Movie Review | 'Shinobi': In Ancient Japan, Lover Divided by a Tragic Twist of Fate
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Named for ninjas equipped with superhuman capabilities, Ten ShimoyamaÂs ÂShinobiÂ is equal parts tragic love story and fantastical martial arts showcase.
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Tycho:  Otherwise engaged on Wednesday, Tokyo had a head start on us - its powerful newsings daring to accrue, even as we were being sodomized at the border crossing.  Much of this content was indecipherable.  But we can still point and shriek, like when a monolith descends.
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The director James L. Brooks emerges from a painful divorce with "Spanglish," a personal film in which cultures clash about marriage, children and human frailty.
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Ashutosh Gowariker's new film has a nice romance, but the history seems to get in the way.
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Mike Leighâs play âTwo Thousands Yearsâ is enjoyable, but oddly conceived and structured.
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âA Bloody Aria,â by the Korean director Won Shin-yun, is a sort of Asian âDeliverance.â
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Japan's Takeshi Kitano pokes fun at himself, fellow film-makers and the cinema industry in his latest work, the surreal tale of a director on a quest to shoot the ultimate movie that everyone will love.
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As a rule, nightmares don&#39;t usually make much sense. That&#39;s important to keep in mind when watching &quot;The Grudge,&quot; a flamboyantly weird concoction from director Takashi Shimizu, who previously
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The Hindu epics never had it so good. Some of our most powerful filmmakers are reinterpreting the   classics.
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Julie Rigg looks at two new films: Remember Me, from Italy, and from Japan, Takeshi Kitano's tongue-in-cheek Samurai romp Zatoichi.
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A simple tale of beauty, the geek and the Internet, this Japanese romantic comedy follows the halting courtship of a 22-year-old nerd nd his subway crush.
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Two disaster movies visit ancient history and the near future to tell disquietingly relevant stories
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Directed by Kiyoshi Kurosawa, a prolific and sui generis talent from Japan, this quietly creepy film contains a hint of politics and a wealth of shivers.
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Having tapped into reserves of great love or shocking hubris, the Portuguese filmmaker Manoel de Oliveira revisits Luis BuÃ±uelâs classic with âBelle Toujours.â
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Gianni Amelio's quietly unassuming tear-jerker works its way into your heart despite the occasional cries of protest emanating from your head.
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Puneet's characterisation and his appeal make Bindaas a compulsory double viewing for his fans. Good fights and music are the major attractions in this film which offers an age old story and haphazard script. Hansika's beauty rocks in the film.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.