Dance Review | 'This Womanâs Work': Showcase for Choreographers Who Are Works in Progress
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The two-and-a-half-hour program on Friday at Aaron Davis Hall was the usual grab-bag sampler, with plenty of derivative choreography and half-formed concepts.
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At Performa 07, New York Cityâs performance art biennial, most of the events fall somewhere in between dance and theater, in the vast, anarchic ocean of blarney and bliss that is contemporary art.
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The director, his muse, her fake bottom and one triumphant role
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To experience a single Merce Cunningham dance "event" is to plunge into the whole of Mr. Cunningham's choreographic world.
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On Friday at Symphony Space, Ms. Monk and her ensemble presented the first installment of Meredith Monk/Multi-Musics, a four-part series meant to demonstrate the sustainability and influence of her work.
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As part of an effort by scholars to raise the profile of female architects, Marion Mahonyâs designs are now available online.
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A show of stitched work at the Museum of Arts and Design moves beyond pure politics.
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Dance is not much known for its sense of humor. But there promises to be a few exceptions this season.
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Miro Magloireâs New Chamber Ballet Company presented an intimate, homey program.
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Thereâs a lot going on in Company So Go Noâs âArt of Memory,â a 50-minute dance-theater romp conceived and directed by Tanya Calamoneri that spans several continents and decades in source materials alone.
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The enterprising Zellerbach Hall at the University of California, Berkeley, is presenting a season in which three of Americaâs foremost companies are  each presenting programs of post-1950 choreography, and each showing one or more works by Twyla Tharp.
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It was evident, early on in this opening piece, that Nejla Y. Yatkin is after more than choreography.
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The three ballets in New York City Balletâs new âTraditionsâ program were created over 50 years.
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ÂChapel/Chapter,Â shown on Tuesday at the Gatehouse, is the least overtly political dance from the Bill T. Jones/Arnie Zane Dance Company in some time. It is also the most affecting.
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American Ballet Theater staged two world premieres by different choreographers : Benjamin Millepiedâs âFrom Here on Outâ and Jorma Eloâs âC. to C.â
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The piece offers a notable transformation of physical detail into a persuasive choreographic metaphor for the loss of self.
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The DancenOw/NYC Festival may now be confined to a single theater, but the range of artists in Tuesdayâs opening program at Dance Theater Workshop was just about as wide as ever.