Movie Review | 'Skid Row': The Gritty City
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More vÃ©ritÃ© than cinema, the documentary âSkid Rowâ is so raw that itâs virtually unwatchable.
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FOR decades, science fiction has promised a future in which lifeâs most mundane chores are carried out by robots. Sadly, the clunky, wobbling automatons that have been wheeled out as examples of this brave
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HBO's film of segregation in New York is at its best when it captures the fleeting joys of lost days.
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âSteel Cityâ tells the story of a man and his sons, who struggle with personal and financial demons in a drab Midwestern town.
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Mike Leighâs play âTwo Thousands Yearsâ is enjoyable, but oddly conceived and structured.
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Mahesh Bhatt's new film is a must watch.
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Debutant director Anand Rai whose thriller Strangers releases this Friday has an interesting   story to tell.
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Choreographer Lawrence makes his debut as a director with Muni. With a good mix of horror and humour, Muni is an entertainer.
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This agreeable, lightweight movie turns the malaises of a suburban Chinese-American family into bittersweet farce that teeters between cheeky humor and surface pathos.
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In both novel and film form, âThe Kite Runnerâ recounts a simple yet shrewd story about that favorite American pastime: self-improvement.
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It&#39;s violent. It&#39;s profane and politically incorrect. It&#39;s packed wall to wall with tough thugs doing terrible things.
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While âRolling Like a Stoneâ has poignant and funny moments, itâs a serious film about mortality, success and the ephemeral nature of experience and memory.
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This tough, satisfying French film is an austere crime drama of the sort that rarely makes it to American screens except on cable television.
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Rakht carries traces of a Ramsey film, but is worth a watch.
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Literally and existentially down and dirty, âIn the Pitâ is an absorbing documentary about work and the transformation of men into laborers.
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HBOâs incisive documentary uses clear-eyed history, shot through with archival film, to reveal the origins of the murderous street gangs of Los Angeles.
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This lively, if maddeningly reductive documentary examines the influence of the low-budget 1972 film "Deep Throat."