Newly Found Tennessee Williams Plays Staged in NY
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Five newly discovered short plays by  Tennessee Williams are shedding light on the troubled life of  one of America's greatest playwrights more than 20 years after  he died in a hotel room surrounded by wine bottles and pills.
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Playbill - The New York Theatre Barn will present two by-invitation-only staged readings of the new musical I Married Wyatt Earp July 31 at the Players&#39; Loft.
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"Five by Tenn," a selection of Tennessee Williams one-acts Â four of which were exhumed from a Texas archive Â offers little cause for excitement.
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Playbill - Composer Frank Wildhorn and librettist-director Gregory Boyd are working on a new musical called Mary Shelley's Frankenstein, with James Barbour attached as the famed creature of the tale, Playbill On-Line has learned.
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Playbill - Tennessee Williams' The Night of the Iguana, considered by many to be the last major work by the playwright, gets a six-week revival in New York City Feb. 21-March 30 in the respected conservatory setting of T. Schreiber Studio.
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Alan Gilbert is part of a one-two punch of dynamic new conductors facing New York audiences this fall.
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Emmy winner Daniel J.  Travanti ("Hill Street Blues") is making his New York stage  debut in a new play called "The Last Word . . .," and fans may  wonder what took him so long.
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Latin-themed musicals are a rare  commodity in the theater business.
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A new play by David Hare heads the list of provocative theater in New York.
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The Metropolitan Operaâs new strategy of plugging sudden holes in its casts with big names has its beneficiaries.
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Good, bad or indifferent, one-act plays have been flooding the city's stages.
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Lincoln Center Theater's exhilarating production of Tom Stoppard's play is performed with freshness and vigor by a starry cast, led by Ethan Hawke and Billy Crudup.
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The Williamstown Theater Festivalâs new season includes productions of âShe Loves Meâ and âThree Sisters.â
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The latest revival of  Edmond Rostand's 1897 "Cyrano de Bergerac," in an adaptation by  Anthony ("A Clockwork Orange") Burgess, opens Thursday at the  Richard Rodgers.
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This concert of new experimental folk music at Carnegie Hall used about 25 musicians working as a large cast, with instrumentation constantly changing. Amazingly, it worked; the show felt almost windborne.
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The New York Philharmonicâs substantive program on Friday included a lot of bustling film music by John Williams and others that few of the musicians may ever have played before.
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Pierre-Laurent Aimardâs piano recital on Monday at Zankel Hall was a carefully planned, illuminating program that included the surprise premiere of âCatÃ©naires,â a new work by Elliott Carter.