Music Review | Baltimore Symphony Orchestra: Keeping a Faun, a Scamp and a Firebird in Line
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Marin Alsopâs motley program with the Baltimore Symphony Orchestra only hinted at how her relationship with the orchestra is faring.
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They've bumped and grinded and sung their way
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The Boston Symphony, dynamically revitalized under its music director, James Levine, gave an urgent and beautifully textured performance of Berliozâs âDamnation of Faustâ on Monday night at Carnegie Hall.
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Playbill - Now, nobody at this column is accusing the New York drama critics of collusion, but if they wanted to make Spring Awakening sound like the second coming of the American Musical, they couldn't have done a better job than they did with the reviews they unleashed the day after the Duncan Sheik-Steven Sater rock musical's Dec. 10 opening.
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David Robertson is to lead the Lucerne Festivalâs orchestra in two of its three concerts at the hall next month instead of an ailing Claudio Abbado.
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The âOpera-for-Allâ concert at the New York State Theater on Thursday read like a tasting menu for City Operaâs fall season, with bits of Mozart, Massenet and Mascagni.
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Music directors of major orchestras donÂt usually get to name their successors, but Lorin Maazel of the New York Philharmonic has a suggestion.
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The old and the new go head to head in the music of Charles Ives, but conflict may not be the right word to describe it.
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If Maryland has any chance to rally in the regular season's final month, it needs a consistent defensive effort in a game it cannot afford to squander against Wake Forest.
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After Franz Welser-MÃ¶stâs concert with the Cleveland Orchestra on Tuesday night at Carnegie Hall, the first of three programs, I, like many others, am still trying to get a real fix on his work.
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Eighteen months after the Metropolitan Opera and Lincoln Center Theater announced an innovative commissioning project, few notes have been written. But the effort is gathering steam.
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Can one orchestraâs audacious experiment save classical music?
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Prairie View A&M Universityâs band offers a vernacular musical form that is not aiming at commercial success.
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The hottest of hot tickets at the Fringe Festival is an Edinburgh band called the Really Terrible Orchestra, which lives up to its name, or rather down to it.
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By Stephanie Desmon and Gadi Dechte, The Baltimore Sun  Sep.
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Language was scatted, yelped and murmured at the Rose Theater on Thursday night, in the first of three Jazz at Lincoln Center concerts called ÂWynton and Louis ArmstrongÂs Hot Fives.Â
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David Robertson and the St. Louis Symphony Orchestra gave an engaging, informative and unabashedly quirky demonstration of how to demystify a daunting contemporary work for the public.