Dance Review | dre.dance : Frog-Jumping and Other Ordered Disruptions
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There was a refreshingly modest air to the program that dre.dance performed on Thursday at the Joyce SoHo.
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Innovation comes from below. To find the weirdest new forms of play, look to independent designers. Commentary by Clive Thompson.
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JÃ©rÃ´me Belâs clever, funny negotiation of the line between the ordinary and the theatrical has made him a cult figure on the European dance scene for the last decade.
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If you've hummed along, tapped your feet, or even danced in your seat while watching "Purple Rain," "Saturday Night Fever" or "Trainspotting," you're not alone.
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ÂChapel/Chapter,Â shown on Tuesday at the Gatehouse, is the least overtly political dance from the Bill T. Jones/Arnie Zane Dance Company in some time. It is also the most affecting.
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Watch an alligator "water dance" firsthand, and find out whether the eye-catching display of liquid acrobatics is often overlooked by humans.
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Both events were as widely expected as they were painstakingly choreographed
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Love del.icio.us or hate it? Last week, we asked readers to send in their picks and pans, and we got a ton of responses. Mike Calore sorted through the results and created a list of rankings, including some surprises. In Monkey Bites
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No major choreographer has yet emerged from Greece, but thereâs a reasonably active contemporary dance scene here.
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Revising ÂÂDreamgirlsÂÂ for the big screen, a choreographer puts a hip-hop accent on Motown moves.
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Digital technology changes from workhorse to entertainer.
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The choreographer John Jasperse has taken to rummaging through garbage.
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The stage version of âThe Little Mermaidâ presented a challenge for the choreographer. A pair of rolling shoes  offered a solution.
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The new âEdge/Joy,â to music by Ricardo Zohn-Muldoon, is a formal departure from Garth Faganâs dancer-driven style and requires extra work from the audience, but itâs rewarding work.
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Iâm at Moro, waiting for my friend Bob Crowley and Nicholas Hytner to come from Christopher Wheeldonâs ballet at Saddler Wells. Narciso Rodriguez did the costumes for the ballet. Heâs in town but I havenât seen him. Too many shows, I guess. Just left Giles Deaconâs show. One of Giles Deaconâs looks.(Jonathan Player for The New [...].
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Tycho:  After seeing Chore Wars mentioned yesterday, the opportunities for manipulating people seemed...  rich.  The possibilities for mashups based on this data are also rich - I wonder if it could be exposed, somehow.  When my charge is old enough to manipulate in this way, my crib is going to fucking sparkle.
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Juilliard School's dance division presented four robust premieres by Janis Brenner, Susan Marshall, Ronald K. Brown and Robert Battle on Saturday.