Movie Review | 'Scrap Heaven': A Hijacked Bus and a Trio of Misfits
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In the writer and director Sang-il Leeâs âScrap Heaven,â three strangers share a general dissatisfaction with life â and a fateful ride aboard a hijacked bus.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.
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Spiraling plane rides, dangerous comics, moonwalking birds, and other fascinating videos.
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Sid KrofftÂs unlikely odyssey from trippy childrenÂs TV to trippy nightclub.
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The tears and the blame mix uneasily in âReservation Road,â a grim, mechanistic thriller about death and suffering, life and healing among the civilized.
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In another age, Ladder 49 would be just another unimaginative film. Post-911, it&#39;s a film ablaze with exploitation and emotional manipulation.
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Page 3 is a refreshingly original and hard-hitting film.
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Too often, inspirational movies about extreme bravery in the face of affliction are pure goo. They only manage to inspire a few rolls of the eyes in those of us with more ironic constitutions.
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It appears that the news that we are killing ourselves with our garbage hasnât sunk in. Thatâs one reason âThe 11th Hourâ is such essential viewing.
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In a vacuum, Caramel might be just another frothy comedy. But set in Beirut, the small and tidy film carries a bigger promise -- about the possibility of a normal life.
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âEagle vs Sharkâ is one of those movies that invite you to laugh at its misfit characters and empathize with them at the same time.
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Itâs not a happy summer in the skies, to put it mildly. Still, passengers have been remarkably composed.
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This remake of a pair of Japanese films called Ju-On is directed by the original filmmaker, Takashi Shimizu. You&#39;re never exactly sure what&#39;s going on in this haunting movie, nor do you want to be.
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Religion isnât easy, but itâs rarely looked tougher than it does in this intimate and disturbing film.
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A new documentary exposes the absurdities of Hollyywood's rating system
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The film does, in a way, remind us of the old one.
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The latest and lamest version of Don Siegelâs 1956 pulp classic âInvasion of the Body Snatchersâ might have been an accidental camp classic if its politics werenât so abhorrent.