Music Review | Schola Cantorum de Venezuela: Passion, Through a Choirâs Revelation
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The noteworthy Caracas chorus demonstrated its range during the final program of the Mostly Mozart Festival, with works by Alberto Ginastera and Antonio Lotti on Friday.
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The Orpheus Chamber Orchestraâs first concert of the season at Carnegie Hall on Tuesday was a solid if commonplace program that danced around late Romanticism  and the first rumblings of modernism.
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Magicians are generally ill advised to reveal their tricks, but when the conductor Kent Tritle let the audience in on a few crafty secrets during a concert by the Choir of St. Ignatius Loyola, the tactic paid off.
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Cristina Pato manages to find sensuous sounds on the Galician bagpipe, an instrument usually associated with martial anthems.
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Un'indagine rivela un San Silvestro parsimonioso
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Musica Sacraâs real drawing card is its focused, trim sound, which keeps Handelâs vivid, painterly orchestration of âMessiahâ lithe.
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By Sue Nowicki, The Modesto Bee, Calif.  Feb. 17--The Rev. Father Jon Magoulias, priest at the Greek Orthodox Church of the Annunciation, played bass guitar in a band during high school and likes to sing.
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Il maestro ha diretto un oratorio di Papa Wojtyla
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Opera is no stranger to sensitive  singers and demanding divas.
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Two rewarding concerts on Saturday demonstrated the exceptionally imaginative music making to be found locally.
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Opera is no stranger to sensitive singers and demanding divas.
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Moglie Emanuele Filiberto Savoia in 'Le Chanteur de Mexico'
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The mantle of most popular Aramaic-language DVD of the year already looks to be in the bag, after Mel Gibson&#39;s The Passion of The Christ sold 2.4m copies by noon yesterday, the first day of its American release.
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Music inspired and made by Spanish Gypsies, Colombians grappling with the effects of war, and internacionalistas making music for the age of globalization had one thing in common this year: fusing old and new ...
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Where âControlâ might have been literal-minded and sentimental, it is instead enigmatic and moving, much in the manner of Joy Divisionâs best songs.
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Tragedia musicata dall'Orchestra Sinfonica Giuseppe Verdi
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For the first time in nearly 20 years the Metropolitan Opera presented Verdiâs breakthrough early masterpiece in a stylistically eclectic, grimly effective and, at times, intriguingly playful production.