this tender, oddball debut is much more than an extended cheap shot.
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Even if you don't suffer from claustrophobia or fear of insects, this movie may not be worth the trip.