Some fun in &#39;Diary&#39; copy
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&quot;Bridget Jones&#39;s Diary&quot; merited a sequel for two pretty solid reasons. The author of the source material, Helen Fielding, wrote one, and even if she hadn&#39;t, you could never be sure our sassy London lass would live happily ever after.
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Unabashedly sweet and fluffy, and geared to the prepubescent audiences who&#39;ll be responsible for recouping its budget, The Princess Diaries 2: Royal Engagement has its moments.
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THE opening day of the sequel to Bridget Jones&#39;s Diary was twice as successful as the first film, raking in more than $1 million across Australia.
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You know, Bridget Jones? A fellow diary-writing fiend whose endearingly screwed-up life inspired a 2001 movie based on her misadventures.
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Reader Tejinder Singh sends us a picture.
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Description: Though George Carlin is best known as a performer, he&#39;s collected his observations on life, the media, politics and the English language into a series of books.
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In most book-to-screen transfers, the big question is what to eliminate. But with Chris Van Allsburg&#39;s popular children&#39;s book &quot;The Polar Express,&quot; the challenge was what to embellish.
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The Fool took notes last week and is happy to let you copy.
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The film has many an interesting nugget about it.
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Reader Sameer Shaikh sends us a picture.
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Prepping for the Super Bowl isnât all fun. In the latest entry in his Super Bowl Diary, our bureau chief takes a âreality tour.â
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The best you can say about this movie is that it's somewhat more enjoyable than its predecessor.
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Reader Noddy sends us his Sivaji review.
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Bloggers are scoring rich paydays by   turning their online diaries into books, but some publishers   say the craze could fizzle out with a glut of new titles   destined to yield disappointing sales.
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Spare a thought for the reviewers of  &quot;Harry Potter and the Deathly Hallows.&quot;
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From ringtones to bloglets to short-blast video games, today's amusements comes in bite-size morsels. A tasty Wired magazine report on instant entertainment.
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Changes at The Journal: movable deadlines and a new taste for models.