PBS deserves to take a bow for its history of Broadway musicals
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In the early 1990s, Michael Eisner, Chief Executive Officer of the Walt Disney Co., had a &quot;Get Shorty&quot; dark-side encounter with New York Mayor Rudolph Giuliani.
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Between January and June there will be 12 plays opening on Broadway. For those who like their words unsung, itâs a beautiful thing.
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com. (New York City) Why turn one of the most successful Broadway musicals in history - seen by over 80 million people worldwide, since its debut in Londonâs West End in 1986 - into a big screen spectacle?
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There is a  magical spot here, just a short crow&#39;s flight from Milwaukee,  that is now designated a national historical landmark and  hallowed ground to anyone with a reverence for the theater&#39;s  past, i.e., those days before Broadway ticket prices zoomed up  past the $450 mark (as we&#39;ve just been informed Mel Brooks&#39;  &quot;Young Frankenstein&quot; is going to cost us per ticket).
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Several new Broadway-related Web sites have arrived with the potential and purpose of bridging the gap between the obsessed and the genuinely interested.
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New York City Balletâs âRussian Treasuresâ program of works choreographed by George Balanchine to music by Tchaikovsky embodies important City Ballet history.
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The Broadway musical that broke a batch of records will play its final performance on Sunday, April 22.
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&quot;Broadway: The American Musical&quot; starts like an infomercial and ends with a big, wet kiss for Disney. In between are six hours of song and dance guided by that lesser-known muse, Hyperbole.
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For three nights, succumb to the lullaby of Broadway, as PBS devotes six buoyantly entertaining hours to Broadway: The American Musical.
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The musical will open in London later this year.
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This childrenâs reading-readiness series on PBS uses fairy tales to communicate the power of reading. But they are fractured fairy tales.
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Thereâsa magic in the Broadway musical that seems to transcend cultural styles and circumstances and generations. Whether breaking new ground or reviving a classic
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Its newest Broadway show gets the usual kiss-off from the critics. What's their problem?
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The drama of how Patti LuPone finally got to star as Rose in a New York production of âGypsyâ is almost a musical in itself.
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The âAmerican Experienceâ documentary âGrand Centralâ is such an entertaining wallow for New York PBS viewers that itâs disconcerting to note that it was produced in Boston.
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Perhaps it is time for Broadway to forge ahead in adapting some of the truly awful movie offerings of the decade for the stage.
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Playbill - The journey of The Pirate Queen - the Broadway-bound musical from the producers of Riverdance and the creators of Les MisÃ©rables - will be charted in on-line video diaries free to the public, starting Sept. 12.