Dance Review: Itâs Sensuous. Itâs Lyrical. Itâs Also Fragmented.
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The dance theater of Trisha Brown consists of happy paradoxes, and so does my reaction to it, not least to her current program at the Joyce Theater.
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The piece offers a notable transformation of physical detail into a persuasive choreographic metaphor for the loss of self.
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With Pilobolus Dance Theater, where acrobatics are liquefied into poetry, the somersault proves as basic as the upright stance and turnout of the legs are to ballet.
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The choreographer Jacqulyn Buglisi and two of her dancers discuss "The Conversation," a dance in six sections based on travels through Indonesia.
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James Kudelkaâs âCinderella,â on show this week at the Metropolitan Opera House with American Ballet Theater, would be a good idea for a ballet.
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CAMBRIDGE -- In a movement class at the American Repertory Theatre, the professor gave her students a basic command -- touch your toes -- and everyone lunged forward on the floor. The class overachiever, a petite brunette seated in the front row, extended her fingers, then wrists, then entire forearms past her ankles. Torso folded against the floor, she looked ...
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The directors of this hourlong work by the Big Dance Theater toss in absurdly dissimilar sensibilities that undermine as much as they augment each other.
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In clubs, street corners, and online, young Europeans are turning a dance into a subculture with its own mix of fashion, symbolism, and moves.
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âYouth Without Youthâ is a narratively ambitious, visually sumptuous surrealist enterprise that tries to bend time and space together as neatly as the folds in an origami swan.
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At the opening of New YorkÂs ÂSteve Reich @ 70Â festivities, the lively energy and a propulsive beat of Mr. ReichÂs music helped propel dancers and inspire choreographers.
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Tender and sad, Aaron Katzâs film âQuiet Cityâ is a fully realized work of mumblecore poetry.
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In the past year dance has finally carved out a space for itself online as dancers, choreographers and institutions embraced the Internet with video, blogs and new Web sites.
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A close look at American Ballet Theaterâs flashy production of âSwan Lakeâ tells you a lot about its spring season.
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In ÂConfessions on a Dance Floor,Â Madonna no longer re-invents, she maintains Â especially when it comes to the sheer spectacularity of her physical form.
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âJerry Springer: The Operaâ  uncovers something grand within the small, squalid lives it portrays.
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By reducing dancersâ movements to a crawl, a video installation sheds light on the little things.
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The DancenOw/NYC Festival may now be confined to a single theater, but the range of artists in Tuesdayâs opening program at Dance Theater Workshop was just about as wide as ever.