Dance Review | Joyce S. Lim: Eating a Fish Head, and Other Rites
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Trying to guess the choreographer in an unfamiliar company is an occupational hazard of sorts for reviewers.
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From downtown to Brooklyn and beyond, dance is evolving into a myriad of hybrids, as seen in recent performances.
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Floridaâs season of âsturgeon strikesâ â collisions between the leaping fish and hapless boaters â is under way.
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The dance theater of Trisha Brown consists of happy paradoxes, and so does my reaction to it, not least to her current program at the Joyce Theater.
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To marine biologists, âplasticsâ is a dirty word. Fish and birds can eat or become tangled in fishing gear or other plastic flotsam.
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Birder Mathew Tekulsky describes the bathing habits of birds, explaining the dependence of birds on water.
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Wednesdayâs program at the Joyce Theater ended with âShining Star,â a snazzy-looking, funny and sexy group dance that captures the sound and spirit of songs by Earth, Wind & Fire, to which it is set.
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Sandy "Pepa" Denton got a lesson this week on how to toss beads and an up-close look at the elaborate float she'll be riding in Monday's Krewe of Orpheus parade with friend and rap partner Cheryl "Salt" James.
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A refuge for dance is a bastion of growth and stability, but some question its programming.
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Seeing Judy Chicagoâs âThe Dinner Partyâ in its permanent home at the Brooklyn Museum qualifies as progress after 33 years. But Ms. Chicago is not triumphant.
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I always eat these rich, savoury fritters when I visit the Half Moon resort in Montego Bay in Jamaica. Jamaica is my musical Mecca where I can feel inspired by the likes of Bob Marley, Toots Hibbert and Jimmy Cliff.
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The piece offers a notable transformation of physical detail into a persuasive choreographic metaphor for the loss of self.
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CAMBRIDGE -- In a movement class at the American Repertory Theatre, the professor gave her students a basic command -- touch your toes -- and everyone lunged forward on the floor. The class overachiever, a petite brunette seated in the front row, extended her fingers, then wrists, then entire forearms past her ankles. Torso folded against the floor, she looked ...
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Gina Apcho, left, and Melissa Espinoza of the Kausachun dance company perform a Peruvian dance at the Sun Festival at Columbus Library in South Salt Lake Saturday night.  (c) 2007 Deseret News (Salt Lake City). Provided by ProQuest Information and Learning.
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BEIJING -- Step back, Confucius. Move over, Mao. Dr. Freud is making the rounds. Once vilified by the communists as a remnant of bourgeois imperialism, the practice of psychology -- and especially the Western ritual of going to a therapist -- is gaining popularity in this country of budding capitalists.
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Thereâs a lot going on in Company So Go Noâs âArt of Memory,â a 50-minute dance-theater romp conceived and directed by Tanya Calamoneri that spans several continents and decades in source materials alone.
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At the Ivy Leagues, dance is not often taken seriously as an academic discipline. Two professors are working to change that.