Down South, Singing the Indie Blues
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Twenty-seven years and 16 features after they began their mutual career, John Sayles and Maggie Renzi are still making movies.
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The breezy vocal harmonies and classic rock sound of Dr. Dog, an obscure Philadelphia band, are sure to attract a rabid cult of indie-rock fans.
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Three young indie filmmakers have shown promise with strong, idiosyncratic debuts. Flouting conventions, however, may not be so easy on the road ahead.
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African American Toni Manieson knows what it is like to sing the blues.
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When singer Bryan Ferry was a  university student, he didn&#39;t really care much for Bob Dylan,  preferring the sounds of American soul and Motown.
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A homegrown YouTube singing sensation isn't all organic ... but don't panic.
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That's the way they do things down South, nice and   gentleman-like.
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ItÂs not often that the background score of a film makes a lasting impact on music listeners of this country.
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Independent film has a certain cachet, bringing to mind uncompromising, unkempt artists plumbing their genius to bring cold, hard truths to the corner cinema. Or maybe it brings to mind guys dressed as film canisters panhandling in L.A.
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Indie distributor Magnolia  Pictures is looking to make some quick cash on two indie  comedies, releasing them nearly simultaneously on cable and in  theaters and DVD stores.
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Country auction are drawing customers from far-off country towns into a swirl of barbeque and homemade pies and twangy music.
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The nation's low-budget films, imbued with the residue of communism, are wowing critics and audiences.
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Written and directed by Andrew Bujalski, this wonderful independent film wonÂt save or change your life, but it may make your heart swell. Its aim is modest and true.
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If it seems quiet in your back yard these days, it&#39;s probably because so many species of birds have flown the coop, bound south on their migratory journeys.
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On a pair of CDs, minstrel of misery Conor Oberst (a.k.a. Bright Eyes) proves great--one out of two tries
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With bouzoukis and pipas in hand, indie rock goes global. Buzz ensues.
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Ross McElwee's reflective, wise, often hilarious documentary examines the tobacco industry in his native state of North Carolina.