TV embraces the online clip age
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BBC Click examines the explosion in sites supporting user generated content such as YouTube.
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After decades of hype, interactive television is now pouring into American living rooms. But how much do viewers really want to interact?
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The rise of broadband is transforming businesses around the globe - and newspapers are no exception. As the Belfast Telegraph branches out into TV and other interactive products, Deputy Editor Paul Connolly considers the implicationsThis is going to be the year of video on the Internet.
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By Stephanie Hoo, The Virginian-Pilot, Norfolk, Va.  Dec. 8--Picture this: A palm-sized video camera that you don't have to be a genius to operate. Or, a gizmo that slings your TV signal to any computer, anywhere.
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More television viewers are turning to  the Internet to watch videos, films and TV episodes, according  to a new survey.
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Extending Internet video into the living room puts set-top boxes and media extenders in the spotlight in 2008.
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More than just a hobby for teens, online video appears to be going mainstream.
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Ladies and gentlemen, boys and girls... It's with much anticipation that I say this. I have a new product that may be familiar to those of you who used Radio 8, and in other ways may be completely new.  The idea is simple.  There's a convergence between big screen high-definition televisions, and photography as an Internet based activity. The purpose of this product is to smooth that convergence, to make it easy to set up a connection between the Internet and your television. To allow photography to come into your living room in new, powerful and easy ways. Think of it as the networked living room and you'll understand the vision. Some of the work I've done is technical, some is user interface, and some is working with media organizations to try to create a comfort level, or at least a spirit of Let's Give This A Try. In the latter case, it's much like working with the NY Times to get their news headlines and summaries to flow through Radio's RSS aggregator in 2002. Only this time we're working with photographs, and we think, the best news photographers in the world. And the pictures are beautifully high-def, they look really great when displayed on LCD and plasma screens. I use it with my 52-inch Samsung and 46-inch Sony. Of course what looks great on a wall, also looks great on a 15-inch Macbook or 24-inch iMac.   And while we connect those pros with your TV, it's equally important that we connect your friends and families too. One of the early testers found the pictures that Doc Searls uploads to Flickr a great revelation. Me too. That's because Doc is not only a great photographer, he's also a great story-teller. I find that I can follow the lives of far more friends visually than I can through text messages (which I love to do too!). Viewing great photos on bigscreen TVs, desktops and laptops -- that's one focus, but not the only one.  I wanted to provide a complete two-way tool for people who love Flickr, as I do.  Why Flickr? Well, they've got this great thing called an API. It makes it possible for people like me to make software that runs on a desktop computer that does things like automatically backing up your new photos every night, and providing a drop-folder on your desktop for quick uploads. (It understands tags too, it's incredibly simple.) We also made it easy to post pictures you like to Twitter. Why Twitter? It's that API thing again. They made it easy for us to love them. I wish more network service developers understood how powerful this outstretched hand is.  But that's not all! Not by a long shot. The reason all this will be so familiar to Radio 8 users is that it builds on the same engine, the one that was released as open source in 2004. So I've been working on other tools to drop into this base platform and once we have a good-sized base of people using it for "really simple photos" on the desktop, there will be other tools. And because it's an open platform, other developers can do the same. Not saying they will, but they can.  Anyway, I'm in the last stages, preparing the download site, and a FAQ, and tweaking the installer. One caveat, the first beta release is Mac only. That's because I'm doing all my work on the Mac, and this is a one-man show. Later we will work it out for Windows too, and with a bit more work and a bit more luck, for Linux.  It should be ready before the sun goes down today.
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Virtual reality might finally be the medium that unites the passive experience of watching television with the interactive potential of the Web.
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A growing number of people are watching TV online; sometimes the future looks very different when it arrives and more.
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By JAKE COYLE  NEW YORK - Ever conscious of a good trend, TV networks and advertisers are increasingly adopting the YouTube model of viewer-created content.
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Channel 4 has launched an on-demand service that lets viewers catch up with their favourite programmes online.
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This sweet-natured coming-of-age story manages a neat trick in our increasingly ``edge&#39;&#39;-obsessed television world: It&#39;s old-fashioned without seeming irrelevant.
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TV and radio serve up content in a linear broadcast format. It&#39;s dished out in time slices according to schedules that make sense to broadcasters and the marketers who buy their ad space.
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The net is having to grow in order to meet fresh demands such as high definition video on the web.
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Even as their supply of new programs dwindles during the months-long writers' strike, major TV networks continue to try to capture online viewers. Streaming free full-length episodes on their own websites was just the beginning. Episodes from ABC, CBS, Fox and NBC are showing up on an assortment of sites, from big destinations such as AOL to newcomers Veoh and MeeVee.
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Ever conscious of a good trend, TV networks and advertisers are increasingly adopting the YouTube model of viewer-created content.