Art Review | 'All the More Real': Those Rumors of Paintingâs Death? Exaggerated
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The Parrish Art Museumâs show feels at times like a master class led by artist Eric Fischl, although a somewhat anachronistic one. Painting is hardly dead.
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Art imitates life, and  life imitates art, and sometimes it's hard to tell which is  which. Take the little town of Marceline, Mo., a place so  idyllic, so orderly, so utterly all-American that it seemed  impossible to improve on. Marceline declined once the  automobile came and the crowds started to roll in, but it is  forever enshrined in the memories of several generations of  Americans.
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Leonardo Da Vinciâs masterpiece joins a large and growing population of virtual art.
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A filmmaker contends that the Andy Warhol Foundation for the Visual Arts has waged a 20-year conspiracy to bend the art world to its will.
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Controversy has been the lifeblood of Britain's top award for modern art, and this year is no different: One nominee is too sensitive to display in full.
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The idea that artists and scientists glare at each other across a cultural divide is mostly fiction, as the work of the printmaker Joseph Scheer makes abundantly clear.
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âChuck Close,â about the painter, photographer and printmaker by the documentary filmmaker Marion Cajori, truly excels in its depiction of the physical process of making art.
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Two pieces of Christian art that predate the Holocaust raise questions about anti-Semitism.
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It is instructive to imagine the D C Moore Galleryâs 10-year survey of Mark Greenwoldâs small, fraught Realist paintings in one of New Yorkâs major museums.
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Politics and art donât always mix well, but the combination has yielded a rare chance for Hong Kong residents and visitors to see what is arguably Chinaâs most famous painting.
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It's an art collection that could hold  as many as 80 works by Vincent van Gogh and nearly half-a-dozen  by Paul Cezanne, that is if the champions of a dead Dutch  furniture dealer are to be believed.
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Joe OâDonnell, who died Aug. 9, came to be described as a fraud who had claimed as his own some of the 20th centuryâs most famous images.
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Sex, death and religion, artâs old stand-bys, its holy trinity, are alive, weird and living, at âKeith Edmier 1991-2007â at Hessel Museum in Bard College.
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Sex, death and religion, artâs old stand-bys, its holy trinity, are alive, weird and living, at  âKeith Edmier 1991-2007â at Hessel Museum in Bard College.
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To dye or not to dye. That is the question in the latest feminist debate over aging and authenticy
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In many instances, stolen art masterpieces are recovered almost out of the blue, long after investigators have stopped actively pursuing leads.
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LET'S be pretentious for a moment, hmm? What is the truer art: painting or music? Whether 'tis nobler to suffer the oils or the ivories?.