Theater Review | 'The Apple Tree': Adam, Sheâs Ms. Madam
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Kristin Chenoweth uses every theatrical weapon in her lavishly stocked arsenal to make this revival of "The Apple Tree" her own.
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Scarlett Johannson stars in an adaptation that is better than it has any right to be
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After the buildup to the opening night of the season, you can expect a certain falloff. But the second night of the Metropolitan Operaâs season on Tuesday was terrific.
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The forthcoming theater calendar seems distinguished by its fixation on invention.
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In Stephen Massicotteâs excellent new play,  T. E. Lawrence and Robert Graves are two veterans and it takes no leap of the imagination to translate their World War I experiences into stories from todayâs newspaper.
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Alan Cumming will join Dianne Wiest in the Classic Stage Companyâs production of Chekhovâs drama.
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In person, thereÂs a quality of indomitable exuberance about Sushmita Sen which renders itself well to the roles that she does.
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Before I talk about "August: Osage County," and what is astonishing about this play, I want to start by stating the obvious. Playwrights don't go to the theater like other people. We don't go on our anniversaries or birthdays; we don't go because a play got a good review. (Most of us have stopped reading reviews, [...].
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Staged photographs produce some class acts
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âWoman Seeking...â is the name of the company presenting this program of six short plays. But it would also be an appropriate title for the program itself.
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The director, his muse, her fake bottom and one triumphant role
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Julie Taymor shifts crowns Friday. Having conquered Broadway with "The Lion King," the celebrated director makes her Metropolitan Opera debut, taking on the Queen of the Night and all the forest creatures in a new production of Mozart's "Die Zauberfloete."
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âPolitics of Passion: Plays of Anthony Minghellaâ consists of two short pieces that explore the limits of ordinary communication.
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Meanwhile, down in The Apple . . . An organization is exposed.
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In a season plump with notable revivals of landmark plays, including Ibsenâs âGhostsâ and Beckettâs âHappy Days,â a rapturous interpretation of Anton Chekhovâs âSeagullâ flies higher than any of them.
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Ken Urbanâs new play is mystifying and frustrating. But there are satisfying elements in the production, which are rendered with wit and feeling by the versatile cast.
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The carpeted room smelled of women&#39;s perfume, and the curtains complemented the antique furniture. A bowl of shiny apples reflected sunlight streaming through the door.