Art Review | Richard Prince: Pilfering a Culture Out of Joint
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The paradoxically beautiful, seamless 30-year survey of his work at the Guggenheim Museum catches many of our inharmonious countryâs discontents and refracts them back to us.
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ÂLouis Comfort Tiffany and Laurelton Hall: An ArtistÂs Country Estate,Â a strange and lovely exhibition at the Met, comes with its own porch.
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The story behind an exhibition: postcards, designs, photography, travels, history, stamps and law enforcement.
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Richard Prince: Spiritual America, at the Guggenheim 2007  There is a story, circulated on the Internet, of an American car lover who adored his vehicle so much that, while his wife was away visiting relatives, he drove it into his suburban lounge room through a newly deconstructed wall. Photos accompanying this show the car sitting, waxed and beautiful, amongst the lounges and appliances of contemporary domestic reality, with the neatly cut entrance-way framing the lawn behind. Richard Prince may recognise the sentiment. Twenty five years earlier he was bringing car bonnets into art galleries, on pedestals, and to a more welcoming critical reception, as the current retrospective at the Guggenheim shows.
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A painting from Cuba offers a glimpse into the world of art smuggling.
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Business & money: Sir Richard rids himself of the business that brought him to public attention in the 1970s.
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James Crumpâs documentary is a potent exercise in art-world mythography that might be nicknamed âThe Prince and the Punk.â
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Works by the most famous names in British art over 60 years form the centre of a retrospective show.
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A major new exhibition traces the decline of absolute monarchy and rise of the Enlightenment that swept North America and Europe in the 18th and 19th centuries, and shows how portraits reflected the revolutionary changes.
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The Whitney Museumâs show is stuck on the effort to make one style, the mass-produced graphics and posters of the period, the whole â60s story.
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"Nation of Rebels: Why Counterculture Became Consumer Culture" is not your typical business book. Instead, it's a wide-ranging work of social criticism peppered with examples from the movies and rock music. The authors focus more on the psychology of consumers than the inner workings of the boardroom, which is not surprising, considering that both come from backgrounds in philosophy. Each ...
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It is instructive to imagine the D C Moore Galleryâs 10-year survey of Mark Greenwoldâs small, fraught Realist paintings in one of New Yorkâs major museums.
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What might be called premise-based art is being turned out hand over fist right now at Mary Booneâs gallery in Chelsea.
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South Asian art is a hard sell here. Does it come across as too sexy, too spiritual, too naturalistic, too all of these? Asia Society smooths over the issue by offering a something-for-everyone array.
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South Asian art is a hard sell here. Does it come across as too sexy, too spiritual, too naturalistic, too all of these?  Asia Society smooths over the issue by offering a something-for-everyone array.
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An exhibition at the Parrish Art Museum in Southampton showcases Indian-influenced works by Roy Lichtenstein.
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A landmark exhibition at the Museum of Arts and Design in New York tackles surprising contemporary issues.