Music Review | Opera Orchestra of New York: An Opera, Unloved by Its Creator, Finds Some Devoted Friends Onstage
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âI Due Foscariâ is certainly dark but not dull, especially given the emotive performances by the soloists when Eve Queler conducted the Opera Orchestra of New York.
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Andrew J. Nemrâs disciplined, likable ensemble manage to be appealing without being particularly engaging in âWhere the Music Livesâ at the Julia Miles Theater.
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Marking the 60th Anniversary of the New York City Opera, writers of the internationally known Opera News magazine recently paid tribute to one of the industry's most illustrious performers of old - Johanna ...
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Erik Greenberg AnjouÂs charming documentary about the cantor Jacob Mendelson is more concerned with singing praises than arguing over orthodoxies.
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Jeffrey Milarsky led the Manhattan Sinfonietta in an energetic performance that was the picture of ensemble virtuosity.
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The Met hosts a season-opening gala, dripping with wealth and celebrity, that nearly upstages its own opera.
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So, people ask Harvard's fullback/tenor, is there any connection between football and opera? "Incredibly so," nods Noah Van Niel, who handles defensive linemen and Donizetti with equal aplomb. "It's rehearsing a set of skills and then going out and performing. There's pressure and there's an audience and there's nerves: Can I do this?"
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The late Beverly Sills, a peerless soprano, did everything she could--and there wasnât much she couldnât do--to make people fall in love with opera
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âJerry Springer: The Operaâ  uncovers something grand within the small, squalid lives it portrays.
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Here, revealed for the first time, are some of the secret passions of the classical music critics of The New York Times â the music they listen to when they are not listening to timeless classics.
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The New York City Opera will likely produce four pared-down operas, down from the company's typical 12 productions, while its Lincoln Center theater is renovated next season, officials said.
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âOffenbach Cabaret: Jacques in the Big Apple,â presented by OpÃ©ra FranÃ§ais de New York and the French Institute Alliance FranÃ§aise, promised a satirical and âsaucy musical review.â
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Giuseppe Verdi's "Aida" fits the cliched concept of grand opera: a visual feast with big emotions, majestic scenes and an exotic touch like this love story set in ancient Egypt.
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With new music directors at both companies, New York City Opera and the Metropolitan Opera are poised to prod each other into making New York a hotbed of operatic innovation.
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Concert-stage performances of American Indian dance and music are rare in New York City. But âThe Drum Is the Thunder, the Flute Is the Windâ was often disappointing.
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NEW YORK (Billboard) - Not long after former Sony Classical   chief Peter Gelb was named the general manager of New York's   Metropolitan Opera, he hinted that the house was pursuing ways   to expand its audience.
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Om Shanti Om is an out and out musical that captivates with its roaring polyphony and unabashed drama.