Bad Movies, Killer Right Hook
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When the worst movie director ever challenges his web critics to a boxing match, four idiots actually meet him in the ring. By Chris Baker from Wired magazine.
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John Waters is darned entertaining as he delivers a monologue that annotates his scandalous movies and encompasses assorted other subjects that interest or annoy him.
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Top 5 Movies of the Week (As on September 23rd, 2004)
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Don't watch this film with your family!
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Here is a list of the top ten movies of the week.
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Arts & entertainment: Peter Bradshaw hails a trio of five star classics. Has there ever been a better day for film releases?
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A jaunty assortment of parlor magicianâs tricks ornament this fast and funny production. But the real magic happens when the bad actors take over.
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Don't believe the hype. Or believe it. Either way, don't   decide either way until you've watched all five hours.
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What is it with all these movies showing New York City utterly obliterated?
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If there&#39;s ever a book called How to Write a Bad Movie, here are a couple of rules that must make the list: 1. In any given life-or-death situation with several possible courses of action, the protagonist must always pick the one least likely to be chosen
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Mid-Week Top 5 Movies of the Week  (As on January 13th, 2005)
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Director of game-to-movie stinkers like Bloodrayne proves that his films are quality by fist-fighting his critics. Did we mention Boll is a semi-pro boxer? From the Game|Life blog.
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Finally, a serial-killer movie so preposterous it may actually put a permanent kibosh on this tediously overworked crime subgenre.
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All the best of the week's movies stories
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It has been well recorded that the mid-nineties are best known for sudden popularity of independent cinema, but independent from what? The term "indie" is as slippery when applied to films as it is to music. The studio at the vanguard of this "revolution" was Miramax, which was long a subsidiary of Disney, and as for the "revolution" itself, it unleashed more painful and derivative Pulp Fiction clones than it did anything truly revolutionary. It was bled dry, turned inside out, repackaged, and sold back to the masses until it became the paradigm of unhipness. This seems to be the nature of all revolutions, from the Soviets to the Sixties; the bullshit always comes full circle.     While it's easy to be cynical of all so-called revolutions in hindsight, what one can't be cynical about is the intense enthusiasm audiences had for the so-called independent cinema of this era. To every person who ever dreamed of being in the director's chair, it seemed like all one needed to have the new hit movie was a vast knowledge of pop culture, the ability to write pages worth of rambling dialogue, and a Visa card.
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This Tamil film directed by Puri Jagannath is a big dud. Watch it if you have nothing better to do.
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Napoleon Dynamite goes  mano a mano with Bad Santa (the characters, not the movies) in  "School for Scoundrels," an inert and muddled mash-up of  romantic comedy and theater of stupid cruelty.