New &quot;Blade Runner&quot; cut is how it should have been
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Twenty-five years after &quot;Blade Runner&quot;  was panned by critics and pulled from theaters, U.S. director  Ridley Scott savors revenge with the final cut of the  science-fiction film now considered a cult classic.
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Long gone are the days when a film held on to one story and fleshed it out through the
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I&#39;ve never been a big fan of the &quot;Blade&quot; series. But &quot;Blade: Trinity&quot; is the most entertaining of the three films.
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Though clearly meant to have an epic sweep, âThe Gravediggerâs Daughterâ feels like a four-hour film that should have been cut by 90 minutes.
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The film will go as an independant entry.
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Bourne is back and better than ever. Check it out and give thanks that a muscular thriller can still come out of Hollywood.
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IF THE whispers from Hollywood are true, the new James Bond movie - the 21st in more than 40 years - is to be delayed. In the scheme of things, this may not seem particularly significant.
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Christopher Nolan's new film is worth a watch.
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FOR decades, science fiction has promised a future in which lifeâs most mundane chores are carried out by robots. Sadly, the clunky, wobbling automatons that have been wheeled out as examples of this brave
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You have to give Jeffrey Katzenberg, co-founder of DreamWorks movie studio, credit for trying to be original. He had a vision to lend DreamWorks&#39; brilliant animation team (&quot;Shrek,&quot; &quot;Shrek 2
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Back in 2001, that&#39;s how Warner Bros. sold its all-star update of the 1960 Rat Pack Vegas caper &quot;Ocean&#39;s Eleven.&quot;.
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Director Taylor Hackford has made one good movie (1982&#39;s &quot;An Officer and a Gentleman&quot;) and a lot of bad ones (recently, &quot;The Devil&#39;s Advocate,&quot; &quot;Proof of Life&quot;).
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TV networks tend to deal in drama, action and mayhem. Scripps Networks has a different approach. âWeâre about food and shelter,â says Peter Franks, director of design and motion services. âWeâre about providing information â from how-to home improvement projects to recipes to vacation planning.â He admits, âWeâre not trained video editors, but Final Cut is so intuitive and so easy to use that we donât need specialized training in the software. We can teach ourselves to do anything we need. Itâs just simple for artists to get. Thatâs one of the strengths of Final Cut.â
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In Mira Nair's sumptuous, witty new version of "Vanity Fair," Sharp is no longer so sharp-elbowed. And rightly so.
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Pixar's latest looks good but it's undercooked.
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It looks like the era of shorter films has had its day. 2007 is going
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Limited's young spin-off cleans up nicely.