Movie Review | 'Quixotic/Honor de Cavalleria': Reflections of Don Quixote
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Elmore Leonard once said that the key to telling an exciting story was leaving out the parts that people skip. âQuxiotic/Honor de Cavalleriaâ is composed of little else.
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A fictionalized take on the youth and evolution of the famous South American revolutionary.
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'Pan's Labyrinth' is a transcendent film celebrating the imagination's power to triumph over cruelty and evil.
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Having tapped into reserves of great love or shocking hubris, the Portuguese filmmaker Manoel de Oliveira revisits Luis BuÃ±uelâs classic with âBelle Toujours.â
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Like father like son: exploratory variations on that old saw are the thematic heart of the Argentine filmmaker Daniel BurmanÂs ÂFamily Law.Â
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Il disegnatore insignito honoris causa. Il discorso, l'intervista e le 'chicche' dei suoi film animati
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An itty-bitty movie with a great big heart, âColma: The Musicalâ is about how we learn to give voice â joyfully, honestly, loudly â to the truest parts of ourselves.
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âCanvasâ is a movie that rings emotionally true, despite structural contrivances and dim, washed-out color.
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Spain is celebrating the 400th anniversary of the publication of one of the world's most acclaimed literary works, Don Quixote.
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Jane Smileyâs new novel is a Hollywood satire modeled loosely on Boccaccioâs âDecameron.â
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âChildren of Men,â the superbly directed political thriller by Alfonso CuarÃ³n, may be something of a bummer, but itâs the kind of glorious bummer that lifts you to the rafters.
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The characters in the western âDisappearancesâ speak in biblical cadences. The movieâs code, however, is the same kill-or-be-killed law of the jungle.
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When watching Jay Sternâs digital video adaptation of the 1622 play âThe Changeling,â you have to imagine a more detailed world beyond the bare-bones visuals.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.
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What happens when idealism becomes power? That question is the driving force of Jeremy Kaganâs inert yet strangely compelling film âGoldaâs Balcony.â
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There is plenty of sorrow to be found in âInto the Wild.â But though the filmâs structure may be tragic, its spirit is anything but.
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James L. Brooks's new movie treats the subjects of class division, cultural misunderstanding and marital discord with astonishing smugness and dishonesty.