Roll over, Beethoven: Orchestras challenge classical music
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The Ambitious Orchestra is one of several musical projects trying to draw younger, hipper music lovers to concert halls.
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The music composer was in the US for his concert.
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Another reason classical music is not reaching more young people: not because of how it sounds, but because of how it looks.
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Interesting music does not tell us to be good or bad. It asks only to be admired. Getting great music and simple faith together happens, but with difficulty.
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An incomplete 1789 Beethoven piano  concerto has been reconstructed by musicologists to create a  piece making its world premiere at a Rotterdam concert hall  next week.
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The organization New Music for Young Ensembles continues its 30-year-old mission at its concert on Monday: to promote accessible new music to a wider audience.
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A full house inside. Hundreds of people outside. A national TV audience. What more could an orchestra want? That's what the New York Philharmonic got on opening night, all that, plus two pianists.
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The Riverside Symphony and its audience took over Zankel Hall on Tuesday night for a characteristically inventive program of Baroque and jazz-oriented works.
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A few composers are seeing new possibilities for percussion concertos. At least four such pieces are scheduled in the US over the next month.
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Andras Schiff is showing in his Carnegie Hall traversal of the sonatas is that a handful of relatively small but decisive steps lead from the Haydnesque playfulness of Beethovenâs earliest works to the grand proclamations of the mature ones.
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James Levine led the Boston Symphony Orchestra in a rousing performance of Tchaikovskyâs Fourth Symphony.
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New music is always plentiful in New York, if you look beyond the New York Philharmonic and the two big opera companies. But even that qualification may change soon.
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The Manhattan Sinfonietta, a flexible new-music ensemble led by Jeffrey Milarsky , took over Merkin Concert Hall last weekend for two concerts that explored competing notions of contemporary musical language.
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The seemingly inexhaustible supply of Beethoven performances, and the seemingly inexhaustible public demand for them.
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The thriving art world has something to teach the classical music world.
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In the marginalized world of music education, a good deal of serious thinking needs to be done.
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Opera Orchestra of New York is facing financial problems that could force it to curtail next seasonâs performances.