In the Studios' Shadow, an Avant-Garde Eye
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Pat O'Neill, whose virtuosic films engage with Los Angeles as a subject but eschew Hollywood blood sport, is the subject of a retrospective at the Santa Monica Museum of Art.
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Japan's pre-eminent photographer of the postwar era is a master of a kind of redolent ambiguity that speaks both to his subject and to the nature of photography.
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As first light spread across Hollywood, the spin machine hummed to life.
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New in-camera features let photographers enhance images seen with the naked eye.
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Sharp designs and colors fight the impression made by older devices.
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A new method for creating metamaterials that bend light in unusual ways may have brought practical applications closer.
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In this space I will be looking for the avant-garde, the change of heart that always signals a change of form.
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The artist's universe is a room that often contains little more than necessary props and supplies, perhaps a human model and, of course, a window admitting light from the outside world.
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The Museum of Modern Artâs show is a touching, sometimes melancholy portrayal of Russiaâs architectural ferment and the brutality with which it was ultimately suppressed.
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The Toronto International Film Festival offered a snapshot of the variety of styles and sensibilities that characterize world cinema today.
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A new exhibition takes a close look at the dÃ©cor behind the dances of Merce Cunningham.
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A commercial photographer and train buffâs works seem at once folksy and uncanny, with phallic monsters of industrial dynamism racing through benign, Norman Rockwell-esque visions of semirural America.
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A brand is transformed on the silver screen.
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LOS ANGELES  - Art imitates life, and life imitates art, and sometimes it's hard to tell which is which.
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The Hungarian-born photographer helped to create the black-and-white images that to this day define mid-20th-century Paris as a city of romance and mystique.
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Staged photographs produce some class acts
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Independent film may be dead, but if it is, it has been reincarnated in the shape of another much-mourned, perpetually misunderstood movie martyr, the studio system.