Sholay tribute fails to impress
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A Bollywood film meant to be a tribute to  the  iconic Hindi movie Sholay (Flames) flops at the box office.
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Toss won, spinners picked, minds set. And then it all went downhill on day one. In this season of hope gone awry, there was more to be disappointed with on day one of this test match.
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Ramesh Sippy's mega film Sholay Â the biggest blockbuster of all times is getting revived. The film that released on the Independence Day of 1975 is being brought back to life on the big screen once year after 29 years on August 13, 2004.
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It was all a bit of a fast bowler&#39;s joke at the time but, as Brian Lara lay dazed on the pitch, the words of Shoaib Akhtar must have felt a little more sinister.
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Director K Madhu's latest has high ambitions but lacks content.
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Calling this one a statement game doesn't do it justice.
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Dhoom and Phir Milenge disappoint at the US box office.
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The end came later than expected. In the ruins of India&#39;s defeat there were a few pieces that revived the hope of better things to come in the next Test.
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A match that assumed grave importance for India as a face saver of sorts has been cut short due to rain. The day was marked by rain and more rain and the only time the umpires decided to start play led to
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Ramesh Arvind and Jaggest entertain, but the second half is a waste.
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Arindam Chaudhari's directorial debut Rok Sako To Rok Lo is forgettable.
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Avan Chandiyude Makan starring Prithviraj is average. Veteran director Thulsidas in an effort to please all loses the gist and potential of subject.
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Don't waste your time if you are not a Bapu enthusiast. Sundarakanda is not very interesting and out of sync with today's times.
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KANK gets a bigger response than Pitt's Babel.
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Everyone has been wondering if the lukewarm response to Swades has dampened the Lagaan directorÂs spirits.
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Vel has a drab musical score by Yuvan Shankar Raja, for whom consistency has never been a strong point. His outputs have always been a medley of the good and the mediocre. And now Vel joins the below average bandwagon.
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Gandana Mane lacks freshness and has a cinematic narration seen in the seventies. Shivaraj Kumar tries to salvage the film, but it is of no avail. V Manohar's music composition is a saving grace.