Theater Review | 'The Lifeblood': A New Look at How Mary Lost Her Head, Way Back When
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The latest to take up Mary Stuartâs cause is Glyn Maxwell in âThe Lifeblood,â staged by the Phoenix Theater Ensemble.
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âThe Last Year in the Life of the Reverend Dr. Martin Luther King, Jr. as Devised by Waterwell: A Rock Operettaâ has the feel of an artistic debate that was never quite settled.
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Thereâsa magic in the Broadway musical that seems to transcend cultural styles and circumstances and generations. Whether breaking new ground or reviving a classic
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In the wake of Oliver Stone's epic movie about the Macedonian conqueror's life -- and the pounding it received from critics and theater-goers alike -- we at LiveScience believe a reassessment of the great ...
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While âThe Maddening Truthâ is fascinating as a character study, its weakness as a play is the paucity of dramatic conflict.
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There were times when I despaired. The screaming point came at the Edinburgh Festival, where successive performances of Plleas et Mlisande , Il trovatore (both emanating from Hanover State Opera) and Orfeo ed ...
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I have never seen a production of âKing Learâ that left me so utterly unmoved or that seemed so perversely out of touch with the playâs soul-wrenching depths as this whimsical storybook interpretation.
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Sam Kim presents a persuasive choreographic metaphor for the loss of self.
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Horton Footeâs âDividing the Estateâ is among the most acute analyses of flaws in the American psyche in the 21st century that the theater has come up with to date.
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"Once upon a time, there was a woman who discovered she had turned into the wrong person."
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Memory is a twisting knife in âFollies,â Stephen Sondheim and James Goldmanâs beautiful, broken-hearted musical from 1971.
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Guy Maddinâs âBrand Upon the Brain!â is a baroque entertainment with one foot in silent cinema and the other gingerly toeing the sound waves.
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Art imitates life, and  life imitates art, and sometimes it's hard to tell which is  which.
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Religion isnât easy, but itâs rarely looked tougher than it does in this intimate and disturbing film.
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When the harrowing play Frozen opened on Broadway this summer, audiences were shaken by the authenticity of Yorkshire playwright Bryony Lavery&#39;s portrayal of the mind of a serial killer.
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'There Will Be Blood,' a story about the rise and fall of a robber baron, isn't the year's best film. But it's certainly the strangest â and compelling, at that.
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The people behind the musical âFrankensteinâ â not to be confused with the Mel Brooks âFrankensteinâ on Broadway â want to clear up some of the misconceptions about Mary Shelleyâs book.