Movie Review | 'Angel-A': On the Edge, a Man Finds Hope in a Mystery Woman
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âAngel-A,â filmed in ravishing black and white, is a valentine to Paris, the City of Light.
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The elusive Illusionist casts it own type of spell
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The film funnyman is trying to rebound from a career slump with a new thriller -- and a new spiritual path. Joel Stein peeks into the eternal weirdness of Jim Carrey's mind
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âIra & Abbyâ is a hard-working comedy of lust, therapy and Manhattan angst that deserves an A for ambition, if not achievement.
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One of the most elusive figures in  Hollywood since the heyday of Howard Hughes may be about to  make her debut.
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Criss Angel, who can be seen performing stunts on A&amp;E's "Criss Angel: Mindfreak," is being mysterious about whether his relationship with Cameron Diaz is real &#151; or an illusion.
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The plot line of &quot;Birth&quot; sounds suspiciously like that of &quot;Ghost&quot; or &quot;Prelude to a Kiss&quot;: A young beautiful widow comes to believe that her dead husband has returned to life in a most unexpected manner.
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With the aid of Jude Law&#39;s impressive piloting skills, one film easily flew to the top of the box office. The flick follows reporter Polly Perkins (Gwyneth Paltrow), who is investigating the disappearance of the world&#39;s scientists.
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I forget where I heard this, but there&#39;s an old parable about an angel and a demon (or, maybe it&#39;s God and the Devil) walking down a street, not far from each other.
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Akasham marks the introduction Harisree Asokan as the hero. The story takes on terrorism in Kerala but lacks conviction.
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The new serial-killer thriller âSuspect Zeroâ has at least one thing in its favor: It seems to have an interesting director. E. Elias Merhigeâs last film was
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A psychologist looks for the origins of mystical belief with a murderer's cardigan and Einstein's pen.
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So itÂs a thriller against erotica this week. And then when youÂre about to roll your eyeballs in exasperation along comes a big-little film with a quaint and curious name like Amu to fill you with hope for life at the  movies this week.
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You've got to like a movie in which William H. Macy dispatches several villains with brute force and also dons an avocado facial mask. And you can't help but admire a film in which a cell phone is put to the use for which it was intended: assistance during an emergency.
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Okay, a few days ago I wrote a review of the Diving Bell and the Butterfly saying it could be the best picture of 2007, but even so you might want to skip it because the truth it reveals might be something you don't want to look at. It's a fine picture, but a tough one. Another wonderful but tough picture is No Country for Old Men. It's one of those movies that leaves so much unresolved that you walk out of the theater not sure which foot goes in front of the other. On a second viewing it makes much more sense. The world isn't necessarily as crazy as it at first seemed. But there's a movie that is also incredibly well crafted, and gets better every time you think about it -- Juno. I didn't realize how much I liked it until I heard someone compare it to Little Miss Sunshine, a movie that I did not enjoy, unlike everyone else it seems. I loved Juno because it organizes its sweetness into love for one person, the star of the movie, Juno. But everyone, no matter how dorky or clueless (and some of the adults are truly dorky and clueless) shares the love. The movie has a wholeness, an unqualified goodness, you not only walk out of the theater in love with Juno and everyone else in the movie, but your heart is warmed for everyone, including yourself. It's that good.  All three remind how good movies can be. And there were some not-too-bad movies at the end of 2007, for example, Atonement, which some didn't like, but I did. 3:10 to Yuma is a well-crafted genre picture. Michael Clayton was a perfect showcase for the talents of George Clooney. Great acting and a simple story in The Savages.  Which one was the best? I'd hate to have to choose!
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The fascinating documentary âAlice Neelâ illuminates history while also demonstrating how an artistâs style reveals his or her personality.
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For four years, Wong Kar-wai fought to bring his vision to life. What's the result? A romantic masterpiece