American museum aims to teach lessons of finance
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Some top U.S. chief executives may have held on to their jobs if only they had learned the lessons of American financial history.
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The Albright-Knox Art Gallery, a museum with a small endowment in a highly competitive art market, tries to raise money, angering its members.
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As I write this column, I'm flying from San  Francisco to New York City for three days of meetings at the American Museum of  Natural History on bringing the latest scientific data to the public via museums  and planetariums. I look forward to working with my colleagues. I'm also eager  to gaze again at their stunning collection of fossils and to travel to distant  locations in our universe at the Rose Center and the Hayden Planetarium, the  museum's digital planetarium. ...
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Doug Aitkenâs monumental video is being refashioned for the facade of the Miami Art Museumâs new building, which is scheduled to open in 2011.
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Art education is a strange and surprising enterprise. It makes memories as important as celebration, traditions as crucial as innovation.
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Mayme Agnew Claytonâs collection of artifacts devoted to the history of African-Americans is close to finding a home.
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An institution seeks to be more than just an archive of programs.
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America can't forget its economic homework--or face the consequences.
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After decades of operating without a large permanent collection, Asia Society is opening a drive to collect contemporary Asian and Asian-American art.
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In part, the goal of the Center for Curatorial Leadership is that business people â or at least those with far more financial acumen than art training â do not end up running museums.
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Todayâs knowledge economy is stuck with the equivalent of an abacus for measuring the actual financial value of corporate assets and liabilities.
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Fisk University, a historically black school on the brink financially, is sitting on a lottery ticket it can't cash: a remarkable collection of 19th- and 20th-century art donated by the painter Georgia O'Keeffe.
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This is a story about Americans' tax dollars at work - or, more accurately, their grandparents' tax dollars.
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The loan exhibition at this yearâs San Francisco Fall Antiques Show includes Frances Elkins chairs, a lacquered vase by Jean Dunand, a Fritz Henningsen armchair and contemporary seating by Frank Gehry.
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The Metropolitan Museum of Artâs new exhibition invites the audience to give its opinion on 65 costumes using computers next to the displays, or online.
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Some 350 boxes stuffed with receipts, photographs, letters and other records chronicling the history of the Leo Castelli Gallery are being given to the Smithsonian Institutionâs Archives of American Art in Washington.
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The academy is finally catching on to the results of common sense, money-making principles.