Theater Review | 'Iphigenia 2.0': Way Before Lindsay and Britney, Chaos Swirled Around Iphigenia
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Charles Meeâs proudly unfaithful and rather tedious version of Euripidesâ âIphigenia at Aulis,â brings a tabloid style to Greek tragedy.
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Before there were Britney, Lindsay and Paris, the needy folks who make appearances on Jerry Springer's television talk show fulfilled our voyeuristic fantasies about the lives of those ready to self-destruct.
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At Performa 07, New York Cityâs performance art biennial, most of the events fall somewhere in between dance and theater, in the vast, anarchic ocean of blarney and bliss that is contemporary art.
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The singer's new album shows that pop Svengalis, weird and controlling  as they may be, are sometimes necessary
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Racial identity, feminism, literature, sexuality and Elizabethan history combine in a provocative rumination in Petronia Paleyâs solo show.
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Oops she did it again...got married that is. Britney Spears shocked her family and the world with her second wedding in 9 months. The pop princess who seems to have recently given up her throne to the Simpson
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âMy First Timeâ is a new Off Broadway play in which four actors recount stories about peopleâs first sexual experiences.
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Endlessly mocked in the mainstream news media and the blogosphere, Sunday nightâs fiasco has left Britney Spears's fans and her handlers bewildered.
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Hip-hop and rock, onstage together: itâs an idea whose time has come. And gone. And come again. And gone again. And so on.
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âPolitics of Passion: Plays of Anthony Minghellaâ consists of two short pieces that explore the limits of ordinary communication.
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With Britney getting married twice in the same year, Christina going from blond bombshell to goth chick and back again, and Lindsay defending the authenticity of her breasts on a near daily basis, at least there's Hilary Duff, who seems to represent the last bastion of all that is sweet and wholesome in these mixed-up teen-idol times.
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Alfred Preisser, a founder of the Classical Theater of Harlem, has clumsily conflated the Euripides play âTrojan Womenâ with eyewitness accounts from civil wars in Liberia and Sierra Leone.
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Broadway play Monty Python's Spamalot, directed by Mike Nichols, has stopped making fun of Britney Spears and changed the lyrics of their song.
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All kinds of controversy is coming soon to a theater near you.
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Two disaster movies visit ancient history and the near future to tell disquietingly relevant stories
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Stephanie and Rachel Works were opposites in some ways.
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Jonathan Marc Shermanâs play, while agreeably acted and directed, feels like an internal monologue distributed among four characters.