Your Say: Rajnikanth's best film?
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The superstar has made over 120 films. Now you choose which is his best.
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rediff.com broke the news a few days ago that the Sivaji duo Shankar and Rajnikanth will be working together in Robot again.
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Rajni rocks and rocks. His charismatic screen presence makes up for the illogical sequences in the script. Vivek's one liners, Shriya's beauty and top class technical work makes Sivaji,/I> watchable.
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Raj Bahadur is still close friends with Rajnikanth.
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A M Rathnam's Bheema, directed by Lingusaamy is a dazzling, slick bash-fest. Vikram steals the show.
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Itâs not much of a stretch to say that &quot;Wimbledon&quot; is the best tennis film ever made. With the exception of the forgettable &quot;Players&quot; (1979), filmmakers have not used the world of professional tennis as a backdrop.
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India's entry for the Oscars tells a touching tale.
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Director Rajkumar Hirani talks about Hrishikesh Mukherjee and Munnabhai.
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Darshan's 25th film is a typical potboiler with plenty of fights and punch dialogues to please his fans. All in all, an ok film.
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What did you think about Ashutosh Gowariker's new film?
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Gandana Mane lacks freshness and has a cinematic narration seen in the seventies. Shivaraj Kumar tries to salvage the film, but it is of no avail. V Manohar's music composition is a saving grace.
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If you thought that Chak De India has been there and done it all, including finding itself a place in the Oscar library and management books as a case study, then, you need to think again, as this film has got something that no other film in Mumbai has got . It has the approval of none other than the Shiv Sena Supremo Bal Thackeray!
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All the best of the week's movies stories
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Hamsalekha's rocking music, pleasing visuals and competent performances from newcomers Yashas and Meghana all make this a neat film.
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>Satyajit Ray, arguably our most talented filmmaker, contributed to Indian cinema a grace that has never
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Rajkumar Santoshi has always made Ajay Devgan do the unusual.
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Mira Nair's film grabbed the audience from the first frame.