Dance Review: A Program in Four Parts, With One a Farewell
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In leaving the job of resident choreographer of New York City Ballet, Christopher Wheeldon seems to be taking up another as traveling choreographer to the world.
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New Yorkâs finest choreographers will present new works in the coming year. Sadly, few of them will be seen in our city.
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Configuration, a ballet company that emphasizes works in contemporary styles, displayed lively choreography in its comedic offerings, but was less effective in two serious pieces.
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In a brilliantly enterprising program at the Juilliard School, the conductor James Conlon, the Juilliard Orchestra and Juilliard Dance presented three world premieres choreographed to long-forgotten scores.
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Trying to guess the choreographer in an unfamiliar company is an occupational hazard of sorts for reviewers.
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Wednesdayâs program at the Joyce Theater ended with  âShining Star,â a snazzy-looking, funny and sexy group dance that captures the sound and spirit of songs by Earth, Wind & Fire, to which it is set.
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At the Ivy Leagues, dance is not often taken seriously as an academic discipline. Two professors are working to change that.
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Playbill - With the success of Contact and Movin' Out, three other dance-driven shows may be headed to the New York stage.
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American Ballet Theater, which has shown Balanchine and Ashton choreography over the years, is now presenting a double bill of their ballets, short in duration, rich in substance.
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Dance is not much known for its sense of humor. But there promises to be a few exceptions this season.
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âArea 51,â a new dance by Yvonne Meier and Aki Sasamoto, was a wittily imaginative exploration of how much can be communicated almost entirely by movement.
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Darcey Bussell is to give her farewell performance as principal dancer of the Royal Ballet in London.
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In the past year dance has finally carved out a space for itself online as dancers, choreographers and institutions embraced the Internet with video, blogs and new Web sites.
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The final installment in this series--did they meet their goal of a five-second boot?
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Traditional expectations and conservative tastes in dance have contributed to an inhibited visual aesthetic.
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Arts & entertainment: As prima ballerina Darcey Bussell prepares to say her final farewells, look back at some of the highlights of her career.
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Michael M. Kaiser has made a minor art form of turning around troubled cultural institutions, including, most recently, the Dance Theater of Harlem.