Movie Review | 'Death at a Funeral': Death ânâ Yucks, Hallucinogens ânâ Stiff Upper Lips
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âDeath at a Funeralâ stands apart from other movies with rude humor because its characters are determined to keep a stiff upper lip no matter what.
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Two new movies in  theaters boast grisly, disturbing violence that raises the  question: Where is the line between violent and too violent?
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In the deathbed drama âTwo Weeks,â Sally Field creates an agonizing portrait of a middle-aged American everywoman in the final stages of ovarian cancer.
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âSweeney Toddâ is as much a horror film as a musical. It is also something close to a masterpiece.
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With its shadows and gallows humor, âYou Kill Meâ goes about as dark as a comedy can go before turning into tragedy or self-parody.
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That weird exhalation you hear at the multiplex these days is the sound of female characters settling for less than they deserve. It happens again in âDedication.â
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As its title suggests, this eccentric film written and directed by Isabel Coixet, contemplates the insufficiency of language to encapsulate traumatic experience.
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âNankingâ is a swift, incisive documentary about one of the lesser-known horrors of the 20th century.
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LOS ANGELES  - A romance involving an embalmer and a recently deceased beauty queen who returns to life, "Elvis and Anabelle" is the definition of quirky indie.
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Â· Sense of disbelief among family and fellow actorsÂ· Sleeping pills reportedly found near body
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The PG-13 picture, an American remake of the Japanese horror hit âJu-On,â takes an old-school approach in telling an unnerving tale about ghosts with more bite than pit bulls.
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Stephen Fry's adaptation of Evelyn Waugh's "Vile Bodies" honors its source with vigor and gusto, capturing both Waugh's cheeky humor and his dark, stringent moralism.
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Debased, infantile and reckless in the extreme, this compendium of body bravado and malfunction makes for some of the most fearless, liberated and cathartic comedy in modern movies.
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A scientific-religious debate is shaping up over near-death experiences. A look at the dangers for both sides.
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The betrayal of the body, decrepitude and death: in 2007 an unprecedented number of serious films, along with the usual slasher movies, contemplated the end of life.
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A critic&#39;s reaction to a  film festival is akin to the old story about the five blind men  who all touch an elephant and report wildly different  descriptions of what the animal must look like based on the  particular body part encountered.
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âTo Die in Jerusalem,â a film about the families of a Palestinian suicide bomber, will appear on HBO and at the Paley Center for Mediaâs documentary festival.