Respect in a Box: Giving John Ford the Major American Artist Treatment
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âFord at Foxâ is a gargantuan boxed set that assembles 24 of the 50-some films John Ford made for the studio that was his most consistent home.
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Immy Humes' documentary  about her late father, Harold L. Humes, has a poignancy that  comes not only from its subject -- a largely forgotten but  highly important literary figure of the late 1950s and early  '60s -- but also from the inclusion of interviews with such  departed contemporaries as Norman Mailer, George Plimpton,  William Styron and Timothy Leary.
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At the beginning of the 20th century, Henry Ford envisioned two cars in every garage in America. I wonder, as the 21st century starts, if we shouldnât also make room in our garages for a scooter.
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A long-lost manuscript by Mark Rothko helps illuminate the philosophical underpinnings of Color Field paintings, the artist's greatest breakthrough.
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Photographs from the book by Peter Menzel and Faith D'Aluisio
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How Lawrence Weiner transforms text into works of art.
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An interview with the master filmmaker about his new films.
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Filmmaker Ric Burns digs beyond the surface of Andy Warhol to bare the derisive artistÂs underside in a four-hour film airing Wednesday and Thursday on the PBS program ÂAmerican Masters.Â
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A lovely new show at the Cooper-Hewitt National Design Museum introduces us to the full sweep of this Venetian artistâs career, from the early etchings of antiquities to his eccentric furniture designs.
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Like father like son: exploratory variations on that old saw are the thematic heart of the Argentine filmmaker Daniel BurmanÂs ÂFamily Law.Â
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Ric BurnsÂs absorbing four-hour critical biography of the seminal pop artist is devoted to the proposition that Warhol was the greatest artist of the second half of the 20th century.
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He never won an Academy Award_ in fact, was never nominated. He never earned the big bucks that stars of his stature enjoyed. Yet for 52 years Glenn Ford remained an in-demand actor whose name above the title could attract movie ticket buyers.
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To engage with an artwork, especially contemporary works, can be a daunting task.
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Reviews of the Alexander Wang, Alice Roi, Bruce, Duckie Brown, John Bartlett and Karen Walker fall 2007 collections.
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As director of photography at the Museum of Modern Art, John Szarkowski made America's most famous lensmen. Then he became one.
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Arts & entertainment: Jonathan Jones ponders the meaning of  Marcel Duchamp's Fountain
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Mark Stevens and Annalyn Swan's "de Kooning: An American Master" traces the painter's history and plumbs the mysteries of his cryptic work in a remarkably lucid narrative.