Movie Review | 'Shoot âEm Up': Never Mind Those Bullets, a Newborn Needs Rescuing
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âShoot âEm Upâ is a witless, soulless, heartless movie that mistakes noise for bravura and tastelessness for wit.
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&quot;Birth,&quot; the new Nicole Kidman reincarnation drama, is such a meticulously wrought piece of hokum that it&#39;s both easy to admire and impossible to warm up to.
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Shall I compare shooters to a sonnet? They are less lovely and less temperate. But take a closer look. These two classic genres have a lot more in common than you might think. Commentary by Clive Thompson.
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Director Mohit Hussain chooses a contemporary subject to narrate the story of his debut film.
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Frightening incidents often take place, especially when shooting at different locations. But one incident
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Disney's "Invincible,"  opening Friday, tells the true story of a substitute teacher  who gets his big break when an open tryout leads to his making  the Philadelphia Eagles football team. So perhaps it is only  fitting that the movie also has provided respected  cinematographer Ericson Core with his first opportunity to take  to the field as the film's director.
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To the myriad tales of the dangers that pervade Iraq, add the one about Sgt. Arthur Martinez and the mystery bullet.
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Bourne is back and better than ever. Check it out and give thanks that a muscular thriller can still come out of Hollywood.
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Birth is a strange little movie, dutifully advancing a premise that grows more dubious with each passing minute. However, it&#39;s difficult to totally discount the film, mostly because Nicole Kidman keeps us interested.
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BIRTH. With Nicole Kidman, Danny Huston, Cameron Bright, Lauren Bacall. Director: Jonathan Glazer (1:40). R: Sexuality. The literal-mindedness with which most people watch movies is likely to be the doom of Jonathan Glazer&#39;s &quot;Birth.
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In light of concerns about video game violence, the release of a controversial new game isnât helping the issue. Very different from the games that are usually released each week, âJFK Reloadedâ was released Monday.
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You've got to like a movie in which William H. Macy dispatches several villains with brute force and also dons an avocado facial mask. And you can't help but admire a film in which a cell phone is put to the use for which it was intended: assistance during an emergency.
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Birth: Drama. Starring Nicole Kidman, Danny Huston and Cameron Bright. Directed by Jonathan Glazer. (R. 100 minutes. At Bay Area theaters.
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It&#39;s unlikely that anyone would have made a movie such as Ladder 49 before the Sept. 11 terrorist attacks. Rather than piling on special effects, this down-to-earth
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Lifetimeâs two-hour movie is an uneasy combination of crime thriller, romantic melodrama and snuff film that doesnât ask us to suspend our disbelief so much as overcome our gag reflex.
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Tycho:  "Live Free Or Die Hard" is a movie where a man drives a car into a helicopter, and that may be all one needs to know about it.  For some reason, regardless of what is present in the strip, I found myself quite able to place my brain in neutral and roll down the film's gentle, sloping grade.  I thought that Gabriel would be proud that I had done so, but he was not.  He held the film to some higher standard, and on a very specific topic - its presentation of technology and technology culture.  I know, right? Look out your window; there's probably frogs and blood and shit.
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If you want to be up the proverbial creek Without a Paddle, be my guest. Just be forewarned: These waters are putrid. In an inept movie that makes even Catwoman seem sane, Steven Brill turns Without a Paddle into twaddle about the strength of boyhood ...