Dance: Often a Swan, Rarely a Queen
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There are many dancers who are happy enough to be in the corps de ballet. But a certain poignancy must resonate for those who have achieved so much to get so far, and then no further.
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In clubs, street corners, and online, young Europeans are turning a dance into a subculture with its own mix of fashion, symbolism, and moves.
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There is not always agreement between the piano and the voice in Schubertâs song cycle âDie SchÃ¶ne MÃ¼llerin.â
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The performers are not stars, but the price is competitive.
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American Ballet Theater, which has shown Balanchine and Ashton choreography over the years, is now presenting a double bill of their ballets, short in duration, rich in substance.
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City Centerâs festival features a such a wide range of dancers, companies and choreographers that itâs unlikely that many people will end up feeling their money was ill spent.
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Kenneth MacMillanâs âRomeo and Julietâ has proved itself a fluent mixture of dance and acting, absorbing in its response to both Shakespeareâs story and Prokofievâs score.
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The Cold War titans have done this dance many times before.
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The name of the New York Baroque Dance Companyâs new program is âPoints of Departure.â But how can an audience tell just what those points are?
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A perennial Christmas favorite, even among those who scorn ballet and classical music, is Tchaikovsky's Nutcracker--performed by major professional companies and youth dance classes alike.
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In her latest program, Neta Pulvermacher reveals not just a trilogy of dances, but also three sides of the choreographer herself.
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For dancers in the Mark Morris Dance Group, air travel is a bitter enemy.
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Configuration, a ballet company that emphasizes works in contemporary styles, displayed lively choreography in its comedic offerings, but was less effective in two serious pieces.
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It remains safe to say that Japanese choreographers are not yet done milking the repressed-chaos theme.
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By reducing dancersâ movements to a crawl, a video installation sheds light on the little things.
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Can modern dance survive and develop, many wondered early on, without a core syllabus like balletâs? The same question might be asked of Butoh.
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CityDance Ensemble presented an impressively varied program of work by nine choreographers.