Straddling Cultures, Irreverently, in Life and Art
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The latest work of Sayed Kashua, an Israeli-born Arab journalist and author, is a situation comedy that deals with Israeli societyâs prejudices through the eyes of a Muslim Arab family.
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The Museum of Modern Artâs show is a touching, sometimes melancholy portrayal of Russiaâs architectural ferment and the brutality with which it was ultimately suppressed.
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Not everyone is following the lead of the Seattle Art Museum and its evocation of Spain this month with its handsome exhibition "Spain in the Age of Exploration," but some are, including the Seattle Baroque ...
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Sex, happiness, time, culture, exchange and mind. Money in all its guises.
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The works featured at P.S. 1 Contemporary Art Center interact in interesting ways, most obviously in how they alternate between macrocosmic and microcosmic and between noise and silence.
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Dozens of Irving Pennâs portraits of artists, writers and musicians are on view in âClose Encounters: Irving Penn Portraits of Artists and Writersâ.
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The exhibit âClip/Stamp/Fold: The Radical Architecture of Little Magazinesâ is a piercing critique, intended or not, of the smoothness of our contemporary design culture.
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His sculptures (beloved by some, loathed by others) are on display at two new exhibitions in California.
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Racial identity, feminism, literature, sexuality and Elizabethan history combine in a provocative rumination in Petronia Paleyâs solo show.
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The paradoxically beautiful, seamless 30-year survey of his work at the Guggenheim Museum catches many of our inharmonious countryâs discontents and refracts them back to us.
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Staged photographs produce some class acts
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London is hosting an exhibition about the art inspired by the irreverent punk rock movement that gripped and shocked both sides of the Atlantic three decades ago.
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Jim Mott's cross-country odysseys are an attempt to barter art â and hang it in the homes of everyday people.
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Computer viruses aren't just for wreaking havoc on global networks. They're also an art form. That's the take of an upcoming exhibit that focuses on malicious scripts, hacker films and the aesthetic charms of programming code. By Michelle Delio.
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Films use artwork the way they have long used music: to set a mood.
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The China Instituteâs show offers an abundance of images that confuse, contradict or entirely depart from accepted art historical categories or classical notions of beauty.
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Itâs been a bountiful year for the kinds of art finds â or at least the publicizing of them â that make fans of âAntiques Roadshowâ weep with envy.