Music Review | The Mahavishnu Project: The Reassuring Familiarity of Unremitting Intensity
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The drummer Gregg Bendian paused to make a point about the usual parameters of jazz repertory at the Cutting Room on Thursday.
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When Edward Dusinberre read Philip Rothâs  novel âEverymanâ he was struck by what he perceived as its richly musical qualities.
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A number of performers are questioning the traditional expectations of chamber music, causing mixed reactions among the purists and the newcomers.
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It is mood music conforming to the sentimental nature of the story that sets the album apart.
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âIn the Shadow of the Moonâ is a morale booster. The power of its archival images hasnât diminished with familiarity.
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Vinta Nanda's offbeat film White Noise was premiered at the Kara Film Festival. And the response it received at the event was tremendous.
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This is a repertory in which barriers between classical, jazz and pop have long been abandoned.
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There is a rough science to choosing performance-enhancing music.
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It&#39;s easy to believe that  composer Philip Glass, whose so-called minimalist works often  repeat themselves into transcendence, is a disciplined  practitioner of Eastern meditation.
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The philharmonicâs program, âPainters of Sound,â brought together John Coriglianoâs âPied Piper Fantasyâ and Berliozâs âSymphonie Fantastique.â
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Ambitious new string quartets seem to be appearing on the classical landscape faster than condos on the Manhattan skyline. Many of them, like the vigorous Attacca Quartet, are embracing contemporary music.
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Gandana Mane lacks freshness and has a cinematic narration seen in the seventies. Shivaraj Kumar tries to salvage the film, but it is of no avail. V Manohar's music composition is a saving grace.
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A survey of Messiaenâs organ music performed by Gail Archer is sure to be among the yearâs highlights, to judge by the initial installment on Sunday afternoon.
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Composer Bharadwaj has come up with a foot-tapping album.
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In âBook of Longing,â Philip Glass illuminates Leonard Cohenâs poetry with a chamber score that breathes naturally and gracefully.
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This was no tossed-together anthology but a conceptually focused, musically incisive celebration of Bernsteinâs passionate identification with New York City and with George Gershwin.
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âRiver: The Joni Letters,â by Herbie Hancock can be understood as a celebration of the academyâs more high-minded pop impulses.