An American Primitive, Forged in a Crucible of Blood and Oil
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âThere Will Be Blood,â Paul Thomas Andersonâs epic American nightmare, arrives belching fire and brimstone and damnation to Hell.
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By LARRY ROHTER  By LARRY ROHTER   New York Times News Service  KYOWA, Brazil  As the Karitiana Indians remember it, the first researchers to draw their blood came here in the late 1970s, shortly after their Amazon tribe began sustained contact with the outside world.
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From his roots in rural Michigan, Eugene Armstrong became a modern-day adventurer whose work in construction took him to war zones in Bosnia, Angola, and, finally, Iraq.
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Within the vast collection of the new National Museum of the American Indian is a stark reminder of some of the darkest days of Colorado history.
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For 65 years, the wreck of the USS Arizona has been leaking oil from its grave at the bottom of Pearl Harbor, staining the water, visitors often say, as if it were the ship's blood.
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For some Americans, weary of war in Iraq and uncertain about the future, the race horse Barbaro's fight for life was a welcome tale of hope in the face of adversity.
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American Indians are reconnecting to their heritage through a game that was invented by their ancestors.
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The illustrator Norman Rockwell has often been mocked for creating an America that never was and never will be. But Kevin Rivoli, a photojournalist in upstate New York, will tell you thatâs just not true.
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Though illegal, dog fighting continues to draw crowds hungry for the sight of blood and the gambling thrill. A law enforcement officer takes us inside this underground world.
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The opening this week of the National Museum of the American Indian makes this a slightly different country than it was last week.
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Gun-wielding tribesmen. Al Qaeda attacks. Kidnappings of Westerners. Yemen has long conjured up images of wild badlands, fit only for the intrepid traveler.
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Those seen cooperating with American forces trying to rebuild the city are threatened - and sometimes killed.
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âBefore the Devil Knows Youâre Deadâ is a chronicle of destruction â physical, spiritual and moral.
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Americans who live on the edge of government lands in the West are living out a dangerous experiment.
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A new film aims to show that the grim abuse of Iraqi prisoners at Abu Ghraib was not merely the work of a few bad apples, but the product of an American military machine gone horribly wrong.
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In a foreign land, where once the earth ran red with British blood, they rode as if for death or glory.
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Bosnia and Herzegovina's tradition of cultural coexistence - particularly impressive when set against centuries of nearly continuous internecine warfare in Western Europe - offers a compelling lesson for the ...