A Godlike Dancerâs Company Farewell Keeps Adventures Rolling to the End
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After more than 15 years with New York City Ballet, Nikolaj HÃ¼bbe danced his farewell performance on Sunday  not as if he were delivering the last word on his roles, but as if they were brave new worlds he was still exploring.
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Typically, modern dancers stay with a choreographer for months, not years. Why does Garth Fagan inspire such loyalty?
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Eduardo Vilaro is certainly good at one thing; his well-trained dancers are naturally theatrical and able to flesh out their technique with a sweet, unalloyed enthusiasm.
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Choreographers Bosco-Caesar are going the international way.
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Sooner or later, every professional basketball playerâs career comes to an end. For Todd MacCulloch, that day came earlier than expected.
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A versatile showmanÂs final local act is a disappearing one.
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An 80th-birthday year of tributes, from ballet companies on two continents, for Glen Tetley.
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Christopher Reeve is gone, but, like the enduring spirit of the   actor himself, his work will live on.
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The packed, exuberant audiences have left, but the afterglow still burns in the dance world now that City Center's Fall for Dance Festival is over.
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Stride Rite's days as an independent firm are numbered.
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Damian Woetzel, a principal dancer at the New York City Ballet, said Monday he would retire at seasonâs end, making official what he had predicted a year ago. Mr. Woetzelâs final performance will be on June 18 after 23 years with the company. He earned a masterâs degree in public administration from Harvard University last year and is artistic director of the summer Vail International Dance Festival. Mr. Woetzel said it was fitting to leave as the company commemorates the 10th anniversary of the death of Jerome Robbins by featuring his choreography. âHis presence was the reason I joinedâ the company, Mr. Woetzel said. He said he will focus his energy âbeyond the limited space of performingâ in âareas where I hope to make an impact in the second part of my life.â.
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After 81 years of war paint and feathered headdresses, the University of Illinois' controversial American Indian mascot is performing his last dance.
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The musical is based on the stories of dancers who question whether they have been fairly compensated.
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In ÂConfessions on a Dance Floor,Â Madonna no longer re-invents, she maintains Â especially when it comes to the sheer spectacularity of her physical form.
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City Centerâs festival features a such a wide range of dancers, companies and choreographers that itâs unlikely that many people will end up feeling their money was ill spent.
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The passing of a fashion entrepreneur
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Alessandra Ferri and Kyra Nichols, beloved ballerinas with more than a half-century of performing between them, are as different in style and temperament as they come.