Bridget Jones: The Edge of Reason
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The famous diary seems to have disappeared, along with the chardonnay and the calorie counting. But the most significant change between the first Bridget Jones movie and this sequel is not an absence but a
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Oscar winner Renee Zellweger has revealed that she feels extremely sad that people are so obsessed with the weight that she gained to play the role of Bridget Jones, because it is a reflection of how far people's values have deteriorated.
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&quot;Another year, another diary,&quot; Renee Zellweger intones in her now flawless British accent at the start of Bridget Jones: The Edge of Reason.
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Actress Renee Zellweger reprises her title role in Universal Pictures &quot;Bridget Jones: The Edge of Reason,&quot; in this undated promotional photo.
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The sequel to &quot;Bridget Jones&#39;s Diary&quot; is beyond reasonable. It&#39;s downright outrageous - and not always in a fabulous way.
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I met an old friend for coffee in San Francisco yesterday afternoon, and had a few hours to kill before stopping in at the Wired reunion party. I didn't want to drive back to Berkeley because the weather was so crummy, and I was just across teh street from a movie theater and was just in time for the start of a movie that lots of people had been telling me to see. So I went. The movie -- The Diving Bell and the Butterfly, I had no idea what it was about until the movie started, then I remembered hearing a Fresh Air show about it and finding it too painful to listen to. Now here I was in the theater, not just being asked to listen to it, but being asked to live it. Through some very wonderful film-making, you feel as if what is happening to the main character is happening to you. Or more accurately, probably, you get the slightest hint of what it's like to be this person. My immediate impulse, one which I gave serious consideration to, was to pack up my things and leave. Anything would be better than spending three hours living this guy's life.  Two things happen over time: 1. You get over it. 2. They change perspective, and instead of being inside his body, you move outside it.  I think those two things are the story we all live as we mature and learn to live inside our own bodies, with their limits. You learn to step outside and see the humor in your predicament. The main character says he lives in a diving bell because it's as hard for him to communicate with other people as it would be at the bottom of the ocean inside a diving bell. The movie teaches that it's not much easier for the rest of us, even though we can manipulate symbols better. On the other hand, of course it is. The film develops a relationship between the hero and his father, between the hero and his own children, his ex-wife, his lover.  We strive for deeper understanding of ourselves and each other. But it may be ridiculously easy to find the only meaning that exists, without language, without intellect, by just being. The Diving Bell and the Butterfly should probably be the picture of the year for 2007, it's that good. But like all great art it shows you something truthful about yourself, and you may or may not want to see it.
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For fun-loving singleton Bridget Jones, sex, cigarettes and chardonnay make the world go round.
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The sequel to "Bridget Jones's Diary" makes the first movie look like a masterpiece.
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Renee Zellweger might  have won the Academy Award for her dramatic supporting turn in  2003&#39;s Civil War epic &quot;Cold Mountain,&quot; but the 38-year-old  actress has demonstrated time and again that she&#39;s nothing if  not versatile, turning in showstopping performances in films  such as 2001&#39;s &quot;Bridget Jones&#39;s Diary,&quot; 2002&#39;s &quot;Chicago&quot; and  2004&#39;s &quot;Bridget Jones: The Edge of Reason.&quot;
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The holiday movie season is here. Some folks might want to see the flaccid sequel silliness of Bridget Jones: The Edge Of Reason or take in the failed Indiana Jones/Da Vinci Code rip-off that is National Treasure.
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SYDNEY  - "Bridget Jones: The Edge Of  Reason" was the No. 1 film at the international box office over  the weekend with an estimated haul of $26.7 million.
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Namrata Shirodkar on Bride And Prejudice.
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Bridget Jones is back and still has her Darcy, but just how neurotic can one woman be? BRITISH cinema needs every hit it can get, so making a Bridget Jones sequel requires no justification.
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Yes, it is v. funny. It&#39;s just not v. clever. And clever is what made the original Bridget Jones movie such a hoot: The smarty moments (remember the Salman Rushdie cameo?
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The real point of Michael Lewis' "The Blind Side."
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By Robert Jones Parry  More and more com
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Sometimes a star can save a movie, at least make it watchable. The new evidence is RenÃ©e Zellweger in &quot;Bridget Jones: The Edge of Reason.