One Filmmakerâs Vivid Tales of Fathers and Other Strangers
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The career of Paul Thomas Anderson, whose first four features will be screened this weekend at the Museum of the Moving Image in Queens, is on the minds of cinephiles with the arrival of his fifth movie, âThere Will Be Blood.â
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Some version of the immigrantâs tale told in âGolden Doorâ is part of the family history of millions of Americans.
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The actor-director delivers another soul-stirring film.
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Martin McDonaghâs plays have won wide acclaim, but he had filmmaking in mind all along.
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The documentary âShowBusinessâ makes one marvel at the stamina of artists who devote themselves to a world of many miseries and few rewards.
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Immy Humes' documentary  about her late father, Harold L. Humes, has a poignancy that  comes not only from its subject -- a largely forgotten but  highly important literary figure of the late 1950s and early  '60s -- but also from the inclusion of interviews with such  departed contemporaries as Norman Mailer, George Plimpton,  William Styron and Timothy Leary.
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Cinema&#39;s self-styled  anthropologist, Werner Herzog, whose &quot;Grizzly Man&quot; emerged as  one of 2005&#39;s more intriguing documentaries, returns with  another unique travelogue.
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The fascinating documentary âAlice Neelâ illuminates history while also demonstrating how an artistâs style reveals his or her personality.
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Very rarely do you come across a film that reflects the moods of the years gone by. KHAMOSH PANI ['Silent Waters'], directed by Sabiha Sumar, is one such film.
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An ingenious first film Â made on a budget of about $7,000 by a former engineer and self-taught filmmaker Â about the perils of ingenuity.
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Wes Andersonâs main characters share with him a passion for collecting rare objects and unusual experiences, all of which they handle with exquisite, jealous care.
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While âRolling Like a Stoneâ has poignant and funny moments, itâs a serious film about mortality, success and the ephemeral nature of experience and memory.
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Two new engrossing documentaries show how down-home folks got politicized by the Iraq War
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Independent film has a certain cachet, bringing to mind uncompromising, unkempt artists plumbing their genius to bring cold, hard truths to the corner cinema. Or maybe it brings to mind guys dressed as film canisters panhandling in L.A.
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âThe Linguists,â a film focused on studying the worldâs vanishing languages,  has its premiere this week at the Sundance Film Festival.
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Adrian Grenierâs documentary about fathers on HBO is largely colored by his self-absorption.
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Cinematographer Ayananka Bose shares the tricks of his trade.