Down South, Singing the Indie Blues
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Twenty-seven years and 16 features after they began their mutual career, John Sayles and Maggie Renzi are still making movies.
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The performers are not stars, but the price is competitive.
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Since the box office hit rock bottom last weekend, there's no place to go but up. And two films targeting very different audiences are looking to take advantage of the usual seasonal slump this weekend.
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Catch a glimpse of the movies guaranteed to make a splash at this year's edition of the storied indie film festival.
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When singer Bryan Ferry was a  university student, he didn&#39;t really care much for Bob Dylan,  preferring the sounds of American soul and Motown.
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A new documentary sets Toots Shorâs rise and long, sad decline against the backdrop of 20th-century American social history.
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Collectively, independent record labels are a sleeping giant waking up and demanding its due. Think many Davids versus a few Goliaths. Commentary by Eliot Van Buskirk.
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Small-budget movies are making bigger hits than big-budget movies.
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Comedy Little Miss Sunshine leads the nominations for the Independent Spirit film awards.
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The Dixie Chicks' Natalie Maines couldn't resist the rich irony &#151; or the chance to rub their success in the face of a country-music establishment that turned its back on them.
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Michael London, the producer of the indie hit âSideways,â got his feet wet with that movie. Now with three films at Sundance, heâs taken the plunge.
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âVince Vaughnâs Wild West Comedy Showâ imagines itself a contemporary equivalent of rootinâ- tootinâ traveling entertainments like Buffalo Billâs Wild West Show. Thatâs a tall comparison to draw.
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At this year's film festival, nonfiction films outshine the usual angst-ridden, quirky indies.
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LOS ANGELES - While theaters will be alive with the sound of Julie Andrews in song again, the actress insists it falls short of all-out singing.
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This interesting documentary focuses on the sad state of the music business.
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Indie distributor Magnolia  Pictures is looking to make some quick cash on two indie  comedies, releasing them nearly simultaneously on cable and in  theaters and DVD stores.
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African American Toni Manieson knows what it is like to sing the blues.