French Director Shows Film for Free to Defy Critics
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French director Claude Lelouch decided to show his new film "Les Parisiens" free across France on Friday to try to prove wrong the critics who have panned it.
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A new biography and DVD set reminds viewers why the director's films haven't lost their ability to thrill.
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The director talks about piracy, Cuba and discovering he is no longer an extremist.
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Local filmmakers have to tread around a scissor-wielding government censor whose logic is sometimes hard to follow
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Christopher Nolan's new film is worth a watch.
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One is tone-deaf, another a sneering troublemaker, part of a motley crew of young boys that hardly seems made for stardom. But their bell-like voices are the soul of a Cinderella story that has swept French cinemas, surprising critics and the director himself.
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Wired's list of must-see movies you don't have to pay a cent for.
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How to avoid bad movies in the name of a good cause.
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Never mind that Jean-Pierre Jeunet's new film is a French story filmed in the French language featuring one of France's biggest actresses. A Paris court has ruled that "Un Long Dimanche de Fiancailles" (A Very Long Engagement), which opened Friday in the United States, is too American to compete in French film festivals &#151; because of its Warner Bros. backing.
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PARIS  - In the wake of bad reviews for  his latest film, "Les Parisiens," director Claude Lelouch will  offer free screenings Friday "to allow the public to judge for  themselves."
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The film studio is finally producing profit and free cash flow.
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Amid the glamor of the Toronto Film Festival, our critic finds directors and actors focused on activism.
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The director of hit movie Amelie is fighting in the French courts to prove his latest film is really French.
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A film about a coming-of-age through the craft of embroidery was awarded the top prize for a first French screenplay at the American Film Festival in Deauville, northern France.
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This year's winners at France's most prestigious film festival were small and sometimes esoteric.
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The critics in Cannes are a notoriously contentious bunch, but something close to a consensus has formed that this festival has new vitality at 60.
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Two very different directors  have zoomed in on an individual&#039;s anguish in their new films,  bucking the trend at the Cannes film festival so far for  broader political and social dramas.