Movie Review | 'The District!': A Goofy Scheme to Get the Girl
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The Hungarian cartoon feature âThe District!â is a last-minute shoo-in for the title of 2007âs most original animated film.
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Love is a many-faceted, if not splendored, thing in the romantic comedy set on the tennis courts of Wimbledon. The movie is about a love match between a pair of lanky racket-wielding
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This weekÂs cheesecake on celluloid Sheesha offers a ÂbonusÂ for a certain section of viewers.
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A campus comedy with a dirty mouth and a surprisingly wise mind, âFreshman Orientationâ uses identity politics as a road to romance and emotional maturity.
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Matthew Kleinâs bright swindling-scam comedy is set in the world of the Internet nouveau-riche.
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'License to Wed' has a creepy subtext for a family comedy.
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It&#39;s the kind of plot twist that would have fit right in on &quot;Sex and the City.&quot;. Less than a week after Cynthia Nixon won an Emmy Award for her role for playing a hard-boiled but heterosexual
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In Chris Rock's new film, he plays a mustachioed, bespectacled banker. He's often funny, but just as often serious and self-examining. It's a realistic film adapted from the 1972 French classic "Chloe in the Afternoon."
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In âDecember Boys,â Daniel Radcliffe takes a holiday from Harry Potter. Too bad his destination is this treacly coming-of-age tale.
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Reese, Jake and George glam up a pair of politically worthy dramas in Toronto
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Lately, I have been asked if there is anything really good playing at the movies. Now I have something to rave about -- a film called &quot;Hero.
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Okay, a few days ago I wrote a review of the Diving Bell and the Butterfly saying it could be the best picture of 2007, but even so you might want to skip it because the truth it reveals might be something you don't want to look at. It's a fine picture, but a tough one. Another wonderful but tough picture is No Country for Old Men. It's one of those movies that leaves so much unresolved that you walk out of the theater not sure which foot goes in front of the other. On a second viewing it makes much more sense. The world isn't necessarily as crazy as it at first seemed. But there's a movie that is also incredibly well crafted, and gets better every time you think about it -- Juno. I didn't realize how much I liked it until I heard someone compare it to Little Miss Sunshine, a movie that I did not enjoy, unlike everyone else it seems. I loved Juno because it organizes its sweetness into love for one person, the star of the movie, Juno. But everyone, no matter how dorky or clueless (and some of the adults are truly dorky and clueless) shares the love. The movie has a wholeness, an unqualified goodness, you not only walk out of the theater in love with Juno and everyone else in the movie, but your heart is warmed for everyone, including yourself. It's that good.  All three remind how good movies can be. And there were some not-too-bad movies at the end of 2007, for example, Atonement, which some didn't like, but I did. 3:10 to Yuma is a well-crafted genre picture. Michael Clayton was a perfect showcase for the talents of George Clooney. Great acting and a simple story in The Savages.  Which one was the best? I'd hate to have to choose!
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Like the  architectural-wonder cakes Diane Keaton's character constructs  in "Because I Said So," the film is a stylishly gooey piece of  work that demands to be oohed and aahed over.
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The romantic comedy âCatch and Releaseâ is refreshing for what it doesnât have. There is no whiny, spoiled golden girl and no baring of claws.
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This is really just another show about a seventh grader trying to fit in. Itâs also a show with a sly sense of humor when itâs not being self-consciously frenetic.
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âHey Girl!â offers a rare opportunity for East Coast audiences to see Romeo Castellucciâs work.
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The film looks like a children's sci-fi film.