Theater Review | 'True Genius': Young Liars Still Find True Love
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David Holsteinâs small, dark comedy is thoroughly amateurish in its rehashed themes and nonexistent structure.
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MTV's fiction show effectively evokes the hot, tribal mentality of high school kids who might just redeem their adolescence with sex.
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The songwriters on Broadway and Tin Pan Alley and midcentury holiday made genius look easy and hard work look like fun. Hereâs how.
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The WB Network has ordered a pilot for "True," a comedy about a young women whose boyfriend breaks up with her while she is in labor with their baby.
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Tom Stoppardâs brilliance, while on obvious display in âThe Coast of Utopia,â is not serving the playwrightâs ostensible goal of creating a satisfactory work of dramatic art.
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When a character who is talked about but never seen is the most interesting figure in a drama, is that a problem? It is for Chad Beckimâs new play.
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it's the short cut to success at speed-dating. In what is billed as the first study of its kind, two academics found there is no short cut to true love.
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In this deeply funny play, Horton Footeâs authorial gaze is focused with satiric sharpness while retaining its elegiac sense of lifeâs transience.
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âThe Moment of Truth,â Foxâs new game show passed its own first test with flying colors, drawing particularly impressive ratings in its debut on Wednesday at 9 p.m.
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Wednesdayâs performance of âWhat if Saori Had a Party?,â about dreams versus reality, is surprisingly intricate but more artful than engrossing.
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At last, a love story for adults. In 'Closer,' Mike Nichols explores the thrilling and damaging effects of passion
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Fox claimed all of the top  five shows in the key adults 18-49 demographic last week and  got a solid premiere from David E. Kelley&#39;s drama &quot;Wedding  Bells.&quot;
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The men from Neil LaBute's new work discuss what they really thought about the way the play depicted male psychology. Their verdict? It's scarily dead on.
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The Metropolitan Museumâs show offers a supremely clear account of his maturation from brilliant, methodical young artist to a deeper, more lyrical, less predictable one.
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Memory is a twisting knife in âFollies,â Stephen Sondheim and James Goldmanâs beautiful, broken-hearted musical from 1971.
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Several highly anticipated Broadway revivals live up to their predecessors with strong casts.
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The trust between storyteller and audience implies that the creator truly create, rather than merely fabricate.