Movie Review | 'Vanaja': A Fairy Tale From India
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âVanajaâ is a coming-of-age tale that is engrossing, if slightly overlong, and absolutely timeless.
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Forget about dancing genies, buxom harem girls and dashing heroes in mythical Arab lands bent on saving ravishing princesses. In this animated movie, the issue is one of divine love, devotion and a struggle for God.
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Vaana can be watched for the technical aspects. As a love story, it seems to be washed away by the rain!
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Director Bhaskar on his hugely successful first film and his dreams for the future.
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Watch Anasuya if you like mystery and suspense. Bhumika's performance is good.
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Ram Gopal Varma's latest film is watchable, but not scary enough.
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Saket Choudhary's first film is a pleasant surprise.
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Visakha Express is quite a letdown as it finally peters down to be a case of personal vendetta. The suspense is not enough to keep the audience engrossed and the fairly decent performances by Allari Naresh and Rajeev Kanakala may not be of much help in making the film run.
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India's entry for the Oscars tells a touching tale.
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A look at the first 'Kanglish' film.
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Gossip from the South Indian film industry.
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Puneet's characterisation and his appeal make Bindaas a compulsory double viewing for his fans. Good fights and music are the major attractions in this film which offers an age old story and haphazard script. Hansika's beauty rocks in the film.
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Director Samudra does  not experiment with the script. He makes a frame-to-frame copy of the Tamil film Sivakasi. Even the wardrobe of the lead couple, the dialogues and music is the same.
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An Oscar-nominated film is to be released in India seven years after it created huge controversy in the country.
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Rajni rocks and rocks. His charismatic screen presence makes up for the illogical sequences in the script. Vivek's one liners, Shriya's beauty and top class technical work makes Sivaji,/I> watchable.
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Hamsalekha's rocking music, pleasing visuals and competent performances from newcomers Yashas and Meghana all make this a neat film.
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You might think it would be difficult to fashion an entertaining account of the life of a polyester manufacturer. But director Mani Ratnam has done so with âGuru.â