Stars? Check. Script? Not yet ...
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Arts & entertainment: Phil Hoad explains how to construct the perfect summer blockbuster.
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&quot;Birth&quot; should have been good. It had all the elements: Spooky scenario, seamless direction, stellar cast. We were ready for it to be good; we wanted it to be good.
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Alfie. With Jude Law, Susan Sarandon, Sienna Miller, Marisa Tomei. Director: Charles Shyer (1:43). R: Sexuality/nudity, language, drug use.
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Elevating the material is the least appreciated star turn on television. Sometimes the dialogue, or the premise or the story arc, leaves a lot to be desired and it&#39;s up to a real star to step up and salvage the show.
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The business of Hindi films in overseas can be most unpredictable. A film starring the biggest of stars may, at times, fail to fetch an opening, while a not-much-expected flick may prove to be the surprise packet.
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&quot;A stinker&quot; - Daily Telegraph; &quot;underwhelming&quot; - the Independent; &quot;brackish&quot; - Michael Billington: Kevin Spacey was yesterday soaking up the critics&#39; verdicts on his British directorial debut, Cloaca, which is also the first play of his reign as artistic
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Don't believe the hype. Or believe it. Either way, don't   decide either way until you've watched all five hours.
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Generally, Bad Language is against awards shows. The TelePrompTer puffery and please-buy/see-my-latest-CD/DVD appearances are nauseating at best. But it's our job to report on all things pop culture. So we watch. And we watch. And we fall asleep. Then we wake up and watch again.
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As Hollywood goes nuts, maybe the audience needs to examine itself too
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Plot isnât everything, but it is something, and in this thin drama its absence or at least its small contribution, is noticed.
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Moviegoers are not following the script written for them by the Hollywood studios.
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Starring Joaquin Phoenix, John Travolta, Jacinda Barrett, Robert Patrick, Morris Chestnut. Written by Lewis Colick; directed by Jay Russell.
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Hollywood's big question Â which movies will compete at the Academy Awards? Â is about to be answered.
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what would it take now? (More blood? Color? Actual slashing? Two guys with knives instead of one guy with a knife? A CGI monster with a CGI knife?
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Shoot 'Em Up has no back-story. Instead, what it has is lame-brain wit, wooden acting, regular directing and a loud soundtrack. But it's still awesome!
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What good is a Bond flick without far-fetched gizmos? Here are some ideas to get the franchise back on the right track. Commentary by Lore Sj&#246;berg.
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Obviously, that can and does happen. The more pertinent question is, should that much time, energy and money be spent on a movie when it aspires to nothing more than visual coolness?