"Snakes on a Plane" fails to charm moviegoers
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So much for the Internet hype.  "Snakes on a Plane," a camp thriller that generated an  unprecedented tsunami of online hysteria during the past year,  crawled into the No. 1 slot at the North American weekend box  office with estimated ticket sales of just $15.3 million, its  distributor said on Sunday.
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The film is a family entertainer, and steers clear of sex and violence. But somehow, it also guarantees that many of the main characters in the film act incredibly stupid.
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This week's Hollywood releases don't look promising at the box office.
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The nominal thriller "White Noise" is worthy neither of Michael Keaton's talents nor even a desperate horror fan's attention.
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The film is interesting, but does not probe deep.
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Ninade Nenapu is a mediocre film except for a couple of catchy songs.
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Dismissing "Racing Stripes" as a paltry retread of "Babe" would be mean, and it's hard to be mean to a movie that's so well-intentioned.
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The Stephen Soderbergh film starring George Clooney seems self-indulgent at best.
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Celebrity photographers say a new movie misrepresents them, and that hurts their feelings.
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Pankaj Parasher's detective drama fails to match the original's charm.
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Russel Crowe's new film does not do justice to him.
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Apparently moviegoers had enough of all the mother-bleepin' hype   about the mother-bleepin' snakes on that mother-bleepin' plane.
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Manila airport officials prevented a real life version of horror flick "Snakes on a Plane" this week when they stopped more than 130 reptiles, including poisonous cobras, from boarding a flight to Bangkok.
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But the film will not draw in the audiences.
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To hear some punsters tell it, it's  time for Hollywood to "kick asp." After endless parodies,  Weblogs, videos, books, news reports and T-shirts, "Snakes on a  Plane" finally opens in the United States on Friday with no one  knowing quite what to expect from the super-hyped film other  than a story about reptiles patrolling a panicky passenger jet.
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Despite its star wattage--including Meryl Streep, Vanessa Redgrave and others--the film is a limp look at what might have been
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Anders Thomas Jensen's film about the cannibal business is neither high flying enough for the art house nor low down enough for the cult-video shelf.