PLAYBILL.COM'S THEATRE WEEK IN REVIEW: The Curse Is Off
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Playbill - Theatre historians take note. A Macbeth not cursed by fate or the critics arrived in town this week.
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The fall season is unusually rich in new plays by American writers.
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TicketNews announces its weekly Top 10s and analysis for the week of 2/05/07-2/11/07.
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PARDON me if the subject is still too raw for some to contemplate at this moment, but here&#39;s a question about the Curse of the Bambino, a phenomenon that, it seems, came up more than once in the past week.
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Variety - SAN FRANCISCO -- If it was once a cliche of theatrical vernacular to bomb in New Haven, a bound-for-Broadway show these days is just as likely to bomb -- or score -- out West.
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Style trumps content in this beautifully staged and acted production of August Wilson's new play, the ninth in his 10-play cycle of works dealing with black life in the 20th century.
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This forceful production concludes the Signature Theater Companyâs season, dedicated to August Wilsonâs work, on a stirring note.
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Arts & entertainment: Shakespeare's 400-year reign as the world's primary transmitter of the English language ends.
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The scoreboard at Yankee Stadium read Yankees 10, Red Sox 0. Suddenly, a shaggy-haired fellow in a Red Sox cap seven rows behind first base held up a cross made of plastic straws and screamed at the Bronx Bombers: "Back, you devils!" Alas, Stephen King's curse didn't work.
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Its newest Broadway show gets the usual kiss-off from the critics. What's their problem?
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After Andrew Lloyd Webber's last two shows fared poorly in London, some critics said that he had lost his touch. With "The Woman in White," he has a chance to prove them wrong.
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Playbill - The latest play by  Neil LaBute, Wrecks, which is currently enjoying its New York debut at the public Theater, will be hanging on for three weeks more.
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In Stephen Massicotteâs excellent new play, T. E. Lawrence and Robert Graves are two veterans and it takes no leap of the imagination to translate their World War I experiences into stories from todayâs newspaper.
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Reviews of six shows at this yearâs festival of plays and performance pieces.
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A. R. Gurneyâs play, revived respectfully by the Keen Company, remains an insightful mood piece but one thatâs perhaps best in its details.
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Several highly anticipated Broadway revivals live up to their predecessors with strong casts.
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Neil LaButeâs âThings We Said Todayâ is the most skillful entry in the first evening of the Ensemble Studio Theaterâs annual two-part marathon of short plays.