Dance Review | Noche Flamenca : The Stage Is Small, the Sweat Apparent, the Spirit Cathartic
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In a limited engagement at Joeâs Pub, this excellent Madrid troupe accomplishes much in a fretfully short time.
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Wednesdayâs program at the Joyce Theater ended with âShining Star,â a snazzy-looking, funny and sexy group dance that captures the sound and spirit of songs by Earth, Wind & Fire, to which it is set.
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âJumbie Camp,â at Galeria Ramis Barquet, gets the Chelsea art season moving with a celebratory kick: The show looks like backstage at Carnival, which is sort of what it is.
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Via Dance Collaborative expresses a sweetly optimistic belief in group exploration.
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Stagers, those who teach the dancers the steps, timing, architecture and intention of a ballet, share their experiences.
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The New York City Balletâs âAmerican Songs and Dancesâ is an odd collection of dances.
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American Ballet Theater, which has shown Balanchine and Ashton choreography over the years, is now presenting a double bill of their ballets, short in duration, rich in substance.
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By CARMEN DUARTE  Se conocen a traves del baile y educan sobre esta disciplina  El arte y la magia del flamenco fluyen por las venas de Jason y Melani Martinez, mejor conocida como Mele.
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At 10 years old, Eva Encinias-Sandoval watched renowned flamenco artist La Tati dance in Madrid, Spain, and dreamed of one day being able to see such performances at home.
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Cofferati consegna riconoscimento a ballerina di flamenco
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Gina Apcho, left, and Melissa Espinoza of the Kausachun dance company perform a Peruvian dance at the Sun Festival at Columbus Library in South Salt Lake Saturday night.  (c) 2007 Deseret News (Salt Lake City). Provided by ProQuest Information and Learning.
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Wednesdayâs program at the Joyce Theater ended with  âShining Star,â a snazzy-looking, funny and sexy group dance that captures the sound and spirit of songs by Earth, Wind & Fire, to which it is set.
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By PHOTOS:  NATALIE GUILLN, LUIS SNCHEZ SATURNO, KATHY DE LA TORRE  ARTS  It's no wonder that Santa Fe is renowned for quality and diversity in the performing arts, from classical music to international theater and flamenco.
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This beautifully performed, touching one-act play is not quite the personalized cry against genocide that the playwright intends it to be.
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The new âEdge/Joy,â to music by Ricardo Zohn-Muldoon, is a formal departure from Garth Faganâs dancer-driven style and requires extra work from the audience, but itâs rewarding work.
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The Anupam Kher-starrer is a pleasure to watch, if only for the choreography.
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The problem with being in the spotlight dance is a basic one. You had better know how to dance.