Theater Review | 'Absinthe'/'La Vie': Under an Alternative Big Top, Acrobatics of the Adults-Only Variety
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Spiegelworld is presenting among its acts a family-unfriendly one-ring circus featuring two separate shows that translate European decadence into a raunchy American aesthetic.
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Merce Cunningham and colleagues have presented a retrospective series of evenings about his choreography called âHistory Matters.â
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Lifetimeâs two new comedic dramas, which are surprisingly appealing, are centered on the interplay between friends and co-workers but do not include steamy soap-opera subplots.
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Miro Magloireâs New Chamber Ballet Company presented an intimate, homey program.
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Alcott's young-adult classic Little Women has been turned into a musical that even grownups can like
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A close look at American Ballet Theaterâs flashy production of âSwan Lakeâ tells you a lot about its spring season.
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THE circus that changed traditional entertainme
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Configuration, a ballet company that emphasizes works in contemporary styles, displayed lively choreography in its comedic offerings, but was less effective in two serious pieces.
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The fall season is unusually rich in new plays by American writers.
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âPolitics of Passion: Plays of Anthony Minghellaâ consists of two short pieces that explore the limits of ordinary communication.
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The summer may be loaded with blockbusters, but itâs now becoming crowded with more adult fare that usually opens in the fall.
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âMy First Timeâ is a new Off Broadway play in which four actors recount stories about peopleâs first sexual experiences.
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At Performa 07, New York Cityâs performance art biennial, most of the events fall somewhere in between dance and theater, in the vast, anarchic ocean of blarney and bliss that is contemporary art.
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In London, new productions of âOthelloâ and âMuch Ado About Nothingâ reveal a common theme: loveâs susceptibility to deception.
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Cuckoldry is rarely as tedious or as raucous as it is in the East River Commediaâs revival of Fernand Crommelynckâs 1920 play.
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Playbill - LAByrinth Theatre Company productions frequently reach down into the lower depths of society, and its new offering, Brett C. Leonard's Unconditional, looks to follow in that tradition.
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Ken Urbanâs new play is mystifying and frustrating. But there are satisfying elements in the production, which are rendered with wit and feeling by the versatile cast.