âSpring Awakeningâ and âCoast of Utopiaâ Rack Up Tony Awards
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The 61st annual Tony Awards showed fondness for the 19th century with awards for âSpring Awakeningâ and âThe Coast of Utopia.â
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Verdiâs talent for penetrating melodies goes a long way toward explaining why so flimsy a drama manages such potency in a strong performance.
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In London, new productions of âOthelloâ and âMuch Ado About Nothingâ reveal a common theme: loveâs susceptibility to deception.
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ÂSuper Vision,Â the largest of the four inaugural shows at the Institute of Contemporary Art, has an ambitious theme, but could use a little more curatorial daring.
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Revolution and rebellion were the theme of this year's top Tony Award winners on Sunday -- Tom Stoppard's Russian revolutionary drama and the rock musical "Spring Awakening" about teenagers learning about sex.
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On Sunday at City Center, two of the seasonâs revivals offered richly nuanced performances by both established and rising stars.
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At the opening of New YorkÂs ÂSteve Reich @ 70Â festivities, the lively energy and a propulsive beat of Mr. ReichÂs music helped propel dancers and inspire choreographers.
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The New York City Operaâs announcement this week that it had landed Gerard Mortier as its new leader was hailed as the beginning of a new era for the company.
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Arts & entertainment: Epic trilogy Coast of Utopia sets new record at Tony Awards, rounding off a Broadway season in which British imports continued to dominate.
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Richard Foremanâs phantasmagorical new show is as disciplined as a Balanchine ballet.
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Much of the most interesting and enterprising theater in New York starts Off Broadway, even if it doesnât necessarily stay there.
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Alan Cumming will join Dianne Wiest in the Classic Stage Companyâs production of Chekhovâs drama.
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In Stephen Massicotteâs excellent new play,  T. E. Lawrence and Robert Graves are two veterans and it takes no leap of the imagination to translate their World War I experiences into stories from todayâs newspaper.
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âJerry Springer: The Operaâ uncovers something grand within the small, squalid lives it portrays.
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Lorin Maazel conducted a lucidly textured, rhythmically incisive and strongly conceived account of this touchstone opera.
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Three New York theater productions offer contrasting coming-of-age tales.
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Even for those who embrace opera as a celebration of excess, it seemed almost a provocation to open the Teatro alla ScalaÂs season on Thursday with an extravagantly lavish new production of ÂAida.Â