Movie Review | 'The Rape of Europa': Art, Lost and Found
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The issues raised by âThe Rape of Europa,â a documentary about the Nazi pillaging of art and the Allied effort to return it, canât be conveniently consigned to the dustbin of history.
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It is called "Promised Land," but Israeli director Amos Gitai's highly realistic new film depicts Eastern Europeans' brutal journey into sex slavery.
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Two films at the Cannes film  festival portray how the lack of jobs, money and social  recognition in Europe can drive men to desperation.
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It may be a bit, um, premature to say so, but Judd Apatowâs âKnocked Upâ strikes me as an instant classic, a comedy that captures the sexual confusion and moral ambivalence of our moment.
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Mel Gibson's Mayan action flick is about as true to human history as Lord of the Rings is -- only without the orcs. In Table of Malcontents.
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Oscar-winning Czech director Jiri  Menzel's film "I Served the King of England" takes the viewer  on a journey through the gilded hotels, restaurants, brothels,  rubble and remote forests of 20th century central Europe.
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Imelda Staunton strengthens the immensely moving, stark and engaging film.
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âThings We Lost in the Fireâ bends over backward to prove that serious American movies can hold their own with the best films from overseas.
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Jordan Harrison turns fragments from the life of Leni Riefenstahl, the filmmaker who made movies for Hitler, into a story that is funny and thought provoking and even a little touching.
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The daring theft of Edvard Munch&#39;s masterpiece &quot;The Scream&quot; has left the international art world in a state of shock.
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Harry MosesÂs entertaining documentary portrays the debate between connoisseurship and science as a culture war.
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The Old Vic's revival of  Eugene O'Neill's 1947 drama "A Moon for the Misbegotten" is a  powerful demonstration of how superlative acting -- in this  case by Kevin Spacey, Eve Best and Colm Meaney -- can elevate a  flawed play so that the whole thing resembles a masterpiece.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.
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Like its hero, &quot;Alexander&quot; is bold and ambitious, destined to be debated by future generations. It&#39;s also tragically flawed.
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While Leo Tolstoyâs play remains an intriguing curiosity, more interesting than good, it should be a must-see for students of Russian literature.
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Depp. Clooney. I fratelli Coen. I grandi assenti Ang Lee e Julian Schnabel. PiÃ¹ polemiche e proteste. Si avvicina la notte piÃ¹ attesa di Hollywood. Mai cosÃ¬ tanto criticata
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A new documentary takes a critical look at the statutory rape case that sent the director into exile for good