The '3:10 to Yuma' is a ride worth taking
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Russell Crowe and Christian Bale square off in an updated Western full of familiar tropes, now on DVD.
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LOS ANGELES  - Russell Crowe's remake   of the old Western "3:10 to Yuma" finally has found a home.
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The slick thriller mixes fire fights with a fiery message.
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Itâs not a happy summer in the skies, to put it mildly. Still, passengers have been remarkably composed.
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These speed demons aren't for the fainthearted, but there's a smart way to invest in them all.
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Despite occasional detours into sentimentality, this Irish film is better than the usual three-stage journey of courage, heartbreak and redemption.
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It's more a well-intentioned documentary than a feature film Â a moral science lecture on every aspect of patriotism there is. Only, it lasts three-and-half hours.
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A great symbol of the rugged old West, or at least as it was portrayed by Hollywood, is riding off into the sunset.
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There is a  magical spot here, just a short crow&#39;s flight from Milwaukee,  that is now designated a national historical landmark and  hallowed ground to anyone with a reverence for the theater&#39;s  past, i.e., those days before Broadway ticket prices zoomed up  past the $450 mark (as we&#39;ve just been informed Mel Brooks&#39;  &quot;Young Frankenstein&quot; is going to cost us per ticket).
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This Hollywood film is a time-pass fun flick.
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By Craig Tenbroeck, North County Times, Escondido, Calif.
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Watching 'Don' was a great experience not just for the film in itself but for another reason too i.e. the
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In the lottery of TV scheduling, "October Road" is a very big winner.
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The train is becoming an attractive option for business travelers in Europe.
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With the superior fire power of  Russell Crowe and Christian Bale, the Western &quot;3:10 to Yuma&quot;  was the big shot at the weekend box office in North America,  according to studio estimates issued on Sunday.
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By Brian J. Pedersen, Arizona Daily Star
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I met an old friend for coffee in San Francisco yesterday afternoon, and had a few hours to kill before stopping in at the Wired reunion party. I didn't want to drive back to Berkeley because the weather was so crummy, and I was just across teh street from a movie theater and was just in time for the start of a movie that lots of people had been telling me to see. So I went. The movie -- The Diving Bell and the Butterfly, I had no idea what it was about until the movie started, then I remembered hearing a Fresh Air show about it and finding it too painful to listen to. Now here I was in the theater, not just being asked to listen to it, but being asked to live it. Through some very wonderful film-making, you feel as if what is happening to the main character is happening to you. Or more accurately, probably, you get the slightest hint of what it's like to be this person. My immediate impulse, one which I gave serious consideration to, was to pack up my things and leave. Anything would be better than spending three hours living this guy's life.  Two things happen over time: 1. You get over it. 2. They change perspective, and instead of being inside his body, you move outside it.  I think those two things are the story we all live as we mature and learn to live inside our own bodies, with their limits. You learn to step outside and see the humor in your predicament. The main character says he lives in a diving bell because it's as hard for him to communicate with other people as it would be at the bottom of the ocean inside a diving bell. The movie teaches that it's not much easier for the rest of us, even though we can manipulate symbols better. On the other hand, of course it is. The film develops a relationship between the hero and his father, between the hero and his own children, his ex-wife, his lover.  We strive for deeper understanding of ourselves and each other. But it may be ridiculously easy to find the only meaning that exists, without language, without intellect, by just being. The Diving Bell and the Butterfly should probably be the picture of the year for 2007, it's that good. But like all great art it shows you something truthful about yourself, and you may or may not want to see it.