âSaturday Night Liveâ Takes Its Makeup Magic to the Met, With Scary Results
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The Metropolitan Opera is bringing in the chief makeup artist from âSaturday Night Liveâ for its production of âHansel and Gretel.â
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How to wear autumn makeup shades without looking as exaggerated as a female impersonator is an annual problem.
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They have been labeled fashion's "enfants terribles" for bringing politics, live animals or models splashed in fake blood to their catwalks.
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To a style aficionado, âMad Menâ is that rare TV show in which an ashtray, a lipstick or an aerosol tin gets star treatment.
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The world of fashion is one of professional transgression. The industry's lifeblood is shock and outrage; it survives, in its highest form, by virtue of almost hysterical exhibitionism.
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If fashion mirrors a national mood, this week's catwalk extravaganza in New York will reflect the spirit of strong, confident women, observers predicted.
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In Columbia, Calif., fearless citizens risk dermatological disaster in what may be the countryâs strangest autumn ritual: the Annual Poison Oak Show.
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Lucinda Antal, of Liverpool, England, right, tests lipstick shades on her hand at the Face store in New York Sunday Nov. 28, 2004, assissted by salesperson David Kalahiki.
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To say that Fashion Week is by its nature surreal may be, one admits, a big "no duh." But periodically it bears repeating.
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Remember when women had faces with recognizable features? You almost have to strain to recall after a couple of days of Parisian fashion shows
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The revolution known as reality television has reached its Thermidor: pathos, verging on bathos, is the ruling fashion. ABC&#39;s &quot;Extreme Makeover: Home Edition&quot; leads the way.
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Visitors who venture inside âNightmare: Ghost Stories,â a haunted house on the Lower East Side, will encounter spooky spaces inspired by real peopleâs experiences.
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It must be red-carpet day at New York Fashion Week. The collections presented Thursday by J. Mendel and Badgley Mischka were among the most glamorous to grace the catwalks at the fall previews so far.
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Jonathan Glazer knows weird. His stunning Sexy Beast was a provocative but strange being, marked by a powerful performance by Ben Kingsley.
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Few female viewers can  resist makeover shows, no matter how unreal they seem.
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"The Apprentice" is moving from glitzy Fifth Avenue to neon-lit Broadway.
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Extreme makeovers provide many of the plotlines for reality television. The same could also be said for some recent Manhattan real estate deals