Theater Review: Dracula, the Musical
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NEW YORK  - It&#39;s said that vampires die from a stake through the heart. If so, Broadway&#39;s brand-new &quot;Dracula&quot; needn&#39;t worry. It has no heart. Or brains. Or vision.
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Playbill - Composer Frank Wildhorn has been exploring the creation of a "concept album" for Dracula the Musical that would not use members of the Broadway company and would restore material not seen in the Broadway staging, according to cast members.
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âSweeney Toddâ is as much a horror film as a musical. It is also something close to a masterpiece.
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Killer rabbits and a legless knight. Are these the makings of a Broadway musical?
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After Andrew Lloyd Webber's last two shows fared poorly in London, some critics said that he had lost his touch. With "The Woman in White," he has a chance to prove them wrong.
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This beautifully performed, touching one-act play is not quite the personalized cry against genocide that the playwright intends it to be.
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The Metropolitan Operaâs current production of âCarmenâ offers a kind of tension: between the essential actions of the story and the gaily bustling pageantry of Franco Zeffirelliâs 1996 staging.
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This film version of the super successful, long running stage musical &#39;The Phantom of the Opera&#39; is virtually a recreation of the stage show, complete with swirling mists, candles rising from
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The drama of how Patti LuPone finally got to star as Rose in a New York production of âGypsyâ is almost a musical in itself.
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The arrival of Ivo van Hove's strangely enthralling new production of Henrik Ibsen's drama instantly slips the fall theater season into a higher gear.
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A. R. Gurneyâs play, revived respectfully by the Keen Company, remains an insightful mood piece but one thatâs perhaps best in its details.
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The countless fans of the stage version may prefer to get their music of the night there, but for those without access to a live performance, the film version of &quot;The Phantom of the Opera&quot; offers a solid sense of what the show is.
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Verdiâs talent for penetrating melodies goes a long way toward explaining why so flimsy a drama manages such potency in a strong performance.
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Arts & entertainment: The verdict on Damon Albarn's Monkey opera, plus what to look out for in the Manchester Festival.
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âOnceâ makes a persuasive case that the real future of the movie musical may lie not in splashy grandeur but in modesty and understatement.
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Reviews of six shows at this yearâs festival of plays and performance pieces.
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IN A RECENT interview, Michael Caine was reported to have expressed serious reservations about contemporary theatre. He was only interested in it, he said, if there was a guarantee of tap-dancing.