iVillage Doesn't Have Stage Fright
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iVillage is now a TV star thanks to NBC Universal.
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Some say Antonello Palombi was a hero at La Scala, but he isnât one of them.
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A homegrown YouTube singing sensation isn't all organic ... but don't panic.
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Don't let market pessimism about the casual dining sector discourage you from taking a look at this potential star.
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Andrew J. Nemrâs disciplined, likable ensemble manage to be appealing without being particularly engaging in âWhere the Music Livesâ at the Julia Miles Theater.
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Hilary Duff certainly isnât anyoneâs idea of an all-around virtuoso, yet her music is much better than it might be, and much better than it needs to be.
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So, people ask Harvard's fullback/tenor, is there any connection between football and opera? "Incredibly so," nods Noah Van Niel, who handles defensive linemen and Donizetti with equal aplomb. "It's rehearsing a set of skills and then going out and performing. There's pressure and there's an audience and there's nerves: Can I do this?"
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At Town Hall on Monday, during the first of two sold-out shows, Feist, the indie-rock chanteuse from Canada, encouraged audience participation, but no one seemed eager to drown her out.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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Last nightâs MTV Video Music Awards was tame by MTV standards. There were no Britney and Madonna make-out sessions, no wardrobe malfunctions and no real surprises.
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âOnceâ makes a persuasive case that the real future of the movie musical may lie not in splashy grandeur but in modesty and understatement.
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âLa Vie en Roseâ shows that we Americans donât have a monopoly on singers and composers who emerge from traumatic childhoods, battle drug addiction, pursue difficult love affairs and win the hearts of millions.
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This "Idomeneo" had no beheadings. It did have Ben Heppner leading a strong cast.
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Sterile statistics don't shield a therapist from a sense of failure.
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She may write her name in lower case, but k.d. lang is unpretentious when it comes to her music.
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Orson Welles doesn't intend to perpetrate a hoax, or to panic his listeners. But to a 1938 radio audience unused to the intrusion of hysterical reporters, the dramatization seems real enough.
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The singer's new album shows that pop Svengalis, weird and controlling  as they may be, are sometimes necessary