Tropical Pursuit of Love, Coins and No Tan Lines
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In âFoolâs Goldâ Kate Hudson and Matthew McConaughey, as golden as a pair of rotisserie chickens, squabble and cavort in a tropical paradise.
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Krishna Vamsi's Chandamama is a neat and clean love story set against a rural backdrop with loads of entertainment. Go for it.
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For cultural envoys, it's about calypso and James Bond - not the clash of civilizations.
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But it was magical to be young during the Summer of Love.Â  For those who weren't there, a not-too-rose-colored look at what you missed.
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There is sweet renewal on the old cacao plantations that just five years ago lay fallow on these lush mountain slopes along the Caribbean coast. Its mother is a lucrative niche market: organic chocolate.
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As explorers investigated the world in centuries past they began pondering a puzzle called the "latitudinal diversity gradient." That's science talk for: The farther you go from the tropics, the fewer different kinds of plants and animals there are.
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Director Werner Herzog  is no stranger to exotic location shoots.
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There is art, and there is money. The twain seldom meet. Or, to steal a line from David Thomson, author of the eminently useful reference work "The New Biographical Dictionary of Film" (Knopf, 1,008 pages, &#36;22.95), just out in paperback, there is "Chinatown," and then there are "umpteen possible future 'Mission: Impossibles."'
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The surfaces of Cao  Hamburger's fine film, "The Year My Parents Went on Vacation"  (O Ano em Que Meus Pais Sairam de Ferias) are clean and concise  and filled with keen observations about day-to-day life in a  multiethnic quarter of Sao Paulo in 1970. This allows the  director all sorts of opportunities to explore the rich subtext  of his film -- themes about alienation, community and a life in  exile.
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Foreign collectors want them. Newly minted local millionaires want them. The rise and rise of the country's modern artists
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PUNTA DEL ESTE, Uruguay  - The glitter is back at the Uruguayan peninsula long known as South America's summer playground for the rich and famous -- a Latin version of Monaco or the Hamptons of New York.
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âLa Vie en Roseâ shows that we Americans donât have a monopoly on singers and composers who emerge from traumatic childhoods, battle drug addiction, pursue difficult love affairs and win the hearts of millions.
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For men seeking true romance there is now a new mating game with an unusual twist -- it is virtual and mobile. A fantasy world in which lovesick men can wine and dine a virtual girlfriend
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Can cruise ships and nature coexist? An experiment gets under way in Cozumel to test the idea.
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Much more than hot dogs, beaches and long weekends.
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The romantic comedy âCatch and Releaseâ is refreshing for what it doesnât have. There is no whiny, spoiled golden girl and no baring of claws.
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They came from Russia with love to a  tropical socialist utopia when the going was good.