Recording in 'Garage Band'
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Featured links from the CNET Blog Network
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They say a picture is worth a thousand words. But what about an original sound recording?
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The hard-disk recorder (HDR) is the central component of the modern digital audio studio. The most basic feature of a high-quality HDR is the capability to record and play multitrack/multichannel digital audio at various sampling rates. However, with the addition of software amenities such as non-linear and non-contiguous editing operations, support for a variety of soundfile formats, and audio digital signal processing via plugins or built-in modules the HDR is no longer simply a more or less sophisticated record/playback device. At this point it has become a digital audio workstation (DAW).
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New lightweight microphone systems allow high-fidelity recordings to be captured and stored on an iPod and can easily be transferred to a computer
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Some months ago I started collecting the pieces I needed to build my own 64-bit computer. I'm not a complete stranger to building machines, I've put together a dozen or so during the past twenty years, but it's been quite a while since I started one from scratch, and my experience with this machine was more instructive than it was meant to be. Nevertheless, at long last Studio Dave has gone 64-bit crazy. Well, not really crazy, but certainly more than mildly enthusiastic.
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Call it TiVo for the radio. A new &#36;70 device called RadioShark lets you record your favorite AM and FM radio shows to your home computer and enjoy them later either from the desktop or a portable device.
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Apple has introduced two new Jam Packs for its popular GarageBand consumer music creation software today. These two new packs offer new instruments and loops for different genres.
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By Dnichols@recordnet.Com, The Record, Stockton, Calif.  Sep.
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Plus: Mashups for the masses and HD video in a digital camera.
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There's a mini-debate going on about whether podcasting is a success or worth it, or whatever, I'm not sure exactly what the issue is, but it's framed this way --> if you can't get advertisers to hitch a ride on your podcast then podcasting is not worth much if anything.  I'm having a slow Friday so far, it's cloudy and chilly here in the Bay Area, we're in the January doldrums, so I thought maybe I could liven things up a bit by saying both sides of this argument are full of shit wrong. Let me explain. My phone doesn't have a business model. Neither does my porch. I still like having a phone and a porch because they help me meet new people and communicate with people I know. Same with my blog and podcast. Meanwhile... There's another mini-debate about bloggers playing pranks at CES. The Gizmodo guys ran around with some gadgets that turn TV sets off. At CES is this a big deal because much of what goes on there is TV. They were being assholes, interfering with people's ability to do their jobs and make a living. As a result bloggers get a bad rep.  The problem is that they're not bloggers, they're reporters and they work for a company that's not a blog, it's a publication. Publishing stuff on the web with blogging software says nothing about the people and what they write.  A blogger is person who has an idea, expertise or opinion who wants to convey that to other people. The unedited voice of a person. What makes a blogger interesting is that they do something other than writing a blog. If all you do is write a blog, and if you want or need to make money from your blogging, it's really hard to distinguish what you're doing from what professionals who don't use the web (are there any left?) do. Same with podcasting. I do a podcast from time to time because I want to say something. Whether I can run an ad on my podcast means nothing to me because I would never do it. And if I went crazy and let someone put an ad on there, it would only be to reciprocate for them having hosted the podcast, as a way of paying for the podcast itself (I'm contemplating doing exactly that right now so I had to include the disclaimer). I would never burden my podcasting with the task of supporting me. It's not why I podcast. We keep having this argument. Amateurism is good and there's lots of it. Professional writers and broadcasters probably have a place, I don't know, it's not my problem. But let's be clear blogging and podcasting exist independent of a professional's ability to eek out a living using the tools of blogging and podcasting.  Now I'm going to try to get some work done.  See also: Podcasting News, Mashable.
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The portable stereos that ruled city streets in the 1980s aren't shipping in high volumes anymore. But some sound artists are finding new ways to incorporate the devices into performances and ad-hoc radio networks. By Elizabeth Biddlecombe.
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Though technophiles are the one who usually like to brag about their electronic toys, recently, even tech novices have started crowing about their digital video recorders.
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Booting up in Âsafe modeÂ; how to record vinyl records onto a PC; external floppy drives.
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Two Grammy-winning UK record producers develop a technique to make music sound crisper on MP3 players.
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Plus: Mashups for the masses and HD Video in a Digital Camera.
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Clever 'perpendicular recording system' boosts storage capacity
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I saw an ad in yesterday's NY Times that offered the complete New Yorker magazine archive, including all the cartoons and ads, going back to 1920-something for a bit more than the hard disk would cost. The ad was from J&R, the company that makes the product is Pexagon. $149. Sounds like there might be DRM. I asked for something like this from the music business. A hundred gigs of popular music for $500, all pre-installed on the disk without DRM.  Someone at the New Yorker had this idea too? It's a good one. Bulk content for collector types. Another source of revenue. I want to run my own personal radio station, so having every song of a certain genre or from a certain period makes the diff.