'Dirty Art Car' is beautiful art
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Who needs technology when you can make beautiful drawings in dirt on the windows of an ordinary car?
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David Hockney says a show of "stunning" JMW Turner works he curated gives an insight into the late artist's technique.
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A show at Mitchell-Innes & Nash invites us to reconsider the virtues of this underrated painter.
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What might be called premise-based art is being turned out hand over fist right now at Mary Booneâs gallery in Chelsea.
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Arts & entertainment: The Terracotta Army is the greatest work of mass-production art in history - and whilst the platoon visiting Britain is small, but it's endlessly fascinating, writes Laura Cumming.
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Art like Romare Bearden's Â intense and intricate Â deserves close scrutiny. So here's my advice: pick a few favorites at the Whitney Museum and stick with them.
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An invitation to a conference on the politics of waste leads to thoughts on the relationship of dirt and technology -- thoughts that lead inexorably to the trash-can icon on personal computers. Commentary by Momus.
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The richly evocative exhibit of Friedl Dicker-Brandeis's work at the Jewish Museum breathes life into the icon and gives her own work well-deserved attention.
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âChuck Close,â about the painter, photographer and printmaker by the documentary filmmaker Marion Cajori, truly excels is in its depiction of the physical process of making art.
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After a tough year, Detroit's troubled carmaker is back -- thanks to a maverick designer and a car that is dazzling the hip-hop crowd
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The Metropolitan Museumâs show offers a supremely clear account of his maturation from brilliant, methodical young artist to a deeper, more lyrical, less predictable one.
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Vivid but concentrated, this absolutely beautiful show presents, mostly through paintings, a cultureÂs version of its own origins.
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In 1992 it was shocking artwork. Fourteen years later it was $8 million worth of rotting seafood. Enter Damien Hirst, a squad of assistants, 200 needles, an ocean of formaldehyde and one brand new 13-foot tiger shark.
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You know those racy photos you threw out in 1994? Maybe they are in a new book of found art.
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An exhibition at the Parrish Art Museum in Southampton showcases Indian-influenced works by Roy Lichtenstein.
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What began as a grass-roots experiment to beautify unsightly traffic-signal boxes around Stamford, Conn., has become an unexpectedly impressive public art collection.
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By JAMES D. WATTS JR. World Scene Writer  Documentary tells of truck driver's art quest   Jackson Pollock would have probably gotten along pretty well with Teri Horton.