You Go to the Movie Theater, and an Opera Breaks Out
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The Metropolitan Operaâs high-definition transmissions to movie theaters add crucial elements of live theater and collective excitement to the experience of opera on screen.
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When the Lincoln Center  Theater presents a new work by Tom Stoppard, it means one thing  for theatergoers:
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Bored by opera? Can't understand the words? Placido Domingo wants to change your mind.
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For the first time in nearly 20 years the Metropolitan Opera presented Verdiâs breakthrough early masterpiece in a stylistically eclectic, grimly effective and, at times, intriguingly playful production.
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In her Met debut, Julie Taymor brings puppetry, illusion and movement to her production of the Mozart opera.
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The San Francisco Opera plans to make films of its performances available for showings in movie theaters starting in March, the company said Tuesday.
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Opera is no stranger to sensitive singers and demanding divas.
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After the buildup to the opening night of the season, you can expect a certain falloff. But the second night of the Metropolitan Operaâs season on Tuesday was terrific.
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The Phantom of the Opera, a rare big screen adaptation of a musical, opens this weekend. With the musical grossing $3.2 billion worldwide with stints in New York, London, and Toronto, it was worth the gamble to producers.
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Yell for a doctor in an Italian movie theatre and you risk a stampede. Almost everybody here, it seems, is a "dottore." Or "professore" or "maestro" or some other honorific.
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All kinds of controversy is coming soon to a theater near you.
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Theater that invites the audience to get in on the act may be poised to become a more prominent component of the theatrical scene.
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By Chris Shull, The Wichita Eagle, Kan.  Jun. 1--In the summertime, opera unbuttons its collar and relaxes its stuffy image.   At park amphitheaters and bucolic outdoor venues, grand opera becomes grand entertainment, less potent theater and more a popular outing.
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By Sally Vallongo, The Blade, Toledo, Ohio  Jun. 3--The Toledo Opera goes to great lengths to build tomorrow's audiences.
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The music of director Saran's new film sounds good.
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&quot;The theater? They&#39;ll just  take some stinkeroo movie ... throw it on a stage, and call it  a show.&quot;
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Elina Garanca woke up the Metropolitan Opera from its January slumbers.