Dance Review : Paris Opera Ballet: A Beloved Spanish Gypsy Returns to Franceâs Arms
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Whereas the best-known Romantic ballets rely on supernatural elements to a degree that becomes formulaic, âPaquitaâ occurs in the real world.
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The Metropolitan Opera is getting back into the DVD business.
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The idiosyncratic world of Serb film director Emir Kusturica has been brought to the stage of the Bastille Opera in Paris in âLe Temps des Gitans,â or âTime of the Gypsies.â
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A company strives to persuade dancers and audiences alike that Baroque dance has an appeal that is broader than its historical niche.
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Miro Magloireâs New Chamber Ballet Company presented an intimate, homey program.
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Thereâsa magic in the Broadway musical that seems to transcend cultural styles and circumstances and generations. Whether breaking new ground or reviving a classic
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Special thanks to the enterprising New York Theater Ballet for giving New York what I believe are the yearâs first staged revivals of the work of JosÃ© LimÃ³n and Antony Tudor.
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There are many dancers who are happy enough to be in the corps de ballet. But a certain poignancy must resonate for those who have achieved so much to get so far, and then no further.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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Since I fell for ballet during the 1970s, I find it gratifying once in a while to see what the master choreographers of that era were making by way of new ballets.
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The Metropolitan Operaâs affecting revival of its 1997 production of Tchaikovskyâs âEugene Oneginâ is all the more impressive because it might have turned out so differently.
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After more than 15 years with New York City Ballet, Nikolaj HÃ¼bbe danced his farewell performance on Sunday  not as if he were delivering the last word on his roles, but as if they were brave new worlds he was still exploring.
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From a dilapidated Havana mansion run by  a nearly blind legendary ballerina, Cuba is turning out some of  the world's finest ballet dancers who are hotly sought by  leading international companies.
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HAVANA -- Cuban ballet dancers in white glide across the floor, executing an airy blend of pirouettes and back stretches. Within seconds, spectators are captivated, quickly forgetting what at first they couldn't overlook - most of the dancers weigh more than 200 pounds.
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From a dilapidated Havana mansion run by a nearly blind legendary ballerina, Cuba is turning out some of the world's finest ballet dancers who are hotly sought by leading international companies.
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Bill T. Jonesâs choreography for the Broadway musical âSpring Awakeningâ is a perfect fit for a choreographer concerned with storytelling, the power of gesture and sexual identity.
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After more than 15 years with New York City Ballet, Nikolaj HÃ¼bbe danced his farewell performance on Sunday not as if he were delivering the last word on his roles, but as if they were brave new worlds he was still exploring.