Music Review | 'Die Meistersigner von NÃ¼rnberg': A Humane Warhorse From Wagner
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There should always be room at the Met for wonderfully old-fashioned productions like this production of Wagnerâs âMeistersinger von NÃ¼rnberg.â
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As the curtain rises on Wagner's "Die Walkuere," the opera's hero, Siegmund, stumbles exhausted into a stranger's hut.
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Works by sculptor Arno Breker, favored by the Nazis for his monumental, classically inspired figures, has gone on display amid controversy over Breker's links to Adolf Hitler and Breker's flourishing career in the Third Reich.
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Grande successo per storica produzione a Staatsoper a Vienna
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Here, revealed for the first time, are some of the secret passions of the classical music critics of The New York Times â the music they listen to when they are not listening to timeless classics.
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Danteâs âDivine Comedy,â now playing as an opera, with a monsignor as director.
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Sulle targhe il nome dell'opera e l'anno di interpretazione
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Legal debate and lyricism in âMargaret Garner,â an opera imbued with gospel and spirituals.
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Opera is no stranger to sensitive singers and demanding divas.
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Verdiâs opera has two faces. It is spectacle on a royal scale, but also a love story wedding jealousy, honor and revenge to regime change.
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The Los Angeles Opera will present Richard Wagner's epic "Der Ring des Nibelungen" for the first time here, thanks to a $6 million donation from philanthropists Eli and Edythe Broad, the company announced Wednesday.
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To celebrate the centenary of the composer's death, the classical music critics of The New York Times have provided recommendations of favorite Dvorak CD's.
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There is not always agreement between the piano and the voice in Schubertâs song cycle âDie SchÃ¶ne MÃ¼llerin.â
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Leos Janacek has entered the opera mainstream in recent decades, but this Czech composerâs final and darkest opera, âFrom the House of the Dead,â has been largely overlooked, perhaps understandably.
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Hershey Felder doesn't just perform classical music, he gets into character as the composers.
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Con il suo 'Papito' supera la 'finestra' dei Negramaro
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The conductor Sir Simon Rattle's reading of Wagner's most mystical opera aimed not for transcendence but for emotions expressed in human terms.