Dance Review | Alvin Ailey American Dance Theater : A Sampler of Nuggets From Abstract to Playful
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Alvin Ailey, who died in 1989, is present in all his little-acknowledged variety in the âAiley Classicsâ program at City Center.
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Jordan Fuchsâs new âThicketâ is a small, neatly constructed piece that didnât just fill the stage on Thursday at Danspace Project.
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A close look at American Ballet Theaterâs flashy production of âSwan Lakeâ tells you a lot about its spring season.
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James Kudelkaâs âCinderella,â on show this week at the Metropolitan Opera House with American Ballet Theater, would be a good idea for a ballet.
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âPattern and Decoration: An Ideal Vision in American Art, 1975-1985,â at the Hudson River Museum, documents the last genuine art movement of the 20th century.
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ÂChapel/Chapter,Â shown on Tuesday at the Gatehouse, is the least overtly political dance from the Bill T. Jones/Arnie Zane Dance Company in some time. It is also the most affecting.
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Amy Foxâs sensitive new play nicely captures something of the loneliness and childlike joy of letting your imagination wander.
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Via Dance Collaborative expresses a sweetly optimistic belief in group exploration.
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Revolutionary or unreadable? The long, strange afterlife of David Foster Wallace's Infinite Jest
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Your endorphins give a little jump just looking at the set of David Neumannâs âfeedforward,â which opened on Tuesday at Dance Theater Workshop.
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Iâm at Moro, waiting for my friend Bob Crowley and Nicholas Hytner to come from Christopher Wheeldonâs ballet at Saddler Wells. Narciso Rodriguez did the costumes for the ballet. Heâs in town but I havenât seen him. Too many shows, I guess. Just left Giles Deaconâs show. One of Giles Deaconâs looks.(Jonathan Player for The New [...].
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Reviews of six shows at this yearâs festival of plays and performance pieces.
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Sam Kim presents a persuasive choreographic metaphor for the loss of self.
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Three New York theater productions offer contrasting coming-of-age tales.
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It was an off-Broadway rave, but this play has more trite than bite
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Arts & entertainment: Visionary choreographer Mark Morris used to think Mozart and dance didn't mix. Not any more, finds Judith Mackrell.
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At the Ivy Leagues, dance is not often taken seriously as an academic discipline. Two professors are working to change that.