Review: `Teeth' is twisted revenge tale
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The name "Teeth" may ring a bell with you. It's a film that had audiences laughing and squirming simultaneously last year at Sundance, where it earned an acting prize for its fresh-faced, fearless star, Jess Weixler.
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One film has an oblique ending that's left some viewers dissatisfied and others floored by its profundity. The other features a slowly developing plot and a brutal, operatically violent finale.
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In spite of the teasing promise of its title, Mike Nichols's deft drama does everything it can to push you away.
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With its jerky camerawork and gritty texture, the British film âLondon to Brightonâ tries awfully hard to pass itself off as a slab of rancid naturalism.
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You've got to like a movie in which William H. Macy dispatches several villains with brute force and also dons an avocado facial mask. And you can't help but admire a film in which a cell phone is put to the use for which it was intended: assistance during an emergency.
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Christopher Nolan's new film is worth a watch.
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Not since Spinal Tap has there been a sharper satire of cinematic mythomania
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A sign in the window reads, "Now accepting new patients." But Dr. Barton Corbin's dental office sits dark, and next to the office door, someone has scrawled in red letters "MURDERER." The dentist sits in jail, awaiting trial on charges of murdering his wife last month and killing his college girlfriend 14 years ago under almost identical circumstances.
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â28 Weeks Laterâ is brutal and almost exhaustingly terrifying. It is also bracingly smart, both in its ideas and in its techniques.
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The new serial-killer thriller âSuspect Zeroâ has at least one thing in its favor: It seems to have an interesting director. E. Elias Merhigeâs last film was
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The highly regarded director has always been considered eccentric. Now he's getting mad
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In 'The Brave One,' Jodie Foster goes all Charles Bronson as a gang victim bent on vengeance.
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A TIME critic's take on the cantankerous director of MASH and other sprawling social comedies
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A moody thriller about an unhappily married couple, a remote cabin and a pair of homicidal crazies.
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This brilliant, sinister French thriller is a twisty road movie in which every sign points toward catastrophe.
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In movies from "My Left Foot" to current drama "There Will Be Blood," Daniel Day-Lewis has been called many things: bold, hypnotic, gripping, among them. But foolhardy is a description he may like better.
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A sharp thriller by an A-list director with a strong cast tracks the sleuthing of the Zodiac killer