Ian McShane galvanizes uneven "Homecoming" revival
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It seems fitting that this  revival of Harold Pinter's classic play should arrive on the  40th anniversary of both its original Broadway production and  the first (and ridiculously, only) Broadway appearance by its  star, Ian McShane.
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Elevating the material is the least appreciated star turn on television. Sometimes the dialogue, or the premise or the story arc, leaves a lot to be desired and it&#39;s up to a real star to step up and salvage the show.
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"Harold & Maude: The Musical" strains and sputters trying to recapture both the movie's uplifting message and its subversive comic streak.
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LOS ANGELES  - The gorgeously rendered adaptation of Ian McEwan's novel "Atonement" -- and one shot in particular -- is generating attention.
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Like the same-titled 1986 cult favorite, this remake is a crash-and-burn action horror with intellectual pretensions.
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In spite of its third-act collapse into obviousness and sentimentality, âI Am Legendâ is among Will Smithâs better movies.
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LOS ANGELES  - The much-ballyhooed movie reunion of Jim Carrey and Cameron Diaz has turned out to be short-lived.
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âOne Tree Hillâ returned a few weeks ago not as a more progressive enterprise, but as a more dramatically palatable one, trashier, less earnest and refreshingly, horribly unlike anything else in its genre.
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SAN DIEGO -- It wasn't quite as Ryan Collins envisioned it. It was better.
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The Old Vic's revival of  Eugene O'Neill's 1947 drama "A Moon for the Misbegotten" is a  powerful demonstration of how superlative acting -- in this  case by Kevin Spacey, Eve Best and Colm Meaney -- can elevate a  flawed play so that the whole thing resembles a masterpiece.
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Hollywood's most famous film flop, the legendary box office disaster "Heaven's Gate," has been resurrected.
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Despite some fine things, the show feels warmed over and sluggish: it doesnât have the sense of risk or discovery that a re-arguing of identity as a subject now needs, at least in a New York context.
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John Sayles struggles to establish â and maintain â an authentic rhythm in a film about the roots of rock 'n' roll in the South.
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âOperation Homecomingâ is a spinoff from an anthology of essays, e-mail messages, poems and letters from soldiers in Iraq.
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David Rabe's 1984 drama has been brought vibrantly and unforgivingly to life in the New Group's smashing revival.
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Technically a superb film, it suffers from a weak script.
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The new betrayal-based thriller is intriguing, but flawed.