Theater Review | 'Gypsy': What Ever Happened to Momma Rose?
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If any actress of her generation seemed fated to play the juggernaut of a stage mother in the musical âGypsy,â it was Patti LuPone, the juggernaut of a Broadway star.
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Starring Joaquin Phoenix, John Travolta, Jacinda Barrett, Robert Patrick, Morris Chestnut. Written by Lewis Colick; directed by Jay Russell.
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There is a  magical spot here, just a short crow&#39;s flight from Milwaukee,  that is now designated a national historical landmark and  hallowed ground to anyone with a reverence for the theater&#39;s  past, i.e., those days before Broadway ticket prices zoomed up  past the $450 mark (as we&#39;ve just been informed Mel Brooks&#39;  &quot;Young Frankenstein&quot; is going to cost us per ticket).
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Its newest Broadway show gets the usual kiss-off from the critics. What's their problem?
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Even the most convention-bound theatergoers will remain shock-free through this alternately garish and pallid revival of Jerry Herman's 1983 musical.
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Thereâsa magic in the Broadway musical that seems to transcend cultural styles and circumstances and generations. Whether breaking new ground or reviving a classic
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The Metropolitan Operaâs current production of âCarmenâ offers a kind of tension: between the essential actions of the story and the gaily bustling pageantry of Franco Zeffirelliâs 1996 staging.
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Fiona Shaw is indisputably the queen of the mountain in Deborah Warnerâs blazing production of Samuel Beckettâs âHappy Days.â
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The Broadway musical that broke a batch of records will play its final performance on April 22.
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Pavol Liska's pared-down adaptation of Anton Chekhov's "Three Sisters" exposes the play's absurdist humor and howling sadness.
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This engaging little musical, whose cheery voice could be heard only intermittently in the big, bad Broadway production, has been liberated at last.
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Anticipating life without Tony Soprano, Edie Falco returns to her first love, the theater, with " 'night, Mother."
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&quot;Dracula: The Musical&quot; opened on Broadway last night, but &quot;Dracula&quot; the chaste version won&#39;t be. Earlier this month, during preview performances, producers of the latest Frank Wildhorn show had announced that, beginning next week, the Wednesday and ...
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%?%?&amp;¬the belfry would have been one thing, but Dracula had to contend with the playful ghost of David Belasco haunting his own Broadway house Aug. 19 when the bloodsucker swooped back to town, with the soaring music of Frank Wildhorn beneath his wings.
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THE circus that changed traditional entertainme
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The director, his muse, her fake bottom and one triumphant role
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Jonathan Marc Shermanâs play, while agreeably acted and directed, feels like an internal monologue distributed among four characters.