Museum Review | 'Here Is New York': Remembering Lower Manhattanâs Day of Horror, Without Pomp or Circumstance
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The new exhibition at the New-York Historical Society will jump-start the memories of any New Yorker who witnessed Sept. 11, 2001.
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I Am Legend paints an appropriately gloomy picture of postapocalyptic New York, says Richard Corliss -- but it's an odd locale for one of Hollywood's most winning actors
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NEW YORK/LONDON  - The news, when it   came to CBS News in New York early on Memorial Day, May 29, was   horrifying.
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These days, the surprise  with Stephen King is not the story itself. Like so many others,  this one is about a group of ordinary people, mostly strangers,  who are thrown together and then forced to defend themselves  against some demon force that threatens them with horrific  deaths.
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Twenty years after the Barnhard Goetz subway shooting ignited a national furor over racism, gun control, crime and vigilante justice, New York is a far different place, and the sensational case now exists mostly as an artifact from another era.
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New York has been destroyed by asteroids, floods and human venality countless times in the movies. Are fantasies about the city's destruction signs of greatness, or do they verge on being tasteless?.
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âThe Mistress and the Muse: The Films of Norman Mailerâ is a fascinating and wide-ranging retrospective taking place for two weeks in Manhattan.
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Three notable exhibitions on the Upper East Side pivot around Minimalism, one of modern artâs most enduringly popular styles.
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A silent cinema revival glories in black-and-white imagery and rich live music for postmodern tales. It makes an "unfilmable" Lovecraft classic a piece of cake. By John Brownlee.
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By DAVID BAUDER  NEW YORK - TV news revisited the horror of Sept. 11 on Monday by replaying long stretches of coverage from that day as the events unfolded before a nation's eyes.
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Not to sound superstitious, much less alarmist, but the question must be posed: Are we cursed? Has there been a permanent shift in the karma between New England and the New York metropolitan area?
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HBO's film of segregation in New York is at its best when it captures the fleeting joys of lost days.
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The Metropolitan MuseumÂs exhibition creates an indelible, psychologically charged picture of Weimar Germany as it teetered between World Wars I and II.
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A relatively rousing close to MoMAÂs sterile display of contemporary works &#151; touching on desolation, waste, abuse of power, injustice, loss and death &#151; makes a trip to the current exhibition worthwhile.
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Broadway inspires a morbid fascination. Ever since vaudeville went respectable, a century or so ago, everyone from social critics and city planners to choreographers and doormen has predicted the imminent
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When âLast Year at Marienbadâ reopens at Film Forum, New York cinephiles may find themselves as mystified and delighted as their counterparts were in 1962.
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âThere Will Be Blood,â Paul Thomas Andersonâs epic American nightmare, arrives belching fire and brimstone and damnation to hell.