Front Row : Bad Taste Is Their Kryptonite
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Unlikely superheroes will be introduced Thursday at a comic book convention at the Javits Convention Center in New York.
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They may be the rudest guys to ever sell you a cup of coffee. Yet Dante Hicks and Randal Graves are the most beloved store clerks the big screen has ever seen.
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This year television â good, bad and mediocre â found itself obsessed with big shots, big bucks and the arduous climb up the class ladder. So letâs hoist a glass, have some fun and raise some fury.
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Why has society shown such resistance to a technology that will allow them to smell their favorite Hollywood stars? The foul stench of
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Business is abysmal at local moviehouses. Weekend attendance was off 27 percent from the 2004 low reached the previous weekend. The opening of the SouthSide Works Cinemas 10 on Friday should more than make
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Idiot 2.0 passes judgement on idiots This crock crock by CNET blogger Steve Tobak must take the award for 2007's most self-righteous, sanctimonious bollocks. Read on:â¦
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Arts & entertainment: Â·  Television and cinema have big influence on taste Â·  Poll reflects young's strong preference for the modern
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A section of the media which has no access to particular stars is playing a strange and damaging game of  celeb-bashing.
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The devil is back in Exorcist: The Beginning, and he is more disgusting than ever. Not more scary, just really yucky, in a kind of maggots-on-a-pizza-slice way.
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that is more unnatural than ketchup on eggs. And I don&#39;t care what you say; that is just disgusting. The jolly people at DreamWorks thought that Ben Affleck and Surviving
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This actors&#39; showcase about four people making each other miserable is technically commendable but tough to like. By Robert Horton.
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Broadway inspires a morbid fascination. Ever since vaudeville went respectable, a century or so ago, everyone from social critics and city planners to choreographers and doormen has predicted the imminent
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Only the pop tart&#39;s committed audience will enjoy this grating musical flick, as she attempts to become America&#39;s sweetheart in song and screen, writes Jay Stone.
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It has been well recorded that the mid-nineties are best known for sudden popularity of independent cinema, but independent from what? The term "indie" is as slippery when applied to films as it is to music. The studio at the vanguard of this "revolution" was Miramax, which was long a subsidiary of Disney, and as for the "revolution" itself, it unleashed more painful and derivative Pulp Fiction clones than it did anything truly revolutionary. It was bled dry, turned inside out, repackaged, and sold back to the masses until it became the paradigm of unhipness. This seems to be the nature of all revolutions, from the Soviets to the Sixties; the bullshit always comes full circle.     While it's easy to be cynical of all so-called revolutions in hindsight, what one can't be cynical about is the intense enthusiasm audiences had for the so-called independent cinema of this era. To every person who ever dreamed of being in the director's chair, it seemed like all one needed to have the new hit movie was a vast knowledge of pop culture, the ability to write pages worth of rambling dialogue, and a Visa card.
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Flaming skulls, cheesy acting, satanic motorcycles -- what's not to like? In Table of Malcontents.
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It was an off-Broadway rave, but this play has more trite than bite
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Generally, Bad Language is against awards shows. The TelePrompTer puffery and please-buy/see-my-latest-CD/DVD appearances are nauseating at best. But it's our job to report on all things pop culture. So we watch. And we watch. And we fall asleep. Then we wake up and watch again.