Way Down in Harmony, With Mythic Blues Again
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âHoneydripper,â directed by John Sayles, is a shambling fusion of pop mythology and social mosaic.
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Tycho:  I'm super depressed.  I thought I had invented a new word - mirthquake - and then I was going to say that you should prepare yourselves for the aforementioned, as today's comic strip was rated this or that number on the rictus scale.  I mean seriously, I've been excited all weekend.  A simple Google search put me in my place - the word is practically ubiquitous.  Expect it soon on Urban Dictionary, that mausoleum of once vibrant language.
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New releases from Laura Marling, the Whigs and Re-Up Gang.
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Killswitch Engage, "As Daylight Dies" (Roadrunner): Plenty of people feel metal is just a bunch of noise, that it requires no musicianship whatsoever. They need to have a good listen to the latest from Killswitch Engage.
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Put together the mixed and mashed art of Scott Pagano and the multifarious music of Jochem Paap  and you get something the likes of which youâve never experienced before.
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New releases from the Killers, Beck, Evanescence and the Decemberists.
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The media giant gets back in touch with its musical roots.
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In almost any ensemble organized by the drummer Paul Motian, reality gets scrambled slightly, just enough to sharpen the senses.
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Music is still a big force in pop culture, but the music businessâs own comeback attempt is falling flat.
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Updated Two pints of lager and the latest White Stripes single, please
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Flashy new discs and that old cozy sound have got the iPod generation giving LPs a spin
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Arts & entertainment: Rockers lay down your guitars and indie types look away now: bouncy, colourful pop is back at the Brits
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For all of the talk of him playing weird music, Peel played Status Quo&#39;s &quot;Whatever you want&quot; the other week. He played music as it actually is: an unholy mess, a mixture of old and new, some bands having sold
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Thanks, Dan Brown. Look what you started. In the sound-like-Brown genre the stakes are high, the scruples are absent and the copycatting is out of control.
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On a pair of CDs, minstrel of misery Conor Oberst (a.k.a. Bright Eyes) proves great--one out of two tries
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The ensemble is well tuned, reasonably together and certainly not lacking in enthusiasm. Its size was not right for the space.
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Stunning well-knitted rhythm arrangements, seductively lilting instrumentation, soul-melting tunes, impeccable emotion-stirring vocals, and lyrics couched in winsome language -- all in one harmonious whole producing an exotic melodious soiree.