Movie Review | 'Four Eyed Monsters': Love in the Modern Age
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This innovative chronicle of a truly modern romance conveys, in a painful, darkly humorous way, a variety of ultra-identifiable truths.
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Director Mira Nair&#39;s (Monsoon Wedding, Kama Sutra: A Tale of Love) modern take on William Makepeace Thackeray&#39;s 19th century novel is an intriguing, romantic and lavish feminist romp into material ambition, snobbery and class division.
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So itÂs a thriller against erotica this week. And then when youÂre about to roll your eyeballs in exasperation along comes a big-little film with a quaint and curious name like Amu to fill you with hope for life at the  movies this week.
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Genetic breakthroughs and an unlikely drug offer hope for a disease ravaging the eyes of an aging population.
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Mahesh Bhatt's new film is a must watch.
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âThe Eyeâ is the latest Western deconstruction of a successful Asian horror movie and it is louder and more literal than its inspiration.
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There&#39;s a popular misconception that it&#39;s impossible to like a movie without any likable characters. Nonsense. The truth, as usual, is a bit more subtle: It&#39;s impossible to like a movie without any empathetic characters. You don&#39;t have to ...
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Director Ridley Scott's original vision for the groundbreaking sci-fi flick comes out in a baffling array of DVD sets. Luckily, they all capture a bleak future in which uppity androids get popped for becoming self-aware (and there's no narration to kill the mood).
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âBridge to Terabithiaâ is a movie whose emotional depth could appeal more to adults than to their offspring.
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Not since Spinal Tap has there been a sharper satire of cinematic mythomania
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The videocassette in film: an unsettling innovation, a romanticized artifact, an LP in an MP3 world.
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Although my favorite fiction films at Sundance were different in theme and tone, they were united by stylistic commonalities, a feel for the still moment â and, importantly, for beauty.
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But the film by director Richard (&quot;Richard III&quot;) Loncraine combines love on the court and off into something surprisingly captivating.
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Mel Gibson's new film is meant for mature audiences.
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It may be a bit, um, premature to say so, but Judd Apatowâs âKnocked Upâ strikes me as an instant classic, a comedy that captures the sexual confusion and moral ambivalence of our moment.
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While âShockproofâ will inspire more groans than gasps, itâs essential viewing for fans of filmmakers Samuel Fuller and Douglas Sirk.
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A fantastically grotesque retrospective of an influential-yet-overlooked filmmaker. By Jason Silverman.