Art Review | Howard Hodgkin: Blasts of Color, Evoking Memories
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The best of Howardâs Hodgkinâs paintings are, in a sly, almost deceptive way, what serious abstraction ought to be about.
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At various East Coast museums, blue just kept coming at me, and with it a sense of how thoroughly color shapes the way we see the world.
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Reader Satyendra Jha shares his memories.
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ÂOne Way or Another: Asian American Art NowÂ surveys Asian-American art today, a generation after the first waves of multiculturalism and identity politics broke across the art world.
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Steven Hollâs breathtaking addition to the Nelson-Atkins Museum of Art, opening here on June 9, is his most mature work to date, a perfect synthesis of ideas that he has been refining for more than a decade.
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Sex, death and religion, artâs old stand-bys, its holy trinity, are alive, weird and living, at âKeith Edmier 1991-2007â at Hessel Museum in Bard College.
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A show at Mitchell-Innes & Nash invites us to reconsider the virtues of this underrated painter.
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NEW YORK (Reuters Life!) - It was iconic images by painters such as Paul Nash that inspired Pat Barker to return to World War One to explore war as a subject of art.
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How Lawrence Weiner transforms text into works of art.
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Sky Captain and the World of Tomorrow is a sumptuous visual extravaganza, rich with intense, vibrant hues that contrast sharply with the black and white into which the film sometimes slips.
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The richly evocative exhibit of Friedl Dicker-Brandeis's work at the Jewish Museum breathes life into the icon and gives her own work well-deserved attention.
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Dali's Metamorphosis of Narcissus is one of my favorite paintings.  I actually own a print in my bedroom.  I was amazed at how well Google image search did on this query   Literally 90% of the images are perfect captures of the painting...
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âPattern and Decoration: An Ideal Vision in American Art, 1975-1985,â at the Hudson River Museum, documents the last genuine art movement of the 20th century.
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Reviews of the Christopher Kane, Marios Schwab, Nathan Jenden and Gareth Pugh collections.
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Mr. Hasen was a New York painter who drew inspiration from his experience working with maps as a military technician during World War II.
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Peter Max, the artist whose psychedelic style embodied the wild spirit of the 1960s, still is amazed and bemused by the impact of his works.
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The Modern's galleries are an eloquent reaffirmation of the enduring beauty of the museum's historic, albeit tendentious, account of modernism.