Respect in a Box: Giving John Ford the Major American Artist Treatment
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âFord at Foxâ is a gargantuan boxed set that assembles 24 of the 50-some films John Ford made for the studio that was his most consistent home.
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Otto Preminger became one of Hollywoodâs first and most successful producer-directors. A retrospective at Film Forum celebrates his work.
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With 80 works ranging from folksy illustrations to precisionist Dutch-inspired landscapes and loose 20th-century abstractions, âBrushed With Light: American Landscape Watercolors From the Collectionâ offers a minihistory of American painting.
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A major retrospective opens on the photographer often hailed as the greatest of the 20th century
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A fantastically grotesque retrospective of an influential-yet-overlooked filmmaker. By Jason Silverman.
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The Metropolitan Museum provides a fascinating portrait of two brothers whose relationship might not have been exemplary but whose practices offer plenty of lessons for contemporary collectors.
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Keep your art collection in your living room? Why, thatâs for novices.
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The National Film Preservation Foundation has released a DVD collection which covers the evolution of American film. Also, a box set of Alfred Hitchcock's signature films.
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Le Timeboxes di Andy Warhol in esposizione nel nuovo centro di arte contemporanea dell'ex Pescheria
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How do you transpose the life of an American cultural icon who transformed American popular music into a compelling, streamlined biopic?
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He never won an Academy Award_ in fact, was never nominated. He never earned the big bucks that stars of his stature enjoyed. Yet for 52 years Glenn Ford remained an in-demand actor whose name above the title could attract movie ticket buyers.
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Where do you go if you want to  watch rare archive films such as a 1916 document about life on  a German submarine or John Ford's 53-minute Western "Bucking  Broadway" from the following year?
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Mark Stevens and Annalyn Swan's "de Kooning: An American Master" traces the painter's history and plumbs the mysteries of his cryptic work in a remarkably lucid narrative.
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Leonardo Da Vinciâs masterpiece joins a large and growing population of virtual art.
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Ever since American designer Tom Ford shot to fame by saving the Italian label Gucci from near-death, breathing life into dormant brands has become the Holy Grail of the fashion industry.
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Like father like son: exploratory variations on that old saw are the thematic heart of the Argentine filmmaker Daniel BurmanÂs ÂFamily Law.Â
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There is art, and there is money. The twain seldom meet. Or, to steal a line from David Thomson, author of the eminently useful reference work "The New Biographical Dictionary of Film" (Knopf, 1,008 pages, &#36;22.95), just out in paperback, there is "Chinatown," and then there are "umpteen possible future 'Mission: Impossibles."'