Acton, Brooks and Co. Bring Marlowe to Life in DC Shakespeare Theatre's New Home
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Playbill - The Shakespeare Theatre Company in Washington, DC, raises the curtain on its next act Oct. 27 with the first preview of  Christopher Marlowe's Edward II - the first production in the troupe's new home.
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The arrival of Ivo van Hove's strangely enthralling new production of Henrik Ibsen's drama instantly slips the fall theater season into a higher gear.
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The Metropolitan Operaâs new strategy of plugging sudden holes in its casts with big names has its beneficiaries.
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Novels published this month take us, among other places, inside the lives of young doctors, to post-World War II Japan and into the world of Shakespeare scholarship.
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Let the news ring out from Lincoln Center. Send word by satellite radio. Trumpet it in Times Square. An exciting new era was born at the staid old Metropolitan Opera on Monday night.
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Actor Jude Law is to play Hamlet in London's West End under Kenneth Branagh's direction.
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Manassas took a major step this week toward expanding and boosting its downtown.
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Ken Urbanâs new play is mystifying and frustrating. But there are satisfying elements in the production, which are rendered with wit and feeling by the versatile cast.
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After years of gangsters, villains and hard men with a heart, Al Pacino has come back to Shakespeare and after playing Jewish moneylender Shylock he has his sights set on King Lear and Macbeth.
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Royal Shakespeare Company actors will have lessons at a new Â£4.5m University of Warwick centre.
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This Shakespeare season is a feast of strange and novel productions in unusual spaces from city parks to the tiny back rooms of bookstores.
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A. R. Gurneyâs play, revived respectfully by the Keen Company, remains an insightful mood piece but one thatâs perhaps best in its details.
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Genre-bending, time-straddling adaptation has become an exceptionally lively art on Londonâs stages this season.
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A new play by David Hare heads the list of provocative theater in New York.
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Slam poetry got a fresh twist when three Victorian-era re-enactors read from such poets as William Wordsworth and Emily Dickinson in a setting that was fitting for the event &#151; a 19th-century stone mansion.
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The Foundry Theaterâs latest production will be performed in two dozen living rooms over the next month, in neighborhoods spanning all five boroughs.
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Shakespeare may have written his plays with a quill pen but now the Bard&#39;s works are taking a leap into the digital age as the British Library publishes some of the earliest editions of his plays on a new Web site.