Art Review | Quisqueya HenrÃ­quez: Minding the Gap Between Rarefied and Local Art Culture
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Her works, as seen at the Bronx Museum of the Arts, tend to read not as challenging revelations of cultural blindness but as clever, formulaic affirmations of currently accepted truths.
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The paradoxically beautiful, seamless 30-year survey of his work at the Guggenheim Museum catches many of our inharmonious countryâs discontents and refracts them back to us.
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Se habla espanol at the Modern Art Museum of Fort Worth. Translation: Beginning Oct.
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Comment is free: Mark Lawson: Cultural prizes are under attack, but they serve a valuable role in bringing art to a wider market.
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âChuck Close,â about the painter, photographer and printmaker by the documentary filmmaker Marion Cajori, truly excels is in its depiction of the physical process of making art.
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When an artist and a museum fall out, the question is, can the museum still show the artist's work?
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Vivid but concentrated, this absolutely beautiful show presents, mostly through paintings, a cultureÂs version of its own origins.
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Life & style: In pictures: Iconic images feature in a new retrospective photographic exhibition.
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The Parrish Art Museumâs show feels at times like a master class led by artist Eric Fischl, although a somewhat anachronistic one. Painting is hardly dead.
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From Titian to Picasso and El Greco to Juan Gris, a new exhibition at Madrid's Prado museum is offering art fans the chance to see for themselves under one roof a cross-section of 500 years of Spanish portrait art.
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Jessica Yu's excellent documentary explores the life and work of Henry Darger, one of the world's best-known outside artists.
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American museums are returning some of the world's great antiquities to their original homes. Should they? A new debate over who owns the past is underway.
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Sex, death and religion, artâs old stand-bys, its holy trinity, are alive, weird and living, at  âKeith Edmier 1991-2007â at Hessel Museum in Bard College.
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Politics and art donât always mix well, but the combination has yielded a rare chance for Hong Kong residents and visitors to see what is arguably Chinaâs most famous painting.
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Keep your art collection in your living room? Why, thatâs for novices.
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ÂTesoros/Treasures/Tesouros,Â now at the Philadelphia Museum of Art, offers a rich cultural collision for anyone interested in a big dose of worldliness.
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A look at works made from a single material Â in this case ivory Â at the Metropolitan Museum of Art is especially strange and wonderful, but tinged with remorse.