Director Lynch produces film that puzzles critics
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David Lynch is not like other  directors. Critics say his films make no sense and even he  admits they are difficult.
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Todd Haynes is known for films that are daring and arty and donât always make sense. Inside the making of his weirdest, most audacious work yet.
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A startlingly convincing portrayal of Adolf Hitler in a new German movie about his last 12 days is causing controversy with critics challenging its treatment of the "monster" as a human being.
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How the Fool makes it easy to find Lynch-like guidance.
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The oddball premise, about a man who brings murder victims back to life, has generated buzz.
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Many undergraduates already spend their days listening to psychedelic tunes, watching strange films and trying to reach a transcendental plane. But now, thanks to an unlikely alliance between folk singer Donovan and film director David Lynch, all of the above will be on the curriculum.
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A critic&#39;s reaction to a  film festival is akin to the old story about the five blind men  who all touch an elephant and report wildly different  descriptions of what the animal must look like based on the  particular body part encountered.
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The film, which opened to poor reviews, was much loved by the audiences.
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Okay, a few days ago I wrote a review of the Diving Bell and the Butterfly saying it could be the best picture of 2007, but even so you might want to skip it because the truth it reveals might be something you don't want to look at. It's a fine picture, but a tough one. Another wonderful but tough picture is No Country for Old Men. It's one of those movies that leaves so much unresolved that you walk out of the theater not sure which foot goes in front of the other. On a second viewing it makes much more sense. The world isn't necessarily as crazy as it at first seemed. But there's a movie that is also incredibly well crafted, and gets better every time you think about it -- Juno. I didn't realize how much I liked it until I heard someone compare it to Little Miss Sunshine, a movie that I did not enjoy, unlike everyone else it seems. I loved Juno because it organizes its sweetness into love for one person, the star of the movie, Juno. But everyone, no matter how dorky or clueless (and some of the adults are truly dorky and clueless) shares the love. The movie has a wholeness, an unqualified goodness, you not only walk out of the theater in love with Juno and everyone else in the movie, but your heart is warmed for everyone, including yourself. It's that good.  All three remind how good movies can be. And there were some not-too-bad movies at the end of 2007, for example, Atonement, which some didn't like, but I did. 3:10 to Yuma is a well-crafted genre picture. Michael Clayton was a perfect showcase for the talents of George Clooney. Great acting and a simple story in The Savages.  Which one was the best? I'd hate to have to choose!
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This stage version of Kurt Vonnegutâs antiwar 1969 masterpiece faithfully retains the novelâs pivotal moments. But woe to the spectator unfamiliar with the material.
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Though it's based on a promisingly outrageous premise, this film from the veteran filmmaker Dario Argento unfolds as a tired, thoroughly conventional police procedural.
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For some reason, themes  revolving around the Iraq War seem to be defying the best  efforts of serious-minded filmmakers. Such is the case with  this debut feature effort from Bryan Gunnar Cole.
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A box-office surprise, the movie jabs hard at Americans' biases.
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What happens when idealism becomes power? That question is the driving force of Jeremy Kaganâs inert yet strangely compelling film âGoldaâs Balcony.â
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Damn those movie critics - and I make that statement fully understanding the irony behind it. Every now and then, for whatever reason, it seems as if critics get together in a secret clubhouse and decide to tear a picture to shreds.
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There's a fine line between intimidating and dirty, between physical and cheap. Safety John Lynch of the Denver Broncos insists he doesn't want to be on the wrong side of it.
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Understanding director David Lynch's  films is never easy.