Theater Review | 'Annie': Going Out an Orphan, Coming Back a Star
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After a shaky start, this "Annie" is an elating piece of family theater that deserves to become the mass-entertainment holiday staple it aspires to be.
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Over the past few years, Williamsburg, Brooklyn has evolved into a full-fledged theater district. Call it Off Off Off Broadway.
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Annie Moore didn't go West to fulfill the American dream, as the story has it. She settled on the Lower East Side.
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Arts & entertainment: At a time when West End theatre is at its lowest artistic ebb in years, an attempt is being made to restore quality drama to the commercial sector.
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&quot;Closer&quot; must be an ironic title, since its vibes are consistently and often smugly alienating. Nevertheless, Patrick Marber&#39;s play, now adapted by the author for director Mike Nichols, has
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In a season plump with notable revivals of landmark plays, including Ibsenâs âGhostsâ and Beckettâs âHappy Days,â a rapturous interpretation of Anton Chekhovâs âSeagullâ flies higher than any of them.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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The verdict on Aaja Nachle is uncomplicated. When someone as special as Madhuri Dixit makes a comeback, you expect nothing short of extraordinary. The soundtrack of Yash Raj's latest musical is fairly decent. Still, extraordinary, it's not.
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A dramaâs plot links autism with childhood vaccinations.
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The forthcoming theater calendar seems distinguished by its fixation on invention.
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For children with autism, theater can rank among the worst of experiences.
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The literature of the American theater is chockablock with dysfunctional-family dramas, stories about fathers loathing mothers, wives resenting husbands, brothers and sisters who care too much
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Hereâs to Marian Seldes and Angela Lansbury, who make acting look much easier than it is.
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Eartha Kitt stands out in the otherwise uneventful romantic comedy, âAnd Then Came Love.â
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After Khel, which he directed for Suniel Shetty three years ago, thereÂs plenty of  ÂconfusionÂ in director Yusuf KhanÂs mind and life. And why not? ThatÂs the title of YusufÂs next film.
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âChildren of Men,â the superbly directed political thriller by Alfonso CuarÃ³n, may be something of a bummer, but itâs the kind of glorious bummer that lifts you to the rafters.
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Jordan Harrisonâs brash play turns fragments from the life of Leni Riefenstahl, the filmmaker who made movies for Hitler, into a story that is funny and thought provoking.