The right stuff (enter, stage left)
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How should we view Sir David Hare's new play, Stuff Happens, about the political events leading up to the war in Iraq, featuring Alex Jennings as George Bush and Nicholas Farrell as Tony Blair? Hare himself ...
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Hip-hop and rock, onstage together: itâs an idea whose time has come. And gone. And come again. And gone again. And so on.
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There's an easy way to show a 400% gain, and there's the right way.
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Take the trip out of Ctrip, and let's C what you get.
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2008 is off to a fine start for the world of Linux sound and music software, so this week's story is straight reporting from Studio Dave, with breaking news from various points on the Linux audio compass.  read more
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Where designers on the international stage had better be.
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Know the difference before you make your pick.
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As a veteran actor, Fred Dalton Thompson knows something about entering a stage. It's all about the build up.
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THE RIGHT and left human ears process sound differently, according to scientists who studied the hearing of babies and found the right ear better at picking up speech-like sounds and the left more attuned to music.
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Business & money: Â· Users can download tracks and vote for favourite act Â· Contest will be backed up by Channel 4 series
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The performers are not stars, but the price is competitive.
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How do you get on the Metropolitan Opera stage? Stand in line.
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Opinion Stepping in and taking charge
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Distracts truancy with a FLASH! Any magician worth his salt knows about distraction. A grand movement with the left hand while the right hand lifts your wallet and keys is Hocus-Pocus 101.â¦
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A glimpse into the cast of Flavours.
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At the public demo on the 17th, I will talk about the idea of the Networked Living Room built on RSS. Low-tech, open, all moving parts replaceable. Not just photos, that's step one.  Sign up on Upcoming. Still some space left.
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A simple, "pay what you like" offering breaks all the rules and helps set the stage for the splintered future of the music biz. Bands need to treat marketing and management decisions as a valid part of the creative process. Commentary by Eliot Van Buskirk.