Dance Review | Pacific Northwest Ballet: An Idiomatic Balanchine, Walking the Walk in Seattle
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Pacific Northwest Ballet, starting its 2007-8 home season in Seattle with an all-Balanchine triple bill, is an example of how the generations are changing.
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The seasonâs second program, a quadruple bill called âDance for Joy,â which opened on Thursday, is a reminder that City Ballet also leads the world in sheer quality of repertory.
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At 93, Frederic Franklin can relate much of the history of ballet from firsthand knowledge. But that doesnât mean heâs finished performing.
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The New York City Balletâs âAmerican Songs and Dancesâ is an odd collection of dances.
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Fashion Wire Daily - Fashion Wire Daily - New York - We bow (or maybe a pirouette would be more appropriate) to whoever thought to take a ballet slipper, slap on a sturdier sole, finish it in a nicer fabric, add some cute adornments and take it to the street.
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CityDance Ensemble presented an impressively varied program of work by nine choreographers.
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Bill T. Jonesâs choreography for the Broadway musical âSpring Awakeningâ is a perfect fit for a choreographer concerned with storytelling, the power of gesture and sexual identity.
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Characteristics and traditions of French dance were on display at the Paris Opera.
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By Dean Baker, The Columbian, Vancouver, Wash.  Sep.
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There are many dancers who are happy enough to be in the corps de ballet. But a certain poignancy must resonate for those who have achieved so much to get so far, and then no further.
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Last February, at the Atlanta Ballet&#39;s annual gala, Lynda Courts saw an item up for auction that she just could not refuse. The evening&#39;s performance was &quot;Romeo and Juliet,&quot; and Romeo himself was on offer.
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A refuge for dance is a bastion of growth and stability, but some question its programming.
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Not everyone is following the lead of the Seattle Art Museum and its evocation of Spain this month with its handsome exhibition "Spain in the Age of Exploration," but some are, including the Seattle Baroque ...
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Two City Ballet dancers are part of the new terrain that has opened before me since I moved from London to New York in April.
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The enterprising Zellerbach Hall at the University of California, Berkeley, is presenting a season in which three of Americaâs foremost companies are  each presenting programs of post-1950 choreography, and each showing one or more works by Twyla Tharp.
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A perennial Christmas favorite, even among those who scorn ballet and classical music, is Tchaikovsky's Nutcracker--performed by major professional companies and youth dance classes alike.
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From downtown to Brooklyn and beyond, dance is evolving into a myriad of hybrids, as seen in recent performances.