Dance Review | Cedar Lake Contemporary Ballet : Rituals and Symptoms in a Triple Bill of Movement
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Is this true? Do we believe this? These questions â constantly asked by actors about their own performances and those of their colleagues â should apply across the board in the arts.
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By KRISTEN DAVENPORT, PHOTO BY JANE PHILLIPS
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ÂChapel/Chapter,Â shown on Tuesday at the Gatehouse, is the least overtly political dance from the Bill T. Jones/Arnie Zane Dance Company in some time. It is also the most affecting.
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For many dancers life after retirement can be traumatic. But the options are improving.
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A unique pas de deux: A Soviet ballet star and a medaled ex-marine run a very intense dance school in rural Maine.
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In the past year dance has finally carved out a space for itself online as dancers, choreographers and institutions embraced the Internet with video, blogs and new Web sites.
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There are many dancers who are happy enough to be in the corps de ballet. But a certain poignancy must resonate for those who have achieved so much to get so far, and then no further.
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Playbill - With the success of Contact and Movin' Out, three other dance-driven shows may be headed to the New York stage.
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From downtown to Brooklyn and beyond, dance is evolving into a myriad of hybrids, as seen in recent performances.
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In what kind of grim âbut not for meâ temper did New York City Ballet assemble âMatters of the Heartâ on Valentineâs Day?
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It was evident, early on in this opening piece, that Nejla Y. Yatkin is after more than choreography.
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Kelly, Desmond Hugh, Assistant dir, Birmingham R Ballet. For serv Dance. Kilmister, Claude Alaric Anthony, For serv Health and to the Prayer Book Society.
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American Ballet Theaterâs new production of âThe Sleeping Beautyâ certainly isnât hidebound by custom.
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The enterprising Zellerbach Hall at the University of California, Berkeley, is presenting a season in which three of Americaâs foremost companies are  each presenting programs of post-1950 choreography, and each showing one or more works by Twyla Tharp.
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Juilliard School's dance division presented four robust premieres by Janis Brenner, Susan Marshall, Ronald K. Brown and Robert Battle on Saturday.
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At Performa 07, New York Cityâs performance art biennial, most of the events fall somewhere in between dance and theater, in the vast, anarchic ocean of blarney and bliss that is contemporary art.
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The piece offers a notable transformation of physical detail into a persuasive choreographic metaphor for the loss of self.