A Film Year Full of Escapism, Flat in Attendance
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Despite a modest increase in 2007 box office receipts, moviedom is trudging into January with a droop in its shoulders.
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The really surprising  thing is that no one has made this film before.
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Every seven years, they star in a movie about their own lives.
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The year in film was a mixed bag, though one that holds great promise for the future.
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Despite the hype, Omkara is just a run-of-the-mill film about cowbelt goons
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Onir's film fails to engage in the second half, and gets boring.
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Star appeal, big budgets and swanky foreign locations have all failed to bring cheer to Bollywood as the world's biggest film industry struggled to make a profit in the first half of 2007.
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Ram Gopal Varma's latest film is watchable, but not scary enough.
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The film is interesting, but does not probe deep.
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Costarring Dimple, the film is a loser from Day 1.
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The movie is more of an intellectual exercise than an emotionally resonant experience.
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Most years look good on paper before they get underway since Hollywood always fields enough high profile movies to make any year sound promising.
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This year, controversial films overshadowed the red-carpet arrivals of Brad Pitt, Russell Crowe, Kate Winslet, and even Borat.
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Puerile writing, confused plotting and shockingly off-note performances make Oliver Stone's epic film a disappointment.
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The Ocean State was looking pretty dry. Rhode Island had not seen a single day of film production last year. Or 2002 for that matter.
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Blah. If any word were to sum up this year's mostly
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At the dizzyingly diverse but unpretentious Toronto International Film Festival, to see one movie is to miss about seven others.