Weinsteins: More Misses Than Hits
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Now that the Weinsteins have what they want â independence â they canât seem to achieve what they keenly desire â success on their own terms.
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The hand tool manufacturer beats estimates, but internal growth can't match competition.
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These low-rated picks show that even unloved stocks can outperform.
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This week's Hollywood releases don't look promising at the box office.
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Watching &quot;Wimbledon&quot; is more edifying about how movies are marketed than as a piece of entertainment. Consider this: Kirsten Dunst has been featured as the movie&#39;s star (high profile
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The Bull makes some good points -- but not good enough.
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Earnings expectations were trounced, but projections don't measure up.
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When the violent video game Grand Theft Auto: San Andreas hits stores on Tuesday, its sales could eclipse Hollywood&#39;s most successful films, even as it draws the ire of critics.
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na summer when many of the studios&#39; biggest bets failed to pay off, it was familiarity in the form of sequels and low-budget comedies that resonated with movie audiences.
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Small-budget movies are making bigger hits than big-budget movies.
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The problem with most bad movies about aspiring talents is that not enough of them, as Ed McMahon used to say, &quot;reach for the stars -- and catch &#39;em.
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Film mogul Harvey Weinstein has ditched possible plans to walk away from Miramax, the business owned by Walt Disney that has produced memorable films including Kill Bill I and II and the English Patient.
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The Fool rounds up new-issue hits, misses, and no-shows.
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Mostly, these lists give me an excuse to remind readers of good and great films that they may have missed.  But in some respects, the actual list is the least of it.
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In Hollywoodâs upper reaches this week, few are bothering to count past two. As in Adam Sandler has already booked his two âpre-strikeâ pictures, so letâs try Vince Vaughn.
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The adult film industry is unlikely to be worth as much as it claimsâand the Internet that made porn so pervasive is driving a sales slump.
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A test-marketed film turns into a long-running hit