Dance Review | Prometheus Dance: Ill-Met by Moonlight With Pain to Spare
87259
Diane Arvanites-Noya and Tommy Neblett, the artistic directors of Prometheus Dance, presented an 80-minute program.
689932
Eliot Feld, whose new chamber dance group debuted Friday night at the Joyce Theater, is a choreographer reborn since he was forced to disband Ballet Tech last year.
241290
Precious vacuity ruled in this latest installment of an august showcase devoted to choreography by emerging artists.
694763
At Tuesday nightâs opening performance âNight Journeyâ was in fresh enough shape to show us why Graham, 16 years after her death, remains one of the great choreographers.
143000
John Jesurunâs updated version of Sophoclesâ âPhiloktetesâ is like an unintended satire of avant-garde theater mixed with the television series âLost.â
294497
Trying to guess the choreographer in an unfamiliar company is an occupational hazard of sorts for reviewers.
229585
The musical is based on the stories of dancers who question whether they have been fairly compensated.
279183
The company has transcended the trauma of its founderÂs death and has forged into the future with a strong roster of dancers and a steady touring schedule.
149744
The stage version of âThe Little Mermaidâ presented a challenge for the choreographer. A pair of rolling shoes  offered a solution.
428898
In her latest program, Neta Pulvermacher reveals not just a trilogy of dances, but also three sides of the choreographer herself.
65434
American Ballet Theater, which has shown Balanchine and Ashton choreography over the years, is now presenting a double bill of their ballets, short in duration, rich in substance.
757461
Last February, at the Atlanta Ballet&#39;s annual gala, Lynda Courts saw an item up for auction that she just could not refuse. The evening&#39;s performance was &quot;Romeo and Juliet,&quot; and Romeo himself was on offer.
684672
City Centerâs festival features a such a wide range of dancers, companies and choreographers that itâs unlikely that many people will end up feeling their money was ill spent.
152189
ÂChapel/Chapter,Â shown on Tuesday at the Gatehouse, is the least overtly political dance from the Bill T. Jones/Arnie Zane Dance Company in some time. It is also the most affecting.
366988
The piece offers a notable transformation of physical detail into a persuasive choreographic metaphor for the loss of self.
71998
Can modern dance survive and develop, many wondered early on, without a core syllabus like balletâs? The same question might be asked of Butoh.
245950
After more than 15 years with New York City Ballet, Nikolaj HÃ¼bbe danced his farewell performance on Sunday  not as if he were delivering the last word on his roles, but as if they were brave new worlds he was still exploring.