Music Review: Hispanic Classics Flavor a New York Debut
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The first New York appearance by the State Symphony Orchestra of Mexico had all the makings of an occasion.
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Concert-stage performances of American Indian dance and music are rare in New York City. But âThe Drum Is the Thunder, the Flute Is the Windâ was often disappointing.
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It might not seem the most obvious material for a song-and-dance number, but the Diary of Anne Frank will take centre stage next month when a Spanish musical based on the most famous book about the Holocaust opens in Madrid
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Let the news ring out from Lincoln Center. Send word by satellite radio. Trumpet it in Times Square. An exciting new era was born at the staid old Metropolitan Opera on Monday night.
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A project brings three unlikely local musicians together to compose music for the island often referred to as New York Cityâs forgotten borough.
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Musica Sacraâs real drawing card is its focused, trim sound, which keeps Handelâs vivid, painterly orchestration of âMessiahâ lithe.
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On Tuesday night the New York City Opera opened its season with a new production of âMargaret Garner,â an opera by Richard Danielpour with a libretto by Toni Morrison.
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One of Spain's most acclaimed flamenco vocalists, part of new generation of traditionalists, sang a stark, intimate set at Joe's Pub on Tuesday.
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The âOpera-for-Allâ concert at the New York State Theater on Thursday read like a tasting menu for City Operaâs fall season, with bits of Mozart, Massenet and Mascagni.
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Ms. OâConnorâs New York recital debut stressed her stylistic versatility.
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Tanned bodies sway to an intense Latin beat on a sticky night at Pravda 116. Here, the rakish clientele knows its house music almost as well as it knows the new Versace fall line. And tonight it likes what it hears.
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For the fight of his life, undisputed middleweight champion Bernard Hopkins chose some music that says something about his life. When he enters the ring Saturday to face Oscar De La Hoya, it won&#39;t be to pulsating rap.
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Music inspired and made by Spanish Gypsies, Colombians grappling with the effects of war, and internacionalistas making music for the age of globalization had one thing in common this year: fusing old and new ...
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The Gotham Chamber Opera is putting on Astor Piazzollaâs âMarÃ­a de Buenos Aires,â and if the fine young company does not quite have this tango-driven masterpiece in its embrace, it does well enough.
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For the first time in nearly 20 years the Metropolitan Opera presented Verdiâs breakthrough early masterpiece in a stylistically eclectic, grimly effective and, at times, intriguingly playful production.
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Hershey Felder doesn't just perform classical music, he gets into character as the composers.
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Special thanks to the enterprising New York Theater Ballet for giving New York what I believe are the yearâs first staged revivals of the work of JosÃ© LimÃ³n and Antony Tudor.