An Ephemeral Portrait of an Artist in a Hall of Mirrors
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American Ballet Theater staged two world premieres by different choreographers : Benjamin Millepiedâs âFrom Here on Outâ and Jorma Eloâs âC. to C.â
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There are those who argue that most modern art is rubbish, but few critics take the view as literally as a cleaner at one of Britain's most prestigious galleries.
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The China Instituteâs show offers an abundance of images that confuse, contradict or entirely depart from accepted art historical categories or classical notions of beauty.
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An image gallery containing creatures and objects made with Blender, an open-source 3D tool.
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Mention of North Korea inevitably summons up images of nuclear weapons, Kim Jong-Il and starving children, but a Briton has put on display a side of the reclusive country rarely seen -- its artwork.
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Japan's pre-eminent photographer of the postwar era is a master of a kind of redolent ambiguity that speaks both to his subject and to the nature of photography.
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The Metropolitan Museum's show reveals the portraitist's bountiful range. No doubt about it, he was and remains one of our greatest American painters.
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The Modern's galleries are an eloquent reaffirmation of the enduring beauty of the museum's historic, albeit tendentious, account of modernism.
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Public-space artist Christopher Janney wants you to hear colors in the most unexpected places.
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Sex, death and religion, artâs old stand-bys, its holy trinity, are alive, weird and living, at âKeith Edmier 1991-2007â at Hessel Museum in Bard College.
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Stuart Davisâs drawings, as seen at Hollis Taggart Galleries, are prosaic but precious elements arranged in an ordered alternate world.
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A show at the Wadsworth Atheneum Museum of Art presents some odd (but fascinating) examples of serial photography.
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LOS ANGELES  - Art imitates life, and life imitates art, and sometimes it's hard to tell which is which.
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The piece offers a notable transformation of physical detail into a persuasive choreographic metaphor for the loss of self.
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Sir Joshua Reynolds' The Portrait of Omai is to be given a public showing after being kept in storage.
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Richard Diebenkornâs progress during his stay in New Mexico is the subject of a radiant hodgepodge of a show at the Grey Art Gallery at New York University.
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Martin Puryearâs sculptures, as seen at the Museum of Modern Art, balance between the geometric and the organic with Zen aplomb.