Theater Review | 'The Coast of Utopia: Part Three â Salvage': Those Storm-Tossed Revolutionaries Reach Port
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Life as heavenly spectacle is presented with exuberance in âSalvage,â the concluding play in Tom Stoppardâs âCoast of Utopiaâ trilogy.
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All those Tony wins for  &quot;The Coast of Utopia&quot; definitely add oomph to &quot;Forbidden  Broadway: The Roast of Utopia,&quot; the special summer  retrospective edition of the &quot;Forbidden Broadway&quot; franchise  that debuts Wednesday and runs through August 22 at the 47th  Street Theatre.
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Since the cancellation of a contentious play in the face of violent religious protests, British theater has been grappling with questions about censorship, freedom and faith.
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Rhode Island legend tells of a spectral ship that haunts the waters off Block Island, bursting into flame and sinking into the ocean. Depending on who's spinning the tale, the islanders involved in the human drama turned out to be heroes &#151; or monsters.
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Hurricane Katrina erased much of the Mississippi Gulf Coast's past, but the deadly storm also created a blank canvas and a historic opportunity for reinventing cities like this once-quaint beach community.
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The decision to save a lighthouse can become a statement about how we intend to live with our eroding coasts.
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Revolution and rebellion were the theme of this year's big Tony Awards winners on Sunday -- Tom Stoppard's Russian revolutionary drama and rock musical "Spring Awakening" about angry teenagers learning about sex.
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Four groups emerge from radical resructure
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Arriving on Broadway  years after its triumphant West End production, this revival of  the little-seen (at least in America) "Journey's End"  demonstrates that this 1929 World War I play by R.C. Sherriff,  rather than being a museum piece, has lost none of its power or  immediacy.
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This forceful production concludes the Signature Theater Companyâs season, dedicated to August Wilsonâs work, on a stirring note.
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Boston, cradle of the American Revolution, is making some new history for itself these days.
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A. R. Gurneyâs play, revived respectfully by the Keen Company, remains an insightful mood piece but one thatâs perhaps best in its details.
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The great port of Alexandria was a bustling trade hub, a transit point for merchandise from throughout the ancient world &#151; until much of it vanished into the Mediterranean Sea.
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"The Great Upheaval: America and the Birth of the Modern World, 1788-1800" (Harper Collins, 659 pages, $29.95), by Jay Winik: A revolt in an undeveloped colony on the fringe of civilization, led by a big landowner and slaveholder with little education or military experience, brought to success by help from France in its feud with the British colonizers.
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Tom Stoppard's epic eight-hour trilogy  "The Coast of Utopia" about 19th century Russian  revolutionaries has won rave U.S. reviews and defied fears that  its subject matter would be too heavy for theater goers.
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Good, bad or indifferent, one-act plays have been flooding the city's stages.
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Revolution and rebellion were the theme of this year's top Tony Award winners on Sunday -- Tom Stoppard's Russian revolutionary drama and the rock musical "Spring Awakening" about teenagers learning about sex.