Movie Review | 'Time': Theyâre All Through With Love, Yet Searching for More
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Throughout âTime,â Kim Ki-duk flips between soapy melodrama and dry, self-aware comedy. The effect is thrilling and disorienting, like walking on a trampoline.
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This is a story about love. About inscrutable complexity and remarkable simplicity, about the promise of forever. It is about obsession and devotion, and grand gestures and 4,000-word love letters.
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Written and directed by Andrew Bujalski, this wonderful independent film wonÂt save or change your life, but it may make your heart swell. Its aim is modest and true.
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Although my favorite fiction films at Sundance were different in theme and tone, they were united by stylistic commonalities, a feel for the still moment â and, importantly, for beauty.
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Eartha Kitt stands out in the otherwise uneventful romantic comedy, âAnd Then Came Love.â
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It isnÂt often that you see a film about Israelis and Palestinians that can be called hopeful, but Ronit AvniÂs assured, thoughtful and clear-eyed documentary certainly qualifies.
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Without a Paddle is a comedy with equal parts testosterone and sentimentality. In other words, it&#39;s a guy film that chicks will dig, too.
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Michael Apted's landmark  films documenting the lives of a disparate group of Brits in  seven-year intervals have always been fascinating from a  sociological perspective. But the latest installment proves  that they are undeniably brilliant cinematically as well.
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Too often, inspirational movies about extreme bravery in the face of affliction are pure goo. They only manage to inspire a few rolls of the eyes in those of us with more ironic constitutions.
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Sumanth, Sneha and Parvati Melton are good in this otherwise clichÃ©d love story.
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This film may have worked if it were made in the early 1960s.
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âWimbledonâ is a well-behaved movie about nice people who have good things happen to them. Thatâs kind of startling in a world where movie characters, especially in
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It may be a bit, um, premature to say so, but Judd Apatowâs âKnocked Upâ strikes me as an instant classic, a comedy that captures the sexual confusion and moral ambivalence of our moment.
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The life cinematic of filmmaker Wes Anderson is awhirl with losers and overachievers who find common ground in family. They may be an eccentrically conventional unit in the manner of The Royal Tenenbaums.
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âVanajaâ is a coming-of-age tale that is engrossing, if slightly overlong, and absolutely timeless.
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Tod Wodicka's protagonist is a medieval re-enactor trying to escape the modern world. But this tender, oddball debut is much more than an extended cheap shot.
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With lavish attention to detail and a powerful cast, director Oliver Stone&#39;s &quot;Alexander&quot; is a thought-provoking, although long-winded, film about a man who, by 32, had solidified a massive empire