Broadway Show Is a Real-Life Fairy Tale
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NEW YORK (Billboard) - If it's not a Cinderella story,  "Brooklyn the Musical" is a "project story," as co-writer Mark  Schoenfeld calls it. Putting it another way, it's a "sidewalk  fairy tale."
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The musical ÂThe Reality Show: NYUÂ is a theatrical orientation for entering students at New York University.
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Still no actor to play the title character, but "Shrek the Musical," the Broadway-bound adaptation of the popular DreamWorks Animation SKG feature, has its spirited princess, villain, opening date and New York theater.
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OMAHA, Neb. - In "Cinderella," the rags-to-riches heroine marries her prince. In real life, the actors who play them will have their own fairy tale wedding next month.
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Kristin Chenoweth will return to Broadway in December to star in a revival of "The Apple Tree," three one-act musicals based on short stories by Mark Twain, Frank R. Stockton and Jules Feiffer and all tied together by a common theme: the consequences of temptation.
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Craig Lucasâs blue-hued romantic fantasy has returned to haunt Broadway in a moody, touching revival.
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âJerry Springer: The Operaâ uncovers something grand within the small, squalid lives it portrays.
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Kristin Chenoweth may be Broadway's biggest and busiest voice.
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Laura Bell Bundy is among the latest in a string of Broadway performers who are attempting to transform their theater success into a more mainstream musical career.
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Brandon Purves is the kind of guy producers of "Xanadu" only dreamed about. He liked the Broadway musical so much the first time that he saw it again. And again. And again Â for a mind-boggling 86 times and counting.
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Several highly anticipated Broadway revivals live up to their predecessors with strong casts.
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âJerry Springer: The Operaâ  uncovers something grand within the small, squalid lives it portrays.
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Imagine a John Lennon musical on Broadway. It's easy if you try.
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A straight shot of eroticism has steamed open under the innocuous name of "Spring Awakening," and Broadway may never be the same.
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The Cirque du Soleil's latest theatrical extravaganza adds a fully developed narrative for the first time, but the real spectacle is in the machinery.
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The Vineyard Theaterâs rare revival of J. M. Barrieâs elegantly plotted ghost story is an occasion of some interest.
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âOnceâ makes a persuasive case that the real future of the movie musical may lie not in splashy grandeur but in modesty and understatement.