Theater Review | 'Romeo and Juliet': Rash and Unadvisâd in Verona Seeks Same
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This terrifically exciting new production of âRomeo and Julietâ stars Lauren Ambrose as a Juliet truly to die for.
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This beautifully performed, touching one-act play is not quite the personalized cry against genocide that the playwright intends it to be.
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Bless Susan Stroman and New York City Ballet. With Ms. Stromanâs âDouble Feature,â august ballet audiences can indulge in an unaccustomed Broadway-style laugh riot.
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Longevity puts a different ending on the Romeo and Juliet story.
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This ferocious drama, a poetic examination of one manâs obsession, is, among other things, a celebration of the stage.
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Playbill - Casting has been announced for The Shakespeare Theatre of New Jersey's production of Illyria, a major resident staging of the well-reviewed Off-Off-Broadway Twelfth Night-inspired musical by Peter Mills and Cara Reichel.
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âHey Girl!â offers a rare opportunity for East Coast audiences to see Romeo Castellucciâs work.
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The Broadway productions of âSpring Awakeningâ and âCompanyâ engage with sexual politics in a way rarely seen on the mainstream stage.
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Black and white actors swap roles in Shakespeare & Company performances to challenge race perceptions.
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âJerry Springer: The Operaâ uncovers something grand within the small, squalid lives it portrays.
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David Greig's new play is more pedantic than discomfiting, despite the ugly immediacy of the events it portrays.
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Verdiâs opera has two faces. It is spectacle on a royal scale, but also a love story wedding jealousy, honor and revenge to regime change.
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Playbill - The Shakespeare Theatre Company in Washington, DC, will begin its 2007-08 season Sept. 25 with The Taming of the Shrew, featuring Christopher Innvar as Petruchio and Tony Award nominee Charlayne Woodard as Kate.
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Richard Eyre, a knight of the  realm, is one of the leading lights in British theater and also  has helmed several movies. The list of actors who have fallen  under his direction reads like a who's who of acting and he  loves both the discipline of theater and film.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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A new initiative revives one of the great literary controversies: that the Bard was not who we think he was
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They died young and, by the looks of it, in love. Two 5,000-year-old skeletons found locked in an embrace near the city where Shakespeare set the star-crossed tale "Romeo and Juliet" have sparked theories the remains of a far more ancient love story have been found.