Braff loses control in "Kiss," and likes it
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Call him a control freak who lost  it, if only for one movie.
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The Nicolas Cage starrer does not have many hair-raising sequences.
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'The Wedding Date' suffers from a lack of chemistry.
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In Mira Nair's sumptuous, witty new version of "Vanity Fair," Sharp is no longer so sharp-elbowed. And rightly so.
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It was an off-Broadway rave, but this play has more trite than bite
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Has Disney lost its touch, or is it just the pause that refreshes?
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Though the album has its moments, it's not entirely enticing.
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I had just tucked into one of my favorite Star Trek episodes recently when William Shatner's face, his lips pursed, froze on the screen. Pixel by pixel, the picture crumbled before my eyes.
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It has happened so many times before. Avant-garde directors who start off with committed actors suddenly start bothering about commercial considerations and change loyalties.
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After Andrew Lloyd Webber's last two shows fared poorly in London, some critics said that he had lost his touch. With "The Woman in White," he has a chance to prove them wrong.
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Women place a big emphasis on kissing, while men just see it as a route to sex, researchers say.
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Saawariya starts off superbly, showcasing the ethereal texture of its strain. Sadly, somewhere towards the end it loses some of its steam. In entirety, however, the soundtrack is a superior product.
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That weird exhalation you hear at the multiplex these days is the sound of female characters settling for less than they deserve. It happens again in âDedication.â
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Rather than delve into the clinical details of sexual desire and behavior, Catherine Breillat's reflects on what it means for a filmmaker to conduct such an inquiry.
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Jim Carrey says his last movie is a good prescription for squabbling lovers. Carrey plays a man who has the painful memories of his girlfriend erased from his mind in
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It is an enjoyable album which tempts you to press the rewind button.
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The Michael Radford film drags a little despite good performances.