Hill and Louis C.K. on Gervais' "Side"
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Jonah Hill and comedian  Louis C.K. will play Ricky Gervais' neighbors in the Warner  Bros. release "This Side of the Truth."
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The script for the new Bruce Willis flick is drawn at least partly from John Carlin's short story, "A Farewell to Arms," published a decade ago in Wired magazine.
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Describing his new film, &quot;Silver City,&quot; as part murder mystery and part political satire, director John Sayles has made it very clear which politician the movie is satirising.
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At its root, the âfeudâ between Conan OâBrien and his rivals originated with a political boast.
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A satirical look at the pretexting scandal at HP.
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This story was adapted from a piece, written by CQ reporter Daphne Retter, that was published on CQ.com Dec. 1.
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This story was adapted from a piece, written by CQ reporter Daphne Retter, that was published on CQ.com Dec. 7.
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This dark British comedy exudes the comfy familiarity of a vintage episode of ÂAlfred Hitchcock PresentsÂ stretched into a feature-length film.
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Alan Cumming will join Dianne Wiest in the Classic Stage Companyâs production of Chekhovâs drama.
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Q: There is a short film called ``Jewel of the Sahara'' with Gerard Butler in it. Can you tell me where I can find it or a Web site I can download it from? Thank You! _ M., Farmdale, Ohio.  A: I do so love these questions about Gerard.
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"Washington Irving: An American Original" (Arcade Publishing, Inc. 468 Pages. $29.99), by Brian Jay Jones: Two centuries before blogs, standup comedy or "The Daily Show," there was "Salmagundi," a periodical of satire whose founders and contributors included the young man of letters Washington Irving.
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The Guardian's Hadley Freeman on what she thought of the Paul Smith show at Claridges in London
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As No Country for Old Men gets the best-picture nod from the New York Film Critics, Richard Corliss wonders if his colleagues are actually talking to the audience
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Perspectives from Berkshire's behind-the-scenes man.
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The series &quot;Side Order  of Life&quot; feels like it has the potential to be the finest  original production this long-sappy, formula-driven network has  ever done, heralding a new quality that serves notice it ain&#39;t  your mama&#39;s Lifetime anymore.
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One film has an oblique ending that's left some viewers dissatisfied and others floored by its profundity. The other features a slowly developing plot and a brutal, operatically violent finale.
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The approach of having a speaking cast and a signing cast on the stage simultaneously may not be best for Nick Grossoâs absurdist British comedy.