Theater Review | 'One Thing I Like to Say Is': You May Call it a Daydream. She Just Calls it Her Life.
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Amy Foxâs sensitive new play nicely captures something of the loneliness and childlike joy of letting your imagination wander.
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&quot;Broadway: The American Musical&quot; starts like an infomercial and ends with a big, wet kiss for Disney. In between are six hours of song and dance guided by that lesser-known muse, Hyperbole.
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This is really just another show about a seventh grader trying to fit in. Itâs also a show with a sly sense of humor when itâs not being self-consciously frenetic.
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Brandon Purves is the kind of guy producers of "Xanadu" only dreamed about. He liked the Broadway musical so much the first time that he saw it again. And again. And again Â for a mind-boggling 86 times and counting.
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Speculation makes one company a favorite.
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A once-lost work by Tennessee Williams reveals the young playwright writing about his love life without disguise or subterfuge.
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If ever a play required a reading list, Tom Stoppard's ÂCoast of Utopia" is it. So letÂs get started.
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Oscar de la Renta's show was an unequivocal statement about femininity. Diane Von Furstenberg's collection was about a woman "daring to explore and travel."
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Call it a Dream a Little Dream come true for fans of 1980s   teen cinema. Or connoisseurs of 21st century celebrity curios.
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Mike Leighâs play âTwo Thousands Yearsâ is enjoyable, but oddly conceived and structured.
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Three New York theater productions offer contrasting coming-of-age tales.
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Offstage as well as on, David Hare's "Stuff Happens" blurs the line between heady drama and headline news.
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Full Circleâs âInnaviews,â performed on Thursday at Dance Theater Workshop, is more of a Valentineâs Day show than a Christmastime event.
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The forthcoming theater calendar seems distinguished by its fixation on invention.
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It was an off-Broadway rave, but this play has more trite than bite
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Oren Safdieâs new play about playwriting and generational conflict is sweetly amusing, if dramatically limp.
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"The 24-Hour Plays" is an annual theatrical high-wire act in which six one-acts are written, cast, directed and performed in less than a day.