Movie Review | 'Times and Winds': A Youthful Awakening to Mother Natureâs Laws in a Turkish Village
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Livestock far outnumber humans in âTimes and Winds,â Reha Erdemâs transporting vision of life in a mountain village in northwest Turkey.
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The decaying Ottoman bridge on  Bosnia&#39;s River Drina at Visegrad is soon to be restored, but  the community whose life around it was chronicled in an epic  novel is unlikely to be the same again.
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Religion isnât easy, but itâs rarely looked tougher than it does in this intimate and disturbing film.
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âThe Last King of Scotlandâ depicts an era Ugandans prefer to forget, but they are proud that the movie is about their country and was filmed there.
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The film has many an interesting nugget about it.
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School saga is inflaming old divides between ethnic groups.
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Grand lessons from grand larceny: An inspiring tale for today's youth.
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The documentary âBeyond Hatredâ is an example of a film whose style doesnât merely suit its story but amplifies its meanings.
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"Legong: Dance of the Virgins" is a delirious blend of sentimental fiction and ethnological fact. Also, Orson Welles's "It's All True" and "Spider-Man 2."
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Namrata Shirodkar on Bride And Prejudice.
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Woody Allen's new film isn't what it might be, but it has interesting things to say about class and morality
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âYouth Without Youthâ is a narratively ambitious, visually sumptuous surrealist enterprise that tries to bend time and space together as neatly as the folds in an origami swan.
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Excerpts from the screenplays of âJuno,â  âNo Country for Old Menâ and âAway From Her.â
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By compelling audiences to listen more closely, âNo Country for Old Menâ has had the effect of calling attention to an underappreciated aspect of filmmaking: the use of sound.
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A film about love and art, about passing time and time passing, âAvenue Montaigneâ is a humble pleasure.
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Gods, gurus and eccentric relatives compete for primacy in Kirin Narayanâs enchanting memoir of her childhood in Bombay (present-day Mumbai).
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What happens when idealism becomes power? That question is the driving force of Jeremy Kaganâs inert yet strangely compelling film âGoldaâs Balcony.â