A Maestro Conducting With Heart ... a New One
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Robert Bass has been the music director of the Collegiate Chorale since 1980 and is no stranger to the stage. But his new heart is.
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The company's original visionary returns to the helm.
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Interesting music does not tell us to be good or bad. It asks only to be admired. Getting great music and simple faith together happens, but with difficulty.
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Magicians are generally ill advised to reveal their tricks, but when the conductor Kent Tritle let the audience in on a few crafty secrets during a concert by the Choir of St. Ignatius Loyola, the tactic paid off.
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James Levine's installation as the music director of the Boston Symphony Orchestra resembled a coronation.
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He's been called a terrorist, a pariah and a statesman. Now Libyan leader Moammar Gadhafi is an operatic hero.
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After almost a decade, the famed music composer is back doing what he does best -- making beautiful music.
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Alan Greenspan proved that a retired maestro can still seem to conduct the worldâs financial orchestra.
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Per il maestro c'e' disinteresse verso la musica
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Alan Gilbert is part of a one-two punch of dynamic new conductors facing New York audiences this fall.
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The conductor Sir Simon Rattle's reading of Wagner's most mystical opera aimed not for transcendence but for emotions expressed in human terms.
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E' stato un grande direttore d'orchestra e compositore
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The music composer was in the US for his concert.
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This year unusual clarity emerged for the future leadership of the nationâs leading orchestras.
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A symphony by a 14-year-old composer gets this writer all riled up. But what can one do but applaud?
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The orchestraâs performances at Carnegie Hall this week reminded listeners that character and distinctiveness in classical music have not been obliterated entirely.
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With new music directors at both companies, New York City Opera and the Metropolitan Opera are poised to prod each other into making New York a hotbed of operatic innovation.