MyStrands Adds Music to Web 2.0's Mix
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BusinessWeek Online - Francisco Martin had a craving for new tunes. During postdoctorate study at Oregon State University in 2003, the Spanish native was looking to broaden his musical horizons, so he invented a way for the Internet community to help. The Web site and company he started, originally called MusicStrands, taps into the power of social networking to help users discover new songs, artists, or even whole genres.
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Former MusicMatch and Rio execs try to make radio personal and portable with a start-up Web music service and device dubbed Slacker. Photos:     Slacker's ambitious music project
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$30m blown on Desperation Derby Midem S when the going gets weird, the weird get ad-funded? Even in the short, strange history of digital music, they don't come weirder than Qtrax, a music service that launched here at Midem in Cannes today. It's a marriage of two desperate industries â the music business, and the ad-supported web startup. To steal a phrase from Sun's Scott McNealy, it's like watching two garbage trucks colliding.â¦
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Users of HD Radio devices will soon be able to 'tag' songs they hear for later purchase using iTunes.
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KickApps has updated its hosted social networking platform to allow non-programmers to add Web 2.0 capabilities to corporate web sites.
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Here's how a tiny web outfit became the most influential tastemaker on the music scene. By Dave Itzkoff from Wired magazine.
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When it comes to music, the Web can be like a giant megaphone that ratchets up the decibel level of buzz to deafening proportions.
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The streaming site offers free tunes from major and indie labels.
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Few people get excited when some new software is released, especially when the program is not a game or a music or movie player. But the release of the first full version of a web browser called Firefox has
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A site for searching, compiling and downloading music called BlogMusik acts like a publicly available online iPod for anyone to use. And it's only the beginning of a movement that could become the "Napster" of Web 2.0.  In Listening Post.
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This music playback app is only available as a "developer's preview," but it already offers excellent features for grabbing music from MP3 blogs and other web-based music forms. In Listening Post. <img src=" http://wiredblogs.tripod.com/music/xml.gif
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Tech giant posts details of its music player to its Web site, upstaging Friday's "big bang" product unveilings.
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In the coming weeks and months you'll probably see me writing about issues of podcatchers here, because I'm working on one. It's the third one I've written, so this time maybe I'll get it right.  A lot of things have changed since I wrote my first podcatcher back in 2001. 1. Back then there were no podcasts, so it was a proof of concept, a chicken without an egg (or an egg with no chicken), a step in a bootstrap. Today there are lots of podcasts. An embarassment of riches. 2. Back then implementing a podcatcher was simple, there was exactly one format to support, RSS 2.0 with enclosures. Today, luckily, it's still fairly simple, as far as the format goes. The only variability is the iTunes namespace, which complicates things, just a little.  3. Today there are enough users to make it possible to support lists of podcasts published by fans, and instead of just subscribing to the podcast feeds, you can subscribe to lists of feeds. I will publish one of these lists, in OPML 2.0 format, as a proof of concept.  4. The first version of this new podcatcher will run in the OPML Editor because that's where all my software runs at first. But the goal is to port it to run in other environments, some with millions of users. I want to provide a popular alternative to the one that Apple publishes which currently dominates the market. (Note: I'm generally pleased with the way Apple dominates, they've been very fair about allowing users to export their subscription lists. But if we want to create the opportunity for others to innovate in the area of podcast players, there has to be choice at the podcatcher level. That's my main motive for revisiting this area.) There probably are some other changes, and I'll write about them as the project moves forward. Now.... To people who say that Apple has the market sewn up, I say Bah! I think iPods are great, but they're designed to play music, not podcasts. Every bit of music is something you want to keep forever, a podcast loses almost all its value after you've listened to it once. You have to pay for music (in theory at least) but podcasts are free.  Podcasts beg to have a player that can download them without synching with a desktop computer. Okay that's something podcasts have in common with music.  I buy Apple products all the time. I've gone from resenting Apple so much that I wouldn't buy their products, as recently as 2005, to today when not only do I only use Macs, but I'm constantly telling people why they'd be better off using Macs. I can't help but evangelize the products, I think they're that much better than Windows PCs.  But as much as I love Apple (can't believe I actually said that) I still don't trust them with a whole medium. We need them to have competition. The rest of the tech industry seems to think they're immune to it, that creates a huge opportunity with someone with enough chutzpah to think they can do it. Yours truly, Dave Winer
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After a disappointing start, live online music is poised for success. With new technology and Web 2.0 networks in place to fuel the boom, record labels become the last remaining sticking point between you and some rockin' web shows. Commentary by Eliot Van Buskirk.
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The digital music space is changing, with more songs and a growing number of places to download music legally. Realizing that the time was ripe to see how we were doing, I took some song recommendations and sat down to see what I could download.
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Also: DJ alert: Crack for music techies. See what people are saying on News.com Extra.
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Whether it's the albums you buy, the radio stations you choose or the songs you put in your portable player, music has always been a matter of personal taste. Now, a startup led by a team of veterans in the digital music arena seeks to offer what it considers a new level of "personal radio" by combining elements of Internet radio, portable music and satellite distribution, while letting users choose the tunes, genres or artists they want.