Movie Review | 'The Wayward Cloud': A Tale of Love, Drought and Desperation
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âThe Wayward Cloudâ offers one plausible moral: If life hands you watermelons, make love to them.
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James Cameron's newest film is a grandiose hybrid of undersea documentary and outer-space fantasy.
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The documentary âDeep Waterâ begins like a Boyâs Own adventure tale but ends up more akin to tragedy.
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Krishna Vamsi's Chandamama is a neat and clean love story set against a rural backdrop with loads of entertainment. Go for it.
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âWimbledonâ is a well-behaved movie about nice people who have good things happen to them. Thatâs kind of startling in a world where movie characters, especially in
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Tod Wodicka's protagonist is a medieval re-enactor trying to escape the modern world. But this tender, oddball debut is much more than an extended cheap shot.
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The film has many an interesting nugget about it.
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Kelly ReichardtÂs film is a triumph of modesty and of seriousness that also happens to be one of the finest American films of the year.
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Independent film has a certain cachet, bringing to mind uncompromising, unkempt artists plumbing their genius to bring cold, hard truths to the corner cinema. Or maybe it brings to mind guys dressed as film canisters panhandling in L.A.
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For some reason, themes  revolving around the Iraq War seem to be defying the best  efforts of serious-minded filmmakers. Such is the case with  this debut feature effort from Bryan Gunnar Cole.
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past. Filmmaker Kerry Conran has made a soaring action adventure that&#39;s both a glorious labor of love and, in the end, irrelevant.
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In his latest film, the young Thai director Apichatpong Weerasethakul pushes at the limits of narrative with grace and a puckish willfulness.
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Lucrecia Martel's elusive, feverish and altogether amazing second feature is much more than a melodrama of violated innocence.
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Technically a superb film, it suffers from a weak script.
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Ore Kadal is a tale that refers to love that is not pure and pristine as films want us believe, but love that includes lust and guilt.
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Well-acted, beautifully shot and broad and personal, âThe Motorcycle Diariesâ is nonetheless undermined in the end by a clunky search for meaning and depth that seems
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âThings We Lost in the Fireâ bends over backward to prove that serious American movies can hold their own with the best films from overseas.