White was both complex and uncomplicated
487296
Following the 1995 season, I decided to write a profile on Reggie White, whose church in Tennessee had mysteriously burned down the previous fall.
5222
Disorganization may be a person problem, not a house problem.
200256
Thereâs nothing sophisticated about the comedy in âSydney White,â a peppy, ultra-P.C. variation on âSnow White.â
371022
Maybe it's that he's hit retirement age, but Garrison Keillor wasn't afraid to admit that his latest novel was easy to write.
618086
Steve Kazmierczak was seen as personable and an excellent student, not a brooding outcast.
721068
Robert Altman thrived on the shapelessness and confusion of experience, and he came closer than any other American filmmaker to replicating it without allowing his films to succumb to chaos.
660287
Forget progress. The White Stripes is sticking to its (simple) principles.
513010
The headline "A White Tornado" in the  Chicago Tribune this week referred to white American sprinter  Jeremy Wariner's 400-meter Olympic victory, but the wording  touched off American sensitivities over race.
489262
Presence of white models reflects brown-skinned nation's deep cultural preferences for light skin.
79855
The past season, thanks to good marketing, was for the most part sleek and flat. A few examples of individual acts, gestures or encounters gave it texture and color.
100300
Oh yes. There was a very wide canvas. There're several smaller characters who have been very nicely   portrayed. I specially love Mohanlal. I love his craft. He's an exceptional artiste. With such simplicity he's able   to display emotions that are so complex. Unfortunately, I didn't have much to do with Sushmita or not too   many scenes with Ajay Devgan either.
615902
Okay, a few days ago I wrote a review of the Diving Bell and the Butterfly saying it could be the best picture of 2007, but even so you might want to skip it because the truth it reveals might be something you don't want to look at. It's a fine picture, but a tough one. Another wonderful but tough picture is No Country for Old Men. It's one of those movies that leaves so much unresolved that you walk out of the theater not sure which foot goes in front of the other. On a second viewing it makes much more sense. The world isn't necessarily as crazy as it at first seemed. But there's a movie that is also incredibly well crafted, and gets better every time you think about it -- Juno. I didn't realize how much I liked it until I heard someone compare it to Little Miss Sunshine, a movie that I did not enjoy, unlike everyone else it seems. I loved Juno because it organizes its sweetness into love for one person, the star of the movie, Juno. But everyone, no matter how dorky or clueless (and some of the adults are truly dorky and clueless) shares the love. The movie has a wholeness, an unqualified goodness, you not only walk out of the theater in love with Juno and everyone else in the movie, but your heart is warmed for everyone, including yourself. It's that good.  All three remind how good movies can be. And there were some not-too-bad movies at the end of 2007, for example, Atonement, which some didn't like, but I did. 3:10 to Yuma is a well-crafted genre picture. Michael Clayton was a perfect showcase for the talents of George Clooney. Great acting and a simple story in The Savages.  Which one was the best? I'd hate to have to choose!
180781
With lavish attention to detail and a powerful cast, director Oliver Stone&#39;s &quot;Alexander&quot; is a thought-provoking, although long-winded, film about a man who, by 32, had solidified a massive empire
291877
History looks primed to repeat itself.
372658
James Levineâs mastery was apparent from the opening movement, a paean to nature, in which all the improbable stops and starts, all the seeming non sequiturs, coalesced with a taut, organic logic.
720666
MILWAUKEE -- It is amazing how we love to complicate things and apply layers of analysis to matters that beg for perspective.
417206
Both events were as widely expected as they were painstakingly choreographed